Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Separation song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3963 Post No. : 15044

Songs Repeated in Hindi Films – 1
– – – – – – – – – – – – – – – – – –

Reading the title of the post, you must be wondering – “ये क्या हो रहा है?” (“What is this going on?”). This song – who says this song is not yet posted. Goodness, this film is yippeee’d long back. So why are we re-posting this song? Sudhir seems to have taken up certain vice (or vices) with unlikeable after effects. 😀 😀

Well, no and yes. No – I have not taken up any such vices 🙂 that may impair my abilities to make decisions about posting songs. And yes – this song, from film ‘Madhumati’ of 1958, is already posted here on our blog. The film ‘Madhumati’ made its debut here on 1st May, 2009. The eleven songs of this film made their appearances over the subsequent four plus years, and film was yippeee’d on 4th Jul, 2013. This song originally appeared on 3rd May, 2009. ‘Madhumati’ is a done deal.

Of course your question still remains – “ये क्या हो रहा है?”. The answer to that follows.

I will try to make the long story short. Beginning of this month, Bakshi ji and I were in Bombay, to attend the annual two day seminar titled ‘Cine Music Beyond Entertainment’, which is arranged by our friend Shri Kushal Gopalka, every year. In one of the post session discussions, I came to know about a very interesting anecdote. The session was on the life and work of music director Vasant Desai.

The anecdote is about the 1971 film ‘Guddi’. The Geet Kosh lists three songs for this film,

The first two songs are penned by Gulzar. The third is a traditional bhajan, written by Meerabai, one of the greatest saints of the Bhakti Movement in India, which originated in India in the eighth century AD. Meerabai, who belonged to the royal family of Mewar (in Rajasthan) spent her time here on this sub continent, in the fifteenth century AD. Music for these three songs is composed by Vasant Desai. All three songs are in the voice of Vani Jairam. When the film released in theaters, it had only these three songs in it.

Now, one of the supervisory activities that the producer and distributor staff undertake, especially in the first one or two weeks of the film exhibition, is that they go to select cinema halls where the film is being shown. They will be present in the hall as the film is being shown, and they will also mingle with the crowd during intermission and at the end of the film. The objective is to pick up and gather live feedback about the film from the audience. It helps them to make some choices and educated decisions about the future exhibition plans.

One thing that happened during this exercise was that the team gathered feedback that sounded negative. One part was the use of only one playback voice, and that too a very fresh debut. Plus the overall summary of live audience feedback sounded disheartening and negative. Immediate discussions happened involving Hrishikesh Mukherji, the producers (Rupam Chitra) and the distributors. One recommendation that came out of these discussions was to somehow modify the mix of songs in the film. It was felt that the bhajan song (of Meerabai) should go. What should replace it? How to create a new song for the film at a short notice? Please note that this description of events is for the very first one or two days after the release of the film.

One of the recommendations from the distributors was to include another song, preferably by Lata Mangeshkar. After quick discussions, it was decided to re-use the song of ‘Madhumati’. I really wonder how fast the decision and action taken process worked. Approvals were sought and taken – Bimal Roy’s estate, Salil Chowdhury et al. The team was reassembled, and the song was picturised. Apparently, the Meera bhajan was in the same setting in the film. At the party, Jaya Bhaduri is performing the Bhajan by Meerabai – “Hari Bin Kaise Jiyun Ri” – an expression of her waiting for Samit to come to the party. This song from ‘Madhumati’ fitted the emotional-expression criteria to the T.

The song was picturzed, it was edited into the film, replacing the bhajan, the censor certificate for revision to the film was applied for and taken. Multiple copies of the revised reel of the film was quickly processed and produced on emergency basis, and distributed to the theatres for immediate change to the film being shown. How fast this whole process worked – one may gauge the speed and success of this whole exercise from the fact that the revision appeared in the theatres before the first week of exhibition was complete, i.e. within the first 5 or 6 days only.

Now, interestingly, Vasant Desai was away from Bombay at that time. Important point to note is that this whole decision making and replacement process happened without the involvement of Vasant Desai, the music director.

Possibly many of our learned friends in this musical bandwagon may already be aware of this. I was not, so this was a startling discovery for me. I must add hurriedly that yes, I have seen this films, possibly more than once, but somehow I do not carry any memory of this song being present in this film.

The booklets of the film do not contain this song. And hence, the Geet Kosh also does not list this song. This song does not appear on the EPs/LPs of this film. This song has no other status in relation to this film, except that yes, it is included in the film. The credits at the beginning of the film remain unchanged. Vani Jairam is the only playback voice, and Vasant Desai is the sole music director. And so, the video of this song is the only evidence that this song is present in the film.

A very, very interesting episode. For me, it brought into very sharp focus, an idea that songs from earlier films are at times, re-used in later films. Before this discussion happened in Bombay, I was aware of one or two such instances. They were just interesting trivia in the mind. After this discussion highlighted this activity so sharply, an idea started to form in my mind. I started to search for more such instances. I searched through my own memory, I researched the remarks and footnotes in the Geet Kosh, and I discussed this with friends and collectors in our group and in my circle, trying to gather more information about such re-use of songs. And when I am able to gather a sizeable list, the thought came to the mind – this is a new series to discuss this very interesting facet of the Hindi film music.

As I am gathering information about such instances, I also became aware af the various modes of re-use. Yes, the re-use happens not only just ‘as is’, but there even are further variations on how this re-use may occur. As we proceed with the series, I will be highlighting and discussing these different re-use ‘styles’. It does make for a very interesting discussion.

And so, here is the first offering of this series. The song from ‘Madhumati’ of 1958 is re-used – as is, ditto, no change – 13 years later in ‘Guddi’ of 1971. Ah, I must correct myself. One change does happen. The original song in ‘Madhumati’ has three stanzas. The re-use version in ‘Guddi’ has only two stanzas. The first stanza of the ‘Madhumati’ version is left out.

This is the very first re-use ‘style’ – the song has been directly used and copied as is. No alterations, no additions, no other changes. Just get approvals, and simply insert the earlier song, as it fits into the storyline. This is the simplest form of re-use. I will be presenting more such instances moving forward.

So view this associated video clip, and listen to the original recording of this song, now being lip synced by Jaya Bhaduri. The scenario is so utterly different. The original setting in ‘Madhumati’ is mountains, forests, river and waterfall. The entire natural surroundings seem to be participating in the earlier picturization of the song. In this later ‘Guddi’ incarnation, this is just a song being sung at a party. The performer, very naturally, is just standing still, as the audience simply watches and waits for the song as it progresses. Absolutely minimal activity and movement in this scene.

Besides Jaya, we can also see Sumita Sanyal, Utpal Dutt and Vijay Sharma in the clip, as family members watching the impromptu performance. Samit Bhanj, for whose benefit and in whose wait, this song is being performed, is seen arriving at the party, just as the song gets started, and he thoughtfully waits just outside the entrance to the room, listening to the song being performed. Amongst the guests at the party, there are many familiar faces – of junior artists that are part of such scenes in films. But their names remain obscure.

Before I close this write-up, another very interesting aside. The film ‘Guddi’ has already been yippeee’d on our blog, as of 20th March, 2013. That is, as per the Geet Kosh list of songs. But now, we have one more additional song from this film. A repeat, but nonetheless another song that is part of this film, performed by the actor(s) in this film. Another cateogry called for – ‘yippeee+‘ – finding more songs in a film that are officially listed for the film. 😀 😀 I am sure there are more than one such instances earlier also, when songs for certain films have been posted that do not appear in the official list of songs.

So. . . starting this interesting journey of repeat songs in Hindi films. I hope this thread will interest you.

Song – Aaja Re Pardesi Main To Kab Se Khadi Is Paar  (Guddi) (1971) Singers – Lata Mangeshkar, Lyrics – Shailendra, MD – Salil Chaudhry

Lyrics

aa jaa re. . . ae ae ae
pardesi

main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi
main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . .  pardesi

tum sang janam janam ke phere
bhool gaye kyun saajan mere
tum sang janam janam ke phere
bhool gaye kyun saajan mere
tadpat hoon main saanjh sawere oo oo
aa jaa re main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi

main nadiya phir bhi main pyaasi
bhed ye gehra baat zara si
main nadiya phir bhi main pyaasi
bhed ye gehra baat zara si
bin tere har saans udaasi oo oo
aa jaa re main to kab se khadi is paar
ye ankhiyaan thak gayin panth nihaar
aa jaa re. . . ae ae ae
pardesi

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

आ जा रे॰ ॰ ॰ ए ए ए
परदेसी

मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी
मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी

तुम संग जनम जनम के फेरे
भूल गए क्यों साजन मेरे
तुम संग जनम जनम के फेरे
भूल गए क्यों साजन मेरे
तड़पत हूँ मैं साँझ सवेरे ओ ओ
आ जा रे मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी

मैं नदिया फिर भी मैं प्यासी
भेद ये गहरा बात ज़रा सी
मैं नदिया फिर भी मैं प्यासी
भेद ये गहरा बात ज़रा सी
बिन तेरे हर सांस उदासी
आ जा रे मैं तो कब से खड़ी इस पार
ये अखियाँ थक गईं पंथ निहार
आ जा रे॰ ॰ ॰ ए ए ए
परदेसी


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3913 Post No. : 14973

Today’s song is from the film Dekho ji-47.

The film was made by Punjab Film Corporation and was produced and directed by its owner Wali Sahab. He also wrote the lyrics. The music was by Tufail Faruqi and his assistant Sabir Hussain ( 5 and 6 songs credited respectively).

This was one of the films of 1947, from which almost everyone- the cast, producer, director, lyricist, composers etc etc all migrated to Pakistan after Partition- some immediately and few after some time. This was of course not unusual. As the year 1947 began, news was circulating about the partition. Like many other industries, Film industry was also worried. There was an air of uncertainty. Who will stay and who will migrate was hotly debated in the privacy of homes, studios and clubs. People looked at each others with suspicion. Muslims were worried about their safety in India, in spite of the assurances by Gandhi and Nehru.

Crores of rupees were invested in films. After the second world war started in 1939, lot of Black money was generated and much of it came to Film industry. Investors, Financiers and producers were worried about half made films. Everybody seemed to be in a hurry to finish his assignment on hand. Due to this the quantity of films increased,sadly at the cost of quality. 1947 saw a record number of films made in 1947- 181 Hindi films, the highest ever since films were made. It took another 40 years to break this record in 1988, when 185 films were made.

Almost 75 to 80 % films of 1947 were obscure and forgotten within a short time. Films like Aisa Kyun, Atom Bomb, Barrister, Beete Din, Chalte chalte, Chandrahaas, Dehati, Daulat Ke Liye, Extra Girl, Farz, Gaurav, Gudiya, Heera, Janata, Jhalak, Khandaani, Lalat, Manmani, mere Bhagwan, Mohan, Nai Baat, Pehla Pyar, Paro, Riwaz, Shabari, Shahkaar, Tohfa, Toote Dil, Veerangana are some of the films made in 1947. How many of us even know about them ? Actually, some of these were films in which well known and major stars of the times had acted. For example, Mohan had Dev Anand as Hero, Lalat was the debut film of Usha Kiran (as Usha Marathe), Prem Adib and Vanmala had acted in Chandrahaas etc etc.

Not that ALL films were bad. Certainly some famous and excellent films providing some Milestones of Hindi cinema were also made in 1947, like Aapki Sewa Mein (First playback song of Lata M), Bela (all 10 songs by Zohrabai Ambalawali), Dard (Debut song of Umadevi), Elaan (a bold Muslim social film by Mehboob Khan), Jugnu (the only film of Dilip kumar and Noorjehan), Meera (all 18 songs by MS Subbulaxmi), Mirza Sahibaan (last film of Noorjehan in India), Neel Kamal ( debut of Raj kapoor and Madhubala as lead pair), Parwana (Last film of KL Saigal), Shadi Se Pehle ( first duet of Rafi and Lata) and Shehnai (epoch making music by C Ramchandra).

Nevertheless partition did have an impact on the Film industry, due to the migration of artistes from both countries. LAHORE an important city in the undivided Punjab in the pre-independence days was one of the major Film making Centres in India. Talented actors and musicians from all Punjab and Sindh area tried their luck in the Cine Industry at Lahore. Nevertheless, the biggest centre of film production was Bombay and it was every aspiring artiste’s dream to go to Bombay and shine there. The film activity at Lahore increased considerably in the early 40s in terms of film production and Music. Those days Lahore was called ” a supply source” for Bombay, as many actors and musicians shifted their base to Bombay from there.

In the communal frenzy, polarisation of artistes took place. Hindus shifted to Bombay and Muslims left for Lahore. But there were some reverse migrations also in this period. One example each is of Sahir Ludhiyanvi who migrated to India, and Deebo Bhattacharya from Calcutta migrated to Karachi and prospered in Pakistan as a successful music director.

Some of the families got divided, like Mehboob Khan opted to remain in India, but his brother MR Khan remained in Pakistan and worked as a well known producer. Juhi Chawla’s grandfather JC Anand and uncle Satish Anand stayed in Lahore. Consequently they became the pioneers of Pakistan Film Industry. After the divorce Rafi’s first wife also migrated to Pakistan with her children.

At the actual time of Partition some artists were in Lahore for film work. They were BR Chopra, Ramanand Sagar, IS Johar, Gulshan Rai, Omprakash, Jeevan, OP Nayyar, Rajinder Singh Bedi, Naqsh Lyallpuri, Surinder and Prakash Kaur and Pushpa Hans. They all left Lahore hurriedly and reached Bombay safely.

However this journey was not so safe for one actor – comedian Durga Prasad, known as Durga Mota. He was very fat. In the melee, he reached the Lahore station and somehow boarded the train to Bombay. Suddenly a group of mad rioters entered the Lahore station and started killing the travelers. Most people ran helter skelter, but due to his heavy body, Durga Mota could not run and was cut into pieces on the Lahore station platform itself !

Same way many artistes from Bombay left for Lahore and ALL of them reached safely.

With so many people migrating to Pakistan at a time and the condition of Pakistan Film Industry then, it is a moot question, whether all these migrants could get work there and shine ?

There were 2 types of people who migrated-

1. Those who had achieved their peaks already in India and

2. Those who had just started their careers.

Obviously the second group, at least some of them, could do well there eventually.

Some of the successful migrants there were – Noor jahan, Khursheed Anwar, GA Chisti, Nissar Bazmi, Firoz Nizami, Najam Naqvi, Nakshab Jarachavi, Sibtain Fazli, Wali Saheb, Manto, Rashid Atre, Sudhir, Santosh, Asha Posley, Shameem, Najma, Yasmeen, Ragini, Zahoor Shah, Shaikh Iqbal, Himalaywala, Nazar, Rafiq Gaznavi, Tanvir Naqvi, Iqbal Bano etc.

Some of the unfortunate ones were – Meena Shorey, Ratan Kumar, M Sadiq, Charlie, Ghori, Kumar, Sheikh Mukhtar, Najmul Hussain, Neena, Kalavati, Maya Devi, Ghulam Hyder, Nashaad, Premlata etc.

Almost all the artists who shifted to Bombay prior to Partition did very well here.

There was a second wave of Migration in the 50s, during which many artistes like Veera, Rattan Kumar, Rehana, Mumtaz Shanti, Meena Shorey, Wali Sahib, K Anwar etc migrated to Pakistan.

Partition did some damage to India, but as there was a second line waiting to take over, the impact was negligible. However, Pakistan had to build a new film industry with the help of the migrant artistes in almost all departments of film making. Once this generation ended their career,unfortunately there was not much of a second line to take over in Pakistan.

Like many top class composers who migrated to Pakistan, there were some small time or recently started composers who also left, like Inaayat Hussain (only 1 Punjabi film Kamli), Fateh Ali Khan (2 films- Aaina-44 and Director-47), Tufail Farooqi (2 films-Sona Chandi-46 and Dekho Ji-47). Inayat Hussain of course became a Legend in Pakistan.

Today we will talk about TUFAIL FAROOQI.

Tufail was born in Taran Taaran, Amritsar, Punjab, in 1918. After taking musical lessons from Ustad Abdul Waheed Khan for several years, he joined All India Radio, Lahore. He also worked with many composers. Finally, he got his first film, ‘Sona Chaandi‘-46. Out of 12 songs of the film, he composed 10 songs and 2 were composed by DC Dutt. In this film Tufail gave opportunity to a young but promising new comer, who was struggling to get established as a playback singer – Mohammed Rafi. Rafi got 4 songs in this film and he was overjoyed at this break.

Later Tufail gave music to his second film- ‘Dekho Ji’-47. Here too he composed 6 songs and the other 6 were composed by composer Sabir Hussain. Actually, Sabir Hussain was his assistant and just to encourage him, Tufail credited these songs to him.

After partition, Tufail migrated to Pakistan, along with family and Sabir Hussain in tow, but had to struggle hard there too. His first film was ‘Barkha’ in 1953. Tufail gave music to 37 films, mostly Punjabi films and less Urdu. His film, ‘Bahadur Kissan’ -1970 had a song- ”Mera sona des kissan da”, sung by singer Masood Rana. This tune was a blatant direct copy of the song ”Ye desh hai veer jawanon ka” from ‘Naya Daur’-57. The Pakistani song became a tremendous hit, not only with the Punjab farmers but also was played on Radio and TV often.

Tufail Farooqi’s sister was Master Ghulam Haider’s first wife (Umrao Zia Begum was his second wife), from whom he got a son-Saleem Haider. Later Saleem joined Pakistan Army and rose upto the rank of Lt. General. He retired in 2000.

Tufail worked till early 80s. He had married the famous Pak singer Pappu Pukhraj in 1953. He passed away in Lahore on 25-3-1988.

Film ‘Dekho Ji’s cast was Mumtaz Shanti, Anjum, A Shah, Khatoon, Haroon, Afzal, Dilshad, Mintobai, Gulnar etc. Anjum was the hero in this film. From his photos in Film India issues of 1946, he looked to be a very handsome young man. He was also seen in 2 more films-‘Bichhade Balam’ and ‘Rehnuma’, both of 1948. After this, I guess, he migrated to Pakistan like many other artistes, because now his name appears in many films made in Pakistan, during the period 50s to the 80s. Some of his films made there are, ‘Waada’-57, ‘Nai Ladki’-58, ‘Beqasoor’-69, ‘Shami’-89 etc.

Another actor in the cast, who was quite a popular comedian those days was A Shah aka Aziz Shah. He was born in 1910, at Sialkot. He did not have much schooling, except primary education at Lyallpore and at Islamia High School, Lahore. Due to his rich and sweet voice, he used to recite Holy Quran, on farmaish. He wrote poetry also.

He joined Saroj Movietone in 1930, under Mohan Bhavnani as an artiste at Rs.40 p.m. He acted in ‘Shakuntala’-31 and ‘Gul Bakavli’-32. He had to take a 2 year break, due to an illness. Back in Bombay, he worked in film ‘Fidai Tohid’-34 as a hero. He gave music to film ‘Gunehgar’-36. He wrote dialogues for ‘Mother India’-38 and ‘Daughters of India’-39. His first comic role was in Ranjit’s ‘Mirza Sahiban’-35. He became famous with his role in Punjabi film ‘Kurmai’-41.

His best role came in ‘Sharada’-42, as Munshi Udharchand Shikarpuri. This was repeated by him in film ‘Keemat’-46. Some of his 11 films were, ‘Dhandora’-41, ‘Armaan’-42, ‘Sukh Dukh’-42, ‘Kanoon’-43, ‘Sanjog’-43, ‘Geet’-44 and ‘Ek Din Ka Sultan’-45. After 1947, he stopped acting and wrote lyrics in films like ‘Raat Ki Rani’-49, ‘Namoona’-49 and ‘Ek Teri Nishani’-49. After this he possibly migrated to Pakistan and we have no further information about him anymore. Baburao Patel of Film India magazine was his fan.

I have no idea whatsoever about the story line of this film. From the various photographs and comments in Film India 1946 issues, the film seemed to be interesting and entertaining with dance, drama and songs. It seems the film was completed in record time, but it was not released in 1947 for sure. Actually, most of the 1947 censored movies got released in 1948, due to the disturbed political atmosphere in the country in 1947.

Here is a very melodious song from this film, sung by Shamshad Begum.


Song-Baalam Pardesia Saajan Pardesia (Dekho Jee)(1947) Singer- Shamshad Begum, Lyrics- Wali sahab, MD-Tufail Farooqui

Lyrics

baalam pardesia
saajan pardesia
kaali ghataayen ghir ghir aayin
ghir aayin
duhaayi re
duhaayi re
baalam pardesia
saajan pardesia

jhool rahi jhoola
saajan sang sajni ee
jhool rahi jhoola
saajan sang sajni
aur main akeli
jaloon bin agni
aur main akeli
jaloon bin agni
haaye raam
kaun sautan man bhaayi re
duhaayi re
duhaayi re
baalam pardesia
saajan pardesia

chhod gaye jab se
baalam harjaai re
chhod gaye jab se
baalam harjaai re
nainon mein tab se hi
nindiya na aayi re
nainon mein tab se hi
nindiya na aayi re
ansuwan se ho gayi
sagaai re
duhaayi re
duhaayi re
baalam pardesia
saajan pardesia

poochh rahi tum se
kadamb ki chhaiyyaan
poochh rahi tum se
kadamb ki chhaiyyaan
akeli ko chhod ke
kahaan gaye sainyya
akeli ko chhod ke
kahaan gaye sainyya
teri khabariya na aayi re
duhaayi re
duhaayi re
baalam pardesia
saajan pardesia aa aa

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बालम परदेसिया
साजन परदेसिया
काली घटाएँ घिर घिर आईं
घिर आईं
दुहाई रे
दुहाई रे
बालम परदेसिया
साजन परदेसिया

झूल रही झूला
साजन संग सजनी
झूल रही झूला
साजन संग सजनी
और मैं अकेली
जलूँ बिन अग्नि
और मैं अकेली
जलूँ बिन अग्नि
हाए राम
कौन सौतन मन भाई रे
दुहाई रे
दुहाई रे
बालम परदेसिया
साजन परदेसिया

छोड़ गए जब से
बालम हरजाई रे
छोड़ गए जब से
बालम हरजाई रे
नैनों में तब से ही
नींदिया ना आई रे
नैनों में तब से ही
नींदिया ना आई रे
अंसुवन से हो गई सगाई रे
दुहाई रे
दुहाई रे
बालम परदेसिया
साजन परदेसिया

पूछ रहीं तुमसे
कदम्ब की छईंयां
पूछ रहीं तुमसे
कदम्ब की छईंयां
अकेली को छोड़ के
कहाँ गए सैंयां
अकेली को छोड़ के
कहाँ गए सैंयां
तेरी खबरिया ना आई रे
दुहाई रे
दुहाई रे
बालम परदेसिया
साजन परदेसिया


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3896 Post No. : 14939 Movie Count :

4080

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # 82 # Remembering Navin Nischol#
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‘Ek Baar Kaho’ (1980) was directed by Lekh Tandon for ‘Rajshri Films, Bombay’. It had Navin Nischol, Shabana Azmi, Madan Puri, Rajendra Nath, Hari Shivdasani, Suresh Oberoi, Arvind Deshpande, Dilip Dhawan, Kiran Vairale, Anil Kapoor, Ravi Beri, Wasim Hasan, Madhumita, Sheela David, Savita Bajaj, Kamal Rai, Mala Jaggi, Shivraj, Rajan Kapoor, Nandlal Sharma, Taneja, Suhas Khandekar, Avtar Gil, Ratan Gaurang, Brijendra Mohan and Jagdeep.

This movie had six sound tracks including one two part song and one dialogue track. As many as four lyricist penned down lyrics for this movie – Mahendra Dehlvi, Dev Kohli, Kulwant Jani and Maya Govind. Music for this movie was composed by Bappi Lahiri. Aarti Mukherji, Bappi Lahiri, Jagjit Singh, Sulakshana Pandit and Yesudas had given their voices to the songs of this movie.

This movie was passed by Censor Board on 03.09.1980.

Today 19th March 2019 is the eighth Remembrance Day (11th April 1946 – 19th March 2011) of actor Navin Nischol. On this occasion remembering him here with a song from ‘Ek Baar Kaho’ sung by Yesudas. Lyrics for this song are by Maya Govind and as mentioned above it is composed by Bappi Lahiri.

The song though is a background song we can see Navin Nischol and others in picturisation of this song and we can enjoy his ‘elegance’ and ‘soft expressions’ in this song and for me (and I can say people like me) who like Navin Nischol’s performance this song is nice one to watch for him even though he is not lip-syncing the lyrics.

With today’s song the movie ‘Ek Baar Kaho’ make its debut on the blog.

Let us now enjoy the song …

Video

Audio

Song – Chaar Din Ki Zindagi Hai Jaa Rahe Hain Din (Ek Baar Kaho) (1980) Singer – Yesudas, Lyrics – Maya Govind, MD – Bappi Lahiri
Chorus

Lyrics

chaar din ki zindagi hai
jaa rahe hain din
do gaye tere milne se pehle
do gaye tere bin
priye kab milan hoga
priye kab milan hoga

tum kahin kho jaaogi
jaan main paata agar
ban ke hamraahi tera
sang hi karta safar
ye safar poora nahin hoga tumhaare bin
do gaye tere milne se pehle
do gaye tere bin
priye kab milan hoga
priye kab milan hoga..aa

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

yaad ke toote mahal
kab tera mandir banaa aa
deep jaltey reh gaye
chhup gayi moorat kahaan
ye diye vishwas ke
bujh jaayen naa ek din
do gaye ae tere milne se pehle
do gaye tere bin
priye kab milan hoga..aa
priye kab milan hoga

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Hindi script lyrics (Provided by Sudhir)
———————————————————-

चार दिन की ज़िंदगी है
जा रहे हैं दिन
दो गए तेरे मिलने से पहले
दो गए तेरे बिन
प्रिये कब मिलन होगा
प्रिये कब मिलन होगा

तुम कहीं खो जाओगी
जान मैं पाता अगर
बन के हमराही तेरा
संग ही करता सफर
ये सफर पूरा नहीं होगा तुम्हारे बिन
दो गए तेरे मिलने से पहले
दो गए तेरे बिन
प्रिये कब मिलन होगा
प्रिये कब मिलन होगा

आ आ आ आ 
आ आ आ आ 
आ आ आ आ 
आ आ आ आ 

याद के टूटे महल
कब तेरा मंदिर बना
दीप जलते रह गए
छुप गई मूरत कहाँ
ये दिये विश्वास के
बुझ जाएँ ना एक दिन
दो गए तेरे मिलने से पहले
दो गए तेरे बिन
प्रिये कब मिलन होगा
प्रिये कब मिलन होगा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3855 Post No. : 14867

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Blog ten year challenge (2009-2019)- Song number 3
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When I began Blog ten year challenge (2009-2019) on 2 february 2019, the challenge ran for two days before hitting a roadblock that lasted two days. The reason was, allthe movies that were covered on 4 and 5 february 2009 were already YIPPEED so none of their songs were left to be covered on the same date ten year later. Same fate befell all movies (bar one) that were covered on 6 february 2009 as well.

The only movie whose song was covered on 6 february 2009 and which still has a few songs left to be discussed ten years later is “Sitaaron Se Aage”(1958). This movie was produced by V L Narasu and directed by Satyen Bose for Narasu Studio, Madras. This “social” movie had Ashok Kumar, Vyjyanti Mala, Johny Walker, Jagdeesh Sethi, Raja Sulochana, Shammi, Manmohan Krishna, Ifthikar, Kundan, Sampson, Krishnkant, Leela Mishra, Rama Sukul, Rajendra, Tony Walker, Sagar, Ravikant, Prem Dhawan, Moolchand Kapoor, Radheshyam, Bishan Khanna, Vasantrao Pahalwan, Sailen Bose, B M Dixit, Patanjali etc in it.

The movie had ten songs in it. Eight of these songs are covered in the blog. Here are the details of the eight songs covered in the past:-

Song Title

Post No.

Post Date

Chanda ki chaandni ka jaadoo 691 6-Feb-2009
O zaraa ruk jaa 2455 8-May-2010
Sambhal ke ye duniya hai 6764 1-Oct-2012
Dil le gaya gham de gaya 9072 29-Nov-2013
Mehfil mein aaye wo aaj dheere se 11484 19-Oct-2015
Sainyya kaise dhaaroon dheer 11493 21-Oct-2015
Aaj kal parson mein phoole jab sarson 13299 2-Jun-2017
Aa khilte hai gul o mere bulbul 14666 1-Oct-2018

When I checked the remaining songs, I discovered that they are part one and two of the same song. This multiple version song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by S D Burman. The song is picturised on Vyjyanti Mala.

With this song, all the songs of “Sitaaron Se Aage”(1958) are now showcased in the blog and the movie joins the list of movies that have all their songs covered in the blog.

Part I

Part II

Song-Roye jiya aan milo more piya (Sitaaron Se Aage)(1958) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-S D Burman

Lyrics

roye jiya aa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
panchhi gaaye kahin pyaar se
pi kahaan pi kahaan
dekh liye dil tham ke reh gayi mai yahaan
panchhi gaye kahi pyar se
pi kaha pi kahaan
dekh liye dil thaam ke reh gayi mai yahaan
o sathiya
aan milo more piya
aa aa
roye jiya
aan milo more piya
aa aa

thhandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
thandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
o beliya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo aa milo
more piya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa

————————————
Part II
————————————
roye jiya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
o beliyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
o sathiyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3811 Post No. : 14808 Movie Count :

4050

Today 24th December 2018 is the ninety-fourth (24 December 1924 – 31 July 1980) birth anniversary of the ‘divine voice’ Mohammad Rafi Saab.
And today 24th December also happens to be the birth anniversary actor Mahipal (24 December 1919 – 15 May 2005).
I have very deep respect and great admiration for both of them in my heart and it will be until we are associated with Hindi Films and Hindi Film Music.

It was in 2017 that I came to know about the birth anniversary of Mahipal ji and its falling on 24th December (because of this article on BHD by our own Shishir ji) – the same date – we have birth anniversary of Rafi Saab. So, last year I presented a song from the movie ‘Maharaja Vikram-1966’ here.

This year too I wish to present a song and thus was looking a song sung by Rafi Saab and lip synced by Mahipal. I think most of the songs may be have already been covered and I was able to find a ‘duet’ sung by Rafi Saab and Sudha Malhotra and lip synced on screen by Mahipal and Anita Guha.

This song is from the 1957 movie ‘Pawanputra Hanuman’.

It was directed by Babubhai Mistry for ‘Basant Pictures’. It was presented by Homi Wadia for ‘Wadia Brothers Productions’.

It had S.N. Tripathi, Mahipal, Anita Guha, B.M. Vyas, Krishna Kumari, Ratnamala, Heera Sawant, Indira Bansal, Korega, Amirbai Karnataki, Praveen Paul, Mumtaz, Master Prithvi, Helen, Kanchanmala, Shiela Vaz, Samar Roy, Dalpat, Sudesh, Ramshastri, Bhujbal Singh Uma Dutt, S.K. Singh, Shri Bhagwan, Ajit Kumar, R.S. Dubey, Abdullah, Yadav, Julian and others.

This movie had as many as ten songs composed by Chitragupta and written by G.S. Nepali (Six songs) and Saraswati Kumar Deepak (four songs).

Asha Bhonsle, Geeta Dutt, Manna Dey, Mohmmad Rafi, Shamshad Begam, Sudha Malhotra and Usha Mangeshkar had given their voices to the songs in this movie.

Today’s song is written by Gopal Singh Nepali.

Actually, I came across this song as a song from the movie ‘Hanuman Chalisa – 1969’ on YouTube. As I was not aware of the details of this movie, I asked for the movie page from HFGK Vol IV from my daughter. Going through the details as mentioned in HFGK it is mentions that: –
“As per information from the production house ‘Basant Pictures, Bombay’ (1) this film was a collection of some parts of the previous movies produced by them, (2) also including songs from those movies, (3) and this movie ‘Hanuman Chalisa-1969’ was not a full-length feature film.
That made me more curious to know about its songs (if any) presented on the blog and if the today’s song was already there.
From the list I could not found any songs on the blog and keep repeatedly searching for titles with ‘Hanuman Chalisa’… until I find a link on YT which mentions the name of the movie as ‘Pawanputra Hanuman-1957/ Hanuman Chalisa-1969’ for this song ‘mere Raam kahaan ho tum …’

Three songs from this movie ‘Pawanputra Hanuman-1957’ have already been posted on the blog wherein our two respected Seniors Arun ji and Sadanand ji have shared two and one posts respectively sharing songs of this movie.

Let us now enjoy the today’s song sung by Rafi Saab and Sudha Malhotra and performed on screen by Mahipal and Anita Guha.

Video (Full)
(video)
Audio (Partial)

Song-Mere Raam kahaan ho tum (Pawanputra Hamnuman)(1957)/(Hanuman Chalisa)(1969) Singers-Rafi, Sudha Malhotra, Lyrics-Gopal singh Nepali, MD-Chitragupta

Lyrics

Seete ae
He ae Seete ae …

Raam
He ae Raam …

Mere Raam kahaan ho tum
Mere Raam kahaan ho tum
virah ka dukh naa sahaa jaaye ae
Mere Raam kahaan ho tum

meri praan kahaan ho tum
meri praan kahaan ho tum
ke tum bin ab na rahaa jaaye ae ae
meri praan kahaan ho tum

chaand tumhi meri dharti tal mein
chaand tumhi meri dharti tal mein
kali kamal ki preet ke jal mein
aaj chhupi kis baadal dal mein
aaj chhupi kis baadal dal mein
mukh na dikhlaaye ae
meri praan kahaan ho tum
ke tum bin ab na rahaa jaaye
meri praan kahaan ho tum

charan tumhaare mujh se chhoote ae
charan tumhaare mujh se chhoote
saans na tooti naate toote
tum bhi swaami itna roothhe ae
tum bhi swaami itna roothhe ae
dukh mein nahin aaye ae ae
Mere Raam kahaan ho tum
virah ka dukh naa sahaa jaaye ae ae
Mere Raam kahaan ho tum

chaand Siya se mujhko milaao o
chaand Siya se mujhko milaao
udte chakoraan raah dikhaao
raah mein ab na der lagaao
raah mein ab na der lagaao
deep bujhaa jaaye ae
Mere Raam kahaan ho tum

meri praan kahaan ho tum
ke tum bin ab na rahaa jaaye ae ae
meri praan kahaan ho tum
kahaan ho tum
kahaan ho tum
kahaan ho tum

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Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
——————————-
सीते ए
हे ए सीते ए

राम
हे ए राम …

मेरे राम कहाँ हो तुम
मेरे राम कहाँ हो तुम
विरह का दुःख ना सहा जाए ए
मेरे राम कहाँ हो तुम

मेरी प्राण कहाँ हो तुम
मेरी प्राण कहाँ हो तुम
के तुम बिन अब ना रहा जाए ए ए
मेरी प्राण कहाँ हो तुम

चाँद तुम्ही मेरी धरती तल में
चाँद तुम्ही मेरी धरती तल में
कली कमल की प्रीत के जल में
आज छुपी किस बादल दल में
आज छुपी किस बादल दल में
मुख ना दिखलाए ए
मेरी प्राण कहाँ हो तुम
के तुम बिन अब ना रहा जाए ए ए
मेरी प्राण कहाँ हो तुम

चरण तुम्हारे मुझ से छूटे ए
चरण तुम्हारे मुझ से छूटे ए
सांस ना टूटी नाते टूटे
तुम भी स्वामी इतना रूठे ए
तुम भी स्वामी इतना रूठे
दुःख में नहीं आये ए ए
मेरे राम कहाँ हो तुम
विरह का दुःख ना सहा जाए ए ए
मेरे राम कहाँ हो तुम

चाँद सिया से मुझको मिलाओ ओ
चाँद सिया से मुझको मिलाओ
उडते चकोरा राह दिखाओ
राह में अब ना देर लगाओ
राह में अब ना देर लगाओ
दीप बुझा जाए ए
मेरे राम कहाँ हो तुम

मेरी प्राण कहाँ हो तुम
के तुम बिन अब ना रहा जाए ए ए
मेरी प्राण कहाँ हो तुम
कहाँ हो तुम
कहाँ हो तुम
कहाँ हो तुम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3748 Post No. : 14712

“Laajawaab”(1950) was produced by Ashalata Biswas and directed by J P Advani for Variety pictures, Bombay. The movie had Sohan, Rehana, Kuldip, David, Kavita, Pran, Iftikhar, Prem Dhavan, Randhir etc.in it.

The movie had eleven songs in it. Five songs have been covered in the past.

Here is the sixth song from “Laajawaab”(1950) to appear in the blog. The song is sung by Meena Kapoor. Prem Dhawan is the lyricist. Music is composed by Anil Biswas.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Jab kaari badariya chhaayegi (Laajawaab)(1950) Singer-Meena Kapoor, Lyrics-Prem Dhawan, MD-Anil Biswas

Lyrics

jab kaari badariya chhaayegi
aur yaad teri tadpaayegi
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi
main kiski raah takoon
sajanwa kiski raah takoon
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi

jab chaand jhalak dikhlaayega
chaandi ke rath mein aayega aa aa
jab chaand jhalak dikhlayega
chaandi ke rath mein aayega aa
mohe bairan neend na aayegi
jab bairan neend na aayegi
main kiski raah takoon
main kiski raah takoon
sajanwa kiski raah takoon oon
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi

saawan ki bhari barsaaton mein
in bheegi bheegi raaton mein aen aen
saawan ki bhari barsaaton mein
in bheegi bheegi raaton mein aen
jab rimjhim aag lagaayegi ee
jab rimjhim aag lagaayegi
main kiski raah takoon
main kiski raah takoon
sajanwa kiski raah takoon oon
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi
jab kaari badariya chhaayegi
aur yaad teri tadpaayegi
main kiski raah takoon
sajanwa kiski raah takoon


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3730 Post No. : 14673

The palat side of today’s song, was posted – goodness, four years ago.  And Sandhya ji is now completing 87 years today, and stepping into her 88th. Abundant greetings to Sandhya Mukherji – we wish for her good health and comfort, and that we may get many more such opportunities to greet her.

Four years back, I had posted the lovely, lively “O Re Jeene Waale, Hans Le Gaa Le Dhoom Mach Le” – one of her very few non film songs recorded in Hindi. From the same gramophone record (GE 24065 – Columbia), I present today, the song from the other side. A more poignant song, a sad song of separation – this song is no less iconic. As I tried to search for more, I drew a blank (so far).  It seems that this gramophone record and these two songs may well be the only two non-film Hindi songs that have been recorded by Sandhya ji.

For a brief bio sketch of this artist, I request readers to go back to the song referred above, and view that article.

She worked at New Theatres from 1948 to 1950, and sang under the music direction of RC Boral. She came to Bombay in 1950 – ‘Sazaa’ (1951) was her debut in the Bombay industry, after which she recorded songs for another eight films. And then, in 1956 she decided to return to Calcutta, after having recorded “Maine Jo Li Angdaai. . .” under the music direction of Salil Da, for the film ‘Jaagte Raho’ (1956). After that, she stayed only in Calcutta, and recorded a few songs for a handful of Hindi films.

Today’s song is penned by Prem Dhawan and is set to music by Kanu Ghosh. The melancholia of this song is such a surprising antipode of the song “O Re Jeene Waale. . .”. Listen and enjoy.

Once again, greetings to Sandya ji, and best wishes for a healthy and comfortable years ahead.


Song – Tum Gaye Lut Gaya Pyaar Ka Ye Jahaan (Sandhya Mukherji NFS)(1950) Singer – Sandhya Mukherji, Lyrics – Prem Dhawan, MD – Kanu Ghosh

Lyrics

tum gaye
lut gaya
pyaar ka
ye jahaan
na rahi
wo khushi
na rahe
armaan

tum gaye
lut gaya
pyaar ka
ye jahaan
na rahi
wo khushi
na rahe
armaan

meri aankhon ki tum
roshni le gaye
meri aankhon ki tum
roshni le gaye
mere hothon ki tum
sab hansi le gaye
ab meri zindagi
zindagi hai kahaan

wo bahaaren gayin
wo nazaare gaye
wo bahaaren gayin
wo nazaare gaye
meri raaton se wo
chaand taare gaye
na meri hai zameen
na mera aasmaan

tum gaye
lut gaya
pyaar ka
ye jahaan
na rahi
wo khushi
na rahe
armaan
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

तुम गए
लुट गया
प्यार का
ये जहां
ना रही
वो खुशी
ना रहे
अरमां

तुम गए
लुट गया
प्यार का
ये जहां
ना रही
वो खुशी
ना रहे
अरमां

मेरी आँखों की तुम
रोशनी ले गए
मेरी आँखों की तुम
रोशनी ले गए
मेरे होठों की तुम
सब हंसी ले गए
अब मेरी ज़िंदगी
ज़िंदगी है कहाँ

वो बहारें गईं
वो नज़ारे गए
वो बहारें गईं
वो नज़ारे गए
मेरी रातों से वो
चाँद तारे गए
ना मेरी है ज़मीं
ना मेरा आसमां

तुम गए
लुट गया
प्यार का
ये जहां
ना रही
वो खुशी
ना रहे
अरमां


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3677 Post No. : 14566

“Anban”(1944) was directed by Niren Lahiri for Bharat Productions, Bombay. The movie had Nargis, Pahadi Sanyal, Shahnawaz, David, Mubarak, Shobhana Samarth, Jagirdar, Gula, sunalini Devi, Rajendra, anand etc in it.

The movie had eight songs in it. Two songs have been covered in the past.

Here is the third song from “Anban”(1944) to appear in the blog. The song is sung by Hamida Bano. Pt Madhur is the lyricist. Music is composed by Gyan Dutt.

Only the audio of the song is available. Going by the story of the movie, as narrated by Mr Arunkumar Deshmukh, our beloved inhousse encyclopaedia, while covering an earlier song from the movie, it appears to me that this song was picturised on Nargis. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of the song.

This “missing the beloved” genre of song is penned in chaste Hindi using words that may not have been used much in HFM. I have not been able to get a few words right in the lyrics. I request our readers with keener ears to help fill in the words/ suggest corrections as applicable.


Song-Kyun dard de ke bhool gaye Shyam salone(Anban)(1944) Singer-Hamida Bano, Lyrics-Pt Madhur, MD-Gyan Dutt

Lyrics

Kyun dard de ke bhool gaye ae ae
shyaam salone
Kyun dard de ke bhool gaye ae ae
shyaam salone
aankhon ke saath
ab to laga dil bhi hai rone aen aen
shyaam salone
Kyun dard de ke bhool gaye ae ae
shyaam salone

toone diya hai dukh mujhe
dukkhon se pyaar hai
toone diya hai dukh mujhe
dukkhon se pyaar hai
nadiyon ke geet mein
mere dil ki pukaar hai
nadiyon ke geet mein
mere dil ki pukaar hai
aahen lagi hain yaad ke daanon ko pirone ae ae
shyaam salone

hai prem haar haath mein
meethhi hai baat bhi
phoolon ke hindole hain
aur saawan ki raat bhi
dukhiyaa ke man mein
aag lagaayi hai sabon ne ae
shyam salone

prabhat ke sang mein unhen bhi
dekh main paaun
baahon ka haar prem se
saajan ko pinhaaun
zakhmon ko banaaun
mere jeewan ke khilaune ae
shyaam salone
zakhmon ko banaaun
mere jeewan ke khilaune ae
Shyaam salone
Kyun dard de ke bhool gaye ae ae
shyam salone


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3569 Post No. : 14305

Thoda Sa Dil Laga Ke Dekh. . .

Film – ‘Musafirkhana’ from 1955, she plays the role Mary, the love interest of Frankie (Johnny Walker). Mary’s mother fancies another match for her daughter, and Frankie is contemplating suicide on that account. As it often happens in films, Mary breaks out into a song, trying to lift up Frankie’s dying spirits.

1958 – she plays the role of Nargis, the bosom friend of Sheela (Nutan), in this confused and comic scenario of mixed identities and true love – ‘Aakhiri Daao’. Funny to note that Nargis is her real name. And casting credit lists her assumed name. Always life is so interesting.

On to 1960 and ‘Dil Apna Aur Preet Paraayi’. Now she is Sheela, the naughty and playful nurse, who is reprimanded by the head nurse for putting on too much lipstick. Then it is ‘Half Ticket’ in 1962. As Lily, a partner in crime with Raja Babu (Pran) – the scene is simply hilarious, as she tries again and again to pat Vijay’s (Kishore Kumar) bottom – actually his back pocket, searching for an expensive diamond that Raja Babu has hidden there. There is a whole music and dance sequence, with a tape recorder keeping company, as she tries to extract the stolen goods from Vijay, without letting him know.

In 1965, she is Stella, the au pair companion to Rita (Nanda), in the musical romantic drama ‘Jab Jab Phool Khile’. 1970, moving into senior roles; the film is ‘Purab Aur Paschim’, and she herself is Rita, the British Indian wife of Sharma (Madan Puri), always with a smoking cigarette in her hand.

Fast forward forty years, to 2012 – she is very much on screen, this time playing the mother in law to Nargis (Daisy Irani) and grandmother of Farhad (Boman Irani) in ‘Shirin Farhad Ki To Nikal Padi’.

6th March earlier this year, she passed away in her sleep, just some weeks short of her 89th birthday. A memorable career for more than six decades, with quite over 200 films in her portfolio, and a number of very successful TV serials thrown in for good measure. Nargis Rabadi – she would have been 89 today.

Born this day in 1929, Nargis’ father was a priest in the Parsi temple. She was just 3 years old when her father passed away. Her mother raised her two daughters, working as a cook at the Parsi community festivals. After completing her studies, her elder sister got a job as an office secretary at Johnson & Johnson. So when Nargis completed her studies, she also came to Johnson & Johnson, working in the packaging department.

A close family friend and uncle, Chinuu Mama, was associated with the film industry. One thing led to another, and Nargis was introduced to Sheikh Mukhtar, who at that time was searching for a second lead lady for his film ‘Ustad Pedro’ (1951). At first, he was concerned that Nargis may not be able to handle the Hindi/Urdu dialogue, being a Parsi. But Nargis talked to him and the director Harish, and they were convinced she could do the role. That’s how she got her first break in films.

And with the first break, she also got a new name. The film’s director was concerned that her name might be confused with another rising star of those years – Nargis. And so he suggested her to change her name to Shammi. She did, and the name served her well for the remainder of her life. In later years, she became to be better known as Shammi Aunty.

Stringing through the cameos above, an interesting thing emerges. Her name is Nargis. She changes that to Shammi. In the 1958 film ‘Aakhiri Daao’, her name in credit appears as ‘Shammi’, and her screen name is Nargis. Then in 2012, her screen name is not clearly evident (in ‘Shirin Farhad. . .’), but then her daughter in law (Daisy Irani) has the screen name of Nargis. 🙂

Alongside ‘Ustad Pedro’, Harish was also directing another film at the same time – ‘Malhaar’ (produced by Mukesh, the singer). Impressed by her performance during the shooting of ‘Ustad Pedro’, he cast her as the heroine of ‘Malhaar’ opposite to another new face, Arjun. Although ‘Ustad Pedro’ did good business and was popular, ‘Malhaar’ failed to impress at the box office. The prospects of growing as a leading lady in the industry slowly receded.

But on the other hand, she became very much in demand for second lead female roles. Especially if the role demanded some comic goofiness, Shammi was quite the first name that the producers thought of. With little breaks here and there, she continued her cinematic journey, playing oh so many an endearing roles, leaving behind indelible memories. The wide eyed shocked look on her face as she opens the door to find her grandson (Boman Irani) standing there, as if coming out of a melee – is simply priceless. So many more of such moments flicker through the mind’s eye, as I pull together this piece today.

The song that I present today, however, is on a more somber note, the words expressing the very emotion that the heart wants to convey – “तुम चले॰॰॰ क्यों चले”. The film is ‘Awaara Ladki’ from 1967. This is an Asha Bhosle solo rendition that is picturized on a much younger Shammi. In the clip, we also see Sudesh Kumar – with a very lost look on his face, walking away from her, and then the song begins.

It is a peculiar situation – I am reminded of the one earlier song that I had posted from this film. The emotional mood of the song and the situation of that song is precisely the same – Sudesh Kumar + lost look + walking away, only the lady singing that song is different. It is Sheela Ramani singing “Arre Jaane Waale Nazar To Mila Ja”. Discovery of these two similar songs indicate some sort of a love triangle in the film’s story. Interesting – prompts me to watch this film.

This song is not listed in the Geet Kosh, although the print does indicate that there are more songs than the four listed. Music is by Dhaniram, and the uploader of this video clip, a dear friend Dharmesh from Rohtak, has indicated that the lyrics are from the pen of Kaif Irfani. So I will go by that information for now.

Bidding a good bye to a dear goofy artist, and to the long innings she has played on screen. Rest in peace, Nargis; or maybe I should say, wallow in mirth Shammi Aunty, wherever you are.

Adios and farewell.

 

Song – Tum Chale. . . Kyon Chale  (Awaara Ladki) (1967) Singer – Asha Bhosle, Lyrics – Kaif Irfani, MD – Dhaniram

 

Lyrics

toot chukka hai
dil pehle bhi
soch to mujh par thukraate zaalim
na loot naseeba banta hai abhi bhi

tum chale. . .  kyon chale
tum chale. . .  kyon chale
doley hansi labon pe
doley hansi labon pe
bhool rahe hain muskaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

dhadkan ke saaz par hook ye kehti
dhadkan ke saaz par hook ye kehti
palak kinaara nadiyaan ansuwan ki behtin
palak kinaara nadiyaan ansuwan ki behtin
shaam e gham hi mera mausam suhaana
bhool rahe hain muskaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

shab se shabnam rotey rotey kehti
shab se shabnam rotey rotey kehti
besahaara aaj dekh ek taara
besahaara
sun zara haaye
kehta angaara afsaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

bin ishaare tere maut bhi na aati
bin ishaare tere maut bhi na aati
tu kar ehsaan main nadaan sahi
nadaan sahi
maut ki maujon mein
beh jaaun to chale jaana
bhool rahe hain muskaana
tum chale. . .  kyon chale

tum chale. . .  kyon chale
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe
doley hansi labon pe

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

 

टूट चुका है
दिल पहले भी
सोच तो मुझ पर ठुकराते ज़ालिम
ना लूट नसीबा बनता है अभी भी

तुम चले॰ ॰ ॰ क्यों चले
तुम चले॰ ॰ ॰ क्यों चले
भूल रहे हैं मुसकाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

धड़कन के साज पर हूक ये कहती
धड़कन के साज पर हूक ये कहती
पालक किनारा नदियां अंसुवन की बहतीं
पालक किनारा नदियां अंसुवन की बहतीं
शाम ए ग़म ही मेरा मौसम सुहाना
भूल रहे हैं मुसकाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

शब से शबनम रोते रोते कहती
शब से शबनम रोते रोते कहती
बेसहारा आज देख एक तारा
बेसहारा
सुन ज़रा हाए
कहता अंगारा अफसाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

बिन इशारे तेरे मौत भी ना आती
बिन इशारे तेरे मौत भी ना आती
तू कर एहसान मैं नादान सही
नादान सही
मौत की मौजों में
बह जाऊँ तो चले जाना
भूल रहे हैं मुसकाना
तुम चले॰ ॰ ॰ क्यों चले

तुम चले॰ ॰ ॰ क्यों चले
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे
डोले हंसी लबों पे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3473 Post No. : 13944

“Putli”(1950) was produced and directed by Wali Sahab for Punjab Film Corporation, Bombay. The movie had Mumtaz Shanti ,Pran, Yaqoob, Husn Banu, Srinath, Majnu, Prem Dhawan, Ramesh Thakur , Sheela Naik etc in it.

The movie had eleven songs in it. Two songs from the movie have been covered in the past.

Here is the third song from the movie. The picturisation of the song shows Mumtaz Shanti missing Yaakoob, her beloved. Yes, Yaakoob is the hero of this movie.

Meena Kapoor is the singer. Wali Sahab is the lyricist. Music is composed by Aziz Hindi.

Sound quality is the video is average. The sound quality of the video version is very good and takes the listening pleasure of the song to a different level.

Audio

Video

Song-Tere bina jiya mora laage na (Putli)(1950) Singer-Meena Kapoor, Lyrics-Wali Sahab, MD-Aziz Hindi

Lyrics

tere bina jiya mora laage na aa aa
mere pardesi saajanva aa
tere bina jiya mora laage na aa aa
mere pardesi saajanva

aaj kisi ke ho gaye rasiya
aaj kisi ke ho gaye rasiya
jaage bhaag more so gaye rasiya
jaage bhaag more so gaye rasiya
o o o
soye bhaag more jaage na aa aa
mere pardesi saajanva aa
tere bina jiya mora lage na aa aa
mere pardesi saajanva

saajan ki nagri jab aaye
saajan ki nagri jab aaye
hook uthhe dil baithha jaaye
hook uthhe dil baithha jaaye
o o o
paanv uthhe more aage na
mere pardesi saajanva
tere bina jiya mora laage na aa aa
mere pardesi saajanva

roothh gayi hain khushiyaan man se
roothh gayi hain khushiyaan man se
jab se nain laage saajan se
jab se nain laage saajan se
o o o
tab se nain more laage na aa aa
mere pardesi saajanva aa
tere bina jiya mora laage na aa aa
mere pardesi saajanva


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15300 song posts by now.

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