Lut gaya mere sapnon ka deraa
Posted on: March 6, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4614 | Post No. : | 16247 |
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Blog 10-Year Challenge (2011-2021) – Song No. 14
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The blog was chugging along nicely these days ten years ago. This day ten years ago, that is 6 march 2011, sa as many as seven songs from seven different movies getting covered in the blog. Here are the details:-
| Blog post number | Song | Movie (year) | Remarks |
|---|---|---|---|
| 3607 | O roothhe huye Bhagwaan tumko kaise manaaun | Sindoor(1947) | Seven songs covered by now(out of 8) |
| 3608 | Mera dil tadpaa kar kahaan chalaa | Shabnam (1949) | Movie YIPPEED by now |
| 3609 | Badli teri nazar to nazaare badal gaye | Badi Bahu(1951) | Movie YIPPEED by now |
| 3610 | Mere pyaar mein tujhe kyaa milaa | Maan(1954) | Movie YIPPEED by now |
| 3611 | Tera muskuraanaa banaa ik bahaanaa | Pyaar Ki Daastaan(1961) | 2 songs covered by now (out of 8) |
| 3612 | Tunak tun tun bole jiyaa | Kahin Pyaar Na Ho Jaaye(1963) | Movie YIPPEED by now |
One can see that “Pyaar Ki Daastaan”(1961) is one of the two movies hich is eligible for blog Ten Year Challenge today on 6 March 2021. “Pyaar Ki Daastaan”(1961) as produced by Ghulam Hussain and directed by P L Santoshi for Pushpa Pictures, Bombay. The movie had Ameeta, Sudesh aka Soodesh Kumar, Shubha Khote, Mohan Choti, Niranjan Sharma, Mirza Musharraf,Rafiq Ansari,Siddique,Jawahar Kaul, Padam, Abid,Jeewan Kala, Bela Bose, Mumtaz Begum, Helen etc in it.
Two songs have been covered in the blog so far.
Here is the third song from “Pyaar Ki Daastaan”(1961) to appear in the blog. The song is sung by Rafi. Sarwar is the lyricist. Music is composed by Naashaad.
The song is picturised on Sudesh Kumar.
Lyrics of this song were sent to me by Prakashchandra.
Video
Audio
Song-Lut gayaa mere sapnon ka deraa (Pyaar Ki Daastaan)(1961) Singer-Rafi, Lyrics-Sarwar, MD-Naashaad
Lyrics(Provided by Prakashchandra)
lut gayaa mere sapnon ka deraa
ho o lut gayaa mere sapnon ka deraa
kaisaa insaaf maalik ye teraa aa
lut gayaa mere sapnon ka deraa
phool khilne na paaye thhe dil ke
ho gaye hum judaa tumse mil ke
phool khilne na paaye thhe dil ke
ho gaye hum judaa tumse mil ke
kar liyaa gham ne dil mein baseraa aa
lut gayaa mere sapnon ka deraa
ho o lut gayaa mere sapnon ka deraa
khel duniyaa ne kaisaa ye khelaa aa
ho gayaa aaj saathi akelaa
khel duniyaa ne kaisaa ye khelaa aa
ho gayaa aaj saathi akelaa
aur tadapaa rahaa pyaar meraa aa
lut gayaa mere sapnon ka deraa
jhuk gaya pyaar qismat ke aagey
pad gaye kachche ulfat ke dhaagey
jhuk gaya pyaar qismat ke aagey
pad gaye kachche ulfat ke dhaagey
dosh teraa nahin aur na meraa aa
lut gayaa mere sapnon ka deraa
kaisaa insaaf maalik ye teraa aa
lut gayaa mere sapnon ka deraa
haayye lut gayaa mere sapnon ka deraa
Aag dil mein lagaaye baithhe hain
Posted on: March 5, 2021
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4613 | Post No. : | 16246 | Movie Count : |
4417 |
Today’s song is a rare song, from an unknown film Suhagi-48. Yes, the title is Suhagi and NOT Suhag. It is rather an unusual and misleading title. There is a cluster of titles around the word Suhag. There were 4 films as Suhag and also 4 films as Suhagan. There was a film Suhag raat ke Pehle and then there were 3 films as Suhag Raat. 2 films as Suhag Sindoor. There were two films with funny titles like Suhag ka Daan and Suhag ka Balidan. And among all this cluster poor film Suhagi was hidden in a corner !
Made by Blue art pictures, the film was directed by A.Shakoor, who directed only one more film in his career- Paayal-48, also made by the same banner. Film Suhagi was produced by Ismaile Devjee and the MD was Shaukat Dehlavi.
1948 was an year in which all the industries-including film industry- were trying to come back to normalising their businesses. The new government had not yet changed any laws and rules, so there was peace on all fronts. The Black money which was being poured into making films was now used by Politicians and thus the film industry was almost back to genuine producers and filmmakers. Most of the famous studios were on the verge of ending the studio system and studio culture. Some big names like New Theatres, Prabhat, Sagar, Ranjit were now mere shadows of their earlier powerful existence.
While film makers lost an important topic of Patriotism( in a garb), they now concentrated on Indian culture, Mythology, History, Family values, Joint family importance, literacy and such development themes. This changed the face of films. However, stories based on Folk tales, Religion and Kings-Queens and evil Wazirs still continued with public patronage. Raj Kapoor emerged as a Director, Ashok Kumar became a middle aged Hero, Dilip and Dev prospered with love stories and young themes. Older Heroes, Heroines, Directors and character artistes started vanishing and a new crop of actors etc took over their mantle. Music was changing its tunes. Melody ruled over Lyrics now and Naushad, C Ramchandra, H-B, S – J, Madan Mohan and the likes of them started making names and films.
One major event that happened in 1948, was the entry of Southern producers into Hindi heartland, with a Bang, when S S Vasan brought his Magnum-Opus- ” Chandralekha”, with more than 600 prints for All Indfia release. The extraordinary success of this film paved the way of other big production houses of South, like AVM, L V Prasad etc. to push their Hindi remakes of successful Southern films into the Hindi markets all over India.
For the MD Shoukat Dehlavi of film Suhagi, it was only his second film as an MD. Do you know who this MD was ? He used 5 different names to compose music to 29 films in his career spanning from 1947 to 1965 in India. He composed 203 songs and also sang 3 songs in 3 films namely, Dildar-47, Aiye-49 and Baradari-55. His 5 names were 1. Shoukat Dehlavi, 2. Shoukat Hussain Dehlavi 3. Shoukat Ali 4. Shoukat Haidari and finally he took a permanent new name 5. NASHAAD.
I can remember only one more artiste who had 5 names in her life. She was known as Qamar Sultana, Indira, Indu, Jaijaywanti and AMEETA !
After Partition, there was a rush to migrate to Pakistan and artists continued to shift there from 47 to almost 1950. Some artistes like Noorjehan left immediately. There were few cases where some people borrowed money from friends and then left the country quietly, leaving the money lender high and dry. By about 49-50, almost everything was settled on both sides. The conditions in Lahore and Karachi had stabilised considerably for film making and lots of opportunities existed for film artistes there by mid 50s. That led to a second wave of migration to Pakistan at that time. Those who had continued in India completed their assignments here and went to Pakistan.
This type of Migration continued till almost mid 60s, when actor Kumar, MD Naashaad, producer actor Shaikh Mukhtar etc migrated to Pakistan. For the lucky ones, the talented ones and those who had preexisting ties in Pakistan sustained, prospered and were happy, but a few artistes suffered heavily. Once a popular Heroine, Meena Shorey, one of the most handsome actors of his times-Najmul Hasan and the hopeful Shaikh Mukhtar spent their last days in utter neglect, penury, disillusionment and sorrow. Actors like Noor Mohammed Charlie regretted their decision to migrate, but it was too late.
One of the later migrants was NASHAD, music director,who shifted in 1963 or so.
NASHAD was born as Shaukat Haidari,in Delhi,on 11-7-1923. He completed his schooling in Delhi, where he learnt playing the flute. He came to Bombay and worked as assistant/helper to many composers, learning to play different instruments. He even worked as assistant to Ghulam Haider and Naushad.
He was one composer who used several names to give music. His first film was Dildar in 1947. He used the name Shaukat Dehlavi for Dildar-47, Paayal-48, Suhagi-48, Dada-49, Ghazab-51 and Ram Bharose-51. He was Shaukat Hussain Dehlavi for Jeene do-48, Shaukat Ali for Toote Tarey-48 and Shaukat Haidari for Aiye-49.
He was considered a mediocre composer in India. Then one day he was called by producer Nakshab Jarchvi,who offered him a film,with a condition that he changed his name to Nashad. He accepted the offer and used the name Nashad throughout his life. After him his 15 children too used Nashad as their surname.
Nakshab Jarachavi wanted to make a film. Those days Naushad was the Top composer. Films were sold on his name. Naushad worked only for Top banners. Nakshab approached him and offered his film. Naushad scornfully said,” Hum kisi aire gaire ki film ko music nahi detey”. This infuriated Nakshab no end and he challenged Naushad that he will make another Naushad in the industry. He called the comparatively less known but talented Shaukat Haidari,changed his name to NASHAD (to resemble Naushad’s name) and gave him the film.
Nashad, on his part, tried very hard and gave the music to film Naghma. It was,though not like Nashad’s standard, but excellent songs were there and the film became a hit due to its music. Unfortunately, Nashad could not repeat his success again ever in India. As Nashad he gave music to 21 films (total 30 films),like Bara Dari, Bada Bhai, Naghma, Char chaand, Kaatil Jawab, Sabse bada Rupiah, Rooplekha, Darwaza etc
Nashad gave their first hindi movie singing breaks to Mubarak begum, Suman Kalyanpur and Sabita Banerjee.
His friend Nakshab Jarachavi had migrated to Pakistan after 1947 and was making films there. He called Nashad to Pakistan as a composer for his film Maikhana-64 (after his film Fanoos also crashed at the Box office in Pakistan). Nashad accepted his offer. Before leaving , Nashad married singer Premlata and both went to Pakistan. His first film became a major hit and Nashad was on top. He gave music to 64 films in Pakistan.
Nashad died in Lahore on 3-1-1981.
While in India, Nashad was always accused of plagiarism, to which he answered through an interview to Filmfare, dated 5th August 1955, ( Thanks to Cineplot) thus….
” Although no one says it to my face, I know that there is a section in the film industry who decry my music as “a rehash of familiar tunes.”
This amounts to a charge of plagiarism.I have no defense, no apology, to offer, except to say that, if I am a plagiarist, I am one unconsciously.
With only seven main notes, six ragas, thirty-six raginis and seventy-two sub-raginis, every “new” musical composition is bound to sound familiar in places.
Try to hum any popular film composition of today and then cast back your mind. Make a careful search for a parallel and you will easily find one in some celebrated songs of yesterday.I believe in popular music, music which people will like, humming and singing it in their homes—in moments of joy or sorrow. I try my-best to keep my compositions free from complicated “alaps,” “tans” and those notational cascades which the man-in-the-street (who has no musical training) cannot easily remember and hum.
Film music, to be good and popular, must always be the result of team-work. The ego of the music-director as well as that of the lyric-writer needs to be suppressed completely, even to the extent of accepting suggestions from everyone in the unit.
In the music of one of my forthcoming films, the appeal of the songs owes much to suggestions made by the producer and members of his staff. One of the tunes owes its origin to an air I heard the office-boy humming!
The producer was no professional musician, but I discarded two of my best tunes to fit in a completely different third one based on his suggestions.
I am glad that I do not live in an ivory tower and am not deaf to the music of ordinary people, I say to myself : “If this is the kind of music they love, it is absurd to give them a high-brow composition. Both in rhythm and structure, I stick rigorously to what is popular, even at the sacrifice of my own preferences.Such film music can be planned scientifically and with precision. My first job usually is to sit with the director and determine the musical “situations”. Once these are agreed upon, I start composing the melodies, in harmony with the “mood” of those situations. Then the lyricist writes the words of the approved tune.
After the song has been recorded, our work is ended and it now depends on the director to make or mar it in his picturisation of it. This, indeed, is a hurdle all film music must take.
Everyone has listened to film songs which sound good on the radio, yet have been “murdered” by poor picturisation. Everyone, too, has heard songs which on the air have sounded mediocre and of no particular merit, yet have been things of beauty in the film—thanks to clever directorial work. A really good song, given to a good director to picturise, seldom fails to go over in a big way with the public.
It is thus necessary for a music director to be careful in signing his contracts. It is important to him to make sure that the film for which he is employed to provide music will be directed by a competent man, so that not only are his songs not “murdered” in transcription to the screen but any possible shortcomings in them are glossed over by good picturisation.
Consequently I have always studied the directors of the films for which I am to provide music. One knows that one’s songs are safe with them and gain in appeal from attractive picturisation.
To these men, too, my tunes often sound “vaguely familiar”! But, then, what tune doesn’t ?
With only seven notes, six ragas, thirty-six raginis—but we’ve just gone over that! ”
Film Suhagi-48 had a starcast of Begum Para, Manorama, Sadiq Ali, Badri prashad, Jilloobai, Abu Bakar etc. The word Suhagi means ‘ Lucky ‘. However the name benefit does not seem to be got by the film, as it was not a famous or popular film.
I have no idea about the story of this film. From its ad.s in Film India, I guess the story was about a family’s bahu who is Lucky after marriage. Today’s song is sung by Rajkumari. With this song, film Suhagi-48 makes its Debut on our Blog.
Song-Aag dil mein lagaaye baithe hain (Suhagi)(1948) Singer- Raj Kumari Dubey, Lyricist- Not known, MD- Shaukat Dehalvi
Lyrics
Aag dil mein lagaye baithe hain
Aag dil mein lagaye baithe hain
apni duniya aa aa aa
apni duniya lutaayye baithhe hain
haaye
Aag dil mein lagaye baithe hain
haaye majbooriyaan
haaye majbooriyaan muhabbat ki
haaye majbooriyaan muhabbat ki
unko apna banaaye baithhe hain
apni duniya lutaayye baithhe hain
haaye
Aag dil mein lagaye baithe hain
toone kya kya aa aa
kya kya
toone kya kya sitam kiye hum par r
toone kya kya sitam kiye hum par r
yaad hai par bhulaaye baithhe hain
apni duniya lutaayye baithhe hain
haaye
Aag dil mein lagaye baithe hain
ashq aankhon mein hai
haaye ae
ashq aankhon mein hai
labon pe se haan
labon pe se haan
aan aan
dard dil mein dabaaye baithhe hain
dard dil mein dabaaye baithhe hain
haaye
aag dil mein lagaaye baithhe hain
aag dil mein lagaaye baithhe hain aen aen
Samay ka panchhi udta jaaye
Posted on: March 4, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4612 | Post No. : | 16244 |
“Aag”(1967) was produced and directed by Naresh Kumar for Dimple Dilms, Bombay. This movie had Feroz Khan, Mumtaz, Aruna Irani, Shyama, Srandhir, Madan Puri, Jeevan, Achla Sachdev, Manohar Deepak, Mohan Choti, Ram Mohan, Manmohan, Bipin Gupta, Amar Nath, Tun Tun, Indira Bansal, Ramlal, Sunder etc in it.
The movie had eight songs in it. Two songs have been covered in the past.
Here is the third song from “Aag”(1967) to appear in the blog. The song is picturised on Feroz Khan who plays a villager leading a contented life there as evidenced by this joie de vivre genre of song.
Towards the end of the song, we find Feroz Khan crossing a narrow stream on a narrow bridge. Half way on that makeshift bridge he comes across Mumtaz just as the song is coming to an end.
The song is sung by Mahendra Kapoor. Asad Bhopali is the lyricist. Music is composed by Usha Khanna.
Song-Samay ka panchhi udta jaaye (Aag)(1967) Singer-Mahendra Kapoor, Lyrics- Asad Bhopali, MD-Usha Khanna
Lyrics
o ho
o o o
o o
o o o
aaa haa
aa haa
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
aaha
aa aa aa
o o
o o o
jabse aaye din saawan ke
dharti jhoome dulhan banke
jabse aaye din saawan ke
dharti jhoome dulhan banke
daali daali lachki jaaye
daali daali lachki jaaye re ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
barkha rut ne zulfen jhatkin
moti bikhre kaliyaan chatkin
barkha rut ne zulfen jhatkin
moti bikhre kaliyaan chatkin
kali kali mahki jaaye
kali kali mahki jaaye re
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
o ho
o o
aa aa aa
aa aa aa aa
abke baras bhi rut albeli
saj dhaj ke aayi hai akeli
abke baras bhi rut albeli
saj dhaj ke aayi hai akeli
koi nahin saathi haan
koi nahin saathi haan re re
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
ek ujla ek kaala par phailaaye ae
samay ka panchhi udta jaaye
samay ka panchhi udta jaaye
O parichham meri hardam
Posted on: March 3, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4611 | Post No. : | 16243 |
“Main Wohi Hoon”(1966) was produced by Anil H Kotak and S A Mehmood and directed by A Shamsheer. The movie had Feroz Khan, Kumkum, I S Johar, Bela Bose, Lata Sinha, Roopesh Kumar, Murad, Madan Puri, S A Baker, Johny Whisky, Mirza Musharraf, Munshi Munaqqa, Dilip Dutt, Balan, Dhanraj etc in it.
This murder mystery movie, described as “stunt” movie in HFGK had six songs in it. Three songs have been covered in the past.
Though Feroz Khan and Kumkum played the lead roles in the movie, I S Johar and Bela Bose played the comic and detective side plot in this movie.
Here is a song from “Maibn Wohi Hoon”(1966) which is picturised on I S Johar and Bela Bose. The song is sung by Mahendra Kapoor and Krishna Kalle. Asaad Bhopali is the lyricist. Music is composed by Usha Khanna.
Song-O parichham meri hardam (Main Wohi Hoon)(1966) Singers-Mahendra Kapoor, Krishna Kalle, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
o parichham meri humdam
jab se tu hai saath mein
halchal hai jazbaat mein aen
jab se tu hai saath mein
halchal hai jazbaat mein aen
sochne ki baat hai
sochne ki baat hai
o habibam
mere humdam
jab se tu hai saath mein
halchal hai jazbat mein ae
jab se tu hai saath me
halchal hai jazbat mein ae
sochne ki baat hai
sochne ki baat hai
o habibam
o o
pehli nazar ka abhi tak nasha sa hai
o o
tarsa hua dil mohbbat ka pyasa hai
o nahin achcha aur tadpaana
o chali aana chhod sharmaana
suna ki nahin
suna ki nahin
o parichham
meri humdam
jab se tu hai saath mein
halchal hai jazbat mein aen
sochne ki baat hai
o parichham
o o
sun o deewaane tujhe kuchh khabar bhi hai
o o
dil ki jo haalat udhar hai idhar bhi hai
mujhe dar hai
ho na rusvaayi
haath mera chhod saudaai
suna ki nahin
suna ki nahin
o habibam
mere humdam
jab se tu hai saath mein
halchal hai jazbat mein aen
sochne ki baat hai
o habibam
o o
jab dil lagaaya to duniya se kya darna
o o
tark bhi humse hamesha wafa karna
zindagi bhar pyaar karna hai
saath jeena saath marna hai
suna ki nahin
suna ki nahin
o parichham
o habibam
jab se tu hai saath mein
halchal hai jazbat mein aen
jab se tu hai saath mein
halchal hai jazbaat mein aen
sochne ki baat hai
sochne ki bat hai
o parichham
Jaane kyun baar baar baar mera dil
Posted on: March 2, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4610 | Post No. : | 16242 |
Sahir Ludhianvi & His Music Directors-9 – (more than ‘ten-movies collaboration’)
In my earlier post in this series, I had mentioned that after the ‘seven-movie’ collaborations we have only three collaborations left and that they are ‘more than ten-movie collaborations’ with music directors N. Datta, S.D. Burman and Ravi.
So, out of total 717 songs written by Sahir Ludhianvi as per the total of HFGK 48% songs i.e., 347 songs are with music directors other than the above three music directors.
We have covered one of these ‘three-big’ collaborations i.e., Sahir-N. Datta collaboration in the earlier post. They collaborated for seventeen (17) movies including one un-released movie i.e., ‘Picnic-1960’. And the total number of songs from this collaboration are 108 (as per HFGK).
If we include the post before this the total number of songs now on the blog for Sahir- N Datta collaboration is 104.
Now we move to the next big collaboration which as per the total number of movies is with S.D. Burman, and Sahir and S.D. Burman collaborated for ‘eighteen’ (18) movies creating 134 songs. If we add the ‘verses’ from ‘Pyaasa-1957’ and two snippets (from ‘House no.44-1955’ and ‘Funtoosh-1956’ (as given in the book ‘The People’s Poet’ by Akshay Manwani) the total comes to 140. Well, we have 135 songs already posted on the blog for this collaboration.
I am not giving the details of movies of ‘Sahir-S.D. Burman collaboration’ in today’s post. I am leaving it to be covered in another post which will be coming on a very special occasion.
However, we can have a look of the summary of Sahir-S.D. Burman collaboration which is as given below;
| S.no. | MD | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|
| 01 | S.D. BURMAN | 135 | 134 | 140 |
Today we are move to the next ‘one of the three great collaborations’ which is Sahir and music director Ravi.
But here we will take a pause, and listen to one of the songs of this association from the oldest pending movie ‘not yippeeee’ed’ on the blog which is ‘Paisa Ya Pyaar-1969’. (I am taking this liberty to cover one more song in this series 😊)
‘Paisa Ya Pyaar-1969’ was directed by Jawar N Sitaraman for ‘Gemini Productions, Madras’. It had Ashok Kumar, Mala Sinha, Biswajeet, Tanuja, Shashikala, Jagirdar, Aseem Kumar, Abhimanyu Sharma, Gopal Krishnan, Sharad Kumar, Lalita Kumari, Praveen Pal, Sarita Devi and others.
This movie had five songs written by Sahir Ludhianvi and composed to music by Ravi.
So far, three songs of this movie have been posted on the blog. Today we listen to the fourth song of this movie which is sung by Asha Bhonsle and performed on screen by Mala Sinha.
I have not watched this movie ‘Paisa Ya Pyaar’, but when I listened to the today’s song it looks like a familiar song but not much heard or frequently played song.
And the composition by Ravi also appears to be a ‘Shankar-Jaikishan’ style composition.
That is what I think 😊
let us now listen to the today’s song …
Song-Jaane kyun baar baar baar mera dil (Paisa Ya Pyaar)(1969) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi
Lyrics
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jis’se milte nahin
bilkul hi khayaalaat tere
kyun pareshaan hai uske liye
jazbaat tere
jab bhi wo mujhse milaa
usne sataaya mujhe
mujhko buraa to lagaa
phir bhi wo bhaayaa mujhe ae
jab bhi wo mujhse milaa
usne sataaya mujhe
mujhko buraa to lagaa
phir bhi wo bhaayaa mujhe
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jo tere husn ki tauheen kare
us’se naa mil
jo kisi doosri sajdhaj pe mare
us’se naa mil
mujhko to jo bhi dekhe
raahon mein aahen bhare
main kyun kisi pe maroon
mujh pe zamaana marey
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
ho sake to koyi
sangeen sazaa de usko
tere qaabil nahin wo
dil se bhulaa de usko
usko bhulaaun kaise
itnaa bataa do mujhe
uska iraadaa kya hai
kuchh to bataa do mujhe
usko bhulaaun kaise
itnaa bataa do mujhe
uska iraadaa kya hai
kuchh to bataa do mujhe
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
Jiska saathi hai Bhagwaan
Posted on: March 2, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4610 | Post No. : | 16241 |
“Aastik”(1956) was produced by Gordhan Das Kakkad and directed by S P Kalla for Rani Productions, Bombay. This “bhakti pradhan” movie had Shahu Modak, Paro, Meenakshi, B M Vyas, Nagpal, Anand Joshi, Pravil Paul, Lotan, Ramesh, Micky, Dinanath, M S Phatak, Naazi, Shaanti, Mithailal, Master Dabboo, Master Babu etc in it.
The movie had nine songs in it. Two songs have been covered in the blog.
Here is the third song from “Aastik”(1956) to appear in the blog. The song is sung by Rafi. S P Kalla is the lyricist. Music is composed by Narayan Dutt.
The devotional song is picturised on Shahu Modak.
Song-Jiska saathi hai bhagwan (Aastik)(1956) Singer-Rafi, Lyrics-S P Kalla, MD-Narayan Dutt
Lyrics
o o o
jiska saathi hai bhagwan
usko kya rokega aandhi
aandhi aur toofaan
o o o
jiska saathi hai bhagwaan
usko kya rokega aandhi
aandhi aur toofaan
jiska saathi hai bhagwan
gagan choor ho jaaye
zameen chaahe saagar mein dhans jaaye
gagan choor ho jaaye
zameen chaahe saagar mein dhans jaaye
toofaanon ki god mein chaahe saara jag kho jaaye
paanv na rukne paaye
o o o
jiska saathi hai bhagwaan
usko kya rokega aa aandhi aur toofaan
jiska saathi hai bhagwan
jiske sheesh pe hath hazaaron
chhoo na koyi paayega
jiske sheesh pe haath hazaaron
chhoo na koyi payega
hari naam se ye parwat bhi tinka ban jaayega aa
dhool mein mil jaayega
o o o
jiska saathi hai bhagwan
usko kya rokega aa aandhi aur toofaan
jiska saathi hai bhagwan
bhakt aur hari ka bandhan to
jyun deepak aur baati ee
bhakt aur hari ka bandhan to
jyun deepak aur baati
usi jyot se ye jalti hai
usmein hi mil jaati ee
deh amar ho jaati
o o o
jiska saathi hai bhagwan
usko kya rokega aa aandhi aur toofaan
jiska saathi hai bhagwan
jiska saathi hai bhagwan
jiska saathi hai bhagwan
Main hoon pari adaaon bhari
Posted on: February 28, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4608 | Post No. : | 16239 |
Sahir Ludhianvi & His Music Directors-8 – (more than ‘ten-movies collaboration’)
—————————————————————————————————–
In this series ‘Sahir Ludhianvi & His Music Directors’ today we have discussed Sahir Ludjainvi’s collaboration with Music directors upto ‘seven movies’. After seven-movies collaborations we move to double figures. Today’s music director with Sahir is N. Datta.
If we look at the total number of songs written by Sahir i.e.,717 as per HFGK and the total number of songs up to ‘seven-movie collaboration’ which is 347 songs from movies, which gives us 48% songs from these collaborations. (Out of these 347 songs 328 songs have already been posted on the blog.)
After this we have only three music directors left to be discussed. I am sure everybody is aware of these three ‘great’ collaborations though the very old and first one ended abruptly after ‘Pyaasa-1957’ i.e., Sahir-S.D. Burman collaboration.
Today we look into one of these ‘three’ great collaborations of Sahir and that is with music director N. Datta.
This fabulous collaboration created many memorable songs gems and gave us many unforgettable gems in Hindi Film Music history.
Sahir Ludhianvi and N. Datta collaborated in ‘seventeen’ movies including one song for one ‘un-released’ movie.
Here is the details of their movies together;
| S.no | Movie | Year | MD | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Marine Drive | 1955 | N. Dutta | 6 | 6 | 6 |
| 2 | Milaap | 1955 | N. Dutta | 8 | 8 | 8 |
| 3 | Chandrakaanta | 1956 | N. Dutta | 9 | 9 | 8 |
| 4 | Light House | 1958 | N. Dutta | 7 | 7 | 7 |
| 5 | Sadhna | 1958 | N. Dutta | 6 | 6 | 6 |
| 6 | Bhai Bahan | 1959 | N. Dutta | 8 | 8 | 8 |
| 7 | Dhool Ka Phool | 1959 | N. Dutta | 8 | 8 | 9 |
| 8 | Didi | 1959 | N. Dutta | 5 | 5 | 5 |
| 9 | Naach Ghar | 1959 | N. Dutta | 10 | 10 | 10 |
| 10 | Dharamputra | 1961 | N. Dutta | 8 | 8 | 8 |
| 11 | Dilli Ka Daada | 1962 | N. Dutta | 3 | 4 | 4 |
| 12 | Kaalaa Samandar | 1962 | N. Dutta | 1 | 1 | 1 |
| 13 | Chaandi Ki Deewaar | 1964 | N. Dutta | 8 | 8 | 9 |
| 14 | Nayaa Raasta | 1970 | N. Dutta | 8 | 8 | 8 |
| 15 | Chehre Pe Chehra | 1980 | N. Dutta | 1 | 6 | 6 |
| 16 | Sachche Moti | 1962/1967 | N. Dutta | 6 | 6 | 6 |
| Total | 102 | 108 | 109 | |||
| 17 | Picnic U/R | 1960 | N. Dutta | 1 | 0 | |
| Total | 103 | 108 | 109 | |||
Sahir Ludhianvi and N. Datta collaborated in ‘seventeen’ movies (including one un-released movie) and out of 717 songs as per HFGK the number of songs Sahir-N. Datta collaboration had given us 108 songs i.e., 15% of total number of songs.
If we go through the list of movies (as given above), we have two movies yet to be covered with all of their songs. These two movies are ‘Dilli Ka Daada-1962’ and ‘Chehre Pe Chehra-1980’.
For ‘Dilli Ka Daada-1962’ only one Sahir song is pending and I guess this song is yet not available and/or difficult to find. So, we move to the next movie which is ‘Chehre Pe Chehra-1980’.
‘Chehre Pe Chehraa-1980’ was directed by Raj Tilak, for ‘Tilak Movies, Bombay’.
Raj Tilak was also the producer of this movie.
It had Sanjeev Kumar, Rekha, Vinod Mehra, Sulakshana Pandit, Amol Palekar, Rajani Sharma, Shree Ram Lagoo, Iftekhar, Shammi, Suresh Chatwal, Kumar Aditya, Prem Sagar and others.
Shatrughan Sinha and Amjad Khan make special appearances in this movie.
Screenplay of this movie was written by Raj Marbrose and dialogues were written by Kadar Khan. Editing of this movie was done by Madhu Sinhaa.
This movie is said to be based on Robert Louis Stevenson’s novel ‘Dr. Jeykll & Mr. Hyde’ and it was passed by Censor Board on 21.05.1980 with restricted viewing certificate (i.e., ‘A’).
This movie had six songs written by Sahir Ludhianvi and composed to music by N. Datta. Background music for this movie was given by Salil Chaudhary.
Manna Dey, Mohd Rafi, Asha Bhonsle and Sulakshana Pandit had given their voices to the songs in this movie.
As per HFGK Vol-V (1971-1980) following is the list of songs of this movie;
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01) | Aa aa aa… ye raat nek raat hai | Manna Dey, chorus | |
| 02) | Jaam, le jaam, pakad jaam | Asha Bhonsle | |
| 03) | Aaj socha hai khayaalon mein | Mohd Rafi, Sulakshana Pandit | 08.03.2018 |
| 04) | Main hoon pari, adaaon bhari | Asha Bhonsle, chorus | |
| 05) | Tumse kehnaa hai ki dushwaar | Sulakshana Pandit | |
| 06) | Aa kuchh karen is haseen raat mein | Dilraj Kaur, chorus |
Let us now enjoy today’s song which is sung by Asha Bhonsle. It is lip-synced on screen by Rekha. This is a club-dance number where we can see many other artists and Sanjeev Kumar makes his entry towards the end of the performance …
Let us have a look at the following table where after including the ‘Sahir-N. Dutta’ collaboration (today’s song not included) we get the following statistics so far;
| S.no | MD | No of movies together | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|
| 1 | G.D. Kapoor | 1 | 1 | 4 | 4 |
| 2 | Shyam Sundar | 1 | 8 | 8 | 8 |
| 3 | Ali Akbar Khan | 1 | 7 | 8 | 8 |
| 4 | Dhani Ram | 1 | 1 | 1 | 1 |
| 5 | Vasant Ramchandra | 1 | 7 | 7 | 7 |
| 6 | Manohar | 1 | 1 | 1 | 1 |
| 7 | Sudha Malhotra | 1 | 1 | 1 | 1 |
| 8 | Nirmal Kumar | 1 | 1 | 1 | 1 |
| 9 | Hemant Kumar | 1 | 7 | 7 | 7 |
| 10 | Robin Banerjee | 1 | 1 | 1 | 1 |
| 11 | C. Ramchandra | 1 | 7 | 7 | 7 |
| 12 | Sonik Omi | 1 | 2 | 5 | 5 |
| 13 | C. Arjun | 1 | 5 | 4 | 5 |
| 14 | Rajesh Roshan | 1 | 7 | 6 | 7 |
| 15 | Hridaynath Mangeshkar | 1 | 5 | 5 | 5 |
| 16 | Anil Biswas | 2 | 8 | 8 | 7 |
| 17 | Usha Khanna | 2 | 3 | 3 | 3 |
| 18 | Chitragupta | 2 | 13 | 13 | 13 |
| 19 | Sapan Chakravarty | 2 | 11 | 11 | 12 |
| 20 | Kalyanji-Anandji | 2 | 7 | 9 | 9 |
| 21 | Ravindra Jain | 2 | 5 | 10 | 10 |
| 22 | Madan Mohan | 3 | 24 | 23 | 23 |
| 23 | Jaidev | 4 | 18 | 17 | 16 |
| 24 | R.D. Burman | 4 | 22 | 25 | 24 |
| 25 | O.P. Nayyar | 5 | 23 | 23 | 23 |
| 26 | Khayyam | 5 | 38 | 41 | 44 |
| 27 | Roshan | 7 | 63 | 62 | 61 |
| 28 | Laxmikant-Pyarelal | 7 | 32 | 36 | 35 |
| 29 | N. Datta | 17 | 103 | 108 | 109 |
| TOTAL | 79 | 431 | 455 | 457 | |
Video
Audio
Song-Main hoon pari adaaon bhari (Chehre Pe Chehra)(1980) Singer-Asha Bhonsle, Lyrics-Sahir Ludhainvi, MD-N Datta
Chorus
Lyrics
main hoon pari
ho main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
laa laa laa laa laa
laa aa
pa pa pa pa pa paa
pa pa pa paa paa
laa laa laa laa laa
la la laa laa laa laa
laa laa laa laa laa laa
sabko lubhaati hoon main
masti lutaati hoon main
sabko lubhaati hoon main
masti lutaati hoon main
raaton ki raunak liye ae
aati hoon jaati hoon main ae
raaton ki raunak liye
aati hoon jaati hoon main
takte raho
ke kabhi mat kaho
takte raho
kabhi mat kaho
mujhse theharne ki baat
main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
laa laa laa laa laa
laa aa
pa pa pa pa pa paa
pa pa pa paa paa
laa laa laa laa laa
la la laa
laa laa laa laa
ru ru ru ru ru ru ru ru oo
ru ru ru ru ru ru ru ru oo
rangon ki raani hoon main
tapti jawaani hoon main
rangon ki raani hoon main
tapti jawaani hoon main
chalti rahe jo sadaa
aisi kahaani hoon main ae
chalti rahe jo sadaa aa
aisi kahaani hoon main
thehri nahin
ye bijli kahin
ha thehri nahin
ye bijli kahin
phailaaye laakhon ne haath
main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
laa laa laa laa laa
laa aa
laa laa laa laa laa
la la laa
laa laa laa laa laa laa aa
ru ru ru ru ru ru ru ru oo
hmm hmm hmm hmm
ru ru ru ru ru ru ru ru oo
hmm hmm hmm hmm
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