Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Hanste Hanste Jaana

Posted by: on: August 13, 2026


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6600Post No. :20500

Mohd Rafi – A Journey Divine – 2
(1947)

तेरी आवाज की जादूगरी से
ना जाने किस जहां में खो गया हूँ
इसी आवाज से चौंका था लेकिन
इसी आवाज में गुम हो गया हूँ
जहां में खो गया हूँ

The coincidence that we arrive at today, was indicated to me by Mahesh ji about 10 days back. And after some back and forth explanations, discussions and negotiations, the editors agreed to designate today as a dual century milestone day.

Yes, we arrive at the 6600th day of continuous musical disbursal of Hindi film songs. All numerical analysis and all the performance superlatives can be done and stated, but then that will just be a repetition of what has been told and discussed numerous times in the past. What we are moving towards forward is a glorious ongoing celebration, as always. Neither this ocean of HF music is going to deplete, and nor will the momentum and potential of this musical bandwagon will falter and rest. Miles to go yet, yes, many many more miles to go, but nothing like sleep to pause on the way.

May the journey of this bandwagon be blessed, and may it continue to accumulate the accolades and the bouquets – for the unstinted and the peerless effort anywhere on the world wide web. And come to think of it this way – maybe some will ask this in their minds – what purpose is being served by this endeavor ? Besides of course putting together a massive compilation of Hindi film songs. Well, my answer to that is – this venture, this so appropriately and so truly designated as a labor of love – it is the ongoing honoring of the stalwarts – both big and small, both popular and anonymous, both celebrated and neglected – the stalwarts who spent their lives to feed this oceanic enterprise called the Hindi cinema, and build this vast repository of music. A grandiose legacy that has been bequeathed to this world at large – to entertain, to give an expression to all the human emotions in all their various colors and flavors. Taking the thousand foot view of this enterprise, it is an ongoing humungous project that continues to assimilate, enumerate and generate asseverations of the multitude flavors of human emotions.

Yes, the effort of this bandwagon, led by the fearless leader (who now verily has an enhanced observation vision 🙂 ), is unmatched, is without a peer anywhere on the net. And I am proud and delighted to be part of this effort along with all my comrades in arm, all pitching in with their knowledge and insights into this ocean of music.

6600 days is a huge chunk of life itself. A passage of years that brings on at least two new generations in the human population. And so we continue, to work within this enterprise, crossing generations of time. And to compound the celebration today, we just slid past another massive milestone – the 205th century song to showcased on our blog. But what to say about it – so much has been said before, and I will just be rephrasing the past. But then, one certain thing to be said – that we all doff our caps in salute, and with a minimal pause, the trek continues. As always, the backlog in the pipeline does not allow a breather to relax. Past this 20500th song post, and on to now the next song, the next century song, the next thousandth . . .

I continue, after a gap of some months – the journey to track and catalog the flow of that divine voice that we so lovingly and respectfully call as Mohammed Rafi.

In the previous and first episode that was published as the song “Dupatta Mora Aaj Hi Rang Dijo“, (from film ‘Mansarovar’ of 1946) I had covered first three years of Rafi Sb’s career – from 1944 to 46. With this post I venture into 1947, and see the beginning of this singing voice. With three songs in 1944, then 12 songs in 1945, on to 39 songs in 1946, we come into 1947 and find a recorded list of 28 songs in 16 films, which are listed below.

Saawan Kee Ghata Dheere Dheere AanaAage Badho1947Mohd Rafi, KhursheedSudhir FadkeAmar Verma
Desh Mein Sankat Aaya Hai, Ab Kuchh Kar Ke Dikhlaana HaiAap Ki Sewa Mein1947Mohd Rafi, G M Saajan, ChorusDatta DavjekarMahipal
Main Teri Tu Mera, Dono Ka Sang Sang Ho BaseraAap Ki Sewa Mein1947Mohd Rafi, Mohantara TalpadeDatta DavjekarMahipal
Meri Aankhon Ke Taare, Ye Phool Suhaye Haaye PiyaAap Ki Sewa Mein1947Mohd RafiDatta DavjekarMahipal
Jab Baithe Baithe Dil Bhar Aaye Aur Lab Se Nikle HaayeDak Bangla1947Mohd RafiNaresh BhattacharyaDeena Nath madhok
Duniya Mein Meri Aaj Andhera Hee AndheraDo Bhai1947Mohd RafiSachin Dev BurmanRaja Mehndi Ali Khan
Do Din Ginti Ke, Umariya Beeti JaayeDo Dil1947Mohd RafiGobind RamDeena Nath Madhok
Tu Bhi Reh Main BhiEk Kadam1947Mohd Rafi, Shamshad BegumPrakash Nath Sharma–
Wo Apni Yaad Dilaane Ko Ek Ishq Ki Duniya Chhod GayeJugnu1947Mohd Rafi, ChorusFiroz NizamiAsgar Sarhadi
Yahan Badla Wafa Ka Bewafayi Ke Siwa Kya HaiJugnu1947Mohd Rafi, Noor JahanFiroz NizamiShakeel Badayuni
Das Na Jaayen Tujh Ko Zulfen KaaliyanMalika1947Mohd RafiAllah Rakkha QureshiTanveer Naqvi
Meri Dilruba, Mere Paas AaMalika1947Mohd, Rafi, Allauddin KhanAllah Rakkha QureshiTanveer Naqvi
Maya Man Ka Rog Hai Moorakh Maya Man Ka RogRishta1947Mohd RafiMohammed ShafiVehashi Jaunpuri
Hum Banjaare Sang Hamare Dhoom Macha Le DuniyaSaajan1947Mohd Rafi, Geeta Dutt, Lalita Deolkar, ChorusC RamachandraMoti
Hum Ko Tumahara Hee Aasra, Tum Hamare Ho Na HOSaajan1947Mohd RafiC RamachandraMoti
Kis Ko Sunaaun Haale Dil… Hum Ko Tumhara Hee AasraSaajan1947Mohd Rafi, Lalita DeolkarC RamachandraMoti
Main Hoon Jaipur Ki Banjaran Chanchal Mera NaamSaajan1947Mohd Rafi, Lalita DeulkarC RamachandraQamar Jalalabadi
O Babu, Aji Babu, Gali Meri Teri Chaand Chamka DekhoSaajan1947Mohd RafiC RamachandraQamar Jalalabadi
Sambhal Sambhal Ke Jaiyo Ho Banjaare, Dilli Door HaiSaajan1947Mohd Rafi, Geeta Dutt, Lalita Deolkar, ChorusC RamachandraRam Murty Chaturvedi
Imtihan Jab Aata Hai… Ae Jee mat Poochho Baat, College AlbeliSamaaj Ko Badal Dalo1947Mohd Rafi, Arun, MannadeyKhemchandra Prakash–
Chali Saajan Ghar Jaaye, Aaj Dulhaniya Kes SanwaareShadi Se Pehle / Juve Ka Nateeja1947Mohd RafiPaigankar / KarnaadPt Mukhram Sharma
Chalo Ho Gayi Taiyar, Zara Thehro JeeShadi Se Pehle / Juve Ka Nateeja1947Mohd Rafi, Lata MangeshkarPaigankar / KarnaadPt Mukhram Sharma
Nainon Se Naina Mila LeShahkaar1947Mohd Rafi & RajkumariK.DuttaArzoo Lucknavi
Ae Duniya Hai Sab Prem Kee, Tu Prem Kiye JaShahkar1947Mohd Rafi, Shamshad BegumK DuttaAarzoo Lakhnavi
Jeevan Hai Anmol Musafir, Jeevan Hai AnmolShanti1947Mohd RafiB S ThakurShakeel Badayuni
Tohe Jaana Hai Toh Hanste Hanste JaanaShanti1947Mohd RafiB.S.ThakurShakeel Badayuni

And beginning to track his progress from year to year, I prepare the following table, which will get updated as we progress from one episode to the next.

194433
19451215
19463954
19472882

Listening to this voice in all its different colors, emotions and renditions, the thought goes out to the quality of expression of this voice. I am sure all of us must have come across and viewed the few handful videos live interviews of Rafi Sb. Viewing these videos and hearing him speak, a wondrous thought comes to mind. Listening to his voice in these informal conversations, one is struck by the relaxed soft tones of this voice – so unhurried, so humble. One almost has to strain one’s listening to catch his words. And then the wonder appears in the mind – is this really the voice that has been recorded as “Bhagwaan, Bhagwaan. . . O Duniya Ke Rakhwaale”, or “Baar Baar Dekho, Hazaar Baar Dekho”, or the cresendoing notes of “. . . Inteha Ye Hai Ke Bande Ko Khuda Karta Hai Ishq” in the qawwaali “Na To Karvaan Ki Talash Hai”, and few thousand other sound and emotional variations that we are so used to hearing since childhood. Seriously, it is really a stretch of imagination to equate this humble soft voice in the live interviews, with the wondrous, and sometimes thunderous, variations of rendition that Rafi Sb has produced and presented from within himself. And I keep wondering – is this the same person.

Well, more observations on this topic in the next episode. I am already so drastically late with this post, that I curtail my thoughts – to be continued later.

Today’s song in from the 1947 film ‘Shanti’. The interesting thing about this song is that from the various sources that I could refer, this song belongs to this film. But the peculiar thing is that this song is not listed in the Geet Kosh – not for the film ‘Shanti’ or for any other film. I would like to hear from knowledgeable readers and listeners about the veracity of this information.

‘Shanti’ is a production from the banner of Firdaus Art Productions, and is directed by SU Sunny. The ten (or eleven) songs of this film are penned by Shakeel Badayuni and are composed by BS Thakur. The latter name is not very familiar, and from the HFGK listing, ‘Shanti’ seems to be the sole picture for which he is identified as the music director.

A philosophical song, that tells about the impending event in everyone’s life. And the message it brings home is ‘Hanste Hanste Jaana. . . ” – carry a smile on your face when you take the final journey to the other world.

Rafi Sb’s voice, in this song, sounds so familiar and so mature already. Very similar to the voice we are so used to listening in the songs of 1950s and 60s. Listen and judge for yourself.

Song – Hanste Hanste Jaana (Shanti) (1947) Singer – Mohammed Rafi, Lyrics – Shakeel Badayuni, MD – BS Thakur

Lyrics

tohey jaana

hanste hanste jaana
rotey rotey aaya moorakh
hanste hanste jaana
hanste hanste jaana

tu aaya to sab hanse the..ae..ae
tu aaya to sab hanse the
tu jaaye to phir sab royen
tu aaya to sab hanse the
tu jaaye to phir sab royen
ab ye rona dhona kaisa..aa..aa
ab ye rona dhona kaisa
ansoo tere paap na doyen
ab kaahe pachhtaana..aa..aa
ab kaahe pachhtaana
hanste hanste jaana
hanste hanste jaana

ye jeevan hai ramta yogi
ye jeevan hai ramta yogi
pagle tera kaun thikaana
pagle tera kaun thikaana
jo bhi aate hain jaane hain
jo bhi aate hain jaane hain
<??> aana janaa
jeevan hai ik jaal sunehra..aa..aa
jeevan hai ik jaal sunehra
saansen taana baana
hanste hanste jaana

rotey rotey aaya moorakh
hanste hanste jaana
hanste hanste jaana

hanste hanste jaana
hanste hanste jaana
hanste . . ..

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

तोहे जाना. . .

हँसते हँसते जाना
रोते रोते आया मूरख
हँसते हँसते जाना
हँसते हँसते जाना

तू आया तो सब हँसे थे..ए..ए
तू आया तो सब हँसे थे
तू जाए तो फिर सब रोयें
तू आया तो सब हँसे थे
तू जाए तो फिर सब रोयें
अब ये रोना धोना कैसा..आ..आ
अब ये रोना धोना कैसा
आँसू तेरे पाप ना धोएं
अब काहे पछताना..आ..आ
अब काहे पछताना
हँसते हँसते जाना
हँसते हँसते जाना

ये जीवन है रमता योगी
ये जीवन है रमता योगी
पगले तेरा कौन ठिकाना
पगले तेरा कौन ठिकाना
जो भी आते हैं जाते हैं
जो भी आते हैं जाते हैं
<??> आना जाना
जीवन है इक जाल सुनहरा..आ..आ
जीवन है इक जाल सुनहरा
सांसें ताना बाना
हँसते हँसते जाना

रोते रोते आया मूरख
हँसते हँसते जाना
हँसते हँसते जाना

हँसते हँसते जाना
हँसते हँसते जाना
हँसते. . .


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Dekho Ye Dewaana

Posted by: on: August 12, 2026


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6599Post No. :20499

‘Ye Zindagi Kitni Haseen Hai’ (1966) was RK Nayyar’s first film as a producer-director under his own banner, RK Nayyar Films. The cast included Ashok Kumar, Joy Mukherjee, Saira Banu, Motilal, Sayeeda Khan, Hari Shivdasani, Badri Prasad, Mohsin Abdullah, Janakidas, Manmohan etc. The film is a romantic crime drama in which Saira Banu plays a double role.

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Hum Do Daaku Rang Rangeele

Posted by: on: August 11, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6598Post No. :20498

Today’s song is from the social comedy film ‘Hum Do Daku’ (1967).

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Dil Janaab Ke Kadmon Mein Hum Nisar To Kar Denge

Posted by: on: August 10, 2026


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6597Post No. :20497

Kamsune/Unsune songs of Asha Bhosle – 118

“Dil Janab Ke Kadmon Mein” by Asha Bhosle is from the film “The Killers” (1969) (aka ‘Hum Sab Qatil Hain’). The song is written by SH Bihari and composed by OP Nayyar.

“The Killers” was produced by AV Mohan under the banner of Sangam Pictures and was directed by Maruti. The cast included Dara Singh, Ajit, Sheikh Mukhtar, Helen, Paul Sharma, Amar, Kundan, Bela Bose, SK Prem, Leela Chitnis, Maruti etc.

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Dil lagaane ko dil jab Raamjee ne diya

Posted by: on: August 9, 2026


This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6596Post No. :20496Movie Count :5250

After Bhagyashree Patwardhan I come to the next B and that is Bharti Sharma. To refer to other actresses, whose name start with B and have moved their lips to Asha Bhosle’s song go to the post by Atuljee.

This Bharti Sharma is not to be confused with the 1961 born Bharati Sharma (on imdb also entered as Bharti Sharma), who is an Indian theater director, actress, and teacher. I couldn’t gather much information on this Bharti Sharma. There is no Wikipedia entry on her name and I couldn’t find any interviews with her. The only page which gives information on her is imdb and all that is there to find about her on this site is a list of her films and TV series, which total to seven.

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Choodi khanke Chaloon Main Jab Tan Ke

Posted by: on: August 8, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6595Post No. :20495

Today’s song is the last and final song from a lesser known social film ‘Ek Shola’ (1958).

This film title contains the starting word ‘Ek’, one of the most favorite words of the filmmakers. This word ‘Ek’ is used in 206 film titles, from 1931 to 2012. The film was the first film produced by Deep Khosla and Pradeep Kumar, for their own banner Deep and Pradeep productions, Bombay. It was a joint venture of Deep Khosla and Pradeep Kumar. Deep Khosla, writer-actor became a partner in Pradeep Kumar’s film production company and produced its first film, ‘Ek Shola’ (1958) which went to the production sometime in 1956. Thereafter, the banner produced ‘Ek Jhalak’ (1957), ‘Police’ (1958) and ‘Do Dilon Ki Daastaan’ (1966). In between, their partnership ran into some problems because of trust deficits between Deep Khosla and Pradeep Kumar. It is stated that as a part of the settlement between the two partners, Pradeep Kumar acted free in ‘Batwaara’ (1961) which was produced under the banner of Deep and Sandeep Productions. Sandeep was the son of Kalidas, the brother of Pradeep Kumar. ‘Do Dilon Ki Daastaan’ (1966) was the last released film under the banner, Deep and Pradeep Productions.

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Jhoom Le Ae Matwaale Dil

Posted by: on: August 7, 2026


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6594Post No. :20494

‘Pinjre Ke Panchhi’ (1966) was produced by MC Anantraj and was directed by Salil Chaudhary who also wrote the story and the screenplay besides being the music director for the film. The cast included Balraj Sahni, Meena Kumari, Mehmood, Poonam (Persis Khambata), Asit Sen, Keshto Mukherjee, Harindranath Chattopadhyay, Iftekhar, Padma Devi, Yunus Parvez, Nazir Kashmiri, Abhi Bhattacharya, Shaukat Azmi, Radheshyam etc. This is the only Hindi film, Salil Chaudhary has directed.

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Ye Surkh Joda Ye Badan

Posted by: on: August 7, 2026


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6594Post No. :20493

“Yeh Surkh Joda Yeh Badan” is beautifully sung by Mohd. Rafi Saab. It is written by Gauhar Kanpuri and composed by Sapan Jagmohan. It is from the film ‘Shaadi Se Pehle’ (1980).

The film ‘Shaadi Se Pehle’ has been made under the banner of SM productions and is directed by Karunesh Thakur. The music is composed by Sapan Jagmohan, and the lyrics are written by Gauhar Kanpuri. The cast of actors lists the lead actors are new – Praveen Sood and Shahnaaz, supported by Rajendranath, Raj Mehra, Komilla Wirk, Poornima, Jagdish Raj, Dheeraj Kumar, etc.

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Poochho koi sawaal bachchon poochho koi sawaal

Posted by: on: August 7, 2026


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is her 400th post in the blog as a guest poster.

Blog Day :6594Post No. :20492

Asking questions is crucial for learning, innovation, and growth, as it drives curiosity, deepens understanding, fosters critical thinking, improves problem-solving, and enhances communication by moving individuals from passive recipients to active participants in exploring ideas and challenging the status quo. It’s essential for uncovering new possibilities, building confidence, and adapting in a changing world, making it vital for both personal and professional success.

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Is Vrat Sa Koi Vrat Nahin Dooja

Posted by: on: August 6, 2026


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6593Post No. :20491

Today’s songs from a Mythological film ‘Gaj Gauri’ (1958). The cast of this film consisted of Sulochana (Latkar), Ratnamala, Shahu Modak, Anant Kumar, Nana Palshikar and a host of mostly Marathi artistes plus an elephant named Ram Prasad.

When the talkie films era came to India, the early filmmakers tended to make films on folk tales and mythological stories in the first decade, i.e. 1931 to 1940. In the second decade of 1941 to 1950 many religious films were made. Some of them like ‘Ram Rajya’ (1943) being an all India blockbuster. And the third decade from 1951 to 1960 achieved the peak for mythological films made, worth calling it ‘The Golden Period of Religious films’. As many as 124 such films were made in this decade. From 1961 to 1970 and 1971 to 1980 were ok, but 1980 onwards there was a decline in such films and mythological films became scarce except some dubbed films from the South, where such films are made even today regularly. The television became a competition to this as many dharmik serials were shown on TV.

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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.
This is a labour of love, where “new” songs are added every day, and that has been the case for over EIGHTEEN years. This blog has over 20400 song posts by now.
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