Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Hasrat Jaipuri


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4557 Post No. : 16150

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 118 # (A tribute to Singer Krishna Kalle)
——————————————-————————————————————

‘Sapne Suhaane-1974’ was a ‘social movie’ directed by A.K. Chalukya for ‘Kalpit Chitra, Poona’. It had Kalpit, Soni, Sharma, Arvind, Shefali, Mohan Jery, Mohan Shery, Sundar, Firoza, Lakiram, Master Kalpit, and Padma Chavan (in guest appearance). This movie introduced Anil, Rawal, Suresh, Bina, Suryakant, Gaekwad and Lalsingh Chouhan.

‘Sapne Suhaane-1974’ had three songs. All ere written by Hasrat Jaipuri. Music was composed by Shamji Ghanshamji.

This movie was passed by Censor Board on 05.11.1974.

One song from this movie was posted on the blog on 23.07.2013. Our inhouse encyclopedia Shri Arunkumar Deshmukh Sir provided the following information in comments section;

SAPNE SUHANE-1974 was truly an obscure movie.
It was produced by Kalpit Chitra Poona, directed by A.K. Chalukya and the music was by Shyam ji Ghanashyamji (One person-not a jodi), for the lyrics by Hasrat Jaipuri. There were only 3 songs in it.
The cast was full of newcomers (all probably debutants or one film actors), like Kalpit, Soni, Sharma, Arvind, Shefali, Firoza, Luckyram, Anil, Raval, Suresh Beena, Suryakant etc.
The story was of a Motor mechanic who dreams of becoming a film actor. He tells his beloved, who is working as a maid with a seth ji, that he will go to Bombay and return only after becoming an actor. Soon he realises the valley between Sapne suhane and the reality

Today we are presenting the second song from this movie which is sung by Krishna Kalle.

Krishna Kalle (18.12.1940 – 15.03.2015) was a known name in Kannada and Marathi Film Music, in addition to Hindi Film Music.

Let us now listen to today’s song …

Audio

Song-Ae bansi bajaiyya (Sapne Suhaane)(1974) Singer-Krishna Kalle, Lyrics-Hasrat Jaipuri, MD-Shamji Ghanshamji

Lyrics

ae bansi bajaiyyaa aa aa aa
aa aa aa
ae bansi bajaiyyaa aa

ae bansi bajaiyyaa
kya tujhe iski khabar hai
dukhiya tere charnon mein hai
aur tujhpe nazar hai
ae bansi bajaiyyaa aa aa aa aa

main saans ki maalaa pe
tera naam japoon hoon
main saans ki maalaa pe
tera naam japoon hoon
jis haal mein rakkhe mujhe
us haal mein khush hoon oon oon
mujh par bhi nazar daal
tera dhyaan kidhar hai
dukhiya tere charnon mein ae hai
aur tujhpe nazar hai
ae bansi bajaiyyaa aa aa aa aa

tujhse koi shikwaa naa
ye fariyaad hai sun le ae
tujhse koi shikwaa naa
ye fariyaad hai sun le
qismat meri barbaad thhi
barbaad hai sun le ae ae ae
jab tu hai mere saath to
kis baat ka darr hai
dukhiya tere charnon mein hai
aur tujhpe nazar hai
ae bansi bajaiyyaa aa aa aa aa


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4542 Post No. : 16114

Hello everyone,

I’m back here after another long absence.

And as usual, it is a very special anniversary that brings me back to writing here.

To be honest, I’m very much out of touch with writing nowadays. Can’t even remember when I last wrote anything more than 280 characters. So this post is going to be a struggle – but I still want to go through with it, because it is about someone who is very dear to me.

And not just to me, but to millions of music lovers around the world.

I’m talking about Rafisaab, of course.

Today is his birth anniversary – and I am sure there are many around the world who are remembering him very fondly today. On this day every day, there are also concerts held in various places to celebrate the occasion.

The mark that Rafisaab has left on the Hindi film industry cannot be described in words. The best way to probably understand his impact is to imagine the industry if he’d never been part of it.

It’s extremely hard to imagine it, isn’t it?
How much poorer would the world of music have been!

I often say the word “legend” is overused and abused nowadays. People who don’t have the required stature get loosely referred to as “legends”.

But when you use the same term for a person like Rafisaab, it suddenly feels the other way round. As if the word “legend” doesn’t have the required stature to be used for Rafisaab. 🙂

I’ve written a LOT of posts here on Rafisaab. More than on anyone else, I think. On his birth anniversary every year, death anniversary every year, on various milestone occasions.

I’ve written about his songs, his character, my own experiences listening to him – so yes, I’ve covered the entire gamut of Rafisaab content that I can think of.

And yet, I write not so much to add anything to anyone’s knowledge (most people know more than me anyway), as to offer my own tribute to the great man, in my own small way, on each of these occasions.

So where do I start?

Let me start with his songs.

Only the other day, a couple of weeks ago, I got into the mood to tweet some songs on Twitter. I do that occasionally – just for fun. I listen to a song on youtube, and then tweet it, sometimes with a hashtag #nowlistening.

It wasn’t meant to be a Rafisaab playlist at all – but that’s how it ended up. 🙂
Simple reason – once I start listening to Rafisaab songs, there’s no stopping the flow. So it ended up becoming one long Rafisaab session, which others also seemed to enjoy.

The songs kept flowing, starting with “yahaan badla wafaa ka” to “maine rakha hai mohabbat”, “mujhe dekh kar aapka muskuraana”, “jaag dil-e-deewaana”, “aaj puraani raahon se”, “husnwaale tera jawaab nahin”, “jaane kya dhoondhti rehti hain”, “tumhaari zulf ke”, “caravan guzar gaya”, “sukh ke sab saathi”, “maine shaayad tumhe”, “zara sun haseena-e-naazneen” and so many more.

Different moods – happy and sad.
Different genres – ghazals, bhajans, qawwalis, classical.

And that’s the thing with Rafisaab.
He had such mastery over every form of singing that he never came up short in any one form to disappoint you.
Not only did he have a divine voice, it was also his mastery over his field that set him apart. It was his humility that he often pointed upwards to God, suggesting it was all His doing. But it must have been a combination of a God-given voice, AND a huge amount of hard work. After all, he did riyaaz for hours daily.

Like millions of others, I too consider myself very fortunate to have been able to listen to Rafisaab songs. He was in a league of his own.

And yet, that’s not the only reason I have such a high regard for Rafisaab.
As we all know, Rafisaab was also an exceptionally good human being.
In fact, if there is ever an interview with anyone who knew Rafisaab, while there would obviously be mention of his singing, there would almost invariably be a mention of what an outstanding person he was.

And that’s because this is a rare quality, especially in an industry where artistes tend to get egoistic when they become successful and famous.

Rafisaab was an exception. For many years, he was the biggest name in male playback singing. He could easily have thrown his weight around. Kept people waiting. Demanded a higher fee. Dictated terms to composers who were queuing up to use him for their songs.

But he did none of this.

He was thoroughly professional – always respecting the role of the music director. Even if his stature was much greater than that of the MD.
In fact, after singing a song, he’d seek approval from the composer.
On the rare occasion when the composer wasn’t entirely happy and wanted another take, Rafisaab wouldn’t complain. He’d just comply – after all, the music director was the boss.

This attitude also explains why he didn’t seek higher compensation in the form a share of royalty. To him, he was a singer who had received a sum for rendering a song. Once he’d done that, he’d done his job. He didn’t seek more reward than that. Right or wrong, that was his mindset.

There are many stories about Rafisaab that illustrate what a good human being he was.

How he wouldn’t charge money (except a token one rupee) from struggling music directors.

How he’d donate money to help needy families, even without their knowledge who the benefactor was.

For all his stature and fame, Rafisaab was a remarkably humble person. And not just fake humility, but genuinely so.

When you put all this together, you can only marvel at the person he was.
So brilliant at his field, and yet such a remarkably good human being.

This is why he is SO loved by millions.
Obviously his songs are what first attract him to people, but when they know more about the person, their love and admiration goes to a completely different level.

This is also why, though I haven’t written in ages, I chose to write a post for him today. It’s the least I can do.

Now onto the song for today.

It’s from Bombay Talkie (1970).

I remember hearing about this film as a kid, though I saw it for the first time only a few years ago. The song “typewriter tip tip tip tip” was quite popular, from what I remember.

Such is my memory nowadays that I’ve already forgotten the storyline of the film, though I saw it only a few years ago. But I don’t think it was like the usual Hindi film of the time, seeing as it’s a Merchant-Ivory production. Their movies always had a different feel to them.

The film stars Shashi Kapoor and Jennifer Kendal (his wife in real life).
Should be fun to watch them together.

I think I might just do that – try to watch this film again.
The one advantage of having a poor memory is that you can keep watching the same film again, and each time it feels like the first time. 🙂

The song for today is “tum mere pyaar ki duniya”.

A lively song from Rafisaab, and I daresay, a song quite typical of the time.

Lyrics for this were given to me by Avinashji.
This now seems to be the pattern of my posts here.
Post written by me, lyrics by Avinashji. 🙂
The only difference between this and other posts is that usually Avinashji sends me lyrics, and requests me to write a post. This time I decided to write a post on Rafisaab, and then requested Avinashji to pick a suitable song.
I wanted a happy song, because the occasion is Rafisaab’s birth anniversary – a happy event. 🙂
As always, Avinashji promptly obliged.

I request you to please listen to this happy and lively song, and remember what joy Rafisaab has given us.

Am sure I speak for millions of music lovers when I say that he will always have a very special place in our hearts.

Audio

Song-Tum mere pyaar ki duniya mein basi ho jabse (Bombay Talkie)(1971) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics(Provided by Avinash Scrapwala)

tum mere pyaar ki duniyaa mein
basi ho jab se
tum mere pyaar ki duniyaa mein
basi ho jab se
zarre zarre mein
mujhe pyaar nazar aataa hai
meri har saans mein aati hai
tumhaari khushboo
saaraa aalam mujhe
gulzaar nazar aataa hai
tum mere pyaar ki duniyaa mein
basi ho jab se
zarre zarre mein
mujhe pyaar nazar aataa hai
meri har saans mein aati hai
tumhaari khushboo
saaraa aalam mujhe
gulzaar nazar aataa hai
tum mere pyaar ki duniyaa mein
basi ho jabse

aisaa lagtaa hai ke
hariyaale ghaney pedon mein
tum bhi maujood ho
patton mein chhupi baithhi ho
shaakh hilti hai kisi naazneen
baahon ki tarah
aur gumaan hotaa hai
tum jaise yahin rehti ho
tum mere pyaar ki duniyaa mein
basi ho jab se
zarre zarre mein
mujhe pyaar nazar aataa hai
meri har saans mein aati hai
tumhaari khushboo
saaraa aalam mujhe
gulzaar nazar aataa hai
tum mere pyaar ki duniyaa mein
basi ho jabse ae

jab guzartaa hai
mere jism ko baadal chhoo kar
phir koi reshmi aanchal mujhe
yaad aataa hai
main to har cheez mein paataa hoon
tumhaaraa chehra
ishq kya kya mujhe
parchhaayiyaan dikhlaataa hai
tum mere pyaar ki duniyaa mein
basi ho jab se
zarre zarre mein
mujhe pyaar nazar aataa hai
meri har saans mein aati hai
tumhaari khushboo
saaraa aalam mujhe
gulzaar nazar aataa hai
tum mere pyaar ki duniyaa mein
basi ho jab se ae

dhoop aur chhaaon ke manzar bhi
ajab manzar hain
jab nazar milti hai
sau teer chalaa dete hain
aur phoolon ke chhalaktey se katore hardam
bin piye hi mujhe
mastaana banaa dete hain
tum mere pyaar ki duniyaa mein
basi ho jab se
zarre zarre mein
mujhe pyaar nazar aataa hai
meri har saans mein aati hai
tumhaari khushboo
saaraa aalam mujhe
gulzaar nazar aataa hai
tum mere pyaar ki duniyaa mein
basi ho jab se ae

——————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————-

तुम मेरे प्यार की दुनिया में
बसी हो जबसे
तुम मेरे प्यार की दुनिया में
बसी हो जबसे
ज़र्रे ज़र्रे में मुझे प्यार नज़र आता है
मेरी हर सांस में आती है
तुम्हारी खुशबू
सारा आलम मुझे
गुलज़ार नज़र आता है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे
ज़र्रे ज़र्रे में मुझे प्यार नज़र आता है
मेरी हर सांस में आती है
तुम्हारी खुशबू
सारा आलम मुझे
गुलज़ार नज़र आता है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे

ऐसा लगता है के
हरियाले घने पेड़ों में
तुम भी मौजूद हो
पत्तों में छुपी बैठी हो
शाख हिलती है किसी नाज़नीं
बाहों की तरह
और गुमाँ होता है
तुम जैसे यहीं रहती हो
तुम मेरे प्यार की दुनिया में
बसी हो जबसे
ज़र्रे ज़र्रे में मुझे प्यार नज़र आता है
मेरी हर सांस में आती है
तुम्हारी खुशबू
सारा आलम मुझे
गुलज़ार नज़र आता है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे ए

जब गुज़रता है
मेरे जिस्म को बादल छू कर
फिर कोई रेशमी आँचल मुझे
याद आता है
मैं तो हर चीज़ में पाता हूँ
तुम्हारा चेहरा
इश्क क्या क्या मुझे
परछाईयाँ दिखलाता है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे
ज़र्रे ज़र्रे में मुझे प्यार नज़र आता है
मेरी हर सांस में आती है
तुम्हारी खुशबू
सारा आलम मुझे
गुलज़ार नज़र आता है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे ए

धूप और छाओं के मंज़र भी
अजब मंज़र हैं
जब नज़र मिलती है
सौ तीर चला देतें हैं
और फूलों के छलकते से कटोरे हरदम
बिन पिए ही मुझे
मस्ताना बना देते है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे
ज़र्रे ज़र्रे में मुझे प्यार नज़र आता है
मेरी हर सांस में आती है
तुम्हारी खुशबू
सारा आलम मुझे
गुलज़ार नज़र आता है
तुम मेरे प्यार की दुनिया में
बसी हो जबसे ए


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4532 Post No. : 16096

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 116 #
——————————————

Regulars on the blog must have noticed that nowadays I ’am focusing on ‘one-song movie’ viz movies that are represented in the blog by just one song.
When I took this mission I mainly wanted to focus on movies from the ‘Melodious Decade’ or ‘the golden era’ years i.e. 1951-1960, and I will continue with it in the future as well.

However, the song I am going to present today is not from a movie of fifties (1951-1960), but it is from one of the movies of ‘seventies. This movie made its debut in the blog twelve years ago in 2008. After that there has been no activity in the blog as far as this movie is concerned.

When we come across such cases, we have to thank the ‘Blog Ten Year Challenge’ started by Atul ji in 2019. At least some ‘un ‘Yippeeee’ed’ movies are now getting noticed as a result. Ten Year Challenge unearthed some movies that were left with just one song in the blog and their second song got covered exactly ten year later as part of ‘Blog Ten Year Challenge’ (or ‘BTYC’).

This also gave me the idea that we should check movies that were left with only one song for the longest period and we should work out their statistics viz what is the record longest period for such instances where a movie waited for its second song on the blog. 😊

Coming back to the today’s movie now, today’s song is from ‘Mera Vachan Geeta Ki Qasam-1974’.

‘Mera Vachan Geeta Ki Qasam’ was directed by Vinod Kumar for ‘M.M.R. Films, Bombay’. It was produced by Vinod Kumar and A. Nairang. (This movie is dedicated to the memory of Vinod Kumar, who I guess passed away either during production or post production of this movie). It had Saira Banu, Sanjay (Sanjay Khan), Ajit, Johny Walker, Nazima and Om Prakash, co-starring with K.N. Singh, Jagirdar, Tiwari, Ram Mohan, Haridas Shukla, S.N. Tripathi, Tun Tun, Shamim, Indira, Baby Shanoo, Major Anand, Raj Deepak, Mona, Monaliza, Geeta Kapoor, Qamar Sarhadi, Ramlal, Aziz, Kamal.

The movie introduced Qaim Raaj. And Madan Puri make a friendly appearance in the movie. Also, Laxmi Chhaya and Jankidas make special appearance in this movie.

Story of this movie was written by Vinod Kumar who screenplay and dialogues of this movie and was the director of this movie. Prabhakar Supare was the editor of this movie.

This movie was passed by Censor Board on 23.07.1974.
(But I am not sure if it was released then or later, because many sources mentioned 1977 as the year of this movie).

This movie has five songs – all sung by – Asha Bhonsle. Hasrat Jaipuri penned all the five songs and Shankar-Jaikishan composed the music for this movie.

Song Posted On
O doongi, ye dil tujhe doongi … balamwa mera hi hoga
Achchha lagta hai ye bholaa bhaalaa sanwariyaa Being covered in this post
Pyar kiya nahin jataa ho jaata hai 07.12.2008
Tanik kankari pad jaaye … manmohan se preet badhaayi
Saath kali ka ghaaghro … mora resham ka ghaaghraa nazaaraa maare re

Today’s song is sung by Asha Bhonsle and Saira Banu is lip-syncing and performing it on the screen while Sanjay Khan and many others can see watching this ‘nautanki’ type song in a village set-up…

I have not watched this movie and I think this movie must have been a forgotten one. I would request knowledgeable readers, who have watched this movie, to throw more light on this movie and its songs.

Let us now listen to today’s song . It is composed by Shankar-Jaikishan and written by Hasrat Jaipuri. Asha Bhonsle is the singer of this song …


Song-Achcha lagta hai ye bholaa bhaala saanwariyaa (Mera Vachan Geeta Ki Kasam)(1974) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

achchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
achchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
par kachchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
aah
kachchaa lagtaa hai
ye bholaa bhaalaa sanwariyaa
varna kaanon mein kuchh kehta
aas paas rehta
mere dil ki baat bhi to suntaa aa
haaye haaye
achchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
kachchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa

badaa naasamajh hai
na samjhe ishaaraa
badaa naasamajh hai
na samjhe ishaaraa
magar phir bhi guinyaa
lagey mujhko pyaaraa
magar phir bhi guinyaa
lagey mujhko pyaaraa
main jab paas jaaun
to daaman bachaa le
main pyaasi nadi wo kinaaraa
haaye haaye
achchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
kachchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
varna kaanon mein kuchh kehta
aas paas rehta
mere dil ki baat bhi to suntaa aa
sssss
achchaa lagtaa hai
ye bholaa bhaalaa sanwariyaa
kachchaa lagtaa hai
ye bholaa bhaalaa sanwariyaa

naa khenche hai chunri
naa rastaa hi rokey
naa khenche hai chunri
naa rastaa hi rokey
rahe door kaantaa saa
man mein ae chubhoke
rahe door kaantaa saa
man mein ae chubhoke
naa jaane meri peed
buddhu kahin kaa
karey hai zulm meraa hoke ae
aay haay
achchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
kachchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
varna kaanon mein kuchh kehta
aas paas rehta
mere dil ki baat bhi to suntaa aa
sssss
achchaa lagtaa hai
ye bholaa bhaalaa saanwariyaa
kachchaa lagtaa hai
ye bholaa bhaalaa sanwariyaa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4520 Post No. : 16077

“Gunaahon Ka Devta”(1967) was directed by Devi Sharma for Janta Chitra, Bombay. This “social” movie had Rajshree, Jeetendra, Mehmood, Leela Chitnis, Auna Irani, Randheer, Tuntun, Farida, Shahid, S K Prem, Sujata, Jeewan, Jankidas etc in it.

The movie had seven songs in it. Six songs (including one multiple version song) have been covered so far. Here are the details of the songs of this movie:-

S.No. Song Title Posted on
01 Chaahaa thaa banoon pyaar ki raahon ka devata 22.07.2010
02 Raam kare kahin nainaa naa uljhen 30.07.2010
03 Teer aankhon ke jigar ke paar kar do yaar tum 13.07.2012
04 Ham ko to barbaad kiyaa hai aur kisey barbaad karoge (multiple version song) 22.07.2020
05 Mehfil mein shama chamki parwaane chale aaye 08.10.2020

The seventh and final song from “Gunaahon Ka Devtaa”(1967) is a light hearted comic relief song sung by Rafi and picturised on Mehmood. Mehmood too utters a fe sentences in the song. Lyrics are by Hasrat Jaipuri. Music is by Shankar Jaikishan.

Music of the song is reminiscent of another Shankar Jaikishan composition namely “hum kaale hain to kya dilaale hain”.

Lyrics of this song were sent to me Avinash Scrapwala.

With this song, all the songs of “Gunaahon Ka Devtaa”(1967) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Video

Audio

Song-Main marne chala hoon (Gunaahon Ka Devtaa)(1967) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Mehmood

Lyrics(Provided by Avinash Scrapala)

Hoshiyaar
Arey khabardar
Mere ko mat rokna
Main jaa rahaa hoon

arey todi naakh tablaa
ne phodi naakh peti
Main jaa rahaa hoon
Main marne chalaa hoon

Are ab rokne se kya faydaa
jab chidiyaa chug gayi khet

Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Aye husn teri khaatir
Aye husn teri khaatir
O husn teri khaatir
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon

Ye maut bhi darwaazaa hai
milne ka meri jaan
Ye maut bhi darwaazaa hai
milne ka meri jaan
mar kar bhi jiyaa karta hai
hokar amar insaan
mar kar bhi jiyaa karta hai
hokar amar insaan
Majnu ki qasam
Raanjhe ki qasam
Meri jaan ki qasam
arey mere babaji qasam
Dadaji ki qasam
kakaji ki qasam
arey Padm ji ki qasam

Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Aye husn teri khaatir
Main marne chalaa hoon
Main marne chalaa hoon

Atka huaa armaan dil e maasoom se nikle
Atka huaa armaan dil e maasoom se nikle
Aashiq ka janaazaa hai
badi dhoom se nikle ae
Aashiq ka janaazaa hai
badi dhoom se nikle ae
lailaa ki qasam
shirin ki qasam
ke sar ki qasam
arey meri maa ki qasam
meri dadi ki qasam
meri nani ki qasam
mar gayaa babaji ee

Main marne chalaa hoon
Main marne chalaa hoon
Aye husn teri khaatir
Main marne chalaa hoon
Main marne chalaa hoon

Logon mere marne pe tum
Aansoo naa bahaanaa
Logon mere marne pe tum
Aansoo naa bahaanaa
Aa jaaye meri yaad to phir
Naachnaa gaaanaa
Aa jaaye meri yaad to phir
Naachnaa gaaanaa
Baiju ki qasam
taani ki qasam
tansen ki qasam
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon

arey main marne chalaa hoon oon oon …


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4507 Post No. : 16050

Bhaari bhaari meena kumari
ghar mein jaa ke maara maari

This was the sales pitch sh’air by some urchins in Mumbai local trains, selling small items like hairbands, hair clips, fancy earrings, finger rings and combs etc. I have had an highly educating experience of travelling in local trains on regular basis from 1988 to 1994, during peak hours, traversing the length and breadth of Mumbai on central, western and harbor lines. The sales pitch and the bol bachchan street seller’s ingenuity in using colourful simile’s, in the present song reminded me of the long forgotten ditty above. (bhaari means costly or rich in mumbaiyya)

I have a tendency of getting involved in different types of hobbies and activities if they catch my interest. I usually follow these interests for a while till something else occupies the space in my time. In school we had a learning topic of ‘home science’. They taught cooking, stitching, crocheting, embroidery etc. But I was only doing those things, to the extent necessary. But crocheting and embroidery had sort of caught my interest and I dabbled in them whenever the opportunity arose. If my mom was doing some knitting, then I would want to take up crochet and finish the wool which she brought to knit some sweater etc. I found the creativity there fascinating, especially in embroidery. Also crocheting and embroidery with wool is quicker.

Once I saw an advert in a magazine for a thread manufacturing co. The ad had a very colourfully embroidered one dimensional ‘charminar’. Not the cigarette box, but the actual ‘charminar’ of Hyderabad. It must have been early or late 80’s. I liked the colourful mural like look of it so much, that I wanted to make it immediately. I got hold of whatever new cloth piece I could find at home, which happened to be orange. I made a drawing of the charminar on a paper and traced it on to the cloth. Once basic work is done, then there is the need for the colourful silk thread, plus a big size ring to fix the cloth and needles. All the paraphernalia was arranged and I set to work, till it finished. It is one my treasured created things, along with one another similar whimsy design which was actually front portion of a small jacket. Many years later I had that embroidered ‘charminar’ framed. Now that frame is also broken, and the orange cloth is lying somewhere in a drawer, waiting reframing or whatever is its destiny.

It so happened that I visited Hyderabad city in April 2019. There was a wedding to attend and some business related visit. It was my second visit there, first being in 2008, which incidentally coincided with the annual “Numa’ish”. It is a traditional yearly event in Hyderabad, which is an exhibition cum sale, on a huge scale and an area is devoted to this “numa’ish”. Special buses are run from the outskirts and surrounding areas for people to travel to and fro, and all that razzmatazz. People came for this exhibition in droves. Now I don’t know if it is the same with all the changes, huge malls being more attractive. I myself found it easier to roam around alone at IKEA, while my husband attended to business.

The annual “Numaish” is held in the second half of january and the night prior to ‘republic day’ all govt. building were lit up with colourful lights. We visited the ‘charminar’ on the night of 25th January, to see it aglow with white lights. During that visit we couldn’t go inside the monument, which we rectified during the 2019 visit. A portion of it was closed even, as it was damaged during the previous monsoon. The huge complex of ‘chowmohalla palace’ is in close vicinity, but it is like an oasis of peace, if feels like another place altogether in total contrast to the area surrounding ‘charminar’. I think it must have been a walled city once upon a time with its multiple gates in all 4 directions, as was traditional for great cities.

Now of course, the city manages to hold in great contrasts, with all the commercial areas hosting huge multinationals office complexes.

After the 2019 visited, I looked and looked for a song featuring the city of Hyderabad to post. But I did not find any such songs. But yesterday I was looking for a good song composed by Sardar Malik, and found this Rafi solo, a sales pitch song, composed by Sardar Malik, written by Hasrat Jaipuri which is entirely shot in locations of Hyderabad old city. It is said that “dhoondne se khudaa miltaa hai”, so what is a song, how would it not be found. I found this song when I had given up finding such a song. The movie is “Mera ghar mere bachche”(1960) and the song is picturised on Charlie. The films cast included Sohrab Modi, Sulochana, Sudesh Kumar, Kumari Naaz, Balraj – I, Daisy Irani, Kavita, Nana Palsikar, Subbiraj, Sadhna Chowdhry, and S’aadat Ali, apart from Charlie. This movie is produced and directed by Sohrab Modi.

The rendition by Rafi Sahab is as usual the star of the show second only to the magnificent charminar filmed 60 years ago. The print is good, so some other historical buildings can also be seen in the song, like Safdarjung museum(ghanta ghar), the Chowmohalla palace entrance etc.

6 out of the 9 songs in the movie are already posted in the blog :

Song Date posted
Bahaaron se poochho mere pyaar ko tum 22 September 2009
Dil mera naache thunak thunak 4 September 2010
Chanda ke desh mein rehti ek raani 11 March 2012
Wo hi oodi oodi ghataayen hain 1 July 2016
Zulm bhi karte hain aur kehte hain ke fariyaad na kar 19 June 2017
Peena haraam hai to nigaahen milaa ke pee 4 September 2020

The expressions in the song, like ‘sauda haathhon haathh hai’ , ‘muraaden dil ki bar aayen’, ‘andhere mein bahot kuchh soojh jaayegaa’, ‘aap ki munh mein ghee shakkar’,’ maare sharam ke phir gayaa paani’, so freely used are a refreshing reminder of a very civilized part of mumbaiyya dialect.

Video :

audio :

Song-Le lo jee paanch paanch aane (Mera Ghar Mere Bachche)(1960) Singer-Mohammed Rafi, Lyrics-Hasrat Jaipuri, MD-Sardar Malik

Lyrics

Mud mud ke
har koyi dekhe
maal mein kuchh to baat hai
paise do aur maal utthaao
sauda haathhon haathh hai
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane
haan
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane ae

yeh kangha leejiye
baabu
muraaden dil ki bhar aayen
koyi ganja
kare sar mein
to us ke baal aa jaayen
meraa surmaa
agar aise
ke ji andhaa lagaayegaa
to andhe ko
andhere mein
bahot kuchh soojh jaayegaa aa

ye surmaa kya hai jadoo mantar
aap ki munh mein ghee shakkar
jo bhi chaaho
le lo saayin
paise ki sab baat hai
paise do aur maal utthaao
sauda haathhon haathh hai
le lo ji le lo o
paanch paanch aane ae
aayenge phir na aa
aise zamaane
haan aane
le lo ji le lo o
paanch paanch aane ae
aayenge phir na aa
aise zamaane

ham ko London ka powder maangtaa hai
mem saab
idhar to India ka maal miltaa hai
haan khaalis hindustaani
hindustaani
chhee chhee chhee

hamaare desh ke har maal pe
duniyaa hai deewaani
videshi maal per
maare sharam ke
phir gayaa paani
lagaate hain nazar ham par
yeh cheeni aur japaani
chali aati hai lene maal
inglistaan ki naani
inglistaan ki naani eeee

tum letaa London se takkar
aap ke munh mein ghee shakkar
London waale laakh jalen
par uparwaala saathh hai
paise do aur maal utthaao
sauda haathhon haathh hai ae
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zama..aane
haan aa
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane aewaah
le lo ji le lo
paanch paanch aane ae
aayenge phir na aa
aise zamaane


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4500 Post No. : 16036 Movie Count :

4385

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 111 # Debutant movie-Saazish-1975
——————————————————————————

Today’s song is from the 1975 movie ‘Saazish’.

This movie is making its debut on our blog. It is part of one of my ‘projects’ of bringing ‘movies with same title’ on the blog. We already have a movie with this title released in ‘1959’ represented on the blog. (Incidentally this movie was also launched on the blog with a lyrics contribution sent by me then 😊) (isme meri koi saazish nahin thhi 😊)

There are were two more movies with the same title ‘Saazish’ made in 1988 & 1998, not yet represented in the blog.

‘Saazish-1975’ was directed by Kalidas for ‘Maya Movietone, Bombay’. Kalidas was also the producer of this movie. It had Saira Banu, Dharmendra, Dev Kumar, Rajendra Nath, Madan Puri, Jagdish Raj, Murad, Gayjee, David, Helen etc. Iftekhar and Paintal make special appearance in this movie.

Story of this movie was written by Ranjan Bose. And screenplay and dialogues were written by Ramesh Pant. Editing of this movie was done by Waman Bhonsle and Guru Dutt Shirali.

This movie was passed by Censor Board on 03.02.1975.

‘Saazish-1975’ has five songs written by Hasrat Jaipuri and composed by Shankar-Jaikishan.

Here are the details of the songs of this movie in order of their appearance (which should be according to the appearing of these songs in the movie) HFGK Vol-V 1971-1980.

Song Singer/s
Na taaj chaahiye na takht chaahiye, tera pyaar chaahiye har waqt chaahiye Asha Bhonsle
Wo bade khushnaseeb hote hain aap jiske kareeb hote hain Mahendra Kapoor, Suman Kalyanpur
Haay phir zaraa zaraa koi teer sa chubha, dil to huaa fidaa Sharda
Tujhe hamne chaaha apna samajh kar Mahendra Kapoor, Saira Banu
How sweet dada ji Asha Bhonsle, Ranu Mukherjee

As I mentioned above, this movie was in my ‘wish-list’ for the ‘project’ of introducing ‘movies with same titles’ on the blog. However, somehow, I had forgotten about this movie due to my attention to other posts. Our dear Prakash ji had also recently sent two songs from this movie for different occasions. But I am leaving them for future posts, because I was looking for a Suman Kalyanpur song composed by Shankar-Jaikishan (for obvious reasons -😊- regulars on the blog and those interested in statistics can guess it easily 😊).

So, today I am presenting a song from this movie sung by Mahendra Kapoor and Suman Kalyanpur.

This song is picturized on Dharmendra and Saira Banu (at foreign locations I guess) where Dharmendra is lip syncing in Mahendra Kapoor’s voice and Saira Banu is lip syncing in the voice of Suman Kalyanpur (obviously 😊).

I have not watched this movie and would like to request knowledgeable readers to throw more light on this movie, its details and its song please.

With the today’s song ‘Saazish-1975’ makes its debut on the blog … (😊 ye zaroor meri saazish ka hissaa hai 😊)

let us now enjoy today’s song from “Saazish”(1975)…

Video

Audio

Song-Wo bade khushnaseeb hote hain (Saazish)(1975) Singers-Suman Kalyanpur, Mahendra Kapoor, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both

Lyrics

wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain
aap jiske kareeb hote hain aen
aap jiske kareeb hote hain aen
aap jiske habeeb hote hain
aap jiske habeeb hote hain
hoye
hoye
hoye
log uske rakeeb hote hain ae
log uske rakeeb hote hain aen aen

wo bade khushnaseeb hote hain

hamne dil deke tumko paaya hai ae
hamne dil deke tumko paaya hai
apne apne naseeb hote hain
o o o o
apne apne naseeb hote hain
wo bade khushnaseeb hote hain
haay
haay
haay
aap jiske kareeb hote hain ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain

dil hamaara tumhi se takraayaa aa aa
dil hamaara tumhi se takraayaa aa
haadse kyaa ajeeb hote hain
haaye ae ae
haadse kyaa ajeeb hote hain

wo bade khushnaseeb hote hain
aap jiske kareeb hote hain ae ae
aap jiske kareeb hote hain aen aen
wo bade khushnaseeb hote hain

aise andaaz se mitaate hain aen aen
aise andaaz se mitaate hain aen
husn waale ajeeb hote hain ae
haaye ae ae
husn waale ajeeb hote hain

wo bade khushnaseeb hote hain
wo bade khushnaseeb hote hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4492 Post No. : 16019

Today (4 November 2020) is the 91st birth anniversary of Jaikishan Dayabhai Panchal (4 November 1929 – 12 September 1971), one half of the legendary Shankar Jaikishan musical duo. The golden era of HFM started in 1949. Shankar Jaikishan were there right from the beginning. They ruled the roost in HFM for two decades. After that, the duo got separated in unfortunate circumstances, with the untimely death of Jaikishan at the the age of just 41. It is unbelievable but true that he had started at the age of 19 and he had achieved so much by the time he was 41 that the body of his work has gone on the become some of the best and immortal music that the golden era of HFM had given us.

After the demise of Jaikishan, Shankar continued giving music with the same brandname of Shankar Jaikishan. But the music created without Jaikishan was not the same.

Here is the full filmography of Shankar Jaikishan as music directors in Hindi movies :-

Movie name Year Songs covered in the blog Songs in the movie
Barsaat 1949 11 11
Aawaara 1951 11 11
Baadal 1951 8 8
Kaali Ghata 1951 6 6
Nageena 1951 8 8
Daag 1952 9 9
Parbat 1952 7 7
Poonam 1952 8 8
Aah 1953 9 9
Aas 1953 7 7
Aurat 1953 9 9
Boot Polish 1953 7 7
Naya Ghar 1953 7 7
Patita 1953 6 6
Shikast 1953 11 11
Baadshah 1954 8 8
Mayurpankh 1954 6 6
Pooja 1954 9 9
Seema 1955 8 8
Shri 420 1955 8 8
Basant Bahaar 1956 9 9
Chori Chori 1956 9 9
Halaaku 1956 8 8
Kismat Ka Khel 1956 7 7
New Delhi 1956 9 9
Patraani 1956 9 10
Raajhath 1956 11 11
Begunaah 1957 6 6
Kathputli 1957 7 7
Baaghi Sipaahi 1958 8 8
Yahudi 1958 7 7
Anaadi 1959 7 7
Chhoti Behan 1959 9 9
Kanhaiyya 1959 8 8
Love Marriage 1959 8 8
Main Nashe Mein Hoon 1959 9 9
Sharaarat 1959 9 9
Ujaala 1959 8 8
College Girl 1960 7 7
Dil Apna Aur Preet Paraayi 1960 7 7
Ek Phool Chaar Kaante 1960 9 9
Jis Desh Mein Ganga Behti Hai 1960 11 11
Singapore 1960 8 8
Aas Ka Panchhi 1961 7 7
Boyfriend 1961 7 7
Jab Pyaar Kisi Se Hota Hai 1961 9 9
Junglee 1961 7 7
Krorepati 1961 9 9
Roop Ki Raani Choron Ka Raaja 1961 9 9
Sasuraal 1961 8 8
Aashiq 1962 8 8
Asli Naqli 1962 7 7
Dil Tera Deewaana 1962 7 7
Hariyaali Aur Raasta 1962 9 9
Professor 1962 6 6
Rangoli 1962 9 9
Dil Ek Mandir 1963 7 7
Ek Dil Sau Afsaane 1963 7 7
Hamraahi 1963 8 8
Aayi Milan Ki Bela 1964 7 7
Apne Huye Paraaye 1964 7 7
April Fool 1964 7 7
Beti Bete 1964 9 9
Rajkumar 1964 7 7
Saanjh Aur Sawera 1964 7 7
Sangam 1964 8 8
Zindagi 1964 11 12
Aarzoo 1965 7 7
Gumnaam 1965 8 8
Jaanwar 1965 7 7
Amrapaali 1966 5 5
Badtameez 1966 7 7
Gaban 1966 7 7
Love in Tokyo 1966 8 8
Pyaar Mohabbat 1966 9 9
Suraj 1966 7 7
Teesri Kasam 1966 12 12
Aman 1967 7 7
An Evening in Paris 1967 9 9
Around the World 1967 9 9
Chhoti Si Mulaaqaat 1967 7 7
Deewaana 1967 9 9
Gunaahon Ka Devta 1967 6 7
Hare Kaanch Ki Choodiyaan 1967 6 6
Laat Saahab 1967 6 6
Raat Aur Din 1967 9 9
Brahmchaari 1968 7 7
Duniya 1968 6 6
Jhuk Gaya Aasmaan 1968 7 7
Kanyaadaan 1968 7 7
Mere Huzoor 1968 7 7
Sapnon Ka Saudaagar 1968 6 6
Shikaar 1968 6 6
Kahin Aur Chal 1968 6 6
Bhai Bahan 1969 2 7
Chanda Aur Bijli 1969 3 6
Jahaan Pyaar Miley 1969 6 6
Prince 1969 7 7
Pyaar Hi Pyaar 1969 4 6
Sachchaai 1969 6 6
Shatranj 1969 4 8
Tumse Achcha Kaun Hai 1969 7 7
Umang 1969 6 6
Yakeen 1969 5 5
Bhai Bhai 1970 3 6
Bombay Talkie 1970 1 4
Dharti 1970 7 7
Mera Naam Joker 1970 12 12
Pagla Kahin Ka 1970 6 6
Pehchaan 1970 8 8
Tum Haseen Main Jawaan 1970 4 6
Albelaa 1970 5 5
Andaaz 1971 8 8
Balidaan 1971 3 6
Duniyaa Kyaa Jaane 1971 1 7
Ek Naari Ek Brahmchaari 1971 2 5
Elaan 1971 3 5
Jaane Anjaane 1971 7 7
Jwaala 1970 1 8
Jawaan Mohabbat 1971 8 8
Kal Aaj Aur Kal 1971 4 6
Main Sundar Hoon 1971 6 6
Naadaan 1971 6 6
Parde Ke Peeche 1971 2 6
Patanga 1971 8 8
Preetam 1971 6 6
Seema 1971 5 6
Yaar Mera 1971 2 5
Aan Baan 1972 6 6
Aankhon Aankhon mein 1972 6 6
Bandagi 1972 2 6
Beimaan 1972 3 7
Dil Daulat Duniya 1972 4 5
Jungle Mein Mangal 1972 3 7
Laal Pathar 1972 6 7
Naina 1972 5 7
Rivaaz 1972 2 6
Aaj Ki Taaja Khabar 1973 1 5
Archana 1973 1 6
Chori Chori 1973 1 6
Daaman Aur Aag 1973 1 5
Door Nahin Manzil 1973 3 5
Pyaar Ka Rishta 1973 5
Chhote Sarkaar 1974 4 4
International Crook 1974 6
Insaaniyat 1974 1 3
Reshan Ki Dori 1974 3 6
Tarzan Mera Saathi 1974 2
Vachan 1974 6 6
Do Jhooth 1975 2 6
Neelma 1975 3
Saazish 1975 5
Sanyaasi 1975 5 9
Dhoop Chhaaon 1977 2 5
Duniyadaari 1977 2 6
Mera Vachan Geeta Ki Kasam 1977 1 5
Mehfil 1978 2 5
Atmaaraam 1979 2 5
Ganga Aur Geeta 1979 4
Salaam Memsaab 1979 1 7
The Gold Medal 1979 6
Garam Khoon 1980 3 5
Chorni 1981 1 6
Naari 1981 6
Eent Ka Jawaab Patthar 1982 6
Film Hi Film 1983 3
Paapi Pet Ka Sawaal Hai 1984 7
Inteqaam Ki Aag 1986 4
Kaanch Ki Deewaar 1986 7
Gori 1991 7
Love in Bombay 2013 1 6
985 1200

Overall, Shankar Jaikishan composed about 1200 songs in all. 985 of these songs, including bulk of their golden era compositions from 1949 till early 1970s are already covered in the blog. The gave music in 169 movies. 112 of these movies have already been YIPPEED in the blog.

As a tribute of Jaikishan, here is a song from “Zindagi”(1964). It is one of the few unYIPPEED movies of Shankar Jaikishan from the golden era. This movie was directed by Ramanand Sagar for Gemini , Madras. This “social” movie had Vyjyanti Mala, Rajendra Kumar, Raj Kumar, Mehmood, Jayant, Jeewan, Kanhaiyalal, Dhumal, Hiralal, Master Shahid, Prithviraj Kapoor, Helen, Leela Chitnis, Mumtaz Begam, Pushpawalli etc in it.

The movie had twelve songs in it. Eleven of these songs have been covered in the past. Here is the twelfth and final song from the movie.

This song is sung by Lata and Asha Bhonsle. Hasrat Jaipuri is the lyricist.

The song is picturised as a synchronised mujra dance song at a wedding reception. I am unable to identify the two female dancers. I request our knowledgeable readers to help identify them.

The picturised version is partial. The audio version is longer. Still, the picturised version has a stanza that is not there in the audio version.

With this song, all the twelve songs from “Zindagi”(1964) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Video

Audio


Song-Chhoone na doongi main haath re (Zindagi)(1964) Singers-Lata, Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan

Lyrics

chhoone na doongi main haath re
najariyon se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi

main tumhaari hoon
mujhe paas bulaa kar dekho
meri raahon mein zara khud ko mitaa kar dekho
apne daaman pe koi aanch na aane doongi
chaahe har din mujhe pehlu mein bithhaa kar dekho
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa
aage badhe na koi baat re
najariyon se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi

meri mehfil mein ye mat aane chale aate hain
chhod(?) kar shamma ko parwaane chale aate hain
main wo baazi hoon jise koi na jeeta ab tak
khelne phir bhi ye deewaane chale aate hain
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
khaayenge ye sab maat re
najariyon se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithhi rahoongi saari raat re
najariyon se dil bhar doongi

dil ki hasrat na kabhi dil se nikalne doongi
pyaar kaa koi bhi jaadu ko na chalne dungi
ishq ki aag badi tez hai humne maanaa
dil ke moti ko main hargiz na pighalne doongi
aa aa aa aa
aa aa aa aa
hoti rahegi mulaakaat re
najariyoo se dil bhar doongi
chhoone na doongi main haath re
najariyon se dil bhar doongi
baithi rahoongi saari raat re
najariyo se dil bhar doongi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4490 Post No. : 16014

Yearwise discussion of Lata Mangeshkar songs in HFM: Part VI: Year 1952
———————————————————————————————————

I had mentioned that Lata Mangeshkar reached the peak of her HFM singing career in 1951 (statistically that is) in the sense that she sang as many as 223 songs in movies released in 1951. She would never be able to exceed this tally in future, though she came close to this figure in future years on a few occasions.

1952 saw Lata Mageshkar further consolidating her position at the top. This year she sang 177 songs. Here are the details :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aan Naushad 4 4 2 0 1 1 Shakeel Badayuni
2 Aandhiyaan Ali Akbar Khan 3 3 3 0 0 0 Pt Narendra Sharma
3 Aashiaana Madan Mohan 6 6 5 1 0 0 Rajinder Krishan
4 Ajeeb Ladki Ghulam Mohammad 2 2 0 2 0 0 Shakeel Badayuni
5 Alladin And the wonderful lamp S N Tripathi 1 1 1 0 0 0 Shyam Hindi
6 Ambar Ghulam Mohammad 1 1 1 0 0 0 Shakeel Badayuni
7 Anand Math Hemant Kumar 1 1 1 0 0 0 Bankim Chandra Chattopadhyay
8 Anhonee Roshan 5 5 2 2 1 0 Satyendra Athaiyya (2) Shailendra (1) Nakshab (1) Ali Sardar Jafri (1)
9 Annadaata Md Shafi 2 6 6 0 0 0 Anjum Jaipuri (3) Hasrat Jaipuri (3)
10 Badnaam Basant Prakash 2 4 4 0 0 0 Hasrat Jaipuri (3) Shailendra (1)
11 Baiju Baawra Naushad 5 5 2 2 0 1 Shakeel Badayuni
12 Betaab S D Batish 1 1 1 0 0 0 Roopbani
13 Bewafa A R Qureshy 3 3 3 0 0 0 Sarshar Sailaani
14 Chamkee Manna Dey 3 4 4 0 0 0 Kavi Pradeep
15 Chhatrapati Shivaji C Ramchandra 1 6 5 1 0 0 Shailendra
16 Daag Shankar Jaikishan 5 5 5 0 0 0 Shailendra (4) Hasrat Jaipuri (1)
17 Deewaana Naushad 2 2 2 0 0 0 Shakeel Badayuni
18 Doraaha Anil Biswas 0 2 2 0 0 0 Prem Dhawan
19 Ghunghroo C Ramchandra 2 5 4 0 1 0 Rajinder Krishan
20 Hamaari Duniya Shyam Babu Pathak 2 2 2 0 0 0 Indeewar (1) Hasrat Jaipuri (1)
21 Hangaama C Ramchandra 5 6 4 1 0 1 Rajinder Krishan
22 Hyderabad ki Naazneen Vasant Desai 2 2 2 0 0 0 Noor Lucknowi
23 Jaal S D Burman 4 4 3 1 0 0 Sahir Ludhianvi
24 Jaggu Hansraj Bahl 1 1 1 0 0 0 A Shah Shikarpuri
25 Jalpari Pt Govindram 2 3 3 0 0 0 Ramesh Gupta (1) Unknown (2)
26 Kaafila Husnlal Bhagatram 3 3 2 1 0 0 Vrajendra Gaud
27 Najariya Bhola Shreshtha 1 3 3 0 0 0 P L Santoshi
28 Naubahaar Roshan 6 6 6 0 0 0 Shailendra (3) Nakshab (2) Satyendra Atthaiyya (1)
29 Nirmohi Madan Mohan 6 6 6 0 0 0 Rangeen (3) Uddav Kumar (2) Indeewar (1)
30 Parbat Shankar Jaikishan 7 7 4 1 1 1 Hasrat Jaipuri (4) Shailendra (3)
31 Parchhaain C Ramchandra 8 8 5 3 0 0 Noor Lucknowi
32 Poonam Shankar Jaikishan 9 9 9 0 0 0 Hasrat Jaipuri (5) Shailendra (4)
33 Raag Rang Roshan 8 8 5 3 0 0 Kaif Irfani (5) Sarshar Sailaani (2) Prakash Bakshi (1)
34 Raaja Harishchandra Husnlal Bhagatram 4 4 1 3 0 0 Unknown (4)
35 Rangeeli Chic Chocolate 2 3 3 0 0 0 Raja Mehdi Ali Khan
36 Saaqi C Ramchandra 6 6 4 2 0 0 Rajinder Krishan
37 Saloni Basant Prakash 2 4 4 0 0 0 Arjun Dev Ashq (2) Raja Mehdi Ali Khan (1) Hasrat Jaipuri (1)
38 Sangdil Sajjad Hussain 2 2 1 1 0 0 Rajinder Krishan
39 Sanskaar Roshan 2 4 4 0 0 0 Shailendra
40 Sheesha Ghulam Mohammad 2 2 2 0 0 0 Shakeel Badayuni (1) Umar Ansari (1)
41 Sheesham Roshan 2 4 3 1 0 0 Indeewar
42 Shin Shinaaki Boobla Boo C Ramchandra 6 7 4 3 0 0 Indeewar
43 Tamaasha Manna Dey 2 2 2 0 0 0 Bharat Vyas
Total 42 movies 24 MDs 148 177 138 31 4 4 29 Lyricists

We can see from the above table that Lata Mangeshkar had sung songs in 43 movies out of 105 movies that were released in 1952.

She worked with 24 music directors in this year. Interestingly enough, as many as 9 of these music directors were working with her for the first time. These music directors were A R Qureshi, Ali Akbar Khan, Basant Prakash, Bhola Shreshtha, Hemant Kumar, Manna Dey, S D Batish, S N Tripathi and Shyam Babu Pathak.

Likewise, she worked with 29 lyricists in these movies. Arjun Dev Ashq, Prakash Bakshi, Ramesh Gupta, Roopbani, Satyendra Athhaiyya, Shyam Hindi, Uddhav Kumar (solo credit), and Umar Ansari were the eight lyricists who were penning lyrics for Lata Mangeshkar for the first time.

By the end of 1952, Lata Mangeshkar had sung 759 songs in HFM. As many as 327 of these songs (43%) were under the batons of four music directors , namely C Ramchandra (118 songs), Husnlal Bhagatram (89 songs), Anil Biswas (65 songs) and Shankar Jaikishan (54 songs). As for lyricists 280 out of 759 songs (37%) were penned by just five lyricists, namely Rajinder Krishan (89 songs), Shakeel Badayuni (57), P L Santoshi (52 songs), Shailendra (42 songs)and Hasrat Jaipuri (40 songs).

Out of 43 movies of 1952 where Lata Mangeshkar lent her voice, all Lata songs of 29 of these movies have already been covered. That leaves us with 14 movies of 1952 which are available for us for discussing Lata Mangeshkar songs.

Alphabetically, “Annadaata”(1952) is the first such movie. This movie was produced by Sheikh Mukhtar and directed by Ismail Memon for Umar Khayyam Films, Bombay. This “social” movie had Veena, Ajit, Kanhaiyalal, N A Ansari, Sankatha Prasad, Sharifa, Nazeer Kashmiri, Kamal Mohan, Sheikh, Akhtar, Itar Singh, Neena Maker, Mukri, Sheikh Mukhtar etc, with guest appearance by Murad.

The movie had eleven songs in it. Two songs, both Lata solos, have been covered in the past. This movie had six Lata solos in it.

Here is the third song, another Lata solo, from “Annadaata”(1952). This song is penned by Hasrat Jaipuri. Music is composed by Md Shafi.

Only the audio of this joie de vivre genre of song is available. My guess is that this song was picturised on Veena. Nevertheless, I request our knowledgeable readers to throw light on the picurisation of this song.


Song-Aayi khushi ban ke bahaar baalmaa(Annadaata)(1952) Singer-Lata, Lyrics-Hasrat Jaipuri, MD-Md Shafi

Lyrics

o ho ho ho
o o o o
o o
hmm mm hmm
mm mm mm
mm mm mm

aayi khushi ban ke bahaar baalma
aayi khushi ban ke bahaar
aa ha ha
aa ha ha
geet bane dil ki pukaar baalma
geet bane dil ki pukaar

saanson mein khushbu piya ki basi hai ji
piya ki basi hai
ulfat ke honthon pe ae ae ae ae
ulfat ke honthon pe
phaili hansi hai ji
phaili hansi hai
lo aao chalen taaron ke paar
aa ha ha
aa ha ha
geet bane dil ki pukaar
baalma
geet bane dil ki pukaar

pee ko basaaungi main nainon ke gaanv mein
aa aa aa
jee nainon ke gaanv mein
pee ko bithaaungi main ae ae ae
pee ko bithaaungi main palkon ki chaanv mein jee
palkon ki chaanv mein
lo aa hi gaya mujhpe nehaa
aa ha ha
aa ha ha
geet bane dil ki pukaar baalma
geet bane dil ki pukaar

lachke kamar jaise phoolon ki daaliyaan ji
phoolon ki daaliyaan
patte bajaate hain ae ae ae ae ae
patte bajaate hain mil mil ke taaliyaan jee
mil mil ke taaliyaan
lo baaj rahi jeevan sitaar
aa ha ha
aa ha ha
geet bane dil ki pukaar baalma
geet bane dil ki pukaar
aayi khushi ban ke bahaar baalma
aayi khushi ban ke bahaar
ahaha
aaha ha
geet bane dil ki pukaar baalma
geet bane dil ki pukaar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4486 Post No. : 16007

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Blog 10-Year Challenge (2010-2020) – Song No. 89
———————————————————————————–

This date 29 october 2020 is a different kind of blog ten year challenge. It was on this day ten years ago that I met Raja face to face in Nagpur where I was based at that time. All these days I was under the impression that the meeting had taken place recently, but no, time has sprinted away faster than Usain Bolt, and TEN years have elapsed after that memorable evening. .

For those who came in late, I was a member of a by now defunct cricket forum called Pakcricbuzz under the ID of squarecut. I used to discuss cricket of 1970s in that forum. One fine day, this new member called Raja joined and he started commenting on my posts exclaiming that he was in the same age group and he too had similar memories about cricket of 1970s. I initially thought that he was a Pakistani with surname of Raja (like Wasim Raja and Rameez Raja) but later I found that he was an Indian.

After a few days, I stumbled upon “introduction” section of that forum, where I found discussion about a new cricket forum by an Indian poster. I visited that forum called cricforum. That was in may 2005. It was quite an inactive forum at that time, but I felt comfortable there mainly because it was a forum of Indians. Two weeks later, I found that same person Raja also joining cricforum. Soon the forum began to buzz with great activity.

The forum had moderators and administrators based in Europe and USA and they needed an India based moderator. So I was made an moderator there and an announcement was made that “Atul Bhai is our new moderator.” Members of the forum congratulated me, and that included Raja too. So your name is Atul, he stated. My ID was squarecut and so it was this announcement that made Raja aware about my name.

This forum did not just discuss cricket, it discussed other topics as well, and people there had a unique kind of sense of humour which was described there as “muppetry”. Whenever India lost in cricket, which was quite often, members would roast Indian cricketers in posts that were scathing and at the same time quite funny. Then there was this person Ravi, the owner of the site, who would write hard hitting reviews of Hindi movies that were great fun to read. This person Ravi incidentally has written a guest post in this blog as well. This article gives us some idea about his sense of humour. Even I have covered him in the blog in one article on his pet-a wolf dog. I rate this article as one of the most satisfying articles written by me.

Some music lovers there began to discuss music under a subsection called Geetmala. There music loving members would write articles on a music theme. I wrote a few articles, on themes like Railway songs in Hindi movies. Others such as Raja also came up with his own theme.

It was during late 2007 and early 2008 that I was exposed to the concept of blogging. I opened a blog on blogspot platform where I started writing similar theme based articles. I wrote 50 long articles there which did not get the kind of traffic that I expected. Soon enough, I discovered wordpress platform, which I found far more easy for blogging. It was on this platform that I began to write my comments of Hindi film songs, taking up one song at a time. And soon enough, this became my main blog.

When I informed others about my blogs, some of them visited them and left notes of encouragement. Raja’s comments were especially prized ones for me, because he wrote long and elaborate comments that served as just the kind of encouragement that any budding blogger/ poster needs.

As mentioned earlier, Raja and I were members of cricforum. Raja actually met a few regulars of that forum, including Ravi, the owner of that forum. So Raja was already into “gangouts” of cricforum. Incidentally, this term “Gangout” is coined by Raja. So far this term has not found its way into Dictioneries and it is found only in this blog.

Raja was based in Holland and he would regularly visit India to meet his family members. By 2010, Raja too had become a moderator and subsequently an administrator in that forum. I too had become an adminisrator. During october 2010, Raja was planning to visit India, and another administrator called Asterix too was planning to visit India. This person Asterix was Nagpur based, and he saw a good opportunity for a get together at Nagpur. He invited a few members to come visit Nagpur. Raja was the one who agreed. So Raja boarded a train from Bangalore and arrived at Nagpur on 28 October 2010. He was recived at the Nagpur station by Asterix who took him to his home to stay with him. Raja, in those pre whatsapp days posted his status in cricforum- “Arrived Nagpur. Feeling happy. Looking forward to meet Atul.”

At Nagpur, I lived in Railway locality (called Mount Road)close to Old Vidarbha Cricket stadium. This stadium had hosted international matches till a few years ago, before the bigger stadium at Jamtha came up. I lived alone, while my wife and daughter lived across the Maharashra MP border 250 KM away. I had a very good internet connection (provided by Railways) and I also had inverter connection. So I was connected on internet round the clock even if it was raining outside and power was off. No wonder I was at my most productive as a blogger those days.

Raja, asterix and another person (Asterix’s relative) arrived at my home in the evening. I received a bear hug from Asterix. The two of us were so like minded in cricketing matters (including our “love” for Bangladeshi cricket. 🙂 ) in the forum.

After some cricket discussion, the two of them expressed their interest in my blogging process. So I took them to the room that I had earmarked for this purpose. This small room had a laptop on a computer table. When I look back at it now, I realise that I used to note down the lyrics directly from the computer. I did not use headphone or external speakers those days. Later I began to use headphones and that helped a lot. But using headphones was not yet started by me and I relied on listening to the tinny voice emanatng from the laptop. That laptop was a 2007 model, with windows XP in it.

The blog by that time had 3154 posts, a far cry from the current tally of over 16000 writeups. Many blog concepts, now taken for granted had not yet evolved. Even guest posts were in their infancy. Raja, the first guest poster in the blog had written his (and blog’s) first guest post on 26 june 2010 (blog post number 2565). Raja’s most recent guest post was the writeup for 3000th song of the blog- on 20 september 2010. It was his 31st guest post in the blog. 31 guest posts in less than three months- Raja was in a rich vein of writing form those days. 🙂

My collection of video CDs, audio CDs etc were strewn all over the place which I showed them as my musical collection. I can never arrange them systematically, no matter how half heartedly I try. 🙂 I also tried to bluff telling them that what was visible was only a part of my collection. 🙂

I had one thing with me that was quite a prized possession though. It was a diary of 1974, that I got hold of in 1975. In that diary I noted down lyrics of songs written from radio. I needed to listen to a song a few times before I could get the full lyrics right. It had about 200 plus song lyrics. That diary was also the place where I would note down scores of test matches played those days. I showed them the score card of the Port of Spain test where India scored 406/4 in the fourth innings to win the test. Raja was suitably impressed with that diary.

We spent an hour and half or so at my place. Those days we did not have cameras on mobile phones. People carried handycams. Raja had brought one such handycam. I had asked a couple of my staff to be present. One of them took our photos which Raja later put up on our cricket forum.

After one hour and half or so, we went to a nearby restaurant for dinner. Asterix, a native of Nagpur knew various places in Nagpur quite well. Our discussion continued during that time as well. Raja told us that he had watched the movie “Akeli Mat Jaiyyo”(1963) with very high expectations but he felt badly let down. 🙂 Raja has subsequently learnt to keep his expectations low while watching Hindi movies. 🙂

While discussing musical matters and bloggers, we discussed Greta (Memsaab) and her blog. Raja mentioned that Greta’s birthday fell a few days ago. We also discussed the fact that her birthday fell so close to that of Shammi Kapoor that she was a big fan of.

Those were the days when the blog followed the concept of “farmaish”. Farmaish page was a popular page of the blog. Raja himself was a big farmaish sender. Raja had sent lots of farmaishes in the blog farmaish page. I asked him for a farmaisdh face to face- easily the first such farnmaish for the blog. Raja chose the song “Baar baar din ye aaye” and dedicated it to Greta. :).

After dinner, Raja and Asterix dropped me back at my place at about 10:45 PM or so and thus ended a memorable evening / night for me.

Next day, I posted that article on Raja’s farmaish where I described this meeting in brief. This aricle received several comments including that of Raja as well.

Raja in his comment to this post wrote:-

As Atul says, the two of us finally managed to meet each other. It was really memorable for me too. I have long admired Atul’s witty comments, not just on this blog but also on our cricket forum. He has these one-liners that I call Atulisms. ??

We had a very nice time together. Atul walked me through the process he goes through to post songs on his blog. We discussed other stuff too – including a diary he used to maintain way back in 1976, with handwritten cricket scorecards and Hindi film songs. Those were pre-internet days, so every piece of info we could gather from any source was very valuable. Indeed Atul and I can relate to a lot of things – I used to also maintain cricket statistics in this manner. 🙂 🙂

Over dinner, Atul asked me for a song farmaish “on the spot”. This birthday song was fresh in my mind – I remember searching for it a few days earlier on his blog and not finding it. It is my favourite birthday song – I love Rafi’s voice in this, I love the picturisation, I love the lyrics.

I did not expect Atul to turn this around so quickly on the blog. Thanks a lot, Atul.

Four years later, I described this visit in more detail during the run up to our 10K post, when I wrote about Raja in this post. There I have quoted what Raja wrote about this visit in cricforum. Here are his reminiscences:-

I came over from Bangalore to Nagpur to meet Asterix and Atul.
I first met Asterix on the 28th evening (he picked me up from the station).
We then arranged to meet Atul the following evening (Friday – 29th).

We went over to Atul’s place. Very nice place – Atul has people at his beck and call for his household work. * jealous *

Anyway, it was a very memorable experience.

Already meeting Asterix the previous evening was a great feeling – and now meeting Atul also was just amazing.
We discussed a lot of stuff – mostly about CF of course. And about Atul’s song blog.

Asterix and Atul also expressed concern about the increasing dominance of Bangladesh on the cricket scene and how it could impact minnows like BCCI who are in the same group in the World Cup. ?? Personally I think they were more concerned about the impact on a certain cricket forum. ??

Atul then showed us how he builds up his song blog – from a blog owner’s perspective.
It was fascinating.

We also got to see some of his VCD collection. More than 150 VCDs – most of them old (forgotten) Hindi movies. These provide the raw material for his song blog to a large extent. And I am informed by Atul that this is only a part of his collection – he has much more.

The evening was already going very well – but then it went many notches higher for me when Atul showed us something else.
This really brought tears (of nostalgia) to my eyes.

He showed us a diary that he used to maintain in 1976.

In those days, he used to write down cricket scorecards of various matches going on at that time.
Seeing the names of Gavaskar, Gaekwad, Vishwanath – written in Atul’s handwriting – really made me remember those days.

I got into a major nostalgia session – Asterix cut me short (like he often does ?? ), suggesting that we could continue the discussion over dinner. ??
(Actually we had another friend with us – not a CF person – and Asterix, understandably, did not want him to get bored).

In this diary, Atul also used to write down Hindi songs. Movie, singers, music directors – and full lyrics. As much as he could capture at that time from radio. Remember these were pre-Internet days, these were days when you really had to search and hunt for info that is readily available nowadays. You had to listen to a song umpteen times before you could get it right.

I think this passion is what has now morphed into Atul’s blog. Different times, new technology – but same, burning passion.

We then went out for dinner. By then it was a little late – we dropped Atul back at his place and returned to Asterix’s place (where I was staying), with very fond memories of our meeting.

Thank you, Atul. It was a very memorable evening. 29th October 2010.

I can barely believe that ten years have past since that memorable evening. It is true. We all, as well as the blog, are ten years older since that day.

In a way, it is a different kind of Blog Ten Year Challenge. I posted a song from a movie that day. Let me post another song from the same movie ten years later.

Following songs were covered in the blog ten years ago on this date (29 october 2010):-

Blog Post number Song Movie Year of release Posting time Remarks
3149 Teri nazar mein main rahoon meri nazar mein tu 1857 1946 7:19 AM Movie YIPPEED by now
3150 Tum hamen bhool gaye Balam 1949 8:13 AM Movie YIPPEED by now
3151 Barbaad huyi dil ki duniyaa Jalpari 1952 8:51 AM 7 songs covered out of 9
3152 Hamko samajh baithhi hai ye duniyaa deewaanaa Chaar Deewaari 9:13 AM 1961 Movie YIPPEED by now
3153 Mujhe tumse muhabbat hai magar main keh nahin saktaa Bachpan 1963 9:29 AM 3 songs covered out of 7

Out of two eligible movies for Blog Ten Year Challenge today, the first movie “Jalpari”(1952) has already been taken up earlier in the day. So that leaves us with “Bachpan”(1963) as the other eligible movie.

“Bachpan”(1963) was directed by Nazar for New Panchratan pictures, Bombay. This “social” movie had Menka Irani, Saleem, Manorama, David, Daisy Irani, Bhudo Advani etc in it.

The movie had seven songs in it. Three songs have been covered in the past. Iconic Rafi song Mujhe tumse muhabbat hai magar main keh nahin saktaa was discussed on the blog on this day ten year ago.

The remaining four songs are lesser known songs. Some are even unavailable. Out of the available songs, the song under discussion shines on its own merit and deserves to be better known among music lovers. This song is sung by Suman Kalyanpur. Hasrat Jaipuri is the lyricist. Music is composed by Sardar Malik.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisatiuon of this song. The song is an ideal song to be listened to at night. It is a song that firmly belongs to the league of what I call “Chhaayaageet” songs.


Song-Mere naina mad ke pyaale (Bachpan)(1963) Singer-Suman Kalyanpur, Lyrics-Hasrat Jaipuri, MD-Sardar Malik

Lyrics(Provided by Prakashchandra)

Mere naina mad ke pyaale
Mere naina mad ke pyaale
koi aaj dil sabhaale
koi aaj dil sabhaale
main jahaan jahaan se guzri
wahin ho gaye ujaale
Mere naina mad ke pyaale

jo nazar milaaye mujh se
wohi hosh apne khoye
wohi hosh apne khoye
jise dekh loon main hans ke
wo khushi se mera hoye
wo khushi se mera hoye
use badh ke baandh le phir
mere gesu kaale kaale
mere naina mad ke pyaale
koi aaj dil sambhaale
main jahaan jahaan se guzri
wahin ho gaye ujaale
mere naina mad ke pyaale

bujhe dil ko roshni de
mere tan ke ujle saaye
mere tan ke ujle saaye
ke huyi shama jo raushan
to patange ghir ke aaye
to patange ghir ke aaye
ke amar rahenge mar kar
mujhe pyaar karne waale
mere naina mad ke pyaale
koi aaj dil sambhaale
main jahaan jahaan se guzri
wahin ho gaye ujaale
mere naina mad ke pyaale


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4465 Post No. : 15952

“Gunaahon Ka Devta”(1967) was directed by Devi Sharma for Janta Chitra, Bombay. This “social” movie had Rajshree, Jeetendra, Mehmood, Leela Chitnis, Auna Irani, Randheer, Tuntun, Farida, Shahid, S K Prem, Sujata, Jeewan, Jankidas etc in it.

The movie had seven songs in it. Five songs have been covered so far.

Here is the sixth song from “Gunaahon Ka Devta”(1967) to appear in the blog. The song is sung by Rafi and Manna Dey. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.

The song is as a “diversion” song on Mehmood and another person (whom I am unable to identify) who gate crash on Jeewan’s wedding reception in Hindi filmy style without being subjected to any checks on their credentials. They are accompanied by two female dancers whom I cannot identify.

I request our knowledgeable readers to help identify the actors seen in the picturisation.


Song-Mehfil mein shama chamki parwaane chale aaye (Gunaahon Ka Devta)(1967) Singers-Rafi, Manna Dey, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both
Jeewan

Lyrics

aa aa aa aa
aaye hain badi door se
sarkaar ke liye
aa aa aa
kab se taras rahe thhe
tere deedaar ke ae liye

aa aa aa aa aa
kaun ho
kis liye aaye ho

naaraj na hoiye saarkar
hum to isliye aaye hain

mehfil mein shama chamki
mehfil mein shama chamki
parwaane chale aaye
mehfil mein shama chamki
parwaane chale aaye
ab to nazar jhuka lo
ab to nazar jhuka lo
deewaane chale aaye
mehfil mein shama chamki
parwaane chale aaye
mehfil mein shama chamki

rangeen zamaana hai
mehfil pe jawaani hai
rangeen zamaana hai
mehfil pe jawaani hai
jo tera fasaana hai

aa aa aa
aa aa aa aa aa
jo tera fasaana hai
wo meri kahaani hai
wo meri kahaani hai
aankhon se teri peene
mastaane chale aaye
aankhon se teri peene
mastaane chale aaye
mehfil mein shama chamki

jab dil mein mohabbat ho
hota hai asar dil par
jab dil mein mohabbat ho
hota hai asar dil par
bhatka hua aashiq bhi

aa aa aa aa aa aa
bhatka hua aashiq bhi
aa jaata hai manzil par
aa jaata hai manzil par
hum bhi to tere dil ko
behlaane chale aaye
hum bhi to tere dil ko
behlaane chale aaye
mehfil mein shama chamki

har ek ada meri
deti hai dua tumko
har ek ada meri ee ee

ada
ada meri
ada
meri
ada meri
har ek ada meri
deti hai dua tumko
har ek ada meri ee ee
adaa aa meri ee ee
ada aa aa aa aaa a aa meri

har ek ada meri
deti hai dua tumko
meri bhi umar de de
aa aa aa aa
aa aa aa aa
aa aa aa aa
meri bhi umar de de
ye mera khuda tumto
ye mera khuda tumto
hum bhi to tumhaare hain jatlaane chale aaye
hum bhi to tumhaare hain jatlaane chale aaye

ab to nazar jhuka lo
ab to nazar jhuka lo
deewaane chale aaye
mehfil mein shama chamki
parwaane chale aaye
mehfil mein shamma chamki
parwaane chale aaye
mehfil mein shamma chamki


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has more than 16100 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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Total number of songs posts discussed

16162

Number of movies covered in the blog

Movies with all their songs covered =1244
Total Number of movies covered =4401

Total visits so far

  • 14,118,334 hits

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Category of songs

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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