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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Suresh Wadkar songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Hero’(1983) was produced and directed by Subhash Ghai for Mukta Arts Limited, Bombay. Introducing newcomer pairs in lead roles was the in thing those day. It had started with ‘Bobby’(1973), which was followed by ‘Love Story’(1980), ‘Rocky’(1981) and then ‘Betaab’(1983).

‘Hero’(1983) introduced Jackie Shroff and Meenakshi Sheshadri. That way, ‘Hero’ differed from the above mentioned movies where well established actor fathers had produced those movies to launch their sons. As it is well known, ‘Bobby’(1973) was the launch vehicle for Rishi Kapoor (produced by Raj Kapoor), ‘Love Story’(1980) was produced by Rajendra Kumar for his son Kumar Gaurav, ‘Rocky’(1981) was produced by Sunil Dutt to launch his son Sanjay Dutt while ‘Betaab’(1983) was produced by Dharmendra for his son Sunny Deol. So full marks to Subhash Ghai for not indulging in nepotism. 🙂

All these movies had well established actors to play supporting roles, viz ladke ka baap, ladki ka baap etc. 🙂

The support cast of ‘Hero’(1983) makes for an impressive read. Former heartthrob Shammi Kapoor plays ladki ka baap and Police commissioner. Bharat Bhushan, a hero from an even earlier era, is also there. Whose who of baddies, viz Amrish Puri, Madan Puri and Shakti Kapoor are there too take care of the dirty tricks department.

Last but not the least, this movie also had Sanjeev Kumar. Unlike other actors, who would only play one kind of a role in which they were typecast, Sanjeev Kumar could play any role, without worrying how it would be received. And invariably he would pull off any kind of roles. He would play the husband, father and father in law of the same actress in different movies and he would be accepted in all three roles. He has acted opposite Jaya Bhaduri in all three kinds of roles. He would also act as the father of actors who were in his own age group or even older to him. He played father of Shahshi Kapoor in ‘Trishool’(1979) who was older to him in age. 🙂

He played not one or two, but as many as nine roles in the film ‘Naya Din Nayi Raat’ (1974).

He played lots and lots of memorable roles during his two decades long career. Thakur of ‘Sholay’ (1975) readily comes to mind. In fact, it is difficult to find a role where he failed to do justice to the role, be it a mental patient in ‘Khilona’ (1970) or as the husband of a female politician in ‘Aandhi’ (1975).

His roles won him critical acclaims from public, film industry as well as Government of India. He was nominated for Filmfare award 14 times and he won the Filmfare best lead actor for his roles in ‘Aandhi’ and ‘Arjun Pandit’ (1976). He had also won the award as the best supporting actor in ‘Shikaar’ (1968). He got the best actor award from Government of India for ‘Dastak’ (1970) as well as ‘Koshish’(1972). His role in ‘Angoor’ (1983) has been listed among the top 25 acting performance in Indian movies by the ‘Forbes’ magazine.

It is difficult to believe that Sanjeev Kumar (9 july 1938 – 6 november 1985) was only 47 years old when he passed away, with his cupboard full of awards and his cap full of feathers. His lack of discipline in taking care of his lifestyle was primarily to blame. Losing him at such a young age was a big loss to Indian cinema in general and Hindi cinema in particular.

On the occasion of the 33rd death anniversary of Sanjeev Kumar, here is a song from ‘Hero’. the song is picturised as a qawwaali song, cum villain’s den song, cum dancing under duress song etc etc. 🙂

The song is sung by Suresh Wadkar, Lata and chorus. It is lip synced by Sanjeev Kumar, Meenakshi Sheshadri and others. The occasion is graced by Shammi Kapoor as well as a galaxy of villains. 🙂

Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal. So this song, in addition to paying tribute to Sanjeev Kumar, serves as a belated greeting song for the birthday of Laxmikant as well (which fell on 3 November).

Lyrics of this song are sent to me by Peevesie’s mom, who on this occasion is unable to provide a write-up for a change as she is travelling.

 

 

Video

Audio

Song – Mohabbat ye mohabbat (Hero) (1983) Singers – Suresh Wadkar, Lata, Lyrics – Anand Bakshi, MD – Laxmikant Pyarelal
Male chorus
Female chorus

Lyrics(Provided by Peevesie’s mom)

hmmmm
qayaamat hai ye
nazaakat hai ye
sharaarat hai ye
shikaayat hai ye
qayaamat hai ye
nazaakat hai ye
sharaarat hai ye
shikaayat hai ye

sharaafat hai ye
adaawat hai ye
inaayat hai ye
ibaadat hai ye
sharaafat hai ye
adaawat hai ye
inaayat hai ye
ibaadat hai ye
shikaayat sharaafat adaawat inaayat
ibaadat baghaawat
oo oo oo oo oo

mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat mohabbat mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat

oo oo oo oo oo oo
oo oo oo oo oo oo
oo oo zindagi ki shaan hai ye
zindagi ki shaan hai ye
aadmi ki jaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat

oo oo
kehne ko shabnam kaa katra
kehne ko shabnam kaa katra
katre mein toofaan hai
mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat ye mohabbat
mohabbat ye mohabbat

(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

hmmm
is’se jo takraayega
is’se jo takraayega
wo bahut pachhtaayega
wo bahut pachhtaayega

toot kar reh jaayega
reh jaayega
oo raasta iska jo roke
raasta iska jo roke
wo bada naadaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat ye mohabbat
mohabbat ye mohabbat

(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

sa sa ga ma pa
ma ga re ga ma
ma ga sa ni
pa ni ni sa
ni sa ni sa re ga sa
sa re ga re ga ma pa re sa
dha pa da pa ma ga
pa ma pa ma ga ma ga re
ma ga ma ga re ga re sa

ho oo
dil kaa matlab ishq hai
dil kaa matlab ishq hai
kuchh nahin sab ishq hai
kuchh nahin sab ishq hai

rab hai kya
rab ishq hai
rab ishq hai
oo bas wo dil ghar hai khuda kaa
bas woh dil ghar hai khuda kaa
jismein ye mehmaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat

mohabbat ye mohabbat
mohabbat ye mohabbat

(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

koyi kitna ho ghareeb
koyi kitna ho ghareeb
pyaar jisko hai naseeb
pyaar jisko hai naseeb

wo bada hai khushnaseeb
khushnaseeb
oo jiski kismat mein nahin ye
jiski kismat mein nahin ye
khaak woh insaan hai

mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
(mohabbat ye mohabbat)
(mohabbat ye mohabbat)

oo zindagi ki shaan hai ye
aadmi ki jaan hai
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat

—————————————
(climax version)
—————————————
qayaamat hai ye
shikaayat hai ye
ibaadat hai ye
baghaawat hai ye

inaayat adaawat
qayaamat shikaayat
ibaadat baghaawat
oooooooo
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat ye mohabbat
mohabbat mohabbat mohabbat
mohabbat mohabbat mohabbat
mohabbat mohabbat

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

ह्म्म्म
क़यामत है ये
नजाकत है ये
शरारत है ये
शिकायत है ये
क़यामत है ये
नजाकत है ये
शरारत है ये
शिकायत है ये
शराफत है ये
अदावत है ये
इनायत है ये
इबादत है ये
शराफत है ये
अदावत है ये
इनायत है ये
इबादत है ये
शिकायत शराफत अदावत इनायत
इबादत बग़ावत
ऊ ऊ ऊ ऊ ऊ ऊ
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत मोहब्बत मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
ऊ ऊ ऊ ऊ ऊ ऊ ऊ
ऊ ऊ ऊ ऊ ऊ ऊ ऊ
ओ ज़िन्दगी कि शान है ये
ज़िन्दगी कि शान है ये
आदमी कि जान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
ओ ओ ओ ओ
कहने को शबनम का कतरा
कहने को शबनम का कतरा
कतरे में तूफ़ान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
(मोहब्बत ये मोहब्बत)
(मोहब्बत ये मोहब्बत)

ह्म्म्म
इस से जो टकराएगा
इस से जो टकराएगा
वो बहुत पछतायेगा
वो बहुत पछतायेगा
टूट कर रह जाएगा
रह जाएगा
हो ओ रास्ता इसका जो रोके
रास्ता इसका जो रोके
वोह बड़ा नादान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
(मोहब्बत ये मोहब्बत)
(मोहब्बत ये मोहब्बत)

स स ग म प्
म ग रे ग म
म ग सा नि
प नि नि सा
नि सा नि सा रे ग सा
सा रे गा रे ग म प् रे सा
ध प द प म गा
प म प म ग म ग रे
म ग म ग रे ग रे सा

हो ओ ओ
दिल का मतलब इश्क है
दिल का मतलब इश्क है
कुछ नहीं सब इश्क है
कुछ नहीं सब इश्क है
रब है क्या
रब इश्क है
रब इश्क है
ओ ओ बस वो दिल घर है खुदा का
बस वो दिल घर है खुदा का
जिसमें ये मेहमान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
(मोहब्बत ये मोहब्बत)
(मोहब्बत ये मोहब्बत)

कोई कितना हो ग़रीब
कोई कितना हो ग़रीब
प्यार जिसको है नसीब
प्यार जिसको है नसीब
वोह बड़ा है खुशनसीब
खुशनसीब
ओ ओ जिसकी किस्मत में नहीं ये
जिसकी किस्मत में नहीं ये
ख़ाक वोह इंसान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
हो ओ ज़िन्दगी कि शान है ये
आदमी कि जान है
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत

—————————————
(climax version)
—————————————

क़यामत है ये
शिकायत है ये
इबादत है ये
बग़ावत है ये
इनायत अदावत
क़यामत शिकायत
इबादत बग़ावत

मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत ये मोहब्बत
मोहब्बत मोहब्बत मोहब्बत
मोहब्बत मोहब्बत मोहब्बत
मोहब्बत मोहब्बत

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A very Happy Holi to 9th holi today (13 march 2017) on this blog. And every holi we have Atul posting songs for the occasion. We have approximately 50 songs to celebrate holi. So does that mean we are out of songs? No, not at all! How can that happen? As long as we have Hindi Movies and as long as they have songs in them we can be sure of at least one holi song a year if not more. Oh, I seem to be echoing Sudhirji’s thoughts from his 2015’s holi post. But that is the truth of the matter. Holi will never go out of fashion in Bollywood. The only thing that might change is that people will request others to have dry holi this year as many parts of the country are facing drought conditions. And still others will opt for using organic colours that are less harmful to the skin etc. But what about the general public of the country who cannot afford the expensive organic stuff they will stick to the traditional gulal in various hues.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

A very belated Happy Diwali to all those who I missed to wish. Hope it was sweet and well lit for all. We are into the new Samvat and here is the first birthday.

We all know this birthday boy as a winner of 14 filmfare awards. He has a significant fan following in Asia and among the Indian Diasporas across the globe. He is one who dared to pick villainous roles early on in his career –something like say Vinod Khanna or Shatrughan Sinha of the previous generation. He is the pet of the film maker who is considered the king of romantic films in the current era. His paternal grandfather was a Pathan and the family moved to India post 1948. He grew up in Delhi and was educated from schools and colleges there but his road to fame and fortune began when he joined the Theatre Action Group and was mentored by Barry John. Oh yes I am speaking of Badshah alias Raj (naam toh suna hoga?) alias Rahul alias Shahrukh Kkkkhan –like the way he said KKKKiran in one of his early movies.
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This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are many movies which come and disappear becoming forgotten over time. It is such movies that take time to make their debuts on our blog. This movie “Kaun Hai Woh?” (1983) is one such movie. Its songs are not available on YouTube. Its artists are no longer in the limelight and the movies songs lie in the dust with some collectors.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

How many times have we heard the refrain- real life imitating reel life? Or someone says exactly as in the movies. Well I experienced it last year.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bemisaal”(1982) was produced by Debesh Ghosh and directed by Hrishikesh Mukherji. The movie had stars Amitabh Bachchan, Vinod Mehra, Raakhee, Deven Verma, Aruna Irani, Om Shivpuri etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dil Aakhir Dil Hai”(1982) was produced by M S Gulati and directed by Esmayeel Shroff for Bunty enterprises. The movie had Rakhee Gulzar, Parveen Babi, Naseeruddin Shah, Jalal Agha, Rehman, A.K.Hangal, Dina Pathak, Dinesh Hingoo, Kishan Dhawan, Shammi,Leela Mishra, Ramesh Tewari,Asha Sharma,Lalita Kumari, Amarnath, Master Shaka, Master Salim Murad, Sailesh,Deepak Puri, Dalip Sud, Hangama, R.P.Chawla, Nirmala, Ratna, Sunder Taneja, Nikky, Jenny, Ajit Pal etc in it.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (5 august 2015)is the birthday of Kajol.

And I find myself writing a post on this blog for this occasion. 🙂

Of all the songs I’ve written about here, this has got to be the most recent. Most of the songs I post are from the 70s or earlier, with just the odd 1980s song.

And this one is of the 1990s.

But I want to post this for three reasons.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Basics of Music- Part III (Raag and Thhaat)
——————————————–

In part I, we introduced swars and mentioned that combination of swars constitutes melody. In part II, we introduced the concept of Rhythm (taal) and mentioned that it is the combination of melody and rhythm that makes music what it is today.

Each of the two parts were quite heavy duty stuff for people not exposed to such stuff earlier. I got some comments on part I, but hardly any for the second part, which may mean that these concepts may have been going above the heads of readers. Nevertheless, these concepts are vital and they needed to be introduced. Here is the third part of the discussion on basics of music.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
——————————————————————————————–
# Bhoole-Bisre Geet # 11 # Duet-1 Hemlata, Suresh Wadkar
——————————————————————————————–

For this post I was specially looking for a ‘duet’ and I think this ‘lighthearted’ and ‘typical Ravindra Jain musical’ fits in this series of ‘seventies’ very much.  This one is from the 1978 Film ‘Madhu Maalti’ sung by Suresh Wadkar and Hemlata. Listening to this song reminds us of the popular  “Vrishti Pade Tapor Tupur” from the film ‘Paheli’ (1977), by same team.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13700 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1031
Total Number of movies covered =3759

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