Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Showdown song’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5283 Post No. : 17308

Hullo Atuldom

“Barsaat Ki Ek Raat” was a Shakti Samanta produced and directed 1981 release. It starred Amitabh Bachchan, Rakhee, Utpal Dutt, Amjad Khan, Abhi Bhattacharya, Prema Narayan, Sujit Kumar, Asit Sen etc. Music was by R. D. Burman & Anand Bakshi was the lyricist. Songs were in the voices of Kishore Kumar, Lata Mangeshkar and Asha Bhonsle.

The film had 5 songs of which the following 3 are on the blog:

Song Date posted
Apne pyaar ke sapne sach huye 10 October 2009
Haaye wo pardesi man mein kaun disha se aa gaya 11 October 2009
Manchali ho manchali kaun si hai ye gali 4 April 2019

The movie was set in the picturesque North Bengal region- Darjeeling to be exact. Tea gardens formed the backdrop for most songs. It was a made simultaneously in Bengali as “Anusandhan” and was based on a Bengali novel. The Bengali version was more successful as compared to the Hindi one.
Abhi Bhattacharya played an official of the tea gardens and Rakhee was his blind daughter.

Amjad Khan (Kaliram) played the local goonda- element who is a law unto himself and has all the vices possible. Utpal Dutt (Sahuji), who is Amjad Khans’ father in the movie, is also the cause of the areas’ problems. He instigates the workers to strike against Abhi Bhattacharya etc. Additionally, he is involved in cross border smuggling.

Into this set up, Abhijeet (Amitabh Bachchan) walks in. Initially the locals have no clue about who he is. And he gets into a tangle with Kaliram on numerous occasions, today’s song is one such tangle, though a musical one.

It happens on the occasion of Durga Puja. Kaliram tries to impress the local female populace with his “dhol playing” and challenges Abhijeet to outdo him. What follows is a song in the voice of Kishore Kumar and Kaliram being mocked by Abhijeet. We have the blind Rakhi in the audience with Prema Narayan giving hee live updates.

This used to be a song that came regularly on Doordarshan.

We are having the song today to remember Panchamda (birthname:- Rahul Dev Burman) on his 29th remembrance anniversary.

For those who are his fans, it is common knowledge that he was son of legendary music director/ singer Sachin Dev Burman and Meera Burman. People are said to be born into riches Panchamda was born into music.

I have read at various places that SD Burman was proud to be referred to as Pancham’s father in the 70s. He was friends with the music director duo Laxmi-Pyare and has played the harmonica in some songs composed by the duo. The duo have also appeared on-screen in a song was composed by RDB. His closest friends in the industry were Rajesh Khanna, Kishore Kumar, Gulzar, Dev Anand & Gulshan Bawra. The trio of Rajesh Khanna- RDB – Kishore Kumar worked together in 32 films. Panchamda was nominated for around 8 films at the Filmfare and won 4 of them, the last one was posthumously for “1942- A Love Story”.

I can go on writing about his songs which are my personal favorites and may still miss a few lived songs. Today’s song is also one from my playlist.
https://youtu.be/734gYucW1FU ( video with scene before song)
https://youtu.be/wSO30UhA4gg (only song)

Song preceded by dialogues


Song-Kaaliram ka khul gaya pol (Barsaat Ki ek Raat)(1981) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics

Kaaliram ka dhol phad gaya

Hey ae ae
kauwa hans ki chaal chala
langda kar ghoda dauda
kauwa hans ki chaal chala
langda kar ghoda dauda
ek gadhe ne koshish ki
vo bhi ban jaye ghoda
dekho taal na toote
hamaari chaal na toote
o dekho taal na toote
hamaari chaal na toote
dekho re taal na toote
taal na toote
du du dudung dung

arre kaaliram ka khul gaya pol
beech bajariya phat gaya dhol
ho gaya us ka dabba gol
bol hari bol hari
bol hari bol
bol hari bol hari
bol hari bol

jiska kaam usi ko saaje
aur kare to thenga baaje
kaaliram ka khul gaya pol
beech bajariya phat gaya dhol
ho gaya us ka dabba gol
bol hari bol hari
bol hari bol
bol hari bol hari
(hari bol hari bol)
bol hari bol

bina ticket ke muft mein humne dekha khel ye saara
bina ticket ke muft mein humne dekha khel ye saara
pi kar bhaang kisi choohe ne
haan bhaiyya
pi kar bhaang kisi choohe ne
sher ko ja lalkaara
ye to vahi baat hui ji
ye to vahi baat hui ji
chhota munh aur bade bo o o ol
kaaliram ka khul gaya pol
beech bajariya phat gaya dhol
ho gaya us ka dabba gol
bol hari bol hari
bol hari bol/font>
(arre bol hari hari bol)
bol hari bol hari
bol hari bol

jai jai gaao
shankh bajaao

sheesh jhukaao
sheesh hukaao
maa
maa durga
durgati naashini
arre is mote ko samjhaao
durga maata se vinti hai
is raakshas ko chhode
durga amata se vinti hai
is raakshas ko chhode
ye mota mahisaasur jaisa
is ki gardan tode
hey devi maa
le is ki jaan
hey devi maa
le is ki jaan
hai ye bali anmol
kaaliram ka khul gaya pol
beech bajariya phat gaya dhol
ho gaya us ka dabba gol
bol hari bol hari
bol hari bol

(are hari bol are hari bol)
bol hari bol hari
bol hari bol

arey baazi haara
ye bechaara
are sharam ka maara
hahaha

jaaye re jaaye
koi isko ghar tak chhod ke aaye
arre jaaye re jaaye
koi isko ghar tak chhod ke aaye
chullu bhar paani mein kahin
ye doob ke na mar jaaye
jiski aji izzat gayi ee
jiski aji izzat gayi
uska raha kya mo o o ol
kaaliram ka khul gaya pol
beech bajariya phat gaya dhol
ho gaya us ka dabba gol
bol hari bol hari
bol hari bol

(arre hari bol hari bol)
bol hari bol hari
bol hari bol

arre arre arre arre bhaaga)
bol hari bol hari

(arre dum daba ke bhaaga
pakdo)
(pakho saa
pakdo saa
pakdo saa)
bol hari bol
(arre jaane na paaye haay haay)
bol hari bol hari
bol hari bol


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4598 Post No. : 16225

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——

Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.

On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.

This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.

I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.

We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.

But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊

Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.

We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…

“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.

Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.

So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021

Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …

Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.

This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …

Remembering Khayyam Saab …

Video

Audio (Partial)

Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa

aa aa aa aaa

jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu kisi bhes mein aaye
tujhe pehchaante hain

tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain

aa ha ha
achchaa aa
to suniye

ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar

arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa

ye nikla mere yaar
matlab ye niklaa mere yaar

aisaa nahin hai wallaah

daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande

ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar

arz ye hai kiblaa

jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe

ham maujood hain
ham rokenge
saare kaale dhandhe

ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen

kya bolen
sarkaar
tumko kya bolen sarkaar

arey bhaai aur kya karen ham

ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar

kiblaa mulahijaa ho
irshaad
irshaad

ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de

jaane de mere yaar
nafrat jaane de mere yaar

ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae

ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar

pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani

wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani

arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani

ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani

haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4291 Post No. : 15544

—————————————————————————
Blog 10-Year Challenge (2010-2020) – Song No. 21
—————————————————————————

Today’s song is from the movie “Kavi-1954”. I have neither watched the movie nor I am aware of many of its songs. However, when I noticed this movie is due for ‘Blog ten-year challenge’ of 17.04.2020, I checked its pending songs. I came across a duet sung by Rafi Saab and Talat Mehmood which I found interesting since I was not aware of this song. Also, the music of this movie is composed by C. Ramchandra ji one of my favorite music directors which is another reason why I am sharing this song here today.

Three songs were represented on the blog on 17.04.2010 including a song from this movie ‘Kavi-1954’;

Song Movie title-Year Remarks
Bolo he zameen bolo aasmaan Chakradhaari-1954 All songs covered
Main pee ke nahin aaya Kavi-1954
Nuktaa cheen hai gham e dil Mirza Ghalib-1954 All songs covered

“Kavi-1954” had total ten songs in it, all written by Rajinder Krishan. Music for this movie was composed by C. Ramchandra.
Lata Mangeshkar, Mohd Rafi, Talat Mehmood, Asha Bhonsle and Chitalkar (C. Ramchandra) had given their voices to the songs in this movie.

So far, the following five songs from this movie have been posted on the blog;

Song Posted On
Main pee ke nahin aaya 17.04.2010
Tere raaste pe hamne ek ghar banaa liyaa hai 19.04.2010
Ham kar ke mohabbat ye samjhe 28.06.2017
Chhotisi zindagi mein kya pyaar muskuraaye 25.11.2016
Teri ik ik adaa jhoothhi 07.09.2019

Today’s song is the sixth song of this movie being presented on the blog. As mentioned above today’s song is sung by Mohd Rafi and Talat Mehmood.
On our blog the following three songs have been discussed where Rafi and Talat Mehmood have sung together;

Bhar de jholi Allah naam Laila Majnu-1953 14.02.2013
Gham ki andheri raat mein Sushilaa-1966 22.06.2010
Ek chaand aasmaan pe hai Aadmi-1968 09.10.2009

I have not been able to get correct word at the place marked as (?), I would request our editors and knowledgeable readers to kindly provide the same and correct me please…

let us now enjoy this lovely song.


Song-Kavita naam hai gyaan ka (Kavi)(1954) Singers-Rafi, Talat Mehmood, Lyrics-Rajinder Krishan, MD-C Ramchandra

Lyrics

Kavita naam hai gyaan ka aa
ise likhne waale gyaani ee
shoom (?) ka beta bane kavi ee
ye hai uski naadaani ee
dhor charaane waale ae
bhaasha ke ras ko kya jaane ae
aise kavi to kaala akshar
bhains baraabar maanen ae
aise kavi duboyen lutiyaa
Kavita likhne waalon ki ee
aise kavi duboyen lutiyaa
Kavita likhne waalon ki
nayi kalpnaa gayi bhaad mein
dhoom machee nakkaalon ki ee
dhor charaane waalon ki ee

gyaan prabhu ki den hai
nahin kisi ki ye jaagir
jag ko bud’dhi denewaala
dekhe naa gareeb ameer
Ramaayan se badhkar achchha
aur nahin koi lekh
uske likhne waale daaku
Valmiki ko dekh
jaat paat naa poochhe koi
Kavita likhne waalon ki ee
jaat paat naa poochhe koi
Kavita likhne waalon ki
mahal chhod kar bani ye daasi
bojh uthhaane waalon ki ee
Kavita likhne waalon ki ee

badaa kavi hai kahin ka aa
to ik baat bataa aa
jagat mein pehle pahal pehlaa aa
chhand kisne likha aa
sawaal itnaa badaa hai
jawaab chhotaa saa aa
jagat wo chhand hai
Jagdish ne ae isey likhaa aa

badaa kavi hai kahin ka aa
to ik baat bataa aa
jagat mein pehle pahal pehlaa aa
chhand kisne likha aa
sawaal itnaa badaa hai
jawaab chhotaa saa aa
jagat wo chhand hai
Jagdish ne ae isey likhaa aa

banaaya jisne ye sansaar
uska roop hai kya aa
kisine aaj talak
usko aankh se dekhaa aa
hawaa nazar nahin aati ee
hawaa ka roop to hai
jo kuchh nazar mein hai
parmaatma ka roop to hai

khataa muaaf
hai munh chhotaa
aur baat badi ee
zaraa jawaab do o
hai din badaa ya
raat badi ee

bhalaaa ye poochhi hai tumne
kahaan ki baat badi ee
kabhi ke din hain bade ae
aur kabhi ki raat badi ee
tumhaari baat mein
Kavita ka ras nahin aaya
jawaab maine jo sochaa thha
wo nahin paaya
khataa muaaf
hai munh chhotaa
aur baat badi ee
hai din ghareeb ka aa
dhanwaan ki ee hai raat badi ee

——————————————————
Devnagri script lyrics (Provided by Avinash Scrapwala)
——————————————————–
कविता नाम है ज्ञान का आ
इसे लिखने वाले ज्ञानी ई
शून(?) का बेटा बने ए कवि ई
ये है उसकी नादानी ई
ढोर चराने वाले ए
भाषा के रस को क्या जाने ए
ऐसे कवि तो काला अक्षर
भैंस बराबर माने ए
ऐसे कवि डूबोयें लुटिया
कविता लिखने वालों कि ई
ऐसे कवि डूबोयें लुटिया
कविता लिखने वालों कि
नयी कल्पना गयी भाड में
धूम मची नक्कालों की ई
ढोर चराने वालों की ई

ज्ञान प्रभु की देन है
नहीं किसी की ये जागीर
जग को बुद्धि देनेवाला
देखे ना गरीब अमीर
रामायण से बढ़कर अच्छा
और नहीं कोई लेख
उसके लिखने वाले डाकू
वाल्मीकि को देख
ज़ात पात ना पूछे कोई
कविता लिखने वालों की ई
ज़ात पात ना पूछे कोई
कविता लिखने वालों की
महल छोड़ कर बनी ये दासी
बोझ उठाने वालों की ई
कविता लिखने वालों की ई

बड़ा कवि है कहीं का आ
तो इक बात बता आ
जगत में पहले पहल पहला आ
छंद किसने लिखा आ
सवाल इतना बड़ा है
जवाब छोटा सा आ
जगत वो छंद है
जगदीश ने ए इसे लिखा आ

बड़ा कवि है कहीं का आ
तो इक बात बता आ
जगत में पहले पहल पहला आ
छंद किसने लिखा आ
सवाल इतना बड़ा है
जवाब छोटा सा आ
जगत वो छंद है
जगदीश ने ए इसे लिखा आ

बनाया जिसने ये संसार
उसका रूप है क्या आ
किसीने आज तलक
उसको आँख से देखा आ
हवा नज़र नहीं आती ई
हवा का रूप तो है
जो कुछ नज़र में है
परमात्मा का रूप तो है

खता मुआफ़
है मुंह छोटा
और बात बड़ी ई
ज़रा जवाब दो ओ
है दिन बड़ा या
रात बड़ी ई

भला ये पूछी है तुमने
कहाँ की बात बड़ी ई
कभी के दिन है बड़े ए
और कभी की रात है बड़ी ई

तुम्हारी बात में
कविता का रस नहीं था आ
जवाब मैंने जो सोचा था
वो नहीं पाया
खता मुआफ़
है मुंह छोटा
और बात बड़ी ई
है दिन गरीब का आ
धनवान की ई है रात बड़ी ई


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4220 Post No. : 15422

Today 6th Feb 2020 is one hundred and fifth birth anniversary of Ramchandra Narayan Dwivedi (06.02.1915-11.12.1998), popularly known to all of as ‘Kavi Pradeep’.

Kavi Pradeep was a great poet and lyricist admired by the whole film industry in India. And as a singer too. Though he has sung very few songs, he has left an indelible mark in the history of Indian movies.

He has penned over five hundred songs as a lyricist and as per statistics on the blog so far 181 out of 531 of his lyrics have been posted on the blog. So, one can understand we still have a long way to go to bring all his lyrics here on the blog. (I think finding all the songs (audio/video) may be difficult now).

As a tribute to him today we have a song penned by him for the 1952 movie ‘Kaafilaa’.

This movie had two songs written by Kavi Pradeep and the today’s song in fact was noted five years back but it was lying pending. (The audio links that were available then have also become obsolete now. However, luckily, I was able to find other links to this song).

‘Kaafila-1952’ was directed by Arvind Sen for Munshi Productions, Bombay. It was produced by S.H. Munshi.

It had Ashok Kumar, Nalini Jaywant, Motilal, Ranjan, Sunalini Devi, Nazeer Hussain, Amita, Bhagwan Ji, Mona, Krishnakant, Shakti, Mumtaz, D.S. Panchotiya, Samar Chatterjee, Parvatibai, Sachin Ghosh, A. Sharma, Munshi Khanzar, Anand Prabhu and others.

This movie was passed by Censor Board on 05.05.1952.

This movie had total eight songs written by Vrajendra Gaur (five songs), Kavi Pradeep (two songs) and Moti. B.A. (one song).
Music for this film was composed by two music directors viz. Husnlal-Bhagatram (six songs) and Bhola Shreshtha (two songs, (both songs penned by Kavi Pradeep).

The voices of Geeta Dutt, Kishore Kumar, Lata Mangeshkar, Mohd Rafi, Shamshad Begum, Talat Mahmood and Zohrabai Ambalewali were used in the songs of this movie.

So far five songs from this movie have been posted on the blog as per following;

SNo Song Title Posted on
01 Chori chori dil mein samaya… 14.11.2010
02 Lehron se poochh lo 19.06.2011
03 Wo meri taraf yoon chale aa rahe hain 13.10.2011
04 Aansoo ab tum kabhi na behna 12.12.2013
05 Khushiyon ki bahaaren laut gayin … 02.05.2018

Today’s song is the sixth song from this movie to be posted on the blog. And the first song of Kavi Pradeep for this movie.
This song is sung by Mohd Rafi and Shamshad Begum and this is the only song sung by them in this movie.

As mentioned above the song is written by Kavi Pradeep and music is composed by Bhola Shreshtha.

Let us now enjoy this ‘nok-jhonk’ song where the ‘nar’ and the ‘naari’ are fighting for ‘kiska paldaa bhaari’ …


Song-Is duniya mein kaun bada hai (Kaafila)(1952) Singers-Rafi, Shamshad Begam, Lyrics-Kavi Pradeep, MD-Bhola Shreshtha
Female chorus
Male chorus
Unidentified voice

Lyrics

Is duniya mein ae kaun badaa hai ae
Kaho Purush ya Naari ee

Ae ji soch samajh kar r r bolo re chaturjan n n
Kiska aa pallaa bhaari ee

Is duniya mein kaun badaa hai
Kaho Purush ya Naari ee ee
Soch samajh kar bolo chaturjan
Kiska pallaa bhaari
Ho kiska pallaa bhaari ee ho

Ho o o o
Is sansaar mein hain do praani

Jiyo raani
Ho jiyo jiyo raani

Is sansaar mein hain do praani
Ik purush ik naari ee
Tumhi faislaa kardo re panchon
Kiska paldaa bhaari ho
Kiska paldaa bhaari ee ho o

Ho o o o o
Kaliyug mein hi nahin
Kaliyug mein hi nahin
Suno ji satyug dwaapr aur tretaa aa aa
Sabhi yugon mein maanaa gaya hai
Purush vishwa ka netaa
Ae ji kal parson ki baat nahin
Is baat ko barson beete ae ae
Bade bade sangraam jagat ke
Mardon ne hi jeete
Ae ji kahaan Purush balwaan
Kahaan komal naari sukumaari ee
Soch samajh kar bolo chaturjan
Kiska pallaa bhaari ee
Ho kiska pallaa bhaari ee

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Ho o o o
Is dharti par chham chham karti
Jo na naari aati
Kaun marad ke dil ke bheetar
Dil ka dard utthaati
Ho meethhaa dard utthaati
Naa ham rakhti ee
Naa ham rakhti fauj na paltan
Naa banduk
Naa dandaa
Phir bhi karodon gharon par dekho
Gadaa hamaara jhandaa
Ae ji ham wo hain jinki ungli par
Naache duniya saari ee ee
Tumhi faislaa kardo re panchon
Kiska paldaa bhaari ho
Kiska paldaa bhaari ee ho o

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Ae ji ho o o
Naari ko dabbu logon ne
Suno re bhaayiyon
Suno
Naari ko dabbu logon ne
Izzat de di sasti
Warna ham mardon ke saamne
Aurat ki kya hasti
He ji aurat to hai ek bandariyaa
Fakat qasar hai doom ki ee ee
Zaraa pyaar se karo ishaara
Phauran leti thumki
Ae ji iska hamaara kya muqaabla
Ye ablaa bechaari ee
Soch samajh kar bolo chaturjan
Kiska pallaa bhaari ee
Ho kiska pallaa bhaari ee

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Khabardaar jo hamko kahaa hai
Aaj kisi ne ablaa aa
Are ham bigde to
Tum mardon ke sar pe bajaa de
Tablaa aa
Ae ji tum kya bade bade
Rishiyon ne ae ae
Tum kya bade bade
Rishiyon ne ae ae
Naak yahaan par ragdi
Are shahanshaahon tak ne
hamaare paaon pe rakh di pagdi
Ae ji jhuke hamaare aage kitne
Pandit aur pujaari ee
Tumhi faislaa kardo re panchon
Kiska paldaa bhaari ho
Kiska paldaa bhaari ee ho o

Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Ho jiyo

Band karo o o
Band karo ho o
Ho o o o

Waah
Waah

Band karo ye nokjhonk
Ab chhodo ye maara maari
Are nahin badappan
Kisi ek ke baap ki thhekedaari
Ee ee

Are waah re buddhe
Waah waah

Ae ji nar naari ka mel jol
Jeewan mein bahot zaroori ee
Ek doosre ki donon
Karte hain zaroorat puri
Donon mein ho pyaar
Raamji
Donon mein ho pyaar
Tabhi chal sakti duniyaadaari ee ee
Yahi hamaara panch faislaa
Sun lo sab nar naari ho
Sun lo sab nar naari ee ho o o

Balihaari
Balihaari

Balihaari
Balihaari
Jaun main balihaari
Ho tere pe balihaari ee
Balihaari

Balihaari
Jaun main balihaari
Ho tere pe balihaari
Balihaari

Balihaari

Balihaari

Balihaari

Balihaari

Jaun main balihaari
Ho tere pe balihaari

Balihaari
Balihaari
Jaun main balihaari
Ho tere pe balihaari

Balihaari
Balihaari
Balihaari

————————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————
इस दुनिया में ए कौन बड़ा है ए
कहो पुरुष या नारी ई
ए जी सोच समझ कर `र `र बोलो रे चतुरजन `न`न
किसका पलड़ा भारी ई
इस दुनिया में ए कौन बड़ा है
कहो पुरुष या नारी ई ई
सोच समझ कर
बोलो चतुरजन
किसका पलड़ा भारी
हो किसका पलड़ा भारी ई हो
हो ओ ओ ओ
इस संसार में हैं दो प्राणी
जियो रानी
हो जियो जियो रानी
इस संसार में हैं दो प्राणी
इक पुरुष इक नारी ई
तुम्ही फैसला करदो रे पंचों
किसका पलड़ा भारी हो
हो किसका पलड़ा भारी ई हो
हो ओ ओ ओ ओ
कलियुग में ही नहीं
कलियुग में ही नहीं
सुनो जी सत्युंग द्वापर और त्रेता आ आ
सभी युगों में माना गया है
पुरुष विश्व का नेता
ए जी कल परसों कि बात नहीं
इस बात को बरसों बीते ए ए
बड़े बड़े संग्राम जगत के
मर्दों ने ही जीते
ए जी कहाँ पुरुष बलवान
कहाँ कोमल नारी सुकुमारी ई
सोच समझ कर बोलो चतुरजन
किसका पलड़ा भारी ई
हो किसका पलड़ा भारी ई
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
हो ओ ओ ओ
इस धरती पर छम छम करती
जो ना नारी आती
कौन मर्द के दिल के भीतर
दिल का दर्द उठाती
हो मीठा दर्द उठाती
ना हम रखती ई
ना हम रखती फ़ौज न पलटन
ना बन्दूक
ना डंडा
फिर भी करोड़ों घरों पर देखो
गाडा हमारा झंडा
ए जी हम वो हैं जिनकी ऊँगली पर
नाचे दुनिया सारी ई ई
तुम्ही फैसला करदो रे पंचों
किसका पलड़ा भारी हो
किसका पलड़ा भारी ई हो ओ
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
ए जी हो ओ ओ
नारी को दब्बू लोगों ने
सुनो रे भाईयों
सुनो
नारी को दब्बू लोगों ने
इज्ज़त दे दी सस्ती
वरना हम मर्दों के सामने
औरत कि क्या हस्ती
हे जी औरत तो है एक बंदरिया
फकत कसर है दूम कि ई ई
ज़रा प्यार से करो इशारा
फौरन लेती ठुमकी
ए जी इसका हमारा क्या मुकाबला
ये अबला बेचारी ई
सोच समझ कर बोलो चतुरजन
किसका पलड़ा भारी ई
हो किसका पलड़ा भारी ई
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
ख़बरदार जो हमको कहा है
आज किसी ने अबला आ
अरे हम बिगड़े तो
तुम मर्दों के सर पे बजा दे
तबला आ
ए जी तुम क्या बड़े बड़े
ऋषियों ने ए ए
तुम क्या बड़े बड़े
ऋषियों ने ए ए
नाक हयान पर रगड़ी
अरे शाहंशाहों तक ने
हमारे पाओं पे रख दी पगड़ी
ए जी झुके हमारे आगे कितने
पंडित और पुजारी ई
तुम्ही फैसला करदो रे पंचों
किसका पलड़ा भारी हो
किसका पलड़ा भारी ई हो ओ
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो
बंद करो ओ ओ
बंद करो हो ओ
हो ओ ओ ओ
वाह
वाह
बंद करो ये नोकझोंक
अब छोडो ये मारा मारी
अरे नहीं बड़प्पन
किसी एक के बाप कि ठेकेदारी
ई ई
अरे वाह रे बुड्ढे
वाह वाह
ए जी नर नारी का मेल जोल
जीवन में बहोत ज़रूरी ई
एक दुसरे कि दोनों
करते हैं ज़रुरत पूरी
दोनों में हो प्यार
रामजी
दोनों में हो प्यार
तभी चल सकती दुनियादारी ई ई
यही हमारा पंच फैसला
सुन लो सब नर नारी हो
सुन लो सब नर नारी ई हो ओ ओ
बलिहारी
बलिहारी

बलिहारी
बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी ई
हो जियो

बलिहारी
जाऊं मैं बलिहारी
हो तेरे पे बलिहारी
बलिहारी

बलिहारी

बलिहारी

बलिहारी

बलिहारी

जाऊं मैं बलिहारी
हो तेरे पे बलिहारी
बलिहारी
बलिहारी

जाऊं मैं बलिहारी
हो तेरे पे बलिहारी

बलिहारी
बलिहारी
बलिहारी


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3896 Post No. : 14938

We had this post last year on the same date by Avinashji where he has written about the background of the movie “Woh Main Nahi”(1974). He has listed all the famous songs and movies of Navin Nischol. Most of the songs which I like are in that list.

So here’s a duet by Rafi and Asha Bhonsle which was written by Verma Malik. Music direction was by Sonik Omi. Visiting the movie after a full year on the occasion of Navin Nischol’s anniversary.


Song-Ise patli kamar mein na daal ke lahanga khisak jaayega (Woh Main Nahin)(1974) Singers-Asha Bhonsle, Rafi, Lyrics-Verma Malik, MD-Sonik Omi
Male chorus
Female chorus

Lyrics

jhigi jhigi jhigi jhigi jhigi jhina
jhina na re

jhina re jhina ha aa
jhigi jhigi jhigi jhigi jhina re jhina
na re

jhina re jhina haa

hey jhoole jhoole jhoole re jhoole
jhoole re ae
jhool jhool jhool jhool jhool jhoole
hey hey ha haa

hey ae’
mera roop mera rang
mere chalne ke dhang
mera ik ik ang
jaise udti patang hai
aaaa
kayi tujhse malang karen ankhiyon ki jung
meri bholi si jawaani
in aashikon se tang hai
koi rakhta nazar
koi deta hai jigar
koi aahen bhar bhar kar mujhko pukaarta
haan
par tujhsa na dekha maine koi harjaayi
jo andar se marta hai
upar se maarta
arre kaisa tu mard jo hai dil ka sarad
uthh himmat dikha
zaraa saamne toh aa
aa aa
are aa na

hahahahaha
hahahaha

arri dhaai inch ki kamar hai teri
aur pandrah gaz ka lehenga aa aa
haay
chhil gayi kamar bos(?) ki jaisi
toh ye sauda padega mehanga
haan
ri isse patli kamar mein na daal
ke lehanga khisak jaayega
isse patli kamar mein na daal
ke lehanga khisak jaayega
teri umar ka naazuk saal
teri umar ka naazuk saal
uspe tu chale mor ki chaal
ke lahanga
ummm
ke lehenga khisak jaayega

haai haai
isse patli kamar mein na daal
ke lehanga khisak jaayega

arri samjhi

jaa re jaa re
tu dil ko zara sambhaal
nahin to dil michak jaayega
tu dil ko zara sambhaal
nahi to dil michak jaayega
main samajh gayi teri chaal
main samajh gayi teri chaal
ja buri nazar na daal
nahin to dil
hmmm
nahin to dil michak jaayega
ja buri nazar na daal
nahin to dil michak jaayega

nazar hai duniya ki buri
o zara sambhal ke rehna saanwri
nazar hai duniya ki buri
o zara sambhal ke rehna saanwri

o ho o o o
sambhal ke rehna aata hai
arre tu kyun jal jal jaata hai
yoon dil na todo
aji tum peechha chhodo
meri jaan idhar to aa ja
arre hatt ja ja
ja ja
isse kar de kisi ke naam
roop tera dhalak jaayega

haaye
isse kar de kisi ke naam
roop tera dhalak jaayega

ja buri nazar na daal
nahin to dil michak jaayega

bol de kya chaahta hai tu
arre milne kise aata hai tu
bol de kya chaahta hai tu
arre milne kise aata hai tu
oh ho o o
arri chaahta hoon deedaar ko
aur milne aaya yaar ko

kisne bulwaaya
o tujhko lene aaya
agar main shor machaaoon
uthha le jaaoon
jaaoon

phenkoon jo zulf ka jaal
jaal mein atak jaayega
phenkoon jo zulf ka jaal
jaal mein atak jaayega

haay haay
isse patli kamar mein na daal
ke lehenga khisak jaayega

arre hatt
rok na raahen
daal baahon mein baahen
main ungli pe nacha doon
tere chhakke chhuda doon
teri yahaan daal gale na
tera bhi zor chale na
mera gussa bura hai
mera ghoonsa bura hai
laga kar haath to dekho
chhuda kar haath to dekho
bahut dekhe hain aise
na dekhe mere jaise
tere jaise hain kaise
mere jaise hain aise
aise
aise
haan

hahahaaha


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3529 Post No. : 14173

There are songs that run their course during their time and are then forgotten with time. Most of these songs that end up forgotten are unlikely to get a second look in future. But there are exceptions. Some interesting developments may rekindle interest in such songs among future generations as well.

The first such song that readily comes to my mind is the song “April Fool banaaya to unko gussa aaya” from “April Fool”(1964). This song was a reasonably popular song of its time which then got forgotten. It was in 1980s when “Andha Kaanoon”(1983) was released that the title song of “April Fool”(1964) caught the fancy of music lovers once again. In the movie “Andha Kanoon”(1983), inspector Durga Devi Singh (Hema Malini) is trying to secretly record the confession of her brother Vijay Kumar Singh (Rajnikant) how he killed the murderers of their father. But when she plays the recording then instead of the confession, this title song “April Fool banaaya” gets played, much to the cheer of movie watchers. Many movie watchers became aware of this “April Fool”(1964) song thanks to this scene of “Andha Kaanoon”(1983). Even I began to take a second look at this song only as a result of this scene of “Andha Kaanoon”(1983).

“April Fool”(1964) title song saw a revival thanks to a movie that was released two decades later. But sometimes songs can see revivals and renewed public interest in them because of reasons that have nothing to do with films !

Take the case of the “Nagina”(1986) song, Main teri dushman dushman tu mera. This song has suddenly become quite popular these days, not only among Indians, but even among non Indians. 🙂

The reasons are non filmy, and they have to do with cricket !

Yes, indeed it is a cricketing incident involving non India players that this “Nagina”(1986) song has become popular. More than the song, it is the picturisation of the song that has caught the fancy of cricket loving public.

Let me explain the situation for those who may not be aware of the cricketing incident. A three nation T20 cricket tournament involving India, Sri Lanka and Bangladesh is in progress at the moment, where every team plays its opponents twice. The two top teams then play the final.

In the first match between Sri Lanka and Bangladesh on Sunday 11 march 2018, Sri Lanka after batting first piled up a huge total of 214. Bangladesh, who were not expected to be able to overhaul the total batted spiritedly and emerged victorious, scoring the winning runs with two balls to spare. The hero of Bangladesh win was their diminutive batsman wicketkeeper Mushfiqur Rahim who played a scintillating unbeaten knock of 72 from 35 balls to clinch a famous victory for his team. In an earlier T20 match in the past, he had celebrated prematurely thinking that his team had won, but his team ended up losing to India by one run in that match. Here Mushfiqur celebrated only after he hit the winning run. And how did he celebrate ? He did a “Naagin” dance, Sridevi style.

His “Naagin” dance celebration overshadowed even the victory of his team. Some criticised him for his immaturity, some supported him, some called for restraint, some ridiculed him. On social media, one found Mushfiqur getting trolled. On youtube, there were several videos in which his photo was superimposed over SriDevi’s in that “Main teri dushman” song.

I had watched this song and the movie in a movie hall during the time this movie was released in 1986. This song was popular but I did not take much notice of the song then. But this time, after 32 years, I took a second look at this song. For that I have to thank Mushfiqur Rahim of Bangladesh!

The fact that a Bangladeshi cricketer is aware of this song and he is in fact a fan of Sri devi’s Naagin dance movement is news to me. 🙂

In the second match between the same two opponents, Mushfiqur Rahim, after batting well for some time, threw his wicket away and this time the Sri Lankan bowler did a “sapera” dance movement, as Sapera played by Amrish Puri does in the song picturisation. So, even Sri Lankans were aware of this Hindi movie song ! The fact that the fans too were aware of it was proved when cameras showed a placard being carried by some fans showing a sketch of a sapera and a naagin. 🙂

Just imagine, a Hindi movie song of 1986 catching so much attention of non Indian cricketers. It is clear that these cricketers must have watched the movie, or at least the song picturisation.

With these two matches attracting the attention of cricket fans world wide, even non Asian cricket fans are bound to take notice of this “Naagin” song and some of them may get interested in this song. 🙂

The fact that foreign cricketers have begun to take interest in Indian movies, thanks to so many of them playing in IPL, is no secret. A few weeks ago, South African bowler Lungi Ngidi was snapped up by Chennai Super Kings in IPL auction. The bowler then tweeted

Just listened to the #LungiDance song loving it already.

The tweet was retweeted and liked thousands of time, mostly by Indians.

Foreign players are even getting interested in learning Hindi. On the eve of Deepaawali of 2017, India played New Zealand in an ODI match. New Zealand won the match, thanks to the batting of Ross Taylor of New Zealand. Sehwag tweeted:-

Well played @RossLTaylor Darji ji . Great effort after handling the pressure of Diwali orders .#indvsnz

— Virender Sehwag (@virendersehwag) October 22, 2017

Guess what ! Look at the response of Ross Taylor:-

Thanks @virendersehwag bhai agli Baar Apna order time pe Bhej dena so Mai Apko agli Diwali ke pehle deliver kardunga ….happy Diwali

So one can say that foreign cricketers are getting interested in things Indian. This is because India is now emerging as an attractive destination for opportunities in many areas, including cricket. Foreign cricketers have begun to take lots of interest in India because of IPL. Forget active cricketers, even retired cricketers are getting involved in various capacities viz mentors, coaches, commentators etc. When it comes to commentary, opportunities are increasing. The TV channels have now started to offer commentary in Hindi and some other languages as well. So ex cricketers able to speak in these languages are in demand as commentators. Ex cricketers like Sehwag and V V S Laxman have emerged as a much sought after Hindi commentary jodi. Even Gavaskar, Ganguly, Murli Kartik etc do Hindi commentary. In the present tri series underway in Sri Lanka, I found Athar Ali Khan too being called up for Hindi commentary. He understands Hindi but cannot speak in it. Hopefully he will brush up in his Hindi speaking then he can find more commentary opportunities.

The movie “Nagina”(1986) was produced and directed by Harmesh Malhotra. The movie had Rishi Kapoor, Sridevi, Amrish Puri, Komal, Prem Chopra, Sushma Seth, Pinchoo Kapoor, Viju Khote, Guddi Maruti, Lalita Kumari, Baby Guddo, Manmouji, Jagdeep, Satyadevi, Rajan, Sheetal, Suresh etc in it.

The movie had five songs in it.

Here is the first song from “Nagina”(1986). This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal. The song is picturised as a naagin-sapera song on Sridevi, playing naagin, and Amrish Puri (playing sapera). Amrish Puri is assisted by many other saperas in the picturisation. 🙂

With this song, whose song picturisation has attracted so much attention in a couple of cricket matches played in 2018 between two international teams, “Nagina”(1986) makes its debut in the blog.

Audio

Video

Song-Main teri dushman dushman tu mera (Nagina)(1986) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

main teri dushman
dushman tu mera
main naagan tu sapera aa aa
main naagan tu sapera aa aa
main teri dushman
dushman tu mera
main naagan tu sapera aa aa
main naagan tu sapera aa
janam janam se tera mera bair
ho rabba khair
main teri dushman
dushman tu mera
main naagan tu sapera aa aa
main naagan tu sapera aa aa

aaj ka badla main bas loongi
chhed na mujhko
main das loongi
aaj ka badla main bas loongi
chhed na mujhko
main das loongi
jantar mantar jaadu tone
yeh toh mere khel khilaune
mujh par chalega na zor tera
main naagan tu sapera aa aa
main naagan tu sapera aa aa

chhed ke apni been ka lehra
chhed ke apni bean ka lehra
toone bithhaaya mujh par pehra
bas mein nahin main aanewaali
main nahin dhokha khaanewaali
aaya hai jogi ban ke lutera
main naagan tu sapera aa aa
main naagan tu sapera aa aa

sab ki jubaan par meri kahaani
mera dasa huwa maange na paani
sabki jubaan par meri kahaani
mera dasa huwa maange na paani
tera tamaasha sab dekhenge
kya hota hai ab dekhenge
dekhega tu na kal ka savera
main naagan tu sapera aa aa
main naagan tu sapera aa aa
main teri dushman
dushman tu mera
main naagan tu sapera aa aa
main naagan tu sapera aa
janam janam se tera mera bair
ho rabba khair
main teri dushman
dushman tu mera
main naagan tu sapera aa aa
main naagan tu sapera aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaun Apna Kaun Paraaya”(1963) was directed by Niranjan for Golden Films, Bombay. The movie had Vijay Kumar, Waheeda Rehman, Nirupa Roy, Amar, Nasreen, Shammi, Dulari, Shyam Kumar, Tuntun, Johnny Walker etc in it.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 70s Brij Sadanah directed a string of movies after his “Victoria No. 203” became a hit. Almost all his subsequent movies had Pran and Ashok Kumar in central roles with the hero himself being of secondary importance. All his movies had a whole lot of people running after gold or diamonds or khazaana. Then there would be at least one song in disguise.
Read more on this topic…


“Das Lakh” (1966) was a Goel Cine Corporation Production. It was produced and directed by Devendra Goel. The movie had Sanjay Khan, Babita, Om Prakash, Pran, Helen, Manorama, Ramesh Deo, Seema Deo, Parvin Paul, Master Ripple, Baby Sonia, Bramhachari, Hari Shivdasani, Shefali Chowdhry, Amir Ali, Nazir Kashmiri, Baby Yasmin, Master Aziz, Kapoor, Abhimanyu Sharma, Shyamlal, Mool Chand etc in it.
Read more on this topic…


“Johar Mehmood in Hongkong” (1971) was produced by K Z Seth and Madan Chopra and directed by S A Akbar. The movie had I S Johar, Mehmood, Sonia Sahni, Kamal Kapoor, Tuntun, Manorama, Agha, Mukri, Polson, Pran, Madhumati, Mehmood Junior, Raj Kishore, Murad, Tiwari, Aruna Irani, Haroon etc in it.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17500 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Movies with all their songs covered =1349
Total Number of movies covered=4694

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