This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4234 | Post No. : | 15444 |
Today’s song is from a film having a familiar title – Lakhon mein ek-1947, but this film is hardly known to anyone. The title is familiar, because there were two more films with the same title, in two different decades later on. One was Lakhon mein ek-1955, which had a less known Heroine Asha Mathur, opposite a veteran Jairaj. It had music by Bhola Shreshtha. The other film was Lakhon mein ek-1971, which had an unknown (till then and later too) debutante Heroine- Radha, opposite comedian Mehmood. This film had music by R D Burman and few songs became popular for some years.
Today’s film was made by Ranjit Movietone- the film factory, owned by Sardar Chandulal Shah. The film had music by Hansraj Behl (7 songs) and Bulo C Rani (4 Songs).
In 1947, Bulo C Rani was employed by Ranjit as their in house composer after Gyan Dutt (37-40) and Khemchand Prakash (40-45). The film’s songs were written by Pt. Indra Chandra. The film was directed by Taimur Behramsha, who debuted as a director, with this film. Earlier he was a Cinematographer in Ranjit. After this film, Ranjit gave him another film for direction – Bhool Bhulaiyan-49. Then he floated his own company ‘ Taimur Art Productions’ and produced and directed film Izzat-1952.
The cast of the film was Khursheed Jr. (Meenakumari’s elder sister), Nirupa Roy, Ghulam Mohammed, Bipin Gupta and others. Khursheed jr, first entered the films, then came Meena Kumari and lastly Baby Madhuri aka Madhu. All sisters got married only to suffer in their later life. Their stories are pathetic. The handsome actor Altaf, was married to Khurshid. Mehmood & Altaf were co-brothers,being married to siblings Khursheed & Madhu respectively. Khursheed & Madhu tried their luck & appeared in few movies,but were not successful. Madhu, it may be recalled had a brief role in Manzil(1960).
Altaf was not as lucky as his co-brother- Mehmood or sister in law Meena Kumari. Although,initially he appeared in some movies as leading man in 40s, but soon he was relegated to play negative roles in films. Chhote Nawab, Ghulam Beghum Badshah, Sone Ki Chidia, Noor Jahan, Raja Rani, Char Chand etc were few of his movies.
Meena Kumari, Khurshhed & Madhu,it seems, were destined to suffer, in their second half of life. While we are aware of Meena Kumari’s last days, Khurshid & Altaf led miserable life & were forced to live in Jhopadpatti, due to financial constraints, after Meena Kumari passed away. Madhuri was divorced by Mehmood & she had to leave the house,to live the life in penury.
The music director Hansraj Behl is one of my favourite composers, though his name never came up in the A class composers. His compositions were very melodious, but his luck was very harsh with him. Many such cases, be they composers, actors, directors or singers, are known to us. When one sees their life stories and works, one is forced to believe that LUCK is more important than Talent, at least in Film Industry. This is Hansraj Behl for you….
Hansraj Behl (19-11-1916 to 20-5-1984), in my opinion,is one of those composers in film world, who composed lots of melodious songs. Unfortunately, he was also one of those composers who never got Big banners to work for. He and his brother, Gulshan Behl founded N.C.Films, on their father’s name-Nihal Chand- and produced B and C grade movies to which Hansraj gave his music. Hansraj was known as Master ji, in the industry. Only two people were known as Master ji…one was Ghulam Haider and the other was Hansraj Behl. Hansraj usually worked alone and rarely used any assistant while giving music.
Hansraj is remembered for giving initial playback singing breaks to Asha Bhonsle and Madhubala Jhaveri. He also gave chance to his own friend Verma Malik-Lyricist. Malik used to live with him initially, in Bombay. He composed music for 71 films from Pujari-46 to Badmashon ka Badmash-79. One film “Insaaf ka Khoon” was released after his death,in 1988.
Hansraj Behl is one of the music directors who became successful in the post independence era. He composed music for not only Hindi films but also for Punjabi films. Hansraj was born on 19 November 1916 in Punjab. He got his basic education in music from Pt. Chunnilal. Then he opened his music school in Lahore and he had some non-film records released under the label of HMV. In 1944 Hansraj came to Bombay to try his luck in Hindi film industry as a music director.
After one year of struggle he got his first film Pujari, made by Ardeshir Irani, in 1946. He got films like Gwaalan and Phulwaari in the same year, but all these films could not do well at the box office. Behl tasted success in 1947 with the release of Laakhon Mein Ek and Chheen Le Aazadi. ‘Moti Chugne Gayi Re Hansi..’ sung by Shamshad Begum and Mukesh from the film Chheen Le Aazadi became very popular. In 1948 he came up with four films – Chunariya, Mitti Ke Khilone, Pardesi Mehmaan and Satya Narayan, of which Chunariya’s music was a hit especially the song ‘Dil-e-Nashaad Ko Jeene Ki Hasrat Ho Gayi..’ sung by Lata Mangeshkar. The song which placed him among high class music directors was ‘Sab Kuchh Lutaya Hamne Aakar Teri Gali Me..’ sung by Mohammed Rafi and written by Mulk Raj Bhaakri.
In the year 1949, he came out with Chakori, Raat Ki Raani, Zevraat and few more films. Lata sang one of her favourite songs, ‘Haye Chanda Gaye Pardes Chakori Yahan Ro Ro Mare..’ in Chakori, which became very popular and it helped Hansraj to gain popularity among music lovers. ‘Jin Raaton Mein Neend Ud Jaati Hai..’ sung by Mohammed Rafi in Raat Ki Raani was a nation wide hit.
In 1950-51 he gave many hit songs with Lata Mangeshkar, Geeta Dutt and Suraiyya. Songs of Kisi Ki Yaad became very popular soon after the release of the film. ‘Koi Mujhko Na Bulaye..’ and ‘Tadapta Chhod Kar Mujhko Kahaan Tum Reh Gaye..’ both sung by Geeta Dutt and ‘O Jaane Wale Ye Kya Kiya..’ by Mohammed Rafi gained immense popularity. In 1952 he introduced Madhubala Jhaveri as a playback singer in Apni Izzat and Jaggu. Madhubala sang ‘Dil Mera Tera Diwaana..’ with Talat Mehmood and ‘Meethi Meethi Loriyaan Main Dheere Dheere Gaoon..’ (both Apni Izzat) featured her solo voice. In 1954, he again came out with musical films like Dost and Khaiber. ‘Aaye Bhi Akela Jaye Bhi Akela..’ from Dost (1954) sung by Talat Mehmood was among one of his memorable compositions.
He continued to give his best in films like Rajdhani, Milan, Miss Bombay, Changez Khan and Saawan. Songs like ‘Bhool Ja Sapne Suhane..’ from Rajdhani (1956), ‘Mohabbat Zinda rehti Hai..’ from Changez Khan (1957), ‘ Jab Raat Nahi Katti..’ from Changez Khan (1957), ‘Zindagi Bhar Gham Judaai Ka..’ from Miss Bombay (1957), ‘Haseen Ho Khuda To Nahi..’ from Mud Mud Ke Na Dekh (1960), ‘Bheega Bheega Pyar Ka Sama..’ from Saawan (1959) and ‘Tujhko Dhoondhu To Dhoondhu Kahaan..’ from Milan (1959) crossed all the barriers of success and Hansraj Behl’s name was on the lips of every music lover.
After all these successful films he continued to give music till 1969 but failed to give any hit because his later films were either stunts or fantasy films with little scope for having good music. His last hit song was an all time great creation ‘Jahan Daal Daal Pe Sone Ki Chidiya Karti Hai Basera..’ which was sung by Mohammed Rafi for the film Sikandar-e-Aazam in 1965. In all, he gave music to 71 films and composed 530 songs.
Hansraj Behl died of Cancer in Bombay on 20-5-1984.
Today’s song is a very melodious song sung by Hamida Bano. Singer Hamida Bano was born on 19-10-1928,in Lahore. Her family shifted to Bombay in 1942. Hamida’s elder brother Akbar worked with a Drama company. He gave her the initial training in singing. This kindled a desire in her mind to sing in Hindi Films. Those days,the well known,Actor/Director Master Bhagwan lived nearby. He once recommended her name to his best friend-C.Ramchandra. He was the MD for Bhagwan’s film ” Naghma-e-Sehara “-1943. He gave her a break with 3 songs in this film. Unfortunately,this film got delayed and was released only in 1945. Meanwhile,Naushad had found her and he gave her a song in film ” Sanjog’-43 and she sang her first released song with Shyam kumar.
C.Ramchandra continued using her in films like Bahadur, Lalkar, Manorama, Raunaq, Sawan etc. In those years C.Ramchandra himself was not very famous-till his HIT films like Safar-46 and Shehnai-47 etc. So Hamida was not much benefitted with these songs. From 1945,it was composer Bulo C Rani,who used Hamida Bano for some really memorable songs like in film ” Moorti”-45–badariya baras gayi uss paar. Then came Rajputani, Chheen le Azadi, Phulwari, Badi baat, Shahenshah Babar, Naseeb, Parayi aag,Preet, Devar Dharti, Nek Parveen, Neelkamal, Tohfa and Rimjhim. After 1950 her songs became less and she sang in Bikhre Moti, Rajput, Anjaam,and Majboori-54-her last film in India. She sang about 125 odd songs in about 62 films.
In 1956, she migrated to Pakistan. In Karachi,she recorded some songs. Then she settled in Lahore and became active in social work. Occasionally, she was seen in functions like ” Nigar Awards Function ” etc. She continued singing on Lahore Radio. Hamida Bano died on 20-11-2006 at the age of 78 yrs. Her last song in India was with Asha in Majboori-1954-“Tere poojan ko Bhagwan bana Man mandir aalishan”.
Enjoy this lovely song composed by Hansraj Behl.
Song-Hum tumhaare tum hamaare aao karen pyaar (Laakhon Mein Ek)(1947) Singer- Hamida Banu, Lyricist- Pt. Indra, MD- Hansraj Behl
Lyrics
hum tumhaare tum humaare
aao karen pyaar
hum tumhaare tum humaare
aao karen pyaar
dekho ji dekho ye kaisi bahaar
dekho ji dekho ye kaisi bahaar
hum tumhaare
tum humaare
hum tumhaare tum humaare
aao karen pyaar
hum tumhare tum humaare
aao karen pyaar
gungun karen bhanwara pukaar
gungun karen bhanwara pukaar
kaliyon ne ghoonghat diye hain utaar
kaliyon ne ghoonghat diye hain utaar
aasha ne khole mere sapnon ke dwaar
aasha ne khole mere sapnon ke dwaar
hum tumhaare
tum humaare
hum tumhare tum humaare
aao karen pyaar
hum tumhaare tum humaare
aao karen pyaar
chanda se maangege kiranen udhaar
chanda se mangege kiranen udhaar
shabnam se le lenge moti ka haar
shabnam se le lenge moti ka haar
saajan ko dhoondhenge kar ke singaar
saajan ko
haan haan saajan ko
haan haan saajan ko dhoondhenge kar ke singaar
hum tumhaare
tum humaare
hum tumhaare tum humaare
aao karen pyaar
hum tumhaare tum humaare
aao karen pyaar
dekho ji dekho ye kaisi bahaar
dekho ji dekho ye kaisi bahaar
hum tumharae tum humaare
hum tumhaare tum humaare
aao karen pyaar
hum tumhaare tum humaare
aao karen pyaar
This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4233 | Post No. : | 15443 |
It was the 94th Birth Anniversary of Late Khaiyyam yesterday (18 february 2020).
Born as Mohammed Zahur Khayyam Hashmi(18 February 1927 – 19 August 2019), he started his career as music director, as Sharmaji of duo of Sharmaji-Vermaji with Rehman Verma.
He passed away last year on 19th August 2019, after an illustrious career of more than 4 decades. As per the stats page, he has composed 377 songs in 42 movies, out of which 179 songs are already posted. My personal favourite songs list has to start with the songs of Rafi songs in ‘”Shola aur Shabnam” , include “Bazaar”, “Umrao Jaan”, “Shaam e gham ki Qasam”(Footpath), Rafi solo “hai kali kali ke lab par”, some songs of “Razia Sultan” especially the sehra “Aye khuda Shukr tera”, songs of ‘Kabhi Kabhi”, “bahaaron mera jeewan bhi sanwaaro” (Aakhri Khat) etc.
I cannot forget to mention two songs of “Shankar Husaain” both the unforgettable solos by Rafi and Lata Mangeshar. The list will go all the way to the songs of ‘Phir Subah hogi” . And “Simti hui ye ghadiyaan” of “Chambal Ki Qasam”. The song of “Khandaan” (ye Mulaquat ek bahana hai) and Rafi-Lata duet from “Chambal kiQasam” were special favourites at the All India Radio’s Urdu service afternoon show (Aap ki farmaish ).
From a layman point of view also the songs composed by Khaiyyam are always melodious and have a distinctive style of their own. I can call it almost a ‘Genre”, very similar to the style of “Jaidev”. Jaidev was an assistant to S. D. Burman, but I was able to find any references it Khaiyyam was an assistant to anyone. He may have been as the training is required here also as any other field.
He composed non film songs and ghazals also, almost 34 of which were sung by Mohammed Rafi.
As per Wikipedia :
“On his 89th birthday, Khayyam announced the formation of a charitable trust, Khayyam Jagjeet Kaur KPG Charitable Trust, and decided to donate his entire wealth to the trust to support budding artists and technicians in India. His wealth at the time of announcement was valued at around ₹10 crore (US$1.4 million)”
The song I have selected to present on this occasion is from the film ‘Bambai ki Billi”, alternatively named “Wild Cat”. How does “Bambai” translate of Wild in this instance, I can’t begin to decipher. The singer of this song is Lata Mangeshkar, with chorus. Lyricist is Hasrat Jaipuri, composer is the the one and only Khaiyyam.
The tune of the song is reminiscent of this song from “Kabhi Kabhi”.
Song-Main baaghon ki morni jab naachhon taa taa thaiyya (Bombay Ki Billi )(1960) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Khaiyyam
Chorus
Lyrics
Jab jab mori paayal baaje
Logan ka aa dil dhhadke
Dekh ke mori chhalbalwa ??
man mein bijuriyaa kadkey ae
ho o
Main baaghon ki morni
Jab naachun taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya aa
Main baaghon ki morni
Jab naachoon taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Nain kateele aur sooratiyaa saanwri
hoye hoye hoye hoye hoye
Nain kateele aur sooratiyaa saanwri
Ho gayee main ko dekh ye duniyaa baawri
Hoye
Ho gayee main ko dekhye duniyaa baawri
Haay re ra rararara ra ra
Jinki batiyaan zeher bhari hain
Jaise koi kasaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Chaand bhi sharmaaye hai
Mere roop se
hoye hoye hoye hoye hoye
Chaand bhi sharmaaye hai
Mere roop se
Raat bhi din ban jaaye
Badan ki dhoop se
Hoy Raat bhi din ban jaaye
Badan ki dhoop se
Haay re la lalalara la la
Jin raston se chham chham jaaun
Taake mohe sipahiyaa
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
tu baaghon ki morni
Jab naache taa taa thhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
baal ye kaale
Pyaar se paale naag hain
hoye hoye hoye hoye hoye
baal ye kaale
Pyaar se paale naag hain
Haathh badha ke chhoo na lenaa
aag hain
hoye
Haathh badha ke Chhoo na lenaa
aag hain
Haay re ra rararara ra ra
Man ki been bajaaun jab jab
Jhoome prem kanhaiyya
Dilwaalon ki julmi najar se
Koyi bacha le daiyya
Haay re mori maiyya hoye
Sun zara jaane jahaan
Posted on: February 19, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4233 | Post No. : | 15442 |
“Khilaadi”(1968) was directed by Homi Wadia for Basant Pictures Bombay. This “social” movie had Nadia, Dilip Raj, Uma Bhende, Sujata, Sheikh, Suzie, Amarnath, Wazir Mohammad Khan, Vishwas Kunte, Uma Dutt, Dalpat, Habib etc in it.
The movie had five songs in it. Two songs have been covered in the past.
Here is the third song from “Khilaadi”(1968) to appear in the blog. This song is sung by Asha Bhonsle. Farooque Kaiser is the lyricist. Music is composed by Lala Sattar.
The song is picturised as a seduction song on an actress who I think is Uma Bhende. I request our knowledgeable readers to help confirm/ refute my identification. The actress as well as the gentleman playing the centre of her attention appear ill suited for the roles they were entrusted to play in the song.
PS-Prakashchandra, our inhouse expert advises that the actress is Sujata seducing Dilip Raj.
Song-Sun zara jaane jahaan (Khilaadi)(1968) Singer-Asha Bhonsle, Lyrics-Farooque Kaiser, MD-Lala Sattar
Lyrics
sun zara
jaane jahaan
sun zara
sun zara
jaane jahaan
sun zara
jaane jahaan
pyaara hai ye mausam tu dekh meri jaan
pyaara hai
haaye
sun zara jaane jahaan
sun zara
jaane jahaan
pyaara hai ye mausam
tu dekh meri jaan
pyaara hai
haaye
sun zara
jaane jahaan
sun zara
jaane jahaan
mausam ye pyaara pyaara hai
kitna haseen nazaara hai
kitna haseen nazaara hai
jaane bahaar aa jaao
samjho ye kya ishaara hai
dekho ye kya ishaara hai
ho o ho ho ho
kitna sataaya kitna jalaaya
ban ke paraaya tadpaaya
sun zara jaane jahaan
sun zara
jaane jahaan
pyaara hai ye mausam
tu dekh meri jaan
pyaara hai
haaye
sun zara jaane jahaan
sun zara
jaane jahaan
dil mera seedha saada hai
sarkaar kya iraada hai
bolo ji
kya iraada hai
maana teri mohabbat ka mujhko nasha ye jyaada hai
mujhko nasha ye jyaada hai
ho o ho ho ho
ab kya chhupaana dil ka fasaana
kar ke bahaana aa jaana
sun zara jaane jahaan
haaye
sun zara
ho jaane jahaan
pyaara hai ye mausam
tu dekh meri jaan
pyaara hai
haaye
sun zara jaane jahaan
hoy sun zara
ho jaane jahaan
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4232 | Post No. : | 15441 |
“Sandhya”(1975) was produced by Sunik Kumar and directed by Mirza Masood Baig and Sunil Kumar for Knight Films Bombay. This “social” movie had Aziz Mirza, Nargis Bano, Sunil Kumar, Rajita Thakur, Sharad Kumar, Nilo Roy, Kamal Kapoor, Hira Lal, Ratnamala, Haider Kumar, Dilip Dutt, Mona, Baby Bindu, Misri Lal, Hariram Raheja, Mauji Ram, Radhey Shyam, Mohammed Ali, Haroon, Romeo, Rehana, Surendra Sharma, Prasad, Ashok, Moolchand, M.L.Kapoor, Sajjan Harilalka, Yudhishtir etc in it.
This obscure movie had three different to find songs in it. Two of these songs have been covered in the past.
Here are the details of these two songs:
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Zindagi tujhse bahot pyaar kiya hai maine | 11064 | 14-Apr-2015 |
| 2 | Ang ang rang chhalkaaye | 15085 | 23-June-2019 |
Today (18 february 2020) is the birth anniversary of Jaan Nisaar Akhtar (18 February 1914 – 19 August 1976) as well as Khayyam (18 February 1927 – 19 August 2019). Curiously, Their birth anniversary as well as death anniversary fall on the same days (though in different years).
As a tribute to them, here is the third and final song from “Sandhya”(1975). This song is sung by Sulakshana Pandit. Jaan Nisaar Akhtar is the lyricist. music is composed by Khayyam.
Only the audio of the song is available. It sounds like a mujra song to me. I request our knowledgeable readers to throw light on the picturisation of this rare song.
Lyrics of this song were sent to me by Prakashchandra.
Audio link:
Song-Jo palkon par nahin aate wo aansoo kisne dekhe hain (Sandhya)(1975) Singer-Sulakshana Pandit, Lyrics-Jaan Nisaar Akhtar, MD-Khayyam
Lyrics(Provided by Prakashchandra)
ye dilwaale jo dil de kar
silaa chaahein
pataa kab hai ae
ye kyaa maangey
ye kyaa chaahein
kabhi aanchal dhalak jaaye ae
jo baahon se
ye deewaane
(laughing sound)
badan chhoo lein
nigaahon se
pighal jaaye jo honthon ki nami dekhein
machhal jaayen jo aankhon mein hansi dekhen
par aankhon ki
hansi mein
gham ke pehloo
kis ne dekhe hain aen
par aankhon ki
hansi mein
gham ke pehloo
kis ne dekhe hain aen
jo palkon par nahin aate
par nahin aate
woh aansoo kis ne dekhe hain
kabhi chaahein ke ras pee len
nazaaron ka
kabhi chaahein ke tan rach len
bahaaron ka
mehkte phool ye kab
todna chaahein
lapakte ae haath kaliyaan
todnaa aaa chaahein aen aen aen aen
jo shaakhein toot’ti hain
unn ke baazoo kis ne dekhe hain aen
jo shaakhein toot`ti hain
unn ke baazoo kis ne dekhe hain aen
husn-ae-shamma tera
sabki aankhon ka nashaa
pyaar parwaane karein
raqs deewaane karein
par tere dil ki lagi
koi samjha na kabhi
sab ki padti hai nazar
tere jalwon pe magar a a a
dhuaan ban kar
bikhar ke tere gesoo
kis ne dekhe hain
jo palkon par nahin aate
woh aansoo kis ne dekhe hain
Dil tootaa roye nainaa
Posted on: February 17, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4231 | Post No. : | 15440 |
“Baazi”(1968), not as well known as “Baazi”(1951) was directed by Moni Bhattacharya for Golden Films Production, Bombay. The movie had Dharmendra, Waheeda Rehman, Johnny Walker, Mehmood, Helen, Ansari, Nazir Hussain, Ullhas, Chans Usmani, Amar, Manmohan, Keshto Mukherjee, Pinchoo Kapoor etc in it.
The movie had five songs in it. Three songs have been covered in the past.
Here is the fourth song from “Baazi”(1968) to appear in the blog. it is sung by Asha Bhonsle. Shakeel Badayuni is the lyritcist. Music is composed by Kalyanji Anandji.
This “dil toota” genre of song is picturised on Waheeda Rehman.
Song-Dil toota roye naina(Baazi)(1968) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Kalyanji Anandji
Lyrics
dil toota aa
roye naina
dil toota aa
roye naina
ab pyaar samajh mein aa gaya
jab dekhi ee bewafaai
dildaar samajh mein aa gaya
dil toota aa
roye naina
kyun na mera dil jaley
dard ke angaaron mein aen
kyun na mera dil jaley
dard ke angaaron mein aen
be-khata hoke bhi
shaamil hoon khatawaaron mein
huye dil par sitam
to mohabbat ka gham
sarkaar samajh mein aa gaya
dil toota aa
roye naina
ab pyaar samajh mein aa gaya
dil toota aa
roye naina
mujhko ye badla mila
pyaar ke ehsaanon ka aa
mujhko ye badla mila
pyaar ke ehsaanon ka aa
rah gaya kissa adhoora
ab mere armaanon ka
na wo sapne rahe
na wo apne rahe
sansaar samajh mein aa gaya
dil toota aa
roye naina
ab pyaar samajh mein aa gaya
jab dekhi ee bewafaai
dildaar samajh mein aa gaya
dil toota aa
roye naina
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4230 | Post No. : | 15439 |
“Gunaahon Ke Raaste” (1970) was directed by Radhakant for Bhanu Pictures, Bombay. The movie has Dara Singh, Sanjanaa, NA Ansari, Azaad, Renu, Johnny Whisky, Dilip Dutt, Shetty, Shri Bhagwaan, Bhupendra Singh, Rajan Kapoor, Polson, Samson, Sanjay etc in it.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from the movie to appear in the blog. This song is sung by Hemlata and Manna Dey. Lyrics are penned by Naqsh Lyallpuri. The music director is Jagdish Khanna.
Video
Audio
Song-Saaqiyaa tu bhar bhar ke de jaam(Gunaahon Ke Raaste)(1970) Singers-Hemlata, Manna Dey, Lyrics-Naqsh Llayalpuri, MD-Jagdish Khanna
Lyrics
Saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
haan
raat bhar piyenge ham
jhoom kar jiyenge ham
tere liye hai
mere liye hai
zingadi ke haseen
ye raat saaqi
milne de nazren
dhalne de mastee
ho gaye hain jawaan
jazbaat saaqui
jazbaat saaqui
saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
haa
saaqiyaa tu bhar bhar ke de
jaam yoon na dar dar ke de
haa
raat bhar piyenge ham
haa
jhoom kar jiyenge ham
ni ballo
ni ballo
ni ballo
dil jaisee mehangi cheez
liye ja saste mein
ho
dil jaisee mehangi cheez
liye ja saste mein
ye phool sajega khoob
tere guldaste mein
tere guldaste mein
hoy
dil jaisee mehangi cheez
liye ja saste mein
aisa heera
aisa moti
aisa heera
aisa moti
dhoondhe se na paayegi
haay
soniye
heeriye
hadippa
aisa heera
aisa moti
dhoondhe se na paayegi
ye mauqa gar haath se tere
nikla to pachtaayegi
khada hai ik saudaagar tere raste mein
ye phool sajega khoob
tere guldaste mein
tere guldaste mein
hoy
sadqe
dil jaisee mehangi cheez
liye ja saste mein
Kabhi to aa
Posted on: February 15, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4229 | Post No. : | 15438 |
“Patraani”(1956) was produced by Shankarbhai Bhatt and directed by his younger brother Vijay Bhatt for Prakash Pictures. The movie had Vyjayantimala, Pradeep Kumar, Omprakash, Shashikala, Durga Khote, David, Jeevan etc. in it. The movie was based on a novel by Kanhaiyalal Munshi.
Seven songs from this movie have been discussed in the past. Here is the eighth song from “Patraani”(1956) to appear in the blog. This song is sung by Lata. Shailendra is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised as a rajdarbaar dance song on Shashikala as Pradeep Kumar, the king looks on.
audio
Video
Song-Kabhi to aa (Patraani)(1956) Singer-Lata, Lyrics-Shailendra, MD-Shankar Jaikishan
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon
mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon mein aake chale jaane waale
bhali buri
hoon jaisi bhi
main teri hoon
taras kar mohe tarsaane waale
kabhi to aa
kabhi to aa
kabhi to aa
aa aa aa aa
aa aa aa aa
rangeeli rut aa gayi ee ee
rangeeli rut aa gayi ee ee
dekh kar chaand ka dhhalna ho
dekh chaand ka dhhalna ho
piya main ghabra gayi ee ee ee
piya main ghabra gayi ee ee ee ee
dhhalegi kya ye umar bhi isi tarah
bataa de mohe
ratiya jagaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapnon mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa
aa aa aa aa
aa aa aa aa
wo din kab aayenge ae ae ae ae
wo din kab aayenge ae ae ae
jaane kab pyaasi nadiya mein
jaane kab pyaasi nadiya mein
kamal muskaayenge ae ae
kamal muskaayenge ae ae ae ae
hata bhi de
ye bojh sar se laaj ka
ghoonghat kaliyon ke sarkaane waale
kabhi to aa
kabhi to aa
kabhi to aa
o sapno mein aake chale jaane waale
kabhi to aa
kabhi to aa
kabhi to aa aaa
This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4228 | Post No. : | 15437 | Movie Count : |
4253 |
As valentine day party songs go, this one is not really so big on the event. Except for the heart shaped balloons, there is no other indication of this being a valentine day song. Point to be noted is that, the blog seems to have ignored this occasion also, along with a host of other days that are specifically designated throughout the year. Whatsapp university does a quite adequate job of reminding us of all these days, be it mother’s day, father’s day, couple day, hug day, chocolate day to name a few. These are just the days which came readily to mind, because a few of them were during this past week.
I remembered this song today just out of the blue from the film “Dil to paagal hai”. I remember seeing this film in theatre, must be in 1997. My elder sister was very fond of Yash Chopra films and the star cast was, as it is very much ascending stars of the era. Nevertheless I remember at one point in the film, where I told my sister that I don’t want to see this film and we are leaving. Which point I don’t care to share here.
This song talking of ‘Chaand’ & ‘Raat’ is actually compliant with my posts series titled ‘Chaandni Raatien”. Composer is Uttam Singh and the lyrics are by Anand Bakshi. It is picturized on Shah Rukh Khan, Karishma Kapoor and Madhuri Dixit. Shah Rukh and Karishma are at a Valentine Day party, whereas Madhuri Dixit is at her home, dreaming and singing along. At this point I think Shah Rukh and Madhuri haven’t met each other, but are scheduled to meet and fall in love. This song is in anticipation of the things to come in the story, because you see they have read the script and the song was ready, so the situation had to be created for it. Udit Narayan sings for Shah Rukh and Lata Mangeshkar is singing for Madhuri and Karishma both. The song is very catchy too despite being a mood song.
The film is full of melodious hit songs which were a rage then. Film and the songs won quite a few awards too. This song is having the tunes of other songs from the same film, as interlude. Again as I said the characters are anticipating the songs to feature in the film later on. Good imagination all around.
Song-Chaand ne kuchh kaha raat ne kuchh suna(Dil To Paagal Hai)(1997) Singers-Udit Narayan, Lata, Lyrics-Anand Bakshi, MD-Uttam Singh
Chorus
Lyrics
Hey hey
oo ho ho ho ho
Hmmm mmmmm
La la la laa laaaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa
Kya kahoon kya pataa
Baat kya ho gayee ee
Dillagi ye mere
Saathh kya ho gayee
Ik ishaara hai yeh
Dil pukaara hai ye
Ik ishaara hai yeh
Dil pukaara hai ye
Iss se churaa na nazar
Pyaar kar
Oh ho ho pyar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Hey hey
Ah ha ha
aa haa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ho oo ooo
Ooo ooooo
Hmmm mmmm
Mmmmmmm
La la la la la la
La la la laa la laa
Hai kaun kya khabar
Koyi to hai magar
Sapnon mein hai kahin
Aata nahin nazar
Main yehaan
wo wahaan
Aa rahi phir yehaan
Main yehaan wo wahaan
Aa rahi phir yehaan
Aawaaz kis ki magar
Pyaar kar
Oh ho ho pyaar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa
Aaa aaaa aaaaaa
Aaa aaaa aaaaaa
Jis pe ham mar mitey
Uss ko pataa bhi nahin
aa aa aa aa aa
O Jis pe ham mar mitey
Uss ko pataa bhi nahin
Kya gila ham Karen
Wo bewafaa bhi nahin
Ham ne jo sun liyaa
Uss ne kahaa bhi nahin
Ae dil zara soch kar
Pyaar kar
Oh ho ho pyar kar
Hey hey
Ah ha ha aa haaaa
La la laa laa laaa laaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyaar kar
Hey hey
La la la la laa la laa
Oh ho ho
Hmm mmmm mmm hmm hmm
Pyaar kar
Oh ho ho pyaar kar
Pyaar kar
Oh ho ho pyaar kar
| Blog Day : | 4228 | Post No. : | 15436 |
“Paataal Bhairavi”(1952) was a remake/ dubbing of a blockbuster Telugu movie of the same name. This movie was produced by B Nag Reddy and Chakrapani and directed by K V Reddy for Vijaya Vauhini Productions, Madras. The producers were the same people who were also behind the publication of the popular Children’s magazine “Chandamama”, which was published in many languages of India.
The movie had N T Rama Rao, S V Ranga Rao, C S R Relangi, Balakrishnan, Padmnabhan, Malti, T G Kamla, Laxmikantham, Hemaltamma Rao, Girija, Surbhi Kamala, Chitti etc in it.
The movie had nine songs in it. Three songs have been cobvered in the past.
Here is the fourth song from “Paataal Bhairavi”(1952) to appear in the blog. This song is sung by Talat Mehmood. Pt Indra Chandra is the lyricist. Music is composed by Ghantsala.
The song is picturised as a background song in the movie.
I am unable to identify the actors who are seen in the picturisation. I request our knowledgeable readrs to help identify them.
Song-Prem panthh ko chala musaafir ban kar deewaana(Paataal Bhairavi)(1952) Singer-Talat Mehmood, Lyrics-Pt Indra Chandra, MD-Ghantsala
Lyrics
Prem panthh ko chala musaafir
ban kar deewaana
musaafir ban kar mastaana
Prem panthh ko chala musaafir
ban kar deewaana
musaafir ban kar mastaana
kathhin dagariya door nagariya
sambhal sambhal kar jaana
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa
aa aa
kathhin dagariya door nagariya
sambhal sambhal kar jaana
laagi najariya baali umariya
na jaana pahchaana
Prem panthh ko chala musaafir
ban kar deewaana
musaafir ban kar mastaana
pyaar bhara hai dil maata ka
usko na bisraana
pyaar bhara hai dil maata ka
usko na bisraana
koi na apna sangi saathhi
saara desh begaana
Prem panthh ko chala musaafir
ban kar deewaana
musaafir ban kar mastaana
rang bhari dulhan ki aahen
dil ka dard na jaana
rang bhari dulhan ki aahen
dil ka dard na jaana
rahi tadapti shama akeli
roothh chala parwaana
Prem panthh ko chala musaafir
ban kar deewaana
musaafir ban kar mastaana
musaafir ban kar mastaana
This article is written by Arunkumar Deshmukh, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4228 | Post No. : | 15435 |
Today’s song is from a Costume drama film, Dankaa-1954. The film was made by Goodwill Pictures and the director was J P Advani. The Music Director was Aziz Hindi aka Aziz Khan. The cast of the film was Nimmi, Amarnath (Bharadwaj), Mohana Cabral, Sunder (Singh), Heeralal, Neelam, Shivraj, Om Prakash etc etc.
From the day films were made in Silent Mode till about late 1960s, Stunt films, Action films, Costume dramas, Folk story films, Mystery films, Murder and crime films, Mythology and Religious films, Social and Reforms films, Jungle films, Arabian Night story films etc etc were made. The audience had an open choice, because, at a time, films of several genres were available for its entertainment. I can not exactly describe what type of films are made nowadays, but I am sure, most Genres – as mentioned above, are not being made.
Films for all Mental ages were made and each could make a choice of his liking. Nowadays, all age groups see the same films. Technology has developed tremendously. Special Effects (SFX) can do wonders in a film. In 1938, when Prakash films made their first Sci-Fi film ” Khwabon ki Duniya” ( which was a copy of Hollywood film ‘ The Invisible Man’-1933, which was based on the famous H G Wells’ novel of the same name, written and published in 1897), Babubhai Mistry used Black curtains and Black threads to create illusions of an Invisible Man’s actions, successfully and the audience had fingers in mouth with awe and wonder ! For next many years, Babubhai Mistry had earned a Moniker of ” Kaala Dhaga” in the industry ! These days such scenes are a child’s play. I truly miss those costume and stunt films, but one must flow with the flow !
The name SHIVRAJ in the cast always created curiosity in my mind. I had seen this actor in several films. I was unable to get any information on him anywhere. His role as the meek husband of Kaushalya (Manorama) in film Seeta aur Geeta-72 is unforgettable. When I started work on this post, I tried again. This time I found an article – actually an Obitury – on him in The Hindu, dated 4-6-2017. Of course it described in it only about his different roles. From some other source, I got his date of Birth and Death and a little other information.
Shivraj was born on 11-6-1920 in Madhya Pradesh. His full name was Shivraj Pandey. After doing his graduation, he came to Bombay in search of a good job, but joined film industry. To start with he worked in Minerva as an assistant in administration, He did some film roles too without getting credited. He left Minerva and got a role in film Sarai ke bahar-47. This was a film made by National studios. His next films were Ziddi, Majboor, Batohi, and Asha all in 1948. Then there was no looking back. Shivraj acted in 212 films. He directed 1 film, Jaani Dushman-57. He retired from work in 2000, but his last released film was Yaar meri zindgi-2008. Shivraj died on 4-6-2017.
One of the actors in this film was Om Prakash. He was one of those actors whose presence in the film is taken for granted. He was a very popular person in the industry. His comedy acting was typical. I can not forget his role in film ” Chupke Chupke”-75. His facial expression had no parallel.
Omprakash was mainly a comedian, but he had been a hero, a villain and a character artiste too. Of course the major part of his career is as a Comedian. He was one of the most respected artistes of his generation, in the industry. For some time, he floated a Film production company in collaboration with his close friend C. Ramchandra. When their films flopped,he simply dissolved the company and later produced films on his own and he directed them too. When his film Jahan Ara-64 flopped miserably, giving him a heavy monitory loss, he stopped producing films.
Omprakash was a lover of life, joy, jokes, playing cards and he was the happiest, when among his friends. Not many people know that the famous producer Pachhi ( Around the world etc) was his younger brother. Omprakash’s first film was ‘Guru Ghantal’-37 where he worked uncredited. He next did a small role in Bombay Talkies film ‘Anjaan’-41, but his career started when Pancholi got him a role in film ‘Daasi’-44. He earned Rs 80 for this film.
Omprakash worked in 293 films and directed 4 films namely, Duniya Gol hai-55, Gateway of India-57, Kanhaiya-59 and Chacha Zindabad-59, all produced by him alone. There were some films like Annadata-72, buddha mil gaya-71, Charandas-77 etc made keeping him as a central character. He sang 6 songs in 5 films- Meena Bazar-50, Ladki-53, Bindiya-60,Vardaan-74, and Ghar ki Izzat-94. HFGK mentions his name as a Lyricist for a song in film Dost-54.
OMPRAKASH BAKSHI was born on 19-12-1919 at Lahore.At the age of 12 ,he started learning classical music.In 1937,he joined A.I. Radio on a salary of Rs.25 pm.
He took the pen name of ‘FATEH DIN’. He presented entertaining programmes. He was very popular in Punjab and Lahore,during that period.In private parties he was a centre of attraction. In one such Party,where he was regaling his audience, he was noticed by Dalsukh Pancholi and he offered Omprakash a role in DAASI-1944.Then came Dhamki-45 and Aayee Bahaar-46. In Shehar se door-46, he was a co Hero with Al Nasir and later in Ghungroo-52 he was the Hero opposite Sumitra Devi.
Just when he was settling in films, partition took place and he landed in Bombay. His first film in Bombay was Lakhpati-48 and then there was no looking back. He acted as Villain in Naach, Nirdosh, Baghi Sipahi etc. He was a good actor and played a variety of roles. In many films he was shown as a Pehelwan. In Pehli Jhalak, his bout with Dara Singh became the film’s attraction. Even in Chameli ki Shaadi, he was a pehelwan.
There were many films made with him as a central character like, Annadaata, Dus lakh, Sadhu aur shaitan. Dil Duniya Daulat -72 was a remake of Pugree-48 in which he did the role which was done by comedian Ghori in Pugree.
C.Ramchandra was his best friend.They together produced Duniya gol hai-55,jhanjhar-53 and Lakeeren-54. The trailer of Duniya Gol hai was more interesting than the film. In this trailer, Raj Kapoor, Dilip Kumar and Ashok kumar come on the screen one after another and say-I have directed this film,so you must see it. Lastly Omprakash comes on screen and says,” Ye sab pagal hain. Picture to maine direct kee hai”. Anyway all the 3 films flopped despite good music. Later Omprakash alone produced films like Gateway of India-57, Chacha Zindabad-59, Sanjog-61 and Jahan Ara-64. After Jahan Ara’s colossal losses he stopped producing films and converted his office into a Card Game centre for friends.
His last days-
He lived in Union Park, Chembur, a suburb of Mumbai. He died at age 78 in Mumbai, India of a heart attack. The actor who was always so full of life was still full of life till just two days before his death. He knew he was not well. He knew he was suffering from various complications but he never gave up his zest for life till his heart betrayed him. He kept calling friends to play a game of Rummy or just chat. He had an office at the Roop Tara Studios which was only used for “Rummy sessions” and “chat sessions”. Then, some years ago, he shifted his office to the suburbs to make it more convenient for his friends. He attended this office regularly till his health started failing him. He was confined to his bungalow (next to Ashok Kumar’s bungalow). He suffered his first heart attack in his own bedroom. He was rushed to the Lilavati Hospital where he suffered a second heart attack and went into a coma from which he never came out. He was declared dead at 1.30 pm on February 21, 1998. The news spread fast and the industry was shocked and stunned because he was the kind of man who could not be easily associated with something so sombre and solemn like death.
Film Duniya Gol Hai-55 had a starcast of Karan Dewan, Anita Guha, Kuldeep Kaur, Sunder, Omprakash etc. Since this was his First film as a Director, as many as 13 actors worked in the film as “Guest Artistes” ! He was so popular that he had to say No to some more actors ready and eager to work as guest Atrtistes in this film. Till this film, it was a sort of record.
The Hero in today’s film was Amarnath. Amarnath (Bharadwaj) is one of the “same name confusions” victims. There were 2 Pt. Amarnath Music Directors, 1 actor Amar, 1 actor Amarnath and 1 actor/Director (K.) Amarnath. This Amarnath was born in Hafizabad, in Gujaranwala district of Punjab (Now in Pakistan) in 1922. He started acting in 1939 with Kidar Sharma’s “Dil hi to hai”. Graduating from doing small roles he was made the Leading Man in Dalsukh Pancholi’s film “Patjhad”, started in 1947 opposite Meena (Shorey). Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of Patjhad. Though the film was censored in India in 1948, it seems it was never released.
Amarnath starred as Hero in many other films,like Naghma E Sehra-45, Papiha re-48, Barsat ki ek raat-48, Swayam sidha-49, Nai Bhabhi-50, Kamal ke phool-50, Sheesh Mahal-50, Jalte Deep-50, Johri-51, Nai zindagi-51 , Nirmohi-52, Nirmal-52, Izzat-52, Bahu Beti-53, Nav Durga-53, Toofan-54, Danka-54 etc. Then he switched over to side roles. In all, he worked in 81 films (CITWF data). His last film was Kaun ho tum-70.
Now something about the film’s Music Director….Ustaad Waheed Khan was a well known and respected player of Sitar and Surbahar. His place in the Etawah Gharana was high up. He had 3 sons. Bande Hassan,Hafiz khan and Aziz Khan. Waheed khan was very keen that his sons should continue his profession,earn a name and shine in classical music of Etawah Gharana. He thought working for music in films was below their dignity and a shame. Bande Hassan specialised in vocal music and became a famous qawali exponent. Second son Hafiz khan,after initial training in classical music turned to film singing,without father’s knowledge. Not only that,he also accepted the pen name of Mastana-awarded by composer Meer Sahib- to hide his identity from father. The third son Aziz Khan also went the film way,using the name Aziz Hindi sometimes.
Though Aziz Khan did not continue his family profession,he ensured that his son Pervez took the training and became an International Sitarist,settling in USA. Even son of Pervez- Shakir became a famous Sitarist. he continues the Etawah gharana tradition now.
A senior RMIM member Mr. Jayraman reported in 2008 that he had traced and found and met the only son of Hafiz khan Mastana,in Mahim,Mumbai. His name was Zaheer aka Alla Rakha. The son confirmed all the above facts and also that Aziz Khan was Aziz Hindi.
Though this fact was confirmed, books like ‘ Dhunon ki yatra’ (Pankaj Raag) mentioned Aziz Khan and Aziz Hindi as two different persons. Though the book was published in 2006, he can not be blamed for this, however. But since it is mentioned in a book, for many readers this wrong information is ‘authentic’ and this is quoted by many in their writings. This is because the findings of Mr. Jayaraman did not get enough publicity widely.
Aziz Hindi gave music to 17 films and composed 127 songs. His first film as an MD was Pandit ji-46 and the last one was Chalta Purja-58. Then he retired and migrated to US to be with his son.
Today’s song is a good song. I liked it. You may also like it…
Song- Shaam o sahar hai safar hi safar (Danka)(1954) Singers- Manna Dey, Asha Bhonsle, Lyricist- Arshi Ajmeri, MD-Aziz Hindi
Chorus
Lyrics
aa aa aa
aa aa aa
aa aa aa
aa aa aa
shaam o sahar hai safar hi safar
shaam o sahar hai safar hi safar
o o o o
shaam o sahar hai safar hi safar
shaam o sahar hai safar hi safar
o o o o
hamaara watan hai kahaan
sitaaron se aage
sitaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
rahen hum hamesha rawaan aan
rahen hum hamesha rawaan aan
pukaaron se aage pukaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
aa aa aa aa
aa aa aa aa
safar umr bhar tera hoga na aakhir
ye duniya bani hai safar hi ki khaatir
safar hi ki khaatir
aa aa aa aa
safar umr bhar tera hoga na aakhir
ye duniya bani hai safar hi ki khaatir
safar hi ki khaatir
chala chal musaafir
chala chal musaafir
gaye hain kayi kaarwaan aan
pukaaron se aage
pukaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
aa aa aa aa
aa aa aa aa
aa aa aa aa
nahin hum kahin ghar banane ke kaayal
jahaan shaam hoye wahin apni manzil
wahin apni manzil
aa aa aa
nahin hum kahin ghar banazne ke kaayal
jahaan shaam hoye wahin apni manzil
wahin apni manzil
na toofaan ka dar
na parwaah e saahil
rahegi ye kashti rawaan aan
kinaaron se aage kinaaron se aage
hamaara watan hai kahaan aan
sitaaron se aage
sitaaron se aage
shaam o sahar hai safar hi safar
o o o
shaam o sahar hai safar hi safar
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