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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Author Archive


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3501 Post No. : 14067

“Heera Panna”(1973) was produced and directed by Dev Anand for Navketan Internationa Films Private Limited, Bombay. This “social” movie had Dev Anand, Zeenat Aman, Dheeraj, Rehman, Jeewan, Paintal, Rakhi (special appearance), Sudhir, Manmohan, Shaam Kumar, Maruti, A K Hangal, Neelam, Sheetal, Dilip Dutt, Kirti Kumar, Mac Mohan, Rajrani, Madhup Sharma, Dhanna, Mohammad Ali, Chhura etc in it.

This movie had four songs in it. Three of these songs have been covered in the blog in the past. Here are their details:-

Song Title

Post No.

Post Date

Heera ki tamanna hai ke panna mujhe mil jaaye 770 19-Feb-09
Bahut door mujhe chale jaana hai 6726 26-Sep-12
Ek paheli hai tu 13786 3-Dec-17

Here is the fourth and final song from “Heera Panna”(1973) to appear in the blog. This song is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by R D Burman.

The song is picturised on Dev Anand and Zeenat Aman. In the song, Dev Saab is seen posing as a fashion photographer who claims to get skimpily clad females to pose for him. 🙂 I do not think too many moviegoers were convinced when the movie was released. Dev Saab and Rahman made their debuts together in the same movie in 1946 in “Ham Sab Ek Hain”. But we find Rahman playing a middle aged man in “Heera Panna”(1973) while Dev Saab kept insisting on playing half his age, looking as unconvincing as one can be. 🙂

The very first song of the movie, viz the theme song was the most popular song from the movie as far as I was concerned. I remember all the songs from the movie though I suspect that these songs have become rather less known songs by now.

With this song, “Heera Panna”(1973) joins the list of movies that have all their songs covered in the blog.


Song-Main tasweer utaartaa hoon (Heera Panna)(1973) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

haan
zara hans ke
zara aur khhilkhhilaa ke
steady please

main tasveer utaartaa hoon
bikhri hui haseenon ki
zulfen sanvaartaa hoon
phir zulfon ke saaye mein
main raaten guzaartaa hoon
haaye
main tasveer utaartaa hoon
bikhri hui haseenon ki
zulfen sanvaartaa hoon
phir zulfon ke saaye mein
main raate guzaartaa hoon

koi haseenaa kitni bhi magroor ho
husn ki duniya mein kitni mashhoor ho
koi haseenaa kitni bhi magroor ho
husn ki duniya mein kitni mashhoor ho
masti mein choor ho
paas ho ke door ho
arre masti mein choor ho
paas ho ke door ho
daudi chali aati hai
main jisko pukaartaa hoon
main tasveer utaartaa hoon

chaand ki bhi na padi jinpe kiran
maine dekhe un haseenon ke badan
chaand ki bhi na padi jinpe kiran
maine dekhe un haseenon ke badan
meraa aisa hai chalan
jaane jaan o jaaneman
tod ke saare parde
main sabko nihaartaa hoon
main tasveer utaartaa hoon
haay bikhri hui haseenon ki
zulfen sanwaartaa hoon
phir zulfon ke saaye mein
main raaten guzaartaa hoon

thhak ke saahil pe samandar so gayaa
yaad teri aa gayi
main kho gayaa
thhak ke saahil pe samandar so gayaa
yaad teri aa gayi
main kho gayaa
ye gayaa
main wo gayaa
ye mujhe
kya ho gayaa
ye gayaa
main wo gayaa
ye mujhe kya ho gayaa
naam tera leta hoon
main jisko pukaartaa hoon

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Blog Day : 3500 Post No. : 14063

“Pedro” (1960) was produced by Ramkumar and directed by Akku for Akku productions, Bombay. The movie had Chitra, Azad, Sheikh, Pedro (human chimpanzee), Raj Adeeb, Sheila Kashmiri, Indira, Ramkumar, Maqbool, Amrit Rana, Habeeb, Malik, Bilali, Tidda, Kasam, Zippy, Swami, Ghulab, Najma, Arvind Kumar etc in it.

This partially colour stunt movie had eight songs in it.

Here is the first song from “Pedro” (1960) to appear in the blog. The song is sung by Geeta Dutt. Khawar Zamaan is the lyricist. Music is composed by Bulo C Rani.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.

With this song, “Pedro” (1960) makes its debut in the blog.

Today, when the blog is 3500 days old, this song becomes the 500th song of the year 1960 in the blog.


Song-Hey baabu zara sun sun sun(Pedro)(1960) Singer-Geeta Dutt, Lyrics-Khawar Zamaan, MD-Bulo C Rani

Lyrics

hey baabu
zara sun sun sun
arey sun
arey sun
mera dil nahin hai kaaboo
meri jaan ki kasam
dil le le le
is duniya se na darr
hey baabu
zara sun sun sun
are sun
are sun
mera dil nahin hai kaaboo
meri jaan ki kasam
dil le le le
is duniya se na darr
hey baabu
zara sun sun sun

aa aa aa
aaja deewaane
na na na
na ja mastaane
duniya saari golmaal hai
tu kya jaane
dil ka kaisa haal chaal hai
tu kya jaane
tera dil mera mera
mera dil tera tera
tera mera haan haan
hey baabu
zara sun sun sun
are sun are sun
mera dil nahin hai kaaboo
meri jaan ki kasam
dil le le le
is duniya se na darr
hey baabu
zara sun sun sun
hey baabu

ye ye ye
ye rut mastaani
haan haan haan
do din ki jawaani
aankhon mein bhar lai hoon masti ke pyaale
aaj nashe mein jhoom jhoom le o matwaale
tera dil mera mera
mera dil tera tera
tera mera haan haan
hey baabu
zara sun sun sun
are sun
are sun
mera dil nahin hai kabu
meri jan ki kasam dil le le le
is duniya se na darr
hey baabu
zara sun sun sun

na na na
main na maanoon
haan haan haan
main pehchaanoon
itna maani mera to hai baalam jhootha
mujhse pyaar jataa kar mere dil ko loota
tera dil mera mera
mera dil tera tera
tera mera haan haan
hey babu
zara sun sun sun
are sun are sun
mera dil nahin hai kaaboo
meri jaan ki kasam
dil le le le
is duniya se na darr
hey baabu
zara sun sun sun
hey baabu

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हे बाबू
ज़रा सुन सुन सुन
अरे सुन
अरे सुन
मेरा दिल नहीं है काबू
मेरी जान की कसम
दिल ले ले ले
इस दुनिया से ना डर
हे बाबू
ज़रा सुन सुन सुन
अरे सुन
अरे सुन
मेरा दिल नहीं है काबू
मेरी जान की कसम
दिल ले ले ले
इस दुनिया से ना डर
हे बाबू
ज़रा सुन सुन सुन

आ आ आ
आजा दीवाने
ना ना ना
ना जा मस्ताने
दुनिया सारी गोलमाल है
तू क्या जाने
दिल का कैसा हाल चाल है
तू क्या जाने
तेरा दिल मेरा मेरा
मेरा दिल तेरा तेरा
तेरा मेरा हाँ हाँ
हे बाबू
ज़रा सुन सुन सुन
अरे सुन
अरे सुन
मेरा दिल नहीं है काबू
मेरी जान की कसम
दिल ले ले ले
इस दुनिया से ना डर
हे बाबू
ज़रा सुन सुन सुन
हे बाबू

ये ये ये
ये रुत मस्तानी
हाँ हाँ हाँ
दो दिन की जवानी
आँखों में भर लाई हूँ मस्ती के प्याले
आज नशे में झूम झूम ले ओ मतवाले
तेरा दिल मेरा मेरा
मेरा दिल तेरा तेरा
तेरा मेरा हाँ हाँ
हे बाबू
ज़रा सुन सुन सुन
अरे सुन
अरे सुन
मेरा दिल नहीं है काबू
मेरी जान की कसम
दिल ले ले ले
इस दुनिया से ना डर
हे बाबू
ज़रा सुन सुन सुन

ना ना ना
मैं ना मानूँ
हाँ हाँ हाँ
मैं पहचानूँ
इतना मानी मेरा तो है बालम झूठा
मुझसे प्यार जता कर मेरे दिल को लूटा
तेरा दिल मेरा मेरा
मेरा दिल तेरा तेरा
तेरा मेरा हाँ हाँ
हे बाबू
ज़रा सुन सुन सुन
अरे सुन
अरे सुन
मेरा दिल नहीं है काबू
मेरी जान की कसम
दिल ले ले ले
इस दुनिया से ना डर
हे बाबू
ज़रा सुन सुन सुन
हे बाबू


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3500 Post No. : 14062

“Raakhi” (1962) was produced by Siva H Ganeshan and it directed by a Bhimsingh for Prabhuram Pictures, Madras. The movie had Ashok Kumar, Waheeda Rehman, Pradeep Kumar, Mehmood, Ameeta, Malika, Lalita Pawar, Raj Mehra, Randhir, Madan Puri, Shivraj, Mohan Choti, Umesh Sharma etc in it.

This movie had one theme song dedicated to the festival of Rakhi. But other songs of the movie were more or less wedding related songs. So “Shaadi” could have been as good a title as any for this movie. 🙂 One movie of this titles was actually made that year, so may be the makers of this movie were forced to use an alternative title. 🙂

The movie had eight songs in it. Seven of these songs have been covered in the past. Here are their details.

Song Title

Post No.

Post Date

Sainyya chhod de bainyya 3163 1-Nov-10
Sitaaron aaj to ham bhi tumhaare saath jaayenge 5411 7-Feb-12
Ya meri manzil bata ya zindagi ko chheen le 5772 11-Apr-12
Raakhi dhaagon ka tyohaar 6353 2-Aug-12
Dekho mehnat se daulat ki yaari 9091 3-Dec-13
Ae ishq teri jai ho 9105 6-Dec-13
Baabul choot chala tera angna 14046 11-Feb-18

Here is the eighth and final song from “Raakhi” (1962) to appear in the blog. This song is a post wedding song sung from nanad’s point of view. The song is sung by Lata. Rajinder Krishan is the lyricist. Music is composed by Ravi.

The song is lip synced by Waheeda Rehman playing nanad for Ameeta playing the bhaabhi married to Ashok Kumar.

The audio version of the song differs somewhat from the video version towards the last few lines.

With this song, “Raakhi” (1962) joins the list of movies that have all their songs covered in the blog.

Video


Song-Kab tak bol gori aise sharmaayegi (Raakhi)(1962) Singer-Lata, Lyrics-Rajinder Krishan, MD-Ravi

Lyrics

kab tak bol gori aise sharmaayegi
ab yahi ghar tera aur kahaan jaayegi
ab yahi ghar tera aur kahaan jaayegi
kab tak bol gori aise sharmaayegi
ab yahi ghar tera aur kahaan jaayegi
ab yahi ghar tera aur kahaan jaayegi

laaya nahin bhaiyya mera tujhko bhagaay ke
laaya nahin bhaiyya mera tujhko bhagaay ke
chaar kahaar laaye doliya uthhaai ke
chaar kahaar laaye doliya uthhaai ke
kab tak rakhegi ye mukhda chhupaaye ke
kab tak rakhegi ye mukhda chhupaaye ke
aaj nahin to kal aankhiyaan milaayegi
ab yahi ghar tera aur kahaan jaayegi
ab yahi ghar tera aur kahaan jaayegi
kab tak bol gori aise sharmaayegi
ab yahi ghar tera aur kahaan jaayegi
aur kahaan jaayegi

kabhi na sataana mere bhole bhaale veer ko
kabhi na sataana mere bhole bhaale veer ko
meri maa ke sapnon ki is tasveer ko
meri maa ke sapnon ki is tasveer ko
chaar chaand lagen bhaabhi teri taqdeer ko
chaar chaand lagen bhaabhi teri taqdeer ko
teri nanad sada gun tere gaayegi
ab yahi ghar tera aur kahaan jaayegi
ab yahi ghar tera aur kahaan jaayegi
kab tak bol gori aise sharmaayegi
ab yahi ghar tera aur kahaan jaayegi
ab yahi ghar tera aur kaha jaayegi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3500 Post No. : 14061

Today is Friday, 16 february 2018. It is just another day. But trust us to find something remarkable even out of seemingly routine matters. Today is a special day for the blog. It is the 3500th day for the blog.

It follows that the blog has seen 34 such occasions in the past as well. But we took notice of such kind of centuries for the first time only last year on 8 november 2017 when it was the 3400th day for the blog.

A quick mental calculation would show that there are 365 days in a year and so ten years have 3650 days (decimal system zindabaad ! 🙂 ). Add two additional days for two leap years. So the blog will turn one decade old or 3652 days old in another 152 days from now, on 19 july 2018 !

Another quick mental calculation would reveal that 3500 x 4= 14000. The blog has 14060 songs posts as of now. So it turns out that the blog is going on at a strike rate of just over four songs a day for 3500 days !

When a blog lasts this long and adds so many articles to it, then one is able to reel off quite a few statistics associated with it. I find that the blog by now has songs from as many as 3835 movies. As many as 1080 of these movies have already been YIPPEED ! So we no longer need to search for any additional songs for these 1080 movies because all of them have already been accounted for.

In the process of discussing songs, many artists have completed their own milestones in the blog. 35 music directors, 28 lyricists and 21 singers have more than one hundred songs each in the blog. Some of them in fact have their songs running into thousands in the blog.

There are a few artists who have almost all their songs covered in the blog. All available songs of K L Saigal, Suraiyya and Sajjad Hussain are showcased in the blog. Artists like Naushad, O P Nayyar, S D Burman, Madan Mohan, Talat Mehmood etc have less than 100 songs each left to be covered in the blog.

The blog is a great example of the power of online collaboration of likeminded individuals. All these individuals are making valuable contributions through their articles, lyrics, comments, suggestions etc. Some of these contributors have completed their own centuries in the blog.

The kind of skill sets that our contributors possess for the cause of HFM can be the envy of many professional set ups. We have contributors who are like research scholars and their original researches in the field of HFM have helped add to the information in the field of HFM.

The thing that pleases me most is the fact that we all feel like a group of people close to each other. Some of us have actually met each other and continue to meet each other from time to time. We have got to know each other quite closely and we often share in the joys and sorrow of each other.

I have a feeling that what we have seen so far is just the tip of the iceberg as far as our work in the field of HFM is concerned. The real extent of the iceberg has not yet been revealed. Lots of valuable background information and statistics pertaining to HFM have been collected during this nearly one decade long journey and that information has not yet appeared in the blog.

On the occasion of the blog touching 3500 days, here is a joie de vivre genre of song from “Shatranj” (1956). This song, the sixth out of eight songs from the movie is sung by Asha Bhonsle and chorus. Rajinder Krishan is the lyricist. Music is composed by C Ramchandra.

The song is picturised as a dance song on Sheila Vaz and others. The lead pair of Ashok Kumar and Meena Kumari are also visible in the picturisatoon as spectators.

Lyrics of this song were sent to me by Prakashchandra. He points out that one line in the audio version differs from the video version. Trust Prakashchandra to be able to differentiate between such fine details. 🙂

Video

Audio


Song-Baaji kahin shahnaai aiyyo jee aiyyoo (Shatranj)(1956) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-C Ramchandra
Chorus

Lyrics (Provided by Prakashchandra)

baaji kahin shehnaayi
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo

o o o o
khushiyon ka zamaanaa hai
khushiyon ka zamaanaa hai
ye masti ka samaa hai
khushiyon ka zamaanaa hai
ye masti ka samaa hai
aabaad mohabbat ka mere dil mein jahaan hai
aabaad mohabbat ka mere dil mein jahaan hai
aane lagi angdaayee (video version “Milne ki ghadi aayee”)
aiyyo jee aiyyo
aane lagi angdaayee (video version “Milne ki ghadi aayee”)
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo

uss paar khade tum ho
haa aaa aaa aaa aaa
uss paar khade tum ho
to iss paar khade hum
uss paar khade tum ho
to iss paar khade hum
beete na kahin aisey hi
ye pyaar ka mausam
beete na kahin aisey hi
ye pyaar ka mausam
kehti hai ye tanhaayee
aiyyo jee aiyyo
kehti hai ye tanhaayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
baaji kahin shehnaayi
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo
phir yaad teri aayee
aiyyo jee aiyyo


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3499 Post No. : 14059

“Jyoti”(1969) was produced by A Devdas and directed by Dulal Guha for Chitra Mitra productions. The movie had Sanjeev Kumar, Nivedita, Aruna Irani, Abhi Bhattacharya, Tarun Bose, Moppet Soorja aka Sarika, Lalita Kumari, Jagdeep, Gopal Saigal, Pardesi, Shekhar Purohit etc in it.

The movie had five songs in it. Four of these songs have been covered in the past. Here are the details of the four songs that have been covered in the past :-

Song Title

Post No.

Post Date

Soch ke ye gagan jhoome abhi chaand nikal aayegaa 1799 24-Aug-09
Sun munne mere aa maine tujhe 11440 1-Oct-15
Pag mein ghunghroo chhanke 13099 1-Apr-17
Aankh meri galti se lad gayi 14021 6-Feb-18

Here is the fifth and final song from “Jyoti” (1969) to appear in the blog. The song is sung by Lata and Usha Mangeshkar. Anand Bakshi is the lyricist. Music is composed by S D Burman.

The song is picturised as a Lord Krishn bhajan song on Nivedita and her kid. Her kid is shown growing up as the bhajan progresses and by the time the last stanza appears, the kid grows up to become baby Sarika who(she plays the son, I think) joins Nivedita in singing the last stanza of the bhajan. Sanjeev Kumar, not quite as god fearing as his adarsh bhartiya naari wife, is seen tearing his hair apart at all this bhajan singing. 🙂

With this song, “Jyoti” (1969) joins the list of movies that have all their songs covered in the blog.


Song-Mere Shyaam mere Nandlaala (Jyoti)(1970) Singers-Lata, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics

Hey Krishn Kkarunasindhu
deenbandhu jagatpati
Gopesh Gopikakant
Radhakant
namastute

mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala

jeewan apna hai kya giridhaari
praan hamaare tere pujaari
jeewan apna hai kya giridhaari
praan hamaare tere pujaari
saans ki dori tere naam ki maala
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
dhoondhhti hogi tujhe koi brijbaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

chaahe na maane saari nagariya
maine suni hai teri baansuriya
chaahe na maane saari nagariya
maine suni hai teri baansuriya

main kaise maanoon nahin
ho o o o
main kaise maanoon nahin baansuriwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3497 Post No. : 14055

“Sheesh Mahal”(1950) was produced by Sohrab Modi for Minerva Movietone. The movie had Sohrab Modi, Naseem Bano, Nigar Sultana, Pushpa Hans, Amarnath, Jawahar Kaul, Pran, Mubarak, Leela Mishra in it.

The story of the movie, as discussed by Mr Arunkumar Deshmukh, our beloved inhouse enyclopaedia, is as following:-

Thakur Jaspal Singh ( Sohrab Modi) lives in the prestigious and palatial house called the Sheesh Mahal. He is badly in debt, yet continues to live a lifestyle far over and above his means. His son and two daughters are concerned, and try to stop him from over-spending, but he disregards them. Then one day the inevitable happens, and Jaspal Singh has to leave Sheesh Mahal, which must now be sold by auction to pay off his debts.

Jaspal and his children move into a small room in the nearby slums, where they hope to spend the rest of their lives. Jaspal’s son, Vikram (Jawahar Kaul) finds employment in a mill, but unfortunately meets with an accident, and in order to save his life, the doctors amputate his leg, leaving his unemployed and dependent. Jaspal’s daughter, Ranjana ( Naseem Bano), attempts to secure employment, but proud Jaspal will not hear of this.

Ranjana gets employment, but she does not tell her father about it. Ranjana meets with a young man, Vikram (Amarnath) and both fall in love with each other. When this young man’s father, Durgaprasad ( Mubarak), comes to ask Jaspal for Ranjana’s hand, Jaspal finds out that he is the new owner of Sheesh Mahal, and that Ranjana has been working as a maid there.

Jaspal is furious, and taking his sword, he rushes over to the Sheesh Mahal with a clear intent of killing Ranjana, and anyone else who dares to stop him.

There he encounters Durgaprasad, who opens his eyes by telling him on his face the reality and that he is living in his past, which does not exist anymore. He warns him not to destroy the future and happiness of his children to pamper his false ego. Thakur realises his mistake. he drops his sword, but he too falls suffering from massive heart attack. He breathes his last accepting all his faults, but it is too late.

The movie had nine songs in it. Eight of these songs have been covered in the past. Here are the details of these songs :

Song Title

Post No.

Post Date

Aayi hai deewali 183 27-Oct-08
Jise dhoondhti phirti hai meri nazar 3820 23-Apr-11
Zehar khaanaa magar dil lagaanaa nahin 3829 28-Apr-11
Tum dekh rahe ho ke mite saare sahaare 4005 15-Jun-11
Muqaddar ke haathhon jahaan ghoomtaa hai 4139 6-Jul-11
Aadmi wo hai museebat se pareshaan na ho 6422 12-Aug-12
Ham kheton ke mahaaraaj hamen darr kaahe ka 12791 10-Jan-17
Bhoole zamaane yaad na kar 14044 11-Feb-18

Here is the ninth and final song from “Sheesh Mahal”(1950) to appear in the blog. This song is sung by Pushpa Hans and it is picturised on her as well.

Lyricist is credited as Aaziz. I wonder whether he is a new name or someone who is known to us by some other name. I request our knowledgeable readers to throw light on him.

Music is composed by Vasant Desai.

With this song, “Sheesh Mahal”(1950) joins the list of movies that have all their songs covered in the blog.


Song-Taqdeer banaane waale ne kaisi taqdeer banaayi hai (Sheesh Mahal)(1950) Singer-Pushpa Hans, Lyrics-Aziz, MD-Vasant Desai

Lyrics

taqdeer banaane waale ne
kaisi taqdeer banaayi hai
barbaadi likh di kismat mein
ye apni shaan dikhaayi hai
taqdeer banaane waale ne
kaisi takdeer banaayi hai

aashaaon ki maala toot gayi
ummeed ke moti bikhar gaye
ummeed ke moti bikhar gaye
armaan bhi jal kar khaaq huye
armaan bhi jal kar khaaq huye
ab jaan pe aafat aayi hai
taqdeer banaane waale ne
kaisi taqdeer banaayi hai

ik jhonka hawa ka aaya thha
aaya aur aa kar nikal gaya
aaya aur aa kar nikal gaya
ham thhandi saans bhi le na sake
ham thhandi saans bhi le na sake
har shaakh e chaman murjhaai hai
taqdeer banaane waale ne
kaisi taqdeer banaayi hai
taqdeer banaane waale ne


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3497 Post No. : 14054

Last weekend, during my forced medical leave, I was a bit bored and wanted to watch any old Hindi mystery movie, which I had not seen. My search on You Tube led me to a B grade (or even C grade) movie with good lead stars (Vinod Mehra and Yogita Bali) and even a bit of interesting story line. However, I wasted 1 hr 56 minutes of my time, except for a song which is as good as the old Bappi Da songs.

This song brought out goose pimples in me. It was so enthralling, so melodious, so refreshing, so sweet, excellently penned and composed. Bappi Da probably went back to his basic days of “Chalte Chalte”, “Dil Se Miley Dil”, “Lahoo Ke Do Rang” etc, because this song belongs to the same genre as songs from these movie. I usually do not post songs post 1980s, unless it is absolutely rare and beautiful. This rare gem is from a 1988 thriller titled “Who Milie Thi” aka “Kaun Hai Khooni”. Kishore Kumar comes up with another winner with this romantic number. The song is composed by Bappi Lahiri as mentioned and written by Farook Kaiser. The female voice during the interlude and at the end of the song is of Meena Patki.

Now without prolonging the suspense let me tell you that the song I am talking about is “Chhoo Ne Se Maila Ho Aisa Badan Toone Paaya Hai”. Even today, when I come across such a soft romantic song, the music and the lyrics can take me back to a cherished time, making instantaneous connections to places and times full of evocative memories. The song is penned either by Gauhar Kanpuri or Farooque Kaiser, composed by Bappi Lahiri and is from “Woh Milie Thi” (1988)

For those readers interested in the synopsis, it goes as this:

Amar, young and smart foreign returned Mines Engineer moves to Lalitpur to reopen his own coal mines which were closed down fifteen years back after the mysterious deaths of Amars father and uncle. But before he reaches to his destination he meets a beautiful mysterious girl Milie performing mujra in mysterious Pili Haveli.

While crossing the long and dark valleys, Milie suddenly vanishes and Amar collides with Milie’s skeleton in pitch darkness. Amar’s friend police inspector Vikram tells him that Milie had died five years back and it is her soul that is still around in search of peace. Amar doesn’t believe this and keeps on trailing Milie wherever he sees her. Once while trailing Milie Amar finds inspector Vikrams dead body and is accused for his murder.

Meanwhile Amar goes back to city and gets married but has to run back to Lalitpur leaving his forest night because his friend Vijay meets an accident, After reaching there he finds it was a minor accident. Now one after another incident holds Amar to go back to meet his newly wedded bride. His mother reaches Lalitpur with his bride. Amar happily goes to meet his wife but once again he is forced to leave her by a danger siren. Amar runs towards the source but on the way he is attacked by mysterious people and the police save him. Amar reaches home and finds his bride missing. He runs to find her but is taken on gun point by his own servant John and the real race with the devil starts, a race, in which the devil is only interested to kill Amar.

The movie had three directors – Dilip Bose, Samir Chowdhury and Azeem Malik and was produced by Rama Kapoor, the movie starred Vinod Mehra, Yogeeta Bali in lead roles, supported by Mahesh Anand, Vikas Anand, Bindu, Aruna Irani, Jagdeep, T.P. Jain, Joginder, Kader Khan, Madhu Malini, Ram Mohan, Shobhini Singh, Jayshree T., Veena with special appearences by Shashi Kapoor and Moushumi Chatterjee.

Today (13 february 2018) is the 73rd anniversary of Vinod Mehra (13 February 1945 – 30 October 1990). Here is this gem of a song from a “recent” yet obscure movie as a tribute to Vinod Mehra.

With this song, “Wo Milie Thhi”(1988) makes its debut in the blog.

Video

Audio

Song-Chhoone se maila ho aisa badan toone paaya hai (Wo Milie Thhi)(1988) Singer-Kishore Kumar, Meena Patki, Lyrics-Farooque Kaiser, MD-Bappi Lahiri

Lyrics

Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
La lalaa
laa laa lalaa
La lalaa
laa laa lalaa

Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye

Paayal ki chham chham mein main
Khoya raha
Sapnon ki baahon mein main
Soya raha
Paayal ki chham chham mein main
Khoya raha
Sapnon ki baahon mein main
Soya raha
Tu mili
zindagi mil gayi
aa aa aa aa aa aa
Chhoone Se Maila Ho Aisa Badan Toone Paaya Hai
Saara chaman mujhko aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye

aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa

Pariyon ki basti se kya
Aayi hai tu
Nainon ke pyaalon mein kya
Laayi hai tu
Pariyon ki basti se kya
Aayi hai tu
Nainon ke pyaalon mein kya
Laayi hai tu
Tu mili
bekhudi mil gayi
aa aa aa aa aa aa
Chhoone Se Maila Ho Aisa Badan Toone Paaya Hai
Saara chaman mujhko aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye

Phoolon ki khushboo si hai
Tujh mein basi
Jaadoo sa karti hai yeh
Teri hansi
Phoolon ki khushboo si hai
Tujh mein basi
Jaadoo sa karti hai yeh
Teri hansi
Tu mili
har khushi mil gayi
aa aa aa aa
Chhoone Se Maila Ho
Aisa Badan Toone Paaya Hai
Saara chaman mujhko
aisa lage teri chhaaya hai
Tu Hai
Mere liye
Main hoon sanam
Tere liye
Laa la laa
Hmm Hmm Hmm hm
Laa laa la laa
Hmm Hmm Hmm Hmm hm
Hmm Hmm Hmm hmm
Hmm Hmm Hmm Hmmm
Laa laa la laa
Hmm Hmm Hmm Hmmm


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3496 Post No. : 14052

#the Decade of Seventies – 1971 – 1980 #
—————————————————————
# Bhoole-Bisre Geet # 62 # Remembering Pran Saab on his birth anniversary
———————————————–—————————

While watching our Hindi movies we carry some preconceived images of an actor/actors or actress/actresses based on roles they play in movies. It is quite common for an actor or actresses in Indian movies to get typedcast as an actor suitable only for ‘good’/‘positive’ or ‘bad’/‘negative’roles. So when we watch a movie, we expect an actor to play the same kind of stereotyped role that we have seen him play in the past. To come out of this stereotype successfully is a challenge and very few actors in Hindi film industry have been successful in shaking off their earlier image and being just as successful in their new roles.

Every moviegoer or movie buff has his own likes and dislikes for certain film personalities based on the roles they play on screen. Normally this feeling remains unaltered throughout.

Is it possible for us to “hate” an actor heartily for decades and then warming up to him subsequently and starting to “love” him with the same intensity ?

Yes, it is possible. There was this actor who was disliked and dreaded so much that no parents gave their sons his name for decades ! But when he started doing ‘good’ and ‘positive’ roles on screen we started to cheer for him, we began to dance when he breaks into a ‘song’, and ‘dance’, we ‘shed tears’ when he sacrificed his life doing ‘good’ on screen.

I am talking about Pran Saab, of course.

We can feel the images of ‘characters’ he played, in around ourselves, in our society or rather he transformed those ‘real life’ looking images into ‘reel life’ with superb improvisations through his style and mannerisms.

I have my set of memories associated with the movies he acted in and I am sure many others may also be having so.

And having said all the above I don’t really think that I have to go and mention here all those movies and the ‘roles’ I liked, because it cannot be covered in one article and the space (normally we give to one write up) here.

Pran Kishan Sikand born on 12th February 1920 (12.02.1920 – 12.07.2013) and today we remember him on his anniversary of birth.

He may not be present in his ‘flesh and blood’ around us but he is there ‘immortal’ in his ‘works’, sincere, dedicated, disciplined in his ‘acts’, ‘humble and generous’ in his living and still bent down on his knees and thanking his fans and crediting them all for his ‘success’ and moving us all in tears with his words ‘I bow before you all.’

Pran Saab we love you so much and thank you for all that you have given us!!!

***

The idea of this post came to my mind almost two years back when I broke into humming this song that is being presented today. I thought this song perfectly fits for this post of mine which is being presented today.

The lyrics in ‘Devnagri script’ are provided by my daughter Ashwini which I requested her then, however the post got delayed and hope it will be in time there with our editors at least now.

The other reason that I want to do a post on Pran Saab is the nostalgia and so many memories of his movies which always cherished and particularly of those years, the most happening years of Hindi Cinema – that is the ‘decade of seventies- 1971-1980’.
Of course, he had already been there in movies much before of the Seventies. But still, Seventies is an important decade for him too)

***

And taking it from the dialogue of the movie ‘Anand’ – ‘Anand maraa nahin Anand martein nahin’ I can put –

“Pran martein nahin – Pran amar hain”

Part I

Part II

Song-Kya maar sakegi maut usey auron ke liye jo jeeta hai (Sanyaasi)(1975) Singer-Manna Dey, Lyrics-Indeewar, MD-Shankar Jaikishan
Chorus

Lyrics

—————————–
Part-I
—————————–
Kya maar sakegi maut usey
Auron ke liye jo jeeta hai
Milta hai jahaan ka aa pyaar usey
Auron ke jo aansoo peeta hai
Kya maar sakegi maut usey
auron ke liye jo jeeta hai
Milta hai jahaan ka pyaar usey
auron ke jo aansoo peeta hai
Kya maar sakegi maut usey

Baalaapan vidya ke liye hai
Bhog ke liye jawaani hai
Baalaapan vidya ke liye hai
Bhog ke liye jawaani hai
Jog ke liye budhaapa hai
Ye jag ki reet puraani hai
Hai karm-yog hi yog badaa
Yahi sachchaayi yahi geeta hai
Milta hai jahaan ka pyaar usey
Auron ke jo aansoo peeta hai
Kya maar sakegi maut usey
auron ke liye jo jeeta hai
Milta hai jahaan ka pyaar usey
auron ke jo aansoo peeta hai
Kya maar sakegi maut usey

Hona hota hai jinko amar
Wo log to martey hi aaye
Hona hota hai jinko amar
Wo log to martey hi aaye
Auron ke liye jeewan apna
Balidaan wo karte hi aaye
Dharti ko diye jisne baadal
wo saagar kabhi na reeta hai
Milta hai jahaan ka pyaar usey
auron ke jo aansoo peeta hai
Kya maar sakegi maut usey

Jisne vish piya banaa Shankar
Jisne vish piya bani Meera
Jisne vish piya banaa Shankar
Jisne vish piya bani Meera
Jo chhedaa gaya bana moti
Jo kaata gaya bana heera
Wo nar hai to hai Raam
Wo naari hai to Seeta hai
Milta hai jahaan ka pyaar usey
auron ke jo aansoo peeta hai
Kya maar sakegi maut usey
auron ke liye jo jeeta hai
Milta hai jahaan ka pyaar usey
auron ke jo aansoo peeta hai
Kya maar sakegi maut usey

—————————————-
(Part-II)
—————————————-
Hona hota hai jinko amar
Wo log to martey hi aaye ae
Hona hota hai jinko amar
Wo log to martey hi aaye
Auron ke liye jeewan apna
Balidaan wo karte hi aaye
Dharti ko diye jisne baadal
Aa aa aa aa aa
Wo saagar kabhi na reeta hai
Aa aa aa aa aa
Milta hai jahaan ka pyaar usey
Aa aa aa aa aa
Auron ke jo aansu peeta hai
Aa aa aa aa aa
Kya maar sakegi maut usey

Aa aa aa aa aa
Aa aa aa aa aa aa aa aa aa
Aa aa aa aa aa aa aa aa aa aa

Jisne vish piya banaa Shankar
Jisne vish piya bani Meera
Jisne vish piya banaa Shankar
Jisne vish piya bani Meera
Jo chhedaa gayaa banaa moti
Jo kaata gaya bana heera
Wo nar hai to hai Ram
Aa aa aa aa aa
Wo naari hai to Seeta hai
Aa aa aa aa aa
Milta hai jahaan ka pyaar usey
Aa aa aa aa aa
Auron ke jo aansu peeta hai
Aa aa aa aa aa
Kya maar sakegi maut usey

———————————————————
Hindi script lyrics (Provided by Ashwini Scrapwala)
———————————————————
———————-
Part-I
———————-
क्या मार सकेगी मौत उसे
औरों के लिए जो जीता है
मिलता है जहाँ का आ प्यार उसे
औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे औरों के लिए जो जीता है
मिलता है जहाँ का प्यार उसे औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे

बालापन विद्या के लिए है
भोग के लिए जवानी है
बालापन विद्या के लिए है
भोग के लिए जवानी है
जोग के लिए बुढापा है
ये जग की रीत पुरानी है
है करम-योग ही योग बड़ा
यही सच्चाई यही गीता है
मिलता है जहाँ का आ प्यार उसे
औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे औरों के लिए जो जीता है
मिलता है जहाँ का प्यार उसे औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे

होना होता है जिनको अमर
वो लोग तो मरते ही आये
होना होता है जिनको अमर
वो लोग तो मरते ही आये
औरों के लिए जीवन अपना
बलिदान वो करते ही आये
धरती को दिए जिसने बादल वो सागर कभी न रिता है
मिलता है जहाँ का प्यार उसे औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे

जिसने विष पिया बना शंकर
जिसने विष पिया बनी मीरा
जिसने विष पिया बना शंकर
जिसने विष पिया बनी मीरा
जो छेडा गया बना मोती
जो काटा गया बना हीरा
वो नर है तो है राम
वो नारी है तो सीता है
मिलता है जहाँ का प्यार उसे औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे औरों के लिए जो जीता है
मिलता है जहाँ का प्यार उसे औरों के जो आंसू पीता है
क्या मार सकेगी मौत उसे

—————————
(Part-II)
—————————
होना होता है जिनको अमर
वो लोग तो मरते ही आये ऐ
होना होता है जिनको अमर
वो लोग तो मरते ही आये
औरों के लिए जीवन अपना
बलिदान वो करते ही आये
धरती को दिए जिसने बादल
आ आ आ आ आ
वो सागर कभी न रिता है
आ आ आ आ आ
मिलता है जहाँ का प्यार उसे
आ आ आ आ आ
औरों के जो आंसू पीता है
आ आ आ आ आ
क्या मार सकेगी मौत उसे
आ आ आ आ आ
आ आ आ आ आ आ आ आ आ
आ आ आ आ आ आ आ आ आ आ

जिसने विष पिया बना शंकर
जिसने विष पिया बनी मीरा
जिसने विष पिया बना शंकर
जिसने विष पिया बनी मीरा
जो छेडा गया बना मोती
जो काटा गया बना हीरा
वो नर है तो है राम
आ आ आ आ आ
वो नारी है तो सीता है
आ आ आ आ आ
मिलता है जहाँ का प्यार उसे
आ आ आ आ आ
औरों के जो आंसू पीता है
आ आ आ आ आ
क्या मार सकेगी मौत उसे


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3496 Post No. : 14051

Hullo to all in Atuldom

“Maan Gaye Ustaad”(1981) was a Shibu Mitra directed movie.

Chandan Singh (Pran) is a farmer who lives in a village called Ramgarh along with his wife, Malti (Sonia Sahni), and two children, Munna and Munni. One day Malti gets molested by three city goons, Jaikishan (Ajit), Rajan, and Banoo (Rajan Haksar). Chandan intervenes, but is attacked, and Malti is shot dead. The children get separated, while Munna is adopted by a Muslim male named Abba (Om Prakash) and is re-named Shera, Munni is adopted by a Hindu family and re-named Geeta.

Years later the three estranged family members are fated to meet again – this time Geeta is a con-woman, who has a con-man boyfriend, Kishan (Shashi Kapoor), who is on the lookout for the man who killed his photographer brother (Chandrasekhar), and believes that Chandan is the killer; while Chandan, who is now known as Chandan Dada, a hoodlum, has been arrested for killing a man named Rajan; while Shera, a hit-man and hoodlum himself, has feigned his arrest, after accepting a contract from none other than Jaikishan – to kill Chandan!!

The movie then goes through the normal way of first bringing the family together with the help of the song that the father had taught his children before calamity struck the family and they got separated.

The movie was almost like a show case for Pran. He had a song filmed on him and that song appeared three times in the movie. He got to take revenge from the villains, had a beautiful wife in Sonia Sahni, and he also got a qawwali which was a competition between him and Amjad Khan.

But this is not the only movie where he had songs to emote too. We have loved him with Ashok Kumar in so many songs, and I am sure everyone will agree that the most entertaining one was in “Victoria No. 203” – “do bechare bina sahaare dekho pooch pooch kar hare”.

But one cannot forget him with Kishore Kumar either- “Aake seedhi dil pe katariya oh sawariya” (Half Ticket) or Amitabh Bachchan – “Yaari hai imaan mera yaar meri zindagi”.

And we should not forget that Pran’s innings as a “good” character artist began with his “malang chacha” mouthing “kasme vaade pyaar wafa sab baatein hai” “in Upkaar”.

He began his filmi career in pre-independence era with Yamla Jat, Khajanchi, Chaudhary etc in Lahore in Punjabi. His Hindi film run began with “Khandaan” (1942. Here I feel like mentioning the other “Khandan” (1965) where he played a villain to make the life of the hero Sunil Dutt miserable.

His career in Bombay (Mumbai of today) started with “Ziddi” which was also a break for DevAnand and by 1950 Pran was a premier villain in Bollywood. He was the most sought-after villain opposite Dilip- Raj- Dev through the 50s and 60s. We have seen him being mean to every other hero of that period Dharmendra, Rajendra Kumar, Manoj Kumar, and any other hero we can think of (I am not going into the Roster of the heroes of the sixties here).

During this period, he had a brief role in Manoj Kumar’s “Shaheed” which was not a negative character.

But post “Upkaar” he had a second image change and we could see him as a good grandfather “Parichay”, friend “Zanjeer” “Guddi” “Beimaan” etc alongwith being the badman.

He had a style all his own be it in getting into various getups that went with the character he played or the blowing of smoke rings and holding the cigar or cigarette in a different way I each movie. There are many present-day character actors- Gulshan Grover for example- who swear on Pransaab being their role model much the same way as heroes copy Dilip- Raj- Dev. 🙂

He would have been celebrating his 98th birthday today (12 February 2018). I just could not get this date go by without we posting a song filmed on Pransaab. For today’s song Mohd. Rafi has given his voice alongwith Dilraj Kaur and Chandrani Mukherjee. This song appears about three times in the movie- once in happy times when Chandan Singh is the family man and farmer, once when he is so “good” a prisoner that the jailor Ashok Kumar trusts him to let him play around the jail with his grandson. And finally, at the climax of the movie when his (now grownup) children are tied up by the villain (I am unable to locate that video).

Today also happens to be the birthday of a person who became a friend thanks to this blog. We know him as Avinash Scrapwala. Here I would also like to wish him all the very best in life. Best wishes are also due to another Atulwaasi- Nitin Shah and his wife celebrate their Wedding Anniversary today. Here is wishing them long years of togetherness.

Part I

Part II

Song-Mera ek sawaal hai sawaal ka jawaab do (Maan Gaye Ustaad)(1981) Singers-Rafi, Chandrani Mukherji, Dilraj Kaur, Lyrics-Verma Malik, MD-Sonik Omi
Chandrani Mukherji + Dilraj Kaur
Pran

————————–
Lyrics
————————–
Part I
————————–
mera ek sawaal hai
sawaal ka jawaab do
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

poochho
dushman hon jab chaaron taraf
hon haath tumhaare khaali
dushman hon jab chaaron taraf
hon haath tumhaare khaali
bolo bachchon kaise karoge
tum apni rakhwaali
ye phaulaadi haath hamaare dushman se takraayen
ye phaulaadi haath hamaare dushman se takraayen
kat jaayen sar chaahe lekin
sar ko nahin jhukaayen
har mushkil mein har keemat pe
rahenge hum aazaad
sau baaton ki ek baat hai
iss ko rakhna yaad

maan gaye ustaad tumko
maan gaye ustaad
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achcha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

poochho
hoke badi tu beti aisa
kaun sa kaam karegi
hoke badi tu beti aisa
kaun sa kaam karegi
kya tu iss duniya mein raushan
baap ka naam karegi
fakr kare har aurat jiss pe aisi doon qurbaani
fakr kare har aurat jiss pe
aisi doon qurbaani
banke dikha doongi duniya ko
main jhaansi ki raani
toot padoongi gaddaaron pe
ban ke main faulaad
sau baaton ki ek baat hai
is ko rakhna yaad

maan gaye ustaad bitiya
maan gaye ustaad
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achcha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

leadar netaa banoge ya tum
desh ke pehredaar
leadar netaa banoge ya tum
desh ke pehredaar
bhaarat maa se bolo beta
kaise karoge pyaar
leadar neta kya ban’na hai
banoonga khidmatgaar
leadar neta kya ban’na hai
banoonga khidmatgaar
paida karoonga sabke dil mein
apne desh ka pyaar

rahe shaanti
na ho kahin pe danga aur fasaad
sau baaton ki ek baat hai
isko rakhna yaad

o maan gaye ustaad tumko
maan gaye ustaad

—————————
Part II
—————————
mera ek sawaal hai
sawaal ka jawaab do
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
acchha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do

poochho
dushman hon jab chaaron taraf
hon haath tumhaare khaali
dushman hon jab chaaron taraf
hon haath tumhaare khaali
bolo bachchon
kaise karoge tum apni rakhwaali

main bataaun
ye phaulaadi haath hamare
dushman se takrayen

ye phauladi haath hamaare dushman se takraayen
ye phauladi haath hamare dushman se takraayen
kat ja ye sar chaahe lekin
sar ko nahin jhukaayen

har mushkil mein har keemat pe
rahenge hum aazaad
sau baaton ki ek baat hai
isko rakhna yaad
maan gaye ustaad tumko
maan gaye ustaad
mera ek sawaal hai
sawaal ka jawaab do
ye main tumpe chhodta hoon
achcha do kharaab do
mera ek sawaal hai
sawaal ka jawaab do


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3495 Post No. : 14047

“Deedaar e Yaar”(1982) was produced by Prasann Kapoor and directed by H S Rawail for Tirupati Pictures. The movie had Jeetendra, Rekha, Rishi Kapoor, Tina Munim, Deven Verma, Shreeram Lagoo, Urmila Bhat, Nirupa Roy, Reena Roy, Jagdish Raj etc in it.

This production house was wound up and Prasann Kapoor parted ways with his brother Jeetendra after the debacle of this movie at the box office. Two decades later, Ekta Kapoor, the daughter of Jeetendra, created Balaji telefilms, and the rest was history as far as Jeetendra was concerned.

Jeetendra hit the jackpot through his business savvy daughter.

Tina Munim (DoB 11 february 1957), who celebrates her birthday today, may have been just as oblivious of her future as Jeetendra at that time. In less than a decade, she would be married into a fast rising business family that has subsequently become the biggest privately owned business empire in India. Tina Munim, as Tina Ambani, wife of Anil Ambani, must be the richest ex film actress, not only in India, but worldwise as well. I am not aware of too many actresses getting to marry business tycoons of that level.

Tina Munim had a decent innings as an actress in Hindi movies. She began with “Des Pardes” (1978) as a Dev Anand discovery and her career was launched thereafter. She has the distinction of working with top stars of four generations at least. She worked opposite Dev Anand, Rajesh Khanna, Rishi Kapoor, Anil Kapoor, Rajeev Kapoor etc. In fact, she worked with Rajesh Khanna is about a dozen movies, which is more than the number of movies that Rajesh Khanna worked with opposite Mumtaz. 🙂

I first watched Tina Munim as a twentyone year old in “Des Pardes”(1978) forty years ago. So do the maths and find out how old she is today. How time flies. 🙂

On this occasion, here is a song from “Deedaar e Yaar”(1982). the song is sung by Lata. Sahir Ludhianvi is the lyricist. music is composed by Laxmikant Pyarelal. The song is picturised as a piano song on Tina Munim, with a bearded and bespectacled Rishi Kapoor (masquerading as a bearer, I guess) also present.

Lyrics of this song were sent to me by Avinash Scrapwala.

We take this opportunity to wish Tina Ambani a very happy birthday and many happy returns of the day.


Song-Tumko dekha to samajh mein aaya (Deedaar e yaar)(1982) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Laxmikant Pyarelal
Tina Munim

Lyrics(Provided by Avinash Scrapwala)

Tumko dekha to
Samajh mein aaya
Tumko dekha to
Samajh mein aaya
Log kyun but ko khuda
Log kyun but ko khuda
Maante hain
But mein butgar ki jhalak hoti hai
Isko chhoo kar usey pehchaante hain
Pehle anjaan thhe
Ab jaante hain
Tumko dekha to samajh mein aaya

Tumko dekha to ye maaloom huaa
Log kyun ishq mein deewaane bane
Taaj chhode gaye aur takht lute
Kais o Farhaad ke afsaane bane
Pehle anjaan thhe
Ab jaante hain
Log kyun but ko khuda
Maante hain
Tumko dekha to
Samajh mein aaya
Tumko dekha to
Samajh mein aaya

Janaab Saba Sabai Sahab
Ek shaayar ne
Ek haseena ko dekh kar
Kuchh sher kahe thhe
Jo main aapke huzoor mein
Pesh kar rahi hoon

Tumko dekha to ye ehsaas huaa
Aise but bhi hain jo lab kholte hain
Jinki angdaayeeyaan par tolti hain
Jinke shaadaab badan boltey hain
Pehle anjaan thhe
Ab jaante hain
Log kyun but ko khuda
Maante hain
Tumko dekha to
Samajh mein aaya
Tumko dekha to
Samajh mein aaya

Husn ke jalwaa ae rangeen mein
Khuda hota hai
Husn ke saamne sajdaa bhi rawaan hota hai
Deen e ulfat mein yahi rasm chali aayi hai
Log ise kufr bhi kehte hon
To kya hota hai
Pehle anjaan thhe
Ab jaante hain
Log kyun but ko khuda
Maante hain
Tumko dekha to
Samajh mein aaya
Tumko dekha to
Samajh mein aaya

————————————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
————————————————————————
तुमको देखा तो
समझ में आया
तुमको देखा तो
समझ में आया
लोग क्यूँ बुत को खुदा
लोग क्यूँ बुत को खुदा
मानते हैं
बुत में बुतगर कि झलक होती हैं
इसको छुकर उसे पहचानते हैं
पहले अनजान थे
अब जानते हैं
तुमको देखा तो
समझ में आया

तुमको देखा तो ये मालूम हुआ
लोग क्यूँ इश्क में दीवाने बने
ताज छोड़े गए और तख़्त लुटे
कैस ओ फरहाद के अफ़साने बने
पहले अनजान थे
अब जानते हैं
लोग क्यूँ बुत को खुदा
मानते हैं
तुमको देखा तो
समझ में आया
तुमको देखा तो
समझ में आया

जनाब सबा सबाई साहब
एक शायर ने
एक हसीना को देख कर
कुछ शेर कहे थे
जो मैं आपके हजूर में
पेश कर रही हूँ

तुमको देखा तो ये एहसास हुआ
ऐसे बुत भी हैं जो लब खोलते हैं
जिनकी अंगडाईयाँ पर तोलती हैं
जिनके शादाब बदन बोलते हैं
पहले अनजान थे
अब जानते हैं
लोग क्यूँ बुत को खुदा
मानते हैं
तुमको देखा तो
समझ में आया
तुमको देखा तो
समझ में आया

हुस्न के जलवा ए रंगीन में
खुदा होता हैं
हुस्न के सामने सजदा भी रवां होता हैं
दिन ए उल्फत में यहीं रस्म चली आयी हैं
लोग इसे कुफ्र भी कहतें हैं
तो क्या होता हैं
पहले अनजान थे
लोग क्यूँ बुत को खुदा
मानते हैं
तुमको देखा तो
समझ में आया
तुमको देखा तो
समझ में आया


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14000 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

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Movies with all their songs covered =1081
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