Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mahendra Kapoor


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4618 Post No. : 16260

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Blog 10-Year Challenge (2011-2021) – Song No. 15
—————————————————————————

This date ten years ago (viz 10 march 2011) was a normal day for the blog. As many as six songs from six movies were covered on that day.

Here are the details of the six songs that were covered on that day :-

Blog post number Song Movie (Year) Remarks
3633 Tumne kahaa chhoo maine chhoo liyaa Saawan(1959) Movie YIPPEED by now
3634 Wo dekho dekh rahaa thhaa papeehaa Fariyaad(1964) Four songs covered by now out of 6
3635 Aise to na dekho Bheegi Raat(1965) Movie YIPPEED by now
3636 Sun ae bahaar e husn mujhe tum se pyaar hai Night in London(1967) Movie YIPPEED by now
3637 Ho munna jaayegaa baazaar Man Mandir(1971) Three songs covered by now out of 6
3638 Do bechaare bina sahaare Victoria number 203 (1972) Movie YIPPEED by now

One can notice that four movies (out of six) whose songs were discussed ten years ago on that date have since been YIPPEED in the blog. So only two movies are eligible for blog ten year challenge today.

“Fariyaad”(1964) is one such movie. This movie was directed by Kidar Sharma for Show People, Bombay. The movie had Ashok, Zeb Rehman aka Preeti Bala, Dilip Dutt, Mohan Choti, Achala Sachdev, Gyani, Gopal Sehgal, Bela Bose, Apsara, Malik, Maria, Tuntun, Sayeeda, Najma,Shabani, Raj Maria etc in it.

The movie had six songs in it. Four songs have been covered in the past.

As blog ten year challenge today (10 march 2021), here is a song from “Fariyaad”(1964). Thia sonmg is sung by Mahendra Kapoor, Mubarak Begam and chorus. Kidar Sharma is the lyricist. Music is composed by Snehal Bhatkar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the puicturisation of the song.

Lyrics of this song were sent to me by Prakashchandra.

audio link:

Song-Dilli se do behnen aayin (Fariyaad)(1964) Singers-Mahendra Kapoor, Mubarak Begam, Lyrics-Kidar Sharma, MD-Snehal Bhatkar
Chorus

Lyrics(Provided by Prakashchandra)

Dilli se do behnein aayeen een
Dilli se ae ae ae ae
Dilli se do behnein aayeen
roop duhaayee rey ae
aei jee roop duhaayee rey ae

o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae

Rozie aur Daisy
oyye hoyye hoyye
har shayye angerzi
haayye haayye haayye
har baat mein tezi
oyye hoyye hoyye

baali umariya tirchhi najariyaa
jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
baali umariya tirchhi najariyaa
jaadu naye jagaaye
main mar gayi jaadu naye jagaaye
main mar gayi jaadu naye jagaaye ae

ho o o ho o ho o o o
o dil pehloo o o o se ae
utth utth bhaagey ae ae ae ae
mukh se
nikse haayye
haaaaye

kaa hamri
o kaa hamri sudh budh bisraayi
daddy raam duhaayi rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae

ankhiyaan matwaari
oyye hoyye hoyye
honthon par laali
haayye haayye hayye
latt kaali rey kaali
oho o o ho ho o hho o ho o o

haath milaayein haath hilaayein aen
baar baar kahen
haayye
haath milaayein haath hilaayein aen
baar baar kahey
haayye

inn ke charan chhuye bin bandhu
hamse rahaa naa jaaye
o raama
hamse rahaa na jaaye
kaissi ..eee
o kaissi mann mein
aggann lagaayi
daddy raam duhaayi rey ae
o zara sunn mere bhaai rey ae
o zara sunn mere bhaai rey ae

kya naach dikhaaye
oyye hoyye hoyye
sau sau bal khaaye
haayye haayye haayye
gardan mattkaayye
oyye hoyye hoyye


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4616 Post No. : 16256

A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.

A hundred years today. Being celebrated by the 700th post on our blog.

Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.

Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.

Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –

Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .

Repeated in ‘Mehmaan’ (1974)

. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa

In ‘Zameer’ (1975), he would write

Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .

Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’

Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .

And yes, ‘Kabhi Kabhi’ (1976) of course,

Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai

In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.

There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.

This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’

Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .

For ‘Munim Ji’in 1955, he wrote

Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .

In 1958, his words for ‘Light House’ are

Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum

With 1960 came ‘Barsaat Ki Raat’ and the promising words are

Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .

1962, and it is ‘Hum Dono’, with the lines

Main Zindagi Ka Sath Nibhata Chala Gaya. . .

With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.

Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi

‘Chandi Ki Deewaar’ and 1964, another depressing sentiment

Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile

And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,

Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi

On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,

Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai

And in the same film, we have the sobering sentiment as,

Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .

Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in

Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se

But then it is ‘Zameer’ in the same year that bounces back to say,

Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin

Plus a more sobering thought, from the same film,

Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi

With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.

Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin

Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.

Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.

Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.

So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).

The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.

The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.

The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.

A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.

Listen and enjoy.

Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar

Lyrics

arre chanda kaahe ka tera mamma
mamma

chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————
अरे चंदा काहे का तेरा मामा
मामा

चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा

 


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4612 Post No. : 16244

“Aag”(1967) was produced and directed by Naresh Kumar for Dimple Dilms, Bombay. This movie had Feroz Khan, Mumtaz, Aruna Irani, Shyama, Srandhir, Madan Puri, Jeevan, Achla Sachdev, Manohar Deepak, Mohan Choti, Ram Mohan, Manmohan, Bipin Gupta, Amar Nath, Tun Tun, Indira Bansal, Ramlal, Sunder etc in it.

The movie had eight songs in it. Two songs have been covered in the past.

Here is the third song from “Aag”(1967) to appear in the blog. The song is picturised on Feroz Khan who plays a villager leading a contented life there as evidenced by this joie de vivre genre of song.

Towards the end of the song, we find Feroz Khan crossing a narrow stream on a narrow bridge. Half way on that makeshift bridge he comes across Mumtaz just as the song is coming to an end.

The song is sung by Mahendra Kapoor. Asad Bhopali is the lyricist. Music is composed by Usha Khanna.


Song-Samay ka panchhi udta jaaye (Aag)(1967) Singer-Mahendra Kapoor, Lyrics- Asad Bhopali, MD-Usha Khanna

Lyrics

o ho
o o o
o o
o o o
aaa haa
aa haa

samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye

aaha
aa aa aa
o o
o o o

jabse aaye din saawan ke
dharti jhoome dulhan banke
jabse aaye din saawan ke
dharti jhoome dulhan banke
daali daali lachki jaaye
daali daali lachki jaaye re ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye

barkha rut ne zulfen jhatkin
moti bikhre kaliyaan chatkin
barkha rut ne zulfen jhatkin
moti bikhre kaliyaan chatkin
kali kali mahki jaaye
kali kali mahki jaaye re
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye

o ho
o o
aa aa aa
aa aa aa aa

abke baras bhi rut albeli
saj dhaj ke aayi hai akeli
abke baras bhi rut albeli
saj dhaj ke aayi hai akeli
koi nahin saathi haan
koi nahin saathi haan re re
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4611 Post No. : 16243

“Main Wohi Hoon”(1966) was produced by Anil H Kotak and S A Mehmood and directed by A Shamsheer. The movie had Feroz Khan, Kumkum, I S Johar, Bela Bose, Lata Sinha, Roopesh Kumar, Murad, Madan Puri, S A Baker, Johny Whisky, Mirza Musharraf, Munshi Munaqqa, Dilip Dutt, Balan, Dhanraj etc in it.

This murder mystery movie, described as “stunt” movie in HFGK had six songs in it. Three songs have been covered in the past.

Though Feroz Khan and Kumkum played the lead roles in the movie, I S Johar and Bela Bose played the comic and detective side plot in this movie.

Here is a song from “Maibn Wohi Hoon”(1966) which is picturised on I S Johar and Bela Bose. The song is sung by Mahendra Kapoor and Krishna Kalle. Asaad Bhopali is the lyricist. Music is composed by Usha Khanna.


Song-O parichham meri hardam (Main Wohi Hoon)(1966) Singers-Mahendra Kapoor, Krishna Kalle, Lyrics-Asad Bhopali, MD-Usha Khanna

Lyrics

o parichham meri humdam
jab se tu hai saath mein
halchal hai jazbaat mein aen
jab se tu hai saath mein
halchal hai jazbaat mein aen
sochne ki baat hai
sochne ki baat hai
o habibam
mere humdam
jab se tu hai saath mein
halchal hai jazbat mein ae
jab se tu hai saath me
halchal hai jazbat mein ae
sochne ki baat hai
sochne ki baat hai
o habibam

o o
pehli nazar ka abhi tak nasha sa hai
o o
tarsa hua dil mohbbat ka pyasa hai
o nahin achcha aur tadpaana
o chali aana chhod sharmaana
suna ki nahin
suna ki nahin
o parichham
meri humdam
jab se tu hai saath mein
halchal hai jazbat mein aen
sochne ki baat hai
o parichham

o o
sun o deewaane tujhe kuchh khabar bhi hai
o o
dil ki jo haalat udhar hai idhar bhi hai
mujhe dar hai
ho na rusvaayi
haath mera chhod saudaai
suna ki nahin
suna ki nahin
o habibam
mere humdam
jab se tu hai saath mein
halchal hai jazbat mein aen
sochne ki baat hai
o habibam

o o
jab dil lagaaya to duniya se kya darna
o o
tark bhi humse hamesha wafa karna

zindagi bhar pyaar karna hai
saath jeena saath marna hai

suna ki nahin
suna ki nahin
o parichham
o habibam
jab se tu hai saath mein
halchal hai jazbat mein aen
jab se tu hai saath mein
halchal hai jazbaat mein aen

sochne ki baat hai
sochne ki bat hai
o parichham


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4598 Post No. : 16225

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——

Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.

On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.

This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.

I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.

We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.

But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊

Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.

We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…

“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.

Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.

So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021

Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …

Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.

This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …

Remembering Khayyam Saab …

Video

Audio (Partial)

Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa

aa aa aa aaa

jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu kisi bhes mein aaye
tujhe pehchaante hain

tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain

aa ha ha
achchaa aa
to suniye

ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar

arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa

ye nikla mere yaar
matlab ye niklaa mere yaar

aisaa nahin hai wallaah

daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande

ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar

arz ye hai kiblaa

jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe

ham maujood hain
ham rokenge
saare kaale dhandhe

ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen

kya bolen
sarkaar
tumko kya bolen sarkaar

arey bhaai aur kya karen ham

ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar

kiblaa mulahijaa ho
irshaad
irshaad

ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de

jaane de mere yaar
nafrat jaane de mere yaar

ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae

ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar

pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani

wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani

arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani

ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani

haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4581 Post No. : 16194

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XIX: Year 1965
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1965.

In 1965, 91 Hindi movies containing 653 songs were released. Lata Mangeshkar got to sing in 42 of these movies and she sang 91 songs in these movies. So Lata Mangeshkar’s voice was heard in 46 % of the movies released in 1964. Her voice was heard in 14 % of the songs appearing in the movies of 1965.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1965 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aadhi Raat Ke Baad Chitragupta 2 2 2 0 0 0 Prem Dhawan (1) Anand Bakshi (1)
2 Aarzoo Shankar Jaikishan 2 2 2 0 0 0 Hasrat Jaipuri
3 Adventures of Robinhood G S Kohli 1 1 0 1 0 0 Anjaan
4 Aakaashdeep Chitragupta 3 3 2 1 0 0 Majrooh Sultanpuri
5 Amarjyoti Vasant Desai 3 5 3 2 0 0 Bharat Vyas
6 Bhakt Prahlad B N Bali 0 1 1 0 0 0 Bharat Vyas
7 Bharat Milaap Vasant Desai 1 1 0 1 0 0 Bharat Vyas
8 Bheegi Raat Roshan 1 1 1 0 0 0 Majrooh Sultanpuri
9 Bhoot Bangla R D Burman 1 1 1 0 0 0 Hasrat Jaipuri
10 Boxer Laxmikant Pyarelal 3 3 3 0 0 0 Asad Bhopali (2) Anand Bakshi (1)
11 Chaand Aur Suraj Salil Chaudhary 2 2 2 0 0 0 Shailendra
12 Chhoti Chhoti Baaten Anil Biswas 2 2 1 1 0 0 Shailendra
13 Do Dil Hemant Kumar 2 2 2 0 0 0 Kaifi Azmi
14 Ek Sapera Ek Lutera Usha Khanna 1 1 1 0 0 0 Asad Bhopali
15 Faislaa Usha Khanna 1 1 1 0 0 0 Asad Bhopali
16 Faraar Hemant Kumar 2 2 2 0 0 0 Kaifi Azmi
17 Guide S D Burman 4 4 3 1 0 0 Shailendra
18 Gumnaam Shankar Jaikishan 2 2 2 0 0 0 Hasrat Jaipuri
19 Ham Sab Ustaad Hain Laxmikant Pyarelal 2 2 2 0 0 0 Asad Bhopali
20 Himaalay Ki God Mein Kalyanji Anandji 4 4 4 0 0 0 Indeewar (2) Anand Bakshi (2)
21 Jaanwar Shankar Jaikishan 1 1 0 0 0 1 Shailendra
22 Jab Jab Phool Khiley Kalyanji Anandj 3 3 3 0 0 0 Anand Bakshi
23 Jahaan Sati Wahaan Bhagwaan Lala Asar Sattar 1 2 2 0 0 0 B D Mishra (1) Unknown (1)
24 Khaandaan Ravi 1 1 1 0 0 0 Rajinder Krishan
25 Luteraa Laxmikant Pyarelal 6 6 6 0 0 0 Anand Bakshi
26 Mahabharat Chitragupta 0 3 2 1 0 0 Bharat Vyas
27 Main Hoon Alladin Usha Khanna 1 2 2 0 0 0 Jawed Anwar
28 Namaste Ji G S Kohli 2 2 1 1 0 0 Anjaan
29 Neela Aakaash Madan Mohan 1 1 1 0 0 0 Raja Mehdi Ali Khan
30 Oonche Log Chitragupta 2 2 1 1 0 0 Majrooh Sultanpuri
31 Poonam Ki Raat Salil Chaudhary 3 3 1 1 0 0 Shailendra
32 Poornima Kalyanji Anandji 2 2 1 1 0 0 Bharat Vyas (1) Gulzar (1)
33 Raaka Dattaram 1 1 1 0 0 0 Asad Bhopali
34 Rishte Naate Madan Mohan 4 4 4 0 0 0 Hasrat Jaipuri
35 Saheli Kalyanji Anandji 4 4 3 1 0 0 Indeewar (2) K L Pardesi (1)
36 Sangraam Lala Asar Sattar 3 3 2 0 1 0 Ash Kanwal
37 Shaheed Prem Dhawan 1 1 1 0 0 0 Prem Dhawan
38 Shrimaan Funtoosh Laxmikant Pyarelal 3 3 2 1 0 0 Anand Bakshi
39 Sikandar e Azam Hansraj Bahl 1 1 1 0 0 0 Rajinder Krishan
40 Tarzan comes to Delhi Dattaram 1 1 1 0 0 0 Anand Bakshi
41 Teen Deviyaan S D Burman 2 2 0 2 0 0 Majrooh Sultanpuri
42 Teesra Kaun R D Burman 1 1 0 1 0 0 Anand Bakshi
Total 42 movies 20 MDs 83 91 71 17 1 2 19 lyricists

Lata Mangeshkar worked with 20 music directors and 19 lyricists in these 46 movies released in 1965. Shankar Jaikishan with 340 songs in the voice of Lata Mangeshkar were the leading music directors for Lata Mangeshkar followed by C Ramchandra with 273 songs. Other top music directors for Lata Mangeshkar were Chitragupta (201), Madan Mohan (142), Roshan (129), Anil Biswas (120), Hemant Kumar (112), S D Burman (112), Naushad (109), Husnlal Bhagatram (108). Together these ten music directors composed 1646 songs out of 2833 songs that Lata Mangeshkar had sung in Hindi movies till end of 1965. The top seven lyricists till end of 1964 for Lata Mangeshkar were Rajinder Krishan (446), Shailendra (338), Hasrat Jaipuri (234), Prem Dhawan (178), Bharat Vyas (173), Shakeel Badayuni (169), Majrooh Sultanpuri (147). These seven lyricists had penned 1685 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar tied up with music director B N Bali, Lala Asar Sattar and Prem Dhawan for the first time in movies released in 1965. Ash Kanwal, Gulzar, Jawed Anwar were the lyricists with whom she worked for the first time in movies of 1965.

Lata Mangeshkar was singing over 20 duet songs with Rafi every year till then, but in the movies released in 1965, these two singers did not have even a single duet ! Her main male partner in singing duets this year was Mahendra Kapoor with whom she sang 7 duets followed by Mukesh (5 duets).

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1965 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 134 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 149 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 140 172 144 23 4 1
1955 50 movies 165 218 177 30 10 1
1956 49 movies 168 204 153 35 13 3
1957 47 movies 129 160 110 38 7 5
1958 35 movies 102 132 95 25 10 1
1959 58 movies 188 211 130 68 12 1
1960 48 movies 139 166 102 50 12 1
1961 44 movies 125 152 88 55 5 4
1962 40 movies 118 129 84 40 5 0
1963 37 movies 103 111 62 38 8 3
1964 46 movies 122 133 91 31 8 3
1965 42 movies 83 91 71 17 1 2
Total upto 1965 772 movies 2414 2833 1992 642 144 53

It can be seen from the table of 1965 that Lata Mangeshkar sang 91 songs in movies released in 1965. It was for the first time since 1948 that the number of songs sung by her in a year fell below three figures.

As many as 83 of these 91 songs have already been covered in the blog. Out of 42 movies of 1965 where Lata Mangeshkar sang, all Lata Mangeshkar songs of 37 movies are alreday covered. So we only have 8 Lata songs belonging to 5 movies of 1965 that are not yet covered in the blog.

Alphabetically the first such movie that offers us Lata Mangeshkar songs to discuss is “Amar Jyoti”(1965). This fantasy movie was directed by Raman Desai for Bombay Movietone, Bombay. The movie had L Vijaylaxmi, Mahipal, Ulhas, Kamal Mehra, Sapru, Sarla Devi, Gop Krishn etc in it.

The movie had nine songs in it, including five Lata Mangeshkar songs- three solos and two male duets with Mahendra Kapoor. Four songs from the movie (including three Lata Mangeshkar songs) have been covered in the past.

Here is the fourth Lata Mangeshkar song from “Amar Jyoti”(1965). This song is a duet with Mahendra Kapoor. Female Chorus can also he heard. Bharat Vyas is the lyricist. Music is composed by Vasant Desai.

This lesser known song is a rare song and only its audio seems to be available. I request our knowledgeable readers to throw light on the picturisation of this song.
The audio is not clear and I have not been able to get many words right. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics wherever applicable.


Song-Jhan jhan jhan jhan baaje paayaliya (Amar Jyoti)(1965) Singers-Lata, Mahendra Kapoor, Lyrics-Bharat Vyas, MD-Vasant Desai
Lata + Mahendra Kapoor
Chorus

jhan jhan jhan jhan jhan

jhan jhan jhan jhan jhan
jhan jhan jhan jhan jhan baaje paayaliya
jhan jhan jhan jhan jhan baaje paayaliya
kaise aaun chhaliyaa
o chhaliyaa
kaise aaun chhaliyaa
o chhaliyaa
jhan jhhan baaje paayaliyaa
baaje paayaliyaa
baaje paayaliyaa
jhan jhan jhan jhan
jhan jhan jhan jhan jhan baaje paayaliya
jhan jhan jhan jhan jhan baaje paayaliya

jamuna kinaare teri murli pukaare ??
jkaise aaun
chamke hazaaron taare soye jag waale
saare
?? jaayen
?? jaaun
jo koi jag jaaye
sharam nahin jaaye
bharam ?? jaaye
jjhan jhan jhan jhan jhan
jhan jhan jhan jhan jhan baaje paayaliya
jhan jhan jhan jhan jhan baaje paayaliya

kajra sajaake
?? bindiya lagaa ke
bani ??

o o o o o
chhupte chhupaate
chaavi madhur basaa ke
dekho kaise chali

jhmm hmm hmm hmm
nain nahin bole
palak nahin khole
??

jjhan jhan jhan jhan jhan
jhan jhan jhan jhan jhan baaje paayaliya
jhan jhan jhan jhan jhan baaje paayaliya

anchra sambhaale re
ghoonghat pat daale
?? haule haule
jhaule haule
dharti ki saadi piya
band kiwaadi jyun hi
nain khole
jnain khole

na lat ??
na lat ??
?? khatke
jhhan jhan jhan jhan jhan
jhan jhan jhan jhan jhan baaje paayaliya
jhan jhan jhan jhan jhan baaje paayaliya
kaise aaun chhaliyaa
o chhaliyaa
kaise aaun chhaliyaa
o chhaliyaa

jhan jhan baaje paayaliya
baaje paayaliya
baaje paayaliya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4558 Post No. : 16152

“Geet Gaaya Pattharon Ne”(1964) as produced and directed by V Shantaram for V Shantaram Productions, Bombay. This “social” movie had Jeetendra, Surendra, Bharati, K Date, Mai Bhide, Nana Palsikar, C H Atma, Paresh Kumar, Dalveer Singh Parmar (Radio Ceylon announcer), Parshuram, Kamaal, Bablu etc in it.

The movie had nine songs in it. Four songs have been covered in the past.

Today (9 January 2021) is the 87th birth anniversary of Mahendra Kapoor (9 January 1934 – 27 September 2008). AS a tribute to him, here is a song from “Geet Gaaya Pattharon Ne”(1964). The song is sung by Mahendra Kapoor, Asha Bhonsle and chorus.

Only the audio of the song is available. I request our knoledgeable readers to thro light on this song which was frequently played on odspeakers in those days before it as forgotten.

Lyrics of this song were sent to me by Avinash Scrapwala.

Audio

Song-Aayiye padhaariye (Geet Gaaya Pattharon Ne)(1964) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Vishamitra Adil, MD-Ramlal
Male chorus
Female chorus
Mahendra Kapoor + Male chorus

Lyrics(Provided by Avinash Scrapwala)

Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye

Ye dekho
Shiv aur Paarwati ki shaadi
Arre jaise har ladke ki shaadi
Jaise har ladki ki shaadi
Jaise har ladki ki shaadi

Aayi baat samajh mein
Aayi
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye
Aayiye padhaariye

Dekho ab Kailash ke upar
Shiv aur Paarwati baithhe hain
Aankhen pyaar bhare do pyaale
Jinko tarsen duniyaa waale
Aayi baat samajh mein
Aayi
Lekin ab yahaan neeche dekho
Shiv ke yahaan bhagat Raawan ko
Jisne apne sheesh uthhaaya
Oonche parwat ke aasan ko
Oonche parwat ke aasan ko
Aayi baat samajh mein

un hoon
Aayiye padhaariye
Aayiye padhaariye

Aayiye padhaariye
Aayiye padhaariye

Dekho roop ye Paarwati kaa
Doosraa naam hai jiskaa Durgaa
Jag kaa kasht piyaa pal bhar mein
Ripu ko nasht kiyaa pal bhar mein

Arre baap re
Aayi baat samajh mein
Aayi
To aayiye padhaariye
Aayiye padhaariye

Aayiye padhaariye
Aayiye padhaariye

Par Durgaa ka kop dekh kar
Badhe shaant karne ko Shankar
Lage lubhaane nartak ban kar

Kaise
Aise
Aayi baat samajh mein
Aayi
To aayiye padhaariye
Aayiye padhaariye

Aayiye padhaariye
Aayiye padhaariye

moorakh dekho idhar ye kya hai
Shivjee ka ye roop naya hai
aundhi khopdi palken bhaari
samjha purush jo dekhe naari

hahahahaha

Laakh hanso par ye mat bhoolo
Shiv ne apni hi shakti ko
jab naari ke roop mein dhhaala
tum purushon ne hosh sambhaala

aayi baat samajh mein
aayi
to Aayiye Padhaariye
Aayiye Padhaariye

Aayiye Padhaariye
Aayiye Padhaariye


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4533 Post No. : 16098

In about mid-1940s, there was a demand for dancers in Hindi films following the success of dancers like Azurie and Cuckoo. The demand for dancers can be gauged from the fact that during 1945-50, Cuckoo worked in about 75 films of which she did as many as 34 films in 1950 alone. This ‘demand-supply’ mismatch for dancers led to the entry of new dancers in the Hindi film industry such as Mohana, Helen, Sheila Vaz, Roopmala, Kanchanmala, Kumkum etc during the late 40s and early 50s. One of the lesser known dancers who made a entry into this category during this period was Heera Sawant.

I became aware of Heera Sawant for the first time a few years back while browsing the pages of ‘Filmindia’ magazines available on-line. I had seen a couple of pictures of her in the film ‘Hua Savera’ (1948) in March 1948 issue of the magazine. At that time, I thought that she was one of those actors who came and vanished from Hindi films. But it was not so as I came to know a few months back while collecting the information for my articles on the some of the lesser known dancers of Hindi films.

Today, December 15th is the 85th birthday of Heera Sawant (born on 15/12/1935).

Heera Sawant was born in Sawantwadi taluka of Sindhudurg district of Maharashtra. She was the eldest among 4 brothers and 2 sisters. Her father was in the business of motor parts in Mumbai. Soon, the family shifted to Mumbai. She did her schooling at St. Teresa High School and completed her Matriculation. She got entry in the Prithvi Theatres as an actor through her neighbour, a brother of actress Hemavati (wife of D K Sapru) who was already associated with acting in the plays of Prithvi Theatres. During this period, Heera Sawant started learning kathak dance from Master Mohanlal.

Heera Sawant got her first break in Hindi film, ‘Hua Savera’ (1948) when the producer and director of the films saw her performance in one of Prithvi Theatres’ plays. She got the second lead actress’s role with Sapru and Nayantara being the lead actors. The film did not fare well at the box office. However, she got some more assignments after the release of her maiden film. It was her semi-classical dance song, Aarti karo Shankar ki in ‘Naag Panchami’ (1953) which made her popular as a dancer. With this song, she got type-cast as dancer in most of her subsequent films.

In 1964, Heera Sawant turned a producer with her maiden Hindi film ‘Tarzan and Delilah’ (1964). She also produced a couple of Marathi films. Her 3rd Marathi film could not be released resulting in a huge financial loss for her.

Heera Sawant got married to Sundar Arya, a Punjabi businessman. After her husband’s death, she stays in Ahmednagar. [Heera Sawant’s biography is based on an interview which was posted on Shishir Krishna Sharma’s blog, ‘Beete Hue Din’ in May 2019].

The active years of filmy career of Heera Sawant was from 1948 to 1969 during which she acted in around 125 films of which around 75 films were in the decade of 1950s. A majority of her films were in the genre of religious, costume drama, action and stunt.

As mentioned earlier, when she ventured into film productions sometime in the first half of 1960s, her acting career seems to have taken a back seat. This was also the period when Helen was the reigning dancer in Hindi films and new dancers cum side actresses such as Bela Bose, Aruna Irani, Minu Mumtaz, Jeevan Kala, Lakshmi Chhaya, Madhumati etc established themselves in the Hindi film industry. By early 1970s, Heera Sawant has virtually retired from the Hindi films.

Some of the popular songs picturised on her are as under:

Song Movie (year)
tim tima tim tim tima tim taare ‘Har Har Mahadev’ (1950)
saari raat jaage laage jo tose nainwaa ‘Baaraati’ (1954)
shama pe aake parwaane ‘Meenaar’ (1954)
tedhi tedhi hamse phire saari duniya ‘Musaafir’ (1957)
mere dard-e-jigar ki har dhadkan ‘Nausherwan-e-Adil’ (1957)
ritu aaye ritu jaaye sakhi ri ‘Bansari Bala’ (1957)
dil milaate jaaiye nazaren milaate jaaiye ‘Return of the Superman’ (1960)

On the occasion of 85th birth day of Heera Sawant, I present one of her dance songs from the film ‘Vazir-e-Azam’ (1961). The song is ‘daghebaaz kyun toone mera dil chheena’ sung by Mahendra Kapoor and Pushpa Marathe. The song is written by Hairat Sitapuri which is set to music by Robin Banerjee.

This is a song picturised on Master Bhagwan and Heera Sawant to divert the attention of the prison guards to facilitate the escape of Suresh from the prison. The orchestration of the song sounds like that of O P Nayyar.

Video Clip:

Song-Daghebaaz kyun toone mera dil chheenaa (Vazir e Azam)(1961) Singers-Pushpa Marathe, Mahendra Kapoor, Lyrics-Hairat Sitapuri, MD-Robin Bannerjee
Both

Lyrics

ooooooooooooo
ooooooooooooo
ooooooooooooo

daghebaaz kyun toone mera dil chheena
dagebaaz kyun toone mera dil chheena
o bina pyaar ke duniya mein hai kya jeena
hoye ae
bina pyaar ke duniya mein hai kya jeena

gora gora chanda dekho samaa hai pyaari pyaari
thhes lagi to dikhti pal mein nafrat ki chingaari
baat beeti na haay dil na kahi pe laage na
haay
bina pyaar ke duniya mein hai kya jeena
hoye ae
bina pyaar ke duniya mein hai kya jeena

daghebaaz kyun tune mera dil chheena
daghebaaz kyun tune mera dil chheena
hoy
bina pyaar ke duniya mein hai kya jeena
hye ae
bina pyaar ke duniya mein hai kya jeena

sar sar sar sar mera aanchaljhoom ke jab lehraaye
saath usike dil ye hamaara jaane kyun bal khaaye
haal ye apne dil ka yahi main samjhi na
haaye
bina pyaar ke duniya mein hai kya jeena
hoye ae
bina pyaar ke duniya mein hai kya jeena

daghebaaz kyun toone mera dil chheena
daghebaaz kyun toone mera dil chheena
ho bina pyaar ke duniya mein hai kya jeena
hoye ae
bina pyaar ke duniya mein hai kya jeena hoye

dhak dhak dhak dhak dhadke jiya phiroon main khoyi khoyi
kaajal ban ke aankh mein teri samaa gaya hai koi
jaadoo tujh pe ae
hoy jaadu tujh pe pyaar ka usne kar deena

bina pyaar ke duniya mein hai kya jeena
hoye
bina pyaar ke duniya mein hai kya jeena
hoye ae
bina pyaar ke duniya mein hai kya jeena
hoye
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4500 Post No. : 16036 Movie Count :

4385

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 111 # Debutant movie-Saazish-1975
——————————————————————————

Today’s song is from the 1975 movie ‘Saazish’.

This movie is making its debut on our blog. It is part of one of my ‘projects’ of bringing ‘movies with same title’ on the blog. We already have a movie with this title released in ‘1959’ represented on the blog. (Incidentally this movie was also launched on the blog with a lyrics contribution sent by me then 😊) (isme meri koi saazish nahin thhi 😊)

There are were two more movies with the same title ‘Saazish’ made in 1988 & 1998, not yet represented in the blog.

‘Saazish-1975’ was directed by Kalidas for ‘Maya Movietone, Bombay’. Kalidas was also the producer of this movie. It had Saira Banu, Dharmendra, Dev Kumar, Rajendra Nath, Madan Puri, Jagdish Raj, Murad, Gayjee, David, Helen etc. Iftekhar and Paintal make special appearance in this movie.

Story of this movie was written by Ranjan Bose. And screenplay and dialogues were written by Ramesh Pant. Editing of this movie was done by Waman Bhonsle and Guru Dutt Shirali.

This movie was passed by Censor Board on 03.02.1975.

‘Saazish-1975’ has five songs written by Hasrat Jaipuri and composed by Shankar-Jaikishan.

Here are the details of the songs of this movie in order of their appearance (which should be according to the appearing of these songs in the movie) HFGK Vol-V 1971-1980.

Song Singer/s
Na taaj chaahiye na takht chaahiye, tera pyaar chaahiye har waqt chaahiye Asha Bhonsle
Wo bade khushnaseeb hote hain aap jiske kareeb hote hain Mahendra Kapoor, Suman Kalyanpur
Haay phir zaraa zaraa koi teer sa chubha, dil to huaa fidaa Sharda
Tujhe hamne chaaha apna samajh kar Mahendra Kapoor, Saira Banu
How sweet dada ji Asha Bhonsle, Ranu Mukherjee

As I mentioned above, this movie was in my ‘wish-list’ for the ‘project’ of introducing ‘movies with same titles’ on the blog. However, somehow, I had forgotten about this movie due to my attention to other posts. Our dear Prakash ji had also recently sent two songs from this movie for different occasions. But I am leaving them for future posts, because I was looking for a Suman Kalyanpur song composed by Shankar-Jaikishan (for obvious reasons -😊- regulars on the blog and those interested in statistics can guess it easily 😊).

So, today I am presenting a song from this movie sung by Mahendra Kapoor and Suman Kalyanpur.

This song is picturized on Dharmendra and Saira Banu (at foreign locations I guess) where Dharmendra is lip syncing in Mahendra Kapoor’s voice and Saira Banu is lip syncing in the voice of Suman Kalyanpur (obviously 😊).

I have not watched this movie and would like to request knowledgeable readers to throw more light on this movie, its details and its song please.

With the today’s song ‘Saazish-1975’ makes its debut on the blog … (😊 ye zaroor meri saazish ka hissaa hai 😊)

let us now enjoy today’s song from “Saazish”(1975)…

Video

Audio

Song-Wo bade khushnaseeb hote hain (Saazish)(1975) Singers-Suman Kalyanpur, Mahendra Kapoor, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both

Lyrics

wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain
aap jiske kareeb hote hain aen
aap jiske kareeb hote hain aen
aap jiske habeeb hote hain
aap jiske habeeb hote hain
hoye
hoye
hoye
log uske rakeeb hote hain ae
log uske rakeeb hote hain aen aen

wo bade khushnaseeb hote hain

hamne dil deke tumko paaya hai ae
hamne dil deke tumko paaya hai
apne apne naseeb hote hain
o o o o
apne apne naseeb hote hain
wo bade khushnaseeb hote hain
haay
haay
haay
aap jiske kareeb hote hain ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain

dil hamaara tumhi se takraayaa aa aa
dil hamaara tumhi se takraayaa aa
haadse kyaa ajeeb hote hain
haaye ae ae
haadse kyaa ajeeb hote hain

wo bade khushnaseeb hote hain
aap jiske kareeb hote hain ae ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain

aise andaaz se mitaate hain aen aen
aise andaaz se mitaate hain aen
husn waale ajeeb hote hain ae
haaye ae ae
husn waale ajeeb hote hain

wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4485 Post No. : 16004 Movie Count :

4383

———————————————-
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 108 # Tribute to Lyricist – Anjaan #
——————————————————————————–

Today 28th Oct’2020 is the ninetieth birth anniversary (born on 28.10.1930 in Varanasi) of Lalji Pandey better known to us by his pen-name ‘Anjaan’.

As per our blog statistics he has written over 1300 songs during his career in Hindi movies. Most of his works were in collaborations with composers Kalyanji–Anandji, Laxmikant-Pyarelal, R. D. Burman and Bappi Lahiri.

He passed away at the age of sixty-six on 3rd of Septemeber’1997 in Mumbai.

On his ‘birth anniversary’ I was looking for a song from a new movie where he had penned all the songs.

I am taking the readers to the decade of seventies. Today we will listen to an enjoyable song from that decade. This song was frequently heard on radio those days. It was perhahs the only known song from the movie.

I have not watched this movie so I am in no position to discuss much about it.

The movie is “Jwaalaamukhi”(1980). So it is another same name movie getting introduced in the blog.

“Jwaalaamukhi-1980” was directed by Prakash Mehra for Baboo Mehra Productions, Bombay. It had Waheeda Rehman, Shatrughan Sinha, Reena Roy, Vinod Mehra, Shabana Azmi, Bindu, Kader Khan, Shreeram Lagoo, Pran, Ram Sethi, Bhola, Yunus Parvez, Shivraj, Asha Chandra, Mumtaz Begam, Goga, Kirti, Uttam Sodi, Jugnu and others.

Amjad Khan, Aruna Irani and Raj Babbar had ‘special appearance’ in the movie.

The movie was passed by Censor Board on 17.12.1980.

I do not remember how this movie had fared at the box office so I would request knowledgeable readers to throw more light on the movie and its songs.

The movie had five songs including a music track as mentioned in HFGK and listed below (our new practice now onwards while introducing a movie 😊)

All the songs were written by Anjaan and music was composed by Kalyanji-Anandji.

None of the songs from this movie made it to the ‘annual list of Binaca Geetmala’ of 1981 (as the movie was released in December’1980).
When I thought that the today’s song should be more popular as I liked it listening then too and could have made to the list or ‘shadow list’ of the ‘binaca geetmala’ (or songs that could not make it to the finals as compiled by Anil Bhargava), to my surprise it was not. However, one other song from this movie “Paan, beedi, cigarette, tambaaku, na sharaab, ham ko nasha hai muhabbat ka janaab’ sung by Kishore Kumar made it to this ‘shadow’ list.

List of songs in this movie as appearing in HFGK (1971-1980) Vol-V.

Song Title Singer
1) Hum tere bina bhi nahin jee sakte … Kishore Kumar, Mahendra Kapoor, Asha Bhonsle, Hemlata
2) Hmm hmm tujhe sab pyaar karte hai…ye chehre pe chehraa Kishore Kumar
3) Kabhi tumne kisi ko phaansaa … Asha Bhonsle, Kishore Kumar
4) Hmm welcome …. hamko to nashaa muhabbat ka hai janaab Kishore Kumar, Shatrughan Sinha
5) Music –

let us now enjoy this wonderful and highly hummable song. It is picturized on Shabana Azmi, Shatrughan Sinha, Vinod Mehra and Reena Roy who are performing on the song while many others are seen in the picturization of this song.

Lyrics of this song were sent by Prakashchandra.

Audio

Video

Song-Tere bina bhi nahin jee sakte (Jwaalamukhi)(1980) Singers-Asha Bhosle, Kishore Kumar, Mahendra Kapoor, Hemlata, Lyrics-Anjaan, MD-Kalyanji Anandji
(Kishore Kumar + Mahendra Kapoor)

Lyrics(Provided by Prakashchandra)

(dialogues not included)

hum
tere bina bhi nahin jee sakte ae ae aur
tere bina bhi nahin jee sakte
hum tere bina bhi nahin ji sakte ae ae aur
tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
majboor hain hum
tere bina bhi nahin jee sakte ae ae
aur tere bina bhi nahin jee sakte aur
tere bina bhi nahin jee ee sakte

kyaa ye raaz hai
kaisaa andaaz hai
main tera nishaana hoon
woh tera deewaana
deewaanon ka anjaam kyaa hogaa

kyaa ye pyaar hai
kaisa iqraar hai
waadaa hai kisi se
iraada hai kisi ka
to phir dil ka
kya faislaa aa hogaa aa

arrey jaise nadiya ke do kinaare
waise tum to do yaar
tum donon do aankhein hamko
donon se hain pyaar
ham tere bina bhi nahin jee sakte ae ae ae
aur tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
hunh majboor hain hum
tere bina bhi nahin jee sakte ae ae ae aur
tere bina bhi nahin jee sakte aur
tere bina bhi nahin jee ee sakte

satyug ki reet woh
kalyug mein naa chaley
paanch pandaavon ki thhi
ek patraani
ye tab thha
magar ab nahin hogaa

satyug ki reet kyun
kalyug mein naa chalein
unkaa dil bhi dil thha
hamaara dil bhi dil hai
jo tab thha
woh ab kyun nahin…ee hoga
arrey yug badley to
duniya badley
badley har dastoor

o badley har dastoor
badalna hamein nahin manzoor
hum tere bina bhi nahin jee sakte ae ae
aur tere bina bhi nahin jee sakte
arrey hona kisi ek ka hai
ye hamko pataa hai
magar kya karen
dil se
majboor hain aen hum
tere bina bhi nahin jee sakte ae ae ae
aur tere bina bhi nahin jee sakte ae aur
tere bina bhi nahin jee ee sakte

kya khayaal hai
wallahha kamaal hai
zameenein bant jaayein
jaageerein bant jaayein
dilon ka batwaara nahin hotaa
ye dil bhi khoob hai
kaise mehboob hain
aisa huaa na hoga
ik dil se pyaar do do kaa
duniyaa ko gawaaraa nahin hotaa

arrey dil ka aanaa dil ka jaanaa
kahaan hain apne haath
kaun kahaan kis ka ho jaaye
ye qismat ki baat

tum mere binaa bhi nahin jee sakte ae ae
aur
mere binaa bhi nahin jee sakte

arrey honaa kisi ek ka hai ye inn ko pataa hai
magar kya karen ae

dil se majboor hain aen hum
tere bina bhi nahin jee sakte ae ae ae aur
tere bina bhi nahin jee ee sakte aur
tere bina bhi nahin jee ee…ee sakte


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16324

Number of movies covered in the blog

Movies with all their songs covered =1258
Total Number of movies covered =4430

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Active for more than 4000 days.

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