Archive for the ‘Duet’ Category
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4838 | Post No. : | 16624 |
Hullo Atuldom
My family and some members of this world of Atulsongaday, which I like to refer to as Atuldom, know my love for a few actors from the Hindi Film World. Specially the actors who graced the silver screen in the 70s, 80s and early 90s. Many of the actors of that period are in the 60 to 75/80+ age group. Actors Amitabh Bachchan, Jeetendra, Rekha, Hema Malini, Zeenat Aman, Jaya Bhaduri, Dharmendra, some actors played character roles in that period etc. when they make an appearance on reality television I make it a point to see those episodes and on repeat if possible.
Kaun Banega Crorepati had one such episode on 15th October 2021. It was advertised as ‘Sholay Reunion Special’ (if I got the title right). It was like a reunion of school friends. Hema Malini and Ramesh Sippy were the guests who played the game for some charity. It was cute to see Hemaji and AB Sr. mouthing lines of all the characters – Gabbar Singh, Angrezon ke zamaane ka jailor, Veeru, Jai – whose pictures were flashed on the big screen. Hema Malini did the Jailor’s typical laugh and also “basanti inn kutton ke saamne matt nachna” and I was all eyes and ears. Imagine how soothing it must have been to see a sooper pretty lady, with her typical manner of speech, giving answers to the questions. Here I would like to mention that the questions were ‘made to order’ to enable Ramesh Sippy and Hemaji earn 25l to fund their charities. There were two highlights in the show; one was when Veeru joined the show over video call.
The other and more appropriate (IMO) part of the show was when they brought Reshma Pathan on the show. This is the lady who has played a body double for all the stunts that heroines were shown to be carrying out in the movies of the 70s and 80s. Hemaji and Rameshji showered their praises on this lady for helping out with the stunts in Sholay. They specially mentioned the action scene, after the Holi song, where a child is shown crying near the ‘merry-go-round’ and a lady comes running to rescue the child.
Towards the final section of the program they wished (in advance) The Beautiful Hema Malini for her birthday. I had also thought up a few possible songs to go with this post. Then I happened to see a comment on the blog, by Manohar Lal Dave, who had reminded that 15th October was the birth anniversary of Shankar of the Shankar-Jaikishan duo.
We will enjoy this song from “Sanyasi” (1975) of which the blog has five songs. This is the sixth written by Varma Malik and tuned S-J and it is sung by Mukesh and Lata Mangeshkar.
Wishing the Ever-so- gorgeous, beautiful, elegant DreamGirl on her birthday with this song.
Audio
Video
Song-Sun baal brahmchaari main hoon kanya kunwaari (Sanyaasi)(1975) Singers-Lata, Mukesh, Lyrics-Verma Malik, MD-Shankar Jaikishan
Lyrics
om nama shivay
haay
om nama shivay
hmm
om nama shivay
hahahah
om nama shivay
hahahah
om nama shivay
sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwari
aake khadi hoon dwaare tere
kyun baithha hai aankhen phere
aake khadi hoon dwaare tere
kyun baitha hai aankhen phere
in aankhon ki madira pee le
in aankhon ki madira pee le
chhodne waala hans kar jee le
ari sun roopwati
main hoon sant jati sati (?)
kisi aur pe dore daalo
meri maa mujhe bacha lo
sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari
bol Siyapati Ramchandra ki jai
ban thhan ke main aise nikli
jaise saawan mein chamke bijli
ban thhan ke main aise nikli
jaise saawan mein chamke bijli
aisi meri bharpoor jawaani
aisi meri bharpoor jawaani
aag se jaise lipta paani
hey Raamji duhaai
ye Saroopnakha aayi
apne Lakshman ko sambhaalo
meri maa mujhe bacha lo
sun baal brahmchaari
main hoon kanya kunwaari
tere man mein preet ka rang bhar doon
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari
bana jawaani mein tu jogi
teri saadhana poori na hogi
bana jawaani mein tu jogi
teri saadhna poori na hogi
poori na hogi
roop mein mere itni shakti
karne lagega meri bhakti
aaye nikat nikat
hai samaysya vikat
koi iska ticket kata lo
meri maa mujhe bacha lo
sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
tere man me preet ka rang bhar du
aaj tapasya bhang kar doon
sun baal brahmchaari
main hoon kanya kunwaari
sun baal brahmchaari
main hoon kanya kunwaari
- In: "Aankh" song | "Fantasy" song | Duet | expression of love | Feelings of heart | Guest posts | Kavitha Krishnamurthy Songs | Post by Peevesie's mom | Songs of 1990s (1991 to 2000) | Songs of 2000 | Udit Narayan Song | Udit Narayan-Kavita Krishnamoorthy duet | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4832 | Post No. : | 16613 | Movie Count : |
4524 |
Hullo Atuldom
10th October is the birth date of the ageless Bollywood Diva Bhanurekha Ganesan.
I don’t remember which was my first post on the blog on her birthday, but over the last few years I have been trying to write out a song and present her with an actor who was not one of her regular heroes; meaning someone except Amitabh Bachchan, Dharmendra, Jeeetendra, Rajesh Khanna, Vinod Mehra etc. Today’s song is also one such song.
This song is from the 2000 release “Bulandi” which was directed by T. Rama Rao. It had a cast of Rajnikanth (special appearance), Anil Kapoor, Harish (from South Indian films), and Rekha, Raveena Tandon, Aruna Irani along with Shakti Kapoor, Ranjeet, Kulbhushan Kharbanda, Paresh Rawal, Sadashiv Amrapurkar in supporting cast. Songs of the movie were penned by Anand Bakshi and tuned by Viju Shah. The playback singers used were Udit Narayan, Kavita Krishnamurthy, Kumar Sanu, Anuradha Paudwal, Jaspinder Narula, Sukhwinder Singh, Abhijeet and Alka Yagnik -in short all the popular singers of the 90s.
The movie was the tale of a family of Zamindars which is headed by Rajnikanth who has a sister -Aruna Irani and three sons Anil Kapoor (double role plays two brothers) and Harish Kumar. Rekha plays the zamindar’s elder daughter-in-law who is the bhabhi-maa to her devars. And here I would like to mention that the two Anil Kapoors are not twins. Today’s song happens at the girl’s family meeting the boy’s family ritual and the older Anil Kapoor is the groom-to be. Aruna Irani the would-be atyaa (paternal aunt) starts the song as cue to the coy Bride-to-be who then begins singing and also fantasizing about her hubsand married life etc
There have been many instances when big a star/ actor accepts a role in a film because the main actor/ character is being enacted by a senior star/actor of whom the junior is a fan. Like for example, Amitabh Bachchan played Dilip Kumar’s son in Ramesh Sippy’s “Shakti”. Similarly Rekha played miniscule role in one of Dev Anand’s final movie, “Censor” and also one of Manoj Kumar’s last directorial.
Anil Kapoor did a second rung character in this film as he was sharing screen space with a senior (workwise)-Rekha. And the dance that accompanies sees Rekha and Anil Kapoor matching each other decently well. It is only recently I found out that there is just two year age gap between these two actors but one began working in 1966 (age 12) when the other might have been in school and not even given a thought to what career to pursue. That must be one of the reason why the viewer may feel that Anil Kapoor was acting with a much senior actress, she was a senior only because she was already in the entertainment business for 14 years before Anil made his debut.
The singers for this song are Kavitha Krishnamurthy and Udit Narayan.
Happy birthday to Rekha. May we keep seeing her on the silver screen.
Song-Teri ankhiyon mein jeena hamen marna (Bulandi)(2000) Singers-Kavita Krishnamurthy, Udit Narayan, Lyrics-Anand Bakshi, MD-Viju Shah
Both
Lyrics
aa aa aa aaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aaaa
aa aa aa
chhedo naa mujhko chhedo
aise naa mujhko dekho
jo dekhna hai kuch tumko hai
to phir mere dil ko dekho
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain raahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamaara mushkil
hoga milna hamaara mushkil
hoga milna hamara mushkil/em>
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuch karna
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
vaadon ka hai aaj mausam
hum koi vaada karen
arre yeh jaan bhi tumko de di
ab kya zyaada karen
tera naam liya
tujhe yaad kiya
sab kuchh main bhool gayi
o teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa a
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
o teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
maange agar tu sitaare
main tod laaoon sanam
ho karne hain kya yeh sitaare
tu chaand se kya hai kam
haaye deewaana hua mastaana hua
dil aise jhoom gaya
teri marzi tu jaane
meri marzi main jaanoon
maine kar liya faislaa aa aa aa
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
ho teri ankhiyon mein jeena mujhe marna
bas aur nahin hai kuchh karna
dekho dekho dekho
aise mujhko naa chhedo
kya kahega yeh zamaana
ban jaayega fasaana
badi hogi badnaami
hamen hogi pareshaani
hum pyaar ke hain rahi
dil pyaar ki hai manzil
kis kaam ki yeh mehfil
dil se na mila jo dil
hoga milna hamara mushkil
hoga milna hamara mushkil
hoga milna hamara mushkil
Ham aaj ye kissa khatm karen
Posted on: October 10, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4832 | Post No. : | 16612 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 151 # Qawwalis – 14 #
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Qawwalis were common in Hindi films when I was growing up(1968-1983). As I grww watching them in the movies in my childhood, some qawwalis left lasting impression on my impressionable mind.
Qawwalis like ‘raaz ki baat kehdoon to’, ‘jhoom baraabar jhoom sharaabi’, ‘shirdiwaale sai baba’, ‘raat abhi baaki hai baat abhi baaki hai’, ‘mehangaayi maar gayi’, were the most heard qawwalis when I was growing.
‘Chadhhta sooraj dheere dheere dhalta hai dhal jaayega’ was a favourite of all ‘orchestras’ and one person from a Orchestra from Jalgaon used to sing it so well that always left the audience ‘spell-bound’. I remember this qawwali ever since.
All these qawwalisgrew up on me as I grew up in my life.
I have a special fascination for this genre of music. It always takes me to an entirely different ‘musical world’.
In the movies of ‘seventies’ qawwalis were a major attraction in the movies. Qawwalis like ‘ham to jhuk kar salaam karte hain’, ‘ham lootne aayen hain’, etc. were liked very much by the audience. There may be many more which I could have missed to mention here.
Jaani Babu Qawwal, Shakila Bano Bhopali and Aziz Nazan were the names I particularly remember whenever there was a discussion on qawwalis.
And as I had mentioned in my posts earlier that another name which I vaguely remembered was Shankar-Shambhu. At that age I could not understand the greatness of these peoples, and it is only after coming into the contact of this blog, that I got to read, learn, and know about these stalwarts in Qawwalis.
There was a phase when disco made an entry into HFM in mid-eighties to let us say till mid-nineties when Qawwalis took a little backseat (I think), otherwise they were always likened and had always been an integral part of HFM. In the recent years we have seen many Qawwalis in Hindi Films. The new digital age, technological advances in music instruments have enriched the presentation of Qawwalis. Movie makers have been experimenting by including ‘qawwali song’ or ‘fusion qawwali songs’ in their movies.
In Hindi movies qawwalis are woven with the story topic of the movie. So, we have ‘’romantic qawwalis’, ‘men vs women’, ‘husn aur ishq’, ‘celebrating a festival’, ‘devotional qawwalis’, ‘chor-police’, ‘marriage celebration’, ‘mujrim-munsif’, ‘scoring peanuts over each other’ (Atulogy), ‘nok-jhonk’, ‘teasing each other’, ‘musical competition’, and other types of qawwalis in our movies.
Or it may be a competition of poetry between two groups (read men and women mostly) where ‘qawwalis’ would perfectly fit into the plot of a movie.
In many movies they have been used to keep the suspense intact where actors, actresses would disguise themselves and enter the villain’s den to rescue their partners/friends caught by the villain. Or sometimes the villain will kidnap close relatives of the hero or heroine in the movie and ask for a ‘hefty’ ransom. And the hero/heroine would plan a song or disguise as a ‘musical-troupe’ to enter the ‘villain’s den’ to rescue a ‘child’, ‘relatives’ or a ‘famous scientist’ or a ‘police commissioner’ who would have been kidnaped by the villain or his associates.
To mis-lead the villain the hero/heroine or their friends and well-wishers would sing a qawwali and simultaneously free the innocent ones caught by the villain. Sometimes this would happen just before the climax of the movie.
In our movies we also have qawwalis where we see ‘lawful elements(police, CID) and the unlawful elements(goondas, or burglar, thieves)’ have a ‘qawwali muqaabla’ in “disguise”.
I am not a competent person to write or discuss about the technicalities of Qawwalis. But since I like them very much, I had undertaken this series and have presented some qawwalis from the ‘decade of seventies or 1971-to-1980’.
If we look on the statistics of the qawwalis already posted on the blog till today’s song, we get the following details (which could be of interest to music connoisseurs).
| Year wise Qawwalis | Lyricist wise qawwalis on the blog | Composer wise qawwalis on the blog | ||||||
|---|---|---|---|---|---|---|---|---|
| Year | No of Songs | Lyricist | No of Songs | Composer | No of Songs | |||
| 1945 | 1 | Sahir Ludhianvi | 26 | Roshan | 12 | |||
| 1946 | 1 | Shakeel Badayuni | 12 | Kalyanji-Anandji | 9 | |||
| 1948 | 1 | Rajinder Krishan | 11 | Madan Mohan | 8 | |||
| 1949 | 3 | Anand Bakshi | 10 | Ravi | 8 | |||
| 1950 | 5 | Majrooh Sultanpuri | 10 | Laxmikant-Pyarelal | 8 | |||
| 1950 | 1 | Shewan Rizvi | 8 | Iqbal Qureshi | 7 | |||
| 1951 | 3 | Qamar Jalalabadi | 6 | N. Datta | 7 | |||
| 1953 | 3 | Raja Mehdi Ali Khan | 5 | R.D. Burman | 7 | |||
| 1954 | 5 | Asad Bhopali | 4 | S. Mohinder | 6 | |||
| 1955 | 7 | Farooque Qaiser | 4 | C. Ramchandra | 5 | |||
| 1956 | 7 | Kaifi Azmi | 4 | Jaidev | 5 | |||
| 1957 | 4 | Verma Malik | 4 | Chitragupt | 5 | |||
| 1958 | 6 | Not attributed(+Unattributed) | 4 | Naushad | 5 | |||
| 1959 | 5 | Hasrat Jaipuri | 3 | Ghulam Mohammad | 4 | |||
| 1960 | 10 | Ravindra Jain | 3 | Iqbal | 4 | |||
| 1961 | 11 | Anjum Jaipuri | 2 | Hemant Kumar | 3 | |||
| 1962 | 7 | Aziz Ghazi | 2 | Husnlal Bhagatram | 3 | |||
| 1963 | 15 | Gauhar Kanpuri | 2 | S.D. Burman | 3 | |||
| 1964 | 9 | Khumar Barabankvi | 2 | Shyam Sundar | 3 | |||
| 1965 | 7 | Nakshab | 2 | Jaani Babu Qawwal | 3 | |||
| 1966 | 5 | Saba Afghani | 2 | Ravindra Jain | 3 | |||
| 1967 | 4 | Zafar Gorakhpuri | 2 | Anil Biswas | 2 | |||
| 1968 | 2 | A.H. Rizvi | 1 | Aziz Nazaan | 2 | |||
| 1969 | 1 | A. Karim | 1 | Baabul/Babul | 2 | |||
| 1970 | 3 | A. Shamsheer | 1 | Dattaram | 2 | |||
| 1971 | 3 | Aarzoo Lucknowi | 1 | Hansraj Bahl | 2 | |||
| 1972 | 1 | Akhtar Lucknowi | 1 | Jimmy | 2 | |||
| 1973 | 6 | Akhtar Romani | 1 | Khayyam | 2 | |||
| 1974 | 2 | Allama Iqbal | 1 | Shankar Jaikishan | 2 | |||
| 1975 | 2 | Anjaan/Jeet | 1 | Sonik Omi | 2 | |||
| 1976 | 9 | Anjum Rehmani | 1 | Usha Khanna | 2 | |||
| 1977 | 3 | Anwar Farrukhabadi | 1 | Bulo C. Rani | 2 | |||
| 1978 | 1 | Aziz Kashmiri | 1 | Nashad | 1 | |||
| 1979 | 6 | Bharat Vyas | 1 | A.R. Qureshi | 1 | |||
| 1980 | 3 | Dil Lakhnavi | 1 | A.R. Rehman | 1 | |||
| 1981 | 2 | Gulshan Bawra | 1 | Aziz Ahmed Khan Warsi | 1 | |||
| 1982 | 3 | Indeewar | 1 | B.N. Bali | 1 | |||
| 1983 | 1 | Jaan Nisar Akhtar | 1 | B.T. Singh | 1 | |||
| 1990 | 1 | K.L. Pardesi | 1 | Babloo Dheeraj | 1 | |||
| 1991 | 1 | Kaiser Ratnagirvi | 1 | Bappi Lahiri | 1 | |||
| 1999 | 1 | Kidar Sharma | 1 | Bipin Mehboob | 1 | |||
| 2009 | 1 | Mohan (Bihar) | 1 | C. Arjun | 1 | |||
| 2013 | 1 | Mohsin Nawab | 1 | Chaand Pardesi | 1 | |||
| Momin | 1 | Damodar Sharma | 1 | |||||
| Naqsh Lyallpuri | 1 | Hafeez Khan | 1 | |||||
| Nazaan Sholapuri | 1 | Harbans | 1 | |||||
| Niaz Usmani | 1 | Jay Kumar | 1 | |||||
| Niranjan Iyengar | 1 | Khemchand Prakash | 1 | |||||
| Nusrat Fateh Al1i Khan | 1 | Lala Sattar | 1 | |||||
| Nyay Sharma | 1 | Nirmal Kumar (S.D. Batish) | 1 | |||||
| P.L. Santoshi | 1 | Nisar Bazmi | 1 | |||||
| Parvez Shamshi | 1 | Nusrat Fateh Ali Khan | 1 | |||||
| Prasoon Joshi | 1 | Peter Nawab | 1 | |||||
| Prem Dhawan | 1 | Rashid Atre | 1 | |||||
| Ramesh Pant | 1 | Ravindran | 1 | |||||
| Roopbani | 1 | Robin Bannerji | 1 | |||||
| S.H. Bihari | 1 | S. Kishan | 1 | |||||
| Saba Rampuri | 1 | S.N. Tripathi | 1 | |||||
| Sardar Aah Sitapuri | 1 | Sajjad Hussain | 1 | |||||
| Shailendra | 1 | Shankar Ehsaan Loy | 1 | |||||
| Shakeela Bano Bhopali | 1 | Shankar Shambhu | 1 | |||||
| Shor Niyazi | 1 | Snehal Bhatkar | 1 | |||||
| Surjeet Sethi | 1 | Sudipta Bhattacharya | 1 | |||||
| Tanvir Naqvi | 1 | Vasant Ramchandra | 1 | |||||
| Vishwamitra Adil | 1 | Vinod | 1 | |||||
| Anjum | 1 | |||||||
| Ramesh Chandra Pandey | 1 | |||||||
(The above details are so far compiled for the 173 qawwalis already posted on the blog. There might be some songs which might be missing in absence of the tag ‘Qawwalis’ on their post.
We will revisit the details in the future as and when possible, so till then … 😊)
In this series we have so far listened to the following qawwalis.
For now, we are concluding this series with the today’s qawwali from the ‘1980’ movie ‘Be-reham’.
This is another movie of which the dedication is to ‘All policemen known and unknown who lived for discipline and died for discipline’. That would also be sufficient for all to guess what the movie is all about.
“Be-reham-1980” was directed by R. Jhalani for ‘K.D.S. Films’.
It was produced by K.D. Shorey who also wrote the story of this movie.
Its star cast included Sanjeev Kumar, Mala Sinha, Shatrughan Sinha, Reena Roy, I.S. Johar, Kadar Khan, Urmila Bhatt, Keshto Mukherjee, Manmohan, Shetty, Raj Mehra, Rinku Jaiswal, Komila Virk, Viju Khote, Ashok Nag, Gurubachan, C.S. Dubey, Sheel Kumar, Amarjeet, R.S. Chopra, Madhup Sharma, Sudarshan Sethi, Sehgal, Uma Khosla, Vimal Chopra, and Helen in special appearance.
Moushumi Chatterjee, Kamal, Sujata and Dev Kumar make a friendly appearance in this movie.
This movie was passed by Censor Board on 01.08.1980.
Lyrics of the songs of this movie were written by Verma Malik and Jigar Muradabadi.
Music for this movie was composed by Laxmikant-Pyarelal.
Here is the list of songs this movie had.
| SNo | Song Title | Singer/s | Lyricist |
|---|---|---|---|
| 01 | Ik lafz e mohabbat ka adnaa sa fasaana hai | Asha Bhonsle, Anup Jalota | Jigar Moradabadi |
| 02 | Ye saal ki aakhri raat hai | Shailendra Singh, Anuradha Paudwal, Chandrani Mukherjee | Verma Malik |
| 03 | Haseenon ki duniya khudgarz hai | Lata Mangeshkar | Verma Malik |
| 04 | Milne ko aate ho, phir bhi mulqaat nahin karte ho | Asha Bhonsle | Verma Malik |
| 05 | Taqdeer ke kalam se koyi bach naa paayega | Mohd Rafi | Verma Malik/td> |
| 06 | Ham aaj ye kissaa khatm karen | Asha Bhonsle, Mahendra Kapoor | Verma Malik |
Today’s qawwali happens when the movie is already having some interesting ‘twists and turn’ in its story. I am not going to detail it more to keep intact the interest of those who would like to or have to watch this interesting movie.
I remember when the movie was released one of my classmates had watched it soon after its release and he was full praise for Sanjeev Kumar and others’ performances in this movie.
Sanjeev Kumar was common favourite of all us friends. And in our circle of juniors and seniors we often discussed about his roles, and everybody would have likened his performance in each of his movies then.
We now move to the today’s song.
It is picturised on Moushumi Chatterjee and the actor whom I am unable to identify.
We can see Keshto Mukherjee, Shatrughan Sinha and Reena Roy with many others present in the picturisation of this song.
Today’s song is sung by Asha Bhonsle and Mahendra Kapoor and chorus. Lyrics are by Verma Malik and music is composed by
Let us now enjoy today’s qawwali watching Moushumi Chatterjee’s charming performance and Keshto Mukherjee’s special antics. 😊
Song-Ham aaj ye kissa khatm karen (Beraham)(1980) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Male chorus
Female chorus
Lyrics
ho o o o o o o o
o o o o
ho o o o o o o o
o o o o
aa aa aa aa
aa aa aa aa
ho o o o o o o o
ho o o o o
dha pa dha ga ga ga ga ga ga
ga dha pa re re re re re
ga re ga ni ni ni ni ni ni
ni re saa
husn ek ulti raah hai
husn ek jhoothhi chaah hai
husn to ek gunaah hai ae
husn karta aa tabaah hai
is husn ke nakhre
naaz o nazaaqat
husn ke nakhre
naaz o nazaaqat
is husn ke nakhre
o nakhre
husn ke nakhre
naaz o nazaaqat
roz roz ab kaun sahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
yaa husn rahe
yaa ishq rahe
ham aaj ye kissa khatm karen/em>
khud dhokha dagaa fareb karen
khud dhokha dagaa fareb karen
khud dhokha dagaa fareb karen
ilzaam ye husn pe deta rahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
ik din dekha
ho o ik din dekha
dard ka maaraa
ik aashiq mastaanaa
jungle jungle maaraa maaraa
phirtaa thha deewaanaa
phirtaa thha deewaanaa
mujhko dekh ke kehne lagaa
ho o
mujhko dekh ke kehne lagaa
arey sun le meraa fasaanaa aa
har ashiq ke ghar ghar mein
paighaam mera pahunchaanaa
ke husn ko itnaa looto maaro
o o o
ke husn ko itnaa looto maaro
saari umr hi rotaa rahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
hamaari bhi suno
hamaari bhi suno
Laila ki jab qabr pe chal kar
Ik haseenaa aa aayee
Ro ke lipat ke kehne lagi
Aa he
Ro ke lipat ke kehne lagi
Aa he
Ro ke lipat ke kehne lagi
Aye lailaa teri duhaayee
Kaise badlaa loon inse
Aa he
Kaise badlaa loon inse
Har aashiq hai harjaayee ee
To qabr se lailaa ki rooh ne
Yahi aawaaaaz lagaayi
Nikal pado ab taan ke seenaa
Donon mein se ek rahe
ham aaj ye kissa khatm karen ae
ham
aaj ye kissa khatm karen ae
yaa husn rahe
yaa ishq rahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
inkaa har daur dekha
inkaa har taur dekha
aa he
inkaa har daur dekha
inkaa har taur dekha
ho salmaa
ya sulekha
hai sab dhokha hi dhokha
inkaa har daur dekha
inkaa har taur dekha
yahaan se aur wahaan se
poochh lo tum jahaan se
Wafaa ke de ke jhaanse
Palat dete hain paase
tarannum inke jhoothhe
tabassum inke jhoothhe
takallum inke jhoothhe
maraasim inke jhoothhe
aahe
chhalaawa hai chhalaawa
bhulaawa hai bhulaawa
inki ulfat ka daawaa
dikhaawaa hai dikhaawaa
tum ban thhan ke na niklo o
to ye dil naa phisley
ik baar marammat hogi
to phir dil naa machle
ishq husn ka dushman hai ae ae
ishq husn ka dushman hai
koyi iske bharose naa rahe
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
rahe
ya husn rahe ya ishq
ham aaj ye kissa khatm karen
ham
aaj ye kissa khatm karen
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4829 | Post No. : | 16609 |
Hullo Atuldom
Day 1 of Sharad Navratr. Ashwin Navratr. Various names for the same festival, various ways to celebrate. I have received pictures of ‘Ghatta-sthapana’, ‘Devi Shailputri’, and of course the South Indian ‘Bomma Kolu’ (or Golu depending on your mother tongue). There is a lot of beauty in the manner in which we decorate our Gods and enjoy the festival. There are special offerings, poojas, archanas, bhajans and BHOJANS too (going by the name ‘Bhog’). Then there is the ever so colour raas garba in Western India, Gujarat and Maharashtra in particular. (May not be organised on a grand scale this year, as we are still worried about the consequences of the Pandemic. Grandeur can wait)
Here is a Devi Maa bhajan to kick-off the festivites. It is from the 1978 release ‘Khoon Ki Pukaar’, the synposis of which is there in this post. The movie was directed by Ramesh Ahuja for Tahir Hussain’s TV Films. It had songs penned by Hasrat Jaipuri and Gauhar Kanpuri and music director was Bappi Lahiri. Today’s song is sung by Mohd. Rafi and Lata Mangeshkar and on-screen, both, Pran and Vinod Khanna lip-sync to Rafisaab’s voice and Aruna Irani sings in Lata didi’s voice. We can also see Shabana Azmi and Reeta Bhaduri seated among the devotees of the temple.
As per what I have seen a few years back, this song is used by Amjad Khan (Daku Zaalim Singh) to send a message to Daku Sher Singh (VK); who is recovering under the care of pujari Baba (ex. Dr. Bhushan played by Pran); through Bijli (Aruna Irani). That should make viewers understand what Aruna Irani and VK are exchanging in sign language (‘ishaaron ishaaron mein’ sounds better, I suppose)
With this we also remember the ever oh-so-handsome and oh-so-good looking Vinod Khanna for his birth anniversary which was yesterday. He would have been only 75.
Audio (Longer)
Video
Song-Jai ambe maa bolo Jai Durge maa bolo (Khoon Ki Pukaar)(1978) Singers-Rafi, Lata, Lyrics-Hasrat Jaipuri, MD-Bappi Lahiri
Chorus
Lyrics
jai jai maa aa aa
jai jai maa aa
jai maa aa aa
rom rom tera naam pukaare
tu hi sabke kaam sanwaare
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
tere dwaare ae ae
tere dwaare jo bhi aaya
jeewan paaya maa
sabse nyaari
aprampaari
teri chhaaya maa
hum pe rahe teri nazar
teri dagar sachhi dagar
tu hai maa sabki maa
ho o
hum pe rahe teri nazar
teri dagar sachhi dagar
tu hai maa sabki maa
bolo
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai jai maa aa maa
jai jai maa jai maa
tere bina aa aa
kuchh bhi nahin ee ee
jo o bhi hai ae sab yahaan aan
jai jai maa aa maa
jai jai maa jai maa
oopar waala aa aa
oopar waala khol chuka hai
tera yeh thikaana
inn charnon mein ae ae
inn charnon mein pada hua hai
kab se prem khazaana
maaya teri jisko miley
usko sada chain miley
meri maa devi maa
ho oo
maaya teri jisko miley
usko sada chain miley
meri maa devi maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge ma
jai jai maa aa maa
jai jai maa jai maa
teri leela aaa
tu hi jaane ae ae
tu u hai devi maa aaa aaa
jai jai maa aaa maa
jai jai maa jai maa
tere bande ae ae
tere bande kitne sundar
jinko toone banaaya
un bandon se pyaar kare jo
usne tujhko paaya
mera jeewan tere charan
de de mujhe pyaar ka dhan
sun le maa meri maa
ho o
mera jeewan tere charan
de de mujhe pyaar ka dhan
sun le maa meri ma
bolo
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
Saanwariyaa re saanwariyaa
Posted on: October 7, 2021
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4829 | Post No. : | 16608 |
‘Anjaan’ (1941) was produced under the banner of Bombay Talkies and was directed by Amiya Chakraborty who made his debut as a director with this film. The star cast included Devika Rani and Ashok Kumar in the lead roles supported by Girish, P F Pithawala, V H Desai, Gulab, David, Fatty Prasad, Yusuf Suleiman, Master Suresh, Baby Madhuri, Rewashankar, Arun Kumar etc. For Devika Rani, it was her ‘comeback’ film after her last film ‘Durga’ (1939) and after the death of her husband, Himanshu Rai in 1940.
Another ‘first’ for the film ‘Anjaan’ (1941) was that R D Mathur, the US trained photographer who was assistant to Josef Wirsching, the German cinematographer of Bombay Talkies, made his debut as a Cinematographer for the film. He got this opportunity as Josef Wirsching, being a German, was jailed in India during the World War-II. R D Mathur earned his name as an ace cinematographer for his works in films such as ‘Mughal-e-Azam’ (1960) and Razia Sultana’ (1983). He also completed the cinematography work for ‘Paakeezah’ (1971) after the sudden death of the film’s cinematographer, Josef Wirsching.
Since the inception of the film productions by Bombay Talkies in 1935, Saraswati Devi and Ramchandra Pal used to be the music directors of all the films of Bombay Talkies released till 1940. ‘Anjaan’ (1941) was the first film of Bombay Talkies for which instead of Saraswati Devi or Ramchandra Pal, the music direction of the film was entrusted to Pannalal Ghosh, who had shifted from Kolkata to Mumbai in 1940 with his wife and playback singer, Parul Ghosh.
Pandit Pannalal Ghosh (24/07/1911 – 20/04/1960), the renowned flautist, who was the pioneer in introducing the flute as the musical instrument in the Hindustani classical musical concerts, had to start his initial musical career in the film industry in Kolkata at the age of 17 when he lost his father. He started with playing flute during the exhibitions of the silent films. When the sound films came into being, he became the music assistant, first to Kazi Nazrul Islam and thereafter to R C Boral when he joined the New Theatres as a musician. He had assisted R C Boral when for the first time, playback singing Indian films was introduced for ‘Dhoop Chhaaon’/Bhagyachakra’ (1935).
Pannalal Ghosh’s association with the film industry was mainly to earn money to take care of his family. His interest was to become a Hindustani classical musician with flute as his musical instrument. He formally became the ‘gadabandh’ disciple of Ustad Khushi Mohammed Khan and after his death, the disciple of Pandit Girija Prasad Chakraborty. Besides working for New Theatres, Pannalal Ghosh regularly participated in the programmes of the All India Radio, Kolkata as a flautist.
In early 1940, Pannalal Ghosh shifted his base to Mumbai along with his family as he felt that there was no recognition to his work in Kolkata. In Mumbai, he followed the same strategy – working in the films for sustenance and pursuing his interest in Hindustani classical music. He immediately got his first assignment as a music director for Kikubhai Desai’s film ‘Sneh Bandhan’ (1940). This was followed by ‘Anjaan’ (1941), ‘Basant’ (1942), ‘Sawwal’ (1943), ‘Duhaai’ (1943), ‘Bhalaai’ (1943), ‘Police’ (1944), ‘Beesvi Sadi’ (1945) ‘Aadhar’ (1945) etc.
However, Pannalal Ghosh could not get satisfaction with his work because of the way the Hindi film industry worked. During this time, Ustad Allauddin Khan of Maihar Gharana, the exponent of multiple musical instruments like sarod, sitar, flute, Veena etc. was staying in Mumbai. Pannalal Ghosh became his disciple at a time when he was already started giving public concerts. ‘Aandolan’ (1951) was his last film as a music director.
From 1955-60, Pannalal Ghosh took up the job as a Composer and Director of All India Radio, Delhi Vadhya Vrinda (Orchestra) and stayed in Delhi with his family. His connection with Hindi films was limited to playing flute as and when music directors called him to Mumbai. The best exmaples of his flute recitals can be found in the song main piya teri tu maane ya na maane from ‘Basant Bahaar’ (1956) and in the song mohe panghat pe nandlal chhed gayo re from ‘Mughal-e-Azam’ (1960).
I have always thought that the flute was a tiny musical instrument – may be not more than 12-18 inches long. I realised that it was not so when I when I saw the photographs of Pandit Pannalal Ghosh and Pandit Hariprasad Chaurasia playing with their long flutes. The credit for elongating the flute’s normal length to as high as 32 inches goes to Pandit Pannalal Ghosh with an extra 7th hole so that the tiny folk instrument becomes capable of playing Hindustani classical music in various raags. Over a period of time, flute has become one of the concerts’ music instruments along with other music instruments. Probably, Pandit Pannalal Ghosh was the first Hindustani classical musician to play the solo flute in public concerts.
Pandit Pannalal Ghosh died of a massive heart attack on April 20, 1960 when he was 48. He has left a large number of his disciples to keep his legacy alive.
The story of ‘Anjaan’ (1941) as under:
Indira (Devika Rani) is employed by Ranima (Gulab), the widow of the landlord as governess to look after her two children. Ramnath (Girish) is the Estate Manager to Ranima who loves Indira and to get her on his side, he is ready to turn to the villainous acts. Indira falls in love with Dr. Ajit (Ashok Kumar) who often visits Ranima for her medical check-up. Now, this turns into a love triangle. The more love between Dr Ajit and Indira blossom, the more villainous Ramnath turns. Ramnath falsely accuses Indira of secretly visiting to Ajit’s house in the night about which he complains to Ranima. Indira gets her services as governess terminated.
After hearing from Ajit about the wrong doings by Ramnath, it is too much for Ranima for her already weak heart leading to the further deterioration of her fragile health. Ajit administers her injection to revive Ranima but in vain. She is dead. Ramanth finds a good excuse to implicate Ajit on the charge of the murder of Ranima.
The news of the alleged murder by Ajit unnerves Indira as Ramnath tells her that he is going the lodge the murder charges against Ajit. She agreed to marry Ramnath provided he lets Ajit free from the murder charges. Hereafter, she avoids meeting Ajit which creates misunderstanding in his mind about Indira. He decides to leave the place for the city. Ajit decision to migrate to the city is too much for Indira. She decides to meet Ajit at the railway station to tell him the truth. After listening her, Ajit tells her to wait for his return from the city.
Ramnath comes to know about the double crossing by Indira. He lodges the charge of murder on Ajit who is arrested in the city. To prove the motive for the murder of Ranima, Ramnath removes some costly jewelries and declares as missing, pointing finger on Ajit. In the trial in the session court, Ajit argues himself. The judge is impressed by his arguments. But the evidences are all against Ajit. However, it is the two children of Ranima whose evidences clinche the judgement in favour of Ajit. Ramnath is handed over to the police and Ajit gets Indira.(With inputs from the review of the film which appeared in the September 1941 issue of ‘Filmindia’ magazine).
The film had 10 songs of which 8 songs have been covered on the Blog as under:
| Songs | Date of Posting | Singers |
|---|---|---|
| Aayi paschim se ghata naunihaalon jaago | 02/03/2015 | Devika Rani |
| Main to tumse bandhi rahoon | 11/12/2015 | Devika Rani |
| Mere jeewan ke pathh par chhaayi ye kaun | 20/10/2020 | Ashok Kumar-Devika Rani |
| Chhalko chhalko na ras ki gagariya | 20/01/2021 | Rajkumari |
| Kheencho kamaan kheencho | 26/01/2021 | Ashok Kumar-Suresh-Rewashankar |
| Pyaare pyaare sapne hamare Triple version song | 06/02/2021 | Ashok Kumar-Devika Rani-Suresh-Rewashankar |
I am presenting the last and the final song ‘saanwariya re saanwaria’ which has two versions – a duet sung by Arun Kumar Mukherjee and Susheela and a solo sung by Arun Kumar Mukherjee towards the end of the film. The song is written by P L Santoshi which is set to music by Pandit Pannalal Ghosh. The audio clip of the song is longer by one stanza. Hence the lyrics of the song is based on the audio clip.
My guess is that Arun Kumar Mukherjee sings in both the versions of the song on himself. From the side profile of his face during the singing, I notice some resemblance of Ashok Kumar on his face who was his maternal cousin. In the star cast, the name of Arun Kumar is mentioned.
With this two-version song, all the song of ‘Anjaan’ (1941) have ben covered on the Blog.
Acknowledgement: Some of the information on the early life of Pandit Pannalal Ghosh has been sourced from pannalalghosh.com.
Audio Clip (Duet):
Video Clip (Duet):
Video Clip (Male Solo):
Song-Saanwariya re saanwariyaa (Anjaan)(1941) Singers-Arun Kumar Mukherjee, Susheela, Lyrics-P L Santoshi, MD-Pannalal Ghosh
Both
Lyrics(Based on Audio Clip)
saanwariya re saanwariya
saanwariya re saanwariya
chal chal re chal re saanwariya
chal chal re chal re saanwariya
saanwariya re saanwariya
chal chal re chal re saanwariya
ek nagariya ham donon ki
ek dagariya aa
ek nagariya ham donon ki
ek dagariya aa
chal re chal re saanwariya
saanwariya re sawariya
chal chal re chal re saanwariya
raah kanteeli door thikaana aa
raah kanteeli door thikaana
phir bhi hamko chalte jaana
raah katili door thikaana
phir bhi hamko chalte jaana
beet jaaye chaahe saari umariya
beet jaaye chaahe saari umariya
chal re saanwariya
haan
chal re chal re saanwariya
sawariya re sawariya
chal chal re chal re saanwariya
main tera rahoon tu meri rahe
main tera rahoon tu meri rahe
haan saanwariya re saanwariya
saanwariya re saanwariya
main tera rahoon tu meri rahe
jaise din ke saath ujhera rahe
main tera rahoon tu meri rahe
haan saanwariya re saanwariya
saanwariya re saanwariya
aabaad rahe ham tum donon
aabaad rahe ham tum donon
aabaad hamaara dera rahe
bajta rahe ye iktaara
bajta rahe ye iktaara
madhur preet ki baansuriya
madhur preet ki baansuriya
chal re saanwariya
haan
chal chal re chal re saanwariya
saanwariya re saanwariya
saanwariya re saanwariya
chal chal re chal re saanwariya
chal chal re chal re saanwariya
Kabhi to haan haan haan kaho na
Posted on: October 6, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4828 | Post No. : | 16607 |
“Son of Sindbad”(1958) was produced by Ram Kamlani and Balwant Bhatt and directed by Nanabhai Bhatt. for NeoLight Films Bombay. This “Kalpnik” movie had Premnath, Jabeen, Bhagwan, Poornima, Nishi, Tiwari, Shammi, Sundar, Kuldeep Kaur, Jagdeesh, Samson, Cuckoo, Ridku, Kriiplani, K Tiwari Saroj, Heera, Fazlu, Saiyyad, Keshav, Abdul, Kenny etc in it.
The movie had eight songs in it. Two songs have been covered in the past.
Here is the third song from “Son of Sindbad”(1958) to appear in the blog. It is sung by Rafi and Geeta Dutt. Prem Dhawan is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. The movie had Lata Mangeshkar, Rafi, Mukesh and Geeta Dutt as playback singers so it is difficult to guess about the picturisation of this song. I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Kabhi to haan haan haan kaho na (Son of Sindbad)(1958) Singers-Rafi, Geeta Dutt, Lyrics-Prem Dhawan, MD-Chitraupta
Lyrics
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
aise na taalo
main mar jaaunga
milega mar ke bhi chain kahaan
haay
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
jhoothhi hi tasalli sahi
jhoothha hi tu de ja hamen waada
ja ja re deewaane
kyun hai tera gaali khaane ka iraada
arre jhoothhi hi tasalli sahi
jhoothha hi tu de ja hamen waada
ja ja re deewaane
kyun hai tera gaali khaane ka iraada
yoon na jalenge
joote padenge
o yoon na jalenge
joote padenge
to ye bhi sah legne jaane jahaan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
bade teesmaar khan ho
dekho koi aur darwaaza
tere darwaaze se hi apna to uthhega janaaza
bade teesmaar khan ho
dekho koi aur darwaaza
tere darwaaze se hi apna to uthhega janaaza
chutti to hogi
roti phirogi
chutti to hogi
roti phirogi
jaao ji
marna nahin hai aasaan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
yoon na thhukraao
na milega koi dilwaala aisa
dhoondhoge chiraag leke
to bhi paaoge na mere jaisa
aah aah aah
yoon na thhukraao
na milega koi dilwaala aisa
dhoondhoge chiraag leke
to bhi paaoge na mere jaisa
tu bemisaal hai
tu bhi kamaal hai
aa ha
tu bemisaal hai
tu bhi kamaal hai
to phir aaj hi kar do haan
kabhi to haan haan haan kaho na
na na ji na na na meri jaan
Hamko hamin se churaa lo
Posted on: October 4, 2021
- In: Amitabh Bachchan present (without lip syncing) | Amitabh Bachchan songs | Duet | expression of love | Feelings of heart | Lata song | Lata Udit Narayan duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Multi Version Song | Multiple version song | Series of articles | Songs of 1990s (1991 to 2000) | Songs of 2000 | Udit Narayan Song | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 1 Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4826 | Post No. : | 16605 | Movie Count : |
4523 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LIV: Year 2000
———————————————————————————————————
In this episode, the 54rd episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 2000.
In 2000, 80 Hindi movies containing 391 songs were released. Lata Mangeshkar got to sing in 2 of these movies and she sang 5 songs in these movies. So Lata Mangeshkar’s voice was heard in 2.5 % of the movies released in 2000. Her voice was heard in 1 % of the songs appearing in the movies of 2000.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 2000 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Mohabbatein | Jatin Lalit | 0 | 4 | 0 | 2 | 0 | 2 | Anand Bakshi |
| 2 | Pukaar | A R Rahman | 1 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| Total | 2 movies | 2 MDs | 1 | 5 | 1 | 2 | 0 | 2 | 2 lyricists |
Lata Mangeshkar worked with 2 music directors and 2 lyricists in these 2 movies released in 2000. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 2000. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5205 songs that Lata Mangeshkar had sung in Hindi movies till end of 2000. Anand Bakshi with 728 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (407), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3249 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 2000 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 141 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 116 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 190 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 7 movies | 3 | 14 | 6 | 7 | 0 | 1 | |
| 2000 | 2 movies | 1 | 5 | 1 | 2 | 0 | 2 | |
| Total upto 2000 | 1866 movies | 3744 | 5205 | 3372 | 1498 | 213 | 122 |
It can be seen from the table of 2000 that Lata Mangeshkar sang 5 songs in 2 movies released in 2000.
One song sung by Lata Mangeshkar in movies of 2000 has been covered in the blog. That song was from one of the two movies of 2000 where she got to sing songs. With that song, all the Lata songs of that one movie (viz one song) has been covered. That leaves us with one movie of 2000 that offers us Lata Mangeshkar sons for discusussion.
This movie is “Mohabbatein”(2000). This movie was produced by Yash Chopra and directed by Aditya Chopra for Yashraj Films, Mumbai. The movie had Amitabh Bachchan, Shahrukh Khan, Aishwarya Rai, Uday Chopra, Shamita Shetty,Jimmy Shergill, Priti Jhangiani, Jugal Hansraj, Kim Sharma, Archana Puran Singh, Anupam Kher, Raman Lamba, Ram Mohan, Helen, Saurabh Shukla, Amrish Puri, Shefali Shah, Prazan Dastur, Rushad Rana, Mehul Nisar, Geri Andrade,Navneet nishan, Priya Gill ,Manjit Kular,Harpal Singh Pali, Sitaram,Meghna Patel, Palash Dutta etc in it.
The movie had seven songs in it. Four songs from the movie had the voice of Lata Mangeshkar in them.
Here is a song from “Mohabbatein”(2000). This song is sung by Lata Mangeshkar and Udit Narayan. Anand Bakshi is the lyricist. Music is composed by Jatin Lalit.
The song is picturised on Aishwarya Rai and Shahrukh Khan. The song has a second part too that gets played towards the end of the song, where others, including Amitabh Bachchan is also visible.
So this song can be considered as a two part song.
Lyrics of this song and other details were sent to me by Prakashchandra.
With this song, “Mohabbatein”(2000) makes its debut in the blog.
Audio link (Part I)
video link (Part I)
audio link(Part II)
video link(Part II)
Song-Hamko hamin se churaa lo (Mohabbatein)(2000) Singers-Lata Mangeshkar, Udit Narayan, Lyrics-Anand Bakshi, MD-Jatin Lalit
Female chorus
All chorus
Lyrics(Provided by Prakashchandra)
—————————
Part I
—————————-
aa aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
hamko hum hi se churaa lo o (hmm hmm hmmm)
dil mein kaheen tum chhupaa lo o (hmmm mmm mmm)
hamko hum hi se churaa lo o (hmmm mmm mmm)
dil mein kaheen tum chhupaa lo o o
hum akeley (aaaa aaa aaa)
kho na jaayein (aaaa…..aaaaaa)
door tum se aey ae ho na jaaye (aaa aaa aaa)
paas aao galey se lagaa lo o
hamko hum hi se churaa lo o (hmmm mmm mmm)
dil mein kaheen tum chhupaa lo o
hum akeley (aaa aaa aaaa)
kho na jaayen (aaa aaa aaa)
door tum se aey ae ho na jaayen (aaa aaa aaa)
paas aao galey se lagaa lo o
hamko hum hi se churaa lo o o o
dil mein kaheen tum chhupaa lo o o
aaa aaa aaa aa aaa
aa aa aa aa aa aa aa
aaa aaa aaaaaaa aaa
laaa laa laa laaa laaaa aaa
ye dil dhadkaa do o
zulfein bikhraa do o o o
sharmaa ke apnaaa aa aa aa
aanchal lehraa do o o
hum zulfein to bikhraa dein
din mein raat na ho jaaye
hum aanchal to lehraa dein
par barsaat na ho jaaye
hone do o o o o
barsaatein
karni hain aen aen aen
kuchch baatein
paas aao galey se lagaa lo
hamko hum hi se churaa lo o
dil mein kaheen tum chhupaa lo o
hum akeley (aaa aaaaa aaa)
kho na jaayen (aaa aaa aaaa aaaa)
door tum se aey ae ho na jaaye (aaaaa aaaa aaa..aaa )
paas aao galey se lagaa lo o o
hamko hum hi se churaa lo o o
dil mein kaheen tum chhupaa lo o o
aaa aaaa aaa aa aaa
aaa aaaa aaa aa aaa
aaa aaaa aaa aa aaa
aaa aaaa aaa aa aaa
aaa aaaa aaa aa aaa
aaa aaaaaa aaa aaa aaaa
laaa laa laa laaa laaaa aaa
tumpe marte hain aen aen
hum mar jaayengey aey
ye sab kehte hain aen aen
hum kar jaayenge ae ae
chutki bhar sindoor se tum
ab ye maang zaraa bhar do
kal kyaa ho kisne dekhaa
sab kuchch aaj abhee kar do o
ho na ho o o o
sab raazi eee
dil raazi ee ee
rab raazi ee eee ee
paas aao galey se lagaa lo o
hamko hum hi se churaa lo o (hmmm mmm mmm mmm)
dil mein kaheen tum chhupaa lo o
oo o o oo
hamko hum hi se churaa lo o (hmmm mmm mmm mm)
dil mein kaheen tum chhupaa lo o
hum akeley (aaaa aaa aaaa aaa)
kho na jaayein (aaa aaaa aaaa aaaa aa)
door tum se aey ae ho na jaayein (aaa aaa aaa aaa aaa aaa)
paas aao galey se lagaa lo o
paas aao galey se lagaa lo o
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
laaa laa laa laaa laaa laaa laaaa laaaa aaa
hmm mmm hmmm mmm mmm mmm hmm mmm
—————————————
Part II
—————————————
duniya mein kitni hain nafratein (aa aa aa aa)
phir bhi dilon mein hain chaahatein (aaa aa aaa)
duniya mein kitni hain nafratein (aaa aaa aaa)
phir bhi dilon mein hain chaahatein
mar bhi jaayein (aaa aaa aaa)
pyaar waaley (aaa aaa aaa)
mitt bhi jaayein aen (aa aaa aaa)
yaar waaley (aaa . aaa aaa)
zindaa rehti hain unn ki mohabbatein
zindaa rehti hain unn ki mohabbatein aen
aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
mar bhi jaayein (aaa aaa aaa aaa)
pyaar waaley (aa aaa aaa aaaa)
mitt bhi jaayein aen (aaa aaa aa)
yaar waaley (aaa aaa aaaa aaaa)
zindaa rehti hain unn ki mohabbatein (aaa aaa aaa aaaa)
zindaa rehti hain unn ki mohabbatein(aaa aaa aaa aaaa)
aa aa aa aa aa
aa aa aa aa aa aa
Jaadoogar jaadoo kar jaayegaa
Posted on: September 23, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4815 | Post No. : | 16586 | Movie Count : |
4520 |
Hullo Atuldom
I am super charged as I sit to write this post. I don’t know how to express my SURPRISE that the songs of this movie are yet to appear on the blog. I made a quick call to Atulji to confirm that this movie has not yet made its debut. I was making sure that it doesn’t appear under any other spelling. Atulji said that he is aware that it is yet to debut, so let us have it.
This 1980 release is a fantasy film based on a story from the Arabian Nights. Something that every child would have grown up reading, hence I am refraining from giving the story/ synopsis. I shall just say that this film had a generous dose of romance and romantic songs along with good quality action scenes. The film was an Indo-Soviet joint venture with the Uzbek director Latif Faiziyev and Indian director Umesh Mehra directing a set of Bollywood stars/actors and some Russian, Caucasian and Central Asian actors. Anand Bakshi and RD Burman were in charge of the songs that are popular till today and only three singers were used- Asha Bhonsle, Kishore Kumar and Lata Mangeshkar.
Before I present the song I would like to go into flashback with this song. That was to wish the actor Prem Chopra on his birthday. In there I had mentioned how his pairing with Rajesh Khanna was sure formula for success in the early 70s- he appeared in 19 movies as a co-actor of Rajesh Khanna.
Another actor with whom he was acceptable to the audiences was Dharmendra with whom he has appeared in around 30 films.
There are other actors with whom he has been regularly appreciated with and has done sizeable number of films – like 16 with Manoj Kumar, 24 with Amitabh Bachchan. I would like to know the count of films that Prem Chopra appeared, with respect to other prominent actors like Dev Anand, Jeetendra, Feroz Khan, Sunil Dutt, Rishi Kapoor etc. I know for sure that he has acted in 4 movies with his idol Dilip Kumar.
In my post of the 23rd September 2018, I had also mentioned how there were numerous songs where the heroines will sing love songs with the characters played by Chopra in order to get a response from the hero. Today’s song is similar to Kitna mazaa aa raha hai(Raja Jani)(1972) with a minor difference. Here we have the heroine dancing to the tunes of the hero. The ultimate aim being to rescue the girl from her predicament and an unwanted marriage with the wily Shamsher (Prem Chopra). Here the hero Alibaba (Dharmendra) has come as a Jadugar and has promised Shamsher that he will do some ‘mumbo-jumbo’ and get Marjina (Hema Malini) agree to his marriage proposal. For starters, the Jadugar gets Shamsher to dance and Marjina stands like a statue. But when she sees her lost ‘paayal’ (called ‘ghungroo’ in the song) she recognizes the Jadugar and joins him in the song-n-dance routine.
I have read in one of Prem Chopra’s interviews in the past, that he is scared of snakes and that he was petrified to shoot this song as the last stanza has a snake appearing out of nowhere. So possibly the priceless expression that he has given was not acting.
Prem Chopra has been a great supporting actor for almost 61 years. He began his career with a Punjabi film in 1960, followed by brief roles in ‘Hum Hindustani’, ‘Woh Kaun Thi’ etc. ‘Shaheed’ along side Manoj Kumar can be said to be his breakthrough film. ‘Upkaar’ and ‘Do Raaste’ also need to be mentioned as they presented him with different types of characters in spite of being Gray-shaded.It is well-known that he is connected to the Kapoor Khandaan as his wife and Raj Kapoor’s wife were sisters so that also makes him a brother-in-law to Prem Nath, Rajendra Nath and Narendra Nath.
Here is wishing this Tall and Handsome actor on his 86th birthday good health and lots of happiness.
Presenting ‘Alibaba aur 40 Chor’ (1980) on the blog, with this song, which I have written without hearing the video. After writing the lyrics I heard the song and found one error in what I had noted. I found that in all these years (41 years) I was singing this one line bas hadd kar di o bedardi wrong.
Song-Jaadugar jaadoo kar jaayega(Alibaba Aur 40 Chor)(1980) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-R D Burman
Both
Lyrics
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
o marjina naach haseena
mushkil kar de sab ka jeena
nahin toh
nahin toh
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
o marjina naach haseena
mushkil kar de sab ka jeena
nahin toh
nahin toh
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
naachegi teri jawaani
dekhegi duniya deewaani
har cheez hai mere bas mein
kya aag hai kya hai paani
o naachegi teri jawaani
dekhegi duniya deewaani
har cheez hai mere bas mein
kya aag hai kya hai paani
arre chhoomantar chhoo
dekh idhar tu
pehen le inko
le yeh ghunghroo
warna ghazab ho jaayega
ae jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
maana tujhe maine maana
tu jaadugar hai deewaana
bebas mujhe kar diya yoon
thhehra hai saara zamaana
ho o o
maana tujhe maine maana
tu jaadugar hai deewaana
bebas mujhe kar diya yoon
thhehra hai saara zamaana
bas hadd kar di o bedardi
batla kya hai teri marzi
kab tak mujhe tadpaayega
u u u u
ae jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
kismat kaa chamka sitaara
toone mujhe jab pukaara
chup-chaap tu naachti ja
jab tak karoon main ishaara
oooo
kismat kaa chamka sitaara
toone mujhe jab pukaara
chup-chaap tu naachti ja
jab tak karoon main ishaara
o o
tere kadmon mein ye sar hai
tu hai toh phir kis ka darr hai
jo hoga dekha jaayega
oooo ooo
aye jaadugar jadoo kar jaayega
kisi ko samajh nahin aayega
o marjina naach haseena
mushkil kar de sab ka jeena
nahin toh
nahin toh
jaadugar jaadoo kar jaayega
kisi ko samajh nahin aayega
Paas wo aane lage zara zara
Posted on: September 17, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4809 | Post No. : | 16578 | Movie Count : |
4516 |
Hullo Atudom
“Main Khiladi Tu Anari” (1994) was a normal masala- action- emotion- comedy filled movie. It was directed by Sameer Malkan, produced by Champak Jain for Venus Records and Tapes. Dialogues were by Kadar Khan, story by Sachin Bhowmick, lyricists were Anwar Sagar, Maya Govind, Rahat Indori, Rani Malik, Zameer Kazmi and Hasrat Jaipuri. Anu Malik was the music director. It had Shilpa Shetty (in a double role) with Akshay Kumar, Saif Ali Khan, Raageshwari, Shakti Kapoor, Beena, Mukesh Khanna, Shiva, Johnny Lever, and Kadar Khan in the cast. The movie was largely borrowed from the 1991 Hollywood movie ‘The Hard Way’ and some reviews of MKTA said (and I quote) ‘it was a notch above the original because of the presence of one of India’s biggest action stars, martial artist Akshay Kumar’; comparing his martial arts skills to Jean-Claude Van Damme and also praising his stunt work, and concluding that it “is a fun action-comedy” film. It was the second release in 1994 of the Akshay Kumar- Saif Ali Khan duo, the other one being ‘Yeh Dillagi’. It was also Akshay Kumar’s fourth success for 1994 others being ‘Mohra’, ‘Suhaag’ and ‘Elaan’ (all of them being multi-hero movies).
The story involves two brothers -Mukesh Khanna and Akshay Kumar; imaginatively called Arjun and Karan- who are cops. They have a sister – Raageshwari (Shivangi)- who is an ardent, crazy fan of movie star Deepak Kumar (Saif Ali Khan) Then there is the drug dealer- gangster Goli (Shakti Kapoor) whose mistress is the cabaret singer Mona (another unique name 🙂 ). Mona is pumped off by Goli’s henchman (Shiva) when Goli comes to know that she is going to testify against him, and in protecting Mona Inspector Arjun also is killed. Now Karan has only one objective- to book Goli and avenge his brother’s killing. He seeks the help of Basanti -a street dancer who is the replica of Mona (Shilpa Shetty). For this, he has Deepak Kumar masquerading as someone from China Town and transporting Basanti to Goli’s gang with the age-old explanation of Amnesia after falling on the rocks and injury to head etc. Then many things occur in the course of the movie reaching its climax. In between all this, Deepak Kumar falls in love with his fan and Karan’s sister Shivangi- after all she also needs to sing a song no?
For today’s post we are going to have the song that Deepak Kumar and Shivangi sing to proclaim their love; in the voices of Kumar Sanu and Alka Yagnik. This song is one that I have always liked. Only recently I discovered that this one is from the pen of Hasrat Jaipuri: writer of the classics ‘ichak dana bichak dana’; ‘bhanwre ki gunjan hai mera dil’; ‘budtameez kaho ya kaho jaanwar’; ‘yaad kiya dil ne kahan ho tum’; ‘nain so nain naahi milao’; ‘Baat baat mein rootho na’— oh so many songs of his which I have been hearing, listening, humming, singing all along.
This lyricist who was a poet in Urdu and Hindi was a Filmfare award winner for ‘baharo phool barsaao mera mehboob aaya hai’ and ‘Zindagi ek safar hai suhana’ (my personal all time favorite and motto of life). Cannot resist mentioning the lines in ‘Zindagi ek safar hai suhana’: ‘hanste gaate jahaan se guzar, duniya ki tu parwaah na kar, muskuraate huye din bitaana, yahaan kal kyaa ho kisne jaana’.
Hasrat Jaipuri was born in Jaipur as Iqbal Hussain in 1922 (would this be his centenary year?) His education till middle school was in English medium and there after his maternal grandfather tutored him in Persian and Urdu. He began writing verses in his youth around the time when he fell in love with a neighbourhood girl named Radha. This has been the most widely talked-about anecdote in the entertainment industry and how this poem was used by Raj Kapoor in his 1964 film ‘Sangam’ as ‘yeh mera prem patra padhkar’.
As we can see from the above sample, from his long association with films (1949- 2004), it was a mixed-bag of songs, written by Hasrat Jaipuri, that are ever popular. Today, it is 23 years since his passing and we are remembering him with this song from MKTA which is making its debut.
Song-Paas wo aane lage zara zara (Main Khilaadi Tu Anaadi)(1994) singers-Kumar Sanu, Alka Yagnik, Lyrics-Hasrat Jaipuri, MD-Anu Malik
Lyrics
paas woh aane lage zara zara
nazarein churaane lage zara zara
dil pe woh chhaane lage zara zara
zara zara zara zara zara zara
dhadkanen churaane lage zara zara
paas woh aane lage zara zara
paas woh aane lage zara zara
hume woh chahne lage zara zara
apna banaane lage zara zara
zara zara zara zara zara zara
dil ko dhadkaane lage zara zara
paas woh aane lage zara zara
paas woh aane lage zara zara
o o kehti hai yeh teri paayal
toone kiya mujhe ghaayal ghaayal
shaam savere dil mein mere
toone macha di hulchul hulchul
teri meri prem kahaani
hai saagar ka gehra paani
laakhon din aur laakhon raatein
khatm na hogi apni baatein
neende udaane lage zara zara
apna banaane lage zara zara
humen woh chahne lage zara zara
zara zara zara zara zara zara
dhadkanen churaane lage zara zara
paas woh aane lage zara zara
paas woh aane lage zara zara
ho o aaja mujhko paagal kar de
khushiyon se yeh daaman bhar de
hasrat hai yeh dil mein mere
mehbooba se dulhan kar de
maang mein teri taare bhar doon
chaand ko tera kangan kar doon
phoolon se tasveer banaaoon
kirnon se main roop sajaaoon
dhadkane churaane lage zara zara
saanson mein basaane lage zara zara
paas woh aane lage zara zara
hum bhi unhe chaahne lage zara zara
zara zara
haan zara zara
zara zara
zara zara
zara zara
zara zara
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