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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Peevesie’s mom’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3795 Post No. : 14783

Hullo, hi, pranaam. Good day to all of Atuldom.

Today (8 december 2018) we have a handsome man turning a year older. He has crossed 80 a few years ago but that has not reduced his charisma or charm or fan-following. He is still active on the silver-screen, even if only in home productions, and has his sons as his co-stars.

He has had a rather loooonnnngggg journey having started in 1960. He was the son of a village school headmaster in Ludhiana of Punjab. His mother was the one who supported him in fulfilling his dream of being an actor (he has mentioned this in various interviews of his). He was bitten by the acting bug after seeing Dilip Kumar on-screen. To pursue his dream, he entered the Filmfare New Talent Contest and won it. He was launched by Arjun Hingorani in “Dil Bhi Tera Hum Bhi Tere” in 1960. From then on, he has been entertaining us.

Dharmendra – the he-man with a soft heart. I have read in numerous of his interviews and heard him on television too that his home is always open to anyone who needs his help. The first time I registered this actor or fell in love with him was probably in “Guddi” along with Jaya Bhadhuri (she was also shown to be a Dharmendra fan) or was it in “Seeta aur Geeta”. Or it could be that I saw “Sholay” fell in love with Veeru and then subsequently saw “Guddi” and “Seeta aur Geeta” on Doordarshan and realized who Raka or Dharmendra (he played himself in Guddi) the actor was.

After “Sholay” I have seen many of his movies, even those where he stood next to a bookshelf and sang – “ya dil ki suno duniyawalon ya mujhko abhi chup rehne do” or stood looking out of a window with the “Meghdhoot” in had singing – “tum pukarlo, tumhara intezaar hai”. Loved him even with his heavy lip-sticked- makeup singing “aap ki haseen rukh pe aaj naya noor hai”.

How can anyone forget his pairing with Meena Kumari, Asha Parekh, Waheeda Rehman, Nutan, Vyjayanthimala, Sadhana, Saira Bano, Mumtaz, Babita and all the other ladies of the 60s. He is a lucky guy as he got to romance all the leading ladies of the 70s & 80s. He was sensible enough in not trying to play a romantic lead in the 90s and the few movies where he had heroines it was either Jaya Prada or Sridevi. In the other movies he played a mentor or guardian to the hero or heroine as in “Dadagiri” {1987} he mentors Padmini Kolhapure and helps her in her mission to take revenge against Amrish Puri.

Similarly, in the 1988 “Paap ko jalakar raakh kar doonga” he is shown his to keep his emotions under control in front of his niece played by Farha after her husband is killed by ‘goondas’ and quietly trying to take revenge against the people responsible of the havoc caused in his ‘hasta khelta’ niece’s life. He is an actor who held his ground during the Rajesh Khanna and Amitabh Bachchan wave.

There are many movies starring Dharmendra and we have covered all his popular ones. Atleast that is what I expected. But I am proved wrong there are many more out there which makes it a difficult job to decide what song to present here. I am taking the easy way out and posting the song which is topmost on my head. It is by the Kishore Kumar- Anand Bakshi- R D Burman trio, from the 1978 Pramod Chakravarty produced and directed “Azaad” which was decently successful at the box office.

It was a typical masala movie where Hema Malini played a rich-spoilt- haughty princess and Dharam an eccentric do-gooder (Ashok) who first has his run-ins with the Rajkumari, teaches her to respect food, the poor etc and finally lands up in a factory owned by her. The movie goes through the routine of the princess trying to humiliate Ashok, then falling in love with him and the evil villains trying every trick to bring the movie to the climax.

Today’s song happens when Hema is in the haughty phase and Dharam wants to protect all of the jungle creatures if possible. The song shows our darling Dharam in his trade mark style of being rough and tough (junglee to an extent) and Prem Chopra to be a little stupid. But this is the perfect song to show who or what we experienced when we saw Dharmendra on screen in the late 70s and early 80s.

Wishing you a very Happy Birthday dear Veeru or Garam Dharam alias Dharmendra.


Song-Main Laila ka Majnu Shirin ka Farhaad (Aazaad)(1978) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

O hoooo
o hoooooo

main laila ka majnu
shireen ka farhaad
main hoon sabse pehle
arre sab hain mere baad
main aazaad
main aazaad
main laila ka majnu
shireen ka farhaad
main hoon sabse pahle
arre sab hain mere baad
main aazaad
main aazaad

Ooooo
Ooooo

pehle bano nishaana
phir tum teer chalaana
thhaam ke apne dil ko phir tum saamne aana
arre pehle bano nishaana
phir tum teer chalaana
thhaam ke apne dil ko phir tum saamne aana
tum jaise dekhe hain
maine bade saiyyaad
main laila ka majnu
shireen ka farhaad
main aazaad
main aazaad

mujhse bachke rehna
baat bigad jaayegi
saari raat kasam se tumko
neend nahin aayegi
arre mujhse bachke rehna
baat bigad jaayegi
saari raat kasam se tumko
neend nahin aayegi
bhool na paaogi tum
main aaunga yaad
main laila ka majnu
shireen ka farhaad
main aazaad
main aazaad

inn aankhon ke raste
dil mein bas jaaoonga
tum naagin toh main sapera
tumko das jaaoonga
arre inn aankhon ke raste
dil mein bas jaaoonga
tum naagin to main sapera
tumko das jaaoonga
ab karti ho gussa
phir karna fariyaad
main laila ka majnu
shireen ka farhaad
main aazaad

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3790 Post No. : 14774

Hullo to Atuldom

At the outset let me wish our friend of Atuldom “A very Happy Birthday” and lotsa of love and joy forever. Let her always be a mystery (paheli); atleast till I meet her personally. But from accounts about her that Sudhirji had once shared on the blog and Atulji’s had written in his post I am very eager to meet her. Till then I will be content with the occasional telephonic chat or WhatsApp masti that we indulge in. Wish you a very Happy Birthday Khyatiji. Have a great day musical day.

“Amir Garib” is a movie I have seen ages back at the time it was released. I have very foggy memory of the contents, only thing I recollect is both Dev Anand and Hema play petty thieves in addition to picking each other’s pockets, and sing the same song one after the other i.e. “soni aur moni ki hai jodiajeeb” has two versions that follow each other in quick succession, in Kishore Kumar and Lata Mangeshkar. Also, I recollect how gorgeous and petite Hema lookedand Dev Anand’s style of dressing, and dancing.

For the plot content I consulted the WIKI and this is what I found :-

The film starts with Mumbai police officials deliberating how to crack a spate of robberies targeting the rich in the city by a masked thief called Bagula Bhagat. Inspector Anand (Sujeet Kumar) is given charge of the case.
Meanwhile, one gets to see musician and singer, Manmohan, alias Moni, working in a hotel owned by Seth Daulatram (Premnath) who is pursued by Sunita aka Soni, a pickpocket, who lives with her foster mother (Sulochana). In fact, Sunita’s rich businessman father died when he was duped by his treacherous manager, Daulatram.

Actually, Bagula Bhagat is Moni in disguise, whose informers (including Birbal and Tuntun) garner information about the misdeeds of unscrupulous traders and businessmen. These then become the target of Bagula Bhagat, who robs them of their riches only to distribute among the poor and the needy. Moni’s heart beats for the ill trodden after a childhood incident, in which his grandfather was killed by a ruthless landowner, who not only belittles him for his poverty, and mocks him about Moni’s mother having been duped by a rich man.

After a series of incidents-some interesting, others outright boring and outlandish Moni and Soni agree to teach Seth Daulatram a lesson for his misdeeds. But before that, Moni comes to know that Soni’s foster mother is actually his mother and that inspector Sujeet Kumar is the fiancé of his foster sister. The film ends after a courtroom drama, in which the judge tries Bagula Bhagat for his misdemeanours. Does the judge take a lenient view of Moni’s plea for rights of the poor? Or is he delivered a harsh punishment?

Lets have this party song today to celebrate our Khyatji’s birthday. It has the normal masala movie setup of a climax song, with the villain (Premnath) bringing in the heroine’s mother (Sulochana) as his hidden trump to thwart the hero and heroine in their mission. We have Ranjeet playing Premnath’s chamcha.

This song also shows Dev Anand in the style he was known for after the advent of colour in movies.

Video

Audio

Song-Kahin janaab ko mera to intzaar nahin (Ameer Ghareeb)(1974) Singers-Lata, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics(Based on Audio version)

thha intzar jiska aaa
woh raat aa gayi hai
thha intzaar jiska
woh raat aa gayi hai
dulha miyaan kahaan hai
baaraat aa gayi hai
uljhe huye hain saahib
uljhan ko dhoondhte hain
mehfil mein doston ki ee
dushman ko dhoondhte hain

nashe ka jhonka hai woh
nazar kaa dhokha hai woh
nashe ka jhonka hai woh
nazar kaa dhokha hai woh
huzoor aayega woh zuroor
aayega woh

magar woh dushman e jaan
na aa chuka ho yahaan
magar woh dushman e jaan
na aa chuka ho yahaan
kisi pe kya hai yaqeen
kahin woh main toh nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

nazar udaas hai kyon
labon pe pyaas hai kyon
nazar udaas hai kyon
labon pe pyaas hai kyon
uthhaaon jaam piyo
usi ke naam piyo
guzarne do yeh ghadi
badi hai raat padi
guzarne do yeh ghadi
badi hai raat padi
ke thhodi der mein woh kahega aake suno
tumhen karaar nahin
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

aaa
aa aa aa aa aa
yeh ameer aur gareeb
zara se aayen kareeb
yeh ameer aur gareeb
zara se aayen kareeb
toh koyi baat bane
meri baaraat bane
yahi toh soch ke haan
main aa gaya hoon yahaan
yahi toh soch ke haan
main aa gaya hoon yahaan
yeh meri bhool sahi
ghalat asool sahi
main sharmsaar nahin ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin

mera jo haal hai abb
kiya hai tumne yeh sab
mera jo haal hai abb
kiya hai tumne yeh sab
tumhaara kaam hai yeh
ke intekaam hai yeh
diya jo toone mujhe
wahi main doongi tujhe
diya jo toone mujhe
wahi main doongi tujhe
yahi hai kaam mera
khizaa hai nam mera
ke main bahaar nahi ee
kahin janaab ko mera toh intzaar nahin ee
kahin janaab ko mera toh intzaar nahin
kisi pe kya hai yaqeen
kahin woh main toh nahin
kuchh aitbaar nahin
kahin janaab ko

mera toh intzaar nahin
kahin janaab ko mera toh intzaar nahin


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3778 Post No. : 14758

Hullo to all in Atuldom

Once upon a not-so-long a time ago the anniversary page on our blog said that Helen – the dancing diva – celebrates her birthday on 21st October and I had sent this song – “Lovelina, Aa Gaya Main“, from ‘Agent Vinod’ (1977) for the occasion. Then over the years we got enlightened that her birthdate was 21st November. And as I sit to write this, further enlightenment strikes – she turns 80 today!!!! WOW!!! And she has been entertaining us since she was 13, having appeared in ‘Awaara’ in 1951 – that is 67 years in public eye. Of course, the last time I saw her in front of the camera was on satellite television when she appeared on the chat show ‘The Kapil Sharma Show’ along with another favourite of mine – Asha Parekh. And so far, the last film that she has appeared in is ‘Heroine’ (2012) which is directed by Madhur Bhandarkar and starred Kareena Kapoor in the main lead. In there she portrays the character of a film artiste who is past her prime and is forgotten by the industry.

But the truth is Helen is not a forgotten has-been as far as the industry and her fans are concerned. She is still remembered fondly whenever we hear songs that she had performed to. Her sprightly steps, her outfits which were never garish even when there were sequins and feathers stuck on them, her luxuriant hair done up in various styles – are somethings which no other dancer or actress has ever tried to copy. She was never called a plain item girl, she was always the supporting actress who had some substance to her role even if it was two or three songs, with a few emotional scenes and there were films she was the second heroine pining for the hero and would give up her love or life in the climax so that the lead pair could live HAPPILY EVER AFTER. She has had a HAPPILY EVER AFTER life personally too even though she is her husbands’ (Salim Khan) second wife, theirs is a one big happy family and all of her step children have bonded closely with her. She has an adopted daughter who was given a grand wedding in 2014 and is now a grandma to that girl’s child. Her family is growing and hope her happiness grows too.

‘Ram Balram’ is a 1980 movie produced by Tito and directed by Vijay Anand. The movie was an average success at the box office. It brought Jai (Amitabh) and Veeru (Dharmendra) together after a gap of five years – five years after the super successful ‘Sholay’ (1975). ‘Ram Balram’ was the story of two ‘chachere bhais’ (cousins) who have a score to settle with Ajit – another of their chacha – who is responsible for all the calamities that struck their family. There is also a nautch girl – Tarabai (Helen) – who has some axe to grind against Ajit. As the movie moves to the climax, we have the brothers and Tarabai reaching their goals but in the melee Tarabai dies but not before seeing her daughter (Zeenat Aman) happy and in love with Ram (Dharmendra). Today’s song is a typical ‘trying to distract the villains’ henchmen’. The song is sung by Mohd Rafi, Asha Bhonsle and Dilraj Kaur. It has both Zeenat Aman and Helen dressed in sarees (unusual for them) dancing a typical Dharmendra dance. The song was written by Anand Bakshi.

I had been reserving this song for a rainy day- for a time when I write a last-minute post. And so here it is to wish both Zeenat Aman (had her birthday on 19th– turned 67) and Helen a very happy birthday.

 

Song – Balram Ne Bahut Samjhaaya Par Ram Ne Dhoka Khaaya (Ram Balram) (1980) Singer – Mohammed Rafi, Asha Bhosle, Dilraj Kaur, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Asha Bhosle + Dilraj Kaur
Mohammed Rafi + Asha Bhosle + Dilraj Kaur

Lyrics

balram ne bahut samjhaaya
balram ne bahut samjhaaya
par ram ne dhokha khaya
ab to ram hi jaan bachaaye
bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
jo hona tha ho gaya
jo hona hai ho jaaye  
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

hum pinjre ke panchhi
pinjre ke panchhi
hum pinjare ke panchhi
hum se kitni door bahaarein
door bahaarein
aao mil kar sochen
mil kar sochen
aao mil kar sochen
apni bigdi aap sawaarein
teri saari baatein jaisi lakdi ki talwaarein
lakdi ki talwaarein
lakdi ki talwaar to
talwaar to
mushkil mein kaam na aaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

ho gore mukh pe zulf ye kali
naagan si lehraaye
naagan se rehna door sapere
tujhe das na jaaye
jaan hatheli par jo rakhe
apne pas wo aaye
aane wale aa gaye
aa gaye
dil dhadke haye haye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

jab tak ram ki sena aaye
gaate raho ye gaana
oommm ommmm
jab tak ram ki sena aaye
gaate raho ye gaana
band hai saare darwaaze
har rasta hai anjaana
arre mushkil hai iss rawan ki lanka se bach ke jaana
arre mushkil hai iss rawan ki lanka se bach ke jaana
vinti hai hanuman se
hanuman se
lanka mein aag lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
jo hona tha ho gaya
jo hona hai ho jaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye
ab to ram hi jaan bachaaye
beda paar lagaaye

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

बलराम ने बहुत समझाया
बलराम ने बहुत समझाया
पर राम ने धोखा खाया
अब तो राम ही जान बचाए
बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
जो होना था हो गया
जो होना है हो जाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

हम पिंजरे के पंछी
पिंजरे के पंछी
हम पिंजरे के पंछी
हमसे कितनी दूर बहारें
दूर बहारें
आओ मिल कर सोचें
मिल कर सोचें
आओ मिल कर सोचें
अपनी बिगड़ी आप संवारें
तेरी सारी बातें जैसे लकड़ी की तलवारें
लकड़ी की तलवारें
लकड़ी की तलवार तो
तलवार तो
मुश्किल में काम ना आए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

हो गोरे मुख पे जुल्फ ये काली
नागन सी लहराए
नागन से रहना दूर सपेरे
तुझे डस ना जाये
जान हथेली पर जो रखे
अपने पास वो आए
आने वाले आ गए
आ गए
दिल धड़के हाए हाए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये

जब तक राम की सेना आए
गाते रहो ये गाना
ओमम्ममम ओमम्ममम
जब तक राम की सेना आए
गाते रहो ये गाना
बंद हैं सारे दरवाज़े
हर रस्ता है अंजाना
अरे मुश्किल है इस रावण की लंका से बच के जाना
अरे मुश्किल है इस रावण की लंका से बच के जाना
विनती है हनुमान से
हनुमान से
लंका में आग लगाए
अब तो राम ही जान बचाए
बेड़ा पार लगाये
जो होना था हो गया
जो होना है हो जाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये
अब तो राम ही जान बचाए
बेड़ा पार लगाये


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3778 Post No. : 14757

‘Dhongee’ (censor certificate 23-12-1976), was a movie directed by Ashok Roy and produced by Kant Kumar productions. It seems to have had a delayed release (Wikipedia says it was released 4th May 1979). It has a starcast of Randhir Kapoor, Neetu Singh, Asrani, Sujit Kumar, Farida Jalal, Iftikhar, and Premnath. Rakesh Roshan had a friendly appearance. The lyricist to this movie was Anand Bakshi and music director was Rahul Dev Burman. The movie had five songs and Asha Bhonsle, Kishore Kumar and Amit Kumar were the playback singers. One song of this film – “Haaye Re Haaye Tera Ghunghta” – has been posted earlier, as a contribution by Pamir Harvey where a brief outline of the movie is provided. This song is popular to this day. I remember that sometime in the late 90s or early 2000 there was a remix version to this song which triggered the memory of this song. As I sat to write this post I discovered that there has been another version of this song which has been used in a recent movie titled ‘Paisa Vasool’ (2004) – I don’t know anything about this recent movie.

Continuing after seeing the movie 🙂

So, ‘Dhongee’ is the usual masaala stuff, with a brother (Randhir Kapoor) and sister (Farida Jalal) loving and helping each other with wooing their prospective fathers-in-laws (Raj Mehra and Satyen Kappu). The brother’s aim is to fulfil his ‘dead’ father’s promise to the groom’s father and see that his sister lives a happy married life. On the way to fulfilling this he meets with an accident and ‘dies’. The insurance amount that his sister gets post the brother’s death is used by his fiancée (Neetu Singh) and her father to get the sister married. This is one part of the movie. But it is not even ‘interval time’ in the movie. Now begins the tale. The brother has actually survived the accident, has been unconscious for about 2 months, tended by a Nepali Gurkha – typically named Bahadur; recovers just in time to remember his sister’s wedding date; rushes home to witness the wedding without being seen by anyone. Now he is guilt-ridden that he has cheated the insurance company and is ready to do any activity that will earn him the money to repay the insurance. Here Bahadur steps in, suggests a name and location change & sends him to Nepal. Randhir Kapoor (Anand) is intrigued that random people around Kathmandu recognise him and escort him to a palace. After a few scenes that show the goings-on in the palace it is revealed that the palace is the headquarters for printing fake notes, belongs to Bahadur alias John and Anand has been cleverly sweet-talked into standing-in for the actual John (Premnath – it was the period when he used to play the BADMAN). Additionally, it is also revealed that the ‘dead’ father is a captive in the palace; the fiancée reaches Kathmandu (on duty, being an air-hostess); sees Anand; goes back; reports to the sister and then the whole family comes to help and rescue the father and brother and finish the movie. The songs are spread through the movie with a mandatory dance with the villain – Premnath is made to sing and dance.

Remembering Premnath today on his birth anniversary, he would have been 92. He was already the cute roly-poly fisherman – Braganza (‘Bobby’, 1973)- when I first became aware of the actor. And through the 70s he was Rai Saab Bhupendra Singh (‘Johnny Mera Naam’, 1970) Khan Badshah (‘Shor’, 1972), Dharmdas ‘Dharmatma‘ (‘Dharmatma’, 1975), IG Khanna (‘Kalicharan’, 1976), Sir Juda (‘Karz’, 1980) etc. I don’t remember having seen any of his movies where he had played a hero. I remember my father was a fan of the songs pictured on him in Raj Kapoor’s ‘Barsaat’ (1949) – “Patli Kamar Hai Tirchhi Nazar Hai“; “Main Gareebon Ka Dil Hoon Watan Ki Zabaan” from ‘Aab-e-Hayaat’ (1955) and “Main Raahi Bhatakne Waala Hoon” from ‘Baadal’ (1951). I recently discovered Vodafone Play – an app offered by Vodafone – which has a section dedicated to old movies, and I discovered ‘Saaqi’ (1952) – an interesting Arabian Nights type fantasy film where he co-starred with Madhubala.

Today’s song has Premnath sharing screen space with Randhir Kapoor (his nephew – ‘bhaanja’, in real life) and Neetu Singh, and shaking a leg outside the Kathmandu temple. I think this was a popular song in the past. Amit Kumar is the playback for Premnath.

Song – Rangon Ki Chhaaon Dhoop Mein (Dhongee) (1976) Singer – Asha Bhosle, Kishore Kumar, Amit Kumar, Lyrics – Anand Bakshi, MD – RD Burman

Lyrics

ho o oooo
ooo ooo
ooo ooo

mmmm. . .
usey jaan lo
pehechaan lo

rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo
rangon ki chhaon dhoop mein
woh aaya hai naye roop mein
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

jaise koi dulha baandhe sehra
us ke chehre pe hai naqli chehra
hooo ooo
jaise koi dulha baandhe sehra
us ke chehre pe hai naqli chehra
aaaa aaaaa
ab is mein kya raaz hai
poora dhokhebaaz hai
usey jaan lo pehechaan lo
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

suljha di aankhon ne dil uljhan
haan haan yahi to hai hum sab ka dushman
he he
suljha di aankhon ne dil uljhan
haan haan yahi toh hai hum sab ka dushman
ooo oooooo
ooo ooo
ooo ooo
ooo ooo
iski sab kahaaniyan
iski hai nishaaniyan
usey jaan lo pehechaan lo
rangon ki chhaon dhoop mein
wo aaya hai naye roop mein
wo hai. . . ek behroopiya
usey jaan lo
pehechaan lo
usey jaan lo oo
pehechaan lo

tum dhongee ho to hum bhi kuchh kam nahin
tum ne jaal bichhaaya hai to gham nahin
he he
tum dhongee ho to hum bhi kuchh kam nahin
tum ne jaal bichhaaya hai to gham nahin
in baaton mein dam nahin
darne waale hum nahi
hamen jaan lo pehechan lo
rangon ki chhaon dhoop mein
main aaya hoon naye roop mein
arey
main hoon. . . ek behroopiya
hamen jaan lo
pehechaan lo
hamen jaan lo
pehechaan lo

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

हो ओ ओssss
ओsss ओsss
ओsss ओsss

मम्ममम॰ ॰ ॰
उसे जान लो
पहचान लो

रगों की छाँव धूप में
वो आया है नए रूप में
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

जैसे कोई दूल्हा बांधे सेहरा
उसके चेहरे पे है नक़ली चेहरा’
हो ओ
जैसे कोई दूल्हा बांधे सेहरा
उसके चेहरे पे है नक़ली चेहरा’
आsss आsss
अब इस में क्या राज़ है
पूरा धोखेबाज़ है
उसे जान लो
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

सुलझा दी आँखों ने दिल की उलझन
हाँ हाँ यही तो है हम सबका दुश्मन
हे हे
सुलझा दी आँखों ने दिल की उलझन
हाँ हाँ यही तो है हम सबका दुश्मन
ओsss ओsssss
ओsss ओsss
ओsss ओsss
ओsss ओsss
इसकी सब कहानियाँ
इसकी हैं निशानियाँ
उसे जान लो॰॰ओ
पहचान लो
रगों की छाँव धूप में
वो आया है नए रूप में
वो॰ ॰ ॰ है एक बहरूपिया
उसे जान लो
पहचान लो
उसे जान लो॰॰ओ
पहचान लो
उसे जान लो॰॰ओ
पहचान लो

तुम ढ़ोंगी हो तो हम भी कुछ कम नहीं
तुमने जाल बिछाया है तो ग़म नहीं
हे हे
तुम ढ़ोंगी हो तो हम भी कुछ कम नहीं
तुमने जाल बिछाया है तो ग़म नहीं
इन बातों में दम नहीं
डरने वाले हम नहीं
हमें जान लो
पहचान लो
रगों की छाँव धूप में
मैं आया हूँ नए रूप में
मैं॰ ॰ ॰ हूँ एक बहरूपिया
मुझे जान लो
पहचान लो
मुझे जान लो
पहचान लो


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3766 Post No. : 14739

8th November, this year (2018) was bang in the middle of the festivities connected with the big Indian festival of lights Deepawali, which is said to symbolize Rama’s return to Ayodhya after completing the stipulated 14 years of exile. It is said that since the day he returned was the day of Amavasya whole of Ayodhya was lit up to pave the way for the Lord. Another belief is that it marks the vanquishing of the demon Narkasura by goddess Kali and so one of the five days of festivities is called “Kali Chaudas” or “Narka Chaturdashi”.

Whatever the belief it is a five day long festival of lights and joy and celebrations in most parts of India. So here is wishing the Atulsongaday followers or Atulites as I like to call the followers a Happy Deepawali and Prosperous New Year. Some parts of the country will be celebrating “Bhai Dooj” or “Bhau Beej” on 9 November. Happy Bhai Dooj too.

The spirit of the festival is such that I found that the blog has been getting one-song-per-day for a few days now. I myself visited the blog after 3 days today. But the festival was not the only reason for my absence, my all-time favourite grudge about Bangalore had also played a part for my absence.

In fact I heard the Vividh Bharati too after quite some days and it was playing all songs of Usha Uthup in the 9:30 p.m. program. On googling I realized that it was Usha Uthup’s birthday on 8 november 2018.

She has turned 71, time has really flown since she was first sang under RD Burman’s baton in the 1971 for “Hare Rama Hare Krishna” and followed it up with “Bombay to Goa” in which she also made an appearance on-screen. She has an unusual voice which is normally not used for the female lead but more for dance numbers. But our legs move automatically to songs sung by her whether it is “one two cha cha cha”; “hari om hari”; “rambha ho”; “doston se pyar kiya”; “pyar karna toh zaroori hai”; or “I love you, kya kushi hai kya hai gham”. I find that the stats page shows that we have “6” songs of Usha on the blog (I could locate only 3). That is surprising considering that many of her songs were popular and still are popular.

The song with this post is another such song. It is from the 1978 released Krishna Shah directed multi star-casted “Shalimar”. The songs were written by Anand Bakshi and music was R. D. Burman’s. Shalimar’s LP contains 10 songs of which 3 were instrumental, one was a multi-version song. we have three songs from the movie on the blog, here is the next. It is a song which is filmed in a dance school where Aruna Irani is shown giving training for “Cha Cha Cha”. There is also a gambling den attached to the school where we see a sardar (Premnath) squandering his wealth, suffering a heart attack and being assisted by Dharamendra. It is from here that the story of the movie begins.


Audio (Full)

Song-One two cha cha cha (Shaalimaar)(1978) Singer-Usha Uthup, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics

cha cha cha,
cha cha cha

one two cha cha cha,
lets do cha cha cha
me and you cha cha cha
du ru
cha cha cha
ek do cha cha cha
aise
bahut achchhaa
ek do cha cha cha
du ru
cha cha cha
cha cha cha
cha cha cha

ek qadam aage cha cha cha
ek qadam peechhe cha cha cha
ek qadam aage cha cha cha
ek qadam peechhe cha cha cha
aaa
that’s the way aa haa aa haa
i like it
aa haa aa haa

paanv rakho aage-peechhe
aankhen upar haath thhoda neeche
paanv rakho toh aage-peechhe
aankhen upar
haath aha thoda neeche
o back to back
haan cheek to cheek
haan o baby o baabu

one two cha cha cha
lets do the cha cha cha
me and you cha cha cha
du ru
cha cha cha
waah waah cha cha cha
kya khoob cha cha cha
oh great
du ru
cha cha cha

tirikit tam
tirikit thai
tham thi tham
tham thi tham
oh god mr naidu
this is not the bharatanatyam
this is the cha cha cha

mr naidu
gir mat jaana
yahaan tumhen kal bhi hai aana
hey naidu
gir mat jaana
yahaan tumhen kal bhi hai aana
dhirap pap lo
dekho toh
qadmon ka ye jaadoo

one two three kick
one two three kick
hup two three kick
du ru
cha cha cha
one two three kick
one two three kick
hup two three kick
du ru
cha cha cha
aa honey
lets do the offbeat
swing your firm hips now to your two feet
well honey, lets do the offbeat
swing your firm hips now to your two feet
ek do cha cha cha
haan
bahut achchha
yes yes cha cha cha du ru
cha cha cha

waah waah cha cha cha, kya khub cha cha cha
lets do the cha cha cha
du ru
cha cha cha
cha cha cha,
cha cha cha

mr lover
kya karte ho, pyaar karte ho aur darte ho
o o
dhirap pap lo
dont be shy
you and I
main aur tu
ek do cha cha cha
yes yes bahut achchha
ek do cha cha cha, du ru
cha cha cha
kya khub cha cha cha
oh great cha cha cha
you are doing fine
du ru
cha cha cha

hey come on over here
lets dance
everybody together now
wahaan kya hai
all the action is here man
nazar hamaari taraf
come on
remember how you do it
cha cha cha
cross to cha cha cha
turn to cha cha cha, du ru
sabke saath
waah waah cha cha cha
kyaa khoob cha cha cha
bahut achchhe cha cha cha
du ru
dhira papa pa dhira papa pa dhira
dhira papa pa dhira papa pa dhira
dhira papa pa dhira papa pa dhira
shiba pa pa dhira pa pa dhira
oh yeah thats the way aa haa

one two cha cha cha, cross to cha cha cha
turn to cha cha cha, du ru
sabake saath
waah waah cha cha cha,
haan bahut achchha
aise
la la la, right

cha cha cha
waah waah cha cha cha
haan haan cha cha cha
thats the way cha cha cha,
haa haa cha cha cha
waah waah cha cha cha,
kya khub cha cha cha cha
right
haan loud
come wild


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3760 Post No. : 14732

Surprise! Surprise!! Surprise!!!

Found one more song, very popular in its times? No, even today. Perfect for the category – How come this song was not posted earlier? It is absolutely amazing that after 14730 posts (number of songs posted will be more as has been explained a few times before) we still find popular songs that are yet to make an appearance on the blog. What to do? Bollywood music is an ocean and we are still standing at the shores.

1973 was the year when Amitabh Bachchan tasted success in the form of Zanjeer. Rishi Kapoor made his debut with Bobby. The stars of the previous set were also in their prime and we had successful movies Anamika, Loafer, Daag, Chhupa Rustam, Raja Rani, Jugnu, Loafer, Do Phool, Banarasi Babu etc having their songs in that years Binaca Geetmala Annual List along with songs from Anuraag, Victoria No. 203, Do Chor, Raja Jani, Shehzaada, Shor, Mere Jeewan Saathi, Rampur Ka Laxman, Parichay, Yeh Gulistan Humara, Gora aur Kala which were movies that released in 1972 but whose songs were still popular in ’73 to figure in the “Saalaana List Of BGM”. The top song from that list is already on the blog- Yaari hai imaan mera yaar meri zindagi (Zanjeer). Songs number 3, 4, 5, 6, 7, 8, 9 & 10 are all on the blog how come only song number 2 got left out? Time to rectify the situation- here is song number 2 from the “Saalaana List Of BGM” as Ameen Sayani would call the list.

The song number 2 was written by Anand Bakshi and Laxmikant Pyarelal were the music directors. It was a favourite (still is I presume) among young love birds who long for privacy. The feeling that no outsider should intrude when one is with one’s beloved as also one doesn’t have to go out when the beloved is around. Does all this sound heavy, literature- kind of stuff. I will simplify it- “Baahar se koi andhar na aa sake, andhar se koi baahar na jaa sake”. Hmm now people understood where I am leading. Isn’t it surprising this song is not yet on the blog.

Raj Kapoor made “Bobby” after the debacle of “Mera Naam Joker”. A voracious reader of “Archie comics” Raj Kapoor thought of a teen-love story which was somewhat in keeping with those times. I remember a scene where Piloo Wadia – friend of the hero’s father- walks into an Irani Restaurant. She is seen by Raj (Rishi Kapoor’s name in the movie) & he rushes into the inner room with his girlfriend, to avoid being caught. He also asks Bobby (Dimple) to keep her feet off the ground as he knows that Piloo Wadia will peep from below the swinging- doors of the room. That is how youngsters used to be back then, possibly this behaviour was more out of respect to the elders or fear of being detected. “Bobby” was successful in bringing Raj Kapoor out of the red and to think that “Bobby” was a standard story of rich boy- poor girl, parents not accepting, lovers running away, and finally parents relent when the lovers threaten dire consequences.

“Bobby” was a departure from all of RK Film’s previous movies on many counts. Laxmikant Pyarelal replaced Shankar Jaikishan as music directors. Anand Bakshi replaced all of Raj Kapoor’s favourite lyricists. Finally, almost all of RK’s films showed the life of the common man with romance being an also-ran but Bobby was all about falling in love, misunderstanding between lovers, making-up etc.

Talking of Laxmikant Pyarelal reminds me today (3 november 2018) is the birth anniversary of Laxmikant- he would have turned 81. His teaming up with Pyarelal Sharma gave Bollywood a huge treasure trove of songs. The statistics page of our blog says that the treasure trove has 2901 songs of which 776 are posted. They hit the right chord with the audience from almost the start of their career as independent composers, having been assistants to Kalyanji Anandji, Sachin Dev Burman etc and even to R D Burman in RD’s debut “Chhote Nawab”. The friendship between RD and L-P was lifelong and RD played the Harmonica for LP’s songs in “Dosti” and Laxmikant made an appearance as himself in “Teri Kasam” which had music by RD.

So, let us remember Laxmikant with this song number 2 of the “Saalaana List Of BGM” or Binaca Geetmala Annual List. It was sung by Lata Mangeshkar and Shailendra Singh.


Song-Ham tum ek kamre mein band hon aur chaabhi kho jaaye(Bobby)(1973) Singers-Shailendra, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

baahar se koi andar na aa sake
andar se koi baahar na jaa sake
socho kabhi aisa ho toh kya hon
socho kabhi aisa ho toh kya ho
hum tum mmmm
ek kamre mein band hon oo
aur chaabhi kho jaaye
hum tum ek kamre mein band hon oo
aur chaabhi kho jaaye
tere nainon ki bhool bhulaiyya mein
bobby kho jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaaye

aage ho ghanghor andhera
baaba mujhe dar lagta hai
peechhe koi daaku lutera
un
kyun dara rahe ho

aage ho ghanghor andhera
peechhe koi daaku lutera
upar bhi jaana ho mushqil
neeche bhi aana ho mushqil
socho kabhi aisa ho toh kya ho
socho kabhi aisa ho toh kya ho
hum tum
kahin ko jaa rahe hon oo
aur rasta bhool jaayen
o ho
ham tum kahin ko jaa rahe hon
aur rasta bhool jaayen
teri bainyaan ke jhoole mein sainyaan
bobby jhool jaaye

hum tum ek kamre mein band hon
aur chaabhi kho jaaye

aa haa aaa
aa haa aaa
aa aa aaa
aa aa aa aa aa

basti se door
parbat ke peechhe
masti mein choor ghane pedon ke neeche
andekhi anjaani si jagah ho
bas ek hum hon
dooji hawa ho
socho kabhi aisa ho toh kya ho
socho kabhi aisa ho toh kya ho

hum tum
ek jangal se guzren
aur sher aa jaaye
hum tum ek jangal se guzren
aur sher aa jaaye
sher se main kahoon
tumko chhod ke
mujhe kha jaaye
hum tum ek kamre mein band hon
aur chaabhi kho jaaye

aise kyun khoye khoye ho
jaage ho ki soye huye ho

kya hoga kal kis ko khabar hai
thhoda sa mere dil mein yeh darr hai
socho kabhi aisa ho toh kya ho
socho kabhi aisa ho toh kya ho
ham tum
yoonhi hans khel rahe hon
aur aankh bhar aaye
tere sar ki qasam tere gham se
bobby mar jaaye

hum tum ek kamre mein band hon
aur chaabhi kho jaaye
tere nainon ki bhool bhulaiyya mein
bobby kho jaaye

hum tum mmm
hum tum mmmm
ek kamre mein band hon oooo
ek kamre mein band hon ooo
aur chaabhi kho jaaye
aur chaabhi kho jaaye
aur chaabhi kho jaaye
aur chaabhi
kho jaaye
kho jaaye


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3759 Post No. : 14729 Movie Count :

4025

Hullo to Atuldom

November 2nd is the birthday of a dear Atulite. A person who is very very important for Atuldom turns a year younger today. Without him there would be a lot of stress and strain on our dear Atulji when it comes to handling all the farmaishes and contributions that we Atulites keep sending and expect instant posting on the blog.

I have met him only once for a few hours and since then have often taken the liberty to pick up the phone and put all kinds of requests -from trying to speed up posts getting to the blog to asking help when my son and daughter visited Delhi. And he has never said a “NO”. Thank you so much Sudhirji. You are a true Dillwala Dilliwala. Wish you a very very Happy Birthday. Hope you have lots of time to be the co-poster of the blog. Hope you are able to find rare and hitherto unheard songs for all our collective listening pleasure. Hope you are able to find songs that rekindle memory of the radio listening days. Hope all your series find appropriate songs and you never run out of Mohd. Rafi songs. 🙂

Incidentally November 2nd also happens to be birthday of another Dilliwaala, viz SRK. SRK- Badshah also goes by the names Rahul, King Khan and occasionally Om Kapoor – I mean Shahrukh Khan. So, he has been around since 1988 entertaining his fans first on television in the serials Circus, Fauji and Dil Dariya and then burst on to the Bollywood firmament with the Hema Malini directed “Dil Aashna Hai” and Raj Kanwar directed “Deewana” which got him the best debutant award in 1993.

And since then he hasn’t looked back winning hearts and awards in his journey of 30 years in the entertainment industry. He has worn the hats of producer, IPL team co-owner, actor with ease and also tried his hand at singing. He has tried portraying villainous, romantic and comic characters with success as also played the lead in movies where he is a hockey coach (Chak De! India) or a person with Asperger Syndrome (My Name Is Khan). He is a complete entertainment package and here is wishing him all the best in life.

It is very difficult to choose a song that will showcase SRK’s energy and SK’s love for music. So, I have selected an SRK song which is one I enjoy and hope Sudhirji also likes. It is from a 21-year-old movie directed by Aziz Mirza- Yes Boss. It had Juhi Chawla and Aditya Pancholi as co-stars for SRK with Ashok Saraf, Johnny Lever, Gulshan Grover and Kashmira Shah in supporting roles. The song is an improvisation of a qawwali (my feeling). It is at a party hosted by Aditya Pancholi who runs an Ad agency and has his roving eye on all the models employed there. Juhi is also a model who is on his radar but SRK has taken it upon himself to shield her and has Johnny Lever and Ashok Saraf assisting him in his mission “shield a drunk Juhi from the BOSS”.

The song was written by Javed Akhtar, Jatin- Lalit were the music directors and Abhijeet Bhattacharya (was his birthday on October 30th, wishing him too although a little late)

Once again a very Happy Birthday to our Sudhirji.


Song-Jaata hai tu kahaan (Yes Boss)(1997) Singer-Abhijeet Bhattacharya, Lyrics-Jawed Akhtar, MD-Jatin Lalit
Chorus

Lyrics

Chak chak
Chaka chakchak
Chak chak
Chaka chakchak

jaata hai tu kahaan
jaata hai tu kahaan
re baaba jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan
sun pyaare
sun pyaare
ruk ja re
ruk ja re
duniya ke bade tedhe medhe raaste
khatre hi khatre hain tere vaaste
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

duniya mein aajkal
aisi bhi loot hai
kehne ko pyaar hai
samjho toh jhoothh hai
dekh tu lutne laga
tera haath hai kis ke haathon mein
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

shaa la lalaa
sha la lalalalaa
turururu lalaa
shaa la lalaa
sha la lalalalaa
turururu lalaa

pyar ka karte hain jo shor
dhyaan hai tera jin ki oar
aa main bataaoon kaun hain woh
raat mein daaku din mein chor
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

haath main jodoon tore
padoon main balma tore painyaan
chhod ke tu mohe na ja
karoon main binti more sainyaan
ho sun le mori araj sajanwa
poochhe tohse mora manwa
o jaane waale ye to bata,
jaane waale ye to bata
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

jaane tu jo baat kahoon main ishaaron mein
haan ishaaron mein
bikte hain imaan yahaan baazaaron mein
baazaaron mein
anjaane
tu na jaane
koyi jaal phaila teri raahon mein hai
koyi baat hai jo meri baaton mein hai
tu ye jaan le baaton baaton mein
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan

faisla tujhko aaj karna hai
doob jaana hai ya ubharna hai
uss taraf jhoothh hai dikhaawa hai
iss taraf pyaar ka bulaawa hai
uss taraf laalachi nigaahein hain
iss taraf mere dil ki raahein hain
jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan
sun pyaare
sun pyaare
ruk ja re
hey ruk ja re
duniya ke bade tedhe medhe raaste
khatre hi khatre hain tere vaaste

jaata hai tu kahaan
are re re re jaata hai tu kahaan
re baaba jaata hai tu kahaan
jaata hai tu kahaan

re baaba jaata hai tu kahaan


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3758 Post No. : 14728

Happy November to Atuldom

Start of the winters. Bangalore has suddenly turned colder post Navaratri and gearing up for the next most important festival in India – Deepawali.

‘Saajan Bina Suhaagan’ – released in 1978 – was produced and directed by Saawan Kumar Tak. The songs were written by Indeevar and music was by Usha Khanna. When I had heard the songs of this movie I had imagined Usha Khanna to be a rather young person. It was much later I became enlightened that she was also the music director for another set of songs which I love to hear – songs from ‘Dil Deke Dekho’ (1959). But that is not the purpose of this post.

The reason for this post is the small girl in the song who turns a year older today. She must have been all of 11 or 12 at the time of this movie. Movies used to take close to a year or two to complete those days not like present times when we hear of start to finish schedules and the movie quickly reaching the finish-line i.e. the cinema theatre. There were many reasons for the movies of the past taking time to complete and many of those reasons are not there nowadays. I don’t intend to go into the technique changes that film making has undergone.

So, the little girl of the song – Bulbul (Padmini Kolhapure) – is the pet of her parents and sisters. She is in love with her piano and loves to sing. And all is well in paradise till the father (Shreeram Lagoo) finds he is terribly ill and decides to go away from the family to undergo treatment. The mother (Nutan) also is aware of this but keeps it a secret from her daughters. Most of the movie is devoted to showing how the mother copes with the situation and how she has to also shield her daughter Bulbul from any traumatic news as she (Bulbul) too has a congenital heart problem- “hole in the heart” as the movie says. Further problems arise when one hospital ward attenant (TP Jain) starts blackmailing the mother about revealing all secrets to the children. The movie moves on to show how Nutan copes with a sick Bulbul, marriage of the elder daughter Basanti (Radhika Bartake) and a murder charge – Nutan murders TP Jain. So that is a fair idea about the movie.

Today’s song has Barkha (Aarthi Chopra) and Bulbul (Padmini) bullying their “hone waale Jeeja ji” (Vinod Mehra) who is sporting enough to agree to all the pre-wedding conditions that the saalis lay out. Suresh Wadkar, Anuradha Paudwal (who has turned 64 a few days back) and Dilraj Kaur are the playback singers.

So, the little Bulbul – Padmini Kolhapure – is a grown up lady now. She has a large number of movies in her repertoire where she has been a co-actor to most of stalwarts of Bollywood. She has been around since 1974, took a brief sabbatical after her son was born and returned to movies and television; this time playing roles of mother etc. to actors like Shahid Kapoor. And to think she is only as old as the Khans who are still playing the male lead.

Here is wishing the little Padmini a very Happy Birthday.

 

Song – Jeeja Ji Jeeja Ji Hone Waale Jija ji (Sajaan Bina Suhaagan) (1978) Singer – Anuradha Paudwal, Dilraj Kaur, Suresh Wadkar, Lyrics – Indeewar, MD – Usha Khanna
Anuradha Paudwal + Dilraj Kaur
Unidentified Female Voice

Lyrics

jeeja ji jija ji
hone waale jija ji
jeeja ji jija ji
hone waale jija ji
shaadi ke phere hai saat
aur hamaari shartein saat
tumko ho manzoor agar
tabhi milega didi ka haath
ah jeeja ji jija ji
hone waale jija ji
jeeja ji jija ji
honewaale jija ji

pehli shart aapko bata dein
ke didi khaana nahi pakaayegi
arre is ki mujhe paravaah nahi
hotel se khaana manga loonga
o doosri ye shart hai hamaari
ke nain kisi se nahin ladaoge
arre deewana hoon
in nainon ka
in se main nain ladaoonga
saali ho saali ji (paa paa paa papa paa)
hone waali saali ji (paa paa paa papa paa)
jeeja ji jija ji (paa paa paa papa paa)
hone waale jija ji (paa paa paa papa paa)

teesri ye shart hai hamaari
ke seedhe daftar se ghar aaoge
oye ghar ke siva
jaana kahaan
ghar me hi daftar bana loonga
aur chauthi shart hai hamaari
ki didi ko tum sari kamaai dogey
na rakhunga main
kuchh apne liye
sab kuch inhen
main de doonga
saali ho saali ji (paa paa paa papa paa)
hone waali saali ji (paa paa paa papa paa)
jeeja ji jija ji (paa paa paa papa paa)
hone waale jija ji (paa paa paa papa paa)

aur panchavi shart to suniye
didi jab bhi maike me jaayegi
to jaldi waapas nahin bulaaoge
arre gharwaali bin
ghabaraaya dil
toh saali ji tumko bula loonga
chhathi shart to suniye
didi ki taarif mein hamesha
nayi kavita roz sunaoge
kavita meri
na bhayegi to 
tulsi ke dohe suna doonga
saatvin ye shart hai hamaari
ki didi bachchee nahin khilayegi
arre didi ko kasht
na doonga kabhi
bachchon ko khud hi sambhaaloonga

meri bhi ek shart suno ji
are bas, bas, bas
shaadi zara honey to do
jo bhi kahogi main maanoonga
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)
biwi ho biwi ji (paa paa paa papa paa)
hone waali biwi ji (paa paa paa papa paa)

———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————

जीजा जी जीजा जी
होने वाले जीजा जी
जीजा जी जीजा जी
होने वाले जीजा जी
शादी के फेरे हैं सात
और हमारी शर्तें सात
तुमको हो मंजूर अगर
तभी मिलेगा जीजी का हाथ
आह जीजा जी जीजा जी
होने वाले जीजा जी
जीजा जी जीजा जी
होने वाले जीजा जी

पहली शर्त आपको बता दें
के दीदी खाना नहीं पकाएगी
अरे इसकी मुझे परवाह नहीं
होटल से खाना मँगवा लूँगा
और दूसरी ये शर्त है हमारी
के नैन किसी से नहीं लड़ाओगे
अरे दीवाना हूँ
इन नैनों का
इनसे में नैन लड़ाऊँगा
साली हो साली जी
(पा पा पा पा पा)
होने वाली साली जी
(पा पा पा पा पा)
जीजा जी जीजा जी
(पा पा पा पा पा)
होने वाले जीजा जी
(पा पा पा पा पा)

तीसरी ये शर्त है हमारी
के सीधे दफ्तर से घर आओगे
ओय घर के सिवा
जाना कहाँ
घर में ही दफ्तर बना लूँगा
और चौथी शर्त है हमारी
के दीदी को तुम सारी कमाई दोगे
ना रखूँगा मैं
कुछ अपने लिए
सब कुछ इन्हें
मैं दे दूँगा
साली हो साली जी
(पा पा पा पा पा)
होने वाली साली जी
(पा पा पा पा पा)
जीजा जी जीजा जी
(पा पा पा पा पा)
होने वाले जीजा जी
(पा पा पा पा पा)

और पाँचवी शर्त तो सुनिए
दीदी जब भी माएके में जाएगी
तो जल्दी वापस नहीं बुलाओगे
अरे घरवाली बिन घबराया दिल
तो साली जी तुमको बुला लूँगा
छटी शर्त तो सुनिए
दीदी की तारीफ में हमेशा
नई कविता रोज़ सुनाओगे
कविता मेरी
ना भाएगी तो
तुलसी के दोहे सुना दूँगा
सातवीं ये शर्त है हमारी
के दीदी बच्चे नहीं खिलाएगी
अरे दीदी को कष्ट
ना दूँगा कभी
बच्चों को खुद हि संभालूँगा
साली हो साली जी
(पा पा पा पा पा)
होने वाली साली जी
(पा पा पा पा पा)
जीजा जी जीजा जी
(पा पा पा पा पा)
होने वाले जीजा जी
(पा पा पा पा पा)

मेरी भी इक शर्त सुनो जी
अरे बस बस बस
शादी ज़रा
होने तो दो
जो भी कहोगी
मैं मानूँगा
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)
बीवी हो बीवी जी
(पा पा पा पा पा)
होने वाली बीवी जी
(पा पा पा पा पा)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3752 Post No. : 14717 Movie Count :

4021

Hullo to Atuldom

October was slightly busier than normal. I have missed a few birthdays -dates which I always try to write for. I missed Kishore Kumar’s anniversary, and birthdays of Hema Malini, Ashok Kumar, Vinod Khanna, Smita Patil, Shammi Kapoor and a few for which I had made mental notes for – Sunny Deol, Kadar Khan etc. But unless I write oops! type, mental notes remain in the mind. And even mere typing is not enough I should send it as email too, technology has not yet advanced to the level that one person can read another’s thoughts and convert it into a post. Thank god that there is a small amount of privacy left in these modern technological times.

But my post today (26 october 2018) is not to cry about technology. Today is one of those dates in October which I don’t like to miss; at least for the last 3 years.

It is important for me that I write at least a few words to wish this dear friend of ours on his birthday. I may not be as eloquent as Atulji was in this post of his last year, or as emotional as Archanaji was in this post. I have not known our today’s birthday boy for as long as Pamir Harvey but I agree to everything that he had written in this post and have expressed it a few times in this last few years. He is among those friends with whom there has been a comfort level wherein I just message him or pick up the phone and talk for long without any particular topic (sometimes we do get topical).

As he has said last year in one of his comments and I quote “this blog might have started as a repository for HFM, but over the years, it has spawned close friendships amongst some of us, co-travellers.”

Here is wishing this co-traveller, friend, and fellow Atulite- Rajaji “A very very Happy birthday”. May we see more of you on the blog. And don’t mind if you can’t feed us with your essays even your twit-style writing is thought provoking.

The song with this post is from a rather new movie (by the standards of the blog) considering it released on 5th November, 1999. It was directed by Eeshwar Nivas, for a story by Ram Gopal Verma. The movie tried to portray the criminal-politician nexus using Bihar as the backdrop and its effect on the life of an honest police officer. The movie starred Manoj Bajpai and Sayaji Shinde on the two sides of the law. It won a National Award for best feature film, and represented India at various international film festivals. The songs were penned by Sameer and Amar Akbar Anthony were the music directors. OOPS, Sorry! I mean Shankar- Ehsaan- Loy (I have Shankar Mahadevan call the trio as Amar- Akbar- Anthony in one of his interviews).

Today’s song is sung by Baby Anagha, Kavita Krishnamurthy, and Shankar Mahadevan. It is a typical scene-in-a-middle class home in the morning before the father prepares to leave for work. A very familial situation where Raveena Tandon plays the homemaker – one of the many deglamourized roles she played.

Oh, it is also Raveena Tandon’s birthday today. Let us wish Raveena a long and healthy life and enjoy her in this song.


Song-Mere papa ka gussa (Shool)(1999) Singers-Baby Anagha, Kavita Krishnamurthy, Shankar Mahadewan, Lyrics-Sameer, MD-Shankar Ehsan Loy

Lyrics

mere papa ka gussa
tam tadam

ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka gussa kaisa
hai darasingh jaisa
dekho dekho
dekho dekho
ayya tere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka gussa kaisa
hai darasingh jaisa
dekho dekho
dekho dekho
ayya tere papa ko gussa jab aata hai

jaldi savere main uthti hoon
kya kya ghulaami karti hoon
socho socho
socho socho
jaldi savere main uthti hoon
kya kya ghulaami karti hoon
socho socho
socho socho
inko uthaake
chaai banaake doon main
kapde saare dhoti hoon
main naashta deti hoon
poore ghar ka bojh
apne sar pe main
leti hoo
tumhe bhi main sambhaaloon
inhe bhi main sambhaaloon
kaise bolo,
ho bolo bolo
ayya tere papa ko ghussa jab aata hai

mere papa ka ghussa
tam tadam

main hoon police mein
choron ka peechha
din bhar main karta hoon
aage peechhe
ae daudoon bhaagoon
main hoon police mein
choron ka peechha
din bhar main karta hoon
aage peechhe
ae daudoon bhaagoon
meri majboori koi nahin samjhe yahaan

arre main bhi ghar mein cockroach aur choohon se ladhti hoon
saara din inke main peechhe padti hoon
tum bhi the mere pichhe
lekin shaadi se pehle
main hoon main hoon
boss ghar ki

ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka ghussa kaisa
hai darasingh jaisa

dekho dekho
dekho dekho
dekho dekho
haan dekho dekho
mere papa ka gussa
tam tadam


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3745 Post No. : 14704

Happy Dussehra Atulites

Today’s song is a modern version of the Ram- Raavan story. It is from the 2001 supernatural thriller “Aks” produced by Amitabh Bachchan and Jhamu Sughand. Director was Rakeysh Omprakash Mehra. The movie had a star cast of Amitabh Bachchan, Raveena Tandon, Nandita Das, Manoj Bajpai and Amol Palekar in a special appearance. The songs were written by Gulzar and Anu Malik was the music director. Today’s song is in the voices of Amitabh Bachchan, Nandita Das and Kavita Mundra.

I like the touches of modernism that Gulzar has written into the song:
Lanka- Bharat baant diya hai.
Communication systems have changed- the song mentions phone lines are obsolete and emails were in use. (2018 even emails are rare)
And finally- jab tak ram hai raavan rahega (a real mirror to the times we are in)

Jai Bolo Shree Ram Ki.
Jai Maa Durge. Jai Mata Di.

Video

Audio

Song-Hat jaao raavan maaroongi baan (Aks)(2001) Singers-Kavita Mundra,Amitabh Bachchan, Nandita Das, Lyrics-Gulzar, MD-Anu Malik
Kavita Mundra + Nandita Das

Lyrics

(Whole lot of gibberish)

hat jaao raavan
maaroongi baan
raam ke paas hai teer kamaan
teer kamaan
arre jaao jaao
haha ha

hat jaao raavan
maaroongi baan
raam ke paas hai teer kamaan
teer kamaan

raavan ke paas hai gyaan hi gyaan
raavan hai tujhse bada vidwaan
bada vidwaan

lanka mein ja ja ke danka bajaiyyo o o
arre ja apne ghar mein tu shekhi dikhaiyo
jaanti nahin tu
arre sorry sorry sorry
jaanta nahin tu raavan ka dabdabaa aa
khol ke rak dega duniya ka dabba

haaan
chutki mein tujhko masal denge raam
mmm mmm
mmm mmm
mmm mmm

chutki mein tujhko masal denge raam
aedi ke neeche kuchal denge raam
kuchal denge raam
hoy
bolti bahut hai tu raam ki bachchi,
haan
bolti bahut hai tu raam ki bachchi
haran dikha ke le jaaunga sachchi
haran dikha ke le jaaunga sachchi
phir dekhenge jab aayega hanuman
ha ha ha ha ha ha ha

(dance ke taal)

ae aeeee
raavan hai raavan bol na zyaada
hasti hai kya teri paaltu piyada
poonch mein aag laga ke,
teri sone ki lanka jala doongi

arre gi nahin ga ga ga
okay,
sone ki lanka jala doonga

haan
sita ko bandi banaya hai toone aee,
raam ko jaake bata doonga

hmmm ha ha ha ha ha
arre sagar kaise paar karega,
paani mein gir ke doob marega
arre lanka bharat baant diya hai
phone ka taar bhi kaat diya hai
phone ka taar bhi kaat diya hai

hanuman
hanuman
hanuman
hanuman
hanuman
hanuman
hanuman bhaiyya e-mail kar do
mmhm mmhm mmhm mmhm
hanuman bhaiyya e-mail kar do
raam ko mere jaldi khabar do
jaldi khabar do
mmhm mmhm mmhm mmhm
aa aa ha
aa aa ha
aa aa ha

raavan hey raavan yudh ho jaye
haan ho jaaye ho jaaye ho jaaye
paapiyo se duniya shudh ho jaaye
arre lanka ka danka bajta rahega
jab tak raam hai raavan rahega,
jab tak raam hai raavan rahega
jab tak raam hai raavan rahega,
jab tak raam hai raavan rahega
raavan rahega
haan raavan rahega,
raavan rahega
arre bhai raavan rahega yaar

ha ha ha ha

raam ke roop hazaaron hai raavan
raghupati raghav patit paawan
patit paawan
raam ke roop hazaaron hai raavan
raghupati raghav patit paawan
patit paawan


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14789

Number of movies covered in the blog

Movies with all their songs covered =1153
Total Number of movies covered =4044

Total visits so far

  • 11,080,301 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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