Archive for the ‘Narendra Chanchal Solo Songs’ Category
Loot liya sansaar
Posted on: March 4, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5342 | Post No. : | 17518 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Fauji-1976)
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In my list of ‘songs that brings back memories’ there is one song from the movie ‘Fauji-1976’. This song ‘vardi hai bhagwaan fauji mera naam’, has been in my memory associated with the name of this movie, since my childhood.
I vaguely remember to have watched this movie with my Uncle during vacations at Akola city. I think this song was also my Uncle’s favourite or there must be some discussions about this song that it gets permanently embedded on my mind.
Later on this Uncle of mine joined the Indian Military (if I am correct that must be in 1981-82).
Other than this song I do not remember anything about this movie ‘Fauji-1976’. In later years, I came to know that it was directed by Joginder Singh. By the time I was grown up I became aware of this actor Joginder Singh too.
This movie ‘Fauji-1976’ made its debut on the blog long time back on 15.08.2012.
I was keen to know about the other songs from this movie and few years back I had watched this song ‘ki lamiyaa paa denge aa’ from this movie and I liked it too.
While going through the list of songs from this movie I noted that there is one solo song sung by Narendra Chanchal in this movie. Today I am presenting this song from ‘Fauji-1976’.
“Fauji-1976’ or ‘Fauzi’ was directed by Joginder for ‘J & J Art International’. It was produced by Prem Arora and J.S. Matti.
It had Vikram, Romesh Sharma, Nazneen, Aruna Irani, Jagdeep, Sujit Kumar, Arpana Chaudhury, Anjum Savera, Rajan Haksar, Randhir, Yogesh Chhabra, Johny Whisky, Sadhana Khote, Feroz, Kumar Sonik, Surendranath, Shahid Bijnori, Assie, Paresh Nanda, Tun Tun, Husna Banoo, Rattan Singh, Krishna Duggal, Gurcharan, Matti, Hakeem, Balbir, Jaswant, and Nazima with Joginder.
M.G. Hashmat and Dheeraj Kumar had a special appearance in this movie.
The story idea of this movie was by Prem Arora. Dialogues and screenplay of this movie was written by M.G. Hashmat who also wrote the lyrics for the songs in this movie.
Joginder who acted in this movie also directed it, and he was the writer of this movie too. Editing of this film was done by P.S. Wagle.
This movie was passed by Censor Board on 14.01.1976.
This movie has six songs written by M.G. Hashmat. Music for this movie was composed by Sonik-Omi
Asha Bhonsle, Mohd Rafi, Manna Dey, Chanchal, Minoo Puroshottam, Kumar Sonik, Mahindra Pal, Jaspal Singh and Joginder had given their voices to the songs in this movie.
In a very brief note about this movie I will only mention the following.
This story is about two ex-soldiers (as the titles of the movie also mention this), played by Vikram and Joginder. They are from a small village which is attacked and looted several times by a notorious dacoit played by Sujit Kumar.
The dacoit once attacked the villagers and particularly the father (played by Surendranath) of Vikram and Nazima and kills him. Joginder and Vikram are good friends. They were on the front when this dacoit attacked their village. When they are back and learn about this incidence they try to unite the villagers to fight Sujit Kumar and his gang with the help of student played by Jagdeep, Romesh Sharma, Aruna Irani and others.
The police also provide the much needed help to them. Dheeraj plays the role of Police Inspector.
Finally the dacoit is arrested and his gangsters are eliminated.
Today’s song is a background song from this movie which appears in parts in the movie. The central character in this song is Vikram’s Sister (played by Nazima) who is raped by the Dacoit Sujit Kumar when he raids the village and kills her father.
In the village there are two ‘sahukaars’ (played by Randhir and Rajan Haksar) who have a soft corner for the dacoit and they help him by providing him information about the villagers. They are assisted by a few goons from the villagers.
From time to time they try to molest and harass Nazima in the movie after the ‘rape incidence’. The other parts of this song appear in the background during such moments.
The lyrics of this song are poignant and pathos laden as they depict the mental condition of the girl after the unfortunate incidence and further adversities in her life. The soulful singing of this song by Narendra Chanchal makes it more poignant to listen to, epecially when he repeats the ‘mukhdaa’ when the song ends.
I have been a fan of Narendra Chanchal’s voice and his voice is one of those ‘special voices from the seventies’ which are purely nostalgic for me. The main article about Narendra Chanchal under the series of ‘special voices’, has been delayed from my side and it will be coming in the future on the blog. Meanwhile we also have to bring the very few songs sung by him in HFM on this blog.
Today’s song is one such song sung by him.
This song is the second song from the movie ‘Fauzi-1976’ on the blog. The full audio is being presented with the song. The video is in four parts as it gets played in the background partially on four different occasions in the movie.
Video Part I
Video Part II
Video Part III
Video Part IV
Audio Full
Song-Loot liyaa sansaar (Fauzi)(1976) Singer-Narendra Chanchal, Lyrics-M G Hashmat, MD-Sonik Omi
Lyrics
toot gaye wo
jiske sapney ae ae ae
bachpan aur anjaane mein
jeenaa marnaa ek baraabar
uska tere zamaane mein
loot liyaa sansaar
loot liyaa sansaar
kuchal di kali kanwaari
udaa lee khushboo saari ee
loot liyaa aa
loot liyaa sansaar
loot liyaa sansaar
jiske ae haathhon
lagi naa mehndi
uski doli ee
kaun sajaaye
jiske haathhon on
lagi naa mehndi
uski doli ee
kaun sajaaye
bhatak rahi hai
gali gali mein
apni zindaa
laash uthhaaye ae
apni zindaa
laash uthhaaye
laashon ka vyopaar
laashon ka vyopaar
kare duniya vyopaari
bikey baazaar mein naari ee
loot liyaa aa aa
loot liyaa sansaar
loot liyaa sansaar
kaun banaaye
isko beti
kaun kahegaa
isko behnaa
kaun banaaye
isko beti
kaun kahegaa
isko behnaa
bikhhre laaj ke
kachche moti
loot liyaa izzat ka
gehnaa aa
loot liyaa izzat ka
gehnaa aa
kiske galey ka haar
kiske galey ka haar
banegi ye bechaari
phire ye maari maari
loot liyaa aa aa
loot liyaa sansaar
loot liyaa sansaar
aankh mein aansoo
bikhhre ae gesoo
jo dekhe
samjhe aawaaraa
aankh mein aansoo
bikhhre gesoo
jo dekhe
samjhe aawaaraa
badhh ke kisi ne
khenchaa aanchal
hans ke kisi ne
pathhar maaraa aa aa
hans ke kisi ne ae
pathhar maaraa
chhoot gaya gharbaar
chhoot gaya gharbaar
banaa jeewan chingaari
kafan ban jaaye saari
loot liyaa aa
loot liyaa sansaar
loot liyaa sansaar
kuchal di kali kanwaari
udaa lee khushboo saari ee
loot liyaa aa aa
loot liyaa sansaar
loot liyaa sansaar
loot liyaa sansaaaaar
Yaar di chaukhat Kaabaa Kaashi
Posted on: February 28, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5338 | Post No. : | 17506 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (A tribute to Ravindra Jain)
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Today 28th February’2023 is the seventy-ninth birth anniversary of music-director, lyricist Ravindra Jain (28 February 1944 – 9 October 2015).
For this occasion, I had selected a song from a lesser known movie, but since links of this song are not available on internet it needed to be uploaded by me. However due a sudden development I had to travel to Nagpur for a visit to meet relatives there. After reaching here at Nagpur I didn’t get enough time to upload this song. Moreover this place where I will be staying next for about a week or so, is not in the city but nearer to the city and here there is some connectivity problem.
(The internet speed is slow here). But the musical journey will be continuing :),
I do not want to miss this opportunity of presenting a song from the ‘seventies’ particularly. 🙂
So, I had to look for another song on the occasion of the birth anniversary of Ravindra Jain. Today I am presenting a song composed by him instead of a song written and composed by him.
This song is from the ‘1977’ movie ‘Raam Bharose’.
‘Raam Bharose-1977’ was directed by Anand Sagar for ‘Sagar Art (International) Films, Bombay’ and Ramanand Sagar. It was produced by Subhash Sagar.
Star cast of this movie includes Randhir Kapoor, Rekha, Amjad Khan, Dara Singh, Keshto Mukherjee, Kanan Kaushal, Madan Puri, Nazir Hussain and Sujit Kumar. It also had Raza Murad, Tom Alter, Shailesh Kumar, Jagirdar, Jagdish Raj, Chaman Puri, Master Baboo, Javed Khan, Shiv Raj, Sole, Shahid Bijnori, Ram Murthy, Deepak Raj and Shetty.
Editing for this movie was done by Lachmandass. Dialogues of this movie were written by (Late) Krishan Chander. This movie was written by Moti Sagar.
This movie was passed by Censor Board on 21.04.1977.
There were six songs in this movie composed by Ravindra Jain. Hasrat Jaipuri, Ravindra Jain, Tajdar Taj and Dev Kohli were the lyricist for this movie.
Asha Bhonsle, Narinder Chanchal, Kishore Kumar and Mohd Rafi gave their voices to the songs of this movie.
This song is sung by Narinder Chanchal. It is picturised as a background song. In the video of the song we can see Rekha and Randhir Kapoor where Randhir Kapoor is lying on a bed in a hospital. From the lyrics of the song I guess that Rekha has some other plans for Randhir Kapoor, may be giving a wrong injection to him (she is in the get-up of a ‘nurse’) which could be under pressure of Madan Puri, Jeevan, and Tom Alter as shown in the video.
I would request readers who have watched this movie to throw more light on the context and picturisation of this song.
Lyrics for the song are by Tajdar Taj and as mentioned above music is composed by Ravindra Jain.
Let us listen to this wonderful composition in the ‘special voice’ of Narinder Chanchal and pay our tributes to Ravindra Jain.
The lyrics noted are as per the audio of this song available which seems to be the full song whereas the video available is partial(only shows the second stanza of the song).
Audio
Video (Partial)
Song-Yaar di chaukhat Kaaba Kaashi (Raam Bharose)(1977) Singer-Narendra Chanchal, Lyrics-Tajdar Taj, MD-Ravindra Jain
Lyrics
yaar ko apne ae ae ae ae ae
dhokhaa de kar rrrrrrrrrrrr
bhool na kar naadaan
yaar ki yaari
rab ki poojaa aa aa
donon ek samaaan
yaar di chaukhat
kaabaa kaashi
raam rahima
yaar hai mitraa
yaar di chaukhat
kaabaa kaashi
raam rahima
yaar hai mitraa
wo hain sachche
peer payambar
wo hain sachche
peer payambar
karm jinhaan daa
pyaar hai mitraa
karm jinhaan daa
pyaar hai mitraa
yaar di chaukhat
kaabaa kaashi
yaa tu apne ae ae ae ae
yaar daa ho jaa aa
yaar ko yaa
apnaa kar le ae ae
yaa tu apne ae
yaar daa ho jaa aa
yaar ko yaa
apnaa kar le ae ae
de kar jaan
miley jo yaari ee ee
soch naa ye
saudaa kar le ae
duniyaa chhad ke
dilbar le le
sasta ye vyopaar hai
mitraa aa aa aa
yaar di chaukhat
kaabaa kaashi
raam rahima
yaar hai mitraa
wo hain sachche
peer payambar
wo hain sachche
peer payambar
karm jinhaan daa
pyaar hai mitraa
yaar di chaukhat
kaabaa kaashi ee
aashiq bandaa aa aa aa aa
rab nu pyaaraa aa
dushman ho
sansaar to kya aa aa
aashiq bandaa aa
rab nu pyaaraa aa
dushman ho
sansaar to kya aa aa
ishq ne parvat paani
kite ae ae
chaandi ki deewaar
to kyaa
yaar ki khaatir
sooli chadhh ke
ishq gul e gulzaar hai
mitraa aa aa aa
yaar di chaukhat
kaabaa kaashi
raam rahima
yaar hai mitraa
wo hain sachche
peer payambar
wo hain sachche
peer payambar
karm jinhaan daa
pyaar hai mitraa
karm jinhaan daa
pyaar hai mitraa
yaar di chaukhat
kaabaa kaashi ee
- In: Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Love song | Lover's Complaint | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Narendra Chanchal Solo Songs | Narendra Chanchal Songs | Poignant Song | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1973 | Sufi Song | Vagaries Of Love | Yearwise breakup of songs
- 13 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3887 | Post No. : | 14918 |
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Blog 10-Year Challenge (2009-19) – Song No. 14
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‘Bobby’ created almost a storm in 1973. This drama of puppy love, completely fresh faces (almost, Rishi Kapoor had already made his mark in the ‘child RK’ role in ‘Mera Naam Joker’ (1970)), and a love story aimed at an age bracket lower than college going young people – the lovers in this film are just transitioning from high school to college. In the early 1970s, the influence of the hippie movement and free love ideas from the west into the Indian society was still a compelling influence. And the provocative presentation, as is the wont of RK style, ensured that young people of all ages went to see this film multiple times in the theaters.
The story of RK – from ‘Mera Naam Joker’ (1970) to ‘Bobby’ (1973) is quite well known. ‘Mera Naam Joker’ was designed and produced by RK as his magum opus. He put his everything into that film, both the creativity and the finances – and lost out on the gamble at the box office. Many reasons can be analyzed as to why that happened. ‘Mera Naam Joker’ is a remarkable film, but then maybe RK went overboard in certain aspects. With the huge success of ‘Sangam’ (1964) behind him he gambled that the length of the film won’t be a deterrent to the audience. He called the wrong numbers on the dice. The film was a financial disaster for RK, in its first run. It broke him.
But his resilience to bounce back played out well. After a gap of three years, he came up with ‘Bobby’, and he had the audiences lapping it up, again and again. Some journalist even wrote that RK has extracted his revenge on the system, as well as the audiences, and got compensated many times over for the disaster of ‘Mera Naam Joker’.
‘Bobby’ was also a significant departure for RK banner in another way. The Shankar-Jaikishan duo of music directors had been rendered solo, by the untimely departure of Jaikishan in 1970. RK took a glaring decision to switch music directors, bringing to close an association that had lasted for more than two decades. Many industry observers commented that this was expected. Many others in the industry were shocked by this move. A move that essentially signaled the downturn of Shankar as an MD. He doggedly tried to keep the SJ banner alive but the zest and the verve was gone, forever. The numbers speak for themselves – in 1971, seventeen films were released with music by SJ. Of course, presumably, a fair share of the work on this set of seventeen would have been done while Jaikishan was still alive. The rest of the decade of 1970s tells a grim story. 1972 – 8 films; 1973 – 7 films; 1974 – 4 films; 1975 – 5 films; 1976 – none; 1977 – 2; 1978 – 1; 1979 – 2; 1980 -1. The magic sun of SJ was slowly fading away.
RK switched to Laxmi-Pyaare. From RK’s perspective, this was a correct strategic move. And the results are for everyone to see. Of course, no one can discount the uncanny ability of RK to inspire creation of absolutely wonderful music for his films. And yes, Laxmi-Pyaare delivered to his expectations. The songs of ‘Bobby’ were super hits in their time, and they continue to be in popular demand even now after almost four decades. I am sure I do not need to present the song list to make this point. 🙂
With ‘Bobby’, RK and Laxmi-Pyaare introduced a new and a very different sound to the world of Hindi film music. The name – Narendra Chanchal. A singer with a very expressive, a very deep baritone – a voice with a phenomenal range that rivaled even Mahendra Kapoor in rendering the higher octaves. It is quoted that RK had heard him sing at some religious function. He followed up with some more research, and then decided to bring in this voice for a Sufi-like song in the film.
I remember that the promotion and the publicity presentations for this film was quite low key. The film was introduced without much fanfare. Yes, the choice of moving from SJ to LP did become talk of the town, but nothing much more than that. And this new singer – Chanchal, got introduced to the public, just as is. Working with the expected fare of Lata, Shailendra Singh, Asha and Manna Da, the audiences would be taken by surprise as Chancal would appear in person on the screen, to present this song.
And the song was an immediate hit. Over the years, it has gained almost a cult status. In reasonable memory, this probably was the first Sufi-type song presented in such traditional Sufi garb, in a Hindi film. No, I am not trying to discount all the bhajans and songs of religious expression that came before this. But surely, this song introduced a completely new sound in the Hindi film music space. The genre – picking on the original writings of Bulle Shah, the famous Sufi poet from Punjab. And the voice – no, not choosing Rafi or Manna Dey to render this. Chanchal – a new voice, a new full throated sound, that you had to slightly reduce the volume on the radio or gramophone, as his singing came on.
RK’s uncanny ability to present a song on the screen in a manner that the emotions of the players on screen will grab the emotions in the audience’s mind and heart, and pull the strings, almost viciously. The two young lovers are at a precipice of near break-up. Just recently into their romance, a jarring note of an unexplained misunderstanding tears them apart, oh so cruelly. The young man follows the lady, as she joins a school trip to get away from him. He tries to approach her; she is cold and nonchalant, and the ever chivalrous bystanders give a good beating to the young man. The lady is still silent. And so is the young man, just looking at her imploringly, asking for a chance to explain. The conversation is not entertained. The hearts are pining and wreathing with tears. But the stand-off remains. Explanations are not allowed. The silent gazes of pain, the eyes telling beseeching stories of pleadings. But no, the words are not permitted.
And then, this deep throated sound from a singer sitting in a group of porters, rises to block out and mask all the other sounds in the camp. A voice that delivers the message, the words that the young man is trying to articulate, but is not able to. Those words are compellingly brought out in this loud rustic voice of a folk singer, singing by the campfire, playing on a daff (‘डफ’) in his hand. The memories go back to ‘Jis Desh Mein Ganga Behti Hai’ (1960). There also, the protagonist plays the daff, when an important message, and the right words are to be delivered.
Over the years, Chanchal did sing, maybe a dozen, or maybe a score more songs in Hindi films. And then he quietly exited and went back to his forte – the world of popular religious bhajans. His success in that field is simply phenomenal, and for everyone to see. Just that he could not jell well with the systems of the tinsel town Mayanagri.
[Author’s Note: After little more research on the internet, we find that the total number of songs sung by Narendra Chancal in Hindi films is about 35. Nahm ji has pointed out in comments another wonderful solo – “Kabhi Gham Se Dil Lagaaya” from film ‘Daaku’ (1975). Other superb solos by him are:
“Meri Zindagi Tumhare Pyaar Pe Kurbaan” – from ‘Jeevan Sangram’ (1974)
“Loot Liya Sansaar” – from ‘Fauji’ (1976)
“Yaar Di Chaukhat Kaaba Kaashi” – from ‘Ram Bharose’ (1977)
“Do Ghut Pila De Saaqiya” – from ‘Kaala Suraj’ (1986)
“Tut Gayi Je Yaari” – from ‘Ramkali’ (1986)
The other songs are duets, group songs, and of course religious bhajans.]
Ten years back, this day, the output on the blog was nothing short of phenomenal. On 10th March, 2009, a total of 12 songs were posted. Atul ji was quite in the pink, and on the roll, during those initial weeks and months of this blog. 12 songs mean that 12 films got represented that day. And ‘Bobby’ made its debut on that day, with the song – “Main Shaayar To Nahin”.
Over the past decade, nine of those films have been yippeee’d, and three remain. As I checked the list, I was somberly surprised that a film like ‘Bobby’, with one superlative song after another, had not yet been yippeee’d here. And mind you, the songs pending are not lightweights. Each one of them is a popular super hit, all by itself.
Quick round up review of credits – the words of this song are adapted and redrafted by Rajkavi Inderjeet Singh Tulsi, based on an original song by Bulle Shah. The music – Laxmi-Pyaare. Singing voice – Narendra Chanchal. On screen, the singer himself is performing the song, carrying the messages between the two young lovers, Rishi Kapoor and Dimple Kapadia, who are not communicating, except through the eyes. And the words of this song so powerfully express the unsaid emotions between them.
If you have ever been in love, this song is for you. And yes, if you have ever been in love, this film is for you.
Audio
Video
Song – Beshaq Mandir Masjid Todo, Bulle Shaa Ye Kehta (Bobby) (1973) Singer – Narendra Chanchal, Lyrics – Inderjit Singh Tulsi, MD – Laxmikant Pyaarelal
Lyrics (Provided by Avinash Scrapwala)
beshaq mandir masjid dhaa de
bulle shah..aa ye kehta..aa
beshaq mandir masjid todo
bulle shah..aa ye kehta..aa
par pyaar bharaa dil
kabhi na todo..o..o
is dil mein..ae dilbar rehta
jis palde mein tuley mohabbat. . .
jis palde mein tuley mohabbat
us mein chaandi nahin tolnaa..aa
taubaa meri
naa dholna
main nahin bolna..aa
ho nahin bolna jaa
main nahin bolna jaa
o main nahin bolnaa jaa
dholna
main nahin bolnaa..aa
tauba meri
naa dholna
main nahin bolnaa..aa
aag te ishq baraabar dono..o
par paani aa..aag bujhaaye
aag te ishq baraabar dono
par paani aag bujhaaye
aashiq ke jab aansoo nikley..ae..ae
aur agan lag jaaye
tere saamne baithh ke rolaan..aa..aa..aa..aa..aa
ho tere saamne baithh ke rolaan
dil ka dukhdaa nahin pholna..aa..aa
dholnaa..aa
main nahin bolna..aa
ho nahin bolnaa jaa
main nahin bolnaa jaa..aa
ve main nahin bolna jaa
dholna
main nahin bolnaa..aa
tauba meri
naa dholna
main nahin bolnaa..aa
ve main nahin bolna..aa
o ve main nahin bolna..aa
ve main nahin bolna..aa..aa..aa..aa
ve main nahin bolna..aa
ve main nahin bolna..aa
dholna..aa
main nahin bolna
nahin bolna
ve main nahin bolna
nahin bolna aa
ve main nahin bolna aa
nahin bolna
ve main nahin bolna..aa..aa
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Hindi script lyrics (Provided by Avinash Scrapwala)
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बेशक मंदिर मस्जिद ढा दे
बुल्ले शाह॰॰आ ये कहता॰॰आ
बेशक मंदिर मस्जिद तोड़ो
बुल्ले शाह॰॰आ ये कहता॰॰आ
पर प्यार भरा दिल
कभी ना तोड़ो॰॰ओ॰॰ओ
इस दिल में॰॰ए दिलबर रहता
जिस पलड़े में तुले मोहब्बत॰ ॰ ॰
जिस पलड़े में तुले मोहब्बत
उसमे चांदी नहीं तोलना॰॰आ
तौबा मेरी
ना ढोलना
मैं नहीं बोलना॰॰आ
हो नहीं बोलना जा
मैं नहीं बोलना जा
ओ मैं नहीं बोलना जा
ढोलना
मैं नहीं बोलना॰॰आ
तौबा मेरी
ना ढोलना
मैं नहीं बोलना॰॰आ
आग ते इश्क बराबर दोनों॰॰ओ
पर पानी आ॰॰आग बुझाए
आग ते इश्क बराबर दोनों
पर पानी आग बुझाए
आशिक के जब आंसू निकले॰॰ए॰॰ए
और अगन लग जाए
तेरे सामने बैठ के रोलां॰॰आ॰॰आ॰॰आ॰॰आ॰॰आ
हो तेरे सामने बैठ के रोलां
दिल का दुखड़ा नहीं फोलना॰॰आ॰॰आ
ढोलना॰॰आ
मैं नहीं बोलना॰॰आ
हो नहीं बोलना जा
मैं नहीं बोलना जा॰॰आ
वे मैं नहीं बोलना जा
ढोलना
मैं नहीं बोलना॰॰आ
तौबा मेरी
ना ढोलना
मैं नहीं बोलना॰॰आ
वे मैं नहीं बोलना॰॰आ
ओ वे मैं नहीं बोलना॰॰आ
वे मैं नहीं बोलना॰॰आ॰॰आ॰॰आ॰॰आ
वे मैं नहीं बोलना॰॰आ
वे मैं नहीं बोलना॰॰आ
ढोलना॰॰आ
मैं नहीं बोलना
नहीं बोलना
वे मैं नहीं बोलना
नहीं बोलना॰॰आ
वे मैं नहीं बोलना॰॰आ
नहीं बोलना
वे मैं नहीं बोलना॰॰आ॰॰आ
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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