Vaada na mera toote
Posted on: October 28, 2020
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4485 | Post No. : | 16001 |
Today’s song is from the film Bhaichara aka Fraternity aka Brotherhood-1943. It was produced by Unity Productions, Calcutta and was directed by a veteran of Silent films- G.K.Mehta.
Gopal Krishna or G.K.Mehta was born on 18-7-1899 and he joined the film industry in 1920. He slogged in the film companies doing odd jobs and finally started directing films from 1928 onwards. By 1931, the Talkie had started and Mehta, after 15 silent films to his credit, directed his first Talkie film-” Chirag E Husn”-1935. Then came Ghazi Diler-36, Toofani khazana-37, Prem samadhi-38, Master Man-38, Juwari-39 and his last film was Bhaichara-1943. He directed Leela Chitnis in film Master man-38, Jairaj and Nirmala in Juwari-39Bharat Bhushan in his second film in Bhaichara-43. Like many other silent film stalwarts like R S Chaudhuri (8-6-1903 to 22-8-1972) with 15 silent and 14 Talkie films, G K Mehta also disappeared without a trace.
This social film had music by Himangshu Dutt – a name not heard by most people in Hindi, but in Bangla films he was a highly respected music composer. Songs composed by him in the early 40s were sung not only by singers of that generation, but also by the younger generations. Due to his early death and a busy schedule in Bangla cinema and Non film music, he was not able to benefit the Hindi audience of the rest of India. He was so popular and respected that he was awarded the first ever award of ” Sur Sagar ” by the people of Dhaka. After him,only singer Jaganmoy Mitra aka Jagmohan was the only person who was awarded the title of “Sursagar “. Jagmohan sang for Dutt’s Bangla films regularly. After Dutt was gone in 1944, Jagmohan sang his Non film songs also. As per HFGK, Himangshu Dutt gave music for only 2 Hindi films – Bhakt Kabir and Bhaichara-43. For both films, Jagmohan sang 2 songs each.
The cast of the film was Bharat Bhushan, Veena Kumari, isabela, Beena Pal,Sunetra, Ansari,Hadi,Himmat Rai etc etc. One name in the cast is VEENA KUMARI. Now this is a name causing ” Same Name Confusion.” In my book, released in 2018, I had clarified about 56 artistes coming under the SNC category. In the last one and half year I have discussed 14 more such new artistes and including today’s case, there will be 16 artistes. The total comes to 72 and surprisingly there are 36 Males and 36 female artistes in this group, so far. However, I feel, as the time passes by, there are still few more cases yet to come to light and that, finally in this, the females will outnumber the males in numbers.
One of the reasons for this could be that in the early era, actresses came from Muslim Tawayef families or even poor families. In such families, the girls’ names were pretty common – like Nurjahan, Zubeida, Khurshid, Naseem, Zohra or Shameem etc. Those who came first in films kept their original names, others had to change their names. But even then, the limited stock of names created problems. For example, one Khursheed Akhtar changed her name to Shyama and the other changed her name to Anuradha, but there were already 2 Shyamas working in films. One more example was today’s case. Originally Nurjahan, changed name to Veena Kumari, but there was another Veena working in films.
The trouble with same names is when you want to write about them, their Filmography is mixed up. Secondly, most sites, blogs and Fb pages invariably mix up even their Bio data, in addition to Filmography. My B.P. goes up when I see this . Whenever possible, I try to give explanations to make corrections, but every time it is not possible. Further they quote from sites like Wiki and IMDB, who are the major culprits in creating, sustaining and nurturing the same name confusions.
Anyway, let us now see who this Veena Kumari was. Her original name was Nurjahan. Her father was a landlord in Lucknow. She was born in 1916. As per customs of those times, she never went to school, but being well to do, got private tutors and she learnt Urdu and English sufficiently to read and speak. She was a typical good looking girl. She was very fond of seeing silent films, with her father. When the Talkie films started, her interest grew much more and she decided to join films. She was a natural good singer too and this helped her get into films.
Her first film was Inteqam-33, where she worked without any fees. Here she was credited with her real name Nurjahan. In the 1939 film Swastik, made by Mohan Pictures, she became Veena kumari-heroine of Jeevan. She continued working in films like Radhika,Asra and Kasauti- all 1941, Gharib and Zevar in 42, Pratigya, Bhaichara,Masterjee and Chiragh in 43, Mujrim-44, Gunjan and Shauhar in 48. Shauhar was made by her own banner-Dil-Sitan arts. The film was directed by her. Her last film was Basera-50. She sang 22 songs in 7 films. She was quite good at singing. When you hear her songs, you will agree with me.
Now let us see what proves they were 2 different persons. Firstly, Veena kumari started her career much earlier than Veena. Secondly, Veena started acting in Punjabi films in 1941 only and then came to Bombay for films Yaad-42, Najma-43,Rajputani-44, Humayun-45 etc. Thirdly, Veena kumari was a B grade actress and her films were made by smaller banners, whereas, from the beginning, Veena was in the Big league of Mazhar khan, Ranjit, Mehboob, Kardar, K.Asif, Minerva etc. Fourthly, Veena kumari stopped working in 1950, while Veena continued till 1983. The most important point was, Veena could not sing, whereas Veena kumari sang 22 songs in 7 films. All this clearly separates them as different actresses.
Veena acted in about 100 films in her 40 years’ career. Her Biodata is available freely on the Internet as well as on this Blog. So much for the Same Name Confusion in this case.
The hero of the film Bhaichara was Bharat Bhooshan, who was a good looking hero, but acting wise, he was similar to his other clones like Anil Dhawan, Karan Dewan and Pradeep kumar. All of them were good looking but very weak in acting. These Heroes got many films, good heroines and popular songs to sing on screen, as long as their luck favoured them. Once their luck-quota exhausted, they fell on bad days and suffered a bad end too. It is said that Bharat Bhooshan, in his bad days, had to work as a Watchman in a film studio.
Bharat Bhushan (14 June 1920 – 27 January 1992) was an Indian actor in Hindi language films, script writer and producer, who is best remembered for playing Baiju Bawra in the 1952 film of the same name .He was born in Meerut, and brought up in Aligarh, Uttar Pradesh. Bharat Bhushan was born on 14 June 1920 in a Vaishya (Baniya) family at Meerut, Uttar Pradesh.
His father, Raibahadur Motilal, was the government pleader of Meerut. His mother died when he was two years old. His elder brother was film producer Ramesh Chandra, who owned the Ideal Studio at Lucknow. The brothers left for Aligarh to stay with their grandfather after their mother’s death. He did his studies and earned a graduate degree from Dharam Samaj College, Aligarh. After this he took to acting against his father’s wishes. He first went to Calcutta to join cinema and later established himself in Bombay.
He married into a prominent family in Meerut, Zamindar Raibahadur Budha Prakash’s daughter Sarla. They had two daughters, Anuradha and Aparajitha. Anuradha had polio-associated complications. His other daughter Apararith played the role of Mandodari in the famous TV show Ramanand Sagar’s famous serial Ramayan. In an interview, Aparajita had said that after the sudden demise of her husband, she turned to acting. Aparajita has done more than 50 films in her career. Bhushan’s wife Sarla died of labour complications after delivering their second child in the early 1960s, soon after the release of film Barsaat Ki Raat. In 1967, he married actress Ratna, his co-star in the same film.
Bhushan owned bungalows in Bandra, Bombay and other areas. He was an avid reader and boasted of his collection of books, which he had to sell off like his cars and bungalows in bad times, after he turned co-producer on the ploddings of his brother. Only a few of his films were successes and unfortunately, the rest flopped. He died after he escaped his financial crisis, on 27 January 1992.
He made his debut with the Kidar Sharma hit Chitralekha (1941). However, he struggled for over a decade to make a mark in Hindi movies till Baiju Bawra (1952), which gave him instant stardom and legendary status along with Mohammad Rafi, Meena Kumari and Naushad Ali. Though a very talented actor and a prominent star of the 1950s and 1960s in Hindi language films, he often took on roles of tragic musicians in the movies. Films in which he starred as lead actor include Basant Bahar.
“He portrays historical and mythological characters the best in Hindi movies,” states contemporary actor-producer Chandrashekar. He wrote scripts and stories for Barsat Ki Raat, Nayi Umar Ki Nayi Fasal, Basant Bahar, Dooj Ka Chand, etc. He was the producer of Dooj Ka Chand. His brother R. Chandra made many films such as Bebus, Minar, and Basant Bahar.
He was the recipient of the second Filmfare best actor award for the film Shri Chaitanya Mahaprabhu in 1954. Most of the great songs of major singers of that period such as Rafi, Manna Dey, Talat, and Mukesh were pictured on him. He was the first chocolate-faced good-looking star of Hindi films. He was one of the few actors who had a good sense of music, so most music-based movies were made with him in lead roles in the 1950s and 1960s.
He acted in Hindi language movies until the 1990s.he acted in 211 Hindi films,in all. His last film was Maachis-1996. He is still loved and revered by the Indians for the great movies and great songs that he gave in spite of personal tragedies and stiff competition from his contemporaries. He is considered to be one of the greatest stars and legends of Hindi cinema. (Thanks to wikipedia for some information.)
Let us now listen to the sweet voice of the great Jagmohan in this second song of this film on the Blog….
Song- Vaada na mera toote (Bhaaichaara)(1943) Singer- Jagmohan Sursagar, Lyricist- Not known, MD- Himangshu Dutt Sursagar
Lyrics
Vaada na mera toote ae
waah duniya
duniya badal jaaye
jaaye
Vaada na mera toote ae
waah duniya
duniya badal jaaye
jaaye
main khoon se seenchoonga
khoon se seechoonga
?? phool ye khil jaaye
jaaye
Vaada na mera toote ae
waah duniya
duniya badal jaaye
jaaye
hasti ko mita dena aa
jeene ka saleeka hai ae
hasti ko mita dena
jeene ka saleeka hai
ubhrega wahi daana
ubhrega wahi daana
mitti mein jo mil jaaye
jaaye
Vaada na mera toote ae
waah duniya
duniya badal jaaye
jaaye
phoolon ke pujaari hain
kaanton se nahin darte ae
phoolon ke pujaari hain
kaanton se nahin darte ae
?? jaan rahe tan mein
jaan rahe tan mein
?? jaan nikal jaaye
jaaye
Vaada na mera toote ae
waah duniya
duniya badal jaaye
jaaye
Vaada na mera toote ae
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 16000th post in the blog.
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Blog Day : |
4484 | Post No. : | 16000 | Movie Count : |
4382 |
This blog regularly clocks centuries of songs. So it follows that the blog clocks thousand songs too after every ten centuries.
The blog has seen 15 instances of thousandth posts so far.
These were special occasions when special writeups are presented with special songs.
It is interesting to look back at the 15 instances of thousandth posts in the blog. Here are their details:-
| Post number | Date of posting | Song | Movie (year) | Blog day | Days taken for the thousandth post |
|---|---|---|---|---|---|
| 1000 | 30 march 2009 | Piya ham saat mulk ka paani | Lootmaar (1980) | 255 days | 255 days |
| 2000 | 27 September 2009 | Dhakdhak karti chali jeewan ki rail re | Dilruba (1950) | 436 days | 181 days |
| 3000 | 20 september 2010 | Maa mujhe apne aanchal mein chhupa le | Chhota Bhai (1966) | 794 days | 358 days |
| 4000 | 13 june 2011 | Kya se kya ho gaya bewafa tere pyaar mein | Guide (1965) | 1060 days | 266 days |
| 5000 | 13 nov 2011 | Hamen to loot liya mil ke husn waalon ne | Al Hilal (1957) | 1213 | 153 days |
| 6000 | 23 May 2012 | Geet kitne gaa chuki hoon | Asha Bhonsle NFS | 1405 days | 192 days |
| 7000 | 13 Nov 2012 | Falak se utre zameen pe taare | Rafi NFS | 1579 days | 174 days |
| 8000 | 28 april 2013 | Beautiful baby of Bombay | Ek Phool Chaar Kaante (1960) | 1745 days | 166 days |
| 9000 | 13 November 2013 | Ankhiyaan sang ankhiyaan laagi aaj | Bada Aadmi (1961) | 1944 days | 199 days |
| 10000 | 20 July 2014 | Phul rahin belariyaan dole | Trapped (1931) | 2193 days | 249 days |
| 11000 | 31 March 2015 | Kaam ki dhun mein hain rawaan | Gyaarah Hazaar Ladkiyaan(1962) | 2447 days | 254 days |
| 12000 | 20 April 2016 | Door desh se aane waale | Gaja Bhau(1943) | 2833 days | 386 days |
| 13000 | 4 March 2017 | Dil tumse lagaaya kyun hamne | Captain Aazaad (1964) | 3151 days | 318 days |
| 14000 | 1 February 2018 | Khayyam hai Allah waala | Omar Khayyam (1946) | 3485 days | 334 days |
| 15000 | 21 April 2019 | Deepak jo gaaye so paaye gyaan dhyaan | Sahhanshah Akbar (1943) | 3929 days | 444 days |
| 16000 | 26 october 2020 | 4484 days | 555 days |
We can see from the above that there has been at least one Thousandth song post every year from 2009 onwards. 2009, 2011, 2012 and 2013 saw two such posts, which means that the blog added nearly 2000 songs in these years.
All these songs were very very special songs in one way or the other. Some songs were iconic songs, some extremely rare, while some were popular in their times but had been forgotten with passage of time.
Some of these posts combined other major blog landmarks. For instance song post number 3000, a popular song, was Lata Mangeshkar’s 1000th post in the blog. Song post number 4000 , a popular songwas Rafi’s 1000th. 6000th post, a non film song was Asha Bhonsle’s 1000th post in the blog.
The 5000th song post, recognised Bulo C Rani, the less known music director of this iconic qawwaali, who completed his century in the blog with this song.
In the earlier days of the blog, regulars would eagerly look forward to the thousandth post and would try to guess the song. In some cases, for instance the 5000th post, people successfully guessed the song because we were posting far too many Bulo C Rani compositions in the blog those days to take him to his hundredth song in the blog. 🙂
Who could forget the leadup to the ten thousandth song in the blog ! Regulars, on those pre whatsapp days were keeping in touch with each other on e mail, sharing messages like, one more song posted, three to go. What song it is going to be, etc. The excitement, the eager anticipation, and finally the song getting posted, and the comments on the song post- those were heady days for the blog. Those who were part of those exciting days still fondly remember those days.
One can notice that the thousandth posts have been coming relatively slowly ever since. Song post 11000 took 254 days, whereas the next thousandth posts took over 300 days each to materialise.
Song post 15000 was the slowest. It took 444 days.
What about song post 16000 ? This gets posted today. It has taken 555 days !
444, 555. Such honky tonk numbers inadvertently and unnoticeably creep into the affairs of the blog. Who can forget the concidences involved while posting the “1” songs- viz song post numbers 1, 11, 111, 1111 and 11111 ! Those who have forgotten about the amazing coincidences noticed are requested to go though this article.
Another thing noticeable about these writeups is that they are penned by pillars of the blog, such as Raja, Sudhir Jee etc. Some of these writeups have been joint efforts, involving upto three contributors. Sudhir Jee’s contribution extends beyond the article writing. He would also dig up the song for the occasion, often a rare not yet on internet gem and upload that specially for the occasion. For instance, the 10000th song post was a song of 1931 (the earlist year for HFM) and it was especially uploaded by him minutes before that post was published on 20 July 2014 !
Selection of the song has been a matter of much speculation among the regulars of the blog, as discussed above. While some of these songs have been correctly guessed by them, guessing them has become difficult of late. That is because the person writing the article (that is often me) is not sure what song to pick. I myself manage to land an appropriate song often at the last moment. For example, I accidentally discovered the song for song post number 13000 and posted it for that occasion. When I was myself not clear about the song, how were others going to guess the song ! That way I feel like legendary leg spinner B S Chandrashekhar. He himself did not know what ball he was going to deliver next, so how was it possible for the batsman to anticipate his next delivery ! 🙂
In our whatsapp group of regulars, some of them have been guessing the song that would be the 16000th song for the blog. One guess is that it would be a Lata Mangeshkar song, alongwith her career records. That did not happen.
I was actually toying with such an idea. But then I realised that the songs that I could use with such an idea did not seem suited for an occasion like the 16000th song for the blog.
Just when it seemed that I was unable to find a suitable song, I stumbled upon this song which is being presented today. This song was discovered by me almost like how I discovered the 13000th song post song.
This song is as rare as they can be, from a movie that can be as rare as they come. The movie is “Toofaani Teerandaaz”(1959). The movie, a “stunt” movie, is produced and directed by A R Zameendaar for Navshakti Films, Bombay. The movie had Shanta Kumari, Deep Kumar, Tuntun, Sheikh, Habeeb, Shakeela Bano Bhopali, Ismail Azad, Sajjan, Goldstein, Daya Devi, Nazeer Kashmiri, Amir Ali, Sattar, Md Ali, Ghani, Azam, Haneef, Yunus, Nawab, Funtoosh, Baby Shahjahaan, Khan Habib, Khan Nusrat, Khan Atiq etc in it.
The movie had five songs in it. The movie is yet to make its debut in the blog.
The songs are rare, but they have been made available online thanks to the generosity of some well known HFM music collectots and sharers.
The song under discussion is a qawwaali. It is sung by Ismail Azad qawwaal and Sudha Malhotra,accompanied by male and female chorus. In all great qawwaalis, it is the lyricist who makes the qawwaali great.Farooque Kaiser is the lyricist of this fantastic qawwaali. Music is composed by Iqbal.
Only the audio of thd song is available. My guess is that this song was picturised on Ismail Azad (singing for himself) and Shakila Bano Bhopali, with others in the standard qawwaali set up so common in Hindi movies those days.
The song is in the same league as many iconic qawwaalis of Hindi movies. It is just that this song failed to get popular and so remained under the radar. With time, the song was forgotten. Thanks to music collecter Shri Girdharilal Vishwakarma, and the uploader shri Aditya Pant, we can enjoy this fantastic fantastic qawwaali. Our thanks to them.
The song, a nearly seven minute feast, starts with a long harmonium piece, followed by an interesting war of words between the two genders. Quite a remarkable song that will grow on the listeners if they listen to it a few times. I know it because I got tolisten to it quite a few times while trying to get the lyrics right.
“Toofaani Teerandaaz”(1959) makes its debut in the blog with this song.
Another thousandth song post done ! I feel relieved and happy. It will be a while before I will have to worry about finding another suitable song for the occasion. 🙂
I take this opportunity to thank one and all. This set of thousand songs took 555 days to arrive at a rate of less that two songs per day, but what is important is that we are still on the move and we continue to add to an already rich collection of songs. I take this opportunity to thank one and all. I expect that we will continue to recive the same support, help, encouragement, contributions etc for one and all.
Song-Hum wafaadaar nahin tu bhi to dildaar nahin(Toofaani Teerandaaz)(1959) Singers-Ismail Azad, Sudha Malhotra, Lyrics-Farooque Kaiser, MD-Iqbal
Male chorus
Female chorus
Lyrics
Shukr kar hamne tujhe chaand si soorat de di
naaz kaliyon ka hawaaon ki nazaakat de di
teri zulfon ko ghataaon ki bhi rangat de di
loot kar saare zamaane ki muhabbat de di
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
ham na hote to bahaaron mein na rangat hoti
chaand mein noor na kaliyon mein nazaakat hoti
pad gayi jaan zamaane mein hamaare dam se
pyaar tum kisko jataate jo na aurat hoti
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tujhko magroor kiya
keh ke haseena hamne
teri khaatir kiya
manzoor ye jeena hamne
banke majnu kahin laila pe huye hain qurbaan
cheer laaye pahaadon ka bhi seena hamne
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
chaahe joban bhi
tera hukm na taala hamne
daali Mirza ke gale pyaar ki maala hamne
isko kehte hain muhabbat yahi hoti hai wafa
khud to girte bhi rahe
tujhko sambhaala hamne
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
le sahaara meri baahon ka zara ab to sambhal
do kadam raah e wafa mein tu mere saath to chal
teri ulfat ki nishaani nahin jag mein koi
mard ke pyaar ka wo dekh nishaan Tajmahal
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
pahle mumtaz ne ki jaan muhabbat mein nisaar
baad mein Tajmahal ka hai banaana bekaar
waqt ne phoonk diye kitne wafaaon ke charaag
beh gaye mauj mein kitni hi kumhaaran ke pyaar
aise hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
zahar aankhon ka har ek jaam mein daala tumne
zulf ke parde mein hai saanp ko paala tumne
hashr(?) tak yaad rahega tera ye zulmo sitam
banke hawwa hamen jannat se nikaala tumne
phir bhi hamse ye gil hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
taane sakhiyon ke sune
hamne hi Radha banke
pyaar mein ho gaye ruswa kahin Laila ban ke
Ram ka saath diya kisne museebat mein bata
kaun jungalon mein phira saath mein Seeta ban ke
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
tu bhi to dildaar nahin
ham wafaadaar nahin
tu bhi to dildaar nahin
jaa tere husn ka ab koi talabgaar nahin
dil hai aurat ka koi pyaar ka baazaar nahin
ham nahin ?? ke ab naaz uthhaane waale
aur aa jaayenge dil hampe lutaane waale
ham na honge to ye kya shaan rahegi baaqi
jaan jaayegi magar aan rahegi baaqi
kaun hai aap ki soorat se jo bedaar nahin
qatl kar denge tumhe haath mein talwaar nahin
?? naazuk mein ye taaqat meri sarkaar nahin
?? se nipatna koi dushwaar nahin
phir bhi hamse ye gila hai ke wafaadaar nahin
ham wo baazaar nahin tu bhi to dildaar nahin…
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4484 | Post No. : | 15999 |
“Captain Sheroo”(1963) was directed by Dharam Singh for Bina Chitra, Bombay. This costume drama has Jairaj, Helen, Tiwari, Niranjan Sharma, Padma Rani, Amirbai, Ajit Soni, Jillani, Tuntun, Ramlal, Maqbool etc in it.
The movie had seven songs in it. Two songs have been covered in the past.
Here is the third song from “Captain Sheroo”(1963) to appear in the blog. The song is sung by Asha Bhonsle and Usha Mangeshkar. Naqsh Llayalpuri is the lyricist. Music is composed by S Mohinder.
Only the audio of this rare song is available. The song sounds like “hansta hua nooraani chehra” from “Parasmani”(1963). My guess is that this song too is a synchronised dance song, just like the “Parasmani” (1963) song. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Nazar ko milaana milaa kar jhukaana (Captain Sheroo)(1963) Singers-Asha Bhonsle, Usha Mangeshkar, Lyrics-Naqsh Llayalpuri, MD-S Mohinder
Both
Lyrics
Nazar ko milaana
Nazar ko milaana
milaa kar jhukaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
main chaahoon chhupaana
na soojhe bahaana
main chaahoon chhupaana
na soojhe bahaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
Nazar ko milaana milaa kar jhukaana
jhuki jhuki aankh mein khumaar aa gaya
beqaraar zindagi mein pyaar aa gaya
jhuki jhuki aankh mein khumaar aa gaya
beqaraar zindagi mein pyaar aa gaya
pyaar saathh leke intzaar aa gaya
intzaar aa gaya
ke dil ka fasaana
ke dil ka fasaana
nazar ka churaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
Nazar ko milaana milaa kar jhukaana
wo miley nigaah se nigaah mil gayi
mere dil ko ek nayi raah mil gayi
wo miley nigaah se nigaah mil gayi
mere dil ko ek nayi raah mil gayi
jaaneman tujhe kisi ki chaah mil gayi
kisi ki chaah mil gayi
kabhi muskuraana
kabhi muskuraana
kabhi jhenp jaana
yahi hai muhabbat ki pehli nishaani
yahi hai muhabbat ki pehli nishaani
Nazar ko milaana milaa kar jhukaana
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4484 | Post No. : | 15998 |
“Fifty Fifty”(1956) was produced and directed by Roshanlal Malhotra for Roopnagar Limited, Bombay. This “social” movie had Nalini Jaiwant, M Rajan, David, Manmohan Krisgna, Lalita Kumari, Amar, Sundar, Gope, Om Prakash, Tuntun, Helen, Mumtaz, Rajan Kapoor, Kathana, Dubey, Lalita Kapoor etc, with guest appearances by Randheer, Jayant and Jeewan.
The movie had eight songs in it. Six songs have been covered in the past.
Here is the seventh song from “Fifty Fifty”(1956) to appear in the blog. The song is sung by Rafi. Rajinder Krishan is the lyricist. Music is composed by Madan Mohan.
ONly the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song. My guess is that the song is a beggar/ fakir song on some character artist.
Song-Kab tak tu Bhagwan se apna aap chhupaayega(Fifty Fifty)(1956) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Madan Mohan
Lyrics
kab tak tu bhagwaan se apna aap chhupaayega aa
tera likkha ik din tere samane aayega aa aa
saamne aayega
kab tak tu bhagwaan se apna aap chhupaayega aa
tera likkha ik din tere samane aayega aa aa
saamne aayega
jo saagar ke andar seepi beech chupaaye moti
dekh rahi hai sab kuchh logon us maalik ki jyoti
jo saagar ke andar seepi beech chhupaaye moti
dekh rahi hai sab kuchh logon us maalik ki jyoti
arre us maalik ki jyoti
jag ke bhedi kya bande se dhokha khaayega aa
tera likkha ik din tere saamne aayega
kab tak tu bhagwaan se apna aap chhupaayega
tera likkha ik din tere samane aayega aa aa
saamne aayega
jiski marzi bin o moorakh hil na paaye tinka
lekh likha hai paass usi ke tere ik ik din ka
jiski marzi bin o moorakh hil na paaye tinka
lekh likha hai paass usi ke tere ik ik din ka
arre tere ik ik din ka
kahaan phir uski nazron se tu bach ke jaayega
tera likha ek din tere saamne aayega
kab tak tu bhagwan se apna aap chhupaayega aa
tera likkha ik din tere saamne aayega aa aa
saamne aayega
Tu cheez badi hai mast mast
Posted on: October 26, 2020
- In: Dance song | Duet | Guest posts | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Multiple version song | Post by Peevesie's mom | Songs of 1990s (1991 to 2000) | Songs of 1994 | Udit Narayan Song | Udit Narayan-Kavita Krishnamoorthy duet | Yearwise breakup of songs
- 4 Comments
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4483 | Post No. : | 15996 | Movie Count : |
4381 |
Hullo Atuldom
Wishing all a happy Dassera. I know parts of India celebrated the festival on Sunday and parts are celebrating it today. I think that has something to do with the movement of the Moon from one constellation to another or mostly the phases of the moon which doesn’t necessarily follow the Gregorian calendar. I was confused as to the exact date for Vijaya Dashami or Dassehra and put the query to a group of knowledgeable friends and this is the reply I got:
October 23 Friday 7:00 onwards Ashtami
October 24 Saturday 7:00 onwards Navami
October 25 Sunday 7:45 onwards Dashami
October 26 Monday 9:00 onwards Ekadashi.
Now going by that reply we have Dashami till 9 a.m. today but for convenience sake (read working day/ holiday) there are many (in Kerala atleast) who would have celebrated the festival. But for the pandemic even Ram Leela would have come to a close yesterday (Sunday) with RavanDahan, as Dashami was present in the evening hours. Don’t know if it was held this year!!!!
But today’s post is not a lesson on the Panchang that Indians follow and neither am I the competent authority to comment on the Sun, Moon and the planetary movements. As always my post is to wish a celebrity on turning an year older.
This celebrity is the daughter of Producer/ director of ‘Anhonee’, ‘Khel Khel Mein’ ‘Khuddar’ etc.Ravi Tandon’s daughter- Raveena Tandon turns an year older today. She made her debut in 1991, at the age of 17,in a movie produced by G.P.Sippy and directed by Anant Balani “PattharKePhool” which had Salman Khan as the hero. She then went on to act with Sunny Deol, Govinda, Akshay Kumar, Shahrukh Khan, Anil Kapoor. 1994 saw her star in “Zamaane Se Kya Darna” with Sanjay Dutt, “Dilwale” with Suneil Shetty and Ajay Devgan, “Insaniyat” with Sunny Deol, “Imtihaan” with Saif Ali Khan and Sunny Deol, “Laadla” with Anil Kapoor, “Andaz Apna Apna” with Aamir Khan, “Aatish” again Sanjay Dutt and Mohra with Akshay Kumar. She also played herself in a song-cameo in Saif Ali Khan- Akshay Kumar starrer “Main Khiladi Tu Anari” and a role in a Tamil movie in 1994. She took a hiatus post marriage but was seen in a cameo in PuriJagannadh directed “Bbuddah… Hoga Tera Baap” (2011) as she got a chance to do a romantic scene with Amitaabh Bachchan whose sister she had played in “Bade MiyanChhoteMiyan” in the ‘90s. Since 2011 we see her in a movie or two per year plus she has conducted a few shows on television. On her personal front, she had adopted two young girls when they were 10 and 8 when she herself was only in her 20s. After marriage she has two children of her own.
Her most popular song of the 1994 earned her the nickname the ‘mast mast’ girl. Though she has never claimed to be ‘Mast’ meaning wonderful. So also the other birthday personality.
He is our own Rajaji. He is (to use a Hindi expression) a ‘yaaron ka yaar’. He is a devoted family man. He is deeply sensitive and touched by many current occurrences in this world of ours. But the one thing that introduced us to him or shall I say the two things that got us connected to him-Cricket and Hindi Film Music are also dear to his heart.
He can write pages and pages about his love for the works of Sahir Ludhianvi and ponder about what would have been Sahir’s take on the life in this age and time. And he can do the same when he writes posts on his favourite Rajesh Khanna, Dev Anand, Mohd Rafi. He has told me that he can keep listening to Rafi songs all day and night and not tire of it. But that doesn’t mean he doesn’t appreciate Kishore Kumar, Amitabh Bachchan etc. He claims that he is just discovering movies of the 80s which he had banished for their deteriorating quality and quantity, he gives them a “Pass” certificate only no high marks to them. But even there he may relish and enjoy individual scene of the typical masala kind. I am sure he will enjoy the visual that the accompanying song has to offer.
It has the comic cop Paresh Rawal running around trying to dance in step with Akshay Kumar and Raveena Tandon. We have Tej Sapru exchanging a briefcase with an associate (would like to know who it is). Suniel Shetty is stalking them and please keep in mind that Akshay Kumar is a cop in disguise out to catch Tej Sapru and his associate.
This is a new age song which should appeal to the other birthday girl of this group. She is not an active participant and her father is. I hope she is a “Mast” child, meaning wonderful child.
There is another person, my first playmate, who has her birthday today. I cannot imagine how I was as a toddler before she entered my family in the arms of my Mom.
With this post I wish Raveena Tandon, Rajaji and the two unnamed girls “A Very Happy Birthday” May God bless them with lots of Health and Happiness.
(duet version) (video)
(Female solo version) (video)
Song-Tu cheez badi hai mast mast (Mohra)(1994) Singers-Udit Narayan, Kavita Krishnamurthy, Lyrics-Anand Bakshi, MD-Viju Shah
Lyrics (Provided by Avinash Scrapwala)
———————–
Duet version
———————–
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
pa pa
ni ni
sa sa
ma ma
pa ni dh ni
dha pa sa ni
sa ni dh pa
sa ni dh pa
paa ni sa aa
paa ni sa aa
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
ni sa ga ma ni sa ga
sa re
sa re ga ma pa dha ni
sa ni dh pa
sa ni dh pa
sa ni dh pa
bol zaraa tu jaan e mehboobi ee
mujhme aisi kyaa hai khoobi
bol zaraa tu oo
aa aa aa
jaan e mehboobi ee ee
aa aa aa
mujhme aisi kyaa hai khoobi
aa aa aa
tu ik resham ki dor dor
tu ik resham ki dor dor
teri chaal pe aashiq mor mor
teri zulf ghani ee
teri zulf ghani chitchor chor
ghanghor ghataa badmast mast
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
paa ni sa aa
ni sa paa ni ma pa
ma pa sa ni
sa ni
pa pa
ni ni
dh dh dh
ma ma
sa sa
ma ma
pa ni dh ma pa sa ni
sa ni dh pa
sa ni dh pa
?
paa ni sa aa
paa ni sa aa
ye dil teri aankhon mein doobaa aa
ban jaa meri tu mehbooba
ye dil teri aankhon mein doobaa aa
aa aa aa
ban jaa meri tu mehbooba aa
aa aa aa
mat teer nazar ke maar maar
mat teer nazar ke maar maar
ye chot lagegi aar-paar
aasaan
aasaan samajh mat yaar yaar
ye pyaar badaa hai sakht sakht
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
nahin tujhko koi hosh hosh
nahin tujhko koi hosh hosh
us par joban ka josh josh
nahin tera aa
nahin tera koi dosh dosh
madhosh hai tu har waqt waqt
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
aashiq hai tera naam naam
aashiq hai tera naam naam
dil lenaa tera kaam kaam
meri baahen ae
meri baahen mat thaam thaam
badnaam hai tu bad mast mast
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
aa aa
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
aa aa
tu cheez badi hai mast mast
tu cheez badi hai mast
tu cheez badi hai mast mast
tu cheez badi hai mast
aa aa
————————-
Female solo version
————————-
(sigh & laughing sound)
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera aa
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
o o aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
aankhon pe chhaaya aa
ye kaisa kohraa aa aa aa
kaun baadshah
kaun hai mohraa aa
jaane mera kya naam naam
ho jaane mera kya naam naam
jaane tera kya naam naam
par naam se hai kya
par naam se hai kya kaam kaam
kar jaam ka bandobast mast
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon mast
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
(laughing sound)
o o
rakh yaad magar tu oo
mere deewaane ae
tera kya hogaa anjaam
na jaane ae
rakh yaad magar tu oo
mere deewaane ae ae
tera kya hogaa aa anjaam
na jaane ae
dil kitne toote baar baar
ho kitne toote baar baar
sab aashiq doobe aar paar
shaahon ke ae
shaahon ke chhoote yaar yaar
is pyaar mein taaj o takht takht
main cheez badi hoon
mast mast mast mast mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
nahin mujhko koi hosh hosh
us par joban ka josh josh
nahin mera
nahin mera koi dosh dosh
madhosh hoon main har
waqt waqt
main cheez badi hoon
mast mast
main cheez badi hoon mast
main cheez badi hoon
mast mast
main cheez badi hoon mast
(laughing sound)
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4483 | Post No. : | 15995 |
Sahir Ludhianvi & His Music Directors-1 – (one movie collaboration only)
————————————————————————————
Welcome all to this post.
Some of you would be surprised to see a ‘Sahir’ related post here today again, because we celebrated Sahir yesterday on his ‘Remembrance Day’ and paid our tributes.
But today’s day is also important for us. It the birthday of one of the founding members of this blog and our beloved Raja Saab. So here is wishing Raja Saab a very happy birthday and ‘many many happy returns of the day’ and ‘healthy, peaceful and ‘full of music- life’ ahead.
And I am sure he is going to enjoy this song in ‘Punjabi’ folk based song as I am aware of his love for ‘Punjabi folk based’ songs.
Well he is also a Sahir fan so a song from Sahir. And he is Kaka fan too. So, we have Rajesh Khanna making an appearance in this song in the movie ‘Dhanwaan-1981’, and if I am correct, he lip-syncs the one stanza in Amit Kumar’s voice. But that is not covered in the video of the song though the audio version of this song is having it.
Not only that we have one more ‘celebration’ here today.
Regulars on the blog might be remembering that I had mentioned in my earlier post with the ‘couplet song’ ‘aap abhi ishq ki tehzeeb se aagaah nahin’ from ‘Dil Hi To Hai’ (1963), that I had prepared an excel sheet for Sahir and his music directors with the number of songs in the movies where Sahir Ludhianvi was lyricist and was going to share it with a new series.
But somehow this series got delayed and what a better occasion than today. Today we discuss Sahir’s association with music directors where they collaborated for only ‘one movie’ (or ‘only one song in some cases).
Today’s song is composed by Hridaynath Mangeshkar from the ‘1981’ movie ‘Dhanwaan’.
And today 26th October’2020 (born on 26th October 1937) is the eighty-third birth anniversary of Hridaynath Mangeshkar. So here is wishing him too a very happy birthday and healthy and peaceful life ahead.
Coming to the list of music directors where Sahir had only one film association the list as given below; (I have tried to compile the details accurately as possible, and would request readers to bring to my notice if any mistake is there and forgive me for that error).
| S.no | Name of the Movie | Year | Music Director | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Aazadi Ki Raah Pe | 1948 | G.D. Kapoor | 1 | 4 | 4 |
| 2 | Alif Laila | 1953 | Shyam Sundar | 8 | 8 | 8 |
| 3 | Humsafar | 1953 | Ali Akbar Khan | 7 | 8 | 8 |
| 4 | Sholey | 1953 | Dhani Ram | 1 | 1 | 1 |
| 5 | Saavdhan | 1954 | Vasant Ramchandra | 7 | 7 | 7 |
| 6 | Chingaari | 1955 | Manohar | 1 | 1 | 1 |
| 7 | Didi | 1959 | Sudha Malhotra | 1 | 1 | 1 |
| 8 | Laal Nishaan | 1959 | Nirmal Kumar | 1 | 1 | 1 |
| 9 | Girl Friend | 1960 | Hemant Kumar | 7 | 7 | 7 |
| 10 | Maasoom | 1960 | Robin Banerjee | 1 | 1 | 1 |
| 11 | Bahurani | 1963 | C. Ramchandra | 7 | 7 | 7 |
| 12 | Bhaai Ho To Aisa | 1972 | Sonik Omi | 1 | 5 | 5 |
| 13 | Nawaab Saahib | 1978 | C. Arjun | 5 | 4 | 5 |
| 14 | Kaalaa Patthar* | 1979 | Rajesh Roshan | 7 | 6 | 7 |
| 15 | Dhanwaan | 1981 | Hridaynath Mangeshkar | 4 | 5 | 5 |
| Total | 15 movies | 59 | 66 | 67 |
(*jageya jageya considered as two-part song)
Coming back to the today’s movie, Dhanwaan-1981” was directed by Surendra Mohan for ‘Film Nagar, Bombay’. It was produced by Sohanlal Kanwar.
This movie had Rajesh Khanna, Reena Roy, Rakesh Roshan, Shakti Kapoor, Pinchoo Kapoor, Vijayendra, Mazhar Khan (there were two persons with same name Mazhar Khan(reference-HFGK)), Aruna Irani, Birbal, Kamal Deep, Chandrashekhar, Ajit Kumar, S.N. Tripathi, Madhok Sharma, Baljeet Mineria, Master Vikas, Om Prakash and others.
This movie was passed by Censor Board on 01.07.1981.
This movie had five songs (to be corrected on the blog) written by Sahir Ludhianvi and composed by Hridaynath Mangeshkar.
Here is the list of songs as per their appearing order in HFGK Vol-VI (1981-1985). Four songs have already been posted on the blog;
| Song | Posted On |
|---|---|
| Idhar aa aa aa bhi jaa | 21.02.2013 |
| Kuchh log mohabbat ko vyopaar samajhte hain | 07.01.2020 |
| Ye aankhen dekh kar ham saari duniya bhool jaate hain | 11.09.2008 |
| Maaro bhar bhar kar pichkaari | 13.03.2017 |
| Ho balle balle bhai reshmi dupatta waaliye … | Being posted today |
Last but not the least, to add the above celebrations, this movie ‘Dhanwaan-1981’ gets ‘Yippeeee’ed’ on the blog today with all its songs covered.
Let us now enjoy today’s ‘nok-jhonk’ song 😊 sung by Lata Mangeshkar, Mahendra Kapoor and Amit Kumar…
Mazhar Khan and Aruna Irani are lip syncing in the voices of Mahendra Kapoor and Lata Mangeshkar respectively. I guess that the Amit Kumar’s voice is for Rajesh Khanna who resolves the ‘nok-jhonk’ and make Aruna Irani accept the proposal of Mazhar Khan. However, the video for the Amit Kumar part is not available. The lyrics as per the audio link which is a longer version.
Let us now enjoy this foot tapping entertaining song. 😊
Video (Partial)
Audio (Full)
Song-Ho balle balle bhai reshmi dupatte waaliye (Dhanwan)(1981) Singers-Mahendra Kapoor, Lata, Amit Kumar, Lyrics-Sahir Ludhianvi, MD- Hridaynath Mangeshkar
All
Male chorus
Female chorus
Lyrics
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
tera roop lashkaare maare
reshmi dupatte waaliye ae
ho tauba tauba
ye gora rang aafat hai
tauba tauba
ye gora rang aafat hai
peechhe pad gaye saare kunwaare
gora rang aafat hai
ho balle balle
bhai duniya ke jamghat mein
sabhi dil milne ke mele ae
duniya ke jamghat mein ae
haa jaa jaa
jaa jaa ke main naa tere haath aaun
chaahe laakh tu paapad bele ae
main naa tere
haath aaun
hai ke jamghat mein ae
sabhi dil milne ke mele ae
main naa tere
haath aaun
chaahe laakh tu paapad bele ae
ho balle balle balle
maan jawaani ka
gori aashiqon ki qadar naa jaane
maan jawaani ka
ha jaa jaa jaa jaa
ke main naa tere munh lagti ee
badaa aaya qadar karaane ae
main naa tere munh lagti
ho balle balle bhai
ham hi mein aib kya hai
tujhe kisika to ghar hai basaana
ham hi mein aib kya hai
tauba
tauba
tauba
tauba
tauba
haaye
tauba
haaye
tauba
haaye
tauba
tauba
tauba tauba ke main naa tere ghar jaaun
chaahe pad jaaye thaane jaanaa
main naa tere ghar jaaun
baliye ae ae ae ae
goriye
soniye
baliye ae
baliye
ho balle balle
ke buddhi ho ke tarsegi
koyi aayega na haath pakadne
buddhi ho ke tarsegi
are jaa jaa
jaa jaa
ke tere jaise laakhon hain
kayi aayenge naak ragadne
tere jaise laakhon hain
ho balle balle
bhai reshmi dupatte waaliye
ho tera roop lashkaare maare
reshmi dupatte waaliye ae
aa haa
jawaani phir naa aaye
karegi haaye haaye
aa haa karegi haay haaye
mera gham tu kyun khaaye
tujhe kyun neend na aaye
aa haa
tujhe kyun neend na aaye
jo tujhpar aankh tikaaye ae ae
wo tera maan badhaaye
jo tujhpar aankh tikaaye
wo tera maan badhaaye
wo tera maan badhaaye
tu chaahe mar bhi jaaye
ye jatti haath na aaye
aa haa
ye jatti haath na aaye
naa jab tak haan kahlaaye
ye jatt waapas naa jaaye
aa haa
ye jatt waapas naa jaaye
jo mujhko haath lagaaye ae
wo apnaa sar tudwaaye
jo mujhko haath lagaaye
wo apnaa sar tudwaaye
wo apnaa sar tudwaaye
jo mujhko haath lagaaye
wo apnaa sar tudwaaye
aa haa
wo apnaa sar tudwaaye
ho balle balle
bhai tere aage haath jodtaa
ho balle balle
bhai tere aage haath jodtaa
jaat jisne akhaade jeete ae
tere aage haath jodtaa
baliye ae ae ae
soniye
soniye
baliye baliye
balle balle
bhai tere aage haath jodtaa aa
achchaa achchaa to aaj maine
haan kar di
achchaa achchaa to aaj maine
haan kar di
ise taalte bahot din beete ae
aaj maine haan kar di
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
oye tera roop lashkaare maare ae
reshmi dupatte waaliye ae
aa haa
Ham hain teri santaan
Posted on: October 25, 2020
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4482 | Post No. : | 15993 | Movie Count : |
4380 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 107 # Tribute to Sahir Ludhianvi #
——————————————————————————–
Today 25th October’2020 is the fortieth Remembrance Day of poet-lyricist Sahir Ludhianvi. He was born on 08th March’1921 and that will mark hundred years of his stepping out on this planet earth.
Sahir Ludhianvi left this mortal world on 25th October’1980 due to heart attack when he was playing cards with his friends.
Today remembering Sahir Ludhianvi and paying him a tribute on the blog I am presenting a song penned by him for the ‘1977-movie- Jaagriti’. As per HFGK Vol-V (1971-1980) this movie was first titled as ‘Ajab Teri Sarkar’ and even its song records were released by this title. I think that affected one song of the movie which was supposed to be in four parts, but now only one of its parts is available.
“Jaagriti-1977” was directed by Rajendra Bhatia for ‘Jai Films, Bombay’. It was produced by Vimal Bhatia and Naresh Malhotra. It had Nutan, Vinod Mehra, Reena Roy, Master Satyajeet, Prem Chopra, I.S. Johar, Paintal and Asrani, with Krishnakant, Lily Chakravarty, Padma Chawhan, Ashoo and Junior Mehmood. They were supported by Ram Mohan, Karan Dewan, Sushil Bhatnagar, Birbal, Mounto, Keshav Rana, Madhu Apte, Brook Bond, Jugnu, Aditya Sharma, Manjeet, Salim, Rajesh, Raj Bachhan, Master Ripple, Master Ravi, Manmohan, Aarti, Ram Avtar, Narbada Shankar and Raaj Kishore.
Jayshree T and Helen make special appearances in this movie.
Story of this movie was written by Sharad Pilgaonkar and screenplay was written by Sachin Bhowmick. Dialogues of this movie were written by Sagar Sarhadi. Editing of this movie was done by Nand Kumar.
This movie was passed by Censor Board on 19.03.1977.
This movie had four songs written by Sahir Ludhianvi and composed to music by Laxmikant-Pyarelal. Asha Bhonsle, Suman Kalyanpur, Minoo Puroshottam, and Dilraj Kaur were the playback singers for this movie.
Today’s song is sung by Suman Kalyanpur and composed by Laxmikant-Pyarelal.
Two songs of this movie sung by Asha Bhonsle noted long back are ready with us, however I when I came across this song sung by Suman Kalyanpur I selected it for today’s presentation for ‘special’ reasons. It’s a song praising to almighty and sung by Suman Kalyanpur.
I hope you will like the song too.
With today’s song this movie ‘Jaagriti-1977’ makes its debut of the blog (and also join the same titles of movies released in ‘1949’ & ‘1954’. There was one more movie with the same title released in ‘1992’.
With the today’s movie ‘Jaagriti-1977’ making its debut on the blog, all movies where Sahir Ludhianvi had written lyrics for movies released from 1971-1980 are now represented on the blog.
| S.No. | Movie | Year | Music Director |
|---|---|---|---|
| 01 | Ganga Tera Paani Amrit | 1971 | Ravi |
| 02 | Sansaar | 1971 | Chitragupta |
| 03 | Bhaai Ho To Aisa | 1972 | Sonik Omi |
| 04 | Daastaan | 1972 | Laxmikant-Pyarelal |
| 05 | Aa Galey Lag Jaa | 1973 | R.D. Burman |
| 06 | Daag | 1973 | Laxmikant-Pyarelal |
| 07 | Dhundh | 1973 | Ravi |
| 08 | Joshila | 1973 | R.D. Burman |
| 09 | Mehmaan | 1973 | Ravi |
| 10 | 36 Ghante | 1974 | Sapan Chakravarty |
| 11 | Deewaar | 1975 | R.D. Burman |
| 12 | Ek Mahal Ho Sapnon Ka | 1975 | Ravi |
| 13 | Zameer | 1975 | Sapan Chakravarty |
| 14 | Kabhie Kabhie | 1976 | Khayyam |
| 15 | Laila Majnu | 1976 | Madan Mohan |
| 15 | Laila Majnu | 1976 | Jaidev |
| 16 | Shankar Shambhu | 1976 | Kalyanji-Anandji |
| 17 | Amaanat | 1977 | Ravi |
| 18 | Jaagriti | 1977 | Laxmikant-Pyarelal |
| 19 | Nawaab Saahib | 1978 | C. Arjun |
| 20 | Trishul | 1978 | Khayyam |
| 21 | Hum Tere Aashiq Hain | 1979 | Ravindra Jain |
| 22 | Kaalaa Patthar | 1979 | Rajesh Roshan |
| 23 | Chambal Ki Qasam | 1980 | Khayyam |
| 24 | Chehre Pe Chehra | 1980 | N. Dutta |
| 25 | Insaaf Ka Taraazu | 1980 | Ravindra Jain |
| 26 | The Burning Train | 1980 | R.D. Burman |
I think this movie ‘Jaagriti-1977’ must be an obscure movie of its time and may be not seen by many. I would request knowledgeable reader who have watched this movie to throw more light on the movie, its songs and artists in the movie.
let us now listen to today’s song …
Audio
Song-Ham hain teri santaan (Jaagriti)(1977) Singer-Suman Kalyanpur, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus
Lyrics
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ye praan teri den hai
ye deh teraa daan
Allaah kahe koyi tujhe
ya kahe bhagwaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ye praan teri den hai
ye deh teraa daan
Allaah kahe koyi tujhe
ya kahe bhagwaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
jeewan ke har ik mod pe
thokar se bachaana
thokar se bachaana
bhatken to hamen haath pakad
raah pe laana
raah pe laana
ham jo bhi hai jaise bhi hain
bas itnaa rahe dhyaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
duniyaa mein kabhi jhoothh ke
aage na jhuke ham
aage na jhuke ham
sach baat ke ailaan se
roke na ruken ham
roke na ruken ham
mil jaaye tere dwaar se
ham sab ko ye vardaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
ham hain teri santaan
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