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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Sudhir’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Anban’ (1944) (pronounced as un-bun). So far, only one song from this film has been discussed on our blog in 2011. This is, therefore, the second song from this film. No songs of this film are available anywhere like You Tube etc. Then, how did I get introduced to  this song ? There is a story behind this.

Mr. Jayaraman Subramaniam ji must be in his mid 70s now. He is one of the most famous and very well known record collectors of India. I found his name mentioned in several books on HFM. I have never met him, nor have I ever spoken to him on phone, though he stays in Dombivali, a suburb of Mumbai (actually, it is in Thane district). From the information I gathered from his friends, Jay ji has been in this hobby since 1960. He is one of the major names in the field of record and song collections in India and Pakistan.

He had been a regular member of RMIM group on the internet. I have been following his comments – both past and recent ones – in the group and I find that almost all senior RMIM members all over the world do respect Jayaraman ji for his extraordinary knowledge about songs, MDs and singers. He is an expert in voice identification, so he can pinpoint the singers quite accurately. This quality of Jay ji has been helpful in solving many mysteries of songs and singers, where it is not mentioned or wrongly mentioned in HFGK.

I am happy that I am on his mailing list and he writes to me often about songs etc. He seems to have accepted me as “an eminent writer” and “a serious student of old HFM “. He stays alone in his flat at Dombivali. His wife expired few years back and two sons live separately.

Mr. Jayaraman ji worked in Indian Railways and retired after a long service record. Jay ji, through his BCSP (Bharatiya Cine Sangeet Parampara) holds listening sessions of rare songs on every Sunday and some of his old friends visit him on that occasion.

I have been told that recently he has sold his entire collection, for an undisclosed value, of records and songs to our friend Deepak Chowdhari ji of Paratwada, Amaravati (Maharashtra). You will recall that Deepak ji has attended our last held Gangout at Mumbai, some time back. However, Jay ji seems to have preserved all his songs on G Cloud- from where he discusses such songs with RMIMers and other Facebook music lovers.

Recently, he had mailed this song (today’s song) from film ‘Anban’ (1944) to RMIMers, including me of course. I fell in love with this song, when I heard it. I requested Jay ji to allow me to use his song to be discussed on our blog for the benefit of our readers and he magnanimously said yes by return of mail. So a big Thank You to Jay ji. Also my thanks to our own Sudhir ji, for kindly uploading this song from his own collection on You Tube, on my request. (Sudhir ji’s copy of the song is 30 seconds longer than the one sent in by Jay ji. Also the quality of the song recording is much better.)

Here is how Jayaraman ji got this song – in his own words, “Ek bahut hee madhur TRIO gaana jise MD: Jnan Dutt ne mujhe 1973 mein diya apni ek purani sanduk se. Meri passion for cine music mehsoos kar uss ne poora sanduk dae dala jisme kareeb 150 recorden 78 rpm ke thae (cover nahin thae) aur kafi achhi condition mein thee.

Aise aise film thae unke sangeet mein jo uss wakt (1973) mein maine kabhi naam bhi sune nahin thae…aur kaha: Yeh sab tumhare liye hai – lae jaao aur sun ke hamein bathana bhoolna mat !!Ussee sanduk mein se yeh ek ‘tri-gaan’ aap sab shrotajan ke liye pesh karta hoon….ussee passion ke sath aaj 43 saalon baad , HD format par. ”

‘Anban’ (1944) was a Bharat Productions film. It was directed by Niren Lahiri. He was born on 17-7-1908 in Calcutta. He started his directorial activity with Bangla film ‘Mahakabi Kaalidas’ (1942). His Hindi films are ‘Anban’ (1944), ‘Ban Phool’ (1945), ‘Arabian Nights’ (1946), ‘Vijay Yatra’ (1948) and ‘Shobha’ (1954). Niren Lahiri died in 1972.

The cast of the film is listed as Nargis, Pahadi Sanyal, Shahnawaz, David, Mubarak, Shobhana Samarth, Jagirdar etc. The odd sounding name of Pahadi Sanyal is that of a Bengali actor, who did Bangla and Hindi films with equal ease. Normally, Bangla stars (just like the south Indian stars) had a Himalayan problem of speaking Hindi and its diction, but not Sanyal. He was an expert in speaking Hindi and Urdu. But for his Bangla looks and mannerisms, he could have been a great addition to Bombay stars. Nevertheless, he acted in 53 Hindi films, made both at Calcutta and Bombay, from 1933 to 1970. Notably he never went to Lahore to work in any film.

Though his real name was Nagendranath Sanyal, having born in the hill station Darjeeling, he was nicknamed Pahari Sanyal (one from the hills) and the name continued throughout his professional career. He was born on 22-2-1906

From his childhood itself, Sanyal was extremely fond of music and he took training under several famous music teachers of the day. Finishing his school, he joined the engineering course at the Benaras Hindu University but soon left to study Indian classical music at the Morris College of Music in Lucknow. In Lucknow, the young Pahari came in contact with the poet and composer Atulprasad Sen and soon earned fame as one of the best exponents of Atulprasad’s songs. In 1931, he joined the service of the Maharaja of Dewar as his private secretary.

In 1932, Sanyal came to Kolkata and got introduced to PC Barua through his friend the cinematographer Krishna Gopal. Sanyal got a chance to act in the New Theatres production ‘Rooplekha’ (1934) but due to contractual problems he was ultimately unable to appear in the film. But he caught the eye of Debaki Bose and joined the New Theatres as an actor on a monthly salary of Rs 150.

Pahari Sanyal made his screen debut as a singer-actor in Debaki Bose’s musical ‘Meerabai’ (1933) (in Bangla) as Chand Bhatta, a role he also did in the Hindi version ‘Rajrani Meera’ (1933). Both the films were very popular and helped in establishing him as one of the major film stars of the day. In the same year, the famous music director Pankaj Mullick used him to re-record all the songs sung originally by SD Burman for ‘Yahudi Ki Ladki’, a New Theatres Production, directed by Premankur Atorthi. As he was fluent in both the languages, Pahari Sanyal starred in most of the Hindi/Urdu versions of the Bengali films produced by New Theatres.

In the 1930s, he had a string of hits as an actor and singer in Bengali/Hindi bilinguals like ‘Bhagyachakra/Dhoop Chhaon’ (1935), ‘Devdas/Devdas’ (1935), ‘Millionaire/Karorepati’ (1936), ‘Bidyapti/Vidyapati’ (1937), ‘Sapurey/Sapera’ (1939), ‘Abhinetri/Haar Jeet’ (1940) and ‘Naukadubi/Milan’ (1946). ‘Bhagyachakra’, one of the first films in India to use playback singing, had Sanyal singing the evergreen “Keno Paran Holo Bandhan Hara” while in its Hindi version he sang “Prem Ki Naiyaa Chali Jal Mein Mori”. In ‘Karorepati’, he had the hit song “Jo Naukri Dila De” – a duet with the legendary KL Saigal. In ‘Haar Jeet’ he sang another wonderful duet, “Mast Pawan Shake Hein” with Kanan Devi. “Wo Kahen Aap Ki Do Chaah Ka Inaam Mujhe“, a song sung by him in the film ‘Milan’ was also very popular. Pahari Sanyal’s performance as Jhumro, a young and audacious snake-charmer who elopes with the heroine Chandan (Kanan Devi) in the film ‘Sapurey/Sapera’ was extremely well appreciated by both the general audience and critics.

In 1941, he received the Best Actor Award from the Bengal Film Journalists Association (BFJA) for his brilliant performance as Kumarnath in the film ‘Pratisruti’ directed by Hemchandra Chunder. After this, he went to Mumbai and acted in films like ‘Mouj’ (1943), ‘Mohabbat’ (1943), ‘Insaan’ (1944), ‘Anban’ (1944), ‘Preet’ (1945), ‘Milan’ (1946) and ‘Shravan Kumar’ (1946). In all, Sanyal worked in 53 Hindi films, both at Calcutta and Bombay. His first film was ‘Rajrani Meera’ (1933) and the last one was ‘Dharti’ (1970) in Hindi. Sanyal also sang about 42 Hindi songs in 19 films.

He is perhaps, the only male actor who has worked with KL Saigal in maximum number of films

Sanyal played the role of a Hindu ascetic (the Swami ji) in the Merchant-Ivory film ‘The Householder’ (1963). He won the BFJA Award as the Best Supporting Actor for his efforts in ‘Jaya’ (1965), a film by Chitta Basu. He also had significant roles in ‘Grihadaha’ (1967), Shakti Samanta’s ‘Aradhana’ (1969) – an understanding and sympathetic father to the heroine Sharmila Tagore, ‘Nimantran’ (1971) and ‘Shesh Parba’ (1972). ‘Kaya Hiner Kahini’ (1973) was his final film.

Sanyal’s first wife died in child birth. Later he married actress Meera Devi. Their daughter Luku Sanyal became Doordarshan’s first English newsreader and did this from 1970 to 1980. Pahari Sanyal was an extremely sophisticated man in real life. He was fluent in Bangla, Hindi, Urdu and English and read French literature in the original language. When he died on 10 February 1974, Indian cinema lost one of its leading lights. (Thanks to Upperstall for select information from its article, used in this bio sketch).

‘Anban’ (1944) film story was about king size ego and its side effects. The story of the film is summarized below.

Madhav Pandit (Jagirdar) and Pandey (Shahnawaz) are very good friends, though their thinking is different. Pandit is old fashioned and traditional, having pride for Indian customs etc. Pandey on the other hand is a liberal person accepting the good in western culture, but not having anything against our old traditions.

Madhav Pandit has a son Yadav and two daughters – Madhavi (Shobhana Samarth) and Malati (Nargis). Pandey has one son – Vijay (Pahadi Sanyal). While Yadav and Vijay are good friends, Vijay has a soft corner for Malati. Eventually, their love blooms. They, together open a school in their town to train the new generation.

The elders fix their marriage also. Pandey wants to donate some amount to the school and so he makes some suggestions to the children. Pandit resents the suggestions. He also declines the donation of Pande. Both Pandit and Pandey have a hot argument, then a quarrel and they stop talking to each other.

The marriage of Vijay and Malati is broken. In his anger, Pandit marries his elder daughter Madhavi to an older, drunkard person – Ranjan ( Mubarak), who hails from a noble family. This marriage takes place against the opposition of everybody.

Not only this, but Pandit also fixes Malati’s marriage with an old jagirdar widower. One day Pandit’s son-in-law, Ranjan is caught red handed by Vijay, when Ranjan is selling his wife’s (Madhavi’s) gold ornaments for his drinks. Vijay fires him. Ranjan, as a revenge, goes and tells false stories to Pandit about Vijay, thereby spoiling his impression.

On the day of marriage, when the baraat is to come, it is found that Malati is missing. Not only that even Vijay is missing. Pandit is shocked and very much worried for his daughter. Afraid that she might commit suicide, he is scared.

Meanwhile baraat arrives and the groom angrily blames Pandit for doing injustice to his daughter, when her marriage was already fixed. Pandit repents, meanwhile Vijay and Malati arrive. They are married by a priest in a temple. Pandey comes there and gives a lecture on controlling anger and false ego. Pandit realises his mistake. He begs every one’s pardon and Vijay and Malati are married in the same place. The groom for Malati is on her side already, convinced by Vijay about their love. All is well that ends well. (635)

The film has 8 songs, composed by Gyan Dutt and written by Pt. Madhur. Today’s song is sung by GM Durrani, Ameerbai Karnataki and Hameeda Bano, as per HFGK. Enjoy this melody. You will love the music and the tune, I am sure.


Song – Hum Aage Badhte Jaayen Duniya Peechhe Peechhe Aaye (Anban) (1944) Singer – GM Durrani, Amirbai Karnataki, Lyrics – Pt Madhur, MD – Gyan Dutt
GM Durrani + Amirbai Karnataki
GM Durrani + Amirbai Karnataki + Hamida Bano

Lyrics

hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye
jo soye
so khoye
jo soye
so khoye premi
jo jaage so paaye re
jo jaage so paaye
jo soye
so khoye premi
jo jaage so paaye re
jo jaage so paaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

udd udd kar panchhi ke jodey
chhaaya karte jaayen
udd udd kar panchhi ke jodey
chhaaya karte jaayen
hawaa ke jhonke nai jawaani
jholi bhar bhar laayen
hawaa ke jhonke nai jawaani
jholi bhar bhar laayen
hum chalte chalte gaayen
duniya thakte thakte gaaye re
thakte thakte gaaye
hum chalte chalte gaayen
duniya thakte thakte gaaye re
thakte thakte gaaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

hare hare sab ped hamen
jhuk jhuk ke deven badhaai
hare hare sab ped hamen
jhuk jhuk ke deven badhaai
nadiyon ki lehren ban jaayen
shaadi ki shehnaai
nadiyon ki lehren ban jaayen
shaadi ki shehnaai
baanson ki har pori
bansi ban ke hamen lubhaaye re
ban ke hamen lubhaaye
baanson ki har pori
bansi ban ke hamen lubhaaye re
ban ke hamen lubhaaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

kadam kadam pe hasi khushi hon
armaanon ke gaanen
kadam kadam pe hasi khushi hon
armaanon ke gaanen
hum pahunche us jageh jahaan par
baste hon deewaane
hum pahunche us jageh jahaan par
baste hon deewaane
raat sunaaye. . .
raat sunaaye apni beeti
chanda sunta jaaye re
chanda sunta jaaye
raat sunaaye. . .
raat sunaaye apni beeti
chanda sunta jaaye re

chanda sunta jaaye
hum aage badhte jaayen
duniya peechhe peechhe aaye re
peechhe peechhe aaye

hum aage badhte jaayen

hum aage badhte jaayen

hum aage badhte jaayen

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये
जो सोये
सो खोये
जो सोये
सो खोये प्रेमी
जो जागे सो पाये रे
जो जागे सो पाये
जो सोये
सो खोये
जो सोये
सो खोये प्रेमी
जो जागे सो पाये रे
जो जागे सो पाये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

उड़ उड़ कर पंछी के जोड़े
छाया करते जाएँ
उड़ उड़ कर पंछी के जोड़े
छाया करते जाएँ
हवा के झोंके नई जवानी
झोली भर भर लाये
हवा के झोंके नई जवानी
झोली भर भर लाये
हम चलते चलते गाएँ
दुनिया थकते थकते गाये रे
थकते थकते गाये
हम चलते चलते गाएँ
दुनिया थकते थकते गाये रे
थकते थकते गाये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

हरे हरे सब पेड़ हमें
झुक झुक के देवें बधाई
हरे हरे सब पेड़ हमें
झुक झुक के देवें बधाई
नदियों की लहरें बन जाएँ
शादी की शहनाई
नदियों की लहरें बन जाएँ
शादी की शहनाई
बाँसों की हर पोरी
बंसी बन के हमें लुभाए रे
बन के हमें लुभाए
बाँसों की हर पोरी
बंसी बन के हमें लुभाए रे
बन के हमें लुभाए
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

कदम कदम पे हंसी खुशी हों
अरमानों के गाने
कदम कदम पे हंसी खुशी हों
अरमानों के गाने
हम पहुंचे उस जगह जहां पर
बसते हों दीवाने
हम पहुंचे उस जगह जहां पर
बसते हों दीवाने
रात सुनाये॰ ॰ ॰
रात सुनाये अपनी बीती
चंदा सुनता जाये रे
चंदा सुनता जाये
रात सुनाये॰ ॰ ॰
रात सुनाये अपनी बीती
चंदा सुनता जाये रे
चंदा सुनता जाये
हम आगे बढ़ते जाएँ
दुनिया पीछे पीछे आये रे
पीछे पीछे आये

हम आगे बढ़ते जाएँ

हम आगे बढ़ते जाएँ

हम आगे बढ़ते जाएँ

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Chhoti Chhoti Baaten” (1965) was directed by Motilal for Rajvanshi Productions, Bombay. The movie had Motilal, Nadira, Moti Sagar, Manju, Kumar, Krishan Dhawan, Leela Misra, Sangeeta, Mridula, Mubarak etc in it.

The movie had six songs in it. Four of these songs, which have been discussed in the past, are,

That leaves two songs to be discussed. It turns out that the remaining two songs together are actually forming a three part song sung by Manna Dey and chorus and picturised as background song. Of the three parts, the first part has two stanzas, the second part has two stanzas, and the third part has one stanza. The first part is supposed to appear as a background song in the first half of the film. The second part appears when Motilal leaves his home in the village, after serious and incorrect allegations have been levelled against him. He wants to go away somewhere and die in peace. The third part appears after his death, when his mortal remains have been consigned to the fires of the funeral pyre, and all his family and friends are seen, with regrets written on their faces.

It is interesting to note a very subtle but a very meaningful shift of words in different parts. In Parts I and III, the words that appear in the sthaai of the song are

andhi hai duniya pyaare
matlab ki duniya

In Part II of the song, there is a small change in the words of the sthaai, as follows,

andhi hai duniya pyaare
paise ki duniya

In the video of the film that is available online, the song is drastically cut. Part I of the song is completely missing. Only one stanza of Part II is present. And the Part III is present. I do remember that all parts of this song were completely present in the film when I had once seen it on Doordarshan, long time back.

Shailendra is the lyricist of this multi part song and the music is composed by Anil Biswas. The singing voice is that of Manna Dey.

With this song, “Chhoti Chhoti Baaten” (1965) joins the list of movies that have all their songs covered in the blog.

Audio (Part I + Part II + Part III) (complete)

Video Part II (incomplete)

Video Part III (complete)

Song – Andhi Hai Duniya Pyaare (Chhoti Chhoti Baaten) (1965) Singer – Manna Dey, Lyrics – Shailendra, MD – Anil Biswas
Manna Dey + Chorus
Chorus

Lyrics (As Per Audio)
Part I
(andhi hai) duniya..aa..aa..aa..aa
matlab ki duniya..aa.aa
haaye ri duniya

yahaan
dil ka kare na koi mol pyaare
andhi hai duniya
andhi hai duniya pyaare
matlab ki duniya
(duniya) pyaare
matlab ki duniya
hey andhi hai duniya pyaare
matlab ki duniya
(duniya) pyaare
matlab ki duniya
dil ka kare na koi mol pyaare
(mol pyaare)
andhi hai duniya
andhi hai duniya pyaare
matlab ki duniya
dil ka kare na koi mo..ol
(raa..maa..aa)

aankh ke andhe
laakh mein ek do
aankh ke andhe
laakh mein ek do
mann ke hain andhe hazaar
aankh ke andhe
laakh mein ek do
kyon hum ne ro ro nain gawaaye
kyon hum ne ro ro nain gawaaye
koi bhi karey na vichaar pyaare
andhi hai duniya
andhi hai duniya pyaare
matlab ki duniya
(duniya) pyaare
matlab ki duniya
andhi hai duniya pyaare
matlab ki duniya
(duniya) pyaare
matlab ki duniya
dil ka kare na koi mo..ol
(raa..maa..aa)

bech kharid le
jo jee chaahe
bech khareed le
jo jee chaahe
duniya bani hai bazaar
bech kharid le
jo jee chaahe
raam ka naam
pukaarne waale
raam ka naam
pukaarne waale
tu apne daam pukaar pyaare
andhi hai duniya
andhi hai duniya pyaare
matlab ki duniya
(duniya) pyaare
matlab ki duniya
hey andhi hai duniya pyaare
matlab ki duniya
(duniya) pyaare
matlab ki duniya
dil ka kare na koi mo..ol
(raa..maa..aa)

Part II
koi na poochhe dilwaale ko
koi na poochhe dilwaale ko
raja ho chaahe ho fakee..eer
koi na poochhe
dilwaale ko
paisa hi boley
paisa hi chaaley
paisa hi boley
paisa hi chaaley
paisa hi aalamgeer pyaare
andhi hai duniya
andhi hai duniya pyaare
paise ki duniya
(duniya) pyaare
paise ki duniya
dil ka kare na koi mo..ol
(raa..maa..aa)

jag mein gyaanee
laakhon aaye
jag mein gyaanee
laakhon aaye
samjha ke sab gaye ha..ar
jag mein gyaanee
laakhon aaye
haaye ri duniya
roti maange
haaye ri duniya
roti maange
koi na maange pyaar haaye re
andhi hai duniya
andhi hai duniya pyaare
paise ki duniya
(duniya) pyaare
paise ki duniya
dil ka kare na koi mo..ol
raa..maa..aa

Part III
hmm hmm hmm
hmm hmm hmm
kyaa laa..aaye
kyaa
(hmm hmm hmm)
le jaaoge
hmm hmm hmm
oo oo oo oo oo oo
khaali rahenge dono haath
(kyaa laaye)
kya le jaaoge
reh gayi tere
karam ki gathri
reh gayi tere
karam ki gathri
kuchh bhi gaya na tere saath pyaare
andhi hai duniya
andhi hai duniya pyaare
matlab ki duniya
dil ka kare na koi mo..ol
(hmm hmm hmm)

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
भाग १
(अंधी है) दुनिया॰॰आ॰॰आ॰॰आ॰॰आ
मतलब की दुनिया॰॰आ॰॰आ
हाय री दुनिया

यहाँ
दिल का करे न कोई मोल
अंधी है दुनिया
अंधी है दुनिया प्यारे
मतलब की दुनिया
(दुनिया) प्यारे
मतलब की दुनिया
हे अंधी है दुनिया प्यारे
मतलब की दुनिया
(दुनिया) प्यारे
मतलब की दुनिया
दिल का करे ना कोई मोल प्यारे
(मोल प्यारे)
अंधी है दुनिया
अंधी है दुनिया प्यारे
मतलब की दुनिया
दिल का करे ना कोई मो॰॰ल
(रा॰॰मा॰॰आ॰॰)

आँख के अंधे
लाख में इक दो
आँख के अंधे
लाख में इक दो
मन के हैं अंधे हज़ार
आँख के अंधे
लाख में इक दो
क्यों हमने रो रो नैन गवाए
क्यों हमने रो रो नैन गवाए
कोई भी करे ना विचार प्यारे
अंधी है दुनिया
अंधी है दुनिया प्यारे
मतलब की दुनिया
(दुनिया) प्यारे
मतलब की दुनिया
अंधी है दुनिया प्यारे
मतलब की दुनिया
(दुनिया) प्यारे
मतलब की दुनिया
दिल का करे ना कोई मो॰॰ल
(रा॰॰मा॰॰आ॰॰)

बेच खरिद ले
जो जी चाहे
बेच खरीद ले
जो जी चाहे
दुनिया बनी है बाज़ार
बेच खरिद ले
जो जी चाहे
राम का नाम
पुकारने वाले
राम का नाम
पुकारने वाले
तू अपने दाम पुकार प्यारे
अंधी है दुनिया
अंधी है दुनिया प्यारे
मतलब की दुनिया
(दुनिया) प्यारे
मतलब की दुनिया
हे अंधी है दुनिया प्यारे
मतलब की दुनिया
(दुनिया) प्यारे
मतलब की दुनिया
दिल का करे ना कोई मो॰॰ल
(रा॰॰मा॰॰आ॰॰)

भाग २
कोई ना पूछे दिलवाले को
कोई ना पूछे दिलवाले को
राजा हो चाहे फकी॰॰ईर
कोई ना पूछे
दिलवाले को
पैसा ही बोले
पैसा ही चाले
पैसा ही बोले
पैसा ही चाले
पैसा ही आलमगीर प्यारे
अंधी है दुनिया
अंधी है दुनिया प्यारे
पैसे की दुनिया
(दुनिया) प्यारे
पैसे की दुनिया
दिल का करे ना कोई मो॰॰ल
(रा॰॰मा॰॰आ॰॰)

जग में ज्ञानी
लाखों आए
जग में ज्ञानी
लाखों आए
समझा के सब गए हा॰॰आर
जग में ज्ञानी
लाखों आए
हाए री दुनिया
रोटी मांगे
हाए री दुनिया
रोटी मांगे
कोई ना मांगे प्यार हाए रे
अंधी है दुनिया
अंधी है दुनिया प्यारे
पैसे की दुनिया
(दुनिया) प्यारे
पैसे की दुनिया
दिल का करे ना कोई मो॰॰ल
(रा॰॰मा॰॰आ॰॰)

भाग ३
हम्म हम्म हम्म
हम्म हम्म हम्म
क्या ला॰॰आए
क्या
(हम्म हम्म हम्म)
ले जाओगे
हम्म हम्म हम्म
खाली रहेंगे दोनों हाथ
(क्या लाये)
क्या ले जाओगे
ओ ओ ओ ओ ओ ओ
रह गई तेरे
करम की गठरी
रह गई तेरे
करम की गठरी
कुछ भी गया ना तेरे साथ प्यारे
अंधी है दुनिया
अंधी है दुनिया प्यारे
मतलब की दुनिया
दिल का करे ना कोई मो॰॰ल
(हम्म हम्म हम्म)
Lyrics (As Per Video)
Part II (incomplete)

jag mein gyaani laakhon aaye
jag mein gyaani laakhon aaye
samjha ke gaye sab haar
jag mein gyaani
laakhon aaye
haaye ri duniya roti maange
haaye ri duniya roti maange
koi na maange pyaar
haaye re
andhi hai duniya
andhi hai duniya pyaare
paise ki duniya
duniya pyaare paise ki duniya
ae andhi hai duniya pyaare paise ki duniya
duniya pyaare paise ki duniya
dil ka kare na koi moh
raama

Part III (complete)
hmm hmm hmm
hmm hmm hmm
kya laaye
kya
(hmm hmm hmm)
le jaaoge
hmm hmm hmm
ho o o o
o o
khaali rahenge donon haath
kya laaye
kya le jaaoge
reh gayi tere karam ki gathhri
reh gayi tere karam ki gathhri
kuchh bhi gaya na tere saath pyaare
andhi hai duniya
andhi hai duniya pyaare
matlab ki duniya
dil ka kare na koi moh
hmm hmm hmm


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This song is from Master Bhagwan’s film ‘Damaad’ (1951). In the decade of 1940’s, Bhagwan had specialised in low budget C grade action and stunt films. Usually his films would be completed in Rs. 60 to 70 thousand rupees only. He used to churn out films after films with the same set of actors with almost the same story in all his films. The audience of Master Bhagwan’s films came to the theatre to see his antics and comedy, coupled with action scenes of fighting and incredible stunts.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 41
——————————–

Directed by R Kaushik, under the banner of ‘Lalmani Films, 1969 social film Sapna’ had the star-cast of Dilip Raj, Nivedita, Jagdip, Mohan Choti, Manmohan Krushna, KN Singh, Bhagwan Sinha, Preetam, Ganesh, Rinku, Bela Bose, Meenakshi, Sarita Devi, Sadhana Khote, Kalpalata, Ameena etc. Jaidev set the tunes to the lyrics by VN Mangal.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 36
———————————

1969 film ‘Jiyo Aur Jeene Do’ was produced by Apsara Arts, Bombay (now Mumbai) and directed by B Mastaan. The star cast consisted of Tanuja, Shailesh Kumar, Jeevan, Helen, Mohan Choti, Chand Usmani, Uma Dutt, Kundan, Meenakshi etc. Jaidev composed the music and there were two lyricists for the film, Naqsh Layalpuri and Hasrat Jaipuri.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 35
———————————

1969 film ‘Jiyo Aur Jeene Do’ was produced by Apsara Arts, Bombay (now Mumbai) and directed by B Mastaan. The star cast consisted of Tanuja, Shailesh Kumar, Jeevan, Helen, Mohan Choti, Chand Usmani, Uma Dutt, Kundan, Meenakshi etc. Jaidev composed the music and there were two lyricists for the film, Naksh Llyalpuri and Hasrat Jaipuri. The lyricist of this song is Hasrat Jaipuri. The singing voice is that of Rafi Sb.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 34
———————————

One more song from the film  ‘Jiyo Aur Jeene Do’ is a surprise song for me. I heard it for the first time due to the ‘meherbaani’ of ‘uperwala’. (Geographically Delhi is ‘uper’ to Mumbai.)  The second surprise is the sweet voiced singer.  Suman Kalyanpur has sung only two songs with Jaidev. (as far as I know)  The other one is “Mai Teri Dasi Tu Mera Data” from the 1972 film ‘Bhavana’.  After hearing this song every music lover would opine in unison, that they should have come together more often. One more rare occurrence is lyricist Hasrat Jaipuri providing lyrics for Jaidev.  I request our statisticians of the blog to make me ‘buddha’ (dictionary meaning – ‘one who knows’) about these statistics.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 29
—————————–

At last, “Mere DHIRaj ka badla SuDHIR-ji ne de hi diya.”

For quite a long time I was ignorant about this song except its mention in HFGK. Sudhirji, not only searched out the song for me, but also posted it on ‘YouTube’ to save my labour. I am going to thank him further, when as per his promise, he is going to colour-code the lyrics.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mukesh and his Composers – 9
————————————————

“Houston, we have a problem.”

This famous quote from the Hollywood film ‘Apollo 13’ (1995) pertains to the problem on board NASA’s unsuccessful mission to the moon. Though there is a different version to the line from NASA’s actual transcript, the phrase has now become part of everyday language for reporting any kind of problem.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 4
—————————————————–

Almost ‘Lolita’, but not quite so.  In the book, the young nympho is only 12 years old, and the old man is actually a pedophile.  In this Hindi film take off, the young girl is 18, and the old man is not a pervert, but is actually in love. And for all that matters, for all the time it matters, it is a two way love between the girl and the old man.

Around the time this film was relased, a joke was doing the rounds. Q: What is the height of good luck?  A: Amitabh in ‘Nishabd’.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13300 song posts by now.

This blog is active and online for over 3200 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13351

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Movies with all their songs covered =1012
Total Number of movies covered =3703

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Blog Start date: 19 july 2008 Active for 3000 days.
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