Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Talat Mehmood solo’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laala Rukh”(1958) was produced by Ismat Chugtai and directed by Akhtar Shiraj for Film India Corporation, Bombay. This movie had Talat Mehmood and Shyama in lead roles. The movie also had Vikram Kapoor, Radhika, Lotan, Jagdish Kamal, Tuntun, Greta, Jerry, Begambai, Ranibala, Soni etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kavi”(1954) was directed by Debki Bose for sunrise Pictures, Bombay. The movie had Bharat Bhushan, Geeta Bali, Nalini Jaywant, Chandrashekhar, B M Vyas, Jankidas, Om Prakash etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

My last post on the blog was on 7th August 2016, and the last contribution I shared to Atul ji was on 11th Aug, so it’s already over a month that either there was a post by me on the blog or I had shared a new write-up to Atul ji.

However the musical journey was on. I was searching for songs on various themes that I wish to share and also the new write-ups that I wish to share in future.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had the good fortune of talking over the phone to Shri Srinivas Chary, courtesy Shri Arunkumar Deshmukh, in the last week as well as this week. Srinivas ji was a Mumbaikar till the middle of the 1970s when he decided to settle down in Chennai. He is a member of RMIM (Rec. Music. Indian. Music). During our talk, Srinivas ji told me about RMIM meeting held in April 2006 at Bangalore wherein, among others things, 2 CDs containing some rare film and non-film songs of Talat Mehmood were presented. He was associated with the preparation of the CDs and he contributed some of the songs of Talat Mehmood from his collections. He said that songs from Talat CDs as well as songs from some other CDs are available on Dr Surjit Singh’s Website.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata Mangeshkar who first sang in a Marathi film ‘Gajabhau’ (1944), is still continuing to sing for Hindi films albeit very sparingly. As per http://www.myswar.com, she sang a solo song for the film ‘Dunno No Y2 Life is a Moment’ (2015). That gives her playback career a span of over 7 decades – a world record, I guess, in playback singing for films. In fact, she sang for 46 films between 2000-2015. I thought why not do a similar exercise for Talat Mehmood.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When you listen to today’s song, you will realize why Talat’s voice was called Velvety. This soulful, sad farewell song by Talat Mehmood is from the film “Mera Salaam”-1957.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naghma”(1953) was produced and directed by Nakshab for Filmco, Bombay. The movie had Nadira, Ashok Kumar, Om Prakash, Roopmaala, Murad, Ziraab, Qamar, Lotan etc in it.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It’s been a while since we had a song in this voice. A voice which momentarily transforms us to another world. A voice so gentle and sweet that we invariably pause, ponder and are awestruck by the rendering. The total numbers are in three digits only. The genres of songs are also very restricted. But whatever is available will be cherished forever since the class of singing was always uncompromising.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from a Raj-Nargis film Bewafa-52 and it is sung by Talat Mahmood.

It is not very common that Talat sang for Raj Kapoor. Raj was convinced that only the voice of Mukesh suited him, so in all the films that he produced or directed, he used to try using Mukesh for his songs. However,as a true Professional, if he were to work for some other producer or under a different Director, he followed the policy of strict Non-interference. So, in such films, we see other singers giving playback to Raj Kapoor, depending on the choice of the producer or director. Talat sang a total of ten songs for Raj Kapoor in 4 films, as following-
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 2 # Talat Mehmood-1
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This is the second offering in this series. My primary focus in this series is to introduce those films from the decade 1971-1980 that are yet to make a debut on the blog.

But instead of going chronologically I willdiscuss these songs in sequence in which I noticed them in HFGK Vol-V. And of course, special songs are to be discussed first.

And today’s song is definitely a special one – a devotional song in the ‘velvet voice’ – now this one really came to me as surprise when I read the first song in the list under this film’s name in HFGK. The singer was none other than Talat Mehmood.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 12600 song posts by now.

This blog is active and online for over 3000 days since its beginning on 19 july 2008..

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12633

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Movies with all their songs covered =841 Total Number of movies covered =3538

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Blog Start date: 19 july 2008 Active for 3000 days.
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