Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for May 2021


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4700 Post No. : 16400

———————————–
This Week, That Year – 7
———————————–
30May – 05Jun, 2011

Celebrations today – the first item of order. Yes, the two numbers above are telling a telling tale (pardon the pun please). I have been on board now, well, it seems all my life now. Yes, so many years ago. And as we continue this relentless beat forward, I continue to keep marveling – at the fact that the blog seems to have gotten a life of its own and the bandwagon continues to chug along merrily.

It is stated often – the destination is not of any import. It is the journey that has to be enjoyed. And as this blog keeps growing from height to height and going from strength to strength, these minor milestones and even the major milestones have really become a matter of routine. Ok yes – another century, well, this number of days, well, this average of songs per day, well. . .  As I said, just a matter of routine that these stations come and go past quickly.

Ah but the journey – that is where the real joy is emerging. Yes, we had those days when 5,000th and 10,000th songs were such a big deal and Atulites of all shades were pinned to the emails and whatsapp chats as if the World Cup finals were on and both Gavaskar and Tendulkar were on crease, going full blast. I am sure the regulars have those days cemented into memory. The heady heights that we used to cheer and celebrate about.

I do not mean to say that we do not or will not continue to celebrate the milestones. But the drummer’s beat has changed somewhat. The magic of the daily routine is just unbelievable. There is such a serene comfort in the incessant regularity. A trust, a confidence, just like the Sun rising every day (well, some rare days may have clouds also). But then the Sun is there, and will appear in all its glory tomorrow morning again.

I know that most bandwagoneers will agree with me – the blog has become a foundational regularity in life, and whether or not I will open the browser early morning, I know that a new post will be there.

A new post, a new song – another gem to ruminate on today, from the ocean that is the Hindi film song. With the incessant dipping into this ocean every day, and the incessant pulling up of pearls and gems of the first water – one starts to believe. Starts to believe that there is a blessing that has descended on this concept, and the upon the fortunate ones who are connected with it, making our own, and many other lives meaningful.

The heart brims over, the mind stalls, the words slow down – enough been said, and yet, more than that enough still remains to be said. I had come across a quote from Rumi couple of days back – “The closer I get, the more I see how far I am”.

And the bandwagon chugs along. . .

4,700 days, 16,400 posts. And you must consider, the number of songs contained therein are much more – on account of multi part and multi version songs. By my tally of data that we are maintaining, the song count stands today, with this post – 17,010.

And there is still an ocean awaiting us. . .

Ok so, the week that was 30th May to 5th June in 2011 – the summer of 2011. Goodness, one of the slowest weeks I have written about in this series so far. Three dot days, four active days, and a total of 13 posts published. Atul ji, where were you located in the summer of 2011?

Let’s do the numbers first. A total of 13 posts and 12 films are showcased. One film ‘Mirza Ghalib’ (1954) comes in with two posts.

We had 4 debut films this week. No films got yippeee’d during the week. Of the 12 films that got featured, 7 films have since been yippeee’d. If we factor in the possibly untraceable songs, then we have two more films being Yippeee’d conditionally. Hmm, that is a very good %. Only three films out of the 12 posted, are still showing the pending status.

Looking at the distribution by decades, we have the following data,

1930s   1
1940s   5
1950s   6
1970s   1

Majority focus is on the Godlen Era.

No milestones got breached this week.

Here is the week’s data in table form.

Blog Ten Year Challenge (2011-2021) Series
Sl.No. Movie Name Year HFGK NoS ASAD NoS Possible UT Deb/Yip Milestone Film Status Pending
30-May-11
[No Posts]
31-May-11
1 Tansen 1943 13 13 Yippeee’d
2 Meena Baazaar 1950 12 12 Yippeee’d
3 Do Phool 1958 9 9 Yippeee’d
1-Jun-11
1 Bhakt Soordas 1942 15 14 1 Yc 1 UT
2 Bholi 1949 10 3 D Pending 7
3 Hyderabad Ki Naazneen 1952 6 7 Yippeee’d
2-Jun-11
1 Zameen Ke Taare 1960 8 3 D Pending 5
2 Mirza Ghalib 1954 11 12 Yippeee’d
3 Chor Baazaar 1954 6 6 Yippeee’d
4 Aakhri Sajdaa 1977 5 5 Yippeee’d
3-Jun-11
1 Pooran Bhagat 1933 20 6 D Pending 14
2 Mirza Ghalib 1954 11 12 Yippeee’d
3 Bhanwraa 1944 11 10 1 D Yc 1 UT
4-Jun-11
[No Posts]
5-Jun-11
[No Posts]

After a no show on 30th May, the next day (31st May) has three films that featured on the blog – ‘Tansen’ (1943), ‘Meena Bazaar’ (1950) and ‘Do Phool’ of 1958. All three films have been Yippeee’d. And that actually posed a problem for me.

On 1st June, again three posts and three films – ‘Bhakt Soordas’ (1942), ‘Bholi’ (1949) and ‘Hyderabad Ki Naazneen’ (1952). ‘Bhakt Soordas’ is now already at the conditional Yippeee status. One song of this film, “Manuva Krishan Naam Rate Jaa.” is not traceable. No record was cut, and since the film is not available as yet, no way to say whether and how this song was presented in the film.

‘Hyderabad Ki Naazneen’ is Yippeee’d. And then ‘Bholi’ from 1949 still has many songs to go.

The problem that I mentioned in the 2nd previous paragraph, is that I do not have an available film from 31st May, to select a song for the post. And so I had to resort to pick a song from 1st June, and that to from, film ‘Bholi’, the only film from that date still having pending status.

On 2nd June, four films were added. ‘Mirza Ghalib’ (1954), ‘Chor Bazaar’ (1954) and ‘Aakhiri Sajda’ from 1977 have already been Yippeee’d.  The film ‘Zameen Ke Taare’ still remains pending.

‘Mirza Ghalib’ also featued in the post list on 3rd June. Two more films came up that day – ‘Pooran Bhagat’ (1933) and ‘Bhanwra'(1944). ‘Mirza Ghalib’ being Yippeee’d already, ‘Bhanwara’ entered the conditional Yippeee status, since all songs of this film are posted, except for one, the song being ” Yeh Dua Maango Haseenon Aashikon Ka Dum Rahe” is still to be traced. That leaves behind ‘Pooran Bhagat’ from 1933 which still has a lot of songs still awaiting to be posted.

The song that I have selected from ‘Bholi’ for this post here today, is a gem of a rendition by Shamshad Begum. This song is vintage Shamshad. One can clearly hear the ‘khanak’ in the voice, as she goes on to present a song of first realization of love. The words are very craftily woven by Ishwar Chandra Kapoor and the music is by Pt. Gobind Ram. A beautiful creation by any standards.

‘Bholi’ is produced under the banner of Murli Movietone, Bombay, and is directed by Ram Daryani. The star cast is listed as Geeta Bali, Prem Adeeb, Shashikala, Jeevan, Gulab, Khatoon, Nazeera, Sheila, Ishu, Gope, and Nawab. There are 10 songs listed, all from the pen of Ishwar Chandra Kapoor with music by Pt Gobind Ram.

Ok so, I have not used this word so far in the article.

But yes, Congratulations – very much in order.

Congratulations to us all.

Song – Piya Piya Tu Bol Papiha, Din Phaagun Ke Aaye  (Bholi) (1949) Singer – Shamshad Begum, Lyrics – Ishwar Chandra Kapoor, MD – Gobind Ram

Lyrics (Provided by Prakash ji)

piya piya tu bol papiha
din phagun ke aaye
jiya mera dola jaaye

piya piya tu bol papiha
din phagun ke aaye
jiya mera dola jaaye

ek daal pe khila hai genda
dooje daal chameli
koyal ban kar baag mein aayi
dulhan nai naveli
ek daal pe khila hai genda
dooje daal chameli
koyal ban kar baag mein aayi
dulhan nai naveli
phoolon ke kaanon mein apne dil ki baat sunaaye
jiya mera dola jaaye
phoolon ke kaanon mein apne dil ki baat sunaaye
jiya mera dola jaaye

piya piya tu bol papiha
din phagun ke aaye
jiya mera dola jaaye

aaj kisi ne chhed diye hain
man veena ke taar
aaj kisi ne chhed diye hain
man veena ke taar
do matwaare nainanwa mein
naach raha hai pyaar
haan haan
naach raha hai pyaar
aankhen dil se ye kehti hain
hans hans kar lut jaaye
aankhen dil se ye kehti hain
hans hans kar lut jaaye

piya piya tu bol papiha
din phagun ke aaye
jiya mera dola jaaye

piya piya tu bol papiha
din phagun ke aaye
jiya mera dola jaaye

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

पिया पिया तू बोल पपीहा
दिन फागुन के आए
जिया मेरा डोला जाये

पिया पिया तू बोल पपीहा
दिन फागुन के आए
जिया मेरा डोला जाये

एक डाल पे खिला है गेंदा
दूजे दाल चमेली
कोयल बन कर बाग में आई
दुल्हन नई नवेली
एक डाल पे खिला है गेंदा
दूजे दाल चमेली
कोयल बन कर बाग में आई
दुल्हन नई नवेली
फूलों के कानों में अपने दिल की बात सुनाये
जिया मेरा डोला जाये
फूलों के कानों में अपने दिल की बात सुनाये
जिया मेरा डोला जाये

पिया पिया तू बोल पपीहा
दिन फागुन के आए
जिया मेरा डोला जाये

आज किसी ने छेड़ दिये हैं
मन वीणा के तार
आज किसी ने छेड़ दिये हैं
मन वीणा के तार
दो मतवाले नैननवा में
नाच रहा है प्यार
हाँ हाँ
नाच रहा है प्यार
आँखें दिल से ये कहती हैं
हंस हंस कर लुट जाये

पिया पिया तू बोल पपीहा
दिन फागुन के आए
जिया मेरा डोला जाये

पिया पिया तू बोल पपीहा
दिन फागुन के आए
जिया मेरा डोला जाये


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16399

“Baawarchi”(1972) was directed by Hrishikesh Mukherjee. The movie had Rajesh Khanna, Jaya Bhaduri, Asrani, A K Hangal, Durga Khote, Harindranath Chattopadhyay etc in it.

The movie had six songs in it. Five songs have been covered so far. Here are the details of these five songs:-

Song Date of posting
Bhor aayi gayaa andhiyaaraa 23 May 2011
Tum bin jeewan kaisa jeewan 19 September 2011
Morey naina bahaayen neer 31 August 2012
Kaahe kaanha karat barjori 25 June 2017
Mast pawan doley re doley re 29 May 2021

Here is the sixth and final song from “Baawarchi”(1972)to appear in the blog. It is sung by Kumari Faiyyaz. Kaifi Azmi is the lyricist. Music is composed by Madan Mohan.

Only the audio of the song appears to be available as of now. It appears to me that the song may have been there originally in the movie. I request our knowledgeable readers to throw light on the pucturisation of this song. It sounds like a folk dance song to me.

Lyrics of this song were sent to me by Prakashchandra.

With this song all the songs of “Baawarchi”(1972) are covered in the blog and so this movie joins the list of movies that have been YIPPEED in the blog.


Song-Pehle chori phir seenaajori (Baawarchi)(1972) Singer-Kumari Faiyyaz, Lyrics-Kaifi Azmi, MD-Madan Mohan

Lyrics(Provided by Prakashchandra)

pehley chori ee ee
phir seenaa..aazori..eee
usne pakdi ee ee
kalaiyyaan aan aan gori gori ee

aeyye ae ae ae ae
aey ae ae ae
aey ae ae ae ae

pehley chori..eee
phir seenaa..aajori..eee
hho pehley chori..eee
phir seenaa..aajori..eee
ussne pakdi kalaiyyaan aan gori gori
ussne pakdi kalaiyyaan aan gori gori
aey hhey aey
gajra bigaada
mori maiyyaa ne maaraa rey
kahaan jaaoon oon
hoyye kahaan jaaoon oon
kahaan jaaoon
bolo kahaan jaaoon
hho pehley chori..eee
phir seenajori..eee
ussne pakdi kalaiyyaan gori gori ee

chhodaa na palloo
kiye sau sau jatan
aey hhey chhodaa na palloo
kiye sau sau jatan
thharr thharr thharr thharr thharr moraa kaanpey badan n n
thharr thharr thharr thharr thharr moraa kaanpey badan n n
jab woh samjhaa naheen
meethi boli meri ee
gaali deke kahaa
dey dey choli meri ee
woh na maanaab
raam woh na maanaa
julmi woh na maanaa aa
rr woh na maanaa aa
woh naa maanaa to boli
ke main aen haari
kahaa usne ke lag jaa galey pyaari
pehley chori..eee
phir seenajori..eee..eee
pehley chori..eee
phir seenajori..eee

garwaa lagaake kahaa hha chal udhar rr
garwaa lagaake kahaa hhaa chal udhar rr
chhann chhann chhann chhann chhann baajey ghunghroo idhar rr
chhann chhann chhann chhann chhann baajey ghunghroo idhar rr
laake bagiyaa mein bairi sataaney lagaa
main jo royee lipat ke manaaney lagaa
kahaan jaaoon
bolo kahaan jaaoon
kahaan jaaoon
oyye hoyye kahaan jaaoon
jawaani ka uss pe nashaa aa chhaayaa
thodaa saa mujhey bhi gussaa aayaaa
pehley chori..eee
phir seenajori..
pehley chori..eee
phir seenajori..eee..eee


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16398 Movie Count :

4459

Rajesh Roshan, who celebrated his sixthsixth birthday last week (DoB 24 may 1955) had made his debut in Hindi movies as a music director with the ‘1974’ movie ‘Kunwaara Baap’. Thereafter he scored some nice music in his movies in his long career.

One year after his debut, he won the ‘Filmfare Award’ for ‘best music’ for the movie ‘Julie-1975’. He won his second filmfare award twenty-five years later, the movie ‘Kaho Naa Pyaar Hai-2000’.
In between he was nominated for ‘Filmfare Award for Best Music Director’ for the movies ‘Swami-1977’, ‘Des Pardes-1978’, ‘Mr. Natwarlal-1979’, ‘Kaalaa Patthar-1979’, ‘Khoon Bhari Maang-1988’, ‘Karan Arjun-1995’, ‘Papa Kehte Hain-1996’, and ‘Koi Mil Gayaa-2003’.

‘Kaabil-2017’ was the recent movie where he scored the music.

I have already written a post here about the music of Rajesh Roshan and my nostalgic memories about the songs he created, so I will not repeat the same things here.

Today I present presenting a song from the movie ‘Ek Hi Raastaa-1977’. Incidentally this will be the third song in a row from this movie that I will be covering.

‘Ek Hi Raastaa-1977’ was a ‘Uma Cine Films’, Bombay presentation. It was a ‘social-family drama’ movie. It was produced and directed by Mohan Sehgal and its star-cast included Jeetendra, Shabana Azmi, Vinod Mehra, Asha Sachdev, Utpal Dutt, Roohi, Indrani Mukherji, Krishan Dhawan, Jagdeep, Om Shivpuri, Meena Rai, Maruti, C.S. Dubey, Chandrima Bhaduri, Jankidas, Umrani, Mahapatra, Polsan, Pardesi, O.P. Kohli, Master Indrajeet, Satyarani, Viraj Kumar, Bhola, Master Babu and Master Asif.

It had total five songs penned by Verma Malik and music of this film was composed by Rajesh Roshan (assisted by Gyan, Kishore, and Nirmal).

As per the information available, so far, there have been four films made with this title ‘Ek Hi Raasta’ in 1939, 1956, 1977 and 1993.

I would request our knowledgeable readers to throw more light on this movie and its songs.

I have not watched this movie so cannot say much about it.

List of songs – ‘Ek Hi Raasta-1977’ as per HFGK (1971-1980) Vol-V; (in order of appearance in the Geetkosh)

S. No. Song Title Singer/s Posted on
01 Akalmand ko ishaara… itni jaldi kahaan jaate ho Asha Bhonsle, Kishore Kumar
02 Dil ko mila lo dil ko takra lo… I like what you are saying Asha Bhonsle, Amit Kumar, chorus
03 Dheere dheere sun more sajna… piya piya boley more kangnaa Lata Mangeshkar
04 Tumse nahin pehchaan meri … Mohd Rafi 30.10.2020
05 Bin saathi ke jeewan kya Kishore Kumar, Anuradha Paudwal 17.08.2015

So far, two songs from this movie ‘Ek Hi Raasta-1977’ have been posted on the blog.

Today’s song is sung by Lata Mangeshkar. It is lip synced on screen by Shabana Azmi. A partial video of this song was available when I had initially shared this song. But now only the audio of this song is available.

Lyrics for today’s song are by Verma Malik. Music is composed by Rajesh Roshan.

Let us now enjoy today’s song, which when you start humming while listening, may take you to ‘pal bhar mein ye kya ho gayaa’ …. 😊

Audio

Song-Dheere dheere sun morey sajnaa (Ek Hi Raasta)(1977) Singer-Lata, Lyrics-Verma Malik, MD-Rajesh Roshan

Lyrics

o ho ho
o o o
o ho ho
o o o
o o o
o o o
o o

dheere dheere sun more sajnaa
aa
piyaa piyaa bole moraa kangnaa
are aaj sach huaa mera sapnaa aa
piyaa piyaa bole moraa kangnaa
o ho ho
o o o
o ho ho
o o
o o o
o o o
o o

ho o o
saawan aaya
saawan aaya re
barse rim jhim barkha re ae ae
saawan aaya
saawan aaya re
jab jab chhede re boondaniya
piyaa piyaa bole mora kangnaa
are aaj sach huaa mera sapnaa aa
piyaa piyaa bole mora kangnaa

beete gin gin pal pal chhin chhin re
aaye khushiyon ke din mere ae ae
beete gin gin pal pal chhin chhin re
nayaa nayaa laage saara angnaa aa
piyaa piyaa bole mora kangnaa
are aaj sach huaa mera sapnaa aa
piyaa piyaa bole mora kangnaa
aa ha aa
aa aa aa
aa ha haa
aa aa aa
aa aa aa
aa aa aa
aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16397

“Hatim Tai”(1956) was produced and directed by Homi Wadia for Basant Pictures, Bombay. This movie had Shakila, Jairaj, Meenaxi, Naina, Krishna Kumari, Kamal, Menaka,
S.N.Tripathi, B.M.Vyas, Sheikh, Vasantrao Pahlwan, Qamar,Dalpat, W.M.Khan, Shree Bhagwan, Habib Sandow, Nagpal, Sardar Mansoor, Master Pakoo, Abdullah, Kusum, Poonam, Vitha, Pushpa, Manda, Chanda, Shukla, Chand, Geeta, Priscilla, Ranibala, Triza, Natalie, Sunila,Sumitra, Bismillah, M.K.Hasan, Mithoo Miya, Aga Shapoor, Korega, Julian, Yadav, Kalla, Rajkumar, Rattan, Aflatoon, Sukumar etc in it.

The movie had nine songs in it. Six songs have been covered in the past.

Here is the seventh song from “Hatim Tai”(1956) to appear in the blog. This song is sung by Shamshad Begam and chorus. B D Mishra is the lyricist. Music is composed by S N Tripathi.

The song is picturised on a very young and exotic looking Helen, with other female dancers.

Lyrics of this song were sent to me by Prakashchandra.

Video link:

Song-Ham aazaad hon jahaan dil mein pyaar ho jawaan (Hatim Tai)(1956) Singer-Shamshad Begam, Lyrics-B D Mishra, MD-S N Tripathi
Female chorus

Lyrics(Provided by Prakashchandra)

hhaahhaa haaa
hhaahhaa haaa
hhaahhaa haaa

haaa aaaaa aaaa aaaa
haaa aaaaa aaaa aaa
haaa aaaaa aaaa haa aaaa aaaa
hhaa aaa haaa haaa

hum aazaad hon jahaan
dil mein pyaar ho jawaan
ho bahaar ka samaa
zindagi hai waheen
hum aazaad hon jahaan
dil mein pyaar ho jawaan
ho bahaar ka samaa
zindagi hai waheen

rahen milke wahaan hum jahaan gham na ho
rahen milke wahaan hum jahaan gham na ho
mil gayee jo khushi woh kabhi kam na ho
mil gayee jo khushi woh kabhi kam na ho
ek nayaa aashiyaan hum banaayein wahaan
mastiyaan ho jahaan zindagi hai waheen
hum aazaad hon jahaan dil mein pyaar ho jawaan
ho bahaar ka samaa zindagi hai waheen

o khudaa kar reham
teri duniyaa mein hum
sah rahey hain sitam
mushqilon mein hai jaan
zor chaltaa naheen
gham ye taltaa naheen
dum nikaltaa nahin
haaye jaayein kahaan
o khudaa aa aaa aa aaa
ho khudaa aaa aaa
o khudaa aa aa aaa
o khudaaa aaaaaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16396 Movie Count :

4458

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 142 # Missing Films of 1971- 06 #
——————————————-————————————————-—

Today’s song is from a ‘debutant movie’ ‘Naag Pooja – 1971’. This movie was directed by Shantilal Soni for ‘Dimple Enterprisers, Bombay’.

It was produced by Virendra Kumar. It had Sujit Kumar, Sanjana, with Jairaj, Indira Billi, Ram Mohan, Mohan Choti and Mukri. They were supported by Manorama, Madhu Apte, Uma Dutt, Uma Khosla, Saroj Mayak, Sadhana Khote, Sawan Kumar, Tilakraj, Basheer, Indira Bansal, Ram Murti, Shamsheer, Nichani, Machhar, Radheysham, Rirkoo, Baby Pushpa, Ram Chotrani. And Wonder Child Bobby with 81, Cobras (as mentioned in the title of this movie).

Editing of this movie was done by Kantilal Shukla.

This movie was passed by Censor Board on 28.09.1971.

This movie had five songs written by Bharat Vyas (three songs) and Irshad (two songs).

S.No. Song Title Singer/s
01 Main tera Mohan, haay haay, tu meri mohaniya Mahendra Kapoor, Usha Khanna
02 Gulaabi aankhon waale ye kya pilaa diya Asha Bhonsle
03 Roye dharti aur Aakash, piya sang chali banwaas Mohd Rafi, chorus
04 Chhote munh se badi baat… sab mein wahi raam hai, sab mein wahi shyaam Suman Kalyanpur
05 Main baalak tum jag-paalak ho, he sheshnaag ab jaag jaag Asha Bhonsle

Mohd Rafi, Mahendra Kapoor, Asha Bhonsle, Suman Kalyanpu(rkar) (as the titles of this movie mentioned) and Usha Khanna had given their voices to the songs in this movie.

Music for this movie was composed by Usha Khanna.

Today’s song is sung by Suman Kalyanpur.I guess that it is lip-synced by Baby Bobby on screen . Also seen in the picturisation of this song are Sujit Kumar and many others.

With today’s song, ‘Naag Pooja-1971’ makes its debut on the blog, becoming the 108th movie of 1971 to get represented in the blog.

Video

Audio

Song-Sab mein wohi Raam hai sabmein wohi Shyaam (Naag Pooja)(1971) Singer-Suman Kalyanpur, Lyrics-Bharat Vyas, MD-Usha Khanna

Lyrics

chhote munh se badi baat
kehtaa hoon suno ae insaanon
upar ki chamak par mat jaao
bheetar ki aatmaa pehchaano
nafrat karnewaalon aakhir
ye bhi hai insaan
ho sakta hai isi bhesh mein
aaye hon bhagwaan

ye kuroop hai
kaalaa hai
bechaara hai
laachaar
isi roop mein kabhi kabhi
prabhu lete hain avtaar

sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam
sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam

aadmi ke roop rang pe
naa jaayiye
us ke ang mein chhupe
prabhu ko paaiye
aadmi ke roop rang pe
naa jaayiye
us ke ang mein chhupe
prabhu ko paaiye
dil kisi ka bhool se bhi
naa dukhaaiye
jo giraa huaa usey galey lagaayiye
sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam

nazar nahin churaaiye
kisi ghareeb se
uski aankh jhaankiye
zaraa kareeb se
nazar nahin churaaiye
kisi ghareeb se
uski aankh jhaankiye
zaraa kareeb se
uski ek palak mein chhupe
seetaa raam hain
aur doosri palak mein
raadhe shyaam hain
sab mein wohi raam hai
sab mein wohi shyaam
sab ki ek aatmaa
alag alag hain naam
sab ki ek aatmaa
alag alag hain naam


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16395

“Pyaar Ki Manzil”(1950) was directed by Keki Mistry for Superteam Federal Productions, Bombay. The movie had Munawwar Sultana, Rehman, Gope, Kamal, Pratima devi, Ramesh Sinha, Seeta Bose, Niranjan Sharma, Jankidas, Roohi, Devaskar, Fazloo, Bheemji, Maqbool, Hari Bhai, Altaf etc in it.

The movie had ten songs in it. Six songs have been covered in the past.

Here is the seventh song from “Pyaar Ki Manzil”(1950) to appear in the blog. The song is sung by S D Batish. Shewan Rizvi is the lyricist. Music is composed by Husnlal Bhagatram.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of this song were sent to me by Prakashchandra.

Audio link:

Song-Kehti hain tere pyaaar ki mujhse kahaaniyaan (Pyaar Ki Manzil) (1950) Singer-S D Batish, Lyrics-Shewan Rizvi, MD-Husnlal Bhagatram

Lyrics(Provided by Prakashchandra)

kehti hain tere pyaar ki
mujhse kahaaniyaan
kehti hain tere pyaar ki
mujhse kahaaniyaan aan
teri nishaaniyaan aan
teri nishaaniyaan
teri nishaaniyaan aan
teri nishaaniyaan
barbaad hoke reh gayeen
donon jawaaniyaan
teri nishaaniyaan aan
teri nishaaniyaan

daaman bahaar kaa mere haathon se chhut gayaa aaa
chaman mera lut gayaa aa aa
mera lut gayaa
daaman bahaar kaa mere haathon se chhut gayaa aaa
chaman mera lut gayaa aa aa
mera lutt gayaa
dil se lagaaye baithhaa hoon teri nishaaniyaan
dil se lagaaye baithhaa hoon teri nishaaniyaan
teri nishaaniyaan aan
teri nishaaniyaan

taarey wohi hain chaand wohi wohi raat hai
magar gham ki baat hai ae
gham ki baat hai
taarey wohi hain chaand wohi wohi raat hai
magar gham ki baat hai ae
gham ki baat hai
ek tu naheen jo tujhse kahoon ye kahaaniyaan
ek tu naheen jo tujhse kahoon ye kahaaniyaan
teri nishaaniyaan aan
teri nishaaniyaan

guzrey huye dinon ko main aawaaz doon kahaan
miltaa nahin nishaan aan
milta nahin nishaan
guzrey huye dinon ko main aawaaz doon kahaan
miltaa nahin nishaan aan
milta nahin nishaan
aa jaa ke keh rahaa hoon main
teri kahaaniyaan
aa jaa ke keh rahaa hoon main
teri kahaaniyaan
teri nishaaniyaan aan
teri nishaaniyaan
teri nishaaniyaan aan
teri nishaaniyaan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4700 Post No. : 16394 Movie Count :

4457

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXXVI: Year 1982
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1982.

In 1982, 151 Hindi movies containing 775 songs were released. Lata Mangeshkar got to sing in 45 of these movies and she sang 82 songs in these movies. So Lata Mangeshkar’s voice was heard in 29.8 % of the movies released in 1982. Her voice was heard in 10.6 % of the songs appearing in the movies of 1982.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1982 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aadat Se Majboor Usha Khanna 0 2 2 0 0 0 Indeevar (1) Nida Fazli (1)
2 Adhoora Aadmi R D Burman 0 3 3 0 0 0 Yogesh
3 Apna Banaa Lo Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
4 Ashaanti R D Burman 1 1 0 0 1 0 Anand Bakshi
5 Baawri Khayyam 0 2 1 1 0 0 Maya Govind
6 Baazaar Khayyam 1 1 0 1 0 0 Makhdoom Mohiuddin
7 Badle Ki Aag Laxmikant Pyarelal 0 2 1 1 0 0 Verma Malik
8 Bemisaal R D Burman 2 2 1 0 0 1 Anand Bakshi
9 Bezubaan Ram Laxman 0 1 1 0 0 0 Ravindra Raval
10 Bheegi Palken Jugalkishore-Tikalraj 2 2 1 1 0 0 M G Hashmat
11 Chatpati Basu Manohari 1 1 0 1 0 0 Yogesh
12 Daawedaar Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
13 Dard Ka Rishtaa R D Burman 0 1 1 0 0 0 Anand Bakshi
14 Deedaar e yaar Laxmikant Pyarelal 2 3 2 1 0 0 Amir Minaai (1) Sahir Ludhianvi (2)
15 Deshpremee Laxmikant Pyarelal 2 2 2 0 0 0 Anand Bakshi
16 Dil Aakhir Dil Hai Khayyam 1 2 1 1 0 0 Naqsh Llayalpuri (1) Nida Fazli (1)
17 Do Dishaayen Laxmikant Pyarelal 1 1 1 0 0 0 Anand Bakshi
18 Do Ustaad Bappi Lahiri 0 1 0 1 0 0 Verma Malik
19 Ghazab Laxmikant Pyarelal 1 2 1 1 0 0 Anand Bakshi
20 Gul e Bakaavali Rajesh Roshan 0 1 0 1 0 0 Indeevar
21 Hamaari Bahu Alkaa Rajesh Roshan 0 1 1 0 0 0 Yogesh
22 Jaanwar Laxmikant Pyarelal 0 1 1 0 0 0 Majrooh Sultanpuri
23 Johny I love you Rajesh Roshan 0 3 1 2 0 0 Anand Bakshi
24 Kaamchor Rajesh Roshan 3 3 0 3 0 0 Indeevar
25 Khuddaar Rajesh Roshan 2 4 0 2 0 0 Majrooh Sultanpuri
26 Log Kya Kahenge Kalyanji Anandji 0 1 0 1 0 0 Naqsh Llayalpuri
27 Mangal Pandey Anu Malik 0 1 1 0 0 0 Anjaan
28 Mehandi Rang Laayegi Laxmikant Pyarelal 0 2 2 0 0 0 Dr Hariram Acharya
29 Prem Rog Laxmikant Pyarelal 3 4 1 3 0 0 Kajal Bash (1) Pt Narendra Sharma (1) Santosh Anand (2)
30 Pyaas Bappi Lahiri 0 1 1 0 0 0 Naqsh Llayapuri
31 Raaj Mahal Kalyanji Anandji 0 2 1 1 0 0 Inderjeet Singh Tulsi (1) Verma Malik (1)
32 Samraat Laxmikant Pyarelal 0 2 1 0 0 1 Anand Bakshi
33 Sawaal Khayyam 0 2 0 2 0 0 Majrooh Sultanpuri
34 Shakti R D Burman 2 2 1 1 0 0 Anand Bakshi
35 Shrimaan Shrimati Rajesh Roshan 0 3 0 3 0 0 Majrooh Sultanpuri
36 Subah Hridaynath Mangeshkar 0 5 5 0 0 0 Pt Narendra Sharma
37 Suraag Bappi Lahiri 1 1 1 0 0 0 Kaifi Azmi
38 Swaami Dada R D Burman 2 2 0 1 0 1 Anjaan
39 Taqdeer Ka Baadshah Bappi Lahiri 0 2 2 0 0 0 Anjaan
40 Tarqeeb Bappi Lahiri 0 1 0 1 0 0 Anjaan
41 Teesri Aankh Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
42 Teri Maang Sitaaron Se Bhar Doon Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
43 Teri Qasam R D Burman 0 1 0 1 0 0 Anand Bakshi
44 Vidhaata Kalyanji Anandji 0 1 1 0 0 0 Anand Bakshi
45 Waqt Waqt Ki Baat Rajesh Roshan 0 2 0 2 0 0 Rajesh Roshan
Total 45 movies 12 MDs 27 82 41 37 1 3 20 lyricists

Lata Mangeshkar worked with 12 music directors and 20 lyricists in these 45 movies released in 1982. Laxmikant Pyarelal continued to be the most prolific music directors with Lata, with 576 songs in HFM with Lata Mangeshkar by the end of 1982. Shankar Jaikishan with 456 songs in the voice of Lata Mangeshkar were in the second position. Kalyanji Anandji with 301 songs and C Ramchandra with 274 songs were the next most prolific. Other top music directors for Lata Mangeshkar were R D Burman (253), Chitragupta (239), Madan Mohan (195), S D Burman (179), Roshan (144), Naushad (140), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3324 songs out of 4582 songs that Lata Mangeshkar had sung in Hindi movies till end of 1982. Anand Bakshi became the top lyricist with Lata Mangeshkar this year dsplacing Rajinder Krishan. The top ten lyricists till end of 1982 for Lata Mangeshkar were Anand Bakshi (564), Rajinder Krishan (554), Majrooh Sultanpuri (388), Shailendra (361), Hasrat Jaipuri (297), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (109). These ten lyricists had penned 3022 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music directors Jugalkishore-Tilakraj and Ram Laxman for the first time in movies of 1982. She also worked with Lyricists Amir Minaai, Dr Hariram Acharya, Kajalbaash, Makhdoom Mohiuddin and Ravindra Rawal for the first time in movies released this year.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1982 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 136 157 103 35 12 7
1950 36 movies 114 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 170 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 93 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 90 130 84 39 3 4
1971 52 movies 106 126 71 52 3 0
1972 62 movies 97 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 46 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 39 88 48 34 2 4
1982 45 movies 27 82 41 37 1 3
Total upto 1982 1582 movies 3606 4582 3076 1203 199 104

It can be seen from the table of 1982 that Lata Mangeshkar sang 82 songs in 45 movies released in 1982.

27 songs sung by Lata Mangeshkar in movies of 1982 have been covered in the blog. That leaves us with 55 songs from movies of 1982 that are yet to be covered.

All Lata Mangeshkar songs from 11 movies of 1982 are already covered in the blog. So 55 Lata Mangeshkar songs from 34 movies of 1982 are still available to be discussed.

Alphabetically “Aadat Se Majboor”(1982),the very first movie of 1982 offers us a Lata Mangeshkar song to cover in the blog.

“Aadat Se Majboor”(1982) was produced by Mohan Kumar and directed by Ambrish Sangal for M K Productions, Bombay. The movie had Ranjeeta, Mithun Chakraborty,Rameshwari, Madan Puri, Om Shivpuri,Amrish Puri, Mohan Choti, Ranbir Raj, Bhagwan, C.S.Dube, Kamal Deep, Dinshaw Daji, Pappu, Baby Priya, Master Farid, Harjeet, Mrs.Jugnu, Raj Kishore, Moolchand, Anand Joshi, Jaswant, Lal Bahadur, Hajee, Chand Pardesi, Khan, Sundar Taneja, Shivram Salvi, Ram Narayan etc with special appearances by Padmini Kapila, Pearl Padamsee, Sudha Shivpuri, Dulari and Ranjan Grewal.

The movie had six songs in it. Two of them were sung by Lata Mangeshkar.

Here is one of those Lata Mangeshkar solo song from “Aadat Se Majboor”(1982). The song is penned by Indeewar. Music is composed by Usha Khanna.

The song is a multiple versio n song. It has a male version too which is sung by Shailendra Singh. Both versions are picturised on Ranjeeta and Mithun Chakraborty.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aadat Se Majboor”(1982) makes its debut in the blog.

video link of Lata version:

video link of Shailendra Singh version

Song-Raam kare ke umar qaid hamen saath saath ho jaaye (Aadat Se Majboor)(1982) Singer-Lata/Shailendra Singh, Lyrics-Indeewar, MD-Usha Khanna

Lyrics(Provided by Prakashchandra)

—————————–
Lata Mangeshkar version
—————————–
raam karey ke
umar qaid hamein
saath saath ho jaaye ae

tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
sachmuch ho
yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

laaa laaa laa
laaa laaa laa
laaaa laalaa
ho hoo oo oo hoo
aaaa aaa aaa aaaaa aaa

dekhey binaa
tujhko sanam
chain naheen dil ko o o
dil ki lagi
bann gayee
dillagi thhi jo
dekhey binaa aa aa
tujhko sanam m m
chaain nahin dil ko o o
dil ki lagi
bann gayee
dillagi thhi jo
haayye raamaa raamaa
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

dil ko mere tu jo milaa
khwaab huye rangeen een
pyaar ki ye kothri
raajmahal se haseen
dil ko mere ae ae
tu jo milaa aa
khwaab huye rangeen
pyaar ki ye kothri
raajmahal se haseen
haayye raamaa raamaa
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaaye hathkadiyaan

yinvyinvyinvyingyinvyinvyinvying
yinvyinvyinvyingyinvyinvyinvying

yinvyinvyinvyingyinvyinvyinvying

pehley to main ek thhi
ek se ho gayee do o
qaidi naye do aanewaaley hain
aisa lagey mujhko o
pehley to main aen ek thhi ee
ek se ho gayee do o o
qaidi naye do aanewaaley hain
aisa lagey mujhko o
haayye raamaa raamaa
raam kare ke umar qaid hamein
saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan
sachmuch ho
yaa sapnaa ho khushiyon ki na tootey ye ladiyaan
raam kare ke umar qaid hamein saath saath ho jaaye ae
tujhe mujhey
tujhe mujhe mujhe tujhey
pyaar ki lag jaaye hathkadiyaan

——————————————-
Shailendra Singh version
——————————————-

raam karey ke
umar qaid
hamein saath saath ho jaaye aey ae ae
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
sachmuch ho yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye ae ae ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan

soorat teri dhoondhaa kiye
har moorat mein sanam m m
tere liye bhatkaa kiye
saarey jahaan mein hum
o o soorat teri
dhoondhaa kiye ae
har moorath mein sanam m m
tere liye bhatkaa kiye
saarey jahaan mein hum
o raamaa raamaa
raam karey ke umar qaid hamein saath saath ho jaaye aey ae
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan

tere liye main banaa
mere liye banee tu u
main hoon terey tu hai mere
bachpan ki aarzooo
hey aey
tere liye main banaa
mere liye banee tu u
main hoon terey tu hai mere
bachpan ki aarzoo
o raamaa raamaa
raam karey ke umar qaid hamein saath saath ho jaaye aey aey
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan
sachmuch ho yaa sapnaa ho
khushiyon ki na tootey ye ladiyaan
raam karey ke umar qaid hamein saath saath ho jaaye aey
tujhe mujhey
tujhe mujhe mujhe tujhey pyaar ki lag jaayein hathkadiyaan


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4699 Post No. : 16393 Movie Count :

4456

Missing Films of 1960s – 117
– – – – – – – – – – – – – – –

A surprise discovery if ever there was one. And I have missed it all these years, having see this film long back.

‘Saara Akaash’ from 1969 – it has always been represented and listed as a songless film. This impression is so much ingrained into the system and it never came to mind to consider otherwise. So it was a great surprise to come across this clip from the film on YouTube. And suddenly the memories of this film had to be modified.

‘Sara Aakash’ (‘The Whole Sky’) is a film based on the novel of the same name, written by Rajendra Yadav. This was Yadav’s debut novel. The film marks the debut of Basu Chatterjee as director, and was also the first film of cinematographer KK Mahajan.  The film has background score by Salil Chaudhry.

The film is regarded as one of those which pioneered the New Wave cinema in India, along with ‘Uski Roti’ and ‘Bhuvan Shome’ which were also released the same year.

The star cast of the film includes Rakesh Pandey, Madhu Chakravarty, Nandita Thakur, AK Hangal, Dina Pathak, Mani Kaul, Shaily Shailendra, Jalaal Agha, Tarla Mehta, Aarti Boley and Om Prakash Gautam amongst others. Renowned film maker Mani Kaul appeared in this film, in what is considered as his only substantial screen appearance.

Set in the contemporary mid 1960s milieu of a traditional middle class joint family in Agra, the film deals with internal conflicts of a newlywed couple, both of whom find themselves unprepared for domestic life. Agra-based collegian, Samar Thakur (Rakesh Pandey), lives in a joint family consisting of his father (AK Hangal), mother (Dina Pathak), brother Amar (Mani Kaul) and his wife (Tarla Mehta); as well as a married sister, Munni, estranged from her husband. Samar is is prevailed upon by the family to marry Prabha (Madhu Chakravarty), a matriculate, much to his chagrin as this interferes with his future plans. The marriage does take place, and he soon finds that they are incompatible. The matters come to a head and Prabha leaves her matrimonial home to return to her parent’s home. She returns after four months. Family tensions continue, but then also we see a bonding emerge between the two, moving towards a healthy understanding.

KK Mahjan received the 1969 National Award for B&W cinematography, and Basu Chatterji received the Filmfare award for best screenplay.

The discovery of this background song in the film changes the status of this film, and it now becomes the 117th episode in the series on Missing Films of 1960s.

The song itself is a piece of traditional music of North India, and is played at wedding time. The words of this song indicate that the ladies on the girl’s side are singing this song, addressing the groom and tell him things about the members of his family, in a good spirited banter.

There is another version of this traditional song – it has been used in the film ‘Dushmani’ (1995). In this version, the song is presented as a praise for the bride, as she gets ready for the wedding ceremony and is being adorned with fine dress and jewellery. The song is available on YouTube as “Banno Teri Ankhiyaan Surmedaani“. On screen this song is performed by Neena Gupta.

A couple of interesting trivia.
The film ‘Saara Akaash’ was shot in the residential house of Rajendra Yadav. On a visit, when Basu Chatterji saw the house, his response was that this is the perfect setting for the film.
Dina Pathak appears in both films – in ‘Saara Akaash’ as the mother of the protagonist. In ‘Dushmani’ she appears at the grandmother of the bride Manisha Koirala.

With this post we have brought on board the 117th film in this series.


Song – Banne Re Teri Akhiyaan Surmedaani (Saara Akaash) (1969) Singer – [Unattributed], Lyrics – Traditional, MD – Salil Chaudhary

Lyrics

banne re teri ankhiyaan surmedaani

banne re tere baba laakh hajaari
banne re tere baba laakh hajaari
banne tere taau ka ohda bhaari
banne re teri <??> laal gulaabi
banne re teri taai nakhrewaali
banne re teri ankhiyaan surmedaani
banne re teri ankhiyaan surmedaani

banne re tere chaacha laakh hajaari
banne re tere chaacha laakh hajaari
banne re tere phoopha ka ohda bhaari
banne re teri <??> laal gulaabi
banne re teri bua nakhrewaali

banne re tere baba ka ohda bhaari
banne re teri mausi laakh hajaari

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बन्ने रे तेरी अँखियाँ सुरमेदानी

बन्ने रे तेरे बाबा लाख हजारी
बन्ने रे तेरे बाबा लाख हजारी
बन्ने रे तेरे ताऊ का ओहदा भारी
बन्ने रे तेरी <??> लाल गुलाबी
बन्ने रे तेरी ताई नखरेवाली
बन्ने रे तेरी अँखियाँ सुरमेदानी
बन्ने रे तेरी अँखियाँ सुरमेदानी

बन्ने रे तेरे चाचा लाख हजारी
बन्ने रे तेरे चाचा लाख हजारी
बन्ने रे तेरे फूफा का ओहदा भारी
बन्ने रे तेरी <??> लाल गुलाबी
बन्ने रे तेरी बुआ नखरेवाली

बन्ने रे तेरे बाबा का ओहदा भारी
बन्ने रे तेरी मौसी लाखों तारे
॰॰॰
॰॰॰


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4699 Post No. : 16392 Movie Count :

4455

Hullo Atuldom

In my post for the song “Kyun Aage Peechhe Dolte Ho Bhanwaron Ki Tarah“, two years ago, I had stated that ‘Hera Pheri’ (2000) had Paresh Rawal playing Baburao Ganpatrao Apte which gave a new angle to Paresh Rawal’s career. In that post I had also said that he had played main villain in movies and had mentioned ‘Roop Ki Rani Choron Ka Raja’ (RKRCKR) in the list of movies where we could see Paresh Rawal as a negative character.

Recently there was a comment to that post where it was pointed out that ‘RKRCKR’ had Anupam Kher as the lead villain. As I was thinking about today’s post I realized another error in that post of mine. Paresh ji had shown his comic side in movies like ‘Andaz Apna Apna’ (1994), ‘Chachi 420’ (1997), ‘Mr. and Mrs. Khiladi’ (1997) etc. before ‘Hera Pheri’ happened. Sorry for the errors.

Over the years Paresh ji has played varied characters and most of them can be easily recalled. He has played the Iron Man (as Sardar Patel was called) in the 1994 release ‘Sardar’ and it is as unforgettable as many of his roles in masala movies like the Gujarati husband of a North-Indian wife in ‘Baghban’ (2003) who is forever quoting all the muhawaras (proverbs) wrong. He played the role of a father to Tabu in ‘Cheeni Kum’ (2007) who is shocked to find a 64-year old Amitabh Bachchan approaching him with a request to marry Tabu. He had played a henchman to Prem Chopra, Amrish Puri and others of the ’80s and even those characters have not been forgotten. He has shaken a leg with Akshay Kumar, Amitabh Bachchan, Suniel Shetty etc. and was not off-the-mark in them.

We have seen Paresh Rawal lip-sync songs in movies and he has had a few romantic songs too which was rather unusual considering that he was never the romantic protagonist. Today we have one such song wherein we can see Paresh Rawal wooing an astonished Mahima Chaudhry with flowers and singing a song in the voice of MG Sreekumar. The song is tuned by Anand Milind and written by Ibrahim Ashq.

The song is from the 2001 released, Priyadarshan directed and Neeraj Vora written ‘Ye Teraa Ghar Ye Meraa Ghar’. (The extra ‘a’ in the title is seen in the movie credits too)

The movie dealt with the troubles a house owner (Suniel Shetty) goes through to get his tenant’s family vacate the rented premises so that he can sell the property. Now the house owner is in a financial crunch and selling the house is an option that will work for his family. The tenant’s family (after the passing of the tenant) is being looked after by the working daughter (Mahima) and her contention is that they have been paying rent without defaulting and so the house owner cannot evict them. The movie has a few interesting and hilarious characters like the neighbor who comes like a knight-in-shining armour to Saraswati’s (Mahima) aid and retreats when he sees Dayashankar Pandey (Suneil Shetty). Similarly we have Saurabh Shukla playing Saraswati’s uncle, supposedly a goonda, who fails to help the family. Then there is OP Yadav (Paresh Rawal) an Inspector and a childhood friend to Pandey who promises to help in the eviction and ends up falling in love with Saraswati. The movie ends with Pandey and Saraswati working out a solution to their problems and the audience is entertained for close to 3 hours.

Priyadarshan had remade it from the Malayalam original ‘Sanmanassullavarkku Samadhanam’ (1986) (which should translate as ‘Peace of mind for the like-minded’). I think this was the first time that Hindi audiences heard MG Sreekumar who is a well-established singer in South Indian movies.

Here is wishing Paresh Rawal ji health and happiness on his 66th birthday. May we be entertained by you in the coming years too.

[Ed Note: Tomorrow, i.e. 31st May, is also the birth anniversary of Milind Srivastav, of the Anand-Milind duo, the music directors of this song. Wishing him many happy returns of the day.]

 


Song – Hansta Hua Ye Pyaara Chehra Tera (Ye Teraa Ghar Ye Meraa Ghar) (2001) Singer – MG Sreekumar, Lyrics – Ibrahim Ashq, MD – Anand Milind
Paresh Rawal
Mahima Chaudhry

Lyrics

hansta hua ye pyaara chehra tera

pyaar bhara dil kabhi jhooth nahi bolta

dekha jo maine tujh ko pagal hua

hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le 
arre de de dil de de
main hoon deewana tera 
main to hoon deewana
tu ne na jaana 
haaye tu ne ye na jaana aa

hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua
le le dil le le 
arre de de dil de de
main hoon deewana tera 
main to hoon deewana
tu ne na jaana 
haay tu ne yeh na jaana aa
hansta hua yeh pyara chehra tera
dekha jo maine tujh ko paagal hua

teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
ho oo
teri ada hai pyaari pyaari
kar li hain maine tujhse yaari
dil maine haara
sab tujhpe vaara
dil maine haara
sab tujhpe vaara
jeena marna tere liye
hansta hua yeh pyaara chehra tera 
dekha jo maine tujh ko paagal hua

tu ru ru 
tu ru ru
tu ru ru ru ru

aankhen ye teri kaali kaali
gaalon pe tere chhaayi laali
ho oo
aankhen yeh teri kali kali
gaalon pe tere chhayi laali
sun le haseena 
tu hai nagina
sun le haseena 
tu hai nagina
aa ja meri baahon mein
hansta hua ye pyaara chehra tera

aa der ho rahi hai

dekha jo maine tujh ko paagal hua
le le dil le le 
arre de de dil de de
main hoon deewana tera 
main to hoon deewana
tune na jaana 
haay tu ne ye na jaana aa
hansta hua ye pyaara chehra tera
dekha jo maine tujh ko paagal hua

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हँसता हुआ ये प्यारा चेहरा तेरा

प्यार भरा दिल कभी झूठ नहीं बोलता

देखा जो मैंने तुझको पागल हुआ

हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना

हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ

तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
हो ओ
तेरी अदा है प्यारी प्यारी
कर ली है मैंने तुझसे यारी
दिल मैंने हारा
सब तुझपे वारा
दिल मैंने हारा
सब तुझपे वारा
जीना मरना तेरे लिए
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ

तु रु रु
तु रु रु
तु रु रु रु रु

आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
हो ओ
आँखें ये तेरी काली काली
गालों पे तेरे छाई लाली
सुन ले हसीना
तू है नगीना
सुन ले हसीना
तू है नगीना
आजा मेरी बाहों में

हँसता हुआ ये प्यारा चेहरा तेरा

आ देर हो रही है

देखा जो मैंने तुझको पागल हुआ
ले ले दिल ले ले
अरे दे दे दिल दे दे
मैं हूँ दीवाना तेरा
मैं तो हूँ दीवाना
तूने ना जाना
हाय तूने ये ना जाना
हँसता हुआ ये प्यारा चेहरा तेरा
देखा जो मैंने तुझको पागल हुआ


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4699 Post No. : 16391 Movie Count :

4454

Today’s song is from an unknown film – Daawat aka invitation-1943.This film falls under the II category of ” Road Closed” movies – which means, except for the information given in HFGK, no other information about the film is available anywhere, as on today. What do we do then ? Nothing. Just try to know more about whatever is available.

The film was made by Eastern Pictures, Bombay. It was directed by M.Nazir, who apparently directed only this film. However, he acted in 15 films, from Zingaro-35 to Mala-41. I found one more name, Nazir Ajmeri (5 films) as a director. Obviously he must be a different person. There were 8 songs in the film, written by lyricist Tanvir Naqvi. He was one of those people who first migrated to Pakistan after partition and then came back to India to get some work and then went back again to Pakistan for good.

Tanvir Naqvi ( real name- Syed Khursheed Ali ) was born on 16th February 1919, at Lahore. His father was a Jahagirdar and elder brother was ADC to a Nawab. Tanvir went to Persia, along with father, where he was educated in Urdu and Persian. From the age of 14 years, he started writing poetry and participated in various Mushairas. He published a book ” Suhane Sapne ‘ of his poetry. By chance, A R Kardar read it and called Tanvir to Bombay to write for his film ‘ Swami’-41 made by CIRCO.

In his next film, Nai Duniya-42, Suraiya sang his song as her First song. His films Anmol Ghadi-46 and Jugnu-47 became hits and all his songs were appreciated much. He had earned a good name. However, after the film Parda-49, he migrated to Pakistan. In 1954, K.Asif invited him to India to write songs for his film ‘Mughal E Azam’, but by that time, Naushad had built his own team and he declined to take Tanvir Naqvi. From 1954 to 1959, Tanvir did many films. He also joined S.Mohinder and wrote songs for his 7 films.

In 1959, Tanvir Naqvi shifted again to Pakistan, but this time for good. There also he wrote for many films,like Koel, Jhoomar, Salma, Gulfam,Elaan etc etc. He also wrote for Punjabi films. He had married Idaan- elder sister of actress singer Nurjehan. However,since he had no children from her, he married again and had 2 children. He died in Lahore on 1-11-1972. In India, he wrote 224 songs for 48 films. Some of his songs are popular even today.

The Music Director of this obscure film was equally obscure – Vasant Kumar Naidu. There were a number of people who came to Bombay to try their luck in films. They had hopes, skill and a will to do hard work. Such people came to Bombay from all over India. Naidu came all the way from Burma-via Madras. All could not succeed. Those with strong Luck got some God Fathers and some could get opportunities which they turned into solid performance, but some could not get any of these and remained unknown. There are strange cases where Luck just came near but eluded them leaving them empty handed.

Vasant Naidu was not only one such person, who could not become a big name, but he was also one about whom hardly any information was available anywhere. In the case of music director Vasant Kumar Naidu, no information is available in any book or on the internet. Only Pankaj Raag wrote about his films and songs in his book ‘Dhunon Ki Yatra’. This too is based on HFGK only. Luckily Ms. Sai Lakshmi and Mr. Krishna Kumar Naidu, niece and nephew of Vasant Kumar Naidu visited this Blog and left some comments on an article . I picked up this slender lead and wrote to both of them. It is to their credit that both responded promptly . They tried to provide song and film information from different sites, which I already knew. After exchanging a few mails, they sent me a newspaper cutting, announcing the passing away of Vasant Kumar Naidu, along with his photo and a copy of his death certificate. Krishna Kumar ji also gave me some information about his family. I can understand their limitations. Naidu ji died in 1951. At that time these two were very young and now there may not be any other elder who may provide information about this artist.

Anyway, earlier I had zero information, now at least I have some information about him, plus his filmography as per the HFGK. I sincerely thank Ms. Sai Lakshmi ji and Shri Krishna Kumar Naidu ji for their help.

Vasant Kumar was born on 5-6-1915. His family had settled in Burma like thousands of other South Indian families. When Burma was struggling for independence, in the 1930s, most Indians left Burma and came to India. Many went to Calcutta and many went to South India. Many families walked for around 6 months from Burma to India. Mr.Vasant Kumar’s family was one amongst them. They walked from Rangoon to Madras. The family settled in Madras for some years.

Vasant Kumar had come alone to Bombay earlier in search of a career in music. He was an instrumentalist and could play any string instruments and also harmonium. He was also very much interested in reading different languages. There were many books that he read. He was also very keen on dressing up and had several suits in those days. He joined the industry and started growing as a Music Director. He then called his mother and other siblings to live with him in Mumbai along with his eldest brother’s widow and her son. He had 4 brothers. His eldest brother expired in Madras itself. Vasant Kumar was the second eldest. He had two younger brothers as well. They all lived on Peddar Road initially. Later, he left his Peddar Road flat and moved to Parel.

Vasant Kumar thereafter lived in Parel until his passing away on 16-10-1951.

Vasant Kumar got married in Madras. This marriage was arranged by his mother. Eventually his other brothers also got married. All three brothers and their wives stayed under the same roof in Parel in a joint family which was headed and supported monetarily by Vasant Kumar ji. His younger brother, the late Mr. Pandurang Naidu was also working towards a career in music. He became a musician (played banjo and mandolin). Vasant Kumar ji taught several string instruments to his brother, Pandurang ji. His youngest brother, the late Mr. Sreenivasn Naidu, became a composer at a later stage of his life for the Indian Railways Music Academy (Central Railway Cultural Academy).

Vasant Kumar is survived by his only daughter, Mrs. Pramila Naidu, who is now a widow. She lives in Pune with her grown up children. Pramila ji was around 5 years old when her father passed away. She has vague memories of her father. It is sad to see her struggling now financially. She continues to give tuition at the age of 70 to make her living. She lawfully owns 3 flats in Parel, Mumbai but the 3rd generation of the family has occupied these flats and are not willing to vacate. This property is now worth in crores. The cousins of Pramila ji have gotten together and have filed a lawsuit against these 3rd generation greedy family members. The lawsuit has been going on now for the past 3 years.

When luck is not in your favour, any amount of hard work, efforts or support from influential persons does not work. This is amply proved by what happened in Naidu’s case. Naidu, before starting as an independent composer and even later, for some time, was an assistant to Anil Biswas. To help Naidu establish, Anilda sometimes used to put a word to known people for him as M.D.

Anilda knew Harishchandra Rao kadam very well. When he decided to become a Producer and make a film “Sukhi Jeevan”, Anilda met him and took a promise from him to make Naidu the MD for that film.

Harishchandra Rao wanted Master Bhagwan as the film’s Director. Bhagwan agreed but put a condition that C.Ramchandra be made the MD for this film. Rao told him about Anilda and the promise given for Naidu. Bhagwan refused his film if C.Ramchandra was not made MD. To solve this problem, Anilda was called and after discussing with all, he withdrew his demand for Naidu. Thus Naidu lost and C.Ramchandra got his first Hindi film ” Sukhi Jeevan”-42 , to start his career ! ( from the book ” Ek Albela” by Isak Mujawar).

Vasant Kumar started his career in 1939 by giving music to films ‘Thunder’ and ‘Pakke Badmash’. Till 1947, he composed music for 22 films, as per the HFGK. He sang 1 song as a duet with Khan Mastana for the film ‘Mere Sajan’ (1941). He has composed 160 songs in these 22 films. His filmography, as per the Geet Kosh, is ‘Thunder’ (1939), ‘Pakke Badmash’ (1939), ‘Rangeela Jawaan’ (1940), ‘Jung-e-Azadi’ (1940), ‘Desh Bhakt’ (1940), ‘Suhaana Geet’ (1941), ‘Meri Khwaish’ (1941), ‘Mere Saajan’ (1941), ‘Lehri Jawaan’ (1941), ‘Lala ji’ (1942), ‘Call Of Youth’ (1942), ‘Maata’ (1942), ‘Watan Ki Pukaar’ (1943), ‘Nai Zindagi’ (1943), ‘Mohabbat Ki Jeet (1943), ‘Daawat’ (1943), ‘Circus Girl’ (1943), ‘Bhaagta Bhoot’ (1943), ‘Beda Paar’ (1944), ‘Shaahi Khazaana’ (1946), ‘Chamkati Bijli’ (1946) and ‘Toote Dil’ (1947).

Unfortunately, Vasant Kumar got mostly B and C stunt and action films for composing the music. Big banners like National Studios gave him an opportunity with the film ‘Lala ji’ (1942), in which he got many songs sung by Anil Biswas, Kusum Mantri, and Vatsala Kumthekar. However such films came to him only as an exception, therefore his exposure to audiences was limited and his name did not gain any fame. Actually, many big, well known and popular singers have sung for him.

However, without a mentor, God Father or the support of a big banner, it became impossible for Vasant Kumar to grow further. During the transition period of 1947-48, when many composers migrated to Pakistan, the existing big composers made their positions solid. Thus smaller composers never got any opportunity to benefit from the void created by the exit of composers. This was the case of many small-time composers like him.

Today’s song is a duet by Rajkumari and G M Durrani. This rare song comes from Shri Abhay Jain ji (US) and was uploaded by Sadanand Kamath ji for me. Thanks to both. With this song, film Daawat-43 makes its Debut on this Blog.


Song- Nain se nain milaaye aao (Daawat)(1943) Singers- G M durrani, Rajkumari, Lyricist- Tanveer Naqvi, MD- Vasant Kumar Naidu
Both

Lyrics

Nain se nain milaaye aao
Nain se nain milaaye aao
Man ko man se taulen aen aen
Man ko man se taulen

nindiya ban kar do nainon mein
sapnon ke pat kholen aen aen
nindiya ban kar do nainon mein
sapnon ke pat kholen

nain se nain milaaye aao
Man ko man se taulen aen aen
Man ko man se taulen

main raat gaye ka sapna
main raat gaye ka sapna
main saanjh bhaye ki dhool
saanjh bhaye ki dhool
main pawan ki sheetal ??
main pawan ki sheetal ??

main bhor bhaye ka roop
main bhor bhaye ka roop
ye bhed kabhi na kholen aen
bhed kabhi na kholen
Man ko man se taulen aen aen
Man ko man se taulen

main kali banoon bagiyaa mein chatkoon
kunj kunj mehkaaun
main kali banoon bagiyaa mein chatkoon
kunj kunj mehkaaun

main bhannwra ban kar it ut doolon
door door ho aaun
door door ho aaun
aur munh se kuchh na bolen
aur munh se kuchh na bolen
Man ko man se taulen aen aen
Man ko man se taulen


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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