Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bharat Vyas


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4489 Post No. : 16013

I have mentioned in one of my earlier post here that these days I am looking for movies where only one song has been posted so far. In my daily browsing of the blog while I have already noted some movies, new surprises keep coming e.g. the time-lag between posting of the first song of the movie and thereafter posting of the second song. While we can understand a couple of year time-lag is considerable some have to wait for their second song almost more than five to six years or even ten years as we have seen during posting of ‘blog ten-year challenge song’. Well, if that was not enough, I have found a movie with a song posted in 2008 and still waiting for its second song to be posted on the blog. 😊

In today’s case the movie is ‘Mordhwaj-1952’ and one of its song, namely dagmag dagmag doley naiyya… has been posted on 02.06.2014.

Today we will listen to a lovely melodious song from this movie. This song took almost seven years to get posted after it was noted down. 😊

‘Mordhwaj-1952’ alias ‘Raja Mordhwaj’ (as mentioned in HFGK Vol.III-1951-1960) was directed by Balwant Bhatt for ‘Nav Anand Chitra, Bombay’. It was produced by Mangalanand Gautam and it was passed by Censor Board on 27.10.1952.

This movie had Durga Khote, Prem Adeeb, Ram Singh, Tiwari, Shashi Kapoor, Manju, Nand Kishore, Babu Raje, Urvashi, Raj Adeeb, Leela Mishra, Y.N. Joshi, Sushila, Bindu, Neeru and others.

Music for this movie was composed by Narayan Dutta and all the eight songs this movie has were penned by Bharat Vyas.

Our respected Arun Kumar ji has mentioned in detail about the music director, director and stars of this movie while presenting the first song from this movie viz. dagmag dagmag doley naiyya.

I am presenting herewith details of the songs of this movie as given below;

Song Singer/s Posted On
Dagmag dagmag doley naiyya Mohd Rafi 02.06.2014
Palkon ki dori bani … gupchup un sang ho gayi ankhiyaan chaar re Asha Bhonsle, Mubarak Begam, Dilip Kumar Roy
Aayi rang bhari phoolon ki rut pyaari re … Geeta Dutt Being posted today
Mera man hai magan, muskaaye gagan, poonam ki chamacham raat hai Asha Bhonsle, Khan Mastana
Kit jaaoge ghanshyam muraari, tumhe jaane na doonga Mohd Rafi
Gin gin taare ratiyaa bitaaun… aaoji raajkumar Geeta Dutt
Jhoothha jag jhoothhi re maayaa Dilip Kumar Roy
Lekh vidhaataa ka likha … maat pita ke haathon dekho baalak ka balidaan re Mubarak Begam, Khan Mastana

Let us now enjoy today’s song. It is sung by Geeta Dutt and composed by Narayan Dutta. Lyrics are by Bharat Vyas.


Song-Aayi rang bhari phoolon ki rut pyaari re (Mordhwaj)(1952) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Narayan Dutt
Chorus
Unknown male voice

Lyrics

Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re

Gun gun bhanware jhoom rahen
Gun gun bhanware jhoom rahen
Kaliyon ka munh choom rahe
Munh choom rahe
Munh choom rahe
Dhaani hain dharti
Neela gagan hai ji
Aaja piya
Dole jiya
Jiya magan hai ji
Boley koyalia kaari
Boley kayalia kaari
Kaari
Kaari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re

Chori chori piya pyaare
Palkon mein tumko
Chhupaa loongi re
Chhupaa loongi
Jaane na paaoge tumhen
Nainon ka kaajal banaa loongi re
Banaa loongi
Matwaari soorat par waari ee
Matwaari soorat par waari
Waari
Waari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re

Painyya padoon sainyya tore
Chhup chhup ke
Mohe sataao naa ji
Sataao naa
Thhandi thhandi chaandni raaton mein
Yoon
Jiyaraa jalaao na ji
Jalaao na
He he he he

Tum jeete sajan main haari
Tum jeete sajan main haari
Haari
Haari re
Aayi rang bhari phoolon ki rut pyaari re
Ghar aaja muraari re ae ae
Ghar aaja muraari re

——————————————-
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————-
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे

गुन गुन भंवरे झूम रहें
गुन गुन भंवरे झूम रहें
कलियों का मुंह चूम रहे
मुंह चूम रहे
मुंह चूम रहे
धानी है धरती
नीला गगन है जी
आजा पिया
डोले जिया
जिया मगन है जी
बोले कोयलिया कारी
बोले कोयलिया कारी
कारी
कारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे

चोरी चोरी पिया प्यारे
पलकों में तुमको
छुपा लूंगी रे
छुपा लूंगी
जाने न पाओगे तुम्हे
नैनों का काजल बना लूंगी रे
बना लूंगी
मतवारी सूरत पर वारी
मतवारी सूरत पर वारी
वारी
वारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे

पैंय्या पडूँ सैंय्या तोरे
छुप छुप के
मोहे सताओ ना जी
सताओ ना
ठंडी ठंडी चांदनी रातों में
यूं
जियरा जलाओ ना जी
जलाओ ना
हे हे हे हे

तुम जीते सजन मैं हारी
तुम जीते सजन मैं हारी
हारी
हारी रे
आई रंग भरी फूलों की रुत प्यारी रे
घर आजा मुरारी रे ए ए
घर आजा मुरारी रे


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4489 Post No. : 16012

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 90
———————————————————————————–

The blog was maintaining a high daily strike rate of nearly 6 songs daily during september 2010, which got reduced to a daily rate of 3 songs per day from October 2010 onwards. This rate was sustained in November 2010 as well.

This date ten years ago (viz 1 November 2010) saw three songs getting discussed. Here are the details:-

Song Movie title-Year Remarks
Kal raat zindagi se mulaaqaat ho gayi Paalki-1967 All songs covered
Sainyya chhod de bainyya Rakhi-1962 All songs covered
Badal rahi hai zameen badal rahaa hai aasmaan Fashionable Wife-1959 02 of 10 songs posted

We can see that only one out of the three movies from the above list can be taken up for Blog Ten Year Challenge today (1 November 2020). This movie, namely “Fashionable Wife”(1959) was produced and directed by B K Adarsh for Adarshlok, Bombay. The movie had Jaymala, Abhi Bhattacharya, Anoop Kumar, Daisy Irani, Nazir Husein, Manorama, Leela Misra, Achla Sachdev, Mirza Musharraf, Iftekhar, Anand Joshi, Vijay Kaul, Mastana Azad, Murlidhar, R.S.Dubey, Nitoo, Jagdish Shrivastava, B.R.Wadia, Radhakishan etc in it.

The movie had ten songs in it. Two songs have been covered in the past. Here are the details of the songs of this movie :-

Song Lyricist Posted On
Badal rahi hai zameen badal rahaa hai aasmaan Bharat Vyas 01.11.2010
Paschhim se aazaadi aayi, fashion ki shehzaadi aayi Bharat Vyas
Ho Shirdi ke Sai Baba hamre gusaayin baba Bharat Vyas
Jhoomon re jhoomne ke din aaye … Bharat Vyas 06.04.2013
Bangal ke baabu … peene ki bhi aadat aisi Anwar Farrukhabaadi
Jeewan path mein kahaan… chaltaa chal tu chaltaa chal Bharat Vyas
Sadak pyaar ki kadak badi hai har kooche bazaar mein Bharat Vyas
Tum thekedaar bane baithhe … ye bhi to insaan (I) Bharat Vyas Being posted today
Saadaa jeewan oonche khayaal… upar se ujley Bharat Vyas
Ye bhi to insaan eesh ki santaan (II) Bharat Vyas Being posted today

Today, as Blog ten year Challenge, here is another song from “Fashionable Wife”(1959). The song is a multiple version song. It is sung by Asha Bhonsle and chorus. Bharat Vyas is the lyricist. Music is composed by Suresh-Talwar.

The is a song with a message, about the evil social practice of untouchability, then quite prevalent and fortunately considerably reduced today, six decades later. The song is lip synced by Jaymala.

Lyrics of the song and other details were sent to me by Avinash Scrapwala.

Video (Part I)

Video (Part II)

Audio (Both parts)

Song-Ye bhi to insaan eesh ki santaan (Fashionable Wife)(1959) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Suresh-Talwar
Chorus

Lyrics (Provided by Avinash Scrapwala)

——————————–
(Part I)
——————————–

tum thekedaar bane baithhe ho
dharm ki in dukaanon par
insaan ko jo samjhe achhoot
laanat aise insaanon par
laanat aise insaanon par

ye bhi to insaan
ye bhi to insaan
eesh ki santaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

ye pawan agan gagan
sabhi ke waaste ae
phir bhi kyun alag alag
hamaare raaste
inko chhoonaa paap hai
ye kya kamaal hai
inka bhi to apne jaisa
khoon laal hai
inko to pehchaan
inmein wahi jaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

inki pooja ka tilak
lagaaya shyam ne ae
inke shabri ke chakhe
thhe ber raam ne
inke liye tadap uthhi
gandhi ki aatmaa
inko gale lagaa ke
wo bane mahaatmaa
maan ya na maan
inmein hai bhagwaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan

tum jhooth moothh hi reejh rahe ho
pathhar ke bhagwaanon par
nafrat ke teer chalaate ho tum
in gareeb insaanon par
tum tiraskaar ka namak chhidakte
inke ghaayaal praanon par
inke murde jalne naa dete
tum apne shamshaanon par
jo inhe dalit kahe ghrunaa kare to
thhu aise vidwaanon par
jo inhe shastra se thhukaraaye
dhikkaar hai aise puraanon par

ye hain bezubaan
bhagwaaan ke mehmaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun
ye bhi to insaan
eesh ki santaan
phir inse rakhte chhuaachhoot kyun oon
tum pavitra
ye achhoot kyun

—————————-
(Part-II)
—————————–
ye bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun
tum pavitra
ham achhoot kyun

ye bhi to insaan
eesh ki santaan

oonch neech ka ye bhedbhaav
chhodke ae
ham rahenge aaj ye
deewaar tod ke

jiske dwaar band hai
us raam ki qasam
ab na koyi kar sakegaa
ham pe ye sitam

chal padaa jahaan
gandhi ka le vardaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun

ye bhi to insaan
ish ki santaan

ye bhi to insaan
eesh ki santaan

badal gayi ye kudrat kyun
hamse aisi nafrat kyun
badal gayi ye kudrat kyun
hamse aisi nafrat kyun

chhote bade samajhnewaali
padti jaati aadat kyun
raam ke mandir mein jaa saktaa
choohaa billi kawwaa
par seedhi bhi chhu naa sakta
ye insaan ka hauwaa

ham paapi aur tum dharmi kyun
iskaa hamen jawaab do
ham sewak aur tum swaami kyun
iskaa hamen jawaab do
ham pathhar aur tum moti kyun
iskaa hamen jawaab do
ham achhoot aur
tum pavtira kyun
iskaa hamen jawaab do
jawaab do
jawaab do
jawaab do
jawaab do o o o

ye bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun
ham bhi to insaan
eesh ki santaan
phir hamse rakhte chhuaachhoot kyun oon
tum pavitra
ham achhoot kyun

(noise, sound, protest, news headlines)

(achhooton ko nayaa Sandesh denewaala …


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15994

Yearwise discussion of Lata Mangeshkar songs in HFM: Part V: Year 1951
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This series began in a small way because Lata Mangeshkar had sung very few songs in her earlier years -only nine songs in first two years and 50 songs in the third year.

From her fourth year, viz 1949, Lata Mangeshkar was on her own. She sang 153 songs in 1949 and established her as the new female playback singing sensation of HFM. The next year viz 1950 saw her singing 143 songs.

Now we come to her next decade, viz the decade of 1950s. The first year of the decade, viz 1951 saw Lata Mangeshkar singing as many as 223 songs for Hindi movies that were released in this calender year. This is the highest number of songs sung by Lata Mangeshkar in movies released in a calender year. So statistically Lata Mangeshkar touched the peak of her playback career in 1951.

Here are the details of the songs that Lata Mangeshkar sang in HFM in movies that were released in 1951:-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aaraam Anil Biswas 5 5 5 0 0 0 Rajinder Krishan (3) Prem Dhawan (2)
2 Aawaara Shankar Jaikishan 6 6 4 2 0 0 Shailendra (3) Hasrat Jaipuri (3)
3 Adaa Madan Mohan 3 3 3 0 0 0 Prem Dhawan (2) Raja Mehdi Ali Khan (1)
4 Afsaanaa Husnlal Bhagatram 5 5 5 0 0 0 Asad Bhopali (4) Gafil Harnalwi (1)
5 Albelaa C Ramchandra 10 10 3 7 0 0 Rajinder Krishan
6 Baadal Shankar Jaikishan 7 7 6 1 0 0 Shailendra (5) Hasrat Jaipuri (2)
7 Badi Bahoo Anil Biswas 5 5 2 2 1 0 Prem Dhawan (2) Rajinder Krishan (1) Rangeen (1) Safdar Aah Sitapuri (1)
8 Bhola Shankar Snehal Bhatkar 0 2 2 0 0 0 Bharat Vyas
9 Bikhre Moti Ghulam Mohammad 1 4 3 1 0 0 Akhtar ul Iman
10 Buzdil S D Burman 5 5 4 1 0 0 Shailendra (4) Kaifi Azmi (2) incl one jointly written song
11 Daaman K Datta 5 5 3 1 1 0 Rajinder Krishan (2) Raja Mehdi Ali Khan (2) Ehsan Rizvi (1)
12 Deedaar Naushad 5 5 3 1 1 0 Shakeel Badayuni
13 Dholak Shyam Sundar 2 2 0 2 0 0 Aziz Kashmiri
14 Do Sitaare Anil Biswas 2 2 2 0 0 0 Rajinder Krishan
15 Ek Nazar S d Burman 5 5 4 1 0 0 Rajinder Krishan
16 Ek Thhaa Raaja C R Subbaraman 0 2 2 0 0 0 Pt Sudrshan
17 Ghazab Unknown 0 1 0 0 0 1 A Karim
18 Gumaashta K Datta 1 2 2 0 0 0 Wahid Qureshy
19 Halchal Md Shafi (5) Sajjad Hussain (2) 7 7 4 3 0 0 Khumar Barabankwi
20 Ham Log Roshan 5 5 4 1 0 0 Vishwamitra Adil Uddav Kumar
21 Jaadoo Naushad 4 4 4 0 0 0 Shakeel Badayuni
22 Kaali Ghataa Shankar Jaikishan 6 6 5 1 0 0 Hasrat Jaipuri (5) Shailendra (1)
23 Khazaana C Ramchandra 8 8 5 3 0 0 Rajinder Krishan
24 Lachak Motiram 1 2 2 0 0 0 Shakeel Badayuni (1) Shriram Vohra (1)
25 Maalti Madhav Sudhir Phadke 3 5 4 1 0 0 Narendra Sharma
26 Madhosh Madan Mohan 6 6 6 0 0 0 Raja Mehdi Ali Khan
27 Malhaar Roshan 6 6 3 3 0 0 Indeewar (2) Kaif Irfani (2) Shyam Lal (1) Traditional (1)
28 Murliwaala Sudhir Phadke 2 7 6 1 0 0 Bharat Vyas
29 Naadaan Chic Chocolate 6 6 3 3 0 0 P L Santoshi
30 Naazneen Ghulam Mohammad 1 3 3 0 0 0 Shakeel Badayuni
31 Nageena Shankar Jaikishan 4 4 3 1 0 0 Shailendra (2) Hasrat Jaipuri (2)
32 Nakhre Hansraj Bahl 1 3 2 0 0 1 Bharat Vyas (1) Aarzoo Lucknowi (1) Verma Malik (1)
33 Nand Kishore Snehal Bhatkar 3 6 6 0 0 0 Narendra Sharma
34 Naujawaan S D Burman 3 3 2 1 0 0 Sahir Ludhianvi
35 Pyaar Ki Baaten Khayyaam 2 2 2 0 0 0 Khawar Zamaan
36 Sabz Baagh Vinod 3 3 3 0 0 0 Aziz Kashmiri
37 Sagaai C Ramchandra 7 7 3 2 1 1 Rajinder Krishan
38 Sainyyaan Sajjad Hussain 6 6 6 0 0 0 D N Madhok (3) Rajinder Krishan (2) Hasrat Jaipuri (1)
39 Sanam Husnlal Bhagatram 1 1 0 0 1 0 Qamar Jalalabadi
40 Sansaar E Sankar Sastri 3 7 6 1 0 0 Pt Indra Chandra
41 Sarkaar Pt Govindram 0 2 2 0 0 0 Mulkraj Bhakri
42 Saudaagar C Ramchandra 3 5 5 0 0 0 P L Santoshi
43 Saza S D Burman 6 6 4 1 1 0 Rajinder Krishan (5) Sahir Ludhianvi (1)
44 Shabistan C Ramchandra 2 2 0 1 1 0 Qamar Jalalabadi
45 Shagun Husnlal Bhagatram 2 4 3 1 0 0 Mulkraj Bhakri
46 Shokhiyaan Jamal Sen 3 3 1 0 2 0 Kidar Sharma
47 Stage Husnlal Bhagatram 2 4 2 2 0 0 Sarshar Sailaani
48 Taraana Anil Biswas 8 8 5 2 1 0 D N Madhok (4) Prem Dhawan (3) Kaif Irfani (1)
49 Ustaad Pedro C Ramchandra 6 6 1 5 0 0 Raja Mehdi Ali Khan
Total 49 movies 24 MDs 187 223 158 52 10 3 37 lyricists

From the table, we see that Lata Mangeshkar gave playback in 49 movies. 98 movies were released that year. So one can say that she got to sing in 50 % of the movies that were released in 1951. She worked with 24 music directors and 37 lyricists. It was in this year that she worked with music directors Madan Mohan, Sudhir Phadke and Roshan for the first time. She also sang the lyrics of Kaifi Azmi, Kidar Sharma, Sahir Ludhianvi and Verma Malik for the first time in this year.

Out of 223 songs that Lata Mangeshkar sang in the year, as many as 187 songs have already been covered in the blog.

“Bhola Shankar”(1951) is alphabetically the first movie of 1951 that has Lata Mangeshkar songs that have not been covered in the blog. “Bhola Shankar”(1951) was directed by Vishraam Bedekar for Famous Pictures, Bombay. The movie had Prem Adeeb, Vijaylaxmi, Mahipal Sheela Naik, Prakash Gupta, Sadhana Bose, Bhagwan, Kamal, Balaram, Ram avtaar, Jyoti, Samant, Raj Kishore, Prem Ratan, Radheshyam etc in it.

The movie had eight songs in it, including two Lata solos. Two songs from the movie have been covered.

The movie had two Lata Mangeshkar solos in it. There two songs have not been covered in the past.

Here is one of these songs.

This song is sung by Lata. Bharat Vyas is the lyricist. Music is composed by Snehal Bhatkar. Ss mentioned earlier, Snehal Bhatkar was working with Lata Mangeshkar for the first time.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picurisation of this lesser heard song.

I have not been able to note the lyrics of the song fully to my satisfaction. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Chanda tujhko laaj na aaye (Bhola Shankar)(1951) Singer-Lata, Lyrics-Bharat Vyas, MD-Snehal Bhatkar

Lyrics

Chanda aa tujhko laaj na aaye ae
mere chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa

jinki jataaon mein basta tu
aaj arre un bin hansta kyun
door chhupaa kar pran piyaa ko
apna roop dikhaaye chanda
tujhko laaj na aaye ae
mere chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa

sheesh piyaa ke tohe tu pyaara
un bin laage jo angaara
un bin laage jo angaara
roothh gaye mere chandmauli to
tu kyun mukh dikhlaaye
chanda
tujhko laaj na aaye
mere chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa

saath gagan ganga tere sautin
leti hai mujhse badle gin gin
leti hai mujhse badle gin gin
poochh ise kahin mere piya ka
baithhi na soch(?) chhupaaye
chanda
tujhko laaj na aaye
meri chhod piya ka saath
akela
man hi man muskaaye
chanda
tujhko laaj na aaye
chanda aa


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4468 Post No. : 15961

‘Angulimaal’ (1960) was directed by Vijay Bhatt of Prakash Pictures which had been known for producing mythological and historical films among other genres. The film was a presentation of Thai Information Services Co Ltd. It is said that on the occasion of 2500th birth anniversary of Lord Buddha, Thai Government financed the film. I find from the credit title of the film that a Thai sounding name, Viratna Vidyabanich was as one of the production controllers. The star cast consisted of Bharat Bhushan, Nimmi, Anita Guha, Manmohan Krishan, Achala Sachdev, Chandrasekhar, Prem Adib, Ulhas, Kesri, Ram Mohan, Helen, Bimla, Sheila Kashmiri and Master Vinod Kumar (Vinod Mehra). The dialogues were written by a well-known Hindi writer and poet, Bhavani Prasad Mishra, the only film for which he wrote dialogues. Earlier, Bhavani Prasad Mishra had written lyrics for ‘Swayam Siddha’ (1949).

The story of the film is adapted from one of the Buddhist scriptures – ‘Angulimaal Sutta’. The story was said to have been in existence since 5th-4th Century BC which have been passed on to the next generations in the oral traditions until it was recorded in writing in the later centuries. As such, the original story of Angulimaal may have gone through some additions as it passed on to next generation in oral format. It is said that the family background of Angulimaal was not mentioned in the original story. Later on, it got incorporated in the story.

The story depicted in the film is as under:

On a stormy night, a son is born to the Royal Priest (Manmohan Krishan) of a kingdom. The Royal astrologer predicts that the boy would become a dreaded killer in his later years. The royal priest takes his new born son to the King (Prem Adib) for his blessings. The royal astrologer, however, suggests to the King that the boy should be killed to prevent him from becoming a dreaded killer. The King overrules him by saying that it is not right to kill a child when he has not committed a crime. Instead, King names him as ‘Ahinsak’ (Non-Violent) and orders that Ahinsak should be given proper education and the cultural upbringing so that he is prevented from becoming a killer.

During the 8th birthday celebration of King’s daughter, Princess Maya (Nimmi), King finds Ahinsak (Vinod Kumar) the most intelligent among the boys present at the occasion. He orders the Acharya (Ulhas) to take Ahinsak to his Gurukul for further studies. In the Gurukul, Ahinsak is introduced to Maruti, Dhanpal and Krishna among others. In the Gurukul, because of his all-round excellence in studies, sports, horse-riding and behaviour, Ahinsak becomes the darling of Acharya and his wife Gurumata (Anita Guha).

The boys have now grown up. Maruti (Chandrasekhar), Krishna (Kesri) and Dhanpal have become jealous of Ahinsak (Bharat Bhushan) as they cannot compete with him in any field. Another reason for jealousy for Maruti is that Princess Maya likes Ahinsak and Maruti is eyeing on marrying her. So, all three of them conspire to poison the mind of Acharya against Ahinsak by making some false allegations. One of the false allegations made by Dhanpal is that Ahinsak is having illicit relations with Gurumata. In the spur of the moment, Ahinsak kills Dhanpal for making a wild allegation. With this incidence, Acharya thinks that the prediction of the astrologer about Ahinsak becoming a killer may come out to be true. He expels Ahinsak from the Gurukul. His parent and his friends also shun him for life. The king announces a booty on his head. In the circumstances, he had no alternative but to run away in the forest where he makes friendship with animals but hates human beings. He starts the ruthlessly killings of human being whenever he sees them. In this process, he starts collecting a finger each of his killer. He takes a pledge to kill a thousand persons and to make a garland of fingers (Angulimaal) of those killed by him.

Angulimaal is now one short of his target of 1000 killings. He is about to kill a person in the darkness without knowing as to who the person was. The person happens to be his mother who had stepped out in search of her son and has been wandering in the forest for many days. When Angulimaal was about to kill her, he finds his hand holding a sword getting locked. He tries many times but his handis not able to raise the sword to kill the person. Then he sees a divine person appearing in front of him who is none other than Lord Buddha. Angulimaal tries to kill him but he is not able to catch-up with him. In desperation, Angulimaal asks him as to who he is.

After a series of arguments and questions, Angulimaal finds that this divine person still loves him after his horrible killings. He throws his sword and follows the advice of Lord Buddha to become a monk. He goes back to the people in the street of his royal palace, asking for forgiveness. But instead he is attacked by people throwing stones at him. He gets injured but continues to plead for forgiveness. At the right time, Princess Maya, who has become a monk, comes and rescues him from the mad crowd. She takes him to the monastery. The film ends with Angulimaal dressed as a monk, walking through the street for alms. Instead of stones, people now shower him with flowers and seeking his blessing.

There are 7 songs in ‘Angulimaal’ (1960) of which 5 songs have been covered on the Blog. All the songs were written by Bharat Vyas which was set to music by Anil Biswas. I was surprised to note that of the remaining two songs, the theme song and that too the most popular song of the film, ‘Buddham sharanam gachchaami’ is yet to be covered on the Blog. So, here is the theme song of about 10 minutes of duration which I am presenting with this article. The song is majorly rendered by Manna Dey except four lines which is rendered by Asha Bhosle lip syncing for Nimmi.

The song was not a cake walk for presentation as I found that there were many parts of the songs on the video sharing platform – some incomplete also. Fortunately, I found an audio clip of the song containing all the 6 parts of the song. Each stanza of the song has been rendered separately as background song. But video clips of a couple of parts of the song were not available. Also, it was necessary to know the sequence of each part of the song as it appears in the film. Instead of presenting the video clips in driblets, that too incomplete, I have made a new video clip by ripping off all the available parts of the song from the DVD of the film and uploaded the same. Unfortunately, Part-2 of the song is not available on the DVD of the film.

I give below the part-wise sequence of the song as appearing in the filmand the context thereof.

Part-1: As background song while credit titles of the film is displayed on the screen

Part-2: Missing in the DVD of the film. Probably this part was the continuation of Part-1. This part can be heard from the audio clip.

Part-3: The song is played in the background when Gurumata (Anita Guha) was about to commit suicide by jumping from a hill top into the river for tarnishing her name linking with Ahinsak (Bharat Bhushan). A monk’s sermons in the background stops her from committing suicide. She joins a monastery.

Part-4: Princess Maya (Nimmi) after failing to persuade Angulimaal to give up killings and join her, she is distressed that Angulimaal would continue to indulge in his killings. She decides to join monastery.

Part-5: Angulimaal (Bharat Bhushan) is about to kill his mother (Achala Sachdev). But the background song prevents him from using his sword as his hand muscle gets locked.

Part-6: Background song as Angulimaal, as a reformed man and now a monk, walks through the streets.

The lyrics in every line of the song has deep philosophical and inspirational thoughts. This song has as much of relevance today as was 60 years back when it was written by Bharat Vyas.

This is a devotional cum inspirational song which has a soothing effect on the mind.

Video Clip:(All Parts except Part-2)

Audio Clip: (All – Parts 1 to 6)

Song-Buddham sharnam gachhaami (Angulimaal)(1960) Singers-Manna Dey, Asha Bhonsle, Lyrics-Bharat Vyas, MD-Anil Biswas
Chorus
Manna Dey + Chorus

Lyrics(Based on Audio Clip)

—————————–
Part-1
—————————–

buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

ghabaraaye ae ae jab mann anmol
aa aa aa aa aa aa
hriday ho uthhe daanvaadol
aa aa aa aa aa aa

ghabaraaye jab mann anmol
aur hriday ho daanvaadol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

—————————–
Part-2
—————————-
jab ashaanti ka raag uthhe
laal lahu ka phaag uthe
hinsa ki wo aag uthhe
maanav mein pashu jaag uthe…ae ae
upar se muskaate ??
bheetar zahar rahe wo ghol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

—————————
Part-3
—————————-
aa aa aa aaa
aa aa aaa
aa aa aaa
aa aa aa aa aaa
jab dukh ki ghadiyaan aayen
aa aa aa aa
sachh par jhooth vijay paaye
aa aa aa aa
iss nirmal paavan mann par
jab kalank ke ghan chhaayen..en en
anyaayon ki aandhi se
praan uthhe jab tere dol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

——————————–
Part-4
——————————–
roothh gaya jab sun’ne waala
kis’se karoon pukaa…aa aar
pyaar kahaan pahchaan saka ye
ye nirdayi sansaa…r

nirdayata jab lewe jaan
daya huyi ho antardhyaan
jab ye chhota sa insaan
bhool raha apna bhagwaan aan
satya tera jab ghabaraaye
shraddha ho jab daanvaadol
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
tab maanav tu mukh se bol
buddham sharanam gachchhaami ee
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami

—————————————-
Part-5
—————————————-
buddham saranam gachchhaami
jab duniya se pyaar uthhe ae ae ae ae ae
jab duniya se pyaar uthhe
nafrat ki deewaar uthhe
maa ki mamta par jis din
bete ki talwaar uthhe….ae ae ae
aaa aaa aaa aaa
dharti ki kaaya kaanpe
ambar dagmag uthhe dol
tab maanav tu mukh se bol
buddham sharanam gachchhaami
tab maanav tu mukh se bol
buddham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami

——————————–
Part-6
———————————
door kiya jis ne jan-jan ke
vyaakul mann kaa aa andhiyaara aa aa
jiski ek kiran ko chhoo kar
chamak uthha ye jag saara

deep satya kaa sada jale
daya ahinsa sada phale
sukh shaanti ki chhaaya mein
jan-gan-man kaa prem pale ae ae
Bhaarat ke bhagawan Buddha ka
goonje ghar ghar mantra amol
hey maanav nit mukh se bol
buddham sharanam gachchhaami
hey maanav nit mukh se bol
buddham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
sangham sharanam gachchhaami


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day?:

4449 Post No. : 15906

————————————————-
Blog ten year challenge (2010-2020)- Song Number 84
————————————————–

This day ten years ago (viz 22 september 2020) was another normal day for the blog, when six songs from six different movies were discussed. First post of the day appeared at 7:29 AM and the final post at 9:12 AM.

Here are the details:-

Song Movie title-Year Remarks
Raaton ki neend chheen lee aankhon ke intezaar ne Shokhiyaan-1951 All Songs covered
Teri kaafir nigaah kar gayi dil ko tabaah Miss Coca Cola-1955 All Songs covered
Yaad karoon tori batiyaan Mr Lambu-1956 All Songs covered
Tum aur ham bhool ke gham Fashion-1957 06 songs posted
Mujhe gale se lagaa lo bahut udaas hoon main Aaj Aur Kal-1963 All Songs covered
Jidhar dekhoon teri tasweer nazar aati hai Mahaan-1983 01 song posted

One can see from the above that four out of six movies whose songs were covered ten years ago have been YIPPEED by now,

“Fashion”(1957) was one of the two as yet unYIPPEED movies.

“Fashion”(1957) was directed by Lekhraj Bhakri for Kuldip Pictures production, Bombay. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.

The movie had eight songs in it. six songs have been covered in the past. Here are the details :-

Song Posted On
Bahaaron se poochho ・laakh sambhaala magar kho gaya 23.09.2009
Tum aur ham bhool ke gham 22.09.2010
Madbhari hain pyaar ki palkein 05.08.2012
Dharti ki goad mein aasmaan ke chhaaon mein 19.07.2016
Honthon pe tera naam 17.10.2016
Maati ko lajaanaa naa 16.07.2019

It turns out that the last two songs of the movie were multiple version songs. The first part was a multilingual song sung by Sulochana Kadam and Mubarak Begam. The second part in Hindi was sung by Asha Bhonsle. Bharat Vyas was the lyricist. Music was composed by Hemant Kumar.

Part I is listed in HFGK as “Bindu baashi daao more haath, aaj nishi bazaari” which are in Bangla. This song is available as Bharat Ke Lok Geet. This fact is also mentioned in HFGK Part III footnote at page no.349 movie no.697.

On listening to the song, the Bangla portion is not to be found. Marathi, Gujarati, Marwadi and Punjabi portions can be heard. So it appears that the Bangla portion has got omitted for some reason.

Lyrics of this song and other BTYC details were sent to me by Avinash Scrapwala.

Lyrics of the first part (the multilingual one) as noted leaves a lot to be desired mainly because of lack of familiarity with the languages. I request our knowledgeable readers familiar with these languages to help fill in and suggest additions/ corrections in the lyrics.

With these songs, all the eight songs of “Fashion”(1957) get covered and the movie joins the list of movies that have been YIPPEED in the blog.

Moreover, Hemant Kumar now has 300 songs in the blog as a music director.

(Part-I)

Song-(Part I)Regional language folk song (Fashion)(1957) Singers-Sulochana Kadam, Mubarak Begam, Lyrics-Bharat Vyas, MD-Hemant Kumar
Song-(Part II)
Song-Naya naya fashion naya hai zamaana (Fashion)(1957) Singer-Asha Bhonsle, Lyrics-Bharat Vyas, MD-Hemant Kumar
Chorus

Lyrics (Provided by Avinash Scrapwala)

—————————————————–
Part I (Regional language song- Marathi/ Gujarati/ Marwadi/ Punjabi)
—————————————————-

sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji
sundaraa mhane dilbaraa aa
sundaraa mhane dilbaraa aa
raaj ambiraa
hasuni maj bola ji ee ee
ye kalaa
?
kuthoon tum aalaa ji
baai ga
ji ji ji ji
baai ga
ji ji ji ji

ke garbo ghoome re gabbar ne gokh
ke garbo jaage re chaachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh
ke garbo jaage re chachar chowk
ke taaliyo
thaatar titar
thaatar titar vaage
ke garbo ghume re gabbar ne gokh

aaj mhane
aaj mhane jewar
?
aaj mhane jewar ??
mhaane bikaaneri
mhaane jodhaaneri
mhaane udiyaapur ni
chundadiyaa silaa di he maa
?
aaj mhane jewar ??

main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??
main heer teri
tu mera ve raajhnaa
main teri tu mera
ke teri meri ik jindadi ee bhai
ke teri meri ik jindadi ee bhai
ke saara jag vair pai gayaa
hadaa
ke ??

—————————
(Part-II)
—————————
nayaa nayaa fashion
nayaa hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa

badal do rang
badal do dhang
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee
aaj pad gayi halki ee
ek baat kahoon akkal ki
mat baat karo kal ki
kal ki duniyaa
sun meri muniyaa
aaj pad gayi halki ee ee

baal kataa lo o
husn badhaa lo o
baal kataa lo
husn badhaa lo

badal do chaal
badal do dhaal
badal do
uttar dakshin
purab paschim
sab kuchh chhod ke taana
kahe zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa

nayaa nayaa fashion
nayaa hai zamaanaa aa

kapdon ka kharch bachaa lo
mat husn pe pardaa daalo
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o
chaar chaand chamkaa lo
kapdon ka kharch bachaa lo
mat husn pe pardaa daalo o
ghoonghat ke pat khol ke
jhatpat
chaar chaand chamkaa lo o

duniyaa bhaage ae
badh gayi aage
duniyaa bhaage
badh gayi aage

badal do ?
badal do ?
badal do motor gaadi
tram ki sawaari
ud kar jaanaa
raah takta(?) hai zamaanaa aa
nayaa nayaa fashion
nayaa hai zamaanaa aa
badal do rang
badal do dhang
badal do baahar bheetar
aagey peechhe
sab kuchh taanaa baanaa
bhes puraanaa aa ・


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4444 Post No. : 15892

“Naag Mohini”(1963) was directed by Shantilal Soni for Dimple Films Bombay. This “pauraaanik” movie had Vijaya Chadhary, Mahipal, Sundar, Rajan Haksar, Bablu, Uma Dutt, Indira Bansal, Rajrani, Sood, Khursheed etc in it.

The movie had six songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Naag Mohini”(1963) to appear in the blog. the song is sung by Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

The song is picturised as an “inspirational” song, which to me sounds more like a “putting up a brave face” genre of song on a kid who could be Bablu going by the star cast. I request our knowledgeable readers to throw light on the identity of the kid.


Song-Hum hain baalak kal ke maalik (Naag Mohini)(1963) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Sardar Malik

Lyrics

hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho mat naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik

jungle ho ujaad ho
saamne pahaad ho
sheron ki dahaad ho
koi na sake re humen thhaamne
din ho ya raat ho
aandhi barsaat ho
koi bhi na saath ho
badhte hi jaayen hum saamne
hum hain bachche
dhun ke sachche
sheron ki santaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hai baalak
kal ke maalik

dikhne mein kamzor hum
shakti mein ghanghor hum
aandhiyon ka zor hum
pade na kisi ko hum se vaasta
chaahe jalti aag ho
bhaazlu cheeta baagh ho
fan uthaaye naag ho
koi na roke humaara raasta
hum hain ladke
hum jo bhadken
ban jaaye toofaa aan
aa jaayen gar hathh pe apni
jhukta hai bhagwaan
ho o
hum hain baalak
kal ke maalik
hum hain baalak
kal ke maalik
samjho na naadaan
aa jaayen gar hathh pe apni
jhukta hai bhagwan
ho o
hum hain baalak
kal ke maalik


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4429 Post No. : 15856 Movie Count :

4363

Mukesh and his Composers – 20
—————————————————-

A riddle, wrapped in a mystery, inside an enigma.
This is a quote famously attributed to English politician and statesman Winston Churchill for his views on Russian engagement during World War II. This analogy may be completely irrelevant to the context of today’s post, but then I could not help remembering the above quote when I became cognizant of the total number of Hindi songs sung by Mukesh for the composer being discussed in today’s post.

Well, we are talking about composer Avinash Vyas and Mukesh’s association with him. To sustain the unusual mystery and the context of the first two paras, I would request readers to guess the total Hindi songs sung by Mukesh for Avinash Vyas.

Meanwhile, to reveal Mukesh’s collaboration with him in Gujarati films and non-film songs, here are the details of the same. As usual, I had requested Shri Harish Raghuwanshi, the compiler of Mukesh Geetkosh to confirm the details of the combo. Further, I had requested him to send me only the total number of songs that Mukesh sang in Gujarati under Avinash Vyas.

However, Shri Harish ji despite his poor eyesight and health issues was kind enough to send me the complete details including confirmation of the total songs sung in Hindi films as well. Instead of keeping such invaluable details confined to my inbox, I thought it prudent to include the details in the present post and following are the two tables with the details self-explanatory.

List of Gujarati Film songs sung by Mukesh under the baton of Avinash Vyas
—————————————————————————

S.No Name of Film (Gujarati) No. of.Songs
1 Bhakta Tulsidas 5
2 Kaadu Makraani 1
3 Kanku Ane Kanya 1
4 Ghar Ni Shobha 1
5 Jamaairaaj 1
6 Bhaada Taaraa Vaheta paani 1
7 Santu Rangili 1
8 Sorathi Sinh 1
Total 08 Films Total 12 Songs


List of Gujarati NFS sung by Mukesh under the baton of Avinash Vyas

——————————————————–

S.No NFS (Gujarati)
1 Aaj Kharu Avtarvaanu
2 Aapan Sahuye
3 Ghadi ghoonghat…. Nazar ne kahi doh
4 Chaalyaaj karoon
5 Jaa re Jhanda jaa
6 Priti nu pushp… aavo toy saarun
7 Pankhida ne aa pinjaru
8 Hey tane jaataa joi

Thus, Mukesh sang 12 filmi and 08 non-filmi Gujarati songs under the baton of Avinash Vyas. That’s obviously a total of 20 songs.

So, what could be the total number of Hindi songs sung by Mukesh for Avinash Vyas who scored music in some 52 movies and composed 390+ known songs.
Thirty? Twenty? Ten?

Well, before we proceed to discuss the surprise number, here are two important links for the details of the work done by Avinash Vyas.

  1. https://atulsongaday.me/2020/08/20/aaja-re-dukhiyaa-dharti-tujhe-pukaare/
  2. https://www.songsofyore.com/forgotten-composers-unforgettable-melodies-8-avinash-vyas/

The first link is a recent post by Atul ji, in which he has painstakingly put together the complete known works of Avinash Vyas in Hindi films and the details of his songs covered on the blog.

The second link is a post by Shri Ashok M Vaishnav ji on Songs of Yore blog wherein the life and works of Avinash Vyas is reflected. Some interesting discussion in the comments section reveal the continued lack of clarity on the total number of films scored and the songs composed by the music director.

Now, coming to the total songs sung by Mukesh under Avinash Vyas, finally, here is the complete list.

 

S.No Name of song Movie (Year of release) Lyricist
1 Tim tima tim Har Har Mahadev (1950) Ramesh Shastri
2 Nitya nirantar boley anta Shiv Shakti (1952) Munshi Saagar Hussain
3 Jo ugta hai woh dhalta hai Mata Mahakali (1968) Bharat Vyas

What?
Three songs only?

Well, however much we may debate and discuss, the fact of the matter is that there are only 3 songs of the combo. The composer was known for composing mainly for religious and mythological films. Contrary to popular belief, Mukesh has sung enough devotional songs in films which, as his other genre songs, have also become quite famous. Then, why such a low figure of only 3 songs is simply surprising.

Mukesh has sung only one song each in 3 of the 52 films scored by Avinash Vyas in Hindi.

So, why hardly 3 songs of the combo? As I have contemplated in my earlier posts on such surprises, there could be no reason whatsoever. More occasions simply did not happen. This could be the most plausible reason that one could come up with. As I finish writing this post, I am still under disbelief that there are only 3 songs of the combo.

Anyway, going through the songs, first two have been covered on the blog. The one from ‘Har Har Mahadev’ is in fact a famous duet with Sulochana Kadam. The second one from ‘Shiv Shakti’ is a solo bhajan.

It can be traced easily on the blog that if Mukesh has sung in any film, then that particular song is most likely the first to be featured or debuted on the blog.

Today’s film ‘Mata Mahakali’ (1968) also makes its debut on the blog with this highly philosophical song. The film was released under the banner of Sharad Productions and directed by Dhirubhai Desai. The cast included Ashish Kumar, Jaishree Gadkar, Nalini Chonker, Shahu Modak etc.

Lastly, Shri Harish ji has also confirmed that there are no NFS in Hindi of the combo. I thank him again for all the help he rendered in completing this post.

Song – Jo ugta hai wo dhalta hai (Mata Mahakali)(1968) Singer – Mukesh, Lyrics – Bharat Vyas, MD – Avinash Vyas

Lyrics

jo ugta hai woh dhalta hai
samay ka chakra chalta hai
arey maanav sambhal ke chal
samay karwat badalta hai

jo ugta hai woh dhalta hai
samay ka chakra chalta hai
arey maanav sambhal ke chal
samay karwat badalta hai

jo ugta hai woh dhalta hai

ye dekho surya ka jalwa
subeh ko jo nikalta hai
ye dekho surya ka jalwa
subeh ko jo nikalta hai
chamkta hai
damakta hai
magar sandhya ko dhalta hai
ye uthne aur girne ka
sada hi khel chalta hai
arey maanav sambhal ke chal
samay karwat badalta hai
jo ugta hai woh dhalta hai

arey insaan akad mat aaj tu apni bulandi par
arey insaan akad mat aaj tu apni bulandi par
na girte der lagti hai
samay ki ek mandi par
vidhaata ne likha jo lekh
taale se na talta hai
arey maanav sambhal ke chal
samay karwat badalta hai
jo ugta hai wo dhalta hai
samay ka chakra chalta hai
arey maanav sambhal ke chal
samay karwat badalta hai
jo ugta hai wo dhalta hai

jo singhasan par baitha tha
kiya karta tha manmaani
jo singhasan pe baitha tha
kiya karta tha manmaani
wo naukar ban ke teli ka
chalaata hai arey ghaani
samay ke saamne har aadmi ka
kuchh na chalta hai
arey maanav sambhal ke chal
samay karwat badalta hai
jo ugta hai wo dhalta hai

lagan panchhi ki pinjar se
jise ye tod na sakta
lagan panchhi ki pinjar se
jise ye tod na sakta
ye toota hai
ye phoota hai
basera chhod na sakta
samay ki baat keechad se
yahaan pankaj nikalta hai
arey maanav sambhal ke chal
samay karwat badalta hai
jo ugta hai wo dhalta hai
samay ka chakra chalta hai
arey maanav sambhal ke chal
samay karwat badalta hai
jo ugta hai wo dhalta hai

————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————–

जो उगता है वो ढलता है
समय का चक्र चलता है
अरे मानव संभाल के चल
समय करवट बदलता है

जो उगता है वो ढलता है
समय का चक्र चलता है
अरे मानव संभाल के चल
समय करवट बदलता है

जो उगता है वो ढलता है

ये देखो सूर्य का जलवा
सुबह को को निकलता है
ये देखो सूर्य का जलवा
सुबह को को निकलता है
चमकता है
दमकता है
मगर संध्या को ढलता है
ये उठने और गिरने का
सदा ही खेल चलता है
अरे मानव संभाल के चल
समय करवट बदलता है
जो उगता है वो ढलता है

अरे इंसान अकड़ मत आज तू अपनी बुलंदी पर
अरे इंसान अकड़ मत आज तू अपनी बुलंदी पर
ना गिरते देर लगती है
समय की एक मंदी पर
विधाता ने लिखा जो लेख
टाले से ना टलता है
अरे मानव संभाल के चल
समय करवट बदलता है
जो उगता है वो ढलता है
समय का चक्र चलता है
अरे मानव संभाल के चल
समय करवट बदलता है
जो उगता है वो ढलता है

जो सिंघासन पर बैठा था
किया करता था मनमानी
जो सिंघासन पर बैठा था
किया करता था मनमानी
वो नौकर बन के तेली का
चलाता है अरे घानी
समय के सामने हर आदमी का कुछ ना चलता है
अरे मानव संभाल के चल
समय करवट बदलता है
जो उगता है वो ढलता है

लगन पंछी की पिंजर से
जिसे ये तोड़ ना सकता
लगन पंछी की पिंजर से
जिसे ये तोड़ ना सकता
ये टूटा है
ये फूटा है
बसेरा छोड़ ना सकता
समय की बात कीचड़ से
यहाँ पंकज निकलता है
अरे मानव संभाल के चल
समय करवट बदलता है
जो उगता है वो ढलता है
समय का चक्र चलता है
अरे मानव संभाल के चल
समय करवट बदलता है
जो उगता है वो ढलता है


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4429 Post No. : 15855

“Betaab”(1952) was produced and directed by Harbans for Susheel Pictures, Bombay. The movie had Ashok Kumar, Naseem, Motilal, Kamal Kumar, Murad, Mirza Musharraf, Tiwari, Kamal, Nazeer Kashmiri, Agha Mirza, Afghan Sandow, S Kamal, Parvati devi, Meera Aarti etc.

“Betaab”(1952) had thirteen songs in it. Two songs have been covered so far.

Here is the third song from the movie. This song is sung by S D Batish. Bharat Vyas is the lyricist. Music is composed by S D Batish.

Going by the mukhda “binti karat hoon main tori maa” and going by the fact that it is penned by Bharat Vyas, some people may belieb=ve that it is a bhajan. Not al all. This song is a comedy song where a person is requesting his mother to get him married as soon as possible. He has no demands, no bars, no qualifications in mind for the prospective bride. The most openminded bridegroom ever !

The hilarious lyrics contains words that are considered politically incorrect now a adys but they raised no eyebrows those days. In any case it is a comedy song and it should be treated as such.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this fun song.


Song-Binti karat hoon main tori maa (Betaab)(1952) Singer-S D Batish, Lyrics-Bharat Vyas, MD-S D Batish

Lyrics

binti suno o o o o
mori
maa
maa
binti karat hoon main tori maa
binti karat hoon
binti karat hoon
binti karat hoon main tori maa
tu shaadi kara de
shaadi kara de
shaadi kara de mori ma

agle phaagan tak jo mujhko
nahin milegi biwi
to saanch kahoon bhagwaan kasam
mujhe ho jaayegi t b
chaahe kaani ho
ya andhi ho
wo looli ho
ya langdi ho
chaahe goongi ho ya bahri ho
chaahe goongi ho ya bahri ho
wo kaali ho ya gori ma
tu shaadi kara de
shaadi kara de
shaadi kara de
mori shaadi shaadi shaadi
mori shaadi shadi shadi
mori shaadi shadi shadi
o mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
shaadi

jaat paat ki fikar na karna
jo kuchh bhi ho naam
des bides kahin ki bhi ho
humen byaah te kaam
punjaaban ho
bangaalan ho
gujaraatan ho
maarwaadan ho
madraasan ho
maaraathan ho
madraasan ho
maaraathan ho
wo kahin ki bhi ho chhori ma
tu shaadi kara de shaadi kara de
shaadi kara de
mori shaadi shaadi shaadi
mori shaadi shadi shadi
mori shaadi shadi shadi
o mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
mori shaadi shaadi shaadi
shaadi


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4424 Post No. : 15841

While collecting information for writing articles on Hindi songs in Bangla films, I have often come across discussions and references about the beauty and the elegance of Suchitra Sen, Supriya Devi, Sandhya Roy and Sabitri Chatterjee in the golden period of Bangla film industry. In fact, during this period, all the four actresses ‘cornered’ a majority of Bangla films. In a way, they had partly contributed to the revival of Bangla film industry after a slump arising out of the partition of Bengal in 1947.

During this period, there was one more actress who was equally beautiful and had given outstanding performances in both Bangla and Hindi films who seems to have been almost forgotten now. The said actress is Sumitra Devi.

It is said that Sumitra Devi’s presence in the Calcutta (Kolkata) studios was so mesmersing that her co-stars Pradeep Kumar and Uttam Kumar used to visit the studios to watch her shootings even though they did not have their shooting schedule for those days. Shammi Kapoor who acted with her in ‘Chor Baazar’ (1954) had remarked that she was not only a beautiful actress but her etiquette and politeness brightened her beauty.

Today, August 28th is the 30th Remembrance Day of Sumitra Devi (22/07/1923 – 28/08/1990). She was born as Nileema (Lily) Chattopadhya in Shiuri (Bhirbum district), presently in West Bengal in a conservative brahmin family. Her father was a lawyer in Muzzafarpur in Bihar who was a nephew of Digambar Chatterjee, the then Chief Justice of the Calcutta High Court. After the Bihar earthquake, the family shifted to Kolkata where she completed her schooling with some interruptions in her education. In 1944, the family once again shifted out of Kolkata to Bankura due to the threat of Japanese bombing. After the end of World War II, the family shifted back to Kolkata.

During her school days, Sumitra Devi participated in dramas and also in amateur dramas after she finished her schooling. She was influenced by the acting of Kanan Devi and Chandrabati Devi. While watching a Bangla film ‘Samadhan’ (1943), she felt that she can act better than the lead actress in the film. She was so obsessed with working in the film that one day she gate-crashed into New Theatres Studio, met Debaki Bose and said that she would like to work in a film. Debaki Bose was surprised to see a young girl asking for a film role. But at the same time, he was so struck by her beauty that he immediately offered her the heroine’s role in his next Bangla film ‘Sandhi’ (1944). She was asked to come to the studio the next day after getting the permission from her father. However, her father would not give her permission to join films. It was through the intervention of New Theatre’s boss, B N Sircar whose father was known to Sumitra’s father that finally she got permission to join films.

Even though Sumitra Devi was taken for the Bangla film, ‘Sandhi’ (1944), she also got a role in ‘My Sister’ (1944) opposite K L Saigal. ‘Sandhi’ (1944) was released first followed by ‘My Sister’ (1944). Both films were instant hits making Sumitra Devi a star overnight. She won the best actress award from Bengal Film Journalists Association for her very first film. ‘Wasiyatnama’ (1945) was her second Hindi film.

However, Sumitra Devi’s becoming a star had an opposite effect on her domestic front. She had to face non-co-operation from the family of her first marriage at Bhagalpur which ended in divorce. Later on, she worked in successful Bangla films like ‘Pather Dabi’ (1947), Abhijog (1947) and ‘Joyjatra’ (1948). In all these films, she worked opposite Debi Mukherjee with whom she got married on 21/10/1946. A son was born to her on 01/12/1947. However, after 10 days, Debi Mukherjee died on December 11, 1947. It was speculated that he committed suicide.

Sumitra Devi took a sabbatical from films for a year. However, it was imperative that she kept herself busy with the work. With her parents looking after her son, she resumed shooting in 1949 and did ‘Swami’ (1949) and ‘Devi Chaudharani’ (1949) among others which became hits. In 1950, she shifted to Mumbai with her parents when she was offered a lead role in Bombay Talkies’ ‘Mashaal’ (1950) opposite Ashok Kumar. Her performance in the film was appreciated and she got more Hindi films such as ‘Ghunguroo (1952), ‘Deewaana’ (1952) and ‘Mamta’ (1952) in which she got the varied roles from dancer, queen and a single mother, respectively. She did the lead role opposite Kishore Sahu in ‘Mayurpankh’ (1954), in ‘Chor Baazar’ (1954) opposite Shammi Kapoor and a neglected wife in ‘Jaagte Raho’ (1956) and its Bangla version, ‘Ekdin Ratre’ (1956).

In between, Sumitra Devi continued to get Bangla films in the 1950s and 60s, the prominent films being ‘Dasyu Mohan’ (1955) in which Pradeep Kumar was her lead actor. and ‘Saheb Bibi Golam (1956), in which she played the role of the wife of the younger landlord (Uttam Kumar). Her role was subsequently done by Meena Kumari in the Hindi version, ‘Saheb Bibi Aur Ghulam’ (1962). In the national award-winning film ‘Andhare Alo’ (1957), she played the role of a courtesan. (Note:The above biography of Sumitra Devi is mainly based on ‘Sumitra Devi – Interview of 1952 in Cineplot and ‘Sumitra Devi’ by Jyoti Prakash Guha on IDMb).

From the second half of 1950s, most of Sumitra Devi’s films – both Hindi and Bangla did not fare well on the box office. In Mumbai, she started getting roles mostly in B grade films. In Kolkata, with the successful arrival of the new actresses like Suchitra Sen, Supriya Devi, Sandhya Roy etc, Sumitra Devi was relegated to the background. Her active years as an actress in Hindi and Bangla films virtually ended by the middle of 1960s. Her acting career comprised of 23 Hindi films and about 12 Bangla films.

It is said that in her later life, Sumitra Devi got married to a Mumbai-based businessman. She got some minor character roles to play in a few Hindi films in 1970s and 80s. Sumitra Devi died in Mumbai on August 28, 1990 at the age of 67.

‘Raja Harishchandra’ (1952) was one of Sumitra Devi’s early Hindi films which she had done in Mumbai. The film was produced by C M Trivedi and was directed by Raman B Desai. The star cast included Prem Adib and Sumitra Devi in the lead roles supported by Moni Chatterjee, Bipin Gupta, Lalita Pawar, Gope, Tiwari, Kammo etc. The film had 6 songs written by four lyricists – Bharat Vyas, Ramesh Gupta, Gulshan Jalalabadi and Qamar Jalalabadi. The songs were set to music by Husnlal-Bhagatram. Four songs have been covered in the Blog.

On the occasion of the 30th Remembrance Day of Sumitra Devi today, I present the 5th song from the film, ‘gori gori chaandni aur poonam ki raat re’. The song is sung by Lata Mangeshkar and picturised on Sumitra Devi in the role of Rani Taramati. This song is accredited to Bharat Vyas.

Video Clip (Longer)

Audio Clip:

Song-Gori gori chaandni ho aur poonam ki raat re (Raaja Harishchandra)(1952) Singer-Lata, Lyrics-Bharat Vyas MD-Husnlal Bhagatram

Lyrics(Based on video version)

gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re

aaj ki hai raat hai
o o
aaj ki hai raat piya paas mere aayange
roothhoongi main unse
wo aa ke manaayenge
aa ke manaayenge
o o o
aa ke manaayenge
gaayenge khushi ke geet
gaayege khushi ke geet
hilmil saath re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re

thandi thandi pawan saloni man bhaaye re….ae..ae ae ae
thandi thandi pawan saloni man bhaaye re…ae ae..ae ae ae
bindiya hamaari dekho gir gir jaaye re
gir gir jaaye re
bindiya hamaari dekho gir gir jaaye re
o o o
gir gir jaaye re
rimjhim rimjhim
rimjhim rimjhim
pade barsaat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re

kar ke singaar ho o o
kar ke singaar aaj unko rijhaaungi
odh ke chunariya sajan ghar jaaungi
sajan ghar jaaungi
o o o sajan ghar jaaungi
mehndi se laal laal
mehndi se laal laal
honge mere haath re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re
gori gori chaandni ho
gori gori chaandni
aur poonam ki raat re
meethi meethi
o meethi meethi saajna se
hogi man ki baat re
hogi man ki baat re


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4423 Post No. : 15840

——————————————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No.61
————————————————–—————————————————

Here, we move on to the second and last movie eligible today for the ‘Blog Ten-Year Challenge’.
The movie is ‘Sahaaraa-1958’.

As discussed in earlier post today the other movies represented today ten years back were as under;

Song Movie title-Year Remarks
Ritu aaye ritu jaaye duniyaa rang badalti hai Sahaaraa-1958 07 songs posted
Dil se dil takraaye Love Marriage-1959 All songs covered
Matwaali naar thumak thumak chali jaaye Ek Phool Chaar Kaante-1960 All songs covered
Phir ek baar kaho Maayaa-1961 All songs covered
Dekhi anaadi teri preet Biraadari-1966 All songs covered
Kaun sunegaa kisko sunaayen Sautan Ki Beti-1989 01 song posted

“Sahaara”(1958) had ten songs in it, including one three version song. Two parts of that three version song is covered in the blog in this post. One of its versions could not be covered because that version does not seem to be available. Counting the two versions as two separate songs (as is the case in HFGK), the seven posts in the blog have covered eight songs from the movie so far. The fact that this is a three version song was discovered by me while going through the HFGK entries for this movie. The entries of this song has been updated accordingly, by adding part 3 of this song there. Part 2 ‘Aaghaz muhabbat ki baaten kya faydaa ab dohraane se’ appearently is not available as of now.

Here are the details of the eight songs from “Sahaara”(1958) discussed so far in the blog:-

Song Posted On Remarks
So jaa dukhiyaare 24.06.2009
Ritu aaye ritu jaaye duniyaa rang badalti hai 27.08.2010
Billi bajaaye baajaa 26.11.2010
Andhhon se dayaa karnaa daataa 12.12.2010
Mujhe tarke taalluk ke liye samjhaaya jaata hai 12.12.2011 Three part song, one part unavailable
Chham chham chham chham chale wo maa 16.06.2015
Ban ke suhaagan rahi abhaagan 18.12.2016

We can see that the movie made its debut on the blog on 24.06.2009 i.e. more than eleven years ago.

Well, when I noticed that the music director of this movie is Hemant Kumar and moreover lyrics were written by Bharat Vyas I was more than happy to take a song for presentation and do not want to miss this opportunity (because of special reasons 😊 which is the matter of another post, so keep visiting the blog 😊).

“Sahaaraa-1958’ was directed by Lekhraj Bhakri for ‘Tasviristaan, Bombay’. It was produced by Kuldeep Sehgal. The movie had Meena Kumari, M. Rajan, Daisi Irani, Manoj Kumar, Geeta Sinha, Kuldeep Kaur, Kanhaiyalal, Badri Prasad Leela Mishra, Sundar, Niranjan Sharma, Sagar, Rinku, Shakeel Nomani, Khanna, Black & White, Kardar, Ameer Banu, Chandabai, Sadhna, Maya Das, Kanchanmala and others.The movie was passed by Censor Board on 08.08.1958.

Music of this movie was composed by Hemant Kumar. And lyrics for all the ten songs were written by Bharat Vyas.

The song under discussion is sung by Protima Bannerjee and composed by Hemant Kumar.

Lyrics of this song reminds me of another such song from the movie ‘Jai Santoshi Maa-1975’ – ‘jo dukh se ghabra jaaye wo nahin hind ki naari’. I think we have many songs in Hindi movies falling in this category where the ‘Bhartiya Naari’ is eulogized for her strength and sacrifices for the sake of her family. Today’s song happens in this situation in the movie.

The song is a background song where Meena Kumari can be seen travelling in a ‘bullock-cart’ returning from her ‘In-Laws house’, where her father in law requested her to suffer for the mistake of his own daughter to save his ‘prestige’ in the society …

I have not watched the full movie so can’t say much about it and its other songs …

If we can locate the missing part of the three part song then this song would see the movie getting YIPPEED. But seeing that one part of the song remains uncovered, this movie too remains technically unYIPPEED.


Song-Har dukhda sahnewaali munh se na kuchh kahnewaali(Sahaara)(1958) Singers-Hemant Kumar, Protima Bannerjee, Lyrics-Bharat Vyas, MD-Hemant Kumar
Both

Lyrics

har dukhdaa sahnewaali
munh se naa kuchh kehnewaali
har dukhdaa sahnewaali
munh se na kuchh kehnewaali
tyaag aur sewa mein
jo duniyaa se nyaari hai
haan aa aa aa
tyaag aur sewa mein
jo duniyaa se nyaari hai

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai

ghar ki laaj ko dharm jo samjhe
karam kare sukhkaari ee
angaaron mein kood pade jo
samajh use phulwaari ee
ghar ki laaj ko dharm jo samjhe
karam kare sukhkaari ee
angaaron mein kood pade jo
samajh usey phulwaari ee

ho o o o aa aa
har aansoo peenewaali
honthon ko seenewaali

mar mar kar jeenewaali
aisi sannaari hai
haan aa aa aa
mar mar kar jeenewaali
aisi sannaari hai

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai

gangaa si nirmal hai jiski
jamuna jaisi kaayaa aa
aisi devi apne sar par
le le dosh paraayaa aa
gangaa si nirmal hai jiski
jamuna jaisi kaayaa aa
aisi devi apne sar par
le le dosh paraayaa aa

ho o o o o aa
qurbaani karnewaali
hans hans kar marnewaali

jiske balidaanon ke aagey
duniyaa haari hai
haan aa aa aa
jiske balidaanon ke aagey
duniyaa haari hai ae

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai
har dukhdaa sahnewaali
munh se naa kuchh kehnewaali
tyaag aur sewa mein
jo duniyaa se nyaari hai
aa aa aa aa
tyaag aur sewa mein
jo duniyaa se nyaari hai

dharti si dheeraj waali
ye bharat ki naari hai
bharat ki naari hai
bharat ki naari hai

—————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-
हर दुखड़ा सहनेवाली
मुंह से ना कुछ कहनेवाली
हर दुखड़ा सहनेवाली
मुंह से ना कुछ कहनेवाली
त्याग और सेवा में
जो दुनिया से न्यारी है
हाँ आ आ आ
त्याग और सेवा में
जो दुनिया से न्यारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है

घर की लाज को धर्म जो समझे
करम करे सुखकारी ई
अंगारों में कूद पड़े जो
समझ उसे फूलवारी ई
घर की लाज को धर्म जो समझे
करम करे सुखकारी ई
अंगारों में कूद पड़े जो
समझ उसे फूलवारी ई

हो ओ ओ ओ आ आ
हर आँसू पीनेवाली
होंठों को सीनेवाली

मर मर कर जीनेवाली
ऐसी सन्नारी है
हाँ आ आ आ
मर मर कर जीनेवाली
ऐसी सन्नारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है

गंगा सी निर्मल है जिसकी
जमुना जैसी काया आ
ऐसी देवी अपने सर पर
ले ले दोष पराया आ
गंगा सी निर्मल है जिसकी
जमुना जैसी काया आ
ऐसी देवी अपने सर पर
ले ले दोष पराया आ

हो ओ ओ ओ ओ आ
कुर्बानी करनेवाली
हंस हंस कर मरनेवाली

जिसके बलिदानों के आगे
दुनिया हारी है
हाँ आ आ आ
जिसके बलिदानों के आगे
दुनिया हारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है
हर दुखड़ा सहनेवाली
मुंह से ना कुछ कहनेवाली
त्याग और सेवा में
जो दुनिया से न्यारी है
आ आ आ आ
त्याग और सेवा में
जो दुनिया से न्यारी है

धरती सी धीरज वाली
ये भारत की नारी है
भारत की नारी है
भारत की नारी है


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16000 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16076

Number of movies covered in the blog

Movies with all their songs covered =1235
Total Number of movies covered =4389

Total visits so far

  • 14,006,286 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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