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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bharat Vyas


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4022 Post No. : 15134

Today’s song is from film Nakhre-51. It is sung by Devendra Mohan, Shamshad Begum and chorus. This is a foot tapping song, reminding of a Vinod or O P Nayyar song.The tune of this song resembles a more well known song of later period,but I am unable to identify it. This is a second successive song I am discussing, after song from “Hawai Khatola”-46 which also had a similar tune to some other song.

I have come across umpteen number of songs from Hindi films which have similar tunes-in part or the whole song. I am not talking of Parody songs, because Parody songs obviously use a popular tune to make fun of it,with different but funny lyrics. Here the intention is to make a comedy song.

I am talking of those ‘inspired ‘ songs, which are composed intentionally and can be called a copy song. I remember I had written an article ” Ek dil do jaane- Ek tune do gaane “, in March 2013 on a friend’s Blog called Harveypam’s blog. In that article,I had given 20 songs as examples in which tunes were copied from other Hindi songs. Our Raja ji, Ava Suri ji and our regular commentator Partha Chanda ji were regular readers and had put their comments on my article that time. Other readers had put examples of another 50-60 songs which had similar tunes.

This phenomenon of copying can be found in Hindi films since Talkie films started.Initially,the whole song used to be repeated in another film,by other composers. Later on they settled on copying only the tunes,perhaps !

After 1950 onwards, copying a tune became a frequent practice. SD Burman’s song from film ‘ Naujawan’-51 ( Thandi hawaen,lahara ke aayen) was copied 6 more times in different songs in different films. ( the original song itself was ‘inspired’ by ” C’est La Vie” by Charles Boyer from film “Algiers”-1938 ). A well known case is of Madan Mohan copying the tune of Sajjad Husain’s Sangdil-51 song” Ye hawa ye raat ye chaandni”, for his song from ” Aakhri Daon”-58-” tuze kya sunaun main dilruba”. Famous Music Critic Girija Rajendran had openly proved how all songs of film ” Mera naam Joker”-70 were copies from earlier film songs. For example, the Title song “Kehta hai Joker, saara zamana” was copied from ” apni nazar se unki nazar tak” a song from film Hum Log-51.( See, I can write on Poetry side also !!!)

This is a vast subject and a whole book can be written on it. So far only Hindi songs inspired by other Hindi songs has been discussed. If you see songs from Bangla and other languages, then you may have to write 3 books ! Does it mean that there is no originality in Hindi film songs ? No, there ARE original tunes and songs in Hindi films. To conclude this topic,I quote a few lines from the interview of Music Director Nashad, published in Film Fare of 5th August 1955, where he has spoken about inspired songs……

” Although no one says it to my face, I know that there is a section in the film industry who decry my music as “a re-hash of familiar tunes.”
This amounts to a charge of plagiarism.

I have no defense, no apology, to offer, except to say that, if am a plagiarist, I am one unconsciously.
With only seven main notes, six ragas, thirty-six raginis and seventy-two sub-raginis, every “new” musical composition is bound to sound familiar in places.
Try to hum any popular film composition of today and then cast back your mind. Make a careful search for a parallel and you will easily find one in some celebrated songs of yesterday….”

This sounds like an excuse to me. What is to Nashad is same to other MDs too, then how come others are not blamed for plagiarism? Let us leave it at that only.

Film Nakhre-51 was directed by Surya Kumar. Yes, he is the same famous Dance Master/ Choreographer of many hit films of 50s and 60s. Suryakumar and Krishna kumar were brothers. Both were Choreographers. The story of Dance Director brothers Krishna kumar and Surya kumar is very interesting.

Anthony (Tony) Lazarus was born in 1918 and his younger brother Robert Lazarus was born on 14-12-1924. They lost the parents and were raised in an orphanage, from where , the famous film dancer Azurie picked them and trained till they became good dancers. Tony became Krishnakumar and Robert took the name Suryakumar. Krishna Kumar started acting and doing choreography in films of late 40s and early 50s. In every film of Mehboob and Kardar, he was present. Soon he became famous. However, he also developed some enemies. Krishnakumar was murdered by his enemies on 7-7-1951. The culprits were never captured.

It is believed that it was Krishna Kumar, who taught Master Bhagwan his famous Dance steps (later copied by Amitabh Bachhan also), making his film ‘Albela’ a block buster. In one of the famous songs in Albela, you can see Krishnakumar’s photo kept on a table, as a tribute to him.

Robert aka Suryakumar started his film career as asstt. in a sound department in Saigal’s last film,’Parwana’-1947. During this period,yesteryear actress/Dancer Azurie trained him and krishnakumar in Dancing. In those days the term ‘Choreographer was not used. They were simply called ‘Dance masters’ or ‘Dance Directors’.

Actress Azurie had a German father and an Indian mother. She is considered as the pioneer in Film dancing in India. She was so famous in films,that Cuckoo modelled herself on her dancing skills and succeeded. Azurie(1907-1998) trained Suryakumar in dancing.

Suryakumar then assisted madame Simka(a disciple of Uday Shankar),in film “Awaara”-1951,when he first directed Helen who was in the chorus of Dancing girls that time. Suryakumar later directed Helen in 31 films.Their last film together was Bombay 405 Miles-1980. Suryakumar was also very friendly with dancer Edwina. He visited her London home many times, after she settled after marriage in London.

Surya Kumar himself also trained Suryanarayana, Oscar and many others. After 1970, Heroines themselves became dancing girls and the roles of Dance masters reduced considerably. Posh Choreographers came on the scene.

Surya Kumar had a penchant for acting. He would himself appear in most of his dances in films. During our college days, it was our pastime to search for him in Helen dances. Surya kumar acted in 7 films, in small roles – Singar-49, Naya Raasta-53, Shesh Naag-57, Bus Conductor-59, Aankh Michauli-62, Har Har Mahadev-74 and Shravankumar-88. Surya Kumar also directed 4 films – Kamal-49, Nakhre-51, Laadla-54 and Saazish-59.

He then worked as a Production assistant and as an editor too,before retiring. His last days were spent in poverty and he died on 19-8-1987 in Bombay.

Normally, choreographers, cinematographers, editors,arrangers,dress designers,art directors etc (artists behind the curtains) are the most neglected people and no one writes about them,so not is much known also about them. It was very difficult to gather information on Surya kumar.

Let us now listen to today’s song. If any reader can identify similar tune song from other films,kindly inform us in the comments column.

(Information for this post was collated, culled and edited from books- ‘Edwina’ by Surjit Singh ji, Flash back by Isak Mujawar, several Facebook group pages and especially ‘Dances on the footpath’ by Richard S, Minai’s cinema nritya gharana and my notes)


Song- Chal meri chhallo chhamaak chham chham(Nakhre)(1951) Singers- Shamshad Begam, Devendra Mohan, Lyrics-Bharat Vyas, MD-Hansraj Bahl
Chorus

Lyrics

titi taam titi taam titi taam tam tam
chal meri chhalo chhamaak chham chham
titi taam titi taam tam tam tam
chal meri chhalo chhamak chham
titi taam titi taam titi taam tam tam
chal meri chhalo chhamaak chham chham
manzil apni door hai
kahin nikal na jaaye dum

ek taraf hai saari duniya
ek taraf meri chhalo chhalo chhalo
ek taraf hai saari duniya
ek taraf meri chhalo
moch na aa jaaye kamar mein
dheere dheere challo
chhallo
dheere dheere chhallo

kero maama haaye raama kero mama haaye raama
hatto sainya chhado bainya
tum ko hai meri kasam
titi taam titi taam titi taam tam tam
chal meri chhalo chhamak chham chham
titi taam titi taam tam tam tam
chal meri chhalo chhamak chham

tu hai meri kaakdi aur main tero tarbooz
main tero tarbooz
tu hai mhaari jaatni aur main thaaro rangroot
pahan ke aaya dheela suit
paavon mein lambe lambe boot

abe tu aadmi hai ya bhoot
duniya tumko
duniya tumko
teer kahe talwaar kahe bandook kahe
main kehta hoon atom bomb
bomb bomb bomb

titi taam titi taam titi taam tam tam
chal meri chhalo chhamak chham chham
titi tam titi tam tam tam tam
chal meri chhalo chhamak chham

aankhen teri gol button si
humko laage pyaari
haaye hum ko laage pyaari
naak tumhaari tote jaisi
mudi hui matwaari
aye haaye mudi hui matwaari
duniya tumko
duniya tumko
veer kahe
balwaan kahe pahalwaan kahe
main kahti hoon choohe ki doomm
dum dum dum
titi tam titi tam titi tam tam tam
chal meri chhalo chhamak chham chham
titi tam titi tam tam tam tam
chal meri chhalo chhamak chham
titi tam titi tam titi tam tam tam
chal meri chhalo chhamak chham chham
manzil apni door hai
kahin nikal na jaaye dum
dum dum dum dum

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Blog Day : 4016 Post No. : 15123

“Naag Mohini”(1963) was directed by Shantilal Soni for Dimple Films Bombay. This “pauraaanik” movie had Vijaya Chadhary, Mahipal, Sundar, Rajan Haksar, Bablu, Uma Dutt, Indira Bansal, Rajrani, Sood, Khursheed etc in it.

The movie had six songs in it. Two of these songs have been covered in the past.

Here is the third song from “Naag Mohini”(1963) to appear in the blog. the song is sung by Suman Kalyanpur and Rafi. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. It is almost certain though that the song must have been picturised on the lead pair of Vijaya Chaudhary and Mahipal.


Song-Neeli neeli ankhiyon mein doobi doobi jaaun(Naag Mohini)(1963) Singers-Suman Kalyanpur, Rafi, Lyrics-Bharat Vyas, MD-Sardar Malik
Both

Lyrics

ho o o
neeli neeli ankhiyon mein doobi doobi jaaun
main doobi doobi jaaun
kahaan hai kinaara
kachchu samajh na paaun
kahaan hai kinaara
kachchu samajh na paaun
kaali kaali zulfon mein khoya khoya jaaun
main khoya khoya jaaun
kahaan hai kinaara
kachchu samajh na paaun
kahaan hai kinaara
kachchu samajh na paaun

gore gore mukhde pe kaali lat latke
ho ho o o
gore gore mukhde pe kaali lat latke
jaise koi naaganiya soyi ho simat ke

piya mori zulfon mein jiya tora atke
ho ho ho
haaye haaye

piya mori zulfon mein jiya tora atke
aisa uljhaaya kaise jaaoge palat ke
aisa uljhaaya kaise jaaoge palat ke
pyaar ka ye bandhan main kaahe ko
chhudaaun
main kaahe ko chhudaaun
tu jo mili swarg mila
kaise thhukraaun
tu jo mili swarg mila
kaise thhukraaun

dekh tera mukhda
rang uda darpan ka

ho o o o
dekh tera mukhda
rang uda darpan ka
toot pada dharti pe
chanda gagan ka

chaand gira charnon mein
pyaasa milan ka
ho ho ho
haaye haaye

chaand gira charnon mein
pyaasa milan ka
kab se deewaana thha
piya ki lagan ka
kab se deewaana thha
piya ki lagan ka
pyaare pyaare sapnon ki duniya sajaaun
main duniya sajaaun
bhaag mere jaagen jo tumsa ratan paaun
bhaag mere jaagen jo tumsa ratan paaun

neeli neeli ankhiyon mein doobi doobi jaaun
main doobi doobi jaaun
kahaan hai kinaara
kachchu samajh na paaun
kahaan hai kinaara
kachchu samajh na paaun


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4015 Post No. : 15122

“Fashion”(1957) was directed by Lekhraj Bhakri for Kuldip Pictures production, Bombay. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.

The movie had eight songs in it. Five songs have been covered in the past.

Here is the sixth song from “Fashion”(1957) to appear in the blog. The song is sung by Hemant Kumar and his wife Bela Mukherji. Bharat Vyas is the lyricist. Music is composed by Hemant Kumar.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. From the sounds of it, the song appears to be a “beggar” song to me, where the citizens of the nation are being called upon to use desi (including marrying Indians) not videshi. Craving for and using videshi items was considered “Fashion” those days, and that was almost considered an anti national act, as can be surmised from the lyrics of this song.


Song-Maati ko lajaana na (Fashion)(1957) Singers-Hemant Kumar, Bela Mukherji, Lyrics-Bharat Vyas, MD-Hemant Kumar
Both

Lyrics

bade bade toofaanon ke aage
kabhi nahin jo haaraa hai
naari ki taaqat par ab tak
zindaa desh tumhaaraa hai

maati ko lajaanaa naa
is maati ko lajaanaa naa
desh hai mahaan
iski shaan ko mitaanaa naa
maati ko lajaanaa naa
is maati ko lajaanaa naa
desh hai mahaan
is ki shaan ko mitaanaa naa
maati ko lajaanaa naa
is maati ko lajaanaa naa

bikhra hua yahaan Savitri kaa noor hai
Saavitri kaa noor hai
maati mein ramaa hua sitaaji kaa sindoor hai
is maati mein ramaa hua sitaaji kaa sindoor hai
sitaaji kaa sindoor hai
desh ke jawaanon
desh ke jawaanon
o fashion ke deewaanon
thhodi baat puraani maano
apni sej ko paraai naar se kabhi sajaanaa naa
maati ko lajaana naa
is maati ko lajaana na
desh hai mahaan
iski shaan ko mitaana na
maati ko lajaana naa
is maati ko lajaana na

galiyaan paraayi mein kyun khoyaa teraa dhyaan hai
kyun khoyaa teraa dhyaan hai
apni pujaaran kaa tu hi bhagvaan hai
apni pujaaran kaa tu hi bhagvaan hai
tu hi bhagvaan hai
raam hai tu uskaa aa
raam hai tu uskaa
ghanshyaam hai tu uskaa
chaaron dhaam hai tu uskaa
aisi naari ke jigar pe kataari tu chalaanaa naa
maati ko lajaanaa naa
is maati ko lajaanaa naa
desh hai mahaan
is ki shaan ko mitaanaa naa
maati ko lajaanaa naa
is maati ko lajaanaa naa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3958 Post No. : 15035

“Jai Ambe”(1957) was produced by Shanti Kumar and D N Shukla and directed by Shanti Kumar for Mahesh Chitra Bombay. This “pauraanik” movie had Sulochana, Manhar desai, Sapru, Ramesh Sinha, Sheela Kashmiri, Niranjan Sharma, Kesri, Indira Bansal, Mridula, Shree Bhagwan, Kanchanmala, Dubey, Shalini, Heera Sawant etc in it with Guest appearances by Jeewan and Rajkumar( of pauraanik movies fame, different from Jaani fame Rajkumar)

The movie had nine songs in it. One song from the movie has been covered in the past.

Here is the second song from “Jai Ambe”(1957) to appear in the blog. This song is sung by Lata and Manna Dey, alongwith male and female chorus. Bharat Vyas is the lyricist. Music is composed by Pt Shivtam.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Kaali ghataayen aakaash mein jee ghir ghir aayen (Jai Ambe)(1957) Singers-Lata, Manna Dey, Lyrics-Bharat Vyas, MD-Shivram
Female chorus
Male chorus
Lata + Manna Dey
All chorus
Manna Dey + Male chorus
Lata + Female chorus

Lyrics

dig dig dig dig naiyya chale
purwaiyya chale
chhak chhaiyya chhaiyya ho
haiyya
dig dig dig dig naiyya chale
purwaiyya chale
chhak chhaiyya chhaiyya ho
haiyya
dig dig dig dig naiyya chale
purwaiyya chale
chhak chhaiyya chhaiyya ho
haiyya

ho o o
Kaali ghataayen aakaash mein jee
ghir ghir aayin
ghir ghir aayin
naiyya mori dagmag ho ke dole jee
ho naiyya mori dagmag ho ke dole jee

gori main tere paas hoon to
darr kaahe ka
darr kaahe ka
jhoolo jhoolo
lahron ke
hindole jee
ho
jhoolo jhoolo

lahron ke
hindole jee

dig dig dig dig
naiyya chale re
purwaiyya chale
chhak haiyya haiyya ho
haiyya

gahri nadiya door kinaara
chhod hamen mat jaiyyo re maanjhi
chhod hamen mat jaiyyo re
din bhar lahron sang khel ke
saanjh pade ghar aiyo re maanjhi
saanjh pade ghar aiyo jee
ho o o o
naao puraani gahra paani
peechhe na rah jaiyyo machhariya

peechhe na rah jaiyo jee
aanchal ki patwaar banaa ke
naiyya paar lagaiyyo machhariya

naiyya paar lagaiyyo jee
batiyaan tihaari gori
preet ka ras ghole jee
ras ghole jee
meethhi meethhi baansuriya
si bole jee
ho naiyya mori dagmag ho ke dole jee
dig dig dig dig
naiyya chale re
purwaiyya chale
chhak chhaiya chhaiyya ho
haiyya

ankhiyaan phadke jiyara dhadke
bijli kadke ambar mein
haay
bijli kadke ambar mein
le chal maanjhi haath pakad ke
aag lagi hai samandar mein
hoy aag lagi hai samandar mein
ho o o o o
baahar baahar dekh rahi kya
tanik to jhaanko andar mein

hoy tanik to jhaanko andar mein
devi banke bathhi tu gori
mere man ke mandar mein

hoy mere man ke mandar mein
bachpan ki ye preet hai jee
kabhi toote na
sang chhoote na
nit nit pyaar chadhhe jhakole jee

ho naiyya mori dagmag ho ke dole jee
dig dig dig dig naiyya chale
purwaiyya chale


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Blog Day : 3933 Post No. : 15006

“Roop Sundari”(1964) was directed by Chandrakant for Chitradoot, Bombay. This veshbhoosha pradhaan (euphemism for B grade movie) had Anita Guha, Mahipal, B M Vyas, Sundar, Ratnmala, Bela Bose, Rajrani, V Gopal, Laxmichhaaya etc in it.

The movie had seven songs in it. Five of these songs have been covered in the past.

Here is the sixth song from the movie to appear in the blog. This song is sung by Rafi. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.

Only the audio of the song is available. From the sounds of it, this appears to be a public lament song sung in the background when the leading lady is seen suffering.

I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Nayi seeta ki suno nayi kahaani (Roop Sundari)(1964) Singer-Rafi, Lyrics-Bharat Vyas, MD-Sardar Malik

Lyrics

nayi seeta ki suno nayi kahaani
nayi seeta ki suno nayi kahaani
dharti ki beti sab dukh sahti
chup chup rehti
kuchh bhi nahi kehti
naari vyatha ki
katha puraani
katha puraani
nayi seeta ki suno nayi kahaani
nayi srrta ki suno nayi kahaani

auron ko tu phool hi baante
khud daaman mein bharti kaante
kaisa ajab hai bhaag tumhaara
amar hai naari tyaag tumhaara
teri anokhi hai kurbaani
teri anokhi hai kurbaani
hai kurbaani
nayi seeta ki suno nayi kahaani
nayi seeta ki suno nayi kahaani

ye samaaj ne zulm hi dhaaye
kya kya tujhpe kalank lagaaye
soya hua bhagwaan na jaaga
raam ne bhi jab tujhko tyaaga
ban ban bhatke dard deewaani
ban ban bhatke dard deewani
dard deewani
nayi seeta ki suno nayi kaheani
nayi seeta ki suno nayi kahaeni


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 1300th Post by Sudhir ji.

Blog Day :

3913 Post No. : 14972 Movie Count :

4092

Missing Films of 1960s – 103
– – – – – – – – – – – – – – –

The film that we bring on board today is ‘Sati Sulochana’ from 1969. One more film that is rarely heard about, although the video of this film is available. And once again, lovely songs that have not been explored. The sound of this song seems like it was heard on the radio, but that was a long time back.

The music is by SN Tripathi, who incidentally has also directed this film. The film is produced under the banner of SA Films, Bombay. The star cast includes Prithviraj, Anita Dutt, Prem Nath, Raj Kumar, Bipin Gupta, Kanan Kaushal, Sundar, Ram Singh, and Ram Mohan etc.

The story of Sati Sulochana is part of the history of Ramayan.  Sulochana is the daughter of Sheshnaag, the king of serpents. She is married to Meghnaad, the son of Raavan. Meghnaad is also known as Indrajit, for he had once vanquished Lord Indra and captured many sophisticated weapons from him. In the narrative of Ramayan, Sulochana is described as a brave lady who is very supportive of her husband. Eventually, when her husband is killed in the battle with Lakshman, she makes a decision to immolate herself on his pyre.

This story has been made into films on many occasions. The first one on record is the silent film ‘Sati Sulochana’ in 1921. Then this film was produced in Kannada, in 1934, as the first talkie film in Kannada language. In 1935, a Hindi film was also released by this name, under the production banner of Godavari Cinetone. In 1961, this tale was also told in a Telegu film starring NT Ramarao. And then in 1969, we have this Hindi production again.

Geet Kosh lists 9 songs of this film. Music is from the mind of SN Tripathi. The songs have been written by Bharat Vyas and BD Mishra. This song is from the pen of Bharat Vyas.  The singing voice is that of Suman Kalyanpur. On screen, it appears as if the leading lady and one of two of her friends are lip syncing the same playback singing.

The song is picturized as a group dance song, in which the leading lady is being teased by her friends, asking her who is the one who comes into your dreams. The song is a lively exchange between the lady and her sahelis. On screen, I am not able to identify with certainty, the lady who leads the song. Is she Kanan Kaushal? I request our more knowledgeable readers and friends to please help identify her.

Enjoy this lovely lilting melody, one of those songs that should have been more popular.

 

Song – Kaun Tere Sapnon Mein Aata  (Sati Sulochana) (1969) Singer – Suman Kalyanpur, Lyrics – Bharat Vyas, MD – SN Tripathi
Chorus

Lyrics

aaa aaaaaaa
aaaa aaaa aaaaa
aaa aaaaaaa
aaaa aaaa aaaaa

kaun tere sapnon mein aata
kaun tere sapnon mein aata
aa ke nainon mein muskaata
bataao na bataao
hum ko ye bataao
jud gaya kis se ye naata
kaun tere sapnon mein aata

hato ri sapne ki na boloon
bhed yeh mann ka na kholoon
jaao ri sakhi jaao
mujhe na yun sataao
khel ye mann ko na bhaata
kaun tere sapnon mein aata

main to soi thi
neend mein khoi thi
chup ke se koi aa gaya
main to soi thi
neend mein khoi thi
chup ke se koi aa gaya
megh varan tha
kanak rang tha
mere jeevan mein samaa gaya
chhup ke kaanon mein kuchh bola
haule se ghunghat pat khola
akhiaan ghabraai
main to sharmaai
aage ab kuchh na kaha jaata
koi tere sapnon mein aata

veer purush tha
kandhe dhanush tha
mukh pe tej samaaya
veer purush tha
kandhe dhanush tha
mukh pe tej samaaya
jaan nahin
pehchaan nahin koi
phir bhi wo mann ko bhaaya
preet meri muskaai hai
pooja meri rang laai hai
chhudaaye se na chhoote
tode to nahin toote
janm janmaantar ka naata
kaun tere sapnon mein aata

kaun tere sapnon mein aata
aa ke nainon mein muskaata
bataao na bataao
hum ko ye bataao
jud gaya kis se ye naata
kaun tere sapnon mein aata

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

आss आssssss
आsss आsss आssss
आss आssssss
आsss आsss आssss

कौन तेरे सपनों में आता
कौन तेरे सपनों में आता
आ के नैनों में मुस्काता
बताओ ना बताओ
हम को ये बताओ
जुड़ गया किस से ये नाता
कौन तेरे सपनों में आता

हटो री सपने की ना बोलूँ
भेद ये मन का ना खोलूँ
जाओ री सखी जाओ
मुझे ना यूं सताओ
खेल ये मन को ना भाता’
कौन तेरे सपनों में आता

मैं तो सोई थी
नींद में खोई थी
चुपके से कोई आ गया
मैं तो सोई थी
नींद में खोई थी
चुपके से कोई आ गया
मेघ वरण था
कनक रंग था
मेरे जीवन में समा गया
छुप के कानों में कुछ बोला
हौले से घूँघट पट खोला
अखियाँ घबराईं
मैं तो शरमाई
आगे अब कुछ ना कहा जाता
कोई तेरे सपनों में आता

वीर पुरुष था
कांधे धनुष था
मुख पे तेज समाया
वीर पुरुष था
कांधे धनुष था
मुख पे तेज समाया
जान नहीं
पहचान नहीं कोई
फिर भी वो मन को भाया
प्रीत मेरी मुसकाई है
पूजा मेरी रंग लाई है
छुड़ाए से ना छूटे
तोड़े तो नहीं टूटे
जन्म जन्मांतर का नाता
कौन तेरे सपनों में आता

कौन तेरे सपनों में आता
आ के नैनों में मुस्काता
बताओ ना बताओ
हम को ये बताओ
जुड़ गया किस से ये नाता
कौन तेरे सपनों में आता


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3858 Post No. : 14871

Today’s song is from the musical blockbuster of the 1950s, Suvarna Sundari-58.

There was a love affair going on between the South films and Bombay Film industry during the 50’s decade. Right from film Chandralekha-48, South started pushing into Hindi domain with Remakes and Dubbed southern films. Some films were even made only in Hindi. As the years went by and the southern film market expanded greater than even Bombay, south had no time or need or interest in tapping the Hindi belt anymore.

With the films being made by the South for the Hindi audience, came many southern composers too. Chandralekha-48- had S.Rajeshwar Rao as MD, then came Parthasarthy and kalla (Nishan-49, Mangala-50 and Sansar-51), Sankar Sastry (Mangala, Sansar), C S Ram (Lavangi-50), C R Subbaraman (Ek the Raja-51, Chandi Rani-53), Vishwanathan and R Sudarshana (Ladki-53), S V Venkatraman and T R Ramanathan(Manohar-54), Ram Murthy(Naya Aadmi-56) etc etc.

First Hindi Music Director in a south film Hindi was Bulo C Rani, with C S Ram in film Lavangi-50. The first south Hindi film whose entire music was done by a single Music Director from the Hindi belt was Bahar-51- S D Burman. After this C.Ramchandra, Chitragupta, Madan Mohan, Shankar-jaikishen, N Dutta and others started crowding in south for Hindi films and due to this the influx of south composers for Hindi films almost came to a naught.

Many Hindi composers are known to invade South and make songs in their languages. The first one to do so was C Ramchandra, but then few others like Naushad( for Tamil version of Aan and Mughal E Azam), Salil Chaudhari ( for many Tamil and Malyalam films), Ravi- who became famous in Kerala as Bombay Ravi, for many Malyalam films and few more. However, there was only one south composer who gave music to a Hindi film and made it a Hit Jubilee Musical Blockbuster. He was Adi Narayana Rao and his first Hindi film was Suvarna Sundari-1958. I said First film, because Rao gave music to some more Hindi films later, like Phoolon ki sej-64, Jadoo nagari-72, Gun Fighter Johnny-72, Sati anusuya-74 and Inqilab Zindabad-75. he also gave music to a Dubbed Marathi film ‘ Mahabhakta Tukaram’-60.

His first film was Suvarna Sundari-58 and what Grand music he gave ! The film had 14 songs and from Ghantasala’s ” Laxmi kshir Samudra Raj’ to Sudha Malhotra’s ” Hat jaa re natkhat”, he displayed his originality, creativity and knowledge of Hindustani Raagdari too ! He composed songs in various Raagas like, malkauns, Sohni, Bahar, Jaunpuri, Hameer etc . Songs like ” Mujhe na bula” and ” Kuhu kuhu bole koyaliya” are popular even today and surely can be counted amongst the most memorable of Hindi songs ever.

Born in 1915 in Andhra Pradesh, Rao learnt music from Pt. Sitaram Sastry. He was active on stage for many years. He was an excellent Harmonium player. Surprisingly, he entered film world as a writer and not a musician. Later, he became an assistant to composer Chittur Nagiah from film vande Mataram-1939. His first film as a MD was Vardhini-1946. Along with Folk tunes, Rao used Spanish tunes in his songs. He married actress Anjali Devi,after film Suvarn Sundari in Telugu was released. They started Anjali pictures, a film production company. While he could not get success in Hindi films, after Suvarn Sundari-58, his wife Anjali Devi continued doing roles in Hindi films for many more years. Adi Narayana Rao died on 25-1-1990.

The original Telugu film Suvarn Sundari was made with A.Nageshwar Rao and Anjali Devi in 1957. Tamil version was also made Simultaneously, with Gemini Ganesan and Anjali devi in the lead. Tamil film title was Manaalane Mangaiyi Bakkiyam. The Tamil version was released first. When both Tamil and Telugu films became Hit and Blockbusters, it was planned to dub the Tamil film in Hindi. Lata Mangeshkar was called to Madras to record the songs. When Lata saw the film, she suggested them that instead of dubbing the film, the film may be remade in Hindi. The distributors too opined the same. Therefore the Hindi version was remade with A. Nageshwar Rao and Anjali Devi in the lead. This was the First and the only Hindi film A.Nageshwar Rao made ever in his entire career. The film was shot in Venus Studio, Madras and near Shimsha falls, Mysore. The Hindi film was very successful and celebrated Silver Jubilee in 18 cities.

All the three language versions were directed by Vedantam Raghaviah. He was born to V.Ramiah and Annapoornamma at Kuchipudi village in Krishna District of Andhra Pradesh, on 8-6-1919. from 5th year onwards, he started learning Kuchipudi dance and became a surprise item in many shows and stage dramas. At the age of 9 years he was married to his Maternal cousin. He entered films as an actor and Choreographer in 1937. But from 1949 he changed over to production and Direction. In next 20 years, he directed 30 Telugu and Tamil films plus 2 Hindi films- Suvarna Sundari-58 and Jadoo Nagari-72. His film Devdas-53 was considered as his Best film. He died at the age of only 52 years on 18-11-1971. He received several awards and honours as a Kuchipudi Dancer.

Out of the 14 songs of Suvarn Sundari-58, only 3 songs are discussed on the Blog. Today’s song is the 4th song. The video shows a song coupled with the naughty activities of comedians, small time Thugs in the film, Agha, Mukri and Radha Kishen. Radha Kishen was a comedian with a peculiar style of talking and speaking in a voice that distinguished him from others. I still remember his funny role in film ‘ New Delhi’-1956.

Radha Kishen (Mehra) was born on 13-6-1915 in Delhi. He was a good writer and wanted a job as a writer in films. V.Shantaram, however, offered him a job as an actor in Prabhat. His first role was that of a villain in film ‘ Padosi ‘-41. It was here that he became very friendly with writer Pt. Mukhram Sharma, who helped him by creating special roles for him in the scripts that he wrote. Radhakishen played the roles of a miser to perfection. He became a regular with P.L.Santoshi in films like Shehnai, Sargam, Apni Chhaya etc.

His biggest role as a comedian which brought him to limelight was in film New Delhi-56. He played important roles in Begunah and Naya Daur also. Changing over to comic villain’s role in Parvarish-58, he was equally effective. In Sadhana-58 he was a crafty neighbour and in Chhoti Behan-59, he was a greedy trader. Being a writer himself, he would get effective and ironic dialogues.

At the height of his career, he became a Producer with Amar Rahen ye pyar-61. Because of kavi Pradeep’s left wing songs, the film was held up by Censors for a long time and when finally it was released, it flopped miserably. Before that itself, due to heavy losses, mounting debts and a failed Love affair, Radhakishen committed suicide by jumping to death from the fourth floor terrace of his building, on 18th March 1960. He died after his film Ek ke baad ek-60 was completed. Its Producer Raj Rishi, who was his close friend,put an obituary message in the film’s credits as ” This picture is respectfully dedicated to the fond memories of my friend and great artiste Radhakishen, who is no more with us “.

Same year in May 1960, the well known Distributor Tarachand Barjatya announced a Trophy in the name of Radhakishen, to be given to the Best Comedian of the Year. This is probably the only Trophy of its type in the film industry.

Here is a comedy song video from the film Suvarna Sundari-58. Enjoy….


Song-Raam naam japna paraaya maal apna (Suvarna Sundari)(1958) Singer- Rafi, Lyrics- Bharat Vyas, MD- Adi Narayan Rao
Chorus

Lyrics

arre ajgar kare na chaakri
bhai panchhi kare na kaam
o o o
hum kaahe khat-pat karen
o o
o o o
jab sab ke daata raam
arre raam naam
raam naam
raam naam japna
paraaya maal apna
paraaya maal apna
ho o o
raam naam japna re
raam naam japna
paraaya maal apna ho
hoy
raam naam japna re
raam naam japna
paraaya maal apna
ho ho ho
raam naam japna re
raam naam japna
paraaya maal apna ho o

ho o o
o o o
seedhi ungli ghee na nikle
sun re o anjaane
oye
sun re o anjaane

arre seedhi ungli ghee na nikle
sun re o anjaane
oye jiski laathhi bhains usi ki
keh gaye log sayaane
hoy keh gaye log sayaane
ye bol bade anmol
bhai sach kaha
ye bol bade anmol baawre
man ki ghundi khol khol
bhai raam naam
raam naam
raam naam japna
paraaya maal apna
paraaya maal apna ho
o o
raam naam japna re
raam naam japna
paraaya maal apna ho

arre ho
o o o
ikdam tikdam
tikadtikadbam
ikdam tikdam laga ke saari
duniya bas mein kar le
o duniya bas mein kar le
aha
o ikdam tikdam laga ke
saari duniya bas mein kar le
oye jhoothh bol chaahe loot maar kar
apna khazaana bhar le
phataaphat
apna khazaana bhar le

jag dhokhe ki deewaar
beta sach kaha
o jag dhokhe ki deewaar
yaar tu apna mauka maar maar
bhai raam naam
ho raam raam
raam naam japna
paraaya maal apna
paraaya maal apna ho
o o
raam naam japna re
raam nam japna
paraaya maal apna ho
oye
raam naam japna re
raam naam japna
paraaya maal apna ho
o o
raam naam japna re
raam naam japna
paraaya maal apna ho o


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3840 Post No. : 14852

“Dhun”(1953) was directed by M Kumar for Silver Productions, Bombay. The movie had Raj Kapoor and Nargis in lead roles with Motilal, Pramila, Kamal Mehra, M Kumar, Cuckoo etc also there in the movie.

The movie had eleven songs in it. Seven songs have been discussed in the past.

Here is the eighth song from “Dhun”(1953). This song is in fact a two part song. Part I is sung by Rafi, Batra, Baabul and chorus. Part II, which is an extension of the same song, is sung by Rafi, Madan Mohan, Baabul and chorus.

Bharat Vyas is the lyricist of this llong light hearted song. Music is composed by Madan Moahn.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

Since this is a two part song, so with this song, now nine songs from the movie have been covered. HFGK mentions two more songs- “hansa hai mukpe zamaana” and “is duniya mein ham aa nikle”. Thouh the lyricist for these two songs is mentioned in HFGK 9Kaif irfani), no other fdetails are known for these songs. Record numbers are not mentioned so may be records of these songs were not mentioned.

I request our knowledgeable readers to throw light on these remaining two songs that do not seem to be available as of now.

PS-This writeup replaces another song from the movie, namely “nindiya na aaye tum bin” which was already covered in the blog in the past.

Another special fact about this song is that this is the fourth song in the blog that has the voice on Madan Mohan as a singer. Madan Mohan had lent his voce in four songs in Hindi movies. with this song, now all these songs have been covered in the blog.

Audio (Both Parts)

Koi ek aana koi do aana (Dhun)(1953) Singers-Rafi, Satish Batra, Baabul, Madan Mohan, Lyrics-Bharat Vyas, MD-Madan Mohan

Lyrics

Part I
———————
koi ek aana
koi do aana
koi teen aana
koi chaar aana
is duniya mein sab paagal hain
haan
koi ek aana koi do aana
koi teen aana koi chaar aana
koi ek aana koi do aana
koi teen aana koi chaar aana
is duniya mein sab pagal hain
hum paagal hain solha aana
hey
koi ek aana koi do aana
koi teen aana koi char aana
koi ek aana koi do aana
koi teen aana
koi char aana

hahaha
paise waalon ko dekho jinke hain mote pet
dhandhe karte hain khote
aur kahlaate hain seth
haan
din ke ujiyaale mein karte hain kaala bazaar
ho phir bhi paagal duniya unko kahti saahukaar
o mere bhaiya kehti sahukar
o bhaijaan kehti saahukaar

main hoon saahukaar bhaiya main hoon saahukaar
maine hi ye kaam kiya hai
baap ka ooncha naam kiya hai
chauraahe par dhol bajaa kar
chauraahe par dhol bajaa kar
tera ghar neelam kiya hai
mujhko maaro
arre bhai mujhko maaro
sab mil kar maaro aao aao sab mil kar maaro
jhaadu maaro joote maaro
patthar maaro kankar maaro
maaro maaro maaro
sab mil kar maaro
are bhai baithe kyun ho
o bhaiya uthkar maaro na

koi ek aana koi do aana
koi teen aana koi char aana
koi ek aana koi do aana
koi teen aana koi char aana

koi mera sher suno
khuda ke liye
koi mera sher suno
haaye
koi nahin sunta
kaun karta doston
duniya mein shaayar ki kadar
ghoomte firte hain ye shaayar ke bacche dar badar

———————-
Part II
———————

kaun karta doston duniya mein shayar ki kadar
mori kadar nahin jaane raam rahen
mori kadar nahin jaane ram rahen
sapt suran teen graam
aam ke aam
guthli ke daam
saa re ga ma
haaye raam
aa ha ha
waah ustaad

saa re ga ma
haaye raam
dhum t na n n n n na na na na
mori kadar nahin ja ja o ja ja
mori kadar nahin ja ja ja ja
ja mori kadar nahin
ja mori kadar nahin
ja mori kadar nahin

johny o ho o johny
j j johny o johny duniya faani faani faani
o ho o jolly hey hey johny
o johny johny johny johny
haaye johny

koi ek aana koi do aana
koi teen aana koi chaar aana
koi ek aana koi do aana
koi teen aana koi char aana

aasha aasha pukaaroon main van mein
o meri aasha
bandhi astabal mein haan
o o o
mujhe baap ne ghar se nikaala
ae haaye kar diya munh mera kaala
o aasha aashaa aashaa
kar diya munh mera kaala
o tere liye kar diya munh mera kaala
haay aasha ji kar diya munh mera kala
aasha ji aasha ji aasha aasha ji haaye haaye
aasha ji aasha ji aasha aasha ji

fukut vukut de dheel dheel
fukut vukut de dheel dheel
o mera neela patang kare
dushman se jung
iske baap ke rang dhang dekh lo
mera neela patang kare dushman se jung
dekho dekho dekho
are dekho dekho dekho

dekh liya duniya ke mela
log hain rang rangeele ae ae ae ae
koi kam hai koi jyaada aa
par sabke purje dheele
koi ek aana koi do aana
koi teen aana koi char aana
koi ek aana koi do aana
koi teen aana koi chaar aana
is duniya me sab pagal hain
hum pagal hai solha aana
koi ek aana koi do aana
koi teen aana koi chaar aana
koi ek aana koi do aana
koi teen aana koi chaar aana
hey bacho


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3812 Post No. : 14809

“Amar Jyoti”(1965) was directed by Raman Desai for Bombay Movietone, Bombay. This fantasy movie had L Vijaylaxmi, Mahipal, Ulhas, Kamal Mehra, Sapru, Sarla devi, Gopi Krishn etc in it.

The movie had nine songs in it. Two songs have been covered in the past.

Here is the third song from “Amar Jyoti”(1965) to appear in the blog. The song is sung by Lata and chorus. Bharat Vyas is the lyricist. Music is composed by Vasant Desai.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Sambhal ke qadam rakhna (Amar Jyoti)(1965) Singer-Lata, Lyrics-Bharat Vyas, MD-Vasant Desai
Chorus

Lyrics

hurr
sambhaal ke kadam rakhna
sambhaal ke kadam rakhna
jhoomne ke din aaye
kali se bhanwra boley
choomne ke din aaye
to angiya lajaaye kadam ladkhdaaye
man haathon se uda uda jaaye

bahaar ka o o o o o
bahaar ka hai kya kahna
ho o
lootne ke din aaye
o laaj ke sabhi pahre
haaye tootne ke din aaye
jhoome chanchal pawan
choome chhup chhup ke tan
jiya machal machal rahe jaaye
sambhaal ke
o
sambhaal ke
o o
sambhaal ke kadam rakhna
jhoomne ke din aaye
sambhaal ke kadam rakhna

na main koi mere apne koi
mujhe nadiya kinaare bula rahe
aisa kamaal dekho
is dil ka haal dekho
din mein bhi sapne hain aa rahe
ladkhdaaya jo chaal
ise kahte hai chaal
bhai ye to kataari ki dhaar
sambhaal ke

o
sambhaal ke
o o
sambhaal ke kadam rakhna
jhoomne ke din aaye
sambhaal ke kadam rakhna

re ma re ma
sa ri ni re sa
ma pa ma pa
re ma re ni sa
dha ni pa ma re
re ma ni sa re
dhan ni sa re

o o o o o
ye jaane kaun mera praanon ka meet
aaj kaanon mein geet gunguna raha
anjaana koi bin pahchaana koi
dekho chhup chhup ke man mein sama raha
ye chhupaane ki baat
bina baadal barsaat
is tan mein lagi hai ye aag
sambhal ke

o
sambhaal ke
o o
sambhaal ke kadam rakhna
jhoomne ke din aaye
sambhaal ke kadam rakhna


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3792 Post No. : 14778 Movie Count :

4040

Missing Films of 1960s – 85
– – – – – – – – – – – – – – –

The next in this series is a religious film from 1970. Yes, the times were when this genre of films had a serious following, and the producers in the industry would be creating films in this category. Today’s film, ‘Shri Krishna Leela’ is from the house of Wadia’s, under their banner of Basant Pictures. As we review the data about film production under this banner, we find that this has been one of the very active production houses over the decades. [Note: I am examining the data in the Geet Kosh from 1931 to 1980 only.]

Over the years, Wadia film production company went about its business under the names as – Wadia Brothers, Wadia Brothers Productions, Wadia Films and Wadia Movietone. Collectively, these banners have been active since 1933 till the year 1971, having produced 50+ films in various genres – social, stunt, religious, mythical, costume dramas, historical etc. In 1943, the company launched another banner, named Basant Pictures. As we scan their list of films, once again we find slight variations in the banner names as – Basant Pictures, Basant Pictures (Wadia Brothers) and Basant Wadia Brothers Production. Collectively, this banner has a listing of about 60 films between 1943 and 1980. The films in this list also cover just the same set of film genres.

A brief about the House of Wadia. The ancestors of this Parsi family originally settled in Surat after migrating from Persia. The original business of Wadia family was shipbuilding. The logo of Wadia Movietone prominently carries an image of a ship – it is a representation of their origins – the legacy business that started off their fortunes. The Wadia Group’s shipbuilding business was set up in 1736 by Lowjee Nuserwanjee Wadia. Later during that century, the group shifted its base from Surat to Bombay. They built trading ships, and later in 1800s they build maritime vessels for the Royal Navy (Great Britain).

Wadia Movietone was founded in 1933 by the brothers – JBH Wadia and Homi Wadia. JBH Wadia (born 1901) was a very well educated young man, who came into the film industry in the closing years of silent cinema. He produced about a dozen silent films, with moderate success. His productions were mostly adaptations of successful Hollywood productions of that era.

The other co-founders were Manchersha Billimoria, and Burjore and Nadirshaw Tata. Their first film – ‘Laal e Yaman’ (1933) was a major commercial success. In 1935, the company produced ‘Hunterwali’ with Nadia in the title role, along with Boman Shroff and John Cawas in prominent roles. This film became a surprise hit, bringing in a huge commercial windfall for the company. In the process, it set a trend which was duplicated by Wadias themselves and also copied by many other production houses. In 1936 came ‘Miss Frontier Mail’, followed by ‘Lutaru Lalna’ in 1938, ‘Punjab Mail’ in 1939, ‘Diamond Queen’ in 1940, and ‘Bambaiwali’ in 1941. However, by this time, the repeated use of the stunt formula lost its luster, and the company started facing losses. In 1936, the Tata brothers had already moved out from the partnership. In 1942, the Wadia Movietone studio was put up for sale. V Shantaram, who was moving out of Prabhat at the same time, purchased this studio and set up his famous production house – Rajkamal Kalamandir, at this premises.

In 1942 itself, the younger brother, Homi Wadia, set up Basant Pictures as a new production house. He started producing films under this banner using studio facilities at other premises. In 1947, he eventually set up his own studio once again. Basant Studio was functional till 1981. In 1990, the studio was inherited by Riyad Vinci Wadia, the grandson of JBH Wadia. He revived film production once again under this banner. However, he too passed away in 2003. The studio now houses the Wadia Movietone and Basant Pictures archives and memorabilia collection.

The film ‘Shri Krishna Leela’ is directed by Homi Wadia. The star cast includes Master Sachin, Heena Kumari, Jaishri Gadkar, Sapru, Manhar Desai, Kumar Dighe, Deepak, Tabassum, Ratnamala, Padmarani, Uma Dutt, Shekhar, Master Bobby, Master Ratan, Tuntun, Babu Raje, Habeeb, Dalpat, H Prakash, and Prince Arjun. The songs of this film are penned by Bharat Vyas and the music is from the mind of SN Tripathi.

Today’s song is a lullaby, in the voice of Asha Bhosle. On screen, the song is performed by Jaishree Gadkar, in the role of Maa Yashoda, as she is crooning to put the infant Krishna to sleep. Close to the end of this clip, we see a little more grown up child Krishna, role played by Master Sachin.

A wonderfully soothing melody. . . listen, and relax.

Song – Palkon Ka Palna Nainon Ki Dori  (Shri Krishna Leela) (1970) Singer – Asha Bhosle, Lyrics – Bharat Vyas, MD – SN Tripathi

Lyrics

palkon ka palna
nayanon ki dori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
sapnon mein aaye tere
parion ki chhori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

dekhun jo mukhda
mit jaaye dukhda
dekhun jo mukhda
mit jaaye dukhda
mere liye tu hai
chanda ka tukda
mere liye tu hai
chanda ka tukda
mamta bhari hai
mere mann ki katori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

soya hai madhuban
jamuna hai soi
saari nagariya hai
nindiya mein khoi
saari nagariya hai
nindiya mein khoi
tujhko chandaniya sulaaye chori chori
palkon ka palna
nayanon ki dori
maiyya jhulaaye gaaye
meethi meethi lori
so ja mere laal
mere nnnhe se gopal

mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm
mmmmm hmmmmm
hmmmm hmm hmm hmmm

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

पलकों का पलना
नयनों की डोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
अपनों में आए तेरे पारियों की छोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

देखूँ जो मुखड़ा
मिट जाये दुखड़ा
देखूँ जो मुखड़ा
मिट जाये दुखड़ा
मेरे लिए तू है चाँद का टुकड़ा
मेरे लिए तू है चाँद का टुकड़ा
ममता भरी है मेरे मन की कटोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

सोया है मधुबन
जमुना है सोई
सारी नगरिया है नींदिया में खोई
सारी नगरिया है नींदिया में खोई
तुझको चंदनीया सुलाये चोरी चोरी
पलकों का पलना
नयनों की डोरी
मैय्या झुलाए गाये मीठी मीठी लोरी
सो जा मेरे लाल
मेरे नन्हें से गोपाल

म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम
म्ममममम हम्मममम
हम्ममम ह्म्म ह्म्म ह्म्ममम


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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