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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6453 | Post No. : | 20038 |
I present the song, ‘morele jhanak jhanak jhan baaje paayaliyaa’ rendered by Sadhana Sargam and Rajkamal from Episode-53 of TV Serial, ‘Mahabharat’ (1988). The song is written by Pandit Narendra Sharma and is set to music by Rajkamal based on Raag Darbari. The song is picturised on Gauri Sharma in the role of Urvashi. The actor playing dholak is Gopi Krishna in the role of Gandharva Chitrasen while Satish Kaul is seen in the role of Lord Indra.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6453 | Post No. : | 20037 |
“Kisi Ki Nazar Ne Ishara Kiya Hai” is a soft, melodic beauty sung by Lata Mangeshkar, penned by Anand Bakshi and composed by Laxmikant Pyarelal. The song is from a mystery/suspense genre movie “Sau Saal Baad” released in 1966.
The film is produced under the banner of Mansarover Pictures, Bombay and is directed by BK Dubey. The film is supposedly a tale of rebirth and memories of soul, presented as a ghost/apparition story. The cast of actors includes Feroze Khan, Kum Kum, Achla Sachdev, Manmohan Krishan, Rajendranath, DK Sapru, Ram Singh, P Kailash, Madhavi, Polson, Ravikant, Patanjali, On Mehra, Moolchand Kapoor and Rajan etc.
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Kisee ka koi naheen jag mein
Posted on: March 19, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6453 | Post No. : | 20036 |
Today’s song is from a social film – Khan Bahadur-1937.
The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6452 | Post No. : | 20035 |
Hullo Atuldom
At the outset I would like to wish the blog & the Brain behind the blog on completion of 20000 posts, with this special post by Sudhirji. It was a song from 1931 film, just like the song with post number 10000.
I clearly remember the wait for the post number 10000, it was the rainy season of 2014 – July 20th, 2014 to be precise; a day after the blog’s sthapana diwas.
Congratulations to Atulji, Sudhirji, and the brigade of contributors led by our In-House Encyclopedia – Sri. Arunkumar Deshmukhji (whose personal score stands at 1823 at the time of writing this post). Having this many posts which give details about the films, artists, background of the particular song with accurate lyrics and accompanying video is no small feat. What began as Atulji’s effort to bring good songs onto the worldwide web (or cyberspace) with accurate lyrics has turned into a library/ a reference point for seekers.
Congratulations once again to the blog & atulites and I feel great that I am a part of it.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6452 | Post No. : | 20034 |
Kamsune/Unsune songs of Asha Bhosle – 96
“Humein Toh Aaj Isi Baat Par” by Asha Bhosle is from the 1977 movie “Taxi Taxie”. The song is written by Majrooh Sultanpuri and it is composed by Hemant Bhosle.
The Hindi film Taxi Taxie (1977) was directed by Irshad and produced by Pari A. V. Mohan under the banner of Radha Mohan Arts. The story and screenplay were also written by Irshad. The film was edited by Waman Rao. As mentioned above, the film’s music was composed by Hemant Bhosle, with lyrics by Majrooh Sultanpuri.
The film starred Amol Palekar in the lead role, alongside Zaheera, Reena Roy, Aruna Irani, Jalal Agha, Lalita Pawar, Rama Vij, Mehmood Jr., Dinesh Hingoo, Anjali Paigankar, Tun Tun and Dara Singh.
The story of the movie has been described in this article.
Three of the five songs have been posted here. Here’s the fourth one.
On screen we can see Zaheera lip syncing the song and both Amol Palekar and Jalal Agha are shown listening to the song.
Video Link:
Audio Link:
Song-Hamen to aaj isee baat par hansee aayee (Taxi Taxie)(1977)Singer-Asha Bhonsle, Lyricist-Majrooh Sultanpuri, MD-Hemant Bhonsle
Lyrics:
humein to aaj isee baat par
hansee aayee ee
humein to aaj isee baat par
hansee aayee ee
bhar aayee aankh to honthon pe raaginee aayee ee
bhar aayee aankh to honthon pe raginee aayee ee
humen to aaj
khushee kab aayee ke
jab dil bhee ho chala rukhsat a a
khushee kab aayee ke
jab dil bhee ho chala rukhsat
chiraag bujhne laga aa
chiraag bujhne laga jab to raushnee aayee
humen to aaj
chalo koi to mila
baat poochhne waala
chalo koi to mila
baat poochhne waala aa
zara to chain mila aa
zara to chain mila
kuchh to zindagee aayee ee
humen to aaj
yeh jaate jaate zamaane ko
hum dikha denge ae
yeh jaate jaate zamaane ko
hum dikha denge ae
hamaare jaane se ae ae
hamaare jaane se
duniya mein kya kamee aayee ee
humein to aaj isee baat par
hansee aayee
bhar aayee aankh to
honthon pe raaginee aayee
bhar aayee aankh
Rukhsaana vai vai Rukhsaana
Posted on: March 18, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6452 | Post No. : | 20033 |
“Beqasoor”(1969) was produced by Vijaykumar and directed by Kamran for Aaliya Films, Bombay. The movie had Dara Singh, Sanjana, Sham Kumar, Maruti, Ulhas, Ratnamala, Habib, V Gopal, Sadhana Khote, Dilip Dutt, Madhumati, Meenakshi etc.
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Idhar aa meree taraf
Posted on: March 18, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6452 | Post No. : | 20031 |
“Fashion”(1943) was produced by Fazli brothers and directed by S F Hasnain. This muslim social movie had Sardar Akhtar, Chandramohan, Sabita Devi, Bhudo Advani, Prahlad, Kamta Prasad, Nazeer Kashmiri, Nand Kishore, N Nazir, R C Goyal, H P Sharma etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6452 | Post No. : | 20030 |
Today’s song is from a social film Azad-1940.
The film was made by Bombay Talkies. Bombay Talkies was one of the premiere production companies of India in those times. Its films became very popular and the music was lapped up by the audience. There were other equally famous production houses like Prabhat Films,Ranjit studios and New Theatres of Calcutta, all churning out blockbusters. While Ranjit showed how to make money, Bombay Talkies added prestige to films.
Language in Hindi films was a great issue in those times and it is here that Bombay Talkies won hands down ! Prabhat films had its Hindi totally influenced by Marathi ( and hence was popular in western India), and New Theatres films had their Hindi straight lifted from books of Hindi Prachar Sabha- too pure ! It was only Bombay Talkies films which used the colloquial language of India- easily understood by the masses and acceptable to all classes equally. While Prabhat called it “Preet” , and New Theatres said ” Prem”, Bombay Talkies used the words like ” Pyar” and “Muhabbat” – a mix of Urdu and Hindi ( called Hindustani). Prabhat dialogues were too formal, while New Theatres’ were highly literary and Bombay Talkies used day to day language understood easily over the length and breadth of India.
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