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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3746 Post No. : 14705

Today’s song is the 5th song from the film Aahuti-50, to be discussed here. I have not seen this film, but from its second Title ” Anokhi Kurbani “, the movie seems to be about some kind of sacrifice. Whether it was for the country, family or just a Lover is not known. This was one of those films, made by a less known banner, directed by one whose name I read first time- Kulbhushan and the MD, who left no trace of him either of origin or the end- D.C.Dutt.

D C Dutt is its Music Director. His name is not known to many. All of us know that Lata Mangeshkar had to struggle very hard in her initial attempts of getting into Playback singing in Hindi films. In her early struggle, three Duttas helped her. The first was of course Datta Davjekar who gave her the first opportunity to sing a playback song for his film Aapki sewa mein-47. The second was K.Datta or Datta Korgaonkar, who, after his favourite singer Noorjehan left India, took Lata under his wings and gave her songs. The third Dutt was this-D C Dutt. No information is available about him whatsoever, except what is printed in HFGK and its duplication in Pankaj Raag’s book “Dhunon ki Yatra”. Thanks to this, we know that his debut was through film Sona Chandi-1946. Out of 12 songs of that film, only two were his and one of them was by Lata Mangeshkar. For rest, the composer was Tufail Faruqi.

This Lata song has a history. Film Sona Chandi was censored first on 19-7-46 and released. That time these 2 songs of D.C.Dutt were not there. In January 1948, when Gandhi ji’s death took place, many songs on Gandhi ji were recorded by many singers and composers. One of the most famous, popular and successful song was “Suno suno aye duniya walon, Bapuji ki amar kahani” sung by Mohd. Rafi in 4 parts and recorded by its composers Husnalal-Bhagatram. In this spate, D.C.Dutt also recorded a Gandhi ji song by Lata in 1948. Producers of film Sona Chandi got this and one more song ( by Saroj Borkar) included in the film and the film was re-censored on 9-4-48. Thus an early song of Lata was in a film, because of D.C.Dutt. Meanwhile the original Music Director of the film Sona Chandi-46 aka Bhai-Bhai, Tufail Faruqi ( brother in law of Ghulam Haider) had already migrated to Pakistan after the Partition.

D C Dutt later did some more films like, Sarai ke bahar-47, Dil ki Awaz-48, Anjana-48 ( he even acted in this film), Ram Darshan-50 ( he was one of the 6 Music Directors that the film had), Aahuti-50, Simba-51, Ranee-52 and lastly Sahil-59. Very surprisingly, after film Sona Chandi-46, Lata did not sing a single song in any of his films. After 48-49, Lata had become a very busy and ‘in demand’ singer and she would sing only for established composers ( we all know that she did not sing even in Madan Mohan’s debut film Aankhen-50, just because he was new).

The cast of the film, Aahuti-50 consists of Mumtaz Shanti, Ranjit Kumari ( who married actor Ramsingh and settled in UP), Sapru, Kesari, Bikram Kapoor, Struggling actress Shyama, Sudhir, Indubala and many others.

Mumtaz Shanti or Mumtaz Begum was born in 1922 at village Dinga in Punjab (now in Pakistan). She lost her parents early and she was brought up by her uncle who was a Police constable. After his transfer to Lahore, Mumtaz was able to continue her schooling. She learnt dancing and Music.She was also an expert in household chores. She was first rejected by Shorey Pictures,but then the famous writer/Lyricist Wali Saheb helped her and took her to Calcutta’s East India Film co. to work in a Punjabi film ‘Sohni Kumharan’-37. She also did another Punjabi film ‘Chambai ki Dali’-41 in Calcutta. Meanwhile,she was invited by Shorey pictures to Lahore to act in their Punjabi film ‘Mangti ‘-42. This film ran for 65 weeks giving her name and fame.

Barkat Nizami was the uncle of actress Mumtaz Shanti. It was through the efforts of Barkat Nizami that she was introduced to the Hindi film screen. This person had a knack for recruiting girls to cinema. First he brought in Mumtaz Shanti and then his own wife, Geeta Nizami. According to him this was a business, more than a marriage. He used to take 50% of earnings from Mumtaz Shanti, but after she married Wali Saheb, this stopped.

Rai Bahadur Chunilal Of Bombay Talkies offered her a role in their film Basant-42. She did Basant and Kismet-43. Both the films were hits and famous all over India. Mumtaz was good looking,tall and lithe,so looked attractive. After Kismet she became a freelancer and worked with many different studios, in Badalti Duniya and Sawal-43,Bharthari, Lady Doctor and Pagli Duniya-44,Chand chakori-45,Shravan Kumar, Dharati, Magadhraj and Pujari-46, Dekhojee and Doosri Shaadi-47,Padmini, Heer Ranjha and Ghar ki izzat-48,Putali, Biwi and Aahuti-50. Her last film in India was Zamane ki Hawa-52. In all she worked in 21 Hindi and 4 Punjabi films. She did 2 films in Calcutta, 4 in Lahore and the rest in Bombay.

She had married Lyricist/writer/Director Wali Saheb in 1947. He directed her in 3 films in India. He was very strict and forced her to come to studios only in Burqa. She was not allowed to talk to anyone. Manto has written some interesting incidents about her in his sketch of Ashok Kumar. According to him after marriage she used to come for shootings wearing ‘Burqa’. And Wali Saheb told the Producer/Director that no one should touch her. She was the second wife of Wali Saheb and she didn’t have any issue. Wali Saheb, however adopted a son for her ( who was a child of Wali Saheb’s brother, another famous lyricist, Nazim Panipati). This adopted son, Sikander Bin Wali lives in Washington D.C. Wali Saheb’s elder son from his first marriage, Zafar was Assistant Director of film Ghunghat-1962. They migrated to Pakistan after 1953. She retired from films and remained a housewife only. Walisaheb did 3-4 films,without much success. He died in 1977. Mumtaz Shanti also died in 93/94,unsung and unknown in Pakistan. ( information culled from articles provided by shri Harish Raghuwanshi ji, Filmdom-46, Khwaja Irfan Anwar and my notes).

Many actors, Directors and few actresses came from Kashmir, to join Hindi films. In olden times, some prominent names were Jeevan, Chandra Mohan and Sapru, besides many others. Actresses were Shyama Zutshi and Yashodhara Katju in early times. Here is some information about D.K.Sapru, based on an edited article from Chinar Shade.com, and from shri M.N.Sardana ji with thanks…

“ Where from have you come ? You look like an European . Please sit . I need to talk to you .”

This is what V Shantaram had told the young boy in 1944 who had come all the way from Jalandhar to Prabhat Studios Poona . Shantaram , Babu Rao Pai and S. Fatehlal were the partners of Prabhat Studios present at that point of time.

Looking at his face and after the usual introduction ,V Shantaram signed the blue eyed handsome Daya kishen Sapru for a role in his next movie RAM SHASTRI.. The character of a Peshwa played by him was well noticed and the movie turned out a big hit.. He was signed as lead hero by the Company on a monthly salary of Rs3000/= highest ever paid to any hero during those days . It was a hefty sum that enabled him to live a princely life during those days .It was somewhere around 1945-46.

Films started pouring in later .He acted in Romeo and Juliet ( opposite Nargis . Nargis’s Mother Jaddan Bai was all praise for Sapru. The film was produced by Nargis’s brother Akhtar Hussain . ) ,Jhansi Ki Rani ,Kalapaani , Hum Hindustaani , Sahib Bibi Aur Ghulam, Mujhe Jeene Do , Leader and Shaheed . Who does not remember his role as Majhale Sarkar ( Chaudhary ) in Sahib Bibi Aur Ghulam. Again as Zamindaar in Mujhe Jeene Do , he became quite popular. We saw him in some wonderful roles in Naya Daur , Prem Pujari ,Jewel Thief , Krodhi , Kudrat ,Dharm Veer, Dream Girl, Zanjeer , Pakeezah and many more such films .It was a period when story writers would create a character for him in the story or script. He was seen either as a Zamindaar or a Police commissioner or a Judge in most of his later films .

In Total, he must have acted in more than 350 films and out of which he played lead role in more than 50 films. He also played lead roles in some Gujarati and Punjabi films.

Saprus are Sarswat Brahmins from Kashmir known as kashmiri Pandits who belong to DIPAT SAMAN AUPAMANYAVA Gotra or the lineage of an Aryan Rishi .This clan of kashmiri Pandits actually belongs to village SAPREIN in present day Kulgam district of kashmir and could be safely called as aboriginal kashmiris . some other prominent Saprus are Sir Tej Bahadur Sapru , Jagdish Narayan Sapru ( Prominent Businessman of the country ) Sahaj Ram Sapru Revenue collector during the rule of Afghan Governor Azim Khan ( 1809-1819 ) and Dr Allama Iqbal Urdu poet and Islamic scholar ( He too belonged to a Sapru family from kulgam that had converted to Islam )

Daya kishen Sapru belonged to a well off family from Kashmir and his father was employed in Maharaja’s Treasury . That made the family to move to Jammu and Lahore during winters. Daya Krishen was born at Jammu and had his early education at Jammu and Lahore .Fluent in Punjabi , he was also proficient in Hindi , Urdu and English .From his childhood days , he would love music and singing . He could easily play on his Harmonium.

Before moving to PUNE , D K as he was known amongst his numerous friends lived at Jalandhar cantt for some time where he took up the job of a contractor .He had four brothers and two sisters and D K happened to be the fourth child in this joint family.

D K Sapru met Marathi actress and IPTA activist Hemvati and they fell in love. They married in 1948 .Hemvati was a noted Marathi actress who also worked at PRITHVI Theatres. She acted in SANGRAM with Ashok Kumar and Nalini Jaywant in lead roles. She had also worked with Dev Anand in MOHAN ,Mubarak and Renuka in Ghar Ghar Ki Kahaani and Raj Kapoor in Jail Yatra . A play of Prithvi Theatres, named Deewar had Hemvati and Raj kapoor in lead roles and the play became quite popular on stage during those days.

After marriage , Hemvati played the role of a caring wife and an affectionate mother in her family. After marriage,She possibly acted only in one movie PATIT PAAVAN a home production of sapru family. Hemavati died on 10-4-2005.

Sapru children are also in films. To quote their elder daughter REEMA is a well known script writer while second daughter PREETI is a successful Punjabi actress while their son Tej is a noted film and TV actor. The brother and sisters are closely attached to each other. They too live by the family values that they inherited from their father .

D K Sapru also acquired good and working knowledge of Homeopathy and was seen reading Homeopathic books quite often during his spare time. He then started practicing this school of medicine and would treat everybody without any charge often Buying medicines and distributing them free.

Sapru also committed a folly of producing films . One can say that he was misguided by some selfish friends .Though he had learnt some lessons from his first home production Patit paavan , a movie that earned him a few thousands only yet he took up another production project ” Bahadur Shah Zaffar”’ and brought in a large star cast that included Sudesh Kumar , Chand Usmani ,Shyama , Rehman ,Jeevan, Ulhaas ( M N kaul ) and Nirupa Roy .He pooled in all his resources and raised loans for the project mortgaging his spacious new Bunglow .The movie did not sell on Box office. That landed the family in great trouble. The house had to be sold to repay debts .

Sapru turned diabetic during his later life. Inspite of his failing health he decided to make a last attempt to produce another film JEEVAN CHALNE KAA NAAM. By Now Reema was a trained screen play / script writer . She wrote the script and the family signed in Sanjeev Kumar , Rekha , Shashi Kapoor . DK fell ill suddenly and had to be hospitalized for about an year. The project was abandoned. D K was also operated upon for a malignant growth in his shoulder and finaly died of a heart attack at a young age of 63 years in 1979. His favourite child Reema was already married at that time . And by then he had also turned a grandfather.

It was big blow to the judiciary when Mr Daya Kishen Sapru departed for heavenly abode. There were other esteemed judges, who graced the self-righteous chair of the temple of justice but could not create a niche for them like Mr Sapru and Mr Murad, in Hindi films . It is to their credit ,that they both not only enhanced the prestige of judiciary ,but they were also apt in enacting all types of characters.

Mr D K Sapru,scion of an influential Pandit family of J & K and one of the most handsome actor of his time ,like other young men joined the film line to become hero. Fair complexioned with expressive light eyes like his senior actor & fellow Kashmiri Pandit Chandra Mohan ,soon he became a known actor. His cousin Mr Jeevan was already an established actor in Hindi Films .

In 1948, Jaddan Bai produced a movie which was based upon the tragic tale of Romeo And Juliet, written by William Shakespeare,in which the female leading role was played by her daughter Nargis, opposite Sapru Saab. In the same year he married Hemavati ,a Marathi actress ,who mostly had worked on stage of IPTA and Prithvi Theatres and also in few movies. Interestingly ,she was leading lady in 1947 movie Mohan ,in which the struggling actor Dev Anand was her hero. Hemvati & Sapru ,looked as if they were made for each other ,as both were good looking ,fair coloured and had similar light eyes.

There was a big advertisement in Film India and other papers ,when K Asif announced Mughal E Azam ,for which he took Sapru and Nargis as jilted lovers with Chandra Mohan in the title role of the Great Mughal. The movie could not progress , as firstly the financier migrated to Pakistan and in 49 , Chandra Mohan passed away . Mr Sapru became a full time character actor and his versatility came to the forefront , when he portrayed dissimilar character in different movies . Sapru Saab was man for all seasons ,and could portray saintly person/villain/cop/ foreigner/ villager / sophisticated person /King/ Sultan .all type of characters with ease.

He looked so charming person as rich Jeweller ,father of Tanuja in Jewel Thief and in Tere Mere Sapne, he was a humble villager. In Zanzeer ,he was a mafia lord and in Majboor (1964) ,he was prosecuting lawyer. He appeared in numerous mythological movies and in fact made Patit Pawan in 1955 ,which did average business.

As an actor, he was doing well, therefore one fails to appreciate the reasons as to why he thought of producing movies. He made Bahadur Shah Zafar ,in which he himself essayed the role of unfortunate last Mughal. He took Chand Usmani, Shyama, Jeevan, Sudesh Kumar , Ullhas etc in the movie. Unaware of the lack of honesty of his production team , Mr Sapru kept faith on them and could not monitor the expenses and the movie was over budgeted .He spend all his money and even mortgaged his unmoveable assets to make the movie spectacular and completed the movie. But sadly the movie could not be released and remained in cans . It was a big blow for him.

Today’s song is sung by Uma Devi and Shanti Varma, as per HFGK. However, as per one comment on You Tube by a known collector, she was Shanti Sharma, and not Varma.’Swaron ki Yatra’, by Anil Bhargav also credits this song to Shanti Sharma. I have not found any singer Shanti Varma, but Shanti Sharma’s name as a singer is found in films Raees-48, Kinara, Shaukeen, Dhoom Dham, Rimzim and Veer Ghatotkach-all of 49, and Azmaish-52 in HFGK.

With this song, the blog now has 3000 songs from the decade of 1940s (viz from years between 1941 to 1950).


Song-Ab to hand mein hand nahin(Aahuti)(1950) Singers- Uma Devi, Shanti Sharma, Lyrics- Indeevar, MD- D C Dutt

Lyrics

Ab to hand mein hand nahin
ab dil me bajta
ab dil mein bajta band nahi
oh my dear
o dear
o dear
tum badal gaye
tum pahle se husband nahin
aa ha
ab to hand mein
ab to hand mein hand nahin

ye meri india hai
ye tera to england nahin
ye tera to england nahin

ho ho
ab to hand mein
ab to hand mein hand nahin

o o
yahaan na hogi whiskey brandi
aur club ke dance
yahaan na hogi whiskey brandi
aur club ke dance
yahaan na hogi whiskey brandi
aur club ke dance
yahaan na hogi gittpitt gittpitt
aur nahin romance
yahaan na hogi gittpitt gittpitt
aur nahi romance
maal judaane ka na milega
yahaan koi ab chance
maal judaane ka na milega
yahaan koi ab chance

daal diya aafat mein toone
daal diya aafat mein toone
aafat ka koi end nahin
aa haa
ab to hand mein
ab to hand mein hand nahin

ab laut chalo laut chalo
ghar o meri sister
hawa vatan ki lagte hi
badal gaye mister
badal gaye mister
tumhen banaaye rakhne ko main
tumhen banaaye rakhne ko main
kar sakta recommand nahin
aa haa
ab to hand mein
ab to hand mein hand nahin

o ho
tum mere man ke paati
main hoon charnon ki daasi
nyochhaawar ka charanon pe
mathura ho ya kaashi
haath chhodkar saath mera
ab jaana tum england nahin
ab jaana tum england nahin

ho ho
ab to hand mein
ab to hand mein hand nahin
ab dil mein bajta
ab dil mein bajta band nahin
oh my dear
o dear
o dear
tum badal gaye
tum pahle se husband nahin
aa haa

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3745 Post No. : 14704

Happy Dussehra Atulites

Today’s song is a modern version of the Ram- Raavan story. It is from the 2001 supernatural thriller “Aks” produced by Amitabh Bachchan and Jhamu Sughand. Director was Rakeysh Omprakash Mehra. The movie had a star cast of Amitabh Bachchan, Raveena Tandon, Nandita Das, Manoj Bajpai and Amol Palekar in a special appearance. The songs were written by Gulzar and Anu Malik was the music director. Today’s song is in the voices of Amitabh Bachchan, Nandita Das and Kavita Mundra.

I like the touches of modernism that Gulzar has written into the song:
Lanka- Bharat baant diya hai.
Communication systems have changed- the song mentions phone lines are obsolete and emails were in use. (2018 even emails are rare)
And finally- jab tak ram hai raavan rahega (a real mirror to the times we are in)

Jai Bolo Shree Ram Ki.
Jai Maa Durge. Jai Mata Di.

Video

Audio

Song-Hat jaao raavan maaroongi baan (Aks)(2001) Singers-Kavita Mundra,Amitabh Bachchan, Nandita Das, Lyrics-Gulzar, MD-Anu Malik
Kavita Mundra + Nandita Das

Lyrics

(Whole lot of gibberish)

hat jaao raavan
maaroongi baan
raam ke paas hai teer kamaan
teer kamaan
arre jaao jaao
haha ha

hat jaao raavan
maaroongi baan
raam ke paas hai teer kamaan
teer kamaan

raavan ke paas hai gyaan hi gyaan
raavan hai tujhse bada vidwaan
bada vidwaan

lanka mein ja ja ke danka bajaiyyo o o
arre ja apne ghar mein tu shekhi dikhaiyo
jaanti nahin tu
arre sorry sorry sorry
jaanta nahin tu raavan ka dabdabaa aa
khol ke rak dega duniya ka dabba

haaan
chutki mein tujhko masal denge raam
mmm mmm
mmm mmm
mmm mmm

chutki mein tujhko masal denge raam
aedi ke neeche kuchal denge raam
kuchal denge raam
hoy
bolti bahut hai tu raam ki bachchi,
haan
bolti bahut hai tu raam ki bachchi
haran dikha ke le jaaunga sachchi
haran dikha ke le jaaunga sachchi
phir dekhenge jab aayega hanuman
ha ha ha ha ha ha ha

(dance ke taal)

ae aeeee
raavan hai raavan bol na zyaada
hasti hai kya teri paaltu piyada
poonch mein aag laga ke,
teri sone ki lanka jala doongi

arre gi nahin ga ga ga
okay,
sone ki lanka jala doonga

haan
sita ko bandi banaya hai toone aee,
raam ko jaake bata doonga

hmmm ha ha ha ha ha
arre sagar kaise paar karega,
paani mein gir ke doob marega
arre lanka bharat baant diya hai
phone ka taar bhi kaat diya hai
phone ka taar bhi kaat diya hai

hanuman
hanuman
hanuman
hanuman
hanuman
hanuman
hanuman bhaiyya e-mail kar do
mmhm mmhm mmhm mmhm
hanuman bhaiyya e-mail kar do
raam ko mere jaldi khabar do
jaldi khabar do
mmhm mmhm mmhm mmhm
aa aa ha
aa aa ha
aa aa ha

raavan hey raavan yudh ho jaye
haan ho jaaye ho jaaye ho jaaye
paapiyo se duniya shudh ho jaaye
arre lanka ka danka bajta rahega
jab tak raam hai raavan rahega,
jab tak raam hai raavan rahega
jab tak raam hai raavan rahega,
jab tak raam hai raavan rahega
raavan rahega
haan raavan rahega,
raavan rahega
arre bhai raavan rahega yaar

ha ha ha ha

raam ke roop hazaaron hai raavan
raghupati raghav patit paawan
patit paawan
raam ke roop hazaaron hai raavan
raghupati raghav patit paawan
patit paawan


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3745 Post No. : 14703

“Sangam”(1941) was directed by Junnarkar for Navyug Chitrapat Limited, Poona. The movie had Meenakshi, Vatsala Kumthekar, Sundarabai, Malti gupte, Baby Devi, Salvi, Damuanna Malwankar, Jog, Nandu khote, Vinayak etc in it.

This forgotten movie had 14 songs in it. One song from the movie is covered in the past.

Here is the second song from “Sangam”(1941) to appear in the blog. The song is sung by Sundarabai. Amritlal Nagar, a famous and prominent Hindi writer is the lyricist of this song. Music is composed by Dada Chandekar.

Seeing that Sundarabai acted in the movie as well, one can guess that this song was picturised on herself.

I request our knowledgeable readers to throw light on the details of this rare movie.


Song-Sakhi shyaam na aaye nahin aaye(Sangam)(1941) Singer-Sundarbai, Lyrics-Amritlal Nagar, MD-Dada Chandekar

Lyrics

sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
aa aa aa aa
aa aa aa aa
dharke mori chhatiyaa

dhoodhnat hari van van raadha
jaaye chhipe kit kaanha aa aa
dhoodhnat haari van van raadha
jaye chhipe kit kaanha
haan
paany padoon ab aao mohan
saawan ban gayi ankhiyaan
haan aan
sawan ban gayi aankhiyaan
sakhi shyaam na aaye
nahin aaye
ghar khelne chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa

jal bin meen bhajan bin meera
jal bin meen bhajan bin meera
tarpat praan gaanwaye
aao madhav main balihaari
aao madhav main nalihaari
aao madhav
aao madhav
aao madhav
main nalihaari
chain padat din raatiyaan
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa
sakhi shyam na aaye
nahin aaye
dharke mori chhatiyaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3744 Post No. : 14702

“Akela” (1941) was produced by Kikubhai Desai and directed by Pesi Karani for Great India Pictures, Bombay. The movie had Mazhar Khan, Bibbo, E Billimoria, Miss Moti, Pratima Devi, Bose, Mohammed Hadi etc in it.

The movie had eleven songs in it. One song has been covered in the past.

Here is the second song from “Akela” (1941) to appear in the blog. The song is sung by Bibbo. P L Santoshi is the lyricist. Music is composed by Khan Mastana.

Only the audio of the song is available. Seeing that Bibbo, the leading actor-Singer of those days is in the cast, it is clear that the song was picturised on herself.


Song-Lagti hai chot jigar mein (Akela)(1941) Singer-Bibbo, Lyrics-P L Santoshi, MD-Khan Mastana

Lyrics

lagti hai jab chot jigar mein
lagti hai jab chot jigar mein
nikla karti haay
lagti hai jab chot jigar mein
nikla karti haay
haay haay mein chhupi kahaani
samjhi na koi baat
haay haay mein chhupi kahaani
samjhi na koi baat
lagti hai jab chot jigar mein
nikla karti haay

samjhe usko ek baar jo
chot kisi ki khaay
samjhe usko ek baar jo
chot kisi ki khaay
din din baras baras se beete
din din baras baras se beete
kachhu na aur suhaaye
kachhu na aur suhaaye
naina rahat hain daras ke pyaase
naina rahat hain daras ke pyaase
kab aayen
kab aayen
kab aayen


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3743 Post No. : 14700

Those who have followed cricket for as long as I have, old time cricket followers may recall that test cricket centuries used to be quite rare. One test Indian batsman managed to score one test century in one test series then it waas considered a major cricketing achievement. One Indian cricketer scoring more than one test century in a test series was a rarity. It was quite a rarity indeed when Sunil Gavaskar scored as many as four test centuries in one test series, and that too his debut series.

It was three years later that Gavaskar would score his next test century in 1974. After that he did not look back snce and went on to make a record breaking 34 test centuries. Subsequently we have another little master, namely Sachin Tendulkar who rewrote that hrecord by scoring more than 50 test centuries and more than one hundred internationa centuries.

In olden days, we often found batsmen batting quite slowly and taking almost one full day to score a century. Mudassar Nazar of Pakistan took 557 minutes to score a test century in 1977-78 against England. He faced 419 balls to reach his century. In contrast, we had someone like Virender Sehwag who scored a triple century against South Africa in 278 deliveries.

We in this blog also regularly score centuries of posts. We have had 146 such centuries so far. quite a few of these centuries have been Sehwag like when 100 posts were completed in 16 days or even less. Such fast centuries have been described as Sehwag like by our regulars- such as Raja.

On the other end of the scale, sometimes our centuries have been painfully slow, like Chris Tavare or Mudassar Nazar. We “fondly” remember both because they often found it easy to showcase their “talent” against India.

This post is the 14700th song post for the blog or in other words this post marks the 147th century for the blog. This century has come at a Mudassar Nazar like rate. It has taken us as many as 53 days to reach this century.

This song is a rare song from “Fariyaadi”(1953).

“Fariyaadi”(1953) was produced and directed by Habib Sarhadi for Habib Productions, Bombay. This “social” movie had Rehman, Shakuntala, Mirza Musharraf, Wazir Mohammad Khan, Ramesh Thakkar, Parvati Devi, H Prakash, Devraj, Sadiq, Krishn, Chaandni, Qamar, Jankidas, Shanta Kunwar, Manju, Minni etc in it.

The movie had eight songs in it. Two songs from the movie has been covered in the past.

This song, the third song from “Fariyaadi”(1953) to appear in the blog is sung by Rafi. Muzaffar Orkazai is the lyricist. Music is composed by B N Bali.

This song is a rare song, that few people may have heard before. And we have chosen this song as the 14700thsong for a special reason. This song happens to be the 29th century of Rafi in the blog. In other words, Rafi now has as many as 2900 songs in the blog, just 100 songs short of the magical 3000 songs mark.

Instead of taking more time than what has already been consumed while reching this century, I decided to just get on with this century without much fanfare so that we can concentrate of future posts. So here is this post that combines blog century number 147 with Rafi century number 29.

So here we are, to yet another landmark, without much fanfare. I take this opportunity to thank one and all for their support and encouragement. We have come a long way and we still have lots of songs yet to be covered. This post gives us an opportunity to take fresh guard and get down to the task of covering more songs from the teasure of HFM.


Song-Jal jal ke shama ki tarah fariyaad na karna (Fariyaadi)(1953) Singer-Rafi, Lyrics-Muzaffar Orkazai, MD-B N Bali

Lyrics

Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna

mushqil hai bahut pyaar ki duniya ko basaana
bedard zamaane ka tareeqa hai puraana
do pyaar bhare dil kabhi aabaad na karna
main yaad bhi aaun to mujhe yaad na karna
Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna

aakaash ki choti pe mahal hamne banaaya
duniya se bahut door jahaan apna basaaya
kismat ne magar chaaha hamen shaad na karna
main yaad bhi aaun to mujhe yaad na karna
Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna

ab apne khayaalon mein mujhe tum na basaana
bhoole se kabhi tum mere sapnon mein na aana
gar dil mein uthhe dard to fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna
Jal jal ke shama ki tarah fariyaad na karna
main yaad bhi aaun to mujhe yaad na karna


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3743 Post No. : 14699

“Mumtaz Mahal” (1944) was produced under the banner of Ranjit Movietone. It was directed by Kidar Sharma. The movie had Khursheed , Chandramohan, Yakub, Sajjan, Sulochana Chatterjee etc in it.

The movie had eleven songs in it. Threee songs from this movie has been discussed in the past.

Here is another song from this movie. This song is sung by Khursheed. It is clear that the song is picturised on her as well.

Wali Sahab is the lyricist. Music is composed by Khemchand Prakash.

I am not quite sure about the accuracy of the lyrics that I have noted down.I request our readers with keener ears to suggest corrections as applicable.


Song-Udaas shaam ki aahen (Mumtaz Mahal)(1944) Singer-Khursheed Bano, Lyrics-Wali Sahab, MD-Khemchand Prakash

Lyrics

udaas shaam ki aahen
udaas shaam ki aahen
salaam kahti hain
salaam kahti hain
salaam kahti hain
salaam kahti hain

gareeb shab din gaahe
gareeb shab din gaahe
salaam kahti hain
salaam kahti hain
salaam kahti hain
salaam kahti hain

jahaan hamaari mohabbat ne aankh kholi thhi
jahaan hamaari mohabbat ne aankh kholi thhi
wo badnaseeb si raahen
wo badnaseeb si raahen
salaam kahti hain
salaam kahti hain
salaam kahti hain
salaam kahti hain


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3742 Post No. : 14697

“Raja Rani” (1942) was directed by Najmul Hasan Naqvi for Atre Pictures, Bombay. The movie had Vanmala, Sunalini Devi, Maya Devi, Trilok Kapoor, Baby Vimal, Mazhar Khan, Navin Yagnik, David, Bal Govind etc in it.

The movie had fourteen songs in it. One song has been covered in the past.

Here is the second song from “Raja Rani” (1942) to appear in the blog. This song is sung by Baby Vimal. Seeing that Baby Vimal figures in the cast of the movie, we can guess that the song was picturised on her as well.

Pandit Anand Kumar is the lyricist. Music is composed by Khan Mastana.


Song-Main ek niraali gudiya (Raja Rani)(1942) Singer-Baby Vimal, Lyrics-Pt Anand Kumar, MD-Khan Mastana

Lyrics

main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya
mere nanhe nanhe paanv
mere nanhe nanhe paanv
pair mein jhaanjar jhanjhana baaje
pair mein jhaanjar jhanjhana baaje
mere chhote chhote kaan
mere chhote chhote kaan
kaanon mein baali cham cham chamke
kaanon mein baali cham cham chamke
jaise gagan ke taare
haan haan jaise gagan ke taare
main ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya

chhamchham chhamchham paayal baaje
chaacha ke ghar jaaun
chhamchham chhamchham paayal baaje
chaaha ke ghar jaaun
meethhe meethhe geet sunaakar
chaachi ko bahlaaun
meethhe meethhe geet sunaakar
chaachi ko bahlaaun
main ek niraali
ek niraali
ek niraali
haan haan haan
mai ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya

kunj kunj mein chhup chhup jaaun
kheloon aankh michauli
boondaniyon ke taal pe naachoon
boloon prem ki boli

main ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali
ek niraali
ek niraali
haan haan haan
main ek niraali gudiya
main ek niraali gudiya
main ek niraali gudiya


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3742 Post No. : 14696

Today’s song is from a film called ‘Parakh’ (1944). This is a special song. It is a song sung by singer Ira Nigam. The song was written by Pt.Sudarshan and the music was by Khursheed Anwar. The cast of the film was Mehtab, Balwant Singh, Yakub, Shahnawaz, kaushalya, Sadiq Ali and others.

Ever since film making progressed and was seen as a job-provider, it attracted people from all over India. Unemployed but ambitious youngsters ran away from their hometowns to Bombay, with dreams in their eyes. As the industry got organised, those who were already working here either called or brought their other kins. Some impatient parents came themselves with their daughters. Due to poverty, examples of the entire family coming to Bombay and all joining the film industry were also seen-like Alla Bux, Iqbal Bano, Meena Kumari and her two sisters. Also seen earlier was Fatima and her three daughters and a step daughter-Mehtab. Some mothers or Grandmothers(Suraiya and Vyjayantimala) chaperoned their star children, while some fathers (like Madhubala’s) squeezed the best out of their child’s earnings (hell with her happiness !). In general,however it was the male part of the family which took charge of the actor or actress in film line.

If one sees the world history, one will find that most nations have changed culture wise and they have adapted themselves to the modern times and needs. Thus,things which were taboo a century ago are not taboo anymore. U.K. accepts jokes and cartoons on its royalty now,whereas hundred years ago, person would have been hanged in public for doing the same. USA can today tolerate parody of Christ and Christianity whereas hundred years ago the person would have been dead.

But our country has not changed its basic culture in spite of hundreds of years. Barring few exceptions, that too, in hi-fi society, Indian women are still ruled by the whims and dictates of males. When women from educated families entered the film industry, it looked like our women are liberated, but alas ! even in the film industry women are ruled by males.

A seemingly rebellious star of yesteryear – Shanta Apte – had to accept her own brother as husband in a film because she was not allowed to be touched by other males, by him. Unfortunately, her brother not only managed her film affairs, but also gave her a daughter. All this is recorded and declared by her daughter herself. She too became an actress in Marathi drama and films.

The most daring and courageous star of the 1940s – Meenakshi Shirodkar – who stunned everybody by donning a swimsuit and bathing in the waters of a river openly, in ‘Bramhachari’ (1938), had to give up her acting career midway because her husband refused to allow her to do any roles other than heroine.

Who knows how many women had to forego opportunities in film line only because their men-folk would not allow.

Today we will talk about a singer who had to forego wonderful opportunities in playback singing in Hindi films, first because of her father and then because of her husband. These days she only recalls and weeps.

Ira Nigam (NOT Ira Nagrath – wife of Roshan. She was different person) was born in October 1930 in Seoni (M.P.) in her mother’s maayeka. She had a God given gift of singing. She was educated in Delhi and Shanti Niketan. Her father Hriday Narayan Nigam was a singer himself. With his help she started singing on AIR Delhi. She completed her graduation in music form DU.

Her voice was sweet and melodious. Roshan, who was also working in AIR Delhi, one day brought the famous composer Khurshid Anwar to her house. They convinced her father to allow her to sing in films. She was so lucky to sing her first song in ‘Parakh’, under the baton of Khurshid Anwar. She was only 14 years old then. Here her father put a condition that only he will sing duets with her and no other male. Due to this strange condition, she got only one more film ‘Asmat’ (1944) and they had to go back to Delhi.

Ira got married meantime and came back to Bombay again in 1948. This time with her husband P.N. Nigam.

Harmandir Hamraaz, who interviewed her in Kanpur in Aug 1984 says that she wept when she told him that as her husband did not like her work in Hindi films, she had to give up singing after doing just 5 films. She did not have her own song records also. It was Hamraaz ji, who met her again and gave her those records. She was very happy.

She sang in ‘Rakhi’ (1949), ‘Chaar Din’ (1949), ‘Ek Teri Nishani’ (1949), ‘Veer Ghatotkach’ (1949) and last film ‘Guru Dakshina’ (1950). There were hundreds of singing offers to her when she left Bombay second time. First it was due to father and next it was due to husband, who cut short a melodious singing career. However, while in Kanpur and Delhi, she sang on A.I.R. and Television.

If you take 100 actors/actresses who worked in films, 20% will be the hero/heroines. The rest 80 % comprise of character actors, comedians, villains etc. Even out of the 20 % lead players, very few – like Dilip, Dev Anand or Amitabh – last as heroes till the end of careers but most others end up as character actors. Some examples are Pran, K N Singh, Om Prakash, Sunder Singh etc etc. Some actors do character roles from start to finish of their careers- like Nazir Hussain, Kanhaiyalal, C S Dubey, Tiwari etc. Some actors, though endowed with good face and personality, could not get a hero’s role and did character roles throughout.

One such actor was Shahnawaz Khan, known only as Shah Nawaz. He was born on 18-9-1906 in Hyderabad Deccan. His father was a Major in Hyderabad’s Nizam Army. During education, he used to act in dramas. After matriculation, he joined a Govt. service in Hyderabad state. He was however keen on joining films and dramas. After 5 years, he left the job and started a motor car business. In that connection, he would visit Bombay and try his luck at different studios. Finally, his efforts bore fruit and he got a villain’s role in film ‘Bharat Ka Laal’ (1936), in which he was listed as S. Nawaz. It was a stunt film made by the Kadam brothers (Harischandra Rao and Chandra Rao Kadam), with Master Bhagwan as the hero.

After this, he did not go back to Hyderabad. Then came ‘Daulat’ (1937), ‘Toofani Khazana’ (1937), ‘Rangila Mazdoor’ (1938), ‘Jungle King’ (1939), ‘Sardar’ (1940) etc. In 1940, he joined Bombay Talkies and worked in films. He was apparently in Devika Rani’s camp. He was in ‘Punarmilan’ (1940),’Bandhan’ (1940), ‘Jhoola’ (1941), ‘Naya Sansar’ (1941), ‘Kismet’ (1943) and ‘Hamari Baat’ (1943). He also worked in ‘Master ji’ (1943), ‘Police’, ‘Parakh’ and’ Anban’ (1944), ‘Zeenat’ and ‘Humayun’ (1945) and some more. In all, he did about 35 films in India. In or around 1948, Shahnawaz migrated to Pakistan. He was welcomed there. He did 41 films in Pakistan (32 Urdu and 9 Punjabi). Some films were quite famous like ‘Aansoo’ (1950), ‘Sassi’ (1954), ‘Ayyaz’ (1960) etc.

Shahnawaz died in Karachi on 18-6-1971. His last released film was ‘Nek Parveen’ (1975).

Another actor was Sadiq Ali. He was born on 6-10-1911 at Jullundhar, Punjab. His 2 cousins- Wazir Ali and Nazir Ali were famous Indian cricketers. Sadiq Ali completed his engineering degree and worked in M.E.S. at Kanpur (Military Engg. Services). Due to strong desire to work in films and dramas, he resigned from his job after 5 years and joined Agha Hashr’s drama company. When the company was closed, he joined The Burma Imperial Film Company at Rangoon. After few small roles, he came down to Bombay.

After working in some smaller companies, he joined Minerva Movietone. Starting with ‘Khan Bahadur’ (1937), he worked in Minerva’s ‘Pukar’ (1939), ‘Sikandar’ (1941), ‘Phir Milenge’ (1942), ‘Prithviraj Sanyogita’ (1943), ‘Parakh’ (1944) (only directed by Modi) and ‘Ek Din Ka Sultan’ (1945). In all he acted in 23 films. His last film was ‘Ever Ready’ (1946). After partition, he migrated to Pakistan. Unfortunately, he got killed in a riot in Karachi in 1947 itself.

Let us now enjoy the song from this film.

(Credits- Listener’s Bulletin no.s 58 and 59, Prof. Yadav’s book, Film Directory, HFGK, and my notes)


Song-Saajan wo din kaun thhe (Parakh)(1944) Singer-Ira Nigam, Lyrics-Pt Sudarshan, MD-Khursheed Anwar

Lyrics

saajan. . .
wo din kaun the
jab tum veena hum ta..aar
kismat phooti veena tooti
taar hui bekaar

bin saajan ke kaise nikle
mann ka meetha geet
bin saajan ke kaise nikle
mann ka meetha geet
samay tu jaldi jaldi beet
jaldi jaldi beet
samay tu jaldi jaldi beet
samay tu jaldi jaldi beet

sukh mein tu pal bhar na thehre
laakh bithaaye tujh par pehre
dukh mein tu kaise dat jaave
dukh mein tu kaise dat jaave
kaisi teri reet
samay tu jaldi jaldi beet
samay tu jaldi jaldi beet

[kuchh kehne](?) ko dar dar bhatkun
piya ki nagri le chal mujhko
[kuchh kehne](?) ko dar dar bhatkun
piya ki nagri le chal mujhko
jis nagri mein jaa ke basaa hai
jis nagri mein jaa ke basaa hai
sunta(?) ho mann meet
samay tu jaldi jaldi beet
samay tu jaldi jaldi beet
jaise bhi tu beet
samay tu jaldi jaldi beet

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

साजन॰ ॰ ॰
वो दिन कौन थे
जब तुम वीणा हम ता॰॰आर
किस्मत फूटी वीणा टूटी
तार हुई बेकार

बिन साजन के कैसे निकले
मन का मीठा गीत
बिन साजन के कैसे निकले
मन का मीठा गीत
समय तू जल्दी जल्दी बीत
जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत

सुख में तू इक पल ना ठहरे
लाख बैठाएं तुझ पर पहरे
दुख में तू कैसे डट जावे
दुख में तू कैसे डट जावे
कैसी तेरी रीत
समय तू जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत

[कुछ कहने](?) को दर दर भटकूँ
पिया की नगरी ले चल मुझको
[कुछ कहने](?) को दर दर भटकूँ
पिया की नगरी ले चल मुझको
जिस नगरी में जा के बसा है
जिस नगरी में जा के बसा है
सुनता(?) हो मन मीत
समय तू जल्दी जल्दी बीत
समय तू जल्दी जल्दी बीत
जैसे भी तू बीत
समय तू जल्दी जल्दी बीत


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3741 Post No. : 14695

“Garib”(1942) was directed by Ramchandra Thakur for National Studios, Bombay. This movie had Surendra, Rose, Baby Meena, Veena Kumari, Santaka, N A Ansari, Agha, Pesi Patel etc in it.

The movie had twelve songs in it. Six songs from this movie have been discussed in the past. Here is the seventh song song from “Garib”(1942) to appear in the blog. This song is sung by Surendra. Safdar Aah Sitapuri is the lyricist. Music is composed by Anil Biswas.

Only the audio of this song is available. It is clear that this song was picturised on Surendra himself.

I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Mohabbat ki duniya hai sabse niraali (Garib)(1942) Singer-Surendra, Lyrics-Safdar Aah Sitapuri, MD-Anil Biswas

Lyrics

mohabbat ki duniya hai sabse niraali
mohabbat ki duniya hai sabse niraali
tasawwur hai sab kuchh har pehlu hai khaali
tasawwur hai sab kuchh har pehlu hai khaali
mohabbat ki duniya hai sabse niraali
mohabbat ki duniya hai sabse niraali

tu hi tu nigaahon mein apni basa hai ae ae
tu hi tu nigaahon mein apni basa hai
jahaan chaaha tasveer teri bana li
jahaan chaaha tasveer teri bana li
mohabbat ki duniya hai sabse niraali
mohabbat ki duniya hai sabse niraali

shikaayat hai shiqwe ?? tu hai
shikaayat hai shiqwe ?? tu hai
bade lutf ki hai ye bazm e khayaali
bade lutf ki hai ye bazm e khayaali
mohabbat ki duniya hai sabse niraali
tasawwur mein sab kuchh pehlu hai khaali
mohabbat ki duniya hai sabse niraali


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3739 Post No. : 14692 Movie Count :

4016

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 74# Remembering Kishore Kumar on his Remembrance Day #
———————————————————————-

Today (13th October’2018) is the 31th Remembrance Day of – singer, actor, director, producer, lyricist, music director, writer – and our ‘most beloved and versatile genius’ Kishore Kumar.

I had planned a write-up for this occassion several months back and had even started work on it but it kept getting delayed for various reasons. My recent travel to India and the work load after getting back to work also prevented me from finalizing that write up.

Yesterday I browsed through the list of Kishore Kumar songs earlier shared by me to Atul ji and still to be posted. I found that many of these songs are yet to be posted on the blog. Despite this list, I was not able to pick the song to cover on this occasion.

Whole day yesterday(12 october 2018),I was just thinking and it was looking like I may not be able to send a song at all for this occasion. But how can I miss this occasion without a song …

Finally, I turned to my list of ‘songs that bring back memories’ which I had compiled in 2014 for one of my write up on the blog, to find if any Kishore Kumar songs in that list were yet to be covered in the blog.

I found many such songs in this list that are still to make it on the blog. From these many songs I selected today’s song as my presentation on this occasion here…

This song is from the movie ‘Ram Bharose-1977’ …

I had not watched this movie in those years and even till now so I cannot write much about this movie.
However, this song somehow has been stuck up in my mind and I like it very much, may be because of its tune and singing of it by Kishore Kumar. Or May be because of its frequently heard on the loud speakers and radio I guess.
I think it’s a nice hummable song 😊

I watched the video of this song only now during the preparation of this post and I think this song is better heard than to watch 😊

‘Ram Bharose-1977’ (alias ‘God’s Own Man’) was directed by Anand Sagar for ‘Sagar Art (International) Films, Bombay’ and Ramanand Sagar.
It was produced by Subhash Sagar.

Star cast of this movie includes Randhir Kapoor, Rekha, Amjad Khan, Dara Singh, Keshto Mukherjee, Kanan Kaushal, Madan Puri, Nazir Hussain and Sujit Kumar. It also had Raza Murad, Tom Alter, Shailesh Kumar, Jagirdar, Jagdish Raj, Chaman Puri, Master Baboo, Javed Khan, Shiv Raj, Sole, Shahid Bijnori, Ram Murthy, Deepak Raj and Shetty.
Editing for this movie was done by Lachmandass. Dialogues of this movie were written by (Late) Krishan Chander. This movie was written by Moti Sagar.

This movie was passed by Censor Board on 21.04.1977.

There were Six songs in this movie composed by Ravindra Jain. Hasrat Jaipuri, Ravindra Jain, Tajdar Taj and Dev Kohli were the lyricist for this movie. Asha Bhonsle, Narinder Chanchal, Kishore Kumar and Mohd Rafi gave their voices to the songs of this movie.

Going by the list of the songs of this movie in HFGK the other song I am familiar with is ‘Chal Chal Re Kathmandu’. 🙂

Today’s song is the first song from this movie to appear on the blog… and ‘Raam Bharose-1977’ is thus making a debut on the blog.

I have noted the lyrics as per the longer audio version having three stanzas, whereas the video link I find is having two stanzas only.

Let us now enjoy today’s song sung by Kishore Kumar which is composed by and written by Ravindra Jain …

Raam se badaa Raam ka naam …Banaaye sabke bigde kaam …

(PS :- Incidentally after few days we are going to celebrate ‘Vijay Dashmi’ and remembering Lord Shri Raam, my best wishes to all in advance )

Audio (Full)

Video

Song-Chalo bhai Rambharose Rambharose Rambharose (Rambharose)(1977) Singer-Kishore Kumar, Lyrics-Ravindra Jain, MD-Ravindra Jain
Chorus

Lyrics

Raam se badaa Raam ka naam
Banaaye sab ke bigde kaam
Raam se badaa Raam ka naam
Banaaye sab ke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Chalo bhai Raam bharose
Raam bharose
Raam bharose

He ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Raam se badaa Raam ka naam
Banaaye sabke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose
Chalo bhai Raam bharose
Raam bharose
Raam bharose

o Ho ho ho o o o o o o
Parmeshwar swayam raksha
Jiski karey ae
Jag bairi ho to kya
Wo to maare na marey ae
Hayee ho
Hayee ho
Hayee ho ho ho ho o

Parmeshwar swayam raksha
Jiski karey ae
Jag bairi ho to kya
Wo to maare na marey ae
Koyi raah mein kaante laakh bichhaaye ae ae
Ho laakh bichhaaye ae
Arey Raam ka bandaa aage badhtaa jaaye ae ae
Ho badhtaa jaaye ae
Ho badho bhai Raam bharose
Raam bharose
Raam bharose
Badho bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Daane daane pe naam
Khaanewaale ka likhaa
Likhnewaala magar
Nahin kisiko dikha
Daane daane pe naam
Khaanewaale ka likhaa

Likhnewaala magar
Nahin kisiko dikha
Arey naam yugon se uska suntey aaye ae ae
O suntey aaye ae
Arey sabka bedaa wo hi paar lagaaye ae ae
Ho paar lagaaye ae
Ho raho bhai Raam bharose
Raam bharose
Raam bharose
Raho bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Ho o o ho o aa aa aa aa aa
Ho ho o aa aa aa aa aa

Sooraj naa ugey
Chandaa na khiley ae
Uski marzi bina
Ek pattaa naa hiley
Shri Raam Raam Raam
Siya Raam Raam Raam

Sooraj naa ugey
Chandaa na khiley ae
Uski marzi bina
Ek pattaa naa hiley
Arey jisne banaayi hai
Ye duniya saari ee
Ye duniya saari
Arey sabse badi hai uski jimmedaari ee ee
Ho jimmedaari ee
Ho raho bhai Raam Bharose
Raam bharose
Raam bharose
Raho bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose

Raam se badaa Raam ka naam
Raam se badaa Raam ka naam
Banaaye sabke bigde kaam
Banaaye sabke bigde kaam
Chalo bhai Raam bharose
Raam bharose
Raam bharose ae
Chalo bhai Raam bharose
Raam bharose
Raam bharose

Hey ae jiyo bhai Raam bharose
Raam bharose
Raam bharose
Jiyo bhai Raam bharose
Raam bharose
Raam bharose
Shri Raam Raam Raam

Jai Shri Raam
Shri Raam Raam Raam
Jai Jai Shri Raam
Shri Raam Raam Raam
Jai Shri Raam
Siya Raam Raam Raam
Shri Raam Raam Raam

——————————————–
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
——————————————-
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे

हो हो हो ओ ओ ओ ओ ओ ओ
परमेश्वर स्वयं रक्षा
जिसकी करे ए
जग बैरी हो तो क्या
वो तो मारे न मरे ए
हई हो
हई हो
हई हो हो हो हो ओ

परमेश्वर स्वयं रक्षा
जिसकी करे ए
जग बैरी हो तो क्या
वो तो मारे न मरे ए
कोई राह में कांटे लाख बिछाए ए ए
हो लाख बिछाए ए
अरे राम का बन्दा आगे बढ़ता जाए ए ए
हो बढ़ता जाए ए
हो बढ़ो भाई राम भरोसे
राम भरोसे
राम भरोसे
बढ़ो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

दाने दाने पे नाम
खानेवाले का लिखा
लिखनेवाला मगर
नहीं किसीको दिखा
दाने दाने पे नाम
खानेवाले का लिखा

लिखनेवाला मगर
नहीं किसीको दिखा
अरे नाम युगों से उसका सुनते आये ए ए
ओ सुनते आये ए
अरे सबका बेड़ा वो ही पार लगाए ए ए
हो पार लगाए ए
हो रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
रहो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

हो हो ओ आ आ आ आ आ
हो हो ओ आ आ आ आ आ

सूरज ना उगे
चन्दा ना खिले
उसकी मर्ज़ी बिना
एक पत्ता ना हिले
श्री राम राम राम
श्री राम राम राम

सूरज ना उगे
चन्दा ना खिले
उसकी मर्ज़ी बिना
एक पत्ता ना हिले
अरे जिसने बनायी है
ये दुनिया सारी ई
ये दुनिया सारी
अरे सबसे बड़ी है उसकी जिम्मेदारी ई ई
हो जिम्मेदारी ई
हो रहो भाई राम भरोसे
राम भरोसे
राम भरोसे
रहो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे

राम से बड़ा राम का नाम
राम से बड़ा राम का नाम
बनाए सबके बिगड़े काम
बनाए सबके बिगड़े काम
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे
चलो भाई राम भरोसे
राम भरोसे
राम भरोसे

हे ए जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
जियो भाई राम भरोसे
राम भरोसे
राम भरोसे
श्री राम राम राम

जय श्री राम
श्री राम राम राम
जय जय श्री राम
श्री राम राम राम
जय श्री राम
सिया राम राम राम
श्री राम राम राम


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14701

Number of movies covered in the blog

Movies with all their songs covered =1147
Total Number of movies covered =4018

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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