Archive for the ‘Asha Bhonsle solo’ Category
Main ladki tu ladka
Posted on: April 9, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4648 | Post No. : | 16311 |
Hullo Atuldom
“Dil Deewaana” (1974); written as ‘Dil Diwana’ in the movie’s titles; was a Rose Movies production i.e. Ramesh Behl was the producer and Narendra Bedi was the director. Though people feel it was a sequel of the successful “Jawaani Deewaani” (1972) I don’t think so.
The similarities in the two movies are the producer, director, main lead, music composer and lyricist were the same. While “Jawaani Deewaani” dealt with love between college-mates, family misunderstandings, and ‘rich-girl not-so-rich boy’ theme, “Dil Deewaana” had a rich, spoilt, playboy who tries to mend his ways when he encounters a girl working in his office. As per the norms of Hindi movies, Indian movies will be more appropriate, the girl is not-so-poor, is economically responsible for the day-to-day living of her family and is unimpressed with the economic standing of the boy. The rich boy Vijay (Randhir Kapoor), decides to introduce Nita (Jaya Bhaduri) to his doting grandma (Durga Khote) when his past catches up with him in the form of Gita (Aruna Irani), her brother Pyarelal (Manmohan) and an infant. There is one more character in this film Sunita (played by Komal a.k.a. Poonam Sinha) to add to the woes of the hero. All-in-all a normal masala movie which I recall having seen ages ago, during the days when doordarshan was the only channel available.
What has remained with me from that movie is Jaya Bhaduri playing a girl who had a mind of her own and made decisions for herself. In fact, she was one of the actresses in the ’70s, who played such roles very often and whose standing was on-par with her male co-star. I wouldn’t say that she was a great dancer like her contemporary Hema Malini (Jaya Bhaduri could put the correct foot forward and be in rhythm) but she was good in all other aspects.
I must admit that I was not a huge fan of hers, but I loved her in all the movies that I saw including “Kabhi Khushi Kabhi Gham” (2001) with which she made a comeback to commercial movies. She had already restarted acting with “Hazaar Chaurasi ki Maa” in 1998 but that was essentially an art or middle-of-road movie which went unnoticed by the masses.
She is a Padma Shri winner along with a few Filmfare best actress awards to her name. She has been in the Hindi industry since 1971 when ‘Guddi’ released where she played a sweet, film-crazy teenager who is in love with her matinee idol Dharmendra. Of course she had already acted in a few Bengali movies before ‘Guddi’.
With this post we wish her on her 73rd birthday and also on completing 50 years in Bollywood.
‘Dil Deewaana” had six songs of which the blog has the following two:-
| Song | Date of posting |
|---|---|
| Jaa re jaa bewafa | 9 April 2014 |
| Sun Neeta main tere pyaar ke geet gaane lagaa hoon | 30 April 2014 |
Today’s song is in a discotheque. We have Jaya in loud make-up but still looking dainty, pretty and cute. The song happens post Jaya inhaling some intoxicating smoke from Sharat Saxena. The song has all the elements that RD Burman was known to put in his songs- catchy tune, lot of ups and downs for the singer to race her voice through and she (Asha Bhosle) doesn’t disappoint. We have flashbacks of this song from Caravan (1971) in terms of insanely sane choreography. And it is to Jaya Bhaduri’s credit that she has pulled it off amazingly. Wish she had been offered more such dances and run-of-the mill glamour-doll roles, I wonder how she would have performed them.
Song-Main ladki tu ladka (Dil Deewaana)(1974) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
main ladki ho o o
ho o o
tu ladka ho o o ho ho
laa la laa la lala
laa la laa la lala laa
laa la laa la lala
haa
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
main ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri
hahe hahe haaha
ganjaa
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
mai ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri
(silly laughter)
mazaa aa gaya
yahaan se wahaan se
jaane kahaan se
ek dhua sa udta aaya
ek nasha sa aankhon pe chhaayaa
wow
wow
wow
maza aaya
ek dhuaan sa udta aaya
ek nasha sa
aankhon pe chhaayaa
wow ni na ni na ni na ni na
maza aaya
la la la la laa laa
la la la la laa laa
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
main ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri
a b c d
a for apple
b for baby
c for cat
d for darling
yaahoon
mama
mama
mama
mama
sun mere bondhu re ae ae ae ae ae ae
sun mere mitwa
sun mere sa.. aa ..athi re
mama
mama
papa
papa
chali re
chali re main
chali re
tez hawaayen
rut toofaani
doob na jaaye
meri jawaani
wow wow wow
main deewaani
tez hawaaye
ruth toofaani
doob na jaaye
meri jawaani
wow wow wow
main deewaani
la la la la laa laa
la la la la laa laa
la la la la laa laa
la la
ganj ganjedi ganj ganjedi ganj ganjedi oh
ganj ganjedi ganj ganjedi ganj ganjedi oh
main ladki tu ladka
dil mere kyun dhadka
dekhe shararat hai teri
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4636 | Post No. : | 16291 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 127 # Aatish-1979#
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I had mentioned in one of my earlier post on the blog, that nowadays (since Nov’2020 end) I got to listen to the radio utilizing my morning and evening time of about an hour or so while commuting towards my workplace (in the morning) and while returning back (in the evening). And normally I tune in to ‘Vivid Bharati’ only.
This exercise has given me an opportunity to listen to many songs from yesteryears and also songs from new movies. The joy and excitement of ‘the next song to be played’ is always there as on radio we cannot play songs of our choice.
Today’s song is one such song. hen I was listening to it, it sounded familiar but then I had not attentively listened to the name of the movie while the broadcast was on. The refrain ‘salaam salaam salaam’ in this song sounded familiarbut I could not put a finger to it. So, I looked for the details of this song.
This song turned out to be from the ‘1979’ movie ‘Aatish’.
That reminded me that I had watched this movie in the ‘summer vacations’ at Akola with my brothers and cousins. But I do not remember anything about the story of this movie and other details. Only thing that is still fresh in my mind is that this was a ‘Jeetendra Movie’. 😊
I looked for the video of this song and found that this song is performed by Neetu Singh (and I must say she is looking very beautiful in this song). Jeetendra, the object of her craving, is also present in the picturization of this song.
“Aatish-1979” was directed by Ambarish Sangal for ‘M.K. Enterprises, Bombay’. It had Jeetendra, Neetu Singh, Rinku, Dheeraj, Leena Das, Om Shivpuri, Mukri, Mumtaz Begam, Master Raju, Nirupa Roy, Madan Puri, Sujit Kumar (in special appearance), Brahm Bharadwaj, Subhash Kanwal, Kamal Deep, Ranveer Raj, Chandru, Kishan, Ashok Saksena, Raj Kumar, Ram Narayan and others.
This movie was passed by Censor Board on 16.02.1979.
There were six songs in this movie written and composed by Ravindra Jain.
Here is the list of songs of this movie as appearing in HFGK Vol-V (1971-1980);
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ladke ke bhes mein ladki hoon | Asha Bhonsle, Chorus | |
| 02 | Main nehlaa thhi bas nehlaa | Asha Bhonsle | Being discussed today |
| 03 | O meri laadli pyaari behnaa | Mohd Rafi, Hemlata | 13.08.2011 |
| 04 | Sharaab hai, haan, sharaab hai | Mohd Rafi, Chorus | |
| 05 | Babu manejara ve he babu, manejara ve | Lata, Rafi, Chorus | |
| 06 | Kahin naam na apnaa likh dena … | Asha Bhonsle, Hemlata, Bhushan Mehta, Mohd Rafi, chorus |
Only one song from this movie has been posted on the blog on 13.08.2011. So, one can notice that this movie is about to complete its ‘ten-year’ run on the blog within next five months. 😊
let us now listen to today’s song which is sung by Asha Bhonsle and lip-synced on screen by Neetu Singh. As mentioned above lyrics are by Ravindra Jain who has also the music director for this movie.
Song-Main nehla thhi bas nehla nehle ko mil daya dahla (Aatish)(1979) Singer-Asha Bhonsle, Lyrics-Ravindra Jain, MD-Ravindra Jain
Lyrics
main nehlaa thhi
bas nehlaa
nehle ko mil gayaa dehlaa
main nehlaa thhi ee bas nehlaa
nehle ko mil gayaa dehlaa
dehle ki main bani ghulaam
dehle ki main bani ghulaam
salaam salaam salaam
o baabu salaam salaam salaam
salaam salaam salaam
baabu salaam salaam salaam
ye to bataa aa
kab doli leke aayegaa
kis din ghulaam ko o o
begam banaayegaa
ye to bataa aa
kab doli leke aayegaa aa
kis din ghulaam ko o o begam banaayegaa
o baadshaah mere dil ke
badi khushi huyi tujhse mil ke
o baadshaah mere dil ke ae
badi khushi huyi tujhse mil ke
jaa jaa(?) ke karo kalaam
jaa jaa(?) ke karu kalaam
salaam salaam salaam
o baabu salaam salaam salaam
salaam salaam salaam
baabu salaam salaam salaam
ikke dukke hote hain
duniya mein tujhse ae
chhakke panje chauke tikke
bahot hain mujhse ae
ikke dukke hote hain
duniya mein tujhse ae
chhakke panje chauke tikke
bahot hain mujhse
sattaa aur athhaa jodo
is umr kaa maal na chhodo
sattaa aur athhaa jodo
is umr kaa maal na chhodo
dil de do mujhe inaam
dil de do mujhe inaam
salaam salaam salaam
ho baabu
salaam salaam salaam
salaam salaam salaam
baabu
salaam salaam salaam
rangon ke khazaane miley
phoolon ko bahaar se ae
pyaar ka jawaab tu bhi
de de mujhe pyaar se ae
rangon ke khazaane miley
phoolon ko bahaar se ae
pyaar ka jawaab tu bhi
de de mujhe pyaar se
kya soche o dilwaale
mujhe ab to ang lagaa le ae
le haath meraa le thhaam
le haath meraa le thhaam
salaam salaam salaam
baabu salaam salaam salaam
main nehlaa thhi bas nehlaa
nehle ko mil gayaa dehlaa
main nehlaa thhi ee bas nehlaa
nehle ko mil gayaa dehlaa
dehle ki main bani ghulaam
dehle ki main bani ghulaam
salaam salaam salaam
o baabu salaam salaam salaam
salaam salaam salaam
baabu salaam salaam salaam
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4626 | Post No. : | 16277 | Movie Count : |
4420 |
If you search in google for ‘history of post cards in India’ top of the results yields this result;
In July 1879, the Post Office of India introduced a quarter anna postcard that could be posted from one place to another within British India. This was the cheapest form of post provided to the Indian people to date and proved a huge success. … The postcard facility continues to this date in independent India.
***
Regulars on the blog are aware of how some members of this blog are fond of talking about our social institutions or our public transports and communication, like railways and post departments specifically.
Actually, it would not be wrong to say that some members like me are madly in love with the railways and postal departments in our country. And why not, both the railways and postal departments have their presence all over the country and these services also play major roles in nation building and national integration. I have a BIG nostalgia associated with both of these services.
***
I remember in my childhood days I was, (even now I am), very much fascinated with the postal services, their stationery. The overall atmosphere in a ‘post-office’ have always fascinated me.
A ‘post-card’ costing fifteen paise was very much popular and the most preferred one to send letters among families and friends, and others. Due to my interest in books and magazines I was frequently using it for getting various publications.
I used to order books through VPP and sometimes even if I could not buy books, I would ask for the ‘list of publications’ from various publishers. We needed to send only a ‘post card’ and in return there would be an envelope carrying printed list with printed pictures of some of the books. That would give me immense pleasure.
I was also having my library containing story books and magazines for children to read mainly during summer vacations.
The simple ‘post-card’ costing fifteen paise was used for many things like conveying important messages or urgent messages, as it was said that the post-cards were delivered faster than the ‘inland letter’ and ‘envelopes.
My Grand Father staying at Akola (i.e., 25 kms from Paras) was always using post-card to send us letters. And it was the same with most other people.
Years back I had pursued my correspondence studies through IGNOU wherein all the study materials were delivered by post and all communication was through posts only. So, one can guess how close the post services are to my heart. 😊
I do not remember anyone raising any ‘privacy violation issues’ those days for ‘post-cards’. I vividly remember that a ‘postman’ would never read your letters unless requested by those who could not read. They would make it a point to handover the letters to the ‘addressee’ and to no one else.
***
After coming back from Kenya in Dec’2019, I got to visit the post office here in Vadodara many times particularly for dispatch of my daughter’s online shop products and other communications. I noticed how the department has been now given a modernized look and we can also see attractive guidelines and information painted on the walls giving it a ‘super-market’ type look.
But I also noticed someting that has not changed over the years. It is a one iron-box used for storing ‘stamps’ (a box little big than or similar to a metal school box of those days) and the ‘sorting room’ or ‘chamber’ having wooden partition separating it from general office.
Another change that I noticed is in the price of the post card, inland letter and envelope. Now we have to pay fifty paise for a post card.
I have a vague recollection that I have seen post cards of ten paise or five paise as well ! May be when I was a child, I must have seen them some with my ‘stamp-collecting’ friends.
Slowly and gradually After the advent of mobile phones and many modes of faster communication the ‘postal modes’ has Slowly and gradually taken the back-seat.
Recently for the sake of nostalgia I bought one piece each of ‘post card’, inland letter and envelope’.
***
What we discussed above is all good one side of the ‘coin’ (or post-card I should say) including happy memories and nostalgia.
On the other side there is another side. Now people do not find time to write letters as they are ‘busy’ in life. Sometimes it can even create misunderstandings between two close friends, where lack of response from either side can strain their relations.
People close to you or even not so close to you always have expectations. And there are some people who are not at all punctual like others, to return a call or a reply to a letter and reciprocate with same zeal and enthusiasm. It may be inadvertentand not deliberatel, but not responding for whatever reason may affect our relations with others.
As an example, it is my habit even now to call each and every friend that I am in contact with, even if they do not reciprocate with the same enthusiasm (I expect somebody should also given me a call and give me a pleasant surprise ).
I have noticed that nowadays people will send you friend requests, emails, WhatsApp messages or use all kind of social networks. On the other hand they generally avoid face to face conversation or the joy of meeting a person and giving him (or her) a hug (😊). In older days people would jump at the opportunity of meeting each other (I mean jump with joy 😊).
Communicating with our near and dear ones is so cheap and affordable, still there are some who cannot find time to communicate with others.
In older days, such people would be described as ‘arey yaar wo to pandrah paise ka ek post card bhi nahin bhejta hai’ or ‘kam se kam pandrah paise ka ek card hi post kar dete Bhai’, ‘itne dinon se tumhaari koyi khabar hi nahin aayi, pandrah paise ka card bhi nahin kharid sakte the kya, aisi bhi kya kanjusi’😊 (I have still maintained to keep the conversation in sophisticated language … and not using dialects 😊)
After remonstating thus, the long lost friends would readily forgive you and give you benefit of doubt in view of the various reasons given by you for responding. And after a little good natured quarrel everything would be fine among the aggrived and the aggriever.
What about someone who is in love with you and has ‘nyochhawar’ed’ (slang?) oneself on you, she or he will definitely say what the lady in today’s song is saying …
I will not repeat it here instead let us listen to this in today’s song …
Jayshree T is performing this song from the ‘1979’ movie ‘Ahinsaa’. We can see Ranjeet and others in the picturization of this mujra song.
“Ahinsaa-1979” was directed by Chand for ‘Ashwin Arts, Bombay’. It was produced by Shiv Kumar.
Story of this movie was written by Chand and K.B. Pathak and dialogues were written by Jainendra Jain. Editing of this movie was done by B.S. Glaad. It had Sunil Dutt, Rekha, Prem Nath, Ranjeet, Nirupa Roy, Alka, Kamini Kaushal, Rajendra Nath, Jayshree T., Jairaj, Trilok Kapoor, Tun Tun, Kundan, Mohan Shery, Bhagwan, Romeo, Jankidas, Birbal, Raj Kishore, Master Raju, Shiv Kumar, Keshav Rana, Rajan Haksar, Narendra Pathak, Major Anand, Ranveer Raj, Hiralal and others. Om Shivpuri, Dev Kumar, Shakti Kapoor, Shyamlee make a friendly appearance in this movie. Asrani make a special appearance in this movie.
This movie had four songs. Two were written by Rajkavi Tulsi and one each by Ram Bharadwaj and Anjaan.
Asha Bhonsle, Mohd Rafi, Manna Dey, Anand Kumar C., and Badri Prasad (mentioned in HFGK not in the movie titles) had given their voices to the songs in this movie.
Music of this movie was composed by Kalyanji-Anandji.
This movie was passed by Censor Board on 12.06.1979.
let us enjoy this rocking(😊) mujra song dedicated to the lovely ‘post-cards’ what they were in the seventies – ‘khat, pandrah paise waalaa’. Just out of curiosity I counted and noted that the word ‘pandrah paise waalaa’ appears ‘sixteen’ times in the song…
With today’s song this movie “Ahinsaa-1979” makes its debut on the blog. (It also serves another purpose of bringing ‘movies with same title on the blog’. We already have “Ahinsaa-1947” on the blog.
I have not watched today’s movie so can’t say much about its storyline but we can get idea of the story of this movie from the following dedication in titles;
‘This movie is dedicated to all those criminals and dacoits who surrendered themselves to the law with the inspiration of Loknayak Shri. Jayaprakash Narayan’
I had come across the today’s song a few months ago when I was looking for ‘Kalyanji-Anandji’ composed songs.
On going through other songs of this movie I find only song sounding familiar to me which is ‘Yaar mera rab ho gaya’ only. I was curious to know about the other songs so I listened to them and found today’s song as an interesting 😊 song.
Let us now listen to today’s song. Lyrics for the today’s song are by Ram Bharadwaj and music is composed by Kalyanji-Anandji.
Video
Audio
Song-Maine tan man de daala saiyya solah saal waala (Ahinsa)(1979) Singer-Asha Bhonsle, Lyrics-Ram Bhardwaj, MD-Kalyanji Anandji
Lyrics
aa aa aa aa
aa aa aa aa aa aa
aa aa aa
khoyi khoyi si rehti hoon
le le ke tera naam
hansi udaaye har subah
aur dank maare shaam
maine tan man de daalaa aa
maine tan man de daalaa
sainyya solah saal waalaa aa
maine tan man de daalaa
sainyya solah saal waalaa
par toone to khat bhi na daalaa
haaye
pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
tan man de daalaa
sainyya solah saal waalaa
par toone to khat bhi na daalaa
arey pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
ye mardon ki jaat
nibhaaye naa saath
muyee mardon ki jaat
nibhaaye naa saath
jo aurat ko samjhe
khilaunaa aa
kabhi bante hain yaar
kabhi karte hain pyaar
jo dikhaate hain sapnaa salonaa
hai tujhko qasam
ye bataa de balam
hai tujhko qasam
ye bataa de balam
kya souten ne tere din phere ae
arey kaalaa jaadu daalaa
bairi kaalaa jaadu daalaa
kaalaa jaadu daalaa
bairi kaalaa jaadu daalaa
tan man de daalaa
sainyya solah saal waala
par toone to khat bhi na daalaa
kyun
pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
dekh main phuljhadi
tere dar pe khadi ee
dekh main phuljhadi
tere dar pe khadi
mujhe pehnaa de pyaar ka kangnaa aa
ye hai arzi meri
ye hai marzi meri
tere nainon mein hai mujhe basnaa
mere dil mein hai jo
naa jaane tu wo
mere dil mein hai jo
naa jaane tu wo
kaise bedardi sainyya se ae ae
kaahe padaa paalaa
bairi kaahe padaa paalaa
kaahe padaa paalaa
bairi kaahe padaa paalaa
tan man de daalaa
sainyya solah saal waala
par tune to khat bhi na daalaa
arey pandrah paise waalaa
bairi pandrah paise waalaa
pandrah paise waalaa
bairi pandrah paise waalaa
Jaane kyun baar baar baar mera dil
Posted on: March 2, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4610 | Post No. : | 16242 |
Sahir Ludhianvi & His Music Directors-9 – (more than ‘ten-movies collaboration’)
In my earlier post in this series, I had mentioned that after the ‘seven-movie’ collaborations we have only three collaborations left and that they are ‘more than ten-movie collaborations’ with music directors N. Datta, S.D. Burman and Ravi.
So, out of total 717 songs written by Sahir Ludhianvi as per the total of HFGK 48% songs i.e., 347 songs are with music directors other than the above three music directors.
We have covered one of these ‘three-big’ collaborations i.e., Sahir-N. Datta collaboration in the earlier post. They collaborated for seventeen (17) movies including one un-released movie i.e., ‘Picnic-1960’. And the total number of songs from this collaboration are 108 (as per HFGK).
If we include the post before this the total number of songs now on the blog for Sahir- N Datta collaboration is 104.
Now we move to the next big collaboration which as per the total number of movies is with S.D. Burman, and Sahir and S.D. Burman collaborated for ‘eighteen’ (18) movies creating 134 songs. If we add the ‘verses’ from ‘Pyaasa-1957’ and two snippets (from ‘House no.44-1955’ and ‘Funtoosh-1956’ (as given in the book ‘The People’s Poet’ by Akshay Manwani) the total comes to 140. Well, we have 135 songs already posted on the blog for this collaboration.
I am not giving the details of movies of ‘Sahir-S.D. Burman collaboration’ in today’s post. I am leaving it to be covered in another post which will be coming on a very special occasion.
However, we can have a look of the summary of Sahir-S.D. Burman collaboration which is as given below;
| S.no. | MD | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|
| 01 | S.D. BURMAN | 135 | 134 | 140 |
Today we are move to the next ‘one of the three great collaborations’ which is Sahir and music director Ravi.
But here we will take a pause, and listen to one of the songs of this association from the oldest pending movie ‘not yippeeee’ed’ on the blog which is ‘Paisa Ya Pyaar-1969’. (I am taking this liberty to cover one more song in this series 😊)
‘Paisa Ya Pyaar-1969’ was directed by Jawar N Sitaraman for ‘Gemini Productions, Madras’. It had Ashok Kumar, Mala Sinha, Biswajeet, Tanuja, Shashikala, Jagirdar, Aseem Kumar, Abhimanyu Sharma, Gopal Krishnan, Sharad Kumar, Lalita Kumari, Praveen Pal, Sarita Devi and others.
This movie had five songs written by Sahir Ludhianvi and composed to music by Ravi.
So far, three songs of this movie have been posted on the blog. Today we listen to the fourth song of this movie which is sung by Asha Bhonsle and performed on screen by Mala Sinha.
I have not watched this movie ‘Paisa Ya Pyaar’, but when I listened to the today’s song it looks like a familiar song but not much heard or frequently played song.
And the composition by Ravi also appears to be a ‘Shankar-Jaikishan’ style composition.
That is what I think 😊
let us now listen to the today’s song …
Song-Jaane kyun baar baar baar mera dil (Paisa Ya Pyaar)(1969) Singer-Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-Ravi
Lyrics
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jis’se milte nahin
bilkul hi khayaalaat tere
kyun pareshaan hai uske liye
jazbaat tere
jab bhi wo mujhse milaa
usne sataaya mujhe
mujhko buraa to lagaa
phir bhi wo bhaayaa mujhe ae
jab bhi wo mujhse milaa
usne sataaya mujhe
mujhko buraa to lagaa
phir bhi wo bhaayaa mujhe
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jo tere husn ki tauheen kare
us’se naa mil
jo kisi doosri sajdhaj pe mare
us’se naa mil
mujhko to jo bhi dekhe
raahon mein aahen bhare
main kyun kisi pe maroon
mujh pe zamaana marey
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
ho sake to koyi
sangeen sazaa de usko
tere qaabil nahin wo
dil se bhulaa de usko
usko bhulaaun kaise
itnaa bataa do mujhe
uska iraadaa kya hai
kuchh to bataa do mujhe
usko bhulaaun kaise
itnaa bataa do mujhe
uska iraadaa kya hai
kuchh to bataa do mujhe
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
jaane kyun baar baar baar
mera dil
mujhe kahe usse mil
mujhe kahe usse mil
Main hoon pari adaaon bhari
Posted on: February 28, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4608 | Post No. : | 16239 |
Sahir Ludhianvi & His Music Directors-8 – (more than ‘ten-movies collaboration’)
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In this series ‘Sahir Ludhianvi & His Music Directors’ today we have discussed Sahir Ludjainvi’s collaboration with Music directors upto ‘seven movies’. After seven-movies collaborations we move to double figures. Today’s music director with Sahir is N. Datta.
If we look at the total number of songs written by Sahir i.e.,717 as per HFGK and the total number of songs up to ‘seven-movie collaboration’ which is 347 songs from movies, which gives us 48% songs from these collaborations. (Out of these 347 songs 328 songs have already been posted on the blog.)
After this we have only three music directors left to be discussed. I am sure everybody is aware of these three ‘great’ collaborations though the very old and first one ended abruptly after ‘Pyaasa-1957’ i.e., Sahir-S.D. Burman collaboration.
Today we look into one of these ‘three’ great collaborations of Sahir and that is with music director N. Datta.
This fabulous collaboration created many memorable songs gems and gave us many unforgettable gems in Hindi Film Music history.
Sahir Ludhianvi and N. Datta collaborated in ‘seventeen’ movies including one song for one ‘un-released’ movie.
Here is the details of their movies together;
| S.no | Movie | Year | MD | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|---|
| 1 | Marine Drive | 1955 | N. Dutta | 6 | 6 | 6 |
| 2 | Milaap | 1955 | N. Dutta | 8 | 8 | 8 |
| 3 | Chandrakaanta | 1956 | N. Dutta | 9 | 9 | 8 |
| 4 | Light House | 1958 | N. Dutta | 7 | 7 | 7 |
| 5 | Sadhna | 1958 | N. Dutta | 6 | 6 | 6 |
| 6 | Bhai Bahan | 1959 | N. Dutta | 8 | 8 | 8 |
| 7 | Dhool Ka Phool | 1959 | N. Dutta | 8 | 8 | 9 |
| 8 | Didi | 1959 | N. Dutta | 5 | 5 | 5 |
| 9 | Naach Ghar | 1959 | N. Dutta | 10 | 10 | 10 |
| 10 | Dharamputra | 1961 | N. Dutta | 8 | 8 | 8 |
| 11 | Dilli Ka Daada | 1962 | N. Dutta | 3 | 4 | 4 |
| 12 | Kaalaa Samandar | 1962 | N. Dutta | 1 | 1 | 1 |
| 13 | Chaandi Ki Deewaar | 1964 | N. Dutta | 8 | 8 | 9 |
| 14 | Nayaa Raasta | 1970 | N. Dutta | 8 | 8 | 8 |
| 15 | Chehre Pe Chehra | 1980 | N. Dutta | 1 | 6 | 6 |
| 16 | Sachche Moti | 1962/1967 | N. Dutta | 6 | 6 | 6 |
| Total | 102 | 108 | 109 | |||
| 17 | Picnic U/R | 1960 | N. Dutta | 1 | 0 | |
| Total | 103 | 108 | 109 | |||
Sahir Ludhianvi and N. Datta collaborated in ‘seventeen’ movies (including one un-released movie) and out of 717 songs as per HFGK the number of songs Sahir-N. Datta collaboration had given us 108 songs i.e., 15% of total number of songs.
If we go through the list of movies (as given above), we have two movies yet to be covered with all of their songs. These two movies are ‘Dilli Ka Daada-1962’ and ‘Chehre Pe Chehra-1980’.
For ‘Dilli Ka Daada-1962’ only one Sahir song is pending and I guess this song is yet not available and/or difficult to find. So, we move to the next movie which is ‘Chehre Pe Chehra-1980’.
‘Chehre Pe Chehraa-1980’ was directed by Raj Tilak, for ‘Tilak Movies, Bombay’.
Raj Tilak was also the producer of this movie.
It had Sanjeev Kumar, Rekha, Vinod Mehra, Sulakshana Pandit, Amol Palekar, Rajani Sharma, Shree Ram Lagoo, Iftekhar, Shammi, Suresh Chatwal, Kumar Aditya, Prem Sagar and others.
Shatrughan Sinha and Amjad Khan make special appearances in this movie.
Screenplay of this movie was written by Raj Marbrose and dialogues were written by Kadar Khan. Editing of this movie was done by Madhu Sinhaa.
This movie is said to be based on Robert Louis Stevenson’s novel ‘Dr. Jeykll & Mr. Hyde’ and it was passed by Censor Board on 21.05.1980 with restricted viewing certificate (i.e., ‘A’).
This movie had six songs written by Sahir Ludhianvi and composed to music by N. Datta. Background music for this movie was given by Salil Chaudhary.
Manna Dey, Mohd Rafi, Asha Bhonsle and Sulakshana Pandit had given their voices to the songs in this movie.
As per HFGK Vol-V (1971-1980) following is the list of songs of this movie;
| S.No. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01) | Aa aa aa… ye raat nek raat hai | Manna Dey, chorus | |
| 02) | Jaam, le jaam, pakad jaam | Asha Bhonsle | |
| 03) | Aaj socha hai khayaalon mein | Mohd Rafi, Sulakshana Pandit | 08.03.2018 |
| 04) | Main hoon pari, adaaon bhari | Asha Bhonsle, chorus | |
| 05) | Tumse kehnaa hai ki dushwaar | Sulakshana Pandit | |
| 06) | Aa kuchh karen is haseen raat mein | Dilraj Kaur, chorus |
Let us now enjoy today’s song which is sung by Asha Bhonsle. It is lip-synced on screen by Rekha. This is a club-dance number where we can see many other artists and Sanjeev Kumar makes his entry towards the end of the performance …
Let us have a look at the following table where after including the ‘Sahir-N. Dutta’ collaboration (today’s song not included) we get the following statistics so far;
| S.no | MD | No of movies together | Songs of lyricist in the blog | Song penned by lyricist in movie as per HFGK | Song penned by lyricist in movie as per the book -The People’s Poet |
|---|---|---|---|---|---|
| 1 | G.D. Kapoor | 1 | 1 | 4 | 4 |
| 2 | Shyam Sundar | 1 | 8 | 8 | 8 |
| 3 | Ali Akbar Khan | 1 | 7 | 8 | 8 |
| 4 | Dhani Ram | 1 | 1 | 1 | 1 |
| 5 | Vasant Ramchandra | 1 | 7 | 7 | 7 |
| 6 | Manohar | 1 | 1 | 1 | 1 |
| 7 | Sudha Malhotra | 1 | 1 | 1 | 1 |
| 8 | Nirmal Kumar | 1 | 1 | 1 | 1 |
| 9 | Hemant Kumar | 1 | 7 | 7 | 7 |
| 10 | Robin Banerjee | 1 | 1 | 1 | 1 |
| 11 | C. Ramchandra | 1 | 7 | 7 | 7 |
| 12 | Sonik Omi | 1 | 2 | 5 | 5 |
| 13 | C. Arjun | 1 | 5 | 4 | 5 |
| 14 | Rajesh Roshan | 1 | 7 | 6 | 7 |
| 15 | Hridaynath Mangeshkar | 1 | 5 | 5 | 5 |
| 16 | Anil Biswas | 2 | 8 | 8 | 7 |
| 17 | Usha Khanna | 2 | 3 | 3 | 3 |
| 18 | Chitragupta | 2 | 13 | 13 | 13 |
| 19 | Sapan Chakravarty | 2 | 11 | 11 | 12 |
| 20 | Kalyanji-Anandji | 2 | 7 | 9 | 9 |
| 21 | Ravindra Jain | 2 | 5 | 10 | 10 |
| 22 | Madan Mohan | 3 | 24 | 23 | 23 |
| 23 | Jaidev | 4 | 18 | 17 | 16 |
| 24 | R.D. Burman | 4 | 22 | 25 | 24 |
| 25 | O.P. Nayyar | 5 | 23 | 23 | 23 |
| 26 | Khayyam | 5 | 38 | 41 | 44 |
| 27 | Roshan | 7 | 63 | 62 | 61 |
| 28 | Laxmikant-Pyarelal | 7 | 32 | 36 | 35 |
| 29 | N. Datta | 17 | 103 | 108 | 109 |
| TOTAL | 79 | 431 | 455 | 457 | |
Video
Audio
Song-Main hoon pari adaaon bhari (Chehre Pe Chehra)(1980) Singer-Asha Bhonsle, Lyrics-Sahir Ludhainvi, MD-N Datta
Chorus
Lyrics
main hoon pari
ho main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
laa laa laa laa laa
laa aa
pa pa pa pa pa paa
pa pa pa paa paa
laa laa laa laa laa
la la laa laa laa laa
laa laa laa laa laa laa
sabko lubhaati hoon main
masti lutaati hoon main
sabko lubhaati hoon main
masti lutaati hoon main
raaton ki raunak liye ae
aati hoon jaati hoon main ae
raaton ki raunak liye
aati hoon jaati hoon main
takte raho
ke kabhi mat kaho
takte raho
kabhi mat kaho
mujhse theharne ki baat
main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
laa laa laa laa laa
laa aa
pa pa pa pa pa paa
pa pa pa paa paa
laa laa laa laa laa
la la laa
laa laa laa laa
ru ru ru ru ru ru ru ru oo
ru ru ru ru ru ru ru ru oo
rangon ki raani hoon main
tapti jawaani hoon main
rangon ki raani hoon main
tapti jawaani hoon main
chalti rahe jo sadaa
aisi kahaani hoon main ae
chalti rahe jo sadaa aa
aisi kahaani hoon main
thehri nahin
ye bijli kahin
ha thehri nahin
ye bijli kahin
phailaaye laakhon ne haath
main hoon pari
adaaon bhari
aise naa aaungi haath
kabhi main yahaan
kabhi main wahaan
chalne naa paaoge saath
laa laa laa laa laa
laa aa
laa laa laa laa laa
la la laa
laa laa laa laa laa laa aa
ru ru ru ru ru ru ru ru oo
hmm hmm hmm hmm
ru ru ru ru ru ru ru ru oo
hmm hmm hmm hmm
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4607 | Post No. : | 16238 |
“CID Girl”(1959) was produced by P D Lamba and directed by Ravindra Dave for Shanti Niketan Films, Bombay. This “social” movie had Geeta Bali, Balraj Sahni, Subbiraj, Kanhaiyalal, Patanjali, Ki=umud Tripathi, Helen, Visha Mehra, Mohan Choti, Pal Sharma, Kathana, Ravikant, Masood, Billoo, Shashi, Satpal, Sayyad, Rehana, Anari Begam, Chachajee, Ashani Kumar etc in it.
The movie had seven songs in it. One song from the movie has been covered in the past.
Here is the second song from “CID Girl”(1959) to appear in the blog. This song is sung by Asha Bhonsle. Hasrat Jaipuri is the lyricist. Music is composed by Roshan in O P Nayyar style.
Only the audio of the song is available. From the sounds of it, the song appears to be a club dance song. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Ankhiyon mein dil khoyaa batiyon mein dil khoya(CID Girl)(1959) Singer-Asha Bhonsle, Lyrics-Hasrat Jaipuri, MD-Roshan
Lyrics
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhundh lungi babu u u hu
mukh mera chaand taara
marta hai jag saara
rakhna ji dil par kaabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
jaadu hai anokha meri chaal ka
chaal ka
goli si chalaaye til gaal ka
tum laakh bacho
hey bacho
hey bacho
hey bacho
baanki adaayen meri daku u u hu
mukh mera chand taara
marta hai jag saara
rakhna ji dil par kaabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh lungi baabu u u hu
aankhon me chhupa ke ae ji pyaar ko
pyaar ko
deewaana banaayen hum aapko
ho ho ho ho ho ho ji
aankhon me chhupa ke ae ji pyaar ko
pyaar ko
deewaana banaayen hum aapko
ke main jab hansoon
ke hansoon
ke hansoon
ke hansoon
dilo pe chal jaye jaadu u u hu
mukh mera chaand taara
marta hai jag saara
rakhna ji dil par kaabu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
aise to na dekho humen ghoor ke
ghoor ke
karo ji nazaara bas door se
o ho ho ho ho ho ji
aise to na dekho humen ghoor ke
ghoor ke
karo ji nazaara bas door se
paas aana nahin
ke nahin
ke nahin
ke nahin
jaal sunahara mere gesu
mukh mera chaand taara
marta hai jag saara
rakhna ji dil par kaabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
ankhiyon mein dil khoya
batiyon mein dil khoya
main ise dhoondh loongi baabu u u hu
Mera mehboob mujhko mil jaaye
Posted on: February 11, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4591 | Post No. : | 16215 | Movie Count : |
4413 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 121 # Missing Films of 1971- 01#
——————————————-————————————————-—
I had in my earlier posts under this series mentioned that this year ‘2021’ is ‘special’ for movies of the year ‘1971’, because all the movies released over the year in ‘1971’ will be completing the FIFTY years of their respective releases. And as this decade ‘2021-2030’ will progress, the movies released over the years ‘1971-1980’ will progressively be completing ‘fifty years’ of released’.
We still have to add many movies of this year ‘1971’ to the blog. The details of these movies will follow in the future posts to come on the blog.
Today let us welcome one more movie of ‘1971’ on the blog. This movie was passed by Censor Board on 06.01.1971, so it has already completed its fifty years of release. This movie is ‘Sher-E-Watan’.
‘Sher-E-Watan- 1971’ was directed by Harbans for ‘New Sunrise Productions, Bombay’.
It had Prithviraj Kapoor, Dara Singh, Nishi, Rajan Haksar, Nadira, Bela Bose, Aruna Irani, Bhagwan, Roopali, Pal Sharma, Dhanraj, Saudagar Singh, Prakash, Trilok Singh, Uma Khosla, Bramhachari and others.
According to HFGK Vol-V (1971-1980) this movie ‘Sher-E-Watan’ was a historical movie.
I have not watched this movie and would request knowledgeable readers to throw more light on this movie and its songs.
This movie had four songs written by Asad Bhopali and music composed by Usha Khanna.
As per HFGK here is the list of songs of this movie;
| S.No. | Song Title | Singer/s |
|---|---|---|
| 01 | Zindagi bhar hamen tujhse pyaar rahegaa | Asha Bhonsle |
| 02 | Aur pee o yaar thodi aur pee | Usha Khanna |
| 03 | Mera Mehboob mujhko mil jaaye | Asha Bhonsle |
| 04 | Zaraa hamse milo hamse milo hamse milo | Mukesh, Asha Bhonsle |
I had no recollection of having heard the songs of this movie. But when I was trying to select a song, I listened to each of them and I realised that the Mukesh-Asha duet from this movie as a song familiar to me. Even the Asha Bhonsle song ‘mera mehboob mujhko mil jaaye’ as familiar to me. I am leaving the ‘Mukesh’ song for Mahesh ji to take care. Today I am presenting the song ‘mera mehboob mujhko mil jaaye’ on the blog.
Let us listen and enjoy today’s song which I guess is picturized on Nishi. Dara Singh is also seen in the picturization of this song.
As mentioned above today’s song is sung by Asha Bhonsle. Lyrics are by Asad Bhopali. Music is composed by Usha Khanna.
with this song the movie ‘Sher-e-Watan-1971’ makes its debut on the blog.
Video
Song-Mera mehboob mujhko mil jaaye (Sher e Watan)(1971) Singer-Asha Bhonsle, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
meraa mehboob mujhko mil jaaye ae
meraa mehboob mujhko mil jaaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
dil ko dard e muhabbat raas aaye
dil ko dard e muhabbat raas aaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
kya kahoon kitnaa
bechain rehta thhaa dil
tujhse har roz milne ko
kehtaa thhaa dil
kya kahoon kitnaa
bechain rehta thhaa dil
tujhse har roz milne ko
kehtaa thhaa dil
jab teraa naam loon
tu nazar aaye
jab teraa naam loon
tu nazar aaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
meraa mehboob mujhko mil jaaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
tu bhi milne ke dhoondhhe
bahaane sanam
koi taaqat naa roke
wafaa ke qadam
tu bhi milne ke dhoondhhe
bahaane sanam
koi taaqat naa roke
wafaa ke qadam
dil tadap ke
tujhe bhi tadpaaye ae
dil tadap ke
tujhe bhi tadpaaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
meraa mehboob mujhko mil jaaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
tu kareeb aaye itnaa
ke kho jaaun main
tere shaanon pe sar rakh ke
so jaaun main
tu kareeb aaye itnaa
ke kho jaaun main
tere shaanon pe sar rakh ke
so jaaun main
ek aisi mulaaqaat ho jaaye
ek aisi mulaaqaat ho jaaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
meraa mehboob mujhko mil jaaye
maine raaton ko uthhkar duaa ki hai ae
maine raaton ko uthhkar duaa ki hai
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