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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Peevesie’s mom’ Category


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3589 Post No. : 14342

Hullo Atuldom

Back to writing after a gap of 3 weeks. Lovely three weeks. Spent among the hills of North- East India and South India. Must thank my nephew for insisting that I accompany them. If the Himalayas and its snow-clad peaks are a heavenly sight so are the mountain ranges of the Nilgiris in the south – the common feature being acres of tea gardens. For the second weekend outing to the Nilgiris, I hold my son and niece responsible.

Trust humans to spoil a good thing. Where there was a lot of discipline among the locals at both places; tourists have ruined Ooty as much as say Lonavla, Khandala or Mahabaleshwar in Maharashtra. Thankfully Sikkim has not faced much tourist onslaught and so is much cleaner. The air in these hill stations are so pollution free one doesn’t feel like returning to pavilion and the reality of daily routine. I am sure our Sadanand ji will be nodding in agreement being an avid traveller and having visited many such pristine locations. Hope I am right?

More about my travels some other time, I will get straight to the topic of this post.

This post is to wish the lady with the dazzling smile a very happy birthday. Unbelievable that she turned 51 yesterday. The dancer who out-dances her co-star without meaning to and effortlessly at that. But she is not all song and dance only; she is great in exhibiting all emotions with her eyes, face and voice. Just like the heroines of yesteryear, specially Madhubala, with whom she used to be constantly compared. Yes yes. I am speaking of Madhuri Dixit (now Nene). Having made her debut in movies through the 1984 Rajshri Productions ‘Abodh’ and tasting success with ‘Tezaab’, ‘Ram Lakhan’, ‘Tridev’, etc. she made a place for herself among the top-ranked heroines of Bollywood. Her teaming with Anil Kapoor, Sunny Deol, Sanjay Dutt, Govinda, Jackie Shroff (all the reigning stars of that period) was well received by the audiences. In the later half of the 90s she also teamed successfully with the 3Khans. She was lucky to have roles written specially for her as in Prakash Jha’s ‘Mrityudand’ and MF Hussain’s ‘Gaja Gamini’.

As much as I love Madhuri and her movies with their songs and dances, there are some songs of her’s which I don’t approve of. For example, her song in the movie ‘Anjaam’ – “Athraa Baras Ki Kunwaari Kali Thi. . . Choodi Tooti Chane Ke Khet Mein” or the song from ‘Khalnayak’ – “Choli Ke Peeche Kya Hai”; and then there is ‘Mera Piya Ghar Aaya O Ram ji” in ‘Yaarana’ or even “Dhak Dhak Karne Laga” from ‘Beta’. All these songs and some more of that type, which made Madhuri Dixit a dancing-star, are full of double meanings and were lapped up by the public. But there also is a greater number of Madhuri songs which are just as popular and have more ‘decent’ lyrics. For example, “Didi Tera Devar Deewana”, and her songs from ‘Devadas’, ‘Saajan’, ‘Sangeet’ etc. (no, I am not going to list her filmography here 🙂 ). The song with this post is one such song.

It is from Rajkumar Santoshi’s 2000 release ‘Pukaar’ (making a debut on the blog).  The main cast of this film is Madhuri with Anil Kapoor and Namrata Shirodkar and a supporting cast of Om Puri, Kulbhushan Kharbanda, Rohini Hattangadi, KD Chandran, Neeraj Vora, Danny and Prabhu Deva (just for a song). It is a well-made film based on espionage in the army and had a love triangle added for spice which gives the central characters a lot of scope to showcase their ‘sacrificing attitudes’. The songs are penned by Javed Akhtar and AR Rehman is the composer. This song is sung by Shankar Mahadevan and Kavita Krishnamurty. It is a stage show to celebrate some event in the army cantonment. The song shows Madhuri decently matching steps to Prabhu Deva’s vigorous dance. Anil Kapoor, Namrata and the other members of the cast are in the audience which join in towards the song’s climax.

Wish you a very Happy Birthday Madhuri!

Song – Que Sera Sera Sera, Jo Bhi Ho So Ho (Pukaar) (2000) Singer – Shanker Mahadevan, Kavita Krishnamurthy, Lyrics – Javed Akhtar, Kaly, MD – AR Rehman
Female Chorus
Male Chorus
All Chorus

Lyrics

naujawaano
baat maano
kabhi kisi se
na pyaar karna
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
oo oo
pyaar zindagi
pyaar har khushi
pyaar jisne paaya hai,
wahi dil phool jaisa khila
pyaar galti hai
pyaar dhokha hai
pyaar dhalti chhaaya hai,
dekho phir na karna gila
pyaar hi dhadakano ki kahaani hai,
pyaar hai haseen daastaan
pyaar ashqon ki deta nishaani hai,
pyaar mein hai chain kahaan
pyar ki baat jisne na maani hai
uski na to zameen hai na hai aasmaan
naujawaano
baat maano
kabhi kisi se
na pyaar karna
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
oo oo
pyaar jaise hai purab-pashchim
pyaar hai uttar-dakkhin,
yahaan hai pyaar hi har disha
pyaar rog hai
pyaar dard hai
pyaar tode dil ek din
ye hi hai pyaar ka silsila
pyaar se hi to rangeen jeevan hai
pyaar se hi dil hai jawaan
pyaar kaanto ka jaise koi ban hai
pyaar se hi gam ka samaan
pyaar se jaane kyon tum ko uljhan hai
pyaar to saari duniya pe hai meharbaan
naujawaano
baat maano
naujawaano

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

na na na na naujawaano
na na na na
na na na na
na na na na
na na na na
naujawaano
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na
na na na na

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho

pyaar pyaar pyaar pyaar pyaar pyaar

ok ok ok ok. . .

pyaar pyaar pyaar pyaar pyaar pyaar

hamein pyaar ka ho aasra
phir chaahe jo ho
hamein pyaar ka ho aasra
phir chaahe jo ho

hey que sera sera sera
jo bhi ho so ho
hamein pyaar ka ho aasra
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho
phir chaahe jo ho

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This article is written by Peevesie’s mom , a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3570 Post No. : 14307

Hullo to all in Atuldom

My post today (27 april 2018) should be read after reading what our dear Rajaji wrote last year in this post of his. In there he has poured a lot of love for the handsome actor- producer- (and lastly) a politician. He has spoken for all the fans of Vinod Khanna.

It is simply unbelievable that a year has passed since this most charming actor passed away. I remember how shocked I was on reading the news on our WhatsApp group that day. The news must have broken on the news channels about noon, around the time when Vividh Bharati – All India Radio’s commercial channel- starts their farmaishie filmy gaane etc. I used to have this habit of listening to this programme, with headphones on, as I commute around (I have stopped it since). Now that day, I was most happy with the content of the programme as every single song was from a Vinod Khanna movie and all of which I simply love. It occurred to me that those songs were being played as a tribute to the departed artist, only when I read all the WA messages on returning home. It was very very saddening. But then life is like that, and apparently Vinod was ill for sometime before his death. And as Rajaji has mentioned in his post last year, there were photographs being shared on social media of a rather sick Vinod, but I always thought that must be a look for some forthcoming movie. But that was not how it was to be.

I cannot forget the look on his face when he is listening to the recorded message from his wife. And then the pain on discovering that his wife has been unfaithful- in Gulzar’s song less wonder “Achanak”. Can remember how he smartly outwits Jeetendra’s father as villain in “Anokhi Ada”. Thinking of him singing “nainon mein darpan hain darpan mein koi dekoon jise subaha shaam” with Saira Banu on a cycle in “Aarop”.

After having made his debut in 1968 through Sunil Dutt’s “Man Ka Meet” and doing roles of secondary characters as Manoj Kumar’s friend in “Purab Aur Paschim”; Shammi Kapoor’s younger brother who loses track of ‘good and bad’ in “Jaan Pehchaan”; an inspector out to nab the smuggler (Rajesh Khanna) in “Sachha Jhootha”; and a few villainous characters we saw him as a confused educated unemployed man in “Mere Apne” which was followed by “Achanak” and a small blink and miss role in “Parichay”- all of which were made by Gulzar. No mention of Vinod Khanna is complete without thinking of the “Jabbar Singh” he played in “Mera Gaon Mera Desh”- he was unforgettable, he is unforgettable, we can’t forget him.

How can we forget him- when the radio plays “priye praneshwari” or “koi hota jisko apna” or “bambai se aaya mera dost” or “ruk jaana nahin tu kahi haarke” or “darbaar mein uparwaale ke” or “bhaagi re bhaagi re brijbala kanha ne pakda rang dala” or “lagi aaj saawan ki phir who jagi hai” and all the other famous and not so famous songs featuring him.

Though his pairing with Amitabh was always enjoyed we cannot forget that he paired well with Feroz Khan, Shatrughan Sinha, Vinod Mehra, Rajesh Khanna, Dharmendra, Jeetendra, Sunil Dutt etc. As I was writing this post I wondered if he has never worked with Sanjeev Kumar and I saw that among yesterday’s posts is a song from “Chowkidaar” which had Sanjeev Kumar and VK is also there. The later year heroes Govinda, Salman Khan, Shahrukh Khan etc also co-starred with him playing an elder brother or father figure to them. He has done more than two movies each with most of the heroines of his era; be it Leena Chandavarkar, Bharati, Saira Banu, Zeenat Aman, Hema Malini, Rakhee, Parveen Babi, Reena Roy, Shaban Azmi, Rekha, Yogita Bali etc. and in his second innings Dimple Kapadia, Meenakshi, Madhuri, Madhavi, Jaya Prada, Sridevi etc. God, he had a good career and we were well entertained by him.

“Kudrat” was one of the movies where he co-starred Rajesh Khanna and Hema Malini. It also had Raaj Kumar and Priya Rajvansh in important roles. It was directed by Chetan Anand and had rebirth as its theme. It had great songs written by Majrooh Sultanpuri and Qateel Shifai and R D Burman was the music director. The song with this post is written by Majrooh and sung by Suresh Wadkar and Asha Bhonsle. It is a typical pahadi folk song performed by local dancers and as is the norm in Indian films the stars in the audience are drawn in to dance and shake a hip or leg with the performers. So, we can see Vinod Khanna starting the dance and trying to drag Hema Malini into it. This is followed by Aruna Irani (who plays the missing link between the two births of the main characters) Rajesh Khanna and Priya joining in. The song is meant to transport Hema into memories of her past birth and give her hints of link between Madho and Paro, Vinod catches Hema staring at Rajesh Khanna. And from here the story moves towards what the purpose of the movie is – getting justice for Madho and Paro (Rajesh and Hema) for the crime done to them by Raaj Kumar, father of Priya in this movie.

Thinking of the handsome Vinod Khanna today.


Song-Saawan nahin bhaadon nahin (Kudrat)(1981) Singers-Suresh Wadkar, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Male chorus
Female chorus
All Chorus

Lyrics

taakita dhim takita dhim
taakita dhim dhim dhim dhim
taakita dhim takita dhim
taakita dhim dhim dhim dhim

ho o o
saawan nahin bhaado nahi
saawan nahin bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim

Ha aa
taakita dhim takita dhim
taakita dhim dhim dhim dhim

Ha aa
toone abhi dekha hai kya
toone abhi dekha hai kya
pagle nazar toh uthha aaa
bin baadal bijli idhar chamki
ho oo bin badal bijli idhar chamki

dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim
dhim taakita dhim takita dhim
taakita dhim dhim dhim dhim

ho oohoo ohoooo
dhim taakita dhim takita dhim (oh ho ho ho hoho)
taakita dhim dhim dhim dhim (ho ho hoho)
dhim taakita dhim takita dhim (oh ho ho ho ho)
taakita dhim dhim dhim dhim

arey sun kar ke mele ki dhoom
hum aaye hain tumhre gaanv
sunkar ke mele ki dhoom
hum aaye hain tumhre gaanv

haan gori sambhaalo humein
kar do chunariya ki chaanv
gori sambhaalo humein
kar do chunariya ki chhaanv

arrey dil pe kahin gir na pade
dil pe kahin gir na pade
dhadke hamaara jiya aaa
bin baadal bijli kidhar chamki
o bin baadal bijli kidhar chamki

dikhti nahin sar pe dhoop
saawan ke andhe ho kya ha ha

dikhti nahin sar pe dhoop
saawan ke andhe ho kya

arre bijli kahaan baaware
gora badan hai mera ha aa

arey bijli kahaan baaware
gora badan hai mera

arey thoda sa main balkha gayi
thoda sa main bal kha gayi
toh jhooma mera jhumka
ho bin baadal bijli idhar chamki
ho ooo

ho bin badal bijli idhar chamki
oo saawan nahin bhaado nahi
saawan nahin arey bhaado nahin
o bindiya waali bata aa
bin baadal bijli kidhar chamki
o bin baadal bijli
idhar chamki
oo bin badal bijli
kidhar chamki


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3567 Post No. : 14298

Hullo Atuldom

This is the ideal time for this post as a cricket- crazy nation is enjoying the 10th season of Indian Premier League or IPL as it is called.

It is also the time to celebrate the 45th birthday of’ ‘the god of cricket’. But he himself is rather humble and human enough to say that ‘God of Cricket’ is someone else. He is also called the ‘Master Blaster’. He is a pint-sized tornado that burst on the Indian cricketing scene in 1989 following his awesome performances in the local tournaments of Ranji Trophy, Irani Trophy and Deodhar Trophy. His inclusion into the Mumbai Ranji team happened in 1987 but that year he narrowly missed playing alongside his idol -Sunil Gavaskar who had retired from all forms of cricket after the 1987 Cricket World Cup. But he was used mostly as a substitute fielder. At the age of 15 years and 232 days, in 1988, he was picked to play for Mumbai against Gujarat and scored a century on debut, in fact he has scored centuries on debut in the Irani and Deodhar Trophies too. His brilliance was the talk among cricket followers of Maidan-cricket, in Mumbai, in that period and he was coached by the able master Ramakant Achrekar. At age 14 he attended the MRF Pace Foundation to train as a fast bowler under Dennis Lillee who asked him to concentrate on his batting. He holds a record along with fellow school-mate and India Teammate Vinod Kambli for an unbroken partnership of 664 in a Harris Shield Inter-school tournament. Oh, he has numerous records to his name – youngest player to debut in International games for India being one of them. He was 16 years 205 days at the time of his test debut and 16 years 238 days when made his ODI debut.

If the readers have not yet guessed, I am talking of Sachin Ramesh Tendulkar, named after his father Ramesh Tendulkar’s favourite music composer- Sachin Dev Burman. (See the cricket to movie connection here, we simply cannot escape the two going parallel). So, like every normal youngster of the late 70s and early 80s cricket was Sachin’s addiction and he was lucky that his parents saw his talent early on and provided facilities to nurture his talent unlike other parents back then who used to feel – “playing all the time meant studies would suffer then what would one do for bread and butter?” It can be safely said that Sachin’s parents, more importantly his mother, must have been inspiration for parents of later cricketers specially from smaller towns and cities of India – hope that explains the emergence of players like the Pathan brothers, Dhoni, Sehwag etc.

These days there is a trend of biopics among filmmakers in Bollywood. I think ‘Bhaag Milka Bhaag’ (2013) was the inspiration for this new set of films. What followed was a movie on Azharuddin (2016), MS Dhoni (2016), wrestler Mary Kom (2014) etc. There was a movie even on the match fixing scandal that rocked cricketing circles and got bans of various durations for the players involved virtually finishing their playing careers.

But I don’t want to talk of sad occurrences like scandal or bans in this post. Let us focus on our birthday boy who played cricket for close to 25 years without a break? No there was a small break when he had an injured elbow and the world learnt what is a tennis-elbow 😉. There was a film in 2017 which was more of a docu-drama where Sachin himself faced the camera as the narrator of the movie; unlike the movie on Dhoni where Shushant Singh Rajput enacted the part and Emraan Hashmi played Azhar. “Sachin: A Billion Dreams” is directed by James Erskine and released world- wide in the month of May just as the IPL season was coming to a close. The movie shows Sachin as he is in real life. It has music by AR Rehman, and the songs are written by Irshad Kaamil. The song with this post is sung by Sukhvinder Singh and an unknown female voice towards the end, also in the English words. It begins on Sachin’s home ground – Mumbai’s Wankhede Stadium where there are stands named after Vijay Merchant, Sunil Gavaskar, Sachin Tendulkar- all of whom have played a major role in making cricket a national craze. It shows the back of a Sachin fan who was a permanent at all the venues where India has played cricket since 2008. The song with the mantra – chant “Sachin Sachin” that used to be heard everywhere whenever Sachin stepped on the field; be it for batting, bowling or plain fielding. He was a darling of the public. Wishing him all the best in his retired life and lots of good times with his family and friends.

[Ed Note: As per information from other online sources, the rap portion of this song is written and sung by Kaly.]

Song – Raat Chaahe Ho Ghaneri Hai Ujaala Tere Haathon Mein (Sachin: A Billion Dreams) (2017) Singer – Sukhwinder Singh, Unidentified Female Voice, Kaly, Lyrics – Irshad Kaamin, Kaly, MD – AR Rehman
Chorus

Lyrics

sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin

raat chaahe
ho ghaneri
hai ujaala tere haathon mein
ho adhoora
khwaab to phir
neend kaise aaye raaton mein
abhi aadhi kheli tu ne baazi
abhi choten dil ki taazi taazi
abhi dil ko hai karna raazi
tere hauslon ne paa leni hain manzilen

sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin

tu hawaaon
ki dishaayen
mod dena chaahe jo bhi ho
aur baaki
waqt pe hi
chhod dena tera saathi wo
le ke jaayega wo aage aage
nai subah tere liye jaage
naye kal se baandhe hai tune dhaage
tere hauslon ne paa leni hain manzilen

sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin

i was born with the game
you were born the same
i do this for my people
i don’t do this for the fame
i was born with the game
you were born the same
i do this for my people
i don’t do this for the fame
you keep chains
keep the change
just give me my reign
and leave me my lane
and just remember my name

sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin

aaaaa
aaaaaaa

jeeve
jeeve
jeeve jaanbaaz
jee se ye
aave aawaaz…
jeeve
jeeve
jeeve jaanbaaz

sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin

jeeve
jeeve
jeeve jaanbaaz
jee se
aave aawaaz…

jeeve jeeve
jeeve
jeeve
jeeve jaanbaaz
jee se
aave aawaaz…

sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin
sachin. . .  sachin

 



This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3550 Post No. : 14243

Hullo Atuldom

7th April 2018 is the 76th birthday of Ravi Kapoor- unbelievable. He has been around in the entertainment industry/ Bollywood since 1959 i.e. close to 60 years. WOW!!! That is a really long time. And we are fans of his and know him as JEETENDRA.

His first on-screen appearance was in V.Shantaram’s “Navrang” as Sandhya’s character’s double. Post that he got his first major break in Shantaram’s “Geet Gaya Pattharo ne”. 1967 saw him in diametrically different avatars in “Gunahon ka Devta” and “Farz”—and 51 years after “Farz” the epithet of “Jumping Jack” still reminds us of Jeetuji and his vigorous dancing prowess. The T-shirt and white shoes became his trademark and suited his lean frame. He has appeared in only about 200 films of which only 80 or so were made-in-south movies most of them remakes of successful Telugu, Tamil and Kannada movies. He was the preferred North-Indian star of that era as far as T. Rama Rao, L.V. Prasad, Rama Naidu and such other South Indian filmmakers were concerned. But there was another set of films that had him in completely subdued character as in “Parichay”, “Mere Humsafar”, “Khushboo”, “Kinara”, “Dharti Kahe Pukaar Ke” and a long list of other movies.

He was loved by the audiences with any heroine he was paired right from Rajshree, Babita, Mala Sinha, Asha Parekh, Nanda and Mumtaz to the next set of ladies like Hema Malini, Rekha, Leena Chandavarkar, Reena Roy, Moushumi, and a few movies with Zeenat Aman, Parveen Babi, Shabana Azmi, Neetu Singh and finally Sridevi and JayaPrada.

The above list looks like the roster of the heroines of the film industry. The only name that doesn’t feature in that list is that of Smita Patil as the only movie that featured the two, Smita was opposite to Dharamendra. And the list doesn’t name Rakhee, Jaya Bhadhuri (Bachchan), Bindiya Goswami, Radha, Bhanupriya, Madhavi, Meenakshi Seshadri, Madhuri Dixit etc. as they did only one or two movies each with Jeetuji.:) Phew! That is one long list. I am sure there are other heroines whose names are missing here. 🙂

As far as his acting style is concerned he must have been good to have lasted this long. I am sure people will say that he has survived on his dancing abilities alone, but then his movies with Gulzar at the helm didn’t have any dancing. He was a complete package of n actor who was comfortable with action, emotion, just standing and singing; dancing and singing.

His last silver screen appearance was in Farah Khan’s “Om Shanti Om” in the party song. He also produced a few movies, a business which is being looked after by his able daughter Ekta.

Today on his birthday I thought of all the possible songs and zeroed in on a song that is heard very often on the radio– mostly Vividh Bharathi, my staple source of film songs for years. It is from the 1976 released, L.V. Prasad produced “Udhar Ka Sindoor”. It was a remake of the Telugu movie “Manasullu Devudu”. The cast was headed by Jeetendra, Reena Roy and Asha Parekh with Prema Narayan, Asrani, Dheeraj Kumar, Manju Bansal (Asrani), Om Shivpuri and Urmila Bhat in supporting cast.

Just as a matter of trivia, here I feel like mentioning that Asha Parekh is the same age as Jeetendra, Rajesh Khanna and Amitabh Bachchan and has co-starred as heroine to Jeetuji and RK but has been AB’s Bhabhi (in movies). Also, another point of interest which should be noted is Asha Parekh’s debut as heroine came in 1959 in “Dil Deke Dekho” and Jeetuji first appeared on-screen in 1959 in “Navrang” but as a character’s double.

Coming back to the movie “Udhar Ka Sindoor” (I sat through it to know what the movie was all about). It is a movie full of emotion- love for sister, love and gratitude towards foster-father; pinning to reunite with a lost sister; some drama on finding the sister, a groom for the foster-sister and then some action towards the end as by then the hero has become an inspector on the chase of a gang that forges currency. As it so happens the leader of the gang is the foster-brother who has to be pulled up for all the wrongs that he has committed including raping the lost-sister. That is why I said it was a movie full of EMOTIONS. And since there are two heroines, who happen to be sisters, there is a dose of sacrificing the hero for one another thrown in for good measure :). The hero is the lucky person as he gets to sing romantic songs with one sister and get married to the other and be worshipped by her since he married her despite her blindness.

Today’s song is sung by Kishore Kumar and Anuradha Paudwal, written by Majrooh Sultanpuri and Rajesh Roshan was the music director.

Wishing all health and happiness to our “Jumping Jack” Jeetendra.


Song-O diljaani bol meri raani (Udhaar Ka Sindoor)(1976) Anuradha Paudwal, Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-Rakesh Roshan

Lyrics

o diljaani
ae bol meri raani
main teri kya hoon
tu hai mera dil
kitni haseen hai duniya
sab kuchh hai kya suhaana
kho jaayen aaj hum-tum
dekha kare zamaana
ho o o o

o diljaani
bol meri raani
main teri kya hoon
tu hai mera dil
kitni haseen hai duniya h
sab kuchh hai kya suhaana
kho jaayen aaj hum-tum
dekha kare zamaana
ho o o o

mausam aaye
mausam jaaye
hamko rehna
tere saaye
gulshan bulaaye
ya pukaare kaliyaan aan aan
humko toh pyaari tere dil ki galiyaan aan
aa dil mein aaja
mujh mein samaa jaa
tere siwa o jaan-e-tamanna
mera kahin nahin hai thhikaana aa
ho o o

o diljaani
bol meri raani
main teri kya hoon
tu hai mera dil
kitni haseen hai duniya
sab kuchh hai kya suhaana
kho jaayen aaj hum-tum
dekha kare zamaana
ho o o

gir na jaoon
dekho sajna
yoonhi mujh ko
thhaame rakhna
neeche-oonche hai raste
darta hai jiya aa aa aa
mujhko uthha le apni baahon mein piya aa aa aa
tera deewaana
tera mastaana
tera saathi hai o jaan-e-jaanaa
phir manzil se kya ghabraana aa
ho o o

o diljaani
hey bol meri raani
main teri kya hoon
tu hai mera dil
kitni haseen hai duniya
sab kuchh hai kya suhaana
kho jaayen aaj hum-tum
dekha kare zamaana
ho o o


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3542 Post No. : 14218

Hullo Atuldom

9+2=11
11+3= 14
14+4= 18

“Confused”? “Flummoxed” or I should be asking “stumped”? Of course, all the words mean the same. I am sure the additions that I have done to open this post have set people thinking.

Well it has something to do with the last three songs that were posted from the movie “Mome Ki Gudiya” (that is how “mom” was spelt in the title card and the movie’s censor certificate dated 12th April 1972). The famous website Hindigeetmala.net lists four songs for the movie, but as I sat through the movie to recheck I found the movie had five songs. I think HFGK will also give the same number, the song “Bandhan toote na sanwariya” comes twice then the number of songs count will be six.

“Reshma jawaan ho gayi” is the first song in the movie; posted with a post by Sudhirji. That song happens when Tanuja who plays Sheel takes objection to being called “chutki”.

“Whenever I had been to Brindavan I have seen shooting of Hindi and South India movies. Except for the last time.
Now It has gone to dogs. The flowers have wilted and trees are dried up. Please do not take your parents as one has to walk compulsorily for few kilometres”.

This was our Nitin Shah’s comment after the above song. I must say I had a similar experience when I visited Brindavan this year, in the month of January. The flowers were not there but some lighting still happens, they have a musical fountain show and most of the fountains were working but I suppose visiting the place in summer might disappoint a tourist as there will be little water in the dam.

“Baaghon me bahaar aayi” is the second song which plays when Sheel and Ravi (Ratan Chopra) are on their honeymoon. It is picturised in Brindawan Gardens of Mysore. The movie’s makers have thanked the people and government of Mysore state for cooperating in the making of the movie. (A small doubt- was Mysore still a separate state in 1971/ 72 ?). This was the first song from the movie to be posted on the blog.
[Ed note:- Mysore was a separate state since 1956. It was renamed as Karnataka in 1973]

The third song from the movie that is posted happens at karwa chauth. “Bandhan toote na sanwariya” occurs just before climax. Post the song Sheel shoots her mama Shaligram played by Jeewan just as he tries to stab Ravi.

So that then are the three posts for this movie posted in 2009, 2011 and 2014 – there I have explained 9+2 and 11+3. We are in 2018 i.e 14+4 simple 🙂

I sat through the movie before writing this post and here is the gist of the movie:

Ravi, the only son of wealthy widower Rai Bahadur Gangaram, falls in love with fellow-collegian, Sheel, but is shocked to find that she is to be his future step-mother. His father decides to step away, lets the couple get married, and shortly thereafter passes away. A few months later, Sheel gets pregnant and her parents as well as her maternal uncle, Shaligram, come to visit her. It is during this visit that Ravi will find out that Sheel has been living a secret life, and the real reason why she married him. Devastated, he will face even more trauma and scandal when the Police will arrest his wife for murder.

The secret of Sheel’s life is that her parents (Paro and Rashid Khan) and mama use her to lure rich old men into marriage and see to it that Sheel doesn’t consummate the marriage. And a few days after marriage they decamp with the rich man’s wealth. One such old man is Om Prakash who tries to force himself on Sheel but she injures him and flees thinking she has killed him. Another secret of Sheel’s life is that she has been kidnapped by the trio in infancy from Nasir Hussain’s haveli. This fact is unearthed by Premnath when he appears in court to defend Sheel.

So that then is what the movie was all about. 🙂

I think “Dolly ki Doli” which came in 2015 had a similar story of a young con-girl marrying into rich families.

The song with this post is the fourth song in the movie. It comes in Sheel’s dream when Ravi tells her “how much he has waited for her?” Etc. etc. It is a rather long song. It is in the voice of Anand Bakshi. This movie had two songs that were sung by Anand Bakshi. After sitting through the movie I felt the voice suited the actor perfectly. Another thing that I found was this was the debut of Anand Bakshi as a singer.

The movie opens by paying shraddhanjali to composer Jaikishan the composer who was part of three of Mohan Kumar’s initial movies.

Today (March 30th, 2018) is the 16th death anniversary of Anand Bakshi. He who gave us songs which sounded as if written by a common man. Such simple words to convey normal feelings leke a good-bye “achcha toh hum chalte hai”; monetary lessons “aamdani athannee kharcha rupiaya”; a man’s plight after marriage “brahma o brahma”; a host of lullabies “sooyi ja tara”, “aakhiyon mein chote chote sapne sajaayeke” (to list just two); roothna-manaana “Rona kabhi nahin rona”, “nahin main nahin dekh sakta tujhe rote huye” and songs with roadside Romeo kind of lyrics “jumma chumma de de”.

He has written songs for three films with the title “Majboor”; two “Mehbooba” (one of which released in 2008 six years after he had passed away). He was a master with words and if I may say- in the same league as Majrooh Sultanpuri in the sense that he had a long career of almost 40 years and wrote similarly simple lyrics and was always in demand by all film makers.

He had an ambition to be a singer too which was showcased in a few songs for which he used to sing the opening lines etc. I had discovered a song where he had given playback along with Bhupinder, Manna Dey and Kishore Kumar for “Sholay” but unfortunately that song never featured in that movie. I was aware of one full length song in “Mome Ki Gudiya” but before I sat to write this post I found that was already posted. But I am not upset as I found a very beautiful song from the same movie but it is rather long almost 6 minutes. Here it is:-

Audio

Video


Song-Main dhoondhh raha thha sapnon mein (Mome Ki Gudiya)(1972) Singer-Anand Bakshi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

main dhoondhh raha thha sapnon mein
tumko anjaanon apnon mein
main dhoond raha thha sapnon mein
tumko anjaano apno me
raaste me mujhe ek phool mila toh maine kaha
maine kaha
ae phool tu kitna sundar hai
lekin tu raakh hai mauj nahin
ja mujhko teri khoj nahin
main dhoondhh raha tha sapnon mein

main deewaana anjaane mein
ja pahuncha phir maikhaane mein
raste mein mujhe ik jaam mila to maine kaha
maine kaha
ae jaam tu kitna dilkash hai
lekin tu haar hai jeet nahin
ja teri meri preet nahin
main dhoondhh raha thha sapnon mein

main badhkar apni hasti se
guzra taaron ki basti se
raste mein mujhe phir chaand mila to maine kaha
maine kaha
ae chaand tu kitna raushan hai
par dilbar tera naam nahin
ja tere bas ka kaam nahin
deepak ki tarah jalte jalte
jeevan path par chalte chalte
raste mein mujhe sansaar mila to maine kaha
maine kaha
sansaar tu kitna achcha hai
lekin zanjeer hai dor nahin
ja tu mera chitchor nahin
main dhoondhh raha thha sapnon mein

kuchh aur chala main banjaara
toh dekha mandir ka dwaaraa
mandir mein mujhe bhagwaan mila toh maine kaha
maine kaha
bhagwaan tera ghar sab kuchh hai
lekin saajan ka dwaar nahin
pooja pooja hai pyaar nahin
beeta ke chain akele mein
pahuncha saawan ke mele mein
mele mein tumhe jab dekh liya to maine kaha
maine kaha
tum hi toh ho
tum hi toh ho
chitchor mere
man meet mere
tum bin pyaase thhe geet mere
hmmhmm oooo hmmm
oooo hmmmmm oooo
hmmmm hoooo aaaa
hmmmm hoooo aaaa
hmmmm hoooo hoo


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3540 Post No. : 14212

Hullo Atuldom

Yesterday (27 march 2018) was World Theatre Day. I learnt about this in the morning yesterday, as I was listening to the Vividh Bharati. Apparently, this was initiated in the year 1961, by The International Theatre Institute. It is celebrated annually on 27thMarch.

We have a number of actors in Bollywood, both past and present, who started their acting career on stage. Many of them never miss an opportunity to go back to act in a play or theatre reading etc. “We cannot forget the immediate response that we get from the audiences” is the most heard sentiment from these actors who keep going back to do theatre. And then, we have had actors who have performed ‘in front of the camera’ as they would perform ‘in front of a live audience’ – remember Sohrab Modi and Prithviraj Kapoor (in some of his initial movies). But the later generation of actors adopted different styles for theatre and movies. Also improved sound systems in theatres must have helped in later years; when one didn’t have to speak in ‘loud booming voices’ so as to be heard in the last rows.

Today with this post I am thinking of Farooque Shaikh who also did a lot of theatre and who would have been 70 on 25th March, just two days back (he passed away in 2013). I also remember Om Puri who was a product of National School of Drama along with Naseeruddin Shah. And yes, how can one forget our dear Shashi Kapoor and his work in bringing theatre to the layman through his Prithvi Theatre also helping many theatre groups in the process by giving a platform to exhibit their art.

Yesterday’s Indian Express (online edition) has an article on how the Twitterati are celebrating the day- http://indianexpress.com/article/trending/trending-globally/what-is-world-theatre-day-twitter-reactions-5112818/. The article begins with Shakespeare’s famous quote from “As You Like It” –

“All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts.”

Strangely or coincidentally the song that I zeroed in for also says exactly the same thing. I had thought of it the moment I heard about the ‘World Theatre Day’. Then I sat through looking up articles on the internet and I referred Wikipedia for additional information and in the process landed on what Indian Express site had.

The song is written by a lyricist – Anand Bakshi – whose work I admire because he is one of the poets who puts the common man’s thoughts in poetry format (there are few more lyricists who do that but more on that later). The music is composed by Laxmi-Pyaare and playback is by Asha Bhonsle for Moushumi Chatterjee, whose presence is making Sulochana and Raj Mehra uncomfortable, while Vijay Arora and Nazeema are visibly squirming (would like to know why 😉). Then there is Jayshree T. dancing and Hari Shivdasani enjoying himself. There is also Snehlata (in white saree) who seems to be the happiest among the girls at the party. There are some more familiar faces in the party, which I am unable to name immediately. I request other readers to please help add more names to this video clip.

The film is directed by Sohanlal Kanwar and is one of the movies that has Subhash Ghai in its cast.

[Short Version – Party Song]

[Long Version – Stage Song]

Song – Zindagi Ek Naatak Hai (Naatak) (1975) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

(Short Version – Party Song)
mmmm mmmm

aaaaa aaa aaa
aa aaaaaaaaaa

aaa aaa aa
aaa aaa aa
aaa aaa aaaaaaaaa

zindagi ek naatak hai
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain

zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan
khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan..aa..aaaan
bhale bante hain
burey bante hain
apna naam badnaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

sach kya hai
ye humse na poochhiye
kyon ki hum log
hain bahrupiye
sach kya hai
ye humse na poochhiye
kyon ki hum log
hain bahrupiye..ey..eyy
koi jaane na
pehchaane na
aisa hum intezaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

(Long Version – Stage Song) (Lyrics Provided by Prakashchandra)

zindagi ek naatak hai
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain

zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan
khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan..aa..aaaan
bhale bante hain
burey bante hain
apna naam badnaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

ek rangmanch
ye sansaar hai
chhota bada
har ek kalakaar hai
ek rangmanch
ye sansaar hai
chhota bada
har ek kalakaar hai..ae..ae..ae
zindgaani ka
is kahaani ka
tamasha subh o shaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

chehre pe ek
chehra laga liya
laila majnu
khud ko bana liya
chehre pe ek
chehra laga liya
laila majnu
khud ko bana liya..aa..aa..aa
jhootha sachcha kya
bura achhaa kya
jaisa naam waisa kaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

(छोटा रूपांतर – पार्टी में)
म्ममम म्ममम
आssss आss आss
आss आssssssss

आs आs आ
आs आs आ
आss आss आssssssss

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां
खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां॰॰आं॰॰आं
भले बनते हैं
बुरे बनते हैं
अपना नाम बदनाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

सच क्या है
ये हमसे ना पूछिए
क्योंकि हम लोग
हैं बहरूपिये
सच क्या है
ये हमसे ना पूछिए
क्योंकि हम लोग
हैं बहरूपिये॰॰ए॰॰ए॰॰ए
कोई जाने ना
पहचाने ना
ऐसा हम इंतज़ाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

(लंबा  रूपांतर – स्टेज पर)

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां
खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां॰॰आं॰॰आं
भले बनते हैं
बुरे बनते हैं
अपना नाम बदनाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

एक रंगमंच
ये संसार है
छोटा बड़ा
हर एक कलाकार है
एक रंगमंच
ये संसार है
छोटा बड़ा
हर एक कलाकार है॰॰ऐ॰॰ऐ॰॰ऐ
ज़िंदगानी का
इस कहानी का
तमाशा सुबह ओ शाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

चेहरे पे एक
चेहरा लगा लिया
लैला मजनूँ
खुद को बना लिया
चेहरे पे एक
चेहरा लगा लिया
लैला मजनूँ
खुद को बना लिया॰॰आ॰॰आ॰॰आ
झूठा सच्चा क्या
बुरा अच्छा क्या
जैसा नाम वैसा काम करते हैं

हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3530 Post No. : 14180

Hullo Atuldom

Today is the first birth date, after the death of a personality who passed away at the age of 79 in December 2017. He retired from in front of the camera in 1999 after nearly 58 years of active Bollywood life. Amitabh Bachchan held him in high esteem and was always grateful to him for co-starring in ‘Deewar’ (1975) in a kind of second-hero role inspite of being much more senior and popular actor at the time when that film was being made.

Yes, today Shashi Kapoor would have turned 80. It is really saddening to remember him today. Infact, this last six to twelve months have been bad to fans of Bollywood; having lost personalities/ celebrities like Om Puri, Vinod Khanna, Sridevi, Shashi Kapoor etc. expectedly and unexpectedly. Vinod Khanna and Shashi Kapoor were ill for sometime but Om Puri’s and Sridevi’s deaths were shocking. But we never know what god has in store for us.

But let us snap out of this mood and enjoy the song with this post. It is from the 1983 film ‘Bandhan Kachchey Dhaagon Ka’. It is a song in the voice of Usha Uthup, Asha Bhonsle and Suresh Wadkar. It has music by Hemant Bhonsle, and lyrics by Anjaan. The movie was produced by KC Sharma and written and directed by Anil Sharma. The movie explored the relation between a happily married couple when faced with a new unexpected entrant in their life. Actually the husband is unaware that he has a son from a previous girlfriend (I don’t remember exactly if it is a previous girlfriend or an encounter with a particularly beautiful business associate). The child’s mother, Zeenat Aman, is bringing up the child as a single parent when she discovers she is terminally ill. So she sends the child across to its father without telling the child that “this is your father”. But the situation, much like in ‘Masoom’ (also in 1983) is enough to topple the apple cart of the family which takes the couple up to the threshold of divorce.

This movie came when Shashi Kapoor was looking younger than his age. When he was living a much-loved life. It never showed in his acting or his countenance that he was worried about his sick wife Jennifer. But when she died of cancer Shashi Kapoor was so heart broken that he suddenly aged, gained weight for a movie-role and then didn’t bother to loose it. Suddenly he was seen in fatherly and grand-fatherly roles when he was only  in his 40s and then took complete retirement from movies in 1999 at the age of 60. And then he was seen regularly at Mumbai’s Prithvi Theatre which he had set up with his wife. The last Bollywood movie he was seen in was ‘Akela’.

Remembering him today with this song in which he seen enjoying himself with Kalpana Iyer, Zeenat Aman and a group of rain dance revellers. And please note he has different dancing style in this song. 🙂

Song – Hands Up Jaani Hands Up (Bandhan Kachche Dhaagon Ka) (1983) Singer – Usha Uthup, Suresh Wadkar, Asha Bhosle, Lyrics – Anjaan, MD – Hemant Bhosle
Chorus
Kalpana Iyer

Lyrics

hey ae ae ae hands up

hands up
jaani hands up
de de dil de
de de de de dil de
de dena
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
de dena
aa aaaa haaaa haaa
de de dil de

hands up
jaani hands up
de de dil de
de de de de dil de
de dena
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
de dena
aa aaaa haaaa haaa
de de dil de

mehbooba ho ya daroga
pistol dikha ke dil maangti ho

haan naya zamaana naya andaz
haa haa haa haa

dil mera mera nahin
kaise de doon tujhe
jiska tha dil
usey de diya
tu maaf kar de mujhe
dil mera mera nahin
la lalaa
kaise de doon tujhe
la lalaa
jiska tha dil
aahaa
usey de diya
aahaa
tu maaf kar de mujhe
na na na bahaana chhodo
chhodo jaane jaana de do dil
dil dil dil
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
de dena
aa aaaa haaaa haaaa
de de dil de

arre itna bhi nahin jaanti
mehbooba loot’ti nahin lut jaati hai
achcha

maange se milta nahin
chheenega kya koi dil
kismat mein
milna nahin
phir kaise dil jaaye mil
maange se milta nahin
oh ho
chheenega kya koi dil
oh ho ho
kismat mein
oo
milna nahin
ho
phir kaise dil jaaye mil
na na na bahana chhodo
chhodo jaane jaana de do dil
dil dil dil
hands up
jaani hands up
de de dil de
de de de de  dil de
de dena
hands up
jaani hands up
de de dil de
de de de dil de
de dena
de dena
aa aaaa haaaa haaaa
de de dil de

[lots of words by Usha Uthup]



This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3525 Post No. : 14162

Hullo Atuldom

Remembering today a producer- director who started his career in Bollywood in the year 1948. Our in-house encyclopaedia has already enlightened us that this was as a writer for an AR Kardar film of Filmistan. The other Filmistan movies that carry his name as writer are ‘Anarkali’ (1953), ‘Munimji’ (1955), and ‘Paying Guest’ (1957).

Recently Zee Classic ran a series which was hosted by the writer-lyricist Javed Akhtar called ‘Classic Legends’ which tried to give an insider’s view on the legendary film personalities. I happened to see the episode which featured this writer- producer- director or to put it in one phrase “Film Maker”.  Javed Saab talked about the various genres under which films are made in India and said that this particular film-maker made movies in a genre called ‘Rom-Com Musical’.

The person whom we are remembering today on his 15th death anniversary – Nasir Hussain, was one who thought up this kind of entertaining movies. But then we had ample doses of romance and comedy in all movies made in India and music is a must for our movies be they suspense thrillers or murder mysteries, or even vendetta movies.

Nasir Hussain gave us all these ingredients in equal measure in many of his movies. So, what if ‘Yaadon Ki Baarat’ (1973) was vendetta of a boy who witnessed his parents’ murder. We still had seven songs in the movie of which 3 were romantic. Similarly, ‘Teesri Manzil’ (1966) had Asha Parekh trying to solve her sister’s death – so, it can be called a murder mystery. This movie too had 6 songs of which 2 were pure romantic numbers and one was a total comedy, in addition to all the situational comedy that kept occurring through the movie. Then he also made movies where the family gets separated in the first few minutes and then the poor protagonist -simply put ‘the hero’ – goes through the paces of the movie trying to look for his lost mother or father, wooing the wealthy heiress, singing a few songs in the process etc. Almost all of Nasir Hussain’s movies followed the same story in the sixties. He changed his storyline somewhat for ‘Caravan’ (1971) and ‘Bahaaron Ke Sapne’ (1967), later on in the mid-eighties we had ‘Manzil Manzil’ (1984) with the story of a separated family coming back together in the climax. The later part of the seventies had two Nasir Hussain movies with only romance and songs as their backbone – ‘Hum Kisise Kam Nahin’ (1977) and ‘Zamaane Ko Dikhana Hai’ (1981).

There were a few constants in Nasir Saab’s movies namely – Majrooh Sultanpuri, Asha Parekh, Rajendranath, and a character that used to walk-in swinging a racquet calling himself Subodh Mukherjee. Of course, from the 1966 ‘Teesri Manzil’ RD Burman was his constant for music direction, an association that lasted for almost 19 years till the 1984 ‘Zabardast’. Even when his son Mansoor Khan took over the direction of movies of Nasir Hussain Films ‘Qayamat Se Qayamat Tak’ (1988) and ‘Jo Jeeta Wahi Sikandar’ (1992) Nasir Saab continued to write the script and dialogues. He was possibly the first to have back-to-back songs or four songs-in-a-row kind of situations – remember “Megha Re Bole Ghanan Ghanan” and “Bade Hain Dil Ke Kaale” (film ‘Dil Deke Dekho’, 1959). “Aap Ke Kamre Mein Koi Rehta Hai” (‘Yaadon Ki Baraat’, 1973) had three parts to it.  And then of course the foursome “Chaand Mera Dil“, “Aa Dil Kya Mehfil Hai Tere”, “Tum Kya Jaano Mohabbat Kya Hai” and “Mil Gaya Hum Ko Saathi” came all together in ‘Hum Kisise Kam Nahin’ (1977).

On going through the list of Nasir Hussain’s movies posted on our blog I find that many of his movies have already been Yippeee’d. ‘Hum Kisise Kam Nahin’ has been shown as having 5/6 songs posted. On reviewing the list, I found that the one song from the four-song medley has been posted. Which means it is not 5/6 but 5/9 posted.

Let us enjoy this second song from the dance competition medley. Not in this clip, but towards the end of the this four song medley, Amjad Khan also makes an entrance into this scene.

Thank you Nasir Saab for leaving us enjoyable movies

Song – Aa Dil Kya Mehfil Hai Tere Kadmon Mein (Hum Kisi Se Kam Nahin) (1977) Singer – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus

Lyrics (Provided by Sudhir)

aa
dil kya
mehfil hai tere
kadmon mein

aa. . . dil kya
mehfil hai tere

duniya ki bahaaren tere liye
chaand sitaare tere liye

ho ho ho ho

jaan e ada
oo ho ho ho
jaan e ada
jaan e wafaa
tujh pe main fida
ho ho ho
ho jaan e wafaa
tujh pe main fida

ho oo oo
aa. . . dil kya
mehfil hai tere
kadmon mein

aa. . . dil kya
mehfil hai tere

duniya ki bahaaren tere liye
chaand sitaare tere liye

ho ho ho ho

jaan e ada
oo ho ho ho
jaan e ada
jaan e wafaa
tujh pe main fida
ho ho ho
ho jaan e wafaa
tujh pe main fida

ho oo oo
aa. . . dil kya
mehfil hai tere
kadmon mein

aa. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

दिल क्या
महफिल है तेरे
कदमों में

आ॰॰॰ दिल क्या
महफिल है तेरे

दुनिया की बहारें तेरे लिए
चाँद सितारे तेरे लिए

हो हो हो हो

जान ए अदा
ओ हो हो हो
जान ए अदा
जान ए वफा
तुझ पे मैं फिदा
हो हो हो
हो जान ए वफा
तुझ पे मैं फिदा

हो ओ ओ
आ॰॰॰ दिल क्या
महफिल है तेरे
कदमों में

आ॰॰॰ दिल क्या
महफिल है तेरे

दुनिया की बहारें तेरे लिए
चाँद सितारे तेरे लिए

हो हो हो हो

जान ए अदा
ओ हो हो हो
जान ए अदा
जान ए वफा
तुझ पे मैं फिदा
हो हो हो
हो जान ए वफा
तुझ पे मैं फिदा

हो ओ ओ
आ॰॰॰ दिल क्या
महफिल है तेरे
कदमों में

आ॰ ॰ ॰

 


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3512 Post No. : 14111

How do I begin this post? I am at a loss. I have so many things running in my head. Should I say Sunday 25th March 2018, was a bad day or sad day. But it was definitely a day which began sadly for me. I normally begin my Sundays an hour later than working days, but this Sunday was different. The constant buzzing of my mobile due to incoming messages disturbed me. And one of the message was from my son, who was travelling, and had not slept in the bus. He was seeing the internet site of a news channel which carried the shocking news that the darling of the audiences SRIDEVI had passed away in Dubai of a CARDIAC Arrest. That jolted me and my first reaction was to google for confirmation. And sure enough the news had broken on the internet a few minutes back. The first person to break the news to Atulites was Satyajitji from DOWN Under. And the reactions followed through the day- here there everywhere.

There were messages being posted and reposted and forwarded among the various WhatsApp- groups all trying to find a reason for the sudden death of a supposedly perfectly healthy human being. The mystery still continues. But we have lost a “Khwaabon Ki Shehzaadi”, a style icon, an inspiration for numerous aspiring actors. A person who was passionate about her work. She was comfortable doing an Indian classical dance as well as out-of-tune Bollywood-style numbers the equivalent of which in South Indian movies are called Dappang-Kootu; though Dappang-Kootu is largely folk dance based and Sridevi was good in all of it.

On the day the news broke all the news channels spoke of her work in Tamil as well as Hindi movie and mentioned in the passing about her having worked in Malayalam, Kannada and Telugu as well. Having started at the very young age of 4 or 5 she has acted opposite all the giants of the Indian film industry of the period starting with Sivaji Ganesan and Gemini Ganesan in her first movie “Kandan Karunai” as child star in Tamil; followed by “Maa Naana Nirdoshi” in Telugu, “Kumara Sambhavam” in Malayalam, and “Apna Desh” in Hindi as Rajesh Khanna’s niece- cannot forget “Rona kabhi nahin rona chahe toot jaaye koi khilona” although her fist outing as child star in Hindi was “Rani Mera Naam” in 1972. I have also seen her in the Tamil version of “Apna Desh” “Nam Naadu” as niece to MGR. Just before she began performing adult roles we saw her as sister to Lakshmi in “Julie” in the iconic song “My heart is beating”, she was just 11 then.

From the age of 13 she graduated to doing adult roles and Kamal Haasan and Rajnikanth were her first co-actors. There was time when she was a heroine to many actors of the South Indian film industry in whose films she had acted as a child.

Her debut in Hindi was in the not-so-successful “Solva Sawan” in 1979 opposite Amol Palekar; she had also starred in the Tamil original and the Telugu remake. But after her second attempt in Hindi movies in the Jeetendra starrer “Himmatwala” in 1983. I distinctly remember that year I had been to Hyderabad to my mama’s place and there were these huge posters everywhere of this beautiful heroine amid rows of “colourful pots” in what turned out to be a song which is still popular “nainon mein sapna, sapno mein sajna, sajna pe dil aagaya”. That was also the time when Jaya Prada had made her debut in Hindi movies through “Sargam”. And the teenager that I was then, decided Sridevi was a threat to Jaya Prada, and refused to see that movie. I think the first Sridevi movie I saw of my own choice was “Inquilaab” because Amitabh Bachchan was her co-star. And then I was floored by her. Subsequently I have many of her movies and was particularly fond of her pairing with Jeetendra and Amitabh Bachchan though that was only in three movies, she was the FEMALE SUPERSTAR of her times. She also paired successfully with Anil Kapoor and Mithun Chakravarty.

28-2-2018
—————–
I have been writing this for the last two days and still the reality has not sunk-in. I am still thinking of the day when the news broke. In the meantime, there has been news that our shehzaadi died due to “accidental drowning” but whatever be the reason she is lost to us and her numerous fans. But the people who will miss her the most will be her two young daughters and husband, immediate family and friends. They have undergone great mental stress this last few days, the time that it took them to get her mortal remains from Dubai. My thoughts are with them. They say the cremation will finally happen today. May our darling Sridevi find eternal peace.

Over the last two days, as I was talking of a star/ an actor I loved, I told my mom-in-law about all the Sridevi- Jaya Prada movies of the 80s where Sri always played a stronger character and Jaya had all the crying to do. My sister was thinking of all the famous songs of the Jeetendra- Sridevi- Jaya Prada movies which could not have been done by anyone else. Everyone must have had a song of that time which they loved but will never admit as those were songs with seemingly no-sense. But they all were successful.

A thought just went through my mind. The day the news came on TV some channels showed a scene from one of her first movies as a child. It had baby Sridevi “crying unconsolably running a short distance and collapsing on to her Knee and still crying.” Her last released movie “Mom” (2017) has her running similarly, crying uncontrolled and dropping on to her knee. Uncanny I must say!!

The song with this post is from “Lamhe”. I had originally intended that the song should accompany a post on the graceful Waheeda Rehman, but I am presenting it here on this sad occasion. There is an incident behind the shoot of this song which Yash Chopra has related. The shoot was scheduled in London in 1991. That was the time her father passed away. She left the shoot midway to be with her family during the time of grief. The schedule was that this song was to be shot and upon her return Yash Chopra offered to change the schedule or cancel it altogether. But such was Sri’s passion to her work that she was ready to do what the director asked for. Anupam Kher her co-actor in the movie adds that in between shots she used to be drowned in grief but there used to be no trace of that emotion once she was infront of the camera. She was a darling of the camera too.

Rest in Peace Dear—Om Shanti, Shanti Shanti.


Song-Pyaar hua iqraar hua hai parody song(Lamhe)(1991) Singers-Sudesh Bhonsle, Pamela Chopra, Lyrics-Anand Bakshi, MD-Shiv Hari
Sudesh Bhonsle + Pamela Chopra
Pamela Chopra + Unknown female voice
All

Lyrics

pyaar hua ikraar hua hai
pyaar se phir kyun darta hai dil
pyaar hua ikraar hua hai
pyaar se phir kyun darta hai dil
kahta hai dil rasta mushqil
maaloom nahin hai kaha manzil

pyaar hua ikraar hua hai
pyar se phir kyon darta hai dil

tadbeer se bigdi hui
taqdeer bana le
taqdeer bana le
apne pe bharosa hai to
ek daav lagaale
lagaale daav lagaale
tadbeer se bigdi hui
taqdeer bana le,
taqdeer bana le
apne pe bharosa hai to
ek daav lagaale,
lagaale daav lagaale

jai jai shivshankar,
kaanta lage na kankar
he jai jai shivshankar,
kaanta lage na kankar
ke pyaala tere naam ka piya
o o o gir jaaungi
main mar jaaungi
jo toone mujhe tham na liya
o sau rab di

he jai jai shivshankar,
kanta lage na kankar
ke pyaala tere naam ka piya
o o o
gir jaaungi main mar jaaungi
jo toone mujhe thhaam na liya

o sau rab di

hum tum
ek kamre mein band hon
aur chaabhi kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaye
tere nainon ki bhoobhulaiya me
bobby kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaaye

Thakur
bol tere saath kya sulook kiya jaye
maar diya jaye ki chhod diya jaaye
bol tere saath kya sulook kiya kiya jaaye
maar diya jaaye ki chhod diya jaaye
bol tere saath kya sulook kiya kiya jaaye
bol tere saath kya sulook kiya kiya jaaye
jaam diya jaaye ki jahar diya jaaye

bol tere saath kya sulook kiya kiya jaaye
are bol tere saath kya sulook kiya jaaye

babuji dheere chalna,
pyar mein zara sambhalna
haan bade dhoke hain
bade dhoke hai iss raah mein
baabuji dheere chalna,
pyaar mein zara sambhalna
haan bade dhoke hain
bade dhoke hai iss raah mein
babuji dheere chalna

ho re maajhi,
ho re majhi ho o o
mere maajhi,
mere saajan hain us paar
main man maar
hoon is paar
o mere maajhi
abki baar le chal paar
le chal paar
mere saajan hain us paar
ho re maajhi,
ho re maajhi
ho ho ho mere maajhi

bindiya chamkegi
choodi khankegi
bindiya chamkegi
choodi khankegi
teri neend ude te
ud jaaye
kajra bahkega
gazara mehkega
kajra bahkega
gazra mehkega
gaddi tur diye
te tur jaaye
bindiya chamkegi
choodi khankegi

yaahoo
yaahoo
chaahe koi mujhe jungli kahe
kahne do ji kahta rahe
hum pyaar ke toofaanon mein ghire hain
hum kya karen
chahe koi mujhe jangli kahe
kahne do ji kahta rahe
hum pyaar ke toofaanon mein ghire hain
hum kya karen
chaahe koi mujhe jungli kahe

yaahoo,
yaahoo

chaahe koi mujhe jungli kahe
haaaan kahne do jee kahta rahe
yahoo yahoo bhi karenge
waahu waahu bhi karenge
karenge
aa aa
chaahe koi mujhe jungli kahe ae ae
haaaaan baabul mora

tu mere man ka moti hai
in nainan ki jyoti hai
yaad hai mere bachpan ki
gahr aaya mera pardesi ee

maalish
tel maalish
aen
champii
sar jo tera chakraaye,
ya dil dooba jaye
aaja pyaare paas humaare
kaahe ghabraaye,
kaahe ghabraaye
sar jo tera chakraaye,
ya dil dooba jaaye
aaja pyaare pas humaare
kaahe ghabraaye,
kaahe ghabraaye
aen

jaane wo kaise log thhe jinke,
pyaar ko pyaar mila
humne to jab kaliyaan maangi,
kaanton ka haar mila

kaanton se kheench ke ye aanchal
tod ke bandhan baandhi paayal
ho o o
koi na roko dil ki udaan ko
dil wo chala
aaaa aa aa aaaa
aaj phir jeene ki tamanna hai
aaj phir marne ka iraada hai

aaj phir jeene ki tamanna hai
aaj phir marne ka iraada hai

ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

o ramayyaa vastavayyaa
ramayyaa vastavayyaa

maine dil tujhko diya,
maine dil tujhko diya

aa aa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3505 Post No. : 14085

‘Saas Bhi Kabhi Bahu Thi’ (1971) is different from the serial ‘Kyun Ki Saas Bhi Kabhi Bahu Thi’ which came a long time after the movie. The movie was an all-round entertainer. We would not get anything less in a movie where Om Prakash heads the cast and the hero (Sanjay Khan in this case) plays a second fiddle to Om Prakash and Jagdeep. Plus, when the mirch-masalas Lalita Pawar and Shashikala spice up the whole setup, it is but natural that the lead cast (Sanjay Khan and Leena Chandavarkar) become secondary – their presence being needed for the romantic interludes.

I must confess I was unaware of this movie till a few years back – till 2014 to be exact. I chanced upon it on one of the umpteen satellite channels. The title made me sit through what turned out to be an enjoyable family- entertainer (as they used to be called back then) which didn’t make you start crying halfway through. A family-entertainer essentially was one which one could see with the entire family and the viewer will be preached about how to maintain family relationships and a few ladies in the audience will be seen crying into their hankies. This movie was not like that.

So, coming to today’s song we have Om Prakash playing a Sadhu Baba and Sanjay and Jagdeep are his chelaas (I think it means students) with Sunder playing an assistant. In the movie Sanjay is Om Prakash’s son, Sunder – his servant and Jagdeep is Sanjay’s saala (brother-in-law). The song has Shashikala and Lalitha Pawar as ladies who have come with queries to the “antaryaami baba”. Through the song we get a gist of the movie. The song is in the voice of Manna Dey written by Rajendra Krishan, with music composed by RD Burman.

One song from this movie was discussed in 2016 by our Avinashji. On the occasion of Om Prakash’s passing away anniversary today; we shall see him the way he was largely-loved by the public. It is 20 years since he passed away.

In those days we used to live in Chembur, Bombay (not yet Mumbai then) and both Om Prakash and Ashok Kumar lived not very far from where we were. Those were the days when it was still cable TV and not satellite TV. And what did the cable operator providing service to our apartment do, he just stopped service for the day and put up a notice on black card— to enable the public in the area to attend the funeral of our beloved “jija ji” (as Om Prakash’s character was in “’Chupke Chupke”) we are suspending our service for a day. That was how much he was loved.

We can remember so many of his memorable characters – starting from ‘Guddi’ (1971) (that is where I noticed him first) to all his characters in Hrishikesh Mukherjee movies, to ‘Ghar Ho To Aisa’ (1990) (that is the last time I saw him in a movie). Of course, his career spanned 42 years and starting from movies made in Lahore in 1942 to “Ghar Ki Izzat” in 1994 he was a co star to every actor – big or small- and gave his best no matter the size of the role as in ‘Purab Aur Paschim’ (1970).

Thinking of Jija ji today on his anniversary

Song – Suno Re Saadho Ye Sansaaram Ultam Paltam Ho Gaya (Saas Bhi Kabhi Bahu Thi) (1970) Singer – Manna Dey, Lyrics – Rajendra Krishan, MD – RD Burman
Chorus

Lyrics

baaba-leeka

hey..ey
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
bam bam leharey bam bam
bam bam leharey bam bam
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
bam bam leharey bam bam
bam bam leharey bam bam

dekho re dekho
dekho re saadho
kalyug ki naari ka namoona
apni hi santaan ko is ne
kas ke lagaaya kaisa choona
apni bahu ko bete se apne
sau gaj door sulaya
prabhu kripa se
phir bhi is ne
chaand sa pota paaya
bolo
bam bam leharey bam bam
phir se
bam bam leharey bam bam

dhanya hai saadho
ye devi bhi
chidiya jaisi bholi bhali
rang birange pankh hai iske
chonch magar hai kaali kaali
apni boodhi saas ko is ne
ghar se maar bhagaaya
jab ye saas bani to is ko
bahu ne mazaa chakhaya
ho bolo
bam bam leharey bam bam
phir se
bam bam leharey bam bam

hey..ey
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
ho bolo
bam bam leharey bam bam
bolo
bam bam leharey bam bam

bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बाबा-लीका

हे॰॰ए
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
बम बम लहरे बम बम
बम बम लहरे बम बम
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
बम बम लहरे बम बम
बम बम लहरे बम बम

देखो रे देखो
देखो रे साधो
कलयुग की नारी का नमूना
अपनी ही संतान को इसने
कस के लगाया कैसा चूना
अपनी बहू को बेटे से अपने
सौ गज दूर सुलाया
प्रभु कृपा से
फिर भी इसने
चाँद सा पोता पाया
बोलो
बम बम लहरे बम बम
फिर से
बम बम लहरे बम बम

धन्य है साधो
ये देवी भी
चिड़िया जैसी भोली भाली
रंग बिरंगे पंख हैं इसके
चोंच मगर है काली काली
अपनी बूढ़ी सास को इसने
घर से मार भगाया
जब ये सास बनी तो इसको
बहू ने मज़ा चखाया
हो बोलो
बम बम लहरे बम बम
फिर से
बम बम लहरे बम बम

हे॰॰ए
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
हो बोलो
बम बम लहरे बम बम
बोलो
बम बम लहरे बम बम

बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14300 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

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