Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lata-Usha Mangeshkar duet’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4427 Post No. : 15851

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Blog 10-Year Challenge (2010-2020) – Song No. 67
———————————————————————————–

Ten years ago on this day (viz on 31 August 2010), the blog saw six songs from six movies get represented in the day.
Here are the details:-

Song Movie title-Year Remarks
Ae jaane e jigar dil mein samaane aajaa Aaraam-1951 All songs covered
Ek main hoon ek meri beqasi ki shaam hai Taraanaa-1951 All songs covered
Khushiyon ko lootkar yahaan Shirin Farhad-1956 All songs covered
Beet gayi hai aadhi raat Naache Naagin Baaje Been-1960 05 songs posted
Husn e jaanaa idhar aa Saathi-1968 All songs covered
Koi aur duniyaa mein tumsaa haseen hai Pyaar Ki Kahaani-1971 02 songs posted

Four of these movies have already been represented. Two unYIPPEED movies have one thing in common. Both of them made their debuts ten years ago.

One of these movies, viz “Naache Naagin Baaje Been”(1960) has already been taken up under “Blog Ten Year Challenge”. Here is a song from the other movie viz “Pyaar Ki Kahaani”(1971).

Younger music lovers may not think much of this movie. In fact they may not even be aware of this movie. As an “oldtimer”, I had heard of this movie as part of a string of flop movies that Amitabh Bachchan has figured in. The movie, directed by Ravikant Nagaich, had Amitabh Bachchan, Farida Jalal, Anil Dhawan, Tanuja, Prem Chopra, Bipin Gupta, Madhu Chanda, Praveen Paul, Agha, Mukri, Mohan Choti, Paintal,m Gulshan Bawra, Rashid Khan, Birbal, Yunus Parwez etc in it.

The movie had five songs in it. Three songs have been covered till now. Here are the details of the songs that have been covered so far:-

Song Posted On
Koi aur duniyaa mein tumsaa haseen hai 31 August 2010
Ek patey ki baat bataaun 11 october 2013
Ek khabar aayi suno ek khabar aayi 4 April 2015

Here is the fourth song from “Pyaar Ki Kahaani”(1971). This song is sung by Lata, Usha Mangeshkar and chorus. The song is picturised as a Saheli teasing a lady genre of song. I can identify Tanuja. Other than that I cannot identify others. I request our knowledgeable readers to help identify them.

Anand Bakshi is the lyricist. Music is composed by R D Burman.

Lyrics of this song were sent to me by Avinash Scrapwala.

This post is the 79th post for the month of August 2020. It stands nowhere in comparison to 176 posts published during August 2010. Nevertheless, this is the highest figure for a month in well over two years since April 2018. Hopefully we will be able to surpass this figure in the next month.

Video

Audio

Song-Baby tu chhoti hai (Pyaar Ki Kahaani)(1971) Singers-Lata, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics(Provided by Avinash Scrapwala)

umr hai satrah saal
itni lambi chhoti hai ae
dekho meri aankh bhi
satranj ki goti hai
arey umr hai satrah saal
itni lambi chhoti hai
dekho meri ee aankh bhi
satranj ki goti hai
baby tu chhoti hai
baby tu chhoti hai ae
baby tu chhoti hai
baby tu chhoti hai

chori ee se tum sab
kya baaten karti ho
mujhko batlaao
kyun mujhse darti ho
haan
khud ko tum itnaa khilaadi na samjho
mujhko tum itnaa anaadi naa samjho
achchaa
ye bataa do pyaar kya
cheez hoti hai
arey baby tu chhoti hai
baby tu chhoti hai ae

baby tu chhoti hai
baby tu chhoti hai

arey umr hai satrah saal
itni lambi choti hai
dekho meri ee aankh bhi
satranj ki goti hai

kaliyon ko bhanwaraa
kyun choomaa kartaa hai
parbat pe baadal
kyun jhoomaa kartaa hai ae
bataao
kaise

hmm mm
main kyaa jaaanu
tujhpe bhi jis din jawaani aayegi
teri samajh mein ye kahaani aayegi
haan aa
jaagtaa hai dard kyun
jab duniyaa soti hai
arrey baby tu chhoti hai

baby tu chhoti hai ae
baby tu chhoti hai
baby tu chhoti hai
baby tu chhoti hai
baby tu chhoti hai

umr hai satrah saal
itni lambi choti hai ae
dekho meri aankh bhi
satranj ki goti hai

baby tu chhoti hai
baby tu chhoti hai ae
baby tu chhoti hai
baby tu chhoti hai


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4413 Post No. : 15812

Today’s song is from film Patrani-1956. It was a Prakash Pictures’ film, produced by Shankarbhai Bhatt-the elder brother and directed by Vijay Bhatt, the younger brother. The music was by Shankar-Jaikishen (S-J). Songs were written by Shailendra (9) and Hasrat Jaipuri (1).

In my last post, I had talked about songs from the 50’s decade, especially songs from Shankar-Jaikishen films of this decade. I was determined to discuss such songs from Shankar-Jaikishen in the 50’s, so I started scanning each of their films made in the 50s. From 1951 to 1960, Shankar-Jaikishen gave music in a total of 41 films. First, I made a list and then revised it to an alphabetical list. That way, it would be easier for me to check songs from every film, from the Blog’s ” List of songs-moviewise”. Before starting, I went through the list once again and my heart sank. Looking at the titles of the films, I was afraid that most films must have already been ‘ Yippied ‘.

When I sat at the Laptop and started going through the movie titles, my worst fears seemed to get confirmed. When I finished scanning all the 41 films, I found that as many as 40 films out of the 41 total films had been Yippied, with all their songs covered. Only 2 songs from the film Patrani-56 miraculously remained uncovered yet. I felt like ‘ खोदा पहाड और निकला चूहा ‘. At this point , I remembered that in Nov-Dec-2015, I had myself done a series ” Songs of Shankar-Jaikishen from the 50’s “, in this Blog. In this series, I think, I must have discussed some 15 songs from 15 such films. Film Patrani-56 song was also one of that series, I remember.

Today’s song is from the film Patrani-56, and Shankar- Jaikishan were the Music Directors. Yesteryear composer Lallubhai Nayak was their assistant in this film. Lallubhai was the First music Director of Prakash Pictures since 1934. He gave a break to Rajkumari in 1934. He was a paid composer with Prakash in the 30s. Later he was first replaced by Shankar Rao Vyas and then by Naushad. After 1948, Lallubhai was living an anonymous life. Shankar Jaikishan brought him again in the industry with Patrani-56, to help him financially.

Patrani-56 was probably the First film of Shankar Jaikishan after they fought back and gained control over their music compositions in Raj Kapoor movies where Raj Kapoor used to exercise control over their compositions till then.

The film is set in Gujarat in the 11th century. it was based on a novel by Kanhaiyalal Munshi. The producers took plenty of cinematic liberties with the novel. PATRANI-1956 was supposed to be a Historical film,but there is no base for its story in real History. As I said once,Historical movies in India are most of the times ’Distortical’ movies, either being imaginary or bent for cinematic liberty.

A Prakash picture’s film (actually they were known for Mythological films), it was directed by Vijay Bhatt,its owner himself. The story,Dialogues and Screenplay was by R.S.Chaudhary. The music was by Shankar-Jaikishen and their assistant in this film was Lallubhai Naik, who played Sarod in this film.

The story of Patrani -56 was…..

King Karnadev Solanki,king of Gujrat(Pradeep Kumar) had many queens but no issues. The Rajmata(Durga Khote) insisted that he marry another girl after ascertaining astrologically her capability to give children.

The king had seen one princess in Somnath temple once and wanted to marry only her.But he does not know who she is. Actually she is princess Mrinal(Vyjayanti Mala) daughter of King Jai keshi(Ramesh Sinha) ofKarnatak.She was on a Teerth yatra when she saw Karnadev. She also wanted to only marry him,but did not know who he was.

Munjal Mehta (David),Mahamantri of Karndev goes on a mission and soon finds out Mrinal.She is beautiful,but her skin becomes black in the sunlight.Munjal knows Karndev’s dislike of black.mrinal is astrologically also fit.He tells her and shows the sketch of Karandev,after which she is happily ready to marry him.

They all travel to Gujarat, but during travel Mrinal’s skin becomes black.During marriage,there is a veil,but after marriage Karndev sees that she is black and rejects her.

She is good natured and becomes Raj mata’s pet. When the King falls sick, Mrinal serves him very well and slowly the King realises that outer skin colour does not make a person good or bad. He accepts her as she is and all’s well that ends well.

The cast of the film included Vaijayanti mala, Pradeep kumar, Omprakash, Shashikala, Praveen Paul, Sheela Vaz, Helen, David, Jeevan and many others.Actress Praveen Paul was born in 1930 in Punjab. She entered films in 1953, with the film Naulakha Haar-53. She did 128 films.Her last film was Sawerey wali gaadi-86. After her first marriage ended, she got involved with actor K.N.Singh. K.N.Singh was married and never acknowledged Praveen. They were involved with each other for 25 years. From this relationship , they had a son named “Vibhu”. He also went by the name’s “Vibhu Paul”,”Vibhu Singh”. He is now known as “Vibhushan Singh Paul” and is based in Toronto, Ontario,Canada. He is an owner operator of a Transport company. He has a daughter named Sarah Faria who is married to Cyrus Faria. K.N.Singh never publicly accepted Vibhushan as his son. (Thanks to IMDB).

This film’s Hero Pradeep Kumar was a fortunate actor. He was the first choice to play prince/king in numerous Hindi films. His talwar-cut moustache, broad shoulders, receding-into-his-temples coiffure, peaches-and-honey complexion, and regal bearing made him fit the role of an amorous aristocrat like a made-to-order crown.

Pradeep was the kind who could smoke a hookah with the same élan as while puffing State Express cigarettes when he played the modern lover.

Pradeep Kumar aka Sital Batabyal was born on 4 January 1925. Pradeep bided his time till he was 17 years old before he announced his decision to pursue an acting career. Despite his father’s disapproval, Pradeep began acting on stage. During one of his performances, renowned filmmaker Debaki Bose spotted him and cast him in a Bengali film, Alaknanda (1947).

Encouraged, Pradeep moved to Mumbai and found a job in the bustling Filmistan Studio. He brushed up on his Hindi and learnt Urdu in a bid to make an impression in his first Hindi film, Anand Math (1952). The film, set in the 18th century, had strong nationalistic overtones and co-starred Prithviraj Kapoor and Geeta Bali. The Vande Mataram number from this film became a cult success.

In the next two years, Pradeep’s career escalated to the top with two hugely successful musical hits — the Bina Rai-starrer Anarkali (1953) and the Vyjayanthimala-starrer Nagin (1954). While Anarkali revolved around the eternally popular legend of Mughal prince Salim’s passionate affair with a commoner Anarkali, Nagin was a reed-slim romance between two lovers belonging to rival snake-catching tribes.

The songs of both films (Nagin had as many as 12) had audiences transfixed. Pradeep’s lessons in fencing for Anarkali and his gamble of letting a python play on his wrist for Nagin paid off.

Pradeep’s regal demeanour won him legions of fans. He went on a signing spree (in 1956, he had 10 releases) and inked deals with V Shantaram (Subah Ka Tara) and Raj Kapoor (Jagte Raho).

All the top-notch heroines of the 1950s — Nimmi (Jayshree), Nargis (Adalat), Nutan (Heer), Meena Kumari (Bandhan) — were paired with Pradeep.

After Rajhath (1956), the actor tried desperately to make a hit pair with the beauteous Madhubala. They did as many as five other films together — Yahudi Ki Ladki (1957), Gateway Of India (1957), Police (1958), Mahlon Ke Khwaab (1960) and Passport (1961), but Pradeep’s efforts were in vain.

His films with lucky mascot Vyjayanthimala (including his home production Ek Jhalak) did not enjoy even a fraction of the success of Nagin. But his pairing with Bina Rai seemed to have stilled the wings of time. This teaming salvaged Pradeep’s career from the late-1950s dip, first with Ghunghat (1960) and more decisively with Taj Mahal (1963). Even a decade after Anarkali, Pradeep could evoke a regal aura while playing love-struck Mughal royalty. Roshan’s dulcet duet, Paon chhu lene do toh and Jo vaada kiya from Taj Mahal, like an unforgettable promise, continue to haunt radio listeners even today.

Pradeep’s career got a further fillip with Rajshri’s social, Aarti. Meena Kumari and Pradeep played lovers who bond together because of their common desire to serve the poor. But their love story comes under a cloud when a rich, unscrupulous doctor (played by the late Ashok Kumar) is irretrievably drawn towards Meena Kumari. Aarti’s success ensured that Pradeep and Meena worked unceasingly in a series of films. Pradeep once said, “Meena and I made a fine pair and worked very well together, but her husband did not like our friendship.”

He worked with Meena Kumari in seven films; Adil-E-Jahangir, Bandhan (1956 film), Chitralekha, Bahu Begum, Bheegi Raat, Aarti and Noorjehan; and with Mala Sinha in eight films; Naya Zamana, Hamlet, Baadshah, Detective (1958 movie), Fashion (1959 film), Ek Shola, Duniya Na Maane, and Mitti Mein Sona.

He did not get to act in lead roles with the newer heroines of the 1960s such as Sadhana, Saira Banu, Babita or Sharmila Tagore, though he did work with Asha Parekh in Ghoonghat and Meri Surat Teri Aankhen and with Waheeda Rehman in Raakhi (1963). In 1969, he moved to character roles with Sambandh and Mehboob Ki Mehndi, but did not have many visible roles till Jaanwar and Razia Sultan in 1983.

The first Meena-Pradeep film to release on the heels of Aarti was Kidar Sharma’s Chitralekha (1964). Pradeep played the hedonistic Samanta Beejgupta in this period film set in the Gupta period. Despite lavish production values, the stolid support of veteran Ashok Kumar and exquisite penmanship by Sharma and Sahir, the film collapsed at the box office. Kalidas’s love triangle Bheegi Raat, which featured the tried triangle of Ashok Kumar, Meena Kumari and Pradeep once again, was an average success. But M Sadiq’s Muslim socials Bahu Begum (Ashok Kumar again) and Noorjehan, both released in the same year, spelt the death knell for the team.

Pradeep, who had not signed a single film with the new breed of successful heroines of the 1960s like Sadhana, Saira Banu and Sharmila Tagore, suddenly found himself without a rudder.

In 1969, Pradeep saw a glimpse of success once again with Sambandh, albeit in a character role. Ironically, Ajoy Biswas, the director of Sambandh, who had provided him with a short burst of fame, caused him a lot of heartburn too. Biswas had a short-lived and unhappy marriage with Pradeep Kumar’s actress daughter, Bina.

Pradeep’s princely persona and impeccable Urdu was relegated to the pages of history for the next decade and more. But the onscreen prince was destined to play an emperor in Kamal Amrohi’s Razia Sultan (1983). Pradeep Kumar acted in 144 Hindi films. He directed one film-Do dilon ki dastan-1966. He won the Kalakar Award-Lifetime Achievement Award (1999).

The semi-retired Pradeep played the emperor as only he could — forcefully. After all, he had played blue-blooded characters all his life. He lived a life removed from the spotlight for the next 18 years. His end was pathetic. Pradeep Kumar’s case is the saddest. He lay seriously ill in the ICU of a Calcutta nursing home, abandoned by his relatives. The hospital was not discharging him, unless the bills were paid. Luckily one Mr. Pradeep Kondaliya, an estate agent, recognised him, despite his grown beard. He paid the huge outstanding bill of the hospital and took Pradeep Kumar to his home, where he passed away after a few days,on 28-10-2001, at the age of 76 years.. He was cremated by his fan. Such is the film industry – cruel and ruthless, where the recognition lasts only till one is successful, and even close relatives desert you in bad times.

He is survived by his daughters Reena, Meena and Beena Banerjee who plays character roles in movies and TV serials including Uttaran, son Debiprasad and granddaughters Tanisha, Suparna, Riya and Hrishita. Beena Banerjee’s son Siddharth Banerjee worked as assistant director in Sajid Khan’s Housefull 2 (2012) and Himmatwala (2013).

(Ack: adapted from an article ” Ever the Royal” by Dinesh Raheja in Rediff.com dt 2-6-2003 and my notes, HFGK and muVyz. Thanks to all).

So, here is the song from the film Patrani-56, with music by Shankar-Jaikishen. It is sung by sisters Lata and Usha Mangeshkar with chorus. Enjoy….


Song-Raaja pyaare mat karo pyaar ka mol (Patraani)(1956) Singers-Lata, Usha Mangeshkar, Lyrics-Shailendra, MD-Shankar Jaikishan
Chorus

Lyrics

raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol

is duniya mein
ho is duniya mein ek yahi cheez anmol
raaja pyaare
mat karo pyaar ka mol
raaja pyaare
ae ae
ae ae

tum khushiyon ke saagar pyaare
main ithlaati lehri
tum khushiyon ke saagar pyaare
main ithlaati lehri
tum umde to o o
o o o
tum umde to main lehraayi
varna thahri thahri
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
is duniya mein
ek yahi cheez anmol
raaja pyaare
ae ae
ae ae

satrangi kirnon ke sooraj
tumse jag mein jyoti
satrangi kirnon ke sooraj
tumse jag mein jyoti
main shabnam
ho o o o
o o
main shabnam tum se hi jagmag
varna jhoothha moti
raaja pyaare
ho raaja pyaare
mat karo pyaar ka mol
raaja pyaare
mat karo pyaar ka mol
is duniya mein
ek yahi cheez anmol
raaja pyaare
ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4198 Post No. : 15381

“Sangdil” (1967), unlike “Sangdil”(1952) is a less known movie. It was directed by Dharam Kumar for Alamdeep Productions, Bombay. This B grade movie had Manohar Deepak, Bhagwan, Johnny Walker, Surendra, Ameeta, Dara Singh, Anwar, Indira, Satish etc in it.

“Sangdil”(1967) had five songs in it that have been forgotten with time. But these songs are forgotten gems.

One song from “Sangdil”(1967) has been covered in the blog. Here is the second song from the movie to appear in the blog.

This song is sung by Lata and Usha Mangeshkar. Naqsh Llayalpuri is the lyricist. Music is composed by G S Kohli.

The song is picturised as a synchronised dance song on a stage, watched by a house full audience in a hall.

I am unable to identify the two dancers. I request our knowledgeable readers to help identify them.


Song-Badi kaafir tumhaari nazar nikli (Sangdil)(1967) Singers-Lata, Usha Mangeshkar, Lyrics-Naqsh Llayalpuri, MD-G S Kohli
Both

Lyrics

Badi kaafir tumhaari nazar nikli
o Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli

mehfil mein tumhaare jalwon mein
o o o
kya mujhpe qayaamat dhhaayi hai
kya mujhpe qayaamat dhhaayi hai
sau baar to dhhalka hai aanchal
sau baar ye nazar sharmaayi hai
sau baar ye nazar sharmaayi hai
ye mulaaqaat jaadoo asar nikli
kyun Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli

tum hosh mein rehna ae saaqi
o o o o o
mumkin hai rahe na hosh mujhe
mumkin hai rahe na hosh mujhe
ab mera sambhalna mushqil hai
behkoon to na dena dosh mujhe
behkoon to na dena dosh mujhe
saat rangeen pichhle pahar nikli
o Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4151 Post No. : 15317

“Parvarish”(1977) was directed by Manmohan Desai for A G Films, Bombay. This movie had Shammi Kpoor, Amitabh Bachchan, Vinod Khanna, Nitu Singh, Shabana Azmi, Kadar Khan, Amjad Khan, Dev Kumar, Indrani Mukherji, Hina Kausar, Master Ratan, Master Tito, Chand Usmani, Sheikh, Bhushan Tiwari, Viju Khote, Tom Alter, Yusuf, Meena, Baby Shalu, Moolchand etc in it.

This movie had six songs in it. Four of these songs have been covered in the past.

Here is the fifth song from the movie to appear in the blog. This song is sung by Lata and Usha Mangeshkar. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

This song is picturised on Shabana Azmi and Nitu Singh who play pickpockets on the streets of Bombay.While Nitu Singh was a natural in such a role, Shabana Azmi was a total misfit in this role. So movie makers rightly avoided goving her similar non serious roles in future.


Song-Ye oonche mahal suhaane sab janta hai hai(Parvarish)(1977) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus

Lyrics

ho ho
lalalalalala
lalalalaala
lalaalala
lalalala

ye oonche mahal suhaane
sab janta ka hai
ye oonche mahal suhaane
sab janta ka hai
ye rupaiye paise aane
sab janta ka hai
ye ghadi ye batuye chhupe khazaane
sab janta ka hai
ye pehle thha tumhaara lekin
ab janta ka hai
ye pehle thha tumhaara lekin
ab janta ka hai
ye oonche mahal suhaane
sab janta ka hai
ye rupaiye paise aane
sab janta ka hai
ye ghadi ye batuye chhupe khazaane
sab janta ka hai
to janta ko hi de do jab ye
haq janta ka hai
to janta ko hi de do jab ye
haq janta ka hai
ye oonche mahal suhaane
sab janta ka hai

shabbu kaisi ye aaj kal ki reet hai
kaale bazaar waali
neetu andar bhara godaam hai magar
baahar dukaan khali
shabbu kaisi ye aaj kal ki reet hai
kaale bazar wali
neetu andar bhara godam hai magar
baahar dukaan khali
bachchaa jo line mein lag raha
vo budhha ho ke palat raha
genhu chawal
hera pheri ka kaam dikhaaye
sab janta ka hai
to janta ko hi de do jab ye
haq janta ka hai
to janta ko hi de do jab ye
haq janta ka hai

ye oonche mahal suhaane
sab janta ka hai

bhagwan hum agar isi tarah apni muraad paayen
halve mithhaayi ka sada tumhen parshaad hum chadhaayen
bhagwan hum agar isi tarah apni muraad paayen
halve mithaayi ka sada tumhen parshaad hum chadhhaaye
par kab tak yoon hi khade rahen
hum kya baahar hi ade rahen
hey pandit ji
tum gher ke jisko baithhe ho
vo rab janta ka hai
to janta ko hi de do jab ye
haq janta ka hai
to janta ko hi de do jab ye
haq janta ka hai

ye oonche mahal suhaane
sab janta ka hai

dekho re is tarah saji bani jaati hai kiski doli
kis aan ban se ye ja rahi baaraatiyon ki toli
dekho re is tarah saji bani jaati hai kiski doli
kis aan ban se ye ja rahi baaraatiyon ki toli
armaan hai main sajoon kabhi pyaari si dulhan banu kabhi
sun o pagli mat bhool nibhaana humko bhi kartab janta ka hai
phir shadi bhi kar lenge jab ye
haq janta ka hai
phir shadi bhi kar lenge jab ye
haq janta ka hai
ye oonche mahal suhaane
sab janta ka hai
ye rupaiye paise aane
sab janta ka hai
ye ghadi ye batuye chhupe khaazane
sab janta ka hai
to janta ko hi de do jab ye
haq janta ka hai
to janta ko hi de do jab ye
haq janta ka hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3646 Post No. : 14475

“Naujawaan”(1966) was directed by Chaand for S S Films, Bombay. This stunt film had Dara Singh, Ajit, Nishi, Helen, Randhawa, Tiwari, Madan Puri, Kundan, Sundar, Randheer, Chaman Puri, Gauri, Neelam, Bela Bose, Madhu Malti, Ramlal Malik, Veena etc in it.

The movie had five songs in it. One song has been covered in the past.

Here is the second song from “Naujawaan”(1966) to appear in the blog. The song is sung by Lata and Usha Mangeshkar. anjaan is the lyricist. Music is composed by G S Kohli.

The song is picturised as a synchronised dance song on Helen and another female dancer whom I am unable to identify. Ajit and Dara singh are also visible in the picturisation. I hope I have identified Helen correctly. 🙂

I request our knowledgeable readers to help identify the other actors in the picturisation whom I have not been able to identify.


Song-Majnu sa aashiq mar gaya (Naujawaan)(1966) Singers-Lata, Usha Mangeshkar, Lyrics-Anjaan, MD-G S Kohli

Lyrics

majnu sa aashiq mar gaya
hmm hmm
lekin naseehat kar gaya
kya
karta main tauba ishq se
aaya mizaaje shareef mein aaya
aaya mizaaje shareef mein
majnu sa aashiq mar gaya
lekin naseehat kar gaya
kya
karta main tauba ishq se
aaya mizaaje shareef mein aaya
aaya mizaaje shareef mein
majnu sa aashiq mar gaya
lekin naseehat kar gaya

bade naseeb se dil mein
wo aaj aaye hain aen
aji wo aaye hain aen
abhi to aaye hain aen
junoon e ishq mein ae
junoon e ishq mein
hum aaj ladkhadaaye hain
junoon e ishq mein
hum aaj ladkhadaaye hain
ye haal dekha ajab tera
ghabraa ke dil ne ye kaha
kya
karta main tauba ishq se
aaya mizaaje shareef mein aaya
aaya mijaaje shareef mein
majnu sa aashiq mar gaya
lekin naseehat kar gaya

hansi hansi mein aashiqui mein
jaan jaane de ae ae
ye jaan jaane de ae
ho jaan jaane de ae
haseen maut ko o o
haseen maut ko
hans kar gale lagaane de
haseen maut ko hans kar gale lagaane de
ye ishq ki hai ibtida
kya hogi iski intiha
karta main tauba ishq se
aaya mizaaje shareef mein aaya
aaya mizaaje shareef mein
majnu sa aashiq mar gaya
lekin naseehat kar gaya
kya
karta main tauba ishq se
aaya mizaaje shareef mein aaya
aaya mizaaje shareef mein
majnu sa aashiq mar gaya

khayaal kya hai tumhaara
ke main nashe mein hoon
aji hoon hosh mein
khuda kasam
maze mein hoon oon oon oon
sukoon dil ka
tamanna ki har khushi le le
ye wo nasha hai
jo jeete ji zindagi le le
ye ishq aag hai
is aag mein jal jaane de
ye pyaar dhokha hai
ye dhokha
hans ke khaane de
sambhaal khud ko zara
haan
ye dil sambhalta nahin
to phir na ishq se dar
ye dar nikalta nahin
aa
aa aa aa
aa aa aa
aa aa aa aa
aa aa aa aa

ye poochh humse ae
ye poochh humse
lutf kya hai dil lagaane mein aen
bada maza hai kaleje pe chot khaane mein
aashiq khushi se mar gaye
buzdil naseehat kar gaye
karta main tauba ishq se
aaya mizaaje shareef mein aaya
aaya mizaaje shareef mein
aaya mizaaje shareef mein
aaya mizaaje shareef mein


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3534 Post No. : 14195

“Pardesi”(1970) was a “social” movie which was produced and directed by Kundan Kumar for Kundan Films, Bombay. The movie had Biswajeet, Mumtaz, Kanan Kaushal, Sujeet Kumar, Padma, Manmohan, Sulochana, Manmohan Krishna, Brahmchaari, Shabnam, Lata Bose, Keshav Rana, Jayshree T, Geetanjali, Bhagwan Sinha, Jankidas, Har Shukla, Anand Joshi, Jugal Kishore, Dinanath, Shah, Abu Bakar, Manohar, Nishaat, Jeevan etc in it.

The movie had six songs in it. Five songs have been covered in the past. Here are the details of the five songs covered so far:-

Song Title

Post No.

Post Date

Pardesi piyaa ho pardesi piyaa 6339 31-Jul-12
Lagi na chhootegi pyaar mein zaalimaa 10497 16-Nov-14
Kal ki kuchh adhoori baaten hain zaroori 13303 3-Jun-17
Daakaa daaley been tihaari 13494 1-Aug-17
Mere gore ang base pyaar piya tera 13494 21-Mar-18

Here is the sixth and final song from “Pardesi”(1970) to appear in the blog. This song is sung by Lata and Usha Mangeshkar. Majrooh Sultanpuri is the lyricist. Music is composed by Chitragupta.

What a hidden gem of a song it is ! It is a synchronised dance song picturised on Mumtaz and Padma Khanna. The picturisation shows people gathered around the dancers who sing and dance while we have Manmohan Krishna playing “Been” and a gentleman (whom I am unable to identify) playing guitar.

This song can be described as a snake dance song, a dance form which has become quite popular nowadays thanks to Bangladeshi cricketers. 🙂 The snake dance steps of theb Bangladeshi cricketers were taken from the “Nagina”(1986) song Main teri dushman dushman tu meri main naagan to sapera. This dance step has been mass copied by Sri Lankan cricket watching public as well as famous people (like Sunil Gavaskar, for instance) by now. So the “novelty” value of that snake dance step has been lost. Have no worry. Here is another snake dance song, one that is performed by Mumtaz and Padma Khanna. Being a synchronised dance song, it is a fit snake dance song for a pair of Bangladeshi batsmen batting together at the crease. They can dance like Mumtaz and Padma Khanna whenever they feel that that are on the verge of winning a match. 🙂 And do not forget to give credit to me for this wonderful snake dance song. 🙂

With this song, “Pardesi”(1970) joins the list of movies that have all their songs covered in the blog.


Song-Din raat jaley ankhiyaan (Pardesi)(1970) Singers-Lata, Usha Mangeshkar, Lyrics-Majrooh Sultanpuri, MD-Chitragupta
Both

Lyrics

din raat jaley akhiaan..aan..aan..aan
karoon yaad teri batiyaan..aan..aan..aan

din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan

tere liye chal ke jidhar gayi re
apni hi chhaaya se mein darr gayi re
tere liye chal ke jidhar gayi re
apni hi chhaaya se mein darr gayi re
birhaa..
kuchh kaari..
aisi..
andhiaari..
dhadak rahi
taaron ki chhatiyaan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan

kahaan hain wo jaadu bhare nayan tere
tu hi jo utaare to zehar utrey
kahaan hain wo jaadu bhare nayan tere
tu hi jo utaare to zehar utrey
saajan
teri ho ke
khaaun jab dhokhe
hans hans ke nihaaren sakhiyaan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan

aana hai to abhi aa ja o sajna
kal tak aaya bhi to jiungi kahaan
aana hai to abhi aa ja o sajna
kal tak aaya bhi to jiungi kahaan
aa re
piya aa re
jhaankun
khadi dwaare
tan pe sajey
main phul patiaan
din raat jaley akhiaan..aan..aan
karoon yaad teri batiyaan..aan..aan
piya tu hai kidhar
chadha jaaye re zehar
naagin si dasey ratiyaan
din raat jaley akhiaan..aan..aan

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

दिन रात जले अखियाँ॰॰आँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ॰॰आँ

दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ

तेरे लिए चल के जिधर गई रे
अपनी ही छाया से मैं डर गई रे
तेरे लिए चल के जिधर गई रे
अपनी ही छाया से मैं डर गई रे
बिरहा॰॰
कुछ कारी॰॰
ऐसी॰॰
अंधियारी॰॰
धडक रही तारों की छतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ

कहाँ हैं वो जादू भरे नयन तेरे
तू ही जो उतारे तो ज़हर उतरे
कहाँ हैं वो जादू भरे नयन तेरे
तू ही जो उतारे तो ज़हर उतरे
साजन
तेरी हो के
खाऊँ जब धोखे
हंस हंस के निहारें सखियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ

आना है तो अभी आ जा ओ सजना
कल तक आया भी तो जियूँगी कहाँ
आना है तो अभी आ जा ओ सजना
कल तक आया भी तो जियूँगी कहाँ
आ रे
पिया आ रे
झाँकूँ
खड़ी द्वारे
तन पे सजे
मैं फूल पतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ
करूँ याद तेरी बतियाँ॰॰आँ॰॰आँ
पिया तू है किधर
चढ़ा जाएरे ज़हर
नागिन सी डसे रतियाँ
दिन रात जले अखियाँ॰॰आँ॰॰आँ


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3499 Post No. : 14059

“Jyoti”(1969) was produced by A Devdas and directed by Dulal Guha for Chitra Mitra productions. The movie had Sanjeev Kumar, Nivedita, Aruna Irani, Abhi Bhattacharya, Tarun Bose, Moppet Soorja aka Sarika, Lalita Kumari, Jagdeep, Gopal Saigal, Pardesi, Shekhar Purohit etc in it.

The movie had five songs in it. Four of these songs have been covered in the past. Here are the details of the four songs that have been covered in the past :-

Song Title

Post No.

Post Date

Soch ke ye gagan jhoome abhi chaand nikal aayegaa 1799 24-Aug-09
Sun munne mere aa maine tujhe 11440 1-Oct-15
Pag mein ghunghroo chhanke 13099 1-Apr-17
Aankh meri galti se lad gayi 14021 6-Feb-18

Here is the fifth and final song from “Jyoti” (1969) to appear in the blog. The song is sung by Lata and Usha Mangeshkar. Anand Bakshi is the lyricist. Music is composed by S D Burman.

The song is picturised as a Lord Krishn bhajan song on Nivedita and her kid. Her kid is shown growing up as the bhajan progresses and by the time the last stanza appears, the kid grows up to become baby Sarika who(she plays the son, I think) joins Nivedita in singing the last stanza of the bhajan. Sanjeev Kumar, not quite as god fearing as his adarsh bhartiya naari wife, is seen tearing his hair apart at all this bhajan singing. 🙂

With this song, “Jyoti” (1969) joins the list of movies that have all their songs covered in the blog.


Song-Mere Shyaam mere Nandlaala (Jyoti)(1970) Singers-Lata, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics

Hey Krishn Kkarunasindhu
deenbandhu jagatpati
Gopesh Gopikakant
Radhakant
namastute

mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala

jeewan apna hai kya giridhaari
praan hamaare tere pujaari
jeewan apna hai kya giridhaari
praan hamaare tere pujaari
saans ki dori tere naam ki maala
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
vrindaavan ki kunj galiyan mein
aaj bhi madhuban ki kaliyan mein
dhoondhhti hogi tujhe koi brijbaala
mere shyaam
mere nandlaala
ho o sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala

chaahe na maane saari nagariya
maine suni hai teri baansuriya
chaahe na maane saari nagariya
maine suni hai teri baansuriya

main kaise maanoon nahin
ho o o o
main kaise maanoon nahin baansuriwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala
sagre jagat ka hai tu hi rakhwaala
mere shyaam
mere nandlaala aa
mere shyaam
mere nandlaala


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Delhi Junction”(1960) was produced by RL Sharma and directed by Mohammad Hussain for Nigaaristan (India) Films, Bombay. The movie had Ajeet, Shakeela, Nishi, Maruti, Manorama, Tiwari, Pran, Protima Devi, Murad, Rafiq, Kamal Mohan, Harun, Anwari Bai, Pal Sharma, Jagdish Kanwal, Nadir, Satish, Sadiq, Sarita, Kukku, Rajni, and Khurshid etc in it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 34
– – – – – – – – – – – – – – –

Yesterday, 25th July, was the anniversary of passing away of GS Kohli, the music director extraordinaire. He passed away in 1996, in Bombay.

A long time assistant music director to OP Nayyar, he had a short stint as an independent music director in the decade of 1960s. Despite a load of fantastic lilting songs in all his films – songs that became instant hits, very popular in their times, and still continue to be favourites of the lovers of the golden era of Hindi film music – he remained confined to B/C grade stunt films only. He continued to work as OPN’s assistant before, during and after his stint as an independent music director.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naunihaal” (1967) was a Mercury Production movie. It was directed by Raj Marbros. The movie had Balraj Sahni, Sanjeev Kumar, Indrani Mukherji, Jagdeep, Harindranath Chattopadhyay, Abhi Bhattacharya, Asit Sen, Madhvi etc in it.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15932

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Movies with all their songs covered =1224
Total Number of movies covered =4365

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