Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Duet’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5365 Post No. : 17594

Today’s song is from a religious film ” Raami Dhoban”-1953. It is described and classified as a ” Bhakti Pradhan” (भक्ती प्रधान ) Genre film in HFGK.

Those who own copies of HFGK, know that every film that is featured herein is classified and described to which genre it belongs to – like Historical, Social, Comedy, Stunt, Folklore, Imaginary, Costume, Mythological, Mystery etc etc. To indicate ‘ Dharmik’ films, 2 Genres are used. One is Mythological (पौराणिक ) and the other is Religious (भक्ती प्रधान ). Now, what is the difference between these two ? The difference is about the source of the story. All stories from Ramayan, Mahabharat and all Puranas are classified as Mythological and all other stories about the Bhaktas, Saints, Folkstories and stories about The god and the religion carried through generations and storybooks are listed as Religious films. Thus, a film on Ramayan story or Waman Avtar is Mythological and a film on Dussehra or Yatrik is called Religious. I hope this point is clear now.

Today’s film Raami Dhoban-1953 is a Religious film or भक्ती प्रधान film. This is because this story is not from any Holy Scripture but it is a Folklore carried through generations and religious books. In Hindu religion there are 2 ‘DHOBANS’ (washerwomen), who were famous. One was who came in the Uttarakhand part of Ramayana , whose husband refused her entry into his house stating that he is not Shri Ram to forgive her night out somewhere else, like Seeta. This had led to the exile of Seeta etc. The second Dhoban was during the 15th Century, in Bengal, where her love story with a Vaishnav Priest-Chandidas was compared to love of Radha and krishna. In those times this love affair of a Vaishnava invited a lot of criticism also.

For a long time since the ” Bhakti Movement” in India, in the period from the 6th Century to the 17 th Century, the disputes between the ‘ Shaivas’ and the ‘Vaishnavas’ virtually divided the educated classes all over the country. They are clearly identified from their Tilak on the forehead. V Shaped perpendicular Tilak on the forehead (as on Balaji) means ‘ Vaishnav’ and the 3 lined horizontal Tilak on forehead (like Shiv ji) means ‘Shaiva’. These followers of Vishnu and Shiv, once upon a time were quite diehards, but in today’s modern era most people neither know the difference nor they care two hoots !

The story of Raami Dhoban is not new to Hindi films. Calcutta’s New Theatres had made a film in Banglea – Chandidas in 1932 on this story. A Hindi remake of this film was made as Chandidas in 1934, with Saigal and Uma Shashi. R.C.Boral had composed excellent songs in it ( famous song was ‘ Prem nagar mein basaungi ghar main’). The same story was made into today’s film Raami Dhoban-1953. The producer Ramesh vyas made this film under his own banner-Navkala Niketan, bombay. The film was directed by Hiren Bose and the music director was also Hiren Bose !

There are rare cases in Hindi films where the director and the composer are the same for a film. During the 1930’s it was Pt. Badri Prashad (2 films) and in the 1940s it was Pt. S.N.tripathi (18 films), who were directors as well as composers of their some films. After these 3 cases, I have not known any other such case in Hindi films. Perhaps there were no multifaceted artistes anymore in the film industry, like the oldies.

Hiren Bose was actually the Mentor of Anil Biswas. On his suggestion and help only he shifted to Bombay from Calcutta. While film music crossed several barriers, the films themselves proved to be a mix of experts from every corner of India. Hindi films have actors, Directors and composers from almost every state. In this, however, Bengal has taken a lead in providing the raw material.

Several well known actors came from Bengal. Many Directors like Bimal Roy ,Hrishikesh Mukherjee, Nabendu Ghosh, Basu Chaterjee, Basu Bhattacharya, Shakti Samant, Amiya Chakravarty, Gyan Mukherjee etc. enriched the Hindi cinema. Music directors who came from Bengal like, Hemant Kumar, Salil Chaudhari, S D Burman, Anil Biswas, K C Dey, Pankaj Mullik etc provided us wonderful everlasting music. Most of the directors and composers from Bengal are well known to most of us,but there was ONE name that appeared in many categories like Actor, Director, Story writer, S/Play writer, Lyricist, and Composer too, yet that name is as obscure today as it can be !

That name is HIREN BOSE ( Hirendra Kumar Bose).

Born in Calcutta on 26-9-1903,Hiren completed his college education and learnt classical music & Rabindra sangeet to such proficiency that soon he earned titles of “Vidya Bhushan” and “Sangeet Ratna “. He wrote in Bengali papers and for Bangla films too. In the years 1928 to 1932, Hiren had joined HMV as a Music Director. Here he became a close friend of Kazi Nazrul Islam and Dhiren Das. Both Kazi and Hiren wrote lyrics for songs in HMV .

Around 1929,a new , young and attractive singer came to HMV. Her name was KANAN BALA. She came for recording songs. Soon the handsome Hiren cast his spell on Kanan and she started considering him as her mentor in HMV. They were a quartet of friends, Kanan, Hiren, Kazi and Dhiren. In HMV Kanan recorded many songs set to tune or written by Hiren Bose. In 1932,this team left HMV, on the issue of Royalty and joined the newly formed Megaphone Recording company. Here too after 2 years, this team left Megaphone and joined Columbia recording company. By 1934,Hiren wrote in his autobiography- JATI SMAR (My memories)-later that he had lost interest in Kananbala.

Hiren’s eyes were now set on a bigger Horizon -BOMBAY. he knew that remaining in Calcutta may not be suitable for him. Meanwhile he had met another Struggler, ANIL BISWAS. Hiren advised him to go to Bombay for a brighter future and also promised him all his help. Although, by then ANIL BISWAS was comfortably placed in Calcutta, he left for Bombay as per Hiren’s advice. Hiren Bose was a highly respected name in the musical circles of Calcutta.

Hiren started working in Bombay. His fame as a versatile film person had already reached Bombay and he had no difficulty in getting work there. Hiren directed Dharam ki Devi-35, followed by Piya ki Jogan-36 and then Mahageet 1937. As per his promise he gave a chance to Anil Biswas to give music,independently to DHARAM KI DEVI-1935. As such earlier he had composed a song in Bharat ki Beti-35- “Tere poojan ko Bhagwan” sung by Rattan bai. But then he had shared the Music direction with Zande Khan. That song had become quite popular then.

Hiren Bose was very fond of acting in films and he also acted in MAHAGEET-1937. It was in this film that Anil Biswas FIRST introduced playback singing in a Bombay film. (In Calcutta R C Boral had started playback in 1935 itself). The FIRST ever Playback song in this film was ” Jeevan hai ek kahani, Duniya bhi hai ek kahani ” . It was sung by Anil Biswas and was filmed on Hiren Bose on the screen. Thus Hiren Bose’s name became a Historical name in Bombay film industry. This was, Anil Biswas repaid the debt of Hiren Bose, in helping him to get established in the Bombay Music field.
(Ref- ‘The early composers- Music beyond Boundaries by Dr. Ashok Ranade pp 183-186).

After Mahageet, Hiren Bose got an offer from Madras to direct a Telugu film- Bhakta Jaydev-1938,which he did successfully.
Hiren Bose kept on shuttling between Bombay and Calcutta, doing some films here and some there. He also acted in some Bangla films during that period. He was so versatile in many departments that he did acting, directing, lyrics, singing, and composing. His complete Filmography is not available but some details are available.
As a Director 15 films are to his credit- Chup-31, Mahua-34, Dharm ki Devi-35, Piya ki Jogan-36, Mahageet-37, Bhakta jaidev-38, India in Afica-39, Amar Geeti-40, Kabi Joydeb-41, Daasi-44, Banjarey-48, Sree Tulsidas-50, Ghungroo-52, Raami Dhoban-53 and Ektara-57.

He acted in Rishir prem-31, Chup-31, Udayer pathe-44, Towards the Light-44, Sesh Raksha-44 and Mahageet-37. As a writer- Meerabai (s/Play and story)-32 and Rajrani Meera(story)-33. As a composer- India in Africa-39, Kabi Joydeb-41, Raami Dhoban-53.

After directing his last film Ektara in 1957, Hiren Bose lived a retired life. His last few years were mostly unhealthy and he spent time writing lyrics for geets in Bangla which were usually sung by Hemant Kumar, Kanan Bala and Suprova sarkar. Hiren Bose died on 18-6-1987 and one of the most versatile, multifaceted and multilingual artiste disappeared forever….

The story of the love between Chandidas and Raami was not an ordinary one. The other day I found this story on speakingtree.in, on the internet. Here it is….

Chandidas was the son of a Brahman priest. He was very handsome, charming and of a quiet countenance, but was forever lost in some world of his own. His father, tired of him, died, and Chandidas was forced to succeed him as the purohit of the local temple of a goddess.

Chandidas’ heart was never into these frivolities. He was devoted to Lord Krishna immensely. Then, one day, as he was sitting silently on the banks of the river in their village, his heart filled with sadness and disillusionment at the world. Legend has it that the Devi of the temple of their village appeared there, and told him that he would become a great poet and philosopher.

Then, when he was returning, he beheld a washerwoman washing clothes. When she got up, the two looked at each other, and it was love at first sight.

Chandidas thought that Rami, the washerwoman, was divinely beautiful. She was the source of strength and courage to him, just as Radha had been for Krishna. And this marked the beginning of Chandidas’ poetry.

Chandidas’s brother, who was ashamed of Chandidas because of his romantic involvement with the low-caste Rami, forced him to take part in a shudhikaran ceremony and purge himself of the sin of Rami’s touch. But just at that moment, Rami came, weeping and struggling as guards stopped her. ‘Chandithakur, would you leave me forever for society? Do I have just this much value for you?’

Chandidas was put in a dilemma. Here was the woman he loved like no one else, who always stood by him when people turned on him. And on the other side, the society his father had structured, and the people who revered his family, still stuck in social conventions and stupid rites and traditions.

Chandidas made his decision on the spot. He walked towards Rami, took her hand, and led her away from the village forever. They stopped at the house of Ganesha the singer, where Chandidas and Rami spent the rest of their lives singing hymns for Krishna and Radha.

Let us now enjoy the duet by two Bengali singers – Geeta Roy and Hemant kumar….


Song-Piya in charanan bali jaaun (Raami Dhoban)(1953) Singer-Geeta Dutt, Hemant Kumar, Lyrics-Rammurty Chaturvedi, MD-Hiren Bose
Both

Lyrics

piya aa aa aa aa aa
in charanan bali jaaun
piya charanan bali jaaun
jeewan maran janam janam inko na bhulaaun
jeewan maran janam janam inko na bhulaaun
piya charanan bali jaaun
in charanan bali jaaun

hamri ee ee lagan
tumhre charan aa aa aa a aa
laagi prem phaansi
hamri lagan
tumhre charan
laagi prem phaansi
tan man inpe nisaar
aaj bani daasi
tan man inpe nisaar
aaj bani daasi

sakhi ree ee ee ee ee
sun sun dhoban raami
sun sun dhoban raami ee ee
kaise main samjhaaun
kaise main samjhaaun
tere in sheetal charanan ki
chhaaya mein sukh paaun
tere in shital charanan ki
chhaaya mein sukh paaun
sharanan mein main aau

sharanan mein main aaun
sharanan mein main aaun
jeewan maran janam janam tumhaari preet paaun
jeevan maran janam janam tumhaari preet paaun


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5364 Post No. : 17592 Movie Count :

4729

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Debutante Movie-Bhagwaan Samaaye Sansaar Mein-1976)
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Today we get introduced to the ‘1976’ movie ‘Bhagwaan Samaaye Sansaar Mein’.

It was directed by Satish Kumar for ‘Jayshree Enterprises’. Babubhai N. Shah was the producer of this movie.

The cast of this movie included Kanan Kaushal, Ashish Kumar, Bharat Bhushan, Abhi Bhattacharya, Jeevan, B.M. Vyas, Satyadeep, Mohan Choti, Jayshree T., Lalita Kumari, Radheshyam, Chand Usmani, Anant Marathe, Tuntun, Sundar, Bhagwan Sinha, Moolchand, Ratna, Master Alankar, Baby Nilofar, Baby Rehana and others.

Story, screenplay and dialogues of this movie were written by Pt. R. Priyadarshi. Editing of this movie was done by Kamlakar.

‘Bhagwaan Samaaye Sansaar Mein-1976’ was passed by Censor Board on 12.11.1976.

This movie has six songs –all written by B.D. Mishra. Music for this movie was composed by Anil-Arun.
Mukesh, Mahendra Kapoor, Asha Bhonsle, Anuradha and Usha Mangeshkar had given their voices to the songs in this movie.

Here is the list of songs in this movie:-

SNo Song Title Singer/s
01 Bhagwaan samaaye sansaar mein Mukesh, Anuradha Paudwal
02 Jay jay Lakshmi maataa, tu sun le meri pukaar Anuradha Paudwal
03 Aur bairaagi ban anuraagi, main hoon niraali Asha Bhonsle
04 Meri laaj rahe nandlala Mahendra Kapoor, chorus
05 Aaj baba aayenge, ham paawan ho jaayenge Usha Mangeshkar
06 Paap na hone de dharti pe ye tera apmaan hai… dekh le aa ke apnaa jahaan Mahendra Kapoor, Anuradha Paudwal

Today we present the first song from this movie on the blog. This song is the title song as well as the ‘theme song’ of this movie which emphasizes the presence of God in everything that exists in this ‘mortal world’.

The first part of this song is played in the back ground when the titles of this movie are rolling on the screen.

This song is sung by Mukesh and Anuradha Paudwal. In the second part of this song we can see Jeevan (as Narad muni and disguising as Sadhu later) and Master Alankar lip-syncing this song in the voices of Mukesh and Anuradha Paudwal respectively. In this part the first stanza of the first part is repeated and added with another stanza. In the video we can also see other artistes and some child artistes too.

Picturisation of the third part shows Ashish Kumar lip-syncing in Mukesh’s voice and we can see many others listening to him.

The fourth part of this song is a sad version where we can see Kanan Kaushal and Ashish Kumar helping sick people and getting tired and exhausted in the end. This part is played in the background. We can also see other artist in the video of this song.

I guess that this movie was inspired by the success of ‘Jai Santoshi Maa-1975’ and the lead pair of this movie was repeated here too. HFGK (Vol-V) also mentions that this movie was earlier titled as ‘Kan Kan Mein Bhagwan’ as the records of songs of this movie were released by the this title.

Let us now listen to the today’s song of this movie and welcome ‘Bhagwaan Samaaye Sansaar Mein-1976’ on the blog …

Lyricist for the song is B.D. Mishra and music is composed by Anil-Arun.

Audio (Part !, 2, 4)

Video (Part 1)

Video (Part 2)

Video (Part 3)

Video (Part 4)

Song-Chaahe dekho jal mein chaahe dekho thhal mein (Bhagwaan Samaaye Sansaar Mein)(1976) Singers-Mukesh, Anuradha Paudwal, Lyrics-B D Mishra, MD-Anil Arun
Both

————————–
Part 1
————————–

ramayan se
aur geeta se
miltaa hai ye gyaan

dekh lo man ke ae
nain khol ke ae
kan kan mein bhagwaan,/em>

chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye sansaar mein
wo hi sab ke man mein
wo hi kan kan mein
jahaan chaaho unko
pukaar lo o
bhagwaan samaaye sansaar mein ae

chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye sansaar mein

ban ke ann wo
dharti se upjey
sab ki bhookh mitaaye
ae ae ae
phool bagiyaa ban
wo hi mahke
phal aur phool lutaaye ae
har mausam hai
vesh(?0 usikaa
jo bhi aaye jaaye ae

paani ke ye jharne
parvaton ko gehne
usne hi diye hain
uphaar mein ae
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein

————————-
Part 2
————————-


wo apni hi
ichchhaa se hai
saaraa jagat rachaataa
aa aa aa
rang birange
pardon se hai
jag ka manch sajaataa aa
apne an-gin roop banaa kar
abhinay karne aataa

muskaaye wo sukh mein
murjhaaye wo dukh mein
doob jaaye ansuan ki
dhaar mein ae
bhagwaan samaaye
sansaar mein

—————————-
(Part-3, video, Singer- Mukesh)
———————————
ramayan se
aur geeta se
miltaa hai ye gyaan
dekh lo man ke ae
nain khol ke ae
kan kan mein bhagwaan

chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein

mathura puri mein ae
shri hari janme ae
jinki devki maiyyaa aa aa
yashoda ke aangan mein
wo khele ae
ban ke krishn kanhaiyya aa
bansi bajaaye
sab ko rijhaaye
ban mein charaaye gaiyyaa aa
raas leelaa jisne
kee hai saare brij mein
jhoome jag ye
uske hi pyaar mein ae
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein

——————————–
(Part-4, video, (sad))
——————————–
har praani mein
parmeshwar ko
jisne sadaa nihaaraa aa aa
deen dukhi ki
sewaa karnaa
lagtaa usko pyaaraa aa
,/em>

asahaayon ko o
beemaaron ko
detaa wo hi sahaaraa

chintaa usko apni
hoti hai na kabhi bhi
lagaa rahe jo
sabke upkaar mein
bhagwaan samaaye
sansaar mein
chaahe dekho jal mein
chaahe dekho thhal mein
chaahe neelgagan mein
nihaar lo o
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein
bhagwaan samaaye
sansaar mein



This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5360 Post No. : 17578

#the Decade of Sixties – 1961 – 1970 #
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I do not remember to have listened to the songs from this movie ‘Dev Kanya-1963’. So, when I came across this movie on the blog, I listened to its only song available on the blog. And what a song it is. I immediately fell in love with this duet song ‘zaraa pehchaano to main kaun kahaan se aayi’.

As mentioned by Atul ji in this post this movie seems to be a forgotten movie. That could be the reason the beautiful songs from this movie may have failed to catch the attention of music lovers. I have listened to the few songs from this movie already available on the internet and all of them appear to be nice songs to me.

As per information available in HFGK Vol-IV (1961-1970) ‘Dev Kanya-1963’ was directed by Sri Nath Tripathi (S.N. Tripathi) for ‘Sur Sagar and Amrit Films’.

It had Anita Guha, Mahipal, B.M. Vyas, Mukri, Krishna Kumari, Babu Raje, Mishrilal, Sheela Kashmiri, S.K. Shukla, Ratnamala, Radheshyam, Shri Bhagwan, Uma Khosla, Tiwari, Sudarshan Kumar, Madhumati and others.

This movie has seven songs penned by B.D. Mishra. And these were composed to music by S.N. Tripathi.

Singer’s name is not mentioned for one song and the singer’s names that we get from the other six songs are Asha Bhonsle, Mukesh, Mohd Rafi, and Mahendra Kapoor.

As mentioned above only one song from this movie has been posted on the blog earlier on 08.09.2013. That was long ago.

Today we listen to the second song from this movie. It is another nice duet song sung by Mohd Rafi and Asha Bhonsle.

Only audio of this song is available.

I would request knowledgeable readers to throw more light on this movie and its songs.

Let us enjoy this duet song from ‘Dev Kanya-1963’ now…


Song-Sainyyaan chhod de mera haathh (Dev Kanyaa)(1963) Singers-Asha Bhonsle, Mohd Rafi , Lyrics-B D Mishra, MD-S N Tripathi

Lyrics

sainyyaan chhod de
mera haathh
haaye dhadke jiyaa aa
sainyyaan chhod de ae
mera haathh
haaye dhadke jiyaa aa
kaise chhod doon
teraa haathh
toone mera dil liyaa
haaye dil liyaa

sainyyaan chhod de ae

aise to mat chhed baalma
padoon main tore painyyaa
sainyyaan
padoon main tore painyyaa aan
lootaa huaa dil
waapas de de
tabhi main chhodoon bainyyaan
haaye ae
tabhi main chhodoon bainyyaan aan

hoye dil kaa lootnaa
main kyaa jaanoon
abhi umar larkaiyyaan
sainyyaan aan chhod de
mera haathh
haaye dhadke jiyaa aa
kaise chhod doon
teraa haathh
toone mera dil liyaa
haaye dil liyaa aa

sainyyaan chhod de ae

ghoom ghoom kar
aage peechhe
ghadi ghadi kyun ghere
sakhiyaan
ghadi ghadi kyun ghere ae ae
diye ki lau par jal jaane ko
hoy hoy hoy hoy hoye
haaye
diye ki lau par jal jaane ko
kare patangaa phere
hoye ae
kare patangaa phere ae

oye jaan jaayegi
phir naa aayegi
ho o o o o o
jaan jaayegi
phir naa aayegi
jo ham se uljhe re
sainyyaan aan
chhod de
mera haathh
haaye dhadke jiyaa aa
kaise chhod doon
teraa haathh
toone mera dil liyaa
haaye dil liyaa aa

sainyyaan chhod de ae

pyaar to hai phaansi kaa phandaa
galey mein tu kyun daale
rasiyaa
galey mein tu kyun daale ae ae
aisi phaansi se
kab darte
pyaar pe marnewaale
hoye ae
pyaar pe marnewaale ae

oye mar ke dikhaa de
ek baar
dil kardoon tere hawaale
sainyyaan aan
chhod de
mera haathh
haaye dhadke jiyaa aa
kaise chhod doon
teraa haathh
toone mera dil liyaa
haaye dil liyaa aa

sainyyaan chhod de ae ae


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5357 Post No. : 17569

#the Decade of Fifties –1951 – 1960 #
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In this post I am presenting a song from the ‘1955’ film ‘Pyaara Dushman’.

This film was passed by censor board on 26.05.1955.

‘Pyaara Dushman’(1955) was ‘Bhagwan Art Productions’, Bombay presentation and it was Produced and Directed by Bhagwan.

‘Pyaara Dushman-1955’ had Nadira, Jairaj, Sulochana, Bhagwan, Baburao, Leela Gupte, Vasantrao Pahalwaan, Kumkum, Dar Kashmiri, Ramlal, Deepak, Balaram, Swami, Parshuram, Datu, Bihari Singh, Govind, Sando, Kardar and others.

Its music was composed by Nisar. Saba Afghani penned the lyrics for all the seven songs in this film.

Asha Bhonsle and Mohd Rafi gave their voices to the songs in this film. They have four duets, two solo songs by Rafi Saab and one solo song by Asha Bhonsle.

So far, three songs from this movie have been posted on the blog as per details given below:-

SNo. Song Title Singer/s Posted On
01 Mahangaa ho ya sastaa ho… khaali phera kabhi na karna Mohd Rafi,Unidentified voice 31.07.2016
02 Hai zindagi ek safar maujon se khelta guzar Mohd Rafi, chorus 27.12.2017
03 Aa tujhko bulaayen ye pyaasi nigaahen Mohd Rafi, Asha Bhonsle 28.12.2017

Today’s song is the fourth song from this movie to be presented on the blog.

Today’s song is a lovely ‘nok-jhonk’ type duet song sung by Mohd Rafi and Asha Bhonsle.

Let us enjoy the song now … Only the audio of this song is available.


Song-Kuchh bolo zara munh kholo zara (Pyaara Dushman)(1955) Singer/s- Asha Bhonsle, Mohd Rafi, Lyrics-Saba Afghani, MD-Nisar
Both

Lyrics

kuchh bolo zaraa aa
munh kholo zaraa
kuchh bolo zaraa aa
munh kholo zaraa
yoon raaz chhupaanaa thheek nahin
aji haan
thheek nahin
yoon zid naa karo o
bas door raho
yoon zid naa karo o
bas door raho o
sunte hain zamaanaa thheek nahin
aji haan thheek nahin

tere hote baanke sanwariyaa
sooni man ki nagariyaa aa aa
tere hote ae baanke sanwariyaa
sooni man ki nagariyaa aa aa aa
kehte hain ye pyaase nainaa aa
kehte hain ye pyaase nainaa
apnon se sharmaana thheek nahin
aji haan thheek nahin
yoon zid naa karo o
bas door raho
sunte hain zamaanaa thheek nahin
aji haan thheek nahin

aisi baatein kuchh bhi naa samjhen
ham to hain bhole-bhaaley ae
aisi baatein kuchh bhi naa samjhen
ham to hain bhole-bhaaley ae
dekho ji ik chhote se dil pe ae
dekho ji ik chhote se dil pe
teeron ka barsaanaa thheek nahin

aji haan thheek nahin
kuchh bolo zaraa aa
munh kholo zaraa
yoon raaz chhupaanaa thheek nahin
aji haan thhik nahin

nahin(?) apnaa
karke deewaanaa aa
yoon karo naa
bahaanaa aa
soch samajh kar
kadam uthhaanaa
dekho thhokar naa khaanaa aa aa
prem dagar pe chalte chalte
prem dagar pe chalte chalte

raste mein ruk jaanaa thheek nahin
aji haan thheek nahin

kuchh bolo zaraa aa
munh kholo zaraa aa
yoon raaz chhupaanaa thheek nahin
aji haan thheek nahin


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5356 Post No. : 17567 Movie Count :

4720

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Debutante Movie-Koi Jeeta Koi Haaraa-1976)
——————————————-——————————
(A tribute to Shashi Kapoor on his birth anniversary 18th March)
——————————————-————————————————————————-

Today 18th March’2023 is the eighty-fifth birth anniversary of actor-producer and director Shashi Kapoor.

He was born on 18th March’1938 and he passed away on 4th December’2017 at the age of seventy-eight.

Shashi Kapoor needs no introduction. There is a long list of movies he acted in. Many movies in the ‘seventies’ had him playing ‘lead’ or ‘supporting’ roles, and he was part of many movies of that decade (1971-1980) and even later.
Shashi Kapoor who started as a ‘child artist’ in Hindi movies later became Assistant Director, Actor, Producer and Director. He won many accolades and awards in his long film career.

As a tribute to him today I am presenting a song from one of his movies from the ‘seventies’.

We will get introduced to this movie on the blog today. This movie is ‘Koi Jeeta Koi Haaraa-1976’.

It was directed by for Sameer Ganguly for ‘Lakshmi Movies’.

‘Koi Jeeta Koi Haaraa-1976’ was produced by Anand Bhargava. This movie was passed by Censor Board on 09.06.1976.

The cast of this movie included Saira Banu, Shashi Kapoor, Romesh Sharma, Farida Jalal, Nazeer Hussain, Urmila Bhatt, Krishnakant, Manik Dutt, Jagdish Raj, Sharad Kumar, Pinchoo Kapoor, Master Shaka, Lalita Kumari, Tiger Kapoor, and others with Narendranath and Ranjeet.

Jagdeep and Junior Mehmood had a friendly appearance in this movie.

Story of this movie was written by the ‘Lakshmi Movies Story Department’. Scenario and dialogues of this movie was written by Agha Jani Kashmiri. Screenplay of this movie was written by Naiem. Editing of this movie was done by V.K. Naik.

‘Koi Jeeta Koi Haaraa-1976’ has five songs in it which all were written by Anand Bakshi. Music for this movie was composed by Laxmikant-Pyarelal.
Lata Mangeshkar, Kishore Kumar, Asha Bhonsle and Mohd Rafi had given their voices to the songs in this movie.

Here is the list of songs in this movie :-

SNo Song Title Singer/s
01 O baba, shaadi tum o baba na karnaa Lata Mangeshkar
02 Ban gayi baat baaton mein … Kishore Kumar, Asha Bhonsle
03 Ae, oh, chup raho naa… aaj ham tum donon Kishore Kumar, Asha Bhonsle
04 Teri meri baat nahin kismat ka khel hain saara… Koi jeeta koi haaraa Mohd Rafi
05 Hamne har ek galat kaam kiya hai … Kishore Kumar

I have neither watched this movie nor I have any recollections of songs associated with this movie’s name. However when I listened to the songs of this movie I find today’s song a little familiar and one which I had listened to earlier on radio or elsewhere.

Today’s song is sung by Kishore Kumar and Asha Bhonsle. It is a ‘romantic song’ which is picturised on Shashi Kapoor and Saira Banu.

We can also see Romesh Sharma driving towards he end of the song.

Let us now listen to the song and remember Shashi Kapoor, thanking him for giving us so many fond memories of his movies and the various characters he essayed on the screen, some of which become memorable and unforgettable in the history of Indian Cinema.

Video

Audio including dialogues

Song-Ban gayee baat baaton mein (Koi Jeeta Koi Haara)(1976) singers-Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, Music-Laxmikant-Pyarelal

Lyrics

ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
yaad teri aayegi re
neend nahin aayegi
lambi kaali raaton mein

arey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
yaad teri aayegi re
neend nahin aayegi
lambi kaali raaton mein

ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein

phir aayegaa
mausam
phoolon ke khilne kaa
ho phir aayegaa
mausam
phoolon ke khilne kaa
jaataa hoon main
kar ke waadaa
phir milne kaa
phoolon ke mausam mein
na miley to
milenge ham barsaaton mein ae
ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein

ho jo jaanaa thha aa
to pehle ae
door zaraa rehnaa thhaa
ho jo jaanaa thha
to pehle ae
door zaraa rehnaa thhaa
jo kuchh bhi kehnaa thhaa
wo pehle kehnaa thhaa
ab tarsaate ho
jab de dee
jaan tumhaare haathhon mein ae

arey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
hey ae ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein

ho ab kaise din
guzrenge
jab tak hogaa aanaa
ho ab kaise din
guzrenge
jab tak hogaa aanaa

dil ke armaanon se
tab tak
dil behlaanaa aa
kho jaaungi
main dil ke
armaanon ki
baaraaton mein ae

hey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein
arey ban gayi baat
baaton mein
bas do chaar
mulaaqaaton mein


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5355 Post No. : 17561

#the Decade of Fifties –1951 – 1960 #
——————————————————————
# Desh ki mitti ki khushboo #
—————————————————

In this post I present a song from the movie ‘Krishna Sudaamaa-1957’.

This movie had made its debut on the blog on 05.12.2016 with its song ‘chal more manwaa shyaam ke dwaare’. This song remains the only song posted on the blog from this movie so far.

‘Krishna Sudaamaa-1957’ was a ‘mythological movie’ directed by Shanti Kumar for ‘Tajviristan’, Bombay. It was produced by Lekhraj Bhakri.

It had Nirupa Roy, Balraj Sahni, Rajkumar, Prem Adeeb, Umakant, Nand Kishore, Malay Sarkar, Santosh, Madhvi, Vimal Ghaisas, Sinha, Indira Bansal and others.

This movie was passed by Censor Board on 24.01.1957.

As per HFGK Vol III this movie has ten songs composed by Husnlal-Bhagatram. Lyrics for these ten songs are shared by Qamar Jalalabadi – six songs, Pt. Radheshyam – two songs and Ramesh Gupta – two songs.

Music for this movie was composed by Husnlal-Bhagatram.

Here is the list of songs in this movie:-

SNo Song Title Lyricist Singer/s
01 Ratan hain do anmol hamaare Radheshyam Mohd Rafi, Madhubala Zaveri
02 Gurukul ka jeewan bhi apna Radheshyam Madhubala Zaveri, chorus
03 Shyam ki yaad mein.. chale gaye Qamar Mohd Rafi, Madhubala Zaveri
04 O krishna bigdi banaa de Qamar Lata Mangeshkar
05 Bujh gaye aashaa ke deepak Qamar Lata Mangeshkar
06 Chal more manwaa Qamar Mohd Rafi
07 Sudaama mandir dekh dare Qamar Mohd Rafi
08 Jis rang raakhe prabhu usi rang Qamar Mohd Rafi, chorus
09 Moorkh man laakhon yatan kare Ramesh Gupta Not mentioned
10 Kyaa kahoon sakhi aaj … Ramesh Gupta Not mentioned

(HFGK Vol-III (1951-1960) mentions in the footnote of this ‘movie-page’ that the recording of songs of this movie was completed in ‘July-‘1954 itself. This movie was passed by Censor Board in 1957).

Today’s song is a duet song sung by Mohd Rafi and Madhubala Zaveri.

This song is about the ‘story of friendship of Krishna and Sudaama’ and their ‘bond of true friendship’ which remained intact even as they grew up under different circumstances where Krishna prospered and Sudaamaa remain a poor Brahmin.

Both of them were friends from their days at the ‘gurukul’ and both of them loved each other and their friendship remained immortal till their end.

(Since this ‘legend’ is specific to our country, I have included it in ‘Desh Ki Mitti Ki Khushboo’)…

Let us now listen to this sweet melodious song composed by Husnlal-Bhagatram. Only the audio of this song is available.


Song-Ratan hain anmol do hamaare idhar Sudaama udhar Kanhaiyya (Krishn Sudaama)(1957) Singers-Rafi, Madhubala Zhaveri, Lyrics-Qamar Jalalabadi, Md-Husnlal Bhagatram

Lyrics

ratan hain anmol
do hamaare ae
ratan hain anmol
do hamaare
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
mahaan bharat ke
do dulaare ae
mahaan bharat ke
do dulaare
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya

idhar ghareebi
udhar ameeree ee
idhar ghareebi
udhar ameeree
chhupi hain donon taraf
fakiri
hain jaan gangaa ke
do kinaare ae
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya

padhhe hain gurukul
mein saath donon o
padhhe hain gurukul
mein saath donon
rahe hain gurukul mein
saath donon o
baney hain gurukul
se meet pyaare ae
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya

nibhaaye sansaar
preet aise ae
nibhaaye sansaar
preet aise
zamaane bhar mein hon
meet aise
manushya kya devtaa pukaare ae
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
ratan hain anmol
do hamaare ae
ratan hain anmol
do hamaare ae
idhar sudaamaa
udhar kanhaiyya

idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya
idhar sudaamaa
udhar kanhaiyya


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5346 Post No. : 17529

Today (8 march 2023) is Holi, the festival of colour. The mythology and history behind the festival are well known and need not be repeated.

Still there were some facts about Holi that I was not aware of. For example, I was not aware that Holi festival falls on Poornima (full moon day), which is the last day of the month of falgun (also called Phagun). This is in fact the last day of the Vikram Samwat Calender. The next day, viz firstd day of The month of Chaitra starts is the first day of the new year of Vikram Samwat.

This full moon day, third full moon of the year, is called worm moon in Western Astronomy circles.

That way, this festival of Holi is the reverse of Deepawali that falls on Amawasya, on the middle of the month of Kartik. In A way, Holi marks the beginning of summer whereas Deepawali marks the beginning of winter.

It is interesting how moon plays such important roles in determining the dates of India festivals.

Since Holi marks the beginning of Summer, so it means that days (that were still shorter than night) begin to get longer. Finally it is on 21 March 2023 that day and night become equal. It is called equinox.

Heavens this year have arranged for two interesting event on the occasion of Holi.:) Just before Holi, the world witnessed the sight of Jupiter and Venus coming close to each other in the evening sky. This was the most important astronomical event of the year.

on 24 march 2023, there will be venus eclipse, viz Moon will cover Venus just like it sometimes covers Sun to cause solar eclipse. It needs full moon to cause solar eclipse, but this venus eclipse will be caused by a thin dooj ka chaand. 🙂 This event is technically called Lunar occultation of Venus.

This festival is being celebrated for thousands of years, it predates even Vikram Samwat, which is 2080 years old. I wonder what calender was used to determine the date of Holi festival (and other festivals) before the Vikram Samwat.

On this occasion, here is a Holi song from “Hamaara Ghar”(1950).

“Hamaara Ghar”(1950) was directed by Nanabhai Bhatt for Hindustan Chitra, Bombay. The movie had Durga Khote, Umakant Desai, Veera, Agha, Meena Kumari, Geeta Bose, David, Jankidas, Ramesh Gupta etc in it.

The movie had seven songs in it. Six songs from the movie have been discussed in the blog in the past. Here are the details:-

Blog post number song Date of post Singer(s) lyricist
9270 Kahaan chale sarkaar (Hamaara Ghar) 9 January 2014 Shamshad Begam, Kishore Kumar Rammurty Chaturvedi
13261 Chupke chupke dil mein mere aane waale ho (Hamaara Ghar) 21 May 2017 Geeta Dutt, Rafi Asad Bhopali
14391 Chaandni chhitki huyi hai muskuraati raa hai (Hamaara Ghar) 4 June 2018 Geeta Dutt, Rafi Anjum Jaipuri
15645 Teri tirchhi najar teri patli kamar (Hamaara Ghar) 7 June 2020 Rafi, Shamshad Begam Bharat Vyas
15681 Chori chori mat dekh balam (Hamaara Ghar) 23 June 2020 Shamshad Begam, Rafi Bharat Vyas
16436 Dekho to dil hi dil mein jalte hain jalne waale (Hamaara Ghar) 24 June 2021 Geeta Dutt, Shamshad Begam, Shanti Sharma Anjum Jaipuri

Here is this joyous Holi song from “Hamaara Ghar”(1950). This song is sung by Shamshad Begam, Rafi and chorus. Bharat Vyas is the lyricist. Music is composed by Chitragupta.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, the seventh and final song from the movie, all songs of “Hamaara Ghar”(1950) have been covered in the blog. This movie thus joins the list of movies that have been YIPPEED in the blog.

I take this opportunity to wish everyone a happy and safe holi.


Song-Rang bhari holi aayi rang bhari holi(Hamaara Ghar)(1950) Singers-Shamshad Begam, Rafi, Lyrics-Bharat Vyas, MD-Chitragupta
All chorus
Male chorus

Lyrics

hoy
rang bhari holi aayi
rang bhari holi
hoy
rang bhari holi aayi
rang bhari holi
rang bhari holi aayi
rang bhari holi

ho o o o o
man me umang nayi
tan mein tarang nayi ee ee ee

masti mein jhoom rahi jhoom rahi ee
masti mein jhoom rahi maston ki toli
hoy rang bhari

ho raani
rang bhari holi aayi
rang bhari holi

murli baaj rahi
radha naach rahi
hoye radha naach rahi
hoye radha nach rahi
murli baaj rahi man mein laag rahi
haye tan mein laag rahi
haaye tan mein laag rahi
ho o o o
jholi mein rang liye haathon mein chang liye

gokul ke gaanv chali, gaanv chali
gokul ke gaanv chali gwaalon ki toli
hoy rang bhari

ho raja
rang bhari holi aayi
rang bhari holi

dekho ji dholak baaje dholak baaje, dholak baaje
dekho ji gori naache gori naache gori naache
ek bani gokul ki gwaalan ek bana girdhaari
ho ek bana girdhari
ek ne jo chhodi pichkaari ek ki bheegi saadi
uyi
ek ne jo chhodi pichkaari ek ki bhigi saadi
uyi
arararararara

aaya phaagun ka mast maheena
chali gaanv ki toli hai

hoy aaya phaagun ka mast maheena
chali gaanv ki toli hai

beech bajariya naache gujariya aa aa
beech bajariya naache gujariya
gwalae karen thatholi hain

hoy aaya fagun ka mast mahina
chali gaanv ki toli hai

pichhle bair bhula kar dekho
gale mile humjoli hain
ek ne dooje ko rang daala

holi hai bhai holi hai

ho ho ho ho
ho ho ho ho
neele aakash tale phaagun ke phool khile ae ae ae

baagon mein bol rahi bol rahi ee
baagon mein bol rahi koyaliya boli
hoy
rang bhari
ho raani
rang bhari
ho raaja
rang bhari holi aayi
rang bhari holi

hoy
rang bhari holi aayi rang bhari holi
rang bhari holi aayi, rang bhari holi
rang bhari holi aayi, rang bhari holi


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5345 Post No. : 17527

#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Composer– R.D. Burman-Parchhaayiyaan-1972)
——————————————-———————————————

In this post I present a song from the ‘1972’ movie ‘Parchhaayiyaan’. Though the music of this movie is composed by R.D. Burman, none of the songs from this movie ring a bell for me. I may have forgotten them, in case I had listened to them, or may be I failed to associate them with this title.

I think this movie was a lesser known and forgotten movie of its time and so its songs were also forgotten.

‘Parchhaayiyaan-1972’ was directed by Sharan Kumar Chand for ‘Noorjahan Films’. It was produced by K. Zaidi and Azad.

It had Vinod Khanna, Reshma, Bindu, Sujit Kumar, Iftekhar, Sajjan, Murad, Tarun Ghosh, Bhagwan Sinha, Meena T., Mohan Choti, Ranjeet (guest appearance), Shaukat Kaifi, Mona, Kunwar Ajit, and Indrani Mukherjee.

Story and screenplay for this movie was written by Ranjan Bose. Dialogues of this movie were written by Rahi Masoom Raza.
Editing of this movie was done by Subhash Gupta.

This movie was passed by Censor Board on 15.11.1972.

“Parchhaayiyaan-1972” has five songs written by Majrooh Sultanpuri and composed by R.D. Burman. Lata Mangeshkar, Mohd Rafi, Kishore Kumar, and Asha Bhonsle had given their voices to the songs in this movie.

This movie had made its debut on the blog on 05.09.2014 with its song ‘saanson mein kabhi, dil mein kabhi, nazron mein rahaa karnaa’ sung by Mohd Rafi and Asha Bhonsle.
Thereafter second song from this movie i.e. ‘khuli khuli zulfen khoye khoye nain’ sung by Kishore Kumar was posted on the blog on 02.04.2015.

he song being covered today is the third song from this movie to be presented on the blog. Today’s song is sung by Kishore Kumar and Lata Mangeshkar. Vinod Khanna and Bindu lip-sync on screen. This song is shown happening in a ‘village function’ and it seems to be inspired from ‘folk music’ (which I am unable to identify).

Also seen in the picturisation of the song are Sujit Kumar and Reshma. Both of them are ‘jealously’ watching Vinod Khanna and Bindu doing this ‘romantic’ number. One can even notice actress Reshma ‘shaking’ in anger. 🙂

Majrooh Sultanpuri is the lyricist and music is composed by R.D. Burman for the song.

let us now enjoy the song …

Video

Audio

Song-Hans ke pukaar ke do bol pyaar ke (Parchhaaiyaan)(1972) Singers-Kishore Kumar, Lata Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

ho o
rainaa andheri hai ae ae
aaja sajaniyaa aa aa
mori chandaniyaa re ae ae

hans ke pukaar ke ae
hans ke pukaar ke
do bol pyaar ke ae
jhhootho bhi keh de
to saanch mohe laage re
aise se preet laagi raam
o hans ke pukaar ke ae
do bol pyaar ke
jhhootho bhi keh de
to saanch mohe laage re
aise se preet laagi raam

sach hai sajni
pyaar ka vaadaa
shaam hi se jaley mora manwaa aa aa
gale se lag jaa
tere badan se
paaye thhandak
hamaaro badanwaa
garwaa yoon
laage
jaise kataari laage
jhatke jo bainyyaan
aur mohe pyaari laage
hoon tere peechhe badnaam
o hans ke pukaar ke
hans ke pukaar ke
do bol pyaar ke
jhhootho bhi keh de
to saanch mohe laage re
aise se preet laagi raam

aaj miley ho
mohe akele
ab chalegaa na
koi bahaanaa
thhaam ke bainyyaan
main nahin chhodoon
chhoot jaaye re chaahe zamaanaa
uljhaa ke
ab to
nainaa jhukaana nahin
laaye naa
tu to
hosh mein bhi aana nahin
ab to re tu hi more thhaam

hans ke pukaar ke ae
hans ke pukaar ke
do bol pyaar ke
jhhootho bhi keh de
to saanch mohe laage re
aison se preet laagi raam

hans ke pukaar ke
do bol pyaar ke
jhhootho bhi keh de
to saanch mohe laage re
aise se preet laagi raam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5343 Post No. : 17521

“Bada Kabootar”(1973) was produced and directed by Deven Verma for Navratna Films, Bombay. This movie, described as a “social” movie in HFGK had Ashok Kumar, Rehana Sultan, Nikhilesh, Deven Verma, Keshto Mukherji, Subroto, Ashoo, Pinchoo Kapoor, Leela Mishra, Paul Sharma, Jal Parvez, Helen etc in it. The movie also had lots of “new discoveries” viz Saajan, Kailash Sharma, Sameena, Master Ashwin and Master Ramesh.

“Bada Kabootar”(1973) had five songs in it. One song, which was the movie opening song cum title song, has been covered in the past.

Here is the second song from “Bada Kabootar”(1973) to appear in the blog. This song is a duet which is sung by Kishore Kumar and Asha Bhonsle. Yogesh is the lyricist. Music is composed by R D Burman.

The song is picturised as a running around the trees genre of song on Rehana Sultan and Nikhilesh (I guess). It is a nice hummable song, but I had never heard this song before. The movie flopped and so the songs of this movie did not have the opportunity to get popular among music lovers.


Song-Ye dil mera haaye re haaye re (Bada Kabootar)(1973) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Yogesh, MD-R D Burman
Both

Lyrics

hmmmm
haaye re haaye re
ye dil mera haaye re haaye re
deewaana tera haaye re haaye re
ho gaya ho gaya kho gaya
kho gaya kho gaya kho gaya aa
haaye re haaye re
haaye re haaye re
ye dil mera haaye re haaye re
haaye re haaye re
deewaana tera haaye re haaye re
kho gaya kho gaya kho gaya
kho gaya kho gaya kho gaya aa
haaye re haaye re
haaye re haaye re
ye dil mera haaye re haaye re
haaye re haaye re
deewaana tera haaye re haaye re
ho gaya ho gaya kho gaya
kho gaya kho gaya kho gaya
haaye re haaye re
haaye re haaye re

nazar nazar se kahe bahut afsaane
ru ru
bahut dinon tak rahe ho tum begaane
ru ru ru ru
rahe na ab kuchh ye dooriyaan ye faasle
aao chalo mil jaayen hum galey
ha ha
thhe hum mohabbat se kal talak anjaane

ru ru
huya ye kaise bane tere deewaane
ru ru ru ru
ghadi ghadi ab main haathhon se dil thhaaam loon
aahen bharoon piya tera naam loon
ho piya main tera naam loon

haaye re haaye re
haaye re haaye re
ye dil mera
haaye re haaye re
haaye re haaye re
deewaana tera haaye re haaye re
kho gaya kho gaya kho gaya
kho gaya kho gaya kho gaya
haaye re haaye re ae
haaye re haaye re

abhi kabhi main ye sochoon khoyi khoyi
hey hey
ke ye suhaana sa khwaab ho na koi
hey hey hey hey
tumhi bataao hai ye hqeeqaat
ya waham
karne lage hain jo tumse pyaar hum
aha haa aa

huaa hai yoon hi safar mein chalte chalte
tara raa
do ajnabi humsafar bane hain milke
ru ru ru ru
nayi hai phir kya ye baat jo hum tum yahaan
aaj bane hain mil kar ek jaan haan sanam
haan bane ek jaan
haaye re haaye re
haaye re haaye re
ye dil mera haaye re haaye re
haaye re haaye re
deewaana tera haaye re haaye re
ho gaya ho gaya kho gaya
kho gaya kho gaya kho gaya aa
haaye re haaye re ae ae
haaye re haaye re ae ae
haaye re haaye re ae ae
haaye re haaye re ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 17500th song post for the blog.

Blog Day :

5335 Post No. : 17500 Movie Count :

4709

28 january 2023 saw song post number 17400 appearing on the blog. Today (25 february 2023) finds us reaching song post number 17500 on the blog.

Yes, this post is the 175th century post for the blog. It has come in 28 days, which equals the number of days taken for the previous century. So this year 2023 has seen two centuries, both clocked in 28 days apiece. It is a vast improvement over the average days taken for the blog centuries of last few years. We are still far off from the all time record of a century in 11 days (achieved in 2011) but things are looking up as far as Blog daily strike rate is concerned.

The blog century posts now a days are decided at the last moment. The previous century post number 17400 was decided at the last moment, on the very day on which the song was covered. This song post number 17500 is no different.

Song post number 17400 was a duet song. So is the case for this song post number 17500. But that is the only similarity between the two century posts.

Post number 17400 was a duet sung by two obscure singers. That was the only duet sung by the singers in Hindi movies. The singers in the duet song of this post number 17500 are both legends in Hindi playback singing.

This song under discussion in this post is sung by Rafi and Shamshad Begam.

Why them and no one else ? There are good reasons for that.

As things stand in HFM, there have been only eight pair of singers in the Golden era of HFM who have sung over hundred duets. Seven pair of such singers have already completed their centuries in the blog. Rafi and Shamshad Begam were the only pair who had not reached their century of duet songs in the blog. With this post, they join the list and the list gets completed.

Here is the list of centurion duet singers in HFM during the golden era of HFM :-

Singing pair Duet Songs in the blog Remarks
Rafi-Asha Bhonsle 561 This pair holds the Record for highest number of duet songs
Rafi-Lata 349 Second highest number of duets. Almost all their duets covered in the blog
Kishore Kumar-Asha Bhonsle 268
Kishore Kumar-Lata 222
Mukesh-Lata 143
Rafi-Geeta Dutt 113
Rafi-Suman Kalyanpur 108
Shamshad Begam-Rafi 100 They reach 100 duets with this post

If one feels that there may be other pairs who may join the list in future, that is not the case. Among singers who were active during the golden era, the next duo with highest number of duets is Manna Dey-Lata Mangeshkar with 75. This figure represents their sum total of duets sung in HFM. All of them are already represented in the blog ! Likewise all duets sung by Talat Mehmood-Lata Mangeshkar (61) are already represented in the blog.

The song under discussion is from an obscure movie called “Noor e Yaman”(1956) also alternatively titled “Hatimtai Ka Beta”. This C grade movie was directed by Akkoo. The movie had Chitra, Juliaan, Ridkoo, Krishna Kumari, Heera Saawant, Sardar Mansoor, Ismail, Munshi Munakka, Bismillah, Mitthoo Mian, M. K. Hasan, Mohammed Ali, Mohammed Sandow, Abdulla, Korega, Yadav, Sukumar, Ratan Kumar, Raju, Sattar, Maqbool, Yusuf Azad Qawwal, Samar Roy, Habeeb, Shaikh Hassan, Babu Raaje, Adeeb, Wazir Mohammed Khan etc in it.

The movie had nine songs in it. They were sung by five singers, viz Shewan Rizvi, Yusuf Azad Qawwal, Shamshad Begum, Mohammad Rafi and Asha Bhosle. These nine songs were penned by three lyricists viz Akhtar Romani, Sartaj Romani and Raja Mehndi Ali Khan.

The movie is making its debut in the blog with this song. This movie becomes the 110th movie of 1956 to find representation in the blog. The song is sung by Rafi and Shamshad Begam. Raja Mehdi Ali Khan is the lyricist. Bulo C Rani is the music director.

This song, an obscure song from an obscure movie, sounds like a forgotten gem. It is a song that deserves to be better known among music lovers.

Another blog century achieved. Time to take a fresh guard.

I take this opportunity to thank one and all who are fuelling the musical bandwagon in various ways and are helping it to reach newer and newer destinations with each passing days. May this bandwagon notch many more centuries and see many more interesting records en route.


Song-Jab teri nazar ke teer chale (Noor e Yaman)aka Hatimtai Ka Beta(1956) Singers-Rafi, Shamshad Begam, Lyrics-Raja Mehdi Ali Khan, MD-Bulo C Rani

Lyrics

jab teri nazar ke teer chale
kuchh idhar gaye
kuchh udhar gaye
kuchh idhar gaye
kuchh udhar gaye
mere pyaar bhare dil par na lage
sab kidhar gaye
sab kidhar gaye
kuchh idhar gaye
kuchh udhar gaye

jaao jee jaao jee
teeron ko dhoondh laao jee
laao jee laao jee laao jee

ishq mein tere ho gaye hum langde
na jungle mein bhagaao jee
jaao jee jaao jee jaao jee
kyun teer hamaare bikhar gaye
sab kidhar gaye
sab kidhar gaye
kuch idhar gaye
kuchh udhar gaye

mere pyaar bhare dil per na lage
sab kidhar gaye
sab kidhar gaye
sab kidhar gaye
sab kidhar gaye

poochho jee jaa kar inka pata
phoolon se bahaaron se nazaaron se
aabsaaron se gulzaron se

bas bas bas bas bas bas bas
poocha hai maine inka pata
arre
teri aankhon ke sitaaron se
rukhsaaron se
beemaaron se
bekaaron se lohaaron se
awaaron se ghamkhaaron se banjaaron se lakadhaaron se
lakadhaa aa aa aa aaro se
na jaane wo kidhar gaye


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17500 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17600

Number of movies covered in the blog

Movies with all their songs covered =1356
Total Number of movies covered=4710

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Active for more than 5000 days.

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