Archive for the ‘Songs of 1991’ Category
Jhanda ooncha rahe hamaara
Posted on: January 26, 2023
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5305 | Post No. : | 17384 | Movie Count : |
4682 |
Hullo Atuldom
Wishing everyone of us a Very Happy Republic Day.
गणतंत्र दिवस की शुभकामनायें
This was my post last year for the occasion. & in that post I had lamented about ignorance among many citizens regarding the significance of 26th January and why it was chosen to be Republic Day.
“The 308 members of the Constituent Assembly, of thenewly Independent India, signed hand-written copies (in Hindi and English) of the Constitution of India on 24th January 1950 after much deliberation and some changes. The Constitution was adopted and came into effect throughout the country from 26th January 1950. Dr. Rajendra Prasad started his tenure as first President of India and the Constituent Assembly became the Parliament of India.
That makes January 26th 2023 India’s 73rd Republic Day”.
(I don’t mind making the above paragraph part of my posts every time I write for 26th January)
There are certain events attached with the Republic Day celebrations which I love to see, when shown live on Television and in repeat if I have missed the live telecast.
I like the way Doordarshan shows a brief history about how we attained Independence, how the Constituent Assembly was setup, and the signing of the Constitution itself. This is normally followed by the live telecast rom New Delhi’s India Gate where the Prime Ministers of India pay homage at the Amar Jawaan Jyoti which is at India Gate, to the departed soldiers; I love the serene atmosphere around the whole scene, the two-minute silence etc. Then the Prime Minister drives down Rajpath towards the saluting base and awaits the arrival of the President Of India who is also the Commander-in-Chief of the Indian Armed Forces. The National Flag is Unfurled, National Anthem is played, Awards for exemplary bravery on the warfront are conferred to recipients and then the Parade commences showcasing India’s Defence capabilities, Cultural and Social Heritage. The Armed Forces participate in the March Past accompanied by their bands; plus there are the NCC, Bharat Scouts & Guides, school children and Tableaus from the various states and Government agencies forming the second part of the parade. The climax of the parade is the Brilliant Fly-past by the Indian Air Force- showing us formations, showering Flower petals on Rajpath etc.
The event comes to a close with the singing of Jana-Gana-Mana. and the Presidential Cavalcade departs followed by the Prime Minister and other dignitaries. I am always amazed by the Horses that form the President’s Bodyguards- their heads are still when the National Anthem is on. The events of the Republic Day come to a close with the Beating the Retreat ceremony on 29th January, this is another charming event. Specially how the Marching soldiers walk back into the sunset and darkness at the end of the parade and the Lights come on at North Block, South Block and Parliament House. This event is held at Vijay Chowk and has trumpeters, buglers, pipe & drum bands of the three-wings of the Armed Forces.
A few changes have taken place in the last few years- Rajpath has been renamed as Kartavya Path and the Amar Jawaan Jyoti from India Gate has been shifted and merged with the eternal flame at the National War Memorial which is close by.
It is my tiny wish to be able to witness the events live atleast once in my life, but then as my dear family has always said we may not be able to get a close enough seat and see things as clearly. True, I don’t disagree. It is similar to saying that when we see a cricket match in a stadium we may not be able to see all the madness in all the stands of the stadium like we see on TV. But then the charged atmosphere at any venue cannot be felt in the TV, correct or not? I can say this based on my experiences gained at the various music concerts that I have attended over the last few years.
Let us get back to 26th January.
There are a few songs that are played on these National days- Saare Jahan Se Achcha, Mahatma Gandhi’s favourite hymn ‘Vaishnava Janato’ and Jhanda Ooncha rahe hamara- by the bands in the parades.
We all know that ‘Saare Jahaan Se Achcha’ was written by Allama Mohammad Iqbal in 1904. We know that Jana Gana Mana was by Gurdev Rabindranath Tagore. Vande Maatram was by Bankim Chandra Chatterjee.
But, personally, I was unaware about the other most important song that we are taught as kids in school- Jhanda Ooncha Rahe Hamaara. Only yesterday I came across a post in our blog by (who else) Shri Arunkumar Deshmukhji. It enlightened me to the fact this was first used in a film in 1938 (any wonder that I like to call him Guruji).
What set me on this quest was a video that I saw recently on TV where I saw Rajnikanth accompanied by Sridevi, Swapna, A K Hangal and I think I spied Macmohan, walking along the lanes of some hilly region, in company of some locals, with the Tricolour in their hands and singing “Jhanda Ooncha Rahe Humara”. On further digging I came to know that it was from the 1991 released, Anil Sharma directed “Farishtay”. It was sung by Shabbir Kumar and the female version has Asha Bhonsle’s voice. Bappi Lahiri is the music composer. Lyrics have been credited to Shyamlal Gupta Parshad.
I looked up about the lyricist and this is what I found- Shyamlal Gupta Parshad belonged to Kanpur and had vowed to walk barefoot till India got freedom from the British rule. Shyamlal Gupta was born as the third child to Vishveshwar Parshad and Kaushalya Devi on September 9, 1896. He penned this song on March 4, 1924.
His song was recognised as the flag song by the All India Congress Committee and was sung for the first time on Jallianwala Baug Diwas 0n 13th April 1924; at Phoolbagh Kanpur in the presence of Pandit Jawaharlal Nehru. Sarojini Naidu sung it in 1938 at the Haripura Session of the Congress where Mahatma Gandhi’s was present.
All this and more on Syamlal Gupta Prashad his family and there current status is available in this article which was the source from which I wrote the above paragraph.
Let us now hear the song from Farishtay (I would love to know if the movie makers have been true to what Shyamlal Gupta Parshad wrote all those years ago). But I can feel that the basic tune is same as the one that was used in the 1938 ‘Fearless Nadia’ film.
Let the us all say “Hum sab bhartiya hain”, “Saare Jahaan se achcha hindustan humara”, ‘Jhanda Ooncha rahe humara” and say with pride
Vande Maatram
Jai Hind
Happy Republic day to Indians
Shabbir Kumar version
Asha Bhonsle version
Song-Jhanda ooncha rahe hamaara (Farishtay)(1991) Singer-Shabbir Kumar/ Asha Bhonsle, Lyrics-Shyamal Gupta Prashad, MD-Bappi Lahiri
Chorus
Lyrics
————————
Shabbir Kumar version
———————–
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
sada shakti darsaane waala
pren sudha barsaane waala
veeron ko hrshaane waala
maatrbhoomi ka tan man saara
maatrbhoomi ka tan man saara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
is jhande ke neeche nirbhay
le swaraaj yah avichal nishchay
bolo bharat maata ki jai
swatanrta hai dhyey humaara
swatanrta hai dhyey humara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyara<
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara<
————————–
Asha Bhonsle version
—————————
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
sada shakti sarsaane waala
prem sudha barsaane waala
veeron ko hrshaane waala
maatribhoomi ka tan man saara
maatribhoomi ka tan man saara
jhanda ooncha rahe humaara
vijayi vishav tiranga pyaara
aa aa aa aa aa
aa aa aa aa aaa
aa aa aa aa aa
aa aa aa aa aa
swatanrta ke bheeshan ran mein
??kar josh badhe kshan kshan mein
kaanpe shatru dekh ke man mein
mit jaaye bhay sankat saara
mit jaaye bhay sankat saara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
is jhande ke neeche nirbhay
len swaraaj yah avichal nishchay
bolo bharat maata ki jai
swatanrta hai dhyey humaara
swetanrta hai dhyey humaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aao pyaare veeron aao
desh dharm par bali bali jaao
ek saath sab milkar gaao
pyaara bharat desh humaara
pyaara bharat desh humaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishav tiranga pyaara
iski shaan na jaane paaye
chahe jaan bhale hi jaaye
vishv vijay kar ke dikhlaaye
tab hove pran poorn humaara
tab hove pran paarn humaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
sada shakti darshaane waala
pren sudha barsaane waala
veeron ko harshaane waala
maatribhoomi ka tan man saara
maatribhoomi ka tan man saara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
jhanda ooncha rahe humaara
vijayi vishv tiranga pyaara
Ghar Jaanam, Ghar Jaanam
Posted on: June 5, 2022
- In: "Fantasy" song | Children's song | Fun lyrics song | fun timepass song | Guest posts | Kavitha Krishnamurthy Songs | Post by Avinash Scrapwala | Shailendra Singh songs | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1991 | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5070 | Post No. : | 16991 |
In one of my earlier articles here, I had mentioned that the month of June is one of my most favorite months. There are several important days in this month and different anniversaries of our close ones too (including me 🙂 ).
Today 5th June is one such important day. It is the ‘World Environment Day’ today.
Here again I will repeat what I have mentioned in my post for the short song “Ye Hanste Huye Phool, Ye Mehka Hua Gulshan” from film ‘Pyaasa’ (1957) written for ‘Environment Day – 2017’ and posted on the blog on 08.06.2017 (instead of 05.06.2017).
I am approaching today’s post in a different manner. Instead of going into the details of the environmental agencies, their history and purpose, the significant environmental issues being faced by humanity on this planet, etc. I am thinking of our Hindi films and their music. The nature is so intimately connected herein. We cannot imagine our Hindi Film Music without ‘connecting with nature.
Well, for today I would like to make a little correction in the above lines. That year 2017 the theme of the ‘WED (World Environment Day) was ‘Connecting with Nature’ and I had tried to connect the same with the songs, lyrics and music of our Hindi movies.
This year ‘2022’ the theme of the ‘WED’ is “Only One Earth – Living Sustainably in Harmony with Nature”. So I would like to add here that I am thinking of those Hindi Films which carried a ‘message’ related to environment and our planet ‘the earth’. And since this is the blog of songs we need a song to connect this celebration today.
The movie of today ‘Aasmaan Se Gira’ (1991) has a message for all of us in its climax. Today’s song, though doesn’t exactly match the theme of today, it connects to the ‘philosophy of life’ and alerts us that ultimately our destination is ‘one’ and we have leave everything here. So let us leave everything in a good shape, better prospects, and in compassion to the humanity and nature. Leave the ‘shad-ripus’ (kaam, krodh, lobh, moh, mad, matsar) to attain ‘moksh’. I have listened and watch this song several times and it is an enlightening song woven in comical situation in the movie. The movie also needs to be watched even though it’s a movie for children.
In today’s post I am not going into the details of this movie which I had mentioned in my earlier article with other song of this movie earlier on the blog – “Ghar Jaana Hai Mujhe, Ghar Jaana Hai“. A brief about this movie is given below.
A young prince is being trained for a time when he will grow up to become king. The lonely boy is frustrated at being kept secluded while being taught the art of statesmanship by great scholars. One day while frustrated he is crying for help ‘a strange little man’ arrives in his room.
This ‘little man’ is from another planet. His name is Trishanku. Trishanku was travelling to attend the wedding of his friend, but since the ‘rays of sorrow’ from the little prince caught him on the way he lands there to help the little prince.
The prince and Trishanku exchange views about their own worlds. Trishankhu is homesick and wishes to return back to his planet. He has his three friends from his planet who had earlier lost their way after coming to earth and then stayed back on the planet earth thereafter. Each one of the three knows the ‘part of the mantra’ that will allow Trishanku to go back to his home planet.
The two-escape trying to find ways for Trishankhu to go back. On their journey they develop a deep bonding and it is hard for Trishankhu to let go.
When Trishanku meets each of his three friends, each one gives him one part of the mantra which is presented in the form of a song and that is our song for today. It is picturised in three parts on Anil Kapoor, Sheeba, Sridevi, and Anupam Kher. The forth part of the song is picturised on Trishanku i.e. Raghuveer Yadav who is singing it at the ‘Jantar Mantar’ from where he is supposed to find his way to his planet after singing the ‘mantras’. In all the four parts of the song the little prince i.e. Master Abhishek is present in the picturisation of this song.
Finally Trishanku lands on his planet and he enters the ‘darbaar’ of his master (God of Outer Planet) i.e. ‘Baadshaah-e-Kahkashaan’ played by Amjad Khan. And, there we have the following conversation between ‘Baadshaah-e-Kahkashaan’ and Trishanku, where the master has a message for all on this ‘Planet – The Earth’.
Trishanku – takai t takai t takai t … main aa gaya ‘baadshaah-e-kahkashaan’,
andar aane ki ijaazat hai?Baadshaah – aao … der lagaa di tumne, chuk gaye shaadi, yaad karte rahe sab
Trishanku – main kya karta, ve tinon itni door door thhe ek yahaan, doosra
wahaan , teesra jaane kahaan, badi mushqil huyiBaadshaah – kya dekha tinon ne, pataa nahin … nahin laute… manaa kiya maine,
nahin maane
moorkh
bewaqoof
prithvi ke log
nahin samajhte
itni achchhi prithvi achaanak nahin bani… mehnat lagi.. koshish..
tum to thhe… yaad hain?Trishanku – haan yaad hain
Baadshaah – barbaad kar diya prithvi ko… tahas nahas… jung golaa barood
hathiyaar ladaayi … ped tod todkar nangaa kar diya prithvi ko
paani mein zehar … hawaa mein zehar …
mutthibhar log, hukumat karte karodon par
anaaj hain, bhookhe rehte hain laakhon… anaaj bechkar hathiyaar
kharidte hain
moorkh! moorkh!! moorkh!!!Trishanku theek kehte hain …lekin sabhi wahaan aise nahin hai …ek bachchaa hai
kautuk …main uski madad karna chaahtaa hoonBaadshaah nahin, nahin, nahin, hamaara kaanoon hai, rishta mat banana
prithvi ke logon ke saath… madad mat karna un murkhon ki
koshish ki thhi pehle kabhi, gayi bekaar… bhool jaao…bhool jaao oTrishanku – theek hai prithviwaale dusht hain, lobhi hain, moorkh hain …ek doosre ka khoon choosnewaale hain, ek jhande ke pichhe aapas mein lad mar jaate hain, anaaj bechkar hathiyaar kharidte hain, lekin sabhi aise nahin hain..kautuk jaise log bhi hai wahaan, usne yahaan aane mein meri madad ki … main bhi uski madad karna chaahta haoon…
(After this Trishanku tells Baadshaah how good and friendly Kautuk is and what consequences he may be facing after being alone now.)
Kautuk wants to play , wants to fly kite, wants to eat mango.. but Maasheela is such a cruel queen who has prohibited everything for Kautuk and he cannot even go out of his palace… saying this Trishanku breaks into tears and Baadshaah surprisingly asks him what is flowing from his eyes and why. Trishanku explains him that this is the ‘gift’ he got from the ‘people of prithvi’.
Baadshaah orders to bring Maasheela to his darbaar. And when Maasheela (Kalpana Aiyer) threatens Baadshaah of his life, the Baadshaah wants to kill her but Kautuk intervene and request Baadshaah to forgive her and he begs him for her life.
Trishanku – dekha kitne zulm kiye hain is aurat ne is par, phir bhi ye uske praanon ki bheekh maang rahaa hai…ise kehte hain kshamaa, prem, kautuk jaise aur bhi log hain prithvi par, jab tak aise log hain hamen prithvi se naa-umeed nahin hona chahiye
(Maasheela hugs kautuk and is emotional. She asks kautuk to forgive her misdeeds. She showers her love on kautuk.)
This incident brings tears to the Baadshaah and he forgives all and with the following message…
jaao kautuk jaao… jab tak tum jaise log prithvi par rahenge …prithvi rahegi
jaao aur apne duniya ke logon ko samjhaa do…
aapsi prem khatm ho jaayega kuchh nahin bachega sab kuchh khatm ho jaayegaaKautuk returns to prithvi after taking a promise from Trishanku to visit him on his birthday every year.
This heart-warming film by popular TV and film director Pankaj Parashar stars a galaxy of Bollywood stars in guest appearances including Sridevi, Amjad Khan, Anil Kapoor and Anupam Kher.
Before we enjoy today’s entertaining song I just wish that may there be many such movies and may such songs which I can present for occasions like today. We need to have more movies to bring the awareness on issues of environment and pollution.
Yesterday, it was there in the news that people are throwing dead animals into canals… Many must have seen the dumping sites where every day garbage heap is dumped and which are slowly turning into big mountains …
And last but not the least … keep watching children’s movies in between … not necessary that all children’s movies are for children only. People can learn a lot from them.
Also I would like to request the film-makers that ‘meaningful movies’ on the issues around us can be made for adult audiences too and they should not limit this for the children only.
It is good to see that in recent years there have been movies coming on ‘environmental issues’ too. We will keep presenting songs from such movies in the future on the blog.
Song – Ghar Jaanam, Ghar Jaanam (Aasmaan Se Gira) (1991) Singer – Shailendra Singh, Suresh Wadkar, Kavita Krishnamurthy, Raghuveer Yadav, Master Abhishek, Lyrics – Kamlesh Pandey, MD – Louis Banks
Lyrics
Part 1
Shailendra Singh, Suresh Wadkar, Both
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
lobh, krodh, mad
maaya
matsar
sar sar sar sar
tum tar tar tar
tum sar sar sar
tum tum sar sar
sar sar tum tum
tumsar tumsar
sarvas tyaagam
ghar jaanam
sarvas tyaagam
ghar jaanam
lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
——————————————————————–
Part 2
Suresh Wadkar, Kavita Krishnamurthy, Both
saans baansuri
sari sari dha dhadkan
dha dha dhina dha
saans baansuri
sari sari dha dhadkan
dha dha dhin dha
dha
tirkit dhoom tirkit dhoom dha dha
tirkit dhoom tirkit dhoom dha dha
[classical notations not deciphered]
dha tir dha tir dha dha
taa tir taa tir dha dha
dha tir kit dha dha
taa tir kit dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
dha tir dha tir dha dha dha
tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam
tatvamasi dha
shoonyam tha
shoonyam poornam
ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam …
——————————————————————
Part 3
Anupam Kher, Suresh Wadkar, Chorus
Anupam Kher + Suresh Wadkar
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
hmm hmm hmm
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya
dhobi aaya
kapde laaya
kapde maaya aa
daag lagaaya
chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa
chintaa bikhri
dhoor pataas kar
khonch khonch kar
daag chhudaaya
dhobi aaya aa
tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam
tv video
baingan aaloo
sab kuchh tyaagam
ghar jaanam
hi hi hi hi
chaadar maili
chalo utaaram
ghar jaanam
chaadar maili
chalo utaaram
ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
dhobi aaya
kapde laaya
maya utaaram
ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
————————————————————————
Part 4
Suresh Wadkar, Chorus
ghar jaanam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
ghar jaanam
ghar jaanam
om
ghar jaanam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
aa aa aa aa
aa aa aa aa
lobh, krodh, mad
maaya
matsar
sarvas tyaagam
ghar jaanam
om ghar jaanam
prithvi tyaagam
ghar jaanam
om ghar jaanam
aa aa aa aa
aa aa aa aa
saans baansuri
tatvamasi dha
shoonyam poornam
ghar jaanam
om ghar jaanam
prithvi tyaagam
dhobi aaya
kapde laaya
mail utaaram
ghar jaanam
om ghar jaanam
prithvi tyaagam
om ghar jaanam
Hamaari hi mutthi mein aakaash saara
Posted on: May 1, 2022
- In: Guest posts | Inspirational song | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Manna Dey solo | Manna Dey songs | Motivational song | Multi Version Song | Multiple version song | Post by Avinash Scrapwala | Songs of 1990s (1991 to 2000) | Songs of 1991 | Yearwise breakup of songs
- 9 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5035 | Post No. : | 16946 |
Today 1st May’2022 is the one hundred and third birth anniversary of legendary Singer Manna Dey (01.05.1919-24.10.2013). As a tribute to him, I am presenting a motivational song sung by him from the movie ‘Prahaar-1991’.
‘PRAHAAR: The Final Attack’ was a film Produced by Sudhakar Bokade and Directed by Nana Patekar. The star cast includes Nana Patekar, Dimple Kapadia, Madhuri Dixit, and Gautam Joglekar who played the second lead with Madhuri Dixit. Prominent Stage artist Shri.Habib Tanvir played the role of Gautam’s father.
The film was produced under the banner of ‘Divya Films combine’. Its cinematography was done by Debu Deodhar.
‘Prahaar’ had as many as three songs, and the one under discussion today has three versions sung two by Manna Dey (happy and sad) and one by Kavita Krishnamurthy. The lyrics are written by Mangesh Kulkarni, and music is scored by Laxmikant–Pyarelal.
I had watched this movie during my stay at Kota (Rajasthan) and I liked it very much. I watched this movie at least three-four times.
The movie highlights many issues within our society and for me this is one of the bests movies of Hindi Cinema. I will not go into the details of the story of the movie as it is better to watch and feel than to read about this movie. I wish that this film should be watched by everyone in India and introspect ourselves and our surroundings and the happenings around us… for a better India.
All the actors and actresses acting in the movie have delivered a power packed performance.
A detailed article about this movie has been written by our Respected Shri Sadanand ji while presenting the song Dhadkan zara ruk gayee hai.
Today’s song has three versions and all of them are being presented here. This song is sung by Manna Dey and Kavita Krishnamurthy. The highly motivational lyrics are by Mangesh Kulkarni, and the divine music is given by Laxmikant-Pyarelal.
Let us listen to this wonderful song …
Male version (normal)-Audio
Male version (Slow)-Audio
Female version (normal)-Audio
Male versio video (Partial)
Song-Hamaari hi mutthi mein aakaash saara (Prahaar)(1991) Singer-Manna Dey/ Kavita Krishnamoorthy, Lyrics-Mangesh Kulkarni, MD-Laxmikant Pyarelal
chorus
Lyrics
———————-
Male version (Normal)/ Female version (similar except last humming stanza)
———————-
Hmm hmm hmm
Hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa
Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Hatheli pe rekhaayen
Hain sab adhoori
Kis ne likhi hai
Nahin jaananaa hai
Suljhaane unko naa
Aayegaa koyi
Samajhnaa hai unko
Ye apanaa karam hai
Hmm hmm hmm hmm
Aa aa aa aa
Apne karam se
Dikhaanaa hai sab ko
Khud kaa panapanaa,
Ubharnaa hai khud ko
Hmm hmm hmm hmm
Andheraa mitaaye jo nanhaa sharaaraa
Hmm hmm hmm hmm
Dishaa jis se pehchaane
Hmm hmm hmm hmm
Sansaar saaraa
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taaraa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taaraa
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa
Jo bhi saath aaye
Unhein saath le len
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa
Kabhi naa dhale jo
Wo hi sitaaraa
Dishaa jis se pehchaane
Sansaar saara
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Aa aa aa aa
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa aa
Aa aa aa aa
—————————-
Male version(Slow version)
—————————-
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Hamaare peechhe koyi
Aaye naa aaye
Hamein hi to pehle
Pahunchnaa wahaan hai
Jin par hai chalnaa
Nayee peedhiyon ko
Unhi raaston ko
Banaanaa hamein hai
Hmm hmm hmm hmm
Aa aa aa aa
Jo bhi saath aaye
Unhein saath le le
Agar naa koyi saath de to akele
Hmm hmm hmm hmm
Sulgaa ke khud ko
Hmm hmm
Mitaa de andheraa
Hmm hmm
Dishaa jis se pehchaane
Hmm hmm
Sansaar saara
Hamaari hi mutthhi mein
Hmm hmm
Aakaash saaraa
Hmm hmm
Jab bhi khulegi
Hmm hmm
Chamakegaa taraa
Kabhi naa dhale jo
Wo hi sitaraa
Dishaa jis se pehchaane
Sansaar saara aa
Hamaari hi mutthhi mein
Aakaash saaraa
Jab bhi khulegi
Chamakegaa taraa
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa
aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Hmm hmm hmm
Aa aa aa aa aa aa
Hmm hmm hmm
ho o o o o o o o o
Aa aa aa aa
Le le dil de de dil
Posted on: August 2, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4763 | Post No. : | 16510 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLV: Year 1991
———————————————————————————————————
In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1991.
In 1991, 130 Hindi movies containing 667 songs were released. Lata Mangeshkar got to sing in 16 of these movies and she sang 57 songs in these movies. So Lata Mangeshkar’s voice was heard in 11.5 % of the movies released in 1991. Her voice was heard in 8.5 % of the songs appearing in the movies of 1991.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1991 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | 100 days | Ram Laxman | 0 | 5 | 1 | 4 | 0 | 0 | Dilip K Tahir (1) Dev Kohli (3) Ravindra Rawal (1) |
| 2 | Banjaaran | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 3 | Dancer | Anand Milind | 0 | 1 | 0 | 1 | 0 | 0 | Sameer |
| 4 | Do Pal | Rajesh Roshan | 0 | 1 | 1 | 0 | 0 | 0 | Payaam Sayeedi |
| 5 | Farishtey | Bappi Lahiri | 0 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 6 | First Love Letter | Bappi Lahiri | 0 | 3 | 1 | 2 | 0 | 0 | Anjaan |
| 7 | Henna | Ravindra Jain | 2 | 8 | 5 | 2 | 0 | 1 | Ravindra Jain |
| 8 | Lamhe | Shiv Hari | 2 | 7 | 4 | 2 | 1 | 0 | Anand Bakshi |
| 9 | Lekin | Hridaynath Mangeshkar | 0 | 10 | 9 | 1 | 0 | 0 | Gulzar (6) Vasant Deo (2) Kabir (1) Wajid Ali Shah (1) |
| 10 | Patthar Ke Phool | Ram Laxman | 1 | 6 | 2 | 4 | 0 | 0 | Dev Kohli (3) Ravindra Rawal (3) |
| 11 | Phool Bane Angaarey | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Anjaan |
| 12 | Pyaar Ka Devta | Laxmikant Pyarelal | 0 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 13 | Sanam Bewafaa | Mahesh Kishore | 0 | 6 | 6 | 0 | 0 | 0 | Saawan Kumar Tak |
| 14 | Sau Karod | Bappi Lahiri | 0 | 1 | 1 | 0 | 0 | 0 | Suraj Jagan |
| 15 | Saudaagar | Laxmikant Pyarelal | 0 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 16 | Ye Aag Kab Bujhegi | Ravindra Jain | 0 | 2 | 2 | 0 | 0 | 0 | Ravindra Jain |
| Total | 16 movies | 9 MDs | 5 | 57 | 35 | 20 | 1 | 1 | 14 lyricists |
Lata Mangeshkar worked with 9 music directors and 14 lyricists in these 16 movies released in 1991. Laxmikant Pyarelal were the most prolific music directors with Lata, with 654 songs in HFM with Lata Mangeshkar by the end of 1989. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 331 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (109), Bappi Lahiri (108), Rajesh Roshan (105) and Vasant Desai (104). Together these seventeen music directors composed 3706 songs out of 5009 songs that Lata Mangeshkar had sung in Hindi movies till end of 1991. Anand Bakshi with 674 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (153). These ten lyricists had penned 3190 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1991 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 138 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 171 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 9 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 3 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 5 | 57 | 35 | 20 | 1 | 1 | |
| Total upto 1990 | 1798 movies | 3712 | 5009 | 3300 | 1391 | 206 | 112 |
It can be seen from the table of 1991 that Lata Mangeshkar sang 56 songs in 15 movies released in 1991. It was a good recovery from 1990, hen she got to sing just 12 songs in 9 movies.
By end of 1991, Lata Mangeshkar had just crossed 5000 songs as a playback singer. Out of these 5009 songs, solo songs added up to exactly 3300 songs.
5 songs sung by Lata Mangeshkar in movies of 1991 have been covered in the blog. That leaves us with 52 songs from 16 movies of 1991 that are yet to be covered.
Alphabetically “100 days”(1991) is the first movie of 1991 that offers us a Lata Mangeshkar song to be covered in the blog.
“100 days”(1991) was produced by Jay Mehta Mehta and directed by Partho Ghosh for Jay Vijay Enterprises, Bombay. The movie had Madhuri Dixit, Jackie Shroff, Javed Jaffery, Sabeeha(special appearance), Laxmikant Berde, Kunika Sadanand, Moon Moon Sen, Ajit Vachani, Jay Kalgutkar (introducing) ,Vijay Arora, Chunnu Mehra, Harbans Darshan.M.Arora, Prem Sagar, Sunita, Yusuf. They were supported by Shashikiran, Neelam Mehra, Shivaji Satam, Mahaveer Shah, Raja Duggal, Kanti Karan, Ramakant Burman, Anthony Andrade etc.
This movie was a remake of a remake of a foreign movie. The original Italian movie “Sette Note In Nero” (1977) served as the inspiration for Tamil film “Nooravathu Naal” (1984). Its suceess led into it being dubbed into Telugu as “Nurava Roju” (1984) and remade into Malayalam as “Aayiram Kannukal” (1986)
“100 days”(1991) had six songs in it. Voice of Lata Mangeshkar song was present in five of these songs. One song (non Lata Mangeshkar song) has been covered so far. It means that the remaining five songs from the movie are all Lata Mangeshkar songs.
Here is one of those songs.
This song is a dance song of the kind that was very popular those days. It is sung by Amit Kumar, Lata Mangeshkar and female chorus. The song is picturised as a dance song on Javed Jafrey, Madhuri Dixit and others. Jackie Shroff and Ajit Vachaani are also seen in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
Audio link: (Full song)
video link: (shorter)
Song-Le le dil de de dil (100 days)(1991) Singers-Amit Kumar, Lata , Lyrics-Ravindra Rawal, MD-Ram Laxman
Chorus
Javed Jaffrey
Lyrics (audio version)(Provided by Prakashchandra)
lalla lalla laaa laaa
lalla lalla laa laaa
laallaaa laallaaa lalallalaala
heartbeat
heartbeat
heartbeat
heartbeat
hhha huhh hha huhh
hhha huhh hha huhh
haaaaaaaa
ley ae aey ae dil
le le dil
de de dil
maukaa hai badaa haseen
le le dil dil dil
de de dil dil dil
maukaa hai ae badaa haseen
chal diyaa aa aa (aaaa)
main agar (aaaa)
aaoongaa aa phir naheen (aaaa)
kaisey dil
de doon dil
ye meraa aa ab naheen een
kaisey dil dil dil
de doon dil dil dil
ye meraa aa ab naheen
gair kaa aa (aaaa)
ho chukaa aa (aaaa)
kar ley meraa yakeen(aaaa)
mujhko hai pataa
ye bahaaney hain tere
tu haseen hai laakhon hee deewaaney hain tere aey ae
kyaa karoon kisee ka jaadoo mujhpe chal gayaa
aankhein jo mileen haathon se dil nikal gayaa
mujhko hai pataa
ye bahaaney hain tere
tu haseen hai laakhon hee deewaaney hain tere aey ae
kyaa karoon kisee ka jaadoo mujhpe chal gayaa
aankhein jo mileen haathon se dil nikal gayaa
ab jahaan bhee hai woh o o (aaaa)
dil meraa aa hai waheen (aaaa)
ley aey ae ae ae ae dil
le le dil
de de dil
maukaa hai
badaa haseen een
kaisey dil dil dil
de doon dil dil dil
ye meraa aa ab naheen
chal diyaa aa (aaaa)
main agar (aaaa)
aaoongaa phir nahin (aaaa)
lallaa laaalaaa
lallaalla laalaaa
laallaa laallaa lalala
lallaa laaalaaa
lallaalla laalaaa
heartbeat
heartbeat
heartbeat
heartbeat
hhha huhh hha huhh
hhha huhh hha huhh
haaaaaa
dekhey maine laakhon aisa koyee bhee naheen
mere deewaney ke jaisaa koyee bhee naheen
kaun khush-naseeb hai woh naam to bataa
varnaa ye bahaaney main naheen maantaa
dekhey maine laakhon aisa koyee bhee naheen
mere deewaney ke jaisaa koyee bhee naheen
kaun khush-naseeb hai woh naam to bataa
varnaa ye bahaaney main naheen maanta
aaj ye ae (aaaa)
faislaa (aaaa)
main karoongaa yaheen (aaaa)
ley aey ae ae dil
le le dil
de de dil
maukaa hai
badaa haseen
le le dil dil dil
de de dil dil dil
maukaa hai ae
badaa haseen
chal diyaa aa(aaaa)
main agar (aaaa)
aaoongaa aaa (aaaa)
phir naheen (aaaa)
kaisey dil
de doon dil
ye meraa aa ab naheen
kaisey dil dil dil
de doon dil dil dil
ye meraa aa ab naheen een
gair kaa aa (aaaa)
ho chukaa aa (aaaa)
kar ley meraa yakeen een een (aaaa)
Gabbar Singh ye keh kar gayaa
Posted on: April 2, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4641 | Post No. : | 16301 | Movie Count : |
4427 |
Hullo Atuldom
“100 Days” (1991) was produced by Jay Mehta (son of producer Pranlal Mehta), directed by Partho Ghosh. This was a first for both the producer and director. It starred Madhuri Dixit- Moon Moon Sen- Jackie Shroff- Javed Jaffrey- Laxmikant Berde – Sabeeha (daughter of yesteryear actress Ameeta of “Tumsa Nahin Dekha” fame) and a few others. It was a remake of a Tamil hit, a crime thriller with a twist. Madhuri played Moon Moon’s sister and Javed Jaffrey’s college friend. Jackie played a rich man and Laxmikant Berde his secretary.
Usually I like to give the synopsis of the movie with the song but not today. It will take away the fun of seeing the movie, just in case any follower of the blog feels like having a dekho of the movie, anytime. I have seen it in both languages and have loved it. Specially the climax and the various emotions that run through the movie. There is high drama, comedy, romance and a few entertaining songs. Partho Ghosh had an able cinematographer in the (late) Arvind Laad and the frames in the suspense scenes are well composed.
The music for the movie was by Vijay Patil better known as Raam Laxman. I remember that our in-house encyclopedia has mentioned somewhere on the blog that Raam -Laxman were brothers who were signed up for the 1977 movie ‘Agent Vinod’. Unfortunately, Raam the older brother passed away before the release of ‘Agent Vinod’ in 1976. But Vijay Patil continued his journey in the industry as Raam -Laxman and was very successful in the ’90s. He later changed his name to Raamlaxman post ‘Maine Pyar Kiya’.
“100 Days” had songs written by Dilip K Tahir, Dev Kohli and Ravinder Rawal. the singers used were Lata Mangeshkar, Alka Yagnik, S.P. Balasubramaniam, and Amit Kumar. Choreographers were Suresh Bhatt, Chinni Prakash, and Partho Ghosh himself. There are two songs that were filmed on the dancing duo Javed Jaffery and Madhuri of which one was a stage song.
Today we are not having the stage song but the other one, which is essentially keeping with the spirit of today i.e. April Fool’s day or All Fools day. Since morning there have been messages which are supposedly giving insight into why this day is celebrated and the last line of that message says, and I quote: “He used to read all fake stories, like you are doing now. It’s great idea fooling you”. Normally people play harmless pranks on their friends and dear ones on this day and I read somewhere that this is, generally, only till noon.
This is what I found on wikipedia:- “Some writers suggest that April Fools’ originated because in the Middle Ages, New Year’s Day was celebrated on March 25 in most European towns, with a holiday that in some areas of France, specifically, ended on April 1, and those who celebrated New Year’s Eve on January 1 made fun of those who celebrated on other dates by the invention of April Fools’ Day. The use of January 1 as New Year’s Day became common in France only in the mid-16th century, and that date was not adopted officially until 1564, by the Edict of Roussillon”.
Before getting on to the song I would like to congratulate Atulji, Sudhirji and all his followers and contributors and commentors on the blog’s 16300th post. Even if the blog is moving as per the movement of the moon, we are reaching centuries at a constant pace.
Here is the song in Alka Yagnik and Amit Kumar’s voices Sabeeha is in Javed’s team in playing pranks on Madhuri though they are all close friends. This song is written by Ravinder Rawal.
I would like to point out a few things in this song:-
(1) Javed jaffery is holding a small potli in his hand at the start of the song, akin to what Gabbar Singh had in ‘Sholay’.
(2) Madhuri has a step where she is shown mixing tambaaku (tobacco) like Gabbar Singh (of course).
These are the reasons why the song has stayed with me in all these years.
Audio
Video
Song-Gabbar Singh ye keh kar gaya (100 days)(1991) Singers-Amit Kumar, Alka Yagnik, Lyrics-Ravindra Raval, MD-Ram Laxman
Male chorus
Female chorus
Lyrics
aaaa
aeye
darr gayi
ha ha ha ha ha
ik thi ladki bholi bhali
har aahat se darne waali
baat baat mein ro deti thi woh
achha
haan
ik din ek chhota sa bacha
umar mein jo tha bilkul kachcha
paas mein aake ye bola usko
kya
gabbal ching
ye kah kal gaya
jo dal gaya woh mal gaya
haan gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
nadaan bachcha hansi khel mein
kaudi ghazab ki dekar gaya
arre naadaan bachcha hansi khel mein
kaudi ghazab ki dekar gaya
haaye re
gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
la la la la laa laa laa
la la la la laa laa laa la
dilwaalon ki hai yeh adaa
dilwaalon ki hai yeh adaa
jeene ka lete hain mazaa
jeene ka lete hain mazaa
arre un baaton se kya darna
jin par zor nahin apna
haaye haaye haaye
ga ga ga ga gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
kya hua
ha ha ha ha ha
nakli khaal pehan kar aaye
geedad sher agar ban jaaye
pal bhar dhaak jama leta hai woh
aisa
haan
par logon ke pathar khaake
bhaage jab woh dum dabake
koi bachche kahe agar usko
kya
gabbal ching ye kah kal gaya
jo dal gaya woh mal gaya
haaye gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
arre gabbar singh yeh kah kar gaya
jo darr gaya woh mar gaya
kehte hain geedad ki aaye jo maut
toh bhaag kar woh shehar gaya
kehte hain geedad ki aaye jo maut
toh bhaag kar woh shehar gaya
gabbal ching kya kah kal gaya
jo dal gaya wo mal gaya
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4550 | Post No. : | 16137 |
Meri aawaaz hi pehchaan hai
gar yaad rahe
ho o o naam gum jaayegaaaaaa
chehra yeh badal jaayegaa
meri aawaaz hi pehchaan hai ae
gar yaad rahe
I wonder if human voices are like DNA or fingerprints, as no two voices are ever absolutely the same. In blood relatives the voices are very similar, but they are also distinguishable with slight differing inflections. We have experienced such situations where, we have not met a person for a few years, but as soon as we hear their voice, without seeing them at first, we recognize the person and the face flashes before the eyes, before we turn around and actually see that person.
Connecting with people on the cell phone is not the same. We tend to recognise people by the names which are saved in the phone. If people with whom we have lost touch, call on the phone, most of the times they have to identify themselves. Unless it is a person who is very close to us, it is most likely that it will not be recognised. Reliance on technology is eroding the human capacities of recognition and memory. The adventure of people calling from faraway places and the delight that was felt when hearing from loved one on landline phones is dwindled.
Now the last few weeks, I was on vacation, ostensibly for the special occasion of my 3rd century post. I have been looking to find some more songs and more importantly outdoorsy songs, to write posts. There are many thousand songs filmed on locations around the world in newer hindi films. Quite a few of them are very nice and decent songs. Pleasing on the ears and on the eyes.
I don’t want to run more concurrent series, so this will be random song post in between, picturised on outdoor exotic(read fresh) locations.
I talked of voices and inflection in the opening paragraph of this post. The voice of Meena Kumari is a distinct lively sound and I though the voice of ZebaBakhtiar carries some similar inflections to Meena Kumari’s voice. Zeba is a Pakistani actor who played the lead role in the R.K. Films ‘Henna’ 1991. The clothes worn by her in this one film have had a lasting impact on Indian fashions and clothing style for women for these 3 decades. This film brought the ‘Anarkali’ pattern with a bang, and the style has carved a niche in the Indian dressy and formal outlook. Common Indians like to be modestly and festively dressed in weddings and functions, prefer this style. The ‘Anarkali’ once arrived has made itself a permanent fixture in the wardrobes of Indian fashionistas and commoners. The Anarkali has changed various avatars, but it has stayed ahead of the traditional chaniya choli in high fashion.
Bhanu Athaiya(April 28, 1929 – October 15, 2020) is the costume designerfor ‘Henna’ 1991, the first Indian to have won an Oscar award, which she did for ‘Gandhi’ 1982.
I have seen a few songs of Henna just now, and found a couple of imaginatively picturised on location songs. The song being presented here is a Lata solo, written and composed by Ravindra Jain. I have chosen this song, for its melodious tune and also for its picturization showing snowy mountains, green manicured gardens and around an unmanicured river locations at ‘Austria’.
It is clear from what I have seen today, that though the idea of this film was conceived by Raj Kapoor, but the actual filming in done after the death of Raj Kapoor. Only one song, the qawwali has so far been covered in the blog, so this is the second song to posted from this film.
In this song, I think Zeba dances like a doll, and her moves are totally without avarice. Appreciable that she has looked this good on screen, only on the strength of the dresses and some makeup which is rather a distraction from her real beauty. The narrow shouldered fragile look is another thing she shares with the young Meena Kumari.
Since today is new year day of the Gregorian calender, followed the world over, here is the pragmatic Faiz Ahmed Faiz:
– Naya saal –
Aye naye saal bataa tujh mein nayapan kya hai
Har taraf khalq ne kyun shor macha rakkha haiDin ki roshi wahi, taaron bhari raat wahi
Aaj ham ko nazar aati hai har ek baat wahiAasmaan badla, afsos na badley hai zameen
Ek hindse ka badalna koyi jiddat to nahinAgle barson ki tarah honge kareene tere
Kise maaloom nahi? barah mahine tereTu naya hai to dikha subah nayi shaam nayi
Warna in aankhon ne dekhe hain naye saal kayee
Video :
Audio :
Song-Bedardi tere pyaar ne deewaana kar diya (Henna)(1991) Singer-Lata, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics (as per audio link)
ho ho ho o o oo
o o o o o o
o o
o o o o
o o o
o o o
bedardi tere pyaar ne deewaana kar diya aa
bedardi tere pyaar ne deewaana kar diya
mujhe deewaana kar diyaa
kahin bhi laage na jiya
mujhe ae deewaana kar diyaa
kahin bhi ee
laage na jiyaa
ho o o
bedardi tere pyaar ne deewaana kar diya aa
bedardi tere pyaar ne
apni khabar hai na
dil ka pataa aa
kuchh mujhe yaad nahin
tere siwa aa
apni khabar hai na
dil ka pataa aa
kuchh mujhe yaad nahin
tere siwa aa
dekhoon jidhar
tu hi nazar
aaye dilrubaa
duniya ke har khayaal se
begaana kar diya
duniya ke har khayaal se
begaana kar diya
mujhe deewaana kar diyaa
kahin bhi laage na jiya
mujhe ae deewaana kar diyaa
kahin bhi ee
laage na jiyaa
ho o
bedardi tere pyaar ne deewaana kar diya aa
bedardi tere pyaar ne
kho gayee yoon tere
pyaar mein sanam
kahin rakhti hoon kahin
pade hain qadam
kho gayee yoon tere
pyaar mein sanam
kahin rakhti hoon kahin
pade hain qadam
nayi Khushi tadap nayi
teraa hai karam
mujh ko meri hi raah se
anjaana kar diyaa
mujh ko meri hi raah se
anjaana kar diyaa
mujhe deewaana kar diyaa
kahin bhi laage na jiya
mujhe ae deewaana kar diyaa
kahin bhi ee
laage na jiyaa
ho ho o
bedardi tere pyaar ne deewaana kar diya aa
bedardi tere pyaar ne
ho ho ho o o oo
o o o o o o
o o
o o o o
o o o
o o o
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4479 | Post No. : | 15987 |
The series of “Dheere dheere songs” has been in the making since May 2019 starting with this post. But nothing to worry about, as I am keeping track of these posts and will give a recap in the final post of the series.
Next song in this series is this multiple version song from the film Phool aur Kaante- 1991. The music director are the duo Nadeem Sharavan, with their trusted team member Sameer being lyricist. Sameer holds the records for having written highest number of film song. The singers are Kumar Sanu and Alka Yagnik.
Myswar.com has listed three versions of the song, a duet and Alka Yagnik solo of “Dheere dheere pyar ko badhaana hai” and a sad duet version with slight change in words of mukhda “dheere dheere hausla badhaana hai”. I was not able to find the Alka Yagnik solo, so the lyrics and links are given for the happy and sad duet versions.
Two songs of this film are posted 10 years apart in the blog 2009 & 2019:
| Song | Date posted |
|---|---|
| Tumse milne ko dil kartaa hai | 11 June 2009 |
| Maine pyaar tumhi se kiya hai | 11 June 2019 |
Actually this song already posted in the series is inspired by Joyce Sims’ “Come into my life” (1987). On first hearing, the similar things between the songs are the similar words of “meri zindagi mei naana” and “come into my life”, plus the same guitar interlude at the beginning of both songs. But some work on the part of lyricist and music director is definitely involved in creating a lovely Indian sounding song. Aashiqui was in 1990, and this movie “Phool aur Kaante” was in 1991. Come to think of it, this “dheere dheere” is having a similar tune to the Aashiqui song.
Dheere dheere se meri zindagi mein aana
Dheere dheere se dil ko churaana
Dheere dheere pyaar ko badhaana hai
Hadd se guzar jaana hai
“Phool aur Kaante” was Ajay Devgan’s debut film and Madhoo was the heroine. The song’s both versions are picturised on them. I know that I have seen this movie at Bandra’s “Gaiety” cinema. But to recollect the actual happenings in the story is another thing. I visited the imdb page to get snippets of story etc. so can’t say it was a memorable film. And no, they haven’t translated the name of this movie to “Flower and Thorns” 🙂 🙂 .
Happy version- Audio
Happy version- Video
Sad version-Video
Sad version (Full audio)
Song-Dheere dheere pyaar ko badhaana hai (Phool aur Kaante)(1991) Singers-Kumar Sanu, Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan
Lyrics
———————
Happy version
——————–
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
mujhe bas tujhse dil lagana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
aisi zindagi hogi
har taraf khushi hogi
itna pyaar doonga tujhe
ae mere sanam
ab na koi gham hoga
na ye pyaar kam hoga
saathi mere mujhko tere sar ki hai kasam
ek dooje ko aazmaana hai
hadd se guzar jaana hai
dheere dheere pyar ko badhaana hai
hadd se guzar jaana hai
main akela kya karta
aise hi aahen bharta
tere pyaar ke liye tadapta umr bhar
jaane kya main kar jaati
yoon tadap ke mar jaati
bin tere bhala kaise kat’ta ye safar
tere liye mar ke bhi dikhaana hai
had se guzar jaana hai
dheere dheere pyaar ko badhana hai
hadd se guzar jaana hai
tera chaand sa mukhda
tu jigar ka hai tukda
tu humaare sapnon ki jheel ka kanwal
jaan se tu hai pyaara aankhon ka tu hai taara
bin tere jiyenge ab hum na ek pal
sab kuch tujhpe hi lutaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhana hai
had se guzar jaana hai
mujhe bas tujhse dil lagaana hai
hadd se guzar jaana hai
ho o
hadd se guzar jaana hai
haan
hadd se guzar jaana hai
——————–
Sad version
———————
aansu na bahaayenge
hansi dhoondh laayenge
miljul ke baant lenge
zindagi ke gham
aansu na bahaayenge
hansi dhoondh laayenge
miljul ke baant lenge
zindagi ke gham
bachh ke kahaan jaayegi
khushiyaan laut aayengi
haarenge na waqt ki in
aandhiyon se ham
dheere dheere hausla badhaana hai
hadd se guzar jaana hai
dheere dheere pyaar ko badhaana hai
hadd se guzar jaana hai
Bahut pyaar karte hain tumko sanam
Posted on: May 4, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4308 | Post No. : | 15582 | Movie Count : |
4290 |
Today (4 may 2020) is a day when no notable HFM personality was born. But on this day, one person totally unconnected with HFM was born in a far away land 365 years ago. He would invent a musical instrument that has played a vital role in the development of HFM. Movies of 1950s and 1960s were not complete if this instrument did not appear in at least in one song. In one movie, this instrument has even appeared in four songs !
The instrument that we are talking about is Piano. It was invented in 1709 by Bartolomeo Cristofori di Francesco(4 May 1655 – 27 January 1731), was an Italian maker of musical instruments.
Nine of his pianos still survive. Three of them are preserved in three museums, one in New York (Metropolitan Museum), Rome (Museo Nazionale degli Strumenti Musicali) and Leipzig university( Museum of musical instruments)
Hindi movies have had hundred on Piano songs in it. This blog has as many as 147 Piano songs. The earliest is from 1938. Pianon songs came into their own in HFM from late 1940s and ruled the roost in HFm till late 1970s. After that, Piano songs became few and far between. Pianos, which depicted class and prosperity of the character playing it in those days. From 1970s onwards, actors started sporting guitar instead. Guitar may have looked jazzy and spectacular, but it disd not have the old world charm of a Piano.
Most Piano songs of note (pun unintended) have already been covered in the blog.
When I searched for Piano songs on internet, I came across a few writeups, that discussed well known Piano songs. All of them have already been covered in the blog. When I went through one of these writeups (posted on 5 october 2016), I found the description of these songs familiar. I realised that the description was very much mine ! When I checked up these songs in the blog, I realised that this article had copied and pasted contents of the writeup of Piano songs in the blog ! For instance, my description of “Bhaabhi”(1938) Piano song goes like
This song is picturised as a piano song. P Jairaj is playing the piano and this song is sung by Renuka Devi. Her father V H Desai looks on and later the villain Rama Sukul too comes in and watches her sing with disapproval.
You will find this description faithfully copied and pasted in that article.
My description of “Andaaz”(1949) piano song, “hum aaj kahin dil kho baithe”, was
Dilip Kumar sits at the piano at night and sings this song. And Nargis arrives with her pet dog and watches Dilip Kumar sing the song, clutching her dog like a pillow.
This description is faithfully copied and pasted in that writeup.
Like this, all the 25 Piano songs described there copies contents from this blog, without giving credit. How very cheap of this so called blogger. I have posted a comment in that blog which is unlikely to see the light of the day, of course.
Coming to Piano songs, I quickly realised that these songs had gone the way of qawwaali songs, cabarat songs etc- viz they had vanished as the golden era of HFM drew to a close.
One can still find a few piano songs here and there, but these songs are nowhere near the same class of Piano songs that were created during the golden era of HFM.
After some frenetic search, I have been able to locate one as yet unrepresented Piano song. It is from a “recent” movie. Even the movie, a musical blockbuster, is not yet represented in the blog.
Today, on the occasion of the birth anniversary of the man who gave us Piano, here is a piano song from “Saajan”(1991). Yes, this movie, the biggest box office hit of the year 1991 was not there in the blog till now. This movie, which was produced by K C Bokadia and directed by Lawrence Desouza had Sanjay Dutt, Madhuri Dixit, Salman Khan, Kader Khan, Reema Laagoo, Laxmikant Berde, Ekta Sohini, Anjana Mumtaz, Dinesh Hingoo, Yunus Parvez, Raju Shreshtha, Tej Sapru, Vikas Anand etc in it.
I had fond memories of watching this movie in Vadodara in 1991, where I was attending a course those days.
The movie had ten songs in it.
Here is the first song from “Saajan”(1991) to appear in the blog. This song has male and female solo versions sung by S P Balasubhramanyam and Alka Yagnik respectively. Sameer is the lyricist. Music is composed by Nadeem Shrawan.
It is the female version, picturised on stage, with Madhuri Dixit near a piano, that makes this song a Piano song. Unlike Piano songs of yore, some sort of mist engulfs her and the piano. I wonder what the director was trying to achieve with this kind of picturisation.
On the occasion of the birth anniversary of the creator of Piano, here is this memorable Piano song from 1991.
With this song, “Saajan”(1991) makes its debut in the blog.
Male version
Female version
Song-Bahut pyaar karte hain tumko sanam (Saajan)(1991) Singer-S P Balasubrahmaniam/ Alka Yagnik, Lyrics-Sameer, MD-Nadeem Shrawan
————————-
Male version
————————
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
ru ru ru ru ru ru ru
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo
kasam chaahe le lo
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
humen har ghadi aarzu hai tumhaari
humen har ghadi aarzu hai tumhaari
hoti hai kaisi sanam bekaraari
milenge jo tumko to
milenge jo tumko to
bataayenge hum m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo
kasam chaahe le lo
khuda ki kasam
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa
aa aa aa aa
————————————-
Female version
————————————-
Bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo o
kasam chaahe le lo
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
hamaari ghazal hai tassawur tumhaara
hamaari ghazal hai tassawur tumhaara
tumhaare bina ab na jeena gawaara
tumhen yoonhi chaahenge
tumhen yoonhi chaahenge
jab tak hai dam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
Saagar ki baahon mein maujen hain jitni
saagar ki baahon mein maujen hain jitni
humko bhi tumse muhabbat hai utni
ke ye bekaraari ee
ke ye bekarari na ab hogi kam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
kasam chaahe le lo o
kasam chaahe le lo o
khuda ki kasam m m
bahut pyaar karte hain tumko sanam
bahut pyaar karte hain tumko sanam
Saudaagar saudaa kar
Posted on: March 14, 2020
- In: Blog ten year challenge (2010-2020) | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Kavitha Krishnamurthy Songs | Lyrics contributed by readers | Manhar Udhas songs | Post by Avinash Scrapwala | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1991 | Sukhwinder Singh Song | Title song | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4257 | Post No. : | 15477 |
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Blog 10-Year Challenge (2010-2020) – Song No. 10
——————————————————————————
Welcome all to the today’s post where I am presenting a song from the movie ‘Saudaagar-1991’. This is one of the two movies falling under ‘Blog Ten-Year challenge’ today. Another movie is ‘Sunahri Naagin-1963’.
Only two songs (better strike rate than the current ‘one song per day’😊) were posted on the blog on this day ten years back i.e. on 14.03.2010;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Ilu Ilu | Saudaagar-1991 | 02 of 06 songs posted |
| Tu hi tu hai main dekhaa karoon | Sunahri Naagin-1963 | 05 of 08 songs posted |
‘Saudaagar-1991’ is one of the many movies that I watched during my stay at Kota. I remember I watched this movie twice during its initial release. Later I have always enjoyed it in ‘parts’ whenever it was on TV channels. The main reason for watching the movie was that it was directed by Subhash Ghai (he was the producer as well) and secondly its ‘music’.
I am big fan of Subhash Ghai , not only for his direction but for the music of his movies as well.
Music has always been a ‘highlight’ of the movies directed by him and also the picturization of the song sequences in his movies which are choreographed in ‘style’.
I still remember watching ‘Ram Lakhan-1989’, ‘Saudaagar-1991’ and ‘Khalnayak-1993’ to packed houses in Kota and the audience breaking into cheers and dancing to the tunes of ‘My name is Lakhan’, ‘Ilu Ilu’, ‘Imli ka boota beri ka ped’, and other songs in ‘Ram Lakhan-1989’ and ‘Saudaagar-1991’.
Also, I cannot forget the ‘mesmerising silence’ watching the ‘artistically choreographed’ ‘Choli ke peechhe kya hai’ and the ‘picturesque beauty’ in the song ‘Paalki mein ho ke sawaar chali re’… from ‘Khalnaayak-1993’.
His collaboration with the music-duo Laxmikant-Pyarelal started with the ‘1979’ movie ‘Gautam Govinda’ and lasted till ‘Khalnayak-1993’.
Let us have a look on the list of movies where Laxmikant-Pyarelal scored the music for the movies directed by Subhash Ghai;
| SNo | Movie Title | Year |
|---|---|---|
| 01 | Gautam Govinda | 1979 |
| 02 | Karz | 1980 |
| 03 | Krodhi | 1981 |
| 04 | Hero | 1983 |
| 06 | Meri Jung | 1985 |
| 07 | Karma | 1986 |
| 08 | Ram Lakhan | 1989 |
| 09 | Saudaagar | 1991 |
| 10 | Khalnaayak | 1993 |
Today’s song from ‘1991’ movie ‘Saudaagar’ is picturized on the then debutant pair Manisha Koirala and Vivek Mushran. Also present in the picturization of the song is Anupam Kher who played a ‘pivotal’ role in the movie.
The song is sung by Kavita Krishnamurthy, Manhar Udhas and Sukhvinder Singh. Lyrics are by Anand Bakshi and music is composed by Laxmikant-Pyarelal.
Two songs from ‘Saudaagar-1991’ posted on the blog earlier are as follows;
| Song | Posted On |
|---|---|
| Ilu Ilu | 14.03.2010 |
| Imli ka boota beri ka ped | 11.12.2013 |
Let us now enjoy today’s song …
Video
(video)
Audio
Song-Saudaagar saudaa kar (Saudaagar)(1991) Singers-Kavita Krishnamurthy, Manhar Udhas, Sukhvinder Singh, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics(Based on audio link)
tu panchhi
pardesi
tu jogi hai ki jaadugar
inme se koyi bhi nahin
main sapnon ka saudaagr
Saudaagar saudaa kar r r
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Saudaagar saudaa kar r r
Dil le le ae
Dil de kar
Saudaagar hmm hmm hmm
Saudaa kar hmm hmm hmm
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Haath kisi ka wo pakde
O o o o o o o
Haath kisi ka wo pakde
Jo chhode jag saara aa
Tu oonche mehlon waali
Main beghar banjaara
Ik dooje ke dil mein rahenge
Kya karna hai ghar
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Tere saath main kaise
Pyaar ka saudaa kar loon oon
Tere saath main kaise
Pyaar ka saudaa kar loon oon
Aisa koi waada kar
Main jispe bharosa kar loon
Jo chaahe likhwaa le mujhse
Kore kaagaz par
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Hmm hmm hmm
Hmm hmm hmm
Aa aa aa
Aa aa aa aa
Aa aa aa
Aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Dil to hai ae
Par dil ke
Par dil ke
Armaan kahaan se laaun
Doli sehra kangan sab
Saamaan kahaan se laaun
Doli sehra kangan sab
Saamaan kahaan se laaun
Thhodaasa sindoor kahin se le aa
Bas jaa kar
Saudaagar hmm hmm hmm
Saudaa kar hmm hmm hmm
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Soch samajh le
Baad mein naa pachhtaana
Ye kah kar
Saudaagar saudaa kar
Dil le le ae
Le le ae
Dil de kar
De kar
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
O dil le le ae
Dil de kar
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
O dil le le ae
Dil de kar
——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————
तू पंछी
परदेसी
तू जोगी है कि जादूगर
इनमे से कोई भी नहीं
मैं सपनों का सौदागर
सौदागर सौदा कर र र
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
सौदागर सौदा कर र र
दिल ले ले ए
दिल दे कर
सौदागर ह्म ह्म ह्म
सौदा कर ह्म ह्म ह्म
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
हाथ किसी का वो पकडे
ओ ओ ओ ओ ओ ओ ओ
हाथ किसी का वो पकडे
जो छोड़े जग सारा आ
तू ऊंचे महलों वाली
मैं बेघर बंजारा
इक दूजे के दिल में रहेंगे
क्या करना है घर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
तेरे साथ मैं कैसे
प्यार का सौदा कर लूं ऊँ
तेरे साथ मैं कैसे
प्यार का सौदा कर लूं ऊँ
ऐसा कोई वादा कर
मैं जिसपे भरोसा कर लूं
जो चाहे लिखवा ले मुझसे
कोरे कागज़ पर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
ह्म ह्म ह्म
ह्म ह्म ह्म
आ आ आ
आ आ आ आ
आ आ आ
आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ
दिल तो है ए
पर दिल के
पर दिल के
अरमान कहाँ से लाऊं
डोली सेहरा कंगन सब
सामान कहाँ से लाऊं
डोली सेहरा कंगन सब
सामान कहाँ से लाऊं
थोडासा सिन्दूर कहीं से ले आ
बस जा कर
सौदागर ह्म ह्म ह्म
सौदा कर ह्म ह्म ह्म
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
सोच समझ ले
बाद में ना पछताना
ये कह कर
सौदागर सौदा कर
दिल ले ले ए
ले ले ए
दिल दे कर
दे कर
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
ओ दिल ले ले ए
दिल दे कर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
ओ दिल ले ले ए
दिल दे कर
- In: Car Repair Garage Song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | One song used in more than one movie | One song used in two movies | Post by Sudhir | Radio Song | Song used in more than one film | Songs of 1990s (1991 to 2000) | Songs of 1991 | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4092 | Post No. : | 15235 | Movie Count : |
4187 |
Songs Repeated in Hindi Films – 11
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I could not have expected a better surprise than this one today. Aha, here is this wonderful memorable song that has got repeated in a film after 34 years. And now, that repeat itself is 28 years past. Wow, 62 years later we are going to talk about a song from 1957, which appeared once again in another film in 1991.
Yes, the iconic song of road travel that has been immortalized in the annals of Indian cinema. The tone and the context of the song – a vagabond traveler, a second hand truck, the endless roads, and a journey without a destination – it set the template for others to emulate. Footloose has no mark over this. Don’t we all, at some time in life, aspire for a meandering aimless trip, just for the sake of the journey. And just for the heck of it. The destination – may it exist or not, companions – may they be there or not. Desultory, adrift, without any aim, feckless – when the apparent random futility is the purpose of the endeavor. What a state to be in – being, and yet not being, nary a care in the world. Aah yes, the mind sometimes wants an escape of sorts – “Le Chala Jidhar Ye Dil Nikal Padey”.
The original from the film ‘Nau Do Gyarah’ (1957) needs no introductions. The words, the melody and the imagery is etched in the mind, in all its details – Delhi roads of mid 1950s, sans traffic; the time when the traffic used to pass under the India Gate, and the Kashmere Gate (now these are monuments, cordoned off from the traffic); a miniscule encounter with a coy lady sitting in a car coming from the opposite direction; driving past the Taj Mahal; the long row of village belles carrying earthen pots of water, offering no grass (घास नहीं डालती 🙂 ) to the most handsome beseeching young man claiming to be laid out like a carpet at their feet – yes, all etched in the mind like it happened yesterday.
Time was when Sachin Da was quite, nay very selective, as always, in his choice of the singing voice for individual songs. And Kishore Da was never his ‘always’ choice for playback for Dev Anand. But Sachin Da has been proven right and right and right again, in his choice of singing voices. Imagine a “Khoya Khoya Chaand. . .”, or “Dil Ka Bhanwar. . .” or “Tu Kahaan Ye Bataa. . .” or “Hum Bekhudi Mein. . .” in a voice other than Rafi Sb, and a “Jaayen To Jaayen Kahaan. . .” in a voice other than Talat Sb, or the jazzy “Hum Dum Se Gaye. . .” in a voice other than Manna Dey, or the magnificent “Ye Raat Ye Chandni. . .”, or “Na Tum Hamen Jaano. . .” or “Chup Hai Dharti. . .” or “Yaad Aa Gayin Wo. . .” in a voice other than Hemant Da. It just will not stick in the imagination. Sachin Da got the best, the most suitable voice for the song, and after listening to them, the only verdict is – it cannot be bettered. In all the outings that Sachin Da shared with Dev Anand, apparently ‘Funtoosh’ (1956) and ‘Prem Pujari’ (1970) are the only two collaborations wherein we hear Kishore Da as the only voice playing back for Dev Anand. In all other films they have done together, Sachin Da has used a combination of different voices for Dev Sb. ‘Baazi’ (1951) also has only Kishore Da’s voice backing up Dev Anand for “Dil Ye Kya Cheez Hai. . .”, but then it is the only male voice song in the film, and that too, a song that only Kishore Da can do justice to.
And not just for Dev Sb. Sachin Da also has Rafi Sb and Kishore Da playing back for Rajesh Khanna in ‘Aradhana’ (1969), and Rafi Sb, Kishore Da and Manhar as the singing voices for Amitabh Bachchan in ‘Abhimaan’ (1973). Here was a music director who had his finger not on the pulse of public appeal, but on the pulse of divining which voice is the most suitable for a particular melody, a particular mood, and a particular situation.
And so, coming to the surprise that I mentioned in the first line of this write up. As I picked up this song for creating the next post in the series of repeat songs, a realization hit home. Today is the birth anniversaries of the two stalwarts who created the original song in 1957 – Sachin Da and Majrooh Sb. For Majrooh Sb, it is the centenary celebration, and for Sachin Da it is the 113th. Actually, Majrooh Sb’s info was already in mind since last night, as I was preparing Sadanand ji’s excellent write up for this great poet. And the rest of the coincidental links fell in place as I picked up this song for today’s post.
The film ‘Dil Hai Ke Maanta Nahin’ from 1991, is a popular hit romantic comedy from its time. It is remake of the storyline of the iconic ‘Chori Chori’ from 1956, which had the lead pair billing of Nargis and Raj Kapoor. And in turn, ‘Chori Chori’ is following the same storyline as the 1934 Hollywood hit film ‘It Happened One Night’, starring Clark Gable and Claudette Colbert, and directed by the legendary Frank Capra. This theme has also been used in other films in Kannada and Tamil. In later years, we also see ‘Jab We Met’ in 2007, based somewhat loosely on the same storyline.
The film is produced by Gulshan Kumar and is directed by Mahesh Bhatt. The lead pair is Aamir Khan and Pooja Bhatt. By 1991, Aamir was already an acknowledged star in the industry, and Pooja was just beginning her career. For both of them, this film proved to be a strong fillip for their individual careers.
The caper is well known – a spoilt heiress of a rich businessman flees from home, to be with the person she believes, wrongly of course, she is in love with. On the way, she meets another boy, the hero of the story, who helps her to get to her target, and eventually lands her back at her father’s home. As an outcome of the road adventures that are shared by the boy and the girl, they inadvertently and without realizing it till quite late in the storyline, fall in love with each other. And the movie ends with the girl fleeing once again (with the help of a very co-operative father) on the way to the altar, to be with the person she is truly in love with.
When I came to this connection, I was/am quite astounded. What a selection of a song for a memory reprisal. The original song with Dev Sb in the driver’s seat, is about an aimless road adventure. And in this film, the lead protagonists are going thru a road adventure of their own making, trying to save themselves from police, the detectives in pursuit and the general public who have been made aware of the runaway girl through newspaper ads and posters.
On their runaway adventure, there is car breakdown. It is taken into a garage for repairs. The mechanic departs briefly to get some welding work done from outside. The boy-girl pair are alone in the garage. The radio on the mechanic’s desk is playing. And as the mechanic departs, on comes this song on the radio waves. It catches the attention of the boy, who requests the girl to increase the volume on the radio. He is quite taken in with this ‘मस्त’ (catchy, engrossing) song. Coming close to the girl he takes her in his arms and they begin to dance to the tune. Their eyes meet. There is that oh so lovely pause in everything. Something tingles and connects. There is surprise and uncertainty on the faces of both of them. In the eyes, there is also an expectation of a liking that is so demure and endearing. It is one of those moments that feels like eternity. And yes, magic.
Till that ‘पाजी’ (scoundrel) mechanic barges in with a newspaper in hand announcing that the girl’s father is publicly searching for her. The moment of magic is so brutally broken.
The repeat song is the original. In this scene, somewhat less than two stanzas are played. Of course this is not listed in the songs of the film and does not appear on its cassette or CD. And so, in this post, I am retaining the original credits for this everlasting song.
And yes, once again, celebrating the anniversaries of the two of the greatest song-music creators in the Indian film industry. “Hum Hain Raahi Pyaar Ke. . .” – goodness, what a fantastic tagline.
Song – Hum Hain Raahi Pyaar Ke, Hum Se Kuchh Na Boliye (Dil Hai Ke Maanta Nahin) (1991) Singers – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – SD Burman
Lyrics
hum hain raahi pyaar ke
hamse kuchh na boliye
hum hain raahi pyaar ke
hamse kuchh na boliye
hum hain raahi pyaar ke
hamse kuchh na boliye
jo bhi pyaar se milaa
hum usi ke ho liye
hum usi ke ho liye
jo bhi pyaar se milaa
hum usi ke ho liye
dard bhi hamen qubool
chain bhi hamen qubool
dard bhi hamen qubool
chain bhi hamen qubool
hamne har tarah ke phool
haar mein piro liye
hamne har tarah ke phool
haar mein piro liye
jo bhi pyaar se milaa
hum usi ke ho liye
hum usi ke ho liye
jo bhi pyaar se milaa
hum usi ke ho liye
dhoop thi naseeb mein
to dhoop mein liyaa hai dam
dhoop thi naseeb mein
to dhoop mein liyaa hai dam
chaandni mili to hum
chaandni mein so liye
chaandni mili to hum
chaandni mein . . .
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Hindi script lyrics (Provided by Sudhir)
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हम हैं राही प्यार के
हमसे कुछ न बोलिए
हम हैं राही प्यार के
हमसे कुछ न बोलिए
हम हैं राही प्यार के
हमसे कुछ न बोलिए
जो भी प्यार से मिला
हम उसी के हो लिए
हम उसी के हो लिए
जो भी प्यार से मिला
हम उसी के हो लिए
दर्द भी हमें कुबूल
चैन भी हमें कुबूल
दर्द भी हमें कुबूल
चैन भी हमें कुबूल
हमने हर तरह के फूल
हार में पिरो लिए
हमने हर तरह के फूल
हार में पिरो लिए
जो भी प्यार से मिला
हम उसी के हो लिए
हम उसी के हो लिए
जो भी प्यार से मिला
हम उसी के हो लिए
धूप थी नसीब में
तो धूप में लिया है दम
धूप थी नसीब में
तो धूप में लिया है दम
चाँदनी मिली तो हम
चाँदनी में सो लिए
चाँदनी मिली तो हम
चाँदनी में ॰ ॰ ॰
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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