Archive for the ‘Duet’ Category
Kab tak kheloon pyaar ka khel
Posted February 25, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4605 | Post No. : | 16236 |
“Pyaase Panchhi”(1961) as produced by Shankar Bhai Bhatta and Vijay Bhatt and directed by Harsukh Bhatt for Shree Prakash Pictures, Bombay. The movie had Mehmood, Ameeta,Jeevan, Leela Misra,Agha, Malika, David, Niranjan Sharma, Uma Khosla, Athavle, Loban, Omprakash Sharma, C.L.Shah, Narbada Shanker, Baby Shobha etc in it.
Ten songs ae listed in HFGK for this movie. But song number 3 and 10 are one and the same. So in effect “Pyaase Panchhi”(1961) has nine songs in it.
Seven songs from the movie have been covered in the past.
Here is the eighth song from “Pyaase Panchhi”(1961) to appear in the blog. This song is sung by Rafi and Suman Kalyanpur. Qamar Jalalabadi is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on Agha and Malika, playing Romeo and Juliet respectively as a stage performance song, being watched by a housefull audience.
Lyrics of this song were sent to me by Prakashchandra.
Video(full song)
Audio (Partial song)
Song-Kab tak kheloon pyaar ka khel (Pyaase Panchhi)(1961) Singers-Rafi, Suman Kalyanpur, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Lyrics(Based on Video link) (Provided by Prakashchandra)
Aaa…aaa…aaaa…aaaahhaa
majnoo bhi bann chukaa hoon
majnu bhi bann chukaa hoon
Farhaad bann chukaa hoon
arrey Farhaad bhi bann chukaa main
ab bann ke Romeo..o o main…ae
tere dar pe aa gayaaa..aaa..aa hoon..oon
kab tak kheloon pyaar ka khel
pass karo ya fail gori
paas karo ya fail
kab tak kheloon pyaar ka khel
pass karo ya fail gori
paas karo ya fail
pyaar ko toone samjhaa khel
kaisey hogaa mel
bolo kaisey hogaa mel
pyaar ko toone samjhaa khel
kaisey hogaa mel
bolo kaisey hogaa mel
kab tak tere naaz uthhaaoon
kab tak dar par thhokar khhaaoon oon
kab tak tere naaz uthhaaoon
kab tak dar par thhokar khaaoon
dil ye kehta hai mar jaaoon
tum par main ilzaam lagaaoon
zaalim tujhko bhejoon jail
paas karo ya fail gori
paas karo yaa fail
pyaar ko toone samjhaa khel
kaisey hogaa mel
bolo kaisey hogaa mel
arrey kab tak kheloon pyaar ka khel
pass karo ya fail gori
paas karo ya fail
hum to nahin hain aisey waisey
pyaar karein hum tum se kaisey
hum to nahin hain aisey waisey
pyaar karein hum tum se kaisey
only in audio link:
(mast haseenon ke saanche mein
laakhon phirte hain tum jaisey)
jaao tum ho bilkul fail
kaisse hogaa mel
bolo kaissey hogaa mel
kab tak kheloon pyaar ka khel
paas karo ya fail gori
paas karo ya fail
ho gayaa gul mera pyaar ka dabba
mar gaya main to haayye rabbaa..aaa
ho gayaa gul mera pyaar ka dabba
mar gaya main to haayye rabbaa
tu hai agar Lailaa ki Ammaa
main bhi hoon Majnu ka Abba
hoke rahega apnaa mel
paas karo ya fail gori
paas karo ya fail
pyaar ko toone samjhaa khel
kaissey hogaa mel
bolo kaisey hogaa mel
arrey kab tak kheloon pyaar ka khel
pass karo ya fail
gori paas karo ya fail
Aajaa re aajaa morey sajan aa
Posted February 23, 2021
on:This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4603 | Post No. : | 16232 |
Hullo Atuldom
12th February was the birthday of an Atulite. He has started a series to introduce missing movies of the ’70s, and just as well as movies of 70s will complete 50 years. It is unbelievable that movies that were part of our childhood are 50 years old.
‘Guddi’, ‘Andaz’, ‘Haathi Mere Saathi’, ‘Caravan’, ‘Anand’, ‘Anubhav’, ‘Parwana’, ‘Tere Mere Sapne’, etc all 1971 releases, all which I have seen multiple times. I am sure that these movies would be favourites of a majority of the followers of this blog.
There is one more movie that will complete 50 years this year. Its release date has been recorded on various internet sites as 1st July 1971, but the censor certificate has a date of 24th February 1970 i.e. exactly a year after its leading lady bade goodbye to this mortal world.
Madhubala- the beauty who charmed an entire generation of moviegoers. A beauty who had an infectious smile and near-musical laughter: – can anyone forget the laughter that precedes ‘haal kaisa hai janaab ka’ or the mischievous smile through ‘accha jee main haari chalo maan jaao na’ and ‘jaanu jaanu re chhupke kaun aaya tore angna’. Her eyes were so expressive. But write-ups about her say that she kept a low public profile and was not seen at film parties and premieres.
She was born Mumtaz Jehan Begum Dehlavi in Delhi on 14th February (which the world celebrates as valentine day in modern times) as fifth of eleven children to Ataullah Khan and Ayesha Begum. An out of work father first reached Delhi from Peshawar (now in Pakistan) and then to Bombay. A very young Mumtaz was first cast as a child actor in the 1942 release ‘Basant’ which was followed by ‘Mumtaz Mahal’,‘Phulwaari’, ‘Dhana Bhagat’, ‘Rajputaani’. Baby Mumtaz became Madhubala from “Neel Kamal” in 1947. It is said that baby Mumtaz and baby Mahjabeen became friends in the period they were child actors and grew up to be contemporaries – Madhubala and Meena Kumari. Madhubala is said to have been a fan of Meena and her voice.
Madhubala was one of the most popular, successful and highly paid actresses of the ‘50s and ’60s. She acted in 73 movies in a career spanning almost two decades though the ‘60s saw only five films of hers. She also produced three movie: – ‘Naata’ (1955), ‘Mehlonkekhwab’ (1960) and ‘Pathan’ (1962). She sang a song or two as baby Mumtaz in ‘Basant’. She was an enigma who was rarely seen at filmy functions or premieres, this was because she was an obedient daughter and submitted to the domination of her father. According to what Dilip Kumar has once said:- she was the only female star for whom crowds would gather at the gates of the studios where she was shooting. Many believe she was one of the most underrated actresses as her beauty attracted more attention than her talent. She was good at expressing a range of emotions through her eyes- comedy, pathos etc etc. In spite of being an iconic actress she never won any awards and was only nominated for her role in “Mughal-e-azam” but she reigned on the hearts of her fans.
She was unlucky in life and had a few heartbreaks before leaving this world and Kishore Kumar, whom she married in 1960, yearning for her. She died on 23rd February 1969 of congenital heart disease;an ailment for which there was no treatment when she was diagnosed in 1954 on the sets of a film being made in Madras. By the time heart surgeries were possible she was too weak to withstand and was confined to bed for nearly nine years. In 1966 she attempted to complete her part of work in the Raj Kapoor starrer “Chalaak” but that was also a strain for her fragile body. (Most of this information I have found on Wikipedia about an actress/ star who was on my dad’s list of favorites in those times).
The song with this post is from a movie that was shot sometime in the ‘50sand we have a very young Sunil Dutt romancing the princess “Jwala” (Madhubala). This movie is significant as it is the only movie of Madhubala that was shot in colour, “Mughal-e-azam” was partly in colour at the time of making, but “Jwala” was made as a colour movie. Sudhirji’s post gives us details about the movie which was essentially a ‘princess falling in love with a commoner who turns out to be a prince in exile’ story. Today’s song is written by Rajinder Krishan, tuned by Shankar -Jaikishan and sung by Manna Dey and Lata Mangeshkar.
February was the month of Madhubala’s birth and she would have turned 88. It is also the month she left the world at 36. We, her fans, can only fantasize how she would have looked as an octogenarian.
Song-Aaja re aaja more sajan aa(Jwaala)(1970) Singer-Lata, Manna Dey, Lyrics-Rajinder Krishan, MD-Shankar Jaikishan
Both
Lyrics
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waale
saamne to aa
zara samne to aa
kis ne hamaara naam le liya
pardon mein chhupne waale
saamne to aa
zara saamne to aa
aaun to aaun kis tarha
koi baar baar roke
bol re sainya kaun hai jo mera pyaar roke
aaun to aau kis tarha
koi baar baar roke
bol re sainya kaun hai jo mera pyaar roke
mahal ye tera haal ye mera
rok raha hai na ja
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waAle
samne to aa
zara saAmne to aa
main to hoon panchhi baAwra
tu baagh ki hai raani
donon hain rahi pyaar ke
aur ek hai kahaani
main to hoon panchhi baawra
tu baagh ki hai raani
donon hain raahi pyaar ke
aur ek hai kahaani
pankh laga ke saath uda ke
le chal mohe raaja
aaja re aaja
more sajan aa
sapnon ki palki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waale
saamne to aa
zara saamne to aa
baandh ke dori preet ki
aa door kahin jaayen
phir koi bulaaye bhi
to laut ke na aayen
baandh ke dori preet ki
aa door kahin jaayen
phir koi bulaaye bhi
to laut ke na aayen
koi na dekhe
koi na jaane
mujh mein yoon samaa ja
aaja re aaja
more sajan aa
sapnon ki paalki mein dheere dheere aa
sajan dheere dheere aa
kis ne hamaara naam le liya
pardon mein chhupne waale
samne to aa
zara saamne to aa
aa aa aa aa aa
aa haa aa aa
aa ha haa
aa aa aa
aa haa aa
aa haa aa aa aa
Kaun hai mujrim kaun hai munsif
Posted February 18, 2021
on:This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4598 | Post No. : | 16225 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——
Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.
On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.
This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.
I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.
We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.
But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊
Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.
We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…
“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.
Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.
Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.
This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.
So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;
Song | Posted On |
---|---|
Simti huyi ye ghadiyaan | 27.04.2012 |
Chanda re mere bhaiyya se kehna | 02.08.2012 |
Parmeshwar rakhwaalaa tera | 25.10.2014 |
She’r ka husn ho | 09.12.2016 |
Marta hai koi to mar jaaye | 30.01.2021 |
Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …
Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.
This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …
Remembering Khayyam Saab …
Video
Audio (Partial)
Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus
Lyrics
aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa
aa aa aa aaa
jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
tu kisi bhes mein aaye
tujhe pehchaante hain
tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain
aa ha ha
achchaa aa
to suniye
ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar
arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa
ye nikla mere yaar
matlab ye niklaa mere yaar
aisaa nahin hai wallaah
daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande
ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar
arz ye hai kiblaa
jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe
ham maujood hain
ham rokenge
saare kaale dhandhe
ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen
kya bolen
sarkaar
tumko kya bolen sarkaar
arey bhaai aur kya karen ham
ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar
kiblaa mulahijaa ho
irshaad
irshaad
ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar
ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar
pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani
wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani
arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani
ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani
haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4595 | Post No. : | 16220 |
Today’s song is the 4th song from the film Ghunghat-1946 to be discussed here. The first 2 songs were posted by Mrs. Nahm ji and then Atul ji discussed the 3rd one. What is so special about this obscure film that 4 songs are discussed here ? Nothing really. It’s just a coincidence. Actually, Rafi’s early songs attracted Nahm ji and I was also eager to listen to the fresh voice of Mohd. Rafi, from his early career.
If one takes a look at the Excel sheet of Rafi songs, so kindly made and given to friends by Muveen ji of the USA, one finds that in the first 7 years, i.e. from 1944 to 1950 (both included), Rafi had sung only 376 songs, which averages out to a poor figure of 4.8 songs – say 5 songs roughly – per month. Not a very encouraging figure. But mind you, this is only an average. Actually, the yearwise songs he sang are as following –
Year | Number of songs | Remarks |
---|---|---|
1944 | 3 songs | |
1945 | 12 songs | |
1946 | 39 songs | |
1947 | 28 songs | He had gone to his native place to look after family in view of the Partition, but came back in time to sing for film Saajan-47 |
1948 | 58 songs | |
1949 | 129 songs | |
1950 | 107 songs |
From 1951 there was no looking back and the graph was upwards till the end (even in the so-called “Kishore wave” of the early 70s). While reading the book “RAFINAMA” by eminent film historian Isak Mujawar, I collected some interesting data. Some of it was discussed about 4-5 years ago, but now I have added some more to it . Here it is for our readers.
Mohd. Rafi, no doubt, was a versatile singer. Like Lata, when he came on the scene of playback singing-after considerable hard work and struggle- one by one, he replaced the old singers who sang in the films.
Ashok Kumar’s singing spree stopped when Rafi sang for him in the film Saajan-47.
Ishwarlal stopped singing when Rafi sang for him in film Sharbati Aankhen-45.
Shahu Modak stopped after Chakradhari-54.
W.M.Khan after Aalam Ara-56.
G.M.Durrani after Lal Pathar-71.
Karan Dewan after Duniya-49.
N M Charlie after Zameen ke Tare-60.
Balak Ram after Shri Ram Bharat Milan-65.
Moti Sagar after Paak Daman-57.
Man Mohan krishna after Basant bahar-56.
Mohd. Rafi even sang for some composers who used to sing in films
S N Tripathi -Pawanputra hanuman-57
Snehal Bhatkar-Bawre Nain-50 ( he was doing a Beggar’s role) and
Sudhir Sen- Saat Phere-70
Rafi was the only male playback singer who sang with 3 major singer actresses
Noorjehan-Jugnu-47
Khursheed- Aage Badho-47 and
Suraiya- many (13) films.
Coming from a very humble beginning and after hard work and struggle, Rafi had his ups and downs in his career. Like any other big and popular star, he too had his critics,detractors and people who tried to use him. Though he understood their game, he never reacted adversely and always acted very professionally. Ace composer Anil Biswas never liked Rafi’s singing and he had openly passed a remark to that effect ( which,of course, he denied later). However whenever Anil ji called him to sing for him, Rafi always did it professionally, without indicating anything else. Similarly, C.Ramchandra, Roshan, Salil Chaudhari and R D Burman were also not amongst his fans, but he sang for them all, whenever called to do so.
Mohd. Rafi, on his part, had no enemies. He had a clash with leading singer Lata on two counts. One when Lata raised the Royalty issue and two, when Lata’s name came in the Guinness Book for 25000 songs. He however, patched up readily, when interested composers intervened, because his nature was not vengeful basically.
Rafi understood how a small singer would feel and he never refused or hesitated to sing with less known or small time singers( unlike Lata ). Thus Rafi sang with singers like Gandhari (Rane), Razia Begum (sister of actress Suraiya Zulfi), Chandbala, Chand Burke, Kumudini Dikshit, Malti Pandey, Paro Devi, Laxmi Roy ( Geeta Dutt’s sister and Pramod Chakravarty’s wife), Laxmi Shankar, Pramodini Desai Patkar,Nirmala devi, Ramola,Uma Devi, meena Kapoor,Pushpa Huns etc etc. Some of these became well known later on.
Rafi had sung with old timers like Rajkumari ( she was the first female playback singer to sing with him in his career), Zohrabai,Hameeda bano,Lalita Deulkar, Mohantara Talpade etc etc. However when these old timers eclipsed, he sang with the remaining major singers like Asha Bhosle ( 806 songs), Lata ( 344 songs ), Shamshad Begum ( 160 songs ), Suman kalyanpur ( 141 songs ) and also Geeta Dutt, Mubarak Begum, Sudha Malhotra, Usha Mangeshkar etc etc.
Rafi probably was the only male singer who sang for maximum number of father son pairs, viz:
Raj Kapoor- Randhir/Rishi Kapoor
Arun-Govinda
Mumtaz ali-Mehmood
Jayant- Amjad
Premnath-Prem kishen
Balraj-Parikshit
Agha- Jalal Agha
Jeevan- Kiran kumar etc etc
During his career Rafi saw many child stars graduating to adult Heroes. He sang for such actors like Suresh, Anant Marathe, Jagdeep,Vinod Mehra, Sachin, Mahesh kumar, Sudhir Kumar etc .
Among Heroes, he sang maximum songs for Shammi Kapoor-183 songs. In the film Basant, he sang 8 songs and in Kashmir ki kali, he sang 7 songs for Shammi kapoor. Rafi sang many songs for Dev and Dilip. For a long time Mukesh and Manna Dey were considered Raj Kapoor’s voice. Rafi sang 31 songs for Raj Kapoor – 7 solos and 24 duets. When Rafi first sang in the film Deedar for Dilip Kumar, Mehboob Khan told Dilip, ” This is your voice. Hereafter sing only in this voice.” Dilip followed the advice till he was lured by Kishore’s voice later on.
As far as Music Directors are concerned, Rafi sang maximum songs for Laxmikant Pyarelal, 369-186 solos, followed by Shankar Jaikishan, 341-216 solo. Surprisingly third number is Chitragupta with 247 songs, Ravi-235, R D Burman-222, O P Nayyar-197-57 solos, Naushad- 149-81 solos and Usha Khanna-114 songs.
Mohd. Rafi respected Chitragupta very much and had always given priority to his recordings. Rafi had said that he truly enjoyed singing Chitragupta’s songs due to their melody.
Of all the singers ( including Saigal) who sang Hindi songs, I consider Rafi a complete, versatile and perfect singer. He was, additionally, a very religious, honest, simple and kind person.
Film Ghunghat-46 was a social film made by Prakash Pictures. Directed by Dr. Shanti Kumar, its music was composed by Shankar rao Vyas, the favourite MD of the prakash Pictures. The cast of the film was Nirmala, Arun Ahuja, Ramesh Sinha, Umakant, Leela Mishra and Khurshid Jr.
Khurshid Jr. – the film’s Heroine – was the eldest daughter of Master Ali Baksh, Music Director and Iqbal Begum, film artiste and one time a famous and popular stage artist of Madon, Alfred and other Drama companies in the Eastern India. The family actually belonged to Sargodha in Punjab, but Khurshid was born in Bombay on 10-4-1930. Being born in a filmi family, the atmosphere was very conducive for Khurshid to join films.
After getting school education upto 12 years of age, she entered films. Her first film was Zameen-43 as a side Heroine. Then came Minerva’s Dr. Kumar-44 and Naghma E Sehra-45 – in which she was the Heroine of Master Vithal. Due to her good acting skill, there was no shortage of film offers. She had to add Jr. to her name , as there was a more famous actress singer Khurshid Bano, already in the film line, in the same period.
Khurshid’s younger sisters Baby Meena (later Meena Kumari) and Baby Madhuri Later actress Madhu- Mehmood’s wife) were also working in films. Khurshid Jr. married her handsome co-star Altaf. who did few films as a Hero but then shifted to side roles soon. After Partition, the couple considered shifting to Pakistan, but decided to stay here as both of her sisters were here and doing better.
As long as Meena Kumari was alive, they were comfortable, but after her demise, they became helpless and went down financially. They had to live in smaller tenement and roles also dwindled. Khurshid Jr. acted in 65 films. Her last film was Oh Bewafa-80. Altaf acted in just 21 films from Sipahi-41 to Pakiza-71. Even Khurshid had also acted in it.
Here is a duet of Nirmala and Mohd. Rafi from this film. Enjoy.
Song-Bhool jaa apne geet puraane naye taraane gaaye jaa (Ghoonghat)(1946) Singers-Nirmala Devi, Rafi, Lyrics-Ramesh Gupta, MD-Shankar Rao Vyas
Both
Both + Chorus
Lyrics
Laa
lalalalaalalalalaa
lalalalalaa
haan gaaye ja gaaye ja gaaye ja
bhool ja apne geet puraane
naye taraane gaaye ja
bhool ja apne geet puraane
naye taraane gaaye ja
door gaye vipda ke baadal
sukh ka sooraj aaya
sukh ka sooraj aaya
nayi umangen nayi tarangen
nayi raushni laaya
nayi raushni laaya
tu bhi apne armaanon ki dunia nayi basaaye ja
basaaye ja basaaye ja
bhool ja apne geet puraane
naye taraane gaaye ja
bhool ja apne geet puraane
naye taraane gaaye ja
chali hawa lahraati gaati
mahak uthi phulwaari
mahak uthi phulwaari
chali hawa lahraati gaati
mahak uthi phulwaari
mahak uthi phulwaari
jhoom rahi hai aaj meri aasha ki daari daari
jhoom rahi hai aaj meri aasha ki daari daari
naach naach mere man mor
naach naach mere man mor
?? milaaye ja milaaye ja milaaye ja
bhool ja apne geet puraane
naye taraane gaaye ja
laa
lalallalalalala
laalllaa
lalalala
gaaye ja gaaye ja gaaye ja
bhool ja apne geet puraane
naye taraane gaaye ja
bhool ja apne geet puraane
naye taraane gaaye jaa
door gaye vipda ke baadal
sukh ka sooraj aaya
sukh ka sooraj aaya
nayi umangen nayi tarange nayi roshni laaya
nayi roshni laaya
tu bhi apne armaanon ki
dunia nayi basaaye ja basaaye ja basaaye ja
gaaye jaa
gaaye jaa
gaaye jaa
gaaye jaa
gaaye jaa
gaaye jaa
Jab hum jawaan honge
Posted February 9, 2021
on:This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4589 | Post No. : | 16212 |
Hullo Atuldom
“Atulsongaday”- our favourite blog- is 16200+ posts old. We are still discovering popular songs and exclaiming ‘how come this has not yet been posted’. The song with this post is one that will get similar thoughts in the minds of the regular followers.
It is from a movie that I saw in the theatres at the time of its release and fell in love with its lead actors. Of course, falling in love with the moving images on the silver screen is something that I have been a victim of since “Seeta aur Geeta”, “Aradhana” and all the other movies that fall in my list of personal favourites. Small wonder then that I liked what I saw in “Betaab” and it is in the list of movies that I see every time I come across it. Also, the young star-crossed couple that Amrita Singh -Sunny Deol portrayed looked every bit in love with each other, that means they are good actors who did justice to Rahul Rawail’s (the director) judgement in casting them. Finally, ‘star-crossed lovers’ has always been a hit-formula in Indian movies and I am a fan of that formula since “Bobby”.
“Betaab” (1983) was produced by Vijayta Films which is essentially Dharmendra’s production house and Bikram Singh Dehal was the producer. Javed Akhtar was the writer, Anand Bakshi the lyricist and RD Burman was the music director. Shabbir Kumar (for whom this was a breakthrough movie) and Lata Mangeshkar were the playback singers. Nirupa Roy and Shammi Kapoor played parents, Prem Chopra the spoilsport, and Annu Kapoor, Birbal, Sunder etc were in supporting roles.
Interestingly, there is a scene in the start of the movie, where Amrita Singh (Roma Singh/Dingy in the movie) goes to fill petrol and the person who played the petrol pump attendant was actor Sunder’s son. That scene was to show the haughtiness of Roma’s character who later gets tamed and toned down after falling in love with Sunny. The two families are shown to be old-time friends who part ways and when Sunny’s family falls on bad times, Roma’s father, Shammi Kapoor, doesn’t acknowledge them as now they are on different economic levels. The movie travels the usual path of the lovers revolting against the tough father and his restrictions etc. and eventually getting back together for an ‘all is well’ ending.
Amrita Singh, who was a debutant in “Betaab” alongwith Sunny Deol, has her birthday today. And she is not a lady who hides her age and has been bold enough to act in all types of roles. She was amazing as a selfish sister in Deepak Sareen directed and Yash Chopra produced “Aaina” in 1994 and that fetched her the best supporting actor award. She has also enacted a negative character in the television serial “Kaavyanjali” and won an award there too. I saw the movie “2 States” in 2014 just to see her and Revathi (of south films), two actresses of the 80s and 90s whose work I enjoy.
Amrita was a heroine i.e playing a girl in love; screaming when the villain walks in; trying to get in the good books of the hero, his mother and other sundry family members in many of her initial movies. At the same time, she also tried her comic timing in “Chameli Ki Shaadi”; played a girl jilted by her man and still going ahead to give birth to his son in “CID” (1990) where Vinod Khanna was her hero. She has been paired with Amitabh Bachchan, Jeetendra, Vinod Khanna, Rajesh Khanna, Rajnikant, Raj Babbar, Rishi Kapoor, Anil Kapoor, Sunny, Sanjay Dutt, Jackie etc. of the next generation. When she co-starred with Shahrukh Khan in “Raju Ban Gaya Gentleman” she played a grey character and with Salman Khan in “Suryavanshi” she played the wandering ‘atma’ (soul) of a departed princess who is waiting to be re-united with her lover. She has had the guts to play a totally heartless businesswoman in “Kalyug” (2005) which was all about secret cameras, porn videos and international rackets dealing with these crimes. She had a break in her career when she married Saif Ali Khan in the 90s, had kids etc. She returned to face the camera with “23rd March 1931: Shaheed” as Bhagat Singh’s (played by Bobby Deol) mother. Her daughter Sara has made her debut in Bollywood through “Kedarnath” in 2018.
Here is wishing Amrita Singh all happiness and success in her future ventures too with this song that was her debut in Bollywood. This song appears in parts in the movie with the two also running around as kids when this song plays in the background (just remembered this bit.)
Audio
Video (shorter)
Video (last stanza only)
Song-Jab hum jawaan honge (Betaab)(1983) Singer-Lata, Shabbir Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
o o o o
o o o o
o o o o
jab hum jawaan honge
jaane kahaan honge
jab hum jawaan honge
jaane kahaan honge
lekin jahaan honge
wahaan fariyaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
jaane kahaan honge
lekin jahaan honge
wahaan fariyaad karenge ae
tujhe yaad karenge
jab hum jawan honge
yeh bachpan ka pyaar agar kho jaayega
dil kitna khaali-khaali ho jaayega
yeh bachpan ka pyaar agar kho jaayega
dil kitna khaali-khaali ho jaayega
tere khayaalon se ise aabaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
jaane kahaan honge
lekin jahaan honge
wahaan fariyaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
hahaha
hahaha
aise hansti thhi woh aise chalti thhi
aise hansti thhi woh aise chalti thhi
chaand ke jaise chhupti aur nikalti thhi
aise hansti thhi woh aise chalti thhi
chaand ke jaise chhupti aur nikalti thhi
sab se teri baaten tere baad karenge ae
tujhe yaad karenge
jab hum jawaan honge
jaane kahaan honge
lekin jahaan honge
wahaan fariyaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
aa
aa aa aa
aa aa
aa aa aa
tere shabnami khwaabon ki tasveeron se
teri reshmi zulfon ki zanjeeron se ae
tere shabnami khwaabon ki tasveeron se
teri reshmi zulfon ki zanjeeron se
kaise hum apne aap ko aazaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
jaane kahaan honge
lekin jahaan honge
wahaan fariyaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
zeher judaayi kaa peena pad jaaye toh
bichhad ke bhi hum ko jeena pad jaaye toh
zeher judayi kaa pina pad jaye toh
bichhad ke bhi hum ko jeena pad jaaye toh
saari jawaani bas yoonhi barbad karenge ae
tujhe yaad karenge
jab hum jawaan honge
jaane kahaan honge
lekin jahaan honge
wahaan fariyaad karenge ae
tujhe yaad karenge
jab hum jawaan honge
Main hoon chandaa ki chhori
Posted February 3, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4583 | Post No. : | 16197 |
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Blog 10-Year Challenge (2011-2021) – Song No. 8
——————————————————————————
This day ten years ago (viz February 2011) saw six songs from six different movies getting covered in the blog. Here are the details:-
Blog post number | Song | Movie | Year | Remarks |
---|---|---|---|---|
3489 | Halke halke chalo saanwre | Taangaawaali | 1955 | 7 songs covered out of 9. Remaining songs not available |
3490 | Hain pyaar ke do matwaale | Apraadhi Kaun | 1957 | All songs covered by now |
3491 | Ye hawaa ye nadi ka kinaaraa | Ghar Sansaar | 1958 | All songs covered by now |
3492 | Ye kaisi deewaar hai duniyaa | Batwaaraa | 1961 | All songs covered by now |
3493 | Baahon ko zaraa lehraa de | Kabhi Andheraa Kabhi Ujaalaa | 1958 | 6 songs covered out of 9 |
3494 | Ang se ang lagaa le | Elaan | 1971 | 3 songs covered out of 5 |
Ten years later, three movies whose songs were covered in the blog have been YIPPEED. Songs from the other three unYIPPEED movies can only be covered as part of Blog Ten Year Challenge today. Out of these three eligible movie, balance songs of “Taangaawaali” (1955) are not available. That leaves us ith “Kabhi Andhera Kabhi Ujaala”(1958) and “Elaan”(1971) as the only two movies hose songs arae available and can be taken up for discussion today.
“Kabhi Andhera Kabhi Ujaala”(1958) was produced by S Ajit Singh and directed by C P Dixit for Mehtab Films Private Limited, Bombay. This movie had Kishore Kumar, Nutan, Shekhar, Chitra, Lalita Pawar, K.N.Singh, Yakub, Madan Puri, Tuntun, Chhotu, Dubey, Kesri, Helen, Kumkum etc in it. The movie introduced Rati(aka T.Krishna Kumari of South Indian film industry) in it.
The movie had nine songs in it. Six spngs have been covered so far. Here are the details:-
Blog post number | Song | Date of posting | Remarks |
---|---|---|---|
3493 | Baahon ko zaraa lehraa de | 3 February 2011 | Manna Dey-Asha Bhonsle duet |
4326 | Surma mera niraalaa | 4 August 2011 | Kishore Kumar solo |
9844 | Ladaaye sainyya naina to bada maza hoye | 24 May 2014 | Asha Bhonsle solo |
9855 | Ajab hamaari hai zindagaani | 28 May 2014 | Asha Bhonsle solo |
12366 | Zara sone de baalam main jaagi saari raat | 11 September 2016 | Asha Bhonsle solo |
14858 | Bhagwaan tujhe rote huye dil ne pukaara | 28 January 2019 | Asha Bhonsle solo |
The song from “Kabhi Andhera Kabhi Ujaala”(1958) under discussion here is sung by Asha Bhonsle and Shamshad Begam. Majrooh Sultanpuri is the lyricist. Music is composed by O P Nayyar.
Only the audio of the song is available. I request our knoledgeable readers to thro light on the picturisation of the song.
Lyrics of this song ere sent to me by Prakashchandra.
Song-Main hoon chanda ki chhori (Kabhi Andhera Kabhi Ujaala)(1958) Singers-Asha Bhonsle,Shamshdad Begum, Lyrics-Majrooh Sultanpuri, MD-O P Nayyar
Lyrics(Provided by Prakashchandra)
main hoon chanda ki chhori
arrey chhori
rangat hai meri gori
gaalon pe kaala til hai ae
gori tere mukhde pe
mukhde pe
iss chanda ke tukde pe
chhotaa sa mera dil hai ae
main hoon chandaa ki chhori ee ee
naazuk dil waali hoon
dekho na tann ke
hoyye hoyye hoyye ae ae
chupp chupp ke aayi hoon
shabnam si bann ke
hoyye hoyye hoyye ae
nazar ko apni rok ley
aaa aaa aaa aaa hhaaa
nazar ko apni rok ley
kahin koyi na dekh ley
main hoon chanda ki chhori
arrey chhori
rangat hai meri gori
gaalon pe kaala til hai ae
main hoon chandaa ki chhori ee ee
ruk jaa doley kaahey
yoon machli machli
hoyye hoyye hoyye ae
itnaa to batlaa jaa o bann ki titli
hoyye hoyye hoyye ae ae
dilon se kaahey door hai
ho o ho o ho o o o o hoyye
dilon se kaahey door hai
nashe mein kis ke chhoor hai
gori tere mukhde pe
mukhde pe
iss chanda ke tukde pe
chhotaa sa mera dil hai ae
main hoon chanda ki chhori
arrey chhori
rangat hai meri gori
gaalon pe kaala til hai
gori tere mukhde pe ae ae
- In: Alka Yagnik Song | Duet | Guest posts | Kumar Sanu Song | Kumar Sanu-Alka Yagnik duet | Post by Peevesie's mom | Song picturised abroad | Song picturised in at well known locations | Songs of 1990s (1991 to 2000) | Songs of 1998 | Songs picturised at well known locations | Songs picturised in cities | Theme song | Title song | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4580 | Post No. : | 16193 | Movie Count : |
4406 |
Hullo Atuldom
We are on the last date of the first month of the 21st year of the 21st century.
January happens to be a cold month in the northern hemisphere of the earth. And India is in the middle of having winter which is characterized by fog, mist, cold winds etc depending on the Latitude that one resides on. When I used to be in Mumbai, the closest I came to experiencing ‘Sardi’, ‘Thandi’ etc was in the last week of December or first week of January. That too in the morning hours, till about 8 o’clock, then the thermometer would read round about 27 and 30 degrees Celsius during the day. I don’t remember seeing fog or mist there, but I had different climatic experiences once we shifted to Bangalore. I have seen all winter related features which last from November to January end with temperatures dropping to 10 degrees etc. Now in my current station, which is in the midst of lots of greenery and away from the hustle bustle of city-life, though the temperature did not touch 10 degrees on any day, we have been experiencing thick fog, cold winds, cold floors, etc.
All this talk of winter and cold climate, in addition to sharing pictures of fog with friends and family reminded me of a whole set of songs:- ‘jab chali thandi hawa’, ‘thandi hawaa yeh chaandni suhaani’, ‘thandi hawaa kaali ghaata aa hi gayi jhoom ke’, ‘thandi hawaayen lehraake aayen’, ‘thandi thandi hawaa mein dil lalchaaye’, ‘mujhko thand lag rahi hain’ etc etc.
The songs that I have mentioned are all popular numbers from their times. But the movies of the new century are no different. They also have songs where the different characters are reacting to cold climates with lots of guts- it takes a lot of guts to shoot these songs in cold climates, with snow etc for added effect and in costumes that are of the thinnest fabric possible like chiffon, lace etc. (Possibly the only climate appropriate dressing was Saira Banu in ‘Junglee’ and some other heroines of the ’60s and Hema Malini in a few movies of the ’70s, recently I re-saw “Dost”.) For further enhancement of the scene we may even see short dresses with long boots. My sympathies with all the female actors who have done those songs and scenes. And what do the male actors wear in such songs- long coats, mufflers, gloves etc.
In the build up to this post I recalled a 23 year old song. This song was shot in the cold climes of Australia. I had mentioned this movie to fellow-atulites, on our WhatsApp group last week, when the India- Australia cricket series was on. The uniqueness about this song is the heroine is dressed in climate appropriate clothes and we have the hero trying to be MANLY and showing of his biceps etc in half-jacket and jeans. I also read the heroine reminiscing about how the actor was shivering during the shoot.
I am talking of Preity Zinta and Bobby Deol. The movie was “Soldier” which was released in 1998. It was produced by Ramesh Taurani of Tips Records and directed by the director-duo: brothers Abbas-Mustan. It had Anu Malik as music director and Sameer was the lyricist. It was the third highest grossing album of 1998 behind “Kuch Kuch Hota Hai” and “Dil Se”.
This was Preity Zinta’s debut movie though she had signed “Kya Kehna” before this. “Dil Se” and “Soldier” have billed Preity Zinta as debutant; Preity had a supporting role in “Dil Se”. She was born in Shimla on 31st January. So today is her Birthday. Last I had written a post for her birthday was when she turned 40.
She has taken a sabbatical from acting a few times since 2009 for the sake of her IPL team. She has married her long-time American partner in 2016. In her career of almost 25 years, she has acted with all the top actors of the ’90s and later years. She has also acted in a movie with Amitabh Bachchan and Anil Kapoor where her character was negative and Schizophrenic. She was praised for her portrayal of the character. She also appeared alongside The Big B in an English language film that was directed by Rituparno Ghosh “The Last Lear” in 2007, this was a film-inside-a-film drama. She has also played the traditional glamorous actress in movies. She has shared screen space with top actresses like Madhuri Dixit, Rani Mukherjee etc too.
Today’s song is to wish Bobby Deol too, even if belatedly for his birthday which was on 27th, he turned 52. Born as Vijay Singh Deol into the film industry as the youngest child of Dharmendra and Prakash Kaur. He first faced the camera when he was 5 or 6 year old as the baby Dharam in “Dharam Veer” (1977). His first adult role was in “Barsaat” (1995) where another star-child Twinkle Khanna made her debut. He has one more “Barsaat” (2005) in the list of his films. He has appeared in a few mutli-starrers and also shared screen space with his father and brother in a few of their home productions. The “Yamla Pagla Deewana” series was good to see due to the Deols even if the story was lame, tame or weak. It is always entertaining to see the Deols.
Song-Soldier Soldier meethhi baaten bol kar (Soldier)(1998) Singer-Alka Yagnik, Kumar Sanu, Lyrics-Sameer, MD-Anu Malik
Chorus
Lyrics
laaaa lalala laaa
lalala laaa laa laa la
hmmm hmm hmm hmm
he he he he he
lalala laaa laa laa la
ku ku ku ku ku
ku ku ku ku ku ku ku
kuu kuu kuu kuu kuu
oooo
yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar,
aage peechhe dol kar
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa aa
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa aa aa aa
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa
oooo
yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar
aage peechhe dol kar r r
soldier soldier
meethi baatein bol kar
dil teraa udaa le gayaa
na na na meri haan ban gayi
tu tu tu meri jaan ban gayi
aji kyun kyun kyun
mujhe pyaar ho gayaa
yun yun yun
iqraar ho gayaa
qasam se tu badaa jhoothaa
hooo sanam tune mujhe loota
hooo yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar,
aage peechhe dol kar r r
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa
kuku ku ku ku ku
aa aa aa
mere paas toh zaraa
jaa jaa jaa
koi pyaas na jagaa
kyaa kyaa kyaa
koi dard uthha kyaa
haan haan haan
mera haal hai buraa
tujhe aaye koi jaadu
mera mujh pe nahi qaabu
hey yoon milaake nazar,
kar ke jaadugari
deke dard-e-jigar,
aage peechhe dol kar r r
soldier soldier
meethhi baatein bol kar
dil teraa udaa le gayaa
soldier soldier
meethhi baatein bol kar
dil tu churaa le gayaa aa aa
soldier soldier
meethi baatein bol kar
dil teraa udaa le gayaa aa aa
Uff na karnaa
Posted January 30, 2021
on:This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Blog Day : |
4579 | Post No. : | 16189 |
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Blog 10-Year Challenge (2011-2021) – Song No. 6
——————————————————————————
As many as six songs from six different movies were covered on this day ten years ago (on 30 January 2011). Here are the details:-
Blog Post number | Song | Movie | Year | Remarks |
---|---|---|---|---|
3465 | Jab tumne muhabbat chheen li | Amaanat | 1955 | YIPPEED by now |
3466 | Lelo sone ka laddoo Multi part song | Paisa Hi Paisa | 1956 | 5 songs covered out of 10 |
3467 | Dil hai ye tera dil tu liye jaa | Ghulaam Begam Baadshah | 1956 | 3 songs covered out of 6 |
3468 | O mere bichhde balam (Mr John) | Mr John | 1959 | 3 songs covered out of 6 |
3469 | Jhoom jhoom kar chali akeli | Taj | 1956 | YIPPEED by now |
3470 | Aankhon mein tum dil mein tum ho | Half ticket | 1962 | YIPPEED by now |
Three movies have since been YIPPEED in the blog. Songs from three movies are eligible for Blog Ten Year Challenge today. One of these movies (Mr John-1959) has already been covered today.
“Paisa Hi Paisa”(1956) is another eligible movie for Blog Ten Year Challenge today. This movie was directed by Mehrish for Mehboob Productions Limited, Bombay. The movie had Kishore Kumar, Shakila, Radhakishan,Muqri,Zul Velani,Murad, Sham Kumar, Amar Kumar, Kumud Tripathi, Mala Sinha, Husn Bano, Haroon, Siddiqui, P.Bali etc in it.
The movie had ten songs in it. Five of these songs (including one multiple version song) have been covered in the blog. Here are the details:-
Song | Date posted |
---|---|
Lelo sone ka laddoo Multi part song | 30 January 2011 |
Paise ka mantar paise ka jantar | 10 May 2011 |
Pyaar kiya jhhakhh maari | 20 December 2014 |
Bas ek tum bin kal na pade | 19 November 2016 |
As part of Blog Ten Year Challenge, here is the sixth song from “Paisa Hi Paisa”(1956). The song is sung by Asha Bhonsle and Rafi. Majrooh Sultanpuri is the lyricist. Music is composed by Anil Biswas.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Lyrics of this song were sent to me by Prakashchandra.
Song-Uff na karna (Paisa Hi Paisa)(1956) Singers-Asha Bhonsle, Rafi, Lyrics-Majrooh Sultanpuri, MD-Anil Biswas
Lyrics
uff na karnaa aaa aaa aaa
aaa aaa aaa aaa
tum mohabbat meri badnaam na ho o o o
aaj ulfat ka zamaane mein kahin
aaaa aam na ho o o o o
pee jaa agar aansoo bahey
hotaa hai gham hota rahey
pee jaa agar aansoo bahey
hotaa hai gham hoha rahey ae
honay bhi de honay bhi de honay bhi de
pee jaa agar aansoo bahey ae
o o o o
o o o o
o o o
o o o o o
o oo o o o
ek jaan aur laakhon sitam
betaab hain rone ko hum
ek jaan aur laakhon sitam
betaab hain rone ko hum m
roney bhi de roney bhi de roney bhi de
ek jaan aur laakhon sitam
o o o o
o o o o
(aakshi)
ae balma khisak jaa aaj tu
varnaa lutegi aabroo
balma khisak jaa aaj tu
varnaa lutegi aabroo
lutegi aabroo
balamaa lutegi aabroo
chal de yahaan se uff na kar
aayaa karey munh ko jigar
chal de yaahaan se uff na kar
aayaa kare munh ko jigar r
aaney bhi de aaney bhi de aaney bhi de
chal de yahaan se uff na kar
o o o o
o o o o o
o o o o o o
teraa hi dum bhartaa hoon main
marne se kab dartaa hoon main
teraa hi dum bhartaa hoon main
arrey marne se kab dartaa hoon main
nahin dartaa hoon main
sajaniyaan (haa)nahin dartaa hoon main
dekho idhar ye main chalaa
hatt jaa aree duniyaa zaraa aaa
jaaney bhi de jaaney bhi de jaaney bhi de
dekho idhar ye main chalaa
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Blog Day : |
4578 | Post No. : | 16187 |
“Mummy Daddy”(1963) was directed by Narendra Dave for Golden Movies, Bombay. This “social” movie had Ameeta, Sudesh Kumar, Lalita Paar, Tiwari, Maruti, Manorama, Niranjan Sharma, Jagdeesh Kanal, Rajendra Singh, Jamal, Satish, Shamlal, Rajnath, R P Sharma, Nadir, Mansaram, Amrit, Baby Chaand, Ravikant, Nazeer Kashmiri, Narbada Shankar, Rata Gaurang, Madhumati, Meera Parel, Rajni, Burhan, Bihari, R P Kapoor, Hari Sharma, Chanda etc in it.
The movie had six songs in it. One song has been covered in the past.
Here is the second song from “Mummy Daddy”(1963) to appear in the blog. The song is sung by Mukesh and Lata. Prem Dhaan is the lyricist. Music is composed by Chitragupta.
Only the audio of the song is available. My guess is that the song was picturised on the lead pair of Sudesh Kumar and Ameeta. Nevertheless, I request our knowledgeable readers to thro light on the movie as well as on the picturisation of this song.
Song-Aisa nahin hoon aji main main aisa nahin hoon(Mummy Daddy)(1963) Singers-Mukesh, Lata, Lyrics-Prem Dhawan, MD-Chitragupta
Lyrics
aisa nahin hoon aji main aisa nahin hoon
aisa nahin hoon aji main aisa nahin hoon
tujhe keh doon main apna phir haath tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
aisi nahin hoon aji main aisi nahin hoon
teri hoke main sajna jo saath tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
pyaar mera kaise duniya mitaayegi
yaad teri dil se mere jaane na paayegi
pyaar mera kaise duniya mitaayegi
yaad teri dil se mere jaane na paayegi
tujhse karoon waada
tujhse karoon waada
phir aap usey tod doon
aisa nahin hoon aji main aisa nahin hoon
aisa nahin hoon aji main aisa nahin hoon
dekhiye zamaana humko sataayega
aap mere saath hain to kya wo jalaayega
dekhiye zamaana humko sataayega
aap mere saath hain to kya wo jalaayega
darr ke zamaane se
darr ke zamaane se
jo pyaar tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
aisi nahin hoon aji main aisi nahin hoon
aap agar bolen haazir ye jaan hai
pyaar mein jo aisa kahe wo to naadaan hai
aap agar bolen haazir ye jaan hai
pyaar mein jo aisa kahe wo to naadaan hai
tod ke ye naata
tod ke ye naata
jo aur se main jod doon
aisa nahin hoon aji main aisa nahin hoon
aisa nahin hoon aji main aisa nahin hoon
teri hoke main sajna jo saath tera chhod doon
aisi nahin hoon aji main aisi nahin hoon
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