Posts Tagged ‘Bharat Vyas’
Mere baalon mein saawan ki ghataa
Posted on: May 30, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5429 | Post No. : | 17809 |
#the Decade of Fifties –1951 – 1960 #
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“Shuk Rambhaa-1953” was directed by Dhirubhai Desai for ‘Chandrakala Pictures, Bombay’. Dhirubhai Desai was also the producer of this movie.
This movie was passed by Censor Board on 05.05.1953. “Shuk Rambhaa-1953” was a ‘mythological genre’ movie and partly shot in colour as per information given in HFGK Vol-III (1951-1960).
It had Anjali Devi, Bharat Bhushan, Lalita Pawar, Niranjan Sharma, Rajkumar, Ishwar Lal, Nirupa Roy, Suryakant, Jagdish Kamal, C. J. Pandey, Krishnakumari, Roopa, Kusum Thakur, and Lalit Kapoor, Chaubey ji, Dilip, Tiwari, Pandya, Lajendra, Zareena, Lathani and others.
“Shuk Rambhaa-1953” has nine songs in it which were penned by two lyricist viz. Bharat Vyas(eight songs) and Saraswati Kumar ‘Deepak’(one song).
Three songs from this movie have been posted on the blog as per details given below.
| S.No | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | Hey shivshankar hey pralayankar | Saraswati Kumar Deepak | Asha Bhonsle, Unknown Male Voice | 15.02.2015 |
| 02 | O meri maayi de de bidaayi | Bharat Vyas | Master Gopal, Asha Bhonsle | 02.01.2017 |
| 03 | Jogi re yogi jaag re | Bharat Vyas | Asha Bhonsle,Manna Dey | 14.08.2017 |
Today’s song is the fourth song from this movie “Shuk Rambhaa-1953” being presented on the blog.
It is sung by Geeta Dutt. This is the only Geeta Dutt song in this movie (as per details mentioned in Geet Kosh).
Lyrics are by Bharat Vyas and music is composed by Manna Dey.
Video of this song is available. It shows a female (Rambha ?) dancing in early morning in the bedroom of a King (Shuk ?) who is sleeping. She goes away when the King wakes up.
Ed note: It is informed by Prakashchandra that the actors seen in the picturisation are Anjali devi and Raajkumar (different from the Jaani fame Raj Kumar).
Let us now enjoy the song …
Audio
Video
Song-Mere baalon mein saawan ki ghata (Shuk Rambha)(1953) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Manna Dey
Lyrics
hmm mm mm
hmm hmm hmm
mm mm mm mm
aa aa aa
aha haa haa
aa ha ha
aha haa haa
mere baalon mein
saawan ki ghataa
aa haa aa
aa haa aa
mere baalon mein
saawan ki ghataa
mere gaalon par
yauwan ki chhataa
yauwan ki chhataa
main ae ae
main nav-vasant ki paagal
angdaayi hoon oon oon
main roomjhoom kar
dwaaar tere aayi hoon
oon
dwaaar tere aayi hoon
aa aa aa aa aa aa
aa aa aa aa aa aa
main ithhlaate madhuban ki
bal khaati ek kali hoon
main lehraate saagar ke
lehron ke beech pali hoon oon
bijlee ki chamak
taaron ki damak
bijlee ki chamak
taaron ki damak
phoolon ke mehak se pyaari hoon
main ae ae
main nav prabhaat ki ujjwal
arunaayee hoon oon
main roomjhoom kar
dwaaar tere aayi hoon
oon
dwaaar tere aayi hoon
Deepak ke sang jalta patang
Posted on: May 29, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5428 | Post No. : | 17806 |
#the Decade of Fifties –1951 – 1960 #
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In this post I once again present a Geeta Dutt song, this time from the movie “Shri Ganesh Janma-1951”. I do not remember to have listened to this song earlier. Regulars on the blog are aware that I am a big Geeta Dutt fan. Whenever I get an opportunity to present a song sung by her I grab the opportunity with both hands and share that song here on the blog.
“Shri Ganesh Janma-1951” was a mythological movie directed by Jayant Desai. This movie was passed by Censor Board on 23.04.1951.
The cast of this movie included Nirupa Roy, Trilok Kapoor, Jeevan, Ulhas, Vasantrao Pahalwan, A. Shah, Shalini, Praveen Kumar, Master Dhuliya, Revashankar, Jugnu, Neerja, Neeru, Indira Mumtaz, Tiwari, Devchand More, Chhagan, Heera Singh, Nagotkar and others.
This movie has twelve songs all written by Bharat Vyas. Music for this movie was composed jointly by Khemchand Prakash and Manna Dey as mentioned in HFGK Vol-III (1951-1960).
Here is a brief about the songs of this movie that our respected Shri Arunkumar ji had mentioned in one of his posts while discussing earlier songs from this movie on the blog.
The film’s music was composed by Khemchand Prakash and Manna Dey together. There were 12 songs, but HFGK does not give individual credits for each song. Out of these 12 songs, not even a single song was sung by Lata Mangeshkar. In those days Lata usually avoided singing in Mythological films of B and C grades. Reason was, probably because the Producers of such films could not afford her price or maybe she was too busy with her assignments with more famous composers and bigger Banners. Such films were left for the second line singers like Asha, Geeta, Sulochana kadam, Sudha Malhotra and others of their ilk. A point to be noted, however, is that though a major singer of those times, Shamshad Begum never had qualms about singing in such films!
Following is the details of the two songs of this movie posted earlier on the blog.
| S.No | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Shiv Shankar Daya Karo | Geeta Dutt | 14.02.2015 |
| 02 | Naiyya paar lagaane waale | Geeta Dutt, Manna Dey | 21.08.2017 |
Today’s song is only the third song from this movie to be presented on the blog.
As mentioned above today’s song is sung by Geeta Dutt and lyrics are by Bharat Vyas.
Music is composed by Khemchand Prakash-Manna Dey.
(However, on the blog the credit for the music composer of the both the earlier songs posted is given to Manna Dey only, which I am not aware why?).
Today’s song is a nice song to listen to and is a ‘missing the beloved’ or ‘falling in love’ category songs.
Only the audio of this song is available.
Let us now enjoy the song …
Audio
Song-Deepak ke sang jaltaa patang (Shri Ganesh Janm)(1951) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Khemchand Prakash-Manna Dey
Lyrics
o o o
o o o
ho ho ho
o o o o o o o o o
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
saathi teri
pyaasi khadi
saathi teri ee
pyaasi khadi
aajaa aajaa bujhaa
mere man ki umang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
chhup chhup ke tu
tadpaa na yoon
chhup chhup ke tu
tadpaa na yoon
haaye kaise anokhe
tere ye dhhang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5426 | Post No. : | 17798 |
Today’s song is from a dubbed film Jeevan Nauka-1952.
A cursory look at the Film Index book tells us that that the word JEEVAN is a favourite with film makers.As many as 36 Talkie films were made till 2012 with the word Jeevan at the Title’s beginning. Surprisingly I did not find a single Silent movie title with this word. This of course is not an indication in any way, because silent films used to have several titles in different states for the same film. (Just for the records, the word most used in the Hindi film titles happens to be ” Ek”, which is used in 206 film titles from 1931 to 2012 ! ).
Today’s film Jeevan Nauka-1952 is a dubbed Malayalam film. The original film name was Jeevithan Nauka-1951. This film is hailed as the first ever mega Hit Malayalam film. This film was made in Tamil and Telugu at the same time, with the original. The Hindi dubbed version came after one year, in 1952.
The First Talkie film in
| The first talkie film in the language | Movie | Year |
|---|---|---|
| Hindi | Alam Ara | 1931 |
| Tamil | Kalidas | 1931 |
| Bangla | Jamai Sashti | 1931 |
| Marathi | Ayodhyecha Raja | 1932 |
| Telugu | Bhakta Prahlada | 1932 |
| Gujarati | Narsi Mehta | 1932 |
| Indian English | Karma | 1933 |
| Kannada | Bhakta Dhruv/Sati Sulochana | 1934 |
| Oriya | Seeta Vivah | 1934 |
| Punjabi | Sheila | 1935 |
| Assamese | Joymoti | 1935 |
| Malayalam | Balan | 1938 |
You can see that while Hindi, Tamil and Bangla Talkie films came in 1931, Telugu in 1932, Kannada in 1934, the Malayalam film came only in 1938. Compared to Tamil and Telugu, the Kannada and Malayalam film industries were slow in development.
Just to compare, there were 15 Kannada films made in the 1930’s decade, 21 films in the 40’s and 70 films in the 50’s decade. This was the decade when Dr. Rajkumar appeared in Kannada films and its picture changed.
Malayalam films – only 2 silent films in the 30’s. The first silent film Vigath kumaran started shooting in 1928 but was finally released on 23-10-1930. The other silent film was Marthanda Varma-1933. Till 1947, there were only 3 Malayalm Talkie films. In the 50’s decade-6 films, in 60’s-30 films, in 70’s-40 and in the 80’s decade 127 talkie films. This was the decade when malayalam films became ‘Grown up’ and prospered. In the next 10 years Malayalam films won many national awards too !
Initially, like other South Indian films, Malayalam films depended on Hindi songs to copy into their films. The first mega hit film of Malayalam- Jeevithan Nouka-1951 had 14 songs and ALL were copies of popular Hindi songs. For example , it had a song copied from “Suhani raat dhal chuki” from the film Dulari-1949. Another song was copied from “Hawa mein udta jaaye” from the film Barsaat-1949.
However, when the Hindi version was dubbed, 2 MDs from Hindi were appointed. They were Shankar rao Vyas and Pt. Gobind Ram. They ensured that all the 13 songs of this film had new tunes. Both the MDs were on their waning side of careers, but all songs were good. The singers were Manna Dey, Rafi, Asha and Shamshad. Today’s song is the 4th song to appear here.
Since the film was dubbed, all the cast and the director was Malayalam, about whom we know not anything. Only MDs, Lyricists and the singers were from the Hindi industry. Today’s song is composed by Pt. Gobind Ram.
Pandit Gobindram was a trained musician from Lahore, and was equally popular in both Hindi and Punjabi films. Unlike other music directors of the Punjabi school, music composed by him did not typically reflect native Punjabi trends, but instead lay firmly in the category of mainstream 1940s’ music. We could very well say that he played a crucial part in shaping the music of the 1940s. His music is truly melodious and varied, with a unique combination of highly expressive tunes, yet very fun and foot tapping and rhythmically catchy. He is one of the music directors who used a very large number of singers, by my count, only second toGyan Dutt one of his worthy contemporaries. He excelled equally in composing happy, sad, romantic, serious, comical, classical, just any kind of songs. It is a pity that he has never received the attention that he deserved.
Among his landmarks are the introduction of an enormous contribution to making Shamshad Begum and Zohrabai the top singers in Hindi films. He recorded the maximum number of Hindi film songs with Shamshad Begum – 86 songs in 19 films. He was also one of the foremost music directors to encourage and bring forward great veteran Rafi Ji, and also introduced great singer Zeenat Begum to films. He has about 30 films to his credit and each one had equally superb music. Most popular singers of that period have graced his songs. His use of light music, Ghazals, Thumris and various popular music forms in films, provide a ready insight into the uniqueness of 1940s music, and with a slightly unique flavour of both his compositions as well as a tiny tinge of Punjabi style.
Pandit Gobindram started his career with Jeevan Jyoti (1937), which starred Shakuntala Bai, R. L. Monge and Urmila Devi. The film unfortunately went unnoticed. This was followed by another unsuccessful film, Khooni Jadoogar (1939). The 1940s was the true decade for Gobindram Ji. His Punjabi filmography is not properly available, but his first Hindi film in the 1940s was Himmat (1941). Today, it is remembered for being the second ever Hindi film of veteran singer Shamshad Begum , where she beautifully sang the traditional Dadra ‘Inhin Logon Ne Le Leena Dupatta Mora’ with Aziz , in her young, sweet but powerful voice. The famous song with the same lyrics in Pakeezah (1972) is largely a copy of this song. This was the first song composed by Gobindram that helped him gain recognition. Other songs from this film included ‘Is Jag Ke Sundar Natak Ka’,the first solo film song of Zohrabai from 1941 to 1950, and a beautiful duet by Ghulam Haider and Umraozia Begum , ‘Main Hoon Rani Ek Sunehri Nagri Ki’.
But it was his next film, Mangti (1942) in Punjabi, which made him one of the most sought after music directors of the 1940s. This was the debut film for top Lahori singer Zeenat Begum , apart from being the first film for famous heroine Mumtaz Shanti , and took both of them as well as Gobindram to the top notch. This film, which went on to become the first silver jubilee Punjabi film, played an important role in popularising Punjabi folk tunes and the use of a mix of original Hindi film music and Punjabi folk music in films. ‘Aawe Chan We’, ‘Mainoon Suttiyan Neend Na Aayi’, ‘Sapne Wich Mahi Aaya, ‘Tere Daras Di Pyasi’ and ‘Ud Ja Bholeya Panchiya’ (with Nandlal Nurpuri ) were some memorably melodious songs in which Zeenat shone under Gobindram . It is also worth remembering for being the first ever South Asian film to have a female Qawwali, ‘Baanke Nainanwaleya, Nainan Milanda’ by Zeenat and Rehmat Bai , a very enjoyable one. This legacy was continued only 3 years later in Hindi films, with the famous Qawwali of Zeenat (1945), ‘Aahein Na Bhareen’ (Noor Jehan , Zohrabai , Kalyanibai ). Other songs in this film were by the talented Shamshad Begum and Rehmat Bai .
Gobindram Ji worked with more than 30 lyricists during his career. With 56 songs in 8 films, his collaboration was the highest with Ishwar Chandra Kapoor . The films where the two worked together were Bholi, Chor, Doosri Shadi, Ghar Ki Izzat, Maa Ka Pyaar, Naseeb, Ratnavali and Sassi Punnu. Some of the other prominent lyricists he worked with include Bharat Vyas (Chor, Jalpari, Jeevan Nauka, Raj Mukut), Ram Murti Chaturvedi (Chor, Naseeb, Parinde, Ratnavali), Ramesh Gupta (Hamara Sansar, Jeevan Nauka), and Qamar Jalalabadi (Pagli, Sahara, Sarkar).
The story of the film was…..
Soman (Thikkurissi) is brought up by his elder brother Raju (Sebastian Kunjukunju Bhagavthar) and his shrewish wife Janu (Pankajavalli). Soman is in love with Lakshmi (B. S. Saroja), the daughter of a poor village performer Kaniyan (Adhimoolam) who belongs to a lower caste. Raju, employed by the zamindar (Nanukuttan) and Janu resent the inter-caste marriage between Soman and Lakshmi.
Lakshmi gives birth to a son and in the meanwhile Soman goes to the city in search of a job. Lakshmi who is left behind in the village faces harassment at the hands of the villagers. In the city, Soman is hit by a car driven by a rich young woman who takes him home and also employs him as the manager of her estate. Janu starts receiving Soman’s letters and remittances which start arriving. Janu does this by impersonating Lakshmi with the connivance of her brother Shanku (S.P.Pillai).
Meanwhile Lakshmi leaves the village in search of Soman. During her wanderings Lakshmi sees her husband with a woman and suspects him of being disloyal. The young woman is none other than his employer. Lakshmi tries to kill her child and commit suicide but what saves her is the instinct of motherhood. Lakshmi gets together a band of beggars and organises a home for them. She uses her talent as an actress and collects funds for the home by staging plays. Back in the village life turns its tables on Raju and Janu, while her brother Shanku is killed. The real culprits, the zamindar’s advocate and his group of people mislead the police implicating Soman in the murder. During one of her plays, Lakshmi recognises her husband who is about to be arrested on the trumped up charge. Explanations follow and Soman is absolved of the false charge and the couple are reunited. Raju is helped out by Soman. Janu who has now become a beggar is recognised by Lakshmi. Regardless of what has happened in the past, Lakshmi takes Janu home. And all ends well.
Today’s song is a duet sung by Rafi and Shamshad.
(Some information for this post came from wiki,bombaymann2, Vidur Suri, The Hindu and my notes, with thanks.)
Song- Ye Phoolon ka mausam ye thhandi hawaayen (Jeewan Nauka)(1952) Singers- Shamshad Begam, Mohd. Rafi , Lyricist- Bharat Vyas, MD-Pt Govindram
Both
Lyrics
Ye phoolon ka mausam
ye thhandi hawaayen
ho o mere dil mein kaisi ye halchal machaayen
ye phoolon ka mausam
ye thhandi hawaayen
ho o mere dil mein kaisi ye halchal machaayen
ye saawan ke baadal
ye kaali ghataayen
ho o mere dil mein kaisi ye halchal machaayen
ye saawan ke baadal
ye kaali ghataayen
ho o mere dil mein kaisi ye halchal machaayen
main chanchal hirni hoon saajan
tum ho ban ke mor
main chanchal hirni hoon saajan
tum ho ban ke mor
main tumhre sapnon ki raani
tu mere chitchor
tu mere chitchor
ye rut hai suhaani
ye mast fizaayen
ho o mere dil mein kaisi ye halchal machaayen
ye phoolon ka mausam
ye thhandi hawaayen
ho mere dil mein kaisi ye halchal machaayen
is duniya se door sajaniyaa
in kheton ke paar
is duniya se door sajaniyaa
in kheton ke paar
ham tum mil kar aao basaayen
ek naya sansaar
ek naya sansaar
ye tirchhi nigaahen
ye baanki adaayen
ho o mere dil mein kaisi ye halchal machaayen
ye phoolon ka mausam
ye thhandi hawaayen
ho o mere dil mein kaisi ye halchal machaayen
Preetmay sansaar pyaare
Posted on: May 26, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5425 | Post No. : | 17794 |
#the Decade of Fifties –1951 – 1960 #
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In this post I present a song from the movie “Shri Chaitanya Mahaprabhu-1953”.
When I came across this movie while browsing the blog I realised that I had heard about the movie, but I had not listened to any songs from this movie.
When I checked for the songs of this movie from HFGK Vol-III (1951-1960), I noticed that it has as many as sixteen songs in it. I also discovered that it had two songs sung by Talat Mahmood which were yet to be represented on the blog. Fortunately these songs are available on the internet. So, today, I present one of the Talat Mahmood songs from this movie.
“Shri Chaitanya Mahaprabhu-1953” had made its debut on the blog on 09.11.2013 when our respected Shri Arunkumar ji had presented its song ‘bol mukund madhav jai ghanshyaam’.
Two more songs from this movie were posted after that.
“Shri Chaitanya Mahaprabhu-1953” was directed by Vijay Bhatt for ‘Prakash Pictures, Bombay’. It was a ‘devotional genre’ (or ‘bhakti pradhaan) movie.
This movie was passed by Censor Board on 03.12.1953.
The cast of this movie included Bharat Bhushan, Ameeta, Durga Khote, Kanhaiyya Lal, B.M. Vyas, Krishnakumari, Sulochana Chatterjee, Rai Mohan, Madan Puri, Ram Mohan, Umakant, Kamlakant, Pinakin Shah, Shravankumar, Gadadhar Sharma, Kusum, Rajkumar, Narbada Shankar, Tribhuvan Sinha, Kamlesh Thakkar, Narendra, Bhimji Bhai, Balwant Loban, Radheshyam Sharma, Sitaram, Tikaram, Athawale, Ramesh and others.
Here is the story of this movie which Shri Arunkumar ji described while covering a song of this movie:-
It happened in the fifteenth Century. . The tyranny of the rulers, the hypocrisy of the priests, the meaningless austerity of the pedantic Pandits who had turned away from God and the apathy of the rich towards the poor – all combined together to create a chaos in the midst of which the soul of the country prayed for a Messiah. And a Messiah was born in the house of Jagannath Misra, in the year 1486, on the night of Lunar eclipse when the sky was rent up with the sacred name of Hari. Chaitanya was that Messiah. . After the death of eight children, Biswarup was the ninth son and Chaitanya was the tenth issue. . He was named as Vishwambhar but was called by his mother Sachi Devi as Nimai, whereas the neighbours used to call him Gouranga because he was extremely fair-looking. Nimai was very wild in his childhood and resembled very much the boy Krishna.
As Nimai grew up the economic condition of the family became very bad. Kalipada Basu, the money-lending neighbour, began to press hard for his dues. He was an evil-minded man who was associated with a low- spirited Tantrik named Bhairabananda and used to blaspheme and belittle the Vaishnavas. Nimai became young and completed his education only to lose his father for ever. He earned reputation as a Pandit, won the love of all for his sacrificing, loving nature and his devotion to God. Kalipada tried to occupy his house but failed.
Nimai started a school of his own. A career being settled Nimai was now married to Vishnupriya, daughter of the Court-Pandit Sanatan Misra. The death anniversary of his father approached and Nimai went to Gaya. After having a darshan of the Vishnu-Pada-Padma in the temple and after listening to the Krishna-Leela from a Sadhu named Iswarpuri, Nimai fainted. The power that was so long waiting and lying dormant in him now broke up. Thereafter he seemed a changed man. He was lost as a husband to Vishnupriya, lost as a son to Sachi Devi. He was lost IN Krishna and was all the time crying.
Thereafter he changed totally to Krishna Bhakti. He started many keertan schools and hundreds of people became his followers. He did lot of miracles too.
He converted the local Qazi to Krishna bhakti, who had come to convert him to Islam. Chaitanya travelled to Puri and from there toured South India, up to Cape Comarin (Kanyakumari), winning many learned scholars to his following.He came back to Puri and after 18 years in Puri, one day simply disappeared with his soul and body, while doing keertan.
Today’s song is the fourth song from this movie. This song is sung by Talat Mahmood. It is a very nice soothing song to listen to. Only audio of the song is available.
Lyrics are by Bharat Vyas and music is composed by R.C. Boral.
Let us listen to the song now…
Audio
Song-Preetmay sansaar pyaare (Shree Chaitanya Mahaprabhu)(1953) Singer-Talat Mehmood, Lyrics-Bharat Vyas, MD-R C Boral
Lyrics
preetmay sansaar pyaare
ae
preetmay sansaar
pyaare ae
preetmay sansaar
preetmay sansaar pyaare
preetmay sansaar
pyaare ae
preetmay sansaar
preet ki murli bajaa ke
ae ae ae ae ae ae
preet ki murli bajaa ke
jeet le sansaar pyaare re
preetmay ay ay
preetmay sansaar pyaare
preetmay sansaar
preet hi parmaatmaa aa
preet hi parmaatmaa
parmaatmaa hi preet hai
preet hi parmaatmaa
parmaatmaa hi preet hai
preet hi is aatmaa kaa
sukh bharaa sangeet hai
ae ae ae
preet hi is aatmaa kaa
suk hbharaa sangeet hai
preet ki patwaaar se
bhavsindhu ko kar paar pyaare ae
preetmay ae
preet ki patwaaar se
bhavsindhu ko kar paar pyaare ae
preetmay ae
preetmay sansaar pyaare
preetmay sansaar pyaare ae
preetmay ae
preetmay ae
preetmay ae
Boley hriday kee ye veenaa
Posted on: May 25, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5424 | Post No. : | 17793 | Movie Count : |
4761 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Debutant Movie- Kurukshetra-1977)
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Today’s song is from the movie ‘Kurukshetra-1977’. This movie is making its debut on the blog today.
From the cast and crew of this movie it seems to be a ‘dubbed movie’ from a ‘south’ movie.
‘Kurukshetra-1977’ was a ‘mythological’ movie directed by K. Kameshwar Rao for ‘Madhavi Padmalaya International, Madras’. It had Krishna, Shobhan Babu, Krishnam Raju, Satyanarayan, Baliaah Gummadi, Chandramohan, Randhave, Rangnath, Kantarao, Vijaynirmala, Jamuna, Anjali, Lata, Chandrakala, Jayaprada and others.
This movie was passed by Censor Board on 17.06.1977.
As per information available, movies with same title ‘Kurukshetra’ were also released in the year ‘1933’, ‘1945’, and in the year ‘2000’.
Out of the above, the movie made in ‘1945’ is already available on the blog.
Today ‘Kurukshetra-1977’ joins the movie of ‘1945’ on the blog.
‘Kurukshetra-1977’ has seven songs which were all written by lyricist Bharat Vyas. Music was composed by S. Rajeshwar Rao.
Here is the list of the songs of this movie with their respective singers.
| SNo. | Song Title | Singer/s |
|---|---|---|
| 01 | Boley hriday ki ye veenaa | Vani Jairam, Mahendra Kapoor |
| 02 | Yahi mai sabha man haram navras manoram | Vani Jairam, chorus |
| 03 | Naache tan aaj to jhankaar karti dharti | Mahendra Kapoor, Vani Jairam |
| 04 | Ae purushon, ae prabhuon | Vani Jairam |
| 05 | Dharmkshetra hai ye kurukshetra hai | Mahendra Kapoor, chorus |
| 06 | Pralaykaal ban raudraroop dhar | Mahendra Kapoor, chorus |
| 07 | Bharat mein ekmaatra mahaabharat ke supaatra | Mahendra Kapoor |
I do not think that I have ever heard or read about this movie ever. I became aware of this movie thanks to Geet Kosh Vol-V (1971-1980).
Today we introduce this movie on the blog with a duet song from it which is sung by Vani Jairam and Mahendra Kapoor.
I would request knowledgeable readers to add more information about this movie and its songs.
Let us now listen to this duet song which is a nice song to listen to …
Audio
Song-Bole hriday ki ye veenaa (Kurukshetra)(1977) Singers- Vani Jairam, Mahendra Kapoor , Lyrics-Bharat Vyas, MD-S Rajeshwar Rao
Both
Lyrics
boley hriday ki ye veenaa aa
navmohak jeewan
madhumay hogaa aa aa aa aa aa
boley hriday ki ye veenaa aa aa
boley hriday ki ye veenaa aa
miley aaj do
hriday achaanak
madhumukhi muskaao o o o
milaa prem phal
aaj ke is din
sangini aao
kho jaao o o
saj ke aayi mohaniyaa re ae
sajnaa teri dulhaniyaa re ae
jalpari si
rasbhari si
jalpari si ee
rasbhari si
pulkit yauwan lo aaj hogaa aa aa aa aa aa
boley hriday ki ye veenaa aa aa
boley hriday ki ye veenaa aa
mast koyaliyaa tu
mugdh swaron se
pranayee jag ko
lubhaaye jaa aa aa aa
mayurini tu
naach runjhunanan
lehar lehar pe ae
chhaaye jaa aa
dekho hamen ae
phal de diyaa aa
detaa prabhu oo
uski dayaa
lo madan hi
purhohit ban
lo madan hi
purhohit ban
shubh muhurt mein
lagan kar gayaa aa aa aa aa
boley hriday ki ye veenaa aa aa
boley hriday ki ye veenaa aa
Roop ka rang to pad jaaye phheekaa
Posted on: May 18, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5417 | Post No. : | 17763 |
“Naag Jyoti”(1963) was produced by S.S.Dhanuka and directed by Shantilal Soni for Swastik Films, Bombay. The movie had Anita Guha, Mahipal, Indira(billi), Uma Dutt, Rajan Haksar, Ratnamala, Sunder, Jilani, Champaklala, Rajrani, Asha, Khursheed and Cobras in it.
“Naag Jyoti”(1963) had six songs in it. Three songs have been covered so far.
Here is the fourth song from “Naag Jyoti”(1963) to appear in the blog. The song is sung by Suman Kalyanpur. Bharat Vyas is the lyricist. Music is composed by Sardar Malik.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Roop ka rang to pad jaaye phheeka (Naag Jyoti)(1963) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Sardar Malik
Lyrics
roop ka rang to pad jaaye pheeka
pyaar ka rang kabhi na chhoote
tan ka naata pal do pal ka
tan ka naata pal do pal ka
mann ka mel kabhi na toote
roop ka rang to pad jaaye pheeka
roop jawaani aani-jaani
iske bharose kya kehna
mann se mann ka mel miley to
is naate ka kya kehna aa aa
is naate ka kya kehna
zor laga le laakh zamaaana
zor laga le laakh zamaaana
pyaar ki khaaki dor na toote
roop ka rang to pad jaaye pheeka
sab koi dekhe chaand gagan ko
koi kaali raat na dekhe
jiske bina wo khil na sake re
aisee anokhi baat na dekhe
aisee anokhi baat na dekhe
mann ka bandhan saancha bandhan
mann ka bandhan saancha bandhan
tan ke saare bandhan jhoothhe
roop ka rang to pad jaaye pheeka
pyaar ka rang kabhi na chhoote
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5411 | Post No. : | 17747 |
Today’s song is from an obscure film called Sapna-1952. I had not heard its name till I purchased the HFGK in 2011 !
The film was made by the Producer Kishor Sahu, under the banner of Hindustan Chitra, Bombay. The film’s director was Kidar Sharma, who was in the second half of his career. Out of his 36 Directorial ventures Sapna-52 was his 20th film. The famous , creative and hard working Kidar Nath Sharma was slowly losing his sheen in direction. Maybe he found difficulty in dealing with the changing scenario of the Hindi films in the 50’s decade. I have his autobiographical book ” The one and the Lonely Kidar Sharma” which is indeed an informative and interesting book. It gives a peep into the film scene of the 30’s and the 40’s as well as the famous Studio system.
Kidar Nath Sharma (12 April 1910 – 29 April 1999), was a director, producer, screenwriter, and Lyricist of Hindi films. While he had great success as a director of such movies as Neel Kamal (1947), Bawre Nain (1950) and Jogan (1950), he is often most remembered for starting the acting careers of actors like Ramola, Madhubala, Geeta Bali, Raj Kapoor, Mala Sinha, Bharat Bhushan and Tanuja, who are considered to be one of the greatest entertainers of Indian cinema.
Kidar Sharma has often been given the title of ‘one-man film industry’. He was producer, director, actor, story/screen-play/dialogue writer, lyricist, editor, still photographer etc. He was also known to have working knowledge of Hindustani classical music. He also sang a song for himself in the film ‘Inquilaab’ (1935). With a vast knowledge gained from working in New Theatres, Kolkata during 1933-41 and in Ranjit Movietone during 1942-47, Kidar Sharma had already directed 11 films and written lyrics for 23 films before he turned producer with ‘Neel Kamal’ (1947).
Kidar Sharma had a passion for film making. Otherwise why would a young man of 22 years after completing M.A. in English literature join the New Theatres (NT) as a painter? He would have very well got the job of a lecturer in any college in his native Punjab. His progress in filmy career was rapid. Within 2 years of joining NT, he was a still photographer and the lyricist for ‘Devdas’ (1935). He became dialogue writer for the Hindi version of ‘Vidyapati’ (1937) in addition to songwriting. By 1939, Kidar Sharma had become a free-lance director with ‘Aulaad’ (1939’), his debut film as a director followed by ‘Chitralekha’ (1941) which became a much talked about film. Incidentally, after about 23 years, Nadiadwala of Pushpa Films engaged Kidar Sharma to direct ‘Chitralekha’ (1964), a remake of its 1941 version.
After directing 9 films for Ranjit Movietone, Kidar Sharma decided to produce and direct ‘Neel Kamal’ (1947) under his own banner, Oriental Pictures. In fact, nobody was prepared to produce this film, not even his employer, Ranjit Movietone. So, he was forced to become the producer. He arranged finances by selling the distribution rights of the film in advance. For his maiden venture, he introduced two new comers – Raj Kapoor and Madhubala. Both the actors had done some bit roles in films before they were given the lead roles for the first time in the film. The film was an average success in terms of box office collections. Since then, Kidar Sharma produced and directed 14 films between 1947 and 1980.
As a producer-director, Kidar Sharma was not a showman like Raj Kapoor for whom the production value in terms of star cast, techniques and costly sets for film shooting were as important as the theme of the film. On the other hand, Kidar Sharma was an antithesis of a showman. He believed in low budget films which ruled out taking star actors for the lead roles. Hence, for almost all his films which he produced and directed, he preferred newcomers and his protégées to whom he had earlier introduced in his films. In this process, he gave to the Hindi film industry, popular actors like Raj Kapoor, Madhubala, Geeta Bali, Bharat Bhushan, Mala Sinha, Tanuja etc to whom he introduced in his films as lead actors for the first time. Similarly, he mostly relied on Snehal Bhatkar and Roshan as music directors for his films who were introduced by him in his films ‘Neel Kamal’ (1947) and ‘Sohag Raat’ (1948), respectively for the first time.
Kidar Sharma’s last box office successful film as a producer-director was ‘Baawre Nain’ (1950) with Raj Kapoor and Geeta Bali in the lead roles. All his subsequent films like ‘Shokhiyaan’ (1951), ‘Gunaah’ (1953), ‘Chhora Chhori’ (1954) and ‘Rangeen Raaten’ (1956), did not fare well at the box office. All his films in the 1960s and thereafter numbering 6 either failed miserably at the box office or did not get released. ‘Sehme Hue Sitaare’ (1994) was his last film which remained unreleased in the theatres.
In most of his films, the story is based on a village or a small town and he tries to depict the intricate human relationships. All his films gives an impression that he had not come out of the Bengali mode of film making which were losing stream in Hindi film industry in the later 1960s where films were seen more as a medium of entertainment to fill the coppers of producers and distributors in terms of profits than covering the social issues concerning the society at large. Kidar Sharma did not fit in this milieu. So, the last 5-6 films produced and directed by him became obscure to such an extent that most of us do not even remember the title of the films.
An outstanding poet, Sharma wrote some of the most memorable songs including Balam aayo baso more man mein, Dukh kay ab din beetat nahi, Khayalon Mein Kisike (Bawre Nain), Kabhi Tanhaiyon Mein Bhi (Hamari Yaad Aayegi) and Teri duniya mein dil lagta nahi. Kidar would continue to contribute as a lyricist and to write and direct films through the 1990s. Ironically, many Indian film critics and historians argued that he deserved the highest cinema award from the government of India but he died a day before he was to receive the Raj Kapoor Award, named in honour of the actor he helped make a success. Allrounder Kidar Sharma acted in 8 films, directed 36 films, sang 2 songs in 2 films and wrote 312 songs in 44 films, in his illustrious career.
His autobiography, The One and Lonely Kidar Sharma was published posthumously in 2002, edited by his son Vikram Sharma. ( This is an article by Sadanand Kamath ji,. I have added some information from wikipedia, muVyz and my notes. I thank Sadanand ji.)
The film’s Music Director was Shyam Babu Pathak, ably assisted by Shankar Lal. This MD’s name is hardly known to the younger generation because he operated from 1940 to 1952 except for two odd films in 1960 and 1965. He died in 1980, almost 43 years ago. Shyam Babu Pathak was born in 1908 at Gwalior. His music tuition started when he was just 7 years old. He studied in Madhav Sangeet Vidyalaya, under Rajabhaiyya Poonchhwale, Narayan Gupte and Bhatkhande etc. He became an excellent singer and was invited by several Royal houses all over India, for singing. Even V D Paluskar had blessed him. Strangely, though a good singer, he sang only 1 song in a film.
While touring all over India for Music Mehfils, he learnt many folk songs and tunes. This actually prompted him to join films as a composer. His first film was Royal Commander-1938 – a B grade Costume drama film made by Vishnu Cinetone. In his first film, for just 9 songs, he used as many as 6 different singers. Minimum songs had been his specialty. This was a novelty in the 30s, when the norm was on an average of 12 to 15 songs each film.
V M Vyas of Vishnu Cinetone, was impressed with him and he gave him many films. He got Rani saheba-40, Torpedo-40, Samsheerbaz-40, Malan-42 and Ghar sansar-42. He gave good songs sung by Kalyani, Sardar Akhtar and Kajjan. In Lajwanti-42, his songs were light and comedic. By now, he had become a confirmed Stunt/action and B/C grade composer. Pyara watan-42,Double face-46 were such films. Double Face was Indivar’s first film.
Black Market-47, Namak-47, krishna Sudama-47 and Kismatwali-47 were not much help. Takdirwale-48 with Ramprasad, Imtihan-49 and Ret Mahal-49 led him to film Jeet-49 with Anil Biswas. Actually,it seems Anil Biswas took over when Pathak left the film halfway.
After Janmashtami-50 and Achha ji-50, came Preet ka geet-50.Famous poet Harikrishna Premi wrote the songs, which were sung by Mukesh, Geeta and Johra. Next film Hamari Duniya-52 had good Lata songs. Meanwhile his film Parda remained unreleased. In the last phase of his career, came Sapna-52, Vanraj-52, Bombay Central-60 and finally, film Mehbooba-65 closed his career. In all he composed 224 songs in 29 films. He even sang a song in the film Krishna Sudama-47.
Shyam Babu Pathak died of a heart attack in Bombay on 23-11-1980.
All the 7 songs were by Bharat Vyas. The dialogues were by Ramesh Gupta. Ramesh Nanimal Gupta was born in Delhi on 26-10-1915. He debuted as a Lyricist with films Churiyan and Awaz, both in 1942. In 1943, his song ” Bharat ki ek sannari ki katha” from the film Ramrajya-43 is famous even today. He wrote 225 songs in 34 films. He acted in 2 films. He wrote stories and dialogues in 16 films. He was a poet, lyricist, story and dialogue writer, producer, director and even a singer and actor ! He produced and directed films like Ram darshan-1948, Bhakta Gopal Bhaiyya-1948, Rimjhim-1949 and Matalabi Duniya-1961. He sang a song in the film Raja-1943. His patriotic songs were famous in Gujarati films. He died in Ahmedabad on 19-1-1992.
The cast of the film was Kishor Sahu, Bina Rai,Shakuntala, Heeralal, Cuckoo, Narmada Shankar and many others. The story of this film was……
Kamal, s/o Jung Bahadur varma meets Achala d/o P.K.Bose and they fall in love. Kamal is the owner of a Saw mill. They get married. Achala’s father falls ill and dies. Kamal goes to Banaras to immerse the ashes. Achala goes to the local river kund for pooja.
Bandit Bhairav Nath (Safed Ghodewala) sees her. He has been on her trail, unknown to her, for many months. Seeing her now, he kidnaps her and rides away, injuring her servant on the way. When she does not return her father and others presume that she is drowned in the river.
When Kamal comes back, he learns about her drowning, but does not believe it. He goes to the Kund for investigations. He finds her Earring embedded in horse’s hair. He suspects kidnapping, which is confirmed by the servant who has returned from the Hospital.
Enraged, Kamal carries a Pistol and runs to the hiding place of the dacoit Bhairav. The father of Achala and her cousin sister Madhavi also follow him. Bhairav starts firing. Finally when they come face to face, Bhairav first shoots at Kamal, but the cousin sister of Achala, Madhavi comes in front and saves him. Kamal kills Bhairav but Madhavi dies. Achala is regained in one piece.
End of the story, end of the film and end of the audience’s tolerance. With great relief, the audience returns home happily !
Today’s song is a triad, sung by Shamshad Begum, Asha Bhosle and Indira. This is the 5th song of the film on this blog. Enjoy….
Song-Muhabbat mein dilon ke khel ye harbaar hote hain (Sapna)(1952) Singers- Asha Bhonsle, Shamshad Begum, Lyrics-Bharat Vyas, MD-Shyam Babu Pathak
Asha Bhosle + Shamshad Begam + Indira Mirchandani
Lyrics
Aa aa aa aa
karishme mohabbat ke ae ae
dikhla rahe hain
har ik shai mein
ham hee ee
nazar aa rahe hain
ae ae ae ae
ae ae ae ae
ae ae
muhabbat mein dilon ke khel ye
harbaar hote hain
ae jee harbaar hote hain
ae jee harbaar hote hain
haan aan aan aan
muhabbat mein dilon ke khel
har baar hote hain
aen aen aen aen aen aen
nazar ke teer chalte hain
jigar ke
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
aa aa aa aa
aa aa aa aa aa
maza aataa hai marne mein
mazaa aataa hai marne mein
mazaa aataa hai marne mein
mazaa aataa hai marne mein
mazaa aataa hai jeete mein
mazaa aataa hai jeene mein
uthhaa karta hai aksar meethha meethha dard seene mein
o meethha dard seene mein
ae ae ae ae ae ee ae ae
dawa jitni karo utne din beemaar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
haseenon ke ae ae dilon se dil kaa aa aa
wo takraana nahin achcha
wo takraana nahin achcha
haseenon ke dilon se
dil ka takraana nahin achcha
ho takraana nahin achcha
kisi ke zulf ke phandon mein
phans jaana nahin achcha
o phans jaana nahin achcha
aa aa aa aa aa aa
bade hi bewafajallaad
ye sarkaar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
nazar ke teer chalte hain
jigar ke paar hote hain
muhabbat mein dilon ke khel ye
harbaar hote hain
muhabbat mein
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5400 | Post No. : | 17718 |
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Blog 10-Year Challenge (2013-2023) – Song No.105
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On this date ten years ago (1 May 2013), eight songs from eight different movies were covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 8013 | Ajee dil ho qaaboo mein to | Village Girl (1945) | 11 songs covered out of 12 by now. Final song unavailable |
| 8014 | Tan Man Mera tarse | Paataal Bhairavi (1952) | 5 songs covered out of 9 by now |
| 8015 | Pyaar nahin chhupta chhupaane se | Laadla (1954) | 9 songs covered out of 10 by now |
| 8016 | Teri mehfil tera jalwa teri soorat dekh li | Sohni Mahiwal(1958) | Movie YIPPEED in the blog by now |
| 8017 | Pehle beej akela | Sant Tukaram (1965) | 4 songs covered out of 8 by now |
| 8018 | Jobna se chunariya khisak gayee re | Dhundh (1973) | Movie YIPPEED in the blog with this song |
| 8019 | O phoolon ke desh waali…Haath mere hai madhu ka pyaala | Aarop (1974) | Movie YIPPEED in the blog by now |
| 8020 | Bibi mendhki ri tu to paani mein ki raani | Garam Coat(1955) | Movie YIPPEED in the blog by now |
We observe that four movies (out of eight) whose songs were covered in the blog on this date ten years ago (on 1 May 2013) have since been YIPPEED.Two more movies have only one song left to be covered, but these songs are not available. So practically only two unYIPPEED movies are eligible for Blog Ten Year Challenge today on 1 May 2023.
“Sant Tukaram”(1965) is one of the BTYC eligible movies today.
“Sant Tukaram”(1965) was produced by R A Puria and directed by Rajesh Nanda for Ashok Films, Bombay. The movie had Anita Guha, Shahu Modak, B.M.Vyas, Rohit Kumar, Madhu Apte, Badri Prasad, Kesari, Narbada Shankar, Vishwas Kunte, Rajpal, Tun Tun, Sadhna Khote, Raaj Kumar, Baby Shobha, Uma, Helen etc in it.
“Sant Tukaram”(1965) had eight songs in it. Four songs have been covered so far.
Here is the fifth song from the movie to appear in the blog. This song is sung by Asha Bhonsle and Manna Dey. Bharat Vyas is the lyricist. Music is composed by Ved Pal.
The song is picturised as a seduction song on Helen (playing seductress Rambha)and Shahu Modak.
Lyrics of the song were sent to me by Prakashchandra.
Video link:
Song-O bhole jogee sun meri paayaliya ki chhun chhun (Sant Tukaram)(1965) Singers-Asha Bhonsle, Manna Dey, Lyrics-Bharat Vyas, MD-Ved Pal
Both
Lyrics(Provided by Prakashchandra)
ye poonam ki chaandni
ye ae ae ghadiyaan aaa anmol
beet na jaaye raat ye jogee
aankhein aen ae khol
jogi o jogi
o bholey jogi sun
meree pyaaliyaa ki chhun chhun
sun o bholey jogi sun
meree paayaliyaa ki chhun chhun
raat ye beetee jaaye re
jawaani phir nahin aaye rey
jawaani phir nahin aaye rey ae aey ae
goree goree baahon mein
mera kangnaa khan khan khankey
goree goree baahon mein
mera kangnaa khan khan khankey
aayee hoon main ban thhan ke ae
aur gaaoon geet milan ke
jo tarsey aur tarsaaye rey
jawaani phir nahin aaye rey
o bholey jogee sun
meree pyaaliyaa ki chhun chhun
raat ye beetee jaaye re
jawaani phir nahin aaye rey
jawaani phir nahin aaye rey ae
kuchch mann kee pyaas bujhaa ley
kuchch tan ki aag bujhaa ley ae
kuchch mann kee pyaas bujhaa ley
kuchch tan ki aag bujhaa ley
tere paas khadee hoon jogee
mujhe apne ang lagaa ley
jo tarsey aur tarsaaye rey
jawaani phir nahin aaye rey
o bholey jogi sun
meree paayaliyaa ki chhunn chhunn
raat ye beetee jaaye re
jawaani phir nahin aaye rey ae ae
jawaani phir nahin aaye rey ae ae ae
o paththar ke insaan
tu aankhein khol
o paththar ke insaan
tu aankhein khol
dekh tu apne prabhu kee maayaa
kaisaa sundar roop banaayaa
neel kamal se ae nain banaaye
kokil jaisey bain banaaye
o o ooo
ho o o
o o o o
hoo oo
kokil jaisey baain banaaye
inhein chhod kar kyon khothaa hai
ye jeevan anmol
ye jeevan anmol
paththar ke insaan
tu aankhein ae khol
jal mein wahee hai
thhal mein wohee hai
is jeevan tan man mein wahee hai
tujhmein wahee hai
mujh mein wahee hai
dhartee ke kan kan mein wahee hai
ho o ho o ho o o
ho o
ho o o ho o dharthee ke kan kan mein wohee hai
is neeras jeevan mein jogi
prem kaa amrit ghol
prem kaa amrit ghol
paththar ke insaan tu aankhein khol
hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol
hari bol hari bol
hari bol hari bol
hari bol hari bol hari bol
Hari
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5394 | Post No. : | 17698 |
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Blog 10-Year Challenge (2013-2023) – Song No.95
————————————————————————————–
On this date ten years ago (25 April 2013), six songs from six different movies (plus one non film song) were covered in the blog. Here are the details:-
| Post No | Song Title | Name of the movie | Remarks |
|---|---|---|---|
| 7972 | O maina mastaani o pinjre ki raani | Jungle Princess (1942) | 7 songs covered out of 11 by now |
| 7973 | Jhumka gira re Bareli ke baazaar mein | Dekho Ji(1947) | 7 songs covered out of 11 by now |
| 7974 | Maaroongi nainon ke baan zara bachke rehna | Bijli (1950) | 5 songs covered out of 8 by now |
| 7975 | Chandrakiran ke daal hindoley jhool rahin aashaayen | Veena(1948) | 8 songs covered out of 12 by now |
| 7976 | Meri ghaghri noo ghunghroo lawaa de | Saawan (1959) | Movie YIPPEED by now |
| 7977 | Wo jo roothen to manaana chaahiye | Mukesh Talat Mehmood NFS(1969) | |
| 7977 | Raat ki hathheli par chaand jagmagaata hai | Refugee(2000) | 2 songs covered out of 8 by now |
We observe that one movie (out of six) whose songs were covered on this date ten years ago (on 25 April 2013) has since been YIPPEED in the blog. That leaves us with five movies that are eligible for Blog Ten Year Challenge today (25 April 2023).
“Bijli”(1950) is one of the BTYC eligible movies today.
“Bijli”(1950) was produced by Kishore Sahu and directed by Sushil Sahu for Hindustan Chitra, Bombay. This movie had Rehana, Ramesh Gupta, Sitara, Vilas mohbe, Paaro, Badri Prasad, Sushil Sahu, Amir Karnataki, Satya Narayan,Narbada Shankar, C.L.Shah, Kaantha, Kaazmi etc in it.
The movie had eight songs in it. Five songs have been covered in the blog.
Here is the sixth song from “Bijli”(1950) to appear in the blog. This song is sung by Shamshad Begam and chorus. Bharat Vyas is the lyricist. Music is composed by Khemchand Prakash.
Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
Lyrics of this song were sent to me by Prakshchandra.
Audio link:
Song-Suno suno hum tumhein sunaayen apnee prem kahaanee (Bijli)(1950) Singer-Shamshad Begam, Lyrics-Bharat Vyas, MD-Khemchand Prakash
Female Chorus
Lyrics(Provided by Prakashchandra)
suno suno
suno suno hum tumhein sunaayein
apni prem kahaanee
suno suno hum tumhein sunaayein
apni prem kahaanee
phaagun kaa maheenaa thhaa
aur yaadein badee suhaanee
ho ek roz hum ghar se nikley
kar solahaa singaar
beech bajariyaa haayye kisee se
ho gayee aankhein chaar
hamein bada mazaa aayaa rey ae
badaa mazaa aayaa
hamein aen badaa mazaa aayaa rey aey ae
bada mazaa badaa mazaa bada mazaa aayaa rey ae ae
badaa mazaa aayaa
dheerey dheere
dheerey dheere baat badhee
hum rehnen lagey udaas
lagaa chaahney dil har dum
woh rahey hamaarey paas
lagaa chaahney dil har dum
woh rahen hamaarey paas
jo ek roz khud sunaa to duniyaa
reh gayee hakkee bakkee
uske baap ne hamree maa ne
kar dee shaadee pakkee
hamein badaa mazaa aayaa rey aey ae
badaa mazaa aayaa
hamein aen badaa mazaa aayaa rey aey ae
bada mazaa badaa mazaa bada mazaa aayaa rey ae ae
badaa mazaa aayaa
phir suhaag ki raat baat hum
tumko saanch bataayein
phir suhaag ki raat baat
hum tumko saanch bataayein
badee laaj ke maarey
hum ghoonghat mein simtee jaayein
ghoonghat mein simtee jaayein
raat chaandni jhoom rahaa thhaa
taaron ka sansaar
chhupke se aakar saajan ne
ghoonghat diyaa utaar
hamein bada mazaa aayaa rey ae badaa mazaa aayaa
hamein badaa mazaa aayaa rey ae ae
bada mazaa badaa mazaa badaa mazaa aayaa rey ae ae
badaa mazaa aayaa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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