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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Happy song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3677 Post No. : 14568

ASAD 10th Anniversary Celebrations – 20
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And now, continuing the saga of the 10th anniversary celebrations. 🙂

First off, thanks to Mahesh ji for announcement that “The last batsman is in”. Quite true, and well, almost. One reason (of the many excuses that I am going to converse about today 🙂 ), is that, quite truly, I was waiting for at least one more contribution to land in, before I announce the closure of celebrations. But as the events transpired, I realized that waiting for that article would probably be like waiting for Mr. Godot.

I refer to Ben Kayti, who has promised me that she will be sending in a write up, but then – well, days have just been following one after the other. In an earlier communication she mentioned that she was little down in health, and that she has a doctor’s appointment. And then – silence. One day, two days – messages on WhatsApp, emails, phone calls, voice mail remained unanswered. When no response came, I had no option but to press the panic button. I tried to contact three other people in the family. And finally, her daughter-in-law responded to my SOS. The family is out to a vacation – Glacier National Park in Montana, where no connectivity is available. The vacationers also include the other two members of the family who I was attempting to get in touch. So it was a relief to know that all was well, and also somewhat vexing that there was a communication gap that created some worries. I will return to this and tie up the loose end left here, and continue with the mainstream of celebration.

‘19’ seems to be a lucky number for me. Quite a few significant things in my life are connected with this number. And thus, not surprisingly, I get connected with this blog that celebrates its birthday on 19th July. And then, more, I was not planning it to be so – my (previous) post comes at 19th in the series. Ah yes, as Atul ji has mentioned often, there is a hand of providence with what goes on with this blog. And let me add one more very interesting ‘19’ phenomena. As per the statistics that the WordPress maintains, the date which has had the highest number of visitors on this blog (10,630) is also a 19 – 19th October, 2011.

On 14th January this year, the visitor’s ticker on our blog home page turned into an 8 digit number for the first time. We clocked in 10 millionth visitor that evening (IST) – and it translates to 1 crore, in domestic terminology. As I write to complete this article, the ticker has already gone past 10 million 6 hundred thousand, clocking in on average ~ 3,000 visitors per day in this year so far. I would like to give it a name today – this presence that ASAD makes on the worldwide web – it is the “ASAD Phenomena“. Nowhere else probably (once again, as far as I am aware) is there any such endeavour that combines the interests and the determination of such a like-minded team with such dedication, to sustain such a significant level of interest in the central theme of this blog. All I can say is – there are music lovers in this world, and then there are ‘music lovers’ in this world.

Looking back at my association, the date was 1st October 2010 when I clicked on the subscribe button for getting the RSS feed and became a regular reader-member of this blog. And guess, what is the first song feed that arrived into my mailbox next day (on 2nd October) – “Ham to tere dil ke bangley mein aanaa maangtaa”. Now that I read this song title, I wonder whether it was a message intended for me from Atul ji, or was it supposed to be from me to Atul ji. 😀 😀  Whichever way, I think it just worked out very famously. 🙂

My first step into lyrics contribution was published on 1st Feb, 2011 and it is the famous Suraiya song from ‘Bilwamangal’ (1954) – “Parwaanon Se Preet Seekh Len”. And then it just went on from there. The first post written by me appeared on 18th Feb, 2011, a song from the film ‘Gul e Bakaavali’ (1963) “Ye Kehdo Tumhe Hamse Kyaa Chaahiye”. Missed the 19th by just a day, although there is a post on the 19th Feb also, my second one. And then it just went on from there.

कुछ लगता नहीं के सात साल गुज़र गए। Seriously, it seems just like last week or last month. In that very year (2011), in the subsequent months, we had a spectacular event on the blog, something of the type that has not yet been repeated. An event that truly marks this blog to be a Phenomena. Starting on 28th June, 2011, the blog saw an unbroken series of articles on the great KL Saigal Sb, that lasted all the way up to 18th Sep, 2011. The last song of this unbroken series, posted on 18th Sep is “Baalam To Pe Sabar Padey” from the film ‘Parwaana’ (1947). I quote a brief paragraph from that write up here,

With this post, I have now published 61 posts on Saigal Saab’s songs. In one of the interim emails, Atul ji wrote to me that every day morning, he eagerly opens his mailbox to look for an email from me. And the eagerness and urgency was no less on my side. Some of the ghazals took anywhere from 3 to 6 hours to complete the write up, with the translations and commentary to my satisfaction. There have been nights when I have sent the write ups to Atul ji at 2 am, 3 am and even past 4 am. There have been occasions that (after having fallen asleep on my laptop) I got to complete the write up later in the morning; you can identify these days by noting the delay in posting the Saigal Saab song for the day.

What a heady time it was. That endeavour was really worth it. We enjoyed it immensely, and it came to a monumental conclusion of documenting and posting each and every one of the available Hindi / Urdu recordings made by the great singer. And truly, nothing comparable to that has again been attempted on the blog so far.

One more reason that I quote this above paragraph from the earlier write up. Something of this relates to the song in this post. I will return to it again, shortly. But yes, I am talking about the relentless tempo with which this blog continues to progress. The support and participative contributions from the entire team are without doubt the bulwark that provides the strength to the arms and shoulders of what this blog is. But then the definitive power of this entire effort is the unflagging dedication and persistence of the leadership from Atul ji, which is truly the backbone of this effort.  It is an accomplishment sans pareil anywhere in the annals of the history of blogging on the internet related to Hindi Film Music.

So, beyond September of 2011, although now done with all the available songs of Saigal Saab, the journey and the saga still continued. Century milestones came with their regularity, then the 5,000th song – “Hamen To Loot Liyaa Mil Ke Husn Waalon Ne” (dated 13th Nov, 2011), more centuries of artists and other interesting statistical achievements. Then on to the 10,000th song – “Phul Rahin Belariyaan Dolen” (dated 20th July,2014), an extraordinary song published first time anywhere on the net, a song of 1931 vintage posted; and the unprecedented organized effort wherein all regular members of the group contributed a post that contains an introduction of another member. And a memorable long afternoon spent by almost the entire group connected on email, as we all waited for the post to appear on the blog.

On and on, tirelessly, doggedly – getting to honky-tonk posts at the nos. 11111, 12345, 12357 . . .

Then we came to the post no. 13182 – “Aag Lagi Shola Uttha Shamma Pe Parwaana Gira”, on 22nd April last year. It was the mostest of the most momentous celebrations, the 10,000th post by dear Atul ji. It was a surprise for Atul ji; he was under the impression that his 10,000th milestone was already past. But that was not the case. The entire group got together and gave him a standing ovation that verily resounded across the internet.

The next big whopper for our blog came on 14th Jan earlier this year, and its celebration was covered in post no. 13921 “Bhalaai Duniya Ki Jo Subh O Shaam Karte Hain” – the visitor ticker on the blog had turned from nine million, nine hundred ninety nine thousand, nine hundred ninety nine to ten million, sometimes in the late evening of 14th Jan (IST). In desi parlance, we would say  निन्यावे लाख, निन्यावे हज़ार, नौ सौ निन्यावे से हम एक करोड़ पर पहुंचे। Once again, this was a major, major occasion for the blog, and the echoes reverberated once again around the globe – literally. 🙂

And now, greetings (balated) for the date of completing 10 years since this blog’s creation by Atul ji. The date is 19th July (and I am late, of course, as usual – I have a reputation to protect and uphold, you know 😀 ). As per the Wikipedia articles, celebrations calendars and other related details available online, the tenth anniversary is represented by tin or aluminum. The color of this anniversary is blue and / or silver. And the gift of this 10th celebration is diamonds. Whooo. . .

Note that 10 is another interesting number on our blog recently – 10,000th post on blog, 10,000th post by Atul ji, 10 millionth visitor on the blog, and now the 10th anniversary of the blog itself; the last three events listed happening within the period of past 16 months. You simply just cannot cease to keep celebrating on this blog. And the wonder of wonders is that we also continue to trace and share absolutely wonderful celebration songs to go along with the event. The patterns that we conjured up for the post nos. 11111, 12345 and 12357 are quite an interesting phenomena in as of themselves, with the ”hand of providence” playing its fair share in making them happen. 🙂 For those who may not be familiar with these stories, I suggest they should view these posts – they are really very interesting tales of happenstance and coincidence. 🙂  Just click on the post numbers in the sentence above.

So, connecting back to where we started off. Finally last night (IST), the much awaited call from Ben Kayti and Jagdish Bhai materialized. It was a great relief to hear their voices, and to be assured that all is well. The planned vacation had gone on very well, and quite “frigidly”, given that the vacation spot chosen was the Glacier National Park in Montana (USA). After returning from there earlier this week, they also had some guests visiting and so Khyati Ben was completely busy with family affairs. She has once again promised that she will write a post this coming week now. I decided not to wait any further and put up the 20th post in this series today. If and when her post comes along, it will be now at an auspicious ‘पायदान’ of 21. 🙂

Amongst others in the list of my ‘reasons’ (excuses) is of course that I was also in travel during some of this intervening period. In fact most of the early posts in the 10th anniversary series were actually posted while I was on the move. Getting back home, I almost immediately got busy with celebrations for Guru Purnima at my Guru ji’s place. There, the celebrations last for 5 / 6 days, starting from the Guru Purnima day and continuing till the ‘पंचमी’ in the month of ‘सावन’. So that occupied me for almost a whole week within which I was not able to accomplish much as far as the blog activities are concerned.

Another thing was the song selection. Till almost the last hours of posting my previous article – “Dil Chaahta Hai” – I had no idea what would be the songs I am going to write about. The first song I finally zeroed in was this one. Going by a set of very good celebration songs posted by other friends in the group, I was thinking – most of these songs are of recent origin. How about searching for a similar celebration cum group dance song from the earlier decades? After sifting through many possibilities, I picked up this song from the film ‘Tarang’ of 1952. First of, this song has four singers – Rafi Sb, Geeta Dutt, Shamshad Begum and Chitragupt himself. Secondly, the song (no video available) gives a feeling of a gypsy camp by the banks of a river, where a group dance cum song is being performed.

So actually, this song was originally planned to be the earlier post. But then, in random process, I bumped into the “Dil Chaahta Hai” song, and with some contemplative considerations, my planned post got converted into two posts. And good that it did. If I would have combined both these posts with one song – well. . . 🙂

So here is a fabulous celebration song which promises that the proceedings are going to last all night, and that all are invited. And the best part, this song starts with mentioning the word ‘सावन’.

So let me now take just a couple of more minutes to link in ‘सावन’ (saawan) with this celebration. You are going to love this. After having posted all the posts received from the group, and with Atul ji’s post also in place, I started to get individual messages from members of this group, asking me about the delay as to why my post was not coming in. And me, I was without an answer; what to tell – that I have not yet identified the song even? Well, as part of this set of messages, I get this fond message from Atul ji himself on 26th or maybe 27th July, wherein he prodded me to publish my post on the 28th. Reason, he explained, was that 28th July this year is the start of the month of ‘सावन’. And back, in 2008, when this blog got initiated, the date 19th July was also the start of of the month of ‘सावन’. I was really wonderstruck. I had never made this wonderful connect before. Wow, this blog is born in the month of ‘सावन’ – ‘सावन – मन भावन’, and not just the month, on the first of the month. Now this is really auspicious. I can go on now connecting many more things, along with this connect. . .  but maybe not. Goodness, there are hundreds of songs in Hindi films that have the word ‘सावन’ in the mukhda. So I will move on by saying that this blog is blessed – for it is born in this auspicious month, showering sprinkles of delightful music in drizzles of melodious songs, one after the other. Oh sure, yes, this blog is a ‘सावन’ born. 🙂 Without any doubts. I am glad Atul ji highlighted this point to me, and that now we know what songs to post in the future, when the blog’s birthday comes along. 🙂

Coming back to this film and this song. I got the set of songs of this film from my collector friend. This film has some very wondrous songs, ten in all, eight of which are penned by IC Kapoor, and one each by DN Madhok and Ram Murti. This song is written by Ram Murti. The music composition is by Chitragupt, who has also lent his voice to two of the songs in this film, including this one. The blog already carries 5 songs from this film, and I promise you, the best of the songs are still to come. Just like this song today. It is such a joie de vivre expression of gaiety and celebration. The tempo is so sweet and so infective, that you will be swaying with the beat. When I heard this song for the first time, well, quite a while back now, I was simply bowled over by it. And even now, having heard it so often, whenever I play it again, I simply am not able to get over it.

नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ॰ ॰ ॰

Just listen to this song, and I assure you that at the end of the play, you will feel so un-satiated that you will be playing it again and again.

In some ways, this song also expresses my connect with the blog. Earlier in this article, I had mentioned a quote from the earlier posted last article in the KL Saigal series. So that is the connect here. Practically all my work for this blog happens in the dead of the night and in the wee hours of the morning. This is also mentioned in the quoted paragraph above. Even beyond the Saigal Sb series, my mode of working on the tasks related to this blog has not changed. All the posts that you see getting on to the blog at 7 am and 9 am – all these posts have been worked on and completed the previous night at times like 2 am and 3 am. 🙂

A very happy 10th birthday to ASAD; a ton of congratulations to Atul ji, and all the dear friends and co-passengers on this musical bandwagon. The saga continues. . .

नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ॰ ॰ ॰

 

Song – Nadiya Kinaare Mora Dera, Mashaal Jaley Saari Ratiyaan (Tarang) (1952) Singer – Mohammed Rafi, Geeta Dutt, Shamshad Begum, Chitragupt, Lyrics – Ram Murti, MD – Chitragupt
Chorus

Lyrics

saawan barse
kaari re badariya
phaagun rang ki phuhaar
ho oo
nainan mein mora
baanka re saanwariya

mann mein saanwariya ka pyaar. . .

. . . mashaal jaley saari ratiyaan
hoye nadiya kinaare mora dera
ho oo
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
saari ratiyaan ho saari ratiyaan
saari ratiyaan
hoye nadiya kinaare mora dera
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
ho oo main bhi karunga kabhi phera
main bhi karunga kabhi phera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
haa. . .
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

jaise ganga mein lehre lehariya
waise lehre gori tori chunariya
ae ji dekho kahin neha lagaa ke
bhool jaiyo na mori dagariya
oo oo dil mein hai tera basera
dil mein hai tera basera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
haa hhaaa
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

chanda se mil mil ke
khele ratiyaan
ho khele ratiyaan
chanda se mil mil ke
khele ratiyaan
bagiya mein khele bahaar
daar galey bainyaan
sajan sang khelun
balam sang khelun
daar galey bainyaan
sajan sang khelun
main albeli naar
ho oo kabhun na hovey savera
kabhun na hovey savera
mashaal jaley saari ratiyaan
hoye
nadiya kinaare mora dera
arre waah waah
nadiya kinaare mora dera
mashaal jaley saari ratiyaan
oye
nadiya kinaare mora dera
ha..an
nadiya kinaare mora dera
mashaal jaley saari ratiyaan

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Hindi script lyrics (Provided by Sudhir)
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सावन बरसे
कारी रे बदरिया
फागुन रस की फुहार
हो ओ
नैनन में मोरा
बांका रे साँवरिया
मन में साँवरिया का प्यार॰ ॰ ॰

॰ ॰ ॰ मशाल जले सारी रतियाँ
होय नदिया किनारे मोरा डेरा
हो ओ
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
सारी रतियाँ हो सारी रतियाँ
सारी रतियाँ
होय नदिया किनारे मोरा डेरा
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
हो ओ मैं भी करूंगा कभी फेरा
मैं भी करूंगा कभी फेरा
मशाल जले सारी रतियाँ
होय
नदिया किनारे मोरा डेरा
हा॰ ॰ ॰
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

जैसे गंगा में लहरे लहरिया
वैसे लहरे गोरी तोरी चुनरिया
ए जी देखो कहीं नेहा लगा के
भूल जइयो ना मोरी डगरिया
ओ ओ दिल में है तेरा बसेरा
दिल में है तेरा बसेरा
मशाल जले सारी रतियाँ
नदिया किनारे मोरा डेरा
हा ह्हा
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

चंदा से मिलके
खेले रतियाँ
हो खेले रतियाँ
चंदा से मिलके
खेले रतियाँ
बगिया में खेले बहार
डा गले बइन्या
सजन संग खेलूँ
बलम संग खेलूँ
डा गले बइन्या
सजन संग खेलूँ
मैं अलबेली नार
हो ओ कबहूँ ना होवे सवेरा
कबहूँ ना होवे सवेरा
मशाल जले सारी रतियाँ
होय
नदिया किनारे मोरा डेरा
अरे वाह वाह
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ
ओय
नदिया किनारे मोरा डेरा
हाँ॰ ॰ ॰
नदिया किनारे मोरा डेरा
मशाल जले सारी रतियाँ

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3673 Post No. : 14559

ASAD 10th Anniversary Celebrations – 19
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मिले ना फूल
तो काँटों से दोस्ती कर ली॰ ॰ ॰

दस बरस पहले, एक सफर शुरू हुआ – एक सफर जिसका कुछ भी नियत नहीं था, कुछ निश्चित प्रयोजन नहीं था, कुछ आशा भी नहीं थी के ये सिलसिला जाने कब तक चले। बस सिर्फ एक धुन, और एक नग़मा – ले चला जिधर ये दिल निकल पड़े।

और साथ ये भी कह दिया कि मंज़िल कहाँ कहाँ रुकना है ऊपर वाला जाने॰ ॰ ॰

कुछ मालूम नहीं था ये सफर क्या शक्ल हासिल करेगा। क्या कोई हमसफर मिलेगा? मालूम नहीं, ये सोचा भी था के नहीं। लेकिन फिर भी क्या॰॰॰ एक ज़िंदगी का तार पकड़ कर चल दिये। और सोचा यूं कि चलते चलो चलता हुआ साहिल है ज़िंदगी। ये तो अच्छा किया कि दूर की सोची नहीं। अब तीन साल में क्या हो या पाँच सात साल में क्या होगा ऐसी हर फिक्र को धुएँ में उड़ाते हुये, बस एक दिन और एक गीत – इस क्रम पे चलना शुरू किया।

कहते हैं, जब कर्म और विचार में खोट नहीं, तो प्रकृति, दिशाएँ, तत्व, देव – सब कुछ ही साथ हो संबल देते है।  दस साल पहले जो सफर अकेले ही शुरू हुआ था, आज इन दस साल के बाद अब इसकी गिनती करोड़ों में होती है।  क्रम नहीं बदला, नीयत नहीं बदली – जो बदला वो बस यही के लोग साथ आते गये और कारवां बढ़ता गया।

दस साल बाद भी, आज कोई पूछे तो जवाब नहीं बदला – ये हँसता हुआ कारवां ज़िंदगी का न पूछो चला है किधर॰॰॰।

कितने पड़ाव आए और गुज़र गये, कितने ही मील पत्थर रास्ते में मिले और नज़रों से ओझल हुये।  इस सफर में हम कहाँ कहाँ से गुज़र गये – देस भी घूमा, दुनिया भी घूमी; सागर, नदियां, पर्वत, वादियाँ, जंगल और सैहरा, रास्ते और गलियाँ, पनघट और खलिहान, बाज़ार भी, मेले भी और अकेले भी – सब कोने छू लिए। कभी रेल में, तो कभी मोटर कार में, कभी घोड़े कि टापों के संग, तो कभी रिक्शे में। कभी बैल कि गाड़ी में घूमे, तो कभी तांगे के हिचकोले खाये। कशतियों में कभी झीलों का झरोखा, और कभी जहाज़ में समुद्र का दीदार किया। साइकल की सैर भी की, और कभी प्लेन से सारी धरती को देखा। और तो और, क्रेन, ट्रक और ट्रैक्टर को भी नहीं छोड़ा।

कभी हरी दर्शन को तड़पते मन देखे, कभी मदीने की दुआएं मांगी।  कभी बंजारों के गीत सुने, और तो फिर कभी सूफी के कलाम। बुद्ध कि शरण में गये तो कभी येशु के दर पे सर झुकाया। कभी सृष्टि के चित्रकार को ढूँढा, और कभी कर्म गति की शिक्षा सुनी। कभी शुक्राने फरमाए उस खुदा की बंदगी में, तो कभी ज़िंदगी से ऊब कर उसे खूब खरी खोटी भी सुनाई।

कभी किसी नाज़नीं से लहंगे कि फरमाइश सुनी, और कभी प्रेमी कि ज़ुबान से चाँद कि उपमाएँ। कभी बरसात ने दिल लुभाया, तो कभी बात बात में मैंने दिल तुझको दिया। कभी गर्मी की धूप से बचने की सलाह देखी, तो कभी बर्फ की सर्दी को दिल की आंच से कम होते देखा।

गोद में बच्चों को सुलाते हुये माँ कि लोरियाँ सुनी, तो कभी बच्चों से माँ के आँचल कि पुकार। नग़में सुने दोस्ती के और ग़ज़लें सुनी इश्क़ की।  मोहब्बत के जलवों से रोशन जन्नत के नज़ारे किए, तो कभी टूटे दिल के नालों ने हमें भी रुलाया।

कभी दिल मचला और झूम के गा उठा – किसान अपनी फसल देख के, फौजी छुट्टी पर घर जाते हुये, इक जवान दिल इश्क़ का इक़रार पा कर, और तो कभी बस इस कायनात की खूबसूरती पर।

कभी दिल रोया और रो कर गाया – भीख मांगते हुये बच्चे, कोई बिछड़ कर जाने लगा, कभी मोहब्बत के धोखे उठाए, और तो कभी किस्मत के थपेड़ों की शिकायत में।

कभी एक चोर की कहानी सुनी, कभी बिक्री वालों से उनकी उम्दा दलीलें सुनी, कभी मेहनतकशों की प्रेरणा भा गई, और तो कभी सड़क पे तमाशों के नज़ारे किए।

हुस्न की जल्वानुमाई देखि, तो कभी हुस्न के एहसान; कभी हुस्न की संगदिली ज़ाहिर हुई, तो कभी सिर्फ शिकवों का ज़िक्र हुआ। फ़लक पे सूरज चाँद और तारों की कहानी सुनी, तो कभी शराब की मस्ती शराबी की जुबानी सुनी।

फूलों से किसी कमसिन के चेहरे को मुक़ाबिल देखा, तो कभी किसी अल्हड़ की लापरवाह चाल से झरनों की उपमा हुई।

कसमें वादे होते देखे साँसों की हद तक, और कभी टूटे वादों के साथ दिल के टुकड़े बिखरते देखे।

कोई जश्न का मौका छूटा नहीं, कोई नाम अछूता रहा नहीं।

कभी धरती और देश के झंडे से बुलंद हुये, तो कभी इंसानी ज़ुल्म से हताश।

कभी शहीदों की कहानियाँ पलटीं, तो कभी भली आत्माओं का दर्शन किया।

सुख की घड़ियाँ, दुख के बादल; हंसी के लम्हे, आँसू की ढलकन; मिलने की खुशी, ना मिलने का ग़म; प्यार का झगड़ा, बेवफाई के ज़ख्म; बारात का बाजा, दिल का राजा; मंदिर का दीपक, खुदा से दुआएं; रिश्तों की संवेदना, और साथ ही वेदना; प्यार का फलसफा, और ज़िंदगी की तालीम।

कभी वो गीत में, कभी नज़्म में, कभी ग़ज़ल में, तो कभी भजन में, कभी ट्विस्ट में तो कभी डिस्को में; कभी क़व्वाली में, तो कभी सहगान में; कभी कविता जैसी लगी, तो कभी कथा जैसी; कभी तुम्हारी छवि दिखी, कभी उसकी; और तो ज़्यादा कहानी अपनी सी लगी।

दस साल। दस साल और पन्द्रह हज़ार उमंगें। रोज़ की नई नवेली। कभी लगता भी है कि पहले सुना था, लेकिन फिर भी लगता है नया सा। कितने सारे भावों की बरसात हुई है, क्या बेशुमार दौलत मिली है – दस साल में। नायाब खजाना है। और सोचो तो, शुरू कहाँ से किया था – “॰॰॰काँटों से दोस्ती कर ली॰॰॰”। मुनासिब ही तो है, ये दौलत काँटों से गुज़र के ही पाते हैं। और तमन्नाएं॰॰॰ उनका तो कहना ही क्या। कुछ मिल जाये, इसकी तो फिक्र कभी थी ही नहीं। बस एक ही बात, एक ही लगन॰॰॰ दिल चाहता है॰॰॰  साथ चलते रहें हम न बीते कभी ये सफर॰॰॰

जी हाँ, दिल चाहता है। जब एक गाना ढूंढ रहा था इस जश्न के लिए, तो मन बहुत घूमने के बाद इस बात पे ठहरा कि एक सफरनामा होना चाहिए, एक गाना जिस में बस सफर हो, कोई मंज़िल न हो। जिसमें बस हमख्यालों का दख़ल हो। जो सब मेरे हमकदम हों, मेरे हमनशीं, मेरे हमज़ुबाँ हों। अपनी यादों और आदतों से वहीं ढूँढता रहा साठ और सत्तर से पहले। इत्तेफाक़ देखिये, मिला तो बखूबी वही जो दिल चाहता है। हाँ ‘दिल चाहता है’ – फिल्म भी वही और नग़मा भी वही। 2001 में जारी हुई ये फिल्म मेंने उन्हीं दिनों में अपने सफरगुज़ारी के दौरान देखी। न जाने क्यों, इस फिल्म से मोहब्बत हो गई। और खास कर के इस गाने से। हल्की सी मस्ती की लहर में हल्का सा ढुलकता सा गाना, सुस्ताता हुआ, आलसी सा गाना, धीरे धीरे बहता जैसे बहार में सुबह कि मीठी सी सबा॰॰॰ लापरवाही में एक प्रतिबिम्बित चिंतन॰॰॰ गाना तो ऐसे मन को भाया के बस।

दिल चाहता है
कभी ना बीतें॰॰॰   चमकीले दिन
दिल चाहता है
हम ना रहें कभी॰॰॰ यारों के बिन

होता है ना कभी कभी ऐसे ही। कुछ ऐसा कहा जाता है दो लफ्जों में, के और कुछ कहने की कसर बाकी रहती नहीं। जो बात मन की है, वो बस इतनी ही मुकम्मल है, जो ऊपर लिखे मिसरों में ब्याँ हो गई – तमन्ना है ये साथ चलते रहें हम न बीते कभी ये सफर॰॰॰

और कुछ कहना वाजिब नहीं।

इस फिल्म के ज़्यादातर किरदारों को पहली बार देखा था। बहुत सालों बाद एक हिन्दी फिल्म देखी थी शायद। मन को जम गई। 🙂

गीत जावेद अख्तर का लिखा है, संगीत बद्ध किया शंकर-एहसान-लोय कि तिकड़ी ने। गाने वाली आवाज़ शंकर महादेवन की है। स्क्रीन पर ये गाना बैक्ग्राउण्ड में फिल्माया गया। और क्या असरदार फिल्माया गया। गीत ही गीत सुनता है, बाकी सब खामोशी है। एक तुष्टि की, एक पूर्णता की खामोशी है। एक खुशी भरी सुस्ती की खामोशी है॰॰॰ जो दिल चाहता है वो मुझे मिला है॰॰॰ ऐसी खामोशी है

कभी ना बीतें॰॰॰   चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन

दस बरस, फिर एक और दस बरस, फिर एक और दस बरस॰॰॰ सिलसिलेवार

कभी ना बीतें॰॰॰   चमकीले दिन
हम ना रहें कभी॰॰॰ यारों के बिन

[Author’s Note: Apologies due on many counts, including the sudden and surprising change in the presentation language above. The writing started and then I just couldn’t stop the flow. And so I let it flow. In case there are requests, I can add the English translation also. Regarding the gap in celebration sequence, that story is coming up tomorrow. 🙂 ]

Song – Dil Chaahta Hai (Dil Chaahta Hai) (2001) Singer – Shankar Mahadevan, Lyrics – Javed Akhtar, MD – Shankar-Ehsaan-Loy
Chorus

Lyrics

dil chaahta hai

dil chaahta hai

dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon
pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
dil chaahta hai
kabhi na beeten
chamkeele din
dil chaahta hai
hum na rahen kabhi yaaron ke bin

jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste

oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo

jahaan rukey hum
jahaan bhi jaayen
jo hum chaahen
wo hum paayen
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan

dil chaahta hai

dil chaahta hai

dil chaahta hai

dil chaahta hai

dil chaahta hai

kaisa ajab ye safar hai
socho to har-ek hi bekhabar hai
us ko jaana kidhar hai
jo waqt aaye
jaane
kya dikhaaye

oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo
oo oo ooo
ooo ooo oo ooo ooo ooo

dil chaahta hai
kabhi na beeten
chamkeele din
haan haan
dil chaahta hai
hum na rahen kabhi yaaron ke bin
din din bhar hon pyaari baaten
jhoomen shaamen
gaayen raaten
masti mein rahe dooba dooba hamesha samaa
hum ko raahon mein yun hi milti rahen khushiyaan
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste
jagmagaate hain
jhilmilaate hain apne raaste
ye khushi rahe
roshni rahe
apne waaste

oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo
(dil chaahta hai)
oo oo ooo
ooo ooo oo ooo ooo ooo

dil chaahta hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

दिल चाहता है

दिल चाहता है

दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
दिल चाहता है
कभी ना बीतें
चमकीले दिन
दिल चाहता है
हम ना रहें कभी यारों के बिन

जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते

ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss

दिल चाहता है

दिल चाहता है

दिल चाहता है
जहाँ रुकें हम
जहाँ भी जाएँ
जो हम चाहें
वो हम पाएँ
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ

दिल चाहता है

दिल चाहता है

दिल चाहता है

दिल चाहता है

दिल चाहता है

कैसा अजब ये सफर है
सोचो तो हर एक ही बेखबर है
उस को जाना किधर है
जो वक़्त आए
जाने
क्या दिखाये

ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
ओ ओ ओss
ओss ओss ओ ओss ओss ओss

दिल चाहता है
कभी ना बीतें
चमकीले दिन
हाँ हाँ
दिल चाहता है
हम ना रहें कभी यारों के बिन
दिन दिन भर हों
प्यारी बातें
झूमें शामें
गायें रातें
मस्ती में रहे डूबा डूबा हमेशा समां
हम को राहों में यूं ही मिलती रहें खुशियाँ
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते
जगमगाते हैं
झिलमिलाते हैं अपने रास्ते
ये खुशी रहे
रोशनी रहे
अपने वास्ते

ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss
(दिल चाहता है)
ओ ओ ओss
ओss ओss ओ ओss ओss ओss

दिल चाहता है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3658 Post No. : 14521

ASAD 10th Anniversary Celebrations – 18
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#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 70 #
——————————————

Congratulations to Atul ji and all team members on this tenth anniversary of this wonderful musical blog!!! Our beloved blog – ASAD – has completed ten years now and as expected the celebration has to be bigger and bigger.  And other than this being a great achievement, it’s also the time to gear up for the next bigger celebrations i.e. 15000 posts, 20000 next and more. . .

For this special occasion, and as it was expected of, all members were asked to share their joy and happiness through write ups and songs. So, when the ‘circular’ 😊 to this effect was received in mail and the deadline was given I started to look for those special subjects close to heart, which can be shared here on the blog with songs on this special occasion. I started thinking over the main reason for me to be associated with this blog – which is nostalgia and specifically related to the movies of the ‘seventies’, and the years when I was growing.

When my association with this blog started, and I started sending contribution for lyrics, they were mainly the songs which have over the years been in my memory since childhood and/or those which I have been looking for all the years during which I grown up – songs that used to be there and were listened to during those years – the seventies. . . and continuing to the initial years of the ‘eighties’. . .

There was something special there in those years. I think that the decade of seventies, from the point of view of ‘History of Hindi Cinema’ was a very important decade since it has many things happening in those years. But since it is subject of a different post I will not go into the detail (which I wish to write) in today’s article here.

Next, I started thinking about the movies which made news or hits or were popular in those years, then the stars, and the directors who ruled the roost and enthral the audiences with their charisma and talent. . .  If we look back now on this decade the very first thing that comes to our mind is the rise of Superstardom of Rajesh Khanna. But then in those years I was not the fan of Rajesh Khanna which I became much in the later years of the decade and in the starting years of the eighties.

And the movie watching years those bring back memories for me I think are 1973 (when I was five years old) to 1980 or 1981 to 1982 till I get into tenth standard. These years are very ‘nostalgic’ years for me I think, because many memories of movies and songs for me are from these years. So, what were the specialities of these years – ‘multi starrer movies’, ‘lost and found’ stories, ‘revenge stories’, ‘mythological movies too’, then we have ‘movies with dacoits looting the ‘gaon’ and the poor villagers’, etc. We were not the fan of any actor or actresses, we just loved to watch the movies whatever be the cast.

In my childhood, movies were the biggest entertainment other than outdoor sports, plays, then orchestras, radio and then there were movies. I vaguely remember that I always use to think the stars acting in movies were from a different planet and not like us. Then I used to think how a person who dies in a movie came back again in another movie?😊 And it took me sometime to understand the reality and come to know that the ‘stars’ are actually normal human beings like us.

Movies were the biggest fascination for us then and may be for many like me. From buying tickets for a movie and getting entry into the theatre and then the darkness surrounding gradually and starting the ‘newsreel’ everything was mesmerizing. Sometimes if we got delayed we had to enter in the darkness and then the gate-keeper will come and guide us the way signalling with a torch. And after the ‘newsreel’ (always in black and white 😊) finally the censor certificate of the movie which we eagerly await to the titles of the movie – all fascinating and spellbinding.

Then as I have mentioned earlier we brothers used to collect the cut pieces of films of movies and try to watch them after magnifying from a small mirror (sometimes a piece of mirror) to reflect the sunlight and finally projecting on a piece of cloth (preferably white) in a room which was covered to create darkness even in a daylight outside. I also remember that there was the advertisement for the 16mm projectors in newspapers and magazines which always attracted me and I was always thinking of buying one 😊 (which was not possible and never became possible) 😊.

Reading about movies and stars in print media and discussions about movies and the personal likes and dislikes among friends/groups was almost a routine. And yes, the ‘booklets’ for the songs of the movies, though I don’t remember to have bought many but yes we used to buy them and sing the songs reading from it 😊

Every summer vacation was special and awaited because of movie watching only. It was the main attraction of the vacations as we used to travel to stay with paternal grandparents and cousins would also gather from different places and together we used to watch movies in theatres – ah, how wonderful those were the days!!!

Sometimes on Sundays or a holiday we would even watch back to back movies to utilise the time as we have to travel back to our colony around 25 kms from the district place. The today’s movie we are discussing was passed by the Censor Board on 06.04.1979 and in all possibility, I am sure that I watched it in that ‘summer vacation’ that year. We children were very crazy about watching movies and I think this continued so far till ‘Laawaaris’ (1982) where I remember to get the tickets I joined the long queue which was I think around 500 metres from the ticket window, and it was already on the road where we sat in the queue for a long time 😊.

Recollecting it now all that happened seems to be very crazy and exciting. And I had to share this one incident when I was beaten up by my father as I was disappointed and started shedding tears for not getting ticket to watch a movie as it became house full. The movie was ‘Jaani Dushman’ from 1979. It was directed by Rajkumar Kohli who has given us many multi starrer movies and I have watched many of them viz. ‘Nagin’ (1976), ‘Jaani Dushman’ (1979), ‘Naukar Biwi Ka’ (1983), ‘Raaj Tilak’ (1984), ‘Jeene Nahin Doonga’ (1984), and ‘Insaniyat Ke Dushman’-1987’. After that I think I have not watched any movies from this production house.

At first, for this post I was thinking of a song from a Manmohan Desai movie or a song from a ‘multi starrer movie’, but selected this movie because to watch it I had to first undergo my father’s fury 😊. How is that possible? Was the movie was not for children? Yes, it was not for us – children – then to watch this movie, because it was released with an ‘A’ certificate (released with restricted viewing) 😊. But, I can now guess that may be on my insistence my father may have been somehow agreed to allow us to watch the movie.

However, we could not get the tickets as the show was house full and we – me and my younger brothers were standing watching movie posters – I got disappointed and tears rolled my eyes and the next moment was darkness in front of my eyes because my father had slapped me since I started crying for watching a movie. Later on, my father called me separately and told me to go alone next day to watch the movie and don’t take my younger brothers with me since they will be frightened, as the movie was said to be a ‘HORROR’ movie 😊. Next day I watched the movie and never feel scared while watching the movie, as the movie was making news as a ‘horror’ movie or like that. I was just above eleven years old then 😊.

I don’t remember having watched this movie again after that, either on TV or in theatre. Watching a suspense thriller again doesn’t generate the same interest and thrill. However, I think I should watch it for nostalgia and to enjoy its beautiful songs again. This movie has some very good songs and so far, only two of its songs have been posted on the blog. And when I go through these two posts by Atul ji I find he also had expressed similar feelings about this movie and he had also watched it as a ‘non-adult’, but still he was elder than me then 😊.

The song I present today is a ‘happy song’ to suit our celebration mood and reviving the nostalgia. In the movie too it occurs in celebration after Bindiya Goswami’s marriage and her ‘doli’ not being looted and the ‘dulhan’ not getting killed by the ‘Jaani Dushman’ 😊. The pitcturisation of this song has some typical specialities of that period – the village, the celebration, the grandeur and the music and the multi star cast. . . And over and above all we have Sanjeev Kumar and Shatrughan Sinha in their ‘own style’ 😊 and with so many other artists present in this song. The orchestra music by Laxmikant-Pyarelal makes it very special and nostalgic to revive those memories. . .

So, let us enjoy this song and revive some ‘bhooli bisri yaadein’. . . on this special occasion 😊

And actually, in the flow of the song I was thinking,

blog nahin koi ASAD jaisa
leader nahin koi mere ‘leader’ jaisa
editor nahin koi hamaare ‘editor’ jaisa
aur ‘contributor’. . .
nahin koi hamaari team jaisa 😊

 

Song – Mausam Na Koi Bahaar Jaisa (Jaani Dushman) (1979) Singer – Kishore Kumar, Mahendra Kapoor, Asha Bhosle, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Female Chorus
Male Chorus

Lyrics

arey sun bhai sadho
bol re madho
sun bhai sadho
arey bol re madho

ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o

chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
 
mausam na koi bahaar jaisa
tohfa na phoolon ke haar jaisa
saaz na koi sitaar jaisa
raag na koi malhaar jaisa
haan aa

heera nahin kohinoor jaisa
haan
parbat nahin koh-e-toor jaisa
haan
meethha na koi khajoor jaisa
haan
meva na dekha angoor jaisa

jaanch liya parakh liya
soch liya
gaur kiya
rishte bhi dekhe
naate bhi dekhe
naata naa koi pyaar jaisa
suraj bhi dekha
chanda bhi dekha
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

roop tera kaagaz ki paati
dhoop lage murjhaaye
hey roop tera kaagaz ki paati
dhoop lage murjhaaye
aa tujhko palkon mein rakh loon
daal baahon ke saaye
roop gori tera patang jaisa
arey ang nahin tere ang ang jaisa
he rang nahin hothon ke rang jaisa
haan
sang nahin sajna ke sang jaisa

jaanch liya parakh liya
soch liya
gaur kiya
dil bhi dekhe dilwaale bhi dekhe
dil nahin dekha dildaar jaisa
raje bhi dekhe
mahaaraje bhi dekhe
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

ho
ho ho ho ho
ho
ho ho ho ho o o
ho
ho ho ho ho o o

ban ke main sapna suhaana
teri neendon mein kho jaaun
he ban ke main sapna suhaana
teri neendon mein kho jaaun
main pyaar ki chandni mein ji chaahe so jaaun
kyunki
dukh naa judaai ki maar jaisa
sukh nahin dil ke qaraar jaisa
yaar nahin koi mere yaar jaisa
haan
jantar bhi dekhe mantar bhi dekhe
jaadoo naa koi pyaar jaisa
preet bhi dekhi
preetam bhi dekhe
par dekha na saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

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Hindi script lyrics (Provided by Avinash Scrapwala)
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अरे सुन भाई साधो
बोल रे माधो
सुन भाई साधो
अरे बोल रे माधो

हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ

मौसम न कोई बहार जैसा
तोहफा न फूलों के हार जैसा
साज़ न कोई सितार जैसा
राग न कोई मल्हार जैसा
हाँ आ
हीरा नहीं कोहिनूर जैसा
हाँ
परबत नहीं कोह ए तूर जैसा
हाँ
मीठा न कोई खजूर जैसा
हाँ
मेवा न देखा अंगूर जैसा
जांच लिया
परख लिया

सोच लिया
गौर किया
रिश्ते भी देखे
नाते भी देखे
नाता ना कोई प्यार जैसा
सूरज भी देखा
चंदा भी देखा
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

रूप तेरा कागज़ कि पाती
धुप लगे मुरझाये
हे धुप लगे मुरझाये
आ तुझको पलकों में रख लूं
डाल बाहों के साए
रूप गोरी तेरा पतंग जैसा
अरे अंग नहीं तेरे अंग अंग जैसा
हे रंग नहीं होठों के रंग जैसा
हाँ
संग नहीं सजना के संग जैसा
जांच लिया परख लिया
सोच लिया
गौर किया
दिल भी देखा दिलवाले भी देखे
दिल नहीं देखा दिलदार जैसा
राजे भी देखे
महाराजे भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

हो
हो हो हो हो
हो
हो हो हो हो हो ओ
हो
हो हो हो हो हो ओ

बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
हे बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
मैं प्यार कि चांदनी में जी चाहे सो जाऊं
क्यूंकि
दुःख ना जुदाई कि मार जैसा
सुख नहीं दिल के करार जैसा
यार नहीं कोई मेरे यार जैसा
हाँ
जंतर भी देखे
मंतर भी देखे

जादू ना कोई प्यार जैसा
प्रीत भी देखि
प्रीतम भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3621 Post No. : 14432

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 16
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘त’ – तुम्हें कैसे कहूँ, ओ जी ओ ओ ओ ॰ ॰ ॰

– – – –

फिर तेरी याद नए गीत सुनाने आई ॰ ॰ ॰

Never a day passes when your memories don’t pay a visit. . . bringing with them wonderful songs, heard and unheard. . . a treasure that keeps on playing in the alleys of the mind. . .

– – – –

Today’s episode features a wonderful breezy duet from the 1959 film ‘Naach Ghar’. This film is a social drama produced and directed by TS Tara, for the banner of Quality Pictures, Bombay. As the name suggests, the film has a theme that is built around a stage dance group, i.e. a nautanki group. It involves characters for whom dance and music is the drive in life; it also has others who would like to usurp and manipulate these passions for their own advantage; and then there are good hearted people who want to bring happiness to all. The cast of actors is very impressive – Ashok Kumar, Shobha Khote, Gopikrishan, Helen, Kamla Lakshman, Anoop Kumar, Dhumal, Iftikhar, Maya Das, Mirza Musharraf, Jamaal, Sujata, Bismillah, and Vivek.

As I check for details online, I come across a poster that shows Helen dancing in accompaniment with Gopi Krishan. Now this should be a veritable treat to watch – Helen dancing with an acknowledged master of classical dance. One of the websites https://bombaymann2.blogspot.com/ has reproduced a brief introduction of the film from the information booklet of the film, as below,

The whole worlds a stage – a Naachgar. Its impossible to tell its whole story in a small space like this. But we are glad here to introduce a few interesting characters whose strange doings give this story its fasicnation. . Radha: A simple village maiden who is in love with Mohan and eventually effaces herself in order that Mohan should be happy. . Mohan: A simple village youth, struck first by paralysis and then by a Raja’s bullet. He is dazzled by city life and, forsaking Radha, develops a strong infatuation for Renu, a city dancer. . Mohini: A young girl, orphaned by a storm. She finds her way into a Nautanki troupe and daydreams of happiness with Gopi, its organiser. But fate having decreed otherwise, she is ultimately forced into a Naachghar – away from her sweetheart. . Gopi: A Nautanki dancer, whose art show brilliantly in partnership with Mohini. They get lost to each other in the maze of city life – and take any knocks from fate in the process. . Shekhar: An opportunist, money-crazy couttier of the Raja of a state, who was the main barrier between Radha and Mohan and Gopi and Mohini. The only man he feared was Bihari. . Bihari: Orginally a guide in shikar-forest, he became the principal aide to the Raja Saheb and his chief confidant. . Raja Saheb: A large-hearted chief of a large state, who wanted to see everyone happy and prosperous. [Source: Booklet]

 

Geet Kosh lists 10 songs for this musical – all songs are created by the team of Sahir Ludhianvi and N Datta. The count of songs is like – one Rafi Sb solo, three Lata solos, four Rafi-Lata duets, and then one duet of Rafi Sb each with Asha and Geeta. Way back in September 2012, two songs of this film were posted in quick succession. Three more songs have followed in the interim. Today we get to the sixth song of this film. All songs are quite a treasure, and I hope the remaining songs will find their place on this blog shortly.

This song is one of the Rafi-Lata duets – kind of a teasing song, where in the lady requests not to be teased in public, and the gentleman wraps it up by stating that one should be open with one’s feelings – “दुनिया का डर क्या”.

A remarkable configuration of singing lines; the first two antaraas are all by Lata, with Rafi Sb making an appearance in the third. As the song progressed, I was almost thinking whether some error had been made and this was another solo. But then Rafi Sb’s voice appeared in the third antaraa. . . 🙂

Enjoy this quick paced and breeze tête-à-tête between lovers.

Song – Tumhen Kaise Kahoon O ji O O O  (Naach Ghar) (1959) Singer – Lata Mangeshkar, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta
Mohammed Rafi + Lata Mangeshkar

Lyrics

tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o
aate jaate na yun
hamen chheda karo
aate jaate na yun
hamen chheda karo
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o
aate jaate na yun
hamen chheda karo
aate jaate na yun
hamen chheda karo
tumhen kaise kahoon
o ji o o o

log baaten banaayenge kya kya
be par ki udaayenge kya kya
log baaten banaayenge kya kya
be par ki udaayenge kya kya
hamen tak ke na yun
thandi aahen bharo
hamen tak ke na yun
thandi aahen bharo
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o

ham ne maana ke hum hain tumhaare
phir bhi achhe nahin ye ishaare
ham ne maana ke hum hain tumhaare
phir bhi achhe nahin ye ishaare
bairi duniya ki nazron se kuchh to daro
bairi duniya ki nazron se kuchh to daro
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o

pyaar karna to kya jag se darna
baat kehna to phir kya mukarna
pyaar karna to kya jag se darna
baat kehna to phir kya mukarna
jo bhi karna hai duniya mein khul ke karo
jo bhi karna hai duniya mein khul ke karo
tumhen kaise kahoon
tumhen kaise kahoon
tumhen kaise kahoon
o ji o o o
aate jaate na yun
hamen chheda karo
aate jaate na yun
hamen chheda karo
tumhen kaise kahoon
o ji o o o

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
आते जाते ना यूं
हमें छेड़ा करो
आते जाते ना यूं
हमें छेड़ा करो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
आते जाते ना यूं
हमें छेड़ा करो
आते जाते ना यूं
हमें छेड़ा करो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ

लोग बातें बनाएँगे क्या क्या
बे पर की उड़ायेंगे क्या क्या
लोग बातें बनाएँगे क्या क्या
बे पर की उड़ायेंगे क्या क्या
हमें तक के ना यूं
ठंडी आहें भरो
हमें तक के ना यूं
ठंडी आहें भरो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ

हमने माना के हम हैं तुम्हारे
फिर भी अच्छे नहीं ये इशारे
हमने माना के हम हैं तुम्हारे
फिर भी अच्छे नहीं ये इशारे
बैरी दुनिया की नज़रों से कुछ तो डरो
बैरी दुनिया की नज़रों से कुछ तो डरो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ

प्यार करना तो क्या जग से डरना
बात कहना तो फिर क्या मुकरना
प्यार करना तो क्या जग से डरना
बात कहना तो फिर क्या मुकरना
जो भी करना है दुनिया में खुल के करो
जो भी करना है दुनिया में खुल के करो
तुम्हें कैसे कहूँ
तुम्हें कैसे कहूँ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
आते जाते ना यूं
हमें छेड़ा करो
आते जाते ना यूं
हमें छेड़ा करो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3606 Post No. : 14388

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 11
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘घ’ – घर वाले घर नहीं, हमें किसी का डर नहीं ॰ ॰ ॰

दिल॰ ॰ ॰  तू भी गा ॰ ॰ ॰

And not just a heart; every heart sang. Every heart sang your songs, every heart sang along. There is that something so naturally attractive in your renditions, that every heart will brim up, and start to sing along. Ah, the magic of your voice. . .

For the next song in this series, I have picked this delightful duet of free spirit fun from the 1959 film ‘Pyaar Ki Raahen’. The film has such wonderful gems like “Tum Se Door Chale. . .” and “Do Roz Mein Wo Pyaar Ka Aalam Guzar Gaya“, already showcased on our blog. And a few more still waiting in the wings. With this post, this film now has four songs added here. And four more are waiting to come on board.

All eight songs of this film are from the pen of Prem Dhawan. And the music. . . wish we had more music to listen to, from this music director. The compositions are from the mind of Kanu Ghosh. Another of the bevy of talented but very less heard music director, and under-utilized by the producers and directors in the industry. Kanu Ghosh has just two films to his name – ‘Naya Zamaana’ from 1957 and this film. One also sees his name appear against one song in the 1953 film ‘Teen Batti Chaar Raasta’. And that is it. Listening to the above mentioned two songs, and then this song, one just wonders why. . .

The film is produced under the banner of Thakur Brothers, Bombay, and is directed by Lekhraj Bhakri. The cast of actors is quite impressive – Pradeep Kumar, Anita Guha, Pran, Jeevan, Tiwari, Kuldip Kaur, Sundar, Chandabai, Ameer Bano, Rajan Kapoor, Ravikant, Ladle, Helen, Om Prakash. With Helen’s name in the cast, one is sure to find at least one more gem of a dance song. Sure enough, there is this Asha Bhosle rendition of “Gori Gori Gori Gori Baahen, Teekhi Teekhi Haaye Ye Nigaahen” waiting to be posted, hopefully soon.

In today’s song Rafi Sb is accompanied by Geeta Dutt. As mentioned, a fun song of free spirit, celebrating the prospect of the lovers having free time to themselves. Wonder what the situation of this song could have been. I request our knowledgeable friends and readers who may have seen this film, to please add more information about the picturization of this song and the film itself.

Quite much a happy-go-lucky song that I am sure you will enjoy.

 

 

 

Song – Ghar Waale Ghar Nahin (Pyaar Ki Raahen) (1959) Singer – Mohammed Rafi, Geeta Dutt, Lyrics – Prem Dhawan, MD – Kanu Ghosh
Mohammed Rafi + Geeta Dutt

Lyrics

ghar waale ghar nahin
hamen kisi ka darr nahin
arrey ghar waale ghar nahin
hamen kisi ka darr nahin
dhoom macha lo hans lo gaa lo
apna zamaana hai
ghar waale ghar nahin
hamen kisi ka darr nahin
dhoom macha lo hans lo gaa lo
apna zamaana hai
ghar waale ghar nahee..een

khoob banegi mil ke baithenge jab do deewaane
dil se dil ki baaten hongi
kisse naye puraane
arey khoob banegi mil ke baithenge jab do deewaane
dil se dil ki baaten hongi
kisse naye puraane
mast hawaa. . .
mast fizaa. . .
mast hawa
mast fizaa
samaa suhaana hai
ghar waale ghar nahin
hamen kisi ka darr nahin
dhoom macha lo hans lo gaa lo
apna zamaana hai
ghar waale ghar nahee.een

upar waale ne sun li hai baat hamaare mann ki
khan khan khanka mora kangana
chhann chhann paayal chhankee
aa haa haa haa
arey upar waale ne sun li hai baat hamaare mann ki
khan khan khanka mora kangana
chhann chhann paayal chhankee
preet naee. . .
geet nayaa. . .
preeet nai
geet naya
naya taraana hai
ghar waale ghar nahin
hamen kisi ka darr nahin
arey ghar waale ghar nahin
hamen kisi ka darr nahin

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

घर वाले घर नहीं
हमें किसी का डर नहीं
अरे घर वाले घर नहीं
हमें किसी का डर नहीं
धूम मचा लो हंस लो गा लो
अपना ज़माना है
घर वाले घर नहीं
हमें किसी का डर नहीं
अरे घर वाले घर नहीं
हमें किसी का डर नहीं
धूम मचा लो हंस लो गा लो
अपना ज़माना है
घर वाले घर नहीं॰ ॰ ॰

खूब बनेगी मिल के बैठेंगे जब दो दीवाने
दिल से दिल की बातें होंगी
किस्से नए पुराने
अरे खूब बनेगी मिल के बैठेंगे जब दो दीवाने
दिल से दिल की बातें होंगी
किस्से नए पुराने
मस्त हवा॰ ॰ ॰
मस्त फिज़ा॰ ॰ ॰
मस्त हवा
मस्त फिज़ा
समा सुहाना है
घर वाले घर नहीं
हमें किसी का डर नहीं
धूम मचा लो हंस लो गा लो
अपना ज़माना है
घर वाले घर नहीं॰ ॰ ॰

ऊपर वाले ने सुन ली है बात हमारे मन की
खन खन खनका मोरा कंगना
छन छन पायल छनकी
आ हा हा हा
अरे ऊपर वाले ने सुन ली है बात हमारे मन की
खन खन खनका मोरा कंगना
छन छन पायल छनकी
प्रीत नई॰ ॰ ॰
गीत नया॰ ॰ ॰
प्रीत नई
गीत नया
नया तराना है
घर वाले घर नहीं
हमें किसी का डर नहीं
अरे घर वाले घर नहीं
हमें किसी का डर नहीं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3595 Post No. : 14351

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 9
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘ख’ – खुश कर दिया तूने मेरे रामा

गीत गाता हूँ मैं ॰ ॰ ॰

Yes, surely the Almighty God sent you here amongst us, only for singing and to add to the music on this earth. And what a wonderful treasure you have bequeathed to the lesser mortals of this earth. We shall always be indebted for this tremendous legacy you gave us.

Continuing with Rafi Sb’s duet series after a gap of – goodness, seventy two days. Wow. Anyway, back again with another rollicking duet, this time accompanied by Lata Mangeshkar.

And rollicking is just the word. The setting is Punjabi, the performance is a Punjabi Bhangra dance, and the occasion – one of the most awaited and the most celebrated in Indian families – birth of a male child.

The film is ‘Jeet’ from 1972. The main performers in this group dance song are Randhir Kapoor and Babita. The film being released in 1972, would have been in the making in 1971, the year that this lead pair tied the knot and became a real life couple. Ah but that story for another occasion, another post. Today, we are moving ahead with the duet series of Rafi Sb, getting to the 10th episode in this series, which promises to be long – going thru the entire Devnagri alphabet.

The film is produced under the banner of Babu Movies Combine, and is directed by A Subbarao. Besides the lead pair mentioned above, the other players in the star cast include Rajendra Nath, Rupesh Kumar, Jatin, Nana Palsikar, Anwar Hussain, Jeevan, Sundar, Hari Shivdasani, Dada Mirasi, Keshav Rana, Master Shahid, Heena Kausar, Sanjana, Sulochana Latakar, Manorama, Dulari, and Baby Sudha etc.

The film has six songs, three of which are already showcased on our blog. Goodness, that was 2009, all three songs posted so far. After a gap of nine years, we once again get an opportunity to revisit this film – today’s being the fourth song posted. All songs are written by Anand Bakshi. Music direction is by the duo of Laxmikant Pyaarelal.

On screen, we see a homely set of a village lane with houses lined up close to each other. Randhir and Babita are leading the bhangra dance event, with Sunder also part of the male dance group. In between, we see Dulari holding a baby (well, not looking too much new born, but oh well 🙂 ). There is another lady sitting next to her. I am guessing that she is Sanjana. I request other more knowledgeable readers and friends to please confirm or correct this guess. As per Prakash ji, the other lady is Heena Kausar. Plus, one of the dancers accompanying Babita is Sheela Ramchandran.

The event and the celebration is about the new born child, but quite apparently, the lead pair is spending more lines trying to woo each other and play the romantic love birds. Well in fact, it is just the mukhda lines that talk about the child birth celebrations. The entire verse set for both antaraas is just the romancing between the hero and the heroine. Quite a ‘filmi’ thing, right?

Enjoy this lively bhangra dance song; and I hope to speed up things on this series, let us see. 😉

Video (Partial)

Audio (Full)

Song – Khush Kar Diya Tu Ne Mere Rama (Jeet) (1971) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics (Provided by Prakashchandra)
[Based on Audio version]

khush kar diya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

oo oo oo
main is paar
te us paar
tu piyaa. . .
main is paar
te us paar
tu piyaa. . .
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
tere  mere beech mein
lambi lambi galiyaan te
uchchi uchchi jag ki deewarein
o kaise beeten
o kaise beeten
judaai diaan shaamaan
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

oo oo oo oo
jindri na rol
aaja kol soniye. . .
jindri na rol
aaja kol moniye. . .
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
darr mat baandh ke sehra
main bana doonga
tujhko main munde di maami
mach gaya
mach gaya pind wich hangaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

haaye. . .
ye dil ye jaan
do jahaan
maang le. . .
ye dil ye jaan
do jahaan
maang le. . .
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
taange mein bitha ke
boley sair kara doon
main hoon muflis taange waala
tera reshmi
tera reshmi kurta pajama
ke munde da tu mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुश कर दिया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

ओ ओ ओ
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
तेरे मेरे बीच में
लंबी लंबी गलियाँ ते
उच्ची उच्ची जग की दीवारें
ओ कैसे बीतें
ओ कैसे बीतें
जुदाई दियाँ शामाँ
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

ओ ओ ओ ओ
जींदड़ी ना रोल
आजा कोल सोनिए॰ ॰ ॰
जींदड़ी ना रोल
आजा कोल मोनिए॰ ॰ ॰
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
डर मत बांध के सेहरा
मैं बना दूँगा
तुझको मैं मुंडे दी मामी
मच गया
मच गया पिंड विच हंगामा
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया

हाय॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
टाँगे में बैठा के
बोले सैर करा दूँ
मैं हूँ मुफलिस टाँगे वाला
तेरा रेशमी
तेरा रेशमी कुर्ता पाजामा
के मुंडे दा तू मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3554 Post No. : 14258

Ah yes – ‘Hunterwaali’. Seems that just like Tarzan, ‘Hunterwaali’ has been quite a favorite title and theme for film producers in India. The original ‘Hunterwaali’ was released in 1935 – with Fearless Nadia assaying the title role. This was followed in 1943 with a title variation of ‘Hunterwaali Ki Beti’. Then in 1959 came another ‘Hunterwaali’, this time the title role being played by Mehru. In 1972, came a production from the south. The female lead role was played by Jyotilakshmi. In 1978, yes, one more ‘Hunterwaali’ film was released. And guess, the lady playing the title role – it is Bindu.
[Ed Note: Atul ji points out that there is another ‘Hunterwaali’ film right there from the year 1959; the title is ‘Miss Hunterwaali’.]

After 1978, for lack of recorded data, it cannot be certainly said what other ‘Hunterwaali’ films came. There is a Bhojpuri film by this name in 2014-15. YouTube also informs us that there was a film by this title, produced in Pakistan also, in 1988.

As per the details recorded in HFGK, the film is produced by Madhav Rao and Rustom Irani under the banner of Golden Movies Corporation, Bombay and is directed by BJ Patel. The cast of actors is listed as Mehru, Samar Roy, Habeeb, Ram Raseela, Mirajkar, Jeet Bala, Kailash, Shri Bhagwan, Sattar, and Mohammad amongst others. Five songs are listed for this film. All the songs are written by Shaad. As I checked for this lyricists name in the Geet Kosh, I find that his name appears in just one more film viz., ‘Rifle Girl’ in 1958, which is also already represented here on our blog. Interestingly, the music director for ‘Rifle Girl’ (1958) and ‘Hunterwaali’ (1959) is the same – Harbans. In the Geet Kosh, we see his name appear in eight films over a period of 1958 to 1966.

Coming to the song itself. This wonderful melodious song is sung by Suman Kalyanpur. The beginning of the song is so stirring. The chorus sound of “Lallal Laara, Lallaara” immediately speaks of a promise of a wonderful song to follow. And the promise is verily kept by the music director. One may listen to this tune and may comment that this tune is familiar, and that it is adapted from such and such and such other songs. But that analysis is not important. The lilt and the joy in this melody speaks for itself. Yet once again, the observations pan out – an obscure film (1960s and earlier), unknown or really very less known artists, nothing much available as information – all these characteristics combine to ensure some very lovely and mostly unheard, unfamiliar songs. This instance is no less.

So with this lilting song, the 1958 version of ‘Hunterwaali’ makes its debut on our blog today.

Song – Ye Behta Behta Paani, Ye Rut Ye Jawaani  (Hunterwaali) (1959) Singer – Suman Kalyanpur, Lyrics – Shaad, MD – Harbans
Chorus

Lyrics

lallal laara
lallaara
ho oo oo oo
lallal laara
lallaara
aa aa aa aa

ye behta behta paani
ye rut ye jawaani
ye behta behta paani
ye rut ye jawaani
nazaare panghat ke
chhalakte hain matke
chori chori aa ja re
o chori chori aa ja
ho chori chori aa ja re
o chori chori aa ja
kahaan pe laage nainwa
kahaan hai tora raja
kahaan hai tora raja re
kahaan hai tora raja

oo oo oo oo oo
baar baar naina kajraare
jhuk jhuk jaayen laaj ke maare
kaahe torey naina kajraare
jhuk jhuk jaayen laaj ke maare
ho oo oo oo oo
sakhi ri chaloon kaise
dagar anjaani
ye behta behta paani
ye rut ye jawaani
nazaare panghat ke
chhalakte hain matke
chori chori aa ja re
o chori chori aa ja
ho chori chori aa ja re
o chori chori aa ja
kahaan pe laage nainwa
kahaan hai tora raja
kahaan hai tora raja re
kahaan hai tora raja

oo oo oo oo oo
aaj sakhi re mora mann lehraaye
sar se chunariya udti jaaye
kaahe sakhi ri mora mann lehraaye
sar se chunariya udti jaaye
oo oo oo oo
kaho ji kaise keh doon
main dil ki kahaani
ye behta behta paani
ye rut ye jawaani
nazaare panghat ke
chhalakte hain matke
chori chori aa ja re
o chori chori aa ja
ho chori chori aa ja re
o chori chori aa ja
kahaan pe laage nainwa
kahaan hai tora raja
kahaan hai tora raja re
kahaan hai tora raja

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

लल्ल’ल लारा
लल्लारा
हो ओ ओ ओ
लल्ल’ल लारा
लल्लारा
आ आ आ आ

ये बहता बहता पानी
ये रुत ये जवानी
ये बहता बहता पानी
ये रुत ये जवानी
नज़ारे पनघट के
छलकते हैं मटके
चोरी चोरी आ जा रे
ओ चोरी चोरी आ जा
हो चोरी चोरी आ जा रे
ओ चोरी चोरी आ जा
कहाँ पे लागे नैनवा
कहाँ है तोरा राजा
कहाँ है तोरा राजा रे
कहाँ है तोरा राजा

ओ ओ ओ ओ ओ
बार बार नैना कजरारे
झुक झुक जाएँ लाज के मारे
काहे तोरे नैना कजरारे
झुक झुक जाएँ लाज के मारे
हो ओ ओ ओ ओ
सखी री चलूँ कैसे
डगर अनजानी
ये बहता बहता पानी
ये रुत ये जवानी
नज़ारे पनघट के
छलकते हैं मटके
चोरी चोरी आ जा रे
ओ चोरी चोरी आ जा
हो चोरी चोरी आ जा रे
ओ चोरी चोरी आ जा
कहाँ पे लागे नैनवा
कहाँ है तोरा राजा
कहाँ है तोरा राजा रे
कहाँ है तोरा राजा

ओ ओ ओ ओ ओ
आज सखी रे मोरा मन लहराए
सर से चुनरिया उड़ती जाये
काहे सखी री तोरा मन लहराए
सर से चुनरिया उड़ती जाये
ओ ओ ओ ओ’
कहो जी कैसे कह दूँ
मैं दिल की कहानी
ये बहता बहता पानी
ये रुत ये जवानी
नज़ारे पनघट के
छलकते हैं मटके
चोरी चोरी आ जा रे
ओ चोरी चोरी आ जा
हो चोरी चोरी आ जा रे
ओ चोरी चोरी आ जा
कहाँ पे लागे नैनवा
कहाँ है तोरा राजा
कहाँ है तोरा राजा रे
कहाँ है तोरा राजा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3509 Post No. : 14098

ना जाने क्या हुआ
जो तूने छू लिया॰ ॰ ॰

The touch was of magic. But the real life is so different from reel life. A career that spanned well over five decades, the opportunities for this magic touch weren’t many.

Remembering Naqsh Lyallpuri on the anniversary of his birth (24th Feb).

The full real name of this poet was Jaswant Rai Sharma. He was born in 1928, in the Lyallpur town (now in Pakistan, and renamed to Faislabad). His father was an engineer and he wanted young Jaswant to follow his footsteps and be an engineer. His mother passed away when he was only six, and his father remarried. As the young child grew through his school and college days, his interest in literature became evident and prominent. He drifted apart from his father, for the obvious reason that his father did not look kindly at the literary interest of his son, whom he had dreamt of being another engineer in the family.

When he was 18, he went to work with Hero Publishers, a publishing house in Layallpur. Just about a year later, partition happened, and he moved with family to Lucknow. His literary and poetic interests and activities met with a stern disapproval from his father. The drift made the young Jaswant leave home and move to Bombay, in search of a career as a songwriter. He took on the pen name of ‘Naqsh’ – meaning an imprint or an impression, and added Lyallpuri, being the town of his birth.

The early years, rather the early decades were just a struggle. He first started working with Times of India as a proof reader, and later got an employment with the Post Office. As for literary activities, he was drawn into the theatre activities to start with and started writing stage plays. Here, he came in touch with actor Ram Mohan, who in turn, introduced him to Jagdish Sethi. After reading some of his poetical works, Jagdish Sethi gave the first opportunity to write for films. He (Jagdish Sethi) was in the process of making the film ‘Jaggu’, which got released in 1952. He introduced Naqsh to the music director of the film – Hansraj Behl. And Naqsh got to write one song for this film.

The lyricist and the MD struck up a good friendship, and Hansraj Behl called upon Naqsh to write for him again in ‘Pensioner’ (1954) and ‘Mast Qalandar’ (1955). And so the career train started to move, albeit quite slowly. In 1955, he got his first independent assignment as a a lyricist for the film ‘Teen Sardar (1955), for which he wrote 6 songs. In ones and twos, songs written by him started getting popular. However, recognition as an impressive songwriter eluded him till the latter part of 1960s.  In 1968 came the film ‘Teri Talaash Mein’. The film did not do well, but its songs became very popular. With music by Sapan-Jagmohan, songs like “Kho Diye Hain Sanam Teri Talash Mein” in Asha Bhosle’s voice, the Rafi rendition of “Teri Awaaz Ki Jaadugari Se”, another one by Asha Bhosle – “Raaze-Dil Hamse Kaho Hum To Koi Ghair Nahin” etc. became very well known.

From here starts the ascendency of Naqsh Sb’s popularity. Continuing from this 1968 musical hit, he found the popular pulse with songs like “Main To Har Mod Par Tujhko Doonga Sadaa” (‘Chetna’, 1970), “Sajaaya Na Karo Phool Baalon Pe” (‘Gunaahon Ke Raaste’, 1970), “Jindagi Ke Mod Par Hum Tum Mile. . .” (‘Mann Tera Tan Mera’, 1971), “Phir Milengi Kahaan Aisi Tanhaaiyaan” (‘Bhaavna’, 1972), “Le Chalo, Le Chalo, Ab Kahin Le Chalo” (‘Maan Jaaiye’, 1972), “Kai Sadiyon Se Kai Janmon Se” (‘Milaap’, 1973), “Rasm e Ulfat Ko Nibhaayen To Nibhaayen Kaise” (‘Dil Ki Raahen’, 1973), “Ye Shaam Hai Dhuaan Dhuaan” (‘Ek Naao Do Kinaare’, 1973), “Mere Mann Pawan Sang Udd Chal” (‘Ek Naari Do Roop’,1973), “Do Honth Hile Ek Geet Suna” (‘Nai Duniya Naye Log’, 1973), “Ulfat Mein Zamaane Ki Har Rasm Ko Thukraao” (‘Call Girl’, 1974), “Har Janam Mein Hamaara Milan” (‘Kaagaz Ki Naao’, 1975), “Tumhen Ho Na Ho Mujhko To. . .” (‘Ghraonda’, 1977), “Tumhen Dekhti Hoon To Lagta Hai Aise” (‘Tumhaare Liye’, 1978), “Yeh Mulaaqaat Ek Bahaana Hai” (‘Khandaan’, 1979), “Phir Teri Yaad Naye Deep Jalaane Aayi” (‘Aayee Teri Yaad’, 1980), “Maana Teri Nazar Mein Tera Pyaar Hum Nahin” (‘Ahista Ahista’, 1981), “Na Jaane Kye Hua, Jo Tu Ne Chhoo Liya” and “Pyaar Ka Dar Hai, Meetha Meetha, Pyaara Pyaara” (‘Dard’, 1981) – an many more.

In 2005, when Naushad Sb came on board for composing music for the film ‘Taj Mahal’, then Naqsh Lyallpuri was called upon to write the songs. Again, then in 2007, when Khaiyyaam Sb was scoring the music for the film ‘Yatra’, Naqsh Sb wrote the songs. A journey of almost six decades, that started in 1952 with the song “Agar Teri Aankhon Se Aankhen Mila Doon”, continued into next millennium, with elan.

In 2016, he had a fall, and a hip bone fracture. He was hospitalized in October 2016, and never did recover from this injury. He passed away on 22nd Jan, 2017.

Dhala Din Aise, Doob Gaya Jaise
Jalta Sooraj Raat Ke Gehre Andhere Mein…  (‘Laal Kothi’, 1978)

The song I present today is from an extremely obscure film from 1960 – ‘Safed Ghoda Kaala Sawaar’, which also carried the alternate title as ‘Black Rider’. The film makes its debut on our blog today. This film is directed by Mehmood, for the production banner of Screen Arts. The cast of actors of this costume drama film is listed briefly as Kaamran, Krishna Kumari, Habeeb, Sham, and Najma. The film has five songs listed, all penned by Naqsh Lyallpuri. Music direction is by Harbans.

A very delightful song of aspirations of love, it is a lovely rendition by Sudha Malhotra.

 

Song – Maine Dekha Hai Sapna Bahaar Ka  (Safed Ghoda Kaala Sawaar) (1960) Singer – Sudha Malhotra, Lyrics – Naqsh Lyallpuri, MD – Harbans

Lyrics

maine dekha hai sapna bahaar ka
ho oo mere dil ne taraana chheda pyaar ka
haaye mere dil ne taraana chheda pyaar ka

main na samjhoon
main na jaanoon
koi bataaye mujhko kya ho gaya hai
jhukti jaayen
meri palken
baithe bithaae mera dil kho gaya hai
dil kho gaya hai
rang aankhon mein jhalke khumaar ka
ho oo mere dil ne taraana chheda pyaar ka
haaye mere dil ne taraana chheda pyaar ka
maine dekha hai sapna bahaar ka
ho oo mere dil ne taraana chheda pyaar ka

chupke chupke
dil mein apne
maine basaa li hai duniya niraali
mere armaan
khil gaye hain
jabse mila hai mujhe bagiya ka maali
bagiya ka maali
haal poochho na dil e beqaraar ka
ho oo mere dil ne taraana chheda pyaar ka
haaye mere dil ne taraana chheda pyaar ka
maine dekha hai sapna bahaar ka
ho oo mere dil ne taraana chheda pyaar ka

pyar ban ke
aane waala
laaya hai mere liye naghme khushi ke
zindgagi ne
rang badla
ab na lagenge mujhe din pheeke pheeke
din pheeke pheeke
yehi mausam hai mere singaar ka
ho oo mere dil ne taraana chheda pyaar ka
haaye mere dil ne taraana chheda pyaar ka
maine dekha hai sapna bahaar ka
ho oo mere dil ne taraana chheda pyaar ka

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मैंने देखा है सपना बहार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का
हाए मेरे दिल ने तराना छेड़ा प्यार का

मैं ना समझूँ
मैं ना जानूँ
कोई बताए मुझे क्या हो गया है
झुकती जाएँ
मेरी पलकें
बैठे बिठाये मेरा दिल खो गया है
दिल खो गया है
रंग आँखों में झलके खुमार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का
हाए मेरे दिल ने तराना छेड़ा प्यार का
मैंने देखा है सपना बहार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का

चुपके चुपके
दिल में अपने
मैंने बसा ली है दुनिया निराली
मेरे अरमां
खिल गए हैं
जबसे मिला है मुझे बगिया का माली
बगिया का माली
हाल पूछो न दिल ए बेक़रार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का
हाए मेरे दिल ने तराना छेड़ा प्यार का
मैंने देखा है सपना बहार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का

प्यार बनके
आने वाला
लाया हैं मेरे लिए नग़में खुशी के
ज़िंदगी ने
रंग बदला
अब ना लगेंगे मुझे दिन फीके फीके
दिन फीके फीके
यही मौसम है मेरे सिंगार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का
हाए मेरे दिल ने तराना छेड़ा प्यार का
मैंने देखा है सपना बहार का
हो ओ मेरे दिल ने तराना छेड़ा प्यार का


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3508 Post No. : 14096

Today, 24th February is the birth anniversary of Talat Mehmood (born 1924).

There are approximately 650 film songs identified, as being sung by him. It is a known fact that during the decade of 1950s, Talat Sb spent more of his energies in trying to establish himself as an actor-singer. He had the presence and the looks of a leading hero, plus a voice that at one time had stolen the hearts of film goers and listeners. But the on-screen combination somehow did never strike a rapport with the audience, getting only a lukewarm reception at the box office. Rising from the mid 1940s along with the other mainstream singers, he allowed his ratings as a playback singer to falter, in his effort to be a singing start. Now, it is just a matter of speculation how the history of Hindi films and Hindi film music could have been different, had some different choices had been made by Talat Sb.

In this context, it is very interesting to note that the decade of 1950 evolved in the manner it did – given that some leading singers made some different choices. The other names that come to mind are Mukesh, and Kishore Kumar. Mukesh also focused his energies on becoming an actor, for a good part of the early half of 1950s. Similarly, Kishore Kumar did not focus on being a dedicated playback singer – he also first went the actor route to establish himself in the industry. It is recognized that he was successful to a great extent to establish himself as an actor of some merit and popular following, with a continuous string of films that mattered. But even for him, his career as an actor eclipsed by mid 1960s, and his decision to come into his own as a playback singer in late 1960s, did wonders of a different type in his career. And so the debate about ‘What if. . .’ applied to these three singers is interesting, but of course a moot exercise. The history of Hindi film music is what it is. The choices had been made.

Today’s song has been sent in by Avinash ji. The film is ‘Samaapti’ from 1949. The film is produced at the Calcutta center, under the banner of Uma Productions, and is directed by Amar Mullick. The star cast of the film is briefly listed in the Geet Kosh as Talat Mehmood, Bharti Devi, Heeralal and Sunder. Given that Talat Mehmood is starring in this film, this song most likely is picturized on himself.

The film has 8 songs listed. Music direction is by Timir Baran. The lyricist name is listed for six of the songs – Pandit Bhushan. Two of these songs, including this one, are solo renderings by Talat Sb, two are solo songs by Suprabha Sarkar, and two are duets of Talat and Suprabha Sarkar. Information about the lyricists and singers of the remaining two songs is not available.

A light hearted song of happiness, that tells about the heart singing like a bird – rendered so effortlessly by Talat Sb. Listen and enjoy.

 


Song – Mann Ki Maina Bol Rahi Hai (Samaapti) (1949) Singer – Talat Mehmood, Lyrics – Pandit Bhushan, MD – Timir Baran

Lyrics(Provided by Avinash Scrapwala)

mann ki maina bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina
uski boli har leti hai
mere mann ka chaina aa
mere mann ka chaina aa aa
bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina aa

desh mein wo jaane ko kehti
jahaan prem ki ganga behti..ee
kaanon mein aa kar ras gholen
kaanon mein aa kar ras gholen
kisi ke meethe baina
bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina

wahaan ek bholi..ee matwaali..ee
sundar nain nachaaye
wahaan ek bholi..ee matwaali..ee
sundar nain nachaaye
koyal ki si pal pal kooke
hans hans phool khilaaye
koyal ki si pal pal kooke
hans hans phool khilaaye
use dekhne ko..o
ab mere
tadap rahe hai naina
bol rahi hai
boley mann ki maina
mann ki maina bol rahi hai
boley mann ki maina

————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
————————————————————————
मन कि मैना बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना
उसकी बोली हर लेती है
मेरे मन का चैना॰॰आ
मेरे मन का चैना॰॰आ
बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना आ

देश में वो जाने को कहती
जहां प्रेम कि गंगा बहती॰॰ई
कानों में आकर रस घोलें
कानों में आकर रस घोलें
किसीके मीठे बैना
बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना

वहाँ एक भोली॰॰ई मतवाली॰॰ई
सुन्दर नैन नचाये
वहाँ एक भोली॰॰ई मतवाली॰॰ई
सुन्दर नैन नचाये
कोयल कि सी पल पल कूके
हंस हंस फूल खिलाये
कोयल कि सी पल पल कूके
हंस हंस फूल खिलाये
उसे देखने को॰॰ओ
अब मेरे
तड़प रहे है नैना
बोल रही है
बोले मन कि मैना
मन कि मैना बोल रही है
बोले मन कि मैना


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3498 Post No. : 14056

Missing Films of 1960s – 58
– – – – – – – – – – – – – – –

1966 and 1967 appears to be very fertile years, as far as discovering obscure films and songs is concerned. I start searching for the films from these years, and I continue finding films and songs that seem to have been lost in time. A good number of them have already appeared online in one form or another. But there is still a good set that seem to be as yet unavailable online.

Today’s film – ‘Sheba And Hercules’ from 1967, is one of them. After some earlier comments from some readers on the blog and also some followers on YouTube, which corrected my statement about the song being posted for the first time, I try to be more cautious, and apply more effort to search the song before posting. So for this song today, I searched using many different options, but I am not able to trace any song of this film online. But I do not claim that the song is making a debut online, because I have been held in error of such statements before. So I will say that as far as my searches could show, I did not find this film and this song online as yet.

The name of the film itself indicates an obscure and a lost film. As dear Arun ji has also noted in one of his articles earlier, we can depend on the producers of Hindi films to create links across histories and across geographies; even to the extent of combining factual history and fictional characters. This endeavor to connect and to integrate disparate persona, events and aeons, is really ‘commendable’ – these producers and these films are working towards not just national integration, but also international integration. These producers deserve a big applause for their effort. 🙂

Case in point is this film. I am going by the title – since I have no clue as to the content and the storyline of the film. Hercules is a Roman God whose stories are part of the Roman Mythology. Incidentally, in Greek mythology also, a similar Hero/God appears, with a slightly altered name – Heracles. There are many similarities in the stories of these two, across these two cultures.

Queen Sheba is very much a historical persona, whose details are found in Biblical history, and from there connects are found in Jewish and Islamic history also. There is archaeological evidence that also supports this historical records. Sheba was the Queen of the kingdom of Saba – area in the southern Arabic peninsula that is current day Yemen. Her historical record is contemporaneous with King Solomon, who was the king of Israel in circa 970-931 BC. There is a detailed record of Queen Sheba’s visit to Israel, accompanied by a grand retinue, and of bringing many gifts of spices, dry fruits and other items, loaded on camels. The Jewish history records that the spices brought by Queen Sheba were of the type never seen and used before in Israel. There is a record of their conversations, in which Sheba asks many questions from Solomon, who is considered to be the wisest man who ever lived on this earth. After being satisfied with the answers she receives, she returns to her lands. Historians have recorded this visit as one of the earliest examples of a trade and cultural exchange delegation going from one nation to another.

But I digress. The point I am trying to arrive at is the these two mythological / historical personae – Hercules and Sheba – could never have possibly been contemporaneous in person. However, still, the producers of Hindi films have found a happy meeting ground for these two, in the film titled ‘Sheba And Hercules’. I would request other readers and friends to please add some information about the storyline of this film.

The film is a costume drama produced under the banner of Meena Films, Bombay and is directed by BS Chaudhry. The star cast includes Randhawa, Vijaya Chaudhary, Indira, Heeralal, Kamal Mehra, Tuntun, Rajan Kapoor, Trilok Singh, and Saudagar Singh amongst others. Geet Kosh tells us that there are six songs in this film. All songs have been written by Raja Mehdi Ali Khan and the music is by a gentleman named Chandan. Now this is a name that I have not encountered before. As I tried to look through the Geet Kosh, I am not able to locate any other reference to this name as a music director. Quite likely, this person, as many others who have given music in one or two films, would probably have been an assistant music director, and then got a chance to try his hand as an independent artist. But after one outing, did not get any more work in the industry.

The singing voice in this song is of Krishna Kalle. This is a song of ‘expression of love’, in which the lady is expressing her magnanimity that she is a benefactor, and that as a favor unto him, she has fallen in love with the gentleman to whom this song is being addressed. Now that is quite a thought. 🙂

So with this song, the film ‘Sheba And Hercules’ makes a debut on our blog. And so does the music director Chandan. I would request other knowledgeable readers and friends to please add more information about this film, and the music director.

Song – Jaao Ji Tum Pe Hum Merbaan Ho Gaye  (Sheba And Hercules) (1967) Singer – Krishna Kalle, Lyrics – Raja Mehdi Ali Khan, MD – Chandan

Lyrics

jaao ji

jaao ji
tum pe hum merbaan ho gaye
jaao ji
tum pe hum merbaan ho gaye
pyaar machla. . .
pyaar machla iraade jawaan ho gaye
jaao ji
jaao ji
tum pe hum merbaan ho gaye

ji machalta khamosh kaise rahen
ji machalta khamosh kaise rahen
tum se sharma ab aur kya kya kahen
tum se sharma ab aur kya kya kahen
haaye kya kya kahen
haaye zaalim
dil ke saare
dil ke saar afsaane bayaan ho gaye
jaao ji
jaao ji
tum pe hum merbaan ho gaye
jaao ji
tum pe hum merbaan ho gaye

kis ne tum se kaha door hum se raho
kis ne tum se kaha door hum se raho
mere dil ki suno  apne dil ki kaho
mere dil ki suno  apne dil ki kaho
aji dil ki kaho
haaye qaatil
tum to khamoshiyon
tum to khamoshiyon ki zubaan ho gaye
jaao ji
jaao ji
tum pe hum merbaan ho gaye
jaao ji
tum pe hum merbaan ho gaye

aaj allah kasam hum nahin hosh mein
aaj allah kasam hum nahin hosh mein
tum ko le lenge palkon ki aaghosh mein
tum ko le lenge palkon ki aaghosh mein
haaye aaghosh mein
haaye
aaj laila
aaj laila ki hum dastaan ho gaye
jaao ji
jaao ji
tum pe hum merbaan ho gaye

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जाओ जी

जाओ जी
तुम पे हम मेरबाँ हो गए
जाओ जी
तुम पे हम मेरबाँ हो गए
प्यार मचला॰॰॰
प्यार मचला इरादे जवां हो गए
जाओ जी
जाओ जी
तुम पे हम मेरबाँ हो गए

जी मचलता है खामोश कैसे रहें
जी मचलता है खामोश कैसे रहें
तुमसे शर्मा अब और क्या क्या कहें
तुमसे शर्मा अब और क्या क्या कहें
हाए क्या क्या कहें
हाए ज़ालिम
दिल के सारे
दिल के सारे फसाने ब्याँ हो गए
जाओ जी
जाओ जी
तुम पे हम मेरबाँ हो गए
जाओ जी
तुम पे हम मेरबाँ हो गए

किसने तुमसे कहा दूर हमसे रहो
किसने तुमसे कहा दूर हमसे रहो
मेरे दिल की सुनो अपने दिल की कहो
मेरे दिल की सुनो अपने दिल की कहो
अजी दिल की कहो
हाए क़ातिल
तुम तो खामोशीयों
तुम तो खामोशीयों की ज़ुबाँ हो गए
जाओ जी
जाओ जी
तुम पे हम मेरबाँ हो गए
जाओ जी
तुम पे हम मेरबाँ हो गए

आज अल्लाह कसम हम नहीं होश में
आज अल्लाह कसम हम नहीं होश में
तुमको ले लेंगे पलकों की आग़ोश में
तुमको ले लेंगे पलकों की आग़ोश में
हाए आग़ोश में
हह हाए
आज लैला
आज लैला की हम दास्ताँ हो गए
जाओ जी
जाओ जी
तुम पे हम मेरबाँ हो गए


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14576

Number of movies covered in the blog

Movies with all their songs covered =1143
Total Number of movies covered =3980

Total visits so far

  • 10,678,468 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 3500 days.

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