Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 4
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कर्मणये वाधिकारस्ते मां फलेषु कदाचन ।
मां कर्मफलहेतुर्भू: मांते संङगोस्त्वकर्मणि ।।
Karmanye aadhikaraste ma phaleshu kadachan
Ma karmaphalheturbhu maate sangostavakarmani

[You have a right to perform your duties but without any expectation.  You have no right to the fruits of your works. Let yourselves be not attached to inaction.]

I used to remember this shloka (verses) during the telecasting of ‘Mahabharat’ on TV. In the recent period, I have once again started recalling this shloka as I find this shloka apt for Atul ji! He has been doing his karma (duties) of posting Hindi film and non-film songs faithfully since the inception of the Blog on July 19, 2008 without expectation of any kind of rewards.

In the sphere of blogging, 10000 posts appearing on one blog on one subject by Atul ji may be a record of some sort. If I take a modest estimate of say 300 words per post, 10000 posts translate to a total words of 3,00,000, that is about half of the word count of the English edition of Leo Tolstoy’s novel ‘War and Peace’. Surely, this milestone is worthy of a grand celebration.

Atul ji started this Blog as one of his interests where he could express his admiration of certain Hindi film songs that he loves. When did his interest turned into a passion? It is not difficult to guess if one goes by the monthly statistics of the songs covered in the Blog. In less than a year from the date of starting this Blog, the daily average number of songs discussed in it, significantly exceeded the original intent of discussing at least one song a day. Now it was not the interest but the passion that was on work.

Over a period of time, the original intent of the Blog to discuss the songs that Atul ji loves has now given room for discussing a much larger canvas of Hindi film and non-film songs. Now the Blog has over 13000 Hindi film and non-film songs. With a paradigm shift to cover all type of Hindi film songs in terms of the number of films as well as the number of films with all songs covered, the scope of the Blog has been considerably widened. With this, the attendant works in maintaining the Blog in terms of accuracy, the mind blowing statistics and some other value additions have significantly increased.

How does Atul ji find time to attend to the Blog work which has become enormous? It is often said that when a person is passionate about his interest, he would find ways to get time and the resources to attend to his passion.  He would not give up his passion irrespective of whether or not he gets motivated and he is appreciated for his work. Of course, motivation and appreciation are tonic for such kind of passion. It is quite admirable that despite Atul ji being a low profile person,  the number of his admirers has been steadily increasing if I go by the comments of appreciations of his monumental work appearing on the Blog and the elsewhere.

Atul ji has always given credit to the contributions of the regular visitors to the Blog as commentators, lyrics providers and guest writers etc whom he calls as his musical bandwagon. This speaks of his modesty. We all know as to how much time he has been devoting and the efforts he has been making to maintain a standard of information on the Blog. A musical bandwagon cannot move and deliver unless it is led by a powerful ‘locomotive’ called Atul Besra.

As a part of the musical bandwagon, I can say about myself that I have interests in Hindi films and non-film songs and about those connected with it. But I do not have passion like Atul ji. Interest can wane over a period of time though after some time, it can also resurface. But passion is perpetual. It is in this context I feel comfortable that the Blog is in the hands of  a person who is passionate about it.

Congratulations Atul ji for achieving a significant milestone of posting your own 10000 posts on the Blog. You have worked very hard to achieve this milestone. You are an inspiration for all of us in pursuing our own passions. More strength to your elbow.

As I said earlier, 10000 posts by Atul ji on the Blog is worthy of a grand celebrations. As per Atul ji’s intention of covering at least one song from the film which is yet to be represented on the Blog, I am presenting a rare song ‘Dil Thha Kabhi Tumhaara Ab Ho Chuka Hamaara’ from the film ‘GAURI’ (1943) sung by Brijmala. The song  is written by Kidar Sharma and is set to music by Khemchand Prakash.

‘Gauri’ (1943) was produced under the banner of Ranjit Movietone and was directed by Kidar Sharma. Prithviraj Kapoor and Monica Desai were in the lead roles supported by Shamim, Amarnath, Brijmala, Rajendra, Kamala Chatterjee, Rajkumari Shukla, Raj Kapoor etc. Probably, this may be first film in which  Raj Kapoor acted in an adult role with his father, Prithviraj Kapoor.

This was Kidar Sharma’s second film as a director after joining Ranjit Movietone in 1941, the first being ‘Armaan’ (1942). The story of ‘Gauri’ (1943) was set in Calcutta (Kolkata) and connected with the popular Durga Pooja festival. It was a human relation story around a family of an idol maker of Goddess Durga. The role of the idol maker was played by Prithviraj Kapoor. Monica Desai played the role of Gauri. The film was the 7th highest grossing Hindi films released in 1943.

There were 9 songs in the film which have become rare. Except one song, none of the songs are available on YT. The song under discussion is the second from the film which I have recently uploaded on YT.

Enjoy this lighthearted romantic song with the element of some teasing.


Song – Dil Tha Kabhi Tumhaara (Gauri) (1943) Singer – Brijmala, Lyrics – Kedar Sharma, MD – Khemchand Prakash

Lyrics

dil thha kabhi tumhaara
dil thha kabhi tumhaara
ab ho chuka hamaara
aan haan
aan haan
ho chuka hamaara
hamre liye hamesha
hamre liye hamesha
phirta hai maara maara
aan haan
aan haan
phirta hai maara maara
majboor hai bechaara
haan haan
majboor hai bechaara

kaliyon se kunj mehaka
kaliyon se kunj mehaka
bulbul ke sang chehka
bulbul ke sang chehka
koyal ki kook sun li
koyal ki kook sun li
to haaye jaan pukaara
phir kya kare bechaara
haan haan
phir kya kare bechaara

apni mita ke hasti
maujon se leke masti
apni mita ke hasti
maujon se leke masti
haan
maujon se leke masti
nazaron se pi raha hai
nazaron se pi raha hai
paa kar mera ishaaraa
paa kar mera ishaaraa
ye lut gaya bechaara
haan haan
ye lut gaya bechaara

jo dil ko na lutaaye
wo preet kya nibhaaye ae ae
jo dil ko na lutaaye
wo preet kya nibhaaye
wo ishq ishq kab thha
wo ishq ishq kab thha
jo husn se na haara
jo husn se na haara
majboor hai bechaara
haan haan
majboor hai bechaara
dil thhaa kabhi tumhaara
dil thhaa kabhi tumhaara

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Hindi script lyrics (Provided by Sudhir)
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दिल था कभी तुम्हारा
दिल था कभी तुम्हारा
अब हो चुका हमारा
आं हाँ
आं हाँ
हो चुका हमारा
हमरे लिए हमेशा
हमरे लिए हमेशा
फिरता है मारा मारा
आं हाँ
आं हाँ
फिरता है मारा मारा
मजबूर है बेचारा
हाँ हाँ
मजबूर है बेचारा

कलियों से कुंज महका
कलियों से कुंज महका
बुलबुल के संग चहका
बुलबुल के संग चहका
कोयल की कूक सुन ली
कोयल की कूक सुन ली
तो हाए जां पुकारा
फिर क्या करे बेचारा
हाँ हाँ
फिर क्या करे बेचारा

अपनी मिटा के हस्ती
मौजों से लेके मस्ती
अपनी मिटा के हस्ती
मौजों से लेके मस्ती
हाँ
मौजों से लेके मस्ती
नज़रों से पी रहा है
नज़रों से पी रहा है
पा कर मेरा इशारा
पा कर मेरा इशारा
ये लुट गया बेचारा
हाँ हाँ
ये लुट गया बेचारा

जो दिल को ना लुटाये
वो प्रीत क्या निभाए ॰॰ए ॰॰ए
जो दिल को ना लुटाये
वो प्रीत क्या निभाए
वो इश्क़ इश्क़ कब था
वो इश्क़ इश्क़ कब था
जो हुस्न से ना हारा
जो हुस्न से ना हारा
मजबूर है बेचारा
हाँ हाँ
मजबूर है बेचारा
हाँ हाँ
दिल था कभी तुम्हारा
दिल था कभी तुम्हारा

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Nirmohi’, from 1952 is a film produced by Shriram Sharma, and directed by Baij Sharma for the banner of Sheetal Movies, Bombay.  The cast of actors in this social drama includes Nutan, Sajjan, Raj Mehra, Leela Misra, Chaman Puri, Neeru, Amarnath, CL Kavish, Neeru, Kanchan etc. amongst others. The eight songs in this film are shared between Uddhav Kumar, Indeevar and PN Rangeen, as far as song writing is concerned. Music is by Madan Mohan. This particular song is from the pen of Indeevar. The singing voices are those of Kavita and Lalit Mohan.

Now, both the singer names are unfamiliar. As I scan the Geet Kosh for these names, I find that the name Lalit Mohan appears only in two songs in this film, and nowhere else. In case of Kavita, her name appears in just three films, one from 1948 and two from 1952; and then nothing else. The other song from this film that has the voice of Lalit Mohan, is already posted on our blog – “Aisi Chot Jiyaa Ne Khaai”. I request our readers and friends to please add more information if available, about these singers.

No other information is available about this film. Again, a request for readers to add more information if available.

If we review the status of the artists, when this film was released, we find that most of them are in the infancy of their careers. Madan Mohan had made his debut as a music director in 1950 (‘Aankhen’). The same can be said about Nutan, her first film was ‘Hamaari Beti’ (1950). Sajjan had started his career in early 1940s, in Calcutta, doing bit roles and working as assistant to directors. Like many other artists, he also moved to Bombay in the mid 1940s. Here he gravitated towards Prithvi Theatres, and from that platform he came on to cinema screen. For him too, his first significant role, opposite to Nalini Jaiwant, was in the film ‘Muqaddar’ in 1950.

Indeevar, the songwriter appeared on the scene in 1946, when he wrote the lyrics for films like ‘Black Market’ and ‘Double Face’. As per Geet Kosh records, these are the earliest films where we find his name appearing.

As far as the availability of songs is concerned, luckily the audio version of all the eight songs is available. Seven of these are already posted on our blog. Today, I bring online the eighth and final song of this film, which probably has been sidelined because the singer names are unfamiliar. As I listened to this song while preparing this post, I am surprised, because the song and its rendition are quite delightful. It is peppy number that tells about first love. The music is engaging, and the song deserves more attention than it apparently has received.

And so, with this post, the film ‘Nirmohi’ now joins the rank of ‘Yippeee films on our blog.

Song – Ye Suhaana Samaa, Ye Umangen Jawaan (Nirmohi) (1952) Singers – Kavita, Lalit Mohan, Lyrics – Indeevar, MD – Madan Mohan

Lyrics

ye suhaana samaa
ye umangen jawaan
ye bahaaren
mere armaan tujhko pukaaren
mere armaan tujhko pukaaren

gungunaane lagi hai jawaani
hmmm hmmm
hmmm hmmm
hmm hmm hmm
hmm hmm hmm
hmm hmm hmmmmm
hmmm hmmm
hmmm hmmm
gungunaane lagi hai jawaani
kehti phirti hain aankhen kahaani
kehti phirti hain aankhen kahaani
raat aankhon mein kab tak guzaaren
mere armaan tujhko pukaaren
ye suhaana samaa
ye umangen jawaan
ye bahaaren
mere armaan tujhko pukaaren
mere armaan tujhko pukaaren

aate hain jab hwaaon ke jhonke
teri aahat samajh ke ye chaunke
teri aahat samajh ke ye chaunke
raah nis din ye naina nihaaren
mere armaan tujhko pukaaren
ye suhaana samaa
ye umangen jawaan
ye bahaaren
mere armaan tujhko pukaaren
mere armaan tujhko pukaaren

jo bin byaahe
mujhko likhe hai
aisi paati
kisey tu likhe hai

naam loon to umariya ghatey hai
hai wohi jo papeeha ratey hai
meri paati pathaa de tu jaldi
haath peeley hon lag jaaye haldi
loon khushi se main teri balainyyaan
jo ghar aa jaaye mora sainyyaan
jo ghar aa jaaye mora sainyyaan

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Hindi script lyrics (Provided by Sudhir)
———————————————————

ये सुहाना समां
ये उमंगें जवां
ये बहारें
मेरे अरमान तुझको पुकारें
मेरे अरमान तुझको पुकारें

हम्म हम्म
हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्म
हम्म हम्म हम्मममम
हम्म हम्म
हम्म हम्म
गुनगुनाने लगीं है जवानी
कहती फिरती हैं आँखें कहानी
कहती फिरती हैं आँखें कहानी
रात आँखों में कब तक गुजारें
मेरे अरमान तुझको पुकारें
ये सुहाना समां
ये उमंगें जवां
ये बहारें
मेरे अरमान तुझको पुकारें
मेरे अरमान तुझको पुकारें

आते हैं जब हवाओं के झोंके
तेरी आहट समझ के ये चौंके
तेरी आहट समझ के ये चौंके
राह निस दिन ये नैना निहारें
मेरे अरमान तुझको पुकारें
ये सुहाना समां
ये उमंगें जवां
ये बहारें
मेरे अरमान तुझको पुकारें
मेरे अरमान तुझको पुकारें

जो बिन ब्याहे
मुझको लिखे है
ऐसी पाती
किसे तू लिखे है

नाम लूँ तो उमरिया घटे है
है वही जो पपीहा रटे है
मेरी पाती पठा दे तू जल्दी
हाथ पीले हों लग जाये हल्दी
लूँ खुशी से मैं तेरी बलैय्यां
जो घर आ जाये मोरा सैंय्यां
जो घर आ जाये मोरा सैंय्यां


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 3
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This is a very special day, a very special occasion. Our leader of the Blog, Atul ji, has completed individual 10,000 posts.

What an achievement ! 10,000 song posts, with Lyrics and a related text to go with it, posted by a single person !!

This must enter the Record Books !!!

I first came across the Blog, sometime in late 2010 or may be early 2011. I was quite impressed with the presentation, collection of the songs and the comments made by readers. My first comment on the Blog was to appreciate Atul ji and the efforts taken by the Blog to present old songs,with lyrics. Slowly,I started giving my own comments on the Blog. Encouraged by Atul ji and others, I soon became a regular here and shared what I knew about old films and its music.

In the process of commenting, my first article (post) was posted on the Blog on 1-10-2012. Atul ji was kind enough to write the lyrics of the song, on my behalf. (This special help in lyrics writing continues even today – after more than 570 song posts – thanks to his generosity 🙂 ). Atul ji was very encouraging and prodded me to continue writing regularly. I too learned quite a lot from the comments of readers on various songs daily. It actually became a routine for me to visit the Blog first thing in the morning and following it through the entire day. I know many of the regulars too have this same habit.

Though I was very active on internet and was a member of several groups, and my articles were posted on different sites, blogs and group fora, my heart remained with Atul ji’s Blog. This was because I was impressed with his dedication and hard work in keeping the flock together and serving the music lovers of the world. As per a report by Word Press, this Blog  reaches 298 countries of the world in all continents and Atul ji’s songs give joy and pleasure to millions all over. During the last few years I met several regulars of the Blog and also attended Gangouts in Mumbai and Bengaluru. This Blog gave me several online friends,

In all these years, I was very curious to know who this Atul ji is. In due course of time, I came to know more about him, saw his photographs and even became his “friend “on Facebook, when he started his own page. I, however, missed the golden opportunity to meet him personally, when he attended the first ever Gangout in Mumbai in December 2014, which I could not attend unfortunately. Meanwhile we became quite well known to each other by exchange of mails, Whatsapp and Blog’s multiple activities.

I have always wondered, what sort of energy this person has ! How does he manage his job, family life and the Blog activity- all at the same time? Atul ji’s posts are full of knowledge and statistics. The kind of joy Atul ji has provided to the millions of music lovers all over the world is simply incomparable. It is a matter of pride that he runs a unique Blog, which is perhaps the only one of its kind in the whole world ! All this prompted me to write a small poem on Atul ji…..

suno ji suno,
yeh hai mera pyara
sub ka dil lubhaanewala,
Gaanewala, Ranchiwala……..1

ye koi khel nahi hai
itna aasan nahi hai
yadein taaza karnewala
Gaanewala, Ranchiwala…….2

duniya is ko dekh rahi hai
gaane sunke khoj rahi hai
hai bhala kaun ye dilwala
Gaanewala, Ranchiwala……3

is ke pyar mein doobi duniya
is ko chaahe saari duniya
kahaan hai pyaara geetonwala
Gaanewala,Ranchiwala…..4

geeton ki is yatra mein
hum sab iske saathi hain
sub ko saath lenewala
Gaanewala, Ranchiwala…..5

naayak ho to aisa ho
khushiyan apni baatnewala
har yaatri ko chaahnewala
Gaanewala, Ranchiwala…..6

sab ke dil mein ek hi naara
neta ho to aisa pyaraa
Atul ji jaisa bade dilwala
Gaanewala,Ranchiwala…..7 

I wish Atul ji and the Blog many more achievements and peaks of successes.

Coming to today’s song, it is actually not a song I would normally discuss, but I have selected this song because it is from a significant film in the career of my favourite star – The Fearless Nadia. In fact, this film was her swansong. After this film (Khiladi-1968), she bid a final good bye to Hindi film world, in which she was the Queen of Stunt Films, right from 1933 to 1968.

At the time of this film, she was already 60 years old, but if you see this film, she exhibited the same skills, for which she was the Darling of Millions in her hey days. Fearless Nadia was a phenomenon of the Hindi film industry. Neither before her nor after her, was there so daring a lady who did all her thrilling stunts herself. She fought with 8 to 10 persons at a time, lifted men in the air, was an expert in fencing, fighting, driving, riding, jumping and handled ferocious animals like tigers, lions etc.

I was a great fan of her films from young age (even now) and must have seen at least 20-25 of her films. I always dreamt meeting her some day,in person. My dream came true on the morning of 23rd July 1984, when I actually met Fearless Nadia and talked to her !

It so happened that those days Nadia was staying in Colaba area of south Bombay and everyday morning, used to take her dog for a walk in a park nearby. One of my good friends, Sharma ji also lived in that area. He once told me this. I expressed my desire to meet her and he made a plan. He too used to visit that park and knew Nadia well as a neighbour. I went on 22nd July to stay with Sharma ji. Next day early morning, we got ready and went to the park. As expected, Nadia came there with her dog. Sharma ji greeted her and introduced me as a great fan of her films. I was simply thrilled. I rattled out 10-15 names of her films, which I had seen. She was naturally impressed and talked to me for about 15 minutes. Then we parted. I shall always cherish those moments in my life.

Film Khiladi-68 was a spy crime thriller, having some really spectacular stunts, which reminded the older films of Nadia. Actually, the film opens with a scene showing some people firing on Nadia. The cast of the film had Dilip Raj as its hero. This Dilip Raj was the eldest son of legendary actor P. Jairaj. Unfortunately, Dilip Raj was not only a flop and bad actor, but also a bad and ungrateful son. He extracted so much money from Jairaj by deceit, that Jairaj had to go to court to evict his son from his house. He cheated his father and tried to usurp all his estate and throw Jairaj out of his own house!

Dilip Raj acted as a Hero in only 5 films and total 26 films in all from 1956 to 2013. His best known film was ‘Shehar Aur Sapna’ (1963).

The Hindu, the well known daily published a review of film Khiladi (1968), recently on 24-2-2017. Considering the gap of almost 50 years, it was quite a reflection of people’s love for Fearless Nadia even in this era ! Here is the review-

As Vishal Bhardwaj pays tribute to Fearless Nadia in “Rangoon”, let’s go back to the action-star’s last hurrah at the box office to figure out how Nadia was the mother of all Khiladis in Hindi cinema. Here she virtually plays one. As Agent Madam XI, she grooms and protects Pratap or Agent 707 (Dilip Raj), who is out to ensure the release of an atomic scientist who has been kidnapped by evil forces for the formula that he has created. As the names suggest, the Homi Wadia film is a tribute to the James Bond variety of cinema.

There is an agent called Udti Chidiya but the best is reserved for Nadia, who is christened Living Fireball, perhaps a tribute to her long innings as the action queen of Hindi cinema. From giving demonstration of bullet proof jackets to changing get-ups in every other scenes, the focus is on the ageing star. Born as Mary Evans, the Australian origin actor made a mark in Hindi films much before Bollywood discovered the Katrina Kaif template. She fostered a strong bond with Wadia, whose Basant Studios was famous for mythologicals and action-adventures. The duo gave a series of hits but find little mention every time history of Hindi cinema is recounted. Recently, when Mahesh Bhatt chronicled the history of studios in India through a television series Basant was missing from the list despite the fact that his father Nanabhai Bhatt also closely worked with Wadia.

Today, they might look predictable but some of the action sequences in “Khilari” can still give goose bumps. The explosions in air and water look believable and the kind of scale Wadia has been able to achieve with limited resources is commendable. The gadgets are futuristic. A gun which fires in reverse, a belt which works as an iron cutter, Pratap even has a drone like device to send signals.

Style Statement
A limited actor, Dilip also gets to explore the flirtatious side of this genre so that Wadia could bring in an element of glamour and use the talent of Lala-Sattar. In action sequences, Dilip looks a little limp and his karate style, in fact, evokes unintentional humour. But that’s fun of Wadia style of entertainment. It was never meant for the discerning but always kept the front benchers on the edge.

If cynics could free themselves from the tyranny of ‘taste’, there is lot to read in these films. High on style and sensuality, they catered to the baser instincts of the audience but provided its female characters agency to find their way in the society. Wadia’s female characters could frequent spaces which were not meant for Hindi film heroines. Nadia was the star in this league, a female Robin Hood, who could ride horses, crack the whip and make lecherous men fall in line. It was in contrast to the patriarchy that the so called A-grade cinema of the time perpetuated.

Here the villain of the piece is also a woman called Golden Dragon played by Sujata who doesn’t hold back her lust for Pratap. With a dragon tattooed on her back, her den could give competition to Shaakaal’s lair in “Shaan”, made a decade later.

Then there is Suzie, another strong female character, who lays down her life to protect her father and Pratap. Tun Tun provides comic relief as Miss Beauty. It is this equal universe that makes “Khilari” a fair game.

With this song, film Khiladi-68 is making a debut on this Blog. All the 5 songs were written by Lyricist Farooque Qaiser. The music was by the duo of Lala-Sattar. The singers are Rafi and Asha Bhosle.  On screen, the song is performed by Dilip Raj accompanied by an actress that I am not able to identify. A look at the list of actors indicates that this actress could be Uma, but I am not certain. I request other friends and readers to help identify her.


Song – Aao Ji Aao Na, Dil Mein Samaao Na (Khilaadi) (1968) Singer – Mohammed Rafi, Asha Bhosle, Lyrics – Farooque Qaiser, MD – Lala Sattaar

Lyrics

aao ji aao na
dil mein samaao na
hum bhi tumhaare hain
hum ko sataao na
arre dil hai mera deewaana
haaye re
mera dil
mera dil
mera dil

jaao ji jaao na
hum ko sataao na
duniya kahegi kya
aise bulaao na
arre dil hai tera deewaana
haaye re
tera dil
tera dil
tera dil

mehboob ho ik tum sa
ik yaar miley hum sa
mehboob ho ik tum sa
ik yaar miley hum sa
phir dekho zindagi ka
aata hai mazaa kaisa
tarsaa na
behka na
tarsaa na
behka na
kabhi nahin
kabhi nahin
aao ji aao na
dil mein samaao na
hum bhi tumhaare hain
hum ko sataao na
arre dil hai mera deewaana
haaye re
mera dil
mera dil
mera dil

dildaar bhole bhaale
hotey hain dil ke kale
dildaar bhole bhaale
hotey hain dil ke kale
dil de ke jaan lenge
ye pyaar karne waale
tarsaa na
tadpa na
tarsaa na
tadpa na
kabhi nahin
kabhi nahin
jaao ji jaao na
hum ko sataao na
duniya kahegi kya
aise bulaao na
arre dil hai tera deewaana
haaye re
tera dil
tera dil
tera dil

tu dard bhi na jaane
tu pyaar bhi na maane
tu dard bhi na jaane
tu pyaar bhi na maane
main pyaar kaise kar loon
ye duniya degi taane
tarsaa na
tadpa na
tarsaa na
tadpa na
kabhi nahin
o kabhi nahin
jaao ji jaao na
hum ko sataao na
duniya kahegi kya
aise bulaao na
arre dil hai tera deewaana
haaye re
tera dil
tera dil
tera dil

aao ji aao na
dil mein samaao na
hum bhi tumhaare hain
hum ko sataao na
arre dil hai mera deewaana
haaye re
mera dil
mera dil
mera dil

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आओ जी आओ ना
दिल में समाओ ना
हम भी तुम्हारे हैं
हमको सताओ ना
अरे दिल दिल है मेरा दीवाना
हाये रे
मेरा दिल
मेरा दिल
मेरा दिल

जाओ जी जाओ ना
हमको सताओ ना
दुनिया कहेगी क्या
ऐसे बुलाओ ना
अरे दिल है तेरा दीवाना
हाये रे
तेरा दिल
तेरा दिल
तेरा दिल

महबूब हो इक तुम सा
इक यार मिले हम सा
महबूब हो इक तुम सा
इक यार मिले हम सा
फिर देखो ज़िंदगी का
आता है मज़ा कैसा
तरसा ना
बहका ना
तरसा ना
बहका ना
कभी नहीं
कभी नहीं
आओ जी आओ ना
दिल में समाओ ना
हम भी तुम्हारे हैं
हमको सताओ ना
अरे दिल दिल है मेरा दीवाना
हाये रे
मेरा दिल
मेरा दिल
मेरा दिल

दिलदार भोले भाले
होते हैं दिल के काले
दिलदार भोले भाले
होते हैं दिल के काले
दिल दे के जान लेंगे
ये प्यार करने वाले
तरसा ना
तड़पा ना
तरसा ना
तड़पा ना
कभी नहीं
कभी नहीं
जाओ जी जाओ ना
हमको सताओ ना
दुनिया कहेगी क्या
ऐसे बुलाओ ना
अरे दिल है तेरा दीवाना
हाये रे
तेरा दिल
तेरा दिल
तेरा दिल

तू दर्द भी ना जाने
तू प्यार भी ना माने
तू दर्द भी ना जाने
तू प्यार भी ना माने
मैं प्यार कैसे कर लूँ
ये दुनिया देगी ताने
तरसा ना
तड़पा ना
तरसा ना
तड़पा ना
कभी नहीं
कभी नहीं
जाओ जी जाओ ना
हमको सताओ ना
दुनिया कहेगी क्या
ऐसे बुलाओ ना
अरे दिल है तेरा दीवाना
हाये रे
तेरा दिल
तेरा दिल
तेरा दिल

आओ जी आओ ना
दिल में समाओ ना
हम भी तुम्हारे हैं
हमको सताओ ना
अरे दिल दिल है मेरा दीवाना
हाये रे
मेरा दिल
मेरा दिल
मेरा दिल


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is believed that one needs to train hard and later work hard to become anything in life. But in India, people try to avoid hard work and want to succeed overnight. People trying to use “approach” to please higher ups-be they top officials or gods, instead of working to qualify for the job, is common.
Read more on this topic…


This article is written by Srinivas Ganti, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 2
——————————————————————–

mann panchhi albela
taaron ki nagri mein jaaye

If we replace the word ‘taaron’ with the word ‘gaanon’, it would be apt for this blog. Don’t we all freely wander in this cyber world of songs, lyrics and the stories behind them, as we browse the pages on Atul-Song-A-Day.

Coming to the song itself, this is one of the three Lata gems from ‘Mad Bhare Nain’ (1955). The other two are the romantic numbers “Aa Palkon Mein Aa” and the bhajan “Mo Se Saanchi Kaho Banwaari”.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Atul ji’s 10K Song Milestone Celebrations – 1
——————————————————————–

On this blog, one thing we enjoy is, celebrations.  🙂

We are always looking for an opportunity to celebrate – and every other day, we get a reason to do so. Often it is somebody’s birthday or birth anniversary, or a milestone of a 100th or 1000th song for an artiste, or for the blog. And even if it is a death anniversary, which is not really a cause for celebration, we use the occasion to pay tribute to the concerned artiste. Many of my own posts fall in this category. An occasion gives me an opportunity to reminisce and share my thoughts.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It was a few days back that I received an unusual e mail from Sudhir Ji

Requesting that you may please slow down on the posts. I am trying to pull together an upcoming anniversary, against the some artist stats. So I request that you may please limit your postings to two posts for the next 5 to 6 days. I will also try to post at least one song, or maybe two, to keep the pace at 3 to 4 posts per day.

If feasible, please send me the tags information for the songs to be posted, a day in advance. I just want to ensure that the anniversary I am targeting and the stats I am trying to reach, coincide when required.

So accordingly I slowed down to two posts per day, one post being a “debutant” movie post and another post being “YIPPEE” post. But I found that Sudhir Ji himself would not be posting the promised one or two posts for the day.
Read more on this topic…


This article is written by our dear Atul ji. You must be wondering, why this change in presentation style today. Well, this post is a very, very, very special occasion, or rather a momentous occasion, for our blog and for Atul ji. It is appropriate that this introduction and announcement be made on his behalf. 

THIS  IS  ATUL  JI’s  10,000th  POST  ON  THIS  BLOG.

This is a milestone, in comparison to which all our earlier milestones and celebrations pale in significance. A single-handed dedicated effort relentlessly in progress for the past almost nine years. I am sure it will take some time for all of us, for the significance and eminence of this event to sink in.
More special posts by the members of our bandwagon are in planning, starting tomorrow. So please keep connected and be a witness to this remarkable celebration.

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As regulars are aware, I am based at Izatnagar, Bareilly at present which happens to be located between Delhi and Lucknow. In fact, this place is equidistant from both these cities. This fact had been commented upon by several regulars. Our Lucknow based regular namely Mr Avadh Lal even commented that I needed to visit Lucknow and meet the Lucknow based music lovers.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

So this is the Yippeee song for today. I had promised Atul ji that I would do both the debut and the Yippeee songs today. The debut was easy, but getting to the Yippeee turned out to be a ‘tedhi kheer’ today.  Atul ji has shared with me a reference list which contains information about the near-Yippeee films. But then cross referencing and searching for the last missing songs becomes quite a job.  Anyway, finally I have a song that was blocking the Yippeee for the 1948 film ‘Ziddi’, just because it was not available online, and not available easily otherwise. Thankfully I am able to locate it in my collection and have uploaded the song online today.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 28
– – – – – – – – – – – – – – –

Ever so often, I go searching for a song, an obscure song from an obscure film. I do not know what I will find, because the film is unfamiliar and the songs are unheard. I just dive into the list of songs sitting in my hard drive, with apprehensions, knowing not what will be discovered. And almost always, when I return to surface, I am gasping for breath, not that I was not able breath while in the depths of my collection, but because of wonder and joy on having laid my hands on a fabulous gem of a song that I had not heard before. And going by the awareness factor and availability online, the same may be true for friends and readers who may quite well also be listening to such gems for the first time.
Read more on this topic…

Important Announcement

(© 2008 - 2017) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13100 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13189

Number of movies covered in the blog

Movies with all their songs covered =980 Total Number of movies covered =3697

Total visits so far

  • 9,218,141 hits

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Blog Start date: 19 july 2008 Active for 3000 days.
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