Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 32
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“रहोगे कब तक हमसे दूर

ishq pukaarega tumko aana hi hoga re
aana hi hoga re
aana hi hoga re

Goodness, more than four months now that the previous episode in this series was posted (29th Sep, 2016). Not a record, I must say. There are some other series (by me) (sic) in progress that have been waiting much much longer to be completed. But then, this scenario makes me marvel more and more on how Atul ji is able to pull the progression of this bandwagon, single handedly, day after day after day. I have been excusing myself on account of too much time pressure on my personal side of life. And  then I think, well, my situation is not very unique, and I am sure that there are similar constraints that are present in the lives of everyone else. And thus, I tip my hat to Atul ji, for his tenacity and perseverance. On his shoulders, the bandwagon rolls on and on. . .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The byline in one of the news programs on the 6th evening was – “फिल्मों का एक युग, मिनटों में सिमट गया” (“filmon ka ek yug, minton mein simat gaya”) (an entire era of (Hindi) filmdom, faded away in a matter of minutes). A completely unexpected departure happened earlier in the day. Very much in the saddle, and very much in the busy prime of his career, Om Puri passed away suddenly. The amount of intensity he packed into his characters, and in his dialogue delivery, it seemed he was going to last forever on the screen. Sixty six years they say. Goodness, it just seems like yesterday that Bhikhu picked up that axe used to cut wood at a cremation ground, and brutally attacked his own sister.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

तुम ना जाने किस जहां में खो गए॰॰॰

एक शायर का नज़रिया है॰ यूं तो हमें मालूम है के ज़िंदगी का दिया एक दिन बुझ जाना है॰ मगर फिर भी, जब किसी चहेते का साथ छूटता है, तो दिल का ग़म इन्हीं लफ्जों में ढलता है॰॰॰  तुम ना जाने किस जहां में खो गए॰॰॰

[A poet’s perspective it is. We are all aware that the life breath will cease one day. But still, when a dear one departs, the sadness in the heart expresses itself in these very words. . . “Tum Na Jaane Kis Jahaan Mein Kho Gaye”].

The words are from the pen of Sahir – the poet extraordinaire, whose poetry has touched every strand in the fabric of life, every passion, every sentiment of the human psyche. A poet who has given us near about seven hundred film songs, that express a multitude of emotions coloring the canvas of life.

Remembering Sahir Sb, on the anniversary of his passing away today (25th Oct, 1980).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 31
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“ये काली काली ज़ुल्फें और गोरा गोरा चेहरा

vagairah
vagairah
vagairah

Wow and wow, what a song. Same story, same pattern – production house is obscure, film is obscure, actors not so well accepted as grade A material, music director not so well recognized as top of the line. And that is where we find some the most titillating gems of music. Under different circumstances, this song could have been top of charts. E.g. if this song was performed on screen by, say, Shammi Kapoor, well then it would have been treated as a hit, and would have found its place in the listings of timeless classics of Rafi Sb’s fun songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 35
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इकतारा बोले॰॰॰ तुन तुन
क्या कहे ये तुमसे॰॰॰ सुन सुन
बात है लंबी मतलब गोल
खोल ना दे ये सबके पोल
तो फिर उसके बाद
इकतारा बोले॰॰॰ तुन तुन

There is an interesting aside related to this iconic song from the 1970 film ‘Yaadgaar’. This song was originally written as a romantic song with the lines

रात अकेली साये दो
हुस्न भी हो और इश्क़ भी हो
तो फिर उसके बाद

It was selected by Manoj Kumar for his seminal classic ‘Upkar’. Eventually, this song somehow could not be fitted into the storyline. The song remained in suspended state, till Manoj Kumar revived it three years later, got it modified into a song of social messaging, and included it in his film ‘Yaadgaar’. After spending two and a half decades practically in the wilderness in the industry, here came the first major super hit for the song writer. This surely must be a record of some sorts.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

= = = = = = = = = = =
The Voice of Mukesh #70
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This voice has such an alluring appeal. No matter what the song may be, Mukesh ji’s voice has the quality to enliven the song with the depth of his soulful emotion. The words come alive with his rendition. Listen to any of his songs, whether they have been popularized on account of association with successful films and actors, or they belong to obscure, unheard and unsuccessful films. His songs from many such films have remained obscure and unheard. For songs of Mukesh, the unexplored era is primarily in the 1970s.  There still are many songs sung by him, that have to find their place on this blog. Many of them are unfamiliar and obscure, and some are familiar but unheard for long.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

An out and out theatre person who seemed to have stepped on to the silver screen by accident. My first introduction to Dinesh Thakur was when I went to see a stage play in Delhi. I was in school, and the book-reading bug had bit me big time. I was devouring books by the dozen almost on a weekly basis. I got introduced to a wide variety of written genres and authors. In the midst of this, one stream was reading stage plays. Of course, started with the Shakespeare’s ‘Midsummer’s Night Dream’ which was part of our English curriculum. I picked up books of plays written by western authors, and then also got interested in reading plays by Indian authors.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One of the more easily recognizable figures on the Hindi film screen. There are two hallmark identifications, with which we can easily pick out Asit Sen (the actor). The first one is his size. It is remarkable that he maintained his figure through the entirety of his career. One can see him in his earliest appearances in films like ‘Do Bigha Zameen’, playing the role of a seller of sweets and savories, and then also see him in films after three decades – ‘Mera Karam Mera Dharam’ (1987), playing the role of school headmaster. There is no change in his physique. For the number of years one sees him on screen in the same physical dimensions, the thought almost comes into the mind – maybe this is how he was born. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

… a lilting voice […]
falling softer than petals from blown roses on the grass,
and then lingering on and echoing endlessly…

(excerpted from an article by Anup Kumar Pande, published in the Hindu dated December 17, 2004).

A description more decent, more appropriate, I have not been able to find, or even be able to conjure up. The word ‘grace’, characterizes this persona, in ways more than one. And in all ways, nothing more appropriate would appeal – the ‘grace’ of the Almighty, that was gifted to her; the ‘grace’ with which she carried this gift through a lifetime that can only be described as matchlessly supreme; and the ‘grace’ with which she conducted her life, and herself, in an era wherein being blemish-less is a dream accomplishment.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 30
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“मैंने सौ बार ख़यालों में बनाए खाके

jo baat tujh mein hai
teri tasveer mein nahin. . .

It would be an interesting exercise, to do a series of songs, wherein one song is introduced through another song. So many times it happens, a song starts to play, and the mind automatically thinks of another song that expresses similar emotions. I am sure we will be able to list numerous such pairs. There is after all, only so many emotions that the human mind plays with. It is the poet’s mind that will express the same thought in a huge variety of combinations of words.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than eight years. This blog has over 13000 song posts by now.

This blog is active and online for over 3150 days since its beginning on 19 july 2008.

Total number of songs posts discussed

13061

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Movies with all their songs covered =943 Total Number of movies covered =3664

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Blog Start date: 19 july 2008 Active for 3000 days.
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