Posts Tagged ‘1951’
Saamne hai yaar ka
Posted on: May 20, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5053 | Post No. : | 16968 |
Today’s song is from a film called ” Azadi ke Baad “-1951.
HFGK shows 10 songs for this film. It does not give record numbers or singer’s names(except for 2) for the songs. Today’s song is not listed on this page, for whatever reasons. Nevertheless, it is confirmed that this song is from this film only, as the uploader has given the photo of this record on RMIM and also mentioned on YouTube that this song is not listed in HFGK. Possibly, at the time of compilation, the record details with singers’ names etc were not available to Hamraz ji. It happened in some other film cases too.
The film was made in Calcutta by The Great Oriental Pictures. It was directed by D.K.Chatterjee. I found only this one film for this director in HFGK. The music was by K.P. Sen. This name may not be known to most readers.
During the early phase of filmmaking, Bombay was the attraction for people connected with films. Actors, directors and composers used to rush to Bombay from all over India to try their Luck.
Bengal was also not an exception. Initially almost all regional film centres in India were on a smaller scale than Bombay. Therefore more opportunities were available here. Out of the hundreds of aspirants, those with great luck and readiness to do hard work with patience won the race and made their career in Bombay. On Hard work and Luck, I remember a comment by our Atul ji on one of my posts. He commented ” The harder one works, the Luckier one gets ” (31-1-2018). How true ! Cases like composer Naushad who slept on footpaths of Bombay or Sunil Dutt, who lived in Dharavi slum, during their struggle periods are examples of such successes.
During the 1930s and the 40’s decades many Bangla composers came to Bombay and gave music to Hindi films, ranging from 1 film to 5 films. Some of them were…Radhacharan Bhattacharya, N. R. Bhattacharya, Shoolpani Mukherjee, S.P.Mukherjee, V.V.Ganguli, Niren Lahiri, Shivrani Ghosh, Mihir Kiran Bhattachrya, A.C.Biswas, Hiren Bose, Bhishmadev Chatterjee, Ramani Mukherjee, Anath Bose, Kazi nasrul islam, Anil Bagchi, Dakhina Tagore, Dhiuren Mitter, Kartik Chatterjee, Himangshu Dutt Sursagar, Jagmohan Sursagar, Subal Dasgupta, Sailesh duttagupta, Gopen Mullick, Gyanprakash Ghosh, Naresh Bhattacharya, Pratap mukherjee, Khshirodchandra Bhattacharya, Ravi Roychaudhuri, prafull Chaudhuri, T.K.Das etc etc. Some composers who did not succeed here, were real big names in Bengal, like Kazi Nazrul Islam,Niren Lahiri, Hiren Bose, Bhishmadev Chatterjee, Himangshu Dutt Sursagar, Subal Dasgupta, Gopen Mullick, Gyanprakash Ghosh etc etc
K.P.Sen, Music Director of today’s film had given music to 3 more Hindi films- Baap-46, Do Baten-49 and Shadi ke Baad-49. Film Azadi ke baad-51 was his last Hindi film. No more information about him is available. I have always stated that it is extremely difficult to get information on most Bangla artistes in any other language than Bangla.
The cast of the film was Asit Baran, Mira Mishra, Pearl,Parvati, Kalpana, Pannalal Bose, Nripen, Rekha, Sujata etc. Pearl was the sister of Violet Cooper and Patience Cooper among the 7 sisters. Pearl acted in 6 Hindi films – Indra Sabha-32, Anokha prem-34, Khudadad-35, Jahanara-35, Burkhewali-36 and Abla ki Shakti-40. Her sister Violet acted in 5 Hindi films and Patience Cooper acted in 16 Silent and 34 Talkie Hindi films. The hero was Asit Baran.
Asit Baran was born on 19-11-1913 at Calcutta in a middle class family.His pet name was kalo. He was not much interested in schooling. He learnt music and Tabla from Gyanprakash Ghosh. He became an expert in Tabla playing and did few programmes on Calcutta A.I.R. also. In one of the All India Music Conferences,Pahadi Sanyal noticed him and invited him to New Theatres. Impressed with his good looks and singing capability, he got the role of Pahadi sanyal’s younger Brother in the film ” Protisruti ”-42. He acted in severai Hindi and Bangla films of New Theatres.
His first Hindi film- Saugandh-42, was a remake of ‘ Protisruti ‘. He did the same role in Hindi also. His songs became popular.In all,Asit Baran acted and sang in 43 films-Hindi and Bangla together. Some of his Hindi films were Saugandh,Jawab,Wapas,Arabian Nights,Parineeta,Suhag Sindoor,Kashinath,Wasiyatnama,Manzoor,Roop kahani,faraar,Azadi ke baad etc. He left New Theatres in 1952 and came to Bombay on the invitation by Sailesh Mukherjee,to act in Suhag Sindoor. By this time,his voice had deteriorated and he was given playback by Sailesh Mukherjee. Same thing happened to Parineeta also. He acted in 14 Hindi films and sang 24 songs in 10 films. His last film was Babla-53
Asit Baran returned to Calcutta and did some more Bangla films. He founded a Theatre group called “Rangorash” which spread the teachings of Shri Ramkrishna Paramhans ji.
He died on 27-12-1984 at Calcutta.
Today’s song is almost a qawwali – an unusual genre of songs in films coming from Calcutta. By the way, as per an internet site, the film Azadi ke baad-51 was a remake of Bengali film Sahajatri-51, directed by Agradoot (Bibhuti Laha). Today’s song is sung by Pannalal Bose and chorus. Pannalal Bose was a Bangla actor and singer, This is the only song he sang in Hindi and considering that, his pronunciation and diction of Hindi words is very good. Needless to say that no information is available about him anywhere.
Song- Saamne hai yaar ka (Aazaadi Ke Baad)(1951) Singer-Pannalal Bose, Lyricist- M.Razi Banarasi, MD- K.P.Sen
Chorus
Lyrics
Saamne hai yaar ka nakshe ka pepa(?) choom le
hai dile naadaan yahi
jannat ka naqshaa choom le
hai dile naadaan yahi
jannat ka naqshaa choom le
kyun bhatakta hai bata aa aa aa
jairo- ??haram mein khaam khaa
kyun bhatakta hai bata
jairo ??haram mein khaam khaa
hey jairo ??haram mein khaam khaa
jairo ??haram mein khaam khaa
aa aa aa aa
likh ke tu naam e Muhammad
karke sajda choom le
likh ke tu naam e Muhammad
karke sajda
likh ke tu naam e Muhammad
karke sajda
likh ke tu naam e Muhammad
karke sajda
karke sajda choom le
dekhna gar hai tujhe ae ae
jalwa jamaal e yaar ka
dekhna gar hai tujhe
jalwa jamaal e yaar ka
ae jalwa jamaal e yaar ka
jalwa jamaal e yaar ka
karke ?? kar madeene
?? unka roza choom le
karke ?? jaa kar madeene
?? unka roza
karke ?? jaa kar madeene
unka roza?? choom le
jiski hai talaash wo o o o o
parda nasheen parde mein hai ae ae
parda nasheen parde mein hai
parda nasheen parde mein hai
hey
parda nasheen parde mein hai
?? pehle parda choom le
??
ae jee pehle parda
??
aahe pahle parda
?? pahle parda choom le
?? ne ? ne ae ae
?? jaakar choom li
/ ne ? ne ae ae
?? jaakar choom li
hey ?? jaakar choom li
?? jaakar choom li
aa aa aa aa
?? yaar ka
tu ban ke shaida choom le
?? yaar ka
ae jee banke shailda
?? yaar ka
ae jee ban ke shaida
?? yaar ka
tu ban ke shaida choom le
haan saamne hai yaar ka
naqshe ka pepa (??) choom le ae ae ae
Main albeli naar saj solah singaar
Posted on: May 16, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5050 | Post No. : | 16963 |
Today’s song is from the movie ‘Bholaa Shanker-1951’.
This movie was directed by Vishram Bedekar for ‘Famous Pictures, Bombay’.
‘Bholaa Shanker-1951’ was a mythological movie. It had Prem Adeeb, Vijaylakshami, Mahipal, Sheela Naik, Prakash Gupta, Sadhna Bose, Bhagwan, Kamal, Balaram, Ram Avtar, Jyoti, Samant, Raj Kishore, Radheyshyam and others.
This movie was passed by Censor Board on 24.01.1951.
This movie had eight songs that were written by Bharat Vyas and composed to music by Snehal Bhatkar.
Following is the list of songs in this :-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Dim dim dim dim dimak dimak… Chandra bhalnath bhole bhasm ang re | Snehal Bhatkar, Rajkumari, chorus | |
| 02 | Main hirni si ban ban phiroon mera hirna kho gaya re | Rajkumari | 11.12.2013 |
| 03 | Jai jai maata parvati… laaj tumhaare haath maat mere pranpati ko amar karo re | Snehal Bhatkar, Rajkumari, Sadashiv Gurjar | |
| 04 | Shankar kaanta lagey na kankar… hare hare rang mein sil batte ke sang mein | Snehal Bhatkar, Sadashiv Gurjar, chorus | |
| 05 | Chanda tujhko laaj na aaye, mere chhod piya ka saath akela | Lata Mangeshkar | 26.10.2020 |
| 06 | Main albeli naar, saj solah singaar aayi hoon… jogi bol re zaraa | Lata Mangeshkar | Being discussed today |
| 07 | Chham chhamaa chham chham, naacho gaao re, prem bhara mod bhara mangal | Various artists | |
| 08 | Ritu basant ki madbhari… chaloge kya sang mere, thhirak rahe ang mere | Rajkumari | 16.12.2013 |
As mentioned above three songs from this movie have been posted on the blog.
Today’s song sung by Lata Mangeshkar is the fourth song from this movie to be presented on the blog. I had come across this song long back, however this song has managed to stay undiscussed so far.
Let us listen to this song. Only audio of this songs is available
Bharat Vyas is the lyricist for this song and music is composed by Snehal Bhatkar.
Song-Main albeli naar saj solah singaar (Bhola Shankar)(1951) Singer-Lata, Lyrics-Bharat Vyas, MD-Snehal Bhatkar
Lyrics
Jogi ee ee
Jogi ee
Bol re ae ae
Bol re ae
Main albeli naar
Saj solah singaar
Aayi hoon tere dwaar
Jogi bol re ae
Jogi bol re
Jogi bol re ae
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Aa aa aa aa
Main albeli naar
Chandaa ki sheetal hoon
Main chaandni
Chandaa ki sheetal hoon
Main chaandni
Veena ki hoon main madhur raagini
Main madhur raagini
Mere nainon mein geet
Mere praanon mein preet
Mere man mein sangeet ras ghol re ae
Jogi bol re
Mere man mein sangeet ras ghol re ae
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Bijli ki saanche mein hoon main dhali
Baadal ke godi mein hoon main pali
Mera naache hai ang
Jaise jal ki tarang
Jaise hirni kare hai kilol re ae
Jogi bol re
Jaise hirni kare hai kilol re
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
h
Jogi ye jhoothi teri saadhna
Aao karen prem aaraadhanaa
Prem aaraadhanaa
Mere man ke o meet
Kar le humse tu preet
Ghadi jaaye naa beet anmol re
Jogi bol re
Ghadi jaaye naa beet anmol re
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Aa aa aa aa
Main albeli naar
Main albeli naar
Main albeli naar
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5025 | Post No. : | 16933 |
Today’s song is from the ‘1959’ movie ‘Saahil’.
I recall becoming aware of this title while going throough HFGK Vol-III (1951-1960) during my stay at Nagpur. I would regularly browse through the IIIrd volume of HFGK for the decade 1951-1960 those days(2015-2017). After that I went to Kenya for a project which lasted around three years. I came back after completion of the project in December’2019. Since then, I am more or less sharing songs from seventies and eighties, sometimes end of sixties. Songs of 1950s have become few and far between.
I do not recall being aware of the songs of ‘Saahil-1959’. It was only a few days back that our regular reader Shri. Deepak Patwardhan ji suggested a song from this movie which was sung by Hemant Kumar and Asha Bhonsle. On checking the details, I find that the song he had suggested had already been posted on the blog long back (in 2011) and it is from the movie ‘Aandhiyaan-1952’. The song is ‘wo chaand nahin hai dil hai kisi deewaane ka’ ….
However, that gave me an opportunity to know more about the songs from ‘Saahil-1959’. I listened to some of them. Today I am presenting a lovely duet sung by Hemant Kumar and Asha Bhonsle from this movie.
“Saahil-1959” was directed by Agrawal K. Bhushan for ‘Filmnagar Studios, Bombay’. Agrawal K. Bhushan was also the producer of this movie.
“Saahil-1959” had Shammi Kapoor, Chitra, Murad, Sapru, Amar, Jankidas, Rajan Kapoor, Kuldeep Kaur, and others.
This movie had the following ten songs in it.
| SNo | Song Title | Lyricist | Singer/s | Composer |
|---|---|---|---|---|
| 01 | Sheetal pawan sanaasan doley | Janardan Muktidoot | Asha Bhonsle | Suresh Talwar |
| 02 | Aayi milan ki raat, raja ho raja | Anjaan | Asha Bhonsle,chorus | Suresh Talwar |
| 03 | O gori huaa huaa… maan ya na | Jeet | Asha Bhonsle, Mohd Rafi, chorus | Suresh Talwar |
| 04 | Raat aadhi ho gayi…tere mere mere tere dil… | Janardan Muktidoot | Asha Bhonsle, Hemant Kumar | Suresh Talwar |
| 05 | Dekho ji, hamen na dena dhokha | Indeevar | Asha Bhonsle | D.C. Dutt |
| 06 | Afsos meri taqdeer bante hi bigad gayi | Indeevar | Asha Bhonsle | D.C. Dutt |
| 07 | Muhabbat sabko milti hai … door hataa do | Saraswati Kr ‘Deepak’ | Asha Bhonsle,chorus | Suresh Talwar |
| 08 | Tumhaari muhabbat hai ik cheez aisi | Kulbhushan | Asha Bhonsle, Hemant Kumar | Suresh Talwar |
| 09 | Aaja re manjhdhaar mein …ye pyaar ki pukaar hai | Taban Jhansvi | Geeta Dutt | Suresh Talwar |
| 10 | Tum judaa kya ho gaye… khatm kar de daastaan | Taban Jhansvi | Geeta Dutt | Suresh Talwar |
HFGK Vol-III (1951-1960) mentions in the footnote that the songs of this movie were recorded in 1954-1955, though the movie was released in 1959.
This movie was passed by Censor Board on 08.04.1959.
Only one song ‘aaja re manjhdhaar mein … ye pyaar ki pukaar hai’ has been posted on the blog on 20.10.2016.
Today we are going to listen to the second song from this movie. Today’s song is sung by Asha Bhonsle and Hemant Kumar.
Lyrics are by Kulbhushan and music is composed by Suresh Talwar.
Let us enjoy today’s song. Only audio of this song is available.
Song-Tumhaari muhabbat hai ik cheez aisi (Saahil)(1959) Singers-Hemant Kumar, Asha Bhonsle, Lyrics-Kulbhushan, MD-Suresh Talwar
Lyrics
tumhaari muhabbat hai
ik cheez aisi ee
jise ham kabhi naa
kabhi le hi lenge
kabhi le hi lenge
chhupaaoge jisko nigaahon ke neeche
usey ham kabhi naa
kabhi dekh lenge
kabhi dekh lenge
hmm hmm hmm hmm mm
hmm hmm hmm mm
hmm hmm hmm hmm
hmm hmm hmm hmm
peechhe padega jo
koyi hamaare ae
koyi hamaare
bulaayega hamko o o
karega ishaare
jo maangega koyi
mohabbat hamaari
tumhaari qasam ham
kisi ko na denge
kisi ko na denge
haa haa haa aa
aa aa
aa aa aa
aa aa aa aa
maangenge tumse naa
gaalon ki shokhi
hmm hmmhmm hmmhmm
hmm hmm hmm
maangenge tumse naa
gaalon ki shokhi
naa hothhon ki laali
naa kaajal ki pyaali
magar ek dil mein hai
chaahat hamaari
jise ham kabhi to
poori karenge
poori karenge
hmm hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm
hamm mm mm hmm
samajhte hain ham ko bhi
iraade tumhaare
iraade tumhaare
bahaane tumhaare ae
ishaare tumhaare
magar yaad rakhnaa
vaadaa e ulfat
kisi din kahin to
poora karenge
poora karenge ae
hmmhmm hmm hmm hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm
hmm mmm mm hmm
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4954 | Post No. : | 16820 |
Today’s song is from the film Stage-1951.
The film was made by Jeevan Pictures, Bombay. The producer was G D Chandana and the film was directed by one Vijay Mhatre, who was basically a successful Cinematographer. He got an opportunity of directing a film but could not do much to make the film a Hit, despite having a popular lead pair of Dev Anand and Ramola (Khajanchi-41 fame). This was due to a very weakened run of the mill story of the film. He ended his directorial career with only this film and went back to his comfort zone of remaining a successful Cinematographer.
There were two Music Directors who composed 12 songs of the film. However, HFGK credits only 9 songs with MD’s name. The remaining 3 songs are left ‘ Ram Bharose’. Luckily there was only one Lyricist-Sarashar Sailani, so it is understood that all the songs were written by him only.
Sarashar Sailani was born on 12-3-1925 in Lahore. He was not much educated (not a graduate), but was a school teacher, used to participate in Mushairas. The owner of Jeevan Pictures,Lahore, was Motiram Jain and he was a lover of Shayari and poetry. Motiram liked his shayari. When Motiram started his First film Arsi-47, he invited Sailani to write story, song and dialogues for this film. Arsi-1947 was his first film as a Lyricist. Some songs became popular and Sailani jumped into the film line.
Lachhiram called him for his next film Mohini-47 and Shyamsunder called him for Ek Roz-47. Along with director Daud Chaand, Sailani also shifted to Bombay. However, after the Partition, Daud returned to Lahore but Sailani remained in India. He wrote lyrics. generally he got only low budget films, but he worked with some quality composers like Pt. Amarnath, Husnlal-Bhagatram, Roshan, Chitragupta, Jaidev, A R Qureshi, Hansraj Behl etc.
In all, he wrote 150 songs in 32 films. From 1960 onwards, after the film ‘ Bade ghar ki bahu’, he stopped songwriting and took up only story, dialogue writing, in which he did many good films. some of such films were Bewafa,Baaz,Barsat ki raat,Unpadh,Aayi milan ki bela,Aapki parchhaiyan,Ganga ki laharen, Majboor, Aaye din bahaar ke, Aman, Devar, Gunahon ka devta, kanyadaan,Aya saawan jhoom ke, Anjana etc.etc. His last film as a dialogue writer was Maa aur Mamta-70. He died on 10-4-1969 at Bombay.
One of the Music Directors was Sardar Malik for this film. Sardar Malik today is a lesser known composer compared to other giants of the film industry, but he has created some golden melodies. Born on 13-1- 1925, Sardar Malik had learnt classical music from Ustad Alauddin Khan. He also learned a variety of dancing skills from Pt.Uday Shankar. Some other stars like Guru Dutt and Mohan Sehgal too were part of the troop under Pt. Uday Shankar, same time.
Sardar Malik got his break as a Music Director in a movie called ‘Renuka’ which was released in 1947. Sardar Malik also sang 4 songs in this movie – 2 solo songs and also 2 duets with Zohrabai. But the movie was not a big success and he remained unrecognized. In the same year, he also composed music for a movie ‘Rain Basera’, but that movie too was not successful. In 1949, only one movie was released of Sardar Malik and that was ‘Raaz’. The movie had some wonderful numbers from Rafi, Amirbai and Binapani Mukherjee.
In 1951, Sardar Malik shared the credits with Husnlal Bhagatram and composed a few songs for a movie ‘Stage’, which had lovely numbers sung by Asha Bhosle like ‘Dil Machalne Laga’. Asha Bhosle had excellent control in her voice in the early 50s and her association with Sardar Malik was very special in this era when Lata and Geeta Dutt were at the top.
His next movie was ‘Laila Majnu’ which was a huge success. Sardar Malik composed only 3 songs for this movie ‘Baharon Ki Duniya Pukare’, ‘Tere Dar Pe Aaya Hoon’ and ‘Dekh Li Ae Ishq’. All the other songs were composed by Ghulam Mohammed but the songs showed his versatility and he gained recognition in the film industry. Thokar (1953) established Sardar Malik as a successful composer. Songs like ‘Ae Gham-e-Dil Kya Karoon’ by Talat and Asha Bhosle and ‘Hawa Ghungunayee Fiza Muskayee’ are evergreen numbers.
‘Aulad’ (1954) showed Sardar Malik’s overall class through his magical compositions. This movie had some great numbers like ‘Duniya Tasveer Ha’i (Talat Mahmood) and ‘Tum Salamat Raho Hazar Baras’ (Asha). The same year saw the release of ‘Chor Bazar’ (1954), which had some of the best songs rendered by Lata Mangeshkar. She sang 3 beautiful songs in this movie ‘Chalta Rahe Yeh Karvan’, ‘Huyi Yeh Humse Ye Nadani’ and ‘Dar Dar Ki Thokare Hain’. In the mid-50’s Sardar Malik composed music for a few movies like Ab-e-Hayat-55, Taxi-555-58, Chamak Chandni-57 and Maa Ke Aansoo-59. All these movies had some nice songs. If we observe the decade of the 50s, Asha Bhosle, Talat Mahmood and Rafi sang some of the best songs of Sardar Malik.
The decade of 60’s saw the release of ‘Saranga’ (1960), which can be considered as one of the best movies of Indian Cinema. The title song of the movie sung by Mukesh and the sad version of the same sung by Rafi is still as popular as it was 60 yrs ago. Many veteran music composers consider this movie as the best movie composed by Sardar Malik ever. The same year saw the release of ‘Mera Ghar Mere Bachche’ which contained some great songs sung by Mukesh, my favorite song being the duet of Mukesh with Suman Kalyanpur ‘Baharon Se Poochho’.
Sardar Malik remained active in the first half of the 1960s and composed some outstanding music for second rung movies like Madan Manjari, Bachpan, Pick Pocket, Naag Mohini, Jantar Mantar, Maharani Padmini, Roop Sundari and Main Hoon Jadugar. It was destiny that most of the films he composed for were not box-office successes, but he never compromised on the quality of his music. His career appears to come to an abrupt halt in the mid-60s. The last movie of Sardar Malik was Gynaaniji which was released in 1977. This movie had songs sung by Rafi, Asha, Jaspal Singh and Jagat Singh Jagga. After this he gave music to one film in which all his family was working- Nigahain-1983. He even wrote a few songs for this film.
Sardar Malik gave music to 25 films, composing 199 songs. He sang 8 songs in 2 films-Renuka-47 and Raaz-49.
Sardar Malik had huge knowledge on all forms of Indian Music. He always depended on light background orchestration in many of his songs. He made the use of accordion and flute in many of his songs. As he was classically trained, he had excellent knowledge on various ragas too. Married to noted lyricist Hasrat Jaipuri’s sister, Kausar Jahan (Bilqis), Sardar Malik had three sons – Annu, Abbu and Dabbu Malik. Thanks to his father’s blessings, Annu Malik met with a lot of success in the 1990s and 2000s.
Sardar Malik passed away on January 27th 2006, but the legacy he has left behind will always remain with us.
Today’s song is sung by Master Sonik and Lata mangeshkar. Hindi films had so far, to my knowledge,3 artistes who were blind and into film music. The first was K C Dey, a singer and a music director. The second was Manohal Lal Sonik- again a singer and a music director and the third one was Ravindra Jain who was a Lyricist, singer and a Music Director. Their natural deficiency did not come in the way of their music careers and the industry too gave them the recognition for their talents.
Master Sonik aka Manohar lal Sonik was born on 26-11-1926 in Sialkot, Punjab.By his third year, he lost his vision completely. Undaunted, he learnt music-first from the Music school of Lahore and then from Lucknow. For sometime, he was assistant to pt. Amarnath Batish.
After Partition he joined Delhi A.I.R. Later, he sang 8 songs in 7 Hindi films,namely Chaar Din-49, Stage-51,Kashmir-51, Khaibar-54, Mast Qalandar-55, Inquilab-56 and then after 20 years he sang in film Umar qaid-75 also. He gave music to film Ishwar Bhakti-51 along with Giridhar and then film Mamta-52, with Hansraj Behl.
Meanwhile, his nephew Omprakash Sonik, who was a singer in Delhi A.I.R., proposed working as a team of composers, calling themselves as ” SONIK-OMI “. They got their first film ” Dil ne phir yaad kiya”-66. The songs became popular. They continued to give music till Anadi Dada-93, when Master Sonik died on 9-7-1993. As a team, music was given to another 5 films by Omi alone till the film- Yeh hai basti Badmashon ki-1999. As a team, they gave music to 104 films composing 536 songs.
Today’s song is from the film Stage-51. There was a time between say, 1940 to 1970 when many film stories were woven around the Hero or Heroine being either a part of or an aspirant to be a part of a drama company or a musical group ( some examples are Albela, Hum sab chor hain, Teesri Manzil etc). This gave the producers ample scope and opportunities to include song and dance items in the film without any problem. Stage-51 was also one such movie having a murder mystery of a singer dancer. The film story was….
Prof.Rajan(Raj Mehra) is sad because his family life is spoiled due to the sharp and acidic tongue of his wife(Kuldeep Kaur).His daughter Sudha(Ramola) is with him on this issue.One day he discovers that his college love Kamini(Gulab) is in town as Neelam the stage dancer.He goes to meet her.Both share their grief but Rajan can not help her.In due course, Rajan’s wife learns about Neelam,there is a fight and Rajan is injured by accident.He goes to meet Neelam-who is murdered and police arrest Rajan with blood stained clothes.
Sudha, who is enjoying her boy friend Anand’s(Dev Anand) Birthday party, learns about it. She is determined to find out the real culprit. With help from Anand, his friend Chunnu(Sunder) and some clues, they reach Poona. Sudha joins as Dancer in the previous stage company of Neelam. They get the proof that the Owner of the theatre(Mubarak)is the culprit.
After some chase,suspense and a mock fight(it is funny to see Dev Anand fighting 7-8 gundas at a time),the murderer is caught by the police, Rajan released,Sudha-Anand married and Rajan’s wife reformed.
Let us now listen to the funny song which gives advice on how to be careful in Bombay.
Song- Bach ke chalna meri sarkaar ki ye Bombay hai (Stage)(1951) Singers- Master Sonik , Lata Mangeshkar, Lyricist-Sarshar Sailani, MD- Sardar Malik
Both
Lyrics
sach kahaa kisi ne
bache hamesha
bachke mod ko
hamesha bachke mod ko chaliye
ho bachke
bachke chalna
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
taxi waalon se hoshiyaar
ke ye Bombay hai
ke ye Bombay hai
hamne is shahar ke andaaz niraale dekhe
hamne is shahar ke andaaz niraale dekhe
har kadam par yahaan dil lootne waale dekhe ae
har kadam par yahaan dil lootne waale dekhe
lut na jaana sare baazaar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
ghar se hum aaye thhe
business koi karne ke liye ae ae
ghar se hum aaye thhe
business koi karne ke liye
ab hain bechain kisi shokh pe marne ke liye ae ae
ab hain bechain kisi shokh pe marne ke liye
bik na jaaye kahin ghar baar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
hamko rah rah ke hansi aati hai in ladkon par
hamko rah rah ke hansi aati hai in ladkon par
phirte hain ishq ladaane ke liye sadkon par r
phirte hain ishq ladaane ke liye sadkon par
aise ladkon se khabardar
ke ye Bombay hai
ke ye Bombay hai
bachke chalna meri sarkaar
ke ye Bombay hai
ke ye Bombay hai
Bombaayyyy
Ho o tere dil se mera dil mila
Posted on: December 21, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4904 | Post No. : | 16709 |
“Ghazab”(1951) was directed by A Karim. The movie had Bhagwan, Baurao, Shanta Patel, Leela Gupte, Usha Shukla, Azeem Bhai, Sheikh, Ali, Maqbool, Jaani etc in it.
The movie had eight songs in it. Four songs have been covered in the past.
Here is the fifth song from “Ghazab”(1951) to appear in the blog. The song is sung by Zawar Hussain and Premlata. A Karim is the lyricist. Music is composed by Nashaad.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
It is a forgotten song by now but what a sweet and hummable song it is.
Song-Ho o Tere dil se mera dil mila (Ghazab) (1951) Singers-Zawar Hussain, Premlata, Lyrics-A Karim, MD-Nashaad
Both
Lyrics
ho o
tere dil se mera dil mila
ho o
tere dil se mera dil mila
achcha hua ya bura
ismein tera kya kasoor
ismein mera kya gila
ho o
tere dil se mera dil mila
ho o
ho o
jab mile nainon se nain
ho o ho o
jab mile naino se nain
jaata raha dil na chain
haaye mere dil ka chain
jaata raha aa aa aa
lut gaye sabr o karaar
dil ko bada dukh mila
ismein tera kya kasoor
ismein mera kya gila
ho o
tere dil se mera dil mila
ishq ki dekhi sadak
ishq ki dekhi sadak
dil gaya mera dhadak dhadak
dil gaya mera dhadak
darr na lage aisa kuchh
nainon se amrit pila
ismein tera kya kasur
ismein mera kya gila
ho o
tere dil se mera dil mila
ho o ho o
dar ki ye kya baat hai
ho o o
darr ki ye kya baat hai
jab se mera saath hai
tera mera saath hai
tera mera
ho o ho o
chalta rahe bas yoonhi pyaar ka ye silsila
ismein tera kya kasoor
ismein mera kya gila
ho o
tere dil se mera dil mila
saamne jab pyaar ho
saamne jab pyaar ho
phir kise inkaar ho
phir kise inkaar ho
zindagi mein aaj ye
ek naya gul khila
ismein tera kya kasoor
ismein mera kya gila
ho o
tere dil se mera dil mila
achcha hua ya bura
ismein tera kya kasoor
ismein mera kya gila
ho o tere dil se mera dil mila
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4871 | Post No. : | 16665 |
“Ishwar Bhakti”(1951) was produced by R B Haldia and directed by Gunjal for Shree Shyam Chitra Bombay. The movie had Nirupa Roy, Trilok Kapoor, Shalini, Urvashi, Nand Kishore, Sudha Bai, Parvati, Rajni, Kamlakant, Chaman Puri, Saroop etc in it.
This movie had eleven obscure songs in it. One song has been covered in the past.
Here is the second song from “Ishwar Bhakti”(1951) to appear in the blog. This song is sung by Rafi. Pt Narendra Sharma is the lyricist. Music is composed by Sonik-Giridhar.
Only the audio of this rare song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Sooraj ghoome chandr ghoome (Ishwar Bhakti)(1951) Singer-Rafi, Lyrics-Pt Narendra Sharma, MD-Sonik Giridhar
Lyrics
sooraj ghoome chandr ghoome
ghoome gagan saara aa aa
ghoome gagan saara aa aa
sooraj ghoome
nainon ki putli mein aen aen
aen aen
nainon ki putli mein
ghoome jagat saara aa
ghoome jagat saara aa aa
sooraj ghoome
aa aa aa
rituon ka chakr ghoome
rituon ka chakr ghoome
aa aa aa
rituon ka chakr ghoome
ghoome dhara pyaari ee
ghoome dhara pyaari
maati ki maaya ghoome
maati ki maaya ghoome
ban kar phulwaari
ban kar phulwaari
aaa aa aa
aaa aa aa
aaa aa aa
aa aa aa
aa aaa
aa aa aa
ghoome pal vipal sakal
gin gin man haara aa
gin gin man haara aa aa
sooraj ghoome
sooraj ghoome chandr ghoome
ghoome gagan saara aa aa
ghoome gagan saara aa aa
sooraj ghoome
aaya ritu raaj aaj
aaya ritu raaj aaj
pushp mukut dhaari
sundar chhavi roop madhur
sundar chhavi roop madhur
bali bali balihaari
aaya ritu raaj aaj
aaya ritu raaj aaj
aaya
aaya
aaya
aaya
aaya aayaa
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4824 | Post No. : | 16602 |
“Saudaagar”(1951) was produced by S V Mungre and directed by M I Dharmsee for West Hind pictures, Bombay. This social movie had Rehana, Nasir Khan, Suraiyya Chaudhary, Bhudo Advani, Shakuntala, Ratan Kumar, Bala etc in it.
The movie had ten songs in it. Six were composed by C Ramchandra and four by Hanuman Prasad.
Four songs from the movie (three composed by C Ramchandra and one composed by Hanuman Prasad) have been covered in the past.
Here is the fifth song from “Saudaagar”(1951) to appear in the blog. The song is sung by Lata Mangeshkar. P L Santoshi is the lyricist. Music is composed by C Ramchandra.
Only audio of the song is available. It is almost certain that the song was picturised on Rehana. I euest our knowledgeable readers to throw light on the picturisation of this melancholic song.
Song-Bigad gayi kyun meri taqdeer bante bante (Saudaagar)(1951) Singer-Lata, Lyrics- P L Santoshi, MD- C Ramchandra
Lyrics
dil mein chupaaye unki ulfat kaa khazaana
aankhon se likh rahe hain taqdeer kaa fasaana
aa aa aa aa
bigad gayi kyon meri taqdeer bante bante
bigad gayi kyo meri taqdeer bante bante
mit gayi ulfat ki lakeer bante bante
bigad gayi kyun meri takdeer bante bante
aa aa aa aa
manzil ke paas aakar manzil hi bhool baithhe
manzil ke paas aakar manzil hi bhool baithhe
kismat ne mitaa daali tadbeer bante bante
kismat ne mitaa daali tadbeer bante bante
bigad gayi kyun meri taqdeer bante bante
bigad gayi kyun meri taqdeer bante bante
aa aa aa aa aa
tujhko to zamaane ne hone naa diyaa meraa
tujhko to zamaane ne hone naa diyaa meraa
hum mit gaye khud teri tasveer bante bante
hum mit gaye khud teri tasveer bante bante
bigad gayi kyun meri taqdeer bante bante
bigad gayi kyun meri taqdeer bante bante
Kalkatte se aaya jahaaz
Posted on: September 3, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4795 | Post No. : | 16555 |
Today’s song is from the film Actor-1951.
Four songs of this film are already discussed here, however I liked this funny song, so I selected this song for today’s post. The film made under the banner of Sarosh Pictures, Bombay was produced by H.M.Kerawala and Bhojani. The film was directed by Ramjibhai Arya. He came to Talkie films from silent films. After working as an assistant to a few directors he first directed film Hind ke laal-40, then came Manthan-41, Jungle ki Pukar-46, Bhedi Dushman-46, Sher-E-Bengal-47 and his last film was Actor 51.
The music was by Aziz Khan and Ibrahim. In my last post, I had given Asha Bhosle’s song from the film ‘ Andhon ki Duniya’-1947 as an example how the film industry history adapts itself to make corrections in its earlier information. By sheer coincidence, even in this post also a film industry history adaptation example is present.
Ibrahim, the joint MD in this film as well as two other films- Utho Jaago-1947 and Bachelor Husband-1950 was considered to be the brother of Ghulam Mohd. MD. This Ibrahim worked as assistant to Naushad for a long time, after Ghulam Mohd. expired. For many years these 3 films were credited to his name. Even author Pankaj Raag, in his book ” Dhunon ki Yatra’ Mentioned the same thing.
However while working on the book on the Clarinet Expert Master Ibrahim, Dr. Surjit Singh ji had interviewed Iqbal Ajmeri-Master Ibrahim’s son, who had confirmed that the MD for these 3 films was Master Ibrahim and not Ibrahim, brother of Ghulam Mohd. After reading this in that book, just to confirm this, I wrote to shri Harmandir Hamraaz ji about my doubt. He promptly replied that he too had met and interviewed Iqbal Ajmeri- who was an expert in Music history of the Hindi films, had also confirmed that these films had music by Master Ibrahim only. Thus, one more correction in the history pages !
A lot has been written about Aziz khan on this Blog, by me as well as Sadanand Kamath ji, so I will not go into that again here. Instead, here is a note on Master Ibrahim, the expert Clarinet player who was the joint MD for today’s film.
Film critics and those who wrote in glossy magazines ignored stunt and action films, but a certain portion of the Indian audience was a firm supporter of such films. Master Vithal, Master Bhagwan, Baburao pehelwan, John Cavas, kamran etc were their Heroes. Usually the Music Directors and Directors of these films were unknown and those available on minimum fees were always hired.
The Music Director of this type of film was also one such person – Master Ibrahim, who did only 2 films as independent MD. He, however, gave music, along with Aziz Khan to film “ Utho Jaago-1947″, Bachelor Husband-1950 with Sarswati Devi and film Actor-1951, with Aziz Hindi. In the 50s and the 60s decade, there used to be a programme on Radio Ceylon, titled “Saaz aur Awaz”, at 7 am everyday. In this programme, film songs on different Musical Instruments were played-like Van Shipley on Guitar, Bismilla Khan on Shehnayi,Master Ibrahim on Clarinet. After this programme, there was ” Ek hi filmon ke geet” and at 7.30 the evergreen “Purane filmon ke geet” was scheduled.
For many years, I used to wonder as to who this Master Ibrahim was. I had read about Van Shipley and others, but information on Master Ibrahim was not seen anywhere. Finally, when my friend Javed Hamid ji from Delhi, sent me his book copies, published in Hindi, I found an article on Ibrahim, in one of his books,” Hindi cinema ke sadabahar Sangeetkar “.
His name was Ibrahim Rehmat Ali ( or E.R.Ali or Master Ajmeri, on some Record labels). He was born in 1915 at Ajmer and by his 11th year itself, he achieved expertise in playing a difficult musical instrument like Clarinet. he also learnt classical music from Banne khan, Jere khan and Dinkar Rao. From 1934 to 1936, he worked in Ranjit Movietone’s Music department. Then he joined All India Radio, for the next 6 years. In 1942, he joined H.M.V. and served there for the next 25 years.
In these 25 years, Master Ibrahim played his Clarinet in more than 6000 songs, recorded at HMV. He was also the Pioneer in presenting film songs on Musical Instruments. Even during his service. A.I.R. Bombay used to arrange his Clarinet Mehfil every month. He used to present different Ragas on Clarinet as per time of the day or night.
He gave music to only two films. Both were C grade,in the 40s decade. These films were Parbat Ki Rani-1948 and Bigde Dil-1949. He worked as assistant to many Music Directors like Ghulam Hyder, V K Naidu, Shyam Sundar, Fateh Ali Khan, Gulshan Sufi and Firoz Nizami.
He played not just the Clarinet, but also played the Xylophone, Vibraphone, Alto saxophone, Supranophone and a few others. After his film songs on Clarinet became popular, different artistes like Van Shipley on Hawaiian Guitar, Enoch Daniels, Goodi Seervai, Hazara Singhand Sunil Ganguly on Piano Accordion and Brian Silas on Piano also became famous and popular, with their performances.
Master Ibrahim died on 20th September 1980, due to a Heart attack. The work of preserving his music on CDs started by HMV from 2015 and so far 4 CDs are published. His contribution in songs of films like Mughal E Azam, C.I.D., Mere Mehboob, Basant Bahar, Madhumati, Maya, Goonj uthi Shehnai etc is remembered even today. Every year Radio Ceylon pays tributes to him on his death anniversary on 20th September by playing only his records.
He had 3 sons, who all are in the Music industry. They are experts in Vibraphones. Its use is very frequent in films nowadays.
Recently, Dr.Surjit Singh ji has published an exclusive book on Master ibrahim.
( I thank Javed Hamid ji for his article in his book ” Hindi Cinema ke Sadabahar Sangeetkar” हिंदी सिनेमा के सदाबहार संगीतकार ).
The cast of the film Actor-51 was Ramola, Bhagwan, Indumati, Sundar, Murad,Sulochana Cuckoo and many others. It is a notable coincidence that in 1951, in just One year alone, there were 3 films with almost the same story and Bhagwan was the Hero in all 3 films – Actor-51, Damad-51 and Albela-51. The basic story was that a poor man, without any help, tries to become a Singer or an Actor and how Luck helps him to become a famous artiste.
Film Daamaad was censored on 8-2-51, film Actor was censored on 1-5-51 and Albela was censored on 13-12-51 and released immediately on the next day i.e. 14-12-51. Earlier it was felt by me that film Actor was a failed copy of film Albela. That was before I got the HFGK. Now I know that I was wrong in my assumption. The fact is actually different. Both C Ramchandra and Raj kapoor were after Bhagwan to start a Social film, instead of making only stunt/action films. After working in these two films, Bhagwan became aware that this story was a winning one, if made into film wisely and if C Ramchandra gives his best music.
Bhagwan started making a draft and writing the story of Albela. Due to his image of a stunt film maker, no mainstream Heroine was ready to work in his film and he could not afford their fees also. He thought of Geeta Bali. When he narrated the story to her, smart as she was, she understood its potential to become a Hit film, and she agreed to work in Albela as a Heroine. The rest, as they say, is History !
The Lyricist of all the 10 songs was Nazim Panipati, who was the brother of Wali Saheb, a producer and Director of the 40’s. Wali Saheb was the husband of actress Mumtaz Shanti. They both migrated to Pakistan, but Nazim Panipati stayed in India. In the cast one name Indumati is there. This is a less known name for most readers, I feel. INDUMATI LELE (Born 18 December 1927 – Died 11 September 2013), forgotten Yesteryears Indian Theatre and Film Actress turned Folk Artiste.
Indumati and Kumudini Lele who were once famous as ‘Lele Sisters’ in Hindi and Marathi Theatre and Cinema fields, have been forgotten today. Indumati Lele, died at the age of 86, when she was still working as an examiner for the television program ‘Dum Damadam’.
Kumud and Indumati, were both known as ‘Lele Sisters” in the fifties. Both of them originally hailed from Ujjain in Madhya Pradesh. Their father Girdhar Lele was in Government job as Director of Agriculture, at Indore. From an early age, the two sisters loved acting and dancing. Both were involved in dance and dance related activities in their school. Prithviraj Kapoor saw the two at one of the school events and talked to their father and brought them straight to Mumbai. For the next two years, both sisters worked as artists in Prithviraj Kapoor’s ‘Prithvi Theatres” until the company closed. They played different roles in several of his Plays and had the fortune of touring India all along with Prithviraj Kapoor.
While Kumudini acted in Bimal Roy’s ‘Parivar’, ‘Bandini’ etc. and in few Marathi films like ‘Ram Ram Pauna’ etc., Indumati Lele acted in Prithviraj Kapoor’s Shakuntala’ and other plays. She also acted in some films while working in ‘Prithvi Theaters’, like Mazdoor-45, ‘Shehnai’ (1947), ‘Aag’ (1948), ‘Sunahare Din’ (1949), ‘Gauna’ (1950), Actor-(1951), ‘Chaudhwin ka Chand’ (1960), ‘Budtameez’ (1966), ‘Man Mandir’ (1971), to name a few. In Raj Kapoor’s ‘Aag’ (1948), she acted as his mother. She also appeared in two English films, ‘Householder’ with Leela Naidu and ‘Shakespearewallah” both with Shashi Kapoor.
Today’s song is a good one, sung by Sulochana Kadam and Chorus.
Song-Kalkatte se aaya jahaaz haay sakhi mere balam nahin aaye re (Actor)(1951) Singer- Sulochana Kadam, Lyricist- Nazim Panipati, MD- Aziz Hindi and Ibrahim
Chorus
Lyrics
kalkatte se
ae ji
kalkatte se aaya jahaaz
sakhi mere
haay sakhi mere balam nahin aaye re
ho kalkatte se aaya jahaaz
sakhi mere
haaye sakhi mere balam nahin aaye re
ho kalkatte se aaya jahaaz
sabke balam aaye
mere na aaye
mere na aaye
ek ek se poochha sakhi
koi na bataaye
koi na bataaye
? ho ae ji
? ho mere mijaaz(?)
sakhi mere
haaye sakhi mere balam nahin aaye re
ho kalkatte se aaya jahaaz
baalam jo aate to laate wo mundri
laate wo mundri
baalam jo aate to laate wo mundri
laate wo mundri
aur saath laate wo resham ki chundri
haaye resham ki chundri
mujhe sakhiyon mein
ae ji mujhe sakhiyon mein aati hai laaj
sakhi mere
haay sakhi mere balam nahin aaye re
ho kalkatte se aaya jahaaz
kahaan chhod aaye ho mere sanam ko
mere sanam ko
o o o
kahaan chhod aaye ho mere sanam ko
mere sanam ko
o o o
kaise bhulaaungi kaise bhulaaaungi
main unke gham ko
haaye main unke gham ko
mere dil pe hai
ae ji mere dil pe hai beeta hai aaj
sakhi mere
haay sakhi mere balam nahin aaye re
ho kalkatte se
ae ji kalkatte se aaya jahaaz
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4547 | Post No. : | 16124 |
“Lachak”(1951) as produced by Shreeram Vohra and directed by M I Dharmsi for Shrre Films, Bombay. This “social” movie had Geta Bali, Amarnath, Kuldeep Kaur, Agha, Paro, Nayantara, B M Vyas, Ramkumar, Shanti Sharma, Rukhsana, Zareena, Cecil, Ram Singh, Anand, Sheikh etc in it.
The movie had nine songs in it. To songs have been covered so far.
Here is the third song from “Lackah”(1951) to appear in the blog. THe song is sung by Shamshad Begam and chorus. Balkrishn Vohra is the lyricist. Music is composed by Moti Ram.
Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of this song.
Song-Ho thhanda thhandaa paani nadiya mein behta jaaye (Lachak)(1951) Singer-Shamshad Begam, Lyrics-Balkrishn Vohra, MD-Pt Motiram
Chorus
Lyrics
Ho thhanda thhanda
ho thhanda thhanda
ho thhandaa thhandaa paani
nadiya mein behta jaaye
haaye nadiya mein behta jaaye
ye prem ki aag mere dil mein lagaaye
ye duniya deewaani kare apni manmaani
ho o apni manmaani
ye duniya deewaani kare apni manmaani
ho o apni manmaani
darr lagta hai mujhko
kahin doobe na jawaani
ho o doobe na jawaani
darr lagta hai
darr lagta hai mujhko
kahin doobe na jawaani
ho o doobe na jawaani
chhoti si ye baat
chhoti si ye baat
mujhe kaun bataaye
ho o
chhoti si ye baat
mujhe kaun bataaye
ye prem ki aag mere dil mein lagaaye
hoy thhandaa thhandaa paani
hoy thhandaa thhandaa paani
hoy thhandaa thhandaa
hoy thhandaa thhandaa paani
nadiya mein behtaa jaaye
haaye nadiya mein behtaa jaaye
ye prem ki aag mere dil mein lagaaye
o mere banmaali
phool khile daali daali
ho o khile daali daali
o mere banmaali
phool khile daali daali
ho o khile daali daali
mere man ki muraad
aaj jaaye nahin khaali
ho o jaaye nahin khaali
mere man ki muraad
aaj jaaye nahin khaali
ho o jaaye nahin khaali
dil ki lagi
dil ki lagi ko ab kaun bujhaaye
o o
dil ki lagi ko ab kaun bujhaaye
ye prem ki aag mere dil mein lagaaye
hoy thhandaa thhandaa paani
hoy thhandaa thhandaa paani
hoy thhandaa thhandaa
hoy thhandaa thhandaa paani
nadiya mein behtaa jaaye
haaye nadiya mein behtaa jaaye
ye prem ki aag mere dil mein lagaaye
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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