Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Father child song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5402 Post No. : 17725

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Blog 10-Year Challenge (2013-2023) – Song No.110
————————————————————————————–

On this date ten years ago (3 May 2013), five songs from five different movies (plus one non Film song) were covered in the blog. Here are the details:-

Post No Song Title Name of the movie Remarks
8026 Ratiyaan guzaaroon kaise Ratnawali(1945) 5 songs covered out of 8 by now
8027 Man mein naachen man ki umangen Beqasoor (1950) Movie YIPPEED in the blog by now
8028 Peepal taley ghar mera Jeewan Saathi(1957) 4 songs covered out of 8 by now
8029 Jo dil ki tadap na jaane Saawan Ki Ghata (1966) Movie YIPPEED in the blog with this song
8030 Ud jaayegaa hans akela Kumar Gandharv NFS (1970)
8030 Na na na na na jaane na doongi Priyatma(1977) Movie YIPPEED in the blog by now

We observe that three movies (out of five), whose songs were covered on this date ten years ago (on 3 May 2013) have since been YIPPEED in the blog. That leaves us with two unYIPPEED movies that are eligible for Blog Ten Year Challenge today (3 May 2023).

“Jeewan Saathi”(1957) is a movie that is eligible for Blog Ten Year Challenge today.

“Jeewan Saathi”(1957) was produced by Dhanwesh S Shah and directed by R S Tara for D S Films, Bombay. The movie had Ashok Kumar, Usha Kiran, Anup Kumar, Daisy Irani, Amarnath, Jabeen, Protima Devi, Shammi, Mirza Musharaff, Murad, Dhumal, Iftekhar, Salvi, Leela Mishra, Bhupendra Kapoor, Alka, Gopal etc in it.

“Jeewan Saathi”(1957) had eight songs in it. Five songs have been covered so far.

Here is the sixth song from the movie to appear in the blog. This song is sung by Sudha Malhotra. Pt Chandrashekhar (is he the same as Chandrashekhar Pandey ?)is the lyricist. Music is composed by Bulo C Rani.

Only audio of the song is available. The song sounds like one where a child is trying to persuade his/ her father, who has left home in a huff, to come back to home. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

Audio link:

Song-Mere achche pappa kyun gussey se huye donon gaal golgappa (Jeewan Saathi)(1957) Singer-Sudha Malhotra, Lyrics-Pandit Chandrashekhar, MD-Bulo C Rani

Lyrics(Provided by Prakashchandra)

o o o o pappaa

pappaa

mere achchey pappaa
kyun gussey se huye
donon gaal golgappaa
mere achchey pappaa
kyun gussey se huye
donon gaal golgappaa
mere achchey pappaa
pappaa aaa aaa
hho pappaa

pappaa ghar ko laut chalo
aur pee lo thhandaa paanee
ye kitaab mein likhaa bahut
gussaa karnaa naadaani
yoon na chhod kar jaao
chaahey kar lo
chaahe kar lo
dhaul dhappaa
dhaul dhappaa aaaa
mere pappaa
mere achchey pappaa
kyun gussey se huye
donon gaal golgappaa
mere achchey pappaa
kyun gussey se huye
donon gaal golgappaa
pappaa aaa aaa
hho mere pappaa

mummy ghar mein roti hongee
aansoo bahaa bahaa ke
hum…huhhh…
huhh..hmm…hmmm…mmm
yahaan thhak gayaa hoon main tumse
binti sunaa sunaa ke
kaisey khush hongey pappaa
kyaa gaaoon
kyaa gaaoon taal tappaa
taal tappaa
aaa aaa aaaa
mere achchey pappaa
kyun gussey se huye
donon gaal golgappaa
mere achchey pappaa
kyun gussey se huye
donon gaal golgappaa
pappaa aaa aaa
hho pappaa aaa aaa aaa aaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5233 Post No. : 17227

15.11.2022

# Superstar Child Artist – Junior Mehmood # 13
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Today 15th November’2022 is the ‘sixty-sixth’ birthday of actor Junior Mehmood.

On this occasion we wish him a very happy and a healthy, wealthy, entertaining and enjoying life ahead.

Junior Mehmood was born as Naeem Sayyad on 15th November’1956 to a ‘middle class family living in Mumbai.
His father was an Engine Driver in railways and the family used to live in the railway quarters at ‘Antop Hill’ Mumbai (as mentioned in the biography of Jr Mehmood available on YT).
Including Naeem they were six siblings – four brothers and two sisters.

Jr. Mehmood started his acting career at the age of eight. Unfortunately, the very first film which he got a chance to work in ‘Kitna Nazook Hai Dil’ (as mentioned by Junior Mehmood himself in an interview available on YT and other sources too) never got released and was shelved.

His first released film was ‘Naunihaal-1967’.

He went on to act in many movies as a child artist from ‘1967’ onwards and was very much popular among people like me who were born and growing during those years of late sixties and early seventies. He was the most loved child artist during those years of end sixties and early seventies or till mid-seventies.

His acting career continued even as an adult actor. However, he didn’t get the same success and adulation in movies as an adult actor what he received as a ‘child artist’.

As a child artist Junior Mehmood achieved a ‘Superstar’ like status then. He got to perform on many songs or rather many songs were picturised on him.

Under this special series we have been enjoying such songs where Junior Mehmood has performed on screen.

So far twelve songs have been presented under this series.

Today we listen to a song from the ‘1971 movie – Khoj’. There will be few more songs coming. Our dear Prakash ji has brought to my notice few songs which he had come across during his daily browsing. I will be presenting the same soon too.

Today I am presenting a song which I come across around four-five years back but had forgotten later.

‘Khoj-1971’ was directed by Jugal Kishore for his home productions ‘Jugal Productions, Bombay’.
It had Farida Jalal, Deepak Kumar, Shatrughan Sinha, Jayshree T., Bramhachari, M. Rajan, K.N. Singh, Wasti, Kumud Tripathi, Leela Mishra, Badri Prasad, Junior Mehmood, Heera Lal, Hercules, Rajan Kapoor, H. Prakash, Kishan, Bhupendra Kumar, and others.

This movie was passed by Censor Board on 26.10.1971.

This movie has six songs in it. Lyrics for the songs in this movie were written by Mahendra Dehlavi – two songs and Asad Bhopali – four songs.

Music for this movie was composed by Usha Khanna.

So far, three songs from this movie have been posted on the blog and all of them were posted in the year ‘2009’. So, this movie missed being part of its BTYC three years ago.

Today’s song is the fourth song from this movie which is sung by Suman Kalyanpur and Usha Khanna. On screen it is lip synced by Junior Mehmood and Jayshree T (respectively for the voices I guess).

This song is a nice song sung by grateful children for their father (played by actor Wasti I think). Also seen in the picturisation of this song are Heera Lal and others (who, I guess, have kidnapped the father of the children).

This song has two versions – one happy (short version) and one long slow version.
(HFGK mentions this as one song. Also, the lyrics for the happy or fast version are same as the second stanza in the slow version).

Let us now listen to the song …

Happy birthday to Junior Mehmood!!!

Video (Part I)

Video (Part I)

Song-Jiske pyaar ke aage is duniya ka sar jhuk jaata hai (Khoj)(1971) Singers-Suman Kalyanpur, Usha Khanna, Lyrics-Mahendra Dehalvi, MD-Usha Khanna

Lyrics

jiske pyaar ke aage
is duniya ka sar jhuk jaata hai ae
arey o o o
jiske pyaar ke aage
is duniya ka sar jhuk jaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai

dhool tere charnon ki baabul
jo maathhe pe lagaaye
arey o o o
jo maathhe pe lagaaye
unka ek janam kya
sau sau janam safal ho jaaye
arey o o o
janam safal ho jaaye
jiski sewaa karnewaalaa
bhav-saagar tar jaata hai
jiski sewaa karnewaalaa
bhav-saagar tar jaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai

————————–
(Part-II)
—————————
jiske pyaar ke aage
is duniya ka sar jhuk jaata hai ae
arey o o o
jiske pyaar ke aage
is duniya ka sar jhuk jaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai

waqt ki tapti dhoop mein jo
har pag par thhokar khaaye
arey o o o
pag par thhokar khaaye
phir bhi aankhon ke taaron ko
dil ka khoon pilaaye
arey o o o
dil ka khoon pilaaye
jisse badhh ke koyi sakhi hai
aur na koyi daataa hai ae
jisse badhh ke koyi sakhi hai
aur na koyi daataa hai ae
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai

dhool tere charnon ki baabul
jo maathhe pe lagaaye
arey o o o
jo maathhe pe lagaaye
unka ek janam kya
sau sau janam safal ho jaaye
arey o o o
janam safal ho jaaye
jiski sewaa karnewaalaa
bhav-saagar tar jaata hai
jiski sewaa karnewaalaa
bhav-saagar tar jaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai

khaana peenaa chhod ke jo tu
apni jaan ganwaaye
arey o o o
apni jaan ganwaaye
ye andher tere bachchon se
kaise dekha jaaye
arey o o o
kaise dekha jaaye
dil ke tukdon ki khaatir jo
mar-mar ke jee paataa hai
dil ke tukdon ki khaatir jo
mar-mar ke jee paataa hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
jiske pyaar ke aage
is duniya ka sar jhuk jaata hai ae
arey o
jiske pyaar ke aage
is duniya ka sar jhuk jaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai
uska naam pitaa hai jag mein
wo baabul kehlaata hai


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5085 Post No. : 17009 Movie Count :

4607

Hullo Atuldom

3rd Sunday of June is celebrated as Father’s Day and yesterday (19th June) was Father’s Day this year. The day is meant to honor Fatherhood and Paternal Bonds as well as the influence of fathers in society. In the USA, father’s day was founded by Sonora Smart Dodd, and celebrated on the third Sunday of June, for the first time, in 1910. The day is held across the world on various dates and different regions have their own traditions of honoring Fatherhood.

Here I would like to mention that Sonora Smart Dodd was the daughter of American Civil War veteran William Jackson Smart whom she held in very high esteem. Along with her father, she shared the raising of her five siblings, after the death of her mother. While hearing a church sermon about the newly recognized Mother’s Day, Sonora felt strongly that fatherhood needed recognition as well and suggested June 5th (her own fathers’ birthday) as a possible date for father’s day. The Ministerial Alliance of the Spokane County (the county where they lived) chose the third Sunday instead.

That is how Father’s Day came about to be on third Sunday of June and complements similar celebrations honoring family members such as Mother’s Day, Siblings’ Day and Grandparents’ Day.

Today we shall have a Father-Son song and continue with the celebration of Father’s Day here on our blog. We have a song from the film ‘Aamne Saamne’ (1982). The star cast of the film is Mithun Chakravarthy, Bindiya Goswami, Aarti Gupta, Tarun Ghosh, Dinesh Thakur, Leela Mishra, Kamal Kapoor etc. The film was released in January 1982 – 40 years already, wow!!! (Now I realize why I didn’t get to see it in the cinema hall back then. I was in the middle of preparing for my class 10 boards).

‘Aamne Saamne’ (not to be confused with the 1967 film with the same name, starring Sharmila Tagore and Shashi Kapoor, which has already been Yippeee’d on the blog) was produced by Shakti Samanta and directed by his son Ashim Samanta. Madan Joshi was the dialogue writer, KK Shukla wrote the story and screenplay. The songs of this film were written by Anjaan and (our very own) Panchamda was the music director. Kishore Kumar, Amit Kumar, Asha Bhonsle, RD Burman were the playback singers used. I think it is the voice of Vanita Mishra for the young boy in today’s song in duet with Panchamda for Mithun. This song may remind some people of “Papa Ko Mummy Se Pyaar Hai” from film ‘Andaz’ (1971).

The movie had a plot similar to the Rajesh Khanna starrer ‘Sachcha Jhootha’ (1970). Mithun has a double role where the simpleton Gopi from the village is spotted by Johnny, who is a stage-singer by day and a criminal by night. Johnny trains Gopi to take his place on stage so that he has an alibi if caught by the cops – age old formula, I am sure repeated later in ‘Dhoom 3’ (2013). Then there is a tiny angle of a child, who is on the lookout for his father, and has a photo of his parents to help him. Madhu Malhotra is the mother in the photo. This was Ashim Samanta’s debut as director, and Aarti Gupta’s first lead role.

With today’s post we are wishing (rather belatedly) Mithun Chakravarthy on turning 72 on 16th. May he continue to be busy with whatever his heart is after. May we get to see more of him.

The agenda closer to home of this post is to wish the Father of this blog, our very own fearless leader- Atul ji on his birthday today. Last year we had a wonderful post with the song “Main Nikla O Gaddi Le Ke” by Avinash ji on the same date. In that post Avinash ji has called the Blog a ‘gaddi’ which is driven by ‘engine’ Atul ji and all of team members and followers ‘wagons’ of this BANDWAGON. I fully endorse his thoughts.

Thanking Atul ji for taking us along with him on this grand journey of music and knowledge sharing. Thanking him also for giving us this platform and encouraging novices like me into writing out our thoughts. As always, I wish he gets more time with his family, pets, friends, music and the blog.

With this song, ‘Aamne Saamne’ (1982) makes its debut on the blog.

 

Video

Audio

Song – Daddy Tum Auntie Se Pyaar Karte Ho (Aamne Saamne) (1982) Singer – Vanita Misra, RD Burman, Lyrics – Anjaan, MD – RD Burman
Mithun Chakravarty
Bindiya Goswami

Lyrics (Provided by Sudhir)

daddy
tum chup kyon ho

hmm,
nahin to

auntie
tum chup kyon ho

main
nahin to

main sab jaanta hoon

kya jaante ho

daddy
tum auntie se pyaar karte ho

o daddy tum auntie se pyaar karte ho
o daddy tum auntie se pyaar karte ho
lekin mujhse darte ho
chup shaitaan kahin ka

auntie tum daddy se pyaar karti ho
o auntie tum daddy se pyaar karti ho
lekin mujhse darti ho
a a bura mat maan’na
bachcha hai
kehne do na
achcha hai

lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la

o daddy ki nazar
jhukti nahin
auntie ki nazar
uth’ti nahin
peechhe reh gaya
saara shehar
gaadi ye kahin
rukti nahin

arre
chalo utro
utro neeche

aage tum chalo
main peechhe peechhe
o chori se tum aankhen chaar karte ho
daddy tum auntie se pyaar karte ho

hutt tere ki
jhonka bhi diya
doli nahin
mauka bhi diya
boli nahin
daana to bahut
daala magar
chidiyon ne munh kholi nahin

arre
lo ye choclate
aur chup ho jaao
achcha
tum mujhe rishwat dete ho

o yaani ke
tum iqraar karte ho
o daddy tum auntie se pyaar karte ho

khel khel mein
baat kya hui
aansoo nikle
khoyi hansi
auntie ne mujhe
pappi jo di
mummy ki mujhe
yaad aa gayi
auntie ko daddy meri mummy bana do
mujhse agar tum pyaar karte ho

o daddy tum auntie se pyaar karte ho
lekin mujhse darte ho

ha ha ha ha
ha ha ha ha

lallall la
lallall la
la lallall la

o ho ho ho

lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la
lallall la
lallall la
la lallall la


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4468 Post No. : 15962

11/10/2020 – 78th Birthday of Amitabh Bachchan
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A few days ago I saw this whatapp forward video, where a few Africans were singing this hindi song “rote rote hansnaa seekho hanste hanste rona”. This song is a known song, often heard on radio, but not recently seen or heard.

I knew it was a song sung on screen by Amitabh Bachchan. I checked the blog, to find it was not posted. This is a well-known song from 1983 film “Andhaa Kanoon”, where Amitabh Bachchan’s role was supposedly a guest appearance. Getting the lyrics of this song was a breeze, as I knew the lyrics and lines of stanza’s.

This song is a multiple version song with Kishore Kumar happy version, Kishore Kumar sad version and Baby Rajeshwari sad version. I was not able to find the audio/video of sad version by Baby Rejeshwari. Music and lyrics are Laxmikant-Pyarelal and Anand Bakshi, respectively.

Trivia about the film:

1.This film was a remake of the hit Tamil movie “Sattam Oru Iruttarai” (1981) starring Vijayakanth. The Tamil film was also remade in Telugu as “Chattaniki Kallu Levu” (1981), in Malayalam as “Maattuvin Chattangale” (1982) and in Kannada as “Nyaya Ellide” (1982). It was also remade in Tamil with the same title in 2012.

2.Rajinikanth made his Hindi film debut in this film.

3.The villains in this film, played by Prem Chopra, Danny Denzongpa and Pran, were named Amar, Akbar and Anthony after the film “Amar Akbar Anthony” (1977).

4.Amitabh Bachchan’s character in this film was named after the poet and lyricist Jan Nisar Akhtar.

5.Amitabh Bachchan had signed this film for a guest appearance. However, as the film’s shooting progressed his role was increased till it became an important supporting role.

Songs already posted in the blog :

Song Date posted
Ye andhaa kaanoon hai 11 October 2010
Meri behna deewaani hai 13 August 2011

That’s a typical of Amitabh Bachchan guest appearance where he is getting to sing the title song as well as a multipurpose song. It is not clear why his character in the movie was named after Jan Nisar Akhtar.

There are many names to given to Amitabh, like Big B, Shehenshah, Angry young man and star of the millennium. Big B would be the based on this stature of being a superlative performer and his authoritative voice plus the physical presence of screen. Shehenshah, is the title of 1988 film directed by Tinnu Anand, whose story is credited to Jaya Bachchan. The angry young man was the creation of Saim-Javed duo of script writers. Star of the millennium is a bit tricky, as millennium is period of thousand years. So starting in 1969, he has less than 30 odd years of stardom in the millennia of 1000-2000 and next millennia is now 20 years old. So technically this superstar is riding in a millennia to the next. Not that it matters to me as such, but things like titles also need to be logical. However unfashionable it might be.

Amitabh Bachchan is singing this song to stop his daughter from crying. His wife is played by Madhavi, who is also present in the song. Judging from the sad version, tragedy strikes the happy family, so this song is likely in flashback.

Full audio : (Happy version)

Video – (Happy version)

Audio – Kishore Kumar (Sad version)

Video – Kishore Kumar (Sad version)

Song-Rote rote hansne seekho hanste hanste rona (Andha Kaanoon)(1983) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics
———————-
Happy version
———————
Rote rote
hansnaa seekho
hanste hanste ronaa aa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
arrey utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa

ham do ek hamaari
pyaari pyaari muniyaa hai
bas yahi chhoti si
apni saari duniyaa hai ae
ham do ek hamaari
pyaari pyaari muniyaa hai
bas yahi chhoti si
apni saari duniyaa hai
khushiyon se aabaad hai
apne ghar ka konaa konaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
arrey utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa

badi badi khushiyaan hain
chhoti chhoti baton mein
badi badi khushiyaan hain
chhoti chhoti baaton mein
nanhe munne taare jaise
lambi raaton mein
badi badi khushiyaan hain
chhoti chhoti baaton mein
aisa sundar hai ye jeewan
jaise koyi sapan salonaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
arrey utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa

mausam badle to
mat darr jaanaa
gudiyaa raani ee
mausam badle to
mat darr jaanaa
gudiyaa raani
saawan mein bijli chamkegi
barsegaa paani
dharti ambar bheeg jaayen
nainon ko nahin bhigonaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ronaa aa
rote rote
rote rote
hansnaa seekho
hansnaa seekho
hanste hanste ae
ronaa aa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa

——————————
Kishore Kumar (sad version)
——————————
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa
jitni chaabhi bhari raam ne
utna chale khilaunaa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa

ham do ek hamaari
pyaari pyaari muniyaa thhi
bas yahi chhoti si
apni saari duniyaa thhi ee
ham do ek hamaari
pyaari pyaari muniyaa thhi
bas yahi chhoti si
apni saari duniyaa thhi
khushiyon se ae aabaad thha
apne ghar ka
konaa konaa
rote rote
hansnaa seekho
hanste hanste ae
ronaa aa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4102 Post No. : 15252 Movie Count :

4190

The Dadasaheb Phalke Award is India’s highest award in cinema. It is presented annually at the National Film Awards ceremony by the Directorate of Film Festivals, an organisation set up by the Ministry of Information and Broadcasting. The recipient is honoured for their “outstanding contribution to the growth and development of Indian cinema” and is selected by a committee consisting of eminent personalities from the Indian film industry. The award comprises a Swarna Kamal (Golden Lotus) medallion, a shawl, and a cash prize of ?1,000,000 (US$14,000). Presented first in 1969, the award was introduced by the Government of India to commemorate Dadasaheb Phalke’s contribution to Indian cinema. Phalke (1870–1944), who is popularly known as and often regarded as “the father of Indian cinema”, was an Indian filmmaker who directed India’s first full-length feature film, Raja Harishchandra.

The first recipient of the award was actress Devika Rani, who was honoured at the 17th National Film Awards held in 1969. As of 2017, there have been 49 awardees. Among those, actor Prithviraj Kapoor (1971) and actor Vinod Khanna (2017) are the only posthumous recipients. Raj Kapoor accepted the award on behalf of his father Prithviraj Kapoor at the 19th National Film Awards in 1971 and was himself a recipient in 1987 at the 35th National Film Awards ceremony. Bommireddy Narasimha Reddy (1974) and Bommireddy Nagi Reddy (1986); Raj Kapoor (1987) and Shashi Kapoor (2014); Lata Mangeshkar (1989) and Asha Bhosle (2000) along with B. R. Chopra (1998) and Yash Chopra (2001) are the siblings who have won the award.

Note:- all of the above information I have extracted from Wikipedia and apologize for any wrong information therein.

October 11th 1942 was the date when Teji Bachchan- wife of Shri. Harivansh Rai Bachchan gave India the Shahenshah of Bollywood. He goes by the name Shri. Amitabh Bachchan. Anyone who has even the faintest knowledge about Indian movies -anywhere in the world- would have heard about this actor. He may have not been India’s first mega-superstar, that title will always be associated with Rajesh Khanna. The reason I have used the term Mega-Superstar for Rajesh Khanna is because Dilip Kumar- Dev Anand-Raj Kapoor were equally big stars of their generation and the trio were inspiration for the next set of actors like Manoj Kumar, Dharmendra, Rajendra Kumar, Rajesh Khanna, Jeetendra, Amitabh Bachchan etc. The popularity and fan-following that Rajesh Khanna achieved was much more than what the trio of the 50s and 60s may have experienced collectively. Amitabh Bachchan had a long journey to reach the level of popularity that was Rajesh Khanna’s; but even at the height of his superstardom one has never heard of girls writing letters to Amitabh with blood, or throwing themselves at his car or trying to commit suicide at the news of his marriage to Jaya Bhaduri etc.

What Amitabh experienced was a different kind of affection from his fans. There were people who prayed for his life in 1982 when he had an accident during the shoot of “Coolie”. There are accounts of people walking barefoot from far-flung places to the hospital where AB was admitted and battling for life after the accident; people offering prayers at various places of worship cutting across religious differences. AB has always thanked his fans for all the love they showered on him during that period. In fact, he always greets them on Sunday evenings (whenever he is in Mumbai i.e.) for which there is a huge crowd of fans waiting outside his Mumbai residence.

He may have been dubbed the angry-young-man in the early phase of his career but he was equally adept at emotional, romantic or comic roles. “Mahaan” (1983) had him in three roles where we had him as an emotional father/ husband, serious-faced inspector and comic stage artist. The turn of the century saw him change his style and take on a variety of roles and characters- strict father who will not accept his son marrying against his wishes (Kabhi Khushi Kabhi Gham), strict principal who wanted all his students to adhere to the ‘parampara’ ‘pratishtha’ etc laid down by the college (Mohabbatein), friendly-indulgent father to Akshay Kumar (“Ek Rishtaa: the bond of love” and “Waqt: the race against time”) etc. etc. etc. We saw him as a rustic near-bumbling cop in “Bunty Aur Babli”; aging teacher of a deaf-blind girl in “Black”; these successful experiments have seen him through 50 years in an industry which has many talented actors but no one has been given epithets like “Shahenshah of Bollywood”, “Big B” or “Star Of The Millennium”. He continues his reign over the hearts of his fans in spite of the next generation and the one after it giving movies that gross over 100 crores per film. He still gets author backed roles that befit his age and many-a-times is the central character of the story as in “Baghban” and “Baabul”. His detractors may feel that he is the most off-key (besura) singer (and I believe he agrees that he is mostly off-key) but the songs that he has sung (from the first full song “mere pass aao mere doston”) have been well received by his die-hard fans-yours truly included. 🙂

Coming back to the opening para of this post- here is the connection- Amitabh Bachchan is the recipient of this prestigious award for this year. He joins an august list of personalities who have had a major influence on the Indian film industry beginning from Devika Rani who is acknowledged as the first lady of Indian cinema.

This is the latest feather in AB’s cap in addition to the Padma awards – Padma Shri, Padma Bhushan and Padma Vibhushan; 4 National Awards for best actor and 15 Filmfare awards and numerous other awards from various national and international organisations.

Today he turns 77 and I am confused as to which is an appropriate song that should go with this post- I have a big collection to choose from- the blog has about 20 songs which have had Amitabh Bachchan in the recording room as a singer or uttering a few words with the main singer.

Today’s song is from the BR films produced 2006 release “Baabul”. It had AB play an indulgent and friendly father to Salman Khan and a loving father-in-law to Rani Mukherjee. The movie had a simple story of the loving father-in-law, fighting the opposition from his own wife and other family members, against his decision of getting his son’s widow remarried. The song comes at the fag end of the movie. It was on my list of songs under consideration for this post. What clinched the matter in its favour is that the song has two versions to it. The version in the movie is in the voice of Amitabh Bachchan and the album version is in Jagjit Singh’s voice. And only this morning I saw a message on our WhatsApp group that yesterday was Jagjit Singh’s anniversary.

So, we wish our Big B a long and healthy life and lots more years of entertaining us along with remembering Jagjit Singh and his smooth voice.

Video (Amitabh Bachchan voice)

Audio

Song-Kehta hai baabul o meri bitiya (Baabul)(2006) Singer-Amitabh Bachchan/ Jagjit Singh, Lyrics-Sameer, MD-Aadesh Srivastava

Lyrics

kehta hai baabul o meri bitiya
tu toh hai mere jigar ki chitthiya
kehta hai baabul o meri bitiya
tu toh hai mere jigar ki chitthiya
daakiya koyi jab aayega
tujhko churaa ke le jaayega
katega kaise lamha tere bina bata
jiyunga kaise tanha tere bina bata
katega kaise lamha tere bina bata aa aa
jiyuga kaise tanha tere bina bata

tu suhaagan rahe sang saajan rahe raat din
iss khushi ke liye har sitam main uthha loonga aa
tere jaane kaa gham mujhko hoga magar laadli
leke iss dard ko main sada muskuraaoonga
baabul toh dil se de raha duaa yahi
khushi ke saaye mein ho zindagi teri
baabul toh dil se de raha duaa yahi ee
khushi ke saaye mein ho zindagi teri

waqt ke saath zakhm yeh bhar jayega
pal guzar jayega tu meri baat maan le ae
yaadon ke aasre umr kat’ti nahin
hai haqeeqat yahi abb too jaan le ae ae
samundaron ka paani koyi naa pi saka
akela khaara jeevan koyi naa jee saka aa
samundaron ka paani koyi naa pi saka
akela khaara jeevan koyi naa jee saka

kehta hai baabul o meri bitiya
tu toh hai mere jigar ki chitthiya
daakiya koyi jab aayega
tujh ko churaa ke le jaayega
katega kaise lamha tere bina bata
jiyunga kaise tanha tere bina bata
katega kaise lamha tere bina bata
jiyunga kaise tanha tere bina bata


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4021 Post No. : 15133 Movie Count :

4155

————————————
Mukesh and his Composers – 19
————————————
chaahe kahin bhi tum raho,
chaahenge tumko umr bhar
tumko na bhool paayenge

Remembering Mukesh on his 96th birth anniversary (22 July 1923 to 27 August 1976).

A life and career spent on entertaining music lovers all over the world, the very mention of his name brings to the mind several of his priceless renditions. A voice which remains active on air-waves to this day and beyond. More than being on the air-waves and various technological formats, it is the legacy and remembrance of the familiar voice that continues to dwell in the hearts of music lovers. A voice so familiar that it directly conveys to our hearts the feelings expressed in his songs.

For this post, I have taken the liberty of using material and information provided by many fellow blog contributors as well as Shri Harish ji.

It all started when Sadandand ji posted a comment on this post of Sudhir ji in his rather elaborate and highly researched series on missing films and songs of the 60’s which was given to him as a homework. Sadanand ji in the comments section of the aforesaid post has provided quality information and the video link of the song. The fact that Mukesh had sung a solo for MGR made me sit up and take notice. I had heard the song but was not aware that it was featured on MGR.

I was under the impression that it could be the only song sung by Mukesh for MGR. So I asked our Sudhir ji if he could send me the list of Hindi films in which MGR had acted. His prompt and detailed reply was as follows,

Year Movie
1951 Ek Tha Raja
1956 Gul e Bakaavali
1961 Baghdad
1962 Hamen Bhi Jeene Do
1962 Meri Bahen
1963 Raj Mahal
1965 Nartaki Chitra
1970 Koi Ghulam Nahin
1974 Aakhiri Nishaan
1975 Rangeen Duniya
1976 Love in Kashmir
1970s Ganga Ki God Mein (Unreleased)

A dozen films which included an unreleased film. Going through the list, one finds that the very first Hindi film in which MGR acted has a duet of Mukesh with Shamshad Begum. I am not sure if Mukesh sang for MGR in the duet, but it appears that the song under discussion is his only solo for MGR.

However, this post is on the collaboration of Mukesh with composer Dhaniram about whom very less material is available on the net. Shri Arunkumar ji helped me in sending the web-link of one of his interviews and it can be found here.

I have come across Dhaniram’s name many years back as two of his songs sung by Talat Mahmood are my personal favourites. They are Yeh Kya Hai Dhang Zamane Ka and aao baadal chain se royen.

The one from Dak Babu(1954) is simply out of the world. I request readers to listen to this composition and rendition by Talat Mahmood and especially the lines.

aye dil aisi mehfil se to
behtar tanhaai hai

One can only ask, where are those days and where are those people who created such majesties.

Coming back to Mukesh-Dhaniram, the present song appears to be their only collaboration and hence there will be no table. (But, then there is always a possibility of tracing obscure songs…)

The present film Meri Behan (1962) starring MGR was the dubbed version of the Tamil film ‘Aransilankumari’ (1961) as confirmed by Sadanand ji.

Now some interesting trivia.

Mere Behan (1962) was based on Tamil film Aransilankumari (1961).

Aransilankumari (1961) was based on 1952 Hollywood film Scaramouche.

Scaramouche (1952) in turn is based on the novel with the same title by Rafael Sabatini.

The novel by Rafael Sabatini is based on story set during the French revolution.

So, the conclusion can be deduced that our own Mere Behan (1962) was based on French Revolution. ?

Since I could trace very little to write on Dhaniram and considering the fact that Mukesh has a solitary song for the composer, I have probably failed to do justice to the post and the composer.

I am however glad to present this solo number sung by Mukesh for the great MGR. I thank Sadanand ji, Arunkumar ji, Harish ji, Sudhir ji and Atul ji for having given me this opportunity to present the song.

The post is a tribute to Mukesh on his birth anniversary for his voice has become an inseparable part of our lives which he himself had said in one of his songs…

chaahe raho jaa kar kahin
paaoge tum mujhko wahin
ki band gar aankhen zaraa
main khwaab ban kar aaunga

Audio

Video

Song-Nanhe munne nanhe munne laal desh ke (Meri Bahan)(1962) Singer-Mukesh, Lyrics-Pt Indra Chandra, MD-Dhaniram

Lyrics

nanhe munne
nanne munne
laal desh ke
nanhe munne
nanne munne
laal desh ke
le tujh se boloon
baat cheet ki
ise maan le re
ismein maan le
nanhe munne
nanne munne
laal desh ke

bade hoke manzil par tum
jald pahunchna
munne naam kamaana
bade hoke manzil par tum
jald pahunchna
munne naam kamaana
phool ho tum duniya ki
bagiya ke liye re ae
bagiya ke liye
phool ho tum duniya ki
bagiya ke liye re ae
bagiya ke liye
nanhe munne
nanne munne
laal desh ke

neem ped ooncha dikha
bhooton se log daraate ae ae ae
ae ae ae
neem ped ooncha dikha
bhooton se log daraate
mat darna polam pol
jhoothhi gappon se
nis din
rakhna khud pe bharosa
mere naujawaan
bade log baithh kahin
fizool ki baat karen
bade log baithh kahin
fizool ki baat karen
phailaayenge ye jhoothh
kabhi na maan’na re
beza aisi baat na inki
baabu maan’na na
baabu maan’na
nanne munne
nanne munne
laal desh ke
le tujh se boloon
baat seekh ki
ise maan le re
ismein maan le
nanhe munne
nanne munne
laal desh ke


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3752 Post No. : 14717 Movie Count :

4021

Hullo to Atuldom

October was slightly busier than normal. I have missed a few birthdays -dates which I always try to write for. I missed Kishore Kumar’s anniversary, and birthdays of Hema Malini, Ashok Kumar, Vinod Khanna, Smita Patil, Shammi Kapoor and a few for which I had made mental notes for – Sunny Deol, Kadar Khan etc. But unless I write oops! type, mental notes remain in the mind. And even mere typing is not enough I should send it as email too, technology has not yet advanced to the level that one person can read another’s thoughts and convert it into a post. Thank god that there is a small amount of privacy left in these modern technological times.

But my post today (26 october 2018) is not to cry about technology. Today is one of those dates in October which I don’t like to miss; at least for the last 3 years.

It is important for me that I write at least a few words to wish this dear friend of ours on his birthday. I may not be as eloquent as Atulji was in this post of his last year, or as emotional as Archanaji was in this post. I have not known our today’s birthday boy for as long as Pamir Harvey but I agree to everything that he had written in this post and have expressed it a few times in this last few years. He is among those friends with whom there has been a comfort level wherein I just message him or pick up the phone and talk for long without any particular topic (sometimes we do get topical).

As he has said last year in one of his comments and I quote “this blog might have started as a repository for HFM, but over the years, it has spawned close friendships amongst some of us, co-travellers.”

Here is wishing this co-traveller, friend, and fellow Atulite- Rajaji “A very very Happy birthday”. May we see more of you on the blog. And don’t mind if you can’t feed us with your essays even your twit-style writing is thought provoking.

The song with this post is from a rather new movie (by the standards of the blog) considering it released on 5th November, 1999. It was directed by Eeshwar Nivas, for a story by Ram Gopal Verma. The movie tried to portray the criminal-politician nexus using Bihar as the backdrop and its effect on the life of an honest police officer. The movie starred Manoj Bajpai and Sayaji Shinde on the two sides of the law. It won a National Award for best feature film, and represented India at various international film festivals. The songs were penned by Sameer and Amar Akbar Anthony were the music directors. OOPS, Sorry! I mean Shankar- Ehsaan- Loy (I have Shankar Mahadevan call the trio as Amar- Akbar- Anthony in one of his interviews).

Today’s song is sung by Baby Anagha, Kavita Krishnamurthy, and Shankar Mahadevan. It is a typical scene-in-a-middle class home in the morning before the father prepares to leave for work. A very familial situation where Raveena Tandon plays the homemaker – one of the many deglamourized roles she played.

Oh, it is also Raveena Tandon’s birthday today. Let us wish Raveena a long and healthy life and enjoy her in this song.

Audio

Video

Song-Mere papa ka gussa (Shool)(1999) Singers-Baby Anagha, Kavita Krishnamurthy, Shankar Mahadewan, Lyrics-Sameer, MD-Shankar Ehsan Loy

Lyrics

mere papa ka gussa
tam tadam

ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka gussa kaisa
hai darasingh jaisa
dekho dekho
dekho dekho
ayya tere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka gussa kaisa
hai darasingh jaisa
dekho dekho
dekho dekho
ayya tere papa ko gussa jab aata hai

jaldi savere main uthti hoon
kya kya ghulaami karti hoon
socho socho
socho socho
jaldi savere main uthti hoon
kya kya ghulaami karti hoon
socho socho
socho socho
inko uthaake
chaai banaake doon main
kapde saare dhoti hoon
main naashta deti hoon
poore ghar ka bojh
apne sar pe main
leti hoo
tumhe bhi main sambhaaloon
inhe bhi main sambhaaloon
kaise bolo,
ho bolo bolo
ayya tere papa ko ghussa jab aata hai

mere papa ka ghussa
tam tadam

main hoon police mein
choron ka peechha
din bhar main karta hoon
aage peechhe
ae daudoon bhaagoon
main hoon police mein
choron ka peechha
din bhar main karta hoon
aage peechhe
ae daudoon bhaagoon
meri majboori koi nahin samjhe yahaan

arre main bhi ghar mein cockroach aur choohon se ladhti hoon
saara din inke main peechhe padti hoon
tum bhi the mere pichhe
lekin shaadi se pehle
main hoon main hoon
boss ghar ki

ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka ghussa kaisa
hai darasingh jaisa

dekho dekho
dekho dekho
dekho dekho
haan dekho dekho
mere papa ka gussa
tam tadam


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3702 Post No. : 14624

Hullo Atuldom

‘Aangan Ki Kali’ was a movie directed by Harsh Kohli. One song from this movie has been posted earlier – “Sainyya Bina Ghar Soona” . Prakashchandra ji has given the story of the movie in the comments to that post. After reading it I feel nice that I missed seeing the movie when it released but I have a feeling that I might have seen it on Doordarshan at some point of time. But as Atulji has said in that post, the songs of that movie are still there in my memory.

So when I was thinking what song to send across to post on the occasion of Rakesh Roshan turning a year older (he turns 69) I remembered this lovely father’s love for daughter song. It is just that I was surprised that Bappi Lahiri was the music director and it was penned by Shaily Shailendra.

Rakesh Roshan the actor, producer, director made his acting debut in 1970 with ‘Ghar Ghar Ki Kahani’ opposite to Bharathi. Most of his single hero roles were in movies where the heroine was of central importance. But then he was more successful as a film maker beginning with ‘Aap Ke Deewane’ (1980).

Almost all his movies were successful as a director too – his first directorial being ‘Khudgarz’ (1987). He has an industry full of well-wishers and friends and most of them did walk-in appearances in the movies he made- Jeetendra in ‘Aap Ke Deewane’ and Rishi Kapoor in ‘Khudgarz’. He is one of the directors whose movies begin with the alphabet ‘K’- ‘Khudgarz’, ‘Khel (1992), ‘Karan Arjun’ (1995), ‘Kaho Na Pyar Hai’ (2000), ‘Koi Mil Gaya’ (2003), ‘Krissh’ (2006) etc.

So here is wishing Rakesh Roshan a very Happy Birthday.

Video

Audio – Part I

Audio – Part II (Slow version)

Song – Na Rona Munni Na Tu Ro (Aangan Ki Kali) (1979) Singer – Kishore Kumar, Lyrics – Shaily Shailendra, MD – Bappi Lahiri

Lyrics

na rona
munni na tu ro oo
nanhe nanhe moti yun na kho

na rona
munni na tu ro
nanhe nanhe moti yun na kho
papa tujhpe jaan dete hain
mummy ki tu pyari hai na ro..oo
na rona
munni na tu ro
nanhe nanhe moti yun na kho

kali muskaaye to dekho
khil ke wo phool bane aee
chanda jo hanse raaton mein
door hon andhere ghane
aise hi
hamesha
tum bhi hanso
hanso hanso
na rona
munni na tu ro
nanhe nanhe moti yun na kho

badon ki baaton ka munni meri
kabhi bura maano nahin
bholi bhali soorat pyaari
lambi lambi taano nahin
rootho na
dekho na
ab to hanso
hans bhi do
na rona
munni na tu ro
nanhe nanhe moti yun na kho
papa tujhpe jaan dete hai
mummy ki tu pyari hai na ro
na rona
munni na tu ro
nanhe nanhe moti yu na kho

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो

ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
पापा तुझपे जान देते हैं
मम्मी की तू प्यारी है ना रो॰॰ओ
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो

कली मुस्काए तो
खिल के फूल बने॰॰ए
चंदा जो हँसे रातों में
दूर हों अंधेरे घने
ऐसे ही
हमेशा
तुम भी हंसो
हंसो हंसो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो

बड़ों की बातों का मुन्नी मेरी
कभी बुरा मानो नहीं
भोली भाली सूरत प्यारी
लंबी लंबी तानो नहीं
रूठो ना
देखो ना
अब तो हंसो
हंस भी दो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो
पापा तुझपे जान देते हैं
मम्मी की तू प्यारी है ना रो
ना रोना
मुन्नी ना तू रो
नन्हें नन्हें मोती यूं ना खो


This article is written by Archana Sapkota, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Before I start, I would like to thank Ava and Harvey for letting me know that this song was not posted here yet and for coming up with the brilliant idea of posting it today and a big thank you to Atul for being so kind and patient and for letting me do this post.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FIFTEEN years. This blog has over 18300 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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