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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Asha Bhonsle solo’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3956 Post No. : 15032

“Neelofar”(1957) was produced and directed by P N Arora for All India Pictures , Bombay. This costume drama movie had Chitra, Suresh, Nishi, Sundar, Shyam Kumar, Helen, Vimla, Amar, Vazeer Mohammad Khan etc in it.

The movie had five songs which were composed by two different music directors and two different lyricists. All five songs were female solos sung by three singers.

Three songs from the movie have been covered in the past.

Here is the fourth song from “Neelofar”(1957) to appear in the blog. This song is sung by Asha Bhonsle and chorus. Hasrat Jaipuri is the lyricist. Music is composed by Basant Prakash.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.


Song-Naazuk bahaar hoon dil ka karaar hoon (Neelofar)(1957) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Basant Prakash
Female chorus

Lyrics

naazuk bahaar hoon
dil ka karaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar
naazuk bahaar hoon
dil ka karaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

zulfen ghataayen aankhen paimaana
ye aankhen paimaana
meri adaa par mausam deewaana
ye mausam deewaana
zulfen ghataayen aankhen paimaana
meri adaa par mausam deewaana
saaj o singaar hoon
saaqi ka pyaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

jaadoogaron ki jaadoogari hoon
main jaadoogari hoon
jannat se aayi neelam pari hoon
main neelam pari hoon
jaadoogaron ki jaadoogari hoon
jannat se aayi neelam pari hoon
chalti kataar hoon
teer o talwaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

behki nazar se dil ka payaam lo
lo dil ka payaam lo
aankhen milaa kar mera salaam lo
lo mera salaam lo
behki nazar se dil ka payaam lo
aankhen milaa kar mera salaam lo
dil ka khumaar hoon
husn mazedaar hoon
duniya hai mujhpar nisaar
haay main to laayi hoon aankhon mein pyaar
haay main to laayi hoon aankhon mein pyaar

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3939 Post No. : 15014

“Naughty Boy”(1962) was produced and directed by Shakti Samanta. The movie had Kishore Kumar, Kalpana, Omprakash, Sundar, Madan Puri, Kanu Roy, Krishnkant, Kundan, Praveen Paul, Shivraj, Sulochana Cahtterji, Prretibala, Nand Kishore, Masud, Paachhi, Manjula, Samar Chatterji, Kamaldeep, etc in it.

The movie had eight songs in it.

The details of the songs from the movie that have been covered in the past :-

1 Sa sa sa sa re 3558 23-Feb-11
2 Ho ho dil dhadka 7483 10-Feb-13
3 Ho gayee shaaam dil badnaam 10177 30-Aug-14
4 Ab to batla arre zaalim 10222 8-Sep-14
5 Jahaan bhi gaye ham o mere hamdam 10861 11-Feb-15
6 Rang ye duniya badalti hai badal ja pyaare 14417 12-Jun-18
7 Nazren mila ke jo duniya ki nazron se dare 14725 31-Oct-18

Here is the eighth and final song from “Naughty Boy”(1962) to appear in the blog. The song is sung by Asha Bhonsle. Shailendra is the lyricist. Music is composed by S D Burman.

The picturisation shows this song as a bar dance/ club dance song where a lady dancer (Kalpana ?) singing near the table occupied by Kishore Kumar, looking like Joy Mukherji. For a moment I thought that Kishore Kumar was apeing Joy Mukherji, but then I realised that Kishore Kumar was the maternal uncle (Mama) of Joy Mukherji, and why would he ape the mannerisms of someone who was half his age and a newcomer.

I request our knowledgeable readers to help identify the dancer.

With this song, a very small (under two minutes long) song, “Naught Boy”(1962) now has all its songs covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.


Song-Tum mere pehchaane phir bhi ho anjaane (Naughty Boy)(1962) Singer-Asha Bhonsle, Lyrics-Shailendra, MD-S D Burman

Lyrics

tum mere pehchaane
phir bhi ho anjaane
main to yahaan
kahaan tum kahaan
ho o o
ho o o
tum mere pehchaane

dekho na mujhe tum hoke hairaan
meri tumhaari hai puraani pehchaan
jab talak mere tan mein hai jaan
mere rahoge tum mere mehmaan
dhokhe mein na aao
kaise bhi aazmaao
o ho
ho o ho ho
tum mere pehchaane
phir bhi ho anjaane
main to yahaan
kahaan tum kahaan
ho o o
ho o ho
tum mere pehchaane
phir bhi ho anjaane
main to yahaan
kahaan tum kahaan
ho o o
ho o o
tum mere pehchaane


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3937 Post No. : 15012

“Kudrat”(1981) was produced by B S Khanna and directed by Chetan Anand for Trishakti Productions, Bombay.

This multi starrer movie had Rajkumar, Rajesh Khanna, Hema Malini, Vinod Khanna, Priya Rajwansh, Aruna Irani, Deven Verma, Om Shivpuri, Keshto Mukheri, Shammi, Sapru, Kumar Aditya, Sundar, Vandana Shashtry,, Kalpana aiyyar, Tom Alter, Jolie, Daramveer, Ved Goswami, Raja Duggal, Darshan, Ratna, Rajrani, Ashok Khanna, Sunil Raahi, Pinchoo Kapoor, A K Hangal, Satyen Kappoo, Raj Mehra etc in it.

The movie was a multistarrer but most stars were were past their primes for one reason or the other. So this movie failed to attract me to the movie hall. Even today, I have not watched this movie.

The movie had eight songs in it. Seven of these songs have been covered in the past. The first three songs were covered in early days of the blog viz in 2008 and 2009. The next song was covered in 2013. The penultimate song was covered in 2018.

Here is the details of the songs from the movie that have been covered in the past :-

1 Hamen tumse pyaar kitna Multiple version song 377 12-Dec-08
2 Toone o rangeele kaisa jaadoo kiya 846 4-Mar-09
3 Chhodo sanam kaahe ka gham 1219 4-May-09
4 Dukh sukh ki har ik maala multiple version song 8331 11-Jul-13
5 Saawan nahin bhaadon nahin 14307 27-Apr-18

The eighth and final song from “Kudrat”(1981) is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The song is picturised as a get together piano song where an actor (Priya Rajwansh) in this case plays a piano and sings simultaneously- an Herculean task, but people watching Hindi movies have come to regard it as quite an easy task, a baayen haath ka khel. 🙂

The picturisation also shows other main actors viz Raj Kumar, Rajesh Khanna etc. The song culminates when Hema Malini, accompanied by Vinod Khanna, makes a grand entry to the get together.

With this song, all the songs of “Kudrat”(1981) get covered and “Kudrat”(1981) joins the list of movis that are YIPPEED in the blog.


Song-Sajti hai yoon hi mahfil (Kudrat)(1981) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

ho o
sajti hai yoon hi mehfil
sajti hai yoon hi mehfil
rang yoon hi dhalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yu hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do

saaze tamanna laao
koi geet gaayen hum
jashne mohabbat hai ye
jhoom ke manaayen
hum
saaze tamanna laao
koi geet gaayen hum
jashne mohabbat hai ye
jhoom ke manaaye hum
shaam ye murado ki
subah tak to chalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charaag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do

ab to nazar bhi apni
uthhti hai duaa ban kar
dhadkan bhi nikli dil se
naghmaa e wafa ban kar
ab to nazar bhi apni
uthhti hai duaa ban kar
dhadkan bhi nikli dil se
naghmaa e wafa ban kar
aaj to dilon jaan ki hasraten nikalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do
ik charaag bujhne do
ik charag jalne do
sajti hai yoon hi mehfil
rang yoon hi dhalne do


This article is written by Prakash Chandra, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3931 Post No. : 15004 Movie Count :

4108

= = = = = = = = = = = = = = = = = = = = = = = =
Atul Song-A-Day 15K Song Milestone Celebrations – 13
– – – – – – – – – – – – – – – – – – – – – – – – – – – – –

Usually one chooses songs full of happiness and celebration for these types of occasions to celebrate, but as usual, I choose this haunting song, to celebrate. 🙂

The song is from the 1983 film ‘Sansani – The Sensation’. I have watched this movie one late night for the sake of this haunting song by Asha Bhosle. The movie was just a masala / murder mystery, where at the end the noble characters like Dr. Shriram Lagoo and Jayashree Gadkar turn out to be characters with grey shades. If you are a die-hard fan of Hindi movies of  70`s and early 80`s like me, you may enjoy this  pot-boiler, but watch the movie at your own risk. 🙂

But listen to this song, you may like it audio-wise.

This is an obscure mystery movie produced by Kavita Seth, who is also billed in the credits as “KAVITA – Introducing” as an actress. She is one of the principal lady characters in the movie. She appears wearing a white saree, roaming in the graveyards, and crying for her beloved Shailendra Singh (the playback singer, who got billing as “Friendly Appearance”). Shailendra Singh appears only at the climax, and also in a photograph in front of which the actress cries and sings this haunting song. But he did not get a playback singing chance, which is his original forte.

There is some confusion about the year of release of this movie, LP image of this movie shows the year 1979, censor certificate clearly shows the date 23-6-1983. According to HFGK-6, 1983 is the release of this movie.

The movie was “Dedicated to Late Director Irshad Afzal”, (I guess before the release of the movie the director must have passed away). The movie was produced under the banner of Panorama Pictures. The producer of the movie is Kavita Seth, who also makes her acting debut with this movie. The director’s name is mentioned differently in different sites as Irshad / Irshad Afzal / A Irshad.

The star cast of the movie includes Vinod mehra, Bindiya Goswami, Prem Chopra, Dr Shriram Lagoo, Shailendra Singh (Special Appearance), Kavita (Introducing), Jagdeep, Jayashree T, Jayashree Gadkar, Keshto Mukherjee, Jagdish Raj, Coca Cola, TP Jain, Ali Masood, Nilima, Meena T, Raj Kishore, Amal Sen, M Baig, Amarnath, Dutta Bhatt, Viraj, Gopal, Dina Pathak, Gulshan Grover, Viju Khote etc.

Songs of this film are written by Irshad (who was also the director). Music is composed by Hemant Bhosle. It has been mentioned in the credit sequences of the movie that the assistants to music director are Kersi Lord and Uttam Singh. These two genius composers cum arrangers also contributed to the musical score of this movie to a great extent. Kersi Lord has also done a lot of work with RD Burman.

The musical compositions of the movie are sung by playback singers like Asha Bhosle, Amit Kumar, Bhupender, Varsha Bhosle, and Hemant Bhosle. This movies has got following sound tracks

  1. Asha Bhosle : Phir Teri Yaad
  2. Asha Bhosle, Amit Kumar, Bhupinder & Varsha Bhosle : Patthar Ka Hai Sanam
  3. Asha Bhosle, Hemant Bhosle & Chorus : Sansanikhez Koi Baat
  4. Asha Bhosle, Varsha Bhosle : Saqiya Tu Koi
  5. Asha Bhosle, Amit Kumar : Ab Kahaan Jayenge Hum (Happy)
  6. Amit Kumar : Ab Kahaan Jayenge Hum (Sad)
  7. Hemant Bhosle : Theme music

Records of the movie were issued by The Gramophone Company of India Ltd. (aka His Master`s Voice). The movie was shot at outdoor locations of Madras, Bangalore, and Tamilnadu.

On screen this song has been divided into 3 parts. The first stanza features Dina Pathak, Shailendra Singh (i.e. appears in a photograph) and Kavita Seth aka Kavita . The 2nd stanza features Kavita Seth, Dr.Sriram Lagoo, and Vinod Mehra. And the 3rd stanza features Kavita Seth, Vinod Mehra and Jayashree Gadkar.

About the Music Director: Hemant Bhosle is the late son of Asha Bhosle. He passed away on September 28th of 2015. I like his musical compositions of the songs of ‘Taxi Taxie’ (1977). Given below is an incomplete filmography for him. If at all any additions or deletions are there in this regard, please let me know.

  • Taxi-Taxie (Polydor-1977)
  • Jadu Tona (Polydor-1977)
  • Anpadh (Polydor-1978)
  • Damaad (Polydor-1978)
  • Sansani (HMV-1980/Irshad)
  • Sweety (Music India-1980)
  • Nazrana Pyar Ka (Polydor-1980)
  • Shradhanjali (HMV-1981/Anjan)
  • Barrister (HMV-1982/Yogesh)
  • Teri Meri Kahani (TV Movie 1982/Anjaan,B.R.Chopra)
  • Doosra Kinara (1982)
  • Beta (1982/HMV/Anjaan)
  • Bandhan Kachchey Dhaagon Ka (HMV-1983)
  • Raja Jogi (1983)
  • Bachchon Ka Khel (1983/Gulshan Bawra)
  • Dharti Akash (TV Movie 1983)
  • Dharam Shatru (T-series,Super-1985/1988)
  • Bhaago Bhoot Aaya (1985)
  • Aakhiri Sanghursh (1987/1997)

Hemant Bhosle also provided music for some Marathi songs.

About the Lyricist Irshad:  I searched for lyricist Irshad`s other works, but got confused with Irshad who has connection with the Kishore Kumar camp, and has written songs for films such as ‘Door Ka Rahi’ (1971 – which has the famous song “Beqaraar Dil, Tu Gaaye Jaa”), ‘Badhti Ka Naam Dhadi’ (1974) ‘Shabaash Daddy’ (1978) and ‘Chalti Ka Naam Zindagi’ (1982). Irshad also written songs for other movies like ‘Naag Pooja’ (1971), ‘Pattharon Ka Shaher’ (1972) – both for Usha Khanna. Also for ‘Alibaba’ (1976) – Dara Singh starrer with Hansraj Behl as the music director.

I got further confused when I watched the movie credit sequences which displays the photo with garland and agarbatti and lines like “Dedicated to our beloved director – Irshad Afzal”, and further in the credits – “Lyrics, written and directed by IRSHAD”.

I doubt whether all the above Irshads are one and the same. I request our more knowledgeable readers and friends to please help clarify this possible ‘same name confusion’.

One of the comments related to the song in some site is as follows: “Phir Teri Yaad” is a completely mental slice of Indian psych/funk”. I failed to understand this comment, I request someone to please elaborate about this comment.

I will conclude my endless banter here 🙂

Congratulations and best wishes to our blog on its MEGA CELEBRATION. I love everything and everyone related to our blog. Visiting and reading the blog posts gives me immense joy.

Video

Audio

Song – Phir Teri Yaad Aa Gayi (Sansaani) (1983) Singer – Asha Bhosle, Lyrics – Irshad, MD – Hemant Bhosle

Lyrics

aaaaaa aaaaaaa aaaaaaaa aaaaaaa aaa
aaaa aaaaa aaaaaaaaa aaaaaa aaaa aaaaaa
aaaa aaaaaaa aaa
aaa aaaaa aaaaa

phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

kabhi guzar ho
bahaar ka ab
to dil ke zakhmon ko
chhooke guzaregi
koi jo aaye
phuhaar ki rut
to baadalon se
bhi aag barsegi
tere bina ab
mere humdum
hai maut zindagi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

hai zinda laashein
ye dil ke armaan
tere hi gham ke
kafan mein hain lipte
janaazaa uthne
ko hai tu aa jaa
safar aakhiri
to kar len tai mil ke
varnaa ye
rooh pyaasi
pyaasi hi reh jaayegi
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

chiraag-e-dil bhi
hai bujhne ko ab
panap rahey hain
andheron ke saaye
sulag rahi hain
tadapti saansein
maseehaa ban ke
koi to aa jaaye
sholaa hai
har dhadkan
gham ki chithaaon ki
phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee

phir teri yaad aa gayee
gham ki ghataa.. chhaa gayee
raaton ki
veeraani
hum ko..
rula gayee
phir teri yaad aa gayee. . .

———————————————————-
Hindi script lyrics (Provided by Prakash Chandra)
———————————————————-

आsssss आssssss आsssssss आssssss आss
आsss आssss आssssssss आsssss आsss आsssss
आsss आssssss आss
आsss आsssss आssss

फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

कभी गुज़र हो
बहार का अब
तो दिल के ज़ख्मों को
छूके गुज़रेगी
कोई जो आये
फुहार की रुत
तो बादलों से
भी आग बरसेगी
तेरे बिना अब
मेरे हमदम
है मौत ज़िन्दगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

हैं ज़िंदा लाशें
ये दिल के अरमान
तेरे ही ग़म के
खफन में हैं लिपटे
जनाज़ा उठने
को है तू आ जा
सफर आखिरी
तो कर ले तय मिलके
वरना ये
रूह प्यासी
प्यासी ही रह जायेगी
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰

चिराग ए दिल भी
है बुझने को अब
पनप रहे हैं
अंधेरों के साये
सुलग रही हैं
तड़पती सांसें
मसीहा बन के
कोई तो आ जाए
शोला है
हर धड़कन
ग़म की चिताओं की
फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी

फिर तेरी याद आ गयी
ग़म की घटा॰॰ छा गयी
रातों की
वीरानी
हमको॰॰
रुला गयी
फिर तेरी याद आ गयी॰ ॰ ॰


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3925 Post No. : 14993

———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 29
————————————————

Hullo to all in Atuldom

Dil Ka Nazraana Le O Dildaar Le” – this was the debut post of the 1973 movie “Chalaak” which was directed by someone called RK Banerjee. All these years I had only heard this song. Thanks to the ongoing ten-year challenge series I landed on the post of the song which had been popular in the 70s and is still heard on Vividh Bharti (All India Radio), I learnt that it was a Kiran Kumar – Radha Saluja song, which movie etc.

I landed on that post because of this “Mann Gaaye Wo Taraana“. Now this is another song that was popular on the radio in those days and is still heard sometimes on radio. I learnt that this is a piano song with Alka at the piano and Kiran Kumar in a jeep.

Radha Saluja and Alka are lost to followers of Bollywood and Kiran Kumar has turned to doing character roles or supporting roles since 1988 when we saw him in Rakesh Roshan’s “Khudgarz”. The rest of the cast of this movie comprised of Bhram Bharadwaj, Ajit, Danny, Lalita Kumari, P Jairaj, Gautam Sareen (in friendly appearances) alongwith Keshto Mukherjee, Jayshree T, Jagdish Raj etc. The synopsis of the movie as given on IMDB is

Monica Kapoor (Radha Saluja) lives a wealthy lifestyle in London, England. When she hears that her estranged brother, Kishan (Bhram Bharadwaj), has been killed while traveling in a train, she returns home to India and asks his much younger and drop dead gorgeous widow, Shobha (Alka), to move out so that she could sell the house, pick up the cash, return to London and get married to her boyfriend, Manoj (Danny). She does get to sell the house and compels Shobha to move in with Kishan’s friend, Amar (Kiran Kumar), but Manoj steals the cash and disappears. Humbled by this incident, Monica also moves in with Amar and Shobha, as well as Amar’s younger brother, Chickoo, and ends up falling in love with Amar. She decides to marry him at the Registrar’s Office. When he does not show, she returns home and finds him getting intimate with Shobha. What Monica does not know is that Amar is not who he claims to be but is, in fact, an escaped convict, who is determined to marry Shobha and get her to reveal the secret location of some gold bars.

Looks like it was a typical masaala film (should see it when I get some time).

There were 6 posts on 17th of April 2009:

Koi Humdum Na Raha

Tum Apni Saheli Ko

Raina Beeti Jaaye

Mann Gaaye Wo Taraana

Tera Mera Saath Rahe

Rootha Hai To Manaa Lenge

Of these ‘Jhumroo’, ‘Amar Prem’ and ‘Jwaar Bhaata’ have all their songs on the blog that means these movies have been YYIIPPEEEED! ‘Samaaj Ko Badal Daalo’ has three songs left and ‘Saudaagar’ has two left. ‘Chalaak’ has only two songs on the blog. Here is the third. It is written by Hasrat Jaipuri and Ganesh is the music director. It has playback by Asha Bhonsle.

 

Song – Yahaan Kaun Hai Jo Tera Hai  (Chaalaak) (1973) Singer – Asha Bhosle, Lyrics – Hasrat Jaipuri, MD – Ganesh

Lyrics

mmm
yahaan kaun
tera hai
(hic)
ch ch ch ch
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
ye jahaan hai kya
har aadmi
haa aaaa
lutera hai
yahaan kaun hai jo tera hai

aaaaa aaaa aaaaaaa

pyar ke ye mahal
gir padi haaye re ek pal mein
la la la laa
jhoota wo sahaara tha
haye na hamara tha
phir hamein
karni padi hai maikashi
ye jahan hai kya har aadmi
haa aa
lutera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
yahaan kaun hai jo tera hai

kyun yakeen
hum karein
patharon ka shehar ye zamaana
la la la laa
duniya kab hamaari hai
lakdi ki kataari hai
le mujhe
baahon mein le ae bekhudi
ye jahan hai kya har aadmi
aa aaa
lutera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
yahaan kaun hai jo tera hai

aaaaa aaaa aaaaaaa

dil mera
bhar gaya
kyun jeeyun
kis liye iss jahaan mein
la la la laa
aansoon har taraana hai
apna jo begaana hai
arre hai yahaan ghaayal jawaan zindagi
ye jahan hai kya har aadmi
haa oo
lutera hai
yahaan kaun hai jo tera hai
mere dil sambhal andhera hai
ye jahaan hai kya har aadmi
haa aaaa
lootera (hic)
yahaan kaun hai
jo tera hai
(hic)

———————————————————-
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————-

म्ममम
यहाँ कौन
तेरा है
(हिक)
च च च च
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
ये जहां है क्या
हर आदमी
हा आ
लुटेरा है
यहाँ कौन है जो तेरा है

आssss आsss आssssss

प्यार के ये महल
गिर पड़े हाए रे एक पल में
ला ला ला ला॰॰
झूठ वो सहारा था
हाए ना हमारा था
फिर हमें
करनी पड़ी है मैकशी
ये जहां है क्या
हर आदमी
हा आ
लुटेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है

क्यों यकीन
हम करें
पत्थरों का शहर ये ज़माना
ला ला ला ला॰॰
दुनिया कब हमारी है
लकड़ी की कटारी है
ले मुझे
बाहों में ले ए बेखुदी
ये जहां है क्या
हर आदमी
आ आ
लुटेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है

आssss आsss आssssss

दिल मेरा
भर गया
क्यों जीऊँ
किस लिए इस जहां में
ला ला ला ला॰॰
आँसू हर तराना है
अपना जो बेगाना है
अरे है यहाँ घायल जवां ज़िंदगी
ये जहां है क्या
हर आदमी
हा ओ
लुटेरा है
यहाँ कौन है जो तेरा है
मेरे दिल संभाल अंधेरा है
यहाँ कौन है जो तेरा है
हा आ
लुटेरा (हिक)
यहाँ कौन है
जो तेरा है
(हिक)


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3915 Post No. : 14978 Movie Count :

4094

Missing Films of 1960s – 105
– – – – – – – – – – – – – – –

Slowly moving towards closure, we now have less than 10 more films to go for this series, for which songs are available. Then there is a whole batch of about 80 films from this decade, which seem to have disappeared without a trace (so far). I will give the statistics and other details when we come down to the closing post.

The film I present today is ‘Mujhe Seene Se Laga Lo’ from 1969. As the name suggests, this film is most probably about a child seeking acknowledgement and love from one (or both) parents. My surmise is based on checking out the list of songs for this film. Geet Kosh lists 6 songs for this film, and four of these songs are very clearly child related songs – one is a lullaby, then one is a duet with a female voice and a child’s voice, the third is a child’s entreaty requesting for parent’s love, and the fourth is a duet, about a mother searching for a lost child. And incidentally, another film comes to mind – a similar sounding name ‘Aa Galey Lag Jaa’ (1973), which is also a film about a child seeking his father – a very famous and popular song – “Tera Mujhse Hai Pehle Ka Naata Koi“.

The other two songs are non-child related. One is a sad/philosophical song in male voice – about departing with a load of sorrows. And the sixth song, which is the song presented today, is a song in female voice – a drunkard song that could well be a club or a bar dance song, or a song of enticement / seduction. Since the video clips are not available, I request our knowledgeable readers who may have seen this film, to please add more information about the song and the film.

The film is produced under the banner of Hari Darshan Chitra, Bombay and is directed by Dutta Dharmadhikari. The cast of actors as per Geet Kosh listings is Bunty, Kumar Sen, Meena Rai, Paresh Kumar, Dharmesh, Akhil Kumar, Ved Bhushan, Santosh Virdi, Gopal Dutt, KS Pawar, Vinod Verma, Ang Pal, Uma Khosla, Gold Flake, Tuntun, and Sarita. You will notice that the list is topped by a child actor – Bunty, supporting the surmise about this being a child centric film. An interesting side note here – the name Bunty rang a faint bell and I checked. My hunch turned out to be correct. Bunty is the same child artist who starred in Chetan Anand’s ‘Aakhri Khat’ (1966) – another film about an infant child lost in a big city, searching for its parents

The six songs in this film are shared amongst three songwriters – Prem Dhawan, Qamar Jalaalabaadi and Mahendra Dehlvi. The song we present today is from the pen of Qamar Jalaalabaadi. Music is by Hansraj Behl.

The singing voice is of Asha Bhosle. As with many other such songs, her rendition is superb – a lady who is so much in stupor, is requesting that the glass of wine be taken from hands, as she may not be able to hold it. One of the best songs in the female drunkard category – my opinion. 🙂

Lyrics for this song have been sent in by Prakash ji.

Song – Makhmoor Nigaahon Mein Teri Doob Gaye Hum  (Mujhe Seene Se Laga Lo) (1969) Singer – Asha Bhosle, Lyrics – Qamar Jalaalabaadi, MD – Hansraj Behl

Lyrics (Provided by Prakashchandra)

makhmoor nigaahon mein teri
doob gaye hum
saagar ko zara haath se lena
ke chale hum
makhmoor nigaahon mein teri
doob gaye hum

hum ko bana ke sharaabi
chhoti suraahi mein gulaabi
hum ko bana ke sharaabi
chhoti suraahi mein gulaabi
parde mein hain
dulhan kai
parde mein hain
dulhan kai
aao milaayen tujhe hum
saagar ko zara haath se lena
ke chale hum
saagar ko zara haath se lena
ke chale hum

gir na jaaun ladkhadaa ke
dena sahaara aage aa ke
gir na jaaun ladkhadaa ke
dena sahaara aage aa ke
jaao na door
mere huzoor
jaao na door
mere huzoor
behke mere qadam
saagar ko zara haath se lena
ke chale hum
haaye
saagar ko zara haath se lena
ke chale hum

aankhon se tujhko pila doon
saagar ke saagar chhalka doon
aankhon se tujhko pila doon
saagar ke saagar chhalka doon
kuchh tum badho
kuchh hum badhen
kuchh tum badho
kuchh hum badhen
bhool jaayen saare gham
saagar ko zara haath se lena
ke chale hum
haaye
makhmoor nigaahon mein teri
doob gaye hum

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

मख़मूर निगाहों में तेरी
डूब गए हम
सागर को ज़रा हाथ से लेना
के चले हम
मख़मूर निगाहों में तेरी
डूब गए हम

हमको बना के शराबी
छोटी सुराही में गुलाबी
हमको बना के शराबी
छोटी सुराही में गुलाबी
पर्दे में हैं
दुल्हन कई
पर्दे में हैं
दुल्हन कई
आओ मिलाएँ तुझे हम
सागर को ज़रा हाथ से लेना
के चले हम
सागर को ज़रा हाथ से लेना
के चले हम

गिर ना जाऊँ लड़खड़ा के
देना सहारा आगे आ के
गिर ना जाऊँ लड़खड़ा के
देना सहारा आगे आ के
जाओ ना दूर
मेरे हुज़ूर
जाओ ना दूर
मेरे हुज़ूर
बहके मेरे कदम
सागर को ज़रा हाथ से लेना
के चले हम
हाए
सागर को ज़रा हाथ से लेना
के चले हम

आँखों से तुझको पिला दूँ
सागर के सागर छलका दूँ
आँखों से तुझको पिला दूँ
सागर के सागर छलका दूँ
कुछ तुम बढ़ो
कुछ हम बढ़ें
कुछ तुम बढ़ो
कुछ हम बढ़ें
भूल जाएँ सारे ग़म
सागर को ज़रा हाथ से लेना
के चले हम
हाए
मख़मूर निगाहों में तेरी
डूब गए हम


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3915 Post No. : 14976

Today’s song is from the film Chandi Pooja-57.

The decade of the 1950’s was significant in HFM for many reasons. Firstly, this was the decade which saw the peak of the Golden Era of the HFM and also it witnessed the downward trend in the quality of music by the end of the decade. Secondly, those Music Directors who bloomed highest in the end of 40’s, slowly started their journey downwards. A glaring example is that of C.Ramchandra. At the same time, those Music Directors who had just started their ascent in the end period of the 1940’s, went to their Zenith, stayed there for a while and began their descent by early 1960s. Typical examples are Shankar-Jaikishen, S D Burman, Madan Mohan etc.

The last few remnants of HFM of 1940s like Khemchand Prakash (he died in 1950), Hansraj Behl, Gyan Dutt, K.Datta etc began their downward journey in this decade and new stars like N Dutta, Hemant Kumar etc emerged on the musical horizon.

Thirdly, the decade was a decade of Mythological and Religious films. As many as 124 such films were released under this Genre. Consequently, Music Directors like Avinash Vyas and S N Tripathi etc, who were specialists of this Genre prospered.

1957, in my opinion, was the Pinnacle of Hindi films in the Golden Era. What films! What Music !! What entertainment !!! Films were at their best in 1957. The list reads Aasha, Abhimaan, Ab Dilli door nahin, Agra Road, Apradhi kaun, Baarish, Bada Bhai, Begunah, Bhabhi, Champakali, Dekh Kabeera roya, Do aankhen bara haath, Ek gaon ki kahani, Ek jhalak, Ek saal, Gateway of India, Hum panchhi ek daal ke,, janam janam ke phere, Kathputli, Miss Bombai, Miss India, Miss Mary, Mother India, Mr. X, Nau do gyarah, Naya Daur, paying Guest, Pyaasa, Shaarda, Yahudi ki Ladki etc etc.

It seemed as if, leading Music Directors had decided to showcase their Best offerings to the HFM lovers in the decade of the 50’s. In this flood, other MDs like Narayan Dutt, Bipin-Babul, Avinash Vyas, Jimmy, Sanmukh Babu upadhyaya, B N Bali, A R Qureshi, Ram gangully, S Mohinder, Ghulam Mohammed, Kanu Ghosh, Ramlal, Vinod, Sardul kwatra, Husnlal Bhagatram were operating but without their presence being felt.

Among all the stalwarts and their films,there was one Music Director, who quietly performed his acts and disappeared . His name was Ajit Merchant. He is one of those who were successful in Gujarati films more than Hindi films. he did give some melodious songs, however, he was not successful. he was the son of Ratansy Jetha, a criminal Lawyer in Bombay. Born on 15-8-1922, he was the only child in the family.Instead of school education, he was more interested in learning Music. he was encouraged by his father and learned from Ustad Amaan ali khan of Bhendi Bazar and Shiv kumar Shukla ( Principal of Music college, Baroda). he also learnt western music from Amy Markerus.

He started as assistant to Ashok Ghosh and Anil Biswas. His first independent work as Music Director was film Refugee-48. Then came film Raaj kumari-55 (a remake of Tamil film Van sundari), Indraleela-56, Chandi Pooja-57, Rambhakta Bibhishan-58, Sapera-61, Challenge-64 and his last film Lady killer-68. He was a Music producer in A.I.R. from 1957 to 1967. He gave music to 32 Gujarati films and only 8 Hindi films. In Gujarati, he is best remembered for Dilip Dholakiya’s song ” Taari aankhno afini” from film Diwa Dandi-50. ( Mera joota hai Japani is inspired by this song). He also gave music to more than 200 Gujarati, Hindi and Marathi stage dramas. He left behind wife Nilamben , 4 daughters and 2 sons, when he died on 18-3-2011 at Bombay.

Film Chandi Pooja-57 was directed by Raman Desai. Raman B Desai was born in Bilimora,Gujarat,on 28-4-1918. At the age of 20 years he joined Wadia Movietone as an assistant Director. He assisted Director Chaturbhuj Doshi for quite some time. he became an independent Director with Pehli Pehchan in 1947. Then came Narad Muni,Raja harishchandra,Hari Darshan,Naag Panchami,Chakradhari,Rajyogi Bharthari,Navaratri,Waman Avataar,Ram navami,Grihalaxmi (he also produced it) and Amar jyoti-1965. he also directed 6 Gujarati films.Due to his expertise in religious films,he was known as ” King of Mythological Films”.

Raman B Desai expired on 22-12-1997. ( he should not be mistaken for another director Ramanlal Desai,who operated in the same period and directed films like Aab-e-Hayaat-55 and Sangeeta-50 etc).

The cast of the film was Nirupa Roy, Manhar Desai, Prem Adeeb, Shanta Apte ( her last film), Sapru and others. In hindi film, Shahu Modak and manhar Desai both were Christians, but became famous by doing Mythological and religious films and enacting Hindu Gods and Saints.

Manhar Desai was a Gujarati Christian-real name Malcolm Alfredo D’souza. He was born on 3-8-1917. He used to stammer when he was a boy. He used to act and sing in dramas and due to his stammering style, he was very popular on stage. After completing High school, he ran away to Bombay to join Films, but could not even enter any studio, Disappointed, he returned to his home and restarted studies. He joined Wilson college in Bombay for graduation. In college he started acting and singing on stage. He had a friend N.C.Pandey, who was also mad after films. He promised Manhar that if he becomes a Director, he will make manhar a Hero. While in college Manhar married his classmate, who was from U.P.

In 1947, Manhar got a call from his friend N.C.Pandey, who was to direct a Hindi film. He made manhar the Hero of this film and thus fulfilled his promise. Toofani Sawar-47 was the first film of Manhar Desai, in Hindi. He was invited to work in film Gunsundari-48 ( Gujarati), opposite Nirupa Roy. The film was Hit and he acted in next film Mangal Phera-49 with Nirupa Roy. This too became a Hit film in Gujarati and then there was no looking back. His next Hindi film was Madhosh-51 opposite Meena kumari. Following their success in Gujarati, Nirupa Roy and Manhar were paired in several Mythological films in Hindi. Films Naag Panchami-53 and Shivratri-54 made him a popular Hero in Hindi mythological films.

Manhar Desai was fond of Reading. During breaks in shooting, he would catch up with his reading. He also was a good painter. Manhar worked in 106 Hindi films. His last film was Nal Damyanti-88. In the last phase of his career, he was disillusioned about the working in films in this era, so he gave up working and retired. ManharDesai died on 25-2-1992.

Today’s song is a very melodious song. Many readers may still remember this song. My thanks to our Sadanand ji Kamath for locating this song and giving me the link, on my request, since I could not find it anywhere. This is the type of camaraderie that exists among the Atulites.


Song-Dig dig dig dig daiyya…chali meri Naiyya (Chandi Pooja)(1957) Singer-Asha Bhonsle, Lyrics-Kavi Pradeep, MD-Ajit Merchant
Chorus

Lyrics

Dig dig dig dig daiyya
aa aa aa aa aa
chali meri naiyya
aa aa aa aa aa
Dig dig dig dig daiyya
chali meri naiyya
bahe purwaiyya re
hey haiyya re haiyya
haiyya re

matwaali gopiyaan pukaaren
jaldi se aa mil kanhaiyya
hey haiyya re haiyya
haiyya re

ooper chalte kaale megha aa
kaale kaale megha re
ooper chalte kaale megha
neeche chalti naav
chalti naav re ae
aa gaye ham to door
rah gaya peechhe gokul gaanv
gokul gaanv re
man ki amraiyya hai sooni ee
aa ja re raas rachaiyya
hey haiyya re haiyya
haiyya re

dig dig dig dig daiyya
aa aa aa aa
chali teri naiyya
aa aa aa aa

dig dig dig dig daiyya
chali meri naiyya
bahe purwaiyya re
hey haiyya re haiyya
haiyya re

chori chori kar ke bahaana aa
kar ke bahaana re
chori chori kar ke bahaana
ham nikle hain ghar se
nikle hain ghar se ae ae
mil ja re mohan
kaanp rahi hain ham duniya ke dar se
duniya ke dar se
lehron pe khelti patwaaren ae ae
karti hain chhappak chhappak chhaiyya
hey haiyya re haiyya
haiyya re


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3914 Post No. : 14975 Movie Count :

4093

Missing Films of 1960s – 104
– – – – – – – – – – – – – – –

Yesterday, unbeknownst to myself, I crossed a personal milestone on the blog. I posted my 1300th article, and song. 🙂 The past few weeks, well, months – have been very slow as far as my activity on the blog is concerned. My last century milestone was – believe you me – full eleven months ago. I had crossed the the 1200th mark in May last year. And now it is April. The activity being so low, it did not even come to mind to check and see what my score was. And so, unmindful of it, I reached the 1300th post, and just posted the song.

Imagine my surprise when I saw a prompt message from Avinash ji, congratulating me for the milestone. I scrambled to check on the blog and my excel database. Yes, Avinash ji was right on the dot, and I had missed it. . . wo. . . So this discovery was followed by a brief exchange with Atul ji. We inserted the customary sentence in the banner of the post, announcing the milestone. I told Atul ji how I had missed it myself. His response came back – that yes, he was aware, and was waiting for a special post for the occasion. 😀 😀 And I am like – ye lo, aur phans gaye!!! Here I am, saving the grey cells and the idea energy for the 15K celebration post, and now I have to do one more special just before. Goodness. So I am going to give it a try, do not know what is going to be the outcome.  🙂

Generally, when I run out of ideas, then the easiest starting point I have found is to start dabbling in numbers. (I think Atul ji also does the same. . . 🙂 ). So here goes. Counting this post, our total tally on this blog is 14975. Of these, only 3948 are posts that are guest posts. This computes to ~ 26.4% of the total. The implication here is significant and evident. The remaining 73.6% is the handiwork of our fearless leader – a whopping eleven thousand twenty seven posts have been done by Atul ji. If I extend this analysis to the next logical step – we are at 3914th day of blog’s continued activity. Simple calculation shows that Atul ji has been posting on an average of 3.8 (well, nearly 4) posts on a daily basis, for the past 10 years, 8 months and 19 days – WITHOUT A BREAK. Compare that to the guest posting activity. Normalizing that over the entire stretch of 3914 days, the average guest post over this entire period is 1 (ONE) per day.

I will extrapolate that now, even one step further. Till date, 31 guest posters have been accounted for on our blog, with no. of individual posts ranging from 1 to 1300. Ah yes, I could get into a lot of statistics here trying to compute the normal deviation, the standard deviation, the medians and the percentiles. But I will not bore you with that grand analysis. I present another perspective to this division of effort across the team, which is abundantly spectacular, to say the least. Atul ji has been producing 4 times more posts single handedly in comparison to this platoon of 31 guest posters, ON A DAILY BASIS. Now what do you have to say to that? 🙂 And if you ask me what I have to say to that – this is what I have to say to that – if ever I get into a kabaddi tournament, I will simply desert the game, if Atul ji is in the opposing team. 😀 😀

We all put together are Lilliputians to Atul ji’s Lemuel Gulliver. I have exhausted my entire stock of headgear to doff at this fantastic accomplishment – a prolificacy unparalleled anywhere in the digital domains.

And so, after this analysis, अब मैं क्या कहूँ अपने तेरह सौ के बारे में। 😀 😀 Just this – अगर कबड्डी खेलेंगे तो अतुल जी, मैं आपकी टीम में ही रहूँगा। 😀 😀

But of course, the joy of the journey is massive, and continues undiminished. क्या क्या तो गाने मिल रहे हैं!! और क्या क्या पता चल रहा है कितने ही गुमनाम कलाकारों के बारे में!!

This journey is laden with discoveries so abundant – one is running out of nerve cell memories to keep all this information bounded within. The known and the famous aside, and the well heard and popular aside – the joy of discovering discovering jewels of the diamond quality; and if gold it is 24 carats pure, and if silver – well it is सौ फीसदी टंच (100% pure). Whatever measure you want to throw at it, this travelogue of the discovery of musical gems is the means and the end in itself, a blessed reward unto itself.

Take this song today. The film is ‘Beqasoor’ from 1969. And the mind wants to say – “अब क्या मिसाल दूँ मैं तुम्हारे शबाब की”. I heard this song for the first time today. As I was browsing through the list of remaining films of 1960s, I picked on this film. In the process to locate the songs of this film, I was able to track down two of them online – both Rafi Sb duets, one with Lata Mangeshkar and one with Suman Kalyanpur. Checking the Geet Kosh, I find four songs listed for this film. The remaining two are Asha Bhosle solos, and as far as I could try and track, I am not able to locate these Asha solo numbers anywhere online. So, delving back into my collection, I am immediately able to locate these songs. I play the first one, and immediate reaction is – this song comes online today.

A lilting racy rhythm, a very catchy arrangement of the instruments, and a very appealing construction – quite the handiwork of Dattaram. Words are from the pen of Farooq Qaiser. And the rendering by Asha ji, simply superb. Even in the absence of the video clip, it is easy to surmise that this would be a song of Helen type. As I check out the cast list for this film, I do not find Helen in it, but another name would possibly do justice to this type of a song. The list of actors is given as Dara Singh, Sanjana, Maruti, Ulhas, Shaam Kumar, Ratnamala, Dhanraj, V Gopal, Habeeb, Sadhana Khote, Dilip Dutt, Meenakshi, and Madhumati. Possibilities are more than one. But I would not hazard a guess. I would request the circle of readers and friends – if anyone has seen this film, please add more information about this song and the film itself.

Wonderfully superb discovery. Listen and enjoy.

Song – Naam Gulaabi Hai Mera  (Beqasoor) (1969) Singer – Asha Bhosle, Lyrics – Farooq Qaiser, MD – Dattaram
Chorus

Lyrics

naam gulaabi hai mera
pyaar sharaabi hai mera
naam gulaabi hai mera
o ho pyaar sharaabi hai mera
mere humdum
sambhal ke rehna. . .
(pu pudit eh he)
(eh he pu pudit)
mere humdum
sambhal ke rehna
(pu pudit)
ho
(eh he pu pudit)
ho
ho
ho naam gulaabi hai mera

la ra la la la laaa
(aaaaaaaa aaaaaaaaa)
ra la la la laaa
(aaaaaaaa aaaaaaaaa)
la la la la laaa
la la lalalalal laaa

aai hoon
aa haaaaaa
hhaa door se
aa haaaaaa
haa meri jaan saj ke
dekh le
aa haaaaaa
hhaa jaayega
aa haaaaaa
aaj kaun bach ke
tera dil kho jaaye
hey
mera tu ho jaaye
hey
tera dil kho jaaye
hey
mera tu ho jaaye
oo ho ho ho
ho..oo ho ho..oo..oo
naam gulaabi hai mera
pyaar sharaabi hai mera
o naam gulaabi hai mera
hoy pyaar sharaabi hai mera
mere humdum
sambhal ke rehna. . .
(pu pudit)
(eh he pu pudit)
mere humdum
sambhal ke rehna
(pu pudit)
ho
(eh he pu pudit)
ho
ho
ho naam gulaabi hai mera

ye nazar
aa haaaaaa
aa ha ye samaa
aa haaaaaa
aa ha keh raha jee le
pyaar ki
aa haaaaaa
aa ha pyaas hai
aa haaaaaa
mere saath pee le
na peena pyaalon se
hey
pilaaun aankhon se
hey
na peena pyaalon se
hey
pilaaun aankhon se
oo ho ho ho
ho..oo ho ho..oo..oo
naam gulaabi hai mera
pyaar sharaabi hai mera
naam gulaabi hai mera
o ho pyaar sharaabi hai mera
mere humdum
sambhal ke rehna. . .
(pu pudit)
ho
(eh he pu pudit)
ho
ho naam gulaabi hai mera

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

नाम गुलाबी है मेरा
प्यार शराबी है मेरा
नाम गुलाबी है मेरा
ओ प्यार शराबी है मेरा
मेरे हमदम
संभल के रहना॰ ॰ ॰
(पू पुडीट एह हे)
(एह हे पू पुडीट)
मेरे हमदम
संभल के रहना
(पू पुडीट)
हो
(एह हे पू पुडीट)
हो
हो
हो नाम गुलाबी है मेरा

ला रा ला ला ला ला॰॰आ
(आsssssss आsssssssss)
रा ला ला ला ला॰॰आ
(आsssssss आsssssssss)
ला ला ला ला ला॰॰आ
ला ला लालालालाल॰॰ला

आई हूँ
आ हा॰॰आ
हहा दूर से
आ हा॰॰आ
हाँ मेरी जान साज के
देख ले
आ हा॰॰आ
हहा जाएगा
आ हा॰॰आ
आज कौन बच के
तेरा दिल खो जाये
हे
मेरा तू हो जाये
हे
तेरा दिल खो जाये
हे
मेरा तू हो जाये
ओ हो हो हो
हो॰॰ओ हो हो॰॰ओ॰॰ओ
नाम गुलाबी है मेरा
प्यार शराबी है मेरा
ओ नाम गुलाबी है मेरा
होय प्यार शराबी है मेरा
मेरे हमदम
संभल के रहना॰ ॰ ॰
(पू पुडीट)
(एह हे पू पुडीट)
मेरे हमदम
संभल के रहना
(पू पुडीट)
हो
(एह हे पू पुडीट)
हो
हो
हो नाम गुलाबी है मेरा

ये नज़र
आ हा॰॰आ
आ हा ये समां
आ हा॰॰आ
आ हा कह रहा है जी ले
प्यार की
आ हा॰॰आ
आ हा प्यास है
आ हा॰॰आ
मेरे साथ पी ले
ना पीना प्यालों से
हे
पिलाऊँ आँखों से
हे
ना पीना प्यालों से
हे
पिलाऊँ आँखों से
ओ हो हो हो
हो॰॰ओ हो हो॰॰ओ॰॰ओ
नाम गुलाबी है मेरा
प्यार शराबी है मेरा
नाम गुलाबी है मेरा
ओ हो प्यार शराबी है मेरा
मेरे हमदम
संभल के रहना॰ ॰ ॰
(पू पुडीट)
हो
(एह हे पू पुडीट)
हो
हो नाम गुलाबी है मेरा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3907 Post No. : 14964 Movie Count :

4090

Missing Films of 1960s – 102
– – – – – – – – – – – – – – –

As I checked the listings today, I find there still are a good about dozen films of 1960s, and this homework list, that are traceable, available and have to be covered. I was earlier thinking may be just four or five more to go. Ok so, abhi to we are in good stride here, and hope to complete the available list in the next about two weeks. 🙂

Today’s film is ‘Soldier’ from 1969. This film also has an alternate name – ‘Thakur Diler Singh’. And so on YouTube, we find songs available by both names. The film is produced under the banner of PS Pictures, Bombay and is directed by Shyam. An short list of actors – Kumar Ajeet, Deepa, Shyam Kumar, Rajan Haksar, Randhir, Pal Sharma, Parasram, Jagdev, and Bilkis Shabnam.

The Geet Kosh lists 5 songs for this film. All songs are from the pen of Aziz Kashmiri, and the music is by the duo of Sonik Omi. Aziz Kashmiri, by this time in his career, was seasoned songwriter. His active career starts at the beginning of the 1940s, and goes all the way to mid 1970s – a recognized body of work of about 230+ songs from about 50 films. To his credit are such notable films as ‘Himmat’ (1941), ‘Iraada’ (1944), ‘Khamosh Nigaahen’ (1946), ‘Mirza Sahiban’ (1947),’Ek Thi Ladki’ (1949), ‘Dholak’ and ‘Sabz Baagh’ (both 1951), ‘Aag Ka Driya’ and ‘Ek Do Teen’ (both 1953), ‘Dekhi Teri Bambai’ (1961), ‘Bahaaren Phir Bhi Aayengi’, ‘Yeh Raat Phir Na Aayegi’ and ‘Akalmand’ (all 1966) etc. His last film, as per Geet Kosh, is ‘International Crook’ from 1974.

Today’s song is in the voice of Asha Bhosle. Although the video clips of some songs of this film are available, for this particular song, I could locate only the audio clip. From the sound of it, it seems to be a group dance situation. I request other knowledgeable readers and friends to add more information about this song.

Another player from 1960s makes its debut on our blog.  Listen to and enjoy this wonderful creation.

(Audio)

(Video)

Song – Hum Ne Suna Tha Bada Charcha Janaab Ka  (Soldier) (1969) Singer – Asha Bhosle, Lyrics – Aziz Kashmiri, MD – Sonik Omi
Chorus

Lyrics

hum ne sun tha bada charcha janaab ka
nainon ne de daala dhokha sharaab ka
chheen liya chain mera
aa re re re main to maari gai
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja
hum ne sun tha bada charcha janaab ka
nainon ne de daala dhokha sharaab ka
chheen liya chain mera
aa re re re main to maari gai
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

bin poochhe mann ghaayal kar gayi
qaatil teri najariya
koi maane ya na maane
hum huye tere deewaane
jo pyaar kare iqraar kare
to ban jaaye afsaane
hoy bin poochhe mann ghaayal kar gayi
qaatil teri najariya
chauraahe pe dekha tujhko
lut gayi beech bajariya re
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

gali gali main naach rahi hoon
tere liye bedardi
kehti hai meri jawaani
kyon qadar na tu ne jaani
ho yaar mere dildaar mere
zaalim hai rut mastaani
hoy gali gali main naach rahi hoon
tere liye bedardi
itna to batla de akela
kya thi teri marzi
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

hum ne sun tha bada charcha janaab ka
nainon ne de daala dhokha sharaab ka
chheen liya chain mera
aa re re re main to maari gai
bajaar saara loot liya o morey raja
bajaar saara loot liya o morey raja

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

हम ने सुना था बड़ा चर्चा जनाब का
नैनों ने दे डाला धोखा शराब का
छीन लिया चैन मेरा
आ रे रे रे मैं तो मारी गई
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा
हम ने सुना था बड़ा चर्चा जनाब का
नैनों ने दे डाला धोखा शराब का
छीन लिया चैन मेरा
आ रे रे रे मैं तो मारी गई
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

बिन पूछे मन घायल कर गई
क़ातिल तेरी नजरिया
कोई माने या ना माने
हम हुये तेरे दीवाने
जो प्यार करे इक़रार करे
तो बन जाये अफसाने
होय बिन पूछे मन घायल कर गई
क़ातिल तेरी नजरिया
चौराहे पे देखा तुझको
लुट गई बीच बजरिया रे
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

गली गली में नाच रही हूँ
तेरे लिए बेदर्दी
कहती है मेरी जवानी
क्यों क़दर ना तू ने जानी
हो यार मेरे दिलदार मेरे
ज़ालिम है रुत मस्तानी
होय गली गली में नाच रही हूँ
तेरे लिए बेदर्दी
इतना तो बतला दे अकेला
क्या थी तेरी मर्ज़ी
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा

हम ने सुना था बड़ा चर्चा जनाब का
नैनों ने दे डाला धोखा शराब का
छीन लिया चैन मेरा
आ रे रे रे मैं तो मारी गई
बाजार सारा लूट लिया ओ मोरे राजा
बाजार सारा लूट लिया ओ मोरे राजा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3905 Post No. : 14960

“Apna Ghar”(1960) was produced R Yusuf and directed by Ram Pahwa for Kaizer Films Bombay. This “social” movie had Premnath, Shyama, Nanda, Moti sagar, Mishra, Leela Mishra, Umesh Sharma, Krishn Dhawan, Kammo, S K Prem, Mirajkar, Lalit Kapoor, Deepak, Poonam Kapoor, Radheshyam, Baby Ratan, Baijnath, Sharan, Chandabai, Sharmaji, Tulsi, Rani Sachdev, Baby Reeta etc in it.

The movie had six songs in it. Three of these songs have been covered in the past.

Here is the third song from “Apna Ghar”(1960) to appear in the blog. This song is sung by Asha Bhonsle. Prem Dhawan is the lyricist. Music is composed by Ravi.

Only the audio of the song is available. The song sounds like a club dance song. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Soch samajh le o parwaane (Apna Ghar)(1960) Singer-Asha Bhonsle, Lyrics-Prem Dhawan, MD-Ravi

Lyrics

soch samajh le o parwaane
jal jaana aasaan nahin
soch samajh le o parwaane
jal jaana aasaan nahin
teri nazar pehchaan gayi main
itni to naadaan nahin
soch samajh le o parwaane
jal jaana aaasaan nahin

phir na kahna in zulfon ke phande mein hum aa gaye
bade bade dil waale in nazron ka dhokha kha gaye
phir na kahna in zulfon ke phande mein hum aa gaye
bade bade dil waale in nazron ka dhokha kha gaye
kaun sa aisa dil waala hai
kaun sa aisa dil waala hai
jo mujh par kurbaan nahin
ehe soch samajh le o parwaane
jal jaana aasaan nahin
soch samajh le o parwaane
jal jaana aasaan nahin
teri nazar pehchaan gayi
main itni to naadaan nahin
soch samajh le o parwaane
jal jaana aasaan nahin

is mehfil mein jo bhi aaya
wo deewaana ho gaya
duniya to kya
apne se bhi wo begaana ho gaya
is mehfil mein jo bhi aaya
wo deewaana ho gaya
duniya to kya
apne se bhi wo begaana ho gaya
ye bhi adaayen na jaane tu
ye bhi adaayen na jaane tu
itna to anjaan nahin
soch samajh le o parwaane
jal jaana aasaan nahin
soch samajh le o parwaane
jal jaana aasaan nahin
teri nazar pehchaan gayi
main itni to naadaan nahin
soch samajh le o parwaane
jal jaana aasaan nahin

aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15041

Number of movies covered in the blog

Movies with all their songs covered =1171
Total Number of movies covered =4124

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