Kya takalluf hai wallah
Posted on: June 11, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6537 | Post No. : | 20340 |
‘Jail Yaatra’ (1981) was produced by Vijay Maria and Praveen Bali and was directed by Bhappi Sonie. The cast included Ashok Kumar, Vinod Khanna, Reena Roy, Amjad Khan, Anwar Hussain, Ashoo, Heena Kausar, Jyoti Bakshi, Jaishree T, Anjana Mumtaz, Dhumal, Vandana Shashtri, Rajan Kapoor, Beena, Abhimanyu Sharma, Brahm Bhardwaj, Katy Mirza, Manhar Desai, Keshav Rana, Mushtaq Merchant, Shivraj etc. Nirupa Roy and Jagdeep made their friendly appearances. The film went to floor sometime in 1975 but got delayed in its completion mainly due to Vinod Khanna’s frequent visits to Rajnish Ashram. Incidentally, during 1981-86, Vinod Khanna had taken sabbatical from the film industry.
Jeena zarooree hai
Posted on: June 11, 2026
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6537 | Post No. : | 20339 |
#the Decade of Seventies – 1971 – 1980 #
#Drunkard Songs -1 #
The song in this post is a drunkard song. We already have more than 200+ songs of this category in the blog but there are still many more😊 such songs yet to be represented here.
I was aware of many drunkard songs that are already covered in the blog from my radio listening and music collection days, but I was not aware that there were such a large number of these songs in Hindi films.
I have mentioned it several times that one of the reasons for me to like these songs was that they contained some high class poetry 😊 . The protagonist of these songs would often wax lyrical about philosophy of life. The protagonist would look cheerful while drunk, no matter he put others around him in embarrassing situation.😊
Ae jee maine poochhaa
Posted on: June 11, 2026
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6537 | Post No. : | 20337 |
#the Decade of Fifties – 1951 – 1960 #
The song being discussed in this post is a multiple version song. In the female version song, the lady pulls the leg of the gentleman by mocking him. In the male version of the song, the gentlleman returns the compliment.
This song is from the movie ‘Maine Jeenaa Seekh Liyaa-1959’. Male version is sung by Mohd Rafi and the female version is sung by Asha Bhonsle. As per the song list of this movie in Geet Kosh the Asha Bhonsle version appears first (if the HFGK song list is in the order in which the songs appear in the movie) and the Rafi version happens later.
‘Maine Jeenaa Seekh Liyaa’-1959, a social movie, was directed by Satish Nigam for Filmistan Limited, Bombay. This movie was passed by the Censor Board on 10.12.1959.
The cast of this movie had Ameeta, Ravindra Kapoor, Durga Khote, P. Kailash, Badri Prasad, Agha, Savita Chatterjee, Lata, Sushil Kumar, Murad, Noorjahan, Narbada Shankar, Tiger (Dog), Munshi Khanjar and others. This movie has eight songs contributed by two lyricist viz. Anand Bakshi and Rahil Gorakhpuri. Both of them wrote four songs each for this movie.
Saaqiyaa mera ek kaam kar de
Posted on: June 10, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6536 | Post No. : | 20335 |
“Baaghi”(1964) was produced by R L Suri and directed by Ram Dayal for Mukul Movies, Bombay. This movie had Pradeep Kumar, Leela Naidu,Mumtaz, Veena, Jayant, Hiralal, Jeevan, Vijaya Chowdhary, Jagdeep, Helen, Madhumati, Mridula, Ulhas, Naaz, Rajan Haksar etc in it.
Sahe jaa sadme khaaye ja gham
Posted on: June 10, 2026
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6536 | Post No. : | 20334 |
#the Decade of Fifties – 1951 – 1960 #
“Deepak-1951” was directed by Chandrashekhar for ‘Ram Ganguly Productions’ and it was passed by Censor Board on 07.02.1951. Ram Ganguly was also the producer and music composer of this movie. The cast of this movie “Deepak-1951” had Prithviraj, Vijaylakshami, Umesh Sharma, Arun Ganguly, Sajjan, Kamal Mehra, Shanti Madhok and others.
Dil to chaahe ye hamaaraa
Posted on: June 9, 2026
This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6535 | Post No. : | 20333 | Movie Count : | 5216 |
When Atul started his alphabetical series of actresses who have lip-synced to Asha Bhosle’s voice, I suggested the names of some actresses who were missing from the list. I also sent the respective songs. Amala’s name was on my list, along with the song “Step by Step” from Dost (1989). When I asked Atul if he would mind my writing a post on the song, he replied that he would welcome it. This is how this contribution of mine came about after a long hiatus from this resourceful blog.
I became aware of Amala through her first Hindi film, Pushpak (1987). The film made quite a splash in the Hindi film industry, as it was a silent movie released in the middle of a decade that was full of very loud films. I did not have the chance to watch it in a cinema hall at the time. Amala looked quite different from the usual Hindi heroines of that era. In her interviews, she came across as a very sympathetic person who was actively involved in efforts against cruelty to animals. This brings us to the plot of the movie in question.
Kal chaudhveen kee raat thhee
Posted on: June 9, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 6535 | Post No. : | 20332 |
I present one of the most popular ghazals, ‘kal chaudhveen kee raat thhee’ (1979) composed and rendered by Jagjit Singh. The ghazal is written by Jalandhar-born Pakistani poet, humourist, journalist and travel writer, Ibn-e-Insha (1927-1978).
I had a faint memory of this ghazal sometime in 1980s but at that time, there were other popular ghazals of Jagjit Singh which have remained in my memory like ‘ishq mein ghairat e jazbaat ne rone na diyaa’, ‘duniyaa jise kehte hain’, ‘baat niklegi to phir door talak jaayegi’, etc. It is only during the last 2-3 years that I have listened to this ghazal online umpteen times and have started admiring this ghazal for its soulful rendition.




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