Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Teased song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4782 Post No. : 16535 Movie Count :

4499

Today’s song is from a film which is 86 years old- Pardesi Sainya-1935.

When I choose a film song for a post, there is always a thought behind it. Sometimes the cast consists of some actor who spilled over from the silent era and is on the verge of ending his career now. Sometimes the Director or the Music Director is absolutely unknown or a first timer on our Blog. Such and similar matters arouse my interest and I start gathering information about these people. Many times, I am the first person to write about that actor or director etc.

Not many people understand the importance of these things but from a Historical point of view, it is very important. Sometimes information of just one paragraph also has to be culled from half a dozen sources. perseverance and consistency are required to get such information. Even today’s film is one such film where some revealing names are there.

Film Pardesi Sainya alias My Darling aka Chaand ka Tukda-1935 was made by Gandharva Cinetone. In those days two names for a film was a common matter, but here there are 3 names. This was a company owned and floated by Baburao patel, before he started his famous Film Magazi8ne-” Film India”. Patel began this banner in the Silent Era and his first Directorial venture was a Silent film-” Kismat”-1931…the year India had entered the Talkie Era. His first Talkie film was Mahananda-33. Then came maharani-34, Bala Joban-34 and last in the first segment was Pardesi Sainya-35. The banner had a second segment after 9 years, with films Draupadi-44 and Gwalan-46, both to promote Susheela Rani- a Konkani good looking singer/dancer and a journalist of sorts. She failed in films, but joined Film India magazine as a Sub Editor, only to become a Sub-kuchh by marrying Baburao Patel !

The music was composed by one Dinkar Rao Amembal – a name hardly anybody has heard. Not only now but even in those days. later on he became famous is another thing. His elder brother A.Sunder Rao was a good Harmonium player and younger brother A Bhaskar Rao was already in the film line as a composer.

Collecting information about Dinkar Rao has been a tiring job and I had to take extra efforts.Finally I collated information on Dinkar Rao from several sources. I present here today, for the first time-as far as I know, information on Dinkarrao Amembal On any Blog discussing old films and music.

DINKAR RAO AMEMBAL AKA D’ AMEL…….Dinkar Rao was born on 24-9-1909 in Guwahati (Assam) in a CXhitrapur Saraswat Bramhin family of South Canara. The family was known as a Music loving family. He studied upto Matriculation in Ganapati High School at Mangalore. After that his family shifted to Bombay.

Dinkar was never trained in classical music by any expert. He had a sweet voice and he was self taught. He started his B.Sc. studies in Fergusson College, Poona. In the final year, he left studies and returned to Bombay. He joined Indian States Broadcasting company ( a precursor to All India Radio), as a singer and instrument player on contract basis in 1927. He was a Harmonium expert like his elder brother A.Sunder Rao- who had a Music career in south India. Dinkar Rao had master Krishnarao Phulambrikar as his Idol. After 1947, when Harmonium was banned in India by the Congress Government, he learnt Flute and Violin. He became an expert in Brass Flute.

In 1935, he started V.U.B. Orchestra. He used his name as D’Amel and broadcast several self made musical melodies on Radio. After establishment of All India Radio, his orchestra was taken over and became Akashvani Orchestra. In 1935, Dinkar Rao entered the film line.

As a Music Director he gave music to 3 films independently. They were Rangeela Nawab-35. In this film he did a small role and sang one song also. Then came Pardesi Sainya-35 and Bombshell-35, which he also directed. After 12 years, he gave music to film Beete Din along with another composer M.Rauf Osmania. His younger brother A.Bhaskar Rao was already a Music Director in Hindi films.

In 1936. Dinkar Rao was appointed Programme Director in the newly formed All India Radio, Bombay station, wherein he served till 1967. As a Director he worked with Shridhar parsekar, Alla Rakha Khan, Master Ibrahim etc etc. He was famous for creatively introducing several new popular musical programmes. While in All India Radio, he worked closely with the German Jew Walter Kauffmann, who is credited to be the inventor of the famous A.I.R. Signature tune, which is played before a Station starts on All India Radio.

He worked with many poets of Marathi and presented their songs. He served A.I.R. for 35 years including his earlier services. He was awarded by Music Research Academy of Calcutta. he was a devotee of Sufi Saint Ashraf Khan (this Sufi Saint was a Hindi film actor and singer. He had also been a popular actor on Gujarati stage dramas).

In later years Dinkar Rao became totally deaf in one year’s time. He died suddenly on 6-2-1990 at Bombay. ( I thank parrikar.org, kamath.com, Prakash Burde and Madhav Imarte for the above information.)

The cast of the film was Mubarak, Padma Devi, Shirin bano,Azurie, Raja pandit, Kamal Bhivandkar, Vaskar, nandu khote and many others. Actress padma devi was from Bengal and a spill over from the Silent Era into the Talkie films. She had a special relationship with Baburao patel. She used to move around in his magazine office at will in later times. When Susheela Ranitook over as a Sub Editor of the magazine initially and then as the ‘ Sub Kuchh’ of Patel, she cleverly cut off the association of padma Devi and baburao patel to have total control.

Raja pandit was an actor and a singer. His first film was Sati mahananda, then came Maharani-34, bala joban-34, Bhikaran-35 and Pardesi Sainya-35-his last film in Hindi. he sang songs in every film. After this he turned to marathi films and became a producer/Director. Kamal Bhivandkar did a child role in this film. She was about 12 years of age. She became friendly with Raja Pandit. Kamal became a popular big Heroine, with a new name Ratnamala and acted in big banner films in Hindi. Raja pandit and Ratnamala got married when she was hardly 16 year old. She continued to be a successful actress inb Hindi and later in Marathi films. Raja Pandit was a failed producer/director. After a few years they separated. They had a son-Jay Kumar, who died young, in an accident.

Shirin bano was the eldest sister of actress Poornima (Meher Bano). She acted in 18 films and then got married to director Nanabhai Bhatt. Mahest Bhatt and Mukesh Bhatt are their sons. Nandu Khote was the father of Shubha khote- the bubbly actress of the 50’s and 60’s, in Hindi and Marathi films.

I have written short notes on these actors because their full details would have made this post unwieldy and very long, which normally readers avoid to read. I also dislike long posts. While there is no rule on the ideal length of a post, I try to remain within an average of 40 to 50 lines or near to it.

No information on the storyline or other details of this film. Today’s song is a duet of Shirin Bano and Raja Pandit. The Lyricist is not mentioned in HFGK, but the MD was Dinkar Rao Amembal.

With this song the film Pardesi Sainya-35 and the Music Director Dinkar Rao Amembal make their Debut on this Blog.


Song-Na chhedo mohe ro doongi Piyarwa (Pardesi Sainyya)(1935) Singers- Shirin Bano, Raja Pandit, Lyricist- Unknown, MD- Dinkar Rao Amembal

Lyrics

Na chhedo mohe
ro doongi
piyarwa
Na chhedo mohe
ro doongi
piyarwa
Na chhedo mohe
ro doongi
piyarwa
Na chhedo mohe
ro doongi
piyarwa

apni garaj kahat lahal
hamri baari munh phulaat
apni garaj kahat lahal
hamri baari munh phulaat
apni garaj kahat lahal
hamri baari munh phulaat
Na chhedo mohe
ro doongi
piyarwa
Na chhedo mohe
ro doongi
piyarwa
Na chhedo mohe
ro doongi
piyarwa
Na chhedo mohe
ro doongi

aisa baanka naujawaan
kya hai koi doosra
aisa baanka naujawaan
kya hai koi doosra
aisa baanka naujawaan
kya hai koi doosra
mastaana deewaana
parwaana meri jaan
mastaana deewaana
parwaana meri jaan
mastaana deewaana
parwaana meri jaan

chhatiya dikhat
daani doobat
balma kaahe hansat jaat
chhatiya dikhat
daani doobat
balma kaahe hansat jaat
chhatiya dikhat
daani doobat
balma kaahe hansat jaat
na chhedo mohe
ro doongi
piyarwa
na chhedo mohe
ro doongi
piyarwa
na chhedo mohe
ro doongi
piyarwa
na chhedo mohe
ro doongi
piyarwa
Apni garaj kahat lahal
hamri baari munh phulaat
Apni garaj kahat lahal
hamri baari munh phulaat
Apni garaj kahat lahal
hamri baari munh phulaat
na chhedo mohe
ro doongi
piyarwa
na chhedo mohe
ro doongi
piyarwa
na chhedo mohe
ro doongi
piyarwa
na chhedo mohe
ro doongi


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4373 Post No. : 15713

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 95 #
——————————————

Today’s song is from the 1974 movie ‘Hawas’. This movie is mostly known by its song “Teri Galiyon Mein Na Rakkhenge Kadam“. I remember that this song was frequently played on radio and loud speakers in those years. And I too associate this movie only with this song and had never tried to listen to the other songs of this movie. And yes, I never get to watch this movie until now.

So, when our dear Prakash ji had sent a song from this movie, I was eager to know about the other songs from this movie. So far, two songs (including the song mentioned above) from this movie have been posted on the blog.

‘Hawas’ is directed by Sawan Kumar for ‘Mercury Productions’. He was also the producer, storywriter and the lyricist of this movie. The star cast includes Anil Dhawan, Neetu Singh, Bindu, Vidya Sinha, Shiv Kumar, Fariyal, Pradeep Kumar, Randhawa and Mehmood. Supported by Pichoo Kapoor, Ashok Khanna, Randhir, Asit Sen, Shera, Basant, Neelam, Nelu, Sharmilee, Jugnu, and Coca-cola. Rekha and Vinod Mehra made friendly appearance in this movie.

Story of this movie is written by Sawan Kumar while the screenplay was written by Bimal Dutt. Dialogues were written by Ameen Sayani and editing of this movie was done by YG Chouhan. This movie was passed by Censor Board on 11.06.1974 with ‘restricted viewing’ certificate.

This movie has five songs sung by Asha Bhonsle (four songs) and Mohd Rafi (one solo song).  Lyrics for all the five songs are written by Sawan Kumar and music is composed by Usha Khanna.

Today, 8th July is the sixty-second birth anniversary of actress Neetu Singh (born on 08th July, 1958). On this occasion here is a song from this movie picturized on her. She is lip-syncing Asha Bhonsle’s voice on the screen and many other female artists and Anil Dhawan can be seen in the picturization of this song.

I had never listened to this song earlier. It’s lovely song and grows upon if we listen to it more and more.

Let us now enjoy the today’s song …

Video

Audio

Song – Kal Raat Us Ne Sapne Mein Mujhko Chheda (Hawas) (1974) Singer – Asha Bhosle, Lyrics – Saawan Kumar, MD – Usha Khanna

Lyrics (Provided by Prakashchandra)

kal raat us ne ae

kal raat us ne
sapne mein
mujhko chhedaa aa
kal raat us ne
kabhi is karwat a a a a a a
kabhi us karwat a a a
deewaana raha
kabhi tan se lipat
kabhi mann se lipat’ta
haan kal raat us ne
sapne mein
mujhko chheda
kal raat us ne

bada deewaana hai
wo to prem ke raag sunaaye
bada deewaana hai
wo to prem ke raag sunaaye
mori kori chunar
mohey lagta hai dar
kahin maili na ho jaaye
mohey paas bulaaye
main na jaaun khud aaye
use laaj na aaye
mohey ang lagaaye
phir saare deep bujhaaye
dar ke boli ee
o humjoli
kal ka waada
bilkul pakka
wo muskuraata raha aa aa
kabhi aise palat a a a a a a a a
kabhi waise palat a a a
deewaana raha
kabhi tan se lipat
kabhi mann se lipat’ta
haan kal raat us ne
sapne mein mujhko chheda
kal raat us ne

kya kiya

badaa natkhat hai wo
ban gaya re krishn kanhaai
badaa natkhat hai wo
ban gaya re krishn kanhaai
main jamuna mein
nahaane gayi
aur us ne chaal chalaayi
meri saari churaayi
meri angiyaa churaayi
main paiyyaan padi
maine binati kari
nahin maana re raam duhaayi
bola raadha
sangam hoga
main kya kehti
waada jo tha
main sharmaati rahi ee ee ee
kabhi aise simat a a a a a a a a
kabhi waise simat a a a
deewana rahaa
kabhi tan se lipat
kabhi mann se lipat’ta
haan kal raat us ne
sapne mein mujhko chheda aa aa
kal raat us ne

—————————————————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————————————————–

कल रात उस ने ए

कल रात उस ने
सपने में
मुझको छेड़ा आ
कल रात उस ने
कभी इस करवट अ अ अ अ अ अ
कभी उस करवट अ अ अ
दीवाना रहा
कभी तन से लिपट
कभी मन से लिपटता
हाँ कल रात उस ने
सपने में
मुझको छेड़ा आ आ
कल रात उस ने

बड़ा दीवाना है
वो तो प्रेम के राग सुनाये
बड़ा दीवाना है
वो तो प्रेम के राग सुनाये
मोरी कोरी चुनर
मोहे लगता है डर
कहीं मैली ना हो जाए
मोहे पास बुलाये
मैं ना जाऊं खुद आये
उसे लाज ना आये
मोहे अंग लगाए
फिर सारे दीप बुझाए
डरके बोली
ओ हमजोली
कल का वादा
बिलकुल पक्का
वो मुस्कुराता रहा
कभी ऐसे पलट अ अ अ अ अ अ
कभी वैसे पलट अ अ अ
दीवाना रहा
कभी तन से लिपट
कभी मन से लिपटता
हाँ कल रात उस ने
सपने में
मुझको छेड़ा आ आ
कल रात उस ने

क्या किया

बड़ा नटखट है वो
बन गया रे कृष्ण कन्हाई
बड़ा नटखट है वो
बन गया रे कृष्ण कन्हाई
मैं जमुना में
नहाने गयी
और उस ने चाल चलाई
मेरी साड़ी चुराई
मेरी अंगियां चुराई
मैं पैय्यां पड़ी
मैंने बिनती करी
नहीं माना रे राम दुहाई
बोला राधा
संगम होगा
मैं क्या कहती
वादा जो था
मैं शर्माती रही
कभी ऐसे सिमट अ अ अ अ अ अ
कभी वैसे सिमट अ अ अ
दीवाना रहा
कभी तन से लिपट
कभी मन से लिपटता
हाँ कल रात उस ने
सपने में
मुझको छेड़ा आ आ
कल रात उस ने


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3475 Post No. : 13958

Missing Films of 1960s – 49
– – – – – – – – – – – – – – –

Today’s debut film is ‘Krishnavtaar’ from 1964. The film has nine songs listed, and as I scanned this list of songs, I am amazed to see so many favorites from radio listening day – songs that are so much alive in memory, but without being aware of any other details.

The film is produced under the banner of Kashi Film Corporation, Bombay, and is directed by S Dosaani. The list of actors includes Shyam, Lakshmi Chhaaya, Sujata, Bhagwan, Sabina, Sadhna Khote, Prem Sagar, Jagdish Kanwal, Ajay and Radheyshyam etc. The nine songs of this film are shared between two song writers – four written by Anjaan and five written by Yogesh. This song is by Yogesh Gaud. The wonderful musical compositions of this film are prepared by Suresh Kumar.

The song is sung by Suman Kalyanpur. She has lent her voice to as many as 6 songs out of nine in this film, four of which are solo songs.

This is a very lovely song in which the lady is complaining that her beauty prep and her appearance is being disturbed on purpose by the flurries of the wind. She is going to see her beau, and the wind on espying her beauty, is trying to disturb and dishevel her makeup and her appearance. The wind is having a bad eye on her, out of jealousy.

Wonderful pieces of sitar music have been intertwined into this song. Lovely music and lovely rendition – a song worth preserving in the memory.

Song – Baar Baar Gayi Re Haar Main Sakhi Ri  (Krishnavtaar) (1964) Singer – Suman Kalyanpur, Lyrics – Yogesh Gaud, MD – Suresh Kumar

Lyrics

aaa aaa aaaaa

saj ke saaj ke
nikli main ghar se
pee ke milan ko aaj
kaahe mera singaar utaare
kaahe bigaade kaaj

baar baar gai re haar
main sakhi ri
ye bairi
pawan jhakora
chunri udaaye
kaa karoon haaye
baar baar gai re haar
main sakhi ri
ye bairi
pawan jhakora
chunri udaaye
kaa karoon haaye
baar baar gai re haar
main sakhi ri
ye bairi

kabhi sharmaaun
kabhi balkhaaun
aur kabhi ghabraaun
kabhi sharmaaun
kabhi balkhaaun
aur kabhi ghabraaun
roop rang ki pyaasi najariya
kaise roop chhupaaun
ja re ja
ja re ja
mohey sataaye kaahe
baar baar gai re haar
main sakhi ri
ye bairi
pawan jhakora
chunri udaaye
kaa karoon haaye
baar baar gai re haar
main sakhi ri
ye bairi
baar baar gai re haar
main sakhi ri
ye bairi

bindiya gir gayi
nath meri uljhi
kajra dhul dhul jaaye
bindiya gir gayi
nath meri uljhi
kajra dhul dhul jaaye
jaane bedardi kaun janam ka
mujhse bair chukaaye
ja re ja
ja re ja
mohey sataaye kaahe
baar baar gai re haar
main sakhi ri
ye bairi
pawan jhakora
chunri udaaye
kaa karoon haaye
baar baar gai re haar
main sakhi ri
ye bairi
baar baar gai re haar
main sakhi ri
ye bairi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
आs आs आsss

सजके साजके
निकली मैं घर से
पी के मिलन को आज
काहे मेरा सिंगार उतारे
काहे बिगाड़े काज

बार बार गई रे हार
मैं सखी री
ये बैरी
पवन झकोरा
चुनरी उड़ाए
का करूँ हाए
बार बार गई रे हार
मैं सखी री
ये बैरी
पवन झकोरा
चुनरी उड़ाए
का करूँ हाए
बार बार गई रे हार
मैं सखी री
ये बैरी

कभी शरमाऊँ
कभी बलखाऊँ
और कभी घबराऊँ
कभी शरमाऊँ
कभी बलखाऊँ
और कभी घबराऊँ
रूप रंग की प्यासी नजरिया
कैसे रूप छुपाऊँ
जा रे जा
जा रे जा
मोहे सताये काहे
बार बार गई रे हार
मैं सखी री
ये बैरी
पवन झकोरा
चुनरी उड़ाए
का करूँ हाए
बार बार गई रे हार
मैं सखी री
ये बैरी

बिंदिया गिर गई
नथ मेरी उलझी
कजरा धुल धुल जाये
बिंदिया गिर गई
नथ मेरी उलझी
कजरा धुल धुल जाये
जाने बेदर्दी कौन जनम का
मुझसे बैर चुकाए
जा रे जा
जा रे जा
मोहे सताये काहे
बार बार गई रे हार
मैं सखी री
ये बैरी
पवन झकोरा
चुनरी उड़ाए
का करूँ हाए
बार बार गई रे हार
मैं सखी री
ये बैरी


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 14
– – – – – – – – – – – – – –

With this post, I return to one of the requests of Arvinder ji that has been pending for some time now. His reminders keep coming to me, and there are more pending requests from him lined up in my inbox.

This song can well be the continuation of the ‘Memory Ticklers’ series. A lilting melody that was often heard on the radio when I used to regularly listen, and then later it seemed to have faded from the memories. Depend on Arvinder ji to recall and remind to dig up such gems to once again be played and listened.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Parwaana” (1947) was produced by R B Haldia and directed by J K Nanda. This movie had K L Saigal, Suraiyya, Najma, K N Singh etc in it. This was thelast movie of K L Saigal who expired before the release of this movie.
Read more on this topic…


“Miyaan Beewi Raazi” (1960) was a small budget movie made with unknown actors like Kamini Kadam, Shrikant Gaurav, Seema, Raja Gosavi and Mehmood. This movie apparently failed at the box office, seeing that the names of the lead actors of this movie do not ring any bells.
Read more on this topic…


I have so far discussed songs from “Singaar” (1949) that were sung by Suraiyya and Surinder Kaur and picturised on Suraiyya and Madhubala respectively. This movie also has songs sung by other singers and picturised on lesser actors.
Read more on this topic…


In Hindi movies, we have songs where the hero teases the lady and then there are songs where the lady
tells him (half seriously) not to tease her. Here is a song that I believe must rank among the best teased songs of all time.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

Total visits so far

  • 14,811,177 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,945 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory
%d bloggers like this: