Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1982’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16394 Movie Count :

4457

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVI: Year 1982
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1982.

In 1982, 151 Hindi movies containing 775 songs were released. Lata Mangeshkar got to sing in 45 of these movies and she sang 82 songs in these movies. So Lata Mangeshkar’s voice was heard in 29.8 % of the movies released in 1982. Her voice was heard in 10.6 % of the songs appearing in the movies of 1982.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1982 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aadat Se Majboor Usha Khanna 0 2 2 0 0 0 Indeevar (1) Nida Fazli (1)
2 Adhoora Aadmi R D Burman 0 3 3 0 0 0 Yogesh
3 Apna Banaa Lo Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
4 Ashaanti R D Burman 1 1 0 0 1 0 Anand Bakshi
5 Baawri Khayyam 0 2 1 1 0 0 Maya Govind
6 Baazaar Khayyam 1 1 0 1 0 0 Makhdoom Mohiuddin
7 Badle Ki Aag Laxmikant Pyarelal 0 2 1 1 0 0 Verma Malik
8 Bemisaal R D Burman 2 2 1 0 0 1 Anand Bakshi
9 Bezubaan Ram Laxman 0 1 1 0 0 0 Ravindra Raval
10 Bheegi Palken Jugalkishore-Tikalraj 2 2 1 1 0 0 M G Hashmat
11 Chatpati Basu Manohari 1 1 0 1 0 0 Yogesh
12 Daawedaar Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
13 Dard Ka Rishtaa R D Burman 0 1 1 0 0 0 Anand Bakshi
14 Deedaar e yaar Laxmikant Pyarelal 2 3 2 1 0 0 Amir Minaai (1) Sahir Ludhianvi (2)
15 Deshpremee Laxmikant Pyarelal 2 2 2 0 0 0 Anand Bakshi
16 Dil Aakhir Dil Hai Khayyam 1 2 1 1 0 0 Naqsh Llayalpuri (1) Nida Fazli (1)
17 Do Dishaayen Laxmikant Pyarelal 1 1 1 0 0 0 Anand Bakshi
18 Do Ustaad Bappi Lahiri 0 1 0 1 0 0 Verma Malik
19 Ghazab Laxmikant Pyarelal 1 2 1 1 0 0 Anand Bakshi
20 Gul e Bakaavali Rajesh Roshan 0 1 0 1 0 0 Indeevar
21 Hamaari Bahu Alkaa Rajesh Roshan 0 1 1 0 0 0 Yogesh
22 Jaanwar Laxmikant Pyarelal 0 1 1 0 0 0 Majrooh Sultanpuri
23 Johny I love you Rajesh Roshan 0 3 1 2 0 0 Anand Bakshi
24 Kaamchor Rajesh Roshan 3 3 0 3 0 0 Indeevar
25 Khuddaar Rajesh Roshan 2 4 0 2 0 0 Majrooh Sultanpuri
26 Log Kya Kahenge Kalyanji Anandji 0 1 0 1 0 0 Naqsh Llayalpuri
27 Mangal Pandey Anu Malik 0 1 1 0 0 0 Anjaan
28 Mehandi Rang Laayegi Laxmikant Pyarelal 0 2 2 0 0 0 Dr Hariram Acharya
29 Prem Rog Laxmikant Pyarelal 3 4 1 3 0 0 Kajal Bash (1) Pt Narendra Sharma (1) Santosh Anand (2)
30 Pyaas Bappi Lahiri 0 1 1 0 0 0 Naqsh Llayapuri
31 Raaj Mahal Kalyanji Anandji 0 2 1 1 0 0 Inderjeet Singh Tulsi (1) Verma Malik (1)
32 Samraat Laxmikant Pyarelal 0 2 1 0 0 1 Anand Bakshi
33 Sawaal Khayyam 0 2 0 2 0 0 Majrooh Sultanpuri
34 Shakti R D Burman 2 2 1 1 0 0 Anand Bakshi
35 Shrimaan Shrimati Rajesh Roshan 0 3 0 3 0 0 Majrooh Sultanpuri
36 Subah Hridaynath Mangeshkar 0 5 5 0 0 0 Pt Narendra Sharma
37 Suraag Bappi Lahiri 1 1 1 0 0 0 Kaifi Azmi
38 Swaami Dada R D Burman 2 2 0 1 0 1 Anjaan
39 Taqdeer Ka Baadshah Bappi Lahiri 0 2 2 0 0 0 Anjaan
40 Tarqeeb Bappi Lahiri 0 1 0 1 0 0 Anjaan
41 Teesri Aankh Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
42 Teri Maang Sitaaron Se Bhar Doon Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
43 Teri Qasam R D Burman 0 1 0 1 0 0 Anand Bakshi
44 Vidhaata Kalyanji Anandji 0 1 1 0 0 0 Anand Bakshi
45 Waqt Waqt Ki Baat Rajesh Roshan 0 2 0 2 0 0 Rajesh Roshan
Total 45 movies 12 MDs 27 82 41 37 1 3 20 lyricists

Lata Mangeshkar worked with 12 music directors and 20 lyricists in these 45 movies released in 1982. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 576 songs in HFM with Lata Mangeshkar by the end of 1982. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji with 301 songs and C Ramchandra with 274 songs were the next most prolific. Other top music directors for Lata Mangeshkar were R D Burman (253), Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3324 songs out of 4582 songs that Lata Mangeshkar had sung in Hindi movies till end of 1982. Anand Bakshi became the top lyricist with Lata Mangeshkar this year dsplacing Rajinder Krishan. The top ten lyricists till end of 1982 for Lata Mangeshkar were Anand Bakshi (564), Rajinder Krishan (554), Majrooh Sultanpuri (388), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (109). These ten lyricists had penned 3022 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music directors Jugalkishore-Tilakraj and Ram Laxman for the first time in movies of 1982. She also worked with Lyricists Amir Minaai, Dr Hariram Acharya, Kajalbaash, Makhdoom Mohiuddin and Ravindra Rawal for the first time in movies released this year.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1982 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 136 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 170 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 93 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 90 130 84 39 3 4
1971 52 movies 106 126 71 52 3 0
1972 62 movies 97 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 46 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 39 88 48 34 2 4
1982 45 movies 27 82 41 37 1 3
Total upto 1982 1582 movies 3606 4582 3076 1203 199 104

It can be seen from the table of 1982 that Lata Mangeshkar sang 82 songs in 45 movies released in 1982.

27 songs sung by Lata Mangeshkar in movies of 1982 have been covered in the blog. That leaves us with 55 songs from movies of 1982 that are yet to be covered.

All Lata Mangeshkar songs from 11 movies of 1982 are already covered in the blog. So 55 Lata Mangeshkar songs from 34 movies of 1982 are still available to be discussed.

Alphabetically “Aadat Se Majboor”(1982),the very first movie of 1982 offers us a Lata Mangeshkar song to cover in the blog.

“Aadat Se Majboor”(1982) was produced by Mohan Kumar and directed by Ambrish Sangal for M K Productions, Bombay. The movie had Ranjeeta, Mithun Chakraborty,Rameshwari, Madan Puri, Om Shivpuri,Amrish Puri, Mohan Choti, Ranbir Raj, Bhagwan, C.S.Dube, Kamal Deep, Dinshaw Daji, Pappu, Baby Priya, Master Farid, Harjeet, Mrs.Jugnu, Raj Kishore, Moolchand, Anand Joshi, Jaswant, Lal Bahadur, Hajee, Chand Pardesi, Khan, Sundar Taneja, Shivram Salvi, Ram Narayan etc with special appearances by Padmini Kapila, Pearl Padamsee, Sudha Shivpuri, Dulari and Ranjan Grewal.

The movie had six songs in it. Two of them were sung by Lata Mangeshkar.

Here is one of those Lata Mangeshkar solo song from “Aadat Se Majboor”(1982). The song is penned by Indeewar. Music is composed by Usha Khanna.

The song is a multiple versio n song. It has a male version too which is sung by Shailendra Singh. Both versions are picturised on Ranjeeta and Mithun Chakraborty.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aadat Se Majboor”(1982) makes its debut in the blog.

video link of Lata version:

video link of Shailendra Singh version

Song-Raam kare ke umar qaid hamen saath saath ho jaaye (Aadat Se Majboor)(1982) Singer-Lata/Shailendra Singh, Lyrics-Indeewar, MD-Usha Khanna

Lyrics(Provided by Prakashchandra)

—————————–
Lata Mangeshkar version
—————————–
raam karey ke
umar qaid hamein
saath saath ho jaaye ae

tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
sachmuch ho
yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

laaa laaa laa
laaa laaa laa
laaaa laalaa
ho hoo oo oo hoo
aaaa aaa aaa aaaaa aaa

dekhey binaa
tujhko sanam
chain naheen dil ko o o
dil ki lagi
bann gayee
dillagi thhi jo
dekhey binaa aa aa
tujhko sanam m m
chaain nahin dil ko o o
dil ki lagi
bann gayee
dillagi thhi jo
haayye raamaa raamaa
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

dil ko mere tu jo milaa
khwaab huye rangeen een
pyaar ki ye kothri
raajmahal se haseen
dil ko mere ae ae
tu jo milaa aa
khwaab huye rangeen
pyaar ki ye kothri
raajmahal se haseen
haayye raamaa raamaa
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

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pehley to main ek thhi
ek se ho gayee do o
qaidi naye do aanewaaley hain
aisa lagey mujhko o
pehley to main aen ek thhi ee
ek se ho gayee do o o
qaidi naye do aanewaaley hain
aisa lagey mujhko o
haayye raamaa raamaa
raam kare ke umar qaid hamein
saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
sachmuch ho
yaa sapnaa ho khushiyon ki na tootey ye ladiyaan
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan

——————————————-
Shailendra Singh version
——————————————-

raam karey ke
umar qaid
hamein saath saath ho jaaye aey ae ae
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
sachmuch ho yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye ae ae ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan

soorat teri dhoondhaa kiye
har moorat mein sanam m m
tere liye bhatkaa kiye
saarey jahaan mein hum
o o soorat teri
dhoondhaa kiye ae
har moorath mein sanam m m
tere liye bhatkaa kiye
saarey jahaan mein hum
o raamaa raamaa
raam karey ke umar qaid hamein saath saath ho jaaye aey ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan

tere liye main banaa
mere liye banee tu u
main hoon terey tu hai mere
bachpan ki aarzooo
hey aey
tere liye main banaa
mere liye banee tu u
main hoon terey tu hai mere
bachpan ki aarzoo
o raamaa raamaa
raam karey ke umar qaid hamein saath saath ho jaaye aey aey
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
sachmuch ho yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye aey
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4616 Post No. : 16252

Today is the 8th of March.
A date that has an immediate connect with those who love Urdu poetry, and lyrics of Hindi films.

They celebrate it every year as the birth anniversary of one of the giants of 20th century Urdu poetry, and easily one of the most highly regarded lyricists the Hindi film industry has known.

I’m talking about Sahir Ludhianvi, of course.
He is right up there as one of the greatest – and I don’t think anyone disputes this.

It’s no secret to those who have read my previous posts here that I’m a massive fan of Sahir. I’ve written many posts on him here – on practically every birth and death anniversary of his. And even some in between.

And yet today is an extra extra special day.

For it’s not just another birth anniversary of his – it is his birth CENTENARY.

Yes, he was born on 8th March 1921 – in other words, exactly 100 years ago.

I need to take a deep breath here to take in this occasion.

What a momentous one it is!

I suppose a centenary is also an opportunity to take a step back and look at what the person’s influence has been over the period in question.

And that is what I hope to do a little bit of here in this post.

Sahir passed away in 1980 – he was only 59 at the time.

But what a life!

Like Lincoln supposedly said “It’s not the years in your life that count, it’s the life in your years”.

Sahir lived a life that influenced not only people during his lifetime, but is also inspirational for people, like me and many others, 40 years after his death.

(I hope you can hear this from up there, Sahir saab!)

To understand the influence of Sahir, we need to look at him as more than just a poet.
There were poets before him – and there have been poets after him too.
In his own words, “mujhse pehle kitne shaayar aaye aur aakar chale gaye” and “kal aur aayenge naghmon ki khilti kaliyaan chunne waale”.
And it’s true.
And mind you, they have all, in their own ways, been fabulous too.
We should not demean any of their poetic abilities.

And yet where Sahir stands out, even while being exceptional as a poet, is in being exceptional in speaking out against power and oppression.

No one, NO ONE, did it as well as Sahir.
Or as frequently.

And for that, Sahir is in a league of one.

He exemplified the saying “The pen is mightier than the sword” better than any other poet I know, post-independence, with his poetry repeatedly exposing the hypocrisy in Indian society, and the ills prevalent across various sections of it. He railed against patriarchy and misogyny, against capitalists exploiting labour, against the government silencing dissent.

How can you NOT love such a person?

It all probably started early in Sahir’s life, when, having to choose between his rich father and his suffering mother, he chose the latter.

Maybe that was the trigger for him for the rest of his life, because he always spoke up for the poor, the underprivileged, the oppressed, the marginalized.

Of course there’s more to Sahir than just this.
He had amazing variety too.
Romantic songs. The songs of Hum Dono, Taj Mahal, Gumraah, Humraaz, Shagun and Waqt come immediately to my mind.
Philosophical songs. Main zindagi ka saath, aage bhi jaane na tu, mann ri tu kaahe na dheer dhare, kabhi khud pe…
Bhajans. Aan milo aan milo Shyam saanvre , Allah tero naam and tora mann darpan kehlaaye come to mind.
Qawwalis. Songs of Barsaat Ki Raat and Taj Mahal, for example.
Songs on mother-child relationship – Mujhe Jeene Do, Dhool Ka Phool and Trishul, among others.
Pure fun, zany songs. Sar jo tera chakraaye, aye meri topi palat ke aa.

Each one a gem.

And yet, as I look back on this centenary occasion, it is Sahir’s songs that speak of society, and speak TO society, that I would consider as his most significant and lasting influence.

Without them too, he would be a GREAT poet, no doubt.
But with them, he elevates himself from being just a great poet, to being a decent and conscious human being.

And that to me is far more important than anything else.

So let’s quickly run through some of his poetry where he talks about, or, to, society.
There are many songs of course, but I’ll just mention a few here.

Ye kooche ye neelaam ghar dilkashi ke – Pyaasa (1957)
Ye mehlon ye takhton – Pyaasa (1957)
Saathi haath badhaana – Naya Daur (1957)
Aurat ne janam diya mardon ko – Sadhna (1958)
Tu Hindu banega na Musalmaan banega – Dhool Ka Phool (1959)
Wo subah kabhi to aayegi – Phir Subah Hogi (1958)
Cheen-o-Arab hamaara – Phir Subah Hogi (1958)
Khuda-e-bartar – Taj Mahal (1963)
Na munh chhupa ke jiyo – Humraaz (1967)
Ponchh kar ashq apni aankhon se – Naya Raasta (1970)
Samaj ko badal daalo – Samaj Ko Badal Daalo (1970)

Sahir’s lyrics for such songs were piercing – they went straight to the heart.
It was as if he was pouring out his agony, venting his frustration at society. Showing it a mirror, exposing its hypocrisy.

For example, these seemingly innocuous lines (Sadhna-1958):

kaho jee tum kya kya khareedoge
yahaan to har cheez bikti hai

mohabbat bechti hoon main
sharaafat bechti hoon main
na ho ghairat to le jo
ki ghairat bechti hoon main

Powerful.

Of course, it was not always doom and gloom in his lyrics.
Even while he was critical of society and its ills, he also wrote uplifting lyrics, with hope in them.
Like na munh chhupa ke jiyo , ponchh kar ashq, wo subah kabhi to aayegi mentioned above.
So it’s a combination of frustration and hope – which is probably a pretty accurate representation of his own personality. 🙂
Sahir was himself known to be fairly moody – cheerful one moment, morose the next.

I can keep on and on about Sahir and his songs – I haven’t even scratched the surface.
I haven’t even talked about gems like “pyar par bas to nahin” – Sone Ki Chidiya (1958). But then, one really can’t do justice to Sahir in one post.

So I’m going to force myself to move on – and get to the song for this post.

Before I get to the song, one other thing.

Today, the 8th of March, is also celebrated as International Women’s Day.

It is such a coincidence that both Sahir’s birth date and this date are the same.

Or was it pre-ordained in a sense, because if there was one person who regularly spoke up for women, their rights, how they’ve been oppressed, it was Sahir.

Aurat ne janam diya mardon ko from Sadhna-1958 is of course one of Hindi cinema’s classics. I’ve heard this song many times – and every time it gives me a punch in the gut.

But there were other lesser-known songs too.

And this song which I’m posting today is in that category.

It is from Jiyo Aur Jeene Do (1982).

Since Sahir passed away in 1980, I’m presuming this was one of his last few songs.
Or maybe he had written this earlier, but it got used only later in this film.

Anyway, as usual, it is Avinashji who has helped me with this.
He sent me the lyrics – and, considering it is Sahir’s Day AND Woman’s Day today, it seems to be just the right song for the occasion.

I haven’t seen the film, so I can’t comment about the situation, but the words of the song are powerful – and typically Sahir.

As usual, he talks about exploitation of women in Indian society.
And he references often to Seeta to bring home his point.
How women even today have to go through Agni Pariksha like Seeta had to.
How every woman is expected to just accept oppression without protest.
How even Seeta, who accompanied Ram during his exile, had to listen to his admonition of her.
How a woman can be expected to save herself in a world that has been created for man.
How, when even Ram could be influenced against Seeta, what hope for mere mortals?
How it is the lot of women like Seeta to be born in every era only to bear the burdens of this world.

I must admit the lyrics are very depressing.
Possibly some of the most depressing I have ever come across.
And I’d really like to think the lyrics are also highly exaggerated, and this isn’t today’s reality anyway. After all these lyrics are from more than 40 years ago, and a lot has changed since.

Or has it?

Yes, on one level, it has.
Many more women are better off today than they were 40 years ago.
More educated, more independent.
And yet, most of these are probably from middle- or upper classes of society.
(And even amongst them, there are many horror stories that don’t come to light).
But beyond these, there are many millions of women in India for whom life is a daily struggle.
From the moment they wake up early in the morning, to the moment they finally go to sleep that night, it is a day of just work, work and work. Women are taken so much for granted that society expects nothing less from them.
A woman just relaxing or enjoying herself is a rare sight – it almost seems out of place.
And so many women (especially among the poor) have sadly internalized this lifestyle of struggle, so they think it’s the most normal thing to do.
And I haven’t even talked about women’s safety here – that’s another minefield of a topic where, thanks to men, women don’t feel safe at all anytime during the day, every single day of their lives.
As a man, enjoying freedom that I take for granted, I just cannot imagine how it must be to live like this. All one’s life.

So yes, LOTS to think about.
And LOTS of work to do.
And the ball is in the court of MEN, not WOMEN.
For the simple reason that the cause of the problem is MEN, not WOMEN.

So then I think, however depressing the lyrics of this Sahir song are, are they more depressing than the actual lives of many women in India?

Anyway, this is supposed to be a day of celebration – I do not want to spoil the mood.
And yet, I cannot pretend – so if you don’t mind, I’d like it to be treated as a day of reflection for men too. Sahir would’ve liked that.

Thank you, Sahir saab, for your searing poetry. And for always standing up for the oppressed, and raising awareness on the right issues.
It is entirely our failing as a society that we have failed to make the lyrics you wrote all those decades ago irrelevant.
They are just as relevant today as they were when they were written.

And on that extremely sobering note, let me now end this post.
Thank you for reading.

Video

Audio (Longer)

Song-Seeta ke liye likkhaa hai yahi (Jiyo Aur Jeene Do)(1982) Singer-Rafi, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Chorus

Lyrics(Provided by Avinash Scrapwala)

Chup chup apni jaan pe sah jaa aa aa
Duniya ka anyaay
Koyi nahin is dharti par
Jo tera dard bataaye

Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

Gairon ke kadwe bol sune
Apnon ka atyaachaar sahe
Gairon ke ae kadwe bol sune
Apnon ka atyaachaar sahe
Jis Raam ke sang ban ban bhatke
Us Raam ki bhi dutkaar sahe
Dharti mein samaane se pehle
Dharti mein samaane se pehle
Dharti ki tarah har bhaar sahe
Seeta ke liye likkha hai yahi

Purushon ki banaayi duniyaa mein
Kya ik naari ka maan bache
Purushon ki banaayi ee duniyaa mein
Kya ik naari ka maan bache
Jis zahar se Raam ka man na bachaa
Us zahar se kya insaan bache
Jo reet yugon se jaari hai
Jo reet yugon se jaari hai
Us reet se kaise jaan bache
Seeta ke liye likkha hai yahi

Aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa

Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Is andhi bahri nagari mein
Jab jab Seeta ko aana hai
Jeete ji kasht uthhaana
Marne pe sati kahlaana hai
Marne ae pe sati kahlaana hai
Itihaas ke pannon ko sadiyon
Itihaas ke pannon ko sadiyon
Yoon hi ye katha dohraana hai
Seeta ke liye likkha hai yahi
Har yug mein ae agnipareekshaa de
Dukh sah ke bhi mukh se kuchh na kahe
Man ko dheeraj ki shikshaa de
Seeta ke liye likha hai yahi

————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
चुप चुप अपनी जान पे सह जा आ
दुनिया का अन्याय
कोई नहीं इस धरती पर
जो तेरा दर्द बटाय

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही

गैरों के कडवे बोल सुने
अपनों का अत्याचार सहे
गैरों के ए कडवे बोल सुने
अपनों का अत्याचार सहे ए
जिस राम के संग बन बन भटके
उस राम की भी दुत्कार सहे
धरती में समाने से पहले
धरती में समाने से पहले
धरती की तरह हर भार सहे
सीता के लिए लिखा है यही

पुरुषों की बनायी दुनिया में
क्या इक नारी का मान बचे
पुरुषों की बनायी ई दुनिया में
क्या इक नारी का मान बचे
जिस ज़हर से राम का मन न बचा
उस ज़हर से क्या इंसान बचे
जो रीत युगों से जारी है
जो रीत युगों से जारी है
उस रीत से कैसे जान बचे
सीता के लिए लिखा है यही

आ आ आ
आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ

इस अंधी बहरी नगरी में
जब जब सीता को आना है
इस अंधी बहरी नगरी में
जब जब सीता को आना है
जीते जी कष्ट उठाना
मरने पे सती कहलाना है
मरने ए पे सती कहलाना है
इतिहास के पन्नो को सदियों
इतिहास के पन्नो को सदियों
यूँ ही ये कथा दोहराना है

सीता के लिए लिखा है यही
हर युग में ए अग्निपरीक्षा दे
दुःख सह के भी मुख से कुछ न कहे
मन को धीरज की शिक्षा दे
सीता के लिए लिखा है यही


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4582 Post No. : 16196 Movie Count :

4408

Sahir Ludhianvi & His Music Directors-6 – (more than five movies collaboration only)
——————————————————————————————————-

We are discussing Sahir Ludhianvi in collaboration with his Music Directors.

So far, we have discussed details from his ‘one movie collaboration’ upto ‘five movies collaboration’ with various music directors. In the previous post here we have also summarized the statistics till ‘five movie collaboration’ between Sahir and various music directors.

Now we move on to ‘more than five movies’ collaboration in this series. However, the next collaboration is for ‘seven movies’ each between two music directors viz. Roshan and Laxmikant-Pyarelal. But before going into the details of this ‘seven movies collaboration’ we get ourselves introduced to the only remaining released movie where Sahir Ludhianvi have written songs for and which is so far unrepresenred in the blog.

This movie is a ‘1982’ movie ‘Jiyo Aur Jeene Do’. Music for this movie was composed by Laxmikant-Pyarelal.

‘Jiyo Aur Jeene Do-1982’ was directed by Sham Ralhan for ‘R.M. Art Productions, Bombay’. It was produced by Ratan Mohan. This movie had Nutan, Jeetendra, Reena Roy, Dany Dengzongpa, Vijayendra Ghatge, Kajal Kiran, Om Shivpuri, Pran, Lalita Pawar, Raza Murad, Kadar Khan, Ram Mohan, Tez Sapru, Birbal and others.

There is a long list (as per HFGK Vol-VI) of actors/actresses making special appearance on this movie. They are Jagdeep, Seema Deo, Narendra Nath, Satyen Kappu, Junior Mehmood, Jagdish Raj, Sheetal, Heena Kausar, Kanhaiyalal, Rajan Haksar, Sharat Saksena, Janki Das, Ratan Mala and Beena Khanna.

Story of this movie was written by B.K. Rao while the screenplay was written by Prayag Raj. Dialogues of this movie were written by Kadar Khan. Editing of the movie was done by Bhaskar Rao.

This movie was passed by Censor Board on 08.10.1982.

This movie had total six songs – two written by Sahir Ludhianvi and four by Verma Malik.

HFGK Vol-VI (1981-1985) lists the songs from this movie as given below;

Song Lyricist Singer/s
Hathaapayi naa karo … sirf dekho hamen Sahir Ludhianvi Asha Bhonsle
Chup chup apni jaan pe sah ja .. Sahir Ludhianvi Mohd Rafi
Gore rang se lipat’ta jaaye … Verma Malik Asha Bhonsle, Suresh Wadkar
Alibaba … o tere ishq mein mar mar peena Verma Malik Suresh Wadkar, Kavita Krishnamurthy
Bulbula paani ka o mitraan … Verma Malik Asha Bhonsle
Choodi ki chhun-chhun re balam sun … Verma Malik Anuradha Paudwal, Male voice (dialogues)

Today’s song is sung by Asha Bhonsle and on screen it is performed by Heena Kausar where Thakur Narendra Singh (Narendra Nath) is celebrating his birthday and many others are present there.

As mentioned above lyrics are by Sahir Ludhianvi and music is composed by Laxmikant-Pyarelal.

With this song ‘Jiyo Aur Jeene Do-1982’ makes its debut on the blog. (And join its ‘ham-naam’ ‘Jiyo Aur Jeene Do-1969’ 😊 on the blog. (so, it also serves the purpose of bringing ‘movies with same titles’ on the blog).

With this movie represented on the blog, all the movies (released) where Sahir Ludhianvi had written songs stands represented on the blog.

Here is the complete list of Hindi movies where Sahir Ludhainvi penned lyrics:-

S.no Movie Year
1 Aazadi Ki Raah Pe 1948
2 Baazi 1951
3 Naujawan 1951
4 Sazaa 1951
5 Doraaha 1952
6 Jaal 1952
7 Laal Kunwar 1952
8 Alif Laila 1953
9 Armaan 1953
10 Baabla 1953
11 Humsafar 1953
12 Jeevan Jyoti 1953
13 Shahenshah 1953
14 Sholey 1953
15 Angaarey 1954
16 Radha Krishna 1954
17 Saavdhan 1954
18 Taxi Driver 1954
19 Chingaari 1955
20 Devdas 1955
21 House No.44 1955
22 Joru Ka Bhaai 1955
23 Marine Drive 1955
24 Milaap 1955
25 Munimji 1955
26 Railway Platform 1955
27 Society 1955
28 Chandrakaanta 1956
29 Funtoosh 1956
30 Bade Sarkar 1957
31 Naya Daur 1957
32 Pyaasa 1957
33 Tumsa Nahin Dekha 1957
34 12 O’Clock 1958
35 Light House 1958
36 Phir Subah Hogi 1958
37 Sadhna 1958
38 Sone Ki Chidiya 1958
39 Bhai Bahan 1959
40 Chaar Dil Chaar Raahein 1959
41 Dhool Ka Phool 1959
42 Didi 1959
43 Laal Nishaan 1959
44 Naach Ghar 1959
45 Baabar 1960
46 Barsaat Ki Raat 1960
47 Girl Friend 1960
48 Hum Hindustani 1960
49 Maasoom 1960
50 Dharamputra 1961
51 Hum Dono 1961
52 Dilli Ka Daada 1962
53 Kaalaa Samandar 1962
54 Aaj Aur Kal 1963
55 Bahurani 1963
56 Dil Hi To Hai 1963
57 Gumraah 1963
58 Mujhe Jeene Do 1963
59 Pyaar Ka Bandhan 1963
60 Taj Mahal 1963
61 Chaandi Ki Deewaar 1964
62 Chitralekha 1964
63 Dooj Ka Chaand 1964
64 Ghazal 1964
65 Shagoon 1964
66 Bahu Beti 1965
67 Kaajal 1965
68 Waqt 1965
69 Bahu Begum 1967
70 Humraaz 1967
71 Aaankhein 1968
72 Do Kaliyaan 1968
73 Izzat 1968
74 Neel Kamal 1968
75 Vaasna 1968
76 Aadmi Aur Insaan 1969
77 Nanha Farishta 1969
78 Paisaa Ya Pyaar 1969
79 Mann Ki Aankhein 1970
80 Nayaa Raasta 1970
81 Samaaj Ko Badal Daalo 1970
82 Ganga Tera Paani Amrit 1971
83 Sansaar 1971
84 Bhaai Ho To Aisa 1972
85 Daastaan 1972
86 Aa Galey Lag Jaa 1973
87 Daag 1973
88 Dhundh 1973
89 Joshila 1973
90 Mehmaan 1973
91 36 Ghante 1974
92 Deewaar 1975
93 Ek Mahal Ho Sapnon Ka 1975
94 Zameer 1975
95 Kabhie Kabhie 1976
96 Laila Majnu 1976
97 Shankar Shambhu 1976
98 Amaanat 1977
99 Jaagriti 1977
100 Nawaab Saahib 1978
101 Trishul 1978
102 Hum Tere Aashiq Hain 1979
103 Kaalaa Patthar 1979
104 Chambal Ki Qasam 1979
105 Chehre Pe Chehra 1980
106 Insaaf Ka Taraazu 1980
107 The Burning Train 1980
108 Dhanwaan 1981
109 Deedaar-E-Yaar 1982
110 Jiyo Aur Jeene Do 1982
111 Lakshmi 1982
112 Sachche Moti 1962/1967
113 Chingaari 1989
TOTAL 113
114 Picnic Unreleased
TOTAL 114

let us now listen to today’s song.
Video


Audio

Song-Haathhaapaayee na karo (Jiyo Aur Jeene Do)(1982) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal

Lyrics

haathaapaayi naa aa karo
umr abhi kachchi ee ee hai
jhooth kehti nahin main
baat meri sachchi ee ee ee hai

sirf dekho hamen ae
sirf dekho hamen ae ae
chhoone ki
ho chhoone ki
haan chhone ki ee
tamannaa naa karo
sirf dekho hamen
sirf dekho hamen
dil ko rokey raho
jazbaat ko ruswaa naa karo
sirf dekho hamen ae ae
chhoone ki ee ee
tamannaa naa karo

phool ke rang se
khushboo oo se taaluk rakkho
phool ke rang se
khushboo se taaluk a a rakkho
phool ke rang se
khushboo se taaluk rakho
phool ki pattiyaan bikhraa ke
bikhraa ke ae tamaashaa naa karo
tamaashaa naa karo
tamaashaa aa naa karo

husn ke naaz uthhaane ki bhi
aadat daalo
husn ke naaz uthhaane ki bhi
aadat daalo
husn ke naaz uthhaane ki bhi
aadat daalo o
sirf apni ee hi
tamannaaon ka
charchaa naa karo
charchaa naa karo
charchaa naa karo
sirf dekho hamen ae
chhoone ki
tamannaa naa karo
sirf dekho hamen

ye badan haathhon ki garmi se
pighal jaayegaa
ye badan haathon ki garmi se
pighal jaayegaa
ye badan haathon ki garmi ee se
pighal jaayegaa
isko baanhon mein jakadne kaa
jakadne ae ae kaa
iraadaa naa karo
iraadaa naa karo
iraadaa naa karo
dil ko rokey raho
jazbaat ko ruswaa aa naa karo
sirf dekho hamen
sirf dekho hamen …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4555 Post No. : 17146 Movie Count :

4400

Today 6th January’2021 is thirty-fourth Remembrance Anniversary of Music Director Jaidev (born on 3 August 1918 and passed away on 6th January’ 1987).

When I checked his filmography, I noted that he has given music to only forty-two movies (including one Nepali movie) though his first movie as music director came in 1955 – ‘Joru Ka Bhai’ and the last movie he composed music was ‘Zumbish-1986’ (if data in the sources on net is correct).

In his film career Jaidev has given us unforgettable music and even some immortal songs which will always be cherished by music lovers.

Earlier I wished to present this post with his complete filmography, however I could not compile the data in time to send this post. And since I do not want to miss this opportunity to share this song which I first listened to on radio and later had in my collection in a ‘two cassette set’ – ‘Yaad Aati Rahi -A Homage to Jaidev – brought by HMV in ‘1987’. I had bought this set on 17.12.1987 in my collection.

This album contains songs from ‘Ham Dono-1961’, ‘Samundari Daaku-1956’, ‘Joru Ka Bhai-1955’, ‘Anjali-1957’, ‘Kinaare-Kinaare-1963’, ‘Mujhe Jeene Do-1963’, ‘Do Boond Paani-1971’, ‘Aayi Teri Yaad-1980’, ‘Prem Parbat-1973’, ‘Maan Jaayiye-1972’, ‘Alaap-1977’, ‘Reshma Aur Shera-1971’, ‘Gaman-1978’, ‘Dooriyaan-1979’, ‘Parinay-1974’, ‘Gharonda-1977’, and ‘Tumhaare Liye-1978’. (This way I have tried to note his notable movies here)

And it contains one song from the movie ‘Wohi Baat’. I was aware of this song since then and may be had heard it on radio too. In the cassette it has the Asha Bhonsle version.
However, one day I was just humming this song and I remember it was in my collection. But I was under the impression that it was a song sung by Bhupinder Singh. Maybe I had sometime heard this in the voice of Bhupinder Singh on radio.
So, when I checked the blog, I was surprised that this song has not been posted yet. Then I looked for it on the internet and found both versions of this song.

The movie name was mentioned as ‘Wohi Baat’. Finally, when I checked the HFGK Vol- V (1981-1985), I became aware of the details of this movie and other information about this movie that it was released under the ‘title’ as ‘Sameera-1982’, though the music was released on gramophone records under the title ‘Wohi Baat’.

Today on Jaidev’s ‘Remembrance Anniversary’ I wish to introduce this wonderful song (and the movie too) on the blog.

‘Sameeraa-1982’ was directed by Vinay Shukla for ‘Sanket Chitra, Bombay’.

It had Parikshit Sahni, Shabana Azmi (as Sameeraa), Mithun Chakravarty, Amol Palekar and others.
This movie was based on the story written by Kamleshwar. Vinay Shukla who directed this movie had also written it.
K.K. Mahajan and Hasubhai J. Shah were the producers of this movie.

This movie was passed by Censor Board on 12.04.1982.

As per HFGK Vol -V five songs were recorded for this movie but details of only four songs is available. The title for the fifth song is left blank.

All the songs for this movie were written by Naqsh Lyallpuri and music was composed by Jaidev.

Let us now enjoy the today’s song sung by Bhupinder Singh and Asha Bhonsle as two different solo versions and pay our tribute to Jaidev and his immortal music.

With today’s song ‘Sameeraa-1982’ makes its debut on the blog.

Male version (Audio)

Female version (Audio)

Song-Zehar Deta Hai Mujhe Koi (Sameera)(1982) Singer-Bhupinder Singh/ Asha Bhonsle, Lyrics-Naqsh Llayalpuri, MD-Jaidev

Lyrics

——————————–
(Bhupinder Singh version)
——————————–
zehar deta hai mujhe koyi
dawaa detaa hai ae ae
zehar deta hai mujhe koyi
dawaa detaa hai ae ae
jo bhi miltaa
miltaa hai
jo bhi miltaa hai
mere gham ko badhaa detaa hai ae
zehar detaa hai mujhe koyi

kisi hamdam ka sareshaam
judaa ho jaanaa aa
kisi hamdam ka sareshaam
judaa ho o o jaanaa aa
neend jalti(?) huyi aankhon se udaa detaa hai ae
zehar detaa hai mujhe koyi

waqt hi dard ke
kaanton pe sulaaye dil ko
waqt hi dard ke
kaanton pe sulaaye dil ko o o
waqt hi dard ka ehsaas
mitaa detaa hai ae
zehar deta hai mujhe koyi
dawaa detaa hai ae ae
jo bhi miltaa hai
mere gham ko badhaa detaa hai
zehar detaa hai mujhe koyi

pyaas itni hai meri rooh ki
gehraayi mein
pyaas itni hai meri rooh ki
gehraayi mein ae ae
ashq girtaa hai to
daaman ko jalaa detaa hai ae
jo bhi miltaa hai
mere gham ko badhaa detaa hai
zehar detaa hai mujhe koyi

——————————–
(Asha Bhonsle version)
——————————–
zehar deta hai mujhe koyi
dawaa detaa hai ae ae
zehar deta hai mujhe koyi
dawaa detaa hai ae ae
jo bhi miltaa hai
miltaa hai
jo bhi miltaa hai
mere gham ko badhaa detaa hai
zehar detaa hai mujhe koyi

kyun sulagti lagti hain meri dil mein
puraani yaadein
kyun sulagti lagti hain meri dil mein
puraani ee ee yaadein
kaun bujhte huye sholon ko
hawaa detaa hai ae
zehar deta hai mujhe koyi

haal hans hans ke bulaataa hai
kabhi baahon mein
haal hans hans ke bulaataa hai
kabhi baahon mein ee ee
kabhi maaji mujhe ro ro ke
sadaa detaa hai
zehar deta hai mujhe koyi
dawaa detaa hai ae ae
jo bhi miltaa hai
mere gham ko badhaa detaa hai ae
zehar detaa hai mujhe koyi


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4547 Post No. : 16125

Rajesh Khanna – Birth Anniversary on 29/12/2020
—————————————————————-

Rajesh Khanna, the first superstar of hindi films, was born as Jatin Khanna on 29/12/1942 at Amritsar, Punjab. He is said to have had 17 solo hits from 1969 to 1971. This might be the only thing where Rajesh Khanna is ahead of superstar of the millennium, Amitabh Bachchan. He holds the record of 48 Platinum Jubilee hits and 26 Golden jubilee hits plus 22 silver jubilee hits. Certainly overtook the Silver Jubilee star Rajendra Kumar in a big way, who had 25 silver Jubilees in his time.

Not, really having lived through the era of ‘Rajesh Khanna phenomena’, makes the experience that much less effective, but I have read a lot about it in urdu film magazine “Shama”. I can also vouch for his versatility as actor, who was comfortable in any type of character. Even through the superstardom, the quality of real story based meaningful films was maintained. With his performance in films like Anand, Safar, Khamoshi, Bawarchi, Mere Jeewan saathi, Amar Prem, Aradhana, Bahaaron ke Sapne, Namak Haram etc. he proved his mettle as an versatile actor.

As a tribute on his 78th birth anniversary, I am presenting a song from ‘Disco Dancer’ 1982, where Rajesh Khanna had a special appearance. There are quite a few special appearances and guest appearances in his filmography, which shows he did remember the benefactors in his life and did return the favours if he could. He did many number of films with Hrishikesh Mukherjee, Manmohan Desai, J. Om Prakash and Shakti Samant.

The song is a multiple version song, composed by Bappi Lahiri and written by Anjaan. Suresh Wadkar is giving playback to Rajesh Khanna and Usha Mangeshkar is singing for a child artist playing the young Mithun Chakravorty. This happy version is a ‘road side tamasha’ category song as Rajesh Khanna and the child perform in the streets. The child artist could be Baby Pinky. The sad version is a climax situation song in the auditorium, where again Rajesh Khanna is trying to coax a grown up disco star Mithun Chakravorty to start singing. This is a solo version of Suresh Wadkar.

A Trivia about this film:
Rajesh Khanna agreed to make a small appearance in this film without charging a fee. He did so to return a favour he owed to the film’s producer, director B. Subhash. It was Subhash who had recommended Rajesh Khanna to the producers of “Thodi si Bewafaii” (1980) when they were considering Sanjeev Kumar for the film’s lead role. The success of “Thodi si Bewafaii” helped stabilise Khanna’s career at a time when his films were bombing one after the other.

These two songs from this film are so far posted in the blog:

Song Date of posting
Krishna dharti pe aa jaa tu 12 April 201
I am a Disco dancer 16 June 2018

A last memory about Rajesh Khanna is a poetry loving character who is seen carrying around and reading a small book of Urdu poetry in this song of ‘Anand’. The book could be Sahir Ludhianvi’s “Parchhaiyaan”, but I am not sure.

It is a great tribute to the love of the language if a Bengali set up film shows a book in urdu script. The Bengali itself being a rich language, literature wise and status wise. It could have been Rajesh Khanna’s own choice.

Version 1 (happy):

Version 2 (sad) :

Song-Goron ki na kaalon ki ye duniya hai dilwaalon ki (Disco Dancer)(1982) Singers-Suresh Wadkar, Usha Mangeshkar, Lyrics-Anjaan, MD-Bappi Lahiri
Both

Lyrics (Provided by Avinash Scrapwala)

———————–
Happy version :
———————–
Goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki ee
haan goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee ee
ho oo
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

gali gali mein
geet hamaare
goonje subha-o-shaam
ham geeton ke saudaagar hain
yahi hamaare kaam

arre gali gali mein
geet hamaare
goonjen subha-o-shaam
ham geeton ke saudaagar hain
yahi hamaare kaam
na sonaa
na chaandi ee
geeton se ham ko pyaar aar
na sonaa
na chaandi ee
geeton se ham ko pyaa aar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

haan jeena hai din chaar yehaan
khush ho ke jee le yaar
karna hai kuchh agar tujhe
jee bhar ke kar le pyaar
arrey jeena hai din chaar yehaan
khush ho ke jee le yaar
karna hai kuchh agar tujhe
jee bhar ke kar le pyaar

kya teraa
kya meraa
bhulaa de ae
mere yaa aar
kya teraa
kya meraa
bhulaa de ae
mere yaa aar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki ee
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

—————————
Sad version :
—————————
kya tera
kya merabhula de mere yaaar

gaao beta gaao

goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki

na sonaa
na chaandi ee
geeton se ham ko pyaa aar
na sonaa
na chaandi ee
geeton se ham ko pyaar
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki
hans ke jiyen
hans ke maren
ham jaise dilwaalon ki ee
ho o
goron ki na kaalon ki ee ee
duniyaa hai dilwaalon ki


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4535 Post No. : 16103 Movie Count :

4396

Hullo Atuldom

There is a test match on, ‘Down Under’, and I am recalling the words of Sunny Gavaskar. He had hosted a short tele-series in the late 80s. He had also written his autobiography “Sunny Days”.

What I am quoting here and often prior to today, is something that I have read in “Sunny Days” or heard it on the said serial. It could also be Sunny Gavaskar in his avatar as a commentator. His advice to the batsmen used to be that “One should always reach the milestone of say a 50 or 100 with a four, six or at the most run two runs. This would cover up for any score that the scorer had inadvertently credited to extras”. Possibly this may have been due to his experiences at the start of his career when scorers used to do their work manually.

My reason for quoting Sunny Bhai (as he is sometimes addressed by his co-commentators) is that it has been a while since my last post, that had been a milestone for me. And following Sunnybhai’s advice my quick single (next post) should have come a few days back. But that has not been. I had many posts in mind for various birthdays and anniversaries but I have been away. But, as the elders say ‘better late than never’.

So coming to today’s post it is to wish an actor who is blessed with a good voice almost equaling Amitabh Bachchan’s baritone, a good height again almost equal to Mr. Bachchan and looks that far surpasses many of his contemporaries. He was born in Quetta in present day Pakistan a year before independence, educated in Hyderabad (in India) and was a Tennis and Swimming champion.

His career in the entertainment industry began with Radio Shows (which he got thanks to his voice) and stage plays. He is also trained at FTII. On relocating to Mumbai his experience on radio and stage kept him going and his looks helped him gain modelling assignments; I remember him in ads for ‘Lifebouy soap’ and also ‘Charminar cigarettes’. His Bollywood debut happened in 1977 with “Jeewan Mukt” but it was his role in “Laawaaris” as a potter that is my first recall of him. Hope that rings a bell in the mind of the readers.

Yes, I am speaking of the National Award winning, still handsome Suresh Oberoi. He turns a year older today. He has done a few romantic roles too in his career which are overshadowed by the character roles he has played. We can recall him as ‘Mukhi’ in “Mirch Masaala”, the tormentor in “Coolie”,”Shraddhanjali”, etc. He has played an inspector in a number of movies and may be holding the record for the third highest by an actor after Jagdish Raj and Iftikaar. 🙂

Today’s song is from the 1982 released, Satyen Bose directed “Tumhare Bina”. It had Suresh Oberoi and Swaroop Sampat playing a couple and parents to a little boy. He is a film producer whose wife is suspicious of his relation with a beautiful actress (Simple Kapadia). The couple separate and Robin Dutt (Suresh Oberoi) is forced to abduct his son, go into hiding etc. The movie had songs penned by Govind Moonis and tuned by Raam Laxman. Bhupinder Singh, Behroz Chatterjee (never heard this name before), Manhar Udhas, and Gurpreet Kaur (not heard this name too) were the playback singers used. Apparently the movie was a remake of Kramer v/s Kramer.

Today we have a song which shows that Suresh Oberoi would have made a good romantic hero too. It is duet by Bhupinder and Behroz Chatterjee.

Video (shorter)

Audio (Full)


Song-Lab tak aayi hai jo baat kaho to boloon(Tumhaare Bina)(1982) Singers-Bhupinder Singh, Behroz Chatterjee, Lyrics-Govind Moonis, MD-Ram Laxman
Both

Lyrics

hmm hmh hmm hmm
ho ho ho
aa ha ha
lab tak aai hai jo baat
kaho to boloon
dil mein hai kuchh jazzbaat
kaho to boloon oon
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
kahne do o
kahne do o
kahne na rahne do o
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon

milte hi nazron se nazar
sapne suhaane kitne jage
milte hi nazron se nazar
sapne suhaane kitne jage ae
chhoo ke badan sihran si lagi
tumko kya aisa na lage
main kya jaanoon oon
rahne ae do o

thehro na aa aa
kahne do o
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon
lab tak aai hai jo baat
kaho to boloon oon
dil mein hai kuchh jazbaat
kaho to boloon

saath tumhaara jo aaj mila
jeevan bhar ye saath rahe
saath tumhaara jo aaj mila
jeevan bhar ye saath rahe

dil mein rahe ye pyaar sada
haathon mein ye haath rahe
I love you
I love you

I love you
I love you
hmm hmm hmm hmm hmm hm
hmm hmm hmm hmm hmm hmm

lalalalaala
lalalaala
o o o
hmm hmm hmm hmm hmm hmm
hmm mm mmhmm hmm hmm

lalalalaal
lalalaala
o o o
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmm
hmm hmm hmm hmm


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4467 Post No. : 15957

10/10/2020 – 66th birthday of Rekha
——————————————————-

Today it is the birthday of Rekha, full name Bhanurekha Ganeshan. Some do refer to her as indian “Greta Garbo” for being elusive. However in this era of snooping social media and swooping television media, if someone of her status and lifetime experiences, wants to be a recluse, thumbs up to her. In her time she has been called “Jane Fonda” of India as well for her efforts to resurrect herself as the style icon of the industry. She is remembered for her many memorable characters enacted on the screen.

Back in the 80’s, we the impressionable teenagers, used to hang on to her photos and interviews in magazines. The new generation hasn’t heard of magazines, and google will probably say ‘bullets’, the ones needed to put in the guns, so they can fire. I know about my children, they haven’t experienced the passion and craze for magazines like we did, be it film, sports, politics or finance. I can report that I have spent my hard earned money on all the categories, fortnightly, monthly and weekly.

Yes, back to Rekha and magazine covers. I recall her on one such cover holding the black lady in her hand. Now that I checked, she has 4 filmfare awards of best actress for Khoobsurat & Khoon Bhari Maang, supporting actress in Khilaadiyon ke Khilaadi and last Life time achievement award in 2003. The “K” factor seems to have worked well for her. She used to appear in all the Filmfare award functions as the style icon, often wearing the hyderabadi “Khada dupatta” in its different avatars.

This is the Wikipedia pageWikipedia page on Rekha for more information about her. As per imdb site she has worked in 190 films between 1966 & 2018, having started as a child artist.

The song I have chosen to post today is ‘Raaste pyar ke” 1982, where she was a part of a love triangle with Shabana Azmi and Jeetendra. The gist of the story is Shabana and Rekha are best friends and they both fall in love with Jeetendra. Rekha decides to sacrifice her love for her friend, but then Shabana also finds out about the sacrificial intentions of Rekha and takes measures so that she falls sick and dies in the end, I am not sure. The measure is not a suicide attempt, but eating a lot of ‘green challis”. Jeetenda has not much say in these proceedings.

One song from the film is already posted.

The song under discussion is a nice solo by Lata Mangeshkar, also the title song. The team of Laxmikant-Pyarelal and Anand Bakshi do a job in this situational song.

Audio :

Video :

Song-Tedhe medhe oonche neeche lambe lambe raaste pyaar ke (Raaste Pyaar Ke)(1982) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Mit gayeen hazaaron jawaaniyan
mit gayeen hazaaron jawaniyan
deni padi jinhen qurbaniyan
jinhe qurbaniyan
yaad aati hain unn ki kahaaniyan
kahaaniyan
zindagi ne jinhe
chhoda maar ke
maar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke ae
raaste pyaar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke
kya pataa kaun kab kahaan
baitth jaaye thhak haar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke

zakhmon ke nishaan silte nahin
silte nahin
zakhmon ke nishaan silte nahin
yaadon ke chaman khilte nahin
bichhde to phir kahin milte nahin
do panchhi kabhi ik daar ke ae
ik daar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke

faisla ye hamen manzoor hai
faisla ye hamen manzoor hai
faasla ye hamen manzoor hai
apni manzil bahot hi door hai
bahot hi door hai
ruk gaye ham kisi ko pukaar ke ae
pukaar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke ae
raaste pyaar ke

iss muhobbat ke qaabil ham nahin
iss muhobbat ke qaabil ham nahin
ham nahin
ham ko apnaa zara bhi gham nahin
koyi khush ho khushi yeh kam nahin
ham chale raat gham ki guzaar ke
guzaar ke
tedhe medhe oonche neeche lambe lambe
raaste pyaar ke
raaste pyaar ke
kya pataa kaun kab kahaan
baithh jaaye thak haar ke
thhak haar ke ae
thhak haar ke


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4466 Post No. : 15954 Movie Count :

4371

Today 9th Oct’2020 is the sixth Remembrance Day of music director, lyricist and singer Ravindra Jain. He passed away on 9th Oct’2015 at the age of 71 yrs (born on 28th February’1944).
On this occasion as a tribute to him here is a song from the ‘1982’ movie ‘Bhaagya’ which is composed as well as written by him.

‘Bhaagya-1982’ was directed by Naval Kishore for ‘Baba Movietone, Bombay’. It was produced by Ravindranath Dasgupta.

It had Vinay Kumar, Meera, Sushma Verma, A.K. Hangal, Sulochana, Bhagwan Dada, Birbal, Chandrashekhar, Jagdeep, Keshto Mukherjee, Prabal Sen, Rajendra Singh Thakur, Zareen, Manmauji, Dev Sharma, Meghdoot.

Ajay Bannerjee make his debut appearance in this movie. Jalal Agha make a friendly appearance in this movie.

This movie was passed by Censor Board on 10.02.1982.

This movie had six songs (as per HFGK Vol.VI-1981-1985) composed by Ravindra Jain. Ravindra Jain also wrote lyrics for all the six songs.

Kishore Kumar, Hemalata, Yesudas, Amit Kumar, Abhijeet and Rachna, gave their voices to the songs in this movie.

Today’s song is sung by Kishore Kumar and Hemlata separately. HFGK mentions this song as two different songs i.e. ‘Koi phool na mahke’ and ‘janmon ka hai pyaar hamaara…’, however from the video (partial) of this song mentioned under part-II the female version appears in continuation after the male version (which might be the second stanza of repeat of few lines of the male version of this song).
(Also, if we watch the video of male version only (Part-1) we can see the heroine appearing at the end of this song and may be the female version starts here?) …

Knowledgeable readers who have watched this movie can throw more light on the movie and its songs…

I have not watched this movie and had neither heard of this song till seven years back when I came across it during my daily song listening browsing session and had shared it then itself, however this remains to be posted and today we are introducing it with the movie ‘Bhaagya-1982’ also making its debut on the blog.

Let us now listen to this song …

Video (partial)

Audio (Both versions)

Song-Koi phool na mahke koi panchhi na chahke (Bhaagya)(1982) Singer-Kishore Kumar/ Hemlata, Lyrics-Ravindra Jain, MD-Ravindra Jain

Lyrics

—————————–
Kishore Kumar version
—————————–

Koi phool na mahke
Koi panchhi na chahke
Koi phool na mahke
Koi panchhi na chahke
Sooni hain saari bahaarein
Pyaasi nigaahen
Tujhko pukaaren
Aaja re
Koi phool na mahke
Koi panchhi na chahke

Nadiya ka sunsaan kinaara
Aur bhi gumsum ho gaya
Sukh dukh mein sang jaagnewaale
Kyun tu aise so gaya
o janmon ke meet bataa tu
Bin bole kahaan kho gaya
Teri yaad sataaye
Din raat rulaaye
Sooni hai saari bahaarein
Pyaasi nigaahen
Tujhko pukaare
Aaja re
Koi phool na mahke
Koi panchhi na chahke

Aankh se ojhal honewaale
Dhoondhhta hoon tujhe khwaab mein
Tu hai kahaan jis’se bhi poochha
Chup ho gaya jawaab mein
Thha main kabhi tere pyaar mein dooba aa
Ab dooba hoon sharaab mein
Yahi ek sahaara
Mere ghamon ka chaara
Sooni hai saari bahaarein
Pyaasi nigaahen
Tujhko pukaare
Aaja re
Koi phool na mahke
Koi panchhi na chahke
Koi phool na mahke
Koi panchhi na chahke

———————————-
Hemlata version
———————————

O ho o o o
O ho o o o
O o o o o
O o o o o

Janmon ka hai pyaar hamaara
Janmon tak sang jaayega
Kasme waade itni jaldi
Kaise koi bisraayega
Tod ke har deewaar milenge
Dil ko dil jo bulaayega
Kahin door nahin hoon
Jahaan dhoondhhe wahin hoon
Tu mere dil mein rahega
Tujhse miloongi
Jab bhi kahega
Aa jaa re
Main hoon prem deewaani
Tere sapnon ki raani

Kal bhi tujhse door na thhi main
Aaj bhi tere paas hoon
Mit kar bhi jo mit nahin paaye
Main aisi ek aas hoon
Jitna udaas tu mere bina
Main tujh bin utni udaas hoon
Mujhe bhool na jaana
Sadaa pyaar nibhaana
Tu mere dil mein rahega
Tujh se miloongi
Jab bhi kahega
Aa jaa re
Main hoon prem deewaani
Tere sapnon ki raani
O o o o o
O ho o o o
O o o o o O
o o o o
O o o
O o o
O o o
o o o
o o o

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————

——————–
किशोर कुमार संस्करण
——————–

कोई फूल न महके
कोई पंछी न चहके

कोई फूल न महके
कोई पंछी न चहके
सूनी है सारी बहारें
प्यासी निगाहें
तुझको पुकारे
आजा रे
कोई फूल न महके
कोई पंछी न चहके

नदिया का सूनसान किनारा
और भी गुमसुम हो गया
सुख दुःख में संग जागनेवाले
क्यूँ तू ऐसे सो गया
वो जन्मों के मीत बता तू
बिन बोले कहाँ खो गया
तेरी याद सताए
दिन रात रुलाये
सूनी है सारी बहारें
प्यासी निगाहें
तुझको पुकारे
आजा रे
कोई फूल न महके
कोई पंछी न चहके

आँख से ओझल होनेवाले
ढूंढता हूँ तुझे ख्वाब में
तू हैं कहाँ जिससे भी पूछा
चुप हो गया जवाब में
था मैं कभी तेरे प्यार में डूबा
अब डूबा हूँ शराब में
यही एक सहारा
मेरे ग़मों का चारा
सूनी है सारी बहारें
प्यासी निगाहें
तुझको पुकारे
आजा रे
कोई फूल न महके
कोई पंछी न चहके

कोई फूल न महके
कोई पंछी न चहके
——————————–
हेमलता संस्करण
——————————–

ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ ओ

जन्मों का है प्यार हमारा
जन्मों तक संग जाएगा
कसमे वादे इतनी जल्दी
कैसे कोई बिसरायेगा
तोडके हर दीवार मिलेंगे
दिल को दिल जो बुलाएगा
कहीं दूर नहीं हूँ
जहां ढूंढें वहीँ हूँ
तू मेरे दिल में रहेगा
तुझसे मिलूंगी
जब भी कहेगा
आ जा रे
मैं हूँ प्रेम दीवानी
तेरे सपनों की रानी

कल भी तुझसे दूर न थी मैं
आज भी तेरे पास हूँ
मिट कर भी जो मिट नहीं पाए
मैं ऐसी एक आस हूँ
जितना उदास तू मेरे बिना
मैं तुझ बिन उतनी उदास हूँ
मुझे भूल न जाना
सदा प्यार निभाना
तू मेरे दिल में रहेगा
तुझ से मिलूंगी
जब भी कहेगा
आ जा रे
मैं हूँ प्रेम दीवानी
तेरे सपनों की रानी
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ
ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ ओ


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4463 Post No. : 15946

06/10/2020 – 74th birth anniversary of Vinod Khanna
——————————————————————————-

This duet song by Mohammed Rafi and Asha Bhonsle is one more song from the 80’s and radio days. This remained in the memory as a very good song from the film ‘Insaan” 1982, starring Vinod Khanna, Jeetendra and Reena Roy. I looked up this song again a few days ago for including in the Rafi series, as there are no duets in the series. But I am not including it there, instead posting it as a anniversary post for Vinod Khanna. The song is sung on screen by Vinod Khanna and Reena Roy.

This is the trivia I found about the song, inadvertently.
“Saathiya Tu Mere Sapnon Ka Meet Hai – This song was based on the 1977 British hit “Angelo” by the pop band Brotherhood of Man.”

I was not looking to add to the short series of inspired/copied songs. But since this falls in the category it is added in the series as the 5th song. There is only one more song in the series, barring any more inadvertent incidents.

Seeing the filmography of Vinod Khanna, his career started with films “Man ka Meet” and “Nateeja” in 1969. He graduated from bit roles to villan’s role in “Aan Milo Sajana” and small character in Manoj Kumar’s “Purab Paschhim” in 1970. Then came some of those critically acclaimed films like “Reshma aur Shera”, “Mere Apne” in 1971. He was noticed in both these films, especially “Mere Apne” with the main hero there. In “Mera Gaon Mera desh”(1971), he enacted the role of villain “Jabbar Singh”, which was later rehashed in “Sholay” as “Gabbar Singh”.

In “Achaanak” (1973), a movie directed by Gulzar he played an army officer, where he kills his wife and friend, using the methods learnt in training for killing the enemies, than uses the same training to evade arrest. I have seen this movie on TV, but don’t remember how it ends. He gets medals and accolades for same thing in a war, and a conviction for killing his unfaithful wife and deceitful friend. The dilemma was the basis of the film’s story. This is also a once seen, never forgotten sort of film. I would call it the most important film of Vinod Khanna’s film career.

The year 1974 brings more important films like “Imtehaan” and ‘Haathh ki safai”. Major hits start with multi-starrer “Amar Akbar Anthony” (1977), many more films later. Somewhere along the way, Vinod Khanna seems to have been typecast in the role of Daaku in many films, even as a hero.

Come 1980 and there were not so hit “The Burning Train” and super hit “Qurbani”. Feroz Khan’s “Qurbani”, had Vinod Khanna in the meaty title role, the one doing sacrifice.

I almost missed “Muqaddar ka Sikandar” (1978), as it is absent in the list of films at imdb. A few more multi starrters like “Kudrat”(1981) and “Rajput”(1982) later he was still short of a superstar status. Then came the Osho twist in the story and he left everything to join the aashram. He was out of the industry for almost 5 years. He made a very impressive comeback in 1987 with excellent hero oriented films like “Insaaf” and “Satyamev Jayate”. He continued working in many films for three decades till his death in 2017.

He had a stint in politics too like Amitabh Bachchan, was an MP from Punjab.

Some film buffs and Vinod Khanna fans contend that had he not got involved in “Osho” and left the industry at a crucial juncture, his career graph would have been very different. These are of course conjectures, and we will never know what could have been.

So here is the song from “Insaan”, composed by Laxmikant-Pyarelal and written by Anand Bakshi, as a tribute to Vinod Khanna on his 74th birth anniversary.

Audio : Longer audio (full)

Video :

Song-Saathiyaa tu mere sapnon ka meet hai (Insaan)(1982) Singers-Rafi, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

Saathhiya
hmmmm mmmm
tu mere sapnon ka meet hai
hmmmm mmm mm mm
tu mere honthon ka geet hai
hmmmm mmmmm
apni janmon ki preet hai
saathhiya
tu mere sapnon ka meet hai
tu mere honthon ka geet hai
apni janmon ki preet hai
khaao qasam
na ho pyaar ye kam
yahi waada karo
yahi reet hai
saathhiyaa
tu mere sapnon ka meet hai
tu mere honthon ka geet hai
apni janmon ki preet hai

khaao qasam
na ho pyaar ye kam
yahi waada karo
yahi reet hai
saathhiyaa
saathhiyaa
saathhiyaa

sitaare jaante hain
nazaare jaante hai
sadaa ke ham saathhi
ye saare jaante hain
sitaare jaante hain
nazaare jaante hain
sadaa ke ham saathhi
ye saare jaante hain
hmmmm mm mmm
saathhiyaa
tu sadiyon se mere saathh hai
barson puraani mulaaquat hai
tu meraa din meri raat hai

khaao qasam
na ho pyaar ye kam
yahi waada karo
yahi reet hai
saathhiyaa
saathhiyaa
saathhiyaa

ye rut mastaani
ye phool ye jawaani
ye sab tujh se hain
o mere dil jaani
ye rut mastaani
ye phool ye jawaani
ye sab tujh se hain
o mere dil jaani
hmmm mm mm

saathhiyaa
o o o
main tere bin kuchh bhi nahin
tu mere bin kucch bhi nahin
ye raat din kuchh bhi nahin
khaao qasam
na ho pyaar ye kam
yahi waada karo
yahi reet hai
saathhiyaa

saathhiyaa
saathhiyaa

bahaaron se ye poochho
ke dhaaron se ye poochho
kahenge yahi saare
hazaaron se ye poochho
bahaaron se ye poochho
ke dhaaron se ye poochho
kahenge yahi saare
hazaaron se ye poochho
hmmm mmm

saathhiyaa
hmm hmm mm mm
tu mera dil meri jaan hai
tu hi meraa armaan hai
tu hi meri pehchaan hai
khaao qasam
na ho pyaar ye kam
yahi waada karo
yahi reet hai
saathhiyaa

saathhiyaa
tu mere sapnon ka meet hai
meet hai
tu mere honthon ka geet hai
geet hai
apni janmon ki preet hai
saathhiyaa
saathhiyaa
tu mere sapnon ka meet hai
meet hai
tu mere honton ka geet hai
geet hai
apni janmon ki preet hai
saathhiyaa

saathhiyaa
saathiyaa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4463 Post No. : 15945

Hullo Atuldom

“Rajput” was released on 16/04/1982. That was 38 years and six months ago. It was produced by Mushir -Riaz and directed by Vijay Anand. It was the story of a minor kingdom in Rajputana and placed during the time of accession to the Indian Union.

The king of that state (played by Murad) kills himself as he is unable to handle the taking of his kingdom by a decree of the Indian Government. His son Jaipal (Ranjeet) refuses to hand over the kingdom to the government and is almost a tyrant king and has a few dacoits under his payroll. In this background Police Superintendent Dhirendra Singh (Rajesh Khanna) assumes duties in that area and at the same time his parents arrange for his marriage with Janki (Hema Malini). He falls in love with her on sight unaware that she is in love with Manu (Dharmendra). On the day of the wedding with Dhirendra, Janaki is abducted by Jaipal’s nephew (Tej Sapru) as the doli is not its way to the sasural. But Manu kills Tej Sapru, rescues Janki and goes to jail to serve term for the murder. Meantime Janki settles into wedded life. Jaipal’s atrocities are directed towards Manu’s family and he has his father killed, his brother Bhanu (Vinod Khanna) turns a baaghi (an option which all oppressed take in most films of that time) as Jaipal has set his evil eye on Bhanu’s sweetheart Kamli (Ranjeeta). So now Bhanu has become Bhawani and Dhirendra Singh is entrusted the task of hunting down all dacoits of the area. He asks Manu (who has been released from prison for good conduct) to help in this mission. He goes out looking for Bhawani Daaku unaware that he is his own brother. During the course of the movie Dhirendra finds out that the child whom Janki has given birth to, is Manu’s. He finds that Jaipal is the biggest dacoit of the region who blackmails the SP (Rajesh Khanna) to handover the case file which he has prepared in exchange of his son whom he has kidnapped. The movie moves towards the climax when all the heroes join forces to bring Jaipal (Ranjeet) and his gang of bandits to the law and avenge all personal scores. In between all this Jaipal’s daughter (Tina Munim) switches over to Bhanu’s side when he shows her her father’s reality.

Very straight forward story, right? This was a movie that took time in reaching the marquee but was reasonably successful. I see this movie whenever it come on television.

“Rajput” had 6 songs including one two part song. Of this five are posted as under

Song Date of posting
Mere sang sang aaya teri yaadon ka mela Multiple version song 2 September 2008
Bhaagi re bhaagi bhaagi brijbaala 20 March 2011
Kahaaniyaan sunaati hai pawan aati jaati 22 February 2012
Doli ho doli 10 April 2019

Today’s song is the final song. In the movie too it happens just before the climax. It is after Jaya (Tina) learns the truth about her father and the brothers have reunited after Manu (Dharam) discovers that Bhawani is Bhanu (Vinod Khanna). Just before the song Ranjeeta, who is by then the unwed mother of Ranjeet’s child, has joined Bhawani and his team. The song speaks about love for motherland and fighting to overthrow the oppressor.

I would like to state my personal opinion here:- in this post of his Atulji has mentioned that Dharam, Rajesh Khanna and Hema were all towards the end of their careers as lead actors. I beg to differ- Rajesh Khanna’s Souten, Avatar, Amrit etc came after this. As also Hema’s Satte Pe Satta etc were post this. I can agree to your statement about Dharam because in the movies of Dharam, which came after this, we saw him play father-like characters to Govinda, Anil Kapoor, Sunny, Sanjay Dutt etc. But those are my thoughts and I am open to people’s disagreement.

There were comments posted on another song of this movie which said that the mustache didn’t suit the heroes, but they are all entitled to experiment on their looks no? We have heroes, these days, who have lot of facial hair and some even sport extra-long hair.

The purpose of re-visiting this movie is to remember the handsome Vinod Khanna on his 74th birthday today. He was born in Peshawar in 1946, and was raised in Bombay (Mumbai). His first love was cricket, having played the game as a college student. But he soon realized that he couldn’t be a Vishwanath and so pursued his second passion-acting. His career began with “Man Ka Meet” in 1968 as a villain. His next few movies saw him as a supporting actor and/or an antagonist in Rajesh Khanna films of the 70s- “Aan Milo Sajna” for example. He was not averse to playing the second lead too. He appeared in 54 solo hero films and 47 multi-starrers and he was successful in half of each. He had a brief hiatus in the ’80s when he gave up everything to be Acharya Rajneesh’s disciple. He made a comeback in 1984 with “Insaaf”. He was one actor whose sense of rhythm helped him in the song and dance routines which are mandatory in Indian movies. In the last few years of his career we saw him as dad to Salman Khan in “Dabangg” “Wanted” etc. The last movie of VK that I ejoyed was “Ek Rani Aisi Bhi Thi” which saw him play Maharaja Jiwaji Rao Scindia with Hema Malini as his Rani.

Thinking of Vinod Khanna today on his birth anniversary.

Editor’s note:- Lyrics of this song were sent by Prakashchandra quite some time back.

Audio

Video

Song-Sabne des ka naam liya (Raajput)(1982) Singers-Mahendra Kapoor, Manhar Udhas, Hemlata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Female chorus

Lyrics(Provided by Prakashchandra)

hoooo oooo
ooooo
sabne des ka naam liya
sabne des ka naam liya
arre hum ne dil ko oo thhaam liya
hum ne dil ko oo thhaam liya
sabne hindustan kahaa aa
sabne hindustan kahaa
aur hamne apni jaan kahaa
waah waah waah waah
waah waah

apni jaan se apni jaa…aaan
apni jaan se apni jaan
bachaake hamein kya karna hai ae
yahin pe humko jeena hai
yahin pe humko marna hai

yahin pe humko jeena hai
yahin pe humko marna hai

apni jaan se apni jaan
bachaake hamein kya karna hai
yahin pe humko jeena hai,
yahin pe humko marna hai
yahin pe humko jeena hai,
yahin pe humko marna hai

la la laa la laa
la la laa la laa
la la laa la laa
la la laa la laa

tu hai mast akele mein
aaha main bhi hoon is mele mein
aa aa tu hai mast akele mein
aa aa
main bhi hoon is mele mein

dil ko yaad tu hi tu,
des ke baad hai tu hi tu

oho ho ooo
dil ko yaad hai tu hi tu,
desh ke baad hai tu hi tu
bandh ke sehra tere hi
kadmon mein yeh sar dharna hai

yahin pe humko jeena hai,
yahin pe humko marna hai

yahin pe humko pyaar mila aa aa aa
yahin pe humko pyaar mila
yahin hamein sansaar mila aa aa aa aa
yahin hamein sansaar mila
yahin pe humko pyaar mila
ooo yahin hamaari galiyan hai,
yahin pe sab rang raliyaan hain
yahin hamaari galiyaan hain
yahin pe sab rang raliyan hain

issi dagar pe pyas hamasri,
issi dagar pe jharna hai
yahin pe humko jeena hai
yahin pe humko marna hai

saawan gaya gayi holi
hum kab milenge humjoli
hooo
saawan gaya gayi holi

jeewan hai sangram abhi
oooo
pyar ka na le naam abhi
ooooo
jeewan hai sangram abhi,
pyar ka na le naam abhi
teri mang mein o gori
sindoor lahu se bharna hai ae

yahin pe humko jeena hai,
yahin pe humko marna hai

aaaa aaaaa
kaanton se talwaar bana aaa,
kaanton se talwaar bana
phoolon ke mat haar bana aaa aaa,
phoolon ke mat haar bana
kaanton se talwaar bana
o tu jab yudh par jayega
jeet ke jab tu aayega
tu jab yudh par jayega
jeet ke jab tu aayega
yeh phoolon ke haar pehan
gali se tujhe guzarna hai

yahin pe humko jeena hai,
yahin pe humko marna hai
yahin pe humko jeena hai
(oooooo),
yahin pe humko marna hai (oooooo)
yahin pe humko jeena hai,
yahin pe humko marna hai
yahin pe humko jeena hai
yahin pe humko marna hai


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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