Main Teri Tu Mera
Posted on: August 13, 2026
- In: Blog century song | Century of Blog Days | Century songs for the blog | Devnagri script lyrics by Sudhir | Guest posts | Love song | Lyrics contributed by readers | Mohantara Talpade Songs | Post by Sudhir | Rafi - Mohantara Talpade Duet | Rafi songs | Songs of 1940s (1941 to 1950) | Songs of 1947
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : | 6600 | Post No. : | 20500 |
Mohd Rafi – A Journey Divine – 2
(1947)
तेरी आवाज की जादूगरी से
ना जाने किस जहां में खो गया हूँ
इसी आवाज से चौंका था लेकिन
इसी आवाज में गुम हो गया हूँ
जहां में खो गया हूँ
The coincidence that we arrive at today, was indicated to me by Mahesh ji about 10 days back. And after some back and forth explanations, discussions and negotiations, the editors agreed to designate today as a dual century milestone day.
Yes, we arrive at the 6600th day of continuous musical disbursal of Hindi film songs. All numerical analysis and all the performance superlatives can be done and stated, but then that will just be a repetition of what has been told and discussed numerous times in the past. What we are moving towards forward is a glorious ongoing celebration, as always. Neither this ocean of HF music is going to deplete, and nor will the momentum and potential of this musical bandwagon will falter and rest. Miles to go yet, yes, many many more miles to go, but nothing like sleep to pause on the way.
May the journey of this bandwagon be blessed, and may it continue to accumulate the accolades and the bouquets – for the unstinted and the peerless effort anywhere on the world wide web. And come to think of it this way – maybe some will ask this in their minds – what purpose is being served by this endeavor ? Besides of course putting together a massive compilation of Hindi film songs. Well, my answer to that is – this venture, this so appropriately and so truly designated as a labor of love – it is the ongoing honoring of the stalwarts – both big and small, both popular and anonymous, both celebrated and neglected – the stalwarts who spent their lives to feed this oceanic enterprise called the Hindi cinema, and build this vast repository of music. A grandiose legacy that has been bequeathed to this world at large – to entertain, to give an expression to all the human emotions in all their various colors and flavors. Taking the thousand foot view of this enterprise, it is an ongoing humungous project that continues to assimilate, enumerate and generate asseverations of the multitude flavors of human emotions.
Yes, the effort of this bandwagon, led by the fearless leader (who now verily has an enhanced observation vision 🙂 ), is unmatched, is without a peer anywhere on the net. And I am proud and delighted to be part of this effort along with all my comrades in arm, all pitching in with their knowledge and insights into this ocean of music.
6600 days is a huge chunk of life itself. A passage of years that brings on at least two new generations in the human population. And so we continue, to work within this enterprise, crossing generations of time. And to compound the celebration today, we just slid past another massive milestone – the 205th century song to showcased on our blog. But what to say about it – so much has been said before, and I will just be rephrasing the past. But then, one certain thing to be said – that we all doff our caps in salute, and with a minimal pause, the trek continues. As always, the backlog in the pipeline does not allow a breather to relax. Past this 20500th song post, and on to now the next song, the next century song, the next thousandth . . .
I continue, after a gap of some months – the journey to track and catalog the flow of that divine voice that we so lovingly and respectfully call as Mohammed Rafi.
In the previous and first episode that was published as the song “Dupatta Mora Aaj Hi Rang Dijo“, (from film ‘Mansarovar’ of 1946) I had covered first three years of Rafi Sb’s career – from 1944 to 46. With this post I venture into 1947, and see the beginning of this singing voice. With three songs in 1944, then 12 songs in 1945, on to 39 songs in 1946, we come into 1947 and find a recorded list of 28 songs in 16 films, which are listed below.
| Saawan Kee Ghata Dheere Dheere Aana | Aage Badho | 1947 | Mohd Rafi, Khursheed | Sudhir Fadke | Amar Verma |
| Desh Mein Sankat Aaya Hai, Ab Kuchh Kar Ke Dikhlaana Hai | Aap Ki Sewa Mein | 1947 | Mohd Rafi, G M Saajan, Chorus | Datta Davjekar | Mahipal |
| Main Teri Tu Mera, Dono Ka Sang Sang Ho Basera | Aap Ki Sewa Mein | 1947 | Mohd Rafi, Mohantara Talpade | Datta Davjekar | Mahipal |
| Meri Aankhon Ke Taare, Ye Phool Suhaye Haaye Piya | Aap Ki Sewa Mein | 1947 | Mohd Rafi | Datta Davjekar | Mahipal |
| Jab Baithe Baithe Dil Bhar Aaye Aur Lab Se Nikle Haaye | Dak Bangla | 1947 | Mohd Rafi | Naresh Bhattacharya | Deena Nath madhok |
| Duniya Mein Meri Aaj Andhera Hee Andhera | Do Bhai | 1947 | Mohd Rafi | Sachin Dev Burman | Raja Mehndi Ali Khan |
| Do Din Ginti Ke, Umariya Beeti Jaaye | Do Dil | 1947 | Mohd Rafi | Gobind Ram | Deena Nath Madhok |
| Tu Bhi Reh Main Bhi | Ek Kadam | 1947 | Mohd Rafi, Shamshad Begum | Prakash Nath Sharma | – |
| Wo Apni Yaad Dilaane Ko Ek Ishq Ki Duniya Chhod Gaye | Jugnu | 1947 | Mohd Rafi, Chorus | Firoz Nizami | Asgar Sarhadi |
| Yahan Badla Wafa Ka Bewafayi Ke Siwa Kya Hai | Jugnu | 1947 | Mohd Rafi, Noor Jahan | Firoz Nizami | Shakeel Badayuni |
| Das Na Jaayen Tujh Ko Zulfen Kaaliyan | Malika | 1947 | Mohd Rafi | Allah Rakkha Qureshi | Tanveer Naqvi |
| Meri Dilruba, Mere Paas Aa | Malika | 1947 | Mohd, Rafi, Allauddin Khan | Allah Rakkha Qureshi | Tanveer Naqvi |
| Maya Man Ka Rog Hai Moorakh Maya Man Ka Rog | Rishta | 1947 | Mohd Rafi | Mohammed Shafi | Vehashi Jaunpuri |
| Hum Banjaare Sang Hamare Dhoom Macha Le Duniya | Saajan | 1947 | Mohd Rafi, Geeta Dutt, Lalita Deolkar, Chorus | C Ramachandra | Moti |
| Hum Ko Tumahara Hee Aasra, Tum Hamare Ho Na HO | Saajan | 1947 | Mohd Rafi | C Ramachandra | Moti |
| Kis Ko Sunaaun Haale Dil… Hum Ko Tumhara Hee Aasra | Saajan | 1947 | Mohd Rafi, Lalita Deolkar | C Ramachandra | Moti |
| Main Hoon Jaipur Ki Banjaran Chanchal Mera Naam | Saajan | 1947 | Mohd Rafi, Lalita Deulkar | C Ramachandra | Qamar Jalalabadi |
| O Babu, Aji Babu, Gali Meri Teri Chaand Chamka Dekho | Saajan | 1947 | Mohd Rafi | C Ramachandra | Qamar Jalalabadi |
| Sambhal Sambhal Ke Jaiyo Ho Banjaare, Dilli Door Hai | Saajan | 1947 | Mohd Rafi, Geeta Dutt, Lalita Deolkar, Chorus | C Ramachandra | Ram Murty Chaturvedi |
| Imtihan Jab Aata Hai… Ae Jee mat Poochho Baat, College Albeli | Samaaj Ko Badal Dalo | 1947 | Mohd Rafi, Arun, Mannadey | Khemchandra Prakash | – |
| Chali Saajan Ghar Jaaye, Aaj Dulhaniya Kes Sanwaare | Shadi Se Pehle / Juve Ka Nateeja | 1947 | Mohd Rafi | Paigankar / Karnaad | Pt Mukhram Sharma |
| Chalo Ho Gayi Taiyar, Zara Thehro Jee | Shadi Se Pehle / Juve Ka Nateeja | 1947 | Mohd Rafi, Lata Mangeshkar | Paigankar / Karnaad | Pt Mukhram Sharma |
| Nainon Se Naina Mila Le | Shahkaar | 1947 | Mohd Rafi & Rajkumari | K.Dutta | Arzoo Lucknavi |
| Ae Duniya Hai Sab Prem Kee, Tu Prem Kiye Ja | Shahkar | 1947 | Mohd Rafi, Shamshad Begum | K Dutta | Aarzoo Lakhnavi |
| Jeevan Hai Anmol Musafir, Jeevan Hai Anmol | Shanti | 1947 | Mohd Rafi | B S Thakur | Shakeel Badayuni |
| Tohe Jaana Hai Toh Hanste Hanste Jaana | Shanti | 1947 | Mohd Rafi | B.S.Thakur | Shakeel Badayuni |
And beginning to track his progress from year to year, I prepare the following table, which will get updated as we progress from one episode to the next.
| 1944 | 3 | 3 |
| 1945 | 12 | 15 |
| 1946 | 39 | 54 |
| 1947 | 28 | 82 |
Listening to this voice in all its different colors, emotions and renditions, the thought goes out to the quality of expression of this voice. I am sure all of us must have come across and viewed the few handful videos live interviews of Rafi Sb. Viewing these videos and hearing him speak, a wondrous thought comes to mind. Listening to his voice in these informal conversations, one is struck by the relaxed soft tones of this voice – so unhurried, so humble. One almost has to strain one’s listening to catch his words. And then the wonder appears in the mind – is this really the voice that has been recorded as “Bhagwaan, Bhagwaan. . . O Duniya Ke Rakhwaale”, or “Baar Baar Dekho, Hazaar Baar Dekho”, or the cresendoing notes of “. . . Inteha Ye Hai Ke Bande Ko Khuda Karta Hai Ishq” in the qawwaali “Na To Karvaan Ki Talash Hai”, and few thousand other sound and emotional variations that we are so used to hearing since childhood. Seriously, it is really a stretch of imagination to equate this humble soft voice in the live interviews, with the wondrous, and sometimes thunderous, variations of rendition that Rafi Sb has produced and presented from within himself. And I keep wondering – is this the same person.
Well, more observations on this topic in the next episode. I am already so drastically late with this post, that I curtail my thoughts – to be continued later.
Today’s song in from the 1947 film ‘Aap Ki Sewa Mein’.
‘Aap Ki Sewa Mein’ is a production from the banner of Chandrama Pictures, and is directed by Vasant Joglekar. The eight songs of this film are penned by Mahipal, yes the same Mahipal that we are more familiar as the actor. The music composition is by Dutta Davjekar. The interesting thing to note is that this is the film in which Lata Mageshkar has sung plaback in Hindi films for the first time.
Rafi Sb’s voice, in this song, sounds so familiar and so mature already. Very similar to the voice we are so used to listening in the songs of 1950s and 60s. Listen and judge for yourself.
Song – Main Teri Tu Mera (Aap Ki Sewa Mein) (1947) Singer – Mohantara Talpade, Mohammed Rafi, Lyrics – Mahipal, MD – Dutta Davjekar
Mohantara Talpade + Mohammed Rafi
Lyrics
ho ho ho oo
ho ho ho oo
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera
chhod ke mujhko
kidhar chale
o kidhar chale
bichhde door huye
bichhde door huye
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera
aawo
aawo jhoolte chalen kinaare
aawo
aawo jhoolte chalen kinaare
paani mein ho mahal hamaare
paani mein ho mahal hamaare
lehar lehar mein dol dol kar
naache pawan jhakora
lehar lehar mein dol dol kar
naache pawan jhakora
aa ha ha
main teri
(aa ha ha)
tu mera
(aa aa aa aa)
donon ka sang sang ho basera
mann ki rani
mann pe chhaao..oo
mann ki rani
mann pe chhaao
prem hilore laao
prem hilore laao
ghir ghir kaale baadal aaye
aao maine haath badhaaye
ghir ghir kaale baadal aaye
aao maine haath badhaaye
sajan daal de aaj yahaan
meethe sapnon ka ghera
sajan daal de aaj yahaan
meethe sapnon ka ghera
aa ha ha
main teri
(aa ha ha)
tu mera
(aa aa aa aa)
donon ka sang sang ho basera
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
हो हो हो ओ
हो हो हो ओ
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
छोड़ के मुझको
किधर चले
ओ किध चले
बिछोड़े दूर हुए
बिछोड़े दूर हुए
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
आवो
आवो झूलते चलें किनारे
आवो
आवो झूलते चलें किनारे
पानी में हों महल हमारे
पानी में हों महल हमारे
लहर लहर में डोल डोल कर
नाचे पवन झकोरा
लहर लहर में डोल डोल कर
नाचे पवन झकोरा
आ हा हा
मैं तेरी
(आ हा हा)
तू मेरा
(आ हा हा)
दोनों का संग संग हो बसेरा
मन की रानी
मन पर छाओ..o
मन की रानी
मन पर छाओ..o
प्रेम हिलोरे लाओ
प्रेम हिलोरे लाओ
घिर घिर काले बादल आए
आओ मैंने हाथ बढ़ाए
घिर घिर काले बादल आए
आओ मैंने हाथ बढ़ाए
सजन डाल दे आज यहाँ
मीठे सपनों का घेरा
सजन डाल दे आज यहाँ
मीठे सपनों का घेरा
आ हा हा
मैं तेरी
(आ हा हा)
तू मेरा
(आ आ आ)
दोनों का संग संग हो बसेरा
Dekho Ye Dewaana
Posted on: August 12, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6599 | Post No. : | 20499 |
‘Ye Zindagi Kitni Haseen Hai’ (1966) was RK Nayyar’s first film as a producer-director under his own banner, RK Nayyar Films. The cast included Ashok Kumar, Joy Mukherjee, Saira Banu, Motilal, Sayeeda Khan, Hari Shivdasani, Badri Prasad, Mohsin Abdullah, Janakidas, Manmohan etc. The film is a romantic crime drama in which Saira Banu plays a double role.
Hum Do Daaku Rang Rangeele
Posted on: August 11, 2026
- In: Actor-Singer song | Anoop Kumar Song | Devnagri script lyrics by Sudhir | Duet | Fun lyrics song | fun timepass song | Guest posts | Introduction song | joie de vivre | Kishore Kumar - Anoop Kumar Duet | Kishore Kumar songs | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Singer-MD song | Song picturised on siblings | Song sung by relatives | song sung by siblings | Songs of 1960s (1961 to 1970) | Songs of 1967 | Theme song | Title song | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6598 | Post No. : | 20498 |
Today’s song is from the social comedy film ‘Hum Do Daku’ (1967).
- In: Asha Bhonsle solo | Asha Bhonsle songs | Celebration Song | Dance song | Debut song of movie in the blog | expression of love | Feelings of heart | Guest posts | joie de vivre | One singer singing for several actors | Post by Pamir Harvey | Songs of 2010s (2011 to 2020) | Songs of 2015 | Yearwise breakup of songs
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6596 | Post No. : | 20496 | Movie Count : | 5250 |
After Bhagyashree Patwardhan I come to the next B and that is Bharti Sharma. To refer to other actresses, whose name start with B and have moved their lips to Asha Bhosle’s song go to the post by Atuljee.
This Bharti Sharma is not to be confused with the 1961 born Bharati Sharma (on imdb also entered as Bharti Sharma), who is an Indian theater director, actress, and teacher. I couldn’t gather much information on this Bharti Sharma. There is no Wikipedia entry on her name and I couldn’t find any interviews with her. The only page which gives information on her is imdb and all that is there to find about her on this site is a list of her films and TV series, which total to seven.
- In: "choodi" song | Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Final (YIPPEE) song of movie in the blog | Folk Dance | Folk song | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6595 | Post No. : | 20495 |
Today’s song is the last and final song from a lesser known social film ‘Ek Shola’ (1958).
This film title contains the starting word ‘Ek’, one of the most favorite words of the filmmakers. This word ‘Ek’ is used in 206 film titles, from 1931 to 2012. The film was the first film produced by Deep Khosla and Pradeep Kumar, for their own banner Deep and Pradeep productions, Bombay. It was a joint venture of Deep Khosla and Pradeep Kumar. Deep Khosla, writer-actor became a partner in Pradeep Kumar’s film production company and produced its first film, ‘Ek Shola’ (1958) which went to the production sometime in 1956. Thereafter, the banner produced ‘Ek Jhalak’ (1957), ‘Police’ (1958) and ‘Do Dilon Ki Daastaan’ (1966). In between, their partnership ran into some problems because of trust deficits between Deep Khosla and Pradeep Kumar. It is stated that as a part of the settlement between the two partners, Pradeep Kumar acted free in ‘Batwaara’ (1961) which was produced under the banner of Deep and Sandeep Productions. Sandeep was the son of Kalidas, the brother of Pradeep Kumar. ‘Do Dilon Ki Daastaan’ (1966) was the last released film under the banner, Deep and Pradeep Productions.
Ye Surkh Joda Ye Badan
Posted on: August 7, 2026
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6594 | Post No. : | 20493 |
“Yeh Surkh Joda Yeh Badan” is beautifully sung by Mohd. Rafi Saab. It is written by Gauhar Kanpuri and composed by Sapan Jagmohan. It is from the film ‘Shaadi Se Pehle’ (1980).
The film ‘Shaadi Se Pehle’ has been made under the banner of SM productions and is directed by Karunesh Thakur. The music is composed by Sapan Jagmohan, and the lyrics are written by Gauhar Kanpuri. The cast of actors lists the lead actors are new – Praveen Sood and Shahnaaz, supported by Rajendranath, Raj Mehra, Komilla Wirk, Poornima, Jagdish Raj, Dheeraj Kumar, etc.
Is Vrat Sa Koi Vrat Nahin Dooja
Posted on: August 6, 2026
- In: Devnagri script lyrics by Sudhir | Festival song | Gaj Gauri Pooja Song | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Songs of 1950s (1951 to 1960) | Songs of 1958 | Spiritual song | Sudha Malhotra solos | Sudha Malhotra songs | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6593 | Post No. : | 20491 |
Today’s songs from a Mythological film ‘Gaj Gauri’ (1958). The cast of this film consisted of Sulochana (Latkar), Ratnamala, Shahu Modak, Anant Kumar, Nana Palshikar and a host of mostly Marathi artistes plus an elephant named Ram Prasad.
When the talkie films era came to India, the early filmmakers tended to make films on folk tales and mythological stories in the first decade, i.e. 1931 to 1940. In the second decade of 1941 to 1950 many religious films were made. Some of them like ‘Ram Rajya’ (1943) being an all India blockbuster. And the third decade from 1951 to 1960 achieved the peak for mythological films made, worth calling it ‘The Golden Period of Religious films’. As many as 124 such films were made in this decade. From 1961 to 1970 and 1971 to 1980 were ok, but 1980 onwards there was a decline in such films and mythological films became scarce except some dubbed films from the South, where such films are made even today regularly. The television became a competition to this as many dharmik serials were shown on TV.




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