Archive for the ‘Childbirth Celebration Song’ Category
Aayi bahaar kiye solah singaar
Posted on: August 14, 2022
- In: Blog century song | Celebration Song | Century songs for the blog | Childbirth Celebration Song | Devnagri script lyrics by Sudhir | Duet | Geeta Dutt songs | Geeta Dutt-Laxmi Roy duet | joie de vivre | Laxmi Roy song | Lyrics by Prakashchandra | Lyrics contributed by readers | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 5 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 17100th song post in the blog.
This post also includes the 1500th Hindi lyrics contribution by Sudhir ji.
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Blog Day : |
5140 | Post No. : | 17100 |
We in this blog regularly publish song posts everyday without a fail. The last date when no post appeared in the blog was 25 December 2019 (Blog day number 4177). Today (14 August 2022) is the 5140th day for the blog. So there has been no DOT day for the blog during last 973 days !
When we are this regular, then song posts add up and before we realize, we arrive at the next century mark. The previous century mark was a big occasion when we reached a round figure of 17000 song posts.
Nowadays only one or two songs posts appear in a day whereas more than six songs used to appear daily in the blog ten years ago, as we have been noticing while discussing songs under our Blog Ten Year Challenge series. Even then we reach our centuries fairly regularly. The 17000th song post appeared on 2 June 2022. Today, on 14 august 2022, that is 63 days later, we arrive at the next century song post, namely song post number 17100 !
This is a century song post with some difference. It is the first century post for the blog after the blog became ASAD Bhopali. In other words, it is the first century post after I superannuated from my Railway service and settled down at Bhopal. If I or others thought that the pace of the blog will pick up, that has not happened. In any case, we nowadays are not much concerned about the pace at which we are going. We just ensure that no day should be a DOT date.
The century post is always a special post that showcases a song that is special in one way or the other. All the 170 century songs (yes we have had that many century posts in the blog) have been very special songs. Assuming each of these song to be 3 minutes long, listening to all these songs non stop will require 510 minutes, viz 8 hours 30 minutes ! Assuming someone sets out to listen to all the 17100 songs at the same rate of 3 minutes per song, he will need 51300 minutes, which is 855 hours viz nearly 36 days (non stop round the clock) worth of music !
Regulars have actually listened to all these songs. I, who has published bulk of these song posts have actually listened to all these songs multiple times !
So one can have some rough idea of how much time has gone into the effort of bringing all this collection together at one place. And this is by now an online collaboration of nearly two dozen like minded music lovers who have been putting on enormous amount of time and effort and love into this ongoing online project of collecting and piecing together authentic information about the glorious history of Hindi movie music.
As a result of our collective effort, we have showcased songs from over 4600 movies. More than 1000 singers, more than 800 lyricists and more than 500 music directors are already represented in the blog. 1329 movies have already been YIPPEEE’D.
The above figures may not look very impressive to the uninitiated, but the initiated persons will know that this is perhaps the only place online where all this information is available at one place. For instance, many of the YIPPEEE’D movies had songs that are rare songs. Those missing songs have been specially located and uploaded by us (more specifically by Sudhir Ji). Similarly a few of the special songs (including century songs) were special songs that were uploaded for the first time online while those special posts were published.
During the process of our posts, We found songs that were incorrectly credited in HFGK. we have come across songs that did not find mention in HFGK. We also had occasions when new information about songs and artists were received from comments made by knowledgeable sources. Sometimes even close relatives of the artists commented on our posts and shared invaluable information with us.
All the above facts are extremely satisfying to us who are associated with the blog in various capacities. We feel that we in our own small ways, are contributing our mite to human knowledge . With time, our contribution may find more appreciation, I am sure of it.
I started thinking about a song for the occasion only at the last moment which is my wont these days. I finally zeroed in on this song from ‘Nav Durga’ (1953).
‘Nav Durga’ was produced by Homi Wadia and directed by Babubhai Mistri for Basant Pictures Bombay. The movie had Usha Kiran, Mahipal, SN Tripathi, Sulochana Chatterji, Amarnath, Agha Shapur, Raja Sandow etc. in it. The movie had nine songs in it. Six songs have been covered in the blog so far.
The song being discussed is sung by two sisters. We have hundreds of songs sung by Mangeshkar sisters, but there were other sisters too in HFM. But duets sung by these sisters are few and far between. Suman Kalyanpur (nee Hemadi) has sung a few duets with her sisters, such as Shyama Chittar (nee Hemadi). Geeta Dutt too had a sister called Laxmi Roy, but her sister sang very few songs before vanishing from the HFM after her marriage.
The song under discussion is sung by Geeta Dutt (then Roy) and Laxmi Roy. Ramesh Chandra Pandey is the lyricist. Music is composed by SN Tripathi. This is a joyous song. Geeta Dutt sings initial stanzas. Laxmi Roy’s voice appears towards the later half of the song.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of the song were sent to me by Prakashchandra.
I take this opportunity to thank one and all for their continued support and encouragement that is providing us with the energy to drive this musical bandwagon on and on. Let this musical bandwagon roll on and on for many more centuries of songs.
Song-Aayi bahaar kiye solah singaar (Nav Durga)(1953) Singers-Geeta Dutt, Laxmi Roy, Lyrics-Ramesh Chandra Pandey, MD-S N Tripathi
Chorus
Lyrics(Provided by Prakashchandra)
aayi bahaar kiye solah singaar
ho o o
aayi bahaar kiye solah singaar
sakhi chamka umangon ka taara
ho sakhi chamka umangon ka taara
chamka umangon ka taara
ho sakhi chamka umangon ka taara
bagiya mein chhaayi umang hai
aaj phoolon mein preetam ka rang hai
ho o
phoolo mein preetam ka rang hai
bagiya mein chhaayi umang hai
aur phoolon mein pritam ka rang hai
ho o
phoolon mein pritam ka rang hai
honthon mein pyaas liye
milne ki aas liye
dulhan ne ghoonghat utaara
ho sakhi chamka umangon ka taara
chamka umangon ka taara
ho sakhi chamka umangon ka taara
aayi bahaar kiye solah singaar
sakhi chamka hai nainon ka taara
ho sakhi chamka hai nainon ka taara
chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
mukhda gulaab sa hai pyaara
jhoole nanha sa raaja dulaara
o jhoole nanha sa raaja dulaara
mukhda gulaab sa hai pyaara
jhoole nanha sa raaja dulaara
o jhoole nanha sa raaja dulaara
maiya ki god bhari
nainon ko jyot mili
jagmag hai aangan humaara
ho sakhi
chamka hai nainon ka taara
chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
aayi bahaar kiye solah singaar
sakhi chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
chamka hai nainon ka taara
ho sakhi
chamka hai nainon ka taara
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
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आई बहार किए सोलह सिंगार
हो ओ ओ
आई बहार किए सोलह सिंगार
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
बगिया में छाई उमंग है
आज फूलों में प्रीतम का रंग है
हो ओ
फूलों में प्रीतम का रंग है
बगिया में छाई उमंग है
आज फूलों में प्रीतम का रंग है
हो ओ
फूलों में प्रीतम का रंग है
होठों में प्यास लिए
मिलने की आस लिए
दुल्हन ने घूँघट उतारा
हो सखी चमका उमंगों का तारा
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
आई बहार किए सोलह सिंगार
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
सखी चमका उमंगों का तारा
हो सखी चमका उमंगों का तारा
मुखड़ा गुलाब सा है प्यारा
झूले नन्हा सा राजा दुलारा
ओ झूले नन्हा सा राजा दुलारा
मुखड़ा गुलाब सा है प्यारा
झूले नन्हा सा राजा दुलारा
ओ झूले नन्हा सा राजा दुलारा
मैया की गोद भरी
नैनों को ज्योत मिली
जगमग है आँगन हमारा
हो सखी
चमका है नैनों का तारा
चमका है नैनों का तारा
हो सखी
चमका है नैनों का तारा
आई बहार किए सोलह सिंगार
सखी चमका है नैनों का तारा
हो सखी चमका है नैनों का तारा
सखी चमका है नैनों का तारा
हो सखी चमका है नैनों का तारा
Begum janiya ki godi bhari
Posted on: August 3, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4399 | Post No. : | 15777 |
Today’s song is from the film Bhaijaan-1945. It was made by United films, Lahore. Directed by S.Khalil, it had music by Shyam Sundar. The songs were by Partau Lukhnavi. The film had 9 songs. The cast of the films was Noorjehan, Shahnawaz, Meena, Karan Dewan, Anis khatoon, Ansari, Nazir Kashmiri and others.Some of the songs shot on Noorjehan were sung by Nurjehan in the film, but the 78 RPM records of these songs were by Zeenat Begum. There are 4 such songs. This information is from the recordist Anant Thakur, as mentioned in HFGK. Anant Thakur is the same person whose name appeared as the Director of film Chori Chori-56, in later years.
The story of the film was written jointly by Ismat Chugtai and S.Khalil. Dialogues and songs were by Partau Lukhnavi. This film was the maiden venture of the United films. The producers of this film were Khalil and Murad. Though a small company, it is a wonder how they could get big stars like Noorjehan. The film was released on 15-9-1945 at the Imperial Cinema in Bombay. As per review of the film , which appeared in the Film India magazine of November 1945, the film did a better business than expected.
The story of this film is about a Muslim middle class family. From the film Qaidi-1940, there were many Muslim social films made by Fazli brothers, Mehboob Khan, K.Asif and some others. This went on till 1947 and after a sizable gap, some Muslim social films were made in late 50s and 60s. The story of film Bhaijan-45, as given By shri Kamlakar pasupuleti ji, in his book, “Forgotten movies on Muslim Culture, 1933 – 1947″ is given here….
This is the story of two well educated, cultured brothers, Nawab Afsar (Shahnawaz) and Nawab Anwar (Karan Dewan). Afsar is married to Sarwari Begum (Anis Khatoon) but falls in love with Benazir (Noorjehan)-a dancer. A child is born and Sarwari’s sister Shahida comes for her help. Anwar falls in love with her and their marriage is fixed. Anwar comes to know about Afsar’s involvement in Benazir and he goes to her asking her to keep away from his brother. She agrees, but falls in love with him.
A relative of Afsar, Shaukat (Nazir Kashmiri) who lives with them wants to marry Shahida and so spreads rumours that Anwar is in love with Benazir. One day Afsar finds Anwar in Benazir’s house and believing Shaukat’s stories, quarrels with Anwar and asks him to leave the house. Anwar leaves and proceeds to Bombay to look for a job. With this tension, Afsar falls sick and on Sarwar’s request, Benazir nurses him back to health. Learning about Anwar’s exit from this house, Benazir decides to leave the theatre and move to Bombay.
Meanwhile Afsar comes to know the tricks of Shaukat and throws him out. Shaukat goes to Shahida’s parents and tells stories about Anwar. They believe him and break Anwar-Shahida’s marriage. However, Sarwari informs all details to her parents. They ban Shaukat and the marriage is re planned. Anwar meets with an accident in Bombay. Knowing this, Afsar goes to Bombay and the brothers get united. Considering Anwar’s love for Shahida, Benazir decides to go out of his life and commits suicide. So, all is well and both families live happily thereafter.
This small budget film did good business. Dialogues were in simple Urdu. Every role was done nicely. Director Khalil went on to direct some more films. He directed 7 films only, namely Jhankaar-42, Nai Zindagi-43, Bhaijan-45, Shahkar-47, Sartaj-50, Gunehgar-53 and Benazeer-64. He had written 7 songs in the film Tajmahal-41.
In this film the role of Afsar was important and was done effectively by actor Shahnawaz, who later on migrated to Pakistan and did better there than in India. Shahnawaz Khan, known only as Shahnawaz, was born on 18-9-1906 in Hyderabad Deccan. His father was a Major in Hyderabad’s Nizam Army. During his school education, he used to act in dramas. After Matriculation, he joined a Govt. Service in Hyderabad state. He was, however, keen on joining films and dramas. After 5 years, he left the job and started a Motor car business. In that connection, he would visit Bombay often and try his luck at different studios. Finally, his efforts bore fruit and he got a Villain’s role in film Bharat ka laal-36, in which he was listed as S.Nawaz. It was a stunt film made by the Kadam brothers (Harischandra rao and Chandra rao Kadam), with Master Bhagwan as the Hero.
After this, he never went back to Hyderabad. Then came his films Daulat-37, Toofani khazana-37, Rangila Mazdoor-38, Jungle king-39, Sardar 40 etc etc. In 1940, he joined Bombay Talkies and worked in films. He was apparently in Devika Rani’s camp. He was seen in Punarmilan-40, Bandhan-40, Jhoola-41, Naya Sansar-41, Kismet – 43 and Hamari Baat-43. He also worked in Masterji-43, Police, Parakh and Anban-44, Zeenat, Bhaijan and Humayun-45 and few more films. In all, he did 35 films in India. In 1948, Shahnawaz migrated to Pakistan. He was welcomed there. He did 41 films in Pakistan (32 Urdu and 9 Punjabi). Some of his films were quite famous, like Aansoo-50, Sassi-54, Ayyaz-60 etc.
Shahnawaz died in Karachi on 18-6-1971. His last released film was Nek Parween-75.
Today’s song is sung by 3 unidentified female voices and a chorus. HFGK mentions this song as a Chorus song only. The music of this film does not justify the image of Shyam sundar.
( Ack: information for this post is taken from HFGK, muVyz, Film Directory-1946, KamlakarP.’s book ” Forgotten movies on Muslim Culture,1933-1947″, Film India magazine and my notes ).
Song-Begum janiya ki godi bhari (Bhaijaan)(1945) Singer- Unidentified female voices, Lyricist- Padtau Lakhnavi, MD- Shyam Sundar
Lyrics
Begum janiya ki godi bhari
Begum janiya ki
Begum janiya ki godi bhari
abhilaasha bani hai pari
abhilaasha bani hai pari
begum janiya ki
Begum janiya ki godi bhari
Begum janiya ki godi bhari
?? ki machaao sakhi ree
?? ki machaao sakhi ree
hil mil ke gaao bajaao sakhee ree
hil mil ke gaao bajaao sakhee ree
kaahe dholak kinaare (?) jagee ee ee
kaahe dholak kinaare (?) jagee ee ee
begum janiya ki
Begum janiya ki godi bhari
Begum janiya ki godi bhari
kaisi sakhi ki dulhaniya hai pyaaree
kaisi sakhi ki dulhaniya hai pyaaree
joodaa suhaana hai gahna hai bhaaree
joodaa suhaana hai gahna hai bhaaree
aao minnat sakhi ham karen aen aen
aao minnat sakhi ham karen aen aen
begum janiya ki
Begum janiya ki godi bhari
Begum janiya ki godi bhari
sharmaaye na jo haaye
sharmaaye na jo tauba
sharmaaye na jo le jaaye ??
sharmaaye na jo le jaaye ??
dheere chale haaye
dheere chale tauba
dheere chale ??
haaye moree ??
sharmaaye na jo haaye
dekhe jo taare
chhamaa chham chali hai
dekhe jo taare
chhamaa chham chali hai
doodhhon nahaai hai
pooton phhali hai
doodhhon nahaai hai
pooton phhali hai
?? ke jam jam yoon ??
?? ke jam jam yoon ??
dheere chale haaye
dhheere chale tauba
dhheere chale ?? mori lajeelee
haaye mori lajeelee
sharmaaye na jo haaye
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4033 | Post No. : | 15155 |
Today’s song is from film Shri Ganesh Mahima aka Shri Krishna Vivah-1950.
Mythological films have been my weakness from the beginning. When I was around 10-12 years of age, I would be a very happy, willing and enthusiastic escort to family elders-especially ladies, going for a Bhakti Pradhan film. What I liked in these films was the trick scenes and fantastic costumes. later on I realised these films also provided lot of religious knowledge in the formative years.
Most mythological films were based on stories from Ramayan and Mahabharat. But many films were also using stories from various Puranas like Shiv Puran, Vishnu Puran etc. There was no dearth of such stories, what with 18 Puranas and 2 Epic books. Stories of Puranas etc have some hidden meanings, which one has to look for. Few years ago,in one of my posts, I had explained how the Dashavatars of Lord Vishnu were actually the story of evaluation of Life on Earth. The first avtar of Matsya( the fish) explains us how life on earth began in water.The second avtar of Koorma (the Tortoise) told us the development of Amphibians who started living on land and water. So on and so forth
In Tretayug, Shri Ram came and in Dwapar Yug, Shri Krishna was incarnated by Lord Vishnu. Shri Ram gave a lesson on how to be an ideal son, husband, friend and a King, but Krishna taught us how to be a street smart person and win over enemies skillfully. I feel in today’s times, Krishna is more relevant than Ram. Krishna also taught us how to be a happy person and enjoy everything.
Like religious stories , there is no shortage of Gods also, in our Religion. This is actually one of the plus points of Hinduism. Each community can and will have its own version of God. Many Gods, but basics are never compromised. Everyone knows there is only ONE GOD, having a different version to suit the worshipper. Examples are, Fishermen have God in the matters related to Sea and Tribals in forests worship Gods made of Wood. We all know that these are all symbols and God lives in our Hearts.
One can find stories of most popular Gods like Ram,Krishna, Ganesh, Hanuman, Shiv ji, Vishnu etc, but somehow the film world has ignored Bramha, Saraswati, Shani deo, Surya dev, Kartikeya etc. These are the Gods for whom even temples are few. Kartikeya (elder son of Shankar-Parvati) is worshipped in south as Kumara swami. These Gods do appear in some films for few minutes, but exclusive films on them are missing. Now that Mythology is present only on TV, such films have become rare these days.
Our Indian film makers will never fall short of subjects for their films. They can combine any stories and make a Hybrid film- like for example, Sindbad,Alibaba and Alladin-1965. They can give families and children to famous characters like Zimbo ka Beta, Alladin ki Beti etc. The worst molestation has been done to the famous character of Tarzan. He is combined with, Capt. Kishore, Delialah, King kong, Circus, Cobra, Gorilla, Hercules, Jadugar, jadui Chirag, Jalpari and a Fairy. Tarzan is provided with a Mehbooba, Beta and Beti. Tarzan has been sent to Delhi, Paristan, Fairyland and even in a wonder car. I feel pity for Edgar Rice Burrows who must tired of turning in his grave !!!
Film Shri Ganesh Mahima aka Shrikrishna Vivah-50 is also a combination of stories from Ganesh Puran and Bhagwat Puran. In Ganesh Puran, there is a story that once The Moon laughed at Ganesh. Ganesh was angry and he gave a curse to the Moon. Moon came on his knees and then the curse was modified that whosoever sees the Moon on only Ganesh Chaturthi night, will be falsely accused of theft. In our childhood there was a rumour that to ward off the false accusation of theft, if you throw stones on somebody’s house and he abuses you, then the curse disappears. Some naughty boys used to do this and get abuses profusely !
In Bhagwat Puran, the story of Shrikrishna’s marriage to Satyabhama is described. In this film,both these stories are interwoven skilfully. The story of this film, as noted by me in my diary, is thus……
Great and Miraculous powers are attributed to Shri Ganesh the benefactor of mortals as well as the immortals. Such a benign being was once laughed at by Chandra only to be cursed by him. Realising his folly, Chandra begged for forgiveness and the curse was modified by the merciful divinity to be effective only on the day of Ganesh Chaturthi. He ordained that anybody looking at the moon on that night will be a victim of false accusations.
It was on such a day that Shri Krishna unwittingly looked at the moon in the night and had to suffer the indignity of being falsely accused of theft of Syamantak Mani. This jewel was acquired by Satrajit, one of the Yadavas as a boon from God Sun. Shri Krishna had sent Narad to Satrajit expressing his desire to possess the Mani. The events took such a turn that there was circumstantial evidence against Shri Krishna who happened to be at the Chambers of Satrajit’s daughter Satyabhama, devotee of Lord Krishna on the night prior to Satrajits losing the Mani. Shri Krishna was shocked at such allegation made by Satrajit and Shatadhanva ( Another Yadava) who had been promised by Satrajit the hand of his daughter Satyabhama.
Shri Krishna took upon himself to find out the jewel and redeem it to its rightful owner only to clear himself of the allegation. A search party was organised which came across the dead body of Prasain, a carcass of lion and also the foot-prints of a bear blazing a new trail which when followed led the party to a cave. Shri Krishna went inside the cave telling the followers to wait at the cave entrance for seven days and if he did no return by then, to go back to Dwarka. Inside the cave Shri Krishna found the Syamantak Mani and also Jambuwanti, the daughter of the powerful bear king Jambuwant. There ensued a fight between Shri Krishna and Jambuwant lasting for twenty one days. The people at the entrance of the cave returned as per instruction after the seventh day. The duration of this fight gave Shatadhanva a real chance for villainy. He puts in an all over effort to win the hand of Satyabhama who would marry none but Shri Krishna. Jambuwant after losing the battle gave away his daughter in marriage and Syamantak Mani as dowry to Shri Krishna.
Coming to Dwarka, Shri Krishna returned the jewel to its rightful owner, Satrajit repented and made amends by giving away his daughter to Shri Krishna in marriage. Shatadhanva came to know of this alliance and made short work of the unsuspecting Satrajit and decamped with the Mani. Shri Krishna brought justice to the evil doer and the villain Shatadhanva fell a victim to his famous Sudershana Chakra.
The cast of the film was Mahipal, Meena Kumari, S N Tripathi, Moolchand, Dalapat, Amarnath etc. The film was made by Basant Pictures and directed by its owner, Homi Wadia. Music was by S N Tripathi. In the arena of Mythological, Historical and Religious films, from the 40s to the 60s, the names of Mahipal, Trilok kapoor, Manhar Desai, Prem Adib and Shahu Modak were taken frequently. Similarly,Jeevan as Narad was also popular. All the Heros were handsome and they had a sort of special glow on their faces. Each of them had a special style of portraying roles. Prem Adib was famous for his roles of Ram, Shahu Modak excelled as Shrikrishna with his mischievous smile. Trilok Kapoor means Bhagwan Shankar. Manhar Desai and Mahipal did a variety of roles of different Gods. While Manhar Desai was more active on Gujarati screen, Mahipal worked mainly in Hindi films. His repertoire of roles included films of Mythology, History, Costume and Folk Tales.
Mahipalchand Mahadevchand Bhandari was born in Jodhpur, Rajsthan on 24-11-1919. By 1941 he got his B.A. degree and he also started participating in Kavi Sammelans,with his poetry. His break in films came with Nazrana-42. The film was a flop, but he was employed for writing lyrics.
He acted in Ranjit’s Shankar Parvati-43, Andhon ki duniya-43, Rajkamal’s Maali-44, Narsinh Avatar-44, Banwasi-48, Daulat-49, and Bhishma pratidnya-50. Meantime,he wrote songs for films Aap ki sewa mein-47 and Adalat-48. He did few more films with Homi Wadia and then he started his fantasy films with Wadia. For this, he was trained in Fencing and Horse riding. He worked with Shakeela in 18 films-mostly costume films of C grade. He worked with Meenakumari (4 films), Nirupa Roy (4), Shyama (6), Anita Guha (11) etc
In the 50’s decade,which was the peak for Mythological films with 124 films, his 70 films were released.In the 60s,he did 33 films-including Navrang and finally he did 19 films from 71 to 83. He did total 143 films. Mahipal spent his retired life with family and friends. He died on 15-5-2005. ( Bio adapted from ‘Inhe na bhulana’ Gujarati book by Harish Raghuwanshi ji, with thanks)
Today’s song is sung by Geeta Roy. At this time, she was still new and trying to get hold in film industry. You will love the song and her fresh voice.
Video
Song-Taaron ke palne mein jhoole chaand hamaara re (Shree Ganesh Mahima)(1950) Singer- Geeta Roy, Lyrics- Anjum Jaipuri, MD- S N Tripathi
Chorus
Lyrics
taaron ke palne mein jhoole chaand hamaara re
chaaand hamaara re
taaron ke palne mein jhoole chaand hamaara re
chaand hamara re
raaja banke raaj karega
raaja ban ke raaj karega
kundan ban ke damkega
kundan ban ke damkega
laalon ka ye laal hamaara
chanda banke chamkega
chanda banke chamkega
sabki aankhon ka ujiyaara
praan sa pyaara re
chaand hamaara re ae
taaron ke palne mein jhoole chaand hamaara re
chaand hamaara re
ghar aangan mein mera munna
ghar aangan mein mera munna
khelega muskaayega
khelega muskaayega
meethhi meethhi baaton se ye sabka man bharmaayega
sabka man bharmaayega
aashaaon ka deepak hai ye
aankhon ka taara re
chaand hamaara re ae
taaron ke palne mein jhoole chaand hamaara re
chaand hamaara re
taaron ke palne mein jhoole chaand hamaara re
chaand hamaara re
Khush Kar Diya Tu Ne Mere Rama
Posted on: May 22, 2018
- In: Celebration Song | Childbirth Celebration Song | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Folk Dance | Guest posts | Happy song | Lata song | Love song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Rafi duets अ से ह तक | Rafi songs | Rafi-Lata duet | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 11 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3595 | Post No. : | 14351 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 9
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘ख’ – खुश कर दिया तूने मेरे रामा
Yes, surely the Almighty God sent you here amongst us, only for singing and to add to the music on this earth. And what a wonderful treasure you have bequeathed to the lesser mortals of this earth. We shall always be indebted for this tremendous legacy you gave us.
Continuing with Rafi Sb’s duet series after a gap of – goodness, seventy two days. Wow. Anyway, back again with another rollicking duet, this time accompanied by Lata Mangeshkar.
And rollicking is just the word. The setting is Punjabi, the performance is a Punjabi Bhangra dance, and the occasion – one of the most awaited and the most celebrated in Indian families – birth of a male child.
The film is ‘Jeet’ from 1972. The main performers in this group dance song are Randhir Kapoor and Babita. The film being released in 1972, would have been in the making in 1971, the year that this lead pair tied the knot and became a real life couple. Ah but that story for another occasion, another post. Today, we are moving ahead with the duet series of Rafi Sb, getting to the 10th episode in this series, which promises to be long – going thru the entire Devnagri alphabet.
The film is produced under the banner of Babu Movies Combine, and is directed by A Subbarao. Besides the lead pair mentioned above, the other players in the star cast include Rajendra Nath, Rupesh Kumar, Jatin, Nana Palsikar, Anwar Hussain, Jeevan, Sundar, Hari Shivdasani, Dada Mirasi, Keshav Rana, Master Shahid, Heena Kausar, Sanjana, Sulochana Latakar, Manorama, Dulari, and Baby Sudha etc.
The film has six songs, three of which are already showcased on our blog. Goodness, that was 2009, all three songs posted so far. After a gap of nine years, we once again get an opportunity to revisit this film – today’s being the fourth song posted. All songs are written by Anand Bakshi. Music direction is by the duo of Laxmikant Pyaarelal.
On screen, we see a homely set of a village lane with houses lined up close to each other. Randhir and Babita are leading the bhangra dance event, with Sunder also part of the male dance group. In between, we see Dulari holding a baby (well, not looking too much new born, but oh well 🙂 ). There is another lady sitting next to her. I am guessing that she is Sanjana. I request other more knowledgeable readers and friends to please confirm or correct this guess. As per Prakash ji, the other lady is Heena Kausar. Plus, one of the dancers accompanying Babita is Sheela Ramchandran.
The event and the celebration is about the new born child, but quite apparently, the lead pair is spending more lines trying to woo each other and play the romantic love birds. Well in fact, it is just the mukhda lines that talk about the child birth celebrations. The entire verse set for both antaraas is just the romancing between the hero and the heroine. Quite a ‘filmi’ thing, right?
Enjoy this lively bhangra dance song; and I hope to speed up things on this series, let us see. 😉
Video (Partial)
Audio (Full)
Song – Khush Kar Diya Tu Ne Mere Rama (Jeet) (1971) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lyrics (Provided by Prakashchandra)
[Based on Audio version]
khush kar diya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
oo oo oo
main is paar
te us paar
tu piyaa. . .
main is paar
te us paar
tu piyaa. . .
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
tere mere beech mein
lambi lambi galiyaan te
uchchi uchchi jag ki deewarein
o kaise beeten
o kaise beeten
judaai diaan shaamaan
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
oo oo oo oo
jindri na rol
aaja kol soniye. . .
jindri na rol
aaja kol moniye. . .
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
darr mat baandh ke sehra
main bana doonga
tujhko main munde di maami
mach gaya
mach gaya pind wich hangaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye. . .
ye dil ye jaan
do jahaan
maang le. . .
ye dil ye jaan
do jahaan
maang le. . .
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
taange mein bitha ke
boley sair kara doon
main hoon muflis taange waala
tera reshmi
tera reshmi kurta pajama
ke munde da tu mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुश कर दिया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
ओ ओ ओ
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
तेरे मेरे बीच में
लंबी लंबी गलियाँ ते
उच्ची उच्ची जग की दीवारें
ओ कैसे बीतें
ओ कैसे बीतें
जुदाई दियाँ शामाँ
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
ओ ओ ओ ओ
जींदड़ी ना रोल
आजा कोल सोनिए॰ ॰ ॰
जींदड़ी ना रोल
आजा कोल मोनिए॰ ॰ ॰
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
डर मत बांध के सेहरा
मैं बना दूँगा
तुझको मैं मुंडे दी मामी
मच गया
मच गया पिंड विच हंगामा
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
टाँगे में बैठा के
बोले सैर करा दूँ
मैं हूँ मुफलिस टाँगे वाला
तेरा रेशमी
तेरा रेशमी कुर्ता पाजामा
के मुंडे दा तू मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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