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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mahendra Kapoor


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3502 Post No. : 14072

#the Decade of Seventies – 1971 – 1980 #

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# Bhoole-Bisre Geet # 63# Khayyam Saab’s 91st birth anniversary
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Today 18th February 2018 (born on 18th February 1927) is the Ninety-first birth anniversary of Mohammed Zahur “Khayyam” Hashmi Saab, better known as Khayyam Saab to all of us.

On this occasion here is a rare song from the movie ‘Meena Kumari Ki Amar Kahaani-1979’. Music of this film was composed by Khayyam Saab.

‘Meena Kumari Ki Amar Kahaani – 1979’ was directed by Sohrab Modi for ‘Shaili Films, Bombay’. It had Dolly (as ‘Meena Kumari’), Bharat Bhushan, Madhu Malini, Meena Irani, Sunita Irani, Sunita Dheer, Twinkle, Jayshree T., Bandini, Jagdeep, Keshto Mukherjee, Ratna, Javed Khan, Bina Baba, Zery, Kedar Sehgal, Baby Parveen, and Sona (as ‘Madhubala’).

Lyrics of this film were by Afzal Shadab (all songs) and Music was composed by Khayyam Saab.

As per information available in HFGK this film had two songs. (However as mentioned in HFGK this film also included some dialogues and songs from some of the films of Meena Kumari viz. Azad’1955, Sharda’1957, Chirag Kahaan Roshni Kahaan’1959, Ghazal’1964, Chandan Ka Palna’1967 and Pakeezah’1971).

This film was based on Meena Kumari’s life and was passed by censor board on 28.11.1979.
I am neither much aware about this movie nor I have watched it, so I can not say much about this movie and its box office performance.
I would request knowledgeable readers to throw more light on this movie and its songs.

I was quite in dilemma while deciding a song for today’s occasion, because there are still many many beautiful gems composed by Khayyam Saab that are yet to be posted on the blog here.

However, while going through the list of movies for which Khayyam Saab has composed music, I find that this is the only movie from the decade of 1971-1980 that is yet to make an entry on the blog. So today we get introduced to this movie on the blog.

During 1971-1980 we have the following movies of which the music was composed by Khayyam Saab;

Khayyam’s movies of 1971-1980
Name of movie Year
Pyaase Dil 1974
Sankalp 1974
Mutthi Bhar Chawal 1975
Sandhya 1975
Kabhie Kabhie 1976
Shankar Hussain 1977
Trishul 1978
Chambal Ki Kasam 1979
Khaandaan 1979
Meena Kumari Ki Amar Kahaani * 1979
Noorie 1979
Thodisi Bewafai 1980

(* making a debut on the blog today)

Out of the two songs in this movie one song is a solo song sung by Mahendra Kapoor and lip synced by Bharat Bhushan on the screen and being posted here today.
The actresses Dolly and Sona who played the role of Meena Kumari and Madhubala in the film are also seen in the picturization of this song with others.

The other song is a duet sung by Asha Bhonsle and Lata Mangeshkar.

Wishing Khayyam Saab, a ‘Very Happy Birthday’ today and a ‘healthy and peaceful’ life ahead, let us now enjoy this song!!!


Song-Wafaa e ishq mein khoye jahaan milte hain (Meena Kumari Ki Amar Kahaani)(1979) Singer-Mahendra Kapoor, Lyrics-Afzal Shadab, MD-Khayyam

Lyrics

Jo udaatey thhe laakhon ki neendein
Ab wo zere zameen so gaye
Haay mitti ki aagosh mein
Kaise kaise haseen so gaye

Wafaa e ishq mein
Khoye jahaan milte hain
Wafaa e ishq mein
Khoye jahaan milte hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain aen
Wafaa e ishq mein
Khoye jahaan milte hain

Wo badnaseeb jo
Duniya se naamuraad gaye
Wafaa ke maare huye
De ke apni yaad gaye
Nazar se chhupke
wo hi meharbaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain

Jo baazi haar gaye hain
Yahaan muhabbat mein
Qaraar unko nahin milta
Apni jannat mein
Sukoon e dil ke liye
Bezubaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain

Hawaa mein udtaa huaa
Inka aashiyaana hai ae
Wahaan pe pardanasheenon ka ab
Thhikaana hai ae ae ae
Jahaan galey se zameen aasmaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain

Chhupaa huaa hai koi raaz
Inke aane mein
Ke jaise bhool gaye hon
Ye kuchh zamaane mein
Zameen pe aise kayi raazdaan miltey hain
Bhatakti rooh ke ae ae ae
Bhatakti rooh ke
Aksar nishaan miltey hain ae
Wafaa e ishq mein
Khoye jahaan milte hain
Wafaa e ishq mein
Khoye jahaan milte hain
Wafaa e ishq mein
Khoye jahaan milte hain

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

जो उड़ाते थे लाखों की नींदें
अब वो जेरे ज़मीन सो गए
हाय मिटटी की आगोश में
कैसे कैसे हसीन सो गए

वफ़ा ए इश्क में
खोये जहान मिलते हैं
वफ़ा ए इश्क में
खोये जहान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

वो बदनसीब जो
दुनिया से नामुराद गए
वफ़ा के मारे हुए
दे के अपनी याद गए
नज़र से छुपके
वो ही मेहरबान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

जो बाज़ी हार गए हैं
यहाँ मुहब्बत में
करार उनको नहीं मिलता
अपनी जन्नत में
सुकून ए दिल के लिए
बेजुबान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

हवा में उड़ता हुआ
इनका आशियाना है ए
वहाँ पे पर्दानशीनों का अब
ठिकाना हैं ए ए ए
जहां गले से ज़मीन आसमान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं

छुपा हुआ है कोई राज़
इनके आने में
के जैसे भूल गए हो
ये कुछ ज़माने में
ज़मीन पे ऐसे कई राजदान मिलते हैं
भटकती रूह के ए ए ए
भटकती रूह के
अक्सर निशान मिलते हैं ए
वफ़ा ए इश्क में
खोये जहान मिलते हैं
वफ़ा ए इश्क में
खोये जहान मिलते हैं
वफ़ा ए इश्क में
खोये जहान मिलते हैं

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3478 Post No. : 13975

Missing Films of 1960s – 52
– – – – – – – – – – – – – – –

A bit of a coincidence here that the song of this series posted yesterday “O Chanda. . . Aaj Ki Raat Na Dhalna”, and today’s next song in this series, both are ‘chaand’ songs. Yesterday’s song got posted early in the morning, and later I was thinking – posting a ‘chaand’ song at sunrise time is wholly inappropriate. And so, today’s ‘chaand’ song I am bringing to you at an appropriate time in the evening – a waxing moon is in the skies.

Today’s film is ‘Bharat Milap’ from 1965. The film was produced under the banner of KP Productiond, Bombay, and the director’s name is Babubhai Mistry. The cast of actors includes Sohrab Modi, Sulochana, Ashish Kumar, Indrani Mukherjee, Leela Misra, Anand Kumar, and Mridula amongst others.

The film has seven songs, all from the pen of Bharat Vyas. Music is by Vasant Desai. Today’s song is a duet in the voices of Lata Mangeshkar and Mahendra Kapoor. Unless I am mistaken, the actors performing this song on screen are Ashish Kumar and Indrani Mukherjee. I request other knowledgeable readers to correct me in case I am in error.

The storyline of the epic ‘Ramayan’ is quite well known. After Shri Ram departs from Ayodhya to spend fourteen years as an ascetic in the woods, Bharat ji makes one attempt to bring him back. He goes to meet him at Chitrakoot. The entire portrayal in this epic is a guidance for the right things to do in life. The meeting at Chitrakoot is very significant. The various dialogues that happen here are so full of deep learnings for mortal humans, on how to conduct themselves in real life. The decision at this juncture is that Bharat ji will return to Ayodhya, and continue look after the administration of the kingdom, and take care of the family and the people. Shri Ram along with Sita ji and Lakshman ji will continue his stay away from Ayodhya, till the specified time.

Bharat ji returns with the ‘charan paduka’ (sandals) of Shri Ram, and places them on the throne of Ayodhya. And he places himself on the ground next to the throne, while administering the kingdom, asking for inspiration and guidance at every step, from the ‘charan paduka’. He further resolves that he will not stay in the palace, for the duration that Shri Ram is traveling in the woods. He also has a hut made for himself in a small village, Nandigram, next to Ayodhya, and stays there only. Even inside the hut, he does not sleep on the ground. He digs a cavity or a trench in the ground, a couple of feet deep, and he sleeps at that level. He says he will not sleep on the same ground on which Shri Ram is walking bare footed for fourteen years. He forsakes all the comforts and luxuries, and also all the pleasures and shared nearness in his own personal life. His spouse, Mandavi, stays in the palaces, but they do not share any proximity.

The tale and the teachings of ‘Ramayan’ are the best examples of personal sacrifices that individuals make for the sake of their dear ones, and for the sake of moral and uprightness in life. I may be digressing here, but I would like to briefly tell about the role of Shatrughan, the youngest of the four brothers, in these complex circumstances.

It is stated that Lakshman ji had taken a vow that he would not sleep for all the time that Shri Ram is away from home, and that he would always be standing guard for the safety and well being of his elder brother and bhabhi (sister in law). What is not well known is that even Shatrughan ji followed a similar stringent regime. All during the day, he would be assisting Bharat ji with the matters of the kingdom. And in the night, he would make one round of the kingdom, and then come and sit on a stone at the gates of the kingdom, keeping vigil, till dawn.

Taken in the right spirit, this tale is the pinnacle of a visionary and inspirational lesson. To keep the honor of a promise, all the four brothers make unparalleled sacrifices. One leaves home with the resolve to live like an ascetic in the woods, for fourteen years. Another resolves to accompany him to secure the comfort and safety of his elder brother, forsaking even sleep. The third brother declines to sit on the throne, gives up his own comforts and resolves to also live like an ascetic for the same period, albeit in his own kingdom. He also resolves to sleep in a pit below the ground, and not on the ground on which his elder brother walks barefoot. And the fourth brother, also forsakes his comforts, and sleep, keeping vigil over a kingdom which all acknowledge belongs to the eldest brother. All the four brothers forsook family life for the duration of this exile. A tale like this has no parallels anywhere in the annals of world history or literature.

This is a wonderfully crafted song, that is simultaneously moving at two levels. Both the levels are expressions of love. But one level is expressing love for a beloved spouse, and at the other level, the love being expressed is for a beloved elder brother. The expression of love in the second level is amounting to love for God Himself. Mandvi, the wife of Bharat ji, is calling out to her husband, expressing her emotions of missing him, and feeling incomplete within herself. Bharat ji is singing the same song at the same time, only that his call is directed towards Shri Ram, reminding Him that his (Bharat ji’s) life is in a precarious balance, if He does not return on time, as promised.

A lovely melody created by Vasant Desai, and a memorable song this one is.

Video (Some skipped words)

Audio (Complete)

Song – Chandrama Ja Un Se Keh De  (Bharat Milap) (1965) Singer – Lata Mangeshkar, Mahendra Kapoor, Lyrics – Bharat Vyas, MD – Vasant Desai

Lyrics

chandrama ja un se keh de
na bano itne kathor
baat takte ho gai
geeli mere palkan ki kor
chandrama ja un se keh de
na bano itne kathor
baat takte ho gai
geeli mere palkan ki kor
chandrama ja un se keh de

kehna tujh bin adhkhila
maathe ka tika hai
kehna tujh bin ye mera
sansaar pheeka hai
oo oo oo
chandrama ja un se keh de

kehna ab na seh sakoongi
vireh ki jwaala..aa
toot jaaye na kahin
meri saans ki maala
oo oo oo
chandrama ja un se keh de

ye basanti raat kaate se
nahin kat’ti
ye ghadi nishthur
ghadi bhar bhi nahin ghat’ti
un charan ki raah mein
ye nain bhatke hain
un ke darshan ke liye
ye praan atke hain

oo oo oo
chandrama ja un se keh de
na bano itne kathor
baat takte ho gai
geeli mere palkan ki kor
chandrama ja un se keh de

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
चंद्रमा जा उनसे कह दे
ना बनो इतने कठोर
बाट तकते हो गई
गीली मेरे पलकन की कोर
चंद्रमा जा उनसे कह दे
ना बनो इतने कठोर
बाट तकते हो गई
गीली मेरे पलकन की कोर
चंद्रमा जा उनसे कह दे

कहना तुझ बिन अधखिला
माथे का टीका है
कहना तुझ बिन ये मेरा
संसार फीका है
ओ ओ ओ
चंद्रमा जा उनसे कह दे

कहना अब ना सेह सकूँगी
विरह की ज्वाला॰॰आ
टूट जाये ना कहीं
मेरी सांस की माला
ओ ओ ओ
चंद्रमा जा उनसे कह दे

ये बसंती रात
काटे से नहीं कटती
ये घड़ी निष्ठुर
घड़ी भर नहीं घटती
उन चरण की राह में
ये नैन भटके हैं
उनके दर्शन के लिए
ये प्राण अटके हैं

ओ ओ ओ
चंद्रमा जा उनसे कह दे
ना बनो इतने कठोर
बाट तकते हो गई
गीली मेरे पलकन की कोर
चंद्रमा जा उनसे कह दे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3477 Post No. : 13967

Missing Films of 1960s – 51
– – – – – – – – – – – – – – –

It is not just a song that I should be concerned about. It is the entire film that I am surprised, has missed the attention of the team members of this blog. And not that the film is the issue. It is the songs that I wonder about. And just the category – ‘How come I missed this song’, will not suffice. Maybe another category that says – ‘How come we all missed this movie’.

The film that I am talking about is ‘Mahabharat’ from 1965. And I am sure you will be asking me – why? Another quite obscure film from the 1960s, as obscure as they come. But the songs, I am sure are going to turn out to be very familiar, most of them are favorites from radio listening days. Just sample these

  • “Champa Kali Chhup Chhup Jaaye Re”
  • “Ta Na Na Dir Dir Deem, Deem Ta Dere Na”
  • “Hari Hari Dharti Hai Neela Gagan”
  • “Sakhi Ri Baaje Mann Ki Baansuriya”

And today’s debut song, which is not the least of these – “O Chanda. . . Aaj Ki Raat Na Dhalna”. This film is such treasure of wonderful songs, all of them available online. And yet, this film has taken all this time to make its debut here.

The film is produced under the banner of AG Films, Bombay and is directed by Babubhai Mistry. The star cast is impressive and includes Pradeep Kumar, Padmini, Dara Singh, Abhi Bhattacharya, Jeevan, Ambika, Manhar Desai, Tiwari, Anoop Kumar, Maruti, and Achla Sachdev amongst others. Song list in Geet Kosh contains 9 songs. All the songs are from the pen of Bharat Vyas. And the music direction – it is Chitragupt.

Today’s debut song is a duet sung by Lata Mangeshkar and Mahendra Kapoor. The lilting melody, a dream song – it is such a dear memory from the past. The words, the music and the rendition – all three come together to create this masterpiece. A must listen for the lovers of music and songs of 1950s and 1960s. Enjoy.

Song – O Chanda. . . Aaj Ki Raat Na Dhalna  (Mahabharat) (1965) Singer – Lata Mangeshkar, Mahendra Kapoor, Lyrics – Bharat Vyas, MD – Chitragupt

Lyrics

aaaa aaaaaa
aaaaa aaaa
aaa aaaaaa aaaaa
aaaaa aaaaaaaa aaa
 
ooo ooo ooo
ooo ooo ooo
aaaa aaa aaaaa aaa
aaaaa aaaa aaaa aaa

o chanda. . .
aaj ki raat na dhalna
o chanda. . .
aaj ki raat na dhalna
jhilmil taaron ki chhaon mein
main jhoomum pee ki baahon mein
do praanon ke armaanon ka
sapna nahin badalna..aa..aa
o chanda. . .
aaj ki raat na dhalna

jee bhar geet milan ka gaa loon
piya ke haathon maang saja loon
jee bhar geet milan ka gaa loon
piya ke haathon maang saja loon
teri chaandni ki kirnon mein
jee mein aata aaj naha loon
ye badh bhaagin
raat suhaagin
phir aayegi kal na..aa..aa
o chanda. . .
aaj ki raat na dhalna
o chanda. . .
aaj ki raat na dhalna

teri palkon mein raswanti
raat ki rani chehak rahi
teri palkon mein raswanti
raat ki rani chehak rahi
teri alkon ko chhoo kar ke
rajnigandha mehak rahi
kitna aaj bhala lagta hai
chalna aur machalna..aa..aa
o chanda. . .
aaj ki raat na dhalna

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आsss आssss
आssss आsss
आss आsssss आssss
आssss आsssssss आss

ओs ओs ओs
ओs ओs ओs
आss आs आssss आss
आssss आsss आsss आss

ओ चंदा॰॰आ
आज की रात न ढलना
ओ चंदा॰॰आ
आज की रात न ढलना
झिलमिल तारों की छाँव में
में झूमूँ पी की बाहों में
दो प्राणों के अरमानों का
सपना नहीं बदलना॰॰आ॰॰आ
ओ चंदा॰॰आ
आज की रात न ढलना

जी भर गीत मिलन का गा लूँ
पिया के हाथों मांग सजा लूँ
जी भर गीत मिलन का गा लूँ
पिया के हाथों मांग सजा लूँ
तेरी चाँदनी की किरणों में
जी में आता आज नहा लूँ
ये बढ़भागिन
रात सुहागिन
फिर आएगी कल ना॰॰आ॰॰आ
ओ चंदा॰॰आ
आज की रात न ढलना
ओ चंदा॰॰आ
आज की रात न ढलना

तेरी पलकों में रसवन्ती
रात की रानी चहक रही है
तेरी पलकों में रसवन्ती
रात की रानी चहक रही है
तेरी अलकों को छू कर के
राजनीगंधा महक रही है
कितना आज भला लगता है
चलना और मचलना॰॰आ॰॰आ
ओ चंदा॰॰आ
आज की रात न ढलना


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3472 Post No. : 13940

When one talks of star pairings during the golden era of Hindi movies, one thinks of “A grade” star pairings like Raj Kapoor-Nargis, Dilip Kumar- Madhubala, Dilip Kumar-Meena Kumari, Dev Anand- Waheeda Rehman etc. But there were other pairs too, that would be signed up by smaller budget movie makers, like for instance, Ashok Kumar- Nirupa Roy, Kishore Kumar-Vyjyanti Mala etc.

Movie makers with even smaller budgets would sign up up and coming pairs, who may have started off as child artists. One such pair was Shashi Kapoor and Nanda. Unlike some other pairs, this pair delivered quite a few hits and became a dependable pair.

Names of movies such as Chaar Deewaari (1961), Mohabbat Isko Kehte Hain (1965), Jab Jab Phool Khile (1965), Neend Hamari Khwaab Tumhaare (1966), Juaari (1968), Raja Sahab (1969) and Roothha Na Karo (1970) comes to mind when one thinks of Shashi Kapoor-Nanda pair.

Here is a song picturised on this pair. This playful and cheerful romantic song is from “Mehndi Lagi Mere Haath”(1962). This song is sung by Mahendra Kapoor and Usha Mangeshkar. Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji.

The song shows playful looking Shashi Kapoor and Nanda teasing each other. The best teasing is reserved in the last stanza of the song where Shashi Kapoor teases the lady -“you show arrogance as if you are baby Nanda.”
Pat comes the retort- “you behave as if you are the kid brother of Raj Kapoor”. 🙂

Great fun lyrics by Anand Bakshi during his early days in Hindi movies.

This song was the sixth song, out of six that this movie had. The earlier five songs, including one multiple version song, have been covered in the blog in the past in 2010 (two songs), 2015 (one multiple version song) and 2017 (one song). Following are the details of the earlier songs from this movie :

Song Title

Post No.

Post Date

Kankariyaa maare karke ishaare 2513 5-Jun-10
Aapne yoon hi dillagi ki thi 2523 8-Jun-10
Mehandi lagi mere haath Multiple version song 10663 8-Jan-15
Teri wo chaal hai ke tauba 13461 22-Jul-17

With this song, “Mehndi Lagi Mere Haath”(1962) joins the list of movies that have all their songs covered in the blog.


Song-Ude panchhi toli mein (Mehndi Lagi Mere Haath)(1962) Singers-Mahendra Kapoor, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-Kalyanji Anandji

Lyrics

ude panchhi toli mein aen
ude panchhi toli mein
tujh ko main le jaaunga
bithhlaake doli mein
oye tujh to main le jaawaanga
bithhlaake doli mein
baagon mein hai jhoola aa
baagon mein hai jhoola
mujhse to poochh zara
ban baithha hai tu dulha
o mujhse to poochh zara
ban baithha hai tu dulha

o beri ke boote hain
haaye
beri ke boote hain
na na karte hain
tere naina jhoothhe hain
oy naah naah karte hain
tere naina jhoothhe hain
station pe gaadi hai ae
station pe gaadi hai
haan ko na samjhe
mera balma anaadi hai
o haan ko na samjhe
mera balma anaadi hai

paani hai talaabon mein aen
paani hai talaabon mein
kis’se poochh ke
tu aati hai mere khwaabon mein
oy kis’se hai pooch ke
tu aati hai mere khwaabon mein
raaja mere sapnon ke ae
raaja mere sapnon ke
poochh ke bhi koi
ghar jaata hai apnon ke
ho poochh ke bhi koi
ghar jaata hai apnon ke

o satranj ki goti hai
haaye
satranj ki goti hai
achchi hai meri rajni
par kad ki chhoti hai
oy achchi hai meri rajni
par kad ki chhoti hai
aakaash pe baadal hai ae
aakash pe baadal hai
achcha hai mera deepu
par thhoda sa paagal hai
ho achcha hai mera deepu
par thhoda sa paagal hai

gul hain guldaste mein
haaye
gul hain guldaste mein
boli jo jyaada to
chhad jaaunga raste mein
ho boli jo jyaada to
chhad jaawaanga raste mein
gul hai guldaste mein aen
gul hai guldaste mein
raste mein chhad de to jind chhoote saste mein
ho raste mein chhad de to jind chhoote saste mein

o badli mein chanda hai
haaye
badli mein chanda hai
aise akadti hai ha
jaise baby nanda hai
oy aise akadti hai ha
jaise baby nanda hai
ye ped khazoor ka hai ae
ye ped khazoor ka hai
aise akadta hai
bhai raj kapoor ka hai
o aise akadta hai
bhai raj kapoor ka hai


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3467 Post No. : 13915

Missing Films of 1960s – 42
– – – – – – – – – – – – – – –

IS Johar had a lead of three years over Raj Kapoor. His film ‘Mera Naam Johar’, released in 1967, preceded the great showman’s masterpiece ‘Mera Naam Joker’ which came in 1970. It is a matter of conjecture now, as to who inspired whom. 🙂

So this film is the debut film for today. IS Johar was going very strong, and travelling to many destinations  in the 1960s. In 1965 we saw him in ‘Goa’ with Memood. In 1966, he travelled to ‘Kashmir’. Then in 1967, along with the proclamation that his name is ‘Johar’, he also appeared in ‘Bombay’. His next trip was somewhat delayed, considered that he travelled overseas to ‘Hong Kong’ in 1971, once again in Mehmood’s company.

The film is produced under the banner of Sudershan Chitra, Bombay, and is directed by Saran Kant. Besides himself in lead role, other members of the cast include Sonia Sahni, Dhoomal, Aruna Irani, Raj Mehra and Tiwari amongst others. The film has 6 songs listed. Music is from the mind of Usha Khanna. Two songwriters are listed – Asad Bhopali and Qamar Jalaalabaadi. However, only three of the songs have a specific lyricist identified. For this song, the lyricist name has not been identified. This song is written by Qamar Sb. (This information is actually available in the addenda to the volume IV of Geet Kosh, which I missed referring to earlier.)

The song is delivered in a very comical situation. And the songwriter has written some very catchy lines to match the situation. Apparently it seems that IS Johar and Sonia Sahni have to make a getaway from the clutches of the villain’s gangsters, who are blocking the roads even, and screening the people coming and going. And the way out found by the hero is something that can happen only in IS Johar films. They form a funeral procession, and they have Sonia Sahni acting like a dead body, being carried in the traditional funerary ‘takht’ on the shoulders of a group of people. IS Johar, with his head tonsured and wearing only a dhoti, seems to be the epitome of the prime mourner, carrying the traditional fire in a ‘matka’.

He leads the singing, with this song in the voice of Mahendra Kapoor. The group of people accompanying him includes people who are playing the ‘dholak’ and ‘khartaal’ etc. The procession meets the villain’s henchmen in a sort of a road block. And IS Johar is singing and telling the entire real story – that the dead body is  actually ‘zinda’ (alive), and that they are making good an escape with no one the wiser.

The play acting is so convincing that the henchmen who are leading this group of baddies, actually come forward and shoulder the funerary carriage for some distance, even singing along with the group. A most hilarious situation contrived by the director, and so brazenly and blatantly executed by IS Johar and company. IS Johar looks so convincing in his role as a fake mourner, and as he sings along the lines in which he is indicating the truth of the situation, only if someone would listen ‘between the words’. . . – “Jaane Waala Chala Hai Dekho Rok Sakey Na Koi” 🙂

See, listen and enjoy.

 

Song – Ram Naam Satya Hai Gopal Naam Satya Hai  (Mera Naam Johar) (1967) Singer – Mahendra Kapoor, Lyrics – Qamar Jalaalabaadi, MD – Usha Khanna
Chorus

Lyrics

ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

jo chaahe wo kar sakta hai
kabhi na chhodo aas
jo chaahe wo kar sakta hai
kabhi na chhodo aas
sada parbhu par karo bharosa
keh gaye johar das
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

kabhi aatma mar nahin sakti
rehti hai ta-binda
kabhi aatma mar nahin sakti
rehti hai ta-binda
log jinhen bejaan samajhte
hotey hain wo zinda
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

insaanon ke bas mein kya hai
kaahe akde banda
insaanon ke bas mein kya hai
kaahe akde banda
logo punya kamaate jaao
dete jaao kandha
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

baat ram ki ram hi jaane
honi thi so hoi
baat ram ki ram hi jaane
honi thi so hoi
jaane waala chala hai dekho
rok sakey na koi
bolo
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai
ram naam satya hai
gopal naam satya hai

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

जो चाहे वो कर सकता है
कभी ना छोड़ो आस
जो चाहे वो कर सकता है
कभी ना छोड़ो आस
सदा प्रभु पर करो भरोसा
कह गए जौहर दास
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

कभी आत्मा मर नहीं सकती
रहती है ता-बिंदा
कभी आत्मा मर नहीं सकती
रहती है ता-बिंदा
लोग जिन्हें बेजान समझते
होते हैं वो ज़िंदा
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

इन्सानों के बस में क्या है
काहे अकड़े बंदा
इन्सानों के बस में क्या है
काहे अकड़े बंदा
लोगो पुण्य कमाते जाओ
देते जाओ चंदा
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

बात राम की राम ही जाने
होनी थी सो होई
बात राम की राम ही जाने
होनी थी सो होई
जाने वाला चला है देखो
रोक सके ना कोई
बोलो
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है
राम नाम सत्य है
गोपाल नाम सत्य है

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3462 Post No. : 13894

Today is the eighty fourth birth anniversary (9 Jan 1934 – 27 Sep 2008) of singer Mahendra Kapoor. On this occasion today, I present this lovely and haunting song from the 1966 film ‘Naag Mandir’ here on our blog. This song has two versions one sung by Mahendra Kapoor and another sung by Lata Mangeshkar.

‘Naag Mandir’ was directed by Shantilal Soni for Mayurkala Pictures, Bombay. The star cast was led by Mahipal, Vijaya Choudhry and included Indira and BM Vyas.

This movie has six songs, including one multiple version song. Songs for this movie are written by three songwriters – Shiv Kumar ‘Saroj’, Bharat Vyas and Asad Bhopali. This song is written by Bharat Vyas. Music for this movie is composed by Laxmikant-Pyarelal. Lata Mangeshkar, Mahendra Kapoor and Mohd Rafi have given their voices to the songs in this movie. So far three songs from this movie have been posted on the blog.

Not much other information about this movie is either mentioned in HFGK Vol IV or available on other sources.

I became aware of this song around end-eighties, when I started collecting cassettes and also getting compilations of various singers recorded on blank (TDK/Sony) cassettes. In this endeavor I got recorded the Mahendra Kapoor songs on 14.10.1991 and since then this song is there in my collection. I like this song very much and sometimes it automatically come to my lips and I broke into humming it.

When I checked on the blog, I was surprised to note that this was still to be posted. Also, it was only few weeks back that I discovered that this song also has a female version and that too sung by Lata Mangeshkar. There is some difference in the lyrics. Both versions have one common stanza and one different stanza.

Coming back to the songs of Mahendra Kapoor I would like to mention that I like many of his songs very very much. And as and when I have got the opportunity to share his songs I have tried to get them posted on this blog. I am not going into the biographical details of Mahendra Kapoor and the list of his songs in this post today. I will just stop here and leave you with this song to enjoy today remembering him, and his contribution to Hindi Film Music.

Audio (Male Version – Mahendra Kapoor)

Audio (Female Version – Lata Mangeshkar)

Song – Mere Sanam, Sun Mera Gham (Naag Mandir) (1966) Singer – Mahendra Kapoor/ Lata Mangeshkar, Lyrics – Bharat Vyas, MD – Laxmikant Pyaarelal

Lyrics

Male Version
– – – – – – – – – – –
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

zindagi ke dukh bharey
ye din kahaan bitaaun
jo na koi gham kare
wo dil kahaan se laaun
sab kuchh hai phir bhi jaise
kuchh nahin
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

jal rahaa hai dil mera
main chup rahoon to kaise
ghut rahaa hai dam mera
main kuchh kahoon to kaise
gham se haden khushi ki jaa mili
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

Female Version
– – – – – – – – – – – – –
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

jal rahaa hai dil mera
main chup rahoon to kaise
ghut rahaa hai dam mera
main kuchh kahoon to kaise
gham se haden khushi ki jaa mili
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam

kitne din guzar gaye
kismet ko sote sote
kitni umr kat gayi
din raat rote rote
phir bhi to badnaseebi kam nahin
uljhanen
zindagi ban gayi ee
tu kahin, main kahin

mere sanam
sun mera gham
uljhanen
zindagi ban gayi ee
tu kahin, main kahin
mere sanam
mere sanam
mere sanam

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
पुरुष स्वर
– – – – – – – –
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

ज़िन्दगी के दुःख भरे
ये दिन कहाँ बिताऊं
जो न कोई ग़म करे
वो दिल कहाँ से लाऊं
सब कुछ है फिर भी जैसे
कुछ नहीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

जल रहा है दिल मेरा
मैं चुप रहूँ तो कैसे
घुट रहा है दम मेरा
मैं कुछ कहूं तो कैसे
ग़म से हदें ख़ुशी कि जा मिलीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

महिला स्वर
– – – – – – – –
मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

जल रहा है दिल मेरा
मैं चुप रहूँ तो कैसे
घुट रहा है दम मेरा
मैं कुछ कहूं तो कैसे
ग़म से हदें ख़ुशी कि जा मिलीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम

कितने दिन गुज़र गए
किस्मत को सोते सोते
कितनी उम्र कट गयी
दिन रात रोते रोते
फिर भी तो बदनसीबी कम नहीं
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं

मेरे सनम
सुन मेरा ग़म
उलझनें
ज़िन्दगी बन गयीं ई
तू कहीं, मैं कहीं
मेरे सनम
मेरे सनम
मेरे सनम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3462 Post No. : 13892

“Johar in Bombay” (1967) was directed by Shantilal Soni for Thakkar Films, Bombay. The movie had I S Johar, Sonia Sahni, K N Singh, Rajendranath, Madan Puri, Polson, Jeevankala etc in it.

This movie was one of several “Johar in…” series on movies, a bit like the “Carry on…” series of movies in Hollywood.
In this particular movie, I S Johar ties up with Rajendranath, both playing good for nothing slackers who somehow manage to save the coutry (if not the world) from evil scientists out to destroy the country (if not the world).

The movie had six songs in it. Five of these songs have been covered in the blog. Here is the sixth and final song from “Johar in Bombay” (1967). This song is a rare song in the sense that it is not available as a standalone song on YT as of now. The song is a roadside tamasha song where I s Johar and Rajendranath and seen performing a streetside dance alongwith their love interests- Sonia Sahni and Jeewankala (?). The dance performance have elements of punjabi folk dance followed by Maharashtrian lavani folk dance.

The song is sung by Mahendra Kapoor, S Balbir, Usha Timothy and Krishna Kalle. Qamar Jalalabadi is the lyricist. Music is composed by Usha Khanna.

Today (9 january 2018) happens to be the birth anniversary of Mahendra Kapoor (9 january 1934-27 september 2008). Quite fortuitously, this happens to the 300th song of Mahendra Kapoor in the blog. So this is a perfect tribute to the singer in the blog.

It also happens to be the 15th death anniversary of Qamar Jalalabadi (9 january 2003). So this song serves as a tribute to Qamar Jalalabadi as well.

With this song, “Johar in Bombay” (1967) joins the list of movies that have all their songs covered in the blog.


Song-Naach sasure naach nakhra ab na chalega (Johar in Bombay)(1967) Singers-Mahendra Kapoor, Balbir, Usha Timothy, Krishna Kalle, Lyrics-Qamar Jalalabadi, MD-Usha Khanna
Male singers together
Female singers together

Lyrics

kaise hote khel tamaashe
arre is duniya ke beech
o bandar se insaan bane
to insaan se ban gaye reechh

naach susure naach
nakhra ab na chalega
hoy naach susure naach
nakhra ab na chalega
naacha to haiwaan se insaan banega

hoy hoy
naacha to haiwaan se insaan banega
naach baaba naach
nakhra ab na chalega
naacha to haiwaan se insaan banega
naacha to haiwaan se insaan banega
naach baaba naach
nakhra ab na chalega

baari barsi khatan gaya
te khatak ke lyaanda taala
baari barsi khatan gaya
hoy
hoy baari barsi khatan gaya
te khatak ke lyaanda taala
ho ladki gulaab jaisi
aur ?? reechh hai saala
he ladki gulaab jaisi

baari barsi khatan gaya
te khatak ke lyaanda aara
baari barsi khatan gaya
te khatak ke lyaanda aara

ho taane mujhe dene waale
jaa dekha ishq tumhaara
ho taane mujhe dene waale

naach susure naach
nakhra ab na chalega

naach baaba naach
nakhra ab na chalega

ho saari nagariya
aa aa aa aa aa aa
saari nagariya ruk ruk dekhe
kaisi nautanki aayi
aga bai
kaisi nautanki aayi re
arre dekho yaaron khel naya
sasure ko nachaaye janwaai
sasure ko nachaaye janwaai
janwaai
janwaai

aga bai
ji ji ji ji ji ji
aga bai
ji ji ji ji ji

dil mein chhupaa hai
ae ae ae ae
dil mein chhupaa hai
pyaar kisi ka
karne chale hain bhalaai
haay raam
karne chale hain bhalaai

sasure ka bahaana hai
tere dil mein basi hai lugaai
lugaai
tere dil mein basi hai lugaai
lugaai
lugaai

ji ji ji ji ji ji ji
aga bai
ji ji ji ji ji ji ji

naach susure naach
nakhra ab na chalega

naach baaba naach
nakhra ab na chalega

oy naach sasure
naach baaba
naach sasure
naach baaba


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3458 Post No. : 13879

Missing Films of 1960s – 39
– – – – – – – – – – – – – – –

What luck, I must have missed this song in my online searches earlier when I was looking for songs of missing films from 1964. When I located this song couple of days back, I realize it has been sitting here for almost five years. What luck.

And what a wonderful melodious song this one is. और कैसे कैसे कहूँ – the more obscure the film, the higher probability that we will find some really great songs. I was completely bowled over by this song when I was able to locate it and then listened to it. The song has been uploaded by our dear friend Parag Sankla.

This is a stunt film that was produced in 1964 under the banner of Padma Productions, Bombay. Name of the director is given simply as Jal. The star cast is familiar for such films of that era – Azaad, Chitra, Heeralal, Krishna Kumari, Kamal Kapoor, Shaam Kumar, Heera Sawant, Sheikh, Maruti, Fazlu, and then a lot more names that are not very familiar – Gani, Nihal, Renu, Meena, Master Dillu, Nayar, K Murti, Buniyad Ali Sultan, Gopal, and Raghunath.

Geet Kosh lists 7 songs for this film. As per the listings, only 4 songs appear to have been released on gramophone records, and three may be lost, unless the film itself is traced. Names of two music directors are listed – Manoharlal and S Kishan. Manoharlal is possibly Manoharlal Khanna, whom we know more as a lyricist, although his name also appears as a music director in a few films. The specific MD name against individual songs is not given so I propose we use the MD name as ‘Mahoharlal, S Kishan’.

Coming to lyricists, once again two names are listed – Akhtar Romani and Farad. And once again, the specific name against individual songs is not listed, so it is not possible to identify the writer of this song.

Singing voices are of Geeta Dutt and Mahendra Kapoor. Both have sung their lines with zest and fun. A wonderful song for light mood and fun.

So this film makes a debut on our blog today. At least four songs of this film are available, so we should be seeing more of them here.

Song – O Mr Johnny Mizaaz Kaisa Hai  (Tarzan Aur Captain Kishire) (1964) Singer – Geeta Dutt, Mahendra Kapoor, Lyrics – [Unattributed], MD – Manoharlal, S Kishan

Lyrics

o mister johnny
mizaaz kaisa hai
o dear tony
tum aaj kaisa hai
chori chori nigaahen
bata do kise chaahen
wo dilbar pyaara kaun hai

o dear madam
gulab ki kali
o dear madam
shabab ki dali
nigaahen teekhi teekhi
adaayen meethi meethi
tum se pyaara kaun hai
o dear madam. . .

ye mota
ye kaala
ye nero hai
ye gora
ye chitta
ye hero hai
ye mota
ye kaala
ye nero hai
ye gora
ye chitta
ye hero hai
pehne ye suit
aur maare saloot
waise to bole tu zero hai
o dear madam
gulab ki kali
o dear madam
shabab ki dali
nigaahen teekhi teekhi
adaayen meethi meethi
arre tum se pyaara kaun hai
o dear madam. . .

yahi to
ji madam
nainitaal hai
yahi to
ji london
ka football hai
yahi to
ji madam
nainitaal hai
yahi to
ji london
ka football hai
ye reoketum
maare beauty ka bumb
dekhe to koi kya chaal hai
o mister johnny
mizaaz kaisa hai
o dear tony
tum aaj kaisa hai
chori chori nigaahen
bata do kise chaahen
wo dilbar pyaara kaun hai
o mister johnny. . .

o lady
o beauty
tu chal tham ke
o baby
o sweetie
zara dum le
o lady
o beauty
tu chal tham ke
o baby
o sweetie
zara dum le
jaanu main jaan
kya hai tera khyaal
baaten na kar aisi hum se
arre o dear madam
gulab ki kali
o dear madam
shabab ki dali
nigaahen teekhi teekhi
adaayen meethi meethi
arre tum se pyaara kaun hai
o dear madam. . .

o mister johnny
mizaaz kaisa hai
o dear tony
tum aaj kaisa hai
chori chori nigaahen
bata do kise chaahen
wo dilbar pyaara kaun hai
o mister johnny. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ओ मिस्टर जौनी
मिज़ाज़ कैसा है
ओ डियर टौनी
तुम आज कैसा है
चोरी चोरी निगाहें
बता दो किसे चाहें
वो दिलबर प्यारा कौन है

ओ डियर मैडम
गुलाब की कली
ओ डियर मैडम
शबाब की डली
निगाहें तीखी तीखी
अदाएं मीठी मीठी
तुम से प्यारा कौन है
ओ डियर मैडम॰॰॰

ये मोटा
ये काला
ये नीरो है
ये गोरा
ये चिट्टा
ये हीरो है
ये मोटा
ये काला
ये नीरो है
ये गोरा
ये चिट्टा
ये हीरो है
पहने ये सूट
और मारे सलूट
वैसे तो बोले तू ज़ीरो है
ओ डियर मैडम
गुलाब की कली
ओ डियर मैडम
शबाब की डली
निगाहें तीखी तीखी
अदाएं मीठी मीठी
अरे तुम से प्यारा कौन है
ओ डियर मैडम॰॰॰

यही तो
जी मैडम
नैनीताल है
यही तो
जी लंडन
का फुटबॉल है
यही तो
जी मैडम
नैनीताल है
यही तो
जी लंडन
का फुटबॉल है
ये रॉकेटम्
मारे ब्यूटी का बम
देखे तो कोई क्या चाल है
ओ मिस्टर जौनी
मिज़ाज़ कैसा है
ओ डियर टौनी
तुम आज कैसा है
चोरी चोरी निगाहें
बता दो किसे चाहें
वो दिलबर प्यारा कौन है
ओ मिस्टर जौनी॰॰॰

ओ लेडी
ओ ब्यूटी
तू चल थम के
ओ बेबी
ओ स्वीटी
ज़रा दम ले
ओ लेडी
ओ ब्यूटी
तू चल थम के
ओ बेबी
ओ स्वीटी
ज़रा दम ले
जानूँ मैं जान
क्या है तेरा ख्याल
बातें ना कर ऐसी हमसे
अरे ओ डियर मैडम
गुलाब की कली
ओ डियर मैडम
शबाब की डली
निगाहें तीखी तीखी
अदाएं मीठी मीठी
अरे तुम से प्यारा कौन है
ओ डियर मैडम॰॰॰

ओ मिस्टर जौनी
मिज़ाज़ कैसा है
ओ डियर टौनी
तुम आज कैसा है
चोरी चोरी निगाहें
बता दो किसे चाहें
वो दिलबर प्यारा कौन है
ओ मिस्टर जौनी॰॰॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3458 Post No. : 13874

“Johar in Bombay” (1967) was directed by Shantilal Soni for Thakkar Pictures, Bombay. The movie had I S Johar, Sonia Sahni, K N Singh, Rajendranath, Madan Puri, Polson, Jeevankala etc in it.

This movie was a slapstick comedy where I S Johar and Rajendranath fumble their ways to glorious feats like defeating the nefarious designs of evil scientists with the help of Alladin’s jinn thanks to Alladin’s lamp that I S Johar accidentally comes across in his antique shop.

The movie had six songs in it. Four of these songs have been covered in the blog. All of them were covered in 2011. After a gap of over seven years, here is the next song from “Johar in Bombay” (1967) to appear in the blog. This song is a comedy song which is a parody of some popular songs of that era.

Mahendra Kapoor is the singer. The lyricist of the song is not known. Music is composed by Usha Khanna.

The song is picturised in the usual light hearted manner on I S Johar and others, meant to appeal mainly to low brow audiences. 🙂


Song-Meri pyaari pyaari soorat ko kisi ki chhuri na lage (Johar in Bombay)(1967) Singer-Mahendra Kapoor, Lyrics-Usha Khanna

Lyrics

meri pyaari pyaari soorat ko
kisi ki chhuri na lage
chashme baddur
chhuriyon ko chhupa lo bakshe mein
police ki nazar na lage
chashme baddur

yoon na peechhe phira karo
dhandha koi kiya karo
yoon na peechhe phira karo
dhandha koi kiya karo
tumse badhkar kaanyiyaan hoon main
chaal samajh kar chala karo
meri pyaari pyaari soorat ko
kisi ki chhuri na lage
chashme baddur

zara saamne to aao pagle
chhup chhup ladne mein kya raaz hai
zara main bhi to dekhoon zaalima
tu kaisa teerandaaj hai
zara saamne to aao pagle

bahaaron aag barsaao
koi bandook laaya hai
koi dambook laaya hai
o hunter
maut ban jaao
koi bandook laaya hai
koi dambook laaya hai
giro ae pattharon
in dusmanon ke kaale haathon par
chalo ae goliyon
kambakht gaddaaron ke seenon par
bahaaron aag barsaao
koi bandook laaya hai
koi dambook laaya hai

yaahoo
yaahoo
chaahe koi mujhe jungli kahe
kehne do ji kehta rahe
hum jang ke toofaanon mein gire hain
hum tang karenge
chaahe koi mujhe jungli kahe
yaahoo
yaahoo
yaahoo
yaahoo


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 58 # Remembering Singer-Poet – Kavi Pradeep #
———————————————–—————————————————-

Today (11th December, 2017 is the nineteenth ‘Remembrance anniversary’ (06.02.1915 – 11.12.1998) of Ramchandra Narayanji Dwivedi whom we fondly remember and whose name has been engraved in the history of Indian Cinema and Poetry as Kavi Pradeep.

On this occasion here is a song from “Jai Santoshi Maa-1975” which is penned by Kavi Pradeep (he has written all the six songs for this movie) and also lent his voice to the background version of this (today’s) song in the movie.

“Jai Santoshi Maa” was produced by Satram Rohra for ‘Bhagyalakshmi Chitra Mandir, Bombay’ and directed by Vijay Sharma.
It had Ashish Kumar, Kanan Kaushal, Rajnibala, Bela Bose, Asha Potdar, Leela Mishra, Manhar Desai, B.M. Vyas, Rajan Haksar, Kundan, Neelam, Padmarani, Lata Arora, Johny Whisky, Surendra Mishra, Dilip Dutt, Uma Dutt, Tiwari, Dubey Trilok Kapoor, Anand Marathe, Shri Bhagwan, Mahipal, and Anita Guha as ‘Santoshi Maa’.

Bharat Bhushan makes an ‘guest appearance’ in this movie.

The seventies was a very special decade for Hindi movies. It saw the emergence of the first superstar of the industry and later on the rise of an angry young man on screen. Action films, formula films, multi starrer movies came to the fore in this decade. Story presentation and action underwent changes from the earlier decades. Towards the end of the decade, we found disco music entering in Hindi film music in a big way.

This decade also saw one of the greatest mythological hit of all times viz. ‘Jai Santoshi Maa’ in 1975.

Released in the same year as Sholay, this was a low budget movie but later on created records for collection. I have blurred memories about tales that many women started ‘santoshi maata vrat’ after watching this movie.

All the songs of this movie were very popular. Today’s song in particular holds a special nostalgic value for me.

I was just above 7 years old at that time. I remember that we watched both Sholay and Jai Santoshi Maa on the same day at Akola. I remember the name of the theatres. ‘Shalini’ talkies, which had that typical theatre like built inside and ‘Manek’ talkies – one of the old in the city and still maintained well and spacious.

Today when I checked the release dates of both these movies, I find that “Jai Santoshi Maa” was passed by Censor Board on 28.05.1975 and “Sholay” was passed by Censor Board on 12.08.1975).

The song being presented today has two versions. One version is sung by Kavi Pradeep and the other by Mahendra Kapoor with chorus in both of them. music is given by C. Arjun and lyrics are by Kavi Pradeep ji.

This song, oozing with devotion and spirituality has a calming effect on me and it puts me at peace. No wonder that this is a song that I like to listen to again and again.

(Note: – In HFGK Vol-V this song is mentioned as appearing at number two and six, which normally should be in the order of appearing of the songs in the movie. However, I would like to mention here that this needs to be corrected in HFGK as in the movie this song appears at number one and two respectively in the voices of Mahendra Kapoor and Kavi Pradeep.

HFGK mentions the song ‘main to aarti utaaroon re’ at number one while in the movie it comes at number number five. And, at number six is the last song of the movie ‘madad karo he… madad karo santoshi maata’).

Let us now listen to this wonderful song …

Version I
Audio

Version II II (Video)

Song-Yahaan wahaan jahaan tahaan mat poochho kahaan kahaan (Jai Santoshi Maa)(1975) Singer-Kavi Pradeep/ Mahendra Kapoor, Lyrics-Kavi Pradeep, MD-C Arjun

Lyrics

Version I
——————–
Jai Santoshi maa aa aa
Jai Santoshi ee maa aa aa
Jai Santoshi maa aa aa

Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Badi man bhaawan
Nirmal paawan
Prem ki ye pratimaa
Apni Santoshi Maa
Apni santoshi maa

Is devi ki dayaa ka hamne ae ae
Adbhut phal dekha aa
Ho o o adbhut phal dekha
Ho o o
Pal mein palat de ye bhakton ki ee
Bigdi bhaagya rekha aa
Bigdi bhaagya rekha
Badi balshaali
Hmm hmm
Mamtaa waali
Hmm hmm
Badi balshaali
Mamtaa waali
Jyoti punj ye maa
Apni Santoshi Maa
Apni santoshi maa

Ye maiyya to bhaav ki bhookhi ee
Bhakti se bhaave
Ho o o bhakti se bhaave
Ho o o prem poorwak jo koyi pooje
Man waanchhit paave ae
Man waanchhit paave
Mangal karni
Hmm hmm
Chintaa harni
Hmm hmm
Mangal karni
Chinta harni
Dukh bhanjan ye maa
Apni Santoshi Maa
Apni santoshi maa

Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

——————————-
Version II (Mahendra Kapoor & Chorus)
———————————

Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa
Jal mein bhi
Thal mein bhi
Chal mein
Achal mein bhi
Atal vital mein bhi maa
Apni Santoshi Maa
Apni Santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Badi anokhi chamatkaarini
Ye apni Maai
Ye apni maai
Ye apni maai

Raayee ko parbat kar sakti
Parbat ko raayee
Parbat ko raayee
Parbat ko raayee

Dwaar khulaa
Darbaar khula hai ae ae
Aao behan bhaai
Iske dar par
Kabhi daya ki kami nahin aayi
Daya ki kami nahin aayi
Pal mein Nihaal kare
Dukh ka nikaal kare
Pal mein nihaal kare
Dukh ka nikaal kare
Turant kamaal kare maa
Apni Santoshi Maa
Apni santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Is Amba mein Jagdamba mein
Ghazab ki hai shakti
Ghazab ki hai shakti
Ghazab ki hai shakti

Chinta mein doobey huye logon
Kar lo iski bhakti
Kar lo iski bhakti
Kar lo iski bhakti

Apna Jeevan saunp do isko o
Paa lo re mukti
Sukh sampati ki daataa
Ye maa kya nahin kar sakti
Maa ye kya nahin kar sakti
Bigdi banaane waali
Dukhde mitaane waali
Bigdi banaane waali
Dukhde mitaane waali
Kasht hataane waali maa
Apni Santoshi Maa
Apni santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa

Gaurisut Ganpati ki beti
Ye hai badi bholi
Ye hai badi bholi
Ye hai badi bholi

Dekh dekh kar iska mukhda
Har ik dishaa doli
Har ik dishaa doli
Har ik dishaa doli

Aao re bhakton ye maataa hai ae
Sab ki hamjoli
Jo maangoge tumhen milega
Bhar lo re jholi
Suno re bhaai
Bhar lo re jholi

Ujjwal Ujjwal
Ho nirmal nirmal
Ujjwal Ujjwal
Nirmal nirmal
Sundar sundar Maa
Apni Santoshi Maa
Apni santoshi maa
Yahaan wahaan jahaan tahaan
Mat poochho kahaan kahaan
Hai Santoshi Maa
Apni Santoshi Maa
Apni santoshi maa
Apni Santoshi Maa
Apni santoshi maa

————————————

———————————————————-
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
———————————————————-
Version I (Kavi Pradeep)
———————————————————-

जय संतोषी माँ आ आ
जय संतोषी ई माँ आ आ
जय संतोषी माँ आ आ

यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

बड़ी मन भावन
निर्मल पावन
प्रेम की ये प्रतिमा
अपनी संतोषी माँ
अपनी संतोषी माँ

इस देवी की दया का हमने ए ए
अद्भूत फल देखा आ
हो ओ ओ अद्भूत फल देखा
हो ओ ओ
पल में पलट दे ये भक्तों की ई
बिगड़ी भाग्य रेखा आ
बिगड़ी भाग्य रेखा
बड़ी बलशाली
हम्म हम्म
ममता वाली
हम्म हम्म
बड़ी बलशाली
ममता वाली
ज्योति पुंज ये माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

ये मैय्या तो भाव की भूखी ई
भक्ति से भावे
हो ओ ओ भक्ति से भावे
हो ओ ओ प्रेम पूर्वक जो कोई पूजे
मन वांछित पावे ए
मन वांछित पावे
मंगल करणी
हम्म हम्म
चिंता हरनी
हम्म हम्म
मंगल करणी
चिंता हरनी
दुःख भंजन ये माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

————————————–
Version II ( Mahendra Kapoor)
—————————————
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
जल में भी
थल में भी
चल में
अचल में भी
अतल वितल में भी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

बड़ी अनोखी चमत्कारिणी
ये अपनी माई
ये अपनी माई
ये अपनी माई

राई को परबत कर सकती
परबत को राई
परबत को राई
परबत को राई

द्वार खुला
दरबार खुला है
आओ बहन भाई
इसके दर पर
कभी दया की कमी नहीं आयी
दया की कमी नहीं आयी
पल में निहाल करे
दुःख का निकाल करे
पल में निहाल करे
दुःख का निकाल करे
तुरंत कमाल करे माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

इस अम्बा में जगदम्बा में
ग़ज़ब की है शक्ति
ग़ज़ब की है शक्ति
ग़ज़ब की है शक्ति

चिंता में डूबे हुए लोगो
कर लो इसकी भक्ति
कर लो इसकी भक्ति
कर लो इसकी भक्ति

अपना जीवन सौंप दो इसको
पा लो रे मुक्ति
सुख सम्पति की दाता
ये माँ क्या नहीं कर सकती
माँ ये क्या नहीं कर सकती
बिगड़ी बनाने वाली
दुखड़े मिटाने वाली
बिगड़ी बनाने वाली
दुखड़े मिटाने वाली
कष्ट हटाने वाली माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ

गौरीसूत गणपति की बेटी
ये है बड़ी भोली
ये है बड़ी भोली
ये है बड़ी भोली

देख देख कर इसका मुखड़ा
हर इक दिशा डोली
हर इक दिशा डोली
हर इक दिशा डोली

आओ रे भक्तो हए माता है ए
सब की हमजोली
जो मांगोगे तुम्हे मिलेगा
भर लो रे झोली
सुनो रे भाई
भर लो रे झोली

उज्जवल उज्जवल
निर्मल निर्मल
सुन्दर सुन्दर माँ
अपनी संतोषी माँ
अपनी संतोषी माँ
यहाँ वहाँ जहां तहां
मत पूछो कहाँ कहाँ
है संतोषी माँ
अपनी संतोषी माँ
अपनी संतोषी माँ


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14000 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14065

Number of movies covered in the blog

Movies with all their songs covered =1081
Total Number of movies covered =3836

Total visits so far

  • 10,103,575 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 3500 days.

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