Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Biography of lyricist’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 1930s and 40s, Hindi film industry attracted many well known poets and writers of Hindi/Urdu. Munshi Premchand joined Ajanta Cinetone and wrote story and screen-play for the film ‘Mazdoor’ (1934) in which he also played a cameo role. Dr Safdar ‘Aah’ Sitapuri, the Urdu poet and writer joined National Studios in 1939 and later Bombay Talkies as screen-play/dialogue writer and lyricist. Later, he also directed two Hindi films. Upendranath ‘Ashq’ joined Filmistan in 1944 as screen-play and dialogue writer. Josh Malihabadi, the Urdu poet joined Shalimar Studio in 1942 as dialogue writer and lyricist. Amritlal Nagar joined the film industry in 1941 as a screen-play/dialogue writer and lyricist. The list is not exhaustive.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 23
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‘Aankhen’ was released in 1950.  Most people remember it for being the debut film of music director Madan Mohan.  Amongst all the wonderful songs that caught the attention of the listeners, there is this lovely melody in the voice of Meena Kapoor, that really steals away your heart – “Mori Atariya Pe Kaaga Bole, Mora Jiya Doley, Koi Aa Rahaa Hai”.  For me, it is this one song that makes this film and its music memorable.  This is one of the two songs that Bharat Vyas wrote for this film.

Remembering Bharat Vyas on the anniversary of his passing away (5th July).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Shyamlal Babu Rai, who wrote endearing gems in the golden era of melody, such as “Bade Armaanon Se Rakha Hai Balam Teri Kasam”, and also popular hits for the new generation in the 1970s, such as “Aap Jaisa Koi Meri Zindagi Mein Aaye, To Baat Ban Jaaye”, had started his career back in the 1946 with two completely obscure and now unknown films – ‘Double Face’ and ‘Jungle Ki Pukaar’.  Information about these films is not easily traceable, and neither have the songs of these films have surfaced so far.

Remembering Indeewar, song writer par excellence, on the anniversary of his passing away today (27th Feb).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is the 300th article in the blog for Mr Sadanand Kamath.

A man with a spiritual bend of mind would believe that his destiny was pre-planned even before he was born. There are others who believe that they can mold their own destiny. Shailendra was one of those who seemed to have believed that he could be master of his own destiny. That he was a member of Indian People’s Theatre Association (IPTA) indicates what destiny he had chosen for himself. He had taken up the task of awakening the Indian masses on their rights and duties in the background of post-independent India. It was therefore no surprise when he spurned Raj Kapoor of his offer of taking his inspirational song for the film Aag (1948) telling him that his poems were not for sale. However, Raj Kapoor left his address with him in case he had a change of mind.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Wo Jab Yaad Aaye, Bahut Yaad Aaye”(‘Parasmani’, 1963).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The best way to write about a poet is to write about his works, his poetry. But when we come to a poet of the stature of Rajinder Krishan, it becomes a very difficult task to write about his poetry. One simply does not know where to start. The body of work is enormous, and the number of pleasing heart stealers is so numerous, that just a sample list of favorites will go beyond a reasonable length for a write up. And no matter how representative one makes this sampler list, readers and friends will come up with wonderful gems of A grade quality that must be included.
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Today (3 august) is the birth anniversary of Shakeel Badayuni (3 august 1916- 20 april 1970). The combination of Shakeel Badayuni as a lyricist as Naushad as a music director was one of the most common and most successful lyricist-music director combinations of the golden era of Hindi movies. They worked together in as many as thirty movies.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my earlier stage of baptism to Hindi film songs of the golden era, whenever I came across some new songs I liked, I would want to know the name of the film, singers and themusic directors ( in that order) of the concerned songs. I never enquired about who wrote these likeable songs. One song that made me to know the name of the lyricist was “main zindagi ka saath nibhaata chala gaya” from HUM DONO(1961). This song virtually introduced me to a great Urdu poet and lyricist Sahir Ludhianvi. I feel shy to reveal here that though I liked those iconic songs of PYAASA (1957) but that did not trigger my brain to enquire as to who wrote those melancholic and the soul searching songs. As I came to know later, those songs were written by Sahir Ludhianvi.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13100 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13186

Number of movies covered in the blog

Movies with all their songs covered =978 Total Number of movies covered =3697

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Blog Start date: 19 july 2008 Active for 3000 days.
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