Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1947


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6600Post No. :20500

Mohd Rafi – A Journey Divine – 2
(1947)

तेरी आवाज की जादूगरी से
ना जाने किस जहां में खो गया हूँ
इसी आवाज से चौंका था लेकिन
इसी आवाज में गुम हो गया हूँ
जहां में खो गया हूँ

The coincidence that we arrive at today, was indicated to me by Mahesh ji about 10 days back. And after some back and forth explanations, discussions and negotiations, the editors agreed to designate today as a dual century milestone day.

Yes, we arrive at the 6600th day of continuous musical disbursal of Hindi film songs. All numerical analysis and all the performance superlatives can be done and stated, but then that will just be a repetition of what has been told and discussed numerous times in the past. What we are moving towards forward is a glorious ongoing celebration, as always. Neither this ocean of HF music is going to deplete, and nor will the momentum and potential of this musical bandwagon will falter and rest. Miles to go yet, yes, many many more miles to go, but nothing like sleep to pause on the way.

May the journey of this bandwagon be blessed, and may it continue to accumulate the accolades and the bouquets – for the unstinted and the peerless effort anywhere on the world wide web. And come to think of it this way – maybe some will ask this in their minds – what purpose is being served by this endeavor ? Besides of course putting together a massive compilation of Hindi film songs. Well, my answer to that is – this venture, this so appropriately and so truly designated as a labor of love – it is the ongoing honoring of the stalwarts – both big and small, both popular and anonymous, both celebrated and neglected – the stalwarts who spent their lives to feed this oceanic enterprise called the Hindi cinema, and build this vast repository of music. A grandiose legacy that has been bequeathed to this world at large – to entertain, to give an expression to all the human emotions in all their various colors and flavors. Taking the thousand foot view of this enterprise, it is an ongoing humungous project that continues to assimilate, enumerate and generate asseverations of the multitude flavors of human emotions.

Yes, the effort of this bandwagon, led by the fearless leader (who now verily has an enhanced observation vision 🙂 ), is unmatched, is without a peer anywhere on the net. And I am proud and delighted to be part of this effort along with all my comrades in arm, all pitching in with their knowledge and insights into this ocean of music.

6600 days is a huge chunk of life itself. A passage of years that brings on at least two new generations in the human population. And so we continue, to work within this enterprise, crossing generations of time. And to compound the celebration today, we just slid past another massive milestone – the 205th century song to showcased on our blog. But what to say about it – so much has been said before, and I will just be rephrasing the past. But then, one certain thing to be said – that we all doff our caps in salute, and with a minimal pause, the trek continues. As always, the backlog in the pipeline does not allow a breather to relax. Past this 20500th song post, and on to now the next song, the next century song, the next thousandth . . .

I continue, after a gap of some months – the journey to track and catalog the flow of that divine voice that we so lovingly and respectfully call as Mohammed Rafi.

In the previous and first episode that was published as the song “Dupatta Mora Aaj Hi Rang Dijo“, (from film ‘Mansarovar’ of 1946) I had covered first three years of Rafi Sb’s career – from 1944 to 46. With this post I venture into 1947, and see the beginning of this singing voice. With three songs in 1944, then 12 songs in 1945, on to 39 songs in 1946, we come into 1947 and find a recorded list of 28 songs in 16 films, which are listed below.

Saawan Kee Ghata Dheere Dheere AanaAage Badho1947Mohd Rafi, KhursheedSudhir FadkeAmar Verma
Desh Mein Sankat Aaya Hai, Ab Kuchh Kar Ke Dikhlaana HaiAap Ki Sewa Mein1947Mohd Rafi, G M Saajan, ChorusDatta DavjekarMahipal
Main Teri Tu Mera, Dono Ka Sang Sang Ho BaseraAap Ki Sewa Mein1947Mohd Rafi, Mohantara TalpadeDatta DavjekarMahipal
Meri Aankhon Ke Taare, Ye Phool Suhaye Haaye PiyaAap Ki Sewa Mein1947Mohd RafiDatta DavjekarMahipal
Jab Baithe Baithe Dil Bhar Aaye Aur Lab Se Nikle HaayeDak Bangla1947Mohd RafiNaresh BhattacharyaDeena Nath madhok
Duniya Mein Meri Aaj Andhera Hee AndheraDo Bhai1947Mohd RafiSachin Dev BurmanRaja Mehndi Ali Khan
Do Din Ginti Ke, Umariya Beeti JaayeDo Dil1947Mohd RafiGobind RamDeena Nath Madhok
Tu Bhi Reh Main BhiEk Kadam1947Mohd Rafi, Shamshad BegumPrakash Nath Sharma
Wo Apni Yaad Dilaane Ko Ek Ishq Ki Duniya Chhod GayeJugnu1947Mohd Rafi, ChorusFiroz NizamiAsgar Sarhadi
Yahan Badla Wafa Ka Bewafayi Ke Siwa Kya HaiJugnu1947Mohd Rafi, Noor JahanFiroz NizamiShakeel Badayuni
Das Na Jaayen Tujh Ko Zulfen KaaliyanMalika1947Mohd RafiAllah Rakkha QureshiTanveer Naqvi
Meri Dilruba, Mere Paas AaMalika1947Mohd, Rafi, Allauddin KhanAllah Rakkha QureshiTanveer Naqvi
Maya Man Ka Rog Hai Moorakh Maya Man Ka RogRishta1947Mohd RafiMohammed ShafiVehashi Jaunpuri
Hum Banjaare Sang Hamare Dhoom Macha Le DuniyaSaajan1947Mohd Rafi, Geeta Dutt, Lalita Deolkar, ChorusC RamachandraMoti
Hum Ko Tumahara Hee Aasra, Tum Hamare Ho Na HOSaajan1947Mohd RafiC RamachandraMoti
Kis Ko Sunaaun Haale Dil… Hum Ko Tumhara Hee AasraSaajan1947Mohd Rafi, Lalita DeolkarC RamachandraMoti
Main Hoon Jaipur Ki Banjaran Chanchal Mera NaamSaajan1947Mohd Rafi, Lalita DeulkarC RamachandraQamar Jalalabadi
O Babu, Aji Babu, Gali Meri Teri Chaand Chamka DekhoSaajan1947Mohd RafiC RamachandraQamar Jalalabadi
Sambhal Sambhal Ke Jaiyo Ho Banjaare, Dilli Door HaiSaajan1947Mohd Rafi, Geeta Dutt, Lalita Deolkar, ChorusC RamachandraRam Murty Chaturvedi
Imtihan Jab Aata Hai… Ae Jee mat Poochho Baat, College AlbeliSamaaj Ko Badal Dalo1947Mohd Rafi, Arun, MannadeyKhemchandra Prakash
Chali Saajan Ghar Jaaye, Aaj Dulhaniya Kes SanwaareShadi Se Pehle / Juve Ka Nateeja1947Mohd RafiPaigankar / KarnaadPt Mukhram Sharma
Chalo Ho Gayi Taiyar, Zara Thehro JeeShadi Se Pehle / Juve Ka Nateeja1947Mohd Rafi, Lata MangeshkarPaigankar / KarnaadPt Mukhram Sharma
Nainon Se Naina Mila LeShahkaar1947Mohd Rafi & RajkumariK.DuttaArzoo Lucknavi
Ae Duniya Hai Sab Prem Kee, Tu Prem Kiye JaShahkar1947Mohd Rafi, Shamshad BegumK DuttaAarzoo Lakhnavi
Jeevan Hai Anmol Musafir, Jeevan Hai AnmolShanti1947Mohd RafiB S ThakurShakeel Badayuni
Tohe Jaana Hai Toh Hanste Hanste JaanaShanti1947Mohd RafiB.S.ThakurShakeel Badayuni

And beginning to track his progress from year to year, I prepare the following table, which will get updated as we progress from one episode to the next.

194433
19451215
19463954
19472882

Listening to this voice in all its different colors, emotions and renditions, the thought goes out to the quality of expression of this voice. I am sure all of us must have come across and viewed the few handful videos live interviews of Rafi Sb. Viewing these videos and hearing him speak, a wondrous thought comes to mind. Listening to his voice in these informal conversations, one is struck by the relaxed soft tones of this voice – so unhurried, so humble. One almost has to strain one’s listening to catch his words. And then the wonder appears in the mind – is this really the voice that has been recorded as “Bhagwaan, Bhagwaan. . . O Duniya Ke Rakhwaale”, or “Baar Baar Dekho, Hazaar Baar Dekho”, or the cresendoing notes of “. . . Inteha Ye Hai Ke Bande Ko Khuda Karta Hai Ishq” in the qawwaali “Na To Karvaan Ki Talash Hai”, and few thousand other sound and emotional variations that we are so used to hearing since childhood. Seriously, it is really a stretch of imagination to equate this humble soft voice in the live interviews, with the wondrous, and sometimes thunderous, variations of rendition that Rafi Sb has produced and presented from within himself. And I keep wondering – is this the same person.

Well, more observations on this topic in the next episode. I am already so drastically late with this post, that I curtail my thoughts – to be continued later.

Today’s song in from the 1947 film ‘Aap Ki Sewa Mein’.

‘Aap Ki Sewa Mein’ is a production from the banner of Chandrama Pictures, and is directed by Vasant Joglekar. The eight songs of this film are penned by Mahipal, yes the same Mahipal that we are more familiar as the actor. The music composition is by Dutta Davjekar. The interesting thing to note is that this is the film in which Lata Mageshkar has sung plaback in Hindi films for the first time.

Rafi Sb’s voice, in this song, sounds so familiar and so mature already. Very similar to the voice we are so used to listening in the songs of 1950s and 60s. Listen and judge for yourself.

Song – Main Teri Tu Mera (Aap Ki Sewa Mein) (1947) Singer – Mohantara Talpade, Mohammed Rafi, Lyrics – Mahipal, MD – Dutta Davjekar
Mohantara Talpade + Mohammed Rafi

Lyrics

ho ho ho oo

ho ho ho oo

main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera

chhod ke mujhko
kidhar chale
o kidhar chale
bichhde door huye
bichhde door huye
main teri
tu mera
main teri
tu mera..aa
donon ka sang sang ho basera

aawo
aawo jhoolte chalen kinaare
aawo
aawo jhoolte chalen kinaare
paani mein ho mahal hamaare
paani mein ho mahal hamaare

lehar lehar mein dol dol kar
naache pawan jhakora

lehar lehar mein dol dol kar
naache pawan jhakora

aa ha ha
main teri
(aa ha ha)
tu mera
(aa aa aa aa)
donon ka sang sang ho basera

mann ki rani
mann pe chhaao..oo
mann ki rani
mann pe chhaao
prem hilore laao
prem hilore laao

ghir ghir kaale baadal aaye
aao maine haath badhaaye
ghir ghir kaale baadal aaye
aao maine haath badhaaye
sajan daal de aaj yahaan
meethe sapnon ka ghera
sajan daal de aaj yahaan
meethe sapnon ka ghera
aa ha ha
main teri
(aa ha ha)
tu mera
(aa aa aa aa)
donon ka sang sang ho basera


——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

हो हो हो ओ

हो हो हो ओ

मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा
छोड़ के मुझको
किधर चले
ओ किध चले
बिछोड़े दूर हुए
बिछोड़े दूर हुए
मैं तेरी
तू मेरा
मैं तेरी
तू मेरा..आ
दोनों का संग संग हो बसेरा

आवो
आवो झूलते चलें किनारे
आवो
आवो झूलते चलें किनारे
पानी में हों महल हमारे
पानी में हों महल हमारे
लहर लहर में डोल डोल कर
नाचे पवन झकोरा

लहर लहर में डोल डोल कर
नाचे पवन झकोरा

आ हा हा
मैं तेरी
(आ हा हा)
तू मेरा
(आ हा हा)
दोनों का संग संग हो बसेरा

मन की रानी
मन पर छाओ..o
मन की रानी
मन पर छाओ..o
प्रेम हिलोरे लाओ
प्रेम हिलोरे लाओ

घिर घिर काले बादल आए
आओ मैंने हाथ बढ़ाए
घिर घिर काले बादल आए
आओ मैंने हाथ बढ़ाए
सजन डाल दे आज यहाँ
मीठे सपनों का घेरा
सजन डाल दे आज यहाँ
मीठे सपनों का घेरा
आ हा हा
मैं तेरी
(आ हा हा)
तू मेरा
(आ आ आ)
दोनों का संग संग हो बसेरा





This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6567Post No. :20454

Today’s song is from the film Gaon-1947.

After the II World War was over, it was clear that the British were unable to rule India anymore, due to the war effects on their own country – which was their first priority to mend and develop now. Most Indians felt that the British were leaving India because of Gandhi and Nehru. The respect for these two affected the film industry too. Films on what Gandhi taught about villages and village life and farmers were made. Film gaon-1947 was also one of these films, which tried to emphasize that life in the villages was better than cities and the Indian culture can thrive only in villages.After the exit of Gandhi, Nehru’s philosophy was followed in the films of post 1948 and the decade of 1950’s. Major producer- directors like Mehboob Khan and Bimal Roy, for example,were true followers of Nehru’s Socialist Philosophy, which prompted them to make films like Mother India and Naya Daur etc. Lets not go into discussing politics, post independence. This is not a platform for that.

Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :6559Post No. :20413

Today’s song is from an obscure film – Ahinsa-1947.

1947 was a very momentous and memorable year in the annals of Hindi film Industry. Many talented actors, directors,singers, composers, lyricists, writers and technicians left India, opting to migrate to Pakistan. The year 1947 actually started with a bad Omen. K L Saigal died on 18th January 1947. The country was on the threshold of Partition and Independence for two countries. The film industry, which was a true Secular industry, started harbouring doubts about each other.

Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6527 Post No. : 20304

#the Decade of Fourties – 1941 – 1950 #

Regulars on the blog are well aware that I have been sharing songs sung by Sulochana Kadam for a long time. Our blog statistics page does not mention the total number of songs sung by her. I guess that the correct figure is yet to be confirmed. However we have so far covered more than one hundred songs sung by her. I have noted that coverage of her song has slowed down after her century of songs was reached in the blog.

I am on the look out for songs sung by her that are not yet covered on this blog. Today I came across this song which was for long considered as a lost song. However, a music lover has uploaded this song on internet. It is from the movie ‘Krishna Sudaama-1947’.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6523 Post No. : 20292

#the Decade of Fifties – 1941 – 1950 #
————————————————————————

“Andhon Ki Duniya-1947” was directed by Keshav Rao Daate for ‘Rajkamal Kalamandir Ltd.’. It had Leela Chitnis, Manmohan Krishna, Munawwar Sultana, Mahipal, Professor Hudlikar, Vikas, Gulab, Parshuram and others. Geet Kosh lists ten songs for this movie which are written by Behzad Lucknowi, Deewan Sharar, and Khumar. Music for this movie was composed by Vasant Desai.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6522 Post No. : 20288

#the Decade of Forties – 1941 – 1950 #

Today’s song is from the year 1947. I had once taken up the task of sharing songs from this year. The undiscovered musical treasures from this year fascinate me because of the importance of this year when India achieved its freedom. Our inhouse encylopeadia Shree Arunkumar jee has informed us repeatedly that this year held the record for maximum Hindi movies released till that time. This information is another reason why I became interested in trying to find all the available songs from movies of 1947 that are not yet represented in the blog. In the process, I hope to gather more information about the movies and songs of 1947.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6501 Post No. : 20201

“Bhanwar”(1947) was directed by Madhu Patel for Chitra Bharati Limited, Bombay. This movie had Shameem, Balwant Singh, Nirupa Roy, Maya Devi, Majid, Masaood etc in it. HFGK mentions mukhdas of eight songs for this movie and leaves gaps indicating that there were more songs in the movie whose details are not available.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6486 Post No. : 20157

Today’s song is from a Historical film (labelled as a ‘Mythological’ film by HFGK, for reasons not known) – Sati Toral-1947.

The Lakshmi Productions, Bombay’s film was directed by Nandlal Jaswantlal. The banner was owned by the Producer Chimanlal Trivedi. Lyricist was Miss Kamal, B.A.. This was a pseudonym of Kavi Pradeep. At that time, he was under contract with Bombay Talkies and could not use his real name . Under this Pen name, he wrote lyrics for four films, namely Kadambari-44, Amrapali-45, Sati Toral-47 and Veerangana-47. Incidentally, all these films were directed by Nandlal Jaswantlal. The music was by H.P.Dass and Manna Dey. His first film as a M.D. The cast of the film was Shbhana Samarth, prem Adib, Jeevan, Badriprasad, rehana, Sankatha prasad (elder brother of lyricist/comedian Kanhaiyalal).
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6459 Post No. : 20056

#the Decade of Forties – 1941 – 1950 #
—————————————————————

Today’s song is from the movie ‘Rangeen Kahaani-1947’. It was directed by Anjum Hussaini for ‘New Roshan Art Productions, Bombay’ and it was a movie from ‘social genre’. The cast of this movie had Surekha, S. Irshad, Dulari, Agha Mirza, Sayyad Ahmed, Bibi Jaan, Khursheed Parvez, P.D. Lal, Maqbool, M.K. Hasan, Ghulam Mohiddin, Sarita, Faiyyaz Begam, Mehrunnisa, Azim Hyderabadi, Mahshar Shirazi and others.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6455 Post No. : 20042

“Samrat Ashok”(1947) was directed by K B Lal for Bombay Cinetone Limited, Bombay. This “historical” movie had Sapru, Veena, Shakir, Himalaywala, Shamim, Husn Bano, Ulhas, Ganpat Rao, Shahida, Sudha Bai, Maruti Rao Pahalwan etc in it.
Read more on this topic…


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