Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6432 Post No. : 19968

Hullo Atuldom

“Suhaag” (1979) was a film produced by Rajinder Kumar Sharma, Ramesh Sharma, Shakti Subhash Sharma, Prakash Trehan and directed by Manmohan Desai. The story writer was Prayag Raj, K.K. Shukla was the screenplay writer & the dialogues carried the trademark of Kadar Khan – every dialogue in the film matched the mood that Manji (as Manmohan Desai was fondly addressed by his friends & admirers) envisioned for his films. Laxmikant-Pyarelal were the music directors for songs that were written by Anand Bakshi. Shailendra Singh, Mohd Rafi, Lata Mangeshkar, Asha Bhosle, Anwar were the playback singers used for the songs. The song ‘main toh beghar hoon’ had Shashi Kapoor mouth a few words, hence he is also credited in the list of playback singers.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6432 Post No. : 19967

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet #
—————————————

Today’s song is from the movie ‘Aanand Aashram-1977’ and this is the final song from this movie which will cover all songs from this movie thus taking this movie to ‘Yippeeee-land’ 🙂

‘Aanand Aashram-1977’ was directed by Shakti Samanta and this movie was passed by Censor Board on 06.10.1977. Shakti Samanta repeated almost the entire cast and crew of his film ‘Amaanush-1975’ into this movie except Ashok Kumar and might be few others.

‘Aanand Aashram’ had Ashok Kumar, Uttam Kumar, Sharmila Tagore, Moushumi Chatterjee, Rakesh Roshan, Utpal Dutt, Asit Sen, Anita Guha, Manik Dutt, Chandrima Bhaduri, Master Alankar, Manik, C.S. Dubey, Samar Rai, Amal, Mukund, Ratan, Jyoti, Master Ravi, Kumari Moushumi, Baby Shweta and others. Actress Prema Narayan had a guest appearance in this movie.
Read more on this topic…


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6432 Post No. : 19966

Kamsune/Unsune songs of Asha Bhosle – 92

We are getting closer to the triple figure mark of the rare or lesser heard songs of Asha Bhosle.

“Mere Hotho Ki Lali Jane Kisne Churali” is sung by Asha Bhosle. It is written by Indeevar and composed by Usha Khanna. The song is a cabaret/club song from “Ilzam” (1970).

The Hindi film Ilzam was released in 1970 and belongs to the action–crime drama genre. It was filmed in black and white.

The film was directed by Kamran (credited simply as Kamran) and produced by Lalitkumar C. Doshi under the banner of L.K. Productions. The story was written by Devraj Bahri, while the screenplay was handled by Kamran himself. Dialogues were written by Farooq Kaiser. Music for the film was composed by Usha Khanna, with song lyrics by Asad Bhopali and Indeevar. Editing was done by S. T. Koorani, and art direction was by J. S. Pophaly.

The principal cast was led by Dara Singh, who played a dual role as Raju and Kishan. Sanjana appeared as the female lead Rita, while Azra played Radha. Ulhas was seen as Jwalaprasad, and Prem Nath played Ajit. Other important roles were performed by Ramayan Tiwari, Jagdish Raj, Mumtaz Begum, Bela Bose, Hamida, Geeta Kaushal, Zeb Sultana, Habib, Brahmachari, Khurshid Khan, and T. Jayshree in supporting parts.

Ilzam (1970) is a crime-drama built around mistaken identity, injustice, and revenge.

The story revolves around two look-alike men, Raju and Kishan, whose lives move in completely different directions. Raju is a simple, strong-willed man with a straightforward sense of right and wrong, while Kishan is connected to a criminal environment shaped by greed and power. Circumstances beyond Raju’s control lead to him being falsely implicated in serious crimes. Because of his resemblance to Kishan, the blame for criminal acts is placed on the wrong man, and Raju becomes the victim of an unjust accusation—an ilzam (charge) that turns his life upside down.

As Raju struggles to clear his name, he faces betrayal, social humiliation, and violent opposition from those who benefit from keeping the truth hidden. Rita, his love interest, stands by him and believes in his innocence, while other characters either exploit the confusion or remain silent out of fear. The criminal forces behind the conspiracy use their influence to manipulate witnesses and the law, making it nearly impossible for Raju to prove the truth.

The narrative builds toward confrontation as Raju decides to fight back, not only to reclaim his honour but also to expose the corrupt individuals responsible for framing him. Through action, sacrifice, and dramatic revelations, the truth about the two identical men finally comes to light. The real culprits are unmasked, justice is restored, and Raju’s innocence is proven, bringing the film to a moral conclusion that condemns abuse of power and celebrates perseverance against injustice.

The song is performed and lip synced by Jayshree T.

Video Link:


Song-Mere honthhon kee laalee jaane kisne churaa lee (Ilzaam)(1970) Singer-Asha Bhonsle, Lyriciszt-Indeewar, MD-Usha Khanna

Lyrics:

laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee
laalee

mere honthon kee laalee
jaane kisne churaa lee
mere honthon kee laalee
jaane kisne churaa lee
maane ke na maane
koi chor hai yaheen
maane ke na maane
koi chor hai yaheen
tum ho
naheen
tum ho
naheen
naheen
mere honthon kee laalee
haa aa
jaane kisne churaa lee

tauba jee tauba
ghazab kar diya
ye kaun dhokha
mujhe de gaya
honthon kee laalee
gayee to gayee
dil bhee woh zaalim
uda le gaya
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee
laalee
mere honthon kee laalee
jaane kisne churaa lee

maasoom soorat banaaye huye
nazron se nazre churaaye huye
dhoondho kaheen woh baitha mile
khaamosh gardan jhukaaye huye
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee
laalee
mere honthon kee laalee
jaane kisne churaa lee

gustaakh ban ke kahaan jaayega
majboor hoke yaheen aayega
aage kahoon kya
youn soch lo
jo sholon se khelega pachhtaayega
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee laalee laalee laalee laalee laalee laalee laalee
laalee
laalee

mere honthon kee laalee
jaane kisne churaa lee
mere honthon kee laalee
jaane kisne churaa lee
maane ke na maane
koi chor hai yaheen
ho maane ke na maane
koi chor hai yaheen
tum ho
naheen
tum ho
naheen
naheen een


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6432 Post No. : 19965

Today’s song is from a Costume imaginary film Gul Bakawali-1947.

The year 1947 is a reminder not only for the Independence of India, but also for the upheaval that took place in the film industry that time. More than in any other industry in India, Muslims were plentiful, working in different sections and departments of the Hindi film industry. Majority of them migrated to the newly formed Muslim Nation of Pakistan. This did create a lot of disturbance in the film industry. Right from the beginning of 1947, there were signs that soon the British would leave India – after dividing it into two Nations, India and Pakistan. When the month and date became known for the Partition, there was a great hurry among the filmmakers to complete their projects on hand and in process, compromising many factors like quality of the film, number of songs and such other things.
Read more on this topic…


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6431 Post No. : 19964

Kamsune/Unsune songs of Asha Bhosle – 91

The next song in my Asha Bhosle series is a song sung with Kishore Kumar and Manna Dey, “Khan Chacha Khan Chacha” from the movie “Dil Diwana” (1974). It is written by Anand Bakshi and composed by Rahul Dev Burman.

“Dil Deewaana” (1974) was produced by Ramesh Bahl and directed by Narendra Bedi for Rose movies. The movie had Randhir Kapoor, Jaya Bhaduri, Komal(aka Poonam Sinha), Aruna Irani, Mumtaz Begum, Ratnamala, Durga Khote, Satyen Kappoo, Manmohan, Tuntun, Kamal Kapoor, Paintal, Pinchoo Kapoor, Kader Khan, Sharat Saxena, Rajrani, Ranveer Raj etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6431 Post No. : 19963

“Ham Kahaan Jaa Rahe Hain” (1966) was directed by Nitin Bose for Filmistan Films, Bombay. The movie had Badri Prasad, Nadira, Rajan Haksar, Prakash(Debutant),Neena(debutant), Abhi Bhattacharya, Leela Chitnis, Jagirdar, P Kailash, Murad, Brahm Bhardwaj, Janakidas, Raj Kishore, Narbada Shankar, Master Raja, Master Prakash etc. in it.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6431 Post No. : 19962

Today’s song is from a C grade Costume film (labelled in HFGK as a Social film) – Awara Shehzada-1956.

It was produced and directed by Pyarelal, for the banner Hind pictures, Bombay. There were 2 MDs namely Jimmy and Nashaad and 3 Lyricists. The film cast was composed of Meena Shorey, Daljit, Johnny Walker, Sheila Ramani, Malika (sister of actress Mumtaz), Shaikh, Habeeb, Heera Sawant and other usual C grade film artists.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6430 Post No. : 19961

#the Decade of Sixties – 1961 – 1970 #

The song in this post is from the movie ‘Wanted-1961’. It was directed by N. A. Ansari for ‘Golden Films, Bombay’. The cast of this movie included Sayeeda Khan, Johny Walker, Vijay Kumar, N.A. Ansari, Nazir Hussain, Anwar Hussain, Dulari, Shammi, Manorama, Tony Walker, Helen, Rajan Kapoor, Dilip Dutt, Bihari, Rafi Ajmeri and others.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6430 Post No. : 19960

February 23, 2026 was the 57th Remembrance Day of Madhubala (14/02/1933 – 23/02/1969) who was called the ‘Venus of India’. In the words of Rinki Roy (daughter of producer-director, Bimal Roy), ‘Madhubala is the face of original celluloid diva’. Dev Anand, in his autobiography, ‘Romancing With Life’ (2007) has described Madhubala as the ‘most beautiful of all the heroines in the fairyland of films, with her natural looks, always fresh as morning dew. Her childlike innocence was accentuated by the most noticeable trait of her character, her famous giggle’.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6430 Post No. : 19959

Today’s song is the last and final song of the film Son of Sindbad-1958.

So far, hundreds of songs have been discussed from films on Arabian Nights stories of Alladin, Alibaba and Sindbad. In these posts almost all the relevant points have been discussed. So, there is a very little new thing that can be brought out and now such posts look repetitive. But it does not mean that everything is over. There are still many things which can be discussed with new angles and especially new information found on the older artists can be brought out.

Film Son of Sindbad-1958 was a creation of Producer Ram kamlani and Balwant Bhatt, for their banner Neo Lite films, Bombay. Directed by the expert of such films, Nanabhai Bhatt aka Batuk Bhatt, it had music by the Melody maker Chitragupt. The cast of the film consisted of premnath, Jabeen, Purnima, Nishi, Shammi, Kuldip Kaur, Cuckoo, Rinku, Saroj, Heera, Bhagwan, Tiwari, Sunder and the usual C grade artists.

Alibaba, Alladin and Sindbad were popular characters during our school days. Not only books of their stories but also films made on them were the targets of all children in those days. It was a thrilling experience to get a book on one of these Heroes, as a gift on “Happy Birthday” ! I am not very sure if today’s young children read these stories. I doubt if they even know these names. These boys seem to favour Harry Potter stories, while the young girls are lost on reading Mills and Boon novels, I suppose ! The big fat book ‘Stories of Arabian Nights’ was the most sought after book (in spite of 5 copies) in our school library. Stories of Alibaba, Alladin, Sindbad the sailor, Hatimtai, Gul Bakavali etc enchanted us.

Arabian Night stories evolved through a story which took place in Persia. King Shahriyar became a woman hater after he found that his wife was unfaithful to him. He not only killed her, but he started marrying a new girl every time and on the second day of marriage the wife would be killed to avoid unfaithfulness.

The legend says that Scheherazade, the beautiful young daughter of the Vizier, decided to marry King Shahriyar, against wishes of her family. On the first night of marriage, she started telling him a story which she left unfinished. Curious to know the story’s end, the king postponed her killing. On every night Scheherazade employed the same technique-keeping the story unfinished. Thus she continued 1001 stories on 1001 nights. Finally the king changed his opinion and pardoned his wife.

As always, the creative heads in the story departments of filmmakers invented titles like ‘Alladin Ka Beta’, ‘Alladin Ki Beti’, ‘Alladin And Laila’ etc. Similarly son and daughter were gifted to Alibaba and Sinbad and films made on them. The funniest title was ‘Sindbad, Alibaba and Alladin’ (1965) ! On a quick check of HFGK entries for the 1940s decade we find that as many as 9 films were made in 1946 alone on these characters. Added were ‘Baghdad Ka Chor’, ‘Hoor e Baghdad’, ‘Sher e Baghdad’, ‘Arab Ka Chand’ and ‘Shah e Misr’ – in which actor Ajit debuted with his real name Hamid.

Most of these stories took place in the Middle East cities which were land locked. However, one character Sindbad was a sailor and his stories of adventures and voyages to magical, strange and unbelievable places were mind boggling. He was equally popular as Alibaba and Alladin.

The fertile imagination of the members of ‘Story Departments’ of studios must be appreciated. Films like ‘Son of Alibaba’ (1955), ‘Son of Hatimtai’ (1965), ‘Son of Sindbad’ (1958) and also ‘Daughter of Sindbad’ (1958) were made. The original book of Arabian Nights does not have any such stories of their progeny (what’s more, films like ‘Daughters of India’ (1938) and even ‘Son of India’ (1962) were made). The funniest title of a film was ‘Sindbad, Alibaba and Alladin’ which was made in 1965. I did not see that film, because I did not want to spoil my sweet memories of these 3 heroes !

The story of this film was….

Towards the end of his life, Sindbad decided to settle down to Public Service and Meditation. He was a man of Justice. His only son Yusuf was adventurous and daring. He wanted to become as famous as his father, if not more. Once during an altercation, his opponent gets killed. Yusuf is arrested for murder and brought before his father. Sindbad sentences his son to death. Meanwhile Yusuf’s beloved admits that not Yusuf but she murdered the man and Yusuf was trying to shield her. She is asked to leave this country by the next morning or get a death sentence. Yusuf objects and he too is sentenced to leave with her the next day.

Next day, before Yusuf leaves the country, Sindbad gives him 3 pieces of advice – never to be proud, never to forget God and never trust women. After they leave the next day, that night one of the cousins of Yusuf – Shahnaz – comes to Sindbad and tells him that Yusuf was being cheated by the killed person and his beloved, who were the actual lovers. They wanted to kill Sindbad and Yusuf to become the King of their country. Hearing this, Sindbad asks, then why she killed him. The cousin, Shahnaz, tells that it was Shahnaz who killed him and not his lover.

The king recalls Yusuf and his lover. After interrogation the lover accepts everything. The king awards the death sentence to the lover girl and Yususf is married to Shahnaz.

The hero of this film was Premnath. Premnath Malhotra (21 November 1926 – 03 November 1992), known as Prem nath, was an actor, director and also a singer.

He was born in the Karimpura locality near Ghanta Ghar in Peshawar, (undivided India) now in Pakistan. His family moved to Jabbalpore, now Jabalpur, in Madhya Pradesh after partition & he moved to Bombay, where he was discovered as an actor.

Premnath married actress Bina Rai. Their children are actor Prem Krishen and Kailash Nath (Monty). They are also grandparents of actress Akanksha Malhotra and director Siddharth Malhotra who are Prem Krishen’s children. Adiraj Malhotra & Arjun Malhotra are the sons of Kailash Nath. His sister Krishna married Raj Kapoor, while his other sister Uma was married to veteran Hindi Film actor Prem Chopra. His brothers Rajendranath and Narendranath were also actors who mostly appeared in comic and supporting roles. He was also a close friend of the actress Asha Parekh.

Premnath made his film debut in “Ajit” 1948 opposite Monica Desai, which was one of the first colour films. He got major roles in Raj Kapoor’s first directorial film “Aag” & “Barsaat” (1949) which was his first major success. Premnath went on to appear in many films for the next three decades, some of which were the biggest block-busters in Indian film history. The films in which he played the leading role failed to do well, but the films in which he played the central villain role or supporting role were some of the biggest blockbusters in Indian film history. Some his most notable films were Aan (1952), Teesri Manzil (1966), Johny Mera Naam (1970),Tere Mere Sapne (1971), Roti Kapada Aur Makaan (1974), Dharmatma (1975), Kalicharan (1976) and Desh Premee (1982). He also starred in the Punjabi film Sat Sri Akal (1977).

Premnath fell in love with actress Bina Rai during the filming of “Aurat”. They married and formed a production company together called P. N. films. They held high hopes for their films, which didn’t become hits, such as Shagufa, Prisoner of Golconda, Samunder and Watan. Thus, the Premnath & Bina Rai pair never clicked on the screen.

Premnath earned Filmfare nominations as Best Supporting Actor for Shor (1972), Bobby (1973), Amir Garib (1974) and Roti Kapda Aur Makaan (1974). But he never got any award.

Apart from Hindi films, he also appeared in an episode of the American television series “Maya” in 1967 & a 1969 American film titled “Kenner Sandy” opposite former American football player turned actor Jim Brown. He also directed the film Samundar (1957) for his home production house P. N. films, which was its production. His last film appearance was in “Hum Dono” (1985) after which he retired from acting.

He acted in 121 films. His last film was Farz ki Keemat-1985. He directed 2 films- Golkonda ka qaidi-1954 and Samunder-1957. He sang 5 songs in 5 films.( He was a trained singer).

Premnath died on 03 November 1992 of a heart attack at the age of sixty-five in Mumbai.
(adapted from an article by Suresh Sarvaiya ji and book ” The stars of Indian Screen” by Baburao Patel.)

One of the artists was Purnima. Purnima, born at Bombay on 2-3-1932 as Meher Bano, was the daughter of a Lucknow Muslim mother and a Tamil Brahmin father-Ram Seshadri Iyengar. He was working in the Distribution office of Kikubhai Desai (father of Man Mohan Desai) the producer and director. While still in school Purnima started working in Hindi and Gujarati films from 1947 itself when she was hardly 15-16 year old. She also got married to Shaukat Hashmi. After giving her a son and a divorce, he migrated to Pakistan.

In 1954, Purnima married Producer/director Bhagvandas Varma and she stopped working. Her elder sister Shirin Banu, also had married Producer director Nanubhai Bhatt.Their sons are Mahesh and Mukesh Bhatt. Purnima resumed working in films, when Bhagwandas was in financial difficulties in 1957. He died in 1962.

Purnima was Heroine or second lead in about 20 films. Her well known films are, Thes-49, patanga-49, Jogan-50, Gauna-50, Sagai-51, Badal-51, Shagufa-53, Pooja-54, Bhai Saheb-54, P.B.No. 999-58, Son of Sindbad-58,Kangan-59, Naya kanoon-65, Guide-65, Budtameez-66, Humjoli-70 etc etc. In all she acted in 152 films, though she claimed more than 200 films, in one of her interviews. Her last film was Sada Suhagan-86, after which she retired. Her friends were Saira Bano, Shakeela,and Dulari. Purnima died on 14-8-2013 in Mumbai.

Here is the last and final song of this film, sung by Lata and Geeta Dutt. Enjoy….


Song- Sabz gumbad ke makeen meree madad farmaaiye (Son of Sindbad)(1958) Singers-Lata Mangeshkar, Lyricist-Prem Dhawan, MD-Chitragupta
Lata Mangeshkar + Geeta Dutt

Lyrics(Provided by Prakashchandra)

sabz gumbad ke ae makeen
meree madad farmaayiye
meree ee madad farmaayiye

zeenat-e-aras-e-baree
meree madad farmaayiye
meree ee madad farmaayiye
sabz gumbad ke ae makeen
meree madad farmaayiye
meree ee madad farmaayiye

jiske dar se laut ke
koyee sawaalee jaaye naa
ho o o
jiske dar se laut ke
koyee sawaalee jaaye naa
jis takee(?) ke aastaa(?) se
koyee khaalee jaaye na
main bhee aayee hoon oon waheen
meree madad farmaayiye
meree ee madad farmaayiye
sabz gumbad ke ae makeen
meree madad farmaayiye
mere..eee madad farmaayiye

aaj waqt-e-imtihaan
hai ae aafaton mein jaan hai
ho o o o
aaj waqt-e-imtihaan
hai ae aafaton mein jaan hai
ik taraf qaafir zamaanaa
ik taraf imaan hai
haarey naa imaan kaheen
meree madad farmaayiye
meree ee madad farmaayiye
sabz gumbad ke ae makeen
meree madad farmaayiye
meree ee madad farmaayiye

zeenat-e-aras-e-baree
meree madad farmaayiye
meree ee madad farmaayiye
sabz gumbad ke ae makeen
meree madad farmaayiye
meree ee madad farmaayiye

Total visits so far

  • 17,890,712 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,944 other subscribers
Support the blog

Bookmark

Bookmark and Share

Recent comments

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 July 2008

Active for more than 6000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory