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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3642 Post No. : 14468

A recent anniversary that I had been preparing for – and missed on account of some travel engagements – is the remembrance day for the exceptional poet and lyricist – Bharat Vyas. He passed away in 1982, on 5th July.

The mention of this name brings to mind names of films such as ‘Chandralekha’ (1948), ‘Rim Jhim’ and ‘Saawan Aaya Re’ (both 1949), ‘Janamashtami’ and ‘Hamaara Ghar’ (both 1950), ‘Parineeta’ (1953), ‘Do Aankhen Baraah Haath’ and ‘Amar Singh Rathod’ (both 1957), also ‘Janam Janam Ke Phere’ from 1957, ‘Samraat Chandragupt’ (1958), ‘Bedard Zamaana Kya Jaane’ and ‘Goonj Uthi Shehnaai’ (1959), ‘Navrang’ and ‘Raani Roopmati’ (again 1959), ‘Angulimaal’, ‘Veer Durgadas’ and ‘Saaranga’ (all 1960), ‘Jai Chittod’ and ‘Pyaar Ki Pyaas’ (1961), ‘Kan Kan Mein Bhagwan’ (1963), ‘Boond Jo Ban Gayi Moti’ (1967) – and many more films with many a memorable song.

A career that lasted well over four decades, starting in the early 1940s. with about 1200 songs from more than 130 films. And a majority of these films, say around 70%, is an exclusive list of religious and historical films that forms a very impressive read. So yes, his specialization seems to be poetry on religious themes. Even a (then) modern dance based love story – the film ‘Cha Cha Cha’ from 1964; when the producer needed a couple of songs of traditional nature, Bharat Vyas is the poet who was called upon for this task.

I am presenting this surprisingly very fun song from a nondescript children’s film ‘Phool Aur Kaliyaan’ from (1960). When I landed at this song and started listening, it seemed to be some sort of a normal bhajan beginning, being sung by a group of young children. The earnestness and sincerity writ upon their faces as they start the singing, is very engaging. And the mind prepares itself for some wonderful bhajan to follow. But just after the introductory lines are done with, the song transforms into a hilarious entreaty to the Almighty, wherein the children are praying for a very specific boon from Him.

As the song continues, the play of emotions continues to transform from one antaraa to the next, adding more and more hilarity with every passing line. The earnestness on the faces of these children, their expressions of entreaties, and their actions to the words in the song, adds to the humor. And the listener realizes that the children are dead serious with their pleadings to the Lord. In the entire process, the children use all forms of inducement – literally following the traditional method of “साम, दाम, दंड, भेद” which is inducement by praising, by promises of alluring gifts, by threats, and by logic.

The picturization of this song is excellently imaginative. I am just continuously laughing whenever I start listening to this song. The चाचा (uncle) of the children is a tailor. The song is being performed in his work place. The children pick up miscellaneous things from around them and contrive some very peculiar instruments to create the orchestra for the music. The expressions and the fervour of their delivery has been handled extremely well by the director, and of course by the kids themselves.

As the songs gets to its closing lines, the fervour and the intensity of expressions starts to increase. Suddenly come to mind certain other bhajans, in which the picturization shows a similar amplification of fervour and music, and by experience we know – a miracle is about to happen; the statue of God will shed a flower, or a tear. Or an unconscious, near dead person will start breathing and mumbling.

The film ‘Phool Aur Kaliyan’ comes from the banner of Rajkamal Kala Mandir of Bombay, which has been the flagship banner of V Shantaram after his separation from Prabhat Studios in 1942. The film is directed by Ram Gabaale. Geet Kosh lists four songs for this film, all from the pen of Bharat Vyas. The music composition is by Pt Shivram. The singing voice is that of Charusheela, the daughter of V Shantaram from his first wife Vimalabai.

So watch and listen to this oh so engaging song, and I promise you will be smirking and laughing all the way through, to the last when the miracle occurs. Needless to say, I am verily bowled over by this song. And if any listener disagrees and is not fully satisfied, I am ready to return their money. 🙂 🙂

 

Song – Jai Jai Krishn Murari, Jai Jai Krishn Murari  (Phool Aur Kaliyan) (1960) Singer – Charusheela Shantaram, Lyrics – Bharat Vyas, MD – Pt Shivram
Chorus

Lyrics

jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari

gol gol is gend ke jaise laddu khilwaayen
laddu laddu laddu
ke gol gol laddu
ke laddu khilwaayen
gol gol is gend ke jaise laddu khilwaayen
gend miley jo humko
gend miley jo humko din bhar tere gun gaayen
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari

dhruv ji aur prehlad se
hum bhi baalak hain saare
dhruv ji aur prehlad se
hum bhi baalak hain saare
ik to rakshak tum ho
ik to rakshak tum ho
ik hain chacha bechaare
ik to rakshak tum ho
ik hain chacha bechaare
jai jai krishna murari
jai jai krishna murari
khel kood mein kho gai dekho
hum se gend hamaari
jai jai krishna murari
jai jai krishna murari

ik din gend tumhaari bhi
gir gai thi jamuna jal mein
naag naath ke kaise laaye
apni gend ko pal mein
ik din gend tumhaari bhi
gir gai thi jamuna jal mein
naag naath ke kaise laaye
apni gend ko pal mein
hum bhi sharan tumhaari aaye
hamri baat banaa do
dhoondh dhaandh ke kahin se bhagwan
gend hamaari la do
gend hamaari la do
gend hamaari la do

jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari
jai jai krishna murari

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

गोल गोल इस गेंद के जैसे लड्डू खिलवाएँ
लड्डू लड्डू लड्डू
के गोल गोल लड्डू
के लड्डू खिलवाएँ
गोल गोल इस गेंद के जैसे लड्डू खिलवाएँ
गेंद मिले जो हमको
गेंद मिले जो हमको
दिन भर तेरे गुण गाएँ
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

ध्रुव जी और प्रहलद से हम भी हैं बालक सारे
ध्रुव जी और प्रहलद से हम भी हैं बालक सारे
इक तो रक्षक तुम हो
इक तो रक्षक तुम हो
इक हैं चाचा बेचारे
इक तो रक्षक तुम हो
इक हैं चाचा बेचारे
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
खेल कूद में खो गई देखो
हमसे गेंद हमारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

इक दिन गेंद तुम्हारी भी
गिर गई थी जमुना जल में
नाग नाथ के कैसे लाये
अपनी गेंद को पल में
इक दिन गेंद तुम्हारी भी
गिर गई थी जमुना जल में
नाग नाथ के कैसे लाये
अपनी गेंद को पल में
हम भी शरण तुम्हारी आए
हमरी बात बना दो
ढूंढ ढांढ के कहीं से भगवन्
गेंद हमारी ला दो
गेंद हमारी ला दो
गेंद हमारी ला दो

जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी
जय जय कृष्ण मुरारी

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3622 Post No. : 14436

Missing Films of 1960s – 76
– – – – – – – – – – – – – – –

Hindi cinema encompasses quite a few genres and categories. It is a sad statement that the industry has almost always been controlled and driven more by the financial expectations. The earliest model of large studios as centers of film production activities, was somewhat immune to the craziness of financial pressures. The studio system had its own cons, but it provided a larger stability and sustainability to the production effort and to the team belonging to the studio.

It was all too soon that people with all kinds of mental inclinations realized both the power of this medium, and the possibility of landing a jackpot with a hit film. This awareness brought in all kinds of unscrupulous elements, as well as businessmen with an urge to invest unaccounted money in a gamble to make more money. If I recall correctly, the 1949 film ‘Kalpana’ touched upon this aspect, displaying a cruel brazen-ness with which the financiers and the touts dealt with the artists. The grossly dismal record the industry has in terms of its own record keeping and archiving, is an outcome of this ‘jackpot’ mentality – the actual owners of film actually cared a zilch for the film itself. With every venture, the financier would launch a new production banner. One can well imagine the ill effects of this lack of continuity and ownership for the artistic product itself.

But I digress – this discussion on film financing models, another time. I started with the genres and categories, with the purpose to highlight how some genres and categories have fallen by the wayside, over the decades. One of the casualties of the projected “lack of public interest” and the “lack of return on investment” has been the genre of religious pictures. Till the end of 1970s, or maybe even 1980s, there used to be quite a number of offerings of religious films produced every year. In one of his articles, our dear Arun ji has presented an analysis of this aspect – the number of religious films produced on average per year, and the progressive decline of this number over the decades. These days, one rarely hears about a religious offering coming from the mainline cinema. TV, yes, we do hear more about serials on religious themes. Or maybe the investment by the end user, in terms of time and money, is getting channelized much more towards TV productions and the live kathas (discourses) – there literally has been an explosion in the number of kathas being organized and being attended by the people.

The reason for this preamble, of course, is that today’s debut film from 1960s is a religious film of certain importance, from 1967. The film is ‘Badrinath Yatra’. Produced under the banner of Mewar Films, Bombay and is directed by Dhirubhai Desai. The star cast of this film is listed as Nirupa Roy, Abhi Bhattacharya, Sulochana, Indira, Jeevan, Sundar, Niranjan Sharma, Indira Bansal, Fazlu, Nandini Desai, and Kukku Desai amongst others.

There is a huge importance attached to pilgrimage, in our religion. Our land has been blessed from the very beginning of time itself, with famous and important temples which are the abodes of the Gods in our pantheon of worship. The origins and foundation histories of many of these temples and places is lost in the antiquity of time. For many of these temples and places of pilgrimage, there are references in our historical records – and by historical I mean our books of scriptures, which contain details of many such places of pilgrimage being established by protagonists of these histories like Sri Ram, Sri Krishna, the Pandvas, and our Rishis etc. Our histories abound with such tales in detail.

In the 8th century AD, there appeared a champion who measured the breadth and length of this sub-continent – Adi Shankaracharya. He travelled across the land with the mission to reestablish the importance of the Vedantic Dharma, and to re-ignite the lamp of worship in the temples. He established four matha (मठ) in the four regions, which became the four primary centers of learning and research into the Vedic knowledge. These four centers were placed in proximity to the four main destinations of pilgrimage of primary importance for the followers of the Dharma. These pilgrimage places are Badrinath in the north, Puri in the east, Rameshwaram in the south and Dwarka in the west. Each of these four pilgrimage places are historically important with a detailed history about their establishment and their antiquity being described in our scriptures.

Over the ages, these four have been collectively referred to as ‘Chaar Dhaam’ – literally ‘Four Destinations’. It is ordained in our teachings that a person must pay their homage and worship at each one of these pilgrimages, at least once in their life time. A significant importance is attached to completing this journey. Further, the same teachings also exhort the children to comfortably facilitate such a journey for their parents, and enable them to pay homage and complete their worship at these four centers of pilgrimage.

Since the early decades of Hindi cinema, a number of films have been produced as travelogues or “यात्रा” (yatra), covering one or more holy centers of pilgrimage. This film also covers the journey to the ‘chaar dhaam’ or the four holy destinations. This particular song appears more than once in the film, and I am including three different video clips from three different points in the storyline sequence. In the clips, we can see Abhi Bhattacharya, as the obedient son, who is taking his parents (roles played by Sulochana and Niranjan Sharma) for their journey to the ‘chaar dhaam’. The storyline belongs to a certain unspecified era in history, as we can see that Abhi Bhattacharya is even carrying his parents in a yoke shoulder carrier – a long pole with large baskets hanging at two ends, large enough for a human person to sit in. In north India, this shoulder carrier is called “वेहंगी” (wehngi). Folks familiar with the stories from the scriptures will recall the story of Shravan Kumar, the young boy who carried his old and blind parents in a wehngi for pilgrimage.

The song is written by Madan, and is composed by Pt Shivram. The singing voice is that of Mahendra Kapoor. Listening to this song evokes strong emotions in my heart. Not that I have not heard this song before, but now, as I listened to it again repeatedly for lyrics etc., the words and the tune is simply at home with me in my heart. Listen to this beautiful evocation that covers so many philosophies of life. And think.

 

 

Part 1

Part 2

Part 3

Song – Chal Chal Re Pathik Chal Re  (Badrinath Yatra) (1967) Singer – Mahendra Kapoor, Lyrics – Madan, MD – Pt Shivram

Lyrics

Part 1

chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

aaj nahin to kal jag se hai jaana
duniya musaafirkhaana re bhai
duniya musaafirkhaana hai
dhan ke liye dharam kyon beche
ik din to mar jaana hai
tyaag kapat chhal prabhu ke dhaam chal
wahin tere daag mitenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge

bachpan khoya khel mein tu ne
khoyi jawaani bhog mein
bhool ke tu bhagwan ko praani
phas gaya jagat ke moh mein
aaya budhaapa ab to ram bhaj
tere dukh wahi harenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

amrit taj ke vish kyon peeta
ram naam ras pee le
kaam krodh mad moh lobh taj
hari charnon mein jee le
hari charnon mein janam maran ke
bandhan tere katenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge

Part 2

prabhu darshan ko badhe ja rahe
baalak vriddh jawaan
oonch neech sadhu sanyasi
nirdhan kya dhanwaan
ganga yamuna ki dhaara mein
jin ki mahim hai avichal
pralay ke toofaanon mein bhi jo
hain sadiyon se achal atal
yug yug se bharat bhoomi
gaaye jin ka gun gaan
woh hain naath anaathon ke
shri badrinath bahgwan
shri badrinath bahgwan
ab jeevan ki har mushkil ko
wahi aasaan karenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

Part 3

chhaale pade chaahe paaon mein tere
suraj tapey aasmaan mein
haar na himmat badhta hi chal re
tapte registaan mein
tapte registaan mein
prabal hai bhakti ki shakti
tujhe koi kya rok sakenge
tujhe bhagwan milenge
chal chal re pathik chal re
tujhe bhagwan milenge
tu chaaron dhaam chal re
wahin tere paap mitenge
chal chal re pathik chal re
tujhe bhagwan milenge

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
भाग १

चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

आज नहीं तो कल जग से है जाना
दुनिया मुसाफिरखाना रे भाई
दुनिया मुसाफिरखाना है
धन के लिए धरम क्यों बेचे
इक दिन तो मर जाना है
त्याग कपट छल प्रभु के धाम चल
वहीं तेरे दाग मिटेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

बचपन खोया खेल में तू ने
खोई जवानी भोग में
भूल के तू भगवान को प्राणी
फंस गया जगत के मोह में
आया बुढ़ापा अब तो राम भज
तेरे दुख वही हरेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

अमृत तज के विष क्यों पीता
राम नाम रस पी ले
काम क्रोध मद मोह लोभ तज
हरी चरणों में जी ले
हरी चरणों में जनम मरण के
बंधन तेरे काटेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

भाग २

प्रभु दर्शन को बढ़े जा रहे
बालक वृद्ध जवान
ऊंच नीच साधू सन्यासी
निर्धन क्या धनवान
गंगा यमुना की धारा में
जिन की महिमा है अविचल
प्रलय के तूफानों में भी जो
हैं सदियों से अचल अटल
युग युग से भारत भूमि
गाये जिन का गुण गाँ
वो हैं नाथ अनाथों के
श्री बद्रीनाथ भगवान
श्री बद्रीनाथ भगवान
अब जीवन की हर मुश्किल को
वही आसान करेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे

भाग ३

छाले पड़ें चाहे पाँव में तेरे
सूरज तपे आसमान में
हार ना हिम्मत बढ़ता ही चल रे
तपते रेगिस्तान में
तपते रेगिस्तान में
प्रबल है भक्ति की शक्ति
तुझे कोई क्या रोक सकेंगे
तुझे भगवान मिलेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे
तू चारों धाम चल रे
वहीं तेरे पाप मिटेंगे
चल चल रे पथिक चल रे
तुझे भगवान मिलेंगे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3621 Post No. : 14430

“Raajraani Meera”(1956) was directed by G P Pawar for Chitra Bharati Production, Bombay. The movie had Roopmala, Mahipal, Lalita Pawar, Sulochana, Sapru, Prem Adeeb etc in it.

The movie had eight songs in it. One song has been covered in the past.

Here is the second song from this movie. This song is sung by Lata. B D Mishra is the lyricist. Music is composed by S N Tripathi.

Only the audio of this song is available. The song was clearly picturised on the character playing Meera. Going by the cast, it could be Roopmala. I request our knowledgeable readers to throw light on this matter.


Song-Karoongi karoongi main to hari se preet karoongi(Rajrani Meera)(1956) Singer-Lata, Lyrics-B D Mishra, MD-S N Tripathi

Lyrics

hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm
hmm hmm

karoongi
karoongi main to hari se preet karoongi
karoongi
karoongi main to hari se preet karoongi
hari charnan ki naiyya se bhav saagar paar karoongi
karoongi
karoongi main to hari se preet karoongi

jamuna tat pe bansi bajaaye
jamuna tat pe bansi bajaaye
gopin ko nit naach nachaaye
jamuna tat pe bansi bajaaye
gopin ko nit naach nachaaye
wahi baansuri waala kaanha
wahi baansuri waala kaanha
mero naath kahaaye ae ae
karoongi
karoongi main to hari se preet karoongi

lok laaj ka tod ke bandhan
ho gayi re main to prem deewaani
lok laaj ka tod ke bandhan
ho gayi re main to prem deewaani
meera ke sab kunj bihaari
meera aa
meera ke sab kunj bihaari
girdhar ??
karoongi
karoongi main to hari se preet karoongi


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3617 Post No. : 14419

“Kitna Badal Gaya Insaan”(1957) was directed by I S Johar for Modern Theatre, Bombay. The movie had Ajit, Nalini Jaywant, I S Johar, Kamaljeet, Uday Laxmi, Shanti, Harbans Lal, Saroja, Anil Dutta etc in it.

“Kitna Badal Gaya Insaan”(1957) had eleven songs in it. One song has been covered in the past.

Here is the second song from the movie to appear in the blog. This song is sung by Lata. S H Bihari is the lyricist. Music is composed by Hemant Kumar.

The song picturisation shows Nalini Jaiwant remonstating with the Almighty- with Lord Krishna to be precise. The picturisation also shows some men listening to the bhajan from outside though they seem to possess far less devotion towards the Almighty than Nalini Jaiwant. 😉


Song-Har baat hai bigdi huyi bhagwaan bana do(Kitna Badal Gaya Insaan)(1957) Singer-Lata, Lyrics-S H Bihari, MD-Hemant Kumar

Lyrics

har baat hai bigdi hui
bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do
har baat hai bigdi hui bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do

main kya karoon
main kya karoon taqdeer mere saath nahin hai
par tumse na ho aisi koi baat nahin hai
main kya karoon
taqdeer mere saath nahin hai
par tumse na ho aisi koi baat nahin hai
roothhi hui kismat ko meharbaan bana do
vinti hai ye
mushqil meri aasan bana do
aasaan bana do
har baat hai bigdi hui bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasan bana do

bhagwaan ho
bhagwaan ho sansaar mein sunte ho sabhi ki
do chaar ghadi mujhko bhi mil jaaye khushi ki
bhagwaan ho
sansaar mein sunte ho sabhi ki
do chaar ghadi mujhko bhi mil jaaye khushi ki
kuchh mere liye jeene ka saamaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do
har baat hai bigdi hui bhagwaan bana do
vinti hai ye
mushqil meri aasaan bana do
aasaan bana do


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3609 Post No. : 14394

“Durga Pooja”(1962), not to be confused with “Durga Pooja”(1954), was a bhakti pradhan movie which was produced and directed by Adarsh for Adarshlok, Bombay. The movie had Jaimala, Anant Kumar, Hiralal, B M Vyas, Naazi, Mohan Modi, Deepak, Master Raja, Sandeep, Baby Shobha, Champak Lal, Poonam Kapoor, Rehana Zariwala, Lalita etc in it.

The movie had 13 songs in it. Details of songs are not available in HFGK for any of these songs which are all rare songs.

Here is the first song from “Durga Pooja”(1962) to appear in the blog. As mentioned above, singer is not known, but it is clear from the voice that the song is sung by Suman Kalyanpur. Pt Indra Chandra is the lyricist. Music is compose d by Pt Shivram.

Only audio of this song is available. From the lyrics, it can be deduced that a female devotee is praying to goddess Durga requesting her to cause rain to fall on earth where people are suffering from water scarcity. It is the first such song that I am aware of where Goddess Durga is asked for something which is not in her jurisdiction. 🙂 Causing rainfall falls under(pun uninted) Lord Indra, but the devotee is apparently not aware about the distribution of portfolios among various gods and goddesses. 🙂

With this song, “Durga Pooja”(1962) makes its debut in the blog. And rather appropriately, this song makes it to the blog on a day (5 june 2018) which is being observed as “World Environment Day”.


Baadal se jal barsa dharti ki pyaas bujha(Durga Pooja)(1962) Singer-Suman Kalyanpur, Lyrics-Pt Indra, MD-Shivram

Lyrics

o o o o
neeche to dharti jaley
gagan jaley
bin neer
jagdambe tere bina
kaun hare jag peer
hey ambe jagdambe
hey ambe

baadal se jal barsa
dharti ki pyaas bujha
kaam hai mera
naam hai tera
donon ki baat bana
o o o o
baadal se jal barsa
dharti ki pyaas bujha

pade kaleje pe lahraake
din sab(?) sunsaan
sookhe taal talaiyya saare
gaaye kaun malhaar aar
meghon ko maiyya bula
baadal se jal barsa
kaam hai mera
naam hai tera
donon ki baat bana
o o o
baadal se jal barsa
dharti ki pyaas bujha

aaj laaj tere haat
baat mat jaane de meri
meri baat kya baat to jaayegi meri
paani ke teer chala
baadal se jal barsa
kaam hai mera
naam hai tera
donon ki baat bana
o o o
baadal se jal barsa
dharti ki pyaas bujha

gagan ghata ghan ghor
shor chahoon oar
umad kar baadal aane de
pyaasi dharti ko pila neer
har taal talaiya nadi jheel
saagar bhar jaane de
saagar bhar jaane de
saagar bhar jaane de
hey ambe
jagdambe
hey ambe
jagdambe


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3597 Post No. : 14355

Today (24 may 2018) is the 25th rememberance day of Bulo C Rani (6 may 1920-24 may 1993). He is one of several artists, many of the music directors whose birth as well as remembrance days fall in the same month.

On this occasion, here is a song from “Dharti”(1946) as a tribute to Bulo C Rani.

“Dharti”(1946) was directed by Manibhai Vyas and it had Mumtaz Shanti, Trilok Kapoor, Padma Banerji, Vikram Kapoor, Baby Anwari, Sheikh Hussain, Pandit Iqbal, Jugal Kishore, Lakshman, Mustafa, Leela Shinde, and Tipnis.

The movie had eleven songs in it. One song has been covered in the past.

Here is the second song from “Dharti”(1946) to appear in the blog. This song is sung by Mohantara Talpade. Lyrics are by Pandit Indra Chandra. Music is composed by Bulo C Rani.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song which sounds like a meera bhajan.


Song-Roothh gaye mose manmohan ab saawan ko kya karoon (Dharti)(1946) Singer-Mohantara Talpade, Lyrics-Pt Indra Chandra, MD-Bulo C Rani

Lyrics

rooth gaye mose manmohan
ab saawan ko kya karoon
rooth gaye mose manmohan
ab saawan ko kya karoon
chhod chale mohe madhusudan
ab madhuwan ko kya karoon
chhod chale mohe madhusudan
ab madhuwan ko kya karoon
mor papeeha koyal bairan
mor papeeha koyal bairan jali ko aur jalaaye re
jali ko aur jalaaye re
birhan aansu ki jamuna mein
birahan aansu ki jamuna mein pal pal doobi jaaye re
pal pal doobi jaaye re
raakh hui jal jal kar un bin
ab chandan ko kya karoon
raakh hui jal jal kar un bin
ab chandan ko kya karoon

gagan pe chanda jug jug jhaanke
gagan pe chanda jug jug jhaanke
sheetal aangan gaaye re
sheetal aangan gaaye re
kunj gali mein vyaakkul birhan
kunj gali mein vyaakul birhan
ang ang murjhaaye re
ang ang murjhaaye re
main to hoon sajan ki jogan
ghar aangan ko kya karoon
main to hun sajan ki jogan
ghar aangan ko kya karoon
rooth gaye mose manmohan
ab saawan ko kya karoon


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3562 Post No. : 14283

“Baalak Aur Jaanwar”(1975) was Nanabhai Bhatt for Usha Productions Bombay. This obscure movie had Master Alankar, Baldev Khosa, Usha Solanki, Randhawa, Mahesh Desai, B M Vyas, Dulari, Mohan Choti, Hungama, Mona,Raja Duggal, Sheel Kumar, Lala Nazeer, Yunus Bihari, Kanan Kaushal etc in it.

The movie had six songs in it. Here is the first song from “Baalak Aur Jaanwar”(1975) to appear in the blog. This song is sung by Mahendra Kapoor and chorus. Bharat Vyas is the lyricist. Music is composed by Chitragupta.

The song is a shiv bhajan/ stuti. Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.

With this song, “Baalak Aur Jaanwar”(1975) makes its debut in the blog.


Song-Aao mil ke poojen bhole shankar ko(Baalak aur Jaanwar)(1975) Singer-Mahendra Kapoor, Lyrics-Bharat Vyas, MD-Chitragupta
Chorus

Lyrics

om namah shivaay
om namah shivaay

aao mil ke poojen bhole shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye
nanhe kankar ko
om jay shiv omkaara
hari shiv omkaara

aao mil ke poojen bhole shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye
nanhe kankar ko
om jay shiv omkaara
hari shiv omkaara

bhakti bhaav dikha ke manvaanchhit paaye
phal manvaanchhit paaye
jal se snaan kara ke
jal se snaan kara ke
inke gun gaaye
om jay shiv omkara
hari shiv omkara

shiv ka roop suhaana sab ke man bhaaya
laal gulaal chadha ker sabne sukh paya
jay shiv omkara
devon mein mahadev ye hai bhola-bhaala
gajaanand pahnaaye pushpon ki maala
jay shiv omkaara
sacche man se pooj ke sachha sukh paaya
nav ne vaidhy chadhaya
nav ne vaidhy chadhaaya
shiv ke man bhaaya
om jay shiv omkaara
hari shiv omkaara

ghanti bajaaye
jhoome man mein harshaaye
vighn mitey sab unke
vighn mitey sab unke
aarti jo gaaye
om jay shiv omkaara
hari shiv omkaara
aao mil ke poojen shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye nanhe kankar ko
om jay shiv omkaara
aao mil ke poojen bhole shankar ko
bam bhole shankar ko
pal mein pahaad banaaye
pal mein pahaad banaaye nanhe kankar ko
om jay shiv omkaara


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3537 Post No. : 14207

An interesting observation regarding the Yippeee process for the film that is getting Yippeee’d today. Regular readers would have noticed a pattern in the manner that the films are getting Yippeee’d these days. Generally, in the case of films with just two or three songs remaining to be posted, the last two (or last three) songs kind of appear at a very rapid pace, almost on a daily basis, one right on top of the other. With such films, the penultimate one (or two) songs appear in quick succession followed by the final song of the film, on the next day.

Not in the case of the film being Yippeee’d today. On examining the list of songs of this film as they appear in the table below, the penultimate song of this film came on board on 12th Jan, 2018. And its Yippeee song today appears after a gap of almost two and a half months. And the reason for this delay – it is yours truly, of course. 🙂

When the penultimate song got posted on 12th Jan earlier this year, I immediately sent a note to Atul ji, requesting for doing the Yippeee honors for this film. The reason is that I wanted to bring on board the video of the song. Apparently the earlier posted songs of the film ‘Bus Conductor’, from 1959, were in video form, as one can make out from the write-ups of the first three songs of this film posted. These first three songs came on board on 2009, 2014 and 2016, and they were earlier available in video form. Now, these songs are no longer available, and the YT account of the erstwhile uploader has been blocked due to “multiple copyright infringements”. So the video clips of these songs are no longer available online. (Once again, the caveat – as far as I can search it online 🙂 ).

I have been able to acquire the video of this film through one of my good friends. I do not wish to say that we are the only ones having a this video film. Quite possibly, the video version is also in the hands of other friends, known or unknown. So anyway, I wanted to upload the video of this song for this post today. But as I was checking the previous posts for this film, I realized what had happened, Then I decided not to post the video clip of the song on YT. And the link that I am using in this post for now, is the audio upload of this song by Sa Re Ga Ma.
[Ed Note: The video clip of the song is now added on Vimeo, as suggested by Atul ji. The link is added below.]

And so, with this song, today we add the 1959 film ‘Bus Conductor’ to the list of films having all their songs showcased on our blog.

The film is a production from the banner of Sharda Films, Bombay, produced by Ashok Bhambri. It is a social drama, directed by Dwarka Khosla. The cast of actors, as listed in the Geet Kosh, reads like – Shyama, Premnath, Amarnath, Maruti, Satish Batra, Sujata, Umesh Sharma, Ramlal, Khairati, Narbada Shankar, Ameer Bano, Sadhna, Surya Kumari, Helen, Kanchanmala, Sheela Vaz and Cuckoo. An interesting aside here. Maruti, whose name appears in the list actors, plays the role of a dance teacher in the film. He is the friend of the hero, played by Premnath. As I was watching the credits of the film, I discovered that the story of this film is written by Maruti himself.

The film has six songs. All the songs are written by Noor Devasi. And the music has been composed by the duo of Bipin-Babul. The five songs of this film posted earlier, are listed below.

Dil Se Main Mujh Se Dil Takra Gaya Bus Conductor 1491 23-Jun-09
Zindagi Mein Rang Bhara Hai Pyaar Ka Bus Conductor 10550 29-Nov-14
Man Mein Tere Kyaa Hai Bataa De Gori Bus Conductor 12625 27-Nov-16
Daanv Chalne Ko Hai Bus Conductor 13613 26-Sep-17
Paas Hamaare Aaiye Bus Conductor 13909 12-Jan-18

Today’s song is in the voice of Asha Bhosle, and in the film it is presented as a dream sequence. Shyama is sleeping, and she sees a dream in which she is singing this song, as she plays the sitar, and that she is also dancing to this song. The sequence is filmed as alternating shots that show Shyama playing the sitar and singing, and also dancing simultaneously. Surely possible in a dream sequence only.

As I was checking out the earlier posts, I came across the query from Atul ji himself, as to what is the ‘Bus Conductor’ connection in the film. So I checked out the video. The role of the bus conductor in the film is played by Premnath, who is otherwise a rich person, belonging to an affluent family. The reason that he goes underground and becomes a bus conductor, is explained in the beginning of the film.

Premnath belongs to a very rich family of landlords. He is an aspiring writer, albeit an unsuccessful one. He writes short stories, and sends them for publication to different magazines. His stories are always getting rejected. And so he makes a decision that he will leave his home and its luxuries, and live like a common person, search for a job, and work to earn a living – all this for a learning experience of life, so that he is able to genuinely write about life and people, and make his stories more convincing.

There is an emotionally charged scene in the beginning of the film, in which we see him receive some more rejections in mail, and we see an outburst in which he tells his bhabhi (wife of elder brother) that he is leaving home, and will return only when he has achieved success as a writer. He declares that he forgoes all the comforts and luxuries of his rich-person life, will go out into the world to fend for himself, get a firsthand experience of a common man’s life, and write about it. With this loud and emotionally charged declaration, he departs from his home to start a new life incognito. I must add that the performance by Premnath in this scene, did not sound very convincing to me.

So he leaves his luxuries and finds a job as a bus conductor. The rest of the film is about his interactions with people. He makes friends with Maruti, who lives in a chawl and dreams about being a choreographer in films. He meets Shyama who is also from a rich family, but is forced to ride a bus one day when her car breaks down. She forgets her bag on the bus, giving an opportunity to the make-believe bus conductor to play the honest good Samaritan and take the bag to her home. Which of course leads to more things, as expected.

He also witnesses a murder, as one passenger alighting from his bus is pushed under the wheels of the bus itself – he tries to chase the culprit but is unable to apprehend him. The person behind the murder is connected with Shyama’s family, and story gets into the expected filmy complexities.

Of course, all is well in the end, as the rich girl gets a rich husband to be, the murder is solved and the culprit apprehended – rather killed as he runs on to a railway track as he is being chased by the hero and the police. If the writer wrote a new story and it got published; I must have missed that sequence in the quick review that I did of this film. And the rich-boy-masqerading-as-a-poor-boy returns home to his luxuries with his lady love.

On the whole, it is quite an un-convincing plot, with equally un-convincing performances. And as is always the case, it is the songs that draw us.

But nonetheless, one more film to be Yippeee’d on our blog.

 

Song – Radha Ki Paayal, Kanhaiya Ki Murli  (Bus Conductor) (1959) Singer – Asha Bhosle, Lyrics -Noor Devasi, MD – Bipin Babul

Lyrics

radha ki paayal
kanhaiya ki murli
radha ki paayal
kanhaiya ki murli
sapnon mein sun li maine
sapnon mein sun li
sapnon mein sun li
radha ki paayal
kanhaiya ki murli
radha ki paayal

bholi radha aise naache
bholi radha aise naache
jaise naache mor
jaise naache mor
paayal ki jhankaar mein goontha
saanwla maakhan chor
main bhi apni sudh kho baithi
main bhi apni sudh kho baithi
raat se ho gayi bhor
raat se ho gayi bhor
radha ki paayal
kanhaiya ki murli
radha ki paayal
kanhaiya ki murli
sapnon mein sun li maine
sapnon mein sun li
radha ki paayal
kanhaiya ki murli
radha ki paayal

bhor ki dulhan poochhe mujh se
bhor ki dulhan poochhe mujh se
akhiyaan bhaari bhaari kyon
akhiyaan bhaari bhaari kyon
sakhiyaan chutki le ke boli
sakhiyaan chutki le ke boli
jaagi ratiyaan saari kyon
jaagi ratiyaan saari kyon
krishn deewaani kya batlaaye
krishn deewaani kya batlaaye
jeevan apna haari kyon
jeevan apna haari kyon
radha ki paayal
kanhaiya ki murli
radha ki paayal
kanhaiya ki murli
sapnon mein sun li maine
sapnon mein sun li
radha ki paayal
kanhaiya ki murli
radha ki paayal
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
राधा की पायल
कन्हैया की मुरली
राधा की पायल
कन्हैया की मुरली
सपनों में सुन ली मैंने
सपनों में सुन ली
सपनों में सुन ली
राधा की पायल
कन्हैया की मुरली
राधा की पायल

भोली राधा ऐसे नाचे
भोली राधा ऐसे नाचे
जैसे नाचे मोर
जैसे नाचे मोर
पायल की झंकार में गूँथा
सांवला माखन चोर
मैं भी अपनी सुध खो बैठी
मैं भी अपनी सुध खो बैठी
रात से हो गई भोर
रात से हो गई भोर
राधा की पायल
कन्हैया की मुरली
राधा की पायल
कन्हैया की मुरली
सपनों में सुन ली मैंने
सपनों में सुन ली
सपनों में सुन ली
राधा की पायल
कन्हैया की मुरली
राधा की पायल

भोर की दुल्हन पूछे मुझसे
भोर की दुल्हन पूछे मुझसे
अखियाँ भारी भारी क्यों
अखियाँ भारी भारी क्यों
सखियाँ चुटकी ले के बोलीं
सखियाँ चुटकी ले के बोलीं
जागी रतियाँ सारी क्यों’
जागी रतियाँ सारी क्यों’
कृष्ण दीवानी क्या बतलाए
कृष्ण दीवानी क्या बतलाए
जीवन अपना हारी क्यों
जीवन अपना हारी क्यों

राधा की पायल
कन्हैया की मुरली
सपनों में सुन ली मैंने
सपनों में सुन ली
सपनों में सुन ली
राधा की पायल
कन्हैया की मुरली
राधा की पायल


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3511 Post No. : 14104

“Intezar” (1973) was produced by Mohan Sehgal and direced by Mohan Singh Kavia for De Luxe Films, Bombay. The movie had Rinku Jaiswal, Baldev Khosa, Padmini Kapila, Vishal, I S Johar, Mohan Choti, Lata Arora, Chandrima Bhaduri, Manhar Desai, Bhushan Tiwari, Kamlakar Date, Bhanumati, Kamal deep, Leela Mishra, Rakesh Pandey (special appearance), Master Rafiq, Baby Reshma, Baby Mumtaz, Narmada Shankar, Radheshyam etc in it.

The movie had five songs in it. Three of these songs have been covered in the past. Here is the fourth song from “Intezar” (1973) to appear in the blog.

The song is sung by Lata. Verma Malik is the lyricist. Music is composed by Chitragupta.

The song is picturised as a Krishn bhajan on Rinku Jaiswal. The picturisation also shows shady looking I S Johar and others. I S Johar is apparently playing a dhongi baba in the picturisation. I have not seen the movie so I am not sure what is going on in the picturisation. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Avinash Scrapwala.


Song-Mora laage naahin chit(Intezar)(1973) Singer-Lata, Lyrics-Verma Malik, MD-Chitragupta

Lyrics(Provided by Avinash Scrapwala)

mora lage naahin chit
mora lage naahin chit
dhoondhoon it ut tum kit
nit nit loon main tera naam
pal pal chhin chhin
pal pal chhin chhin kahoon krishn krishn
kisi din to milan hoga shyaam
mora laage naahin chit dhoondhoon it ut tum kit
nit nit loon main tera naam

panghat pe kabhi ulat diya thha ghoonghat
natkhat yaad karo wahi jamuna ka tat
panghat pe kabhi ulat diya thha ghoonghat
natkhat yaad karo wahi jamuna ka tat
mohe chhedo jhat jhat
maine kaha hat hat
mohe chhedo jhat jhat maine kaha hat hat
jhatpat main to gayi thhi aanchal mein simat
tose laage more nain
tose laage more nain
karoon bain saari rain
chhin gayo mora chain aaraam
mora lage naahin chit dhoondhoon it ut tum kit
nit nit loon main tera naam

poochhi dagar dagar gayi nagar nagar
tori mili na khabar mohe chhaliya re
poochhi dagar dagar gayi nagar nagar
tori mili na khabar mohe chhaliya re
mori yahi hai umang rahoon tore ang sang
rang tore mein hi rang du saanwariya re
harjaai man meet
harjai man meet
kaisi preet ki hai reet
preet reet se main bhai badnaam
mora lage naahin chit dhoondhoon it ut tum kit
nit nit loon main tera naam


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Blog Day : 3499 Post No. : 14059

“Jyoti”(1969) was produced by A Devdas and directed by Dulal Guha for Chitra Mitra productions. The movie had Sanjeev Kumar, Nivedita, Aruna Irani, Abhi Bhattacharya, Tarun Bose, Moppet Soorja aka Sarika, Lalita Kumari, Jagdeep, Gopal Saigal, Pardesi, Shekhar Purohit etc in it.

The movie had five songs in it. Four of these songs have been covered in the past. Here are the details of the four songs that have been covered in the past :-

Song Title

Post No.

Post Date

Soch ke ye gagan jhoome abhi chaand nikal aayegaa 1799 24-Aug-09
Sun munne mere aa maine tujhe 11440 1-Oct-15
Pag mein ghunghroo chhanke 13099 1-Apr-17
Aankh meri galti se lad gayi 14021 6-Feb-18

Here is the fifth and final song from “Jyoti” (1969) to appear in the blog. The song is sung by Lata and Usha Mangeshkar. Anand Bakshi is the lyricist. Music is composed by S D Burman.

The song is picturised as a Lord Krishn bhajan song on Nivedita and her kid. Her kid is shown growing up as the bhajan progresses and by the time the last stanza appears, the kid grows up to become baby Sarika who(she plays the son, I think) joins Nivedita in singing the last stanza of the bhajan. Sanjeev Kumar, not quite as god fearing as his adarsh bhartiya naari wife, is seen tearing his hair apart at all this bhajan singing. 🙂

With this song, “Jyoti” (1969) joins the list of movies that have all their songs covered in the blog.


Song-Mere Shyaam mere Nandlaala (Jyoti)(1970) Singers-Lata, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics

Hey Krishn Kkarunasindhu
deenbandhu jagatpati
Gopesh Gopikakant
Radhakant
namastute

mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala

jeewan apna hai kya giridhaari
praan hamaare tere pujaari
jeewan apna hai kya giridhaari
praan hamaare tere pujaari
saans ki dori tere naam ki maala
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
dhoondhhti hogi tujhe koi brijbaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

chaahe na maane saari nagariya
maine suni hai teri baansuriya
chaahe na maane saari nagariya
maine suni hai teri baansuriya

main kaise maanoon nahin
ho o o o
main kaise maanoon nahin baansuriwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14500 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

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