Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Suresh Wadkar songs’ Category


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4430 Post No. : 15859 Movie Count :

4364

Pyarelal Ramprasad Sharma, one halfof the music director Laxmikant-Pyarelal was born on 03/09/1940. So that makes this 80th Birthday of the one of the most proficient, successful and talented musicians of the golden era of hindi film music. It is a well-known fact that both Laxmikant and Pyarelaljistarted their career as players of music instruments in the song recordings. If I am not mistaken, Pyarelalji, was a violinist.

‘Most proficient’ in the film industry’s history is the correct tag for Laxmikant-Pyarelal as they are the composers with the highest no. of songs composed which stands at 2901, in the blog’s stats page.

Laxmikant Pyarelal started as music directors in 1963, they hit the jackpot with Dost (1964). What followed is history, with awards, accolades and they never looked back. They are on record as loyalists of Rafi Sahab till his lifetime, who also sang maximum no of songs for them.

The achievements and success are too many, for me to start listing them. But their association with Anand Bakshi is the longest one, and must be the biggest such combo. I would guess the total songs composed by Laxmikant Pyarelal may have around 2000 written by Anand Bakshi.

On this birthday occasion , I am presenting the song from the film Krodhi (1981), by this very same team/combo of Lakshmikant-Pyarelal with AnandBakshi. The singers are Lata Mangeshkar and Suresh Wadkar. The was a multi-starrer film by Subhash Ghai. The starcast was Dharmendra, Hema Malini, Maushmi Chatterjee, Zeenat Aman, Shashi Kapoor etc and of course the love birds in the song, Sachin and Ranjeeta. The four songs of the film, which I remember are all nice one’s. But the movie is making a debut here on the blog with this song.

I have seen the movie, so can give a little outline of the story. Dharmendra is a gangster or smuggler, Zeenat Aman works for him and has a lot of regard and respect for him, as he has helped her a lot with the responsibilities. Zeenat Aman meets Shashi Kapoor (Police Inpector ?) at her sister’s wedding. Zeenat Aman and Shashi Kapoor get married, but Shashi Kapoor is not aware of the connection between Zeenat Aman and Dharmendra. The police is looking to arrest Dharmendra but he escapes and takes shelter in a village, where people mistake him for a godman or sadhu. Dharmendra adopts the disguise to escape the police. Sachin and Ranjita are the two characters who don’t make much difference to the story.

In the song, which Sachin and Ranjita are singing in the garden ‘Chameli baagh”, Dharmendra is looking on, and I think later on he helps them in some way or they are both murdered, by the villains. Dharmendra is also reminded of his late wife Maushmi Chatterjee while watching the song. Lata Mangeshkar is play backing for both Ranjita and Maushmi in the song.

The sort of word play which was a signature of Laxmikant Pyarelal and Anand Bakshi songs, is visible in this song.


Song-Chal chameli baagh mein mewa khilaaungaa (Krodhi)(1981) Singers-Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal

chal chameli
chameli baagh mein
mewaa khilaaungaa
chal chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
mewe ki tehni toot gayi to o
chaadar bichhaaunga
chaadar ka pallu phat gayaa to
darzi bulwaaungaa
darzi ki suyee toot gayi to o
ghodaa daudaangaaaa
ghode ki taang toot gayi to to
to to to to

to tum ko uthhaaungaaaa
dil mein bithhaaungaa
chal chameli
chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa

itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
pehle se hi dil mein bithhaa lo
tum thhak jaaogey ae
tum thhak jaaogey ae
tum thhak jaaogey ae
chal chameli
chameli baagh mein
jhoolaa jhulaaungi ee ee
chal chameli baagh mein
jhoolaa jhulaaungi ee

jhoole ki rassi toot gayi to
aanchal bichhaaungi
aanchal ka pallu phhat gaya to
see kar dikhaaungi
suyee jo mujh ko chubh gayi
hans kar manaaungi
hans kar jo tum na maane to
ro kar dikhaaungi
tum ko manaaungi
tum maan jaaoge
main roothh jaaungi
tum maan jaaoge
main roothh jaaungi ee

chal chameli
chameli baagh mein
panchhi dikhaaungaa aa
chal chameli baagh mein
panchhi dikhaaungaa aa

panchhi daali se udd gaye to
seeti bajaaungaa
seeti se bhi na wo udey to
bansi bajaaungaa
bansi jo gir ke toot gayi to o
main geet gaaungaa
geeton mein tum ko pyaar ki
baaten sunaaungaa
baaten sunaaungaa
din raat phir tum ko main
yaad aaungaaaa
din raat phir tum ko main
hmmm mmm
yaad aaungaaaa
hmmm mmm

yaad na aana
warna mujh ko
neend na aayegi ee
aakhon hi aankhon mein saari
raat jaayegi ee

chal chameli baagh mein
chori se jaayenge
chal chameli baagh mein
chori se jaayenge
chori se maali ki sabhi
kaliyaan churaayenge
kaiyaan churaa ke teraa
gajra banaayenge
ye to socho o o
kya hogaa jo
pakde jaayenge
pakde jaayenge

pakde jaayenge
pakde jaane se pehle to ham
bhaag jaayenge
pakde jaane se pehle to ham
bhaag jaayenge ae
chal chameli baagh mein
ham mewaa khaayenge


This article is written by Peevesie’s mom, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4403 Post No. : 15790 Movie Count :

4349

Hullo Atuldom

7th August- remembrance day of Gulshan Kumar Mehta. It seems like just recently that my husband read the news of his demise from the morning papers and asked me who it was? I just rattled out a list of songs that were written by him and he was surprised that almost all the songs that I mentioned he knew he had heard but without knowing who had written it or other details about the song. Today is this Gulshan Kumar Mehta’s 11th anniversary. He is known popularly as Gulshan Bawra.

The name “Baawra” was goven to him by distributor Shantilal Dave who could not believe that the then 19 year old “Baawra” could write such meaningful lyrics. And this moniker “Baawra” stuck.

As I sat to write this post I found a link on youtube that gave me 45 minutes of Gulshan Bawra songs under the title “Best of Gulshan Bawra” and contained the following songs: tumhe-yaad-hogaa; Aapse humko bicchde huye ek zamaana beet gaya; Hamne jo dekhe sapne; Waada karle saajna tere bina main na rahoon; Le chal le chal mere jeewan saathhi; Jeewan ke har mod pe mil jaayenge hamsafar; Tumko mere dil ne pukaara hai; Yaari hai imaan mera yaar meri zindagi.

Of the 10 songs in that list I didn’t know only two:- “dil sambhaale sambhalta nahin” and “beete hue din kuch aise hi hain”. But of course all the 10 are present on our blog. And 141 out of the 380 odd songs that he has written, are present in the blog. His first outing in movies was in the 1959 movie “Satta Bazaar” (1959) with the classic ‘tumhe yaad hoga kabhi hum mile the’. His career spanned almost four decades and we have a range of songs to entertain ys from the patriotic Aaj hai do october ka din and ‘mere desh ki dharti’; melodiously romantic ‘chaand ko kya maloom’ and funnily romantic ‘peenewaalon ko peene ka bahana chahiye’. His ‘dukki pe dukki ho’ is as popular as ‘dilbar mere kab tak mujhe’. And I remember having seen him on screen lip syncing ‘deewane hai deewano ko na darr chahiye’ and also enjoying the party in ‘Parivaar’ when Nanda sang ‘aaj hai do october ka din’. He was there on screen in Manoj Kumar directed ‘Upkaar’ as the halwai’s son. His songs have been put to music by Kalyanji Anandji, R D Burman, Shankar Jaikishan. He was awarded the best lyricist Filmfare award for “mere desh ki dharti” and “yaari hai imaan mera yaar meri zindagi” which also topped that years Binaca Geetmala.

Thinking of this lyricist on his anniversary with a song from the 1984 release “Andar Baahar”. 1984 was when I had discovered the new crop of good looking actors Jackie Shroff, Anil Kapoor, Sunny Deol etc. They looked good and danced/ acted reasonably well too. So I could request my dad to see this movie. He was also a fan of movies which were of the ‘masala’ genre and had some good songs for added pleasure and relaxation. I could never convince him to see any of the Arty movies, but that is another story.

“Andar Baahar” was a movie produced by Romu Sippy and directed by Raj N. Sippy. It had a cast of Jackie Shroff- Anil Kapoor- Parikshit Sahni- Anita Raaj- Danny. This was Moon Moon Sen’s Hindi debut (one of the reasons my dad agreed to come for the movie, he wanted to see Suchitra Sen’s daughter).

The movie had a very simple storyline:- A cop-n-crook story. The crooks led by Danny crack the safe of a bank, and one of them turns greedy and tries to shoot the others out of his way. The sound gets cop Ajay Sahni (Parikshat Sahni) to the spot and one of the team of crooks runs away with the loot. Danny escapes from prison and threatens the absconding Gulshan Grover of killing his sister if he doesn’t return the loot. Gulshan squeals to the cops and inspector Ajay and his friend Ravi Khanna (Jackie) reach the spot. Only this time, in the operations, inspector Ajay is fatally wounded and now inspector Ravi seeks vengeance. With the permission of the commissioner he brings the wounded crook Raja (Anil Kapoor), who is still in his custody, to help him track Shera (Danny) Gulshan etc and bring the movie to a close. In the process Ravi Khanna finds a friend in Raja who takes Ajay’s place in his life.

Now since there are friends in the movie it is mandatory to have a song where the heroes proclaim their love for each other. This is sung by Shailendra Singh and Suresh Wadkar. R D Burman is the music composer. The song has a stamp of RD all over it:- great opening piece and in between the mukhda and antara. We can also hear the harmonica (popularly called mouth organ) through the song.

Incidentally it also happens to be Suresh Wadkar’s 65th birthday. He has been active since 1977 – ‘Paheli’ and ‘Gaman’ (1978). His voice was different from the reigning voices of that time. He also is trained in classical music which is evident in “Saanjh Dhale Gagan Taley” and his numerous songs which need a clear voice at high pitch. We have 71 songs of his on the blog. We have a lot more songs out there for us to learn the range that he can sing in. For today we shall hear him here in this song and wish him a very Happy Birthday.

N.B.: There is a sad version to this song, video of which I am unable to locate.

(Jackie with Parikshat Sahni)(lyrics based on this)

(Jackie – Sad Version)

(Jackie with Anil Kapoor)

Song-O hamko toh yaari se matlab hai (Andar Baahar)(1984) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Gulshan Bawra, MD-R D Burman
Both

Lyrics

o humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
arre humko toh yaari se matlab hai
haan humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

haan humko toh yaari se matlab hai
oo humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hey ek aur ek toh gyaarah hote hai
ab toh hum wohi gyaarah hain
humko jo koyi aankhen dikhaayega
uski maut ka ishaara hai ae ae

ek aur ek toh gyaarah hote hai
ab toh hum wohi gyaarah hain
humko jo koyi aankhen dikhaayega
uski maut ka ishaara hai

ho jab tak bhi jeeye
yoon hi hasatein rahe
log kuchh bhi kahein yaara

arre humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hey jeene ko jeete hain
yoon toh sabhi yaaro
jeena usiko kehte hain
jeete nahin jo apne liye hi
auron ke dil mein rehte hai hae hae
jeene ko jeete hain
yun toh sabhi yaaro
jeena usiko kehte hai
jeete nahi jo apne liye hi
auron ke dil mein rehte hai
kaun rahega yahaan
hai yeh phaani jahaan
kal honge kahaan yaara
hey humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahin yaara

hae ab toh hum kabhi
door na honge ji
apna aisa iraada hai
tere liye pyaare
jaan haazir hai
tujhse yeh mera waada hai

ho ab toh hum kabhi
door na honge ji
apna aisa iraada hai
haan tere liye pyaare jaan haazir hai
tujh se yeh mera waada hai

ho ik dooje ka hum
sada baatenge gum
aaj khaale kasam yaara
arre humko toh yaari se matlab hai
ho humko toh yaari se matlab hai
yaar ho kaisa bhi
chaahe jhootha ya sahi
baat sach hai yahi yaara
arre humko toh yaari se matlab hai
arre humko toh yaari se matlab hai


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4385 Post No. : 15742

Hullo atuldom

Many times I find a celebrity’s birthday and then look for a song featuring him/ her. Then, there are times when I see or hear a song and look for the birth-dates or anniversaries of those related with that song. In both the scenarios the post is nearly ready due to readily available songs. There is a third scenario where when I visit the birth-dates/ anniversary page of our blog and I see a birthday of an artiste, whose work I like, coming up, I rush to look for possible songs and find it difficult to zero in on anyone because there are too may options. So to make selection easy, I make things more complicated by trying to find debut songs of the person, adding a condition that the person should be seen lip-syncing and if he/she is dancing in the song or at-least shaking a leg that would be a BONUS.

So today we are celebrating the 70th birthday of an actor who made un-credited appearances in ‘Aman’ (1967) and ‘Aan Baan’ (1972). Shyam Benegal was the one who first cast him as Vishwam in ‘Nishant’ in 1975 and there began his journey in the parallel cinema of the Indian Film industry. His foray into commercial cinema came about when he played one of the Pandavs in ‘Hum Paanch’ (1980) which was not a mythological movie but a movie with a social message. From then on, he has straddled cinema of various genres and been successful enough to last till today. He has given memorable performances and has been a recipient of the National Award and Filmfare award for the best actor three times. Additionally he has been awarded the Padma Shri and Padma Bhushan.

Initially we saw him as a costar to Shabana Azmi and Smita Patil. Then with ‘Katha’ (1982) Deepti Naval became his heroine and his movies could be said to have become commercially viable when we saw him with Rekha in two movies – ‘Umrao Jaan’ (1981) and ‘Ijaazat’ (1987). I think he did one more movie with Rekha I can’t recollect. Here I am not talking of Rekha movies where this actor played negative characters meaning played a villain (being the right term). Oh yes, this actor has played villain and hero in traditionally masala films. Just goes to show how versatile he is.

I am sure the readers have guessed that I am talking of Naseeruddin Shah. I loved what Sudhirji wrote in his post for the song “Kisi Na Kisi Se Kabhi Na Kabhi (Medley)” last year on the same occasion. I think we should revisit it.

For today let us see him sing and dance with Mithun Chakravarty and Yogita Bali. So “Oye oye. . . Tirchi Topiwaale” was not the first time he tried to dance.  Here he has played Mithun’s friend and Yogeeta’s brother. The song is from the romantic thriller ‘Khwaab’ (1980) which was directed by Shakti Samanta. It had songs written and composed by Ravindra Jain. Today’s song is sung by Jaspal Singh, Suresh Wadkar and Hemlata. The story of the movie is present in the only song of the movie that has been posted in the monsoon of 2015 – “Tu Hi Wo Haseen Hai“.

Happy Birthday to Naseeruddin Shah – stay healthy and may we have more from you.

Song – Ek Aas Liye Vishwaas Liye  (Khwaab) (1980) Singer – Suresh Wadkar, Jaspal Singh, Hemlata, Lyrics – Ravindra Jain, MD – Ravindra Jain
Suresh Wadkar + Jaspal Singh + Hemlata

Lyrics 

ooo hohohoooooho
ooo hoho hoooo ho
aaa aaaaa
(ooo hoho hoooo ho)
aaa aaaaa
(ooo hoho hoooo ho)

ek aas liye
vishwas liye 
mera mann manzil ke nishaan dhoondhe
ek aas liye
vishwas liye 
mera mann manzil ke nishaan dhoondhe
jisey aas na ho 
jisey aas na ho 
vishwas na ho
wo kya dhoondhe kahaan dhoondhe
ek aas liye
vishwas liye 
mera mann manzil ke nishaan dhoondhe

ahaa ahaa haa lalala laa 
ohohoho oooo
ahaa ahaa haa lalala laa 
ohohoho oooo

dharti se aasman tak 
manzilon ke silsile
wo kya karey jisey manzil
mil ke bhi na miley
yun bhi hota hai jeewan mein 
rehta chhupa mann mein
mere saathi
mil jaata hai wo bina dhoondhe
ek aas liye
vishwas liye 
mera mann manzil ke nishaan dhoondhe

sapna ho jin mein koi 
soti nahin hain woh aankhen
saathi adhure sapne 
meri bhi aankhon mein jhaanken
har sukh se juda dukh hai 
dukh ka apna sukh hai
mere saathi
sab kuch na miley yahaan dhoondhe
ek aas liye
vishwas liye 
mera mann manzil ke nishaan dhoondhe

ahaa ahaa haa lalala laa 
ohohoho oooo

nit bhor ki ye laali 
deti sandesha zindagi ka
jis ne andhere kaate 
hoga savera bhi usi ka
koi meet sahara de to
jeene ka ishaara de to
mere sathi
wahin manzil tu jahaan dhoondhe
ek aas liye
vishwas liye 
mera man manzil ke nishaan dhoondhe 
mera man manzil ke nishaan dhoondhe 
mera man manzil ke nishaan dhoondhe 

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ओ हो हो होsssss हो
ओ हो हो होsssहो
आss आssss
(ओ हो हो होsssहो)
आss आssss
(ओ हो हो होsssहो)

इक आस लिए
विश्वास लिए
मेरा मन मंज़िल के निशां ढूँढे
इक आस लिए
विश्वास लिए
मेरा मन मंज़िल के निशां ढूँढे
जिसे आस ना हो
जिसे आस ना हो
विश्वास ना हो
वो क्या ढूँढे कहाँ ढूँढे
इक आस लिए
विश्वास लिए
मेरा मन मंज़िल के निशां ढूँढे

आहा आहा हा लाल्लाल्ला ला
ओहो हो हो ओsss
आहा आहा हा लाल्लाल्ला ला
ओहो हो हो ओsss

धरती से आसमान तक
मंज़िलों के सिलसिले
वो की करे जिसे मंज़िल
मिल के भी ना मिले
यूं भी होता है जीवन में
रहता है छुपा मन में
मेरे साथी
मिल जाता है वो बिना ढूँढे
इक आस लिए
विश्वास लिए
मेरा मन मंज़िल के निशां ढूँढे

सपना हो जिन में कोई
सोती नहीं वो आँखें
साथी अधूरे सपने
मेरी भी आँखों में झाँकें
हर सुख से जुड़ा दुख है
दुख का अपना सुख है
मेरे साथी
सब कुछ ना मिले यहाँ ढूँढे
इक आस लिए
विश्वास लिए
मेरा मन मंज़िल के निशां ढूँढे

आहा आहा हा लाल्लाल्ला ला
ओहो हो हो ओsss

नित भोर की ये लाली
देती सँदेसा ज़िंदगी का
जिसने अंधेरे काटे
होगा सवेरा भी उसी का
कोई मीत सहारा दे तो
जीने का इशारा दे तो
मेरे साथी
वहीं मंज़िल तू जहां ढूँढे
इक आस लिए
विश्वास लिए
मेरा मन मंज़िल के निशां ढूँढे
मेरा मन मंज़िल के निशां ढूँढे
मेरा मन मंज़िल के निशां ढूँढे


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4377 Post No. : 15722 Movie Count :

4334

Hullo Atuldom

‘Lav Kush’ (1997) is a story of the twin children of Devi Seeta and Lord Rama. They were born after Seeta is banished to the jungle in Uttar Ramayana i.e. the last chapter of the epic ‘Ramayana’. Lord Rama is unaware of the birth of his sons in Sage Valmiki’s ashram where Seeta is taken care of, and the children grow up as ‘muni kumars‘ who are trained to be proficient in military skills as well.

There have been many movies and serials in almost all the Indian languages, with ‘Luv Kush’ as the central theme. A search for ‘Lav Kush’ or ‘Luv Khush’ on google comes up with 10 results or 10 instances when the story has been used by the entertainment world in the form of movies animation series and TV series (there may have been more). The last of these was an animation series for children in 2012.

The first time the story was used was may be in 1951, a movie by Nanabhai Bhatt where Nirupa Roy was Seeta and Prem Adib was Ram. Then There was a movie in 1967 where Jayshree Gadkar played Seeta to Ashim Kumar’s Ram. There was a short film by K A Abbas in 1972 with Lav Kush as the story. ‘Lav Kush’ in 1974 spoke Telugu. There was a ‘Lav Kush’ in 1997 with Jaya Prada as Seeta and Jeetendra as Ram. Interesting trivia about this movie is that Jayshree Gadkar (Seeta of ‘lAV kUSH’ 1967) played Kaushalya. In fact Jayshree Gadkar has played Kaushalya in the TV series ‘Lav Kush’/ (1988) as also the ‘Ramayana’ Doordarshan serial.

Now the regular followers of this blog may be wondering why I have taken up this part of ‘Ramayana’. Well, last week I saw a movie on one of the satellite channels. When I discovered it, I saw the cute boys – Master Adil and Baby Shrestha playing Lav and Kush – regaling the courtiers of Ayodhya by their rendition of the Ramayana. But they get angry when they come to know that Seeta Mata has been banished by Ram and they question him about his being addressed as ‘maryada purushottam‘. They walk out of Ayodhya and go straight to their mother and report all that they saw in Ayodhya. They are pacified by sage Valmiki and I jolted into “Who is playing Valmiki?”

I mean, I was used to seeing that actor as a badman, good friend, benevolent grandfather, strict father, uncle, even a war-veteran but never had I thought that this versatile actor had done a mythological role. I have heard stories of how people of a certain generation never gave their children this popular actor’s name. I am sure the readers have guessed that I  am referring to Pran Saab.

So we have Pran Krishan Sikand (12 february 1920 – 12 July 2013) who played a wide variety of roles beginning with playing the hero to Noor Jehan in ‘Khandaan’ of 1942, going on to play a badman in umpteen movies and then changing track to become ‘Malang Chacha‘ in ‘Upkaar’ (1967).

Personally, I first saw him as a strict father to Rishi Kapoor in ‘Bobby’ (1973) and then as a grandfather trying to get familiar with his grand children in ‘Parichay’ (1972). Though ‘Parichay’ was an earlier film and I may have seen it in the theatre as a child in arms, but I sure I saw it with full awareness when Bombay Doordarshan telecast it on their Sunday evening show. In fact I may have seen many of his pre-70s movies on the television and got scared too of the characters he portrayed.

Some of his scenes are forever etched in the mind; like the one in ‘Guddi’ (1971) where he tells Utpal Dutt – “It is a pleasure getting beaten by a person like Dharmendra, imagine I have been beaten up by heroes half my size”. (I tried to locate this scene as a video clip on YouTube but failed, because the punch of the dialogue gets lost-in-translation). That scene in ‘Don’ (1978) where he is escaping from the goons with his children and is confronted by Amitabh – an outstanding  scene. But the most memorable scene (IMHO) is the one from ‘Zanjeer’ (1973)  where he faces the inspector played by Amitabh for the first time. There are many such memorable scenes that I am sure, are the personal favorites of the blog-followers.

Similarly every one will have a favourite song which has been filmed on Pran Saab. “Phir Na Kehna Micheal Daroo Pee Ke Danga Karta Hai“; “Bolega To Bologe Ke Bolta Hai“; “Yaari Hai Imaan Mera“; “Kasamein Vaade Pyaar Wafa Sab Baatein Baaton Ka Kya“; “Jeevan Ke Din Chhote Sahi Hum Bhi Bade Dilwale“; or the evergreen “Do Bechare Bina Sahaare Dekho Poochh Poochh Kar Haare“. There are also songs where the heroine, with the help of the hero, has made Pran Saab sing and dance and make a buffoon of himself- “Dil Ki Umangein Hain Jawaan“; and can one forget him in that song from “Half Ticket” where he says “Aake Seedhi Lagi Dil Pe Jaise Katariya“.

It is very easy to visualize him as a sage only thing is I was unaware of this movie or the fact that he played the Valmiki, that is why I was pleasantly surprised. And he had a song here too. Now that means it has to be on our blog too. Here it is sung by Suresh Wadkar, written by Dev Kohli and Raam Laxman is the music composer. It comes towards the end of the movie when Seeta has heard that Ram is undertaking the ‘Ashwamedha Yagya‘ and she is wondering how it can be undertaken in the absence of the better half. And Sage Valmiki sings this to make her see the reality of Ram.

A few thoughts crossed my mind as I was seeing this video to jot the lyrics: never seen Pran in this getup (this I have already said), there is an earnestness seen when he does the alaap part of the song, his expressions explain why he had had such a long run in the movies.

Remembering Pran Saab on his anniversary.

Video

Audio

Song – Karo Nahin Sandeh Ram Par  (Lav Kush) (1997) Singer – Suresh Wadkar, Lyrics – Dev Kohli, MD – Raam Laxman

Lyrics 

aaaa aaaaa

ram ram ram

karo nahin sandeh ram par
karo nahin sandeh
karo nahin sandeh ram par
karo nahin sandeh
sada raha hai sada rahega aaaaaa
aaaaa aaaaaaaa 
aaaaa aaaaaa aaaaaa
sada raha hai sada rahega
tum par unka nae..ae..ae..aeh
karo nahin sandeh ram par
karo nahin sandeh

ek vachan hai ek karm hai
ek ram ka baan
ek vachan hai ek karm hai
ek ram ka baan
ek patni ka vrat hai unka aaaaa
aaaaa aaaaaa aaaa
ek patni ka vrat hai unka
karein jagat kalya..aa..aan
karo nahin sandeh ram par
karo nahin sandeh

yadi ve dharm tyag dein apna
chhand badal de gaayan
aaaaa
yadi whe dharm tyag de apna
chhand badal de gaayan
janm vyarth ho jaaye mera
aaaaaa aaaaaa aaaa
aaaaaaa aaaaaa
janm vyarth ho jaaye mera
vyarth meri ramaya..aa..aa..n
karo nahin sandeh ram par
karo nahin sandeh
sada raha hai sada rahega
tum par unka nae..ae..h
karo nahin sandeh ram par
karo nahin sandeh

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

करो नहीं सन्देह राम पर
करो नहीं सन्देह
करो नहीं सन्देह राम पर
करो नहीं सन्देह
सदा रहा है सदा रहेगा
आsssss
आssss आssssssss
आssss आsssss आsssss
सदा रहा है सदा रहेगा
तुम पर उनका ने॰॰ए॰॰ए॰॰एह
करो नहीं सन्देह राम पर
करो नहीं सन्देह

एक वचन है एक कर्म है
एक राम का बाण
एक वचन है एक कर्म है
एक राम का बाण
एक पत्नी का व्रत है उनका
आsssss
आssss आsssss आ
एक पत्नी का व्रत है उनका
करे जगत कल्या॰॰आ॰॰ण

यदि वे धर्म त्यागी दें अपना
छंद बादल दे ज्ञान
आsssss
यदि वे धर्म त्यागी दें अपना
छंद बादल दे ज्ञान
जन्म व्यर्थ हो जाये मेरा
आssss आsssss आsssss
आssss आssssssss
जन्म व्यर्थ हो जाये मेरा
व्यर्थ मेरी रामायण

करो नहीं सन्देह राम पर
करो नहीं सन्देह
करो नहीं सन्देह राम पर
करो नहीं सन्देह


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4362 Post No. : 15687

Hullo Atuldom

27th June- birth anniversary of our beloved Panchamda a.k.a RD Burman. We have many posts on this blog which gives us details of his birth, his lineage, and many many other trivia connected with how he got the nickname “Pancham”.

So without wasting time or as some people would like to say ‘zyaada footage khaaye bagair’ I will come straight to today’s song. It is from the 1989 released, Vidhu Vinod Chopra written-produced & directed “Parinda”. It had Madhuri Dixit, Jackie Shroff, Anil Kapoor, and Nana Patekar in a rather grey role. Anupam Kher was there in a special appearance.

Anil Kapoor and Jackie Shroff played brothers. Anupam Kher played Anil Kapoor’s friend and Madhuri’s brother. Jackie Shroff works for the underworld chieftain Anna (Nana Patekar). Anil Kapoor returns from studying abroad and meets his childhood friend Anupam Kher who has become a police officer. He also witnesses his friend being shot down by the underworld and decides to avenge his death.

The movie is interspersed with the tender love and camaraderie that is shared between the brothers and their dreams of having a family complete with wife children etc. Today’s song is when the brothers are thinking of the impending marriage of Anil Kapoor with Madhuri.

“Parinda” had seven songs which were written by Khurshid Hallauri of which one is there on the blog, posted on 15th of May 2015. (It has a sad version which was posted in the comments by Prakashchandraji) There was also a comment there by Prakashchandraji:- “And Who is Khursheed Hallauri ??, the lyricist, Any one who has information about him, Please share with us.” This question still remains.

This movie was planned by Vinod Chopra after his low-budget suspense thriller “Khamosh” failed to find a distributor for theatrical release. “Parinda” received critical acclaim when released. It also won two National awards and five Filmfare awards. It was also selected to represent India at the Oscars that year.

I chose this particular song as it talks of a marriage and we have an active follower of this blog celebrating his anniversary today. He is a big fan of Pancham and his music so I hope he and his life-partner (also known as Satulite in Atuldom) like this song.

Thank You Panchamda for leaving us this fun song.

Audio

Video

Song-Sehre mein dulha hoga (Parinda)(1989) Singers-Shailendra Singh, Suresh Wadkar, Lyrics-Khursheed Halluri, MD-R D Burman
Both

Lyrics

sehre mein dulha hoga,
ghoonghat mein dulhan hogi
haan sehre mein dulha hoga,
ghoongat mein dulhan hogi

masti mein naachenge yaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoongat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega

ho o aayega jab din woh khushi ka
hosh rahega kisko kisika
hoo ghar aayegi bhaiyya ki dulhan
jhoom uthhega yeh ghar aangan
hey raat suhaani hogi,
chadhhti jawaani hogi

duniya deewaani hogi,
saath me rani hogi
karke sola singaar
ke ghar me baaja bajega

haan sehre mein dulha hoga,
ghoongat mein dulhan hogi
sehre mein dulha hoga,
he ghoongat mein dulhan hogi
masti mein naachenge yaar
ke ghar me baja bajega

poore honge armaan dil ke
honge khush dulhan se mil ke
pyaar se hongi pyaari baatein,
katt jaayengi pal mein raatein

haan saanson mein hogi jwaala
chaabhi hogi na hoga taala
saali hogi na saala,
saala hoga na saali

aaya hai tere dar pe sawaali
shirdiwaale sai baba
shirdiwaale sai baba
aaya hai tere dar pe sawaali
no no no bhaiyya
sawaali nahin saali saali
saali hogi na saala,
chaabi hoga na taala

saali hogi na saala,
chaabi hoga na taala
donon karenge pyaar
ke ghar mein baaja bajega

haan sehre mein dulha hoga,
ghoonghat mein dulhan hogi
sehre mein dulha hoga,
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega

armaanon ki bagiya khilegi,
bhaiyya ko mere dulhan milegi
o o behne lagegi prem ki dhaara
paawan hoga jeewan saara

hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
haan duniya dekhegi mera kamaal
ho chhorra ganga kinaare waalaa
ho chhorra ganga kinaare waalaa
o khaike paan banaaras waalaa
khuli jaaye band akal kaa taalaa
phir to aisa kare kamaal
seedhi karde sabki chaal

arre arre arre
chaal nahin gadhe
saal saal
hoga jo poora saal
godi mein hoga laal
hoga jo poora saal
godi mein hoga laal
chhota sukhi parivaar
ke ghar mein baaja bajega
sehre mein dulha hoga
ghoonghat mein dulhan hogi
sehre mein dulha hoga
ghoonghat mein dulhan hogi
masti mein naachenge yaar
ke ghar mein baaja bajega
haan baaja bajega
ha ha
arre baaja bajega
baaja bajega


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4340 Post No. : 15641

Sai Paranjpye has so far directed 8 feature films in Hindi. She has written story and script for all these films. Each of these films has some interesting background as to what prompted her to make those films. In this article, I am covering her film ‘Saaz’ (1997) which was produced by Amit Khanna under the banner ‘Pulse Films’ of the Plus Channel of which he was the managing director during 1989-2000.

Sometime in 1995-96, Plus Channel decided to produce some ‘middle-of-the-road’ films. Directors like Shyam Bengal, Basu Chatterjee, Sudhir Mishra, Aruna Raje, Gautam Ghosh and Sai Paranjpye were enlisted to direct  such genre of films which resulted in the release of films, ‘Sardari Begum’ (1996), ‘Gudgudee’ (1997), ‘Is Raat Ki Subah Nahi’ (1996), ‘Bhairavi’ (1996), ‘Gudia’ (1997) and ‘Saaz’ (1997), respectively.

Shabana Azmi had worked with Sai Paranjpye in ‘Sparsh’ (1980) and ‘Disha’ (1990). As per Sai Paranjpye’s Marathi book, ‘Sai – Maaza Kalapravaas’ (2016), one day Shabana came to her with a proposal on behalf of Plus Channel to direct a film with a woman-oriented story in which she would like to work. Sai Paranjpye accepted the proposal. The subject of sibling rivalry in the professional fields had attracted Sai Paranjpye but she had not thought of making a film on the subject. With this proposal, she thought as to why not make a film on sibling rivalry.

We are aware that there have been many instances of sibling rivalries – be in epics, history, business, media, industrial houses etc in India where there was thin line of difference between the professional and personal rivalries. According to Sai Paranjapye, sibling rivalry of Lata Mangeshkar and Asha Bhosle is unique in the sense that their personal relationship by and large has remained intact over the years in the midst of their professional rivalry. And Sai Paranjpye wanted to bring this uniqueness in the film.

When Sai Paranjpye worked on the script of the film, she realised that the film was leaning towards making of a biopic on Asha Bhosle. She felt uncomfortable to make a film on such a script involving the personal lives of the siblings. Furthermore, she has no acquaintance with both the sisters.  The idea of making a film depicting Asha Bhosle was, therefore, dropped. However, in the revised script, the main theme of two playback singing sisters were kept in mind with some twists in the stories just to segregate her story from the real life story of Lata and Asha Bhosle. However, a couple of events which actually happened during the lives of  Asha Bhosle and Lata Mangeshkar were incorporated as they were in the public domain, written by those who had witness those events.

The star cast of ‘Saaz’ (1997) included Shabana Azmi, Aruna Irani, Parikshit Sahani, Raghuveer Yadav, Ayesha Dharker, Zakir Hussain, Amar Talwar, Brijbhushan Sahani, Bhupen Hazarika etc. The story, script and dialogues were written by Sai Paranjpye who also directed the film. The film was mostly shot around Mumbai. Some last part of the film were shot in Seychelles.

The film was certified by the Censor Board on 31-12-1996. But film failed to get release in theaters. The reason is stated to be the ban put by the Theater Owners Association on the exhibition of films produced by Plus Films due to the non-payment of arrears of rent from Plus Channel to some theater owners. I am not aware whether the film was released in the theater after this ban. Probably, the film got released later on TV.  It was only after reading some parts of the script of the film published verbatim in Sai Paranjpye’s Marathi book referred to above that made me to watch the film. I am pleasantly surprised to note that she has handled the theme of sibling rivalry of playback singing sisters very delicately and objectively. There are some poignant moments between the two sisters which are very heart-touching.

The film’s story has been told in a flash-back mode during Bansi’s (Shabana Azmi)’s sessions with a psychiatrist played by Parikshit Sahani. She needed this treatment as she has lost the will to sing after the death of Hemang Desai (Zakir Hussain) with whom she was in love and would have married him. In all her sessions, Bansi reveals events from her childhood to playback singing career as to how she was always played second fiddle to her elder sister. How she broke the relationship with her didi for 10 years due to snatching of her chance to sing on India’s Independence Day at Delhi. But after the sudden death of her elder sister, Bansi feels guilty of depriving  her elder sister of spending time with her daughter.  Towards the end of the film, Bansi gets a good news that her daughter has won the award as a promising playback singer. This pleasant news makes Bansi to sing live in front of the audience in Seychelles. The tape of her singing is sent to psychiatrist who comes at the airport to receive her and announces that she does not need any more treatment. So his relationship with Bansi as a doctor and a patient is over. Instead, he wants now to be her friend. The films end with both them walking together out of the airport.

In my view, this film is not one of the best among the films Sai Paranjpye has directed. Probably, in trying to make the film different from that of the sibling rivalry of Lata and Asha Bhosle, too many characters were introduced. As a result, about last one hour of film does appear some disconnect from the first part of the film which has some brilliant stamp of Sai Paranjpye. However, I feel that she has succeeded in creating sympathy of the audience for the younger sister without their malice towards the elder one.

In keeping with the subject of the story, ‘Saaz’ (1997) has as many as 11 songs (including a multiple version song). Songs are written by Javed Akhtar which have been set to music by 4 music directors – Ustad Zakir Hussain, Bhupen Hazarika, Raj Kamal and Yashwant Deo. The reason given by Sai Paranjpye for multiple music directors is that since sisters are playback singers working with different music directors, the songs in the film should reflect the different style of music direction. Two of the music directors, Ustad Zakir Hussain and Bhupen Hazarika also acted as music directors in the film.

Out of the 11 songs of the film, 3 songs have been covered in the Blog, all by Peevesie’s Mom. I am presenting the 4th song from the film which is a multiple version song. The song is “Baadal Ghumad Badh Aaye”. The male version of the song is sung by Suresh Wadkar and Kavita Krishnamurthy sings the female version. Both the versions of the song are set to music by Yashwant Deo in Raag Megh-Malhar. In the credit titles of the film, only Javed Akhtar’s name appears as a lyricist. But in reality, both the versions of the song have been written by Sai Paranjpye. There is an anecdote as to why Sai Paranjpye had to write the lyrics of the song as revealed by her in her Marathi book referred to above.

Javed Akhtar has written all the songs except the one under discussion which was last to be written. Despite repeated reminder, Javed Akhtar could not write the song. Yashwant Deo who was to set the song to music had booked the recording room and taken the dates of Suresh Wadkar and Kavita Krishnamurthy. All the musicians were also booked for the date of recording. Now only two days had left for the recording of the song but both the version of song’s lyrics was not yet ready. Just one day before the song recording date, it came to light that Javed Akhtar has gone to Khandala with a film producer. The cancellation of recording of the song would have entailed a huge loss and also the shooting schedules would have been affected entailing further loss.

Yashwant Deo mentioned to Sai Paranjpye that even if he gets the song in the morning of the song recording date, he can manage somehow to complete the rehearsals and record the song at the appointed time at noon. Sai Paranjpye came home at night and completed the lyrics of two versions of the song, foregoing her sleep. In the morning, she handed over the lyrics to Yashwant Deo and recording of the songs took place as schedule.

On return from Khandala on the next day, Javed Akhtar was shocked to learn that the songs have already been recorded. He got annoyed on Sai Paranjpye.  After 3-4 days, an executive from Plus Films came to her asking for her lyrics which Javed Akhtar wanted to read. He took lyrics to Javed Akhtar. There was no further development which meant that Javed Akhtar had no issue with the lyrics. On this issue, Shabana Azmi remained neutral.

Javed Akhtar won the National Film Award for the best lyrics in ‘Saaz’ (1997).

It is not an easy task for a novice to write lyrics based on Hindustani classical raags. The choice of words shows that Sai Paranjpye has hold over Sanskritised Hindi. For the first time, I have heard the word kanakalankrit bhor (dawn of golden colour). While the male version of the song is reflective of the onset of the rains, the female version of the song signals the end of the rains and the sun is shining giving a dawn of hope. This is symbolic for the resurgence of playback singing career of Bansi (Shabana Azmi) after she lost her will to sing.

Suresh Wadkar version of the song is pictuirsed on Raghuveer Yadhav who has played the role of a father of singing sisters, Mansi and Bansi. The picturization of the song is based on a true story in the life of Dinanath Mangeshkar who had gone to the house of Vishram Bedekar (Marathi and Hindi film director) in the midnight, drenched under heavy rains to borrow money to quench his thirst for alcohol. Bedekar taunted him by saying that it did not behove well for such a great artist to beg for money. Dinanath Mangeshkar retorted by impromptu singing a bandish in Raag Megh-Malhar and after completing the bandish, he took money from Bedekar as a present for his rendering.

Enjoy both the version of the songs in the backdrop of the approaching monsoon season.

Video (Suresh Wadkar Version)

Audio (Suresh Wadkar Version)

Video (Kavita Krishnamurthy Version)

Audio (Kavita Krishnamurthy Version)

Song – Baa..dal Ghumadh Badh Aaye (Saaz) (1997) Singer – Suresh Wadkar, Kavita Krishnamurthy, Lyrics – Sai Paranjpye, MD – Yashwant Deo

Lyrics

Suresh Wadkar Version

baa…dal ghumad baddh aaye

baa…dal ghumad baddh aaye..e
kaali ghata ghanghor gagan mein
kaali ghata ghanghor
baa…dal ghumad baddh aaye
baa…dal ghumad baddh aaye
kaali ghata ghanghor gagan mein
kaali ghata ghanghor gagan mein
andhiyaara chahun o..or
andhiyaara chahun o..or
ghan barsat utpaat pralay kaa
pyaasa kyon manmo..or
pyaasa kyon manmo..o..or
baa…dal ghumad baddh aaye
baa…dal ghumad baddh aaye..e
 
kaali ghata ghanghor gagan mein
kaali ghata ghanghor
ghanghor
ghanghor
ghanghor
kaali ghata ghanghor gagan mein
andhiyaara chahun o..or
ghan barsat utpaat pralay kaa
ghan barsat utpaa..aa..aa..t
aa aaa aa aaa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa 
ghan barsat utpaat pralay kaa
pyaasa kyon manmo..or
pyaasa kyon manmo..or
baa…dal ghumad baddh aaye
baa…dal ghumad baddh
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
baa..dal ghumad
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
baa..dal ghumad
baa..dal ghumad
baa…dal ghumad baddh aa..aa..aa..ye

Kavita Krishnamurthy Version

baa..dal ghumad baddh aaye
baa..dal ghumad baddh aaye
kaali ghata ghanghor gagan mein
kaali ghata ghanghor gagan mein
andhiyaara chahun o..or
ghan barsat utpaat pralay ka
pyaasa kyon manmo..or
pyaasa kyon manmo..or
baadal baras ab maun bhaye
baadal baras ab maun bhaye
 
ravi ujjwal prajawalit gagan mein
prajawalit gagan mein
gagan mein
gagan mein
gagan mein
ravi ujjwal prajawalit gagan mein
kanakaalankrut bho..or
jai mangal jai ghosh gagan kaa
jai ghosh gagan kaa..aa..aa
aaaaaaaaaaaaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
jai mangal jai ghosh gagan kaa
shubh utsav chahun o..or
shubh utsav chahun o..or
baa..dal baras ab maun bhaye
baa..dal baras
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
baadal baras ab maun bhaye..ae
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
baadal baras
baadal baras
baadal baras ab maun bha..ye..ye


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4329 Post No. : 15622 Movie Count :

4303

Hullo Atuldom

This is an attempt to remember two legends of Bollywood with one post.

On reviewing the “anniversaries page” of the blog I found an opportunity to introduce the qawwali song from a 1982 released (exact date being 27/05/1982 meaning the movie is 38 years old), Raj Kumar Kohli produced and directed, multi starrer “Badle Ki Aag” (Flames of Revenge).

The recent stay-at-home gave me the time to sit through this movie. It is a very typical, simple, regular story with a slight twist.

There is a family of father (Kadar Khan), mother (Nirupa Roy), two sons and a daughter. The father in his greed for wealth wipes out his partner’s family but the children of this family escape the mass-murder. Nirupa Roy gets separated from her sons in the course of walking out on her cruel greedy husband. She has her daughter with her. The sons grow up to be dacoits Shera (Dharmendra) and Lakhan (Sunil Dutt) and daughter (Sarika) an aspiring lawyer whose education is funded by Lakhan who has kept in touch with the mother and sister. Lakhan is a do-gooder daku where as Shera is ruthless.

Meanwhile the daughter (Reena Roy) of the affected family has been brought up in a kotha and nurses a desire to revenge her families misfortune. Her brother (Rajeev Anand who was seen in about 5 movies after which he turned producer) grows up to be a cop. There is one more important character in the whole setup- Inspector Amar Verma (Jeetendra) who is the son of Mohanlal Verma (Madan Puri) who is constantly tormented by Shera and Lakhan. Now here is the promised twist- at different times Geeta (Reena Roy) the dancer has had interaction with the three heroes and all of them have developed feelings for her. But she loves the Inspector who has seen her at different times with the other two and misunderstands her. Isn’t that a different kind of love-story. Here I should mention the existence of Bijli (Smita Patil) who loves Shera. Hope the readers have got confused about the very regular story that this movie had. The movie was a success at the Box-Office what with so many stars.

Today’s songs has the three heroes disguised as Qawwals at Janakidas’s son’s wedding. We have Smita Patil dancing around. Here I must admit that this post reminded me of this Qawwali sung by Kishore Kumar, Mahendra Kapoor and Suresh Wadkar. It had music by Laxmikant- Pyarelal and had lyrics by Verma Malik.

Small thoughts after seeing the song on repeat for writing this post- (1) Sunil Dutt and Jeetendra are jumping around and Dharmendra stays put on his mat. (2) Looks like this is the only time when Smita Patil has shared screen time with Jeetendra.

With this song we remember Sunil Dutt and Laxmikant Shantaram Kudalkar on their anniversaries.

Video

Audio

Song-Main jis mehfil mein aata hoon (Badle Ki Aag)(1982) singers-Kishore Kumar, Mahendra Kapoor, Suresh Wadkar, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
All

Lyrics

ho ho ho
ho o ho
ho ho ho ho
ho o ho
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
aata hoon aata hoon aata hoon
jo chaahta hoon
le jaata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon

main woh bala hoon
main woh bala hoon
jis se khudaayi darr gayi
main woh bala hoon
jis se khudaayi darr gayi
maut se takkar huyi toh maut tauba kar gayi
tauba tauba tauba
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon

duniya ka iss mutthi mein aaghaaz hai anjaam hai
duniya ka iss mutthi mein aaghaaz hai anjaam hai
aur khuda ke baad har ek
leta mera naam hai
naam hai naam hai
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon

main kya hoooon
main kya hoon
aur kaun hoon tum jaante nahin
main kya hoon aur kaun hoon
tum jaante nahin
donon ka malkul(?) maut hoon pehchaante nahin
main maut se bhi lad jaata hoon

main maut se bhi lad jata hoon
main maut se bhi lad jsata hoon
hoon hoon hoon hoon hoon
jo chaahta hoon le jaata hoon
jo chaahta hoon le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon

main woh azeem hasti hoon
jise waqt na mita sake
arre main woh azeem hasti hoon
jise waqt na mita sake
na aandhi hi uda sake
na shola hi jalaa sake

bandook se jo baat kare
main us nasal ka khoon hoon
jo dushmanon ko kuchal de
main aisa ek janoon hoon
zaalimon aur baaghiyon qaatil luteron ke liye ae
zaalimon aur baaghiyon qaatil luteron ke liye ae
main khud hi toh insaaf hoon
main khud hi ek kaanoon hoon
kanoon se main takraata hoon

kanoon se main takraata hoon
kanoon se main takrata hoon
hoon hoon hoon hoon hoon
jo chaahta hoon le jaata hoon
jo chaahta hoon le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon

zulm hoon aur andher hoon main haan
aur jangal ka sher hoon main haan
ser pe sawa ser hoon main haan haan
tujh mein itna josh nahin
arre tujh ko apna hosh nahin
main bhi toh khaamosh nahin
fitna aur fasaad hoon main
tere liye jallaad hoon main
donon ka ustaad hoon main
fitna aur fasaad hoon main
tere liye jallaad hoon main
donon ka ustaad hoon main
haan haan haan haan
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4318 Post No. : 15603

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 29
—————————————————————————

Regulars on this blog might have noticed that now our dear Prakash ji is also regularly contributing to the ‘Blog Ten Year Challenge’ series and I feel very happy about that and relaxed too, because now we will not miss many of these opportunities on the blog (at least for the movies from ‘seventies’).

And though our editors were also contributing to this series sometimes, most of the time I was running alone, so now the ‘baton’ has been taken over and the ‘musical relay’ continues 😊

When I got into touch with Prakash ji to congratulate him for his participation, we also discussed that we will together try to communicate and co-ordinate as possible and while Prakash ji can always do the lyrics part (or some he has already done earlier) I can do the write up part. We also discussed on the opportunities missed due to one reason or the other.

Both of us regret that we missed the opportunity of 30th April for the movie ‘Daaku-1975’. Though Prakash ji had sent a song for this date, but maybe our editors could not post it due to other priorities and work. And I did not send a song or write-up for this movie since I thought Prakash ji might have done that.

Today’s post is the result of this ‘well-co-ordinated team effort’ …

And this situation of ‘ideal team effort’ 😊 was also expressed few years back either in the comments or mail communications in the group, that a regular lyrics contributor and a regular post writer coming together will make it more interesting (I was not a regular on writing posts then) to keep the ‘score card’ moving.

After communicating with Prakash ji I felt like ‘ham donon ek doosre ke purak ban sakte hain’ and even I remember this from the movie ‘Border’ ‘ham hi ham hain to kya ham hain, tum hi tum ho to kya tum ho’ 😊 (filmon ke baare mein sochne ka asar, aur kya?), or just like today’s song ‘mujhe teri zaroorat hai, tujhe meri zaroorat hai’ 😊 😊

Today’s song is from the movie ‘Kaanoon Aur Mujrim-1981’.

I had not watched this movie and didn’t know anything about it until I listened to one of its song “Shaam rangeen huyi hai tere aanchal ki tarah” during early eighties on radio. And after many years of listening this song I got to know the name of the movie(I had mentioned this earlier in my post here ).

I think this movie must have been an obscure movie.

‘Kaanoon Aur Mujrim’ or ‘Qaanoon Aur Mujrim-1981’ was directed by Sham Jethani and Jeevan Kumar for ‘L.K. Movies, Bombay’. They were also the writers of this movie.

S.C. Jethani was the producer of this movie. This movie had Vijendra Mittal, Madhumalini, Padma Khanna, Meena T., Jayshree T., Bharat Kapoor, Avtar Gill, Anand, Ratna, Ved Goswami, C.S. Mantri, Khalil Khan, Dr. Relan, Reema, Venus, Maqbool, Sarita, Sheela, Deepak, Aasha, Shaan and others. Jagdish Raj, Bhagwan Dada, Mohan Choti make friendly appearances in this movie.

This movie introduced Manish Kumar and Noorie.

‘Kaanoon Aur Mujrim-1981’ was passed by Censor Board on 18.06.1981.

This movie had total six songs composed by C. Arjun. He was assisted by Gyan and Iqbal. Asad Bhopali wrote four songs for this movie and Ahmed Wasi wrote two songs.

Today’s song is penned by Ahmed Wasi. The first song of this movie was posted on the blog on 14.05.2010. It was also penned by Ahmed Wasi. What a melodious song and what beautiful meaningful lyrics it had. I thought this song – Shaam rangeen huyi hai tere aanchal ki tarah was the only well-known song from this movie.

But after listening to today’s song it also sounds familiar and maybe I have heard it on Radio earlier.

Today’s song is a solo song sung by Suresh Wadkar. Other than him Shailendra Singh, Usha Mangeshkar, Dilraj Kaur and Shobha Gurtu have given their voices to the songs in this movie.
Now Dilraj Kaur and Shobha Gurtu’s name are more than enough to make one curious to know about the songs sung by them. Well, they will be coming in the future on the blog (if available).

As mentioned above lyrics for the today’s song were sent by Prakashchandra ji.

Ten years back on 14.05.2010 three songs were represented on the blog including a song from this movie “Kanoon Aur Mujrim-1981”.

Song Movie title-Year Remarks
Shaam rangeen huyi hai tere aanchal ki tarah Kaanoon Aur Mujrim-1981 01 of 06 song posted
Peete peete kabhi kabhi yoon jam badal jaate hain Bairaag-1976 All songs covered
Ye shamaa to jali roshni ke liye Aaya Saawan Jhoom Ke-1969 All songs covered

We can see that all the above three songs posted then are all good songs to listen to.

For ‘Kaanoon Aur Mujrim-1981’ we have so far only one song posted on the blog.

Song Posted On
Shaam rangeen huyi hai tere aanchal ki tarah 14.05.2010

Let us now enjoy today’s song. Video of this song is not available so I cannot say much about the picturization of this song…


Song-Jawaan hoon main bhi jaane jaan (Kaanoon Aur Mujrim)(1981) Singer-Suresh Wadkar, Lyrics-Ahmad Wasi, MD-C Arjun

Lyrics (Provided by Prakashchandra)

jawaan hoon oon oon oon
main bhi jaane-e-jaan
agar tu oo oo oo
khoobsoorat hai ae
mujhe teri zaroorat hai
tujhe meri zaroorat hai
jawaan hoon oon oon
main bhi jaane-e-jaan aa

main tere jalwon se chaahat ki duniyaa aa aa
aabaad kar loongaa aa aa
ae ae main teri zulfon ki khushboo churaa kar
neendon mein bhar loongaa aa
mera dil
keh rahaa hai tu
wafaa ki ee
ek moorat hai ae
mujhe teri zaroorat hai
tujhe meri zaroorat hai
jawaan hoon oon oon
main bhi jaane-e-jaan aa

hey ae ae maaloom kyaa thha ke ik din hamaaraa aa
aisey milan hogaa aa
baahon mein meri machalta lajaataa aa
tera badan hogaa aa
jigar kaa…aa aa aa aa
dard mitney ki ee
yahi to o o o
ek soorat hai ae
mujhe teri zaroorat hai
tujhe meri zaroorat hai
jawaan hoon oon oon
main bhi jaane-e-jaan

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————-
जवाँ हूँ ऊँ ऊँ ऊँ
मैं भी जान ए जाँ
अगर तू ऊ ऊ ऊ
खूबसूरत है ए
मुझे तेरी ज़रुरत है
तुझे मेरी ज़रुरत है
जवाँ हूँ ऊँ ऊँ
मैं भी जान ए जाँ

मैं तेरे जलवों से चाहत की दुनिया आ आ
आबाद कर लूंगा आ आ
ए ए ए मैं तेरी जुल्फों की खुशबू चुराकर
नींदों में भर लूँगा आ
मेरा दिल
कह रहा है तू
वफ़ा की ई
एक मूरत है ए
मुझे तेरी ज़रुरत है
तुझे मेरी ज़रुरत है
जवाँ हूँ ऊँ ऊँ
मैं भी जान ए जाँ

हे ए ए मालूम क्या था के एक दिन हमारा आ
ऐसे मिलन होगा आ
बाहों में मेरी मचलता लजाता
तेरा बदन होगा आ
जिगर का आ आ आ आ
दर्द मिटने की ई
यही तो ओ ओ ओ
एक सूरत है ए
मुझे तेरी ज़रुरत है
तुझे मेरी ज़रुरत है
जवाँ हूँ ऊँ ऊँ
मैं भी जान ए जाँ


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4202 Post No. : 15388

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 3
——————————————————————————

Under the ‘Blog ten-year challenge’ today’s movie is ‘Kalaakaar-1983’.

This movie is completing full cycle of ten years today on the blog with only one of its songs posted on the blog so far. The song already posted on the blog i.e. ‘Neele Neele Ambar Par Chaand Jab Aaye’ was the most popular song from this movie.

In 1983, I was studying in 11th standard. I remember the above-mentioned song particularly as that song could be heard wherever you passed by (specifically the Kishore Kumar version), either on radio or tape-recorders in shops/hotels. I didn’t like it too much then and it was very irritating to have it playing around every time.

I was under the impression that this song topped the charts then, but when I checked the ‘Binaca Geetmala annual list’ during the preparation of this post, I was surprised to note that this song didn’t appear in the 1983 list where ‘Shaayad Meri Shaadi Ka Khayaal’ from ‘Souten’ was the topper. This may be because the movie ‘Kalaakaar’ must have been released at the end of that year 1983.

However, the above song appeared in the 1984 ‘Binaca Geetmala annual list’ and ranked at number 22 as per information available online.

Coming back to today’s post, I am presenting another good song from this movie which I think was also somewhat popular song. One more song from the movie that I remember ‘Khoye khoye rahe teri chaahon mein’ was a nice song too.

Today’s song is sung by Anuradha Paudwal and Suresh Wadkar.

Ten years back on this day only two movies were represented on the blog;
(here they are in ascending order)

Song Movie title-Year Remarks
Teri nazar mein main rahoon Band Master – 1963 All songs covered on the blog (4/4)
Neele neele ambar par chaand jab aaye Kalaakaar – 1983 01 of 08 songs posted

Incidentally there are three movies with same title viz ‘Kalaakaar’ – whic were released in 1942, 1954 & 1983 – that are represented on the blog so far. Each of these three movies are one s represented by just one song each in the blog.

‘Kalaakaar-1983’ was directed by P. Sambasivarao. It was produced by P. Anand Rao under ‘Anandalakshmi Art Movies’ banner. It had Kunal Goswami, Sreedevi, Dr. Shreeram Lagoo, Rakesh Bedi, Krishan Dhawan, Madhu Malini, Agha, Vijayalakshmi, Rajkishore, Dhanalakshmi, Swaraj Kumar, Kiran, and Paintal in Special appearance.

L.V. Prasad makes a special guest appearance in this movie. Bappi Lahiri and Indeevar make a friendly appearance in this movie.
Mehmood and Kanwal Jeet Singh make a Guest appearance in this movie.

Story of this movie was written by Kovai Thambi and its dialogues were written by Inder Raj Anand. Editing was done by M.G. Balurao.

K. Ganesh was the chief assistant director, and Kuku Kapoor was the dialogue director.

Lyrics of this movie were written by Indeevar, with Manoj Kumar writing one song which was the climax song in the movie.

Music was composed by Kalyanji-Anandji.

The movie had total eight songs (including one multiple version song-already posted on the blog). Kishore Kumar, Suresh Wadkar, Anuradha Paudwal and Sadhna Sargam had given their voices to the songs in this movie.

This movie was passed by Censor Board on 09.11.1983.

Today’s song is the second song from this movie to appear on the blog.

The picturization of the song happens to be in music studio while recording for a song where Kunal Goswami is lip syncing in Suresh Wadkar’s voice with a female artist (I am unable to identify her though she seems to be a familiar face) lip syncing in Anuradha Paudwal’s voice. Sridevi is also seen in the picturization of the song with other artists present in the recording studio shown in this song.

I have not watched this movie so I cannot say much about it. I would request knowledgeable readers to throw more light on the movie and its songs.

Let us now enjoy today’s song.

Video

Audio

Song-Mera pyaar mujh se roothha (Kalaakaar)(1983) Singers- Anuradha Paudwal, Suresh Wadkar, Lyrics-Indeewar, MD-Kalyanji Anandji
Both

Lyrics

Mera pyaar mujhse roothha
O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne loota
Jab do kadam manzil rahi
Saathi ka saath chhoota
O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa

Duniya mein do premi ee
Milne hi nahin paate hain
Milne hi nahin paate hain

(coughing sound)

Duniya mein do premi
Milne hi nahin paate hain ae
Milne hi nahin paate hain

(coughing sound)

Duniya mein do premi
Milne hi nahin paate hain ae
Milne hi nahin paate hain

Ye zamaana
ye chaahat
Badle se nazar aate hain ae
Badle se nazar aate hain
Ya pyaar hi hota nahin
Ya har premi jhoothha

(coughing sound)

O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa

Koyi poochhe kismat se ae
Sab kuchh hamse kyun chheena aa
Sab kuchh hamse kyun chheena

(coughing sound)

Koyi poochhe kismat se
Sab kuchh hamse kyun chheena aa
Sab kuchh hamse kyun chheena
Ik jaisa lagta hai
Kya marna
Aur kya jeena aa
Kya marna
Aur kya jeena aa

Khuli aankh to khuli reh gayi

(coughing sound)

Kahaan jaa ke khwaab toota

(coughing sound)

O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa
Jab do kadam manzil rahi
Saathi ka saath chhoota
O o o o o
Mera pyaar mujhse roothha
Mujhe zindagi ne ae loota aa

____________________________________________________________
Devnagri Script lyrics (Provided by Avinash Scrapwala)
____________________________________________________________
मेरा प्यार मुझसे रूठा
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा
जब दो कदम मंजिल रही
साथी का साथ छूटा
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा आ

दुनिया में दो प्रेमी ई
मिलने ही नहीं पातें हैं
मिलने ही नहीं पातें हैं

(पुरुष स्वर में खांसने की आवाज़)

दुनिया में दो प्रेमी
मिलने ही नहीं पातें हैं ए
मिलने ही नहीं पातें हैं

(पुरुष स्वर में खांसने की आवाज़)

दुनिया में दो प्रेमी
मिलने ही नहीं पातें हैं ए
मिलने ही नहीं पातें हैं

ये ज़माना ये चाहत
बदले से नज़र आते हैं ए
बदले से नज़र आते हैं
या प्यार ही होता नहीं
या हर प्रेमी झूठा

(पुरुष स्वर में खांसने की आवाज़)
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने ए लूटा आ

कोई पूछे किस्मत से ए
सब कुछ हमसे क्यूँ छीना आ
सब कुछ हमसे क्यूँ छीना

(पुरुष स्वर में खांसने की आवाज़)

कोई पूछे किस्मत से ए
सब कुछ हमसे क्यूँ छीना आ
सब कुछ हमसे क्यूँ छीना
इक जैसा लगता है
क्या मरना
और क्या जीना आ
क्या मरना
और क्या जीना आ
खुली आँख तो
(पुरुष स्वर में खांसने की आवाज़)
खुली रह गयी
कहाँ जा के ख्वाब टूटा

(पुरुष स्वर में खांसने की आवाज़)
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा आ
जब दो कदम मंजिल रही
साथी का साथ छूटा
ओ ओ ओ ओ ओ
मेरा प्यार मुझसे रूठा
मुझे ज़िन्दगी ने लूटा आ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4063 Post No. : 15196 Movie Count :

4175

“Ghar Mein Ram Gali Mein Shyam”(1987) was produced by Jairam Gulabani and directed by Subhash Sonik for Babu Films, Bombay. This movie had
Govinda, Neelam Kothari, Anupam Kher,Khushboo,Beena aka Beena Bannerjee, Rita Bhaduri, Johny Lever, Nivedita Saraf aka Nivedita Joshi, Satish Shah, Kirty Kumar(Govinda`s Elder Brother in real life), Shakeela Bano, Buta Singh, Mahinder, Pramod Phatak, Ravinder Singh Grover, Beeta, Ram Dhani etc in it.

The movie had five songs in it and they were sung by fve singers.

Today (2 september 2019) is Ganesh Chaturthi. On this occasion here is Lord Ganesh related song from “Ghar Mein Ram Gali Mein Shyam”(1987). This song is sung by Suresh Wadkar and chorus. Anjaan is the lyricist. Music is composed by Amar Utpal.

The song is lip synced by Anupam Kher, with Rita Bhaduri, Neelam, Govinda and many other also visible in the picturisation of this devotional song.

Lyrics of this song were sent to me by Prakashchandra.

With this song, “Ghar Mein Ram Gali Mein Shyam”(1987) makes its debut in the blog.

I take this opportunity to wish everyone a very Happy Ganesh Chaturthi.

Video links:

Audio link (Longer)

Song-Ganpati Bappa morya khoob tera sansaar hai (Ghar Mein Raam Gali Mein Shyam)(1987) Singer-Suresh Wadkar, Lyrics-Anjaan, MD-Amar Utpal
Chorus

Lyrics(Based on audio link)(Provided by Prakashchandra)

ganpati bappaa
moryaa

ooo ho oo hooo ooo
ooooo ho ho ho ho
hooo ho oo hooo
ooo ho oo hooo ooo
ooooo ho
hooo ho oo hooo ho
ho ganapati bappa moreya
mangalmoorti morya
o mangalmoorti moreyaa
mangaldarshan saarkaa
hho ganapati bappa morya
mangalmoorti morya

ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

paap hai atyaachar hai
dayaa dharam na pyaar hai ae
sachchaai ki haar hai
jhooth ki jai jaikaar hai
sachchaai ki haar hai
jhooth ki jai jaikaar hai

ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

dhokha dein jo auron ko yahaan
haan jee auron ko yahaan…aaan
poojey unnko poojey rey kyun saari duniyaa..aa
saarey jogi dhongee ho gaye
haan haan dhongee ho gaye
saare gyaani dhyaani jaane kahaan kho gaye
pyaar banaa vyaapaar hai
duraachaar vyabhichaar hai
zulmon ki bharmaar hai ae
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansar hai

karm hai eeshwar
karm hi poojaa…aaa
karm hai eeshwar
karm hi poojaa
karm se badh ke
dharm na doojaa
jeenaa kya hai ae
bas wohi jaaney
jo jeevan se ae
haar na maaney
sundar ye sansaar hai
karm ki shakti apaar hai
kyun praani laachar hai..ae
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

agyaani hain jitne devaa
unn ko gyaan de
devaa unn ko gyaan de ae
riddhi siddhi
aur sukh sampati ka
ham ko daan de ae
agyaani hain jitne e devaa…aaaa…aaaa
ho o o o o
agyaani hain jitne devaa unn ko gyaan de
riddhi siddhi aur sukh sampati ka hamko daan de
tera bharaa bhandaar hai
tu sabka aadhaar hai
jag ka paalanhaar hai ae
ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai

paap hai athyaachar hai
dayaa dharam na pyaar hai ae
sachchaai ki haar hai
jhooth ki jai jaikaar hai
sachchaai ki haar hai
jhooth ki jai jaikaar hai

ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
hho ganpati bappa moreyaa
mangalmoorthi moryaa
hho mangalmoorthi moreyaa
mangaldarshan saarkaa
(ho o o o o)
ho ganpati bappa moryaa(ho o o o o)
mangalmoorti moryaa (ho o o o o)
ho mangalmoorti moryaa(ho o o o o)
mangaldarshan saarkaa (ho o o o o)
ho ganpati bappa moryaa (ho o o o o)
mangalmoorti moryaa
(ho o o o o)


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15938

Number of movies covered in the blog

Movies with all their songs covered =1224
Total Number of movies covered =4367

Total visits so far

  • 13,848,205 hits

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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