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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Mahendra Kapoor


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3658 Post No. : 14521

ASAD 10th Anniversary Celebrations – 18
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#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 70 #
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Congratulations to Atul ji and all team members on this tenth anniversary of this wonderful musical blog!!! Our beloved blog – ASAD – has completed ten years now and as expected the celebration has to be bigger and bigger.  And other than this being a great achievement, it’s also the time to gear up for the next bigger celebrations i.e. 15000 posts, 20000 next and more. . .

For this special occasion, and as it was expected of, all members were asked to share their joy and happiness through write ups and songs. So, when the ‘circular’ 😊 to this effect was received in mail and the deadline was given I started to look for those special subjects close to heart, which can be shared here on the blog with songs on this special occasion. I started thinking over the main reason for me to be associated with this blog – which is nostalgia and specifically related to the movies of the ‘seventies’, and the years when I was growing.

When my association with this blog started, and I started sending contribution for lyrics, they were mainly the songs which have over the years been in my memory since childhood and/or those which I have been looking for all the years during which I grown up – songs that used to be there and were listened to during those years – the seventies. . . and continuing to the initial years of the ‘eighties’. . .

There was something special there in those years. I think that the decade of seventies, from the point of view of ‘History of Hindi Cinema’ was a very important decade since it has many things happening in those years. But since it is subject of a different post I will not go into the detail (which I wish to write) in today’s article here.

Next, I started thinking about the movies which made news or hits or were popular in those years, then the stars, and the directors who ruled the roost and enthral the audiences with their charisma and talent. . .  If we look back now on this decade the very first thing that comes to our mind is the rise of Superstardom of Rajesh Khanna. But then in those years I was not the fan of Rajesh Khanna which I became much in the later years of the decade and in the starting years of the eighties.

And the movie watching years those bring back memories for me I think are 1973 (when I was five years old) to 1980 or 1981 to 1982 till I get into tenth standard. These years are very ‘nostalgic’ years for me I think, because many memories of movies and songs for me are from these years. So, what were the specialities of these years – ‘multi starrer movies’, ‘lost and found’ stories, ‘revenge stories’, ‘mythological movies too’, then we have ‘movies with dacoits looting the ‘gaon’ and the poor villagers’, etc. We were not the fan of any actor or actresses, we just loved to watch the movies whatever be the cast.

In my childhood, movies were the biggest entertainment other than outdoor sports, plays, then orchestras, radio and then there were movies. I vaguely remember that I always use to think the stars acting in movies were from a different planet and not like us. Then I used to think how a person who dies in a movie came back again in another movie?😊 And it took me sometime to understand the reality and come to know that the ‘stars’ are actually normal human beings like us.

Movies were the biggest fascination for us then and may be for many like me. From buying tickets for a movie and getting entry into the theatre and then the darkness surrounding gradually and starting the ‘newsreel’ everything was mesmerizing. Sometimes if we got delayed we had to enter in the darkness and then the gate-keeper will come and guide us the way signalling with a torch. And after the ‘newsreel’ (always in black and white 😊) finally the censor certificate of the movie which we eagerly await to the titles of the movie – all fascinating and spellbinding.

Then as I have mentioned earlier we brothers used to collect the cut pieces of films of movies and try to watch them after magnifying from a small mirror (sometimes a piece of mirror) to reflect the sunlight and finally projecting on a piece of cloth (preferably white) in a room which was covered to create darkness even in a daylight outside. I also remember that there was the advertisement for the 16mm projectors in newspapers and magazines which always attracted me and I was always thinking of buying one 😊 (which was not possible and never became possible) 😊.

Reading about movies and stars in print media and discussions about movies and the personal likes and dislikes among friends/groups was almost a routine. And yes, the ‘booklets’ for the songs of the movies, though I don’t remember to have bought many but yes we used to buy them and sing the songs reading from it 😊

Every summer vacation was special and awaited because of movie watching only. It was the main attraction of the vacations as we used to travel to stay with paternal grandparents and cousins would also gather from different places and together we used to watch movies in theatres – ah, how wonderful those were the days!!!

Sometimes on Sundays or a holiday we would even watch back to back movies to utilise the time as we have to travel back to our colony around 25 kms from the district place. The today’s movie we are discussing was passed by the Censor Board on 06.04.1979 and in all possibility, I am sure that I watched it in that ‘summer vacation’ that year. We children were very crazy about watching movies and I think this continued so far till ‘Laawaaris’ (1982) where I remember to get the tickets I joined the long queue which was I think around 500 metres from the ticket window, and it was already on the road where we sat in the queue for a long time 😊.

Recollecting it now all that happened seems to be very crazy and exciting. And I had to share this one incident when I was beaten up by my father as I was disappointed and started shedding tears for not getting ticket to watch a movie as it became house full. The movie was ‘Jaani Dushman’ from 1979. It was directed by Rajkumar Kohli who has given us many multi starrer movies and I have watched many of them viz. ‘Nagin’ (1976), ‘Jaani Dushman’ (1979), ‘Naukar Biwi Ka’ (1983), ‘Raaj Tilak’ (1984), ‘Jeene Nahin Doonga’ (1984), and ‘Insaniyat Ke Dushman’-1987’. After that I think I have not watched any movies from this production house.

At first, for this post I was thinking of a song from a Manmohan Desai movie or a song from a ‘multi starrer movie’, but selected this movie because to watch it I had to first undergo my father’s fury 😊. How is that possible? Was the movie was not for children? Yes, it was not for us – children – then to watch this movie, because it was released with an ‘A’ certificate (released with restricted viewing) 😊. But, I can now guess that may be on my insistence my father may have been somehow agreed to allow us to watch the movie.

However, we could not get the tickets as the show was house full and we – me and my younger brothers were standing watching movie posters – I got disappointed and tears rolled my eyes and the next moment was darkness in front of my eyes because my father had slapped me since I started crying for watching a movie. Later on, my father called me separately and told me to go alone next day to watch the movie and don’t take my younger brothers with me since they will be frightened, as the movie was said to be a ‘HORROR’ movie 😊. Next day I watched the movie and never feel scared while watching the movie, as the movie was making news as a ‘horror’ movie or like that. I was just above eleven years old then 😊.

I don’t remember having watched this movie again after that, either on TV or in theatre. Watching a suspense thriller again doesn’t generate the same interest and thrill. However, I think I should watch it for nostalgia and to enjoy its beautiful songs again. This movie has some very good songs and so far, only two of its songs have been posted on the blog. And when I go through these two posts by Atul ji I find he also had expressed similar feelings about this movie and he had also watched it as a ‘non-adult’, but still he was elder than me then 😊.

The song I present today is a ‘happy song’ to suit our celebration mood and reviving the nostalgia. In the movie too it occurs in celebration after Bindiya Goswami’s marriage and her ‘doli’ not being looted and the ‘dulhan’ not getting killed by the ‘Jaani Dushman’ 😊. The pitcturisation of this song has some typical specialities of that period – the village, the celebration, the grandeur and the music and the multi star cast. . . And over and above all we have Sanjeev Kumar and Shatrughan Sinha in their ‘own style’ 😊 and with so many other artists present in this song. The orchestra music by Laxmikant-Pyarelal makes it very special and nostalgic to revive those memories. . .

So, let us enjoy this song and revive some ‘bhooli bisri yaadein’. . . on this special occasion 😊

And actually, in the flow of the song I was thinking,

blog nahin koi ASAD jaisa
leader nahin koi mere ‘leader’ jaisa
editor nahin koi hamaare ‘editor’ jaisa
aur ‘contributor’. . .
nahin koi hamaari team jaisa 😊

 

Song – Mausam Na Koi Bahaar Jaisa (Jaani Dushman) (1979) Singer – Kishore Kumar, Mahendra Kapoor, Asha Bhosle, Lyrics – Verma Malik, MD – Laxmikant Pyaarelal
Female Chorus
Male Chorus

Lyrics

arey sun bhai sadho
bol re madho
sun bhai sadho
arey bol re madho

ho ho ho ho ho o
ho ho ho ho ho o
chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o

chhum chhum chhanana na na
chhum chhum chhum
ho ho ho ho ho o
ho ho ho ho ho o
 
mausam na koi bahaar jaisa
tohfa na phoolon ke haar jaisa
saaz na koi sitaar jaisa
raag na koi malhaar jaisa
haan aa

heera nahin kohinoor jaisa
haan
parbat nahin koh-e-toor jaisa
haan
meethha na koi khajoor jaisa
haan
meva na dekha angoor jaisa

jaanch liya parakh liya
soch liya
gaur kiya
rishte bhi dekhe
naate bhi dekhe
naata naa koi pyaar jaisa
suraj bhi dekha
chanda bhi dekha
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

roop tera kaagaz ki paati
dhoop lage murjhaaye
hey roop tera kaagaz ki paati
dhoop lage murjhaaye
aa tujhko palkon mein rakh loon
daal baahon ke saaye
roop gori tera patang jaisa
arey ang nahin tere ang ang jaisa
he rang nahin hothon ke rang jaisa
haan
sang nahin sajna ke sang jaisa

jaanch liya parakh liya
soch liya
gaur kiya
dil bhi dekhe dilwaale bhi dekhe
dil nahin dekha dildaar jaisa
raje bhi dekhe
mahaaraje bhi dekhe
par dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

ho
ho ho ho ho
ho
ho ho ho ho o o
ho
ho ho ho ho o o

ban ke main sapna suhaana
teri neendon mein kho jaaun
he ban ke main sapna suhaana
teri neendon mein kho jaaun
main pyaar ki chandni mein ji chaahe so jaaun
kyunki
dukh naa judaai ki maar jaisa
sukh nahin dil ke qaraar jaisa
yaar nahin koi mere yaar jaisa
haan
jantar bhi dekhe mantar bhi dekhe
jaadoo naa koi pyaar jaisa
preet bhi dekhi
preetam bhi dekhe
par dekha na saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa
naata nahin koi pyaar jaisa
dekha naa saiyyaan hamaar jaisa
dekha naa saiyyaan hamaar jaisa

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Hindi script lyrics (Provided by Avinash Scrapwala)
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अरे सुन भाई साधो
बोल रे माधो
सुन भाई साधो
अरे बोल रे माधो

हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ
छुम छुम छनन न न 
छुम छुम छुम
हो हो हो हो हो ओ
हो हो हो हो हो ओ

मौसम न कोई बहार जैसा
तोहफा न फूलों के हार जैसा
साज़ न कोई सितार जैसा
राग न कोई मल्हार जैसा
हाँ आ
हीरा नहीं कोहिनूर जैसा
हाँ
परबत नहीं कोह ए तूर जैसा
हाँ
मीठा न कोई खजूर जैसा
हाँ
मेवा न देखा अंगूर जैसा
जांच लिया
परख लिया

सोच लिया
गौर किया
रिश्ते भी देखे
नाते भी देखे
नाता ना कोई प्यार जैसा
सूरज भी देखा
चंदा भी देखा
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

रूप तेरा कागज़ कि पाती
धुप लगे मुरझाये
हे धुप लगे मुरझाये
आ तुझको पलकों में रख लूं
डाल बाहों के साए
रूप गोरी तेरा पतंग जैसा
अरे अंग नहीं तेरे अंग अंग जैसा
हे रंग नहीं होठों के रंग जैसा
हाँ
संग नहीं सजना के संग जैसा
जांच लिया परख लिया
सोच लिया
गौर किया
दिल भी देखा दिलवाले भी देखे
दिल नहीं देखा दिलदार जैसा
राजे भी देखे
महाराजे भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

हो
हो हो हो हो
हो
हो हो हो हो हो ओ
हो
हो हो हो हो हो ओ

बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
हे बन के मैं सपना सुहाना
तेरी नींदों में खो जाऊं
मैं प्यार कि चांदनी में जी चाहे सो जाऊं
क्यूंकि
दुःख ना जुदाई कि मार जैसा
सुख नहीं दिल के करार जैसा
यार नहीं कोई मेरे यार जैसा
हाँ
जंतर भी देखे
मंतर भी देखे

जादू ना कोई प्यार जैसा
प्रीत भी देखि
प्रीतम भी देखे
पर देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा
नाता नहीं कोई प्यार जैसा
देखा ना सैंय्या हमार जैसा
देखा ना सैंय्या हमार जैसा

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3646 Post No. : 14477

“Gogola”(1966) was directed by Balwant Dave for Indradhanush, Bombay. This stunt movie had starring Azad, Tabassum, Rani, Paulson, Niyampalli, Habeeb, Bhale Rao, Sharma, Chander K etc in it.

The movie had six songs in it that were sung by seven singers.

Two songs have been covered in the past.

Here is the third song from “Gogola”(1966) to appear in the blog. The song is sung by Mubarak Begam and Mahendra Kapoor with chorus. Baalkavi Bairaagi is the lyricist. Music is composed by Roy Frank.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Aaja aaja aaja aaja pyaar karen (Gogola)(1966) Singers-Mubarak Begam, Mahendra Kapoor, Lyrics-Balkavi Bairaagi, MD-Roy Frank
All chorus
Female chorus
Male chorus
Mubarak Begam + Mahendra Kapoor
All

Lyrics

lalalalalalalaa
lalalalalalalaa
lalalalalalalaa
lalalalalalalalaaa

aaja aaja aaja aaja
pyaar karen
pyaar karen
pyaar karen
jis’se chaahen jitna chaahe
us’se utni baar karen
jis’se chaahen jitna chahe
us’se utni baar karen
aaja aaja aaja aaja
pyaar karen pyaar karen pyaar karen

lalalalalalala
lalalalalaalalaa
lalalalalalala
lalalalalaalalaa
lalalalalalalala
lalalalalalalalaa

ye masti ye mast jawaani ee
ye masti ye mast jawaani
daulat hai taqdeer ki

ek nazar hamko mil jaaye
aur(?) kisi bepeer ki
is mele ki bheed mein aao
dilbar ka deedar karen
is mele ki bheed mein aao
dilbar ka deedar karen

aaja aaja aaja aaja
pyaar karen pyaar karen pyaar karen

lalalalaralalala
lalalalaralalala
lalalalaralalala
lalalalaralalala

haaye jawani in kaliyon ki haaye
haaye jawaani in kaliyon ki
kitni paneedar hain

hamko gaali mat do dear
mausam hi makkaar hai
aankhon hi aankhon mein baabu
mitva se iqraar karen
aankhon hi aankhon mein babu
mitva se iqraar karen

aaja aaja aaja aaja
pyaar karen pyaar karen pyaar karen

lalalalalalala
lalalalaaalaaa
lalalalalalala
lalalalaaalaaa
lalaaalalaaalalaaalalalala
ham albele ham mastaane haaye
ham albele ham mastaane
bichhde meet milaate hain

nafrat ki nagari me raaja
pyaar mohabbat gaate hain
ulfat ke meethe sapnon se
duniya ko gulzar karen
ulfat ke meethe sapnon se
duniya ko gulzar karen

aaja aaja aaja aaja
pyaar karen pyaar karen pyaar karen
jise chaahen jitna chaahen
us se utni baar karen
jise chaahen jitna chaahen
us se utni baar karen
aaja aaja aaja aaja
pyaar karen pyaar karen pyaar karen


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3622 Post No. : 14436

Missing Films of 1960s – 76
– – – – – – – – – – – – – – –

Hindi cinema encompasses quite a few genres and categories. It is a sad statement that the industry has almost always been controlled and driven more by the financial expectations. The earliest model of large studios as centers of film production activities, was somewhat immune to the craziness of financial pressures. The studio system had its own cons, but it provided a larger stability and sustainability to the production effort and to the team belonging to the studio.

It was all too soon that people with all kinds of mental inclinations realized both the power of this medium, and the possibility of landing a jackpot with a hit film. This awareness brought in all kinds of unscrupulous elements, as well as businessmen with an urge to invest unaccounted money in a gamble to make more money. If I recall correctly, the 1949 film ‘Kalpana’ touched upon this aspect, displaying a cruel brazen-ness with which the financiers and the touts dealt with the artists. The grossly dismal record the industry has in terms of its own record keeping and archiving, is an outcome of this ‘jackpot’ mentality – the actual owners of film actually cared a zilch for the film itself. With every venture, the financier would launch a new production banner. One can well imagine the ill effects of this lack of continuity and ownership for the artistic product itself.

But I digress – this discussion on film financing models, another time. I started with the genres and categories, with the purpose to highlight how some genres and categories have fallen by the wayside, over the decades. One of the casualties of the projected “lack of public interest” and the “lack of return on investment” has been the genre of religious pictures. Till the end of 1970s, or maybe even 1980s, there used to be quite a number of offerings of religious films produced every year. In one of his articles, our dear Arun ji has presented an analysis of this aspect – the number of religious films produced on average per year, and the progressive decline of this number over the decades. These days, one rarely hears about a religious offering coming from the mainline cinema. TV, yes, we do hear more about serials on religious themes. Or maybe the investment by the end user, in terms of time and money, is getting channelized much more towards TV productions and the live kathas (discourses) – there literally has been an explosion in the number of kathas being organized and being attended by the people.

The reason for this preamble, of course, is that today’s debut film from 1960s is a religious film of certain importance, from 1967. The film is ‘Badrinath Yatra’. Produced under the banner of Mewar Films, Bombay and is directed by Dhirubhai Desai. The star cast of this film is listed as Nirupa Roy, Abhi Bhattacharya, Sulochana, Indira, Jeevan, Sundar, Niranjan Sharma, Indira Bansal, Fazlu, Nandini Desai, and Kukku Desai amongst others.

There is a huge importance attached to pilgrimage, in our religion. Our land has been blessed from the very beginning of time itself, with famous and important temples which are the abodes of the Gods in our pantheon of worship. The origins and foundation histories of many of these temples and places is lost in the antiquity of time. For many of these temples and places of pilgrimage, there are references in our historical records – and by historical I mean our books of scriptures, which contain details of many such places of pilgrimage being established by protagonists of these histories like Sri Ram, Sri Krishna, the Pandvas, and our Rishis etc. Our histories abound with such tales in detail.

In the 8th century AD, there appeared a champion who measured the breadth and length of this sub-continent – Adi Shankaracharya. He travelled across the land with the mission to reestablish the importance of the Vedantic Dharma, and to re-ignite the lamp of worship in the temples. He established four matha (मठ) in the four regions, which became the four primary centers of learning and research into the Vedic knowledge. These four centers were placed in proximity to the four main destinations of pilgrimage of primary importance for the followers of the Dharma. These pilgrimage places are Badrinath in the north, Puri in the east, Rameshwaram in the south and Dwarka in the west. Each of these four pilgrimage places are historically important with a detailed history about their establishment and their antiquity being described in our scriptures.

Over the ages, these four have been collectively referred to as ‘Chaar Dhaam’ – literally ‘Four Destinations’. It is ordained in our teachings that a person must pay their homage and worship at each one of these pilgrimages, at least once in their life time. A significant importance is attached to completing this journey. Further, the same teachings also exhort the children to comfortably facilitate such a journey for their parents, and enable them to pay homage and complete their worship at these four centers of pilgrimage.

Since the early decades of Hindi cinema, a number of films have been produced as travelogues or “यात्रा” (yatra), covering one or more holy centers of pilgrimage. This film also covers the journey to the ‘chaar dhaam’ or the four holy destinations. This particular song appears more than once in the film, and I am including three different video clips from three different points in the storyline sequence. In the clips, we can see Abhi Bhattacharya, as the obedient son, who is taking his parents (roles played by Sulochana and Niranjan Sharma) for their journey to the ‘chaar dhaam’. The storyline belongs to a certain unspecified era in history, as we can see that Abhi Bhattacharya is even carrying his parents in a yoke shoulder carrier – a long pole with large baskets hanging at two ends, large enough for a human person to sit in. In north India, this shoulder carrier is called “वेहंगी” (wehngi). Folks familiar with the stories from the scriptures will recall the story of Shravan Kumar, the young boy who carried his old and blind parents in a wehngi for pilgrimage.

The song is written by Madan, and is composed by Pt Shivram. The singing voice is that of Mahendra Kapoor. Listening to this song evokes strong emotions in my heart. Not that I have not heard this song before, but now, as I listened to it again repeatedly for lyrics etc., the words and the tune is simply at home with me in my heart. Listen to this beautiful evocation that covers so many philosophies of life. And think.

 

 

Part 1

Part 2

Part 3

Song – Chal Chal Re Pathik Chal Re  (Badrinath Yatra) (1967) Singer – Mahendra Kapoor, Lyrics – Madan, MD – Pt Shivram

Lyrics

Part 1

chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

aaj nahin to kal jag se hai jaana
duniya musaafirkhaana re bhai
duniya musaafirkhaana hai
dhan ke liye dharam kyon beche
ik din to mar jaana hai
tyaag kapat chhal prabhu ke dhaam chal
wahin tere daag mitenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge

bachpan khoya khel mein tu ne
khoyi jawaani bhog mein
bhool ke tu bhagwan ko praani
phas gaya jagat ke moh mein
aaya budhaapa ab to ram bhaj
tere dukh wahi harenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

amrit taj ke vish kyon peeta
ram naam ras pee le
kaam krodh mad moh lobh taj
hari charnon mein jee le
hari charnon mein janam maran ke
bandhan tere katenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge

Part 2

prabhu darshan ko badhe ja rahe
baalak vriddh jawaan
oonch neech sadhu sanyasi
nirdhan kya dhanwaan
ganga yamuna ki dhaara mein
jin ki mahim hai avichal
pralay ke toofaanon mein bhi jo
hain sadiyon se achal atal
yug yug se bharat bhoomi
gaaye jin ka gun gaan
woh hain naath anaathon ke
shri badrinath bahgwan
shri badrinath bahgwan
ab jeevan ki har mushkil ko
wahi aasaan karenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

Part 3

chhaale pade chaahe paaon mein tere
suraj tapey aasmaan mein
haar na himmat badhta hi chal re
tapte registaan mein
tapte registaan mein
prabal hai bhakti ki shakti
tujhe koi kya rok sakenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
भाग १

चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

आज नहीं तो कल जग से है जाना
दुनिया मुसाफिरखाना रे भाई
दुनिया मुसाफिरखाना है
धन के लिए धरम क्यों बेचे
इक दिन तो मर जाना है
त्याग कपट छल प्रभु के धाम चल
वहीं तेरे दाग मिटेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

बचपन खोया खेल में तू ने
खोई जवानी भोग में
भूल के तू भगवान को प्राणी
फंस गया जगत के मोह में
आया बुढ़ापा अब तो राम भज
तेरे दुख वही हरेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

अमृत तज के विष क्यों पीता
राम नाम रस पी ले
काम क्रोध मद मोह लोभ तज
हरी चरणों में जी ले
हरी चरणों में जनम मरण के
बंधन तेरे काटेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

भाग २

प्रभु दर्शन को बढ़े जा रहे
बालक वृद्ध जवान
ऊंच नीच साधू सन्यासी
निर्धन क्या धनवान
गंगा यमुना की धारा में
जिन की महिमा है अविचल
प्रलय के तूफानों में भी जो
हैं सदियों से अचल अटल
युग युग से भारत भूमि
गाये जिन का गुण गाँ
वो हैं नाथ अनाथों के
श्री बद्रीनाथ भगवान
श्री बद्रीनाथ भगवान
अब जीवन की हर मुश्किल को
वही आसान करेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

भाग ३

छाले पड़ें चाहे पाँव में तेरे
सूरज तपे आसमान में
हार ना हिम्मत बढ़ता ही चल रे
तपते रेगिस्तान में
तपते रेगिस्तान में
प्रबल है भक्ति की शक्ति
तुझे कोई क्या रोक सकेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3583 Post No. : 14335

“Khooni Khazaana”(1965) was directed by A Shamsheer for East and West Movies, Bombay. Vijaya Chaudhary, Sudhir, Bhagwan, Sheikh Mukhtar, Madan Puri, Bela Bose, Jeewan Kala, Brahm Bhardwaj, Heera Sawant, Bhagwan Sinha, Prabhu, Jogesh Bihari, Jasminder Singh, Appa Khede, Jeewan etc in it.

This obscure movie had eight obscure songs in it. One song from the movie has been covered in the past.

Here is the second song from “Khooni Khazaana”(1965) to appear in the blog. The song is sung by Mahendra Kapoor and Kamal Barot. Khawar Zamaan is the lyricist. Music is composed by S Kishan.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Aa aa aa mere dil mein samaa (Khooni Khazaana)(1965) Singers-Mahendra Kapoor, Kamal Barot, Lyrics-Khawar Zamaan, MD-S Kishan

Lyrics

aa aa aa
mere dil mein sama
o o o
zara nazren mila
naa naa naa
jhoothhi baaten na bana
jaa jaa jaa
mera dil na jala

arre aa aa aa
oy na na na

dil ki baaten kis’se kahoon main
baalam nikla jhoothha
khoti khoti baaten bana ke
toone haaye dil loota
khoti khoti baaten bana ke
toone haaye dil loota

aa aa aa
mere dil mein sama
o o o
zara nazren mila
oye naa naa naa
oye aa aa aa

teri qasam hai
tere pyaar mein
bharta hoon main aahen
aaja gori
mere gale mein
daal de ab baahen
aaja gori
mere gale mein
daal de ab baahen
naa naa naa
jhoothhi baaten na bana
jaa jaa jaa
mera dil na jala

arre aa aa aa
oy na na na

dil se dil jab mil gaye apne
phir kaisa sharmaana
pyaar kiya to pyaar nibhaana
ham ko bhool na jaana
pyaar kiya to pyaar nibhaana
ham ko bhool na jaana

haha
aa aa aa
mere dil mein samaa
o o o
zara nazren mila
oye naa naa naa
jhoothhi baaten na bana
jaa jaa jaa
mera dil na jala

oye aa aa aa
oy na na na
oye aa aa aa
oy na na na


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3562 Post No. : 14283

“Baalak Aur Jaanwar”(1975) was Nanabhai Bhatt for Usha Productions Bombay. This obscure movie had Master Alankar, Baldev Khosa, Usha Solanki, Randhawa, Mahesh Desai, B M Vyas, Dulari, Mohan Choti, Hungama, Mona,Raja Duggal, Sheel Kumar, Lala Nazeer, Yunus Bihari, Kanan Kaushal etc in it.

The movie had six songs in it. Here is the first song from “Baalak Aur Jaanwar”(1975) to appear in the blog. This song is sung by Mahendra Kapoor and chorus. Bharat Vyas is the lyricist. Music is composed by Chitragupta.

The song is a shiv bhajan/ stuti. Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Baalak Aur Jaanwar”(1975) makes its debut in the blog.


Song-Aao mil ke poojen bhole shankar ko(Baalak aur Jaanwar)(1975) Singer-Mahendra Kapoor, Lyrics-Bharat Vyas, MD-Chitragupta
Chorus

Lyrics

om namah shivaay
om namah shivaay

aao mil ke poojen bhole shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye
nanhe kankar ko
om jay shiv omkaara
hari shiv omkaara

aao mil ke poojen bhole shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye
nanhe kankar ko
om jay shiv omkaara
hari shiv omkaara

bhakti bhaav dikha ke manvaanchhit paaye
phal manvaanchhit paaye
jal se snaan kara ke
jal se snaan kara ke
inke gun gaaye
om jay shiv omkara
hari shiv omkara

shiv ka roop suhaana sab ke man bhaaya
laal gulaal chadha ker sabne sukh paya
jay shiv omkara
devon mein mahadev ye hai bhola-bhaala
gajaanand pahnaaye pushpon ki maala
jay shiv omkaara
sacche man se pooj ke sachha sukh paaya
nav ne vaidhy chadhaya
nav ne vaidhy chadhaaya
shiv ke man bhaaya
om jay shiv omkaara
hari shiv omkaara

ghanti bajaaye
jhoome man mein harshaaye
vighn mitey sab unke
vighn mitey sab unke
aarti jo gaaye
om jay shiv omkaara
hari shiv omkaara
aao mil ke poojen shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye nanhe kankar ko
om jay shiv omkaara
aao mil ke poojen bhole shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye nanhe kankar ko
om jay shiv omkaara


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3560 Post No. : 14276

“Baankelal”(1972) was produced and directed by Ratan Kumar. The movie had Prithviraj Kapoor, Sulochana Chatterjee, Sheel Kumar, Abhi Bhattacharya, Sunder etc in it.

It appears that the movie was started in 1960s but it could get released only in 1972 and it flopped at the box office.

The movie had eight songs in it.

Here is the first song from “Baankelal”(1972) to appear in the blog. The song is sung by Mahendra Kapoor. Pt Madhur is the lyricist. Music is composed by Pardesi.

Video of the song is available and one can see that the song is a movie opening song which gets played as credits get displayed on screen. The video version contains only part of the song. Audio version is much longer.

With this public lament song about the misery of women in a brothel, “Baankelal”(1972) makes its debut in the blog.

Video (partial)

Audio (Full)

Song-Ye husn ka hai baazaar yahaan (Baankelal)(1972) Singer-Mahendra Kapoor, Lyrics-Madhur, MD-Pardesi

Lyrics

ye husn ka hai baazaar yahaan
aurat ki kahaani bikti hai
aurat ki kahaani bikti hai
ik zinda laash yahaan bikti
ik murda jawaani bikti hai

ye husn ka hai bazaar yahaan
aurat ki kahaani bikti hai
ik zinda laash yahaan bikti
ik murda jawaani bikti hai
jo biwi ko thhukraate hain
wo thokar khaane aate hain
o o o
o o o
jo biwi ko thukraate hain
wo thokar khaane aate hain
is paap ki putli ke aangan mein
puny kamaane aate hain
bebas aurat ki aahen aur
dil ki kurbaani bikti hai ae
o o o
dil ki kurbaani bikti hai
ye husn ka hai bazaar yahaan

besharmi ki botal khulti hai
aur toot’te laaj ke jaam yahaan
o o o o o o
besharmi ki botal khulti hai
aur toot’te laaj ke jaam yahaan
laala ban aate raam yahaan
baabu ban aate shyaam yahaan
gokul ki gwaalin bikti hai
aur awadh ki raani bikti hai ae
o o o o

ye husn ka hai bazaar yahaan
aurat ki kahaani bikti hai
ik zinda laash yahaan bikti
ik murda jawaani bikti hai
ye husn ka hai bazaar yahaan
o o o o o
o o o o o

jis ghar mein beta aata hai
aur likhta prem ka khaata hai
o o o
o o o
jis ghar mein beta aata hai
aur likhta prem ka khaata hai
bhugtaan ko lene is jodi se
baap bhi aata jaata hai
in kaale kothon pe mardon ki
meharbaani bikti hai ae
o o o o
meharbaani bikti hai
ye husn ka hai bazaar yahaan

ye aasmaan se nahin giri
is dharti ki hi jaayi hai
o o o o
ye aasmaan se nahin giri
is dharti ki hi jaayi hai
jitne hain inke diwane
kai baap hai aur kai bhaai hain
kulvadhu ki mehandi aur choodiyaan
har ek nishaani bikti hai ae
o o o o
har ek nishaani bikti hai
ye husn ka hai bazaar yahaan
aurat ki kahaani bikti hai
ik zinda laash yahaan bikti
ik murda jawaani bikti hai
ye husn ka hai bazaar yahaan


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3549 Post No. : 14239

“Paaras”(1971) was directed by C P Dixit for Prithvi Pictures, Bombay. This “social” movie had Sanjeev Kumar, Rakhi, Farida Jalal, Shatrughan Sinha, Mehmood, Madan Puri, Mukri, Kamal Mehra, Birbal. Uma Khosla, Ratnamala, Badri Prasad, Narbada Shankar, Bhushan Tiwari, Kunal Chaudhary etc in it.

The movie had six songs in it. Four of these songs have been covered in the blog.

Here is the fifth song from “Paaras”(1971) to appear in the blog. This song is sung by Mahendra Kapoor, Asha Bhonsle and chorus. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.

The song is lip synced by Sanjeev Kumar, Farida Jalal and others who play villagers going somewhere in bullock carts. The song sounds a bit like “mere des ki dharti sona ugle”, which was also creacted by the same male singer- music director team. Unlike the “Upkaar”(1967) song, this song is rather unknown. I in fact had not heard this song till today.


Song-Suno saathiyon (Paaras)(1971) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Chorus

Lyrics

suno saathiyon o o o
haan re haan ho bhaiyya
haan re haan ho
haan re haan ho bhaiyya
haan re haan ho

suno saathiyon o o o
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o
insaanon se pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o

o o o o o
o o o o o

saara dhan hai amber ka
moti dhan hai saager ka
moti dhan hai saager ka
o o o
nirdhan ka dhan mehnat hai
pet bhare saare ghar ka
pet bhare saare ghar ka
o o
laaj bina sooni sooni rey naari
phool bina aa aa aa
pyaar bina sooni sooni hai kyaari

laaj bina sooni sooni rey naari
phool bina sooni sooni hai kyaari

ho o o
pyaar bina aa aa
pyaar bina hirday soona re
yaar bina duniya saari ee
insaanon ko pyaar karo
yahi sab se badi hai pooja
suno saathiyon
suno saathiyon o o

haan rey haan ho bhaiyya
haan rey haan ho
haan rey haan ho bhaiyya
haan rey haan ho

ho ho o
ho ho o

har insaan hai yahaan pyaara
pooja ghar hai jag saara

pooja ghar hai jag saara
ho o o
kan kan mandir masjid hai
kan kan girja gurudwaara
kan kan girja gurudwaara
ho o o
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi
pyaar ko duniya mita na sakegi
saanch pe aanch kabhi aa na sakegi

ho o o
pyaar to hai ae ae ae
pyar to hai to hai ek chadhta sooraj
badli koi chhupa na sakegi

insaanon ko pyaar karo
yahi sab se badi hai pooja

suno saathiyon
suno saathiyon
o o o
suno saathiyon
suno saathiyon
sachchaai se badh ke dharm nahin dooja
ho o o
insaanon se pyaar karo
yahi sab se badi hai pooja

suno saathiyon
suno saathiyo
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o
haan rey haan ho bhaiyya
ha rey haan ho o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3546 Post No. : 14231

“Razia Sultan”(1983) was produced by Chitra Bharat and directed by G P Pawar and Kamal Amrohi. The movie had Dharmendra, Hema Malini, Parveen Babi, Pradeep Kumar, Ajit, Vijayendra Ghatge, Jankidas, Sohrab Modi, Veena, Shahu Modak, Heena Kausar, Shree Bhagwan, Husn Banu, Anu Dhawan, Sapru, Mahipal, Roopmala, Reshma, Shakila, Maruti, Sarika, Tajdar Amrohi, Radha Saluja, Madhu Malini, Chitra, Sujata, B M Vyas, Anis Sabri, Geeta Kapoor, Mumtaz Begum, Naseem, Aarti Chopra, M M Baig, Amarjeet, Kalpana, Balraj etc in it.

This is a movie from 1983, and so I have no HFGK available to consult to find out he number of songs in the movie. Going by online sources, I have counted seven songs in the movie. Five of these songs have been covered in the past. Here are the details of these five songs:-

Song Title

Post No.

Post Date

Ae dile naadaan 150 14-Oct-08
Aayi zanjeer ki jhankaar Khuda khair kare 368 10-Dec-08
Tera hijr mera naseeb hai 374 11-Dec-08
Khwaab ban kar koyee aayegaa 7508 14-Feb-13
Jalta hai badan 8075 10-May-13

I find that “Hariyaala Banna aaya re” and ae khuda shukr tera” appear to be the two songs from the movie that are yet to be covered. On watching the picturisation, I find that both these songs are picturised together in the movie and so in effect they are reated as two songs in one. Asha Bhonsle, Jagjit Kaur and female chorus sing for ladies playing sahelis of Razia Sultan, the dulhan (Hema Malini) whereas Bhupinder Singh, Mahendra Kapoor and male chorus sing fopr friends of Yakut, the dulha (played by Dharmendra). So in effect, two wedding songs get combined into one in the picturisation.

So in effect both songs need to be covered in one article, viz this article. It seems that the female song is penned by Nida Fazli and male song by Kaif Bhopali. I request our knowledgeable readers to throw light on this matter. The music is of course composed by Khayyam.

So, with these two songs, all the songs of “Razia Sultan”(1983) have been covered. With this, “Razia Sultan”(1983) joins the list of movies that have all their songs covered in the blog.


Song-Hariyaala banna aaya re …ae khuda shukr tera(Razia Sultan)(1983) Singers-Asha Bhonsle, Jagjit Kaur, Lyrics- Nida Fazli/ Kaif Bhopali, MD-Khayyam
Female chorus
Bhupinder Singh, Mahendra Kapoor + Male chorus

Lyrics

hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
hariyaala banna aaya re
hariyaala banna aaya hai
hariyaala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa aa aa

choti goonthhe ghata
paanv choome hina
maang moti bhari
maathhe jhoomar saja
aa aa aa aa
aa aa aa aa
choti goonthhe ghata
paanv choome hina
maang moti bhari
maathe jhoomar saja
banni ke jo man bhaaya re
hariyaala banna aaya re
hariyaala banna aaya

ae khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandhke sar par sehra
aye khuda shukra tera
aye khuda shukra tera
shukra tera
shukra tera
ye mera yaar chala
baandh ke sar par sehra

aisa sehra gul-o-gulzaar na dekha na suna
aisa naushaah ha mere yaar na dekha na suna
aisa bemeez(?) haseen pyar na dekha na suna
aaisa dildaar tarajaar na dekha na suna
saari duniya ki
saari duniya ki zubaanon pe hai ghar ghar sehra
ye mera yaar chala baandh ke sar par sehra

hariyaala banna aaya re
hariyaala banna aaya re
hariyala banna aaya
aa aa aa aa aa
aa aa aa
aa aa aa
aa aa aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa

devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan

aa aa aa
aa aa aa
aa aa aa
aa aa aa
devtaaon ke man hain khushi se magan
pi se milne chali saj ke razia dulhan
khushiyon ke chaman laaya re
hariyaala banna aaya re
hariyala banna aaya

waah kya baat hai kya shaan hai subhaan allah
iske har phool mein ek jaan hai subhaan allah
har nazar dekh ke hairaan hai subhaan allah
jisne dekha wahi qurbaan hai subhaan allah
wakeya ye hai
wakeya ye hai ke behtar se hai behtar sehra
ye mera yaar chala baandhke sar par sehra

hariyaala banna aaya re
hariyaala banna aaya re
hariyaala banna aaya

yaa khuda
ye khushi ye masarrat rahe
dulha dulhan ki jodi salaamat rahe
aa aa aa
aa aa aa
aa aa aa
aa aa
rahti duniya talak ye muhabbat rahe
saare aalam mein malika ki azmat rahe
rahmat ka sama chhaaya re
hariyaala banna aaya re
hariyaala banna aaya


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3540 Post No. : 14213

“Bandhe Haath”(1973) was directed by O.P.Goyal for Ralhan Productions, Bombay. The movie had Mumtaz, Amitabh Bachchan, O.P.Ralhan, Kumud Chhugani, Ajit, Anjana, Sardar Akhtar, Ram Mohan, Ranjit, Madan Puri, Gajanan Jagirdar, Asit Sen, Tun Tun, Baldev Mehta, Pinchoo Kapoor, Kamaldeep, Moolchand, Sikandar, Ravikant, Ratan Gourang, Maqbool, Usha Amershi, Vanita Thakur etc in it.

The movie had six songs in it. Five of these songs have been covered in the past.

Details of the five songs that have already been covered in the past are given below:-

Song Title

Post No.

Post Date

Kyaa jaano main hoon kaun 11026 6-Apr-15
Toone chheen liya dil ka chain piya 11040 9-Apr-15
Ye kaun aaj aaya mera dil churaane 11047 11-Apr-15
O maanjhi o maanjhi o maanjhi re 11219 27-Jun-15
Naacho re mere pyaar 14206 25-Mar-18

Here is the sixth and final song from “Bandhe Haath”(1973) to appear in the blog. The song is a stage dance performance song. It is sung by Asha Bhonsle, Manna Dey, Mahendra Kapoor and chorus. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

Picturisation shos that it is a “tribal” dance song. A “tribal” dance song in Hindi consists of skimpily dressed dancers, wearing strange outfits / masks etc that are vaguely of African or Red Indian origin.

The main female dancer is a skimpily clad Mumtaz who makes sure that the movie makers save money hiring a Helen or Padma Khanna for this dance sequence. She alongwith other similarly dressed females perform this dance in the presence of a housefull auditorium.

Whenever such performances take place in a Hindi movie, one can be rest assured that baddies would be swarming the place. This song is no exception. We find a galaxy of baddies, led by Ajit, Madan Puri etc marking their attendance. They are looking for Amitabh Bachchan, who like the baddies would invariably find himself in the vicinity of such a dance performance.

SAmitab Bachchan may be hiding in the outfit of a Sheikh, but he cannot escape from Ajit’s eagle eyes, who then passes on the intelligence to his minions as well as a policeman (Ram Mohan ?). What is the standard way in which our Hindi movie heroes try to hide from the baddies ? The join the dance performance. How an uninvited dancer can join in the performance and how the back stage organisers allow this to happen is something that we will never know. And how the hero is aware of the lyrics as well as the corrrect dance steps for the dance is also something that is a mystery to all. This supposedly disguised hero then lip syncs and dances loudly and quite prominently which is their standard attempt to hide from the baddies. :).

That is not all, we find another disguised dancer (O P Ralhan ?) joining in, no doubt easily dodging the back stage managers to the performance, and he too starts to sing and dance loudly. In his part of the song and dance, he “discreetly” passes on the information that baddies are in hot pursuit of him.

It all sounds quite silly really, but we are so used to such dance performances that we do not bat out eyelids. 🙂

I request our knowledgeable readers to help identify the people who are visible in the picturisation of this song.

With this song, “Bandhe Haath”(1973) joins the list of movies that have all their songs covered in the blog.


Song-Dil to lai gawa ab kya hoga re(Bandhe Haath)(1973) Singers-Asha Bhonsle, Manna Dey, Mahendra Kapoor, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
Female chorus

Lyrics

ho o o o
mar jaana re
o o o
par jiyra na lagaana re
bholi soorat ke ik beimaan se
moko bhi pyaar bhayo re
ae ae ae
bholi soorat ke ek beimaan se
moko bhi pyar bhayo re
haan haan
paapi aisa dhokhebaaz sakhi
mohe milke maar gayo re
hey hey
dil to le gawa
ab ka hoga
haan haan haan
dil to lai gawa
ab ka hoga

dhokha dai gawa
ab ka hoga re he
dhokha dai gawa
ab ka hoga re

tarbo
ho ho
tarbo
ho ho ho

aansu liye
aansu liye bade bade
gir jaaun khade khade
kahoon pe na aise pade raa aa aam
jaise jaise yaad pade
waise waise dard badhe
waise waise zehar chadhe raam
chaahat
chaahat
na kariyo
na kariyo
o
aansu liye bade bade
gir jaaun khade khade
kahoon pe na aise pade raa aa aam
jaise jaise yaad pade
waise waise dard badhe
waise waise zehar chadhe raam
jhhoota thha haaye nainan ka mel
main samjhoon pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya haa
ho dil to lai gawa
ab ka hoga

hoga
dil to lai gawa
ab ka hoga

ho o
dhokha dai gawa
ab ka hoga re

ae
dhokha dai gawa
ab ka hoga re

todmo
ha ha
todmo
ha ha ha

ho o o o
tori kasam tora piya
sada tohe chaaha kiya
kabhi nahi dhokha diya je ee ee
nain ko jab mila liya
jiya bheetar basa liya
tohe apni bana liya jee ee
sanam

sanam
teri kasam
teri kasam
ho
jhootha thha haaye
nainan ka mel
main samjhoon pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya ha
dil to lai gawa
ab ka hoga

hoga
dil to lai gawa
ab ka hoga

ho o
dhokha dai gawa
ab ka hoga re

dhokha dai gawa
ab ka hoga re

torbo
ho ho ho
torbo
ho ho

o o o
le ae
lai lo

aa
le ae
lai lo

aj kuj jajajaja
hai
aja kuj jajajaja
hai
aja kuj jajajaja
hai
aja kuj jajajaja

meri bhi to
meri bhi to sunte jaana
hota hai kaahe deewaana
pyaare aashiq sambhal jaana yaar
laaga tu gori ke peechhe
koi laaga tere peechhe
kisi gali nikal jaana yaar
sanam

sanam
hey hey teri kasam
teri kasam
ho
jhootha thha haaye
nainan ka mel
main samjha pyaar
tu samjha khel
uska to ka bigda
mora hi jiya gaya ha
dil to le gawa
ab ka hoga
hoga
dil to lai gawa
ab ka hoga

hey hey hey
dhokha dai gawa
ab ka hoga re

dhokha dai gawa
ab ka hoga re

tarbo
ae ae
tarbo

bholi soorat ke
ek beimaan se
moko bhi pyaar bhayo re
haan haan
paapi aisa dhokhebaaz sakhi
mohe milke maar gayo re
hey hey
dil to le gawa
ab ka hoga
ha ha ha
dil to lai gawa
ab ka hoga

ho o
dhokha de gawa
ab ka hoga re he
dhokha dai gawa
ab ka hoga re

torbo
hahaha
torbo
torbo
dil to le gawa
ab ka hoga
dil to lai gawa
ab ka hoga

dhokha dai gawa
ab ka hoga re

dhokha dai gawa
ab ka hoga re

torbo
ha ha
torbo
torbo
dil to le gawa
ab ka hoga
dil to lai gawa
ab ka hoga

dhokha dai gawa
ab kya hoga re

dhokha dai gawa
ab kya hoga re

hoy
dil to lai gawa
ab kya hoga

dil to lai gawa
ab ka hoga


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3535 Post No. : 14200

Yesterday (22 march 2018), the blog was having a dot day till about 8 PM and then three articles were published just as the day was getting over, duly taking care of the “debutant” movie song as well as the YIPPEE movie for the day. Today (23 march 2018), we have had four songs discussed already, and that covers the “debutant” movie song as well as the YIPPEE movie.

But we are not done for the day. People have not noticed that we are onto another landmark. These days we mention the post number in the beginning of the post. The last article had its post number as 14199. So the next article has to be the net century post for the blog, viz post number 14200.

This century post occasion must be the most uneventful as well as the most underprepared century post. I was not sure about the song I was going to pick for the occasion till very late. I thought that I had chosen the song. But that song got changed in the afternoon. In the evening that song got changed again. This song, the 14200th song for the blog will appear at around 11 PM IST, after being finalised at about 8 PM ! In fact I discovered this song and heard it for the first time at 8 PM !

I had decided that this century post would cover a song penned by Kaifi Azmi. so the songs that I kept chosing and changing were all penned by Kaifi Azmi.

It was yesterday evening that I had decided on Kaifi Azmi as the artist to feature for the century song. So I began to research on the songs of Kaifi Azmi. I found, much to my surprise that the list of all songs penned by Kaifi Azmi is not available online, unlike the case for many other artists. Kaifi Azmi has an official site but I found that site a half hearted attempt and there I could not find what I was looking for.

So I spend my time from yesyterday evening till this evening compiling the list of all Kaifi Azmi songs that he has penned in HFM. I arrived at a figure of 351 songs from 88 movies. I was under the impression that Kaifi Azmi was on 199 in the blog and so I was hoping that this song would combine blog century will Kaifi Azmi’s 200th song in the blog. But I found that my earlier calcutaion was incorrect. Kaifi Azmi is on 189 and not quite 199. Nevertheless, now I have a fairly good idea about Kaifi Azmi’s output in Hindi movies.

I find that the music directors with whom Kaifi Azmi worked could be broadly categorised in two categories- First category was those who were lovers of urdu. Second category were those who did not have command over Hindi/ Urdu but they realised the value of a good lyricist.

In the first category, we have music directors like Madan Mohan, Ghulam Mohammad, Khayyam, Jaidev, A R Qureshy, Pt Lachchiram, O P Nayyar, Roshan etc etc. Kaifi Azmi worked with Madan Mohan in 14 movies, which is the highest number of movies for him with one music director. On the other end of the spectrum, he worked with Roshan and O P Nayyar in just one song each. The first song in the blog was sole Roshan composition that Kaifi Azmi penned. So this blog was starged with a rare song though it was not realised at that time. 🙂

The only O P Nayyar composition that was penned by Kaifi Azmi was the lilting title song of “Bahaaren Phir Bhi Aayengi” (1966).

The other category of music directors with whom Kaifi Azmi was associated in HFM were those who had poor command over Hindi/ Urdu. They were mostly Bangla speakers. But what compositions they created with Kaifi Azmi. This category of music directors include names like S D Burman, Hemant Kumar, Kamal Mitra, Bappi Lahiri, Aparesh Lahiri, Robin, Kanu Roy, Dilip Roy etc.

For this occasion, I have chosen a song that must be regarded as a rare song on many counts. This song is a rare song per se, in the sense that I had not heard this song till now, even though this song was composed in 1970, when I as a precocious music loving kid would listen to all HFM that would get played on Radio, loudspeakers etc.

This song can also be desribed as rare because it is a club song as well as a Helen dance song. One does not associate Kaifi Azmi with a Helen dance song, but this song is very much a Helen dance song.

Though the song has dance by Helen, she does not do any lip syncing. The song is a male solo song. It is sung by Mahendra Kapoor, regarded uncharitably as poor man’s Rafi by some. The song is lip synced as a party song in Shammi Kapoor style. No, it is lip synced neither by Shammi Kapoor nor by Vishwajeet, whom many people rather uncharitably regarded as poor man’s Shammi Kapoor. the song is lip synced by Chandrashekhar who could well be described as a poor man’s Vishwajeet. That would make him poor man’s poor man’s Shammi Kapoor. 🙂 The song does have such self effacing lines as

dekh ke mujhko munh pher lete hain sab
mera chehra gareebi ka hai ishtihaar

The picturisation also shows some well known villains in attendance. K N Singh and Jeewan are present on the occasion. Jeewan seems to have understood every word of this heavy duty lyrics, going by his facial expression. 🙂

I got to listen to the song a few times in the process of noting down of the lyrics. I found the song growingon me. It is that kind of song.

So here is this unsung song as the rather unnoticed 14200th song in the blog. This century took a sedate 26 days. Hopefully we will pick up speed in the coming days and weeks.

I take this opportunity to thank one and all for their continued support, good wishes and encouragement that keep fuelling this musical bandwagon. Let us hope that this bandwagon keep on rolling, like the mythical perpetual motion machine.


Song-Chaand bhi hai sitaare bhi hain bazm mein (Daghabaaz)(1970) Singer-Mahendra Kapoor, Lyrics-Kaifi Azmi, MD-Dilip Roy

Lyrics

chaand bhi hai sitaare bhi hain bazm mein
chaand bhi hai sitaare bhi hain bazm mein
jaane kya raaz hai kyun ujaala nahin
chhed di maine dil ki ye baaten kahaan
dil ki baaten koi sun’newaala nahin
chaand bhi hai sitaare bhi hain bazm mein

dekh ke mujhko munh pher lete hain sab
mera chehra gareebi ka hai ishtihaar
dekh ke mujhko munh pher lete hain sab
mera chehra gareebi ka hai ishtihaar
apne sar pe chita apni rakkhe huye
apne sar pe chita apni rakkhe huye
thokaren khaayin duniya ke aage hazaar
thokaren khaayin duniya ke aage hazaar
aur kisi ne bhi badhke sambhaala nahin
dil ki baaten koi sun’newaala nahin
chaand bhi hai sitaare bhi hain bazm mein

sar agar phodna hai to sar phod lo
saaya dhoondho na chaandi ki deewaar mein
sar agar phodna hai to sar phod lo
saaya dhoondho na chaandi ki deewaar mein
pyaar ka geet honthon tak aaya to thha
pyaar ka geet honthon tak aaya to thha
kho gaya aa ke sone ki jhankaar mein
kho gaya aa ke sone ki jhankaar mein
dard patthar ne seene mein paala nahin
dil ki baaten koi sun’newaala nahin
chaand bhi hai sitaare bhi hain bazm mein

raat dhalti rahi
jashn hota raha
raat dhalti rahi
jashn hota raha
log hanste rahe
koi rota raha
shukriya kis jubaan se ada keejiye
shukriya kis jubaan se ada keejiye
dil mein kaanta zamaana chubhota raha
dil mein kaanta zamaana chubhota raha
mujhko mahfil se lekin nikaala nahin
dil ki baaten koi sun’newaala nahin
chaand bhi hai sitaare bhi hain bazm mein
jaane kya raaz hai kyun ujaala nahin
chhed di maine dil ki ye baaten kahaan
dil ki baaten koi sun’newaala nahin
chaand bhi hai sitaare bhi hain bazm mein


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14576

Number of movies covered in the blog

Movies with all their songs covered =1143
Total Number of movies covered =3980

Total visits so far

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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