Archive for the ‘Missing the opportunity song’ Category
Kaali kaali raat hai
Posted July 21, 2022
on:- In: expression of love | Feelings of heart | Guest posts | Missing the loved ones | Missing the opportunity song | Post by Arunkumar Deshmukh | Rare song | Song with incomplete details on HFGK | Songs of 1940s (1941 to 1950) | Songs of 1948 | Songs with missing details in HFGK | Sulochana Kadam songs | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Today’s song is from the film Chanda ki Chandani-1948.
The film was directed by Dwaraka Khosla, the lyricist was D.N.Madhok and the music Director was Gyan Dutt.
When I was looking at the cast of this film, my eyes were stuck on one name and a smile came to my face.
From the day films started being made in India, in the first stage, no one was ready to work in films. In the second stage, no one from a respectable family was coming forward to work in films. In the third stage, very few educated people joined the films. However, as the film industry got well established, the picture changed and highly educated people from respectable families joined Cinema world. Not only that, working in films became a matter of prestige. It brought fame and money both ! The film industry attracted all talented people from various places.
Working in films also became an attraction for many producers, directors, lyricists, singers, music directors,cinematographers, choreographers etc. In fact, people who had no direct involvement in the actual role playing too became attracted to be seen on the silver screen. Thus, we find many examples of such ‘ unconnected ‘ film personalities to appear on the silver screen at least once.
Take the case of Music Director S.N.Tripathi, for example. When he joined the film industry through Bombay talkies, for fun, he first did a small role in the film Jeevan Naiya-1936, which was also the first film of Ashok Kumar as a Hero. But after that film, after 10 years, he started acting in films and finally he ended up acting in 83 films in his career, while giving music to 107 films and even directing 10 films ! This is the charisma of films !!. Another example I remember offhand is that of music director Jaikishen ( of Shankar- Jaikishen fame), who appeared as a singer in the film Begunah-1957.
Among lyricists, I remember Dewan Sharar, doing a small role in the film Karma-1933, who ended up appearing in 7 more films in the next 20 years ! Not only this, but even Lata Mangeshkar ( initially as a need), Asha Bhosle, R D Burman etc have appeared on the silver screen. Mukesh and Talat Mehmood had done Hero’s roles too. There could be many such examples and our readers can quote them.
In my younger days ( which was too long ago ! ), I remember Alfred Hitchcock, director of Murder mystery films, had the habit of appearing at least once in evry film that he made, either as a part of a crowd or in a negligible cameo role. During that period, it became a craze all over the world to spot him in his films- which was a difficult task and people saw films many times just to locate him.
All this came to my mind, when I saw the name of Neelkanth Tiwari in the cast of the film Chanda ki Chandani-1948. Tiwari was a well known author and a lyricist in Hindi films. This winner of Sahitya Academy Award, had a penchant for appearing on Silver screen. He appeared in at least 2 films – Apna paraya-1942 and Chanda ki Chandani-1948. He is also said to have appeared along with Dev Anand (with whom he was quite close) in one of his films- name of which I do not know. Not only this he also sang a song in his first film Nirdosh-1941 !
Other members of the cast of this film were Jairaj, Rehana, E.Bilimoria, Moni Chatterjee, Kesari, Veera, Ameer bano etc. The case of E. Bilimoria is strange. He became an actor by accident (reminds me of Motilal and Ranjan too). In the early era of the Talkie films the Bilimoria brothers were very famous. First it was D (Dinshaw) and then came E (Eddie) Bilimoria. Eddie was born at Bilimora,in Gujarat, in 1900. At the age of just 13 years he ran away from house to Kirkee (near Poona), to his uncle, to become a Fireman in Railways. Here, he became a Door keeper in a Cinema house and also learnt operating the film projector. Due to ill health, he was brought to Bombay.
One day he went to Imperial Studio to meet his brother Dinshaw, who worked in films. Mistaking him to be Dinshaw, make-up was done to him and he played a role in the film ‘Punjab Mail’. Then onwards he started working regularly in films. As a Hero his first silent film was ‘Raj Ramani’. He worked as Hero in 7 Imperial films and 10 films of Ranjit Studio. His Heroines were Putli, Shanta, Sultana. Madhuri, Padma, Panna and others. When Talkie films started he was Hero in 32 films made by Ranjit, opposite Gauhar, Shanta, Kamla, Mehtab, Madhuri and Sitara etc. He worked in 15 films opposite Madhuri only. Fencing, shooting and horse riding were his specialties as a stunt Hero. He was the First in India to wear Cowboy dress in stunt films.
Char chakram-32, Miss 1933-33, and Nadira-34 were his Hit films. In the film ‘ Sipahi ki sajni’-36, he jumped into Sea from a flying plane, without duplicate. Daredevil stunts were his hallmark. There were hundreds of stitches on his body. After 1939 he stopped getting Hero roles, so he did other character roles. After 1953, he was reduced to only an Extra. He did acting till 1973 and then took up a job in a Fridge and AC shop. He stayed in a flat in Kemps corner in Bombay. His last days were not very happy. E.Bilimoria died on 18-2-1981 at Bombay.
He acted in 73 Talkie films, directed 1 film ( sone ki chidiya-48) and also sang 4 songs in 4 films. His first film was Radha Rani-32 and last was Honeymoon-73.
( adapted from ‘Inhe na Bhulana’ (in Gujarati) by Harish Raghuwanshi, with thanks.)
Another name of interest was that of Veera. This name too may not be known to many. Veera was from a Parsi family.Her full name was Veera Ankaleshwaria. Obviously, her family came from Ankaleshwar,a small industrial town(now), in Gujarat. She started her career in films as a Heroine opposite Nasir khan in the film Mazdoor-1945. Then came Shikari-46 and later Eight days-46, both had Ashok Kumar as the Hero. Both the films were from Filmistan. Her last film as Heroine was Tohfa, opposite Rehman and Leela opposite Agha , both films from 1947. Then she stopped getting Heroine roles and shifted to side roles. In all she did 22 films.
Her other films were, Veena, Ziddi, Chanda ki Chandani- all 48, Sanwaria-49, Hamara Ghar and hamari beti- 1950, Hamari shaan, Ramjanma and Sagar-1951, Aasmaan, izzat, Moti mahal, Sanskar and Shin shinaki boobla boo-all1952, Dana Pani-53, Boot polish and Sheeshe ki deewar both 1954.
She married Mohsin Abdulla, who had worked in Bombay Talkies as a writer. He was the younger brother of actress Renuka Devi ( Begum Mirza) and ex husband of actress Neena (Shaheeda). After the marriage, both migrated to Pakistan in 1955. No news after that.
Today’s song is a good one, sung by Sulochana Chavan and B. Hussain. I do not know who this B. Hussain was. HFGK mentions the singer of this song as Geeta Roy, but the names on the actual gramophone record are different. This song and the record photo was uploaded by Jaffer Bhai. Thanks to him for this rare song. Let us enjoy this duet – which is the 7th song of this film to feature on this Blog.
Song- Kaali kaali raat hai (Chanda Ki Chaandni)(1948) Singers- Sulochana Kadam, B Hussain, Lyricist- D N Madhok, MD- Gyan Dutt
Both
Lyrics
kaali kaali raat hai
kaali kaali raat hai
gar saas teri so jaaye to kuchh baat hai
kaali kaali raat hai
gar saas teri so jaaye to kuchh baat hai
kaali kaali raat hai
kaali kaali raat hai
lo ghir ghir baadal aa gaye
aa morey raaja
hum ghabra gaye
lo ghir ghir baadal aa gaye
aa morey raaja
hum ghabra gaye
tu to ghabra gayi
mera dhadke hai dil
tu to ghabra gayi
mera dhadke hai dil
tu makkhi ban ke
kabootar ban ke
o sajni aa ke raat beeti jaat hai
raat beeti jaat hai
per maa teri so jaaye to kya baat hai
per saas teri so jaaye to kuchh baat hai
kaali kaali raat hai
kaali kaali raat hai
jo main jaanti
saasu ka raaz ghar mein hoga
jo main jaanti
saasu ka raaz ghar mein hoga
kabhi na aati
kunwaari hi rah jaati
jo main jaanti
saasu ka raaz ghar mein hoga
kabhi na aati
kunwaari hi rah jaati
jo main jaanta
meri dushman hai meri maata
jo main jaanta
meri dushman hai meri maata
zehar ka pyaala pee ke
kabhi ka mar jaata
jo main jaanta
meri dushman hai meri maata
zehar ka pyaala pee ke
kabhi ka mar jaata
udhar padi to khabardaar
ye last hai
kaali kaali raat hai
kaali kaali raat hai
per saas teri so jaaye to kuchh baat hai
per maa teri so jaaye to kya baat hai
kaali kaali raat hai
kaali kaali raat hai
“Aalingan”(1974) , though a recent movie by the standards of this movie is an extremely obsure movie. This movie was a low budget movie, which were then euphemistically described as art movie and they used to be made with out of work newcomers.
Read more on this topic…
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