Aao chalen us paar
Posted on: April 15, 2018
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3558 | Post No. : | 14269 |
Today’s song is from the film Baadal-1942. The film was made by Eastern Pictures, Bombay. It was directed by Zahoor Raja. It had music by Mushtaq Hussain.
Zahoor Raja made his debut as a Director with Baadal-42. besides directing the film, Zahoor did the main Hero’s role and also sang 6 of the 11 songs that the film had.
Though the film was not successful at the Box office, Zahoor’s direction attracted the attention of critics. Seven of the 11 songs were written by Lyricist Tanveer Naqvi, and remaining 4 were penned by Shamim Bhairavi.
Tanveer Naqvi was born on 6-2-1919 in Lahore. His real name was Syed Khurshid Ali. After his education, he came to Bombay and met Abdul Rasheed Kardar- who at that time was making the film Swami-1941. Tanveer was given an opportunity and he wrote just one song which was composed by Rafiq Ghaznavi. However, when Kardar directed “Nai Duniya”-42, for CIRCO, Tanveer wrote 9 out of 11 songs for this film. Naushad was the composer. His songs included the famous Debut song of Baby Suraiya, ” Boot karoon main polish, babu….”
Tanveer’s best period was 1946-47, when he wrote for block busters like Anmol Ghadi, Jugnu and Nadaan-48. He was on top amongst Lyricists, but he chose to migrate to Pakistan after one more film, ” Parda”-49. For next 4-5 years he struggled in the Pak film inductry and then came back to India in 1954 and started writing songs till “Zameen ke taare”-60. Then he went back to Pakistan for good. There he wrote songs in Urdu and Punjabi films till 1971. he died at Lahore on 1-11-1972.
In India, he wrote 224 songs in 48 films.
The Music Director for Baadal was Mushtaq Hussain. This name may not be known to today’s music lovers. Mushtaq was famous as a Classical singer and was called a Ustaad. He started giving music to films in 1933. His first film was Aurat ka pyar-33. he gave music to few films only like Sauteli Maa-35, Balaa ki raat-36, Jaljalaa-36, Bhedi Trishul-38, Baghbaan-38, Pati patni-37, Kanyadaan-40, Baadal-42, Chhed chhad-43, Do ro die-44, Daasi ya maa-46 and his last film was Bombay 49. After this perhaps he realised that the public taste was changing and he left films. During the period of 1938, Naushad worked as his assistant in his struggle days and learnt few things.
The cast of film Baadal-42 was Zahoor Raja, Radha Rani, Urmila, A.R.Pehelwan, S.nazir, Radha kishen ( who left Prabhat after Padosi) etc.etc.
ZAHOOR RAJA (Born 7 July 1918 Abbottabad – Died 1992 England) Pre Partition Hindi/Urdu Film Actor, Producer, Director, Editor, Writer, Singer, Lyricist & Music Composer. He graduated from editing and story writing to become a producer-director in 1943.
Zahoor Raja was born in a wealthy family in Abbottabad, Pakistan. After schooling , he studied BA from Rawalpindi but could not complete his graduation as he was more interested in sports than in studies. His father, a Police Inspector, was keen in admitting him in Dehradun for a career in the army. But he ran away from home and landed in Bombay with a letter of introduction to Film maker A R Kardar. Since he was very handsome and well built man, getting into the Bombay film industry was not difficult. At that time, Kardar was directing ‘Mirza Sahiban’ (1939) for Ranjit Movietone and . Kardar took Zahoor Raja in the film. Within a year after the release of the film, V Shantaram invited him to join Prabhat Films and was taken on a contract of 3 years. His association with V Shantaram was not beneficial and he did not get much work. Kardar once again came to his rescue and got him employed in National Studios and got him a role in ‘Pooja’ (1940). Thereafter, he got a role in Minerva Moveitone’s ‘Sikandar’ (1941). During the making of the film ‘Sikandar’ (1941), he fell in love with his co-star Meena (Meena Shourie) and married her. The marriage did not last long and Meena later married another handsome actor, Al Nasir in the mid 1940s.
Zahoor Raja later worked as a Hero in ‘Sewa’ (1941). During this time, while looking for a change from his acting career, he got a chance to direct the film ‘Badal’ (1942) produced under Eastern Pictures where he also acted in the lead role. Though the film failed at the box office, his direction was appreciated by the critics. In 1943, he floated his own film production company, Raja Movietone and made its maiden film ‘Mazaq’ (1943) which he also directed, acted in a negative role and composed its music. His banner produced ‘O Panchhi’ (1944), ‘Ghazal’ (1945) and ‘Dhadkan’ (1946). In most of the films in which he acted, Zahoor Raja was paired with Radha Rani. He also sang the song ‘Bhulaane waale hamen bhi na yaad aaya karo’ along with Naseem Akhthar in the Movie ‘Ghazal’ (1945) composed by Gyan Dutt. His last Movie in India before moving to Pakistan was ‘Anmol Ghadi’ (1946)
After partition, Zahoor Raja returned to Pakistan in 1950 and he was active in Pakistani film industry until 1966. After 1966, he migrated to England, married an English lady and later died in 1992 in England.
Hindi film industry is full of ‘Same Name Confusions’ cases, especially for the decades of the 30s and the 40s. The Heroine of this film-Radharani was also one such case. There were two actresses, with same name and same active period. One was from Bombay and the other was from Calcutta. In film Baadal, Bombaywali Radharani had acted.
She was the daughter of a Military Officer. Born at Quetta, Baluchistan, in or around 1920-21, she had a British father and Indian mother. She had total Indian looks. Her initial education and schooling was done in Bombay. She became an expert in Horse Riding, swimming, cycling, driving and skating. She was very beautiful and attractive. At the age 15, she looked quite grown up with distinct features. While in school final itself, she got offers from films. Her first film was Romantic India-36. Being an expert singer, she started singing in films. Next she acted in Badhe Chalo-37.
She was called to Calcutta to act in film ‘ Swaraj ke Sipahi ‘-37. From Calcutta, she went to Madras to do a role in a Telugu film ‘ Bhakta Jaidev ‘-38. Returning to Bombay, Radha Rani acted in Sunehra Baal-38 and then joined Wadia movietone. Here she did 7 stunt/action films.
After this she became a freelancer and acted in 18 more films of different banners. She also acted in Punjabi film ‘ Kurmai’-41. Her achievements in films were amazing. Stepping directly from school classroom onto the Silver screen, in her first 5 years of career itself, she had bagged 15 feature films. This was mainly due to to her striking screen beauty, linguistic dexterity and histrionic versatility. She was a consummate actress, singer and dancer. She was very fond of reading English literature and would spend time reading books during shooting breaks.
She made a good pair with actor Zahoor Raja in 8 films. She acted in 3 films of his production company and in film Badal-42, he directed her. her last film was Rasilee-46. After this film she got married and went to England.
Filmography- Romantic India-36, Badhe Chalo-37, Swaraj ke sipahi-37, Bhakta Jaydev-38(Telugu), Sunehra Baal-38, kahan hai manzil teri-39, Hind ka lal-40, Diamond queen-40, Jai swadesh-40, Bambaiwali-41, Manthan-41, Safed sawar-41, Seedha Rasta-41, Darpan-41, Kurmai-41(Punjabi), Swami-41, Badal-42, Motorwali-42, Sewa-42, Suhagan-42, Jungle Princess-42, Mazaq-43, Mr.Jhatpat-43, Paraya Dhan-43, Sawal-43, Bhai-43, O Panchhi-44, Ghazal-45, Laaj-46 and Rasilee-46.
An interesting thing about the film title Baadal is that there were films made with this Title 5 times. The first time was in 1942 ( today’s film), then it was made in 1951, 1966, 1985, and in the year 2000. I have not seen this film Baadal-42, but from whatever I read in Film India about this film, it was a social film with a novel theme. As the film’s review was not available,I can not guess what the novelty was in the film story. However, in spite of very flattering, encouraging and excellent comments in the magazine, the film was not successful at all. After this debacle, Zahoor Raja floated his own company Raja Cinetone and made a few films, before migrating to Pakistan.
( Thanks for information used from Dhunon ki yatra, Hindi filmon ke geetkar, pakmag.com, HFGK and my notes )
Film Baadal-42 makes its debut on this Blog with this song.
Song-Aao chalen us paar (Baadal)(1942) Singers-Amirbai Karnataki, Zahoor Raja, Lyrics-Tanveer Naqvi, MD-Mushtaq Hussain
Amirbai Karnataki + Zahoor Raja
Amirbai Karnataki + Chorus
Amirbai Karnataki + Zahoor Raja +Chorus
Lyrics
aao chalen us paar
aao chalen us paar
aao chalen us paar
khevaiyya
khevaiyya
jahaan hawaa matwaali ban kar
gaati raag malhaar
neelam ka aakaash mahal ho
neelam ka aakaash mahal ho
aur taaron ki chahal pahal ho
chandralok mein chal kar dekhen
pariyon ka singaar
pariyon ka singaar
pariyon ka singaar
khevaiyya
khevaiyya
thehro
thehro
thehro thehro jaane waalon
jaana hai bekaar
jaana hai bekaar
pal pal dol rahi hai naiyya aa aa
padi huyi manjhdhaar
padi huyi manjhdhaar
?? ki maari ??
sata rahi hai aas
aao un ko jeewan de den
taras rahen mohtaaj
taras rahen mohtaaj
hansi khushi is paar chhod kar
sab jaayen us paar
sab jaayen us paar
sab jaayen us paar
khevaiyya
khevaiyya
andhe ko aankhen din tumne
bada kiya upkaar
bada kiya upkaar
ek jhande ke neeche ham sab
chalne ko taiyyaar
chalne ko taiyyaar
chalne ko taiyyaar
khevaiyya
khevaiyya
aao chalen us paar
aao chalen us paar
aao chalen us paar
aao chalen us paaaar
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3557 | Post No. : | 14268 |
“Raat Ke Raahi”(1959) was directed by Naseem for Pushpaanjali Pictures, Bombay. This “social” movie had Shammi Kapoor, Jabeen Jalil, Anwar, Achla sachdev, Nazeer Hussain, Ifthikhar, Radhika, Hammad, Manohar, Prem Sagar, Nirmal, Poonam, Heera, Shashibalka, Shujaat, Pyare, Sooraj etc in it.
The movie had six songs in it. Five of these songs have been covered. Here are the details of these five songs:-
|
Song Title |
Post No. |
Post Date |
| Ek nazar ek adaa keemat e dil aur hai kyaa MD-Bipin Baabul | 4397 | 16-Aug-11 |
| Tu kya samjhe tu kya jaane MD-Jaidev | 6397 | 8-Aug-12 |
| Pau baarah pau baarah pyaar mein pau baarah MD-Jaidev | 10046 | 3-Aug-14 |
| Maine pi hai pi hai pi hai par main to nashe mein nahin MD-Bipin Baabul | 14259 | 11-Apr-18 |
| Daayen baayen chhup chhupa ke MD-Bipin Baabul | 14264 | 13-Apr-18 |
Here is the sixth and final song from “Raat Ke Raahi”(1959) to appear in the blog. The song is basically sung by Asha Bhonsle with some humming by a male voice. Left to my own devices, I would have guessed that Shammi Kapoor himself has done the humming, but HFGK informs us that this song is sung by Asha Bhonsle and Agha Sarwar who was assistant music director of this movie. HFGK also informs us that the record of the song only contains the name of Asha Bhonsle.
I think that the song is an Asha Bhonsle solo but since HFGK contains the name of the male hummer so let us go with HFGK and treat this song as a duet song.
The song is picturised on Jabeen Jaleel who is seen wooing Shammi Kapoor in a beach (Chaupati, I guess).
Vishwamitra Adil is the lyricist.
Two songs in the movie were composed by Jaidev and remining four songs were composed by Bipin Baabul. This song is a Bipin Baabul composition.
With this song, “Raat Ke Raahi”(1959) joins the list of movies that have all their songs covered in the blog.
This song also becomes the 500th song from Hindi movies that were released in the year 1959. “Raat Ke Raahi”(1959) becomes the 50th movie of 1959 to be YIPPEED in the blog.
Song-Aa bhi jaa bewafa dil ki raahon mein aa(Raat Ke Raahi)(1959) Singers-Asha Bhonsle, Agha Sarwar, Lyrics-Vishwamitra Adil, MD-Bipin Baabul
Lyrics
aa bhi ja bewafa
dil ki raahon mein aa aa aa aa aa
apne hi khwaab ki dhhalti chhaanv mein aa
aa bhi ja bewafa
dil ki raahon mein aa aa aa aa aa
apne hi khawab ki dhalti chhaanv mein aa
jhukti nazren uthhte fitne
hmm hmm hmm hmmhm hmm
hmm hmm
ab chhupenge armaan kitne
jhukati nazren uthte fitne
ab chhupenge armaan kitne
ho ho ho ho ho ho
aa bhi ja bewafa
dil ki raahon mein aa aa aa aa aa
apne hi khwaab ki dhhalti chhaanv mein aa
bahki zulfen mahki raatein
lalalalalala
hmm hmm
be-kahi bhi kah ke baatn
behki julfe mahaki raate
be-kahi bhi kah ke batein
aaha aaha aaha hahaha
aa bhi ja bewafa
dil ki raahon mein aa aa aa aa aa
apne hi khaawab ki dhhalti chhaanv mein aa
jaam e ulfat peena hoga
hmm hmm hmm hmm hmm hmm
hmm hmm
mar ke hampe jeena hoga
jaam e ulfat peena hoga
mar ke hampe jeena hoga
lalalalalalala
aa bhi ja bewafa
dil ki raahon mein aa aa aa aa
apne hi khwaab ki dhhalti chhaanv mein aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3557 | Post No. : | 14267 |
“Ek Hans Ka Joda”(1975) was directed by Avtar Bhogal for Punch Films, Bombay. This “social” movie had Anil Dhawan, Zaahira, Utpal Dutt, Indrani Mukherji, Ifthikar, Achla Sachdev, Anwar Hussain, Brahm Bhardwaj, Prabhu Dayal, Birbal, B Bhalla, Mama, Pushpanjali, Manorama, Sudama, Shreedhar Naik, Sunil Hattangadi, Madhu, Madhavi, Dolly, Sitara, V Gopal, with Anjali Kadam (guest appearance), and Dharmveer (new discovery) and Ajit Singh (new discovery).
The movie had five songs in it. Three songs have been covered in the past.
Here is the fourth song from “Ek Hans Ka Joda”(1975) to appear in the blog. The song is sung by Kishore Kumar and Asha Bhonsle. Naqsh Llayalpuri is the lyricist. Music is composed by Jaidev.
The song is picturised on Anil Dhawan and Zahira.
The songs of this movie were barely noticed during its time. Personally I do not recall having heard this song before till now.
Song-Pyaar se tum miley mil gayi har khushi (Ek Hans Ka Joda)(1975) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Jaidev
Both
Lyrics
hey hey hey ae ae
hey hey hey ae ae
ho ho ho
ho ho
ho ho ho
ho ho
haa haa haa haa
hey hey hey hey ae ae
pyaar se tum miley
mil gayi har khushi
gungunaane lagi
hmm hmm hmm hmm hmm hmm
hm hmm hmm hmm hmm hmm
pyaar se tum miley
mil gayi har khushi
gungunane lagi jhoom kar zindagi
keh rahi hai
aa ha ha aha
keh rahi hai
miley dil miley dil
miley
pyaar se tum miley
mil gayi har khushi
gungunaane lagi
gungunaane lagi
jhoom kar zindagi
keh rahi hai
miley dil miley dil miley
pyaar se tum miley
mil gayi har khushi
teri aankhon mein hai ek jahaan pyaar ka
ho gaya aaj sapna jawaan pyaar ka
teri aankhon mein hai ek jahaan pyaar ka
ho gaya aaj sapna jawaan pyaar ka
hai zameen pyaar ki aasmaan pyaar ka
aaj gaate huye
aaj gaate huye
dil ye dil miley
pyaar se tum miley
mil gayi har khushi
gungunaane lagi jhoom kar zindagi
keh rahi hai
miley dil miley dil miley
pyaar se tum miley
mil gayi har khushi
door wo surmayi baadlon ke taley
lo zameen aasmaan mil rahe hain galey
door wo surmayi baadalon ke taley
lo zameen aasmaan mil rahe hain galey
mit gayi dooriyaan
mit gaye faasle
pass aate huye
paas aate huye
dil miley
dil miley
pyaar se tum miley
mil gayi har khushi
gungunaane lagi jhoom kar zindagi
keh rahi hai
miley dil miley dil miley
pyaar se tum miley
mil gayi har khushi (hmm hmm hmm hm hmm)
gungunaane lagi jhoom kar zindagi (hmm hmm hmm hmm)
keh rahi hai miley dil miley dil miley
pyaar se tum miley
mil gayi har khushi (hmm hmm hmm hmm hmm)
Kaahe ki dosti kaahe ki yaari
Posted on: April 14, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3557 | Post No. : | 14266 |
“Khaan Dost”(1976) was directed by Dulal Guha for Ramayan Chitra Mandir, Bombay. The movie had Raj Kapoor, Shatrughan Sinha, Mithu Mukherji (new discovery), Sanyen Kappu, Sulochana, Asit Sen, Jagdish Raj, Maruti, Prakash, Shekhar Purohit, Rajan Haksar, Duggal, Saminder Pande, Chandulal, Rajrani, Amar Sen, Sameer, Baby Lubna etc, with special appearances by Subhash Ghai, Jagdeep, Sundar, Leela Mishra and Yogita Bali.
This “social” movie had ended up becoming an obscure movie by now.
The movie had three songs in it.
Here is the first song from “Khaan Dost”(1976) to appear in the blog. This song is sung by Kishore Kumar. Anjaan is the lyricist. Music is composed by Kalyanji Anandji.
This song is picturised on Shatrughan Sinha and Mithu Mukherji.
This song was a fairly well known song during its time. The song had its fair run during its time after which this song got forgotten, helped by the fact that this forgettable movie itself got duly forgotten soon.
With this song, “Khaan Dost”(1976) makes its debut in the blog.
Video
Song-Kaahe ki dosti kaahe ki yaari (Khaan Dost)(1976) Singer-Kishore Kumar, Lyrics-Anjaan, MD-Kalyanji Anandji
Lyrics
ye dosti
yaari mohabbat
hahahaha
kya hai
kuchh bhi nahin
sab dikhaawa hai
arre sab numaayish hai
numaayish ke siwa aa
kuchh bhi nahin
phir
kaahe ki dosti
kaahe ki yaari
kaahe ki dosti
kaahe ki yaari
duniya ye duniya hai
matlab ki maari
yaaron ki yaari
yaaron ki yaari numaayish hai saari
kaahe ki dosti
kaahe ki yaari
yaaron ki yaari numaayish hai saari
hey ae ae
kya rishte naate hain
baaten hi baaten hain
baaton ki ghaaton se dil loote jaate hain
kasmen to rasmen hain
duniya ke bas mein hain
duniya ki aankhon pe
do rangi chamshme hain
dekhi hai duniya
duniya ye duniya
dekhi hai duniya ki ye duniyaadaari
kaahe ki dosti
kaahe ki yaari
yaaron ki yaari numaayish hai saari
hey ae ae
kaliyaan bik jaati hain
galiyon baazaron mein
dil ke beemaaron mein
jhoothhe dildaaron mein
maili har chunar hai
daagi har choli hai
teri bhi boli to yaaron ne boli hai
sab yaar tere
tere haan tere
sab yaar tere hawas ke pujaari
kaahe ki dosti
kaahe ki yaari
yaaron ki yaari numaayish hai saari
hey ae ae
meri to hasti mein
masti hi masti hai
paas hai daulat to
ye duniya sasti hai
log sach kehte hain
haan main harjaai hoon
baat sach ye bhi hai
tera saudaai hoon
saaghar o meena se
jhoom ke peena hai
jab talak jeena hai
jhoom ke jeena hai
maine jo chaaha hai
haan wahi paaya hai
maanga kab duniya se
maine to chheena hai
baahon mein dam hai
phir kiska gham hai
taaqat ki sab karte hain taabedaari
kaahe ko dosti kaahe ki yaari
duniya ye duniya hai
matlab ki maari
yaaron ki yaari
yaaron ki yaari numaayish hai saari
kaahe ki dosti kaahe ki yaari
yaaron ki yaari numayish hai saari
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3556 | Post No. : | 14265 |
“Naatak” (1975) was produced by C D Shah and Harish Upadhyay and directed by Sohanlal Kanwar for Filmland Production, Bombay. The movie had Vijay Arora, Moushumi Chatterjee, Snehalata, Jayashree T, Sulochana Latkar, Madhup Sharma, Raj Mehra, Raj Rani, Bhagwan Dada, Naazima, Subhash Ghai, Sunder, Tiwari aka Ramayan Tiwari, Shabina, Hari Shivdasani, Alka etc in it.
The movie had five songs in it. Four songs have been covered in the past. Here are the details of these four songs:-
|
Song Title |
Post No. |
Post Date |
| Saagar nahin hai to kyaa hai | 7264 | 27-Dec-12 |
| Zindagi ek naatak hai | 14212 | 28-Mar-18 |
| Sab se buri sharaab hai main hoon buri sharaab se | 14245 | 7-Apr-18 |
| Mera rang mera roop…raaja sach bolo main kaisi lagti hoon | 14260 | 11-Apr-18 |
As can be seen, the movie made its debut as far back as in 2012. That song remained the only song from the movie in the blog till 2018 when the next three songs were covered in the blog.
Here is the fifth and final song from “Naatak”(1975) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a “diversion” song on a very pretty looking Snehlata, who is seen trying to distract a very young looking Subhash Ghai.Yes, this is a song where Subhash Ghai figures as an actor.
I have not watched this movie so I am not fully sure what is the background behind this song. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, “Naatak”(1975) joins the list of movies that have all their songs covered in the blog.
Song-Jo main chehre se ghoonghat hata doon (Naatak)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaaye
jo main chehre se ghoonghat hata doon oon
to chhuriyaan chal jaayen
aankhen upar se neeche jhuka doon oon
aankhen upar se neeche jhuka doon
to teer chal jaaye
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaayen
meri mohabbat meri jawaani
meri mohabbat meri jawaani
in donon ki hai lambi kahaani
meri mohabbat meri jawaani
ye kahaani jo tumko suna doon oon
ye kahaani jo tumko suna doon oon
to raat dhal jaaye
jo main chehre se ghoonghat hata doon oon
to chhuriyaan chal jaayen
nazron pe kitne parde hain naqli
nazron pe kitne parde hain naqli
chehre ke peechhe chehra hai asli
nazron pe kitne parde hain naqli
jo main wo roop tumko dikha doon
jo main wo roop tumko dikha doon
to rang badal jaaye
jo main chehre se ghoonghat hata doon
to chhuriyaan chal jaayen
meri adaayen andaaz mere
meri adaayen andaaz mere
parde mein hain ye sab raaz mere
meri adaayen andaaz mere
jo main ye raaz tumko bata doon oon
jo main ye raaz tumko bata doon oon
to jaan nikal jaaye
Daayen baayen chhup chhupaa ke
Posted on: April 13, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3556 | Post No. : | 14264 |
“Raat Ke Raahi”(1959) was directed by Naseem for Pushpaanjali Pictures, Bombay. This “social” movie had Shammi Kapoor, Jabeen Jalil, Anwar, Achla sachdev, Nazeer Hussain, Ifthikhar, Radhika, Hammad, Manohar, Prem Sagar, Nirmal, Poonam, Heera, Shashibalka, Shujaat, Pyare, Sooraj etc in it.
The movie had six songs in it. Four of these songs have been covered.
Here is the fifth song from “Raat Ke Raahi”(1959) to appear in the blog. The song is sung by Asha Bhonsle. Vishwamitra Adil is the lyricist. Music is composed by Bipin Baabul.
The song is picturised on as a party/ get together song on Jabeen Jaleel (as far as I can tell). Shammi Kapoor is also visible alongwith several other people and all of them are shown dancing in this western style song.
Song-Daayen baayen chhup chhupa ke (Raat Ke Raahi)(1959) Singer-Asha Bhonsle, Lyrics-Vishwamitra Adil, MD-Bipin Baabul
Lyrics
daayen baayen chhup chhupaa ke kahaan chale
haaye haaye
dil churaa ke kahaan chale
daayen baayen chhup chhupaa ke kahaan chale
haaye haaye
dil churaa ke kahaan chale
bade bane bhole bhaale
lalalalalala
aasaan hai ae mere pyaare
aankhon se aankhen milaana
ho
lekin ye neechi nigaahen kah dengi saara fasaana
mushqil hai naadaan ye chori chhupaana
daayen baayen chhup chhupa ke kahaan chale
haaye haaye dil churaa ke kahaan chale
bade bane bhole bhaale
aa ha ha ha ha ha
jaate ho thhukra ke jaao
koi bhi kuchh na kahega
ho
ho lekin ye haara hua dil
zaalim ye badla to lega
dekho ji tumko bhi jeene na dega
daayen baayen chhup chhupa ke kahaan chale
haaye haaye dil churaa ke kahaan chale
bade bane bhole bhaale
lalalalaala
jaane ki laakhon hain raahen
aane ka ik raasta hai
haaye
dil ke isi raaste se
aana padega ??
phir shokh jaana to jhoothhi ada hai
yeah
yeah
yeah
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3556 | Post No. : | 14263 |
Today’s song is from a rare film of the early talkie era – ‘Baala Joban’ from 1934. The film was produced by Gandharva Cinetone – a company owned by Baburao Patel, who also directed this film.
The name of Baburao Patel is known to every lover of old Hindi films, but as a political commentator and a member of parliament, he is known to others. From the mid 1930s to the 80s he was a name synonymous with daredevil journalism, superb quality English writing and an active life style. Add to it several marriages and countless children by legitimate relationships and otherwise.
Baburao Pandurang Patil (he is a ‘Marathi Manoos’ and not a Gujarati) was born on 4-4-1904, in Masvan village, about 100 kms from Bombay, in Palghar district, in a Vanzara ( Banjara) community. His birth date is a strange confluence of numbers. The date is written as 4-4-4. Also, if we take the total of the digits written as 4-4-1904, it also adds up to the number 4 only.
When he was 4 year old, his mother passed away, and his father remarried. Subsequently the family shifted to Bombay. He was put in an English medium school. However he did not complete his matriculation. Lack of formal education always pinched him in life and he always respected highly educated people. He compensated by avidly reading books on philosophy, religion, politics and medicine, and gained an excellent command over spoken and written English language.
After doing many petty jobs, in 1926 he joined ‘Cinema Samachar’, a film magazine in Hindi, English and Urdu languages. He never knew when he entered the film world and became a script writer and a director. He established his own banner ‘Gandharva Cinetone’ and made 5 films as a director – ‘Kismat’ (a silent film from 1931), ‘Sati Mahananda’ (1933), ‘Maharani’ (1934), ‘Baala Joban’ (1934) and ‘Pardesi Sainyan’ (1935). Later in life, he directed two more films with wife Susheela Rani Patel as the heroine – ‘Draupadi’ in 1944 and ‘Gwaalan’ in 1946.
He joined DN Parkar, who owned New Jack printing press and who was publishing a house magazine ‘Prabhat’ for Prabhat Films. He then started his own magazine ‘FILM INDIA’ in April 1935, at a price of 4 annas (annual 3 rupees). From the very first issue, it was printed on high quality art paper. The cover image of the first issue featured a hand painting of actress and novelist Nalini Tarkhud, from film ‘Chandrasena’. There were many ads in the magazine, which promised ”honest journalism and constructive criticism”, though in later issues his criticism was incisive, insulting and quite daring. The cine industry feared his reviews, but readers adored him. Khwaja Ahmed Abbas, the famous writer and film director was also on his staff, and looked after the magazine when Baburao was travelling.
In all these twists and turns of life, his surname became Patel instead of Patil. He continued with it. He hurt many of his fellow film makers and actors. In one case, Shanta Apte is on record having gone to his office and beaten him with a whip, for his defamatory and derogatory remarks in the magazine.
Baburao married 3 times. His first marriage took place when he was studying. The second was with Shirin and the third was with his ex-secretary Sushila Rani Tombat – a very good looking Konkani singer and dancer.
Sidharth Bhatia has written a book titled ‘The Patels of Film India’. Noted author Manto also wrote extensively on Baburao. Bhatia writes – ‘Baburao had an eloquence and power of writing. He had a sharp humour, often barbed. There was a tough guy assertiveness with his venomous pen’. Baburao called Kalpana Kartik “pigeon busted”, Suraiya “Ugly”, and Dev Anand “effiminate”. Meena kumari was “. . .like an inverted shuttle cock”.
His magazine celebrated 50 years in 1985. Baburao became MP from Madhya Pradsh in 1967 on a ticket from the erstwile Jansangh party. One good quality of Baburao was that he was very kind to the poor and helpless people. Baburao Patel died on 4-9-1982.
The cast of the film ‘Baala Joban’ is listed as Padma Devi (a fixture in all Baburao’s films and a personal ‘special friend’), Mubarak, Gulab, Shirin Bano (she later married director Nanubhai Bhatt; Mahesh bhatt is her son), Madhukar Gupte, Nandu Khote (stage and silent film actor; father of Shubha Khote, brother in law of Durga Khote), Raja Pandit, Badri Prasad etc.
Besides acting in the film, Badri Prasad was also the music director of this film. It was his debut film as a music director. He is a wonder in the annals of Hindi film history. There is no other known person in the history who was an actor, lyricist, singer, music director, producer, director and a choreographer- all at same time in his career. He was simply unique. There was no one else like him.
As an actor he has appeared in 147 films. I remember him in ‘Albela’ (1951) as Bhagwan’s father, in ‘Bhaagam Bhaag’ (1954) as Shashikala’s uncle, as the missing father of Nalini Jaywant in film ‘Hum Sab Chor Hain’ (1956), and as the wheelchair confined father of Zahida in ‘Anokhi Raat’ (1968).
As a singer, he has sung 11 songs in 7 films. As a music director, he has 16 films to his credit – ‘Baala Joban’, ‘Vishnu Bhakti’, ‘Fashionable India’, ‘Romantic India’, ‘Zambo The Ape Man’, ‘Swaraaj Ke Sipaahi’, ‘Badhe Chalo’, ‘Yangrilla’, ‘Himalay Ki Beti’, ‘Double Cross’, ‘Zambo Ka Beta’, ‘Jhoothi Sharam’, ‘Anuradha’, ‘Vanmala’, ‘Madhusudan’ and ‘Zevar’.
He has one film to his credit as a lyricist, one as a producer and one as a director. As a choreographer he has done 52 films – from ‘Namoona’ (1949) to ‘Raaj Nartaki’ (1991).
Badri Prasad was born on 14-11-1902, in Benaras, UP. He started acting in Ramleela in the Bhelpura area in Benaras. From there he reached Calcutta, spent time at New Theatres and other studios and then landed in Bombay in 1932. His first film as actor was ‘Navchetan’ (1932).
Then he worked as an assistant to some composers and gave music independently first time to ‘Baala Joban’. His last film as a composer was ‘Zevar’ in 1942.
Then he continued his career, working in character roles. In 1949 he first did choreography in ‘Namoona’ (1949). After for the next 40 years he choreographed in till his last film. His last film as an actor is ‘Dhoop Chhaon’ from 1997 – an active acting career that spans a period of 44 years.
As a composer many famous singers sang for him, like Amirbai Karnataki, Noorjehan, Snehlata, Shyamsunder, Radharani, Sarla Devi, Ameena, Gauhar, E Rama Rao, Ramanand, Vatsala Kumthekar , Vimla Kumari, Iqbal Bibi etc.
Badriprasad was a learned man with command over Hindi, Urdu, English and Sanskrit. He wrote many plays for AIR also. He had a very big collection of books in his house. He was called Pandit Badriprasad,due to his expertise in Sanskrit. He was a man of few words, so his fabulous career remained unknown and he was known only as a character artist.
He had 2 daughters. One daughter Surekha Pandit remained with him till his death. Surekha too is an actress, doing bit roles in films – ‘Anupama’, ‘Mere Sanam’, ‘Nartaki’, ‘Gaban’, ‘Sant Gyaneshwar’, ‘Mere Huzur’, ‘Aadmi Aur Insaan’, ‘Saat Hindustani’, ‘Do Dooni Chaar’, ‘Shehar Aur Sapna’, ‘Aarti’ etc. After marriage she was known as Surekha Parkar.
The singer for today’s song is Marutirao Pehelwan. He has also acted in this movie. He was originally from Kolhapur. In the early era of talkie films, many wrestlers joined film companies. They worked mostly in action films. Some such actors were Baburao Pehelwan (he was the hero of Master Bhagwan’s stunt films; later on worked as a stuntman with fight master Azim Bhai), Vasantrao Pehelwan (he was the one who brought Indurani from Poona to Bombay; was a popular villain in stunt films), Nandram Pehelwan (very popular in silent films but fell on bad days in the talkie era), Sadiq Pehelwan, Maane Pehelwan, Amir Khan Pehelwan etc.
Marutirao Pehelwan was different. He was handsome, tall, well built, could act and sing well. He was selected for the hero’s role in first Gujarati talkie film ‘Narsi Mehata’ (1932), made by Sagar Movietone. He acted as hero and other roles in about 40 films and sang songs too. His first Hindi film was ‘Lanka Dahan’ (1933) and last his film was ‘Apna Ghar’ (1942).
He married his co-star of many films – Tara (sister of Sitara Devi and Alaknanda). They left films and settled in Dhule, Maharashtra. Marutirao started a dairy business there. Famous dancer Gopi Krishna was their son.
[Author’s Note: From 1946, there was another comedian actor named Maruti, active in Hindi films. Initially, he too was billed as Marutirao, creating confusion. He was the father of comedienne Guddi Maruti.]
Today’s song is a Folk song of Rajasthan. It is in Marwari language. Shri Girdharilal Vishwakarma ji has uploaded this song as the ‘first Marwaari song in Hindi films”. On my email inquiry, he has kindly informed me that in this folk song, the wife is telling her husband (aali ja) that ‘bichhuda‘ (scorpion) has bitten her and she wants to go to her ‘peehar‘ (father’s house) now. I am very much thankful to him for this rare song.
[Author’s Note: Acknowledgements and thanks – The above write up refers to and has adapted material from books by Sidharth Bhatia, Saadat Manto, Isak Mujawar, Vithal Pandya, Biren Kothari (book on Sagar Movietone), Sanjit Narwekar, scroll.in, HFGK, Encyclopedia of Indian Films and my own notes.]
Song – Bichhudo Ri Ghaali Peehar Chaali Saa, Aali Jaa (Baala Joban) (1934) Singer – Marutirao Pehalwan, Lyrics – Traduitional, Music – Badri Prasad Manik
Lyrics (Provided by Sudhir)
bichhudo ri ghaali peehar chaali saa
aali jaa
bichhudo ri ghaali peehar chaali saa
aali jaa
lehardaar beechhudo
naina ro lobhi beechhudo
ghansaagar mhaaro beechhudo
haan laladi sar daabe poochho thaake saa
aali jaa
laladi sar daabe poochho thaake saa
aali jaa
lehardaar beechhudo
naina ro lobhi beechhudo
ghansaagar mhaaro bee. . .
beechhoda naina par bichhudo ladio saa
aali jaa
beechhoda naina par bichhudo ladio saa
aali jaa
lehardaar beechhudo
naina ro lobhi beechhudo
ghansaagar mhaaro beechhudo
bambai jaavo to motor laavyo saa
aali jaa
bambai jaavo to motor laavyo saa
aali jaa
lehardaar beechhudo
naina ro lobhi beechhudo
ghansaagar mhaaro beechhudo
bichhude ri ghaali peehar chaali saa
aali jaa
lehardaar beechhudo
naina ro lobhi beechhudo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
बीछुड़ो री घाली पीहर चाली सा
आली जा
बीछुड़यो री घाली पीहर चाली सा
आली जा
लहरदार बीछुड़ो
नैना रो लोभी बीछुड़ो
घनसागर म्हारो बीछुड़ो
हाँ ललड़ी सर दाबे पूछो थाके सा
आली जा
ललड़ी सर दाबे पूछो थाके सा
आली जा
लहरदार बीछुड़ो
नैना रो लोभी बीछुड़ो
घनसागर म्हारो बी॰ ॰ ॰
बिछोड़ा नैना पर बीछुड़ो लडिओ सा
आली जा
बिछोड़ा नैना पर बीछुड़ो लडिओ सा
आली जा
लहरदार बीछुड़ो
नैना रो लोभी बीछुड़ो
घनसागर म्हारो बीछुड़ो
बम्बई जावो तो मोटर लावयो सा
आली जा
बम्बई जावो तो मोटर लावयो सा
आली जा
लहरदार बीछुड़ो
नैना रो लोभी बीछुड़ो
घनसागर म्हारो बीछुड़ो
बिछुड़े री घाली पीहर चाली सा
लहरदार बीछुड़ो
नैना रो लोभी बीछुड़ो
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3555 | Post No. : | 14262 |
“Anmol Tasweer”(1978) was directed by Satyen Bose for Children’s Film Society, Bombay. This “Children’s” film had Ashok Kumar (guest appearance), Preeti Ganguly, Anoop Kumar, Birbal, Master Pappu Chagla, Baby Geeta Khanna, Miss Chintu, Praveen Pal, Bhagwan Sinha, Manik Dutt, Subrat Mahapatra, Moolchand etc in it.
It was believed those days that a film featuring many children constituted a children’s movie. And by that yardstic it was a Children’s movie. 🙂
The movie had one song according to HFGK.
Here is that song from “Anmol Tasweer”(1978). The song is a chorus song and the names of singers are uncredited. Loomba Brothers (whoever they were) are credited as the lyricist as well as music directors.
The song picturisation shows several children making fun of the bulk of Preeti Ganguly. Yes, children laughing at a overweight lady was considered light hearted comedy fit for a children’s movie those days.
I request our knowledgeable readers to throw light on this movie.
Since this song is the only so9ng in the movie, so “Anmol Tasweer”(1978) makes its debut as well as get YIPPEED in the blog with this song. 🙂 If every Hindi movie had just one song then life would have been much easy for those seeking to post “debutant” as well as “YIPPEE” movie everyday. 🙂
Song-Dam dam bole dhol khole pol dhamaadham (Anmol Tasweer)(1978) Lyrics-MD-Loomba Brothers, MD-Loomba Brothers
Lyrics
hey
hey hey hey hey
dam dam bole dhol
khole pol dama dam
chor ke peechhe mor naache
guddham guddham
dam dam bole dhol
khole pol dama dam
chor ke peechhe mor naache
guddham guddham
hey
hey
uska mota pet
usmein kya kya hoga
bol tere pet mein kya hai
uska mota pet
usmein kya kya hoga
apne bada gendon ka
?? hoga
ho o o
uske chaunsathh daant saaf
kaise karti
peepal ka ped ukhaad ke
daanton pe malti
hahahahaha
haathi kya kya ??
jo itne mote hain
haan
breakfast men sau ande
murgi ke nahin haathhi ke
haathhi ke
tank mein ek magarmachh poora
khhaati hai wo chaba chaba ke
arre bhedon mein jo seeng dikhaaye
dinner mein wo ?? kha jaaye
hey
king kong ko
de ek jhaapad
wo bhi gir jaaye dam
dam dam bole dhol
khole pol dhamaadham
chor ke peechhe mor naache
guddam guddam
dam dam bole dhol
khole pol dhamaadham
chor ke peechhe mor naache
guddam guddam
phisal gayi ik baar sadak pe
phisal gayi ik baar sadak pe
bhaagi jo hamaare peechhe
sadak pe phir gayi
roller jaise
ek sire se paar doosre
ae ae ae
arre plane ban gaya rasta saara
oobad khaabad thha jo kab se
hey
municipality
se hua na
kar diya ek dam
dam dam bole dhol
khole pol dhamaadham
chor ke peechhe
mor naache
guddam guddam
dam dam bole dhol
khole pol dhamaadham
chor ke peechhe
mor naache
guddam guddam
guddam guddam
guddam guddam
guddam guddam
Dhali Re Dhali Re Saanjh Dhali
Posted on: April 11, 2018
- In: Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Evening song | expression of love | Feelings of heart | Group Dance | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3554 | Post No. : | 14261 |
So, minus 1 and plus 1, we still got to the 100th Yippeee film yesterday.
Minus 1 because on 3rd April, Atul ji had announced the Yippeee-ing of the film ‘Razia Sultan’ (1983), after posting its ‘sixth + seventh’ songs together – an announcement that turned out to be incorrect. Avinash ji pointed out that there is still one more song to be posted from this film. With some more leg work and info-search we now have more detailed info about the song list of this film. Below is the details of the songs of ‘Razia Sultan’ that I had shared with Atul ji the same day, in email.
I just checked the 1981-90 volume compiled by Jagdish Purohit and Ghulam Qureshi, with the involvement of Suman Chaurasia of Indore. This volume was published as the HFM lovers were/are waiting for Hamraaz ji to bring out his next volume.
In this volume, the compilers have listed 12 songs for this film. Since ‘Razia Sultan’ is a well known film, and a landmark in itself, I am sure lots of information sources are available and there is less chance that the compilers would be in error. In a musical film like this, number of songs certainly would not be limited to 6/7.
The list of all songs, as per this volume, is
- Ae Dil e Nadaan
- Aayi Zanjeer Ki Jhankar
- Naghma e Mohabbat
- Jalta Hai Badan
- Hariyala Banna
- Ae Khuda Shukr Tera
- Khwaab Ban Kar Koi Aayega
- Tera Hijr Mera Naseeb Hai
- Taraana e Jashn e Taajpsohi
- Shubh Ghadi Aayi Re
- Ae Dil e Nadaan (this may be part 2, or a reprisal)
- Falak Se Awaaz Hai
As per our blog listing, we have as yet covered 1, 2, 4, 5, 6, 7, 8 and possibly 11. As per the singer list, the songs 9 and 10 seem to important loaded songs; 9 has 4 singers and 10 has 6 singers. Both these songs have Ustad Faiyaaz Ahmed Khan, and Ustad Niaz Ahmed Khan in the list of singers.
Just like maybe Pakeezaah, the remaining songs are probably less heard, less popular ones, which may drop from the collective memory. You may recall that the non-Ghalib items in Mirza Ghalib (3 in number) remained obscure for quite a long time, since the radio and the radio listening public focused on the Ghalib creations in this film.
So that was minus 1 for 3rd April.
However, Atul ji is quick to also point out that back on 16th Jan, we had actually Yippeee’d two films together on the same day. That had happened, because both Atul ji and I were separately working on two different Yippeee posts, and our communications to each other regarding the posts seemed to have crossed but not read by each other. So in quick succession, both he and I posted two Yippeee songs that day – “Gaadi Dilli Waali Chali” (‘Delhi Junction’, 1960) and “Soyi Soyi Chaandni Hai. . .” (‘Khazaana’, 1951). In his write up, Atul ji has noted that,
Coming to my observations that we need to reiterate our new year resolutions (Gregorian calender version) on new year (Hindu calender version) as well. On the first day of this year (viz Yesterday 15 january 2018), only the first half of the half the resolution (viz posting a debutant song for the day) was fulfilled till late in the night. Sudhir Ji had posted a “debutant” post for the day. I had noticed that he had planned for a “YIPPEE” post as well. But seeing that the “debutant” post had appeared so late, I was afraid that it might become a race against time to fully fulfil the new year resolution. So I decided to lend a helping hand to Sudhir Ji. I prepared this “YIPPEE” writeup and I decided to post it in case Sudhir Ji was strapped for time (which he certainly is these days).
Fortunately, I found that Sudhir Ji succeeded in posting the YIPPEE writeup just in the nick of time yesterday night, and it was that rollicking title song of “China Town”(1962), viz. Rangeen bahaaron se hai gulzaar China Town.
So the song that I had kept as the backup YIPPEE song was not required.
Today (16 january 2018), we find ourself in the same situation as yesterday. The “debutant” movie of the day was done and dusted with first thing in the morning by Sudhir Ji. Sudhir Ji then asked me for the list of YIPPiable movies, aiming to post the YIPPEE movie of today as well, while I concentrated on the O P Nayyar tribute post.
After the O P Nayyar tribute post was published late, I found that Sudhir Ji has prepared for the YIPPEE song of the day, and it was a song that was not available online as far as I can tell. But like last night, we are against racing against time and I do not find Sudhir Ji at the keyboard right now. So I feel that I need to step in and publish the backup YIPPEE song that I had prepared yesterday. That way, Sudhir Ji can publish his YIPPEE article on the next day.
In fact, as Atul ji was hastening to complete the above Yippeee post for that day, I was equally busy on my keyboard, and almost simultaneously – a difference of about 45 minutes, I too posted the Yippeee post for the day, only to realize immediately that the work is now duplicated. So I immediately went back into my post and added this footnote,
[Ed Note: It was only after this song got posted that I took a breather, only to notice that Atul ji has also already welcomed another film (the previous post) to Yippeee-land today. It most certainly seems like the ‘yippeee-ing hour’, what with two films racing to Yippeee-land, just within minutes of each other. 😀 😀 ]
So, the two miscues cancelled each other out, and we are firmly able to announce that 100 Yippeee films have happened in the first 100 days of this calendar year (Gregorian). 🙂
Now, moving beyond the century yesterday, we come to ‘IOI’ of the Yippeee train today. Atul ji had posted the penultimate song of this film yesterday. Yes, I refer to the 1965 film ‘Sangraam’ – a film that has a full list of very memorable songs. This film made its debut on our blog way back on 12th Nov, 2010. Just see the list below of the songs posted so far. Each one of these songs is a veritable gem – in a mood that is so representative of the music of the 1960s.
| Main To Tere Haseen Khayaalon Mein Kho Gayaa | Sangraam | 1965 | 3195 | 12-Nov-10 |
| Masti Mein Doley Jiyaa Ho | Sangraam | 1965 | 4270 | 25-Jul-11 |
| Dam Dam Dam Dam Damroo Baaje | Sangraam | 1965 | 10405 | 25-Oct-14 |
| O Tera Chhup Chhup Ke Chale Aana | Sangraam | 1965 | 14093 | 23-Feb-18 |
| Nikla sainyya chaalbaaz re | Sangraam | 1965 | 14255 | 10-Apr-18 |
These songs represent a music that was full of verve, full of energy, full of a joyous expression of love, taking in a lot of influence of the western rock and pop genres. Rhythm was more or less the dominant temper of this music, which was made for a popular taste that was already initiated by an increasing influence of western rhythms on the young minds of this nation. The decade of the 1960s was the time when the joys of freedom and the pain of partition were both tending to fade into paler shades, getting better of the passing generations.
The film is produced under the banner of Film India, Bombay, and is directed by Babubhai Mistry. The cast of actors includes Dara Singh, Geetanjali, Randhawa, Swarn Kumari, Maruti, Aruna Irani, Uma Dutt, Ratnamala, Mridula, Vishwas Kunte, Amrit Rana, Yunus Parvez, Baijnath, Helen, and King Kong.
After his earlier cameo appearances in films of 1950s, the first lead role that Dara Singh landed was in the film ‘King Kong’ of 1962. This was followed by ‘Aawaara Abdullah’ in 1963, then ‘Ek Tha Alibaba’, ‘King of Carnival’, ‘Rustom e Baghdad’, also 1963. In 1964, we see him in ‘Aandhi Aur Toofaan’, ‘Aaya Toofaan’, ‘Hercules’, ‘Dara Singh’ (yes, a film titled after his own name), ‘Rustom e Rome’, ‘Baadshah’, ‘Veer Bhimsen’. So when we come to 1965, Dara Singh has already appeared in a lead role in 12 films in just three years. The reason I am making this observation is that when I viewed this film in preparation for this post, I found a very interesting aspect. In this film, he is accompanied in the star cast by his younger brother Randhawa. The two brothers have already appeared together in ‘Aawaara Abdullah’, ‘Hercules’ and ‘Veer Bhimsen’. This is their fourth film together. As I viewed this film, I realized that the dialogues of both are dubbed in voices other than their own. I have not had time to sample once again his earlier films (some of which I know I have seen earlier) to ascertain whether this dubbing aspect is present in any of his earlier films. I do remember reading, well a long time back, that in the initial years of his career, his diction of Hindi/Urdu dialogues was less than desirable, as his voice had a very strong Punjabi accent to it. But I did not realize that he would be going through more than a dozen films and still be required to have his dialogues dubbed. The voice of the dubbing artist is very familiar, but I am not able to place a name to it right now.
The film is a costume drama with a strong element of palace intrigues and lost and found siblings stories. The corrupt Wazir (prime minister) has the king assassinated, and usurps the throne for himself. The king has two sons. The nanny for the two children is able to escape the bloodshed in the palace, along with one of the princes. The Wazir kind of adopts the second son, and raises him on a diet of lies and misinformation, hiding the truth about the death of the king, his father. The Wazir has a daughter, whom he wants to get married to the prince-in-custody. The prince-in-custody also fancies the lady. But the lady had lost her heart to a commoner in one of the villages in the kingdom, during some interludes that are very conveniently created by the story writers. The person she fancies, is actually the other prince, who had been taken away by the nanny and was raised by her in anonymity. So the tale of this film is about how the two brothers at first are enemies on account of fancying the same lady; then some way through the film, the truth about siblings is revealed and they become a team to vanquish the scheming Wazir and reclaim their father’s kingdom. And yes, the younger sibling gracefully steps aside for his elder brother to take over. 🙂
The one more interesting thing that I note about this film is the long drawn fighting sequences. Regular fans of Dara Singh films will recall the name King Kong. Yes, we had a wrestler by this name in that era when freestyle wrestling was a hugely popular spectator sport with the likes of Dara Singh, Randhawa, Goldstein, Imam Bux, Sheikh Ali, Hamida Pehalwan and of course the Great Gama Pehalwan etc. being the big names billed for such events. Believe it or not, but that was an era when for a freestyle wrestling match between some great names, one could expect anywhere from 1 Lakh to 2 Lakh spectators to be present (a Lakh is 100,000).
King Kong was a hugely bulky wrestler. His real name was Emile Czaja, and he was of mixed Indian – Australian descent, born in Hungary. He became a professional wrestler in the sub-continent and also appeared for bouts in all of south east Asia and Japan etc. Like Dara Singh he also migrated into Hindi films during the late 1950s and 60s, and appeared in many films generally as part of the villain’s team that would give a thrashing the heores to start with, and then at the end, get a beating of their lives at the hands of the lead wrestler. On YouTube, there are a few video footage clips of actual wrestling matches between Dara Singh and King Kong. Both of them appeared in many Hindi films together.
King Kong makes an appearance in this film also, as one of the henchmen of the devious Wazir. He has an additional significant presence in this film, as he also plays the father to the the young lady (Aruna Irani) who is the love interest of Maruti, the sidekick of Dara Singh in the film, making up a very detailed CSP (comic side plot). He fights on the side of the baddies, but eventually gives in to the goodies, since his daughter is in love with one of the goodies team member.
Ah yes, so I was talking about the long drawn out fight sequences in the film. They begin to appear almost from the start of the film, continue regularly throughout. Given these segments, the CSP and the songs, the actual story and dialogues have very little room to maneuver themselves. Everything other than the fight sequences seem to be in a hurry to get themselves done with. 🙂
Today’s song is the sixth song in the film. And what a rollicking dance song this one is. The trio of music directors – Lala Asar and Sattaar seem to be outdoing themselves in getting through the songs of this film. The song is filmed as a group dance song. The occasion is that the Wazir’s daughter has fled her father’s palace, choosing to come to the village where Dara Singh resides with his mother (actually his nanny from the royal babyhood days). The Wazir’s soldiers are chasing her, and they have been given a good beating by Dara Singh, Maruti and their team. This song is a celebration of their victory. We see Dara Singh and Geetanjali (Wazir’s daughter) and Dara Singh’s ‘mother’ seated prominently amongst the audience watching this performance. Maruti is part of this group dance. The video clip that is available is somewhat out of focus, on account of colors being splayed a little, as the photochemicals on the celluloid have aged. The face of the lead dancer is not very clear, and before I hazard a guess as to her identity, I request other friends and readers to please help identify this actress.
Enjoy this final song from this film to make it on to the billboard of our blog. And with that, we announce the Yippeee-dom status to this film. All aboard.
Song – Dhali Re Dhali Re Saanjh Dhali (Sangraam) (1965) Singer – Asha Bhosle, Lyrics – Madhukar Rajasthani, MD – Lala Asr Sattaar
Unidentified Male Voice
Chorus
Lyrics
teek teek jhungha ka jhoonga
teek teek jhungi ki jhungi
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi
dhali re dhali re saanjh dhali
chali re chali re main to chali
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
bol sakhi
mere daaman mein kya hai
machla hua
aa ke mausam chhupa hai
meetha meetha
chhaaya mujh pe nasha hai
meetha meetha
chhaaya mujh pe nasha hai
ye to abhi
pehli pehli ada hai
chain luta
jaane kya ho gaya hai
mann ki lagan
ho ke magan
dol rahi jaise pawan
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi
naam mera
dil pe likhte deewaane
bhanwre sadaa
aayen ras to churaane
aai badi
rang mujh pe jamaane
aai badi
rang mujh pe jamaane
uljhe agar
bolo saawan suhaane
uljhe bina
suljhe naa dil ke taraane
jawaan jawaan chhaaya samaa
husn bhara gora badan
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
teek teek jhunga ki jhungi
teek teek jhunga ki jhingi
raat nai
aai hai un se milaane
husn chala
ishq pe tan mann lutaane
chaand aaya
aaj mujhko bulaane
chaand aaya
aaj mujhko bulaane
kaun hai wo
hum se lagi tu chhupaane
preet bhare
nain batiyaan na maane
behki nazar
jaaun jidhar
aata mujhe
wo hi nazar
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
dhali re dhali re saanjh dhali
chali re chali re main to chali
paayaliya boley re. . .
haule haule jiyara doley
hoye haule haule jiyara doley
hoye haule haule
aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)
aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)
aaaa aaaa aaaa aaa aaaa
(haule haule jiyara doley
hoye haule haule jiyara doley)
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
टीक टीक झुंघा का झूंघा
टीक टीक झुंघी का झुंघी
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी
ढली रे ढली रे साँझ ढली
चली रे चली रे मैं तो चली
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
बोल सखी
मेरे दामन में क्या है
मचला हुआ
आ के मौसम छुपा है
मीठा मीठा
मुझपे छाया नशा है
मीठा मीठा
मुझपे छाया नशा है
ये तो अभी
पहली पहली अदा है
चैन लुटा
जाने क्या हो गया है
मन की लगन
हो के मगन
डोल रही जैसे पवन
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी
नाम मेरा
दिल पे लिखते दीवाने
भँवरे सदा
आयें रस को चुराने
आई बड़ी
रंग मुझपे जमाने
आई बड़ी
रंग मुझपे जमाने
उलझे अगर
बोलो सावन सुहाने
उलझे बिना
सुलझे ना दिल के तराने
जवां जवां छाया समां
हुस्न भरा गोरा बदन
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
टीक टीक झुंघा की झुंघी
टीक टीक झुंघा की झिंघी
रात नई
आई है उनसे मिलाने
हुस्न चला
इश्क़ पे तन मन लुटाने
चाँद आया
आज मुझको बुलाने
चाँद आया
आज मुझको बुलाने
कौन है वो
हमसे लगी तू छुपाने
प्रीत भरे
नैन बतियाँ ना माने
बहकी नज़र
जाऊन जिधर
आता मुझे
वो ही नज़र
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
ढली रे ढली रे साँझ ढली
चली रे चली रे मैं तो चली
पायलिया बोले रे॰ ॰ ॰
हौले हौले जियरा डोले
होए हौले हौले जियरा डोले
होए हौले हौले
आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)
आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)
आsss आsss आsss आsss आsss
(हौले हौले जियरा डोले
होए हौले हौले जियरा डोले)
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3554 | Post No. : | 14260 |
“Naatak” (1975) was produced by C D Shah and Harish Upadhyay and directed by Sohanlal Kanwar for Filmland Production, Bombay. The movie had Vijay Arora, Moushumi Chatterjee, Snehalata, Jayashree T, Sulochana Latkar, Madhup Sharma, Raj Mehra, Raj Rani, Bhagwan Dada, Naazima, Subhash Ghai, Sunder, Tiwari aka Ramayan Tiwari, Shabina, Hari Shivdasani, Alka etc in it.
The movie had five songs in it. Three of these songs have been covered in the past.
Here is the fourth song from “Naatak” (1975) to appear in the blog. This song is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
This song is picturised on Mausami Chatterji as a “get together party” song. Vijay Arora instruct Mausami Chatterji (or is she Shehlata ?) to appear “ban thhan ke”, viz with make up on, but she appears withut make up, viz by painting her face with black shoe polish apparently. 🙂 Needless to mention, this puts Vijay Arora in an embarrassing position.
The song can be described as a “Raja” song as well, seeing that the word Raja gets used in the song as many as thirteen times. 🙂
Song-Mera rang mera roop…raja sach bolo main kaisi lagti hoon (Naatak)(1975) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
mera rang mera roop
mere gaal mere baal
meri chaal mera haal
zara dekho
o dekho na
tumne jaisa socha thha
kya waisi lagti hoon
tumne jaisa socha thha
kya waisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
tumne jaisa socha thha
kya waisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
kaisi lagti hoo
raaja sach bolo
main kaisi lagti hoon
mehfil mein jo aayi
ik nazar mein sabke dil mein
mehmaan ho gayi
mehmaan ho gayi
mehfil mein jo aayi
ik nazar mein sabke dil mein
mehmaan ho gayi
mehmaan ho gayi
dekha apna chehra
aaine mein to
khud pe
qurbaan ho gayi
qurbaan ho gayi
mujhko ye maaloom na thha
main kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
bolo na
mere achche sainyya
tum meri khaatir
thhodi si takleef to karo
takleef to karo
mere achche sainyya
tum meri khaatir
thhodi si takleef to karo
takleef to karo
honthon se nahin to aankhon se kahin
tum meri
taareef to karo
taareef to karo
saare kahte hain
main pariyo jaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
tumne jaisa socha thha
kya waisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
sach
kaisi lagti hoon
raaja sach bolo
main kaisi lagti hoon
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