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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Hemlata songs’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3784 Post No. : 14766

“Dulhan Wahi Jo Piya Man Bhaaye”(1977) was a movie that must be regharded as a landmark movie of its time. It had a profound impact on movie goers who watched it. I was one of those who were impacted by this movie.

I was one of those who would only watch Amitabh Bachchan angry young man movies those days. And most movie watchers were like that. This movie was clearly a small budget non action movie which did not have Amitabh Bachchan. From the title, I concluded that it was a “sissy” kind of movie not fit to be watched by action movie watchers like yours truly. 🙂

The local daily newspaper that I got those days carried a list of local cinema halls and movies played in them. This movie was released in a new movie hall called “Uphaar”. Most movie halls of Ranchi were located around a single road of Ranchi called “Main Road”. This hall was one of the four that were not located on that road and was in fact situated as the farthest distance. Not that it mattered for movie goers like me. I had watched “Don”(1978) in that hall and I had quite enjoyed that experience. But that was an Amitabh Bachchan action movie, as one can notice. There was no way I was going to this hall to watch “Dulhan Wahi Jo Piya Man Bhaaye”(1977).

Most movies in Ranchi those days lasted for just three or four weeks if they were popular movies. “Sholay”(1975), the biggest hit of that time had lasted for 14 weeks, which was a big achievement for a place like Ranchi those days.

I noticed that this movie “Dulhan Wahi Jo Piya Man Bhaaye”(1977) was going on and on and it was showing on signs of being taken off even after the passage of seven or eight weeks. A few weeks later, this movie was taken off “Uphaar”, but released in “Sandhya”, another movie hall not on Main Road, but close enough to my College. Incidentally, I college was located at a place where the main road ended /started and the road going towards Sandhya cinema called Purulia road started/ended. That central location where roads ended/started was called Firayalal Chowk, which was renamed as Albert Ekka Chowk in 1972. Albert Ekka, a native of those places won Paramveer Chakra during 1971 war and so this landmark, one of the most important landmarks in Ranchi was renamed in his honour though the place continued to be known by its earlier name as well.

Coming back to topic, “Sandhya” cinema was close to my college. I decided to watch the movie to see what the fuss was all about. I went to the movie hall, with very low expectations.

For the first few minutes, I thought that I had wasted my time and money. But soon thereafter, I warmed up to the movie and became engrossed in it. By the time the movie ended, I was overwhelmed, as were the others who had come to watch it. I liked the movie so much that I watched it four more times. It was the first time that I went for repeat watch of a movie.

The movie had a simple tale that may have been told quite a few times. Here is the plot of the movie as mentioned in wikipedia:
Seth Harikrishan, the industrialist had as his heir, his only grandson Prem. The grandfather’s only desire was to see the bride of his grandson. When he fell seriously ill, his friend and doctor Farid prevailed upon Prem to bring his girl friend Rita, whom he wanted to marry. But as luck would have it, Rita had gone away to Srinagar to participate in a fashion show and she could not return, as due to snowfall all roads were blocked and air service was suspended. To satisfy his dying grandfather, Prem suggested to his company’s Public Relations Officer Jagdish to hire a model girl who could pose as Rita for some time. Instead, Jagdish brought an illiterate flower seller girl Kammo, with whom Prem and his sweetheart Rita had many altercations. But when Rita came, followed by her scheming mother, Kammo knew that her days were numbered. Yet all efforts of Rita and her mother to win the grandfather’s favours failed. Ultimately, on the birthday of the grandfather, Rita’s mother divulged the truth to doctor Farid. And at the birthday party, it was apparent that Kammo’s true identity was known to everyone. Despite this, the grandfather announced his grandson’s engagement to Kammo, whom he had really liked. His grandson blew into a rage and threatened to leave the house along with Rita and her mother. The grandfather did not stop him. Prem rushed to Rita only to find that without his grandfather’s wealth, his love and sacrifice had no meaning for her. Meanwhile, Kammo, hurt and disillusioned, decided to leave the house for good. Did Prem realise his mistake? Did Kammo forgive him? Did the grandfather welcome him back? See for yourself.

This movie was a Rajshree Productions movie directed by Lekh Tandan. The movie had Rameshwari, Prem Kishan, Shyamlee, Madan Puri, Iftekhar, Shivraj, Sunder, Leela Mishra, Savita Bajaj, Piloo Wadia, Shashikala, Viju Khote, Jagdeep etc in it. Rameshwari, who made her debut with this movie became a overnight sensation. It was she who won over the heart of millions in her role of a simple illiterate flower seller Kammo.

Rameshwari’s debut was like a cricketer scoring a century on test debut. There are many cricketers who have done that but then failed to replicate that in subsequent movies. Sadly the same happened with Rameshwari as well. Her subsequent movies were damp squibs and this debut movie of hers remains the biggest highlight of her acting career.

As far as I am concerned, I remember her for this role. The magic that she cast over her audience in this movie four decade ago is yet to wear off. I realised this fact when I watched the picturisation of this song in the process of covering this song in the blog.

The other big attraction of this movie was its music. In fact, it was the music of this song blaring out on loudspeakers that played an important role in forcing me to go to the movie hall.Ravindra Jain’s music and Hemlata’s voice created magic in this movie and also in subsequent Rajshree Production movies for nearly a decade.

Here is this bhajan for “Dulhan Wahi Jo Piya Man Bhaaye”(1977). It is sung by Hemlata and chorus. The picturisation shows Kammo singing this bhajan and the rest of the family, including the ailing sethji (Madan Puri) getting attracted towards the puja room and joining her.

One can find such beloved figures of those days as Leela Mishra (playing her usual role) and Ifthikhar (playing not a police officer but a kindly family Doctor). Prem Kishan (son of Premnath) was the errant grandson of sethji and the hero of this movie. The picturisation also reminds us of those days when long distance telephone calls were not as easy (and cheap) as they have become now a days. 🙂


Song-Mangal bhawan amangalhaari (Dulhan Wahi Jo Piya Man Bhaaye)(1977)Hemlata, Traditional, Ravindra Jain
Chorus

mangal bhavan amangal haari ee ee ee ee
dravhu sudasrath achar bihaari
raam siyaaraam siyaaraam jay jay raam
raam siyaaraam siyaaraam jay jay raam

o o
jiya bin deh nadi bin paani ee ee ee ee
jaisiyanaath(?) purush bin naari
raam siyaram siyaram jay jay raam
raam
raam siyaram siyaram jay jay raam

o o o
tum te adhik punya badhkaake ae ae ae
raajan raam sarit sut jaake
raam siyaraam siyaram jay jay ram
o o
raam siyaram siyaram jay jay ram

ram siyaram siyaram siyaram
ram siyaram siyaram jay jay raam

o o
hoi hai sohi jo raam rachi raakha aa aa aa aa
ko kari taraa badhai saaka
raam siyaram siyaaram jay jay raam
raam
raam siyaram siyaram jay jay raam

o o o
jehike jehi par satya sanehu u u u
so tehi milayi na kachhu sandehu
raam siyaram siyaram jay jay raam
o o
ram siyaram siyaram jay jay raam

ho o
maat pita guru prabhu ke baani ee ee ee
bin hi bichaari kariya shubh gyaani
ram siyaaram siyaaram jay jay raam
raam

raam
raam siyaram siyaram jay jay raam
ho o
hari anant hari katha ananta
aa aa aa aa
kahahi sunahi bahuvidhi sab santa
raam siyaram siyaaram jay jay raam
o o
raam siyaaram siyaram jay jay ram
o o o
raam siyaaraam siyaaraam jay jay raam

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3691 Post No. : 14602

Today is the 10th occasion that we are celebrating the festival of Rakshabandhan on our blog. It is customary that on this day, we post a few songs from Hindi films celebrating this wonderful festival of the pious relation of brother and sister in our tradition.

This song is from an unfamiliar film from 1987. The film title is ‘Parakh’. The film is produced by DS Obhan for Nath Pictures, Bombay, and is directed by Vijay Kapoor. The list of star cast is fairly long – Vijayendra Ghatge, Sarika, Madan Puri, Gajanan Jagirdar, Simple Kapadia, Narendranath, Leela Mishra, Baby Pallavi, Urmila Bhatt, Jagdeep, Asit Sen, OP Bharti, Dhumal,  Ali Masood, Sunder, Shivraj, Padma Khanna (in special appearance), Laxmi Chhaya (in friendly appearance), Jayant Patel, Nikki, Gurchet Siddhu, Balbir, Monica, Makkhan Singh, Surekha, Zarine Khan, Vijay, Ramachandra, Yaseen, Gabu Agarwal, and Anand Joshi etc.

The songs of this film have been created by Ravindra Jain, who wrote the lyrics and also composed the music. This particular song is sung by Hemlata. The video of this film is available online, but it highly defective. The sound track is displaced, and does not match the visual that is seen. So we are presenting only the audio of this song.

Lyrics for this song have been sent by dear Prakashchandra ji. He as also added that this song is performed by Baby Pallavi on screen, while Sarika, Vijayendra Ghatge, Madan Puri, Shivraj, Asit Sen, Narendranath and Leela Misra are also in the frame.

Once again, greetings to all friends and readers for this celebration of Raakhi today.

 

Song – Kehte Hain Raakhi Ke Ye Dhaage  (Parakh) (1987) Singer – Hemlata, Lyrics – Ravindra Jain, MD – Ravindra Jain

Lyrics (Provided by Prakash Chandra)

saat samandar paar ho chaahe
behnaa se bhai
kitni hi door
chaahe baras bhar
bhoola rahe par
aaj ke din kare
yaad zaroor

kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahegaa yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

aaj ke din to bhaiyya ki
behna aarti utaare
mangal deep ki jyoti mein
chanda sa mukhda nihaare
le ke balaayein
de ke duaayein
karti hai shagun mitthai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

ik vat vriksh ki chhaaya mein
hum donon ka jeevan pala hai
kitni ghani us ki chhaaya hai
wo babul kitna bhala hai
mere bhaiyya
pragati mein teri
nit judey ank dahaai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

aaj main jo kuchh maangoon gi
bhaiyya tujhe dena padega
haath kisi albeli ka
ab haath mein lena padega
aayegi bhabhi
ghar mein bajega
baaja madhur badhaayee ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage
le ke chumban teri kalaayee ka
le ke chumban teri kalaayee ka
yug yug se hai
rahega yugon tak
pyaar behan aur bhai ka
kehte hain raakhi ke ye dhaage
kehte hain raakhi ke ye dhaage

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

सात समंदर पार हो चाहे
बहना से भाई
कितनी ही दूर
चाहे बरस भर
भूला रहे पर
आज के दिन
करे याद ज़रूर

कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

आज के दिन तो भैया की
बहना आरती उतारे
मंगल दीप की ज्योति में
चंदा सा मुखड़ा निहारे
ले के बलाएँ
दे के दुआएं
करती है शगुन मिठाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

इक वट वृक्ष की छाया में
हम दोनों का जीवन पला है
कितनी घनी उसकी छाया है
वो बाबुल कितना भला है
मेरे भैया
प्रगति में तेरी
एनआईटी जुड़े अंक दहाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे

आज मैं कुछ माँगूँगी
भैया तुझको देना पड़ेगा
हाथ किसी अलबेली का
अब हाथ में लेना पड़ेगा
आएगी भाभी
घर में बजेगा
बाजा मधुर बधाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे
ले के चुंबन तेरी कलाई का
ले के चुंबन तेरी कलाई का
युग युग से है
रहेगा युगों तक
प्यार बहन और भाई का
कहते हैं राखी के ये धागे
कहते हैं राखी के ये धागे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3519 Post No. : 14134

“Tapasya”(1975) was directed by Anil Ganguly for Rajshree Productions, Bombay. The movie was based on a Novel by Ashapoorna Devi. The movie is about sacrificing one’s own life for the sake of bringing up one’s younger siblings and thinking of one’s own personal life only after one’s younger siblings have been settled in their lives.

The movie had Raakhi in the central role. Others in the movie were Parikshat Sahni, Asrani, Manju Bansal Asrani, A K Hangal, Nasir Hussain, Adil, Manju Bhatia, Urmila Bhatt, Birbal, Abha Dhulia, C S Dubey, Raja Duggal, Master Eknath, Gayatri etc in it.

The movie had four songs in it. Two of these songs, arguably the most popular songs of the movie have been covered in the past.

Here is the third song from “Tapasya”(1975) to appear in the blog. This song was also quite popular during its time. The song is sung by Chandrani Mukherji, Hemlata and chorus. M G Hashmat is the lyricist. Music is composed by Ravindra Jain.

The picturisation shows Raakhi’s younger brother (played by Asrani) and his newly wedded wife (played by Manju Bansal Asrani- who was recently married to Asrani in real life as well) being teased by his younger siblings and neighbours which is the usual reception (a sort of ragging)that a newly married couple are subjected to from relatives friends and neighbours in India. The teasing is more addressed to the wife rather than the husband and the song ends with the lady getting irritated by this teasing.

The lady getting disturbed at the end disturbed me as well and so I could not gather the courage to watch the song more than a few times. So I have not provided colour coding by the two main singers in the song. 🙂


Song-Bhaabhi ki ungli mein heere ka chhalla (Tapasya)(1975) Singers-Chandrani Mukherji, Hemlata, Lyrics-M G Hashmat, MD-Ravindra Jain
Chorus

Lyrics

bhaabhi ki ungli mein heere ka chhalla
heere ka chhalla
oye hoy heere ka chhalla

dekho dekho chhalle pe bhaiya ne baandha hai palla
baandha hai palla
arre arre baandha hai palla

kaisi pyaari ye jodi banaayi
kaisi sundar ye jodi banaayi
ki bhaiya makkhan hain bhaabhi malaai
bhaiya makkhan hain bhaabhi malaai
duhaayi
bhaabhi ki ungli mein heere ka chhalla
heere ka chhalla
oye hoy heere ka chhalla

baat suno
samjho gussa na karo
o bhaabhi baat suno
samjho gussa na karo
to hum chanda aa mukhda choom len
hum chanda aa mukhda choom len
pehli khushi hai apne ghar mein
milke gale hum jhoom len
o bhaabhi milke gale hum jhoom len
ab raho na paraayi paraayi
ab raho na paraayi paraayi
ki bhaiya makkhan hain bhaabhi malaai
bhaiya makkhan hai bhabhi malaai
duhaayi
bhabhi ki ungli mein heere ka chhalla

heere ka chhalla
oye hoy heere ka chhalla

o o o
o o
o o o o
o o o
o o o
tang na karo
kyun ji
paanv pado
achchha ji
tang na karo
chalo chalo paanv pado
ki bhaabhi mushkil se ghar mein aayi hai
bhaabhi mushkil se ghar mein aayi hai
pehna bahut din bel bottom
aaj saadi pehan sharmaayi hai
aaj sadi pehan sharmaayi hai
is muhurat pe baanto mithhaayi
is muhurat pe baanto mithhaayi
ki bhaiya makkhan hain bhaabhi malaai
bhaiya makkhan hain bhabhi malai
duhaayi
bhaabhi ki ungli mein heere ka chhalla

heere ka chhalla
oye hoy hire ka chhalla

laal mirach
nahin nahin kali mirach
na na
laal mirach
nahin nahin kaali mirach
ye to hari mirach hai badi tez hai
bhaabhi hari mirach hai badi tez hai
bhaiya bichaara hindi bole
bhabhi bani angrez hai
arre bhaabhi bani angrez hai
aa
bholey bhaaley ko patti padhaai
o seedhe saadhe ko patti padhaai
ki bhaiya makkhan hain bhabhi malaai
bhaiya makkhan hain bhaabhi malaai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3466 Post No. : 13911

“Naiyya”(1979) was directed by Prashant Nanda for Chanda Pictures, Bombay. I became aware of this fact when I discussed the earlier songs from this movie. Initially I was under the impression that this movie was a Rajshree Productions movie and once again I reverted back to the same impression with passage of time 🙂

The movie had Zarina Wahab, Prashant Nanda (new discovery for Hindi movies), Baldev Khosa, Dinesh Thakur, Leela Mishra, Mohammad Mohsin (another new discovery), Jageerdaar, Dinesh Hingoo, Nandlal Sharma, c S Dubey, Shail Chaturvedi, Shivraj, Amrish Puri, Pardesi, Om Tripathi, Shankar Bhake, Manmauji, Rooplekha etc, along with guest appearances by Sulochana, Shubha Khote and Jayshree T.

The movie had five songs in it. Four of them have been covered in the past.

Here is the fifth and final song from “Naiyya”(1979) to appear in the blog. This song is sung by Hemlata. Ravindra Jain is the lyricist as well as the music director.

The song is picturised as a village nautanki song on Jayshree T and her performance is being watched by many people including a very young and lecherous looking Amrish Puri. The picturisation also shows Zarina Wahab and Leela Mishhra passing through and giving looks of disapproval to the proceedings in general and Amrish Puri in particular.

It is a rare occasion for Hemlata to sing a song like this which was the forte of Asha Bhonsle and she has done a commendable job.

With this “phadakta hua” song, all the songs of “Naiyya”(1979) have been covered and the movie joins the list of movies that have all their songs covered in the blog.


Song-Mera joban bandha rupaiyya (Naiyya)(1979) Singer-Hemlata, Lyrics-Ravindra Jain, MD- Ravindra Jain

Lyrics

mera joban bandha rupaiyya
o teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main
mera joban bandha rupaiya
o teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main

mohe pata hai tore man ke khot ka
kaahe dikhaawe mohe koda note ka
mohe pata hai tore man ke khot ka
kaahe dikhaawe mohe koda note ka
ankhiyan se tohpe karke totka
o o o o o
ankhiyan se tohpe karke totka
bhaag jaaungi main
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main
o mera joban bandha rupaiya
teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main

rakkha rupaiya maine mutthhi main bheench ke
kaise luta doon aise aankh meench ke
rakkha rupaiya maine mutthhi main bheench ke
kaise luta doon aise aankh meench ke
kharcha kare jo zara haath kheench ke
o o o o o
kharcha kare jo zara haath kheench ke
uspe lutaaugi main
rupaiya abhi na bhunaaoogi main
rupaiya abhi na bhunaaoogi main
o mera joban bandha rupaiya
teri baaton mein aake sipahiya
rupaiya abhi na bhunaaoogi main


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3463 Post No. : 13898

“Raadha Aur Seeta”(1979) was produced by Tarachand Barjatya and directed by Vijay Kapoor for Rajshree Productions, Bombay. The movie had Arun Govil, Reeta Bhaduri, Madan Puri, Leela, Rajendra Nath, Abha Dhulia etc in it.

This movie sounds like a typical Rajshree Productions movie of those days made on the lines of “Dulhan Wahi Jo Piya Man Bhaaye”(1977). While “Dulhan Wahi Jo Piya Man Bhaaye”(1977) was a monster hit, most of the copycat movies that Rajshree productions came up with failed to create the same magic. After “Dulhan Wahi Jo Piya Man Bhaaye”(1977), I went to watch Rajshree Productions next offering “Paheli” (1978), expecting the same high standards and I was badly let down. “Raadha Aur Seeta”(1979) came next and I natually did not watch it. I was in fact barely aware of this movie and its songs. However, I watched some moree Rajshree Productions movies later, but that was mainly for their blockbuster music. These movies were “Ankhiyon Ke Jharokhon se” (1978) and “Saawan Ko Aane Do” (1980). Two subsequent Rajshree movie that I liked for their story as well as music were “Sunayna” (1979) and “Nadiya Ke Paar” (1982).

Today (10 january 2018) is the 77th birth anniversary of Yesudas. I was looking for a Yesudas song to discuss on this occasion. Though it was Salil Chaudhary who introduced Yesudas in Hindi movies, it was Ravindra Jain who used Yesudas the most in Hindi movies and got the best out of him in his compositions. I have already covered many well known Yesudas songs under the baton of Ravindra Jain. I looked for Ravindra Jain compositions hoping to find a Yesudas song that is not yet covered. I was immediately in luck as I found this song from “Raadha Aur Seeta”(1979).

This song is a piano song where the hero sits at the grand piano and sings a song that is basically an expression of love song addressed to the heroine who happens to be leaning against the said grand piano. Elders in the family and others are dutifully present on the occasion.

The song is sung by Yesudas and Hemlata. Ravindra Jain is the lyricist as well as the music director. The song is picturised on Arun Govil and Reeta Bhaduri. Elders like Madan Puri, Leela Mishra etc are present and look on indulgently.

We wish Yesudas a very happy birthday and many happy returns of the day. What a sweet and joyous song it is. A hidden gem of a song indeed.


Song-Kaun hai aisa jise phoolon se geeton se panchhiyon se pyaar na ho(Raadha Aur Seeta)(1979) Singers-Yesudas, Hemlata, Lyrics-Ravindra Jain, MD-Ravindra Jain
Both

Lyrics

kaun hai aisa jise phoolon se
geeton se
panchhiyon se pyaar na ho

kaun hai aisa jise phoolon se
geeton se
panchhiyon se pyaar na ho
kaun hai aisa jise phoolon se
geeton se panchiyon se pyaar na ho
pyaar ke bina poora koi sringaar na ho
kaun hai aisa jise phoolon se
geeton se
panchhiyon se pyaar na ho

jeewan hai phool
man ek panchhi
saans saans mein geet re
man panchhi phir udna na chaahe
le jo use koi jeet re
jeena re wo kaisa agar kisi pe apna koi adhikaar na ho
kaun hai aisa jise phoolon se
geeton se
panchhiyon se pyaar na ho

is anjaane shahar mein aake
man kitna bechain thha
kisko khabar thhi inhi galiyon mein
chhupa mere dil ka chain thha
khushi to khushi hai
us khushi ka honthon se chaahe izhaar na ho
kaun hai aisa jise phoolon se
geeton se panchhiyon se pyaar na ho

pahle pahal jab mujhse mile thhe
tum kitne hairaan thhe
tum meri main tumhari najar mein
dono hi naadaan thhe
mere humdum aisi galti hamse phir is baar na ho

pyaar ke bina poora koi sringaar na ho o o
kaun hai aisa jise phoolon se
geeton se
panchhiyon se pyaar na ho


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One more Yippeee; the yippeee song for today. The film is ‘Gehra Raaz’ from 1971. In all, the film has four songs listed in the Geet Kosh. Today, we get familiar with the fourth song of this film.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gehra Raaz” (1971) was directed by Niranjan for Salim Productions, Bombay. This B grade suspense movie had Sujit Kumar, Sofia (new find as they said those days), Sheikh Mukhtaar, Abhi Bhattacharya, Satyajit, Brahmchaari, Madhumati, Mohan Sherry, Eshwar, Dinani, Paro, Uma Dutt, Hiralal, Pardesi, Rani, Samson, Jelani, Lohani, Sadhna Khote, Sarla, Master Salim etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jyoti”(1969) was produced by A Devdas and directed by Dulal Guha for Chitra Mitra productions. The movie had Sanjeev Kumar, Nivedita, Aruna Irani, Abhi Bhattacharya, Tarun Bose, Moppet Soorja aka Sarika, Lalita Kumari, Jagdeep, Gopal Saigal, Pardesi, Shekhar Purohit etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ankhiyon Ke Jharokhon Se”(1978) was inspired from Eric Segal’s immortal novel “Love Story”.

Majority of movie watchers including me, who watched “Ankhiyon Ke Jharokhon Se”(1978) did not know about the source of inspiration of the movie. The movie was a bo office hit. People wathing the movie liked it for its story and for its music. My own feeling is that the music of this movie may have played the bigger role in ensuring that the movie was a money spinner for Rajshree Productions, the makers of this movie.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Erich Segal’s immortal novel “Love Story” has inspired quite a few movies. The first such movie was a Hollywood movie of the same name that was released in 1970, a few months after this novel was released on 14 february 1970.

Hindi movies have also joined the bandwagon. “Ankhiyon ke Jharokhon se” (1978) was based on “Love Story”. A Rajshree Productions release, this movie was produced by Tarachand Barjatya and directed by Hiren Nag. Vrajendra Gaur as the writer had adapted this story, Indianising the movie as much as he could.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14789

Number of movies covered in the blog

Movies with all their songs covered =1153
Total Number of movies covered =4044

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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