Ritu aaye ritu jaaye sakhi ri
Posted on: September 18, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4079 | Post No. : | 15218 |
The film ‘Bansari Bala’ is produced by Moghabhai Deasi under the banner of Desai Productions, Bombay, and is directed by Nanubhai Vakil. The cast of actors listed for this film is Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, and Al Nasir.
“Bansari Bala”(1957) was produced by Moghabhai Desai and directed by Nanubhai Vakil for Desai Productions, Bombay. This movie had Chitra, Daljeet, Maruti, Niranjan Sharma, Krishna Kumari, Ram Singh, Tiwari, Mishra, Kamal, Meenu Mumtaz, Wazir Muhammad Khan, Susheel Kumar, Nadir Mota, Razia, Rafiq, Munshi Munakka, Jugnu, Shashimala, Savitri, Jagdish Kamal, Heera Sawant, Sheela Waaz, Suresh Nigam, Master Rajesh, Al Nasir etc in it.
The movie had nine songs in it. Two of these songs have been covered in the past.
Here is the third song from “Bansari Bala”(1957) to appear in the blog. This song is sung by Sudha Malhotra and chorus. Saraswati Kumar Deepak is the lyricist. Music is composed by Kamal Mitra.
It is a very long song, more than 8 minutes long.
The video of the song shows that it is a dance song. I am unable to identify the actors seen in the picturisation. I request our knowledgeable readers to help identify the main dancer (lip syncing in Sudha Malhotra’s voice) as well as others.
Song-Ritu aaye ritu jaaye sakhi ri(Bansari Baala)(1957) Singer-Sudha Malhotra, Lyrics-Saraswati Kumar Deepak, MD-Kamal Mitra
Chorus
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet
ghar aangan mein goonj raha hai
ghar aangan mein goonj raha hai
manbhaavan sangeet re ae
jaaye na man ka meet
ritu aaye ritu jaaye sakhi ri
ritu aaye ritu jaaye sakhi ri
jaaye na man ka meet re ae
jaaye na man ka meet
aa aa
aa aa
aa aa
aa aa
aa aa
aa aa
aa aa
aa aa
aa aa
barse gagan se aag re
main kaise karoon shringaar re
main kaise karoon shringaar
barse gagan se aag re
main kaise karoon shringaar re
mai kaise karoon shringaar
kali kali ki sej sajaayi
kali kali ki sej sajaayi
phool bane angaar re ae
kaise karoon shringaar
barse gagan se aag re
main kaise karoon shringaar re
main kaise karoon shingaar
barse gagan se
aag re
barse aag barse aag
aayi re aayi re
main khol ghata ke
ghoonghat pat ko
khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
main khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
aayi re
dhol mridang bajaate badal
aa aa aa
aa aa aa
aa aa aa
dhol mridang bajaate baadal
bijli ki shahnaai re
neele gagan ki gali gali mein
neele gagan ki gali gali mein
maine dhoom machaai re
aayi re
aayi re ae
main khol ghata ke ghoonghat pat ko
khol ghata ke ghoonghat pat ko
rimjhim karti aayi re
aayi re
aa aa aa
aa aa aa
aa aa aa
aa aa aa
sakhi ri kaise chham chham
chham paayal bajaaun
sakhi ri kaise chham chham
chham paayal bajaaun
ang ang kaanpe sakhi mora
ang ang kaanpe sakhi mora
kaise main bindiya lagaaun
sakhi ri kaise chham chham
chham paayal bajaaun
sheetal pawan sataaye sajni ee
aa aa
aa aa
aa aa
aa aa
sheetal pawan sataaye
kaise paas piya ke aaun sakhi ri
kaise chham chham
chham paayal bajaaun
sakhi ri kaise chham chham
chham paayal bajaaun
aa aa aa
aa aa aa
aa aa aa
aa aa aa
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
chanchal chitvan it ut dole
gun gun gun
gun gun gun bhanwra bole
chanchal chitvan it ut dole
chanchal chitvan it ut dole
gun gun gun
gun gun gun bhanwra bole
kali kali sharmaaye haaye
koi kahiyo
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
koi kahiyo piya se jaaye re
mere man ka kamal muskuraaye
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Aspirations of Love | Blog ten year challenge (2009-2019) | Dance song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1967 | Twin Dance Song | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4078 | Post No. : | 15217 |
———————————————–——————————————
Blog 10-Year Challenge (2009-19) – Song No. 43
——————————————————————————————
Seven songs were posted ten years ago. The blog was in its childhood – “Bachpan Ke Din Bhi Kya Din The” 🙂 🙂 .
Only one of these seven was a debut song. The list given below has an interesting observation. All films that made an appearance that day, have since been yippeee’d. Except just the one that made its debut.
| Ye Duniya Hai Yahaan Dil Ka Lagaana Kisko Aata Hai | Shair | 1949 | 2nd | Yippeee’d |
| Aaj Gaawat Man Mero | Baiju Baawra | 1952 | 6th | Yippeee’d |
| Ae Kaash Chalte Mil Ke | Manzil | 1960 | 3rd | Yippeee’d |
| Ek Baat Kahoon Wallah Ye Husn Subhan Allah | Shrimaan Satyawaadi | 1960 | 2nd | Yippeee’d |
| Dukh Aur Sukh Ke Raaste Bane Hain Sabke Waaste | Hum Dono | 1961 | 5th | Yippeee’d |
| Aap Jabse Kareeb Aaye Hain | Noorjehaan | 1967 | Deb | 3 of 8 |
| Zindagi Khwaab Hai | Jaagte Raho | 1956 | 2nd | Yippeee’d |
The film is ‘Noorjehaan’ from 1967. Containing eight very wonderful melodies, it is surprising that only three of them have as yet appeared here. With compositions created by the mind of Roshan, there still are very wonderful numbers waiting in the wings for their turn.
I bring on the 4th song of this film today. An all female duet which is decidedly a twin dance song on the screen, is such a wonderful presentation in the voices of Asha Bhosle and Usha Mangeshkar. The words are from the pen of Shakeel Sb.
Although the film is available, the video of this song is not yet available online. The interesting thing is that this audio only version which is available from Sa Re Ga Ma, is most likely the long version of the song from the sound track. It has three antaraas. As I checked the 78 rpm version of this song, sure enough, it has only two antaraas. The middle antaraa, as listed in the lyrics below, is not available in the 78 rpm recording.
The act of rebellion is the famous motif of the saga of Salim / Jehangir. That the crown and the throne was less important, in the face of the matters of heart, with this heir to the throne of Delhi. A school of historians who have studied the Mughal dynasty, have an opinion – that the persona of Anarkali and that of Noorjehan, that we have been introduced through the pages of history, were probably the same person. The thought here is that eventually Akbar had to give in to the wishes of his only son and Anarkali, the court dancer, became the queen of the Mughal empire. Although, Akbar had his consolation by ensuring that the chronicles of that period, being documented by the then current historians and writers, would write the story as he demanded. Is it speculation? Or is it the truth? Maybe one will never know for certain.
Song – Aa Gaya Lab Pe Afsaana-e-Aashiqi (Noorjehaan) (1967) Singer – Asha Bhosle, Usha Mangeshkar, Lyrics – Shakeel Badayuni, MD – Roshan
Asha Bhosle + Usha Mangeshkar
Lyrics
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
hum to un se. . .
hum to un se mohabbat kiye jaayenge
ab hamen is zamaane ki parwaah nahin
ab hamen is zamaane ki parwaah nahin
ab hamen is zamaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
aaj ae ishq saaya tera sar pe hai
taj kadmon mein hai takht thokar pe hai
taj kadmon mein hai takht thokar pe hai
aaj ae ishq saaya tera sar pe hai
taj kadmon mein hai takht thokar pe hai
mil gayin hain. . .
mil gayin hain hamen pyaar ki daulaten
ab kisi bhi khazaane ki parwaah nahin
ab kisi bhi khazaane ki parwaah nahin
ab kisi bhi khazaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
zindagi mein bahaaren rahengi sada
hum ne ulfat ke gulshan mein pa li jagah
hum ne ulfat ke gulshan mein pa li jagah
zindagi mein bahaaren rahengi sada
hum ne ulfat ke gulshan mein pa li jagah
chaahe bijli. . .
chaahe bijli gire ya jaley aashiaan
ab hamen aashiaane ki parwaah nahin
ab hamen aashiaane ki parwaah nahin
ab hamen aashiaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
bandagi kar rahe hain mohabbat ki hum
ye nahin jaante kya hai dair o haram
ye nahin jaante kya hai dair o haram
bandagi kar rahe hain mohabbat ki hum
ye nahin jaante kya hai dair o haram
jhuk gayi hai. . .
jhuk gayi hai zabin husn ke saamne
ab kahin sar jhukaane ki parwaah nahin
ab kahin sar jhukaane ki parwaah nahin
ab kahin sar jhukaane ki parwaah nahin
aa gaya lab pe afsaana e aashiqui
ab kisi bhi fasaane ki parwaah nahin
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
हम तो उनसे॰ ॰ ॰
हम तो उनसे मोहब्बत किए जाएँगे
अब हमें इस जमाने की परवाह नहीं
अब हमें इस जमाने की परवाह नहीं
अब हमें इस जमाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
आज ए इश्क़ साया तेरा सर पे है
ताज कदमों में है तख्त ठोकर पे है
ताज कदमों में है तख्त ठोकर पे है
आज ए इश्क़ साया तेरा सर पे है
ताज कदमों में है तख्त ठोकर पे है
मिल गईं हैं॰ ॰ ॰
मिल गईं हैं हमें प्यार की दौलतें
अब किसी भी खजाने की परवाह नहीं
अब किसी भी खजाने की परवाह नहीं
अब किसी भी खजाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
ज़िंदगी में बहारें रहेंगी सदा
हमने उल्फ़त के गुलशन में पा ली जगह
हमने उल्फ़त के गुलशन में पा ली जगह
ज़िंदगी में बहारें रहेंगी सदा
हमने उल्फ़त के गुलशन में पा ली जगह
चाहे बिजली॰ ॰ ॰
चाहे बिजली गिरे या जले आशियाना
अब हमें आशियाने की परवाह नहीं
अब हमें आशियाने की परवाह नहीं
अब हमें आशियाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
बन्दगी कर रहे हैं मोहब्बत की हम
ये नहीं जानते क्या है दैयर ओ हरम
ये नहीं जानते क्या है दैयर ओ हरम
बन्दगी कर रहे हैं मोहब्बत की हम
ये नहीं जानते क्या है दैयर ओ हरम
झुक गई है॰ ॰ ॰
झुक गयी हैं ज़बीं हुस्न के सामने
अब कहीं सर झुकाने की परवाह नहीं
अब कहीं सर झुकाने की परवाह नहीं
अब कहीं सर झुकाने की परवाह नहीं
आ गया लब पे अफसाना ए आशिक़ी
अब किसी भी फसाने की परवाह नहीं
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4078 | Post No. : | 15216 |
“Chandu”(1958) was directed by Manju (Harold Lewis) for N R Productions, Bombay. The movie had Daljit, Meena, Shasikala, Pran, Gulab, Gope, Sunder, Om Prakash, Mehmood, Harun, Satish Batra etc.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from “Chandu”(1958) to appear in the blog. This song is sung by Rafi and Geeta Dutt. Raja Mehdi Ali Khan is the lyricist. Music is composed by Bipin Baabul.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Gore gore gaalon pe kaala ye til (Chandu)(1958) Singers-Rafi, Geeta Dutt, Lyrics-Raja Mehdi Ali Khan, MD-Bipin Babul
Both
Lyrics
aa ha ha ha
gore gore gaalon pe kaala ye til
kaala til
haaye mera dil
gore gore gaalon pe kaala ye til
kaala til
haaye mera dil
ha ha ha
ha ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
ek do teen chaar paanch chhe saat aath
ginta rahe
tere liye ho jiya tere liye
nau das gyaarah baarah terah chaudah
pandarah solha
ginti rahoon
tere liye o piya tere liye
hoy ginti na gino madam
aa mujhse mil
aa mujhse mil
haaye mera dil
ha ha
aa ha ha
ha ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
taaron ki chhaanv mein tere liye
chanda ke sang sang jaaga karoon
raaton ko jungle mein tere liye
majnu main ban ke ho bhaaga karoon
kisne kiya hai mera jeena mushqil
maine
haan
maine kiya hai tera jeena mushqil
jeena mushqil
haaye mera dil
aa ha ha
aa ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
dil ki tijori se daulat luta
mere liye ho billo mere liye
haan samjhe na waah haan
daulat ko sadkon pe doongi bichha
tere liye ho ballo tere liye
seene pe rakh mere sone ki sil
sone ki sil
haaye mera dil
aa ha ha
ha ha ha
ankhiyon mein pyaar kare
jhilmil jhilmil
jhilmil jhilmil
haaye mera dil
Le le ye dil tera
Posted on: September 16, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4077 | Post No. : | 15215 |
“Baghdad Ka Chor”(1955) was Produced by Ram Kumar and directed by Shriram for Madan Chitra, Bombay. This “kaalpnik” (fantasy) movie had Chitra, Daljeet, Krishnakumari, Yashodhara Katju, Naaz, Amrit Rana, Ram Kumar, Sheikh etc in it.
The movie had eight songs in it. One song has been covered in the blog. These songs were penned by four lyricists.
Here is the second song from the movie to appear in the blog.
Only the lyricist’s name is mentioned in HFGK for this song. Details of singers are not given.
On listening to the song, it is clear that the song is sung by Asha Bhonsle.
Omar Khayyam Saharanpuri is the lyricist.
Music is composed by B N Bali.
Only audio of this rare song is available. I request our knowledgeable readers to throw light on the picturisation of this song.
I have not been able to get a few words right towars the end of the song. I request our readers with keener ears to help fill in the lanks/ suggest corrections as applicable.
Song-Le le ye dil tera (Baghdad Ka Chor)(1955) Singer-Asha Bhonsle, Lyrics-Omar Khayyam Saharanpuri, MD-B N Bali
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
mausam e bahaar hai
dil mein mere pyaar hai
ek baar keh zara
ke tumko mujh se pyaar hai
ho ho ho ho
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
nazar se jab nazar mili
kali mere dil ki khili
mastiyon mein kho gayi
ik nayi zindagi mili
nazar se jab nazar mili
kali mere dil ki khili
mastiyon mein kho gayi
ik nayi zindagi mili
he he he he
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
phool muskura diya
bhanwra no gunguna diya
shama jali parwaana mite
?? diya
aa ha ha ha ha
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
Le le ye dil tera
le le ye dil tera
hey
dena dhokha bahut bura hai
hey
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4076 | Post No. : | 15214 |
“Albeli”(1955) was produced and directed by Devendra Goel for Fils and Television, Bombay. The movie had Geeta Bali, PPradeep Kumar, Johny Walker,Randheer, Rama Sharma, Brij, Ranjana Shukla, Tuntun, Om Prakash, Yogendra, Robin Kumar, Raje Kapoor, Meena, Gareeb Kumar, Kaiser Usmani, Ranjeet etc, with guest appearances by Shankar A Palav, Jankidas and Madan Puri.
The movie had seven songs in it. Four songs have been covered in the past.
Here is the fifth song from “Albeli”(1955) to appear in the blog. The song is sung by Asha Bhonsle. Raja Mehdi Ali Khan is the lyricist. Music is composed by Ravi.
The movie had three Asha Bhonsle solos, one Lata solo and one duet by Lata and Hemant Kumar. So it is difficult to be sure about the picturisation of these songs. I request our knowledeable readers to throw light on the picturisation of this song.
Song-O balma kyun na karoon main tose pyaar pyaar pyaar(Albeli)(1955) Singer-Asha Bhonsle, MD-Raja Mehdi Ali Khan, MD-Ravi
Lyrics
o balma
o o o o o balma
o balma
kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o o prem deewaani
o sainya kyun na dekhoon main tohe baar baar baar
tose preet puraani
o preet puraani
o o balma kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o o prem deewaani
dil ki tamanna tere geeton mein khoyi re
phoolon ki aarzoo mein kaanton pe soyi re
tere liye o sainya kitna main royi re
kitna main royi re
phir bhi hui na aankhen chaar chaar chaar
main to prem deewaani
o o prem deewaani
o balma kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o o prem deewaani
ho chuki tumhaari main to mujhe pehchaan lo
kya meri aarzoo hai nazron se jaan lo
main bekasoor piya baat meri maan lo
varna jee ro dongi main jaar jaar jaar
main to prem deewaani
o o prem deewani
o balma kyun na karoon main tose
pyaar pyaar pyaar
main to prem deewaani
o prem deewaani
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4075 | Post No. : | 15213 | Movie Count : |
4182 |
It is a well-known fact that Shailendra wrote maximum number of songs for the music director, Shankar-Jaikishan (around 365 songs) out of about 750 songs he wrote during his life time. The second in line among music directors was Salil Chowdhury for whom Shailendra wrote around 105 songs. The third place was taken by S D Burman for whom he wrote around 70 songs. There were others music directors for whom he wrote songs albeit in comparatively lesser numbers. They were Roshan, S N Tripathi, Hemant Kumar, Anil Biswas, C Ramchandra, Ravi, Dattaram, and Kishore Kumar.
With major chunk of Shailendra’s songs (around 90% his total songs) written for the music directors listed above, I was curious to know as who were the other music directors to whom Shailendra wrote songs probably for one or two films. I traced almost all ‘other’ music directors. They were Basant Prakash (‘Badnam’ 1952), Manohar Arora (‘Chingaari’, 1955), Mukul Roy (‘Sailaab’ 1956 and ‘Detective’ 1958), Jimmy (Shrimatiji, 1952), Ninu Mazumdar (‘Bhai Saheb’, 1954), Sardul Kwatra (‘Pilpli Saheb, 1954 and ‘Tis Maar Khan’, 1955), Shivram (‘Naya Kadam’ 1958), Shailesh Mukherjee (‘Savera; 1958), Chitrgupt and Gajanan (‘Kal Hamaara Hai’ 1959), Kalyanji-Anandji (‘Satta Baazar’ (1959), Pandit Ravi Shankar (‘Anuradha’ 1960), R D Burman (‘Chhote Nawab’ 1961), Suhrid Kar (‘Kaanch Ki Gudiya’ 1961), and Sapan-Jagmohan (‘Begaana’ 1963).
But the surprise catch among ‘other’ music director to whom Shailendra wrote a song was Nachiketa Ghosh who has composed music for only one Hindi film ‘25th July’ (1951). But Shailendra was not the lyricist for this film. It transpired that Shailendra did write a Hindi song for Nachiketa Ghosh but for a Bengali film ‘Indraani’ (1958). Uttam Kumar and Suchitra Sen were the lead actors in the film. The film is available on YT with English sub-title.
So here is probably Shailendra’s only Hindi song for a Bengali film, ‘Indraani’ (1958). There are 7 songs in the film of which one song is in Hindi. The song is ‘sabhi kuchh lutaakar huye hum tumhaare’ which is sung by Mohammad Rafi. Nachiketa Ghosh is the music director.
The background for this song is that Uttam Kumar and Suchitra Sen get married despite opposition from her parents as Uttam Kumar is unemployed. On the wedding night, their feelings for each other is reflected in this song through a wayside singer playing guitar. The mood of the song appears to me the same as that of songs like ek haseen shaam ko dil mera kho gaya.
The song in the video clip is longer than the audio clip (78 RPM record version) because of the repetition in the former of mukhda part in each antara. Also, there are short dialogues in Bengali between Uttam Kumar and Suchitra Sen during the interludes of the song.
What a lovely song which I heard for the first time. I have been mesmerized by Rafi’s rendition of antara part of the song. Just note, how he goes one octave higher but keep his rendition soft on the antara lines ‘kisi ka tu ho jaa’, ‘hai khaamosh hum bhi’ and ‘ye khwaabon ki duniya’.
Video Clip:
Audio Clip :
Song-Sabhi kuchh lutaa kar huye ham tumhaare (Indraani)(Bangla)(1958) Singer-Rafi, Lyrics-Shailendra, MD-Nachiketa Ghosh
Lyrics(based on Video Clip)
sabhi kuchh lutaa kar
huye hum tumhaare
ke hai jeet uski
jo dil aaj haare
ye khoya sa chanda
ye behke se taare
to phir kyun na machlen
armaan hamaare
sabhi kuchh lutaa kar
mohabbat mein kho jaa..aa
kisi ka tu ho jaa
falak se zameen tak huye ye ishaare
ke hai jeet uski
jo dil aaj haare
sabhi kuchh lutaa kar
huye hum tumhaare
ki hai jeet uski
jo dil aaj haare
sabhi kuchh lutaa kar
hai chupchaap wo bhi
hain khaamosh hum bhi
khule jaa rahe hain magar raaz saare
ke hai jeet uski
jo dil aaj haare
ye khoya sa chanda
ye behke se taare
to phir kyun na machlen
armaan hamaare
sabhi kuchh lutaa kar
wo rangeen duniya
wo khwaabon ki duniya
simat kar ke baahon mein aayi hamaare
ke hai jeet uski
jo dil aaj haare
sabhi kuchh lutaa kar
huye hum tumhaare
ke hai jeet uski
jo dil aaj haare
ye khoya sa chanda
ye behke se taare
to phir kyun na machlen
armaan hamaare
sabhi kuchh lutaa kar
Bhanwra bada deewaana
Posted on: September 13, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4074 | Post No. : | 15212 |
“Nirmal”(1952) was produced by Revachand M Dembla and Biharilal C Pandit and directed by S Upendra for Shankar Theatres, Bombay. This movie had Poornima, Amarnath, Mirza Musharraf, Shanta Kunwar, Shaam Kumar, Habeeb, Leela Kumari, Cuckoo, Urwashi, Khushi Moolwaani, Sayyad ahmad, M Pahlaj, Peetaambar Setpal, Ajeet, Shaamlal etc in it.
The movie had eight songs in it. Three of these songs have been covered in the past.
Here is the fourth song from “Nirmal”(1952) to appear in the blog. This song is sung by Geeta Dutt. Moti B A is the lyricist. Music is composed by Bulo C rani.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.
Song-Bhanwra bada deewaana (Nirmal)(1952) Singer-Geeta Dutt, Lyrics-Moti B A, MD-Bulo C Rani
Lyrics
bhanwra bhanwra
bhanwra bada deewaana
loote kali kali ka rang
wo loote kali kali ka rang
wo loote kali kali ka rang
madhuban mein chhaayi hariyaali
kali khili hai daali daali
dekh kali ko mast ho gayi
bhanwre ki aankhen matwaali
bhanwra bada machalvi bada sayaana
do din ka hai pankh
wo loote kali kali ka rang
wo loote kali kali ka rang
khili huyi kaliyon par jaaye
lachke kha kar gul ko lagaaye
jiska ras pi daala uske
paas na jaaye aankh churaaye
bhanwra
ye hai kaala wo hai gori
komal komal ang
loote kali kali ka rang
wo loote kali kali ka rang
rang bhi kaala dil bhi kaala
ras pee kar udd jaane waala aa aa aa
rang bhi kaala dil bhi kaala
ras pee kar udd jaane waala aa aa aa
is se dil na lagaana o bholi
ye hai saath na dene waala
bhanwra
di leke ye daga karega
iske preet ka dhang
wo loote kali kali ka rang
wo loote kali kali ka rang
Ridhhi Siddhhi Vridhhi hoti
Posted on: September 12, 2019
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4073 | Post No. : | 15211 | Movie Count : |
4181 |
Ganpati Bappa Morya
Pudcha Varshi Lavkar Ya
Ganesh Chaturthi is the festival celebrating the birth of Lord Ganesha. It falls on the Shukla Chaturthi (4th day after Amavasya) in the month of Bhadrapada of the Hindu calendar i.e. August-September of the Gregorian calendar. Now this is common to the whole of India. And everyone has their own list of prasad that they offer to the lord. And all the panchang reading elders will tell us that when the Chaturthi starts etc and for how many days the festival will be for (usually 10) but due to the lunar calendar that is followed there will be some ghatika calculations which will determine if the festival ends on the 10th or 11th day.
But thanks to Bal Gangadhar Tilak Maharashtra has a special way of celebrating it. There the devout bring home idols and do pooja for a day and half and give a send-off to their favourite god on the next day that is on Panchmi. Then there are also those who keep the lord in their homes for five days. In between they also have a Gauri sthapana and worship the mother and son together for 2 days and then see them off on the 5th day. That day is Gauri visarjan.
Then there are the Sarvajanik Ganesh Mandals. It is here that the youth get to show their ideas of decoration, event organisation etc. The mandals dedicate themselves to various causes and highlight this in their pandals. There is the usual bhajans playing through the 10 days of the festival etc. Then on the 10th day that means Anant Chaturdashi day there is the aarathi, the final pooja and then the idols along with all the flowers used for decoration etc are taken for immersion. The large ones are on open trucks and we have all the young revellers dancing to the beat of Nashik Dhols and recorded music and the cry of GANAPATI Bappa Morya filling the air space. (Environmentalists will call it high decibels of noise pollution). And there are the large numbers of people out on the streets till wee hours of the next morning waiting to see the last huge one immerse in the sea. If I am not wrong the last one is always Lalbaugcha Raja.
Lalbaug is a locality in the old Bombay region. This is where during the freedom struggle Balgangadhar Tilak had started the practice of community worship of the Lord as a way to protest the diktat of limit on number of people congregating.
Lalbaugcha Raja has a story of its own. It seems the market at Peru Chawl was shut down in 1932 effecting the livelihood of the fisherfolk and other vendors who operated from there. These vendors vowed to Ganesha for a permanent place for their market. The collective efforts of the councillors and prominent local residents of those times the landlord Rajabai Tayyabji gave the land for the existing Lalbaug Market.
In 1934 as a thanksgiving or fulfilment of their vow (Navasa in Marathi) the traders and fisherfolk came together to start this sarvajanik pandal. Since 1935 the same family -Kambli family- has been designing the idol which has kept nearly the same “sitting pose” over the years. The idol is always around 18-20 feet tall. The parts are made at their workshop in the adjoining lane and assembled in the pandal. The grand old man of the Kambli family then comes and paints the lord’s eyes. The decoration is always contemporary and this year it was “Chandrayaan”. The visarjan procession of Lalbaugcha Raja is eagerly awaited through the lanes that it takes to reach Girgaum Chowpatty. There are special trucks, trailers and boats with pulleys that help take the idol kilometres into the sea so that it can be given a proper deep-sea immersion to match its size.
P.S.: the details about Lalbaugcha Raja are from a documentary that I saw last week on National Geography Channel.
We had the N. Chandra’s “Ankush” (1986) which used the Ganesh visarjan backdrop to show the rivalry between two Ganesh pandals and how it erupts into street fight.
In Remo D’Souza’s “ABCD- Any Body Can Dance” (2013) we had a sequence showing Ganesh Visarjan. There was this wonderful dance number and the song was true to the Ganapati Bappa Morya spirit. The movie had a collection of dance freaks who were essentially a part of Remo’s troupe most of who are independent choreographers now. in addition we have Prabhu Deva and Ganesh Acharya, in major roles in the movie, present in this song.
I thought that this song is ideal for today. The song is sung by Shankar Mahadevan & Vishal Dadlani. The song is written by one Mayur Puri and Sachin-Jigar are the music directors. This means that this song would have qualified in the series of “Music Director singing for another music director list” that we had from Arunkumar Deshmukhji a few years back. (Both Shankar Mahadevan and Vishal Dadlani are music directors as we all know).
This is the link to the song:-
Song-Ridhhi Siddhhi Vriddhi Hoti (ABCD-Any Body Can Dance)(2013) Singers-Shankar Mahadewan, Vishal Dadlani, Lyrics-Mayur Puri, MD-Sachin Jigar
Lyrics
riddhi siddi vriddi hoti
haan tere hi aane se
aur sundar yeh srishti hoti
haan tere hi aane se
moraya… aaa
moraya…aaa
ganpati bappa moraya!
pudcha varshi lav kar ya
man ke andhere kone mein
jo danav chupa hai moraya
uspe hi jai ho toh digvijai ho
teri tarah moraya
ganpati bappa moraya!
pudcha varshi lav kar ya
ho… lakh koi de hunkare
lakh koi dhamkaale
ho oo
hum teri raahon pe chalte
hum nahi rukhne wale
mera deva devon ka devta
mazha deva devon ka devta
pair ye rukh ne na sar ye jhukne na dega
morya re moraya
ganpati bappa morya
shambu sutaya shambu sutaya
lambodarya morya
morya re bappa morya
ganpati bappa morya
devaa… aaaaa ho ooo
sajjan ki aas
durjan ka naash
tu kai sa bindaas hai raja
tu kai sa bindaas hai raja
teri ho puja phir koi duja
tu sab ka vishwas hai raja
tu sab ka vishwas hai raja
hoo… oooo
yun toh sabhi devoke aage
yeh sar jhuka hai morya
par apna hai tu
ghar pe humare aaya hai morya
morya re morya
ganpati bappa morya
shambu sutaya shambu sutaya
lambodarya morya
morya re bappa morya
ganpati bappa morya
gan ganganpati gaja mukh mangal
didikita didikita didikita dhundhun
ta ta tai tha
jai jagavandhan vakratunda daani daata
vignaharan subhakaran dhagina dha
vignaharan subhakaran dhagina dha
vignaharan subhakaran dhagina dha
dhum kita dhum kita dha dong dha dong
dha da kita tha
dhadong dhadong
dha da kita tha
dhadong dhadong
dha da kita tha
morya re morya
ganpati bappa morya
deva aaa aaaa aaaa
hey… jal mein, thal mein
shristi sakal mein
van mein, rann mein, kan kan mein
taru mein, tran mein, gaj mein, gana mein
morya hai har mann mein
hey rang ki dhaare, ras fuhaarein
chhal chhal chhalke sarjan mein
tej hai, bal hai, shakti prabal hai
morya ke darshan mein re bappa
morya ke darshan mein re deva
morya ke darshan mein hey..
morya ke darshan mein…. ho
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4073 | Post No. : | 15210 |
Today’s song is from a devotional,mythological film – Nav Durga-1953. Nav Durga does not mean New Durga here, but ‘Nav’ stands for nine. This film is about the nine forms of Devi Durga and how it saved its Bhakt from annihilation.
The film was produced by Homi Wadia’s Basant Pictures. It was directed by the great Editor and special effect-Trick scene expert Babubhai Mistri. Babubhai Mistri (5-9-1918 to 20-12-2010), in the beginning, was an assistant with Prakash pictures.Prakash was making a film “Khwabon ki Duniya”- 37, based on the famous novel “The Invisible Man” by H.G.Wells,1897.The shooting started but the basic problem was how to show the ‘invisible‘ man. There was no special effect technique available in India till then, like in Hollywood. Vijay Bhatt had an assistant called Babubhai Mistri, who accepted the challenge and using a dim light, a black curtain and a black thread to move articles, he achieved the desired results. This made the film not only a hit and popular one, but also a unique one. Babubhai Mistri, thus, became the father of the trick scenes and special effects in India. In the process, Babubhai also earned a nickname of ‘kaala dhaaga‘ (black thread) for rest of his life, in the film industry.
Babubhai directed 49 Hindi films-mostly B and C grade Mythologicals, Costume, and Historical films. He also directed 1 Telugu and 9 Gujarati films. His first film as a director was Muqabala-42. Surprisingly he started off with a social film, but there was a valid reason. The initial Poster Painter had developed into a skilled Editor and trick scene expert, by his own hard work,encouraged by the Wadia brothers. The film was an unusual film of a story of twin sisters. Wadias wanted Babubhai to do something which will make the film stand out from all other such films.
Directed by Babubhai Mistry, it was the last movie of Fearless Nadia for Wadia Movietone. She had a double role of twin sisters: good Madhuri and bad Rita.
Rita is kidnapped by the villain and made into a Night club singer,while Rai Bahadur brings up good Madhuri.
Nadia was appreciated much for the performance contrast for both roles.
This film was First in India to use Split-screen method for double roles,where both sisters could cross each others,shake hands and talk together.The other attraction was the Night club set,which,in case of police Raid,could be converted into a respected residence in few minutes.It was a great fun to watch these two things.
A happy ending picture, but to see and hear the laboured Hindi dialogues of Madhuri (good Nadia) was another treat.
The cast of the film Nav Durga-53 consisted of Usha Kiran, Mahipal, S N Tripathi, Sulochana Chatterji, Amarnath, Agha Shapur, Raja Sandow and many more. Usually, there are more characters in a Mythological film and hence their credit list is very long. In this list, the name of Raja Sandow appears. I am sure, this is not that Raja Sandow, who was famous as a silent film Hero and who acted in many Talkie films too. He died in 1942 itself. Obviously, this must be some other Raja, trying to cause “Same name confusion” without success,though.
However, one name in the cast – Amarnath- is worth a re-look. Amarnath (Bharadwaj) is one of the “same name confusions” victims. There were two Pt. Amarnath Music Directors, 1 actor Amar, 1 actor Amarnath and 1 actor/Director (K.) Amarnath.
This Amarnath was born in Hafizabad, in Gujaranwala district of Punjab (Now in Pakistan) in 1922. He started acting in 1939 with Kidar Sharma’s “Dil hi to hai”. Graduating from doing small roles he was made the Leading Man in Dalsukh Pancholi’s film “Patjhad”, started in 1947 opposite Meena (Shorey). Pancholi had to flee Lahore due to Partition riots, but he carried the negatives of Patjhad. Though the film was censored in India in 1948, it seems it was never released.
Amarnath (Bharadwaj) starred as Hero in many other films,like Naghma E Sehra-45, Papiha re-48, Barsat ki ek raat-48, Swayam sidha-49, Nai Bhabhi-50, Kamal ke phool-50, Sheesh Mahal-50, Jalte Deep-50, Johri-51, Nai zindagi-51 , Nirmohi-52, Nirmal-52, Bahu Beti-53, Nav Durga-53, Toofan-54 etc. Then he switched over to side roles. In all, he worked in 81 films (CITWF data). His last film was Kaun ho tum-70.
In India, there is no dearth of festivals. In fact, India can be called a Nation of Festivals. With scores of religions in India and every religion having its own Festivals, one can imagine the number of Festivals. Not every festival is celebrated all over the country, but even the major 7 religions have their own festivals. Hinduism being the largest religion (80% as per 2011 Census), almost every month has , if not a major, but minor festival in some or the other region of India.
The period of October to January is called a Festival season, as many major festivals like Dashehara, Diwali, Christmas and Sankranti fall in this period. Vijaya Dashami or Dashehra or Dasara is due in next month, so is Diwali too. Dashehra is celebrated also as a Durga Puja Festival enthusiastically, in the Eastern part of the country mainly, but all over India, Durga Puja is done.
Film Nav Durga-53 was about the powers of Maha Shakti Durga Mata. Durga is believed to have 9 forms. Navdurga, Nine forms of Durga, are nine manifestations of the goddess Durga in Hinduism, especially worshiped during the festival of Navratri where each of the nine manifested forms are venerated respectively for each night. In short, they are…
1. Shail Putri – Daughter of Himalayas
2. Bramhacharini – Daksh Kanya Sati-before marriage
3. Chandraghanta – After marriage to Shiv, adorned his forehead as Half Moon
4. Kushmanda – Living in the Sun
5. Skandmata – Mother of war lord Kartikey
6. Katyayani – Daughter of sage Katyayan, destroyed Mahishasur
7. Kaalratri – Most ferocious and fiercest, destroyer of Asurs Shumbh/ Nishumbh
8. Mahagauri – Goddess of purity and cleanliness and
9. Siddhidatri – Adi Parashakti, appears from Siva’s left side
The story of Nav Durga-53 was- Suryawarcha is punished by Indra dev for his arrogance and is sent to mrityulok(Earth),when he is about to get married to Vishala.On Visahala’s request Vishnu assures that he will come back to swarga again,but she must prey to Maa Durga.
Maurvi d/o asur Mur wants to take revenge on Krishna for killing her father.She marries Ghatotkach s/o Bhima.They get a son Barbarik(Suryavarch),whom Murvi takes to Navdurga at Guptakshetra Sangam and prays.
Barbarik gets a boon of invincibility except for an Avtar of Vishnu.He goes to Pandavas and challenges them,knowing that Krishna will also come there.In the war,Krishna severs his head with Sudarshan Chakra.Mata Durga appears and takes Suryavarcha to heaven where his consort Vishala is still waiting with a Garland.
Today’s song is very sweet, melodious and a lilting song. I feel this tune is inspired by a similar sounding song, ” Hum tum yeh bahar, dekho rang laya pyar, barsaat ke mahine mein” – a duet of Rafi and Lata, composed by Ghulam Mohd,MD, for film Ambar-52.
(Thanks to Harish Raghuwanshi ji for Amarnath information and blog beetehuedin.com for Babubhai information, used herein.)
Song-Ek teer chalaa ke gori bijli giraa ke (Nav Durga)(1953) Singers-Chitragupta, Shamshad Begam, Lyrics-Ramesh Chandra Pandey, MD-S N Tripathi
Lyrics
ek teer chalaa ke
gori bijli giraa ke
mohe chhod ke akeli kahaan jaaye re
o tere sath na rahoongi
koi baat na karoongi
kaahe baat baat mein mohe sataaye re
mohe sataaye re
o ek teer chalaa ke
gori bijli giraa ke
mohe chhodke akeli kahaan jaaye re
o tere saath na rahoongi
koi baat na karoongi
kaahe baat baat mein mohe sataaye re
mohe sataaye re
dekho ji dekho ji dekho dekho ji
kya
mera naram kaleja toot jaayega
bhala hoga mera peechha chhoot jaayega
hoye chhoot jaayega
o mera naram kaleja toot jaayega
o bhala hoga
mera peechha chhoot jaayega
hoye chhoot jayega
ari sun to
aise baalam ko sataana nahin accha ji
o sote sher ko jagaana nahin accha ji
sher
arre ja
teri mendhak ki chaal hai
bakre ki khaal hai
teri kya mazaal hai
tu banega sher
ari meri baat maan gori mujhe pehchaan
kaahe jhoothmooth rang tu jamaaye re
o tere saath na rahoongi
koi baat na karoongi
kaahe baat baat mein mohe sataaye re
mohe sataaye re
suno ji suno ji suno suno ji
tu kaun hai
ye poochhne main aayi hoon
o tere baap ka hone waala jamaai hoon
ho jamaai hoon
tu kaun hai
ye poochhne main aayi hoon
tere baap ka hone waala jamaai hoon
ho jamaai hoon
arre ja
chal hat teri baat mein jamaal hai
badi door abhi teri sasuraal hai
accha dekhta hoon gori aaj teri seenajori
tu kab tak akad nibhaaye re
o tere saath na rahoongi
koi baat na karoongi
kaahe baat baat mein mohe sataaye re
mohe sataaye re
nahin maanengi
un hoon
nahin maanengi
un hoon
nahin maanegi
to main bhi mar jaaunga
accha hoga
din raat bhoot banke sataaunga
o din raat bhoot banke sataaunga
sataaunga sataaunga
mere bina ek din tera jeena hai kathin
tu pal bhar chain na paaye re
o tere saath na rahoongi
koi baat na karoongi
kaahe baat baat mein mohe sataaye re
mohe sataaye re
Recent comments