Archive for the ‘Songs of 1993’ Category
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5523 | Post No. : | 17972 |
‘Maaya Memsaab’ (1993) was jointly produced by NFDC, Channel 4 Films, Ketan Mehta and others and was directed by Ketan Mehta. The cast included Deepa Sahi, Farooq Sheikh, Raj Babbar, Shah Rukh Khan, Shreeram Lagoo, Sudha Shivpuri, Paresh Rawal, Raghuvir Yadav, Satyadev Dube, Om Puri, Shrivallabh Vyas etc. The film’s story was based on a classic English novel, ‘Madame Bovary’ (1856) by Gustav Flaubert.
It was Shah Rukh Khan’s first Hindi film which he signed sometime in 1990. But before the completion of the film, Shah Rukh Khan’s other 5 films were already released, and he had already attained the status of a star actor. ‘Maya Memsaab’ was released on July 2, 1993. As of now, the film is available for viewing only on OTT platform where I watched the film. I was not able to fully understand as to what the director intended to convey with film’s unusual ending.
The story is about a young girl who is obsessed with romantic fantasies in relationships enjoying the luxuries of life. In her quest, she gets caught between the illusion (maaya) and the realities of life. In fact, she is incapable of distinguishing between her romantic ideals and the harsh realities of life which eventually leads her downfall. This film can fit into a genre of ‘Romantic Fantasies’. The gist of the film’s story is as under:
Maaya (Deepa Sahi) stays with her father (Shreeram Lagoo) in a palatial house with all luxuries. One day she meets Dr. Charan Das in her house who has come to treat her father following his accidental fall in the house. With his periodical visit to her house, Dr. Charan Das (Farooq Sheikh) and Maya fall in love and eventually get married.
With Dr Das socially committed to his vocation with a middle-class mindset, Maya finds herself alone in the house and soon the boredom creeps in her mind. The marriage does not meet her expectation of romantic fantasies. This leads her to extra-marital affairs – first with Rudra Pratap Singh (Raj Babbar) and later with a young Lalit (Shah Rukh Khan). Her affairs with Rudra Pratap Singh is short-lived.
At first, both Maaya and Lalit have platonic liking for each other which, over a period of time, turns into a passionate love affair between them. She also indulges in buying expensive jewellery, branded clothes and going on luxurious vacations putting her into heavy debt. The creditors are threatening to auction her house for the recovery of money. She has to face the consequences of her actions alone. The discovery of her infidelity by her husband, Dr Das deprives her of the support from him.
At the end, she realises that neither marriage nor the adultery have resulted in the attainment of her fantasy of romance. She also now becomes aware that materialism does not bring the inner happiness. In her desperation for attaining happiness, she drinks a liquid from a bottle which is supposed to bring her happiness as per a road-side quack. The film ends with Maaya missing and police investigating her disappearance.
In the novel, the protagonist drinks poison and dies at end. However, Ketan Mehta seems to have left the disappearance of Maaya at the end of the film, to the audience for their own interpretations. Maya’s wandering through the barren landscape before she goes missing is a metaphor of her barren life. my understanding is that Ketan Mehta may be hinting through this film the philosophical side of the story. Maaya’s actions do indicate her independent viewpoints for the fulfillment of her romantic fantasies (her idealistic romance) which will make her happy. But at the end, she finds all these are illusions (maaya) as materialism and infidelity have failed to give her happiness.
‘Maaya Memsaab’ (1993) has six songs of which one song has three versions. All the songs have been written by Gulzar which have been set to music by Hridaynath Mangeshkar. One song has already been covered in the Blog. All the songs of the film are very melodious. It was, therefore, difficult for me to choose one song for this article. Finally, I have zeroed on a multiple version song, “Ek Haseen Nigaah Ka Dil Pe Saaya Hai”. I have selected this song for its visually impressive cinematic presentation. The song’s melody and orchestration match with the mood and atmosphere of Maaya’s journey of romantic fantasies.
The song has three versions. Version-I song rendered by Kumar Shanu has only two stanzas which is picturised on Farooque Shaikh and Deepa Sahi as a background song. Version-II is picturised on Shah Rukh Khan and Deepa Sahi. Both Versions-I and II songs depict the romantic fantasies of Maaya (Deepa Sahi) in her imaginations. Version-III song is Lata Mangeshkar’s solo which I did not find in the film.
One may observe in Version-II of the song that there is a change in tune in the first two lines of second antara of the song which is different from the tune of the first antara. However, afterwards, the tune of first antara is retained. This is called ‘sanchaari’ in musical parlance. Rabindranath Tagore is said to have used ‘sanchaari’ in some of his compositions. Most of the music directors from Bengal are fond of using ‘sanchaari’. Salil Chowdhury has used ‘sanchaari’ in some of his Hindi film songs like in second antara of O Sajnaa Barkha Bahaar Aayi from ‘Parakh’ (1960).
Kumar Sanu – Version I (Video)
Kumar Sanu – Version II (Video)
Kumar Sanu – Version II (Audio)
Lata Version (Audio)
Song – Ek Haseen Nigaah Ka Dil Pe Saaya Hai (Maya Memsaab) (1993) Singer – Kumar Sanu, Lata Mangeshkar, Lyrics – Gulzar, MD – Hridaynath Mangeshkar
Lyrics (from Kumar Sanu Version II Audio)
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai
paaon ke taley kabhi..ee
dil pada miley agar
choom kar uthaaiye
khoob dekh bhaal kar…
khoob dekh bhaal kar
jo koi poochh le to kya
raah se uthaaya hai
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai
ay hey
aa ha ha
aha ha
chali gayi jo manchali
pukaarunga gali gali
wo le ke meri zindagi
chali chali
udhar chali
wo roothi roothi rehti hai
bahut bahut manaaya hai
wo roothi roothi rehti hai
bahut bahut manaaya hai
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai…
hey hey
hey hey hey
aa aa aaa
ho ho ho
teri neeli aankhon pe
bhanwar bade haseen hain
doob jaane do mujhe
ye khwaabon ki zameen hai
ye khwaabon ki zameen hai
utha do apni palkon ko
ye parda kyun giraaya hai
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai….
ay hey
aa ha ha
aha ha
Lata Version
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai
ek haseen nigaah ka dil pe saaya hai
jaadu hai junoon hai kaisi maaya hai
ye maaya hai
paaon ke taley kabhi
dil padaa miley agar
choom kar uthaaiye
khoob dekh bhaal kar
khoob dekh bhaal kar
jo koi poochh le to kya
raah se uthaaya hai
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jadoo hai junoon hai kaisi maaya hai
ye maaya hai
ay hey
aa ha ha
aha ha
teri neeli aankhon ke
bhanwar bade haseen hai
doob jaane do mujhe
ye khwaabon ki zameen hai
ye khwaabon ki zameen hai..ai
utha do apni palkon ko
ye parda kyon giraaya hai
ek haseen nigaah ka dil pe saaya hai
ek haseen nigaah ka dil pe saaya hai
jadoo hai junoon hai kaisi maaya hai
ye maaya hai
ay hey
aa ha ha
aha ha
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
(कुमार सानु वर्शन II – audio पर आधारित)
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
पाँव के तले कभी
दिल पड़ा मिले अगर
चूम कर उठाइये
खूब देख भाल कर
खूब देख भाल कर
जो कोई पूछ ले तो क्या
राह से उठाया है
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
ए हे
आ हा हा
आहा हा
चली गई वो मनचली
पुकारूँगा गली गली
वो ले के मेरी ज़िंदगी
चली चली
उधर चली
वो रूठी रूठी रहती है
बहुत बहुत मनाया है
वो रूठी रूठी रहती है
बहुत बहुत मनाया है
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
हे हे
हे हे हे
आ आ आ
हो हो हो
तेरी नीली आँखों के
भँवर बड़े हसीन हैं
डूब जाने दो मुझे
ये ख्वाबों की ज़मीन है
ये ख्वाबों की ज़मीन है
उठा दो अपनी पलकों को
ये पर्दा क्यों गिराया है
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
ए हे
आ हा हा
आहा हा
लता वर्शन’
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
पाँव के तले कभी
दिल पड़ा मिले अगर
चूम कर उठाइये
खूब देख भाल कर
खूब देख भाल कर
जो कोई पूछ ले तो क्या
राह से उठाया है
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
ए हे
आ हा हा
आहा हा
तेरी नीली आँखों के
भँवर बड़े हसीन हैं
डूब जाने दो मुझे
ये ख्वाबों की ज़मीन है
ये ख्वाबों की ज़मीन है
उठा दो अपनी पलकों को
ये पर्दा क्यों गिराया है
एक हसीं निगाह का दिल पे साया है
एक हसीं निगाह का दिल पे साया है
जादू है जुनून है कैसी माया है
ये माया है
ए हे
आ हा हा
आहा हा
Ye Shaamen, Sab Ki Sab Shaamen
Posted on: August 23, 2023
- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Love song | Lover's tête-à-tête | Lyrics contributed by readers | philosophical song | Post by Sadanand Kamath | Songs of 1990s (1991 to 2000) | Songs of 1993 | Udit Narayan Song | Udit Narayan-Kavita Krishnamoorthy duet | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5514 | Post No. : | 17960 | Movie Count : |
4804 |
As per Hindu mythology, the Sun god is travelling in the sky on a chariot pulled by seven horses. After pulling the chariot for a long time, the six horses are tired. It is the seventh horse who remains and continues to pull the chariot signifying it to be the horse of dreams and aspirations for the future. In 1952, Dr Dharamvir Bharati published his novella, ‘Suraj Ka Saatvan Ghoda’. I read the novella in full which is available online. The novella is written in narration style in which the protagonist, Manik Mulla narrates to his three friends, three separate romance stories relating to three girls. What is of interest is that Manik Mulla is not only the narrator of the stories, but he is also the characters in all the three stories who loves these three girls at different points of time in his life. As Agyeya said in his foreword to the novella, ‘Suraj Ka Saatvan Ghoda’ is not the one story comprising three stories, but three stories constituting one story. The author, in his introduction, has revealed that during his early period of writing, he was influenced by Marxist objectives rather than hardcore Marxism. In this novella, some indications of that objectives can be inferred. The full novella in Hindi can be read here.
After four decades since the novella was published, Shyam Benegal adapted its story in toto to make a film by the same name, ‘Suraj Ka Saatvan Ghoda’ (1993). When Shyam Benegal approached Dr Bharati for his permission to adapt his novella into a feature film, he gave permission without any hesitation. However, some well-wishers of Dharmvir Bharti cautioned him about some filmmakers deviating from the literature. But Dharmvir Bharti brushed aside their concern by telling them that he has entrusted his work to Shyam Benegal and not just any filmmaker and he has immense faith in him. He also did not go through the screenplay written by Shama Zaidi. [Source: The Hindu, 17/09/2017].
The film was produced by NDFC and Doordarshan and was directed by Shyam Benegal. The cast included Rajit Kapur, Rajeshwari Sachdev, Pallavi Joshi, Neena Gupta, Amrish Puri, Anang Desai, Riju Bajaj, Lalit Tiwari, Ila Arun, Raghuveer Yadav, Ravi Jhankal, Suresh Bhagwat, KK Raina, Virendra Saxena, Shashibala Sahay, Mohini Sharma etc.
The three stories pertain to three girls. First, Jamuna (Rajeshwari Sachdev) who has been brought up in a middle-class family. Second, Leela/Lily (Pallavi Joshi), who belongs to an upper-middle class family and is educated, strong and independent-minded. The third girl, Sati (Neena Gupta), a destitute brought up by an ex-army man since her childhood. Her origin is from a gypsy family. Manik Mulla (Rajit Kapur) loves all the three girls at different points of time but love does not fructify. The tragedy is that Manik Mulla witnesses the marriage ceremonies of Jamuna and Lily and becomes a moot spectator to Sati being dragged out of his house where she has come to him for shelter. Although the three stories are different, they get intertwined as some characters are common in all the three stories and they are based in the same village.
The gist of the film’s story is as under:
The film starts with Manik Mulla, a railway employee serving watermelons to his three friends, Shyam (Raghuveer Yadav), Omkar (Siraj Ahmed) and Prakash (Rakesh Dhar) who normally assemble in his house in a series of afternoons to hear love stories from him. After the conclusion of each story, his three friends critically evaluate the stories, and he responds to their queries pertaining to the story.
The first story is that of Jamuna who is a school dropout. She is in love with her neighbor, Tanna (Riju Bajaj). At the same time, she has friendly disposition towards another neighbor, Manik Mulla who has some sort of platonic love for her but cannot express explicitly. Jamuna could not marry Tanna because of his cowardliness as he had no guts to defy his father, Maheshwar Dalal (Amrish Puri) who is money minded (dowry) and also a womanizer. She tells her disappointment to Manik Mulla and meets him almost every day. Eventually, Jamuna’s mother gets her married to an old landlord (Suresh Bhagwat) who is a widower with lot of wealth. But he dies within a short time. Jamuna finds solace in having inherited a good financial security apart from having extra-marital relationship with a horse-cart man, Ramdhari (Ravi Jhankal).
The second story is that of Leela/Lily, the only daughter of a widowed mother (Ila Arun). She has a wealthy background. Manik Mulla loves Lily which she reciprocates. But her widow-mother gets Lily married to Tanna against her wish. Tanna’s father, Maheshwar Dalal sees a double opportunity in this marriage. He sees a chance to flirt with Lily’s widow-mother and also her wealth which Lily will eventually inherit. However, Lily is not happy with this marriage as she does not find her husband in the same intellectual level as she is. After Lily becomes pregnant, she leaves her husband permanently and shift to her mother’s house by saying that she has got everything, and she does not need a man.
The third story is of Sati who belongs to the lower strata of the society. She earns a living by making soap. She genuinely loves Manik Mulla. His elder brother (KK Raina) does not like Manik’s liaison with her and threatens him to stop his college studies and get him employed. Maheshwar Dalal has an eye on Sati with bad intentions. He showers monetary benefit on her guardian, Chaman Thakur and makes him drunk to kidnap Sati. She runs away to Manik Mulla’s house to take shelter to save herself from the clutches of Maheshwar Dalal and Chaman Thakur. Afraid of his elder brother, Manik Mulla remains a moot spectator when Sati is being dragged out of his house by Maheshwar Dalal and Chaman Thakur. Sati is raped and probably killed by Maheshwar Dalal.
After the third story, Manik Mulla becomes emotional, and he tells his friends that he would not narrate any more stories. Somewhere in his conscious he felt that had he not betrayed Sati, she could have been saved. At the end of the film, the protagonist says that ‘the love which does not contribute to social progress and personal development is not love’.
This is one of those few films where watching the film will give more satisfaction than reading the story and reviews. For, the story switches between the protagonist narrations depicted on the screen and the scenes where protagonist and his friends discuss among themselves, the pros and cons of each story. Each main characters in the story have more than one layer of their personality which is hard to bring out in the reviews.
I have watched almost all the feature films directed by Shyam Benegal but, in my view, the film under discussion is his cult classic masterpiece though the film flopped miserably at the box office. I never thought that storytelling aspects in the novella could be cinematically presented so effectively as if I was refreshing the novella on the screen. The film keeps the viewers engrossed because at the end of the film, one gets confused whether the stories narrated by the protagonist is fiction or real or partly fiction and partly real. Perhaps, Dharmvir Bharati has left the conclusion to the readers of his novella and so also Shyam Benegal to the viewers of the film.
This was Rajit Kapur’s debut film as an actor and he has given an excellent performance as Manik Mulla where he has different layers of characters in each story. All the three ‘heroines’, Rajeshwari Sachdev, Pallavi Joshi and Neena Gupta have maintained their reputation as the great actors of mid/parallel cinema. I liked the non-maniac and soft villainous role of Amrish Puri in this film. The film won the National Film Award for the best feature film in Hindi in 1993.
The film has only two songs, one of which I am presenting here today. The song is “Ye Shaamen Sab Ki Sab Shaamen” which is the first song from the film to appear on the Blog. The song written by Vasant Dev is rendered by Udit Narayan and Kavita Krishnamurthy and is set to music by Vanraj Bhatia. The song is picturised on Rajit Kapur and Pallavi Joshi. The second part of the first stanza of the song gets played again in the background when Manik Mulla (Rajit Kapur) witnesses his beloved, Lily (Pallavi Joshi) getting married to Tanna (Riju Bajaj). The video clip contains both the parts.
Song – Ye Shaamen, Sab Ki Sab Shaamen (Suraj Ka Saatwan Ghoda) (1993) Singer – Udit Narayan, Kavitha Krishnamurthy, Lyrics – Vasant Dev, MD – Vanraj Bhatia
Udit Narayan + Kavitha Krishnamurthy
Lyrics
ye shaamen
sab ki sab shaamen
kya inka koi arth nahin
ghabra ke tumhe jab yaad kiya
kya un shaamon ka arth nahin
kya un shaamon ka arth nahin
aa aa aa
ye shaamen
sab ki sab shaamen
kya inka koi arth nahin
ghabra ke tumhen jab yaad kiya
kya un shaamon ka arth nahin
kya un shaamon ka arth nahin
o o o
ye shaamen
sab ki sab shaamen
soonepan ke in lamhon mein
apni chhaaya se baaten ki
jin mein koi bhi swar na rahe
wo tooti veenaayen phenki
ye bheege panchhi the lamhe
ye bheege panchhi the lamhe
kya inka koi arth nahin
kya inka koi arth nahin
ye shaamen
sab ki sab shaamen
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
ये शामें
सब की सब शामें
क्या इनका कोई अर्थ नहीं
घबरा के तुम्हें जब याद किया
क्या उन शामों का अर्थ नहीं
क्या उन शामों का अर्थ नहीं
आ आ आ
ये शामें
सब की सब शामें
क्या इनका कोई अर्थ नहीं
घबरा के तुम्हें जब याद किया
क्या उन शामों का अर्थ नहीं
क्या उन शामों का अर्थ नहीं
ओ ओ ओ
ये शामें
सब की सब शामें
सूनेपैन के इन लम्हों में
अपनी छाया से बातें की
जिन में कोई भी स्वर ना रहे
तो टूटी वीनाएँ फैंकीं
ये भीगे पंछी थे लम्हे
ये भीगे पंछी थे लम्हे
क्या इनका कोई अर्थ नहीं
क्या इनका कोई अर्थ नहीं
ये शामें
सब की सब शामें
Arrey tu pawan basanti
Posted on: November 20, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5238 | Post No. : | 17234 | Movie Count : |
4639 |
Today’s song is from the movie ‘Nargis-1993’. This movie seems to be an obscure or un-released movie of its time. I was not aware of this movie or its songs. But I got to listen to today’s song on ‘Vividh Bharati’ around two years back and since then I was longing to share it on the blog. When I listened to this song first I was not aware of the name of the movie it was from. It was only later when I looked for the details of its movie and other songs that I became aware of the name of the movie.
The first and the foremost thing that I got excited about this song was the composition which I liked and its singing by Lata Mangeshkar. I was surprised to have never come across this song during all these years since it was produced.
Secondly the name of this movie is missing from the list of Atul ji’s ‘Yearwise Review of Lata Mangeshkar HF Songs’. I checked the post for this year ‘1993’ again and again and also checked the posts for the years ‘1994’ and ‘1992’ to see if this movie name is there if was released earlier or later. But ‘Hindi Filmography-Vol-1 (1986-2000)’ mentions this movie of the year ‘1993’. (So we need to add this movie to this list also).
“Nargis-1993” was directed by Khalid Mohammad for ‘Filmtech, Bombay. Khalid Mohammad was also the producer of this movie.
This movie had Hema Malini, Naseeruddin Shah, Zeba, Manzoor Ali, Dinesh Hingoo, Neelam, Arun Bakshi, Anant Mahadevan, Sulbha Deshpande, Sudhir Dalvi, Nandita Thakur, Rabia, Kamal Deep, Chandani, Amjad Khan and others.
This movie was passed by Censor Board on 26.04.1993.
According to the information available online this movie has the following songs in it.
| S.No. | Song Title | Singer |
|---|---|---|
| 01 | Arey tu pawan basanti | Lata Mangeshkar |
| 02 | Main kaise kahoon jaaneman | Jagjit Singh |
| 03 | Kisi aashiyaane mein -1 | Lata Mangeshkar |
| 04 | Dono ke dil hain majboor pyaar se | Jagjit Singh, Lata Mangeshkar |
| 05 | O jaane jaana qurbaana | Asha Bhonsle, Naseeruddin Shah |
| 06 | Kaahe ab ki ae bahaar | Lata Mangeshkar |
| 07 | Kisi aashiyaane mein -2 | Shweta – I |
From the above table we can see that the voice Lata Mangeshkar featured in four songs of this movie – three solo songs – and one duet.
Today’s song is a solo song which we are going to listen to and enjoy.
The lyrics for today’s song and all the other songs of this movie have been written by Majrooh Sultanpuri.
Music is composed by Basu Chakravarty (of Basu-Manohari).
With the today’s song this movie ‘Nargis-1993’ makes his debut on the blog. And it joins the movie with same title i.e. ‘Nargis-1946’ on the blog.
Over to the song now …..
Audio
Song-Arre tu pawan basanti (Nargis)(1993) Singer-Lata Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Basu Chakravarty
Chorus
Lyrics
hmm hmm hmm hmm
hmm hmm hmm hmm hmm
ho ho ho ho
ho ho ho ho
ho ho ho ho ho o o
tanaa aa aa naa
tanaa naa aa
naa naa
taanaa
de re naa
tanaa naa naa
tanaa naa naa
taana de re naa
tanaa naa naa
tanaa naa naa
taana de re naa
arey tu u u pawan basanti
kaahe ko o o ithhlaake chalti ee ee
arey tu u u pawan basanti
kaahe ko o o ithhlaake chalti
jo dekhe meri chaal
wo ho jaaye nihaal
dekhe meri chaal
wo ho jaaye nihaal
allah mujhmein hai
kaisa jaadu u u u u
arey tu u u pawan basanti
kaahe ko o o ithhlaake chalti ee
jo dekhe meri chaal
wo ho jaaye nihaal
dekhe meri chaal
wo ho jaaye nihaal
allah mujhmein hai
kaisa jaadu u u u u u
arey tu u u pawan basanti
ho ho ho o o o o
tanaa naa naa
tanaa naa naa
taanaa
de re naa
tanaa naa naa
tanaa naa naa
taanaa
de re naa
jhananajhananana
jhanana
oye
jhananajhananana
jhanana
jhanan jhanan jhan
jhananana
oye
jhanan jhanan jhan
tana tum
bahaar to mera
bahaar to mera
badan rahi choom
dupatta jo udaaya
to rut rahi jhoom
bahaar to mera
badan rahi choom
dupatta jo udaaya
to rut rahi jhoom
ke phoolon se aayi
meri khushboo
ke phoolon se aayi
meri khushboo
allah mujhmein hai kaisaa jaadu u u u
arey tu u u u pawan basanti
kaahe ko o ithhlaake chalti ee
jo dekhe meri chaal
wo ho jaaye nihaal
dekhe meri chaal
wo ho jaaye nihaal
allah mujhmein hai
kaisa jaadu u u u
arey tu u u pawan basanti
ho ho ho o o o
tanaa naa naa
tanaa naa naa
taanaa
de re naa
tanaa naa naa
tanaa naa naa
taanaa
de re naa
ye lat dekhe baadal
ye lat dekhe baadal
to jhuk jhuk jaaye
bindiyaa dekhe bijlee
to ruk ruk jaaye
ye lat dekhe baadal
to jhuk jhuk jaaye
bindiyaa dekhe bijlee
to ruk ruk jaaye
ke dil pe kisi ko nahin kaaboo
ke dil pe kisi ko nahin kaaboo
allah mujhmein hai kaisaa jaadu u u u
arey tu u u pawan basanti
kaahe ko o o ithhlaake chalti ee ee
arey tu u u pawan basanti
kaahe ko o o ithhlaake chalti
jo dekhe meri chaal
wo ho jaaye nihaal
dekhe meri chaal
wo ho jaaye nihaal
allah mujhmein hai
kaisa jaadu u u u u
arey tu u u pawan basanti
ho ho ho o o o
tanaa naa naa
tanaa naa naa
taanaa
de re naa
tanaa naa naa
tanaa naa naa
taanaa
de re naa
Aadhi raat ko palkon ki chhaaon mein
Posted on: July 3, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5098 | Post No. : | 17029 | Movie Count : |
4609 |
Hullo Atuldom
Pandit Hariprasad Chaurasia was born on 1st July 1938 to a father who wanted the son to be a wrestler. The obedient son did go to the Akhada and trained with his father along with learning music and practising at a friend’s home.
Pt. Hariji has said once, and I quote, “he was not very good at wrestling but the training had helped him build up strength and stamina which has helped him play the bansuri (flute) to this day.”
Initially he was learning vocal music but switched to playing the flute and Bholanath Prasanna of Varanasi was his guru. After a few years, Annapurna Devi was his guide and that is when he turned to playing the flute left-handed. Panditji is the recipient of numerous awards including the Padma Bhushan and Padma Vibhushan. He has collaborated with Pandit Shiv Kumar Sharma since the 60s with albums like “Call of the Valley”. The Shiv-Hari combo gave music to a few Hindi films too, most of them from YashRaj Films.
Today we are wishing Panditji on turning 84 a few days back with a composition that is from Yash Chopra directed, Firoz A Nadiadwala produced and May 1993 released “Parampara”.
Much of the movie was shot in the famous boarding school of Ajmer -Mayo College. It starred Sunil Dutt, Vinod Khanna, Anupam Kher as the seniors. Raveena Tandon, Neelam Kothari, Aamir Khan, Saif Ali Khan (this was his debut in Hindi films) formed the young brigade. Ashwini Bhave and Ramya Krishnan were cast as Vinod Khanna’s wives – one chosen by him and the other by his father Sunil Dutt. Saif and Aamir were VK’s children who are educated in a boarding school where they sing today’s song. Anand Bakshi wrote the songs.
This is a song which has Amit Kumar and Lata Mangeshkar singing for the collegiates who are enjoying after “lights out” (I have seen this movie a long time back, hope I am correct?)
3rd July a very important date in the life of a singer who has carried the legacy of his family, in HFM. His uncle began as an actor who used to sing his own songs; most of which are popular to this date. I am speaking of the Ganguly family and the uncle I spoke of was Ashok Kumar. 3rd July happens to be the birthdate of Amit Kumar who was born into the Ganguly Family as son of Kishore Kumar (a singer-actor in his own league) and Ruma (who was also an actor-singer).
There are singers and people connected with the arts in Ruma’s lineage too -Ruma’s mother was also a singer. It is hardly surprising that Amit Kumar took to singing early in life. There are interviews available in public Domain where Amit Kumar has spoken about how he used to sing at Durga Pooja pandals and how his mother complained to his ‘Baba’ etc. Amit Kumar has also spoken about how his father “Baba” took him to Bombay (Mumbai back then) and how he began his journey. One thing about Amit Kumar is that he never tried to ape his father. His voice was distinct and we have a few duets of Kishore Kumar and Amit Kumar where the distinction is obvious (two of these are on the blog.)
We have had 58 Amit Kumar songs (only) on the blog. The categories listed on the right hand side of the blog show that he has had duets with all possible male and female playback singers. We also have songs (on the blog) where he has appeared on-screen. Today- 3rd July – we wish Amit Kumar on turning 70.
What!!!! did I say 70!!!! Unbelievable. He is still so youthful when we see him on the various reality shows as judge. He is his father’s biggest fan. And we are his fans. A very Very Happy Birthday Amitda.
Belated Wishes to Pandit Hariprasad Chaurasia on turning an year older.
With this Shiv-Hari song from “Parampara” which makes its debut on the blog.
Video
Audio
Song-Aadhi raat ko palkon ki chhaaon mein (Parampara)(1993) Singers-Lata, Amit Kumar, Lyrics-Anand Bakshi, MD-Shiv Hari
Amit Kumar + Male chorus
Lata + Female chorus
Lata + Amit Kumar
Lyrics
aadhi raat ko
palkon ki chaanv mein
aadhi raat ko
palkon ki chaanv mein
chubh gaya pyaar ka
hey chubh gaya pyaar ka kaanta mere paanv mein
chubh gaya pyaar ka kaanta mere paanv mein
ho aadhi raat ko zulfon ki chhaanv mein
aadhi raat ko zulfon ki chaanv mein
ho pad gayi pyaar ki
haaye
ho pad gayi pyaar ki bedi mere paanv mein
pad gayi pyaar ki bedi mere paanv mein
aadhi raat mein rut paagal ho gayi
rut paagal ho gayi
rut paagal ho gayi
ho aashiq jaag uthhe
ho aashiq jaag uthhe
saari duniya so gayi
aashiq jaag uthhe
saari duniya so gayi
ho aadhi raat mein jaadu chalne lage
ho jaadu chalne lage
jaadu chalne lage
batti bujh gayi
haaye
ho batti bujh gayi
ye dil jalne lage
batti bujh gayi
ye dil jalne lage
ho batti bujh gayi ye dil jalne lage
batti bujh gayi ye dil jalne lage
aadhi raat ka ye mausam khoob hai
ye mausam khoob hai
ye mausam khoob hai
mere saamne
ho mere saamne mera mehboob hai
mere saaamne mera mahboob hai
aadhi raat hai baaki
ho aadhi raat ha baaki
haaye kuchh keejiyee
haaye kuchh keejiye
kuchh keejiye
aadhi raat hai baki
kuchh kijiye
jaldi se
o jaldi se
ubah na hone deejiye
jaldi se subah na hone deejiye
aadhi raat bhi baaton mein kho gayi
baaton mein kho gayi
baaton mein kho gayi
jaane do mujhe
re jaane do mujhe
ab subah ho gayi
jaane do mujhe
ab subah ho gayi
ho aadhi raat ko
ho aadhi raat ko
ho aadhi raat ko
kal phir tu aayegi
kal phir tu aayegi
kal phir tu aayegi
waada aaj ye
ho waada aaj ye tu karke jaayegi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye main karke jaaungi
ho waada aaj ye tu karke jaayegi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye main karke jaungi
ho waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
waada aaj ye tu karke jaayegi
waada aaj ye main karke jaaungi
Abhi to main jawaan hoon
Posted on: March 7, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4980 | Post No. : | 16862 | Movie Count : | 4587 |
Hullo Atuldom
March 7th sees Anupam Kher, the versatile actor, turn a year older. He has played characters beyond his calendar age in numerous films. He has played the archetypal villain with as much finesse as serious supporting roles. He has also tried playing characters which are comic but of course some of these have been over-the-top and mostly making faces, using odd hair-get-ups etc. would be used to create comic effect. But I think we can excuse this fine actor of these excesses as he used to balance them by doing roles as in “Daddy” (1989), Utsav (1984), Karma (1986), Rao Saheb (1985), Kaash (1987), Zevar etc.
He played Shahrukh Khan’s son-friendly father in a few movies, as also father to Salman Khan and other heroes of the 90s. But I have never been able to get over the fact that he played father to Anil Kapoor in one movie and grandfather in the next movie. Similarly, he has played friend, jija, father, grandfather etc to Rishi Kapoor. I can go on and on about the various actors with whom he played such characters. All of these just show the love this man has towards all things connected with films and movie making.
He turned producer in 2000 with “Bariwali” which was in Bengali and had his wife Kirron Kher play a lonely, sad, unfortunate, middle-aged woman. He directed ‘Om Jai Jagdish” in 2002. Additionally he has appeared in a few international television serials, and films. He has also been seen in Punjabi, Bengali, Tamil, Malayalam, Marathi films.
His brother Raju Kher is an actor as also his wife and her son (his step-son) Sikandar Kher are actors.
This was a song that I posted in 2020 on Anupamji’s birthday. There are so many choices available to go with today’s post. I have zeroed in on a song where we have Rishi Kapoor playing Anupam Kher’s ‘chela’ reminding us of Joy Mukherjee and I.S Johar in “Shaagird”.
This movie “Shreemaan Aashique” (1993) was directed by Deepak Anand and produced by Shakeel Noorani. The film starred Urmila Matondkar, Rishi Kapoor, Anupam Kher, Bindu, Reema Lagoo, Mehmood, Annu Kapoor etc. Music was by Nadeem-Shravan, Sameer and Noor Kaskar (never heard this name before) were the lyricists. I recently discovered that Anupam Kher has sung a few songs in movies and today’s song is one of them. The other voice in the song is Ahmed Mirza (never heard this name too).
I apologize to all the purists in subjecting them to this song, but we shall see the positive side that this actor didn’t mind making himself a buffoon too.
Wishing Anupam Kher health and happiness
Song-Abhi to main jawaan hoon (Shreeman Aashique)(1993) Singer-Ahmed Mirza, Anupam Kher, Lyrics-Sameer, MD-Nadeem Shrawan
Lyrics
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
umang hai jawaan meri
tarang hai jawaan meri
umang hai jawaan meri
tarang hai jawaan meri
ajab hai daastaan meri
jawaan dilon ki shaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to main jawaan hoon
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
jawaani ko nikhaar le
ye zulf to sanwaar le
jawaani ko nikhaar le
ye zulf to sanwaar le
zara tu seedhi chaal chal
na ladkhada
sambhal sambhal
na ladkhada
sambhal sambhal
kamar teri kamaan hai ae
kamar teri kamaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
payjama kurta na pahan
deewaane up to date ban
payjama kurta na pahan
deewaane up to date ban
disco mein jaakar dance kar
ab khul ke tu romance kar
ab khul ke tu romance kar
ghabraata hai naadaan hai
ghabraata hai naadaan hai
jawaani ki tu shaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
ab doodh pee
baadaam kha
uthh ke subah jogging ko ja
ab doodh pee
baadaam kha
uthh ke subah jogging ko ja
gaalon pe hongi surkhiyaan
jaayengi saari jhurriyaan
jaayengi saari jhurriyaan
tujhmein abhi tak jaan hai
tujhmein abhi tak jaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
abhi to tu jawaan hai
Akkad bakkad timbaktu
Posted on: February 12, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4957 | Post No. : | 16826 | Movie Count : |
4579 |
Hullo Atuldom
The title-cards of movies that he was present in always billed him as “And Pran”.
His was the character needed to bring out the hero in Raj-Dilip-Dev, Dharam-Rajendra-Sunil. Shammi Kapoor fooled him in “Kashmir Ki Kali”, “Bluffmaster” etc’ Kishore Kumar made him run after him in “Half Ticket”. He was unhappily-married to the girl Manoj Kumar loved in “Do Badan”.
He was a strict-rich-unbending father to Rishi Kapoor in “Bobby”. A friend to Ashok Kumar in reel and real life, they came together on-screen for the first time in “Afsana” (1951). {I hope this is correct!!! In-house encyclopediaji and other knowledgeable Atulites need to confirm this}.
He was seen along side Ashok Kumar in close to 27 movies till 1987 when Ashok Kumar played Pran’s (Thakur Satyaprakash) trusted driver, Man-Friday etc. in the Prayag Raj directed “Hifazat”. (Hope I am right here, have seen this film a long time back on television).
His association with Manoj Kumar has material for a post on its own, but I feel like mentioning that it was Manoj Kumar who thought that Pransaab (as the industry addressed him) will be able to do justice to the character of Malangbaba in “Upkaar”. The last time Pransaab acted in a Manoj Kumar was “Jai Hind” in 1999.
Additionally Pransaab was instrumental in making characters of Amitabh Bachchan, Jeetendra and various other actors of the 70s and 80s standout in numerous films.
It is very difficult to write a post about this lovable artiste, without touching on the extra touch, that he added to all his characters so that no-two villains looked same or had similar traits. He looked menacing blowing smoke-rings holding his pipe/cigar/cigarette in different styles. The mustache of Raka in ‘Jis desh mein Ganga behte hain” was different from the one he sported in “Ram aur Shyam”. If Helen experimented with her outfits for her dance numbers, Pransaab was known to play around his hair styles. I am sure that the readers will feel that I am a huge fan of this actor who was awarded the “Villain of the Millenium” by Stardust in 2000, the Padma Bhushan by the Government of India in 2001 and the Dadasaheb Phalke award in 2013.
Yes, I loved to see this actor in action. I found him adorable. There is a whole list of songs filmed on this actor and the following are the ones I loved him most in.
| Song | Movie (Year) | Date posted | Singer | |
|---|---|---|---|---|
| Daaru ki bottle mein saahab paani bharta hai | Majboor (1974) | 14 Nov 2008 | Kishore Kumar | |
| Aake seekhi lagi | Half Ticket (1962) | 8 Feb 2009 | Kishore Kumar, Pran | |
| Kasme waade pyaar wafa waahe hain waadon ka kya | Upkaar (1967) | 1 March 2009 | Manna Dey | |
| Dil ki umangen hain jawaan | Munimjee(194) | 27 April 2009 | Hemant Kumar, Geeta Dutt, Pran | |
| Raaz ki baat keh doon to jaane mehfi mein phir kya ho | Dharma (1973) | 21 May 2009 | Asha Bhonsle, Rafi | |
| Do bechaare bina sahaare | Victoria number 203 (1971) | 10 March 2011 | Mahendra Kapoor, Kishore Kumar | |
| Yaari hai imaan mera yaar meri zindagi | Zanjeer (1973) | 12 February 2012 | Manna Dey | |
| Mujhse nazren milaane ki jurrat na kar | Maan Gaye Ustaad (1981) | 26 November 2012 | Rafi, Manna Dey | |
| Mera ek sawaal hai sawaal ka jawaab do | Maan Gaye Ustaad (1981) | 12 February 2018 | Rafi, Chandrani Mukherjee, Dilraj Kaur | |
| Aji sunte ho | Raja Aur Rana (1983) | 12 February 2019 | Mahesh Kumar, Kishore Kumar | |
| Shaam suhaani aayi khushiyaan banke pehli baar | Zinda Dil (1975) | 12 February 2020 | Lata, Shailendra Singh, Mahendra Kapoor |
The list is not complete, there are more songs where either he is simply standing and smiling benevolently or menacingly (depending on the era of the song). I remember a song from the 90s where he is seen partying on his wedding anniversary with Asha Parekh. Everytime I see this song I think of Pran and Asha Parekh from all those movies of the 60s when he played the spoke in her love-life with the hero of those films:- “Jab Pyaar kisise hota hai”, “Love In Tokyo”, “Do Badan”, and the list is long here too. What more does one expect when a person has a career starting from 1940 and going on till 2007.
Thinking of this actor today on his 102nd birth anniversary with the party song that I mentioned in the previous paragraph. The movie is the 1993 release “Bhagyawan” which had Govinda play the son of Asha Parekh & Pran, with Juhi Chawla, Ranjeet, Aruna Irani, Kirti Kumar (Govinda’s real-life brother), Johnny Lever etc forming the rest of the cast. The movie was a typical family drama. It had songs written by Sameer, M G Hashmat, and Hasrat Jaipuri. Today’s song is sung by Abhijeet. Anand Milind were the music directors of this film.
I take this as the party to celebrate two other occasions- birthday of one Atulite and wedding anniversary of another Atulite (sirf hint hi kaafi hai).
Wishing all the best to both the Atulites.
Song-Akkad bakkad timbaktu (Bhaagyawaan)(1993) Singer-Abhijeet, Lyrics-M G Hashmat, MD-Anand Milind
Pran
Unknown male voice
Chorus
All
Lyrics
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
bhool nahin paaunga
main aapke ehsaan ko
meethhi meethhi pyaari pyaari
mamta ki zubaan ko
thhandi thhandi raaton mein jab neend nahin aati thhi
loriyaan suna ke apne aanchal sulaati thhi
zindagi ke raste mein
raushani dikhaati thhi
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
arre baba
pare baba
papappa
pare baba
arre baba
pare baba
papappa
pare baba
ye maine kuchh nahin kiya beta
ye to sab upar waale ka qasoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jhoothh mat boliye jee
aapka qasoor hai
aaj ke zamaane mein kya
pyaar ka dastoor hai
jaane kaise dukhde sah ke
bachche paale jaate hain
bade ho ke badon se wo door kyun ho jaate hain
good bye mummy bye bye papa
kah ke chale jaate hain
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
aapne mujhko pyaar diya
maine tay kiya
ab to le jaaunga main pakad ke
aise dekho na mujhko akad ke
akkad bakkad
timbak tu
you love me and
I love you/font>
akkad bakkad
timbak tu
you love me and
I love you
akkad bakkad timbak tu
you love me and I love you
akkad bakkad timbak tu
you love me and I love you
Ek se baney do do se baney teen
Posted on: December 31, 2021
- In: Abhijeet song | Car Repair Garage Song | Car song | Guest posts | Introduction song | movie opening song | Post by Peevesie's mom | S P Balasubramanyam songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1993 | Udit Narayan Song | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4914 | Post No. : | 16735 | Movie Count : |
4555 |
Hullo Atuldom
Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.
I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.
On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.
Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.
The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.
Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.
There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.
With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:
Best Dialogue for “Meri Awaz Suno” in 1982.
Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.
Best Dialogue (again) for “Angaar” in 1993.
He was conferred the Padma Shri, posthumously in 2019 by the Government of India.
He was 81 when he passed away.
Video
Audio
Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind
Lyrics
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen
chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen
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Blog Day : |
4777 | Post No. : | 16528 | Movie Count : |
4498 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLVII: Year 1993
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1993.
In 1993, 122 Hindi movies containing 748 songs were released. Lata Mangeshkar got to sing in 14 of these movies and she sang 49 songs in these movies. So Lata Mangeshkar’s voice was heard in 11 % of the movies released in 1993. Her voice was heard in 6 % of the songs appearing in the movies of 1993.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1993 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aaina | Dilip Samir | 0 | 4 | 1 | 2 | 0 | 1 | Sameer |
| 2 | Aansoo Bane Angaare | Rajesh Roshan | 0 | 2 | 2 | 0 | 0 | 0 | |
| 3 | Anmol | Ram Laxman | 0 | 6 | 3 | 3 | 0 | 0 | Dev Kohli (3) Maya Govind (2) Sameer (1) |
| 4 | Antim Nyay | Ram Laxman | 0 | 3 | 0 | 3 | 0 | 0 | Dev Kohli |
| 5 | Darr | Shiv Hari | 1 | 6 | 0 | 5 | 1 | 0 | Anand Bakshi |
| 6 | Dil Hi To Hai | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 7 | Dil Ki Baazi | Ram Laxman | 0 | 3 | 1 | 2 | 0 | 0 | Shailly Shailendra (2) Ravinder Kapoor (1) |
| 8 | King Uncle | Rajesh Roshan | 0 | 1 | 0 | 1 | 0 | 0 | Indeewar |
| 9 | Kshatriya | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 10 | Lutere | Anand Milind | 0 | 2 | 0 | 2 | 0 | 0 | Manoj Kumar (1) Dharmesh Darshan (1) |
| 11 | Maya Memsaab | Hridaynath Mangeshkar | 1 | 5 | 5 | 0 | 0 | 0 | Gulzar |
| 12 | Parampara | Shiv Hari | 0 | 6 | 2 | 2 | 1 | 1 | Anand Bakshi |
| 13 | Pyaar Ka Taraana | Ram Laxman | 0 | 3 | 2 | 1 | 0 | 0 | M G Hashmat |
| 14 | Rudaali | Bhupen Hazarika | 0 | 6 | 4 | 2 | 0 | 0 | Gulzar |
| Total | 14 movies | 8 MDs | 2 | 49 | 22 | 23 | 2 | 2 | 12 lyricists |
Lata Mangeshkar worked with 8 music directors and 12lyricists in these 12 movies released in 1993. Laxmikant Pyarelal were the most prolific music directors with Lata, with 661 songs in HFM with Lata Mangeshkar by the end of 1992. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 331 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Bappi Lahiri (110), Salil Chaudhary (109), Rajesh Roshan (109) and Vasant Desai (104). Together these seventeen music directors composed 3719 songs out of 5083 songs that Lata Mangeshkar had sung in Hindi movies till end of 1993. Anand Bakshi with 693 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (155). These ten lyricists had penned 3211 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1993 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 138 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 9 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 2 | 49 | 22 | 23 | 2 | 2 | |
| Total upto 1993 | 1824 movies | 3720 | 5083 | 3334 | 1427 | 208 | 114 |
It can be seen from the table of 1993 that Lata Mangeshkar sang 46 songs in 14 movies released in 1993.
2 songs sung by Lata Mangeshkar in movies of 1993 have been covered in the blog. That leaves us with 44 songs from 14 movies of 1993 that are yet to be covered.
Alphabetically “Aaina”(1993) is the first movie of 1993 that offers us a Lata Mangeshkar song to be covered in the blog.
“Aaina”(1993) was produced by Pamela Chopra and directed by Deepak Sareen for Aditya Films, Bombay. The movie had Jackie Shroff, Juhi chawla, Amrita Singh,Sayeed Jaffrey,Maya Alagh,Dina Pathak, Rajesh Kattar, and Deepak Tijori(Special appearance), Vikas anand, Virendra Saxena,Yunus Parvez etc in it.
“Aaina”(1993) had four Lata Mangeshkar songs in it. Here is he first song from the movie to appear in the blog. This song is a Lata Mangeshkar solo song. Sameer is the lyricist. Music is composed by Dilip Sen Samir Sen. The song is picturised on Amrita Singh, Jackie Shroff and Juhi Chawla.
Lyrics of the song and other details were sent to me by Prakashchandra.
With this song, “Aaina”(1993) makes its debut in the blog.
audio link:
video link:
Song-Meri saanson min tum dil ki dhadkan mein tum (Aaina)(1993) Singer-Lata, Lyrics-Sameer, MD-Dilip Sen Samir Sen
Lyrics( Provided by Prakashchandra )
meri saanson mein tum m m
dil ki dhadhkan mein tum m m
rehthey ho o o o mere khaayalon mein tum
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai ae ae
yahaan to gham ki sej par
hamaari aarzoo oo oo
akeli munh chhupaaye ro rahee hai
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai ae ae
saathi maine paa ke tujhey khoyaa aa
kaisaa hai ye apnaa naseeb
ho ho o
tujh se bichhad gayee main to o o
yaadein teri hain mere qareeb
ho o o ho o
tu meri waffaaon mein aen
tu meri sadaaon mein
tu meri duaa`on mein
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai ae ae
kat’ti naheen hai meri raatein aen aen
kat`tey naheen hain mere din
ho o o
mere saarey sapney adhoorey aey ae aey
zindagi adhoori tere bin n n
ho o o ho o o
khwaabon mein nigaahon mein aen
pyaar ki panaahon mein
aa chhupaa ley baahon mein
ye raat khushnaseeb hai
jo apney chaand ko o o
kalejey se lagaaye so rahee hai
yahaan to gham ki sej par
hamaari aarzoo oo
akeli munh chhupaaye ro rahee hai ae
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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