Archive for the ‘Sensuous song’ Category
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5334 | Post No. : | 17496 |
Hullo Atuldom
I must say that I am spoilt with choices for a song to go with this post. I checked our blog’s “List Of Songs- Moviewise” page and I can see many eligible movies whose song can be used.
I think I will take the easy way out and settle for one of the movies from the 1980s whose most differently (hatke as filmfolk would like to say) romantic song is yet to arrive on the blog. This song shows how beautiful a simple sari-clad lady can look. Post this every actress worth her name was ready to drape a saree and romance the camera on the condition that it gave them as much fame as the lady in this Sky-Blue saree achieved. Of course, through the 100+ years of Indian cinema, a saree was considered sign of a Bharatiya (to be understood as domesticated) Nari. There were the odd songs or situations where the lady used to get wet & the wet-saree would make the villain lust after her or the hero would get passionate with her (depending on who is with the lady in the scene).
But this 1987 song was a different level altogether. A class of it’s own. The credit for the choreography goes to the leading choreographer of those days- Saroj Khan. It seems she took very little time to set the steps but she has said in an interview that it was a difficult song. I have read somewhere that it was shot in Srinagar. The song was written by Javed Akhtar and Laxmikant- Pyarelal were the music director duo. The duet was sung by Kishore Kumar and Alisha Chinai. Some critics hailed the director Shekhar Kapur for “inserting grown-up feelings into an otherwise family-friendly film without being tasteless” by this song.
Yes we are having a song from “Mr. India”. Only two songs from this movie are on the blog.
This movie had Sridevi, Anil Kapoor, Amrish Puri, Harish Patel, Sharat Saxena, Ajit Vachani, Satish Kaushik, Annu Kapoor, Ashok Kumar (in a guest appearance) and a whole lot of cute kids- many of whom have grown up into the film industry and made a name for themselves in various departments of filmmaking. There was Aftab Shivdasani – now an actor, Ahmed Khan who is now a choreographer, producer, writer, director etc.
This film had Sridevi looking fabulous in every scene. She was excellent in the scene where she dressed up as Charlie Chaplin from “The Tramp” and we got to see her comic timing. And finally today’s song. Dancing with an invisible lover- too good.
With this song we remember Sridevi who died an accidental death on 24th February, 2018; in a Dubai hotel leaving her family and fans in shock. She was one actress who had a huge fan following – across the length & breadth of the country; across all age groups and genders.
Video
Audio
song-Kaate nahin kat’te ye din ye raat (Mr India)(1987) Singers-Kishore Kumar, Alisha Chinoi, Lyrics-Javed Akhtar, MD-Laxmikant Pyarelal
Both
I love you
hahahaha
kaate nahin katate ye din ye raat
kahni thhi tumase jo dil ki baat
kaate nahin katate ye din ye raat
kahani thhi tumse jo dil ki baat
lo aaj main kehta hoon
I love you
I love you
I love you
I love you
I love you
koi nahin hai bas tum ho saath
kehni thi tumse jo dil ki baat
koi nahin hai bas tum ho saath
kehni thi tumse jo dil ki baat
lo aaj main kehti hoon
I love you
I love you
I love you
I love you
I love you
umm
kaisi hawaa hai
dhuli dhuli
aaj fiza hai
khuli khuli
kaisi havaa hai
dhuli dhuli
aaj fiza hai
khuli khuli
saara nazaara
naya naya
dil ne pukaara
piya piya
saara nazaara
naya naya
dil ne pukaara
piya piya
piya piya
piya piya
piya piya
tumne jo li angdaai hai
phir baat wahi yaad aai hai
tumne jo li angdaai hai
phir baat wahi yaad aai hai
lo aaj main kehata hoon oon oon oon
I love you
I love you
I love you
love you love you
I love you
I love you
I love you
lalala
I love you
love you love you
mehka mehka
tera badan
behka behka
mera ye man
mehka mehka
tera badan
behka behka
mera ye man
chhalka chhalka
roop tera
halka halka
nasha mera
chhalka chhalka
roop tera
halka halka
nasha mera
nasha mera
nasha mera
nasha mera
jab aa hi gayi main paas tere
keh doon jo dil mein hai mere
jab aa hi gayi main paas tere
keh doon jo dil mein hai mere
lo aaj main kehti hoon oon oon
I love you
I love you
I love you
I love you
I love you
kaate nahin kat’te ye din ye raat
kehni thhi tumse jo dil ki baat
koi nahin hai bas tum ho saath
kehani thhi tumse jo dil ki baat
lo aaj main kahta(kehti) hoon oon oon
I love you
I love you
I love you
love you
I love you
I love you
I love you
love you love you
I love you
umm umm
I love you
aa haa
I love you
aa haa
I love you
I love you
Jogiya mera thhirke badan
Posted on: January 27, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5306 | Post No. : | 17389 | Movie Count : |
4683 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Missing movies of 1973-11)
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Today’s song is a lovely duet song sung by Mohd Rafi and Radha Saluja. I guess this is the first song by Radha Saluja on the blog. I am not aware much about her singing. As per the details available on online sources her voice appeared in at least three songs in Hindi films. One of these songs is being presented today.
This song is from the ‘1973’ movie ‘Wohi Raat Wohi Aawaaz’. This is another movie from the year ‘1973’ which was missing from the blog so far.
This movie seems to be an obscure movie of its time. Though this movie is available online and interested readers can watch it there. Also, I guess, all the songs of this movie are available online at least in audio format if not video for all.
“Wohee Raat Wohee Aawaaz-1973” or “Wohi Raat Wohi Aawaaz” was directed by Dev Kishen for ‘Mayur Productions’.
This movie is a suspense thriller kind of movie. It was produced by Vipin Desai.
It had Radha Saluja, Sonia Sahni, Samit Bhanja, Sujeet Kumar, Manmohan Krishna, Asit Sen, Kamal Kapoor, Dev Kishan, Chandrima Bhaduri, Preetam, Vidya Shetty, Jack Pot, Mayur, Deepak, Chhotan, Karekar, Ranjana Devi and others.
This movie introduced Rohit Kumar and Ketty Irani.
Mandan Puri, Jay Kajaria and Omi (of Sonik-Omi) had friendly appearances in this movie.
Story of this movie was written by Vipin Desai who was also the producer of this movie. Dev Kishen who directed this movie also wrote this movie.
Editing of this movie was done by Hrishikesh Mukherjee.
This movie was passed by Censor Board on 25.04.1973.
This movie has four songs – all written by Hasrat Jaipuri. Music for this movie was composed by Sonik-Omi. Asha Bhonsle, Mohd Rafi, Usha Khanna and Radha Saluja had given their voices to the songs in this movie.
Here is the list of songs in this movie :-
| SNo | Song Title | Singer/s |
|---|---|---|
| 01 | Jogiya mera thhirke badan | Radha Saluja, Mohd Rafi |
| 02 | Mera man bhatak rahaa deewaana | Asha Bhonsle |
| 03 | Aayi tose milne deewaana dil le ke | Asha Bhonsle, Usha Khanna |
| 04 | Sochta hai kya, aa kareeb aa | Asha Bhonsle |
As mentioned above this movie makes its ‘debut’ on the blog today.
Today’s song is sung by Mohd Rafi and Radha Saluja. On screen it is Samit Bhanja (I guess) and Radha Saluja performing on this song. This song is a lovely duet.
Lyrics for today’s song are by Hasrat Jaipuri and music is composed by Sonik-Omi.
Let us now enjoy today’s song …
Video
Audio
Song-Jogiya mera thhirke badan(Wohee Raat Wohee Aawaaz)(1973) Singers-Radha Saluja, Rafi, Lyrics-Hasrat Jaipuri, MD-Sonik Omi
Lyrics
jogiya
mera thhirke badan
dekh ke ae
tujhko mere sajan
jaagi nas nas mein
ho jaagi nas nas mein
meethhi agan
meethhi meethhi agan
meethhi meethhi agan
o goriye ae
tu zameen main gagan
ho gaya aa
tera mera milan
rang laaya hai
o rang laaya hai
deewaanapan
deewaanapan
deewaanapan
jogiya aa aa
chaahta hoon tujhko
sanam beshumaar
aaja ke pehnaaoon
baahon ke haar
haye ae
chaahta hoon tujhko
sanam beshumaar
aaja ke pehnaaoon
baahon ke haar
ho o laaya hai tu apni
aankhon mein pyaar
ab meri duniya mein
aayi bahaar
ho gaya aa
aaj tujhe paa ke magan
mit gayi ee mere dil ki jalan
rang laaya hai
o rang laaya hai
deewaanapan
deewaanapan
haaye
deewaanapan
jogiya aa aa
toote naa
chhoote naa
do dil ka saath
tu jaane main jaanoon
chaahat ki baat
toote naa
chhoote naa
do dil ka saath
tu jaane main jaanoon
chaahat ki baat
achcha
jab maine thhaama hai
sajni ka haath
chhoote ye duniya
na chhootega saath
khil gaya
mere dil ka chaman
?? gaye mere pyaase nayan
jaagi nas nas mein
ho jaagi nas nas mein
meethhi agan
meethhi meethhi agan re
meethhi meethhi agan
haaye goriye
tu zameen main gagan
ho gaya tera mera milan
rang laaya hai
o rang laaya hai deewaanapan
deewaanapan
re meethhi meethhi agan
haaye deewaanapan
re meethhi meethhi agan
hoy deewaanapan
re meethhi meethhi agan
hoy deewaanapan
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4981 | Post No. : | 16864 |
Today 8th March, 2022 is the 101st birth anniversary of poet-lyricist Sahir Ludhianvi (08.03.1921 – 25.10.1980).
As per statistics available he has written around 717 to 730 songs in Hindi Films. On our blog we have so far covered 704 songs penned by Sahir Ludhianvi. Around six to eight songs from the remaining songs seems to be difficult to find or they may not be available at all. Following is the details of movies and the number of songs from these movies yet to be posted on the blog.
| Sl. No. as per Sahir’s Filmography | Movie Name | Year | Music Director | Remaining Songs |
| 1 | Aazadi Ki Raah Pe | 1948 | GD Kapoor | 3 |
| 7 | Laal Kunwar | 1952 | SD Burman | 3 |
| 53 | Dilli Ka Daada | 1962 | N Dutta | 1 |
| 58 | Gumraah | 1963 | Ravi | 1 |
| 78 | Nanha Farishta | 1969 | Kalyanji-Anandji | 1 |
| 85 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 3 |
| 101 | Jaagriti | 1977 | Laxmikant-Pyarelal | 2 |
| 104 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain | 4 |
| 106 | Chambal Ki Qasam | 1979 | Khayyam | 2 |
| 107 | Chehre Pe Chehra | 1980 | N Dutta | 4 |
| 115 | Chingaari | 1989 | Ravi | 3 |
| TOTAL | 27 |
Today I present here a song from the movie ‘Nanha Farishta’ (1969). ‘Nanha Farishta’ was directed by T Prakash Rao for Vijaya International, Madras. It was produced by B Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.
The star cast of the movie lists Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, supported by Suresh, Mukri, Raj Mehra, Sundar, Maruti, Prem Kumar and Johnny Walker.
Story of this movie was written by Thuraiyoor K Moorthy, and dialogues were written by Inder Raj Anand. Editing of this movie was done by BS Glaad.
This movie had four songs written by Sahir Ludhianvi and music composed by Kalyanji-Anandji.
The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar. [Author’s Note: The titles of the movie also mentioned the name of S Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie.]
HFGK mentions the following four songs from this movie.
| Song | Posted On |
| O Natkhat Nanhi Laadli Tujhe Dekhen | 26.12.2020 |
| Chandaa Kaahe Ka Tera Maama | 08.03.2021 |
| O Re O, Sharaabi Tujhme Ek Kharaabi | Being discussed today |
| Bachche Mein Hai Bhagwaan | 14.11.2014 |
Kalyanji-Anandji have worked with Sahir Ludhianvi in two movies, as per following details.
| Movie | Year | MD | Songs by Sahir (in blog) |
Songs by Sahir (per HFGK) |
Songs by Sahir (per – The People’s Poet) |
| Nanha Farishta | 1969 | Kalyanji-Anandji | 3 | 4 | 4 |
| Shankar Shambhu | 1976 | Kalyanji-Anandji | 5 | 5 | 5 |
From the above table we can see that only one song from the movide ‘Nanha Farishta’ which is also the last song of ‘Sahir – KA’ association remains to be posted on the blog. This is also the final song from this movie to be posted on the blog.
This song is sung by Asha Bhonsle and on-screen Padmini is lip-syncing for Asha Bhonsle’s voice. Also seen in the picturization of the song are Pran, Ajit, and Anwar Hussain.
The song happens when the three criminals Pran, Ajit and Anwar Hussain got drunk and request Gauri (Padmini) to sing a song for them. Gauri is the caretaker of the little girl Baby (Baby Rani) whom the three have abducted after killing her father. Later the three criminals develop a soft corner for the baby girl and kidnapped her caretaker Gauri as well when the little girl fall sick.
Gauri has a plan for the criminals and that is why she readily agrees to sing and dance for the drunken criminals. But that is not to be disclosed here and that is something we have to leave intact for those who are interested in watching this movie. I have also not watched this movie and the above storyline in short is from what I got to read on internet.
With this post, the film ‘Nanha Farishta’ (1969) now joins the list of Yippeee’d movies on the blog.
Let us listen to the today’s song now.
Song – O Re O Sharaabi Tujh Mein Ek Kharaabi (Nanha Farishta) (1969) Singer – Asha Bhosle, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Male Voice
Lyrics
o o sharaabi
tujh mein ek kharaabi
kya
huhh huhh huhh huhh
o re o sharaabi
tujh mein ek kharaabi
o re o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tune pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae
kaanch jaise badan mein
surkh sona bharaa hai
surkh sona bharaa hai
jaam se lab hataa le ae
jaam mein kya dharaa hai
jaam mein kya dharaa hai
aise na bujhegi kabhi pyaas dil ki
arey aa main pyaas bujha doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
honthh kyun kaanpte hain ae ae ae
saans kyun phoolti hai
saans kyun phoolti hai
paanv kyun dolte hain ae ae
zulf kyon jhoolti hai
zulf kyon jhoolti hai
tu jo meri aankhon ki zubaan samjhe tujhe
saare bhed bataa doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae
ho sakey to samajh le ae ae ae
raat kya keh rahi hai
raat kya keh rahi hai
ye dhadkti khaamoshi ee ee
baat kya keh rahi hai
baat kya keh rahi hai
thoda sa ishaara ho to
pal bhar mein abhi
laakhon rang lutaa doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tu ne pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi
huhh huhh huhh
bahot achchhe
very good very good
once more
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ओ ओ शराबी
तुझमें एक खराबी
क्या
हुःह हुःह हुःह हुःह
ओ रे ओ शराबी
तुझ में एक खराबी
ओ रे ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए
काँच जैसे बदन में
सुर्ख सोना भरा है
सुर्ख सोना भरा है
जाम लब से हटा ले
जाम में क्या धरा है
जाम में क्या धरा है
ऐसे ना बुझेगी कभी प्यास दिल की
अरे आ मैं प्यास बुझा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
होंठ क्यों काँपते हैं
सांस क्यों फूलती है
सांस क्यों फूलती है
पाँव क्यों डोलते हैं
जुल्फ क्यों झूलती है
जुल्फ क्यों झूलती है
तू जो मेरी आँखों की ज़ुबान समझे तुझे
सारे भेद बता दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए
हो सके तो समझ ले
रात क्या कह रही है
रात क्या कह रही है
ये धड़कती खामोशी
बात क्या कह रही है
बात क्या कह रही है
थोड़ा सा इशारा हो तो
पल भर में अभी
लाखों रंग लुटा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी
हुःह हुःह हुःह
बहुत अच्छे
वेरी गुड वेरी गुड
वांस मोर
- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Peevesie's mom | Rafi songs | Rafi-Asha Bhonsle duet | Romantic song | Sensuous song | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4365 | Post No. : | 15692 |
Hullo Atuldom
Today I did a tiny research with the resources available at my disposal. I have inferred that the music duo Kalyanji Anandji have scored music for most of the movies where Feroz Khan was in the lead; till the time of Kalyanji’s passing in 2000. In fact, I found two Feroz Khan starring movies, on our blog, that are on the threshold of being yippeee’d. One has two songs left, but the album of that movie shows that Kalyanji-Anandji have given music for three sequences where there is no song. I am sure one music piece has Helen burning the dance floor, that is as brilliant as is the theme music for that movie. So for today we leave that movie alone and concentrate on the one that is one short of yippeee-hood.
That film is ‘Shankar Shambhu’ (1976). The four out of possible five songs from that move were posted thus:-
| No. | Song Title | Post No. | Post Date |
| 1 | Hum Lootne Aaye Hain Hum Loot Ke Jaayenge | 11964 | 1-Apr-16 |
| 2 | Aa Pahunchi Hai Is Mele Mein Saddi Aaj Sawaari | 12492 | 25-Oct-16 |
| 3 | Mera Dil Chura Kar Na Aankhen Churaa | 15075 | 17-Jun-19 |
| 4 | Gar Nibhaane Ki Himmat Na Thhi Aap Mein | 15565 | 27-Apr-20 |
The final song of the movie is sung by Asha Bhonsle and Mohammad Rafi. It has Feroz Khan romancing Sulakshana Pandit in various locations. If my memory is right the couple have just got wet because they jump out of the boat on which they were having a joy ride in a lake to escape from constables led by Bhagwan Dada.
I don’t know what is there left to write about the music duo that the readers of this blog don’t know. So without much ado let us get to the song and thank Kalyanji Virji Shah (who would have been 92 today) and his brother Anandji Virji Shah for the treasure trove of songs that they have left for us to relish. And on the blog we have 583 from a possible 1435 songs i.e. not even halfway done.
With this post now, ‘Shankar Shambhu’ has all its songs on the blog.
Video
Audio
Song – Bheege Huye Jalwon Par Aise Na Nazar Daalo (Shankar Shambhu) (1976) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – Kalynji Anand ji
Asha Bhosle + Mohammed Rafi
Lyrics
bheege huye jalwon par
aise na nazar daalo
bheege huye jalwon par
aise na nazar daalo
bheege huye jalwon par
aise na nazar daalo
dil chaahe idhar rakho
par aankh udhar daalo
bheege hue jalwon par
in garam nigaahon se
jazbaat bhadakte hain
in garam nigaahon se
jazbaat bhadakte hain
ehsaas sulagta hai
armaan dhadkate hai
ruk jaao
ruk jaao
ruk jaao abhi dil par
itna na asar dalo
bheege huye jalwon par
aise na nazar daalo
bheege huye jalwon par
soyi hui dhadkan ko
khud tumne jagaaya hai
soyi hui dhadkan ko
khud tumne jagaaya hai
saanso se pukaara hai
nazaron se bulaaya hai
mat apni khataon ko
mat apni khataon ko
ab aur ke sar daalo
oooo
bheege huye jalwon par
aise na nazar daalo
bheege huye jalwon par
kab hamne kaha tumse
hum tum pe nahin marte
kab hamne kaha tumse
hum tum pe nahin marte
tum kuch bhi kaho tum par
ilzam nahi dharte
bereham ho
bereham ho
bereham ho qaatil ho
ye qatl bhi kar daalo
hmmm mm hmm
hmmm mm hmm
dil chaahe idhar rakho
par aankh udhar daalo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर
ऐसे न नज़र डालो
दिल चाहे इधर रखो
पर आँख उधर डालो
भीगे हुये जलवों पर
इन गरम निगाहों से
जज़्बात भड़कते हैं
इन गरम निगाहों से
जज़्बात भड़कते हैं
एहसास सुलगते हैं
अरमान धड़कते हैं
रुक जाओ
रुक जाओ
रुक जाओ अभी दिल पर
इतना ना असर डालो
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर
सोई हुयी धड़कन को
खुद तुमने जगाया है
सोई हुयी धड़कन को
खुद तुमने जगाया है
साँसों से पुकारा है
नज़रों से बुलाया है
मत अपनी खताओं को
मत अपनी खताओं को
अब और के सर डालो
ओ ओ
भीगे हुये जलवों पर
ऐसे न नज़र डालो
भीगे हुये जलवों पर
कब हमने कहा तुमसे
हम तुम पे नहीं मरते
कब हमने कहा तुमसे
हम तुम पे नहीं मरते
तुम कुछ भी कहो तुमपे
इल्ज़ाम नहीं धरते
बेरहम हो
बेरहम हो
बेरहम हो क़ातिल हो
ये कत्ल भी कर डालो
हम्ममम म्मम हम्ममम
हम्ममम म्मम हम्ममम
दिल चाहे इधर रखो
पर आँख उधर डालो
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4300 | Post No. : | 15562 |
Today (26 april 2020) is the 4300th day for the blog.
This date happens to be Akshay Tritiya.
According to a whatsapp message shared in our WA group, it is on this day that Satyug and Treta Yug started. Parshuram, the sixth avatar of Lord Vishnu, appeared on earth on this day. The gates pf Badrinath open today. River Ganga , as a result of Bhagirath’s tapasya, arrived on earth on this day. The war of Mahabharat ended today and with that the Dwapar yug came to an end.
What an important day our 4300th day in the blog has turned out to be. 🙂 Is it a coincidence ? People who are familiar with the various incidents involving the blog will know that some higher forces are guiding the blog and we are just the means.
For instance, when I look back at the beginning of the blog, I realise that the blog was started on 19 july 2008 which was important from the point of view of Indian calendars as well as Western calender. That date was the beginning of the month of Saawan, a month that is perhaps the biggest source of inspiration for Hindi movie songs. And that day happened to be the 201st day of the calendar year !
4300 days is a century day alright, but what can I write on this occasion. My creative juices do not flow as much as they did one decade back and so I was quite at a loss for ideas.
Then I thought of a far-fetched idea. Today is 4300th day after the blog started. Likewise there was a date that precedes the beginning of the blog by 4300 days. What date was that ? What was I doing on that day ?
My calculation shows that the 4300th day prior to 19 july 2008 gives us the date of 10 October 1996. It was Thursday, Ashwin , Krishn trayodashi, the day of Masik Shivratri, which is observed every month on Chaturdashi Tithi during Krishna Paksha, which fell on this date.
Where was I on that day ? I was at Hubli. I had spent two years one month at Hubli and I was on the verge of being transferred. To the best of my knowledge, my transfer order was not issued by this date. It was issued a few days later and I was transferred to Secunderabad.
Did any important event happen on that day ? On checking, I find that Australian cricket team has arrived India those days and they played a solitary test. This one off test was played in New Delhi and it started on this day, viz 10 october 1996 !
Guess what was the result ! India won the test in four days, winning by 7 wickets.
When I look back at those days, i find that my postings in those parts of the country had some interesting results on the polity of the nation. When I was allotted that zone of South Central Railway, no one in India even thought that a South Indian could ever be Indian PM. My posting in those parts changed all that.
My first posting was in Andhra Pradesh followed by Marathwada (Nizam area). The next general election saw Narsimha Rao, belonging to the same parts becoming PM of the nation. No one can deny that this event, which was a big freak event in Indian history changed the fate of India for the better.
My next posting was to Hubli. To make matters doubly interesting, the next general election saw H D Devegowda of Karnataka becoming the PM of India !
PM ship was not the only thing I was causing to happen. Cricket in those parts also saw reaching its zenith. Azharuddin of Hyderabad became Cricket captain of India and remained so for one decade.
After I joined at Hubli, Karnataka became cricketing powerhouse of India.
Take this test, that began on 10 october 1996 for example. There were as many as five Karnataka players in the playing XI. Four out of five bowlers were from Karnakata and together they claimed 16 out of 20 Australian wickets to fall.
The five Karnataka players who played in this test team were Anil Kumble, Rahul Dravid, Venkatesh Prasad, Sunil Joshi and David Johnson.
While Kumble had made his debut six years ago, other four had made their debuts in 1996 itself. David Johnson in fact made his test debut in this test.
Please remember that Jawagal Srinath was not there in the playing XI !
In subsequent years, more Karnataka players played for India, namely Dodda Ganesh and Vijay Bhardwaj.
Having done my bit for Karnataka cricket, I went back to Hyderabad. As soon as I got posted there, VVS Laxman of Hyderabad made his test debut in November 1996. 🙂 Forget V V S Laxman, I ensured that even a mediocre player called Noel David got to play for India. 🙂
All these players may thank me later. I am in no hurry to get thanked. 🙂 Ye to mera farz thha.
Enough of those old memories. Let us now round up the discussion with a song.
While looking for a song to go with this writeup, I came across a song that was quite popular those days, though I never became aware of its details. Just now, I have become aware that this iconic song is from “Munimjee”(1972). This movie, produced and directed by Jugal Kishore for Jugal Kishore Productions, Bombay had Yogita Bali, Anil Dhawan, Ramesh Deo, Jayshree T, Junior Mehmood, Nazeer Hussain, Chandrashekhar, Maruti, Leela Mishra, R Wasti, Shahgul, Mohan Sherry, Ranjan, Narbad Shankar, Tulsi, James Bond Julian, Sudesh, Jagdeesh Shrotia, Deepak Thakur, Ratan Gaurang, Amrit Mahendra, Naginder, child artist Master Mohit, Parween Kotak, Nawal Kishore, Jameel, Saleem, Ali Raza, Balchand, Ravi, baby Manisha etc in it.
The movie had six songs in it. One song from the movie has been covered. The song under discussion is definitely the only reason why this movie is remembered. Personally I only remembered the song, I was not even aware of the movie. 🙂
The sensuous song is picturised on Jayshree T and a sadly miscast Ramesh Deo as a frolicking in water song.
The song is sung by Suman Kalyanpur. Lyrics of this song were supposedly penned jointly by Hasrat Jaipuri and Neeraj. This lyrics appears to be the work of Neeraj to me, though.
Usha Khanna is the music director.
Audio
Video
Song-Paani mein jale mera gora badan (Munimjee)(1972) Singer-Suman Kalyanpr, Lyrics-Hasrat Jaipuri, MD-Usha Khanna
Lyrics
paani mein jale
paani mein jale mera gora badan paani mein
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi lagai agan
lagi agan pani mein
paani mein jale
paani mein jale mera gora badan
pani mein
dekho o o
thhandi thhandi aag ye sataaye
aaye ae
aake koi aag ye bujhaaye
dekho o
thhandi thhandi aag ye sataaye
aaye
aake koi aag ye bujhaaye
jaloon main
jale dil
jale ?? haaye re
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi laagi agan
laagi agan
paani mein
paani mein jale
paani mein jale mera gora badan paani mein
aaya aa
kal koi sapnon mein aaya
aake ae
aake mujhe usne jagaaya
aaya aa
kal koi sapnon mein aaya
aake ae
aake mujhe usne jagaaya
bola main tere liye aaya hoon
haaye re
paani mein jale
paani mein jale mera gora badan paani mein
mere badan ki jwaala se
lahron mein dekho kaisi laagi agan
laagi agan
paani mein
paani mein jale
paani mein jale mera gora badadan paani mein
Dooriyaan sab mitaa do
Posted on: December 7, 2019
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4159 | Post No. : | 15328 | Movie Count : |
4222 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 90 #
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(#Music Composer-Singer-Bappi Lahiri#1)
Welcome all, to this post which is another of those posts of mine that was planned way back (in February 2019, to be precise)when I presented a song from the 1977 movie ‘Paapi’.
Music for this movie ‘Paapi-1977’ was composed by Bappi Lahiri. Though I had not watched this movie ‘Paapi-1977’, I liked the song that I then presented. Today’s song, also by Bappi Lahiri, came up in the list of suggestions that appeared in ‘YouTube’ with that song.
One comments on YT on this song caught my attention. The comment was about the use of ‘flute & base guitar’ in the today’s song. When I listened to the song I was awestruck. I do not remember to have listened to this song any time before. And also, may be the movie it was from, wasn’t a successful movie this song may have been forgotten easily.
So, it was then that I decided to take up this song for presentation, and was looking for the right occasion. Later on, I decided to send it for posting on 27th November the birth day of composer, singer Bappi Lahiri (sources mentioned him as a dancer, disco musician, and actor and record producer too).
Bappi Lahiri was born on 27th November’1952 in Jalpaiguri, West Bengal to Aparesh Lahiri and Bansari Lahiri who themselves were accomplished Bengali singers and musicians. Both his parents also came from Jalpaiguri.
On 27th November’2019 Bappi Lahiri celebrated his sixty-seventh birthday!!!
Today we belatedly wishing him a ‘very happy birthday and a healthy and peaceful musical life ahead’.
He made his debut as a singer in a Bengali movie ‘Daadu’ in 1972 and if we considered this first assignment of him in Bangla movie ‘Daadu’ which came to him in 1969 (as told to Anupama Chopra in an interview), this year in 2019 he has completed fifty years in his film-music journey. He has many records on his name and also have been conferred by many many awards till now. And he is still going on – rocking.
The first Hindi movie he composed music was ‘Nanhaa Shikaari’ which came to him in 1971 and this movie was released in 1973.
I was never a big Bappi Lahiri fan, but I was actively considering writing about Bappi Lahiri compositions. The reason behind this was that here in our camp, we were listening to many of his songs (both as a composer and singer) during our regular parties and I realised that these songs were liked by many and they all have good music, particularly the ‘beats’ which people danced and enjoyed a lot. These were mainly the songs from his ‘disco era’.
One of my bosses particularly loved ‘Jeele le jeele le aayo aayo jeele le’ every time ‘bhaai ye gaana zaroor bajaana’. On one or two occasions when he was asking us to play some ‘English’ or ‘Kenyan’ music I brought him back to the songs of ‘Armaan’, ‘Waardaat’, ‘Disco Dancer’ or played other Bappi Lahiri songs.
‘Bambai se aaya mare dost’ from ‘Aap Ki Khaatir-1977’ was perhaps the song that first introduced me with the music of Bappi Lahiri. This song was very popular then and was played frequently on radio and loud speakers or in orchestras.
Subsequently I got introduced to songs from ‘Pyaara Dushman-1980’, ‘Armaan-1981’, ‘Waardaat-1981’, ‘Namak Halaal-1982’ etc.
I liked the songs from ‘Armaan’, ‘Waardaat’, though I had not watched these movies until now.
I also liked the songs of ‘Disco Dancer-1982’ very much, and I specially remember them because they were played by my friends during the summer vacation of 1983 after our 10th board exams were over.
Bappi Lahiri had composed some nice songs in his pre-‘disco era’ that I was not aware of. Subsequently I have discovered a few such songs and I have shared afew of them on the blog.
For example, songs like ‘Ye naina ye kaajal’ from ‘Dil Se Mile Dil-1978’, ‘Sainyya bina ghar soona’ from ‘Aangan Ki Kali-1979’ etc. were shared by me long back.
After ‘Disco Dancer’ it was ‘Himmatwaala-1983’ which I watched with my younger brothers & cousins in the summer vacations (1983) and I liked few of its songs if not all.
Then there were movies where Bappi Lahiri composed songs for the movies from ‘South’ banners where Jeetendra was the main hero. From these movies I remember, ‘Jaani Dost-1983’, ‘Haisiyat-1984’, ‘Tohfaa-1984’ and of course I like all songs from ‘Sharaabi-1984’.
I also liked some of the songs from ‘Naukar Biwi Ka-1983’ which I watched during my stay at Akola (1983-1985).
I didn’t like the songs from ‘Mawaali-1983’. I liked one or two songs from ‘Justice Chaudhary-1983’. I did not watch these movies.
During 1983-85 when I was studying in 11th-12th standard disco music was ruling the charts in India. But I was more inclined to the golden era of HFM then and Rajesh Khanna movies, so I lost the track of many Bappi Lahiri songs and may be even not liking some of them.
However, I like one or two songs from some of the Rajesh Khanna movies where Bappi Lahiri composed the music for them and which were released from 1984-1984 onwards.
In between during this decade i.e. 1981-1990 and onwards 1990 there are movies where I like some of the songs from the movies where Bappi Lahiri had composed the music for. But I am not listing them here all (and maybe I will be taking them in my posts in future on Bappi Da 😊).
So, for this post when I decided to present this song from the 1980 movie ‘Saboot’ I just thought to a look on the movies released in the decade of 1971-1980 and of which the music was composed by Bappi Lahiri.
During the preparation of this list I came across many movies of this period when Bappi Da had created some musical gems, that failed to get popular as the movies failed at the box office. The song under discussion is a case in example. I also realized that I liked many of his songs but I may not have given that much attention to the songs composed by him before the ‘disco era’ or even after ‘1985-1986’.
Like, when I came a across the movie name ‘Ek Ladki Badnaam Si’ which was not released, and looked for its songs, I found that already one of its songs has been posted in a detailed post on Bappi Lahiri by Sudhir ji here.
So, instead of going into the other details I will come back to the list of movies where Bappi Lahiri has given music in the decade 1971-1980 starting in 1973 with ‘Nanhaa Shikaari’. Incidentally this movie was introduced on the blog by ‘yours junior’ 🙂 only.
(Also, I got an opportunity to introduce movies ‘Paapi-1977’, ‘Ek Baar Kaho-1980’, ‘Patitaa-1980’ earlier on the blog 🙂 )
(List of movies (in alphabetical order) – music composer – Bappi Lahiri – 1971-1980)
| Sno. | Title | Year | Date of Censor Certificate | Lyricist/s |
|---|---|---|---|---|
| 1 | Charitra | 1973 | 16.10.1973 | Traditional |
| 2 | Nanha Shikari | 1973 | 16.04.1973 | S.H. Bihari, Yogesh, Gauhar Kanpuri |
| 3 | Baazaar Band Karo | 1974 | 25.03.1974 | Naqsh Lyallpuri, Kulwant Jani |
| 4 | Zakhmee | 1975 | 15.05.1975 | Gauhar Kanpuri |
| 5 | Chalte Chalte | 1976 | 20.02.1976 | Amit Khanna |
| 6 | Sangraam | 1976 | 21.12.1976 | Gauhar Kanpuri, Hasan Puri |
| 7 | Aap Ki Khaatir | 1977 | 07.06.1977 | Shaily Shailendra |
| 8 | Haiwaan | 1977 | 03.10.1977 | Gauhar Kanpuri, Hasrat Jaipuri, Pradeep Roychaudhari, Amit Khanna, Dada Ji |
| 9 | Paapi | 1977 | 10.01.1977 | Naqsh Lyallpuri, Kulwant Jani, Harendranath Chattopadhyay |
| 10 | Phir Janam Lenge Ham | 1977 | 23.06.1977 | Gauhar Kanpuri |
| 11 | Pratima Aur Paayal | 1977 | 03.09.1977 | Rajkavi Tulsi, Shivkumar Saroj, Indeevar, Gauhar Kanpuri |
| 12 | College Girl | 1978 | 16.03.1978 | Bharat Vyas, Dev Kohli, Hasrat Jaipuri, Shiv Kumar Saroj, Verma Malik, S.D.Narang |
| 13 | Dil Se Mile Dil | 1978 | 28.08.1978 | Amit Khanna |
| 14 | Khoon Ki Pukaar | 1978 | 29.05.1978 | Hasrat Jaipuri, Gauhar Kanpuri |
| 15 | Tere Pyaar Mein | 1978 | 21.12.1978 | Shaily Shailendra |
| 16 | Toote Khilaune | 1978 | 10.07.1978 | Kaifi Azmi |
| 17 | Aangan Ki Kali | 1979 | 15.05.1979 | Shaily Shailendra |
| 18 | Ahsaas | 1979 | 23.10.1979 | Indeevar, Ravindra Peepat |
| 19 | Aur Kaun? | 1979 | 05.01.1979 | Amit Khanna |
| 20 | Do Hawaldaar | 1979 | 06.01.1979 | Shaily Shailendra |
| 21 | Iqraar | 1979 | 10.09.1979 | Kulwant Jani |
| 22 | Jaan E Bahaar | 1979 | 10.08.1979 | Gauhar Kanpuri |
| 23 | Lahu Ke Do Rang | 1979 | 11.09.1979 | Farooq Qaiser |
| 24 | Shikshaa | 1979 | 28.12.1978 | Gauhar Kanpuri |
| 25 | Surakshaa | 1979 | 01.06.1979 | Ramesh Pant, Farooq Qaiser |
| 26 | Agreement | 1980 | 27.05.1980 | Gulshan Bawra |
| 27 | Apne Paraaye | 1980 | 04.08.1980 | Yogesh |
| 28 | Bhulaa Na Denaa | 1980 | 31.10.1980 | Amit Khanna, Shaily Shailendra |
| 29 | Ek Baar Kaho | 1980 | 03.09.1980 | Mahendra Dehlavi, Dev Kohli, Kulwant Jani, Maya Govind |
| 30 | Guest House | 1980 | 22.12.1980 | Amit Khanna |
| 31 | Hamqadam | 1980 | 23.10.1980 | M.G. Hashmat |
| 32 | Morchaa | 1980 | 08.05.1980 | Ramesh Pant, Farooq Qaiser |
| 33 | Manokaamnaa | 1980 | 01.12.1979 | Indeevar |
| 34 | Patitaa | 1980 | 11.11.1980 | Anand Bakshi |
| 35 | Pyaara Dushman | 1980 | 10.10.1980 | Anjaan, Indeevar, Kulwant Jani |
| 36 | Qismat | 1980 | 18.08.1980 | Amit Khanna |
| 37 | Saboot | 1980 | 29.02.1980 | Amit Khanna |
| 38 | Taxi Chor | 1980 | 18.08.1980 | Anjaan |
| 39 | Ek Ladki Badnaam Si | 1971-1980 | UR | Kulwant Jani |
‘Saboot-1980’ was directed Tulsi Ramsay and Shyam Ramsay for ‘The Bharat Pictures, Madras’
It was presented by Abbasi Brothers. It was produced by Raaj Baweja and G.H. Navani.
It had Navin Nischol, Vidya Sinha, Kaajal Kiran, Om Shivpuri and Prem Chopra.
Vinod Mehra makes a friendly appearance in this movie.
While the other cast includes Padma Khanna, Rajendranath, Paintal, Narendranath, Mohan Sherry, Sudhir Dalvi, Amar Mrudulla, Roopesh Kumar, Gauri Varma, Maruti, Mohan Choti, Trilok Kapoor, Rajkishore, Raj Mehra, Darshan, Rajan Kapoor, Sunder Tinea, Moolchand, Sheikh, Jugnu, Birbal, Albela, Azad.
Story of this movie was written by J.K. Ahuja, and Omar Khayyam Saharanpuri wrote the dialogues. Screenplay was written by Kumar Ramsay.
Bal Korde was the editor of this movie and Shyam Ramsay was his co-editor.
This movie had total five songs (including one multiple version song) written by Amit Khanna. Music was composed by Bappi Lahiri.
Lata Mangeshkar, Kishore Kumar, Asha Bhonsle, Amit Kumar, Bappi Lahiri gave their voices to the songs in this movie.
This movie was passed by Censor Board on 29.02.1980 with restricted viewing certificate.
With today’s song ‘Saboot-1980’ makes its debut on the blog.
There is one more song in this movie ‘Jeena bhi koi jeena hai, jab tak tera saath nahin’ which sounds familiar to me and I listened to it and liked it too. This song is sung by Lata Mangeshkar and Kishore Kumar and is multiple version song.
Let us now enjoy the today’s song where in Kaajal Kiran is lip syncing to Lata Mangeshkar’s voice. The song is picturised on Kaajal Kiran and Navin Nischol who seems to be a little hesitant first to the invitation from Kaajal Kiran, but surrenders in the end of the song.
Kajal Kiran or Sunita Kulkarni (her real name) which I became aware only recently celebrated her sixty-first birth anniversary on 18th October (born on 18.10.1958).
She became famous with her debut in ‘Ham Kisise Kam Nahin-1977’. And after that went on to act in many movies but none of them got the level of ‘Ham Kisise Kam Nahin’. And very few of them were successful to an extent. She retired from the movie scene in around end eighties.
Tulsi Ramsay and Shyam Ramsay the famous of the seven Ramsay brothers jointly directed this movie. F.U. Ramsay the famous Producer was their father.
Kumar Ramsay, Keshu Ramsay, Arjun Ramsay, Gangu Ramsay and Kiran Ramsay are the other five brothers among the seven Ramsay brothers.
They mainly produced and directed ‘Horror’ movies starting with ‘Do Gaz Zameen Ke Neeche-1972’.
Tulsi Ramsay (born on 29th July’1944) passed away last year on 13th December 2018. He directed many movies and also Producer, Production Designer and Writer.
Shyam Ramsay (born on 17.05.1952) who passed away recently on 18th September 2019 was also director of many movies other than that he was also Producer, editor and writer for many movies.
I think both of them also jointly directed many movies or many movies had the director name as ‘Ramsay Brothers’. I am not mentioning more about the films they produced or directed, because that will require another detailed post.
Coming back to today’s song, the lyrics are by Amit Khanna and music is composed by Bappi Lahiri. This lovely song is in the voice of Lata Mangeshkar…
Video
Audio
Song-Dooriyaan sab mita do (Saboot)(1980) Singer-Lata, Lyrics-Amit Khanna, MD-Bappi Lahiri
Lyrics
Aa aa aa
Aa aa aa
Aa aa aa
O o o o
O o
Dooriyaan aan
Dooriyaan Sab mitaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Jaane ki baat
Ab naa karo o
Jaane ki baat
Ab naa karo o
Dooriyaan
Sab mitaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Laa laa laa laa aa
Laa laa
Laa aa aa
Tum zaraa bheego
Ham zaraa bheegen
Rim jhim gaati phuhaaron mein
Naa tum bolo
Naa ham bolen
Baat ho bas yoon issharon mein
Aaj ki raat
Tum naa daro o
Jaane ki baat
Ab naa karo o
Dooriyaan aan
Sab mitaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Meri zulfen
Meraa aanchal
Sab kuchh hai
Piya tere liye
Teri baahen
Teri nigaahen
Sab kuchh hai piya
Mere liye
Aaj ki raat na aahen bharo o
Jaane ki baat
Ab naa karo o
Dooriyaan aan
Sab mitaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Jaane ki baat
Ab naa karo o
Jaane ki baat
Ab naa karo o
Dooriyaan aan
Sab mitaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
Man mein lagi jo agan wo
Sajan tum bujhaa do
———————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————-
आ आ
आ आ
आ आ आ
ओ ओ ओ ओ
ओ ओ
दूरियाँ आँ
दूरियाँ
सब मिटा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
जाने कि बात
अब ना करो ओ
जाने कि बात
अब ना करो ओ
दूरियाँ
सब मिटा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
ला ला ला ला आ
ला ला
ला आ आ
तुम ज़रा भिगो
हम ज़रा भीगें
रिम झिम गाती फुहारों में
ना तुम बोलो
ना हम बोलें
बात हो बस यूं इशारों में
आज की रात
तुम ना डरो ओ
जाने की बात
अब ना करो ओ
दूरियाँ आँ
सब मिटा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
मेरी जुल्फें
मेरा आँचल
सब कुछ है
पिया तेरे लिए
तेरी बाहें
तेरी निगाहें
सब कुछ है पिया
मेरे लिए
आज की रात न आहें भरो ओ
जाने की बात
अब ना करो ओ
दूरियाँ आँ
सब मिटा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
जाने की बात
अब ना करो ओ
जाने की बात
अब ना करो ओ
दूरियाँ आँ
सब मिटा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
मन में लगी जो अगन वो
सजन तुम बुझा दो
- In: "wooing" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | One song used in more than one movie | Post by Sudhir | Same song used in two or more movies | Seduction song | Sensuous song | Song used in more than one film | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4053 | Post No. : | 15184 |
Songs Repeated in Hindi Films – 9
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Ah ha, even this song. 🙂
The film is ‘Alag Alag’ from 1985. Repeating an iconic song from the 1969 film ‘Aradhna’. And surely, the important thing to note is that the repeat would have involved no negotiations etc. The director, Shakti Samant, and the song writer Anand Bakshi, are the same. The producer of ‘Aradhna’ is Shakti Samant, and the producer of ‘Alag Alag’ is Rajesh Khanna, who incidentally appears in both the films. The music director of ‘Aradhna’ is SD Burman, and the music director for ‘Alag Alag’ is his son, RD Burman. I would believe that getting permission to repeat this song would have been quite easy. 🙂
As I checked out the the earlier posted original song (on 13 Jan, 2013) I notice that this repeat song is already identified by Sadanand ji in a comment posted on 31st Oct last year. And so, this song found its entry on the blog via this series. Well, for one, it is not listed in the Geet Kosh. That is the interesting part. There are seven songs listed for this film, and the singers listed against each one. The name Kavita Krishnamurthy, the singing voice of this version of the song, does not appear against any of the listed songs. Then, in the footnote, there is compiled list of playback singers given, which includes Kavita’s name, indicating that she has sung something for this film. If one does not view the film, and is not aware of this repeat performance of this song, one will keep wondering why does Kavita Krishnmurthy’s name appears in the list of playback singers, when she has not lent her voice to any song.
The 1985 film ‘Alag Alag’ is produced by Rajesh Khanna and Kusum Narula, under the banner of Aashirwaad Films International, Bombay. With this film, Rajesh Khanna made his debut as a producer in the industry. A small anecdote is noted – that Kishore Kumar did not accept any payment for his singing assignments in this film. He said that he felt indebted to Rajesh Khanna and ‘Aradhna’ for catapulting his career to a new high, and this being Rajesh’s first film as a producer, he would sing for him without accepting any payments.
The star cast of this film is listed as Shashi Kapoor, Rajesh Khanna, Tina Munim, Deven Verma, Sushma Seth, Gita Siddhartha, Urmila Bhatt, Anjana, Raj Rani, Rajesh Puri, Subiraj, Asit Sen, Bharat Bhushan, Bhagwan, Satyen Kappu, Mohan Choti, Birbal, Vikas Anand, Manmauji, Manik Dutt, Sunil Dhawan, Kamal Kanchan, Anoop, Pratap, Surendra, Shyam, Mohit, S Chavan, Gurubachan, with special appearance by Bindu and friendly appearances by Om Prakash and On Shivpuri.
Briefly, the story of this film is,
Tina Munim is a village belle, whose only dream in life is to marry a rich man. She comes to Bombay, meets Rajesh Khanna, and mistakes him for a rich man. When he reveals that he is not a rich man, but is a struggling singer looking for work in the film industry, she dumps him. Later in the film, we find out that he is actually a rich man’s son, who is out on his own, because his parents do not appreciate his desire to be a singer. The next set of events brings Tina to the home of Shashi Kapoor, who is a doctor and is widowed. Pursuing her goal with the single minded devotion, she now attempts to become his wife, This song is placed in the film at this juncture, as she tries to woo him.
The rest of the story is quite intertwined. Shashi Kapoor actually treats Tina Munim as a daughter. Rajesh comes to the doctor to get a false disability certificate as a reference. Tina meets him, confronts him and exposes him. Rajesh leaves, then is involved in an accident in which he loses his voice. He rejoins his family. Shashi Kapoor passes away on account of some illness. Tina is back on the road. With the help of his mother, Rajesh tries to promote Tina as a singer, without letting her know. They meet again, but Rajesh leaves because of his disability. Tina mistakes this to be that Rajesh hates her. And on goes the storyline, inching towards a happily ever after and a miraculous restoration of voice etc. 🙂
We come to this repeat song with a difference. So far in this series, most of the songs that have been reused, are presented as the original recording – barring “Babul Mora. . .” and “I Am A Disco Dancer“, which have been re-recorded in different singing voices. Today’s song also belongs to this latter group – that it is also a re-recorded version and not the original. The original, of course is Kishore Da, and in this female re-rendered version, the singing voice is Kavita Krishnamurthy.
You will notice that Tina’s attire in this song is quite similar to Sharmila’s in the original. An interesting repeat this one is. Enjoy.
Song – Roop Tera Mastaana, Pyaar Mera Deewaana (Alag Alag) (1985) Singers – Kavita Krishnamurthy, Lyrics – Anand Bakshi, MD – RD Burman
Female Voice + Male Voice
Lyrics
roop tera mastaanaa
pyaar mera deewaana
roop tera mastaanaa
pyaar mera deewaana
bhool koi humse na ho jaaye
roop tera mastaanaa
pyaar mera deewaana
bhool koi humse na ho jaaye
raat nasheelee
mast samaa hai
aaj nashe mein
saara jahaan hai
raat nasheelee
mast sama hai
aaj nashe mein
saara jahaan hai
haay sharaabi mausam behkaaye
ae ae ae ae
roop tera mastaanaa
pyaar mera deewaana
bhool koi humse na ho jaaye
——————————–
Hindi script lyrics (Provided by Sudhir)
——————————–
रूप तेरा मस्ताना
प्यार मेरा दीवाना
रूप तेरा मस्ताना
प्यार मेरा दीवाना
भूल कोई हमसे न हो जाये
रूप तेरा मस्ताना
प्यार मेरा दीवाना
भूल कोई हमसे न हो जाये
रात नशीली
मस्त समां है
आज नशे में
सारा जहां है
रात नशीली
मस्त समां है
आज नशे में
सारा जहां है
हाय शराबी मौसम बहकाए ए ए ए ए
रूप तेरा मस्ताना
प्यार मेरा दीवाना
भूल कोई हमसे न हो जाये
Hosh mein ham kahaan
Posted on: July 4, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4003 | Post No. : | 15105 | Movie Count : |
4148 |
Hullo to all in Atuldom
July the 3rd is the date when the son of a favorite singer of mine, who is equally my favourite turns a year younger. It is the 67th birthday of Amit Kumar Ganguly. The all-rounder musician – he is a playback singer and music director in addition to being an actor and director.
He made his acting debut as an 11 or 12-year-old in “Door Gagan Ki Chaon Mein” (1964) and had his father singing for him “aa chal ke tujhe main leke chaloon ek aise gagan ke tale”. He played a mute kid whose eyes conveyed a lot of emotion. His eyes still convey a lot of emotion- we mostly see mischief there. 🙂 His next screen appearance was again with his father in a short role in “Door Ka Rahi” (1971). “Main ik panchchi matwala re” was a song that was recorded for the movie which was later edited out from the final cut of the movie and used inn a later Kishore Kumar production “Mamta Ki Chaon Mein”. Whatever acting he has done is mostly in movies produced by his father. He has acted in about six movies and took on the mantle of director to complete his fathers’ “Mamta ki Chaon Mein” which released in 1989; two years after his father, the legendary Kishore Kumar, passed away.
I have seen a video on youtube where Amit Kumar mentions how his proud father Kishore Kumar presented him on stage as part of a “Kishore Kumar Nite” in the 70s. He has related how the father-son duo had planned on his entry on to the stage and so many other anecdotes are there in that video.
I made some mental notes after seeing that video. Today’s song is selected from those notes- the first song that I discovered in that video has been shared on the blog by Sudhirji – a Madan Mohan marvel “hai shaam badi matwali” from the 1980 release “Chaalbaaz” which was one of the first few songs that he sang outside of his father’s production.
The very first time that he sang for someone other than his father was for the music director duo Sapan- Jagmohan. (I know that either our in-house encyclopedia or Sudhirji have written a brief introduction to this lesser known music director jodi). The movie was “Darwaza” by the Ramsay Brother’s production house.
The movie had a cast of Anju Mahendru, Shyamlee, Anil Dhawan, Imtiaz Khan, Shakti Kapoor, Sheetal, etc etc. The movie had Naqsh Lyallpuri as the lyricist. It movie had around three songs all of them solos -two by Asha Bhonsle and one was by Amit Kumar. “Darwaza” released in 1978, was reasonably popular. I remember we were not allowed to see the movie as it was given an “Adults Only” certificate by the censor board, it was supposed to be a horror movie. I have not yet seen it, 🙂
So here we are wishing our dear Amit Kumar a very happy birthday (belated) with a song which, though not as popular as his “bade achche lagte hain” or other songs of his under R D Burman’s baton, is very soothing to the ears.
Audio
Video
Song-Hosh mein ham kahaan (Darwaaza)(1978) singer-Amit Kumar, Lyrics-Naqsh Llayalpuri, MD-Sapan Jagmohan
hosh mein
hum kahaan
mil gaye ae
do dil jawaan
ye samaa
aisi waisi baaton mein kho jaaye na aa
hosh mein
hum kahaan
arre mil gaye
do dil jawaan
ye samaa
aisi waisi baaton mein kho jaaye na aa
hosh mein
hum kahaan
arre mil gaye
do dil jawaan
ho o o
ik aag si jaagi mere jazbaat mein
kaise ghata pyaasi rahe barsaat mein
o o
ik aag si jaagi mere jazbaat mein
kaise ghata pyaasi rahe barsaat mein
arre ye sama
aisi waisi baaton mein kho jaaye na
hosh mein hum kahaan
arre mil gaye do dil jawaan
ho o o
mehke labon ki taazgi de do mujhe
pal bhar mere dil ki khushi de do mujhe
o o o
mehke labon ki taazgi de do mujhe
pal bhar mere dil ki khushi de do mujhe
ye sama
aisi waisi baaton mein kho jaaye na
hosh mein hum kahaan
arre mil gaye do dil jawaan
ye sama
aisi waisi baaton mein kho jaaye na
hosh mein hum kahaan
arre mil gaye do dil jawaan
hosh mein
hmm hmm
arre mil gaye
- In: "Swimming Pool" song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Lyricist-MD | Lyrics contributed by readers | Missing the loved ones | Post by Sudhir | Sensuous song | Songs of 1960s (1961 to 1970) | Songs of 1970 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3839 | Post No. : | 14850 | Movie Count : |
4061 |
Missing Films of 1960s – 92
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For today’s episode of this series, I present this sensuous song from the 1970 film ‘Veer Abhimanyu’. As the name suggests, this is a mythological film, which based on the historical narrative from the epic Mahabharat. It covers the part of history of Abhimanyu, the son of Arjun. I give a brief summary below.
Abhimanyu is the son of Arjun and Subhadra. As Subhadra is the younger sister of Krishna and Balram, that makes Krishna and Balram uncles (mamma) of Abhimanyu. Being the son and nephew of the three best stalwarts of this epic, Abhimanyu is groomed to become one of the bravest and best warriors amongst the entire Kuru clan (i.e. both the Kaurav and Pandav lineages).
There is a short episode in Mahabharat, where it is narrated how Abhimanyu learnt the art of piercing and entering the Chakravyuh formation on a battlefield. A Chakravyuh is a formidable and impenetrable discus shaped formation of soldiers. The main purpose of this formation is to keep safe the generals and the battle leaders from the enemy warriors. It is a complex structure of intertwined ring formations of soldiers, and is almost impossible to penetrate. When Subhadra was pregnant, carrying Abhimanyu in her womb, one night Arjun was describing the complex structure of this formation, the trick to penetrate and enter it, then how to destroy it from the inside and then exit from the ruins of this formation. It is stated that Abhimanyu learnt this warfare strategy, in his mother’s womb, while Arjun was describing it. As the narrative tells us, after listening to about half of this description, Subhadra drifted into sleep. And so, Abhimanyu could imbibe only the first half of this strategy, i.e. penetrating and entering this formation, but could not get the remaining description on how to exit from it. This partial learning had a very telling consequence on battlefield of Kurukshetra.
As the Mahabharat war started, Abhimanyu was one of the primary architects of the roster of daily victories for the Pandavs. He was just sixteen years old at that time. On the first day of warfare, Abhimanyu engaged Bhisma, his great grandfather, in one-on-one battle. By the end of the day, Bhishma is not able to overcome Abhmanyu, rather by end of the day, Abhimanyu breaks the bow in the hands of Bhishma. And the day ends. On the second day, Abhimanyu attacks Ashwathama, son of Dronacharya, the seer who has taught the Kauravs and Pandavs in the skills and art of waepons and warfare. On hearing that Abhimanyu has attacked Ashwathama, Drona immediately comes to his son’s assistance. Another day long duel happens, and Drona is finally at the mercy of Abhimanyu. And the day ends.
For the third day, Drona devises a deceptive strategy. A part of Kaurav army would engage and draw away Arjun, and Krishna along with him, to a far point from the main battlefield. Then another part of the Kaurav army would form the Chakravyuh, and engage the remaining warriors of the Pandav army, which would expectedly be led by Abhimanyu. To everyone’s knowledge, only two people know the stratagem of how to break the Chakravyuh formation – Arjun and Krishna. And both of them are lured away on a deceptive trail elsewhere. The purpose is to engage and defeat Abhimanyu, without exposing the main warriors of the Kaurav side. To everyone’s surprise, Abhmanyu, instead of being daunted in the face of the Chakravyuh takes on the challenge, breaks it and enters. The Kaurav battle leaders are frightened – that this boy knows the secrets of this strategy. But in fact, Abhimanyu knows only half the strategy, as described above. He nonetheless enters the Chakravyuh. There is a long list of names of warriors on Kaurav side given in the narrative – the ones who are defeated and killed by Abhimanyu on that day. But in the end, being unable to make progress outwards from the Chakravyuh, Abhimanyu is surrounded by the Kaurav warriors, who engage him one-to-many.
Abhimanyu fights till the end. The horses of his chariot are killed, Kripacharya kills his chariot drivers, his chariot is destroyed, his bow is broken by an arrow from behind him, fired by Karna. He takes to fight with sword and shield, then takes on a chariot wheel to stave off his opponents. When the chariot wheel also is broken, he is engaged in gada-yudh (fighting using the mace) by son of Dushaasan. In the end, he is killed by a blow of mace from the behind.
In this episode, the stalwarts of the Kaurav army broke so many rules of warfare engagements, that were conventionally agreed upon by the two armies. There would only be one-on-one battle between warriors; an injured warrior would not be attacked; a warrior not having any weapons or arms would not be attacked; the chariot horses and chariot drivers would not be attacked; no warrior would be attacked from behind. Such was the prowess and the fighting ability of this young warrior, and such was the fear he generated when he penetrated the Chakravyuh that the entire Kaurav army on that day, including Bhishma, Drona, Kripacharya, Karna, Duryodhan, Dushaasan, and many others, put together their strength, and broke umpteen rules of engagement, in their endeavor to take out Abhimanyu from the battle equation.
The amorous side of this narrative is the marriage of Abhimanyu with Uttara.
Abhimanyu’s wife is Uttara, the daughter of King Viraat. Their coming together is also an interesting narrative. When the Pandavs have been exiled, they are supposed to spend twelve years away from from Hastinapur, and after that they have to spend one year in agyaat-vaas – incognito anonymous exile. If by any chance, their whereabouts become known during this last one year, the term of their exile would be extended by another twelve years. During this period of agyaat-vaas, Pandavs take refuge in the kingdom of King Viraat, all being disguised into different roles concealing their real identities.
As part of this masquerade, Arjun takes on the role of Brihannala, an eunuch who teaches music and dance to the children of King Viraat. Later, when their identities are revealed at the end of this period, King Viraat is gratuitous and happy, and proposes to offer his daughter Uttara in marriage to Arjun. Arjun declines the proposal saying that since Uttara is his student, he cannot think of a matrimonial relationship with her. He, in turn proposes to accept her as his daughter-in-law, much to the delight of King Viraat and the entire Pandav family. The Pandav family is rejoicing because, unknown to Arjun, but known to Yudhishtar and Draupadi, Abhimanyu and Uttara have already met and are in love.
When the sad end comes for Abhimanyu in the battlefield, Uttara is carrying his child – Parikshit. Parikshit goes on to inherit the throne of Hasitnapur, as the sole surviving heir of the entire Kuru clan. After the demise of all other male members of the two families in the great war, and after the departure of Pandavas alongwith Draupdi to the Himalayas, Pariskshit becomes the King of this land. His reign also signals the advent of the Kali-yug on this earth.
The song that is presented today, depicts the yearning of Uttara for Abhimanyu. The two have already met, are in love, and the lady is pining for his company. On screen, the role of Uttara is played by Kanchana. The lady who accompanies her is Krishna Kumari, an actress from Tamil / Telugu films. [Thanks to Prakash ji for the identification.]
She is accompanied by another lady friend, who I am not able to identify. I request other knowledgeable readers to please help identify this actress.
The film is produced under the banner of Shri Rajlakshmi Pictures, Madras, and is directed by V Madhusudan Rao. Quite possibly, this is a Hindi remake of the original Tamil or Telugu version. The star cast is listed as NT Ramarao, Shobhan Babu, Pehalwan Kantarao, Padmanabhan, Kanchana, and G Varalakshmi. Six songs are listed for this film, all are written by Prem Dhawan, and the music is also composed by him.
We have had some recent discussion on sensuous and suggestive songs in the early decades, some of which were ordered to be cut from the film by the Censor Board. This song is quite high in that category of being sensuous and suggestive. And yet, in 1970, this song was allowed by the Censor Board. The social and moral norms change so much over the decades.
However, apart from the visuals, I liked this song for the quality of its verses, the music, and its rendition. A very well created song in my opinion.
Audio
Video
Song – Kisne Chhoo Liya Naazuk Tan Haaye Ram (Veer Abhimanyu) (1970) Singer – Asha Bhosle, Lyrics – Prem Dhawan, MD – Prem Dhawan
Lyrics
kis ne chhoo liya
mmmm mmm mmm mmm
ang ang doley
mmmm mmm mmm mmm
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam
piya jo aaye waari jaaun waari jaaun
laaj sharam se bal-khaaun bal-khaaun
piya jo aaye waari jaaun waari jaaun
laaj sharam se bal-khaaun bal-khaaun
un se chori muskaaun muskaaun
un se chori muskaaun muskaaun
ghunghroo chhanke chhanke
paayal chhann chhann
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam
sapne ko apna kehte nahin
apne ho sainyyan ya ho sapna koi
sapne ko apna kehte nahin
apne ho sainyyan ya ho sapna koi
ek tak dekha hum kho gaye
jaane kyon hum to tumhaare ho gaye
jaane kyon hum to tumhaare ho gaye
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam
jiya kaahe machle kaahe tadpun
jaane kyon tan yun haale doley
jiya kaahe machle kaahe tadpun
jaane kyon tan yun haale doley
hai koi jaadu tu ne kiya
khaaye jo ye manwa hichkole
khaaye jo ye manwa hichkole
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam
kis ne chhoo liya naazuk tan haaye ram. . .
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
किसने छू लिया
म्ममम म्मम म्मम म्मम
अंग अंग डोले
म्ममम म्मम म्मम म्मम
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम
पिया जो आए वारी जाऊँ वारी जाऊँ
लाज शरम से बलखाऊँ बलखाऊँ
पिया जो आए वारी जाऊँ वारी जाऊँ
लाज शरम से बलखाऊँ बलखाऊँ
उन से चोरी चोरी मुसकाऊँ मुसकाऊँ
उन से चोरी चोरी मुसकाऊँ मुसकाऊँ
घुँघरू छनके छनके
पायल छन्न छन्न
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम
सपने को अपना कहते नहीं
अपने हो सैंय्याँ या हो सपना कोई
सपने को अपना कहते नहीं
अपने हो सैंय्याँ या हो सपना कोई
एकटक देखा हम खो गए
जाने क्यों हम तो तुम्हारे हो गए
जाने क्यों हम तो तुम्हारे हो गए
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम
जिया काहे मचले काहे तड़पूँ
जाने क्यों तन यूं हाले डोले
जिया काहे मचले काहे तड़पूँ
जाने क्यों तन यूं हाले डोले
हाए कोई जादू तूने किया
खाये जो ये मनवा हिचकोले
खाये जो ये मनवा हिचकोले
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम
किसने छू लिया नाज़ुक तन हाए राम॰ ॰ ॰
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3799 | Post No. : | 14790 | Movie Count : |
4045 |
Missing Films of 1960s – 88
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This journey of searching out the missing films is such an interesting exploration of the unheard and less heard gems – or as they say on Radio Ceylon (SLBC now) ‘कम सुने और अनसुने गीत’.
Today’s song is one such rarely heard gem, but oh what exquisitely crafted gem this one is. The film is ‘Haveli’ from 1970. The name sounds as if this would be a film of the horror genre, of course mixed with police and robber crime drama. The one poster of this film that I am able to locate on the net (actually an image with the song on YT), shows the leading lady with a revolver in her hand. The rest of the poster combines the film title logo, and another image of the lead pair. This image does not exhibit any overt horror type flavor – just that the title gives such an impression.
The film is from the banner of Movies Den, Bombay. It is produced by Jawahar Anand and is directed by Sudarshan Babbar. The lead pair is Shailesh Kumar and Nivedita, and the remaining cast is listed as Azra, Heeralal, Manmohan Krishan, Ravikant, Brahm Bhardwaj, Lata Arora, Yunus Parvez, Ridku, Anand Prakash, Jawahar Kapoor, BK, Rahi, Dharmesh, Rajendra Kapoor, Jaishri T, Meenakshi, and Shefali.
The film has 5 songs, as per the Geet Kosh listings. Four of these songs, including the one being introduced today, are written by Naqsh Lyallpuri, and one is written by Naseem Sahranpuri. Music for this film and composed by Sapan Jagmohan. The singing voice is Asha Bhosle.
Although I have not seen the video of this song, but still, from the flavor of the words and the style of rendition, this seems to be a sensuous song, possibly even a seduction song. The measured deliberateness with which Asha ji has rendered this song, brings in just that right emphasis making this such an attractively sensuous song.
The cast of actors includes names like Jaishree T, Azra, Meenakshi, Shefali – so I would not even start to guess on whom this song might have been picturized. I request our more knowledgeable friends and readers to please add more information about this song and this film, if available.
But regardless, enjoy this wonderfully sensuous song.
Song – Gesuon Ki Haseen Chhanv Mein Humnasheen (Haveli) (1970) Singer – Asha Bhosle, Lyrics – Naqsh Lyallpuri, MD – Sapan Jagmohan
Lyrics
gesuon. . .
ki haseen
chhaanv mein
humnasheen
tu hi bata
tere liye
kya nahin
kya nahin
gesuon ki haseen
chhaanv mein humnasheen
tu hi bata tere liye
kya nahin
kya nahin
ishaaron mein kehti hain angdaaian raat ki
abhi aur behakengi tanhaaian raat ki
ishaaron mein kehti hain angdaaian raat ki
abhi aur behakengi tanhaaian raat ki
kya nahin
kya nahin
gesuon ki haseen
chhaanv mein humnasheen
tu hi bata tere liye
kya nahin
kya nahin
meri jawaani bahaaron ka agaaz hai
kitna haseen mere naghmon ka andaaz hai
meri jawaani bahaaron ka agaaz hai
kitna haseen mere naghmon ka andaaz hai
kya nahin
kya nahin
gesuon ki haseen
chhaanv mein humnasheen
tu hi bata tere liye
kya nahin
kya nahin
kya nahin. . .
———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-
गेसूओं॰ ॰ ॰
की हसीं
छाँव में
हमनशीं
तू ही बता
तेरे लिए
क्या नहीं
क्या नहीं
गेसूओं की हसीं
छाँव में हमनशीं
तू ही बता तेरे लिए
क्या नहीं
क्या नहीं
इशारों में कहती है अंगड़ाइयाँ रात की
अभी और बहकेंगी तनहाइयाँ रात की
इशारों में कहती है अंगड़ाइयाँ रात की
अभी और बहकेंगी तनहाइयाँ रात की
क्या नहीं
क्या नहीं
गेसूओं की हसीं
छाँव में हमनशीं
तू ही बता तेरे लिए
क्या नहीं
क्या नहीं
मेरी जवानी बहारों का आग़ाज़ है
कितना हसीं मेरे नग़मों का अंदाज़ है
मेरी जवानी बहारों का आग़ाज़ है
कितना हसीं मेरे नग़मों का अंदाज़ है
क्या नहीं
क्या नहीं
गेसूओं की हसीं
छाँव में हमनशीं
तू ही बता तेरे लिए
क्या नहीं
क्या नहीं
क्या नहीं॰ ॰ ॰
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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