Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘playful song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3771 Post No. : 14747

Aah haa haa, what fun – “हम भी अगर बच्चे होते॰ ॰ ॰” and all the rest of the exuberant pandemonium that is involved in being a child – does it not give you a high of the mischievous anarchy that we have always enjoyed; sometimes secretly and most of the time overtly – “ना नौकरी की चिंता, ना रोटी की फिकर”.

To the child in all of us, who never grows up. I am sure you all know such ’children’. And I am also sure we all are very well acquainted with the person we see every day in the mirror, no matter whether there is hair on the pate to comb or no. 🙂  I dearly remember one of the managers I have worked with in the US, completely bald but very energetic – he always introduced himself as – “. . . a five year old imprisoned in a sixty five year old body”. And then, of course, we have our dear Bakshish Singh ji, who proudly claims his age to be 22-and-a-half years, three months and a few days, whenever you may ask him. And he has a stay order from the Supreme Court to back his claim. Too sad that I met him ten years after he got his orders; my stay order (from the same Supreme Court) stands at 32. 😀 😀

Music, especially the evergreen HFM, surely does wonders – does is not?

Celebrating the Children’s Day today, 14th November, and greetings to all the ‘child’ readers and friends on this blog 🙂

Thinking about it puts a little dismay in my mind, that we have special days set aside to remind ourselves about things and facts and experiences, which actually are a matter of, rather a part and parcel of our everyday life. We have Mother’s Day, and Father’s Day, and then we have Children’s Day. For the matter of celebration and to highlight this connection, it is okay that we have one day earmarked. But then we should also be aware of, and be celebrating these concepts everyday in our lives.

It is also the birth anniversary of the first Prime Minister of our country, after India became a free nation. Jawaharlal Nehru’s name got associated with this day, or rather the other way round – that his birthday was declared as the Children’s Day – for the recognition of his endearment to children, and his own professed acknowledgement that we need to celebrate the future leaders of this nation. Not to put any other twist on this thread, 🙂 I move on to the song being introduced with this post.

When you hear it, I am very sure the avid listeners of the radio will immediately recall this song. It used to be played often, especially on today’s day, and was a favorite. For a few months now, some of the regular visitor’s to my YT channel have been requesting for this song to be uploaded. This started after I uploaded another song from this film – ‘Hamaara Ghar’ from 1964 – “Chale Hawa Purvaai”. When I uploaded this song on 18th Jun last year, I got many requests to upload the song we are discussing today. Somehow, I just held on to those requests, wanting to bring this song online on this day. I missed the event of last year, and so the regular procrastination 😦  made me put it off for one full year.

The jingle that this song is, brings to mind many such jingles from the earlier days, when we had many group games which had songs attached to them. Here in north India, there are many such jingles part of the common folklore, such as “Kokila Chhupake Jumme Raat Aayi Hai. . .” (“कोकिला छुपाके जुम्मे रात आई है॰ ॰ ॰”), and “Aat Qila Bhai Baat Qila. . .” (“आटकिला भई बाटकिला, भई आमों वाली कोठरी॰ ॰ ॰”), and “Poshampa Bhai Poshampa, Daakuon Ne Kya Kiya. . .” (“पोशम्पा भई पोशम्पा, डाकुओं ने क्या किया॰ ॰ ॰”) etc. And ah yes, a very familiar one which we borrowed from the Britishers – “Ring a Ring o’ Roses, Pocket Full of Posies. . .”. Maybe some readers (five year olds struggling inside much older bodies) will recall these songs. And I am sure there are similar such game jingles popular in all regions in our vast sub continent. We used to sing these songs as we played the corresponding games – a group of 10 to 20 kids, all intent on having just fun. Sadly, the newer generation of youngsters hardly gets together to play such games, or make up such newer jingles. It surely is a lot of fun. 🙂

This particular jingle, apparently played as a child game, tells about one huffy-puffy arrogant royalty, who probably is not friendly with the people, and the people then teach him a lesson by putting a restriction on his food supply. And so the singers of this song tease this royalty and show him their thumbs (“ठेंगा॰ ॰ ॰”) while singing that now you go and eat your gold and diamonds, and that you are going to regret this arrogance; you will not be served bread (“रोटी”). In the second stanza, now the people are teasing that the royalty does not want to do any work, and so they will have to survive on dust and stones; they shall still not be served any bread. Then, in the third stanza, the people are singing that at last the royalty has come out of their palace, and are being remorseful and apologetic; so they are made to dance while holding their ears, and sing while holding their nose. And only then, having danced and sung as such, will they be given “रोटी” to eat.

Although presented as this delightful children’s song, this jingle surely is a stark comment on the social divide that exists in the society, telling about the arrogance of the so called ‘haves’, who in reality are not in a position to even feed themselves without the effort and assistance of the ‘have nots’, and the actual strength of the so called ‘have nots’ in being able to produce and provide that which is the most crucial thing required for survival – “रोटी”.

And to be so expected, given that this jingle is written by Ali Sardar Jafri. From his earliest days of creativity even as a student at Aligarh Muslim University, where he came under the influence of such progressive poets as Josh Malihabadi, Jigar Moradabadi and Firaaq Gorakhouri. He was also seriously influenced by the Communist ideology, and was expelled on account of being arrested by the British Govt., for writing anti-war poetry and being the secretary of the students wing of the Congress party. He later completed his studies from Zakir Hussain College, Delhi, and Lucknow University. He was a very active member of the Progressive Writers Movement and the IPTA (Indian People’s Theatre Association).

His works as a lyricist in Hindi films include ‘Naya Tarana’ (1943), ‘Dharti Ke Lal’ (1946), ‘Zalzala’ (1952), ‘Pardesi’ (1957), ‘Shehar Aur Sapna’ (1963), ‘Aasmaan Mahal’ (1965), and ‘Naxalite’ (1980). Between 1948 and 1978 he published eight poetry collections, which include, ‘Nai Duniya Ko Salaam’ (‘Salute to the New World’) (1948), ‘Khoon Ki Lakeer’ (‘A Line Of Blood’), ‘Amn Ka Sitara’ (‘Star Of Peace’), ‘Asia Jaag Utha’ (‘Asia Awakes’) (1951), ‘Patthar Ki Deewar’ (‘Wall Of Stone’) (1953), ‘Ek Khwab Aur’ (‘One More Dream’), ‘Pairahan e Sharar’ (‘The Robe of Sparks’) (1965) and ‘Lahu Pukarta Hai’ (‘The Blood Calls’) (1965). These were followed by ‘Awadh Ki Khae e Haseen’ (‘Beautiful Land of Awadh’), ‘Subhe Farda’ (‘Tomorrow Morning’), ‘Mera Safar’ (‘My Journey’) and his last anthology entitled ‘Sarhad’.

This last collection of poetry was carried by the then Prime Minister of India, Shri Atal Bihari Vajpayee, on his bus journey to Lahore in 1999. Atal ji had invited Jafri to accompany him on this trip but ill health prevented him from doing so. Shri Atal Bihari Vajpayee made history when he presented ‘Sarhad’, as a national gift, to the then prime minister of Pakistan, Janaab Nawaz Sharif, during the historic Lahore Summit, in February 1999. It was a milestone in Jafri’s life.
[Note: ‘Sarhad’ has also been produced as an audio album dedicated to Indo-Pakistan amity. It is produced by Squadron Leader Anil Sehgal and is composed and sung by ‘Bulbul e Kashmir’ Seema Anil Sehgal.]

In the course of his literary career spanning five decades, Jafri has also edited poetry anthologies of Sant Kabir, Mir Taqi Mir, Mirza Ghalib and Meera Bai with his own introductions. He also produced a documentary film ‘Kabir, Iqbal and Freedom’. In the 1990s, he produced two television serials, both of which were runaway successes – the 18-part ‘Kahkashaan’, based on the lives and works of seven Urdu poets of the 20th century he had known personally viz. Faiz Ahmead Faiz, Firaaq Gorakhpuri, Josh Malihabadi, Majaaz, Hasrat Mohani, Makhdoom Mohiuddin and Jigar Moradabadi; and ‘Mehfil e Yaaraan’ in which he interviewed people from different walks of life. Both serials had tremendous mass appeal. He was also the editor and publisher of ‘Guftagu’, one of the leading Urdu literary magazines of the Indian sub-continent. His works have been translated into many Indian and foreign languages.

In 1998, Jafri became the third Urdu poet to receive the Jnanpith Award (for 1997), after Firaq Gorakhpuri (in 1969) and Qurratulain Hyder (in 1989). He was also the recipient of several other significant awards and honours, including Padma Shri (1967), Jawaharlal Nehru Fellowship (1971), the Gold Medal for Iqbal Studies (in 1978, from the Pakistan Government), the Uttar Pradesh Urdu Academy Award for poetry, the Makhdoom Award, the Faiz Ahmad Faiz Award, the Iqbal Samman Award from the Madhya Pradesh government and the Sant Dyaneshwar Award from the Maharashtra government. Aligarh Muslim University (AMU) conferred a doctorate (D.Litt.) on him in 1986, fifty years after he was expelled from the university.

He passed away on Aug 1, 2000, in Mumbai.

As I was listening to this song in preparation for this article, the wording and the theme contained within took my mind back to a short story written by Leo Tolstoy. This story was part of our prose text book in probably the seventh or eighth grade. The story, titled ‘Ivan, the Fool’, tells the tale of an uneducated, unlettered farmer named Ivan, whom the local populace always referred to as ‘the Fool’. But in his ignorance of formal education and lack of erudition, lies the rustic wisdom of the land, and the nature. He has a sister named Martha, who is a mute. And there is a rule in their house. Only those who have done hard labor are allowed to sit at the table at mealtimes. Martha actually physically examines the hands of new visitors and guests, and if she finds no calluses on the hands of any person, that person will not be allowed to sit at the table and will not be given food. The story gets interesting when the Devil himself comes to the village, and tries to test Ivan and to sway him with promises of riches etc. The ignoramus that Ivan is, plays by the simple rules of his life, and the Devil has to depart, because he gets no food to eat while in the village, as per the rule of Martha.

This story, dated 1886, is a very interesting read. It highlights the concept of dignity of labor, and work is worship – a very striking reflection of the principles of communism which are enunciated in the ‘The Communist Manifesto’, authored by Karl Marx and Friedrich Engels in 1848. ‘The Manifesto’ has been acclaimed as the most influential political document in the 19th and 20th century time period, and it presents an analytical approach to the class struggle (historical and then-present) and the conflicts of capitalism and the capitalist mode of production. The industrial revolution was underway in Europe, and the exploitation of the masses as poor laborers by the rich industrialists, once again sparked into very sharp focus, the eternal divide between the ‘haves’ and the ‘have nots’.

Reading between the lines, this children’s song is quietly characterizing that very thought. Starting from ‘The Manifesto’, into the tale of ‘Ivan the Fool’, and then reaching into this jingle – the verses tell us of the ‘royalty’ that shirks any hard labor – “राजा जी पछताएंगे, काम से जान चुराएँगे” as a result of which, they will not get anything to eat – “सूखी मिट्टी फांकेंगे, कंकर पत्थर खाएँगे”. Then, when the royalty descends from their palaces, as expresses their apologies to the people, then they will get food – “नाक पकड़ कर गाएँगे, तब वो रोटी पाएंगे”. A utopia painted that actually carries a very important lesson for children, at least – to understand the value of hard work and to respect the hard work of others. Many, many hats off to Ali Sardar Jafri, to bring this message down to such simplicity, that it leaves you wonder struck and speechless.

I bring in some excerpts of the details about this film and its songs, from the article that I had written in Jun 2017, for the debut song of this film – “Chale Hawa Purvaai”.

“Shehar Aur Sapna”, the 1963 production by Abbas Sb, which focused on migrant population and housing problem in the city of Bombay, had won the National Award for the Best Film of the year. Apparently, at the function where the award was given, the then prime minister, Jawaharlal Nehru, requested Abbas Sb for a film for children. It seems that Abbas Sb took on that request almost immediately, because the film ‘Hamaara Ghar’ was released in the very next year i.e. 1964. This year was also when Nehru ji passed away (on 27th May). I have not been able to locate the information about the release date of this film, and whether Nehru ji was able to see this film, that was produced by Abbas Sb at his request.

The star cast of this film includes Sonal Mehta, Yasmeen, Rekha Rao, Tanya Siraaj, Pasha Azeem, Deepak Prasad, Sunil Kaushik, Noel Moses, Jai Prakash Narula, Maruti, Narayan Devanpalli, Levi Aaron, Ghanshyam Rohera, Nana Palsikar, Surekha, Dilip Raj, Anwar Abbas, Meena Abbas, and Yunus Parvez. As one reads this list, one can make out that the first many names are likely child artists, who are the lead performers in this film. Incidentally, the name Sunil Kaushik is of the second son of JP Kaushik, the music director for this film. Also, if I am not mistaken, the name Pasha Azeem is of Abbas Sb’s son.

This social drama is a film on national integration, at the level of children. I am able to locate a poster of this film online. The poster, all in tones of light blue, depicts a row of thirteen children, boys and girls, standing in ankle deep waves on a beach, and the name of the film is written in the sky background, in all languages of India. The caption at the bottom says – “A Film For Children Of All Ages”. Abbas Sb in his element of social responsibility, as always.

The film has six songs, five of them are penned by Ali Sardar Jafri. The sixth is the song “Saare Jahaan Se Achha. . .” written by the legendary Iqbal. Music is by Jag Phool Kaushik, the music director who started his film career with Abbas Sb for his 1963 film ‘Shehar Aur Sapna’. On the blog “Beete Huye Din” by Shishir Krishna Sharma, I am able to locate a detailed write up on this music director. An interesting trivia to note is that Anil Biswas was the resident music director for all films of Abbas Sb, before 1963. In fact, at the first instance, when JP Kaushik went to meet Abbas Sb with a reference, seeking work as a music director, he was told that Anil Biswas had already started to work on this particular film. Later, I assume that as Anil Da moved to New Delhi, likely during the production time of this film, the work for music direction was given to JP Kaushik. As I read in this blog, two songs for this film were already recorded by Anil Da, but later both of them were not used in the film. It would be interesting to track down the whereabouts of these songs, which I would like to designate as rarities, on account of circumstances.

The Geet Kosh lists only the name Vijaya Majumdar as the singer in this song accompanied by chorus. However, as we listen to this song, we are able to make out at least two more unidentified child voices – and another unidentified male voice. The music is so minimal. The only instruments one can make out are a dholak, a flute, and clapping of hands. With just using these devices, and a very interesting use of singing voices and chorus, a really delightful song has come into being.

A dedication to the forever child – onwards and upwards. And greetings to all the children on this musical bandwagon. 😉

[Author’s Note: Parts of this article, relating to Ali Sardar Jafri, are adapted from the material available in Wikipedia.]

 


Song – Raja ji Pachhtaayenge, Royenge Aur Gaayenge (Hamaara Ghar) (1964) Singer – Vijaya Majumdar, Unidentified Child Voice 1, Unidentified Child Voice 2, Unidentified Male Voice, Lyrics – Ali Sardar Jafri, MD – JP Kaushik
Chorus

Lyrics

raja ji pachhtaayenge
royenge aur gaayenge
sona chaandi niglenge
heere moti khaayenge
ho ooo ooooo
oooo ooooo
oooo ooooo
roti kabhi na paayenge
ae ji roti kabhi na paayenge
ae ji roti kabhi na paayenge
ae ji roti kabhi na paayenge
thengaa. . .
thengaa. . .

raja ji pachhtaayenge
kaam se jaan churaaenge
sookhi mitti phaankenge
kankar pathar khaayenge
ho ooo ooooo
oooo ooooo
oooo ooooo
roti kabhi na paayenge
ae ji roti kabhi na paayenge
ae ji roti kabhi na paayenge
ae ji roti kabhi na paayenge
thengaa. . .
thengaa. . .

raja ji pachhtaayenge
mahal se baahar aayenge
kaan pakal kal naachenge
naak pakad kar gaayenge
ho ooo ooooo
oooo ooooo
oooo ooooo
naak pakad kar gaayenge
tab wo roti paayenge
aji tab wo roti paayenge
aji tab wo roti paayenge
aji tab wo roti paayenge
balle balle balle balle balle
chhoo-na-eena
o ho
chhoo-na-eena
o ho
chhoo-na-eena
o ho
chhoo-na-eena
o ho
hoooommoooomm
hoooommoooomm
[more playful noises]

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

राजा जी पछताएंगे
रोएँगे और गाएँगे
सोना चाँदी निगलेंगे
हीरे मोती खाएँगे
हो ओss ओssss
ओsss ओssss
ओsss ओssss
रोटी कभी ना पाएंगे
एजी रोटी कभी ना पाएंगे
एजी रोटी कभी ना पाएंगे
एजी रोटी कभी ना पाएंगे
ठेंगा॰ ॰ ॰
ठेंगा॰ ॰ ॰

राजा जी पछताएंगे
काम से जान चुराएँगे
सूखी मिट्टी फांकेंगे
कंकर पत्थर खाएँगे
हो ओss ओssss
ओsss ओssss
ओsss ओssss
रोटी कभी ना पाएंगे
एजी रोटी कभी ना पाएंगे
एजी रोटी कभी ना पाएंगे
एजी रोटी कभी ना पाएंगे
ठेंगा॰ ॰ ॰
ठेंगा॰ ॰ ॰

राजा जी पछताएंगे
महल से बाहर आएंगे
कान पकल कल नाचेंगे
नाक पकड़ कर गाएँगे
हो ओss ओssss
ओsss ओssss
ओsss ओssss
नाक पकड़ कर गाएँगे
तब वो रोटी पाएंगे
अजी तब वो रोटी पाएंगे
अजी तब वो रोटी पाएंगे
अजी तब वो रोटी पाएंगे
बल्ले बल्ले बल्ले बल्ले बल्ले
छूनईना
ओ हो
छूनईना
ओ हो
छूनईना
ओ हो
छूनईना
ओ हो
हूम्मूम्म
हूम्मूम्म
[खिलवाड़ का शोर]

Advertisements

This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3692 Post No. : 14606

27th August – a traveling tour, a distant land, and an unexpected loss; a loss that is as numbing even today, as shattering as it was when it happened then. 1976, and a hotel in Detroit, USA. The soul of the voice and the voice of the soul – both were stilled forever. A life of just 53 years. And a singing career that was wonderfully placed. Both cut short by the matters of the heart – matters that could not be set right.

Today, we remember Mukesh, through his songs, in an effort to re-live the times. And to enjoy the listening pleasure that this voice still continues to be forty two years after his departure.

Mahesh ji’s wonderful selection “Yahaan Radha Kund Hai Shyam Kund Hai” from an obscure film ‘Subhash Chandra’ has already posted earlier in the day today. Here is one more song in the memory of this soulful voice.

The film is ‘Aayega Aanewaala’ from 1967. This film is produced and directed by Kewal Misra for his home company, Kewal Productions, Bombay. The list of actors reads as follows – Kumkum, Sanjeev Kumar, Sabita Chatterjee, Ram Mohan, Kundan, Rajan Haksar, Chaman Puri, Uma Khosla, Ravi Khanna, Bela Bose, Khairati, and Agha.

There are six songs in this film, all written by Naqsh Lyallpuri, and the music is composed by the duo of Sapan Jagmohan. One song of this film has already been posted here. This is the second song coming on board.

The filming location for this song is Simla (in Himachal Pradesh) – a very scenic and a popular vacation resort, right from the pre-independence days. The song is picturized as what appears to be a picnic song. Sanjeev Kumrar is wooing and teasing Kum Kum, telling her that he is a seasoned player, and that he is not easily perturbed.

The song is a lively, playful song. In the voice of Mukesh, it becomes more endearing. The voice suits all types of emotions – even naughty playfulness. Listen and enjoy.

Song – Hum Wo Nahin Jo Aapke Kadmon Mein Dil Ko Rakh Den (Aayega Aanewaala) (1967) Singer – Mukesh, Lyrics – Naqsh Lyallpuri, MD – Sapan Jagmohan

Lyrics

hum wo nahin to aapke
kadmon mein dil ko rakh den
hum ne zamaana dekha hai
hum ne zamaana dekha hai
hum wo nahin to aapke
kadmon mein dil ko rakh den
hum ne zamaana dekha hai
hum ne zamaana dekha hai

aise na hamen tum dekho
chehre se zulf hata ke
aise na hamen tum dekho
chehre se zulf hata ke
teri nazar ka raaz hain hum
bade zamaana saaz hain hum
hum ne zamaana dekha hai
hum ne zamaana dekha hai

hothon pe phool hansi ke
aankhon mein hayaa ka sagar
hothon pe phool hansi ke
aankhon mein hayaa ka sagar
badi haseen hain ye adaayen
kaho hamen na aazmaayen
hum ne zamaana dekha hai
hum ne zamaana dekha hai

tauba ye shokh jawaani
rangeen qayaamat ho tum
tauba ye shokh jawaani
rangeen qayaamat ho tum  
tumhen kasam hai maan jaao
hamen ye tewar na dikhaao
kyon ke zamaana dekha hai
hum ne zamaana dekha hai

hum wo nahin to aapke
kadmon mein dil ko rakh den
hum ne zamaana dekha hai
hum ne zamaana dekha hai

———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–

हम वो नहीं जो आपके
कदमों में दिल को रख दें
हमने ज़माना देखा है
हमने ज़माना देखा है
हम वो नहीं जो आपके
कदमों में दिल को रख दें
हमने ज़माना देखा है
हमने ज़माना देखा है

ऐसे ना हमें तुम देखो
चेहरे से जुल्फ हटा के
ऐसे ना हमें तुम देखो
चेहरे से जुल्फ हटा के
तेरी नज़र का राज़ हैं हम
बड़े ज़माना साज हैं हम
हमने ज़माना देखा है
हमने ज़माना देखा है

होठों पे फूल हंसी के
आँखों में हया का सागर
होठों पे फूल हंसी के
आँखों में हया का सागर
बड़ी हसीं हैं ये अदाएं
कहो हमें ना आज़माएँ
हमने ज़माना देखा है
हमने ज़माना देखा है

तौबा ये शोख जवानी
रंगीन क़यामत हो तुम
तौबा ये शोख जवानी
रंगीन क़यामत हो तुम
तुम्हें कसम है मान जाओ
हमें ये तेवर ना दिखाओ
हमने ज़माना देखा है
हमने ज़माना देखा है

हम वो नहीं जो आपके
कदमों में दिल को रख दें
हमने ज़माना देखा है
हमने ज़माना देखा है


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3474 Post No. : 13953

The film ‘Tere Mere Sapne’ is an intense personal favorite, as are many of Vijay Anand’s films. This film is a very sensitive, rational and balanced view of the healthcare systems in our country, especially in the rural areas. Of course, the time frame is of 1960s (the film released in 1971). The medical profession and healthcare systems have seen unbelievable transformations, especially the brazen and vulgar commercialization of this profession, that was once considered a hallowed service of the people. But maybe more of that later.

I like this film, in all its aspects. I know when this film was released, there were many articles in magazines and newspapers, trying to find and point out technical and medical faults with the film’s many medical scenarios. It was like pointing out the defects in a mango, that one is no doubt enjoying, but still complaining that the skin of the mango is too thick or too thin. 🙂 My counter to this discussion was – please, hold on, this is a film, a dramatization of human situations. The director is trying to tell a story, about a very important profession in the society, attempting to exhibit certain ground realities, and also trying to suggest some approaches. It is not a treatise on anatomy or cardiology, that should be scientifically perfect, but does not tell a story.

In my humble opinion, all aspects of this film are very creditable – be it the storyline development, be it the dialogues and dialogue delivery, be it the performances by individual actors – no matter what is the time that character spends on the screen, be it the pace at which the tale progresses, be it the subtle and overt messages it intends to present, or be it the music and the songs – each one of them being a gem status song. I am sure the readers are familiar with the many songs of this film, and they will agree to this statement. Neeeraj, the poet, and Sachin Da (SD Burman) have collaborated to create and bring a set of such beautiful and meaningful songs. And when one tops that with Vijay Anand’s handling of the song picturization scenarios, it is like ‘सोने पे सुहागा’.

Let us take today’s song for example. This is the penultimate song of this film to be posted (and yes, we should be on the lookout for a Yippeee call for this film, very shortly 🙂 ). The story revolves around a small town, and the small hospital this town has. The senior doctor in this hospital (role played by Mahesh Kaul), who founded this hospital, is in the evening of his life. He is part paralyzed, and not fully capable to handle his duties as the Chief Medical Officer. His wife (role played by Paro), on the other hand, rules the hospital with an iron hand, and does not allow the inability of her husband to manage the setup, to be exposed to the outside world or to the regulatory authorities. Another senior doctor in the hospital is Dr Kothari (role played by Vijay Anand), who has given up his battle with the complexities of life, and is drowning himself in drink, in the anonymity of this small out of the place village. Into this scenario steps in Dr Anand (role played by Dev Anand). A recent graduate, he is fresh young mind with hallowed dreams of serving the poor people.

The situation for the song is that an elderly couple in the village (roles played by Sapru and Dulari), very hesitatingly and bashfully announce to the doctors at the hospital that they are on way to the first child in their lives. There is happiness and good news scenario, punctuated by the sad news that the child, when born, is not breathing. Dr Kothari, the gaynecologist, is drunk and out cold, not in a position to even wake up. Dr Anand saves the day, and brings the child back into the living world, by attempting to and cleaning his windpipe which was blocking the child’s breathing. It is a day of salvation and new life for this old couple. Of course, celebration has to follow.

So the family has a celebration at their home, and this song, a dance by Jaishree T, is part of that celebration. Dr Anand is present, along with other invitees from around the village. Also present is Nisha (role played by Mumtaz) a school teacher in the local school. Of course, the amorous developments have already taken place between the new young doctor and this pretty school teacher. It is a match made in heavens, as they say. OK, but the rest of the story at another time. 😉

As with everything else in this film, even this dance is such an exquisite piece of performance. As I said earlier, in the hands of a master director like Vijay Anand – it has to be so. The performance is nothing short of a full blown onslaught on the senses, that it does not leave anytime for the viewer to breathe. The pace of music is so fast. The lyrics and words are tumbling right on top of each other. Neeraj has knitted together the words that catch you trying to keep pace with understanding them while hearing the next line. Burman Da’s melody, no matter is delivered at Presto speed, and one has to be very alert to keep pace with the music, still comes out to be an exquisite song delivery.

And the performance by Jaishree T – probably the best I have seen from her. The choreographer, Hiralal, has done a real great job in conceptualizing this dance. You may watch it more than once to check – no movements are repeated, even if the lines are being repeated. The dance goes from one breathless set of movements to the next, without a respite. The three minutes and some seconds performance just leaves one breathless, trying to keep pace with the words, the melody, the dancers movements, the dancers expressions – everything so perfectly blended together into a swirl of a pleasurable whirlwind experience. Just watch when Jaishree T dances and moves to the line – ‘sheeshi hoon kewde ke paani’. Or for that matter, just pick any line, and each line is expressed through her movements so exquisitely.

The performance and the words of the song, also work to further develop, whatever it is that is developing between the young doctor and the pretty schoolteacher, for one can catch them exchanging furtive glances as the performance progresses.

A lovely song, a fantastic performance, that I for one, simply am not tired watching it again and again. View, and enjoy, this onslaught on the senses. Exquisite performance all around.

 

Song – Mera Saajan Phool Kamal Ka, Kali Main Raat Rani Ki  (Tere Mere Sapne) (1971) Singer – Asha Bhosler, Lyrics – Neeraj, MD – SD Burman

Lyrics

mera saajan
o mera saajan phool kamal ka
kali main raat rani ki
raat ki rani chameli ki khushboo
sheeshi hoon kewde ke paani
kali main raat rani ki
mera saajan phool kamal ka
kali main raat rani ki

meri najaakat
hai lakhnauwa
choodi hai meri ajmer ki
choli silaai maine
dilli mein jaa ke
saari hai pehni chander ki
meri najaakat
hai lakhnauwa
choodi hai meri ajmer ki
choli silaai maine
dilli mein jaa ke
saari hai pehni chander ki
ras ki pyaali phoolon ki daali
laali main joban jawaani
kali main raat rani ki
mera saajan phool kamal ka
kali main raat rani ki
mera saajan
mera saajan phool kamal ka
kali main raat rani ki

haaye
simmi jaisi raja
naak hamaari
saayera baanu jaisi chaal re
nakhre mere mumtaaj jaise
sadhna jaise mere baal re
simmi jaisi raja
naak hamaari
saayera baanu jaisi chaal re
nakhre mere mumtaaj jaise
sadhna jaise mere baal re
sone ki chidia
aafat ki pudia
gudia hoon main japaani
kali main raat rani ki
mera saajan
ho mera saajan phool kamal ka
kali main raat rani ki
raat ki rani chameli ki khushboo
sheeshi hoon kewde ke paani
kali main raat rani ki
mera saajan phool kamal ka
kali main raat rani ki

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

मेरा साजन
ओ मेरा साजन फूल कमल का
कली मैं रात रानी की
रात की रानी चमेली की खुशबू
शीशी हूँ केवड़े के पानी
कली मैं रात रानी की
मेरा साजन फूल कमल का
कली मैं रात रानी की

मेरी नजाकत
है लक्खनन्व्वा
चूड़ी है मेरी अजमेर की
चोली सिलाई मैंने
दिल्ली में जा कर
साड़ी है पहनी चंदेर की
मेरी नजाकत
है लक्खनन्व्वा
चूड़ी है मेरी अजमेर की
चोली सिलाई मैंने
दिल्ली में जा कर
साड़ी है पहनी चंदेर की
रस की प्याली फूलों की डाली
लाली मैं जोबन जवानी
कली मैं रात रानी की
मेरा साजन फूल कमल का
कली मैं रात रानी की
मेरा साजन
मेरा साजन फूल कमल का
कली मैं रात रानी की

हाए
सिम्मी जैसी राजा
नाक हमारी
सायेरा बानू जैसी चाल रे
नखरे मेरे ममताज़ जैसे
साधना जैसे मेरे बाल रे
सिम्मी जैसी राजा
नाक हमारी
सायेरा बानू जैसी चाल रे
नखरे मेरे ममताज़ जैसे
साधना जैसे मेरे बाल रे
सोने की चिड़िया
आफ़त की पुड़िया
गुड़िया हूँ मैं जापानी
कली मैं रात रानी की
मेरा साजन
हो मेरा साजन फूल कमल का
कली मैं रात रानी की
रात की रानी चमेली की खुशबू
शीशी हूँ केवड़े के पानी
कली मैं रात रानी की
मेरा साजन फूल कमल का
कली मैं रात रानी की


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raam Navami”(1956) was produced by Jasubhai Patel and directed by Raman B Desai for Subhag Productions, Bombay. The partially color Mythological movie had Nirupa Roy, Prem Adib, Tiwari, Yashoshara Katju, Babau Raje, Shobha Khote, Rajkumar, Raj Adib, Bheem, Ratnamala, Nandu Khote, Pandey, Sheela, Amrit Rana, Radheshyam, Hublikar, Singh, Samson, Mahesh Kumar, Baijnath, Jawahar Kaul, Rooplaxmi, Shree Bhagwan, Dubey, Poonam Kapoor etc in it.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Happy birthday to you
Happy birthday to you
Happy birthday, dear atul-song-a-day blog
Happy  birthday to you

🙂

Yes, it’s that special day of the year again. It’s our blog’s happy happy birthday. It was born on 19th July 2008, so today it completes 9 years. And we, wherever we are in the world, are definitely not going to let the occasion go by without celebration.  Maybe we don’t have cakes and candles, but we have enough blog handles. 🙂 (Ok, admittedly, that was a terrible one!).
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Time to Yippeee another film. Today’s film is ‘Humjoli’ – not the one from 1970, but the one from way back in 1946. This film has 10 songs listed in the Geet Kosh. Nine songs have already been showcased here on our blog. The last song for this film was posted in November last year. In that post, Atul ji has commented that the 10th song appears to be elusive, and is yet to be uploaded online. Today, as I checked for this song, I am unable to track it anywhere as yet. I could be wrong, as I have been earlier, maybe just limited by the way I searched for it. So I decided to upload this from my collection.
Read more on this topic…


This article is written by Aparna HM, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 12
———————————————————————-

Atul ji has become a legend now 🙂 . Anybody disagrees? I dont think so. Who else has achieved what he has achieved – a mammoth task of collecting information about 10,000 songs and then writing/sharing the same with like-minded enthusiasts. A monumental work, unselfish to the core. What sacrifices he must have made, how much time he would have spent, what passion he must be having to carry on blogging relentlessly for almost 9 years!! You would get an idea of it when you go through one of his write-ups for the song “Kitne Bhi Tu Kar Le Sitam“. Forget about miserly people running such a blog, it is not a possibility at all. Even a person earning good amount of money would hesitate to do it. You will understand my statement in its full extent only if you read the above-mentioned write-up.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 27
– – – – – – – – – – – – – – –

Gosh, returning to this series after almost eight months.

Atul ji tells us about his resolution to post at least one song per day that brings on board a new film, onto our blog. When I revisited this series to revive it, I suddenly realized that this series, just by the fact of what it is, is actually a series of songs that would serve the purpose of bringing new films on to the blog – which is one of the resolutions of Atul ji.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laal Dupatta”(1948) was directed by K B Lal for Aakaash Chitra, Bombay. This movie had Madhubala, Sapru, Ranjeet Kumari, Neelam, Bahagabai, Gulzar, Rajan Haksar, Kesari, Pandit Iqbal, Yusuf, Ulhas etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Main Suhaagan Hoon” (1964) is a Nayyar Films Production. It was produced by V N Nayyar and directed by Kundan Kumar. Starcast of the movie had names like Mala Sinha, Ajit, Mishra, Kewal Kumar, Nazir Hussain, Nishi,Ramayan Tiwari, Durga Khote, Chand Burque, Najma, Raja, Kesri, Daya Devi, Altaf, Sarla, Mastram, Indira Bansal, T.N.Sinha, Sardul, Bimla, Rajnath, Manohar, Bihari etc.
Read more on this topic…


Advertisements

Important Announcement

(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14741

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4028

Total visits so far

  • 10,982,963 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,631 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: