Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Koyal songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4751 Post No. : 16486 Movie Count :

4479

Today’s song is from the film Maharani Minal Devi-1946. This film was made by Lakshmi Productions, Bombay, owned by the Director Chimanlal Trivedi. This film was made on a remarkable historical personality from Gujarat.

Bombay film industry has made more than 12000 films so far, on various Genres, but it’s score on making films on Historical Indian personalities is very pathetic. While films on Mughal Kings, Queens and other personalities were made in all decades since the films started talking, not much focus was given on Indian historyHero and Heroines. Not that no films were made at all on them, but if you see its number, there can not be a justification for the large gap.

In the history of India, there were hundreds of such worthy sons and daughters who fought for the country, brought social reforms, did extraordinary work for the people and generally did things for which the country remembers them proudly. Actually,in every state of India, there are Heroes and Heroines who did a lot of good work for the people, in the past few hundred years. Sadly, Hindi films are very poor on this count.

However, I find that regional cinemas are way ahead of Hindi cinema in this matter. Particularly I would quote Tamil, Telugu, Kannada and Bangla films in the first list. The second list is of Marathi and Oriya films. Mind you, I am not talking about films on religious personalities and saints like Kabir, Tulsida etc. Even in this category, very few are the subject matter of Hindi films.

People like Rana Pratap, Ishwarchandra Vidyasagar, Rabindranath Tagore, Dhondo Keshav Karve, Rani Chennamma etc etc deserved Hindi films. The entire focus was on Mughals and those who came from outside.The regional films at least did some justice by making films on their Heroes/heroines. Tamil and Bangla films are leaders in this. The strong Regional Pride was the causal factor essentially but honouring heroes is a matter of appreciation. Films on Babar, Humayun, Shahjehan, Bahadurshah Zafar and the likes of them are made in plenty, for obvious reasons, but how many films were made on Savarkar, Shivaji, Rana Pratap, Ashoka the great, Jhansi ki Rani etc ? Leave the older ones. Are there films on Indira Gandhi, Nehru, Gandhi ? A British person had to come here to make a film on Gandhi !

During the British rule – till 1947 – it was probably not possible, allowed or was risky, but since 1947 till date what was the problem ? I feel sad at this state of affairs in making films. Luckily, in the last few years, some enterprising filmmakers have dared to make films on Indian Heroes. I do hope that the situation will improve further and films on Indian heroes/Heroines (there are plenty of them) will be made.

Film maharani Minal devi-1946 is a film on a brave, intelligent, kind and Patriotic personality from Gujarat. I could not get any information on her, the story of the film or other details. Fortunately, I could find a site http://www.streeshakti.com, wherein I found a note on her. here it is to get an idea who she was and what she did….

“Minal Devi or Mayanalla, a famous queen of eleventh century Gujarat, is remembered as an able and just administrator. She was the daughter of Jayakeshin, a king of the Kadamba dynasty in Karnataka and was married to Karna I, a Chalukya king of Anahillapatanawada who met an early death, leaving his queen and young son Siddharaja Jayasimha. Minal Devi acted as regent for her son, who went on to become a legendary hero. An incident described in Rajashekhar Suri’s Prabandha Kosha testifies to the fact that she inspired him in many of his warlike exploits.
She also managed affairs of state, built several monuments and lakes and was responsible for the remission of the tax on pilgrims visiting the Somnath temple. Two lakes built in her period were Minalasar or Munsar near Viramgam and Malva at Dhavalakka or Dholka in Ahmedabad. According to legend, there was a house owned by a woman at the proposed site of the lake Malva, which needed to be demolished to give the lake a regular shape. The queen offered a big sum of money to the woman for her house, but she refused, saying, ‘I shall be famous with your lake,’ thus threatening to sacrifice her life if her house was touched. The queen did not coerce her, showing herself to be a just ruler. This event led to the Gujarati saying: ‘If you want to see justice, go to Dholka and have a look at Malva lake.’

Minal Devi is mentioned with high esteem in contemporary literature. A Sanskrit play entitled Mudritakumudachandra-prakarana depicts a learned dispute between the Digambaras and Svetambaras, the two major Jain sects. One topic in this dispute is whether a woman can achieve salvation. The Svetambaras here claim that women possessing sattwa (identity: an inner quality of goodness) could attain salvation and cite Sita from mythology and Minal Devi in the court of Siddharaja Jayasimha as examples.”

The film had 7 songs written by two lyricists, composed by Saraswati Devi-the music Director. The film was directed by Chimanlal Trivedi. The cast of the film was Prem Adeeb, Leela desai, Durga Khote, Jagdish bSethi, Agha, Sankatha prasad and many others. Director Chimanlal trivedi was a remarkable enterprising person.

Chimanlal Trivedi, was one of the major filmmakers of the 30s and the 40s decade. He was more a Producer businessman than a Director. While he directed hardly 7 films, he produced close to 50 films- all having A grade actors, directors and composers !

Born on 19-3-1909 at a village near Anand in Gujarat he was from a Brahmin family. He did his schooling in Ahmedabad and technical graduation from Baroda. Being an expert in weaving, he took up a job as a weaving Master in Calcutta. Fond of writing, he started writing Dramas, which were staged in Bengal and Gujarat. He was attracted towards Cinema and tried some work in New Theatres. Knowing that the real playing field is Bombay he reached there. He wrote stories for the film Chevrolet-36 and Danger Signal-37 for Mohan pictures.

He established his own production company CIRCO (Cine Industries Recording COmpany) in 1937. By 1943, he had made 12 films. He preferred not to direct his films, but appointed directors like Mohan Sinha for Laxmi-40, Anuradha-40 and Vanmala-41, Balwant Bhatt for Suhag-40 and Madhusudan-41, A R Kardar for Swami-41 and Nai Duniya-42 and Debki Bose for Apna Ghar-42.

He had the art of getting the most popular stars for his films like, Prithviraj kapoor, Chandramohan, Durga Khote,Mazhar khan, Bibbo,Surendra, Jairaj, Sitara, Jeevan, Yaqub, Shobhana Samarth, Prem Adeeb, Vishnupant Pagnis,Leela Desai, Pahadi Sanyal, Shanta Apte and many others. Even big directors like Debki Bose,Nitin Bose, Kardar,Mohan Sinha, Sarvottam Badami, Nandlal Jaswantlal,Profull Roy, Sudhir Sen, R S Chaudhary, Phani mujumdar, Balwant Bhatt etc. worked for him. From Prabhat he brought Shanta Apte for Rs.1000 pm, and also Chandramohan, Pagnis and Mazhar khan. His friend Chandulal Shah followed his way and brought K L Saigal from New Theatres !

C L Trivedi was an expert in gathering funds for his films. After CIRCO at Parel, he started Laxmi Productions at Andheri, in 1942. He made mera Gaon,Sharafat,Bhagya Laxmi,Kadambari,Tamanna,Inkaar,Mohabbat,Miss Devi etc. In 1951, it was Supreme Pictures, Trivedi Productions was in 1952, Kala Kendra in 1953 and with Chitra Bharati in 1954, he made 13 films upto 1961. Top Composers like Timir Baran,Ashok Ghosh,Rafiq Gaznavi,K C Dey,Saraswati Devi,Husnlal-Bhagatram and Naushad gave music to his films.

In the end, he turned to Stage and started Abhinay Bharati. He staged many dramas in Bombay and Gujarat. Chimanlal always went for big names. He had close relations with Nehru, Menon, Morarji Desai, and other National leaders. His wife Kantaben was a Leader herself. Chimanlal Trivedi died on 25-11-1973. His wife, 3 sons and a daughter settled in the USA.

It may be a coincidence, but Gujarati businessmen like Chimanlal Trivedi, Chimanlal Desai,Chimanlal Luhar, Chaturbhuj Doshi, Chimankant Desai, Chunibhai Desai and Chandulal Shah made sizable contribution to Hindi cinema in the first 20 years of the Talkie era. All names started with CH ( ? ) !

Today’s song is sung by Rajkumari dubey. With this song the film makes its Debut on this Blog.


Song- Ae maina madhubaina tu kehna sajan se (Maharani Minal Devi)(1946) Singer- Rajkumari Dubey, Lyricist- Not known, MD- Saraswati Devi

Lyrics

Ae maina
madhubaina
tu kehna sajan se
sapnon mein aaye na
Ae maina
madhubaina
tu kehna sajan se
sapnon mein aaye na
chupke chupke
nindiya churaaye na
chupke chupke
nindiya churaaye na
sapnon mein aaye na

raat ko jab main sudh budh khowoon
nindiya ka main jhoola jhooloon
chanda ki kirnon mein chhupke
muskaata wo aaye
chanda ki kirnon mein chhupke
muskaata wo aaye
dheere dheere man mein samaaye
soye peer jagaaye
main man ki
main man ki us ko poochhoon
wo bhed na kuchh batlaayen
wo bhed na kuchh batlaayen
main pallaa uska pakdoon
main pallaa uska pakdoon
wo apna aap chhudaaye
wo apna aap chhudaaye
isi raar mein sapna toote
aankh meri khul jaaye ae ae
aankh meri khul jaaye

aankh khule to yaad mein unki
gaaun geet piya ke
gaaun geet piya ke
taaron ki aankhon mein chhupke
phir wo kare ishaare
phir wo kare ishaare

sun ree pyaari koyal kaali
sun ree pyaari koyal kaali
jaa ke sajan ko keh de aali ee ee ee
keh de aali
bhola sa man mera
bhola hai man
bhola sa man mera
bhola hai man
kisi ko tarsaaye na
sapnon mein aaye na
kisi ko tarsaaye na
sapnon mein aaye na


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4293 Post No. : 15547

Another of those “aa ha” moments, as I was searching for a song to celebrate an anniversary. Sitting on my hard disk for a long time, I just pulled it up and listened to it, as I searched for a song by Khusheed Bano, And wow, what a wonderful creation this one turns out to be. And with a surprise bonus that saved me some extra effort.

Well actually, this post should have come on board yesterday (18 Apr). Having missed the birth anniversary of Khursheed Bano on 14th April, as I checked the anniversaries page, I found that I was still in time for her anniversary of passing away on 18th April. So I started the search and prep for a song sung by her. As luck would have it, I narrowed down to this wonderful song which is such a pleasing listen.

The twist comes in like this. As I checked from the Geet Kosh in my search, and identified this song from the 1941 film ‘Pardesi’, I noted that the GK lists the singer for this song as Khursheed and chorus. But when I played this song, I was taken by surprise to discover that this song is actually a duet, and that too, a delightful romantic duet. To check on the identity of the male voice, I turned to our dear friend, Girdhari Lal ji (of Jodhpur), and requested him for identification. His response was immediate – the male voice is that of Kantilal.

And then another part clicked into place. I immediately went back to the anniversaries list to confirm, and yes my memory was right. 18th April also is the birth anniversary of singer actor Kantilal. And so the celebrations connected and coalesced together into this one song.

Interesting to note that today’s song is one of those rare combinations wherein we have two actor-singers singing together. Yes, there are other pairs that we can list – Surendra – Noorjehaan, Suraiya – Surendra, KL Saigal – Suraiya, KL Saigal – Khursheed etc. Kantilal is also a singer of certain repute, active during the early years Hindi cinema. He has appeared as an actor, and has sung songs that he has performed himself on screen. He has also given playback to other artists. About today’s song, my take is that this song is not performed by Kantilal himself on screen although he himself is also listed as one of the actors in the film. In all probability he has given playback for Motilal. Motilal used to sing off and on. In some films, we find his name listed as singer, and in some films we see him lip syncing other playback singers. In ‘Pardesi’, he is the lead actor, but his name does not appear in the list of singers. And since, in this film, he is paired opposite to Khursheed, and that she is the other singer in this song, it would follow logically that Motilal is lip syncing Kantilal voice in this song.

Now, for the details. We already have a good set of posts giving details about this film and the artists, I will not attempt to re-present that information. However, I will give the links to where these details can be perused.

About the film – ‘Pardesi’, the film synopsis has been posted by our dear Arun ji, in his post for the song “Ab Kahaan Basera Apna”. In the same post, we also can read a brief biosketch about Khursheed Bano.

Our dear Sadanand ji has also presented another brief about Khursheed in his post for the song “Pehle Jo Mohabbat Se Inkaar Kiya Hotaaa”, also from the same film.

Regarding actor-singer Kantilal, I refer to another post by Arun ji, for the song “Dhanwaalon Ki Duniya Hai Ye, Nirdhan Ke Bhagwaan” from the film ‘Holi’ from 1940.

The film ‘Pardesi’ is from the house of Ranjit Movietone, and is directed by Chaturbhuj Doshi. The list of actors, as per Geet Kosh, is – Motilal, Khurshid, Snehprabha, E Billimoria, Durgesh, Keshari, Kantilal, and Bhagwan Das amongst others. The film has 15 songs listed. The songwriters listed for this film are DN Madhok and PL Santoshi. However, specific songwriter for individual songs, is not identified for all songs. As such also for this song – the specific songwriter is not identified. Music for this film is by Khemchand Prakash.

So with this song, we pay our tributes to Khursheed Bano and Kantilal on their anniversaries today. So many things to cherish for, in memory. 🙂

[Author’s Note: The available recording is certainly not the best. I have not been able to decipher one word in the 3rd antraa. I request other readers with keener ears to please help make the correction. Thanks.]

Song – Morey Angna Mein Ambuwa, Ambuwa Ki Daali  (Pardesi) (1941) Singers – Khursheed, Kantilal, Lyrics – [Unattributed], MD – Khemchand Prakash
Khursheed + Kantilal

Lyrics

more angana mein ambuwaa..aa

more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

dol gayi re
dol gayi re
dol gayi re
dol gayi re
duniya dilon ki dol gayi re
duniya dilon ki dol gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

dekh sajanwa kaliyan khil gayi. . .
dekh sajanwa kaliyan khil gayi
kaliyon ko bhanwara
bhanwre ko kaliyan
kaliyon ko bhanwara
bhanwre ko kaliyan
mil gayi re
mil gayi re
mil gayi re
mil gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

phoolon ki ot sajanwa lag gayi. . .
phoolon ki ot sajanwa lag gayi
kaanton ki meethi kor
kaanton ki meethi kor
?? ras mein ras ghol gayi re
haan haan bol gayi re
ras ghol gayi re
ras ghol gayi re
more angana mein ambuwaa
ambuwa ki daali
daali pe koel bol gayi re. . .
bol gayi re

more angana mein ambuwaa. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

मोरे अंगना में अंबुवा॰॰आ

मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल ॰ ॰ ॰
बोल गई रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

डोल गई रे
डोल गई रे
डोल गई रे
डोल गई रे
दुनिया दिलों की डोल गई रे
दुनिया दिलों की डोल गई रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

देख सजनवा कलियाँ खिल गईं॰ ॰ ॰
देख सजनवा कलियाँ खिल गईं
कलियों को भँवरा
भँवरे को कलियाँ
कलियों को भँवरा
भँवरे को कलियाँ
मिल गईं रे
मिल गईं रे
मिल गईं रे
मिल गईं रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

फूलों की ओट सजनवा लग गई॰ ॰ ॰
फूलों की ओट सजनवा लग गई
काँटों की मीठी कोर
काँटों की मीठी कोर
?? रस में रस घोल गई रे
हाँ हाँ बोल गई रे
रस घोल गई रे
रस घोल गई रे
मोरे अंगना में अंबुवा
अंबुवा की डाली
डाली पे कोयल बोल गई रे॰ ॰ ॰
बोल गई रे

मोरे अंगना में अंबुवा॰ ॰ ॰


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4161 Post No. : 15331

8th December is the 75th birthday of Rinku or Begum Ayesha Sultana Khan who also is known by the name Sharmila Tagore. What was not known is that she was born in Hyderabad. (I didn’t know, the stalwarts of the blog may be aware). She looked so delicate and fragile in “Kashmir Ki Kali” (1964) – her Hindi debut, having debuted in Bengali in 1959 through Satyajit Ray’s “Apur Sansar”; the need to protect her from Pran must have come naturally to Shammi Kapoor. She has a super-sweet smile too with deeeep dimples that form whenever she smiles. It was not as if she excelled only in glamourous baby-doll type of roles; she was comfortable even when she played the roles of mother and daughter – Chanda/ Kajri- in Gulzar’s “Mausam” (1975). 1975 saw her in five movies “Mausam”, “Chupke Chupke”, “Faraar”, “Amanush”, “Ek Mahal Ho Sapno Ka” and the character she played in each of them were completely different from each other.

I started following her from “Chupke Chupke” and then have seen many of her movies from the 60s and 70s on various media- Doordarshan, Satellite Television, YouTube etc. Had been very impressed by her in “Kashmir Ki Kali”, “Anupama”, “Satyakam” and “Viruddh” in the recent times. She was last seen on-screen in 2010 released “Break Ke Baad”. But videos of this elegant lady can be seen on YouTube in interviews etc where she speaks of her life and career and how her sister Oindrila Tagore (Tinku) played Mini, the central child character, in Tapan Sinha’s 1957 “Kabuliwala”.

She speaks of how she was given very short sentences to speak in her first Hindi movie by Shakthi Samanta etc (saw all this on the Zee TV show ‘Jeena Isi ka Naam Hai’).

For the occasion today let us have a song from the 1971 released, K B Tilak directed “Chhoti Bahu” in which she stars with her co-star of several box-office hits – Rajesh Khanna. She paired with him in seven successful movies beginning with “Aradhana” in 1969 and following it up with Amar Prem, Chhoti Bahu, Safar, Daag, Raja Rani, Aavishkaar and Maalik. She had a good pairing with Dharmendra too beginning with Hrishikesh Mukherjee’s Anupama and Devar, Mere Humdam Mere Dost, Satyakam, Chupke Chupke, EK Mahal Ho Sapno ka and the last time we saw the pair together was in Sunny. She also had some good films with Shashi Kapoor- Waqt, Aamne Saamne, New Delhi Times, Suhana Safar etc.

Today’s song reminds me of another song with a similar theme – “Chanda hai tum mera suraj hai tu”. And also “Bada natkhat hai re Krishna Kanhaiya”, she did emote well in these song situations, we could see a lot of love for kids in those expressive eyes
“Chhoti Bahu” had six songs and debuted on the blog with he re Kanhaiyya kisko kahega tu maiyya in Kishore Kumar’s voice. The song is more or less the gist of the movie where we have Nirupa Roy as the equivalent of Devaki and Sharmila as the Yashoda of the young baby Sarika who is called either Kishan or Kanhaiya (have seen the movie ages back, should see again). This was followed by the Mohd Rafi sung ye raat hai pyaasi pyaasi. The third song posted was dulhaniya bata de ree . Today we have the fourth wherein a happy, young girl is seen playing “mother” to her favourite doll. As the movie progresses, we get to know that she cannot beget children of her own so her ‘jethani’ gives her the responsibility of being the mother to baby Sarika.
Wishing our Sharmila ‘dimpled’ Tagore a Happy Birthday.


Song-Koyal bole daali se daali bole maali se (Chhoti Bahu)(1971) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji

Lyrics

koyal bole daali se
daali bole maali se
bolo
kya boli
til ke phool tili ke daane
munne raaja bade sayaane
saari duniya dekh li munne raaja
ho munne raaja
tujhsa koi nahin
saari duniya dekhli munne raaja
tujhsa koi nahin
til ke phool tili ke daane
munne raaja bade sayaane

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu mere mann ka darpan
saathi hai akelepan ka
jaane ajaane jod liya
tujhse naata jeewan ka
atkan chatkan dahi chatokan
atkan chatkan dahi chatokan
naach dikhaa de chhoom chhana chhan
saari duniya dekhli munne raaja
ho munne raaja
tujhsa koi nahin
til ke phool tili ke daane
munne raja bade sayaane

rooth na jaana tu mujhse
duniya roothe to roothhe
yahi mel yahi khel rahe
kabhi saath na apna chhoote
bal bal jaoon munne raaja
bal bal jaoon munne raaja
thhumak thhumak chal ke aaja
saari duniya dekh li munne raaja
ho munne raaja tujhsa koi nahin
til ke phool tili ke daane
munne raja bade sayaane

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

jaan meri rehti hai tujh mein
tu hi jaan hai meri
ek pal tujhe na dekhoon toh
duniya ho jaaye andheri
tujh bin mera jeewan aise
tujh bin mera jeewan aise
bin khushboo ke phool ho jaise
saari duniya dekh li munne raaja
ho munne raaja tujhsa koi nahin
til ke phool tili ke daane
munne raja bade sayaane
hmmm hmmhmm
hmmmm hmmmm
hmmmm hmmhmm


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3572 Post No. : 14312

“Putli”(1950) was produced and directed by Wali Sahab for Punjab Film Corporation, Bombay. The movie had Mumtaz Shanti ,Pran, Yaqoob, Husn Banu, Srinath, Majnu, Prem Dhawan, Ramesh Thakur , Sheela Naik etc in it.

The movie had eleven songs in it. Three songs from the movie have been covered in the past.

Here is the fourth song from the movie. HFGK mentions this song as sung by Meena Kapoor. On listening to the song, one can notice that the song has a male voice as well. There were two lyricists in the movie viz Wali Sahab and Abid Gulrez. HFGK is silent about the lyricist of the song. Seeing that Wali sahab was the maker of this movie, one can assume that most songs, including this song, must have been penned by him. So I have assumed Wali Sahab as the lyricist of this song.

Picturisation shows Mumtaz Shanti and a gentleman standing in front of microphones and singing. They are either singng live for the radio or or they are recording- I am not sure.

I request our knowledgeable readers to throw light on the identification of the male singer as well as the male actor in the picturisation.

There were two music directors in the movie. Music of this song is composed by Aziz Hindi.


Song-Koi ambuwa pe piyu piyu gaaye re piya (Putli)(1950) Singers-Meena Kapoor, Male voice, Lyricist-Wali Sahab, MD-Aziz Hindi

Lyrics

koi ambuwa pe
koi ambuwa pe piyu piyu gaaye re piya
main na jaanoon teri yaad kyun aaye re piya
koi ambuwa pe piyu piyu gaaye re piya
main na jaanoon teri yaad kyun aaye re piya
main na jaanoon teri yaad kyun aaye re piya

jab kaali kaali ratiyon mein pyaari pyaari yaad teri aati hai
tere pyaar ki kasam saari raat hamen neend nahin aati hai
jab kaali kaali ratiyon mein pyaari pyaari yaad teri aati hai
tere pyaar ki kasam saari raat hamen neend nahin aati hai
jab kaali kali
jab kaali kaali ghat chha jaaye re piya
main na jaanoon teri yaad kyun aaye re piya
main na jaanoon teri yaad kyun aaye re piya
koi ambuwa pe piyu piyu gaaye re piya
main na jaanoon teri yaad kyun aaye re piya

lambi lambi raaten piya lambe lambe din
haaye lambe lambe din
lambi lambi raaten piya lambe lambe din
haaye lambe lambe din
teri yaad mein kaate maine gin gin din
gin gin din
teri yaad mein kate maine gin gin din
gin gin din
ab tere bina
ab tere bina sachmuch haaye re piya
main na jaanoon teri yaad kyun aaye re piya
main na jaanoon teri yaad kyun aaye re piya
koi ambuwa pe piyu piyu gaaye re piya
main na jaanoon teri yaad kyun aaye re piya

o o o
o o o
o o o

aa aa
aa aa aa
aa aa aa
neem taley ankhiyaan milaana nahin bhoolna
milaana nahin bhoolna aa aa
o o o
neem taley ankhiyaan milaana nahin bhoolna
milaana nahin bhoolna aa aa
pyaar ki gali mein piya aana nahin bhoolna
aana nahin bhoolna
aa aa aa aa
pyaar ki gali mein piya aana nahin bhoolna
aana nahin bhoolna
ye sama suhaana
ye sama suhaana beeta jaye re piya
main na jaanoon teri yaad kyun aaye re piya
main na jaanoon teri yaad kyun aaye re piya
koi ambuwa pe piyu piyu gaaye re piya
main na jaanoon teri yaad kyun aaye re piya
jab kaali kaali ghat chha jaaye re piya
main na jaanoon teri yaad kyun aaye re piya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Garib”(1942) was directed by Ramchandra Thakur for National Studios, Bombay. This movie had Surendra, Rose, Baby Meena, Veena Kumari, Santaka, N A Ansari, Agha, Pesi Patel etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pagdandi”(1947) was directed by Ram Narayan Dave for Pancholi Art. The movie had Padma, Akhtar, Gyaani, Om Prakash, Akhtari etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (17 march ) is just another day in the calendar as far as most people are concerned. As for me, I remember this day quite clearly. Among 17 march of all the years, the year 2007 is especially vivid in my mind.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 20
– – – – – – – – – – – – – –

Wow. Wow. And wow. Earlier, I never did pay any attention to the songs of this film. One of those also-ran mythological stories which make up the list of movies of any year in that era.  Haan theek hai, will check it out when there is more time at hand etc. Now, coming to the implementation of this series, and the home work assigned to me by Khyati Ben, I am reviewing the available songs of films that still are waiting in the wings to find their place on our blog. And I come to the next available film in this series – ‘Shiv Parvati’ from 1962. And within that film, I come to this song – and wow.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Village Girl” (1945) was directed by K Amarnath for Ramnik Production. The movie had Noor Jehan, M.Nazir, Jagadish Sethi, Durga Khote, Rama Shukul, Anant Marathe, Rajkumari Shukla, Rajkumari Kapoor, Bikram Kapoor, F.M.Khan etc. in it.
Here is thoe story of this movie as narrated by Mr Arunkumar Deshmukh, our beloved inhouse encyclopeadia:
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In an article posted today, Sudhir Ji lamented the fact that Religious movies had sadly gone out of favour and fashion among movie makers and that deprived people from the opportunity of watching Jeewan as Narad, Dara Singh as Hanuman and Premnath as Yamraj. 🙂

And then Sudhir Ji went to to discuss a song picturised on today’s birthday boy Premnath.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16510

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered =4487

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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