Archive for the ‘Lord Ganesh related song’ Category
Gaaiye Ganpati jag vandan
Posted by: Atul on: September 27, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5549 | Post No. : | 18013 | Movie Count : |
4824 |
#the Decade of Eighties – 1981 – 1990 #
————————————————————————
Greetings to all for the on-going ‘Ganesh Utsav’ which is being celebrated all over!!!
Eight days of the festival have already passed since its beginning on 19th this month. The Ganpati Idols scheduled for ‘one and half day’, ‘three days’, ‘five days’ and ‘seven days’ have already been ‘bid farewell’ with a request to the god ‘to come early next year’.
God Ganesh is also revered as a god of ‘performing arts’ besides being the god of ‘wisdom’, ‘riddhi-siddhi’, and the god of ‘scribes’ and ‘authors’. This festival is the time when we have music, cultural programs, musical programs, plays staged, and offering of the prayers to the god with full emotions and energy.
For people like me, who grow in the seventies and early eighties, the Ganesh Festival is also the time when we are lost in the nostalgia of our growing years. That is visiting the community club for ‘Ganesh Pooja’, and enjoying the programs held there over the next ten or eleven days. I still vividly remember that the first day there would be the ‘sthhaapna’ of Ganesh Idol and a devotional musical program. And the last day would be ‘Satyanarayan Kathaa’ and ‘mahaa prasaad’. As a child we were always interested in the ‘prasaad’ and the ‘modaks’ of various types. (For that matter even after growing and still, that is the thing most of the family members are interested even now 🙂 ). In between the first and the last day of the festival there were several programs held which were staged at the ‘colony club’ we were staying then. These included plays, orchestras, mimicry program, a cultural program for all who can participate and present their art, if possible screening of a movie (mostly a movie from a black & white era and if the ‘budget’ permitted then there would also be a color movie or movie from recent years 🙂 ). Since my parents would participate in ‘Marathi plays’ that is the first thing that we would eagerly await along with the rehearsals, and secondly the ‘orchestras or the ‘musical night’ and ‘movies’.
This is the festival which brings back many memories of the HFM songs that were popular then and also the many songs which would be common for all ‘orchestra groups’. These would be songs from ‘yesteryears’ or from the ‘golden era of HFM’. The film and non-film qawwalis were an added attraction. Couple of ‘orchestra groups’ which were repeated visitors to our colony festivals also had our favorite singers among them whom we were happy to watch singing again and again. I am not going to repeat the list of all the songs here, but here I would definitely like to mention the following songs which were common to all orchestra groups which I can recall. There were many others, which I am not remembering now. 🙂
‘kuhu kuhu boley koyaliyaa’
‘moraa naadaan baalmaa’
‘chhotisi umar mein hai lag gaya rog’
‘ o door ke musaafir ham ko bhi saath le le re’
‘suhaani raat dhhal chuki’
‘yaalaa yaalaa dil le gayi’
‘jhoom baraabar jhoom sharaabi’
‘saj rahi gali meri maa’
‘ham kisi se kam nahin’
‘govindaa aalaa re aalaa’
‘satyam shivam sundaram’
‘mere nainaa saawan bhaado’
‘chadhhta sooraj dheere dheere’
‘khaike paan banaraswala’
‘chal chal chal mere saathi’ etc etc …
There would be some Marathi songs also which were played then regularly. The joy of all this that is the ‘Sarvajanik Ganesh Utsav’ was discontinued after our shifting to another place and simultaneously after my joining a ‘construction company’ to work. And thereafter staying away in other parts of the country for job got it all into the history of my life. I am not aware if these types of programs are still held during this festival at the place we were staying from 1968 to 1984. I think it must have all become a party of history now after the ‘TV’ or ‘internet’ age. But in turn the internet has also been helpful in unearthing lost gems that were created in HFM. Today I bring to you one such song from an obscure movie.
Today’s song is from the ‘1984’ movie ‘Poster’. I was not aware of a movie with this ‘title’ but very recently I came across this movie title while looking for Ganpati Songs and when I listened to this song I felt it like a familiar composition heard many years back, may be in the eighties, and never heard thereafter. So I am presenting this song today which is sung by Mahendra Kapoor and accompanied by chorus.
As per information available in Geet Kosh Vol-6 (1981-1985) this movie ‘Poster-1984’ (passed by Censor Board on 31.03.1984) was directed by R.S. Vikal. He also wrote the screenplay of this movie. This movie was produced by R.K. Gupta for ‘Virat Chitralok’, Bombay/Delhi. The cast of this movie included Zareena Wahab, Vasant Josalkar, Deepak Uchani, Raja Bundela, Ravi Vaswani, Pratap Patanjali, Ran Singh Sejwal, Banwari Taneja, Narayan Thakur, Shobha, R.K. Gupta, Meena Thakur and others. B.M. Shah and Panchanand Pathak had a special appearance in this movie.
This movie has seven songs written by Dr Shankar Shesh and R.S. Vikal. Though Geet Kosh does not mention the lyricist name for individual songs it does mentions that most of the songs for this movie were written by Dr Shankar Shesh. Music for this movie was composed by Gopal Jwala. The playback singers for this movie were Mahendra Kapoor and Chandrani Mukherjee.
The name of the music director Gopal Jwala is new to me and so far from the information available on internet this is the only movie mentioned where music is composed by him.
However, the name of Dr Shankar Shesh must be familiar to knowledgeable readers. He was a playwright and had written story & dialogues for movies too. Dr Shankar Shesh was born in Bilaspur on 2nd October’1933 and he passed away on 28th November’1981. He was known as a multifaceted and gifted writer. He started his writing with writing poems first when he was studying in eighth standard in school. He was a brilliant student and a good orator too but he was not interested in Maths and Science. He would write poems and recite them in school programs. He studied up to Intermediate at Bilaspur and for further studies in BA Honors he took admission in the Hislop College at Nagpur. His writings flourished in his college days and the ‘writer’ and ‘poet’ in him reached new dimensions there. His poem ‘mitra ke naam paati’ become famous. Simultaneously he participated in ‘Kavi Sammelans’ and also become a name on ‘Radio’ (aakaash vaani). He did plays and wrote his first play ‘Moortikaar’ (or Murtikaar (1955)). Around the same time he wrote the novel ‘Tendu Ke Patte’ on the backdrop of Chhattisgarh. He wrote novels like ‘Chetna’, ‘Dharmakshetre-Kurukshetre’, and plays like ‘Bin Baati Ke Deep (1958), ‘Til Ka Taad (1958), ‘Baadhh Ka Paani (1968)’, ‘Khajuraho Ka Shilpi (1970), ‘Ek aur Dronacharya’(1971),‘Fandi(1971), ‘Raktabeej(1976)’, ‘Poster(1977), Gharonda’(1978), ‘Komal Gandhar’ (1979), ‘Dooriyaan’(1981), and others. Directors like B.V. Karanth, Arvind Deshpande, Satyadev Dubey, Mushtaq Kak, Ashok Goswami and others staged many of the plays written by Dr Shankar Shesh.
Movies were made on his stories ‘Gharonda-1977’ and ‘Dooriyaan-1979’ where the movies came first and the staging of these plays was made later. He also wrote dialogues for the movie ‘Solvaan Saawan-1978’ and ‘Dooriyaan-1979’. The movie ‘Dooriyaan-1979’ also fetched him the ‘Filmfare Award’ for Best Story.
Dr Shankar Shesh loved his home land Chhatisgarh and its culture very much.
He was a voracious reader too and read wide ranging books, literature in English, Hindi and Marathi. His thoughtfulness and contemplation has reflections in his writings and in the various characters of his stories or plays. He also translated plays for children. His plays got famous on stage and were aired on ‘Radio’ and ‘TV’ frequently. He especially wrote play ‘Chehre’ (1977) for ‘Doordarshan’. His plays have also been translated in many languages. His various research works include ‘Language Issue In India’, ‘Kaamkaazi Hindi’, ‘Hindi Kahaani Ka Vikaas Pramukh Kathaakaar’, ‘Rachnavali’, ‘Marathi Kahaani aur Pramukh Kathaakaar’ etc. He also studied the language ‘Tulu’ and wrote a book on it when he was doing his post-graduation. He also wrote the plays ‘Hindi Ka Bhoot’, ‘Nagpuri Hindi’ when the ‘rashtrabhaashaa Hindi’ movement was around.
Dr Shankar Shesh’s professional journey started from Nagpur as a Professor of Hindi in ‘Morris College’ (which is known as Nagpur University now). After that he went to Rewa (M.P) and from there to Shahdol. During these days he wrote the poem “Sangi Chal Bhillai Jaavo”. During these years there was a thing associated with him that he would not stay at any location for more than three years. Even in Shahdol where he stayed for five years he would shift his residence to various locations in the city.
From Shahdol he shifted to Bhopal, and finally to Bombay in the seventies as a ‘Chief Officer (Rajbhaashaa Vibhaag) in State Bank of India. During this period he wrote the “Hindi Banking Shabdkosh”.
After coming to Bombay he got to interact with Hindi Film personalities and that is when movies were made on his stories and plays. Director Bhimsain made ‘Gharonda’ after listening to his story which Dr Shankar Shesh used to discuss with his friends after writing a play.
However his untimely death prevented some more movies on his stories which were in the pipeline. It is mentioned in his life sketch that Shashi Kapoor was interested in making a movie on ‘Ek Aur Dronacharya’ and also the great V. Shantaram had got the manuscript of ‘Khajuraho Ka Shilpi’. But that could not happen because of his death.
Among his sons all got education in engineering. After passing away of Dr Shankar Shesh and his wife (around 2015), his son Sanjay is continuing to promote his plays and also new playwriters through ‘Shankar Shesh Foundation Trust’.
The story of today’s movie ‘Poster-1984’ is based on tribal area of Bastar (Chhatisgarh). Dr Shankar Shesh had travelled a lot in Bastar for understanding the lives of the people there and the problems faced by them. As mentioned in one of the articles on him his play ‘Poster’ revolves around an innocent incident, which leads to a revolution in a small village. He created a wonderful play by using traditional “Kirtankaar’s style” (storytellers), using songs and music to tell the story.
A poster creates a huge fuss that changes the lives of the villagers. In this play the tribals oppose the exploitation of the rights by the landlords and Government. But a small spark leads to a big fire and a small incident make the people realise their power and fight for their rights in the society.
In today’s song we can see Dr Shankar Shesh mentioning about the ‘labour’ or ‘shram’ and also taking a dig at the prevailing societal conditions and political leaders which was his wont and featured prominently in his writings.
Only the audio of today’s song is available. Also I could not find this movie ‘Poster-1984’ available online. I would request knowledgeable readers who have watched this movie to share more about this movie, and its songs.
Let us now enjoy this wonderful song in the voice of Mahendra Kapoor.
With this song the movie ‘Poster-1984’ makes its debut on the blog and lyricist Dr Shankar Shesh and music composer Gopal Jwala also makes their debut on this blog today.
(Sources on information about Dr Shankar Shesh – Website of ‘Shankar Shesh Foundation Trust’, and an interview of his son Sanjay Shesh in Hindustan Times dated 26.09.2016 and Myswar.com)
Audio
Song-Gaaiye Ganpati jag vandan (Poster)(1984) Singer – Mahendra Kapoor, Lyrics-Shankar Shesh, MD-Gopal Jwala
chorus
Mahendra Kapoor + Chorus
Lyrics
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
girija sut
girija pati nandan
girija sut
girija pati nandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
keertan mein sab
dev padhaare
raag dvesh sab
swarg sidhaarey
keertan mein sab
dev padhaarey
raag dvesh sab
swarg sidhaarey
kaalepan ka munh ho kaalaa
kaalepan ka munh ho kaalaa
jan-maanas ka ho abhinandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
vaani boley
sach ki bhaashaa
aankhon mein jeewan ki aashaa
vaani boley
sach ki bhaashaa
aankhon mein jeewan ki aashaa
ghistaa jaaye shram se ye tan
ghistaa jaaye shram se ye tan
ghistaa jaataa jaise chandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
kheton mein sonaa bauraaye
koyee bhookhaa sone naa paaye
kheton mein sonaa bauraaye
koyee bhookhaa sone naa paaye
netaa chhoden abhinetaapan
netaa chhoden abhinetaapan
denaa chhoden jhoothhe bhaashan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
gaayiye ganpati jag vandan
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
ganpati bappa moryaa
———————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————-
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
गिरिजा सुत
गिरिजा पति नन्दन
गिरिजा सुत
गिरिजा पति नन्दन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
कीर्तन में सब
देव पधारे
राग द्वेष सब
स्वर्ग सिधारे
कीर्तन में सब
देव पधारे
राग द्वेष सब
स्वर्ग सिधारे
कालेपन का मुंह हो काला
कालेपन का मुंह हो काला
जन मानस का हो अभिनंदन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
वाणी बोले
सच की भाषा
आँखों में जीवन की आशा
वाणी बोले
सच की भाषा
आँखों में जीवन की आशा
घिसता जाये श्रम से ये तन
घिसता जाये श्रम से ये तन
घिसता जाता जैसे चन्दन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
खेतों में सोना बौराये
कोई भूखा सोने ना पाये
खेतों में सोना बौराये
कोई भूखा सोने ना पाये
नेता छोड़े अभिनेतापन
नेता छोड़े अभिनेतापन
देना छोड़े झूठे भाषण
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
गाइए गणपति जग वंदन
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
गणपति बाप्पा मोरया
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5166 | Post No. : | 17135 | Movie Count : |
4621 |
Hullo Atuldom
The ‘Chaturthi’ after the Amavasya of the month of Bhadrapada is the date on which we celebrate Ganesh Chaturthi or Vinayaka Chaturthi (as it is called in South India). Bhadrapada being the sixth month of the Hindu calendar, Chaturthi being the fourth day after the New Moon (Amavasya) or the Full Moon (Purnima). This year i.e. 2022 this date corresponded to 30th August of the gregorian calendar. Here I would like to say that Ganesh Chaturthi happens to be the celebration of the God’s birth.
Devotees of The Elephant-headed god, Shri Ganesha, bring home clay idols of the Lord, do pooja over one & half, three, five or ten days. People of Maharashtra, Telengana, Andhra Pradesh, Karnataka etc (I don’t know about other parts of the country) also bring home idols of the mother- goddess in the form of ‘Gauri’ and worship the mother & son together. A variety of prasads are offered to the Lord and people feel that some relative or family member has come over to stay with them. At the end of the festivities (depending on the period that the individual family follows) these clay idols are taken for immersion in nearby waterbodies.
There are public (Sarvajanik) groups also that have pandals (shamianas), across cities not only in India but where ever Indians stay, that install idols some of which are very tall. Normally these idols are worshipped over the full 10-day period and then taken for immersion with pomp accompanied by dance and music. This form of Sarvajanik celebration of the festival was started during India’s freedom struggle and was the brain-child of Bal Gangadhar Tilak.
All the processions are accompanied with cries of “Ganpati Bappa Morya, Pudcha Varshi Lavkar ya” meaning “Ganpati Bappa, please come again next year as soon as possible.” There is a tale about “Morya” following “Ganpati Bappa”, which I expect our knowledgeable followers/readers to throw light on.
The idols are worshipped one last time, arathis are offered, prasads are distributed before immersing in the waterbody. In big cities, we can see queues of idols awaiting their turn for immersion, there are various television channels that show the whole event live.
Today (9 september 2022) is that day when the idols are taken for immersion. Today is “Anant Chaturdashi”. After a gap of two years, thousands of devotees are on the roads, taking their idols for immersion.
On this occasion let us have a song where Madhuri Dixit is bidding Goodbye to her Ganpati Bappa. She sings in the voice of Lata Mangeshkar a song composed by Rajesh Roshan. What we see Madhuri do in the song is something that happens in many apartments i.e. placing the family’s Ganesh idol in the truck carrying a Sarvajanik Ganesh idol.
The song is from the 1993 release “Aansoo Bane Angaarey”. The movie was directed by Mehul Kumar, produced by J.K. Verma, and Indeevar, Dev Kohli & Payam Sayeedi were the songwriters. Madhuri Dixit played a double role and Jeetendra & Deepak Tijori were romantically paired opposite her. Bindu, Archana Puran Singh, Aruna Irani, Kiran Kumar, Anupam Kher, Prem Chopra, Tiku Talsania etc formed rest of the cast.
Song-Ganpati Bappa agle baras tum jaldi aana(Aansoo Baney angaarey)(1993) Singer-Lata, MD-Rajesh Roshan
Male chorus
Female chorus
All chorus
Lyrics(Provided by Prakashchandra)
Ganpati Bappa Morya
Pudcha Varshi
Lavkar Ya
ho ho ho
ho ho ho ho
ho ho ho
ho ho ho ho
ho ho ho ho
ho ho ho ho
ganpati bappa
hey
ganpati bappa
agle baras tum jaldi aana
jaldi aana aa
aa aa aa
aa aa aa aa
ganpati bappa agle baras tum jaldi aana
jaldi aana
hote ho tum jab mehmaan
ghar laage mandir ke samaan
ganpati bappa
hey
ganpati bappa
agle baras tum jaldi aana
jaldi aana aa aa aa
o o aa aa
o o aa aa
o o o
o o
o o o o
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
hai tere jaisa dev na dooja
hai tere jaisa
aa aa aa aa
hai tere jaisa dev na dooja
hoti hai sabse pahle
teri pooja
hoti hai sabse pahle
teri pooja(aa aa aa aa)
siddhi vinaayak daya nidaan
aa aa aa aa aa
siddhi vinaayak daya nidaan
sab devon ki tum ho shaan
ganpati bappa
hey
ganpati bappa
agle baras tum jaldi aana
jaldi aana aa aa aa
aa aa aa aa
aa aa aa aa
jaisi bani ki hamne sewa
jaisi bani
aa aa aa aa
jaisi bani ki hamne sewa
bhool hui to hogi hamse deva
aa aa aa aa
bhool hui to hogi hamse deva
teen lok ke tum bhagwan
aa aa aa aa
teen lok ke tum bhagwan
hum thahre naadaan insaan
ganpati bappa
hoy
ganpati bappa
agle baras tum jaldi aana
jaldi aana aa aa aa
ganpati bappa
agle baras tum jaldi aana
jaldi aana
hote ho tum jab mehmaan
ghar laage mandir ke samaan
ganpati bappa
hoy
ganpati bappa
agle baras tum jaldi aana
jaldi aana
Shendur laal chadhaayo
Posted by: Atul on: September 10, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4802 | Post No. : | 16569 | Movie Count : |
4513 |
Hullo Atuldom
10th September 2021 is actually 19th day of the Bhadrapada month in the Vikrama Nama Samvat of the Hindu Calendar. It is the 4th day after the Amavasya or the New Moon. This day is very special as it is the day when the devout Hindus pray to the elephant-headed God Ganesha.
This is one festival that is celebrated through the country calling it Vinayaka Chaturthi in South India and Ganesh Chaturthi in the rest of the country. But the Lord worshipped and adored is the same and the offerings and prasad are basically the same. The flowers that are usual are the Hibiscus and the Marigold. Leaves of tender Banana plant are used to decorate the puja stands and mango leaf garlands adorn the doorways to homes. The most relevant flower or plant used to worship Lord Ganesha is said to be the Durva Grass. It is said that once while fighting a demon, Ganesha ended up swallowing him. This gave him a burning sensation in the stomach. When all else failed a group of sages placed a bunch of 21 Durva grass on him and he felt better. Another story says that Lord Ganesha suffered from a burning sensation after being cursed by a celestial woman. He became a recipient of the bane after rejecting her marriage proposal. Therefore, to rid himself of the discomfort and agony, Lord Ganesha placed a few strands of the Durva on his head. But Durva Grass is one of the offerings
Another common factor in the worship of Ganesha is the Modak – a sweet preparation made variously with Rice flour exterior and a filling made of coconut which is sweetened mostly with jaggery as in some parts of the country. Modak made from thickened milk (khova) and flavoured with saffron and cardamom are also offered specially in the Sarvajanik Ganesh Mandals. We in South India also have a savoury variation of the Modak. There is a story associated with Ganesha’s love for the Modak. Devi Parvati- the mother of Shri Ganesh and Shri Kartikeya- gave a modak to the two brothers. But both didn’t feel like sharing it with the other. So, as a way to decide who will get it, the mother asked her sons to take three rounds of the world and the winner would get the modak. Kartikeya promptly set off on his Peacook to abide with what his mother had said. Ganesha won the modak by taking three rounds of his parents as they meant the world for him. Such is the love that the lord has for the humble Modak.
As a child I used to visit my neighbour’s home when they brought beautiful clay idols of the god. That aunty taught me and other kids of the apartment all the associated aartis and bhajans which have been handed down from generations. Personally, I have no idea of who the original writers were but I keep seeing them used in films too, down the years. And each film credits a different writer as being the lyricist. Like for example, I found a movie called “Jai Ganesh” (1977) which credited “Sukhakarta dukharta varta vighnanchi” to Bharat Vyas and Visweswar Sharma. And I always thought it was a traditional aarthi; of course closer inspection brought out Hindi words and the original was possibly in Marathi. (I could be wrong about all of this though) I have myself shared two Ganesh aarathis on the blog which were credited to Mayur Puri (Riddhi siddhi vridhhi hoti) and Amitabh Bhattacharya (Deva shree Ganesha). These two displayed the feelings of the on-screen characters and relied of the original aarathi towards their end.
Today’s song is a Ganesh aarati with all the words as I have learnt it but Sameer is credited as lyricist. Music is by the duo Jatin-Lalit and is from the 1999 release “Vaastav”.
The movie had a cast headed by Sanjay Dutt, with Namrata Shirodkar, ,Mohnish Behl, Aarti Behl (also known as Ekta Behl), Reema Lagoo, Shivaji Satam, Sanjay Narvekar, Deepak Tijori, Paresh Rawal, Mohan Joshi, Ashish Vidyarthi, Himani Shivpuri etc. It was directed by Mahesh Manjrekar, produced by Sanjay Nikalje, had music by Jatin Lalit, Atul Ranade and Rahul Ranade. The movie won Sanjay Dutt a filmfare award for best actor for playing ‘an easy-going guy to a broken man’. ‘Vaastav’ had a tagline ‘The Reality’ and tried to depict the harsh realities of life in he Mumbai underworld. It also had a few good songs.
Today’s song happens just when the boys of the chawl have found that they have been used for personal gains by the underworld don, home minister etc. Raghu (Sanjay Dutt) finds out from the friendly inspector Kishore Kadam (Deepak Tijori) orders have been issued to eliminate them as they have become a thorn in the flesh of those who used them. The movie ends with Reema Lagoo shooting her (like Nargis in ‘Mother India’).
Let us welcome our ‘Pyara Ganpati/ Ganesh/ Vinayak… Ganpati Bappa…. Morya!!!!!!
Video
Audio
Song-Shendur laal chadhaayo achcha gajmukh ko (Vaastav)(1999) Singer-Ravindra Sathe, Lyrics-Sameer, MD-Jatin Lalit
Lyrics
shendur laal chadhaayo achcha gajmukha ko
dondil laal biraaje sut gauri haar ko
haath liye guda laddu sai survar ko
mahima kahe naa jaaye lagat hu pad ko
jaidev jaidev
jaidev jaidev/em>
jai jai ji ganraaj vidyasukhdata
dhanya tumhaaro darshan mera
mann ramta
jaidev jaidev
jaidev jaidev
bhava bhagat se koi sharanagat aave
santati sampatti sabahi bharpoor paave
aise tum maharaaj moko ati bhaave
gosavinandan nishi din gun gaave
jaidev jaidev
jaidev jaidev
jai jai ji ganraaj vidyasukhadata
dhanya tumhaaro darshan mera
mann ramta
jaidev jaidev
jaidev jaidev
ghaalin lotaangan
vandin charan
dolyaani paahin roop tujhe
preme aalingin
aanande pujin
bhaave ovaalin mhane naama
twamev maata pita twamev
twamev bandhushch sakha twamev
twamev vidya dravinm twamev
twamev sarvam mam dev deva
kayen vach manasendriyairva
buddhyatmana va prakritiswabhava
karomi yadhyat sakalam parasmai
narayanayeti samarpayami
achyutam keshavm ramanarayanam
krishnadamodaram vasudevam hari
shridharam madhavam gopikavallabham
janakinayakam ramachandram bhaje
hare raam hare raam raam raam hare hare
hare krishna hare krishna krishna krishna hare hare
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
hare raam hare raam raam raam hare hare (aaaaaaaa )
hare krishna hare krishna krishna krishna hare hare (aaaaaaaa )
Ganpati bappa morya khoob tera sansaar hai
Posted by: Atul on: September 2, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4063 | Post No. : | 15196 | Movie Count : |
4175 |
“Ghar Mein Ram Gali Mein Shyam”(1987) was produced by Jairam Gulabani and directed by Subhash Sonik for Babu Films, Bombay. This movie had
Govinda, Neelam Kothari, Anupam Kher,Khushboo,Beena aka Beena Bannerjee, Rita Bhaduri, Johny Lever, Nivedita Saraf aka Nivedita Joshi, Satish Shah, Kirty Kumar(Govinda`s Elder Brother in real life), Shakeela Bano, Buta Singh, Mahinder, Pramod Phatak, Ravinder Singh Grover, Beeta, Ram Dhani etc in it.
The movie had five songs in it and they were sung by fve singers.
Today (2 september 2019) is Ganesh Chaturthi. On this occasion here is Lord Ganesh related song from “Ghar Mein Ram Gali Mein Shyam”(1987). This song is sung by Suresh Wadkar and chorus. Anjaan is the lyricist. Music is composed by Amar Utpal.
The song is lip synced by Anupam Kher, with Rita Bhaduri, Neelam, Govinda and many other also visible in the picturisation of this devotional song.
Lyrics of this song were sent to me by Prakashchandra.
With this song, “Ghar Mein Ram Gali Mein Shyam”(1987) makes its debut in the blog.
I take this opportunity to wish everyone a very Happy Ganesh Chaturthi.
Video links: (Partial)
Audio link (Longer)
Song-Ganpati Bappa morya khoob tera sansaar hai (Ghar Mein Raam Gali Mein Shyam)(1987) Singer-Suresh Wadkar, Lyrics-Anjaan, MD-Amar Utpal
Chorus
Lyrics(Based on audio link)(Provided by Prakashchandra)
ganpati bappaa
moryaa
ooo ho oo hooo ooo
ooooo ho ho ho ho
hooo ho oo hooo
ooo ho oo hooo ooo
ooooo ho
hooo ho oo hooo ho
ho ganapati bappa moreya
mangalmoorti morya
o mangalmoorti moreyaa
mangaldarshan saarkaa
hho ganapati bappa morya
mangalmoorti morya
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
paap hai atyaachar hai
dayaa dharam na pyaar hai ae
sachchaai ki haar hai
jhooth ki jai jaikaar hai
sachchaai ki haar hai
jhooth ki jai jaikaar hai
ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
dhokha dein jo auron ko yahaan
haan jee auron ko yahaan…aaan
poojey unnko poojey rey kyun saari duniyaa..aa
saarey jogi dhongee ho gaye
haan haan dhongee ho gaye
saare gyaani dhyaani jaane kahaan kho gaye
pyaar banaa vyaapaar hai
duraachaar vyabhichaar hai
zulmon ki bharmaar hai ae
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansar hai
karm hai eeshwar
karm hi poojaa…aaa
karm hai eeshwar
karm hi poojaa
karm se badh ke
dharm na doojaa
jeenaa kya hai ae
bas wohi jaaney
jo jeevan se ae
haar na maaney
sundar ye sansaar hai
karm ki shakti apaar hai
kyun praani laachar hai..ae
ganpati bappa morya
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
agyaani hain jitne devaa
unn ko gyaan de
devaa unn ko gyaan de ae
riddhi siddhi
aur sukh sampati ka
ham ko daan de ae
agyaani hain jitne e devaa…aaaa…aaaa
ho o o o o
agyaani hain jitne devaa unn ko gyaan de
riddhi siddhi aur sukh sampati ka hamko daan de
tera bharaa bhandaar hai
tu sabka aadhaar hai
jag ka paalanhaar hai ae
ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
paap hai athyaachar hai
dayaa dharam na pyaar hai ae
sachchaai ki haar hai
jhooth ki jai jaikaar hai
sachchaai ki haar hai
jhooth ki jai jaikaar hai
ganpati bappa moryaa
khoob tera sansaar hai
ganpati bappa moryaa
khoob tera sansaar hai
hho ganpati bappa moreyaa
mangalmoorthi moryaa
hho mangalmoorthi moreyaa
mangaldarshan saarkaa (ho o o o o)
ho ganpati bappa moryaa(ho o o o o)
mangalmoorti moryaa (ho o o o o)
ho mangalmoorti moryaa(ho o o o o)
mangaldarshan saarkaa (ho o o o o)
ho ganpati bappa moryaa (ho o o o o)
mangalmoorti moryaa
(ho o o o o)
- In: Bhajan | Festival song | Ganesh Festival song | Guest posts | Lord Ganesh bhajan | Lord Ganesh related song | Lyricist-MD | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1987 | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3709 | Post No. : | 14636 |
Today, we are celebrating an eternal birth anniversary – anniversary of the One who is the First Worshipped on all occasions.
There are many tales and variations, that tell of the origins of Lord Ganesh. The telling, as per the Shiv Puraan goes like this. A time was when Lord Shiv went into meditation for a very long period of time. On one occasion, Nandi, the chief of the Ganas of Lord Shiv was not on Mount Kailash. Goddess Parvati started preparing for her bathing rituals. Nandi was not present at the abode, and the Lord Himself was in deep meditation. Wondering and waiting as to who would guard the doorways while she took her bath, Goddess Parvati fashioned a form of a boy child from the turmeric paste that she had applied on to herself. As the form took shape, she then breathed life force into him. A child, as yet un-named, was brought to life. Goddess Parvati instructed him that he is Her son, and that he would obey only her commands. She further instructed him to guard the doorways of the abode, while she was taking her bath. The newborn young child took the instructions to heart and stood vigilant at the doorways.
While Goddess Parvati was still taking her bath, Lord Shiv completed his meditation and arose. He came towards the abode, only to find a fine young child guarding the doorways. Now, the child was not familiar with who this fatherly figure was, as he had not yet been so instructed by Goddess Parvati. In the absence of that knowledge, for him, the prime duty was the last instructions he had received, to guard the doorway and not allow anyone to enter. He pleaded politely with the Lord, to wait. But of course, the Lord was only returning to his own abode an could not understand why he was being prohibited to enter his own abode. The exchange between the Lord and the child took toll of the patience of the Lord, and in a fit of piqued annoyance, threw his trishul (trident) at the child in a manner that the child was beheaded.
He entered his abode. Goddess Parvati had completed her ablutions by then and was ready. When she saw her Lord in the abode, she was happy, and made preparations to offer him something to eat. She served the items in two platters. The Lord asked her, for whom was the second platter. Then Goddess narrated the tale of how she had created a boy child from the turmeric paste from her own body, and left him to guard the doorways while she took bath. And she enquired that the Lord must have met the child as he enter the abode. The Lord now realized what had happened, and then narrated the events as they had transpired outside the doorway.
On hearing the episode of the demise of her just newborn or newly created child, Goddess was overcome with grief. Since she also is the Mother of all creation, her going to this state of grief coupled with fury, of course did not bode well for the creation. All the ferocious manifestations of the Mother Goddess started to appear, threatening destruction of everything. There was an outcry of panic and alarm amongst all living creatures in the universe. The lesser Gods went to Lord Brahma and prayed for his protection.
Lord Brahma came to Mount Kailash and pleaded with the Mother Goddess and Lord Shiv to somehow placate the extreme situation, and avoid the destruction of the universe. Goddess Parvati agreed, on the condition that the child that had been beheaded be brought back to life. In the exchange that occurred between the child and Lord Shiv, the impact of the trishul was such that the head of the child could not be seen anywhere. Lord Shiv then instructed all his adherent disciples to go and search for a head for this child. The instruction was to bring back the head of the first dead entity they encountered, who would be lying prone with its head towards the north. In this search, the first such being encountered was an elephant. And so, its head was brought back to the abode. Lord Shiva placed this head of the elephant on the headless body of the boy child, and breathed life force once again into him. The child was revived and the imminent destruction of the universe was avoided.
The child was named Ganesh, combining two words – gan + eesh. Gan is the word for the closest adherent disciples of Lord Shiv, and eesh is the word that indicates primary or the first lead – meaning the first and the most preferred and honoured amongst all the adherent disciples of the Lord. He is also known by the name Gajaanan – one with the face like an elephant (gaj – elephant; aanan – face). In reality, he is known by numerous names, all depicting certain special characteristics of his persona.
There are other events that followed, by which Ganesh also got the boon and blessing that he would be the first one to be worshipped in any auspicious activity of the humans and of the demigods.
For today’s celebration, we present her a song from the 1979 film ‘Marte Dam Tak’. The song is created by Ravindra Jain who is both the writer and the composer for this song. The singing voices are those of Shabbir Kumar, Suresh Wadkar, Hemlata and Mahendra Kapoor. On screen, the song is performed by Govinda, Shakti Kapoor, Farah Naaz and Rajkumar, while we also see Om Puri in the picturization. The lyrics of this song have been sent in by our dear Prakashchandra ji.
Once again, with plentiful greetings to all friends and readers on this occasion – may all the happinesses come your way, and all the obstacles in your paths be removed by the blessings of Lord Ganesh – the first amongst all the followers of Lord Shiv.
Ganpati Baapa Moryaa. . .
Audio
Video
Song – Muqabila Muqabila Tere Bhakt Janon Ka Muqabila (Marte Dam Tak) (1987) Singer – Shabbir Kumar, Suresh Wadkar, Hemlata, Mahendra Kapoor, Lyrics – Ravindra Jain, MD – Ravindra Jain
Chorus
Lyrics (Provided by Prakash Chandra)
ganpati bappa morya
moryaa re moryaa
ganpati bappa morya
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
mangal moorthi moryaa
moryaa re moryaa
muqabila muqabila
tere bhakt janon ka muqabila
muqabila muqabila
tere bhakt janon ka muqabila
hho o o kiss mein kitni bhakti hai
kiss mein kitni shakti hai
haan aan aan
kaun ye baazi maarega
kaun khel mein haarega haarega
mauka milaa mauka milaa
badi mushkil se ye mauka mila
mauka milaa mauka milaa
badi mushkil se ye mauka mila
ye mauka nahin chhodenge
aaj pataake phodenge
haan
ho o jaan ke hamne maukaa diyaa
apna waadaa pooraa kiyaa..aaaa…aaa
muqabila muqabila
tere bhakt janon ka muqabila
haan aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila
hho o o hho o hho o
ahaaaa…aaaaa
vakra tund mahakaaye hai tujh mein
koti soorya ki jyoti
koti soorya ki jyoti
shubh kaamon ke liye
pratham teri hi pooja hoti
teri hi poojaa hoti
pehle pooja kar lein phir hum doojaa kaam karenge ae
doojaa kaam karenge
lekar tera naam prabhu hum kaam tamaam karenge
kaam tamaam karenge
poojaa mein koyee bair nahin
par chhedaa to khaair nahin
kaun ye baazi maaregaa
kaun khel mein haarega haarega
muqabila muqabila
tere bhakt janon ka muqabila
haan aan aan
mauka milaa mauka milaa
badi mushkil se ye mauka mila
burrrrrrrrrr aaahhaaaaa
shankar suvan bhawani ke nandan
bhakton ke rakhwaaley
bhakton ke rakhwaaley
tera haath ho jiss ke sar pe
koyi usey kya maarey
koyi usey kya maarey
arrey jaan booj kar jo agyaani
maut ke moonh mein jaaye ae
maut ke moonh mein jaaye
arrey kaissey usey bachaaye bhagwan
kab tak ussey bachaaye
kab tak ussey bachaaye
kiss mein kitni bhakti hai
kiss mein kitni shakti hai
ae ae kaun ye baazi maarega
kaun khel mein haarega haarega
(hhaa hhaa)
muqabila muqabila
tere bhakt janon ka muqabila
haaan…..aaaaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila
jis raana ke naam ko sun kar
sajda karey zamana
dushman ke ae ghar aa pahuncha wo o o
ganpati kaa deewaana
dost se ho yaa dushman se
hum waada kabhi na bhoole
wo hathiyaar bana hi nahin jo o o
badan hamaara chhoo le
zarrey ki himmat to dekho
parvat se takraaye
parvat se takraaye
apni hasti bhool ke katraa
dariya se hodh lagaaye
dariya se hodh lagaaye
tujh par jinhein bharosa
nahin kisi se darte
nahin kisi se darte
marte dum tak bhakt tere
tera hi dum bharte
tera hi dum bharte
kitna dum kiss jaani mein
kaun hai kitne paani mein
hum ye baazi maarenge
haarne waaley haarenge haarenge
muqabila muqabila
tere bhakt janon ka muqabila
haan…aaan
mauka milaa mauka milaa
badi mushkil se ye mauka mila
jai ganesh jai ganesh deva
jai ganesh jai ganesh deva
seva kare so paave mewa
jai ganesh jai ganesh deva
ek dant balwant vinaayak
jai ganesh jai ganesh deva
sab dukh haran sakal sukh daayak
jai ganesh jai ganesh deva
tumhri kirpa jis par hoyi
jai ganesh jai ganesh deva
uss ka shatru hai nahin koyi
jai ganesh jai ganesh deva
tu hamko praanon se pyaara
jai ganesh jai ganesh deva
kar pranaam sweekaar hamaara
jai ganesh jai ganesh deva
kar pranaa..aam sweekaa..aar hamaara
Moorty Ganesh ki andar daulat desh ki
Posted by: Atul on: September 9, 2013
“Takkar” (1980) was a Padmalaya Films Production. It was produced by G A Seshagiri Rao and directed by K Bapaiyaa. The movie had Sanjeev Kumar, Zeenat Aman, Jeetendra,Jayaprada,Vinod Mehra(double role), Bindiya Goswami, Ranjeet, Mac Mohan, Ashok Kumar, Kamini Kaushal, Sujit Kumar, Jeevan, Mukri, Asrani,Shivaraj,Leela Chitnis, Komila Virk, Jalal Agha, Mohan Choti, Master Bittoo, A.Abdul Hameed, Mac Mohan, Umesh Sharma,Swaraj Gupta, Anand Mohan, Umesh Khanna, K N Reddy, Pawan Babu, Asha Sachdev, Prema Narayan etc on it.
Read more on this topic…
Jai Ganesh Jai Ganesh Jai Ganesh Deva
Posted by: Atul on: September 9, 2013
The worship of Lord Ganesh has been in vogue for thousands of years as a private affair. It was forst organised as a public celebration in 1893 in Maharashtra at the initiative of Bal Gangadhar Tilak. In a few years time it became a massive public event in Maharashtra and elsewhere as well.
Read more on this topic…
Bhagwaan tumne kya kiya ye kaun sa badla liya
Posted by: Atul on: September 9, 2013
- In: Asha Bhonsle songs | Duet | Lord Ganesh related song | Lord Shiv related songs | Lyrics by Nitin Shah | Lyrics contributed by readers | Rafi songs | Rafi-Asha Bhonsle duet | Rare song | Remonstrating with the Almighty | Songs of 1950s (1951 to 1960) | Songs of 1955 | Yearwise breakup of songs
- 1 Comment
Today (9 september 2013) is Ganesh Chaturthi and Lord Ganesh is worshipped on this day. Lord Ganesh has the head of an elephant. How he got this head has an explanationin mythology. Here is how it happened:
Read more on this topic…
Hey Ganpati bappa moriya
Posted by: Atul on: September 9, 2013
“Pujaarin” (1969) was a Mayur production movie. It was directed by Dhirubai Desai. The movie had Vijay Dutt, Rehana Sultan, Pratap, Shanaaz, Niranjan Sharma, Sadhana Khote, Monto,Bhagwan Sinha, Jay Kajaria etc in it.
Read more on this topic…
Hey Ganesh jai Ganesh
Posted by: Atul on: September 9, 2013
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Today is GANESH CHATURTHI.
Ganesh festival is celebrated all over the country with great enthusiasm. But it is an especially popular festival in Maharashtra.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments