Posts Tagged ‘Bharat Vyas’
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4489 | Post No. : | 16013 |
I have mentioned in one of my earlier post here that these days I am looking for movies where only one song has been posted so far. In my daily browsing of the blog while I have already noted some movies, new surprises keep coming e.g. the time-lag between posting of the first song of the movie and thereafter posting of the second song. While we can understand a couple of year time-lag is considerable some have to wait for their second song almost more than five to six years or even ten years as we have seen during posting of ‘blog ten-year challenge song’. Well, if that was not enough, I have found a movie with a song posted in 2008 and still waiting for its second song to be posted on the blog. 😊
In today’s case the movie is ‘Mordhwaj-1952’ and one of its song, namely dagmag dagmag doley naiyya… has been posted on 02.06.2014.
Today we will listen to a lovely melodious song from this movie. This song took almost seven years to get posted after it was noted down. 😊
‘Mordhwaj-1952’ alias ‘Raja Mordhwaj’ (as mentioned in HFGK Vol.III-1951-1960) was directed by Balwant Bhatt for ‘Nav Anand Chitra, Bombay’. It was produced by Mangalanand Gautam and it was passed by Censor Board on 27.10.1952.
This movie had Durga Khote, Prem Adeeb, Ram Singh, Tiwari, Shashi Kapoor, Manju, Nand Kishore, Babu Raje, Urvashi, Raj Adeeb, Leela Mishra, Y.N. Joshi, Sushila, Bindu, Neeru and others.
Music for this movie was composed by Narayan Dutta and all the eight songs this movie has were penned by Bharat Vyas.
Our respected Arun Kumar ji has mentioned in detail about the music director, director and stars of this movie while presenting the first song from this movie viz. dagmag dagmag doley naiyya.
I am presenting herewith details of the songs of this movie as given below;
| Song | Singer/s | Posted On |
|---|---|---|
| Dagmag dagmag doley naiyya | Mohd Rafi | 02.06.2014 |
| Palkon ki dori bani … gupchup un sang ho gayi ankhiyaan chaar re | Asha Bhonsle, Mubarak Begam, Dilip Kumar Roy | |
| Aayi rang bhari phoolon ki rut pyaari re … | Geeta Dutt | Being posted today |
| Mera man hai magan, muskaaye gagan, poonam ki chamacham raat hai | Asha Bhonsle, Khan Mastana | |
| Kit jaaoge ghanshyam muraari, tumhe jaane na doonga | Mohd Rafi | |
| Gin gin taare ratiyaa bitaaun… aaoji raajkumar | Geeta Dutt | |
| Jhoothha jag jhoothhi re maayaa | Dilip Kumar Roy | |
| Lekh vidhaataa ka likha … maat pita ke haathon dekho baalak ka balidaan re | Mubarak Begam, Khan Mastana |
Let us now enjoy today’s song. It is sung by Geeta Dutt and composed by Narayan Dutta. Lyrics are by Bharat Vyas.
Song-Aayi rang bhari phoolon ki rut pyaari re (Mordhwaj)(1952) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Narayan Dutt
Chorus
Unknown male voice
Lyrics
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re
Gun gun bhanware jhoom rahen
Gun gun bhanware jhoom rahen
Kaliyon ka munh choom rahe
Munh choom rahe
Munh choom rahe
Dhaani hain dharti
Neela gagan hai ji
Aaja piya
Dole jiya
Jiya magan hai ji
Boley koyalia kaari
Boley kayalia kaari
Kaari
Kaari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re
Chori chori piya pyaare
Palkon mein tumko
Chhupaa loongi re
Chhupaa loongi
Jaane na paaoge tumhen
Nainon ka kaajal banaa loongi re
Banaa loongi
Matwaari soorat par waari ee
Matwaari soorat par waari
Waari
Waari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re
Painyya padoon sainyya tore
Chhup chhup ke
Mohe sataao naa ji
Sataao naa
Thhandi thhandi chaandni raaton mein
Yoon
Jiyaraa jalaao na ji
Jalaao na
He he he he
Tum jeete sajan main haari
Tum jeete sajan main haari
Haari
Haari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re
——————————————-
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————-
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे
गुन गुन भंवरे झूम रहें
गुन गुन भंवरे झूम रहें
कलियों का मुंह चूम रहे
मुंह चूम रहे
मुंह चूम रहे
धानी है धरती
नीला गगन है जी
आजा पिया
डोले जिया
जिया मगन है जी
बोले कोयलिया कारी
बोले कोयलिया कारी
कारी
कारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे
चोरी चोरी पिया प्यारे
पलकों में तुमको
छुपा लूंगी रे
छुपा लूंगी
जाने न पाओगे तुम्हे
नैनों का काजल बना लूंगी रे
बना लूंगी
मतवारी सूरत पर वारी
मतवारी सूरत पर वारी
वारी
वारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे
पैंय्या पडूँ सैंय्या तोरे
छुप छुप के
मोहे सताओ ना जी
सताओ ना
ठंडी ठंडी चांदनी रातों में
यूं
जियरा जलाओ ना जी
जलाओ ना
हे हे हे हे
तुम जीते सजन मैं हारी
तुम जीते सजन मैं हारी
हारी
हारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे
Ham hain baalak kal ke maalik
Posted on: September 17, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4444 | Post No. : | 15892 |
“Naag Mohini”(1963) was directed by Shantilal Soni for Dimple Films Bombay. This “pauraaanik” movie had Vijaya Chadhary, Mahipal, Sundar, Rajan Haksar, Bablu, Uma Dutt, Indira Bansal, Rajrani, Sood, Khursheed etc in it.
The movie had six songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Naag Mohini”(1963) to appear in the blog. the song is sung by Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.
The song is picturised as an “inspirational” song, which to me sounds more like a “putting up a brave face” genre of song on a kid who could be Bablu going by the star cast. I request our knowledgeable readers to throw light on the identity of the kid.
Song-Hum hain baalak kal ke maalik (Naag Mohini)(1963) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Sardar Malik
Lyrics
hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho mat naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik
jungle ho ujaad ho
saamne pahaad ho
sheron ki dahaad ho
koi na sake re humen thhaamne
din ho ya raat ho
aandhi barsaat ho
koi bhi na saath ho
badhte hi jaayen hum saamne
hum hain bachche
dhun ke sachche
sheron ki santaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hai baalak
kal ke maalik
dikhne mein kamzor hum
shakti mein ghanghor hum
aandhiyon ka zor hum
pade na kisi ko hum se vaasta
chaahe jalti aag ho
bhaazlu cheeta baagh ho
fan uthaaye naag ho
koi na roke humaara raasta
hum hain ladke
hum jo bhadken
ban jaaye toofaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho na naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwan
ho o
hum hain baalak
kal ke maalik
Binti karat hoon main tori maa
Posted on: September 2, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4429 | Post No. : | 15855 |
“Betaab”(1952) was produced and directed by Harbans for Susheel Pictures, Bombay. The movie had Ashok Kumar, Naseem, Motilal, Kamal Kumar, Murad, Mirza Musharraf, Tiwari, Kamal, Nazeer Kashmiri, Agha Mirza, Afghan Sandow, S Kamal, Parvati devi, Meera Aarti etc.
“Betaab”(1952) had thirteen songs in it. Two songs have been covered so far.
Here is the third song from the movie. This song is sung by S D Batish. Bharat Vyas is the lyricist. Music is composed by S D Batish.
Going by the mukhda “binti karat hoon main tori maa” and going by the fact that it is penned by Bharat Vyas, some people may belieb=ve that it is a bhajan. Not al all. This song is a comedy song where a person is requesting his mother to get him married as soon as possible. He has no demands, no bars, no qualifications in mind for the prospective bride. The most openminded bridegroom ever !
The hilarious lyrics contains words that are considered politically incorrect now a adys but they raised no eyebrows those days. In any case it is a comedy song and it should be treated as such.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this fun song.
Song-Binti karat hoon main tori maa (Betaab)(1952) Singer-S D Batish, Lyrics-Bharat Vyas, MD-S D Batish
Lyrics
binti suno o o o o
mori
maa
maa
binti karat hoon main tori maa
binti karat hoon
binti karat hoon
binti karat hoon main tori maa
tu shaadi kara de
shaadi kara de
shaadi kara de mori ma
agle phaagan tak jo mujhko
nahin milegi biwi
to saanch kahoon bhagwaan kasam
mujhe ho jaayegi t b
chaahe kaani ho
ya andhi ho
wo looli ho
ya langdi ho
chaahe goongi ho ya bahri ho
chaahe goongi ho ya bahri ho
wo kaali ho ya gori ma
tu shaadi kara de
shaadi kara de
shaadi kara de
mori shaadi shaadi shaadi
mori shaadi shadi shadi
mori shaadi shadi shadi
o mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
shaadi
jaat paat ki fikar na karna
jo kuchh bhi ho naam
des bides kahin ki bhi ho
humen byaah te kaam
punjaaban ho
bangaalan ho
gujaraatan ho
maarwaadan ho
madraasan ho
maaraathan ho
madraasan ho
maaraathan ho
wo kahin ki bhi ho chhori ma
tu shaadi kara de shaadi kara de
shaadi kara de
mori shaadi shaadi shaadi
mori shaadi shadi shadi
mori shaadi shadi shadi
o mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
shaadi
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4424 | Post No. : | 15841 |
While collecting information for writing articles on Hindi songs in Bangla films, I have often come across discussions and references about the beauty and the elegance of Suchitra Sen, Supriya Devi, Sandhya Roy and Sabitri Chatterjee in the golden period of Bangla film industry. In fact, during this period, all the four actresses ‘cornered’ a majority of Bangla films. In a way, they had partly contributed to the revival of Bangla film industry after a slump arising out of the partition of Bengal in 1947.
During this period, there was one more actress who was equally beautiful and had given outstanding performances in both Bangla and Hindi films who seems to have been almost forgotten now. The said actress is Sumitra Devi.
It is said that Sumitra Devi’s presence in the Calcutta (Kolkata) studios was so mesmersing that her co-stars Pradeep Kumar and Uttam Kumar used to visit the studios to watch her shootings even though they did not have their shooting schedule for those days. Shammi Kapoor who acted with her in ‘Chor Baazar’ (1954) had remarked that she was not only a beautiful actress but her etiquette and politeness brightened her beauty.
Today, August 28th is the 30th Remembrance Day of Sumitra Devi (22/07/1923 – 28/08/1990). She was born as Nileema (Lily) Chattopadhya in Shiuri (Bhirbum district), presently in West Bengal in a conservative brahmin family. Her father was a lawyer in Muzzafarpur in Bihar who was a nephew of Digambar Chatterjee, the then Chief Justice of the Calcutta High Court. After the Bihar earthquake, the family shifted to Kolkata where she completed her schooling with some interruptions in her education. In 1944, the family once again shifted out of Kolkata to Bankura due to the threat of Japanese bombing. After the end of World War II, the family shifted back to Kolkata.
During her school days, Sumitra Devi participated in dramas and also in amateur dramas after she finished her schooling. She was influenced by the acting of Kanan Devi and Chandrabati Devi. While watching a Bangla film ‘Samadhan’ (1943), she felt that she can act better than the lead actress in the film. She was so obsessed with working in the film that one day she gate-crashed into New Theatres Studio, met Debaki Bose and said that she would like to work in a film. Debaki Bose was surprised to see a young girl asking for a film role. But at the same time, he was so struck by her beauty that he immediately offered her the heroine’s role in his next Bangla film ‘Sandhi’ (1944). She was asked to come to the studio the next day after getting the permission from her father. However, her father would not give her permission to join films. It was through the intervention of New Theatre’s boss, B N Sircar whose father was known to Sumitra’s father that finally she got permission to join films.
Even though Sumitra Devi was taken for the Bangla film, ‘Sandhi’ (1944), she also got a role in ‘My Sister’ (1944) opposite K L Saigal. ‘Sandhi’ (1944) was released first followed by ‘My Sister’ (1944). Both films were instant hits making Sumitra Devi a star overnight. She won the best actress award from Bengal Film Journalists Association for her very first film. ‘Wasiyatnama’ (1945) was her second Hindi film.
However, Sumitra Devi’s becoming a star had an opposite effect on her domestic front. She had to face non-co-operation from the family of her first marriage at Bhagalpur which ended in divorce. Later on, she worked in successful Bangla films like ‘Pather Dabi’ (1947), Abhijog (1947) and ‘Joyjatra’ (1948). In all these films, she worked opposite Debi Mukherjee with whom she got married on 21/10/1946. A son was born to her on 01/12/1947. However, after 10 days, Debi Mukherjee died on December 11, 1947. It was speculated that he committed suicide.
Sumitra Devi took a sabbatical from films for a year. However, it was imperative that she kept herself busy with the work. With her parents looking after her son, she resumed shooting in 1949 and did ‘Swami’ (1949) and ‘Devi Chaudharani’ (1949) among others which became hits. In 1950, she shifted to Mumbai with her parents when she was offered a lead role in Bombay Talkies’ ‘Mashaal’ (1950) opposite Ashok Kumar. Her performance in the film was appreciated and she got more Hindi films such as ‘Ghunguroo (1952), ‘Deewaana’ (1952) and ‘Mamta’ (1952) in which she got the varied roles from dancer, queen and a single mother, respectively. She did the lead role opposite Kishore Sahu in ‘Mayurpankh’ (1954), in ‘Chor Baazar’ (1954) opposite Shammi Kapoor and a neglected wife in ‘Jaagte Raho’ (1956) and its Bangla version, ‘Ekdin Ratre’ (1956).
In between, Sumitra Devi continued to get Bangla films in the 1950s and 60s, the prominent films being ‘Dasyu Mohan’ (1955) in which Pradeep Kumar was her lead actor. and ‘Saheb Bibi Golam (1956), in which she played the role of the wife of the younger landlord (Uttam Kumar). Her role was subsequently done by Meena Kumari in the Hindi version, ‘Saheb Bibi Aur Ghulam’ (1962). In the national award-winning film ‘Andhare Alo’ (1957), she played the role of a courtesan. (Note:The above biography of Sumitra Devi is mainly based on ‘Sumitra Devi – Interview of 1952 in Cineplot and ‘Sumitra Devi’ by Jyoti Prakash Guha on IDMb).
From the second half of 1950s, most of Sumitra Devi’s films – both Hindi and Bangla did not fare well on the box office. In Mumbai, she started getting roles mostly in B grade films. In Kolkata, with the successful arrival of the new actresses like Suchitra Sen, Supriya Devi, Sandhya Roy etc, Sumitra Devi was relegated to the background. Her active years as an actress in Hindi and Bangla films virtually ended by the middle of 1960s. Her acting career comprised of 23 Hindi films and about 12 Bangla films.
It is said that in her later life, Sumitra Devi got married to a Mumbai-based businessman. She got some minor character roles to play in a few Hindi films in 1970s and 80s. Sumitra Devi died in Mumbai on August 28, 1990 at the age of 67.
‘Raja Harishchandra’ (1952) was one of Sumitra Devi’s early Hindi films which she had done in Mumbai. The film was produced by C M Trivedi and was directed by Raman B Desai. The star cast included Prem Adib and Sumitra Devi in the lead roles supported by Moni Chatterjee, Bipin Gupta, Lalita Pawar, Gope, Tiwari, Kammo etc. The film had 6 songs written by four lyricists – Bharat Vyas, Ramesh Gupta, Gulshan Jalalabadi and Qamar Jalalabadi. The songs were set to music by Husnlal-Bhagatram. Four songs have been covered in the Blog.
On the occasion of the 30th Remembrance Day of Sumitra Devi today, I present the 5th song from the film, ‘gori gori chaandni aur poonam ki raat re’. The song is sung by Lata Mangeshkar and picturised on Sumitra Devi in the role of Rani Taramati. This song is accredited to Bharat Vyas.
Video Clip (Longer)
Audio Clip:
Song-Gori gori chaandni ho aur poonam ki raat re (Raaja Harishchandra)(1952) Singer-Lata, Lyrics-Bharat Vyas MD-Husnlal Bhagatram
Lyrics(Based on video version)
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
aaj ki hai raat hai
o o
aaj ki hai raat piya paas mere aayange
roothhoongi main unse
wo aa ke manaayenge
aa ke manaayenge
o o o
aa ke manaayenge
gaayenge khushi ke geet
gaayege khushi ke geet
hilmil saath re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
thandi thandi pawan saloni man bhaaye re….ae..ae ae ae
thandi thandi pawan saloni man bhaaye re…ae ae..ae ae ae
bindiya hamaari dekho gir gir jaaye re
gir gir jaaye re
bindiya hamaari dekho gir gir jaaye re
o o o
gir gir jaaye re
rimjhim rimjhim
rimjhim rimjhim
pade barsaat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
kar ke singaar ho o o
kar ke singaar aaj unko rijhaaungi
odh ke chunariya sajan ghar jaaungi
sajan ghar jaaungi
o o o sajan ghar jaaungi
mehndi se laal laal
mehndi se laal laal
honge mere haath re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
Recent comments