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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1982’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3463 Post No. : 13899

We are into the last few hours of the day today (10 january 2018). We have covered four songs for today, including one debutant song for the day. It was decided that two more songs would be covered today by Sudhir Ji, and one of them would be a YIPPEE song. But now with less than four hours left for the day, Sudhir Ji seems to have got busy. So I have decided that I will post the YIPPEE song for the day myself and Sudhir Ji may post his YIPPEE post on another day. As it is, I keep a few YIPPEE songs ready with me at any moment in order to live up to our new year resolution of covering one YIPPEE movie song daily.

The movie that I have taken up today is “Dharam Kaanta”(1982). It was a “daaku-drama” produced and directed by Sultan Ahmad who loved producing movies on this theme. His earlier movie on the same theme was “Ganga Ki Saugandh”(1978). “Dharam Kaanta”(1982) had Raaj Kumar, Rajesh Khanna, Jeetendra, Waheeda Rehman, Reena Roy, Sulakshana Pandit, Amjad Khan, Satyen Kappu, Om Prakash, Nazir Hussain, Mukri, Hina Kausar, Nisar Ahmad Khan, Sheetal, Purnima etc in it.

The movie had five songs in it. Four of these songs have been covered in the past.

Here is the fifth and final song from “Dharam Kaanta”(1982) to appear in the blog. This song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by Naushad.

The song is picturised as a mujra song on Sulakshana Pandit in the location of a Thakur ki haweli. Several characters in the movie, viz. Amjad Khan,Santyen Kappoo, Yunus Parvez , Hina Kausar etc are visible in the picturisation.

This song, one of the last compositions by Naushad can be counted as among the last few known mujra songs from HFM before this genre of songs all but vanished from Hindi movies.

With this song, “Dharam Kaanta”(1982) joins the list of movies that have all their songs covered in the blog.


Song-Main aisa jhoom ke naachi aaj ke ghunghroo toot gaye (Dharam Kaanta)(1982) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

zaalim tere jahaan ki
har ek rasam chhod di hai
sharm o haya ki maine
zanjeer tod di ee hai ae

maine chhod di kab ki laaj
maine chhod di kab ki laaj
main aisa jhoom ke naachi aaj
ke ghunghru toot gaye
ho o
ke ghunghru toot gaye

maine chhod di kab ki laaj
maine chhod di
maine chhod di
maine chhod di kab ki laaj
mai aisa jhoom ke naachi aaj
ke ghunghru toot gaye
haaye re
ke ghunghru toot gaye

takraayi jo apne dilbar se
dil dhadka mohabbat ke dar se
takraayi jo apne dilbar se
dil dhadka mohabbat ke dar se
baahon mein jo usne gher liya
kuchh kar na saki
munh pher liya
baahon mein jo usne gher liya
kuchh kar na saki
munh pher liya
mohe loot gaya ek chor
padi main kuchh aisi kamzor
ke ghunghru toot gaye
haay re
ke ghunghru toot gaye

kyun aaj zamaane se darna
ruswaayi ka gham bhi kya karna
kyun aaj zamaane se darna
ruswaayi ka gham bhi kya karna
hansna hai ke aansu peena hai
ik raat mujhe to jeena hai
hansna hai ke aansu peena hai
ik raat mujhe to jeena hai
main chali piya ki oar
jawaani aisi hai munhjor
ki ghunghru toot gaye
ho o
ki ghunghru toot gaye

reahta thha jo mere khwaabon mein
tasweer thhi jiski aankhon mein
rehta tha jo mere khwaabon mein
tasweer thhi jiski aankhon mein
baaje hai kahin bhi shehnaayi
main samjhi milan ki raat aayi
baaje hai kahin bhi shehnaayi
main samjhi milan ki raat aayi
main aisi hui behaal
main aisi hui behaal
kuchh aisi uljhi meri chaal
ke ghunghru toot gaye
ho o
ke ghunghru
ghunghru re ghunghru re ghunghru re
ghunghru toot gaye

kuchh der ka ye afsaana hai
bas dil ko yahi samjhaana hai
kuchh der ka ye afsaana hai
bas dil ko yahi samjhaana hai
zanjeer main jis’se ghaayal thhi
duniya ki nazar mein paayal thhi
zanjeer main jis’se ghaayal thhi
duniya ki nazar mein paayal thhi
wo aaj kate zanjeer
chalaaya maine aisa teer
ke ghunghru toot gaye
maine chhod di kab ki laaj
mai aisa jhoom ke naachi aaj
ke ghunghru toot gaye
aa aa aa
ki ghunghru toot gaye
ae o o
ke ghunghru toot gaye

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3461 Post No. : 13890

“Dharam Kaanta” (1982) was produced and directed by Sultan Ahmad for Sultan Ahmad Productions, Bombay. The movie had Raaj Kumar, Rajesh Khanna, Jeetendra, Waheeda Rehman, Reena Roy, Sulakshana Pandit, Amjad Khan, Satyen Kappu, Om Prakash, Nazir Hussain, Mukri, Hina Kausar, Nisar Ahmad Khan, Sheetal, Purnima etc in it.

This Daaku-drama tale would not have been out of place if it was released in 1960s, but a story like this was an anachronism in 1980s. If one asks me, even the main actors signed up for this movie were by and large past their sell by date.

The movie had five songs in it. three of these songs have been covered in the past.

Here is the fourth song from “Dharam Kaanta” (1982) to appear in the blog. The song is s “villain’s den” genre of song. It is sung by Asha Bhonsle and it is lip synced by Reena Roy, with other main characters of the movie also present. Majrooh Sultanpuri is the lyricist. Music is composed by Naushad.

Yesterday (7 january 2018) was the birthday of Reena Roy. So this song serves as a belated bithday greetings for her as well.


Song-Teri meri hai nazar qaatil ki (Dharam Kaanta)(1982) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

teri meri hai nazar qaatil ki
aa aa aa
teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki
haaye
teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki

tu sharaabi hai
tere haath mein paimaana hai
meri aankhon mein chhalakta hua maikhaana hai
hum wo saaqi hain jo deewaana bana dete hain
jaam khaali ho to nazron se pila dete hain

ye jawani ye ada
iska hai aur nasha
jaam ye jisne piya
mast hokar wo gira
zara nigaah uthha deewaane
jara nigah uthha deewaane
aaj nikal jaaye tamanna dil ki
teri meri hai nazar qaatil ki
haan
teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki

pyaar mein jaan ki parwaah nahin ki jaati
dil mein ho dard magar aah nahin ki jaati
pyaar karte hain jo ghar baar luta dete hain
qatl ho jaaye to qaatil ko dua dete hain
kya khabar tujhko bhala
pyaar hai kaisi bala
aag us dil mein lagi
shola is dil mein uthha
ishaara mera samajh le dilbar
ishaara mera samajh le dilbar
baat nahin aisi koi musqil ki
teri meri hai nazar qaatil ki
haan teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki

naam mera bhi hai bijli
muqaddar waala hai
na samjhna ki akela tu hi dilwaala hai
chhed dono mein chalegi to maza aayega
aag se aag milegi to maza aayega
kuchh teri baat bane
kuchh meri baat bane
raat dhalne de zara
phir koi ba bane
kisi ka tu bhi agar ghaayal ho
kisi ka tu bhi agar ghqayal ho
jaanega phir baat kisi ghaayal ki
teri meri hai nazar qaatil ki
aa teri meri hai nazar qaatil ki
khair nahin khair nahin mehfil ki


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3461 Post No. : 13889

“Kaamchor”(1982) was directed by K Vishwanath. This movie, a remake of Telugu hit “Subhodayam”(1980) had Rakesh Roshan, Jaya Prada, Tanuja, Sujit Kumar, Suresh Oberoi, Shreeram Lagoo, Nita Mehta, Pinchoo Kapoor, Asrani, Bhagwan Dada etc in it.

The movie had six songs in it that became quite popular during its time.

Five songs from the movie have bee discussed in the blog in the past.

Here is the sixth and final song from the movie. It is a roadside tamasha song which is sung by Kishore Kumar and it is picturised on Rakesh Roshan, Asrani (playing an astrologer and carrying a forune telling parrot with him) and a female dancer whom I am unable to identify.

Indeewar is the lyricist. Music is composed by Rajesh Roshan.

With this song, “Kaamchor”(1982) joins the list of movies that have all their songs covered in the blog.


Song-Jogi o jogi bhaag mein mere likkha hai (Kaamchor)(1982) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Rajesh Roshan

Lyrics

jogi o jogi
bhaag mein mere likha hai
ek din main raaja banoonga
tera hi tota kehta hai
ek din main raaja banoonga
tera hi tota kehta hai
jogi o jogi
bhaag mein mere likha hai
ek din main raaja banuga
tera hi tota kehta hai
laa
lalalala
lalala

sooraj ho balwaan
tez chandar
yaaron banta hai wo sikandar
sooraj ho balwaan
tez chandar
yaaron banta hai wo sikandar
powerful hon grah
tabhi to kar lenge maal andar
jogi
jogi o jogi
bhaag mein mere likha hai
ek din main raaja banoonga
tera hi tota kehta hai
ek din main raaja banoonga
tera hi tota kehta hai

mitne ko har cheez mit jaaye
haathon se rekha na jaaye
mitne ko har cheez mit jaaye
haathon se rekha na jaaye
aji mutthi mein hai kismat apni
phir tu kyon ghabraaye
jogi
jogi o jogi
bhaag mein mere likha hai
ek din tu raaja banega
tera hi tota kehta hai
ek din main raaja banoonga
tera hi tota kehta hai
laa
lalalala lalla
laa lalalalala


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

Wishing all a Merry Christmas. Also remembering Guru Gobind Singh on his 351st Jayanti today. I know for Christmas we should say “Merry Christmas” but unfortunately, what does one wish for Guru Gobind Singh Jayanthi. My apologies to all our Sikh friends for my ignorance.
I believe there is a confusion regarding the exact date. As per the Gregorian calendar it could be any date from December 22nd to January 15th as the Indian calendar says Saptami of Shukla Paksh in Paush month. I also read in some newspapers that there are almost weeklong celebrations in many parts of India.

But my today’s post is to remember one of India’s topmost music director of the 40s, 50s & 60s. He began by assisting Ustaad Jhande Khan, Ustaad Mushtaq Hussain etc in the late 30s. He composed for his first independent film “Prem Nagar” in 1940 and with A.R. Kardar’s “Nayi Duniya” (1942) he got his first credit as music director. Now I know that all the stalwart- followers of this blog would have guessed that I am talking about Naushad.

Something which I realised as I sat to write this post is “wow! Yesterday was Mohd. Rafi’s birth anniversary and today is Naushad saab’s. Interesting”

As I always say, I am no authority to write about any of the stalwarts that graced the Bollywood film scene in the golden era of Hindi film music. Or for that matter of any age and time as I only love the music created by them and don’t know anything personally, whatever I know is hearsay or whatever I have read up over the years. But our Rajaji had written a very beautiful post Duniya chhote yaar na chhoote on the occasion of Naushad’s death anniversary.

Without much build-up I will come directly to today’s song. I was looking for a song that would bring Mohd. Rafi and Naushadsaab together and also fulfil the criteria of being from my growing up years. I landed on “Dharam Kanta”. This movie had six songs of which three were duets- Mohd. Rafi with Bhupinder (already posted) and with Asha Bhonsle two songs- one is posted. Here is the next one. The songs of the movie were penned by Majrooh Sultanpuri.


Song-Tera naam liya dil thhaam liya (Dharam Kaanta)(1982) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Naushad

Lyrics

dil ke bazaar mein
daulat nahin dekhi jaati
pyar ho jaaye toh
soorat nahin dekhi ee jaati
aaaaa aaaaaa
aaaaaa aaaaaa
ek adaa par yeh dil o jaan
nichhaawar kar doon oon oon
maal achchaa ho toh keemat nahin dekhi ee jaati

ulfat ko zamaan kya jaane
aaaaaa
aaa aaa aaa
ulfat ko zamaana kya jaane
ulfat se toh hamne kaam liya
ke tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
naam liya
naam liya
tera naam liya
dil thhaam liya
tera naam liya
hum bhi to inhin do baaton par
badnam huye
ilzaam liya
ke tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
naam liya
naam liya
tera naam liya
dil thhaam liya
tera naam liya

parda bhi hai
aur parda bhi nahin
jalwa bhi hai
aur jalwa bhi nahin
aaa aaa aaaa
aaa aaa aaa aa
chilman kahin padi ho
sarakti zaroor hai
dilwaalon ki nigaah
pahunchti zaroor hai
kangan ho choodiya hon
magar pichchli raat ko
koi na koi cheez khanakti zaroor hai ae
parda bhi hai
aur parda bhi nahin
jalwa bhi hai
aur jalwa bhi nahin
jalwa bhi hai
aur jalwa bhi nahin
andaaz yahi dikhlaake sanam
dil toone mera bedaam liya
ke tera naam liya

dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
dil thhaam liya
tera naam liya
naam liya
naam liya
tera naam liya
dil thhaam liya
haan tera naam liya
dil thaam liya
haan tera naam liya


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo Atuldom

Smita Patil (17th October 1955-13th December 1986) was an unusual actor much in the same template as Shabana Azmi if one may say so. She did justice to all the characters she was offered. One can distinctly remember her act in “Arth” as a person who was obsessed and insecure about her lover. Or her simply -being a prop-for-the-hero role in movies like Shakti, Namak Halal, Badle Ki Aag, Ghungroo etc. And we cannot forget her movies like Ardh Satya, Bazaar, Mirch Masala, Bhumika, Bhavani Bhavai, Umbartha (the last two movies mentioned were dubbed from Gujarati & Marathi respectively.) Umbartha was Subah in Hindi.

Smita Patil’s career spanned from 1974- 1989. Around 10-15 of her movies were completed and released after her death.
Remembering Smita Patil on her anniversary today with this song by Lata Mangeshkar from Subah (Umbartha 1982). The lyricist for this song is Narendra Sharma & music is by Hridayanath Mangeshkar.

For this movie Smita won the Marathi Rajya Chitrapat Puraskar for Best Actress.

This is a brief synopsis of the movie taken from Wikipedia. (I am resorting to it as I don’t want to go wrong about a movie I saw many years back)

Umbartha (translation: Threshold) is a 1982 Marathi film produced by D. V. Rao and directed and co-produced by Dr. Jabbar Patel. The film is a story of a woman’s dream to step outside the four walls of her home and bring change in the society. Smita Patil played the lead protagonist in the film for which she won. The film was adjudged as the Best Feature Film in Marathi at the 29th National Film Awards for “a sincere cinematic statement on the theme of a woman seeking to establish her identity by pursuing a career, even at the risk of alienation from her family”. The film is based on a Marathi novel “Beghar” (translation: Homeless) by Shanta Nisal and was also simultaneously made in Hindi as Subah with the same cast.

Sulabha Mahajan (played by Smita Patil) is a woman who dreams to step out of the four walls of the house, assume greater responsibility as a citizen and play an important role in shaping the society. She has passion to do something constructive for the abused, assaulted, neglected and traumatized womenfolk of the society she lives in. She gets a job offer as Superintendent of a Women’s Reformatory Home in a remote town of Sangamwadi. The job offer raises objections from her lawyer husband Subhash (played by Girish Karnad) and conservative mother-in-law who refuse to understand her need to move to the town and work for rehabilitation of the women. But her sister-in-law supports her by offering help in looking after her young daughter Rani. Determined Sulabha then goes ahead with her dream job.

She meets various challenges in her new endeavor. She starts with bringing discipline in the Home and also discovers frauds that take place there. But she is not helped by the managing committee which is filled with selfish and careless people. She hence decides to take steps against their sanction. She starts some classes to educate willing women and also marries off one of the inmates in order to give a new start to her life. She discovers how a local MLA Bane has been regularly using the inmates of the home to satisfy his sexual needs. Two of the inmates decide to run away but are forcefully brought back to the home. They both commit suicide by burning themselves. Sulabha is then questioned by committee and newspapers for her improper control on the home. An administrative enquiry is set up against her. It is then that she decides to resign and give up all her work and return home.

When she returns to her home she is happily welcomed by her sister-in-law but not so much by her mother-in-law. She then comes to know that her husband Subhash has been involved with another woman in her absence. His betrayal changes her mind and she again sets off to follow her dream work.

The film had Girish Karnad playing her husband, Shrikant Moghe (brother in law) Ashalata Wabgaonkar as her sis-in-law, Daya Dongre and a whole lot of Marathi actors of that time (if I am not wrong Kusum Kulkarni played the mother-in-law). Remembering a highly talented Smita today (13 december 2017) on her anniversary.

Audio

Song-Ham donon gaate rahen geet(Subah)(1982) Singer-Lata, Lyrics-Pt Narendra Sharma, MD-Hridaynath Mangeshkar

Lyrics

aaa aaa aaa aa
ho o o
hum donon
hum donon
hum donon
donon hum mmmm
aa aa aa
aa aa aa

hum donon gaate rahen geet
hil mil kar
donon hum
hum donon hum donon
donon hum
hum donon hum donon
donon hum

hum donon la la la donon hum
hum donon
gaate rahen geet

sah-jeewan ka woh yugal gaan
boley mayur koyal ki taan
sah-jeewan ka woh yugal gaan
boley mayur koyal ki taan aan aan
ho o o
aaj akeli hi gaaun
aaj akeli hi gaaun
main bankar swar pancham
donon hum donon hum hum donon
donon hum la la la hum donon
aa aa aa
aa aa aa
aa aa aa

nyochhaawar ek doosre par
woh hari dhara neela amber r r r r r
nyochhaawar ek doosre par
woh hari dhara neela amber r r r r r
preeti lata par aayi kali
preeti lata par aayi kali
kar dhany madhur sangam
donon hum donon hum hum donon
hum donon la la la donon hum

hai preet prateekhsa mein apalak
kya geet na pahunchega aa tum tak
hai preet prateekhsa mein apalak
kya geet na pahunchega aa tum tak a a a
ho o o o
kab gaayenge hum yugal geet
kab gaayenge hum yugal geet
ban ban kar sargam sang hum
donon hum donon hum hum donon
hum donon la la la donon hum
hum donon gaate rahen geet
hum donon gaate rahen geet
hum donon on on
hum donon


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is Peevesie’s mom’s 200th writeup in the blog

Hullo Atuldom

I had a message from Atulji after he posted my last contribution: “Your next write-up will be your 200th. So, make that a special write-up. 🙂 ”. And my reaction was “oh maa”. I didn’t realise I had done 200 posts. I knew I was within touching distance of the double century but not just one run away. But then here it is and I must thank Atulji for posting 99% of all that I have written and sent him since 2012.

Mere yaar ko mere allah de ek chaand sa pyaara lalla was my first post ever in any blog. I remember what I had sent him was one long unstructured post. Atulji was good enough to edit it to look readable. Plus the lyrics that I had sent had to be corrected for spellings etc. Before the song from “Dacait” I used to only send lyrics of those songs which I thought everyone will like and enjoy.

The first person to tell me “now that you have started writing please don’t stop” was my daughter, our Peevesie. I think I have kept my promise to her. My next post came around 15 days later for the birthdates of Amitabh and Rekha and since then whenever I think of a song I try to write something around that particular actor or actresses’ birthdays. That means I don’t write daily but about once in a week or 10 days.

My 100th post came up with this Sanjeev Kumar-Vidya Sinha song from “Hiraasat” and that first 100 took me a little more than three years. Now this next 100 posts have come in two years, so, just goes to show how much addiction I have developed in writing “for the blog”. And no, I have never tried to find rare songs only tried for different combinations. I also try my best to write and send a post for some dates in the calendar of this blog in addition to birthdates of Amitabh, Rekha, Kishore Kumar etc.

Now today is also a birthdate of an actress of the time when I was growing up. She was a style icon in her times. She proved that a girl clothed in western outfits was as much an Indian as a girl in a saree or salwar suit. She was unconventional in her style of dressing as well as the roles she chose. Consider this- you debut in a sister role to a hero and in your next movie with the same hero you try to woo him. Cut to two years later you again pair up with the actor and this time as his romantic co-star, this was something unheard of in an industry which said once a sister always a sister.

But without rebelling against the norms of the industry she gained a foothold in Bollywood and went on to be the favourite of the masses. B.R Chopra (whose anniversary was on 8th of this month) cast her in the role of a lady caught in a difficult marriage early on in her career and later he showed faith in her and this time cast her as rape- survivor who kills her tormentor when she finds that he has committed the same crime on her younger sister. Okay I agree my preamble is getting very confusing. I am talking of Zeenat Aman or Zeenie baby as her fans used to call her. The two B.R. Chopra films are “Dhundh” and “Insaaf Ka Tarazu”. The other movies that I referred to were- “Hare Rama Hare Krishna”, “Heera Panna” and “Ishk Ishk Ishk”- all with Dev Anand (she did about seven movies with Dev Anand.)

Zeenat Aman was liked by the audiences no matter whom she was paired with whether Amitabh, Vinod Khanna, Dharmendra, Sanjeev Kumar etc. Oh yes, she had paired romantically with Sanjeev Kumar too. Remember “Manoranjan” “Takkar” etc. She was friendly with her female co-actors too as could be seen when she appeared in an episode of “Koffee with Karan” with Hema Malini. There have been movies where she has co-starred with Parveen Babi, Shabana Azmi, Moushmi Chatterjee etc.

I am spoilt for choice as to which song to present today. I can choose from any of the movies I have mentioned or a song with any of the co-stars I have listed. I am choosing a song with the co-stars I listed, in fact a song which features three talented ladies- Parveen Babi, Shabana Azmi and our dear birthday girl Zeenie. It is from the 1982 Umesh Mehra directed “Ashanti”. It had a huge star cast led by Rajesh Khanna and Mithun Chakravarty with the above-mentioned ladies and Amrish Puri. The music director was R.D. Burman and lyricist was Anand Bakshi. Today’s song is sung by Asha Bhonsle and Lata Mangeshkar. We have Mithun and Rajesh Khanna in disguise for that matter even the girls are dressed as Lavani dancers.

Happy Birthday Zeenat dear. Wish you all health and happiness today and forever.


Song-Laungi mirchi main Kolhapur ki (Ashanti)(1982) Singers-Asha Bhonsle, Lata, Lyrics-Anand Bakshi, MD-R D Burman
All

Lyrics

suniye
main jis sheher mein jaati hooon
kehte hai sheher ke log
arey saare seher ko lag jaata hai
mere prem ka rog
kehta thha ye ek paagal thaane ka pahreder
ho o o o
arey tere aashiq bhare hain andar
paagal hain do chaar aar
hhaa aaa aa aa
o bach ke rahna
phir na kehna
laungi mirchi main kolhapur ki
lagi toh mushkil hogi
ho laungi mirchi main kolhapur chi
lagi toh mushkil hogi
si si karte phiroge ji ji
si si karte phiroge ji ee ee
lagi toh mushkil hogi

laungi mirchi main kolhapur chi
lagi toh mushkil hogi
laungi mirchi main kolhapur ki
lagi toh mushkil hogi
si si karte phiroge ji ji
si si karte phiroge ji ee ee
lag gayi toh mushkil hogi

ho laungi mirchi main kolhapur ki
daajiba
lagi toh mushkil hogi
haan

aisi tikhat main aisi karaari
kuchh mat poochho baat
ik baabu ne pakad liya thha
ik din raste mein haath
aisi tikhat main aisi karaari
kuchh mat poochho baat
ik baabu ne pakad liya thha
ik din raste mein haath

bechaare ki chutti ho gayi ee ee ee hi hi
bechaare ki chutti ho gayi
aisa ho gaya haal
log uthha ke le gaye usko seedha haspataal
bachke rehna
phir na kahna

laungi mirchi main kolhapur ki
daajiba
lagi toh mushkil hogi
laungi mirchi main kolhapur ki
pahuna
lagi toh mushkil hogi
haan

bade badon ke chhakke chhoote
sun kar mera naam
aate jaate karte hain sab
door se mujhe salaam

bade badon ke chhakke chhoote
sunkar mera naam
aate jaate karte hain sab
door se mujhe salaam
ek gali ka ladka mujhse
ae ae ae ae he
ek gali ka ladka mujhse
kar baitha thha preet
aaj talak gaata phirta
galiyon mein yahi geet

o bach ke rahna
phir na kehna
ho laungi mirchi main kolhapur ki
pahuna
lagi toh mushkil hogi
ho laungi mirchi main kolhapur ki
dajiba
lagi toh mushkil hogi
haan

waise to main sharmeeli hoon
lekin mere hazoor
mirchi mirchi hoti hai
nahin hoti koi khajoor
bhool se ik deewaana mera aa aa ho
bhool se ik deewaana mera
dil baitha thha maang
wahin hai baithha
jahaan pe maine
todi uski taang

o bach ke rahna
phir na kahna
ho laungi mirchi main kolhapur ki
pahuna
lagi toh mushkil hogi
laungi mirchi main kolhapur li
lagi toh mushkil hogi
si si karte phiroge ji ji
si si karte phiroge ji ee ee
lagi toh mushkil hogi
ho laungi mirchi main kolhapur ki
dajiba
lag gayi toh mushkil hogi
haan


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (5 may 2017) is the 11th death anniversary of Naushad saab. He passed away on the 5th of May 2006.

This is the 9th opportunity for this blog to pay a tribute to Naushad saab on his death anniversary. And yet, though I’ve written tributes for many here, I don’t remember writing one for Naushad saab yet. So here goes.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baazaar”(1982) was produced by Vijay Talwar and directed by Sagar Sarhadi. The movie had Naseeruddin Shah, Farooq Shaikh, Smita Patil, Supriya Pathak, B L Chopra, Nisha Singh etc in it.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

To keep up our New Year resolution of one movie getting Yippeeeed per day I found that the 1982 Manmohan Desai produced & directed “Desh Premee” falls short by a song to achieve YIPPEEHOOD.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo atulites

As I said once before, November is the month of birthdays of some Miss Indias who went on to be actors in the Hindi film industry. We have had Juhi Chawla’s & Meenakshi Sheshadri’s birthdays already. The next to grow a year older is Zeenie baby as she used to be fondly addressed as for a short period of time.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 13900 song posts by now.

This blog is active and online for over 3400 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13930

Number of movies covered in the blog

Movies with all their songs covered =1050
Total Number of movies covered =3798

Total visits so far

  • 10,008,177 hits

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Blog Start date: 19 july 2008

Active for more than 3250 days.

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