Archive for the ‘Songs of 1993’ Category
Mujhse muhabbat ka izhaar karta
Posted on: November 13, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4135 | Post No. : | 15294 |
Today (13 november 2019) is the birthday of Juhi Chaawla (DoB 13 november 1967). Juhi Chawla, alongwith the likes of Madhuri Dixit, Sridevi, Jayaprada etc was from my generation viz born in 1960s). 🙂
Indian actresses holding their own in inernational beauty pageants and they going on to become popular matinee idols was not all that common those days. Juhi Chawla became Femina Miss India in 1984. She then participated in Miss Universe competition, winning the best costume award there.
Though she did not win the Miss Universe title or even finish among runners ups, it is interesrting to note that she was perhaps the most successful among all Miss Universe contestents of that year. While most other contestents did not have any reat careers, Juhi Chawla had a very successful movie career beginning from 1986, when se made her debut with “Sultanat”(1986).
“Qayamat Se qayamat Tak”(1988) launched her (and Aamir Khan) in Hindi movies.
1990s was the prime decade for Juhi Chawla. when she, alongwith Madhuri Dixit ruled the roost as the leading lady in Hindi movies.
Nowa days, she is still active, not in movies but in IPL, as co owner of Kolkata Night Riders.
Whenever I think of Juhi Chawla, the first movie that comes to my mind is “Hum Hain Raahi Pyaar Ke”(1993).
I have watched this movie. But now I cannot recall where I watched the movie. I was posted in Purna (Maharashtra) during those days. Purna had no movie halls. Going to Nanded or Parbhani to watch movies during weekends used to be my modus operandi. Did I watch this movie in one of these two places, or did I watch the movie somewhere else (like say Secunderabad) I am not sure now. It happens with growing age. I (alongwith the birthday girl) have become older by 26 years. 🙂
I loved the movie. Both lead actors were in my age group, making it easy for me to identify with their characters. 🙂
Three songs from this movie have been covered. The third song from the song was covered exactly two years ago for the same occasion, viz Juhi Chawla’s birthday.
Here is another song from the same movie (Fourth out of six), to celebrate another birthday of Juhi Chawla. The song is sunng by Alka Yagnik and Kumar Sanu. Sameer is the lyricist. Music is composed by Nadeem Shrawan.
The song is picturised on Juhi Chawla and Aamir Khan, who imagine themselves falling in love with each other, while the two kids (playing Aamir Khan’s nephew nd niece) have no clue.
We wish Juhi Chawla a very happy birthday and many happy returns of the day.
Song-Mujhse muhabbat ka izraar karta (Ham Hain Raahi Pyaar Ke)(1993) Singers-Alka Yagnik, Kumar Sanu, Lyrics-Sameer, MD-Nadeem Shrawan
Lyrics
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
mujhse mohabbat ka izhaar karti
mujhse mohabbat ka izhaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti
o o o
meri maang mein chaand taare sajata
jo main roothh jaati mujhe wo manaata
meri maang mein chaand taare sajaata
jo main roothh jaati mujhe wo manaata
haalat meri ee wo jaanta
dhadkan meriee pehchaanta aa
apni bhi chaahat ka ikraar karta
apni bhi chaahat ka ikraar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
mujhse mohabbat ka izhaar karti
mujhse mohabbat ka izhaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti
ho o o
wo bechain hoti
main betaab hota
nigaahon mein uski
mera khwaab hota
wo bechain hoti
main betaab hota
nigaahon mein uski
mera khwaab hota
sharma ke wo lagti gale
rakhta usey palkon tale ae
chori chori wo mera deedaar karti
chori chori wo mera deedaar karti
kaash koi ladki mujhe pyaar karti
kaash koi ladki mujhe pyaar karti
mujhse mohabbat ka izhaar karta
mujhse mohabbat ka izhaar karta
kaash koi ladka mujhe pyaar karta
kaash koi ladka mujhe pyaar karta
Ek kali do pattiyaan
Posted on: September 8, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4069 | Post No. : | 15206 |
Today (8 september 2019) is the birth anniversary of Bhupen Hazarika (8 September 1926 – 5 November 2011).
It is appropriate that we honour him in the blog with a song. Lyrics of the song (sent by Avinash Scrapwala) is there with me. When I listened to the song, I wanted to listen to the original Assamese song. That opened a Pandora’s box. I discovered such a goldmine of information about Bhupen Hazarika, Assam, Assamese culture and History etc that it became a case of information overload for me. Now I have so much information to discuss that I do not known where to begin.
The thought that immediately came to my mind is whether Bhupen Hazarika has got his due recognition. The answer is, yes, belatedly, but his contribution has been recognised and he received Bharat Ratna this year in 2019. A posthumous recognition, and a richly deserved one.
The contribution of Bhupen Hazarika in putting North East part of India in general and Assam in particular and bringing its rich culture to the notice of outsiders is immense.
He began very young and visited all over the world and became a truly cosmopolitan Indian. And he never forgot his roots !
Assam and North East is a remote part of India, and it was considered a “punishment” post for Indians living in other parts of the country. That was mainly because this part of the country was neglected and underdeveloped. The aspirations and feelings of this part of the country were not properly addressed. This led to feeling of alienation and led to separatist movements and militancy.
I had the experience of being posted in this “punishment” posting area from 2000 to 2003. These three years helped me understand Assam and North East first hand by interacting with the natives of the region. And I realised how their hopes, aspirations, demands etc were falling into deaf ears for decades.
Now, for the last few years, attempts has been made to make the people of north East region feel like every one else. The infrastructure works that were languishing for decades have been fast tracked. In 2000, I was posted in Lumding division. The MG line from Lumding to Badarpur and beyond in South Assam was planned for BG conversion but the progress was abysmally slow. During the last few years, this project was fast tracked and now we finally have BG line between Lumding and South Assam. A travel between Silchar to Lumding, which took 12 hours now takes five hours. This remote area now feels more mainstream with rest of Assam. Assam itself now feels more mainstream in India than ever before.
In the past, roads and bridges would not be constructed in border areas because China used to object. Now the government ignores such Chinese protests and goes ahead with the construction work. That is how the long pending demands of Assam and North East were met. Bogibeel Bridge, which was a demand since 1985, in the agreement signed between AASU and Indian Government was gathering dust for decades before this bridge finally got constructed and inaugurated in 2019. One year ago, another bridge (which too was not getting constructed in the past because of Chinese protests) got finished and was inaugurated. This bridge over river Lohit, connecting Dhola and Sadia ( the longest road bridge in India), was very appropriately named as Bhupen Hazarika Bridge.
At a time when North East felt alienated from rest of India, it was people like Bhupen Hazarika who kept their morale high and kept their hopes alive, and kept their faith in India intact.
Not just India, even the neighboring Bangladesh regards him highly. His iconic Assamese folk song Manush Manusher Jonno (Humans are for humanity) was chosen to be the second most favourite number after the National anthem of Bangladesh, in a Bangladeshi opinion poll.
Many of his Assamese songs became known all over India after their Hindi versions were made. One such album of his songs was “Main aur Mera Saaya”(1993). Here, Gulzar translated some of Bhupen Hazarika’s iconic Assamese songs into Hindi.
These Hindi songs became so popular that they are sung all over India by artists and they are performed by school children in their cultural programmes.
Here is the song “Ek Kali Do Pattiyaan” from this album. Bhupen Hazarika had sung this song originally in Assamese as “Eti Kuhi Duti Paat”. This song has subseuently been sung by many other artists, in Assamese as well as Hindi, and I guess in other languages as well.
Here is this goose bump inducing folk song from Assam, beautifully translated into Hindi by Gulzar. The song is sung and composed by Bhupen Hazarika.
As mentioned above, the lyrics of this song were sent to me by Avinash Scrapwala.
Song-Ek kali do pattiyaan (Bhupen Hazarika NFS)(1993) Singer-Bhupen Hazarika, Lyrics-Gulzar, MD-Bhupen Hazarika
Lyrics (Provided by Avinash Scrapwala)
Ek kali do pattiyaan
Naazuk naazuk ungliyaan
Tod rahi hai kaun ye
Ek kali do pattiyaan
Ratanpur baageeche mein
ho oEk kali do pattiyaan
Naazuk naazuk ungliyaan
Tod rahi hai kaun ye
Ek kali do pattiyaan
Ratanpur baageeche mein
Khul ke khilkhilaati
Saawan barsaati
Hans rahi hai kaun ye
Mogre jagaati
Ho mogre jagaati
Khul ke khilkhilaati
Saawan barsaati
Hans rahi hai kaun ye
Mogre jagaati
Ho mogre jagaati
Ek kali do pattiyaan
Naazuk naazuk ungliyaan
Tod rahi hai kaun ye
Ek kali do pattiyaan
Ratanpur baageeche mein ae
Jugnu aur Lachhmi ki
Lagan aisi aayee
Daali daali jhoomi leke angdaayee
O Leke angdaayee
Jugnu aur Lachhmi ki
Lagan aisi aayee
Daali daali jhoomi leke angdaayee
O Leke angdaayee
O o
Ek kali do pattiyaan
Naazuk naazuk ungliyaan
Tod rahi hai kaun ye
Ek kali do pattiyaan
Ratanpur baageeche mein ae
Jugnu aur Lachhmi ki
Preet rang laayee
Nanhi si ek munni si
Chuppi jagmagaaee
O Chuppi jagmagaaee
Jugnu aur Lachhmi ki
Preet rang layee
Nanhi si ek munni si
Chuppi jagmagaaee
O Chuppi jagmagaaee
Ek kali do pattiyaan
Naazuk naazuk ungliyaan
Tod rahi hai kaun ye
Ek kali do pattiyaan
Ratanpur baageeche mein ae
Ek kali do pattiyaan aa aan
Khilne bhi naa paayee thhi ee ee
Todne us baageeche mein
Daanav aaya re
Ho o daanav aaya re
Daanav ki parchhaayee mein
Kaanp rahi thhi pattiyaan
Bujhne lagi maasoom kali
Daanav ki parchhaayee mein
Daanav ki parchhaayee mein
Saaye se bedaar huye
Tambaran si baahon ke
Saaye se bedaar huye
Tambaran si baahon ke
Dhol maadal bajne lage
Maadal aise baaje re
Lakhon milke naache re
Aaya ek toofaan naya
Daanav dar ke bhaag gaya
Maadal aise garja re
Daanav dar ke bhaga re
Daanav dar ke bhaga
Ek kali do pattiyaan
Naazuk naazuk ungliyaan
Tod rahi hai kaun ye
Ek kali do pattiyaan
Ratanpur baageeche mein
Ratanpur baageeche mein
Ho Ratanpur baageeche mein
————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————
एक कली दो पत्तियाँ
नाज़ुक नाज़ुक उंगलियाँ
तोड़ रही है कौन ये
एक कली दो पत्तियाँ
रतनपुर बागीचे में
हो एक कली दो पत्तियाँ
नाज़ुक नाज़ुक उंगलियाँ
तोड़ रही है कौन ये
एक कली दो पत्तियाँ
रतनपुर बागीचे में
खुल के खिलखिलाती
सावन बरसाती
हंस रही है कौन ये
मोगरे जगाती
हो मोगरे जगाती
खुल के खिलखिलाती
सावन बरसाती
हंस रही है कौन ये
मोगरे जगाती
हो मोगरे जगाती
एक कली दो पत्तियाँ
नाज़ुक नाज़ुक उंगलियाँ
तोड़ रही है कौन ये
एक कली दो पत्तियाँ
रतनपुर बागीचे में ए
जुगनू और लछमी की
लगन ऐसी आयी
डाली डाली झूमी ले के अंगडाई
ओ ले के अंगडाई
जुगनू और लछमी की
लगन ऐसी आयी
डाली डाली झूमी ले के अंगडाई
ओ ले के अंगडाई
हो ओ ओ
एक कली दो पत्तियाँ
नाज़ुक नाज़ुक उंगलियाँ
तोड़ रही है कौन ये
एक कली दो पत्तियाँ
रतनपुर बागीचे में ए
जुगनू और लछमी की
प्रीत रंग लाई
नन्ही सी एक मुन्नी सी
चुप्पी जगमगाई
ओ चुप्पी जगमगाई
जुगनू और लछमी की
प्रीत रंग लाई
नन्ही सी एक मुन्नी सी
चुप्पी जगमगाई
ओ चुप्पी जगमगाई
एक कली दो पत्तियाँ
नाज़ुक नाज़ुक उंगलियाँ
तोड़ रही है कौन ये
एक कली दो पत्तियाँ
रतनपुर बागीचे में
एक कली दो पत्तियाँ आ आँ
खिलने भी ना पायी थी ई
तोड़ने उस बागीचे में
दानव आया रे
हो ओ दानव आया रे
दानव की परछाई में
काँप रही थी पत्तियाँ आँ
बुझने लगी मासूम कली
दानव की परछाई में ए
दानव की परछाई में
साए से बेदार हुए
ताम्बरन सी बाहों के
साए से बेदार हुए
ताम्बरन सी बाहों के
ढोल मादल बजने लगे
मादल ऐसे बाजे रे
लाखों मिलके नाचे रे
आया एक तूफान नया
दानव डर के भाग गया
मादल ऐसे गरजा रे
दानव डर के भागा
रे दानव डर के भागा
एक कली दो पत्तियाँ
नाज़ुक नाज़ुक उंगलियाँ
तोड़ रही है कौन ये
एक कली दो पत्तियाँ
रतनपुर बागीचे में ए
रतनपुर बागीचे में
हो ओ रतनपुर बागीचे में
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3803 | Post No. : | 14795 |
Jigar Muradabadi (06/04/1890 – 09/09/1960) has been often called as ‘shaayar of beauty and love’. Jigar confined his poetry mostly covering his admiration for beauty, love, and emotions. It is said that his poetry has some influence of Daagh Dehlvi and Momin Khan Momin.
I have read through almost all of his ghazals that are available online and in Hindi (or Roman Hindi). There are no philosophical or spiritual tones in almost all of his ghazals. Like-wise I have not come across any poetry depicting the situations during the British rules though he had spent much of his life under British rule. Even if such poems do exist, perhaps they have not been well publicised. After independence also, his poetry did not venture much into the socio-economic situations in the country which had been the main plank of Urdu poets associated with PWA.
Jigar says :
Unka jo farz hai wo ahl-e-siyasat jaane
Mera paighaam mohabbat hai jahaan tak pahunche
[What is their duties only politician would know.
I give the message of love wherever it reaches]
As in the case of some Urdu poets like Majaaz Lucknawi, Jigar’s ghazals are a sort of his own autobiography. From 1920 to 1938, his life was captivated by alcohol and the beauty. Married at an early age, he had numerous love affairs, all of which turned out to be failures. These are all reflected in his ghazals. But unlike Majaaz who rued his failed love affairs in his poetry, Jigar can find joy even in his unfulfilled love because, for him, the experience of love itself is a joy.
It has been stated that he had a huge fan following encompassing both the elites and the masses. The respect he got cut across the religious lines. It is said that participation of Jigar Muradabadi was a sure success of a mushiara due to his poetry and the melodious renditions.
Jigar did not formally become guide to the budding young Urdu poets of his time. But he was a source of inspirations and mentors for poets like Behzad Lucknawi, Majrooh Sultanpuri, Shakeel Badayuni, Khumar Barabankvi etc.
I am presenting Jigar Muradabadi’s one of those ghazals which seems to have been ignored by many prominent ghazal singers. This beautiful non-film ghazal is ‘sharmaa gaye lajja gaye daaman chhuda gaye’ (1993). Ghazal is composed and rendered by Rochana Dahanukar. Her rendition of the ghazal is preceded by a she’r which has, more or less, the same meaning as that of the maqta of the ghazal. I am not sure whether the first she’r was written by Jigar Muradabadi. I have tried to translate the ghazal below to the best of my ability:
taghaaful tajaahul tabassum takallum
yahaan tak to pahunche hain wo aate aate
Taghaaful = Neglect, unmindful.
Tajaahul= Feigning ignorance.
Tabassum= Smile.
Takallum= Converations, Talking.
[She is uncaring, she ignores me, at times she talks and smiles.
At least she has slowly reached me thus far.]
sharmaa gaye laja gaye daaman chhuda gaye
ai ishq marhabaa wo yahaan tak to aa gaye
Marhabaa=Hello, Welcome
[She blushed, shied and then moved away from me.
O my love, welcome, at least she came thus far.]
dil par hazaar tarah ke auhaam chhaa gaye
yeh tum ne kya kiya meri duniya mein aa gaye
Auhaam= Whims, superstitions.
[A thousand types of superstitions descended on me.
What you have done by coming into my life.]
sehn-e-chaman ko apni bahaaron pe naaz thha
wo aa gaye to saari bahaaron pe chaa gaye
Sehn-e-chaman= Garden courtyard.
[The courtyard of garden was so proud of the season of spring.
When she came, she overshadowed the season of spring.]
ab kya karoon main fitrat-e-nakaam-e-ishq ko
jitne thhe haadsaat mujhe raas aa gaye
Fitrat-e-nakaam-e-ishq= nature/creation of unrequited love.
haadsaat= Calamities
[What can I do about the creation of unrequited love?
The number of such calamities I faced, I enjoyed them.]
Rochana Dahanukar had started as a classical/ghazal singer with 3 albums to her credit in the 90s. Later on, she had her own musical band giving performance in India and abroad. She is also a voice trainer for the upcoming singers.
This ghazal of Jigar Muradabadi has joie de vivre in all the she’rs except the last one where the poet is helpless in facing numerous calamities from his unrequited love. But he still says that he enjoyed them because of the experience of imagining the love.
Enjoy this beautiful ghazal in the sonorous voice of Rochana Dahanukar.
Audio Clip:
Song-Sharma gaye laja gaye daaman chhuda gaye (Rochana Dahanukar NFS)(1993) Singer-Rochana Dahanukar, Lyrics-Jigar Muradabadi, MD-Rochana Dahanukar
Lyrics
taghaaful tajaahul tabassum takallum
taghaaful tajaahul tabassum takallum
yahaan tak to pahunche hain wo aate aate
sharmaa gaye laja gaye daaman chhuda gaye
sharmaa gaye laja gaye daaman chhuda gaye
ai ishq marhabaa wo yahaan tak to aa gaye
sharmaa gaye laja gaye
dil par hazaar tarah ke auhaam chhaa gaye
dil parrrrrrrrrr
dil par
dil par hazaar tarah ke auhaam chhaa gaye
yeh tumne kya kiya meri duniya mein aa gaye
yeh tumne kya kiya meri duniya mein aa gaye
ai ishq marhabaa wo yahaan tak to aa gaye
sharmaa gaye laja gaye
sehn-e-chaman ko apni
sehn-e-chaman ko apni bahaaron pe naaz thhaa
sehn-e-chaman ko apni bahaaron pe naaz thhaa
wo aa gaye to saari bahaaron pe chhaa gaye
wo aa gaye to saari bahaaron pe chhaa gaye
ai ishq marhabaa wo yahaan tak to aa gaye
sharmaa gaye laja gaye
ab kya karoon main fitrat-e-naakaam ishq ko
ab kya karoon main fitrat-e-naakaam ishq ko
jitne thhe haadsaat mujhe raas aa gaye
jitne thhe haadsaat mujhe raas aa gaye
ai ishq marhaba wo yahaan tak to aa gaye
sharmaa gaye laja gaye daaman chhuda gaye
ai ishq marhabaa wo yahaan tak to aa gaye
sharmaa gaye laja gaye
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3755 | Post No. : | 14720 | Movie Count : |
4022 |
Welcome all to this article which comes after my last post on 13th October in Remembrance of Kishore Kumar. In between I was supposed to send couple of articles which I could not do because of the project work now in full swing at site and we have to sometimes work for extended hours too. I was also trying to finish two of my earlier posts which got stuck up due to the same reason and then even though they were in my mind I was trying to get back to the rhythm to re-start and complete them.
Our Peevesie’s Mom generally mentions about the anniversaries of the artists and she also tries to keep sending posts for such occasions and simultaneously she also tries to combine anniversaries of various artists and anniversaries of our team members too. 🙂 Her last post on the blog was for celebrating our beloved Raja Saab’s birthday and of Raveena Tandon too.
Well the reason for today’s post is also a birth anniversary occasion which we missed and which even I was not aware till yesterday.
It so happened that after leaving the site (office) on Saturday afternoon me and my colleagues had to visit a nearby town around 40 kms from here to do some minor shopping and have a coffee at the only mall in the town. While travelling our drivers generally listen to the songs in local language here. And that triggers our mood too to listen Hindi songs. I keep my two pen drives full of HFM every time with me. After listening to many albums or Pancham we switched over to the nineties and to the songs of the movie ‘Maya Memsaab’ (1993). If anybody has listened to them might be aware that this movie had all good songs penned by Gulzar Saab. Lata Mangeshkar has sung four solo songs in this movie and all of them are very very nice compositions. And poetry of Gulzar Saab as usual is at his best in the songs of this movie.
The music for this movie is composed by Hridaynath Mangeshkar. I had been listening to his compositions and many of his albums in Marathi are just pure classics and then in Hindi we had ‘Dhanwan’ (1981), ‘Mashaal’ (1984), ‘Lekin’ (1991). ‘Lekin’ is also one of my most favourite albums and I had sent a few of its songs to Atul ji when I was a newcomer on the blog, which are yet to be posted on the blog. 🙂
Well, it just piqued my interest to read about Pandit Hridaynath Mangeshkar since I immensely like his compositions – Marathi as well as Hindi and Non-filmy. As I for information about him I noticed that 26th October (26-10-1937) was his birth anniversary too.
I remember that our beloved Kamath Sir had written an article on him in details in 2012 on his birth anniversary with the song from the movie ‘Lekin’ – “Suniye Ji Araj Mhaaro“.
Later on, on Hridyanath ji’s birth anniversary in 2014, Atul ji has posted the song “O Baawri Re“, from the 1969 film ‘Prarthana’, shared by Prakash ji.
On the blog so far, we have the following songs of Pandit Hridaynath Mangeshkar represented as Composer/Singer;
|
Movie Name |
Year | No of Songs as Composer |
No of Songs as Singer |
| Baiju Baawra |
1952 |
1 |
|
| Deewaana |
1952 |
1 |
|
| Baabla |
1953 |
1 |
|
| Prarthana |
1969 |
1 |
|
| Dhanwaan |
1981 |
3 |
|
| Subah |
1982 |
2 |
|
| Mashaal |
1984 |
2 |
|
| Lekin |
1990 |
1 |
|
| NFS |
|
2 |
Going by the details available on the internet sources, about his filmography I list the following movies where he has composed music, remaining yet to be represented on the blog,
‘Harishchandra Taramati’ (1970), ‘Chaani’ (1977), ‘Chakra’ (1980), ‘Ram Ki Ganga’ (1984), ‘Pyaari Bhabhi’ (1986), ‘Maya Memsaab’ (1993), ‘Laal Salaam’ (2002).
Today I present a song from the 1993 movie ‘Maya Memsaab’, which makes its debut on our blog. The film is produced and directed by Ketan Mehta. It has Shah Rukh Khan, Deepa Sahi, Raj Babbar, Farooq Shaikh, Paresh Rawal, Raghuveer Yadav and many others.
This movie had seven songs (including one multiple version song) penned by Gulzar. Music for this movie is composed by Hridaynath Mangeshkar, and Hridaynath Mangeshkar, Kumar Sanu and Lata Mangeshkar have given their voices to the songs in this movie. As mentioned above all songs in this movie are very nice and I like them very much. I had watched this movie then when it was released in 1993.
Today’ song is sung by Pandit Hridaynath Mangeshkar. A female voice accompanies him in this song. Although not credited, I think the voice is of S. Janaki. I request other listeners to please comment on this guess.
Incidentally, I was thinking to introduce this movie for Gulzar Saab’s birth anniversary in August (with the multiple version song) but could not do so. Later, when I was going through the HFGK Vol-IV (1961-1970), I came across the movie titled ‘Harishchandra Taramati’ (1970), I thought to do a post presenting this movie as I was doing earlier whenever I go through a HFGK Volume for first time and find something interesting. However, I could not write and share the posts then.
Now, though late by couple of days, I do not want to miss this opportunity of presenting this movie on the occasion of ‘birth anniversary’ of Pandit Hridaynath Mangeshkar. Hence, belatedly though wishing Pandit ji a ‘very Happy Birthday’ and a ‘healthy-peaceful-musical’ life ahead I wish to present this song sung by him.
I hope you will like and enjoy this song …
Song – Chaaya Jaagi. . . Chhaaya Jaagi. . . (Maya Memsaab) (1993) Singer – Hridyanath Mangeshkar, Unidentified Female Voice, Lyrics – Gulzar, MD – Hridyanath Mangeshkar
Lyrics
chhaaya jaagi..ee..ee
chhaaya jaagi
chhaaya jaa..aagi..ee
chhaaya jaagi
jaagi
aa aa aa
chhaaya jaagi
jaagi
aa aa aa
chhaaya jaagi
jaagi
aa aa aa aa aa aa aa aa
chhaaya jaagi..ee..ee
aa aa aa
chhaaya jaagi
aa aa aa aa aa aa aa aa
chanchal chanchal
komal chanchal
chanchal
aa aa aa aa
chanchal komal
komal chanhcal
chanchal
kaayaa maangi..ee..ee
aa aa aa
kaayaa maangi
aa aa aa aa aa aa aa
kaayaa maa..aagi
kaayaa maangi..ee
kaayaa maangi
aa aa aa aa aa aa aa aa aa
saj ke solah singaar
chali sapnon ke sapnon ke paar
hmm hmm
sajke solah singaar
hmm hmm
chali sapnon ke sapnon ke paar
maayaa laagi..ee..ee
maayaa laagi..ee
maayaa laagi
ha ha aa
maayaa laagi
maayaa laa..aagi
maayaa laagi
aa aa aa aa
laagi
maayaa laagi
aa aa aa aa
laagi
maayaa laagi
aa aa aa
laagi
aa aa aa aa aa aa
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
छाया जागी॰॰ई॰॰ई
छाया जागी
छाया जा॰॰आ॰॰गी॰॰ई
छाया जागी
जागी
आ आ आ
छाया जागी
जागी
आ आ आ
छाया जागी
जागी
आ आ आ आ आ आ आ आ
छाया जागी॰॰ई॰॰ई
आ आ आ
छाया जागी
आ आ आ आ आ आ आ आ
चंचल चंचल
कोमल चंचल
चंचल
आ आ आ आ
चंचल कोमल
कोमल चंचल
चंचल
काया मांगी॰॰ई॰॰ई
आ आ आ
काया मांगी
आ आ आ आ आ आ आ
काया मां॰॰आ॰॰गी
काया मांगी॰॰ई
काया मांगी
आ आ आ आ आ आ आ आ आ
सजके सोलह सिंगार
चली सपनों के सपनों के पार
हम्म हम्म
सजके सोलह सिंगार
हम्म हम्म
चली सपनों के सपनों के पार
माया लागी॰॰ई॰॰ई
माया लागी॰॰ई
माया लागी
हा हा आ
माया लागी
माया ला॰॰आ॰॰गी
माया लागी
आ आ आ आ
लागी
माया लागी
आ आ आ आ
लागी
माया लागी
आ आ आ
लागी
आ आ आ आ आ आ
Baat sabse karo pyaar hamse karo
Posted on: May 5, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3578 | Post No. : | 14327 |
“Teri Paayal Mere Geet”(1993) was produced by Prem Lalwani and directed by Rehman Naushad. The movie had Govinda, Meenakshi Sheshadri, Shakti Kapoor, Kadar Khan, Bharat Bhushan, Johny Lever, Nivin Nischol etc in it.
The movie had a theme that was more 1960s than 1990s and it came as no surprise that the movie had few takers at the box office.
The movie had eight songs in it. Here is the first song from “Teri Paayal Mere Geet”(1993) to appear in the blog. The song is sung by S P Balasubrahmaniam. Hasan Kamal is the lyricist. Music is composed by Naushad.
The picturisation shows Govinda lip sayncing this song while staying hidden from the views of Shakti Kapoor and Meenakshi Sheshadri.
With this song, “Teri Paayal Mere Geet”(1993) makes its debut in the blog.
Song-Baat sabse karo pyaar hamse karo (Teri Paayal Mere Geet)(1993) Singer-S P Balasubramaniam, Lyrics-Hasan Kamaal, MD-Naushad
Lyrics
sabhi milne ko milte hain
magar kab dil se milte hain
mohabbat karne waale to
badi mushqil se milte hain
tumse ek arz hai tum agar maan lo
baat sabse karo pyaar humse karo
baat sabse karo pyaar humse karo
tumse ik arz hai tum agar maan lo
baat sabse karo pyaar humse karo
pyaar humse karo
pyaar humse karo o o
sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
sabse milkar yoon hi muskuraate raho
bijliyaan si dilon par giraate raho
apna deewaana sabko banaate raho
apna deewaana sabko banaate raho
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
bas mohabbat ka ikraar humse karo
baat sabse karo pyaar humse karo
pyaar humse karo
haan
sabko ye roop
ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
sabko ye roop ye baankpan chaahiye
phool sa ye mahakta badan chaahiye
tumko tan chaahiye humko man chaahiye ae ae
tumko tan chaahiye humko man chaahiye
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
dil ka sauda to ek baar humse karo
baat sabse karo
pyaar humse karo
pyaar humse karo
pyaar humse karo
Ghoonghat ki aad se dilbar ka
Posted on: November 13, 2017
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all Atulites
Today’s birthday girl was a Miss India winner in the year when my family got a TV for the first time ever. Prior to that whatever I have seen on TV (read Doordarshan) was either in other people’s houses or my chachu’s home. (As I have previously mentioned on many occasions. Those days nobody minded other people’s kids or adults too for that matter, coming in to see TV) I remember having got used to seeing the live relay of the Republic day parades, Filmfare Awards Nites, test matches, Wimbledon and opening ceremonies of Olympics or Asiad etc. They had a different charm to them specially when there would be no repeat telecasts and we used to either wake up early or sit up late to see live relays of overseas events.
Read more on this topic…
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo all Atulwaasis
I want to thank a few people who made me what I am. And the few means a small number of 25 or so teachers. Today (5 september 2017) is TEACHER’s Day.
During school days, we used to eagerly wait for this day. Those were the days when we didn’t have regular pocket money and we had to put an application to our parents for anything from Re. 1 to Rs. 5 (depending on what the class organizing committee would have set as the minimum individual contribution.)
Read more on this topic…
Jaipur se nikli gaadi
Posted on: June 27, 2017
- In: Asha Bhonsle Shailendra Singh duet | Asha Bhonsle songs | Devnagri script lyrics by Ashwini Scrapwala | Duet | Guest posts | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Raja | Rail song | Shailendra Singh songs | Song picturised abroad | Songs of 1990s (1991 to 2000) | Songs of 1993 | Yearwise breakup of songs
- 13 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (27 june 2017) is the birth anniversary of one of the most loved, and most popular, of composers that HFM has ever seen.
Read more on this topic…
Rang di rang di preet ne rang di
Posted on: March 13, 2017
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A very Happy Holi to 9th holi today (13 march 2017) on this blog. And every holi we have Atul posting songs for the occasion. We have approximately 50 songs to celebrate holi. So does that mean we are out of songs? No, not at all! How can that happen? As long as we have Hindi Movies and as long as they have songs in them we can be sure of at least one holi song a year if not more. Oh, I seem to be echoing Sudhirji’s thoughts from his 2015’s holi post. But that is the truth of the matter. Holi will never go out of fashion in Bollywood. The only thing that might change is that people will request others to have dry holi this year as many parts of the country are facing drought conditions. And still others will opt for using organic colours that are less harmful to the skin etc. But what about the general public of the country who cannot afford the expensive organic stuff they will stick to the traditional gulal in various hues.
Read more on this topic…
Recent comments