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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Manna Dey-Lata duet’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4010 Post No. : 15117 Movie Count :

4152

Songs Repeated in Hindi Films – 6
– – – – – – – – – – – – – – – – – –

The heart must have missed a beat – on reading the title of this post. Goodness. . . this wonderful iconic song, 65 years ago – it captured the imagination and the hearts of a generation, nay, many a generation of young hearts in love. This unforgettable song is imprinted on the sands of memory, never to be erased by any winds that may blow, till the end of life.

The golden age of melody was at its peak. The manner in which Shailendra knit together the words and lines of this love song – cannot be and has not been bettered since. The melody and the orchestration conceived by Shanker Jaikishan – the arrangement of the instruments, the preludes, the interludes, the rhythm – everything just perfect in this song. The renditions – Manna Da and Lata – the voices working together seamlessly – rising and falling in unison, and in apposition, complementing, merging – the “aa haa haa” lines going up all the way to the clouds. The lines

pyaar jo toota
saath jo chhoota

receding into the depths of somber apprehensions, and then suddenly a rising declaration of a resolution,

chaand na chamkega kabhi

the rendition volume going up all the way to the moon. The resolve expressed with such a dignified confidence in the nature’s machinations. The moon – no it will never stop shining, and thus, by implication, this love will never be broken, this companionship will never part. And suddenly, instinctively, unknowingly there is a lump in the throat and a warm moisture on the corners of the eyelids. Yes, yes – that is what love is – the poet, the music-waala, the singers – yes, they have got it just right, on the dot. Yes that is what love is, what it ought to be. Such noble souls lived in that golden era – who could feel it right, and conjure up an imagination, combining the words, the music and the sound – and then tell it to us so simply – that no further discourse would be necessary.

I am reminded of another quintessential song from the same film –

ramaiya vasta vaiya
maine dil tujhko diya

And once again, the simplest of words, the simplest verse one can conjure up – and there is no better way, no better words invented, before or since, to say – I love you.

And the scene, the depiction – the conceptualization – a master presenter is at work here. Here is an emotional entanglement coming to fruition in the hearts of two young people, almost at the very bottom of the ladder of social significance. A part time employee at a laundry, who has “borrowed” a suit that has come for cleaning, and his shoes are in tatters. A self employed teacher, who gives basic education to the underprivileged children in the backyard of her own home. But then love does not check on social status, or verify your bank balances, before making a burrow into the hearts. That love is simple. That love is without embellishments. That love is honest and innocent. That simply is love, and it happens, just happens.

The overcast skies, the lashing rains, the amused witness – the chaiwaala (tea seller), the incidental umbrella, the handy tootle that the young man plays, the happenstance of three cheruby toddlers in raincoats – all put together in a scenario that simply cannot now be erased from the memory’s palette.

The emotional expressions of the leading pair are just as consummate and accomplished as the scenario itself. The sharing of the umbrella becomes such a pivotal exchange. The young man offers it to the lady. And she hands it back, seeing him getting drenched. He takes it, but then sees that she is in the same plight, so immediately offers it back to her. She once again takes it, and with a helplessness writ large on her face, sees him getting drenched once again. And then the inevitable happens. With her eyes clenched, and her lips trembling with apprehension, she inches closer to him – dawning of the realization that one must share when there is a need. And the two come close now, holding the same umbrella – realizing that in love, one has to share, one has to hold together, and one has to steady each other against the squall of the winds and outpourings of this ruthless world.

And then the song begins – question by the young man, not specifically directed at her, but at himself too. And the lady answers, for both of them together – “. . . Maaloom Nahin Hai Kahaan Manzil . . .”. One of the supreme examples of cinema at its very best, in telling about emotions that shake a heart when the love is just starting to take baby steps in there. Marvellous . . . simply marvelous – much more than the best of the words can express.

Um. . . kind of got carried away with the original. 🙂

25 years after the release of the original, this song was used once again in the 1979 film ‘Salaam Memsaab’. And the manner of use is so very innovative. A little earlier, back in 1970, when ‘Mera Naam Joke’ was released, at the beginning of part II we see Raj Kapoor at the Bombay Carnival, hosting a bioscope stand, singing “Kehta Ha Joker, Saara Zamaana. . .”. And as he sings, he is operating the bioscope in which we are treated to clips of his earlier films, especially ‘Awaara’ and ‘Shri 420’. It is fun to watch those clips in fast forward mode.

In ‘Salaam Memsaab’, a similar presentation is used. A little background. Radha (role played by Zarina Wahab) and Sunder (role played by Asrani) are two young people, friends and in love. They are the street tamaasha people who sing and dance on the roadside to earn their living. Sunder has high aspirations, and wants to become rich quickly. Radha also has aspirations, but she is averse to making compromises with her principles of honesty and truthfulness. They work together, but this difference in their view of life generates arguments.

Near the beginning of the film, just about half hour into it, Radha chances to see a bioscope man, playing his machine near the Gateway of India. She gets in line and starts watching – she gets in when the song “Pyaar Hua Iqraar Hua Hai. . .” is starting to play. We can see her enjoying the show, and then as the lead pair comes on at the beginning of the song, she gets into a different dreamy dimension of fantasy, and instead of seeing Raj Kapoor and Nargis on the screen, she sees herself and Sunder there, performing the same song, singing and expressing their newly discovered love for each other. She is fascinated, and the entire song is replayed on the screen in front of her, performed now by the two new lovers.

This is a very innovative presentation. In the singing parts of the clip, we can see Radha and Sunder performing, and in the other parts of the clip, the director uses the original footage and scenes. The entire song moves back and forth between the now Radha and Sunder, and the earlier scenes. Very interestingly edited and put together. E.g. when the line “Phir Bhi Rahengi Nishaaniyan” is playing, the scene clips back to the original version and we see the three toddlers with raincoats, toddling through the rain. Readers may recall that in the original version, the three kids are the children of Raj Kapoor – Ritu, Randhir and Rishi. The clip cuts back and forth between the current version, shown in subdued colors and shades, and the original version shown in black and white. Very intelligently designed.

In her dream of wide open eyes, Radha sees herself and Sunder, in an exact image of the hero and heroine on screen. As one watches their movements and expressions, the effort has been made to create an exact replica not just of the scenario, but also of the performance and expressions. You can open up two windows in the video playing software, and play the two songs, this one and the original, side by side. One is amazed by the effort made by Zarina and Asrani to replicate the performance as nearly as possible. Ah, we know it is not Raj Kapoor and it is not Nargis. But still it is a very impressive performance to see.

The film ‘Salaam Memsaab’ is produced under the banner of Roshan Films, Bombay and is directed by Asrani himself. The cast of actors includes Asrani, Zarina Wahab, Ranjeet, Manju Bansal, Rahman, Keshto Mukherjee, Asit Sen, Jugnu, Leela Mishra, Sulochana (Senior), Tom Alter, CS Dubey, Arvind Rathore, Anand Girdhar, Amol Sen, Dilip Tahil, Nilu Arora, Master Jeetu, Yusuf, and Raju, with friendly appearances by Ashok Kumar, Sunil Dutt, Yogita Bali, and Rishi Kapoor. The songs of this film are written by Majrooh Sultanpuri and the music is by RD Burman. Seven songs are listed for this film which have been rendered by Mohamed Rafi, Kishore Kumar, Lata Mangeshkar and Asha Bhosle.

This song, being a reuse, is not listed in Geet Kosh. And as I mentioned in an earlier episode of this series, it is not easy to track down such re-use songs, unless one has actually seen the film(s). I had also written that since I started this series, I have been getting inputs from many friends, from our bandwagon and also from others in our music lovers group, about such reuse songs. Since these songs are generally not listed, such inputs from friends has really added many interesting reuse scenarios that I was not aware of.

Today’s song was sent in as a suggestion from Anekant ji. He is a regular contributor in our comments section, and I am sure all are familiar with him. Not being aware of this reuse song, I am delighted to get this input from him. A real wonderful song, and a real wonderful reuse after twenty five years – from 1954 to 1979 to 2019 – and forty more, when we are now reading about it once again. 🙂

A reuse that takes you into a fantasy land of a dream of wide awake eyes. I am sure all of us have had some similar experience some time or another in our lives. Apologies for the digression, but I just remembered another such on screen ‘dream of wide awake eyes’ which I just cannot resist mentioning. 🙂 For all those who have seen and remember ‘Chhoti Si Baat’ (1972). Yes, I am referring to the song “Jaaneman Jaaneman Tere Do Nayan”. Amol Palekar is watching the film in a theatre. Onscreen the song is being performed by Dharmendra and Hema Malini. And within a few seconds, Amol Palekar goes into this ‘dream of wide awake eyes’, and through his eyes, we see the song being performed on screen by himself and Vidya Sinha. The reverie is quiet painfully broken as the villain appears at the end of the song and hits the hero with a belt. (Just from that split second profile, my feeling has been that it was actor Manmohan, the villain I mean.)

Ah so, we have a new category of songs to mull over – ‘dream of wide awake eyes’. And I am sure the readers will recall many such songs in Hindi films – yes, we do that a lot. 🙂

Enjoy today’s wonderful reuse treat and let’s wait for the next – what more such entertaining surprises are coming up.

Song – Pyaar Hua Iqraar Hua Hai  (Salaam Memsaab) (1979) Singer – Manna Dey, Lata Mangeshkar, Lyrics – Shailendra, MD – Shanker Jaikishan
Manna Dey + Lata Mangeshkar

Lyrics

pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)

kaho ke apni preet ka
geet na badlega kabhi
tum bhi kaho is raah ka
meet na badlega kabhi
pyaar jo toota
saath jo chhoota
chaand na chamke ga kabhi
aaa haaa haaa
aaa haaa haaa
aaaaa haaa haaa
aaa aaa aaa

aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil

rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)

raaten dason dishaaon se

kahengi apni kahaaniyan
geet hamaare pyaar ke
dohraayengi jawaaniyan
main na rahoongi
tum na rahoge
phir bhi rahengi nishaaniyaan
pyaar hua
iqraar hua hai
pyaar se phir kyun darta hai dil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
kehta hai dil
rasta mushkil
maaloom nahin hai kahaan manzil
pyaar hua
(aaa aaa aaa)
iqraar hua hai
(aaa aaa aaa)
pyaar se phir kyun darta hai dil
(aaa aaa aaa)

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)

कहो के अपनी प्रीत का
गीत ना बदलेगा कभी
तुम भी कहो इस राह का
मीत ना बदलेगा कभी
प्यार जो टूटा
साथ जो छूटा
चाँद ना चमकेगा कभी
आ हा हा
आ हा हा
आss हा हा
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)

रातें दसों दिशाओं से
कहेंगी अपनी कहानियाँ
गीत हमारे प्यार के
दोहराएंगी जवानियाँ
मैं ना रहूँगी
तुम ना रहोगे
फिर भी रहेंगी निशानियाँ
प्यार हुआ
इक़रार हुआ है
प्यार से फिर क्यों डरता है दिल
कहता है दिल
रस्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
कहता है दिल
रास्ता मुश्किल
मालूम नहीं है कहाँ मंज़िल
प्यार हुआ
(आ आ आ)
इक़रार हुआ है
(आ आ आ)
प्यार से फिर क्यों डरता है दिल
(आ आ आ)

 

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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3958 Post No. : 15035

“Jai Ambe”(1957) was produced by Shanti Kumar and D N Shukla and directed by Shanti Kumar for Mahesh Chitra Bombay. This “pauraanik” movie had Sulochana, Manhar desai, Sapru, Ramesh Sinha, Sheela Kashmiri, Niranjan Sharma, Kesri, Indira Bansal, Mridula, Shree Bhagwan, Kanchanmala, Dubey, Shalini, Heera Sawant etc in it with Guest appearances by Jeewan and Rajkumar( of pauraanik movies fame, different from Jaani fame Rajkumar)

The movie had nine songs in it. One song from the movie has been covered in the past.

Here is the second song from “Jai Ambe”(1957) to appear in the blog. This song is sung by Lata and Manna Dey, alongwith male and female chorus. Bharat Vyas is the lyricist. Music is composed by Pt Shivtam.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Kaali ghataayen aakaash mein jee ghir ghir aayen (Jai Ambe)(1957) Singers-Lata, Manna Dey, Lyrics-Bharat Vyas, MD-Shivram
Female chorus
Male chorus
Lata + Manna Dey
All chorus
Manna Dey + Male chorus
Lata + Female chorus

Lyrics

dig dig dig dig naiyya chale
purwaiyya chale
chhak chhaiyya chhaiyya ho
haiyya
dig dig dig dig naiyya chale
purwaiyya chale
chhak chhaiyya chhaiyya ho
haiyya
dig dig dig dig naiyya chale
purwaiyya chale
chhak chhaiyya chhaiyya ho
haiyya

ho o o
Kaali ghataayen aakaash mein jee
ghir ghir aayin
ghir ghir aayin
naiyya mori dagmag ho ke dole jee
ho naiyya mori dagmag ho ke dole jee

gori main tere paas hoon to
darr kaahe ka
darr kaahe ka
jhoolo jhoolo
lahron ke
hindole jee
ho
jhoolo jhoolo

lahron ke
hindole jee

dig dig dig dig
naiyya chale re
purwaiyya chale
chhak haiyya haiyya ho
haiyya

gahri nadiya door kinaara
chhod hamen mat jaiyyo re maanjhi
chhod hamen mat jaiyyo re
din bhar lahron sang khel ke
saanjh pade ghar aiyo re maanjhi
saanjh pade ghar aiyo jee
ho o o o
naao puraani gahra paani
peechhe na rah jaiyyo machhariya

peechhe na rah jaiyo jee
aanchal ki patwaar banaa ke
naiyya paar lagaiyyo machhariya

naiyya paar lagaiyyo jee
batiyaan tihaari gori
preet ka ras ghole jee
ras ghole jee
meethhi meethhi baansuriya
si bole jee
ho naiyya mori dagmag ho ke dole jee
dig dig dig dig
naiyya chale re
purwaiyya chale
chhak chhaiya chhaiyya ho
haiyya

ankhiyaan phadke jiyara dhadke
bijli kadke ambar mein
haay
bijli kadke ambar mein
le chal maanjhi haath pakad ke
aag lagi hai samandar mein
hoy aag lagi hai samandar mein
ho o o o o
baahar baahar dekh rahi kya
tanik to jhaanko andar mein

hoy tanik to jhaanko andar mein
devi banke bathhi tu gori
mere man ke mandar mein

hoy mere man ke mandar mein
bachpan ki ye preet hai jee
kabhi toote na
sang chhoote na
nit nit pyaar chadhhe jhakole jee

ho naiyya mori dagmag ho ke dole jee
dig dig dig dig naiyya chale
purwaiyya chale


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3514 Post No. : 14115

Today (2 march 2018) is Holi, the festival of colours in India.

This happens to be the TENTH Holi festival for the blog. We discuss Holi songs from Hindi movies on this occasion. As many as 55 Holi festival songs have been covered during the last nine Holi festival occasions. Almost all well known Hol festival songs have already been covered. But seeing that Holi is the most popular festival for Hindi movies, ahead of the second placed festival of Deewaali, we still have a good number of Holi festival songs still left to be covered.

Take this song for instance. This movie “Ek Gaaon Ki Kahaani”(1957) had seven songs in it. The sixth and penultimate song from the movie was discussed two years ago. The seventh and final song had to be held back all these days because it happened to be a Holi festival song. It was lined up for 2017 Holi but it missed the bus on that occasion. So the next opportunity for this song being covered in the blog was the Holi of 2018 viz today.

Here are the details of the six songs of “Ek Gaaon Ki Kahaani”(1957) that have been covered in the past.

Song Title

Post No.

Post Date

Jhoome re neela ambar jhoome 1948 19-Sep-09
Raat ne kyaa kyaa khwaab dikhaaye 1955 20-Sep-09
O haay koyi dekh legaa 2081 23-Oct-09
Kaana kubda langda loola buddha doctor aayega 9382 1-Feb-14
Chale thhumak thhumak taare 10514 19-Nov-14
Boley pihoo pihoo pee papeehara 11967 2-Apr-16

Here is the seventh and final song of “Ek Gaaon Ki Kahaani”(1957) to appear in the blog. This “holi” festival song is sung by Manna Dey, Lata and chorus. Shailendra is the lyricist. Music is composed by Salil Chaudhary.

The song is picturised on Dhumal, Bipin Gupta, Abhi Bhattacharya, Mala Sinha, Jerry,I S Johar, Moolchand etc.

Lyrics of this song were sent to me by Prakashchandra (long back).

With this song, “Ek Gaaon Ki Kahaani”(1957) joins the list of movies that have all their songs covered in the blog.

Here is wishing everyone a happy and safe Holi 2018. Let there be many more Holi festivals and many more Holi festival songs for us to cover.

Video

Song-Ho jee ho Din holi ka aa gaya (Ek Gaaon Ki Kahaani)(1957) Singers-Manna Dey, Lata, Lyrics-Shailendra, MD-Salil Chaudhary
Male chorus
Female chorus

Lyrics(Provided by Prakashchandra)

holi hai ae ae

hey hey hey hoyye
sara ra ra ra ra ra rararara
sara raaa sara raaa saraa saraa raaa saraa
haayye ae ae ae ae ae

ho o o o o
ho ho
ho o o o o o
ho ho ho
ho ho o

hojee ho o o o oho o
din holi ka aa gayaa
rang daalo
hojee ho ho o
din holi ka aa gayaa
rang daalo
hojee ho o o ho oo
din holi ka aa gayaa
rang daalo
hojee ho o o ho ooo

(ho o o o o ho o o o)

hoyye
dhimm dhimaa dhimm dhol baajey
chhannkey manjeeraa
ho jee chhannkey manjeeraa
holi hai ae ae hai ae ae hai ae ae
dhimm dimaa dhimm dhol baajey
chhannkey manjheeraa

hey thummakk thummakk naachey
meri preet adheeraa
meri preet adheeraa
hojee ho o o o o ho o o o
saanwre ki dhun mein jaisey
naachey magan meeraa
ho jee ho o o o o ho o o o
din holi ka aa gayaa
rang daalo

ho jee ho ho o o o
din holi ka aa gayaa rang daalo
ho jee ho ho o o o

kahen ki saaraa raaa raa
kahen ki aur bajegi
kehen ki saraa raa raa
kahek ki aur bajegi
kehen ki saraa raa raa saraa raaa
raaa raaa raaa raa raa raaa
hoyye ae ae

laaj ki laali pe lagaa pyaar ka gulaal
dekho pyaar ka gulaal
laaj ki laali pe lagaa pyaar ka gulaal
laal laal gaal bhaye aur laal laal
bhayo aur laal laal
ho jee ho o o o o o o ho o o
maarey sharam ke
hai gori ka buraa haal
hojee ho o o o o
din holi ka aa gayaa
rang daalo

hojee ho o o ho
din holi ka aa gayaa
rang daalo
hojee ho oo o ho

kahen ki saraa raa raa
kahen ki aur bajengi
kahen ki saraa raa raa
kahen ki aur bajengi
kahen ki saraa raa raa
saraa raaa saraa raaa raa raa
hoyye ae

hhaaa hhaa
maar pichhkaari koyee bachke na jaa paaye
koyee bachke na jaa paaye
holi hai ae ae hai ae ae
maar pichhkaari koyee bachke na jaa paaye

aisaa malo
hoyye hoyye
aisaa malo rang
poorey baras yaad aaye
poorey baras yaad aaye
hojee ho o o o o ho o
do ghadi ka mel jaane
kaun kahaan jaaye
hojee ho o o o
din holi ka aa gayaa
rang daalo

hojee ho o o o
din holi ka aa gayaa
rang daalo

hojee ho o o
din holi ka aa gayaa
rang daalo
hojee ho o o o ho ooo

(ho o oo o o o)


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SHANKAR-JAIKISHEN IN THE 50s…Song No- 7
———————————————
The Lovers of old Hindi film music are spread all over the world in almost all countries of all the continents. It is not an exaggeration. Youngsters of the decade of the 60s and the 70s, who migrated to different countries, must be in their 60s and 70s now. They all are lovers of old music. They not only loved that music,but with the help of 78 RPM Records,Tapes and later with CDs, they kept the music alive even today. Let any famous singer got to any country for a stage show, the audience farmaishes are for old songs only. No show is successful without singing old songs.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is 28 september 2015, a red letter day for HFM because it is the birthday of Lata Mangeshkar today who was born this day in 1929. The most shining jewel of a musically illustrius family, it goes withut saying that she has dominated Hindi playback singing for the last six decades or so. Many of the songs that have become integral parts of our daily lives as well as parts of our lives during special occasions have been sung by her.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 13 # Duet-2 – Lata Mangeshkar, Manna Dey
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Here is a pleasant duet sung by Lata Mangeshkar and Manna Dey from the 1975 Film ‘Chaitaali’.

I do not remember this movie now, but I think that I had watched it on ‘Doordarshan’ during early nineties.

As per information available in HFGK this is a Bimal Roy Productions presentation (produced by Mrs.Monabai Roy as per info on Wikipedia), directed by Hrishikesh Mukherjee.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pinjra”(1972) was a extremely successful Marathi movie produced and directed by V Shantaram and starring Dr Shreeram Laagoo and Sandhya in lead roles. This movie in fact won the National award for the best film in Marathi in 1972.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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RaagaMaalas in Hindi Films – 18
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Khilona, a 1970 film was a hit film on Indian screen. There were other ‘Khilonas’ made in the years 1942 and 1996 too. The Khilona under discussion was produced by L Y Prasad and directed by Chander Vohra. The star cast included Sanjeev Kumar, Mumtaz, Jeetendra, Shatrughan Sinha, Jagdeep, Jankidas, Aruna Irani, Mridula, Alka etc. The performance of Sanjeev Kumar was very much praised.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pakshiraaj” (1959) was directed by S N Tripathi for Vijay Films, Bombay. The movie had Nirupa Roy, Manhar Desai, Ulhas, Bhujbal singh, Anand Kumar, Shalini, S N Tripathi, Rajrani, Mahesh Desai, Indira Bansal, Kesari, Babu Raje, Dalpat, Ratnamala, Poonam Kapoor, d D Nautiyal, Anil Kumar, Anand Joshi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Juaari” (1968) was directed by Suraj Prakash for Lotus productions. The movie had Shashi Kapoor, Nanda,Tanuja, Kumari Naaz, Rehman, David Abraham, Madhavi(north), Madan Puri, Agha, Achala Sachdev, Kamal Kapoor, Chaman Puri, Samson, Sulochana Latkar, Ravikant, Tiger, Mikkey, Aruna, Dilip Dutt, Shayam, Vimal Chadha, B.B.Bhalla, Vishu Kapoor etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has over 15200 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15261

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Movies with all their songs covered =1179
Total Number of movies covered =4192

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Active for more than 4000 days.

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