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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Enticement Song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3800 Post No. : 14792

Today’s song is from film ‘Mangala’ (1950). This was a film made by Gemini Films of Madras and directed by its boss SS Vasan. The music was given by a team of Balkrishna Kalla, MD Parthasarathy and E Sankar Sastry. The cast of this film was P Bhanumathi, Ranjan, Agha, David, Badri Pershad, BS Kalla etc.

The film was a remake of the hit Tamil film ‘Mangamma Sapatham’ (1943). After the unprecedented foray of Gemini’s Vasan’s hit film ‘Chandralekha’ (1948) into the All India market, Subramaniam Srini Vasan or simply SS Vasan, became aware of the unlimited scope of the Hindi belt market for south-made Hindi films. Vasan was a writer, editor, producer and director, but above all, he was a business tycoon. He had established the popular Tamil magazine “Anand Vikatan”, and owned Gemini Studios, Gemini Laboratories and Gemini distribution circuits.

He soon decided to take advantage of the success of ‘Chandralekha’ and made another tri-lingual film . In Tamil it was called ‘Apoorva Sahodarargal’, in Telugu, it was ‘Apoorva Sahodaralu’, and in Hindi it was called ‘Nishan’ (1949). This film too was a great success. Encouraged by this, SS Vasan made his 1943 Tamil Hit film ‘Mangamma Sapatham’, into a remake in Hindi with the name ‘Mangala’.

Not by coincidence, but by design, the hero for all these 3 remakes and the originals was Ranjan. (This film was remade in Simhalese as ‘Mathalan’ in 1955, and in Telugu as ‘Mangamma Shapatham’ in 1965, featuring NT Ramarao, later the Chief Minister of erstwhile Andhra Pradesh, and Jamuna).

Enthused and inspired with Vasan’s success in the Hindi belt, another giant from the South came forward. AVM’s Tamil film ‘Vazhkai’ (1949) was a big hit in south. AVM made a Telugu version of it with the name ‘Jeevitham’ (1950) followed by a Hindi version ‘Bahaar’ (1951). They introduced Vyjayantimala with this film, in Hindi. The story of the film and the Music by SD Burman made film a big hit in Hindi too. AVM then made Hindi film ‘Ladki’ (1953), with a Tamil and Telugu version. This too became a hit film. However by that time the South market had grown manifolds and there was no need for the south film makers to venture into the Hindi belt to earn money. Thus, there was a slow down in this type of activity. The south now started making Hindi films directly in Madras by calling actors from Bombay. And some films were dubbed too.

Actually, the southern film activity, though as old as Hindi talkie films, is strictly limited to four southern states. It was only the adventurous SS Vasan who ventured into the bastion of Hindi film markets, by promoting his film ‘Chandralekha’. In fact this had encouraged other producers like AVM, Prasad, Vijaya etc. to tap the Hindi belt. While making a multilingual film, the south producers always called the Hindi artistes, be it actors, directors ,composers or singers to come to Madras, but they never went to Bombay. It was only through dubbed or remade films that south actors, composers or actors were exposed to the Hindi arena. Those days anyone from south was a ‘madrasi‘ and likewise anyone from other than south was a North Indian or a Punjabi ! No one from the North bothered to distinguish between Tamil, Telugu, Kannada or Malayalam – films or people. Everything was ‘madrasi‘.

The divide between the north and the south went on widening, which finally resulted in the anti-Hindi agitations of the 60s and 70s in Madras and other southern places. Fortunately, in recent times and with the new generation, thanks to the coalition politics at the centre and states as well as IT centres at Hyderabad and Bangalore, the North-South exchange is much better and each state is identified individually. Thanks also to writers like Chetan Bhagat’s novels. Thanks to Modernization.

In the early times of the film industry, very few educated people used to join here. That is why graduates or postgraduates used to flaunt their degrees with pride – like Moti, BA – the lyricist (though he was actually MA), or Kavi Pradeep’s pseudo name – Miss Kamal BA or even singer Surendra as BA, LLB etc.

A highly qualified person and that too in an unrelated subject joining films was a wonder then. Thus, a young man with an unlikely name for a hero, like RAMNARAYAN VENKATRAMAN SARMA alias actor RANJAN was a novelty. Ranjan was born in Madras on 2-3-1918 in an orthodox Brahmin family. He did his BA with Physics and then completed M Litt in Carnatak music and dance, and became a Research Fellow for Ph.D. He also became the managing editor of ‘NATYAM‘ a magazine for dance, drama and music. In total contrast to his expertise in fine arts, he learnt fencing (sword fighting) after he saw it in the Olympic Games.

He was spotted by a Tamil producer and he made his debut in the film ‘Ashok Kumar’ (1941). After a few films in Tamil and Telugu he got the role of Shashank in the magnum opus film ‘Chandralekha’ in 1948. The drum dance and his fencing were the two main attractions in the film. The final sword fighting is considered the longest ever fencing fight in films till today ! The film was a hit and Ranjan became type cast in action films. Ranjan was a very poor actor, but his fencing skills were marvelous.

In 1949 came ‘Nishaan’, based on the Hollywood film ‘The Corsican Brothers’ – one good and one bad. It was a story of twins. The audience liked a scene from the film which showed that there were marks on one brother’s back if the other one was whipped ! The film, in Hindi, Tamil and Telugu, was a hit everywhere mainly for its fencing scenes. In ‘Mangala’ opposite Bhanumati, he was the villain and the hero too.

He was invited by New York University for a research fellowship, but Vasan did not leave him, so after ‘Mangala’, as soon as the contract was over, Ranjan came to Bombay.

‘Shin Shinaki Boobla Boo’ (1952) saw him with Rehana but as a romantic hero, he was worse than Bharat Bhushan or Pradeep Kumar ! He acted in ‘Sindbad The Sailor’ (1952),  ‘Nishan Danka’ (1952), ‘Kafila’ (1952), ‘Baaghi’ (1953), ‘Shahenshah’ (1953), ‘Baap Beti’ (1954), ‘Baghdad’ (1961), and a host of B and C grade films, many of them dubbed or remakes of southern films. He was known for only fencing. But he never became famous like Stewart Granger in ‘Scaramouche’ for his fencing. In the 1950s he acted in 23 films, in 1960s he did 18 films and in 1970s his tally was 17 films. A total of 58 films in Hindi.

After sword fighting became obsolete he shifted to writing. The story of film ‘Munim ji’ (1955) was written by him. After few years in south he was seen again in ‘Chor Chor’ (1974) and ‘Chaitali’ (1976). ‘Ram Balram’ (1980) was his last film.

He married a Muslim girl and she converted to Hinduism taking the name of Laxmi. Ranjan wrote 12 books on dancing and music. He shifted to USA to live with his son in New Jersey. He passed away 12-9-1983, due to a heart attack. He was so much forgotten that even the news of his death was not published in India.

The composers of ‘Mangala’ was a team of D Parthsarthi, Balkrishna Kalla and E Shanker. This team also gave music to few other films like ‘Sansaar’ (1951), ‘Mr Sampat’ (1952), ‘Bahut Din Huye’ (1954). Balkrishna Kalla with Mohd Shafi gave music to ‘Krishna Kanhaiya’ (1952). Independently he gave music to only one film – ‘Do Dulhe’ (1954). The southern composers gave music only to dubbed films or remakes.

In the original version of ‘Mangala’, which was ‘Mangamma Shapatham’ (1943), the heroine was Vasundhara Devi – mother of Vaijayantimala. In Hindi film ‘Mangala’, the heroine was P Bhanumathi, but the hero was same – Ranjan. There were some Hindi actors like Agha, David and Badriprasad. The composer of today’s song, Balkrishna Kalla also did a small role in this film. When Shamshad Begum sang songs for ‘Chandralekha’, her songs were recorded in Bombay, but for ‘Mangala’, Shamshad went to Madras first time and sang 9 songs out of its 15 songs. In this film the songs and dances of Carmen Miranda were freely copied in the Tamil, Telugu and Hindi versions.

The late 1940’s was marked in Bollywood with the remake of several super hit movies from south, especially from Tamil. The 1950 hit ‘Mangala’, produced by Gemini Pictures, was one such movie which was originally made in Tamil. SS Vasan was the director of the Hindi version. The newspaper, The Hindu, in its issue of 3-2-2013 has said this, about film ‘Mangala’,

Bhanumathi Ramakrishna was so bowled over by the performance of Vasundhara Devi (mother of yesteryear heroine Vyjayanthimala Bali) in Gemini’s blockbuster 1943 Tamil hit, Mangamma Sabadham , that she wished, if at all the film were to be remade in Telugu, she would act in it. In fact, the Tamil movie was released by Gemini supremo S.S. Vasan at a few centres in Andhra also and was well received there too. A few years later, Vasan decided to remake the movie in Telugu and Hindi under the title Mangala . Impressed by Bhanumathi’s performance in the Tamil film, Rajamukthi , he decided to sign her and approached her husband, Ramakrishna Rao. It was an opportunity she was waiting for and Bhanumathi immediately accepted the offer. She was paid a remuneration of Rs. 1 lakh for both the versions. Ranjan, who did the hero’s role in Mangamma Sabadham , was retained to play the lead role in both Telugu and Hindi versions. Popular editor of the time, Chandru (who had done commendable work as editor for Gemini’s earlier trilingual, Apoorva Sahodarulu) was entrusted with the job of directing the Telugu movie.

Based on a popular folklore, an engrossing narrative was weaved by Gemini’s story department. Mangala (Bhanumathi), the charming daughter of a rich farmer, is very haughty by temperament. When Prince Sugunapal (Ranjan) fails to win her love, he throws a challenge that he would marry her and then imprison her for life, denying her the marital bliss. She counter-challenges him that she would bear a child from him and make the child whip him in his court.

The prince marries her and puts her in a lonely palace. She makes her father (Doraiswamy) dig a tunnel from the palace to her village, sneaks through it to her house and learns dance. Disguised as a gypsy, she entices the Prince, secretly gives birth to a child, and when he grows up (Ranjan – dual role) gets her vow fulfilled through him. Realisation dawns on the Prince and the tale ends on a happy note.

All through it is Mangala’s show and Bhanumathi essayed it brilliantly. If Vasundhara Devi was admired for her nice dances in the Tamil version, Bhanumathi scored through her acting prowess. Ranjan made his presence felt in dual role.

The songs and dance sequences were all hits of that time. Music was composed by Partha Sarathi, Kalla and E Sankar Sastri. Two songs from this film were inspired by the famous Brazilian dancer Carmen Miranda’s classics. The song “Ma Ma Ma Ma Ma Mummy” was based on Carmen Miranda’s “Mama Yo Quiero” and “Ayyi Ayyi Ayyi Ayyi Mari Main To Laaj Se” (today’s song) in which Bhanumathi is dressed like Carmen, was based on “I Yi Yi Yi Yi — I Like You Very Much”  from the film “That Night in Rio ” (1941), sung by Carmen Miranda herself.

Enjoy the dance and song video….

 


Song – Ayyi Ayyi Ayyi Ayyi Mari Main To Laaj Se  (Mangala) (1950) Singer – P Bhanumati, Lyrics – Pt Indra, Music – MD Parthasarthy, BK Kalla, E Shankar Shastri

Lyrics (Provided by Sudhir)

ta na na naa raa nanna
ta na na naa raa nanna
taa naa naanaa
ch ch ch ch..ch

ta na na naa raa nanna
ta na na naa raa nanna
taa naa naanaa
ch ch ch ch..ch

ta na na naa raa nanna
ta na na naa raa nanna
taa naa naanaa
ch ch ch ch..ch

ta na na naa raa nanna
ta na na naa raa nanna
taa naa naanaa. . .
ta na na na ra naa naa. . .
ta na na na na naa. . .
ta na na na ra naa naa. . .
ta na na na na naa. . .
ta na na na na naa
ta na na na na naa

taa na na naa raa nanna
naa raa nanna
naa raa nannaa
ta na na na na naa. . .
ch ch ch ch..ch

taa na na naa raa nanna
taa na na naa raa nanna
taa raa nanna
ta na na naa raa nanna
ta na na na na naa. . .
taa naa naa naa. . .

ayyi ayyi ayyi ayyi mari main to laaj se
sainyyaan dekhe mohey pyaar se
aayi aayi raja torey paas re
piya se milan ki aas re
ayyi ayyi ayyi yaa. . .
ahaa haa haa haa. . .
ayyi ayyi ayyi yaa. . .
ahaa haa haa haa. . .
ahaa haa haa haa. . .

kaun jaane kaisa jaadu daal ke
chheen liya dil mora haaye
khili khili khili rahe chaandni
chanda sa ye much muskaaye
chhoti si raat
chhoti si baat
dil ki pukaar
sumba limbaa. . .
suno suno pyaare morey saajna
baaje morey dil ka sitar
gori gori chhori main to baalma
puchho reejho reejho hai kyon nikhar
ayyi ayyi ayyi yaa. . .
ahaa haa haa haa. . .
ayyi ayyi ayyi yaa. . .
ahaa haa haa haa. . .
ahaa haa haa haa. . .

meri chaal nihaar
kaisi thummakdaar
meri kamar nihaar
kaisi lachakdaar
mere nain nihaar
jaise tez kataar
meri nath nihaar
kaisi hai chammakdaar
ye bahaar
ye nikhaar
tum shikaar
main shikaar
phadak phadak
thadak thadak

ayyi ayyi ayyi ayyi mari main to laaj se
haaye ri main to laajon mari
hanh hanh
ayyi ayyi ayyi ayyi mari main to laaj se
saayyaa ji jee
du du de de dor
ka ka ki ki ku ku ke ke kaye kekor
piya se milan ki aas re
chhoti si raat
chhoti si baat
dil ki pukaar
sumba limbaa. . . aa. . .

suno suno pyaare morey saajna
cha cha chu chu chu chu chaye chechor
ka ka ki ki ku ku ke ke kaye kekor
ta tta ta ti tu tu tuteyi tetor
ayyi ayyi ayyi yaa. . .
ahaa haa haa haa. . .
ayyi ayyi ayyi yaa. . .
ahaa haa haa haa. . .
ayyi ayyi ayyi yayyi yayyi yaa. . .

ta na na naa raa nanna
ta na na naa raa nanna
taa naa naanaa

ta na na naa raa nanna
ta na na naa raa nanna
taa naa naanaa

ta ra ra na na naa naa. . .
ta ra ra na na naa. . .
ta ra ra na na naa naa. . .
ta na na naa raa naa
ta na na naa raa naa

ta na na naa raa nanna naa raa nanna naa raa nanna
taa naa naa naa raa. . .
ta na na naa raa nanna
ta na naa raa nanna
ta na na na naa. . .
ta. . na. . na. . naa. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3623 Post No. : 14441

After completing the recording, Mukesh had commented – people will remember you for this song. He was talking to the music director, and was expressing his emotions having just rendered a beautiful composition. The music director – Daan Singh. The song – “Wo Tere Pyaar Ka Gham” (from the film ‘My Love’ (1970)). Prophetic words, in some ways, yes, because this song is still on the list of favorites of the lovers of this music. But does everyone remember Daan Singh in connection with this song – I am not sure.

A composer with a huge talent, which was matched in his lifetime only by the immense neglect with which the industry has treated him. He had blessings from maestros like Khemchand Prakash and Anil Biswas, but the tinsel world in Bombay did not welcome him enough. The tracks from the unreleased film ‘Bhool Na Jaana’ (c 1965) should have been a sign for any discerning producer concerned with the quality of music in his films. But it was not to be so. Daan Singh spent a few frustrating years in Bombay, and then returned to Jaipur, and continued to work at the AIR Jaipur station.

A career that talks of just maybe five films. ‘Bhool Na Jaana’, mid sixties, unreleased; ‘Toofaan’, 1969, a Dara Singh action film; ‘My Love’, 1970, a romantic story with big name stars – Shashi Kapoor and Sharmila Tagore – did not succeed at box office; ‘Bawandar’, 2000, in the final edit, all songs went off screen, and the music remained just on the album; ‘Bhobar’, 2011, Rajasthani film, one song.

And then, on June 18, 2011 itself, he passed away after a brief illness – unsung, un-acknowledged. A sad conclusion, especially when one has heard his creations. Seven years have passed – we honor and remember him on this day.

Today’s song is from the 1969 film ‘Toofaan’. Although an action/adventure film for the B-grade circuit, the music of this film simply great. Here is a soft romantic number sung by Asha Bhosle. The lyrics are written by Akhtar Romani. On screen, the song is performed by actress Anita, who is attempting to entice and seduce Dara Singh, probably in preparation for the arrival of other members of the gang.

Listen and enjoy.

 

Song – Husn Mein Bhi Hai Nasha  (Toofaan) (1969) Singer – Asha Bhosle, Lyrics – Akhtar Romani, MD – Daan Singh

Lyrics

husn mein bhi hai nasha
jaam mein bhi hai nasha
peene waale dekh pee ke
farq hai donon mein kya
husn mein bhi hai nasha
jaam mein bhi hai nasha

ye adaayen ye nazaare
ye lachak ye shokhiyaan
tujhko masti mein pukaare
koi tera meharbaan
aag ye tu ne lagaai
aag ye tu hi bujha
husn mein bhi hai nasha
jaam mein bhi hai nasha

aaj dil behke to behke
hosh ka mat naam le
aaj dil behke to behke
hosh ka mat naam le
do ghadi madhosh reh ke
bekhudi se kaam le
khud bhi pee aankhon se meri
aur mujhko bhi pila
husn mein bhi hai nasha
jaam mein bhi hai nasha

aaj har parda utha de
tujhko chaahat ki kasam
aaj har doori mita de
tujhko teri hi kasam
main bana doon husn tujhko
ishq tu mujhko bana
husn mein bhi hai nasha
jaam mein bhi hai nasha
peene waale dekh pee ke’
farq hai donon mein kya
husn mein bhi hai nasha
jaam mein bhi hai nasha

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

हुस्न में भी है नशा
जाम में भी है नशा
पीने वाले देख पी के
फर्क है दोनों में क्या
हुस्न में भी है नशा
जाम में भी है नशा

ये अदाए एं ये नज़ारे
ये लचक ये शोखियाँ
तुझको मस्ती में पुकारे
कोई तेरा मेहरबाँ
आग ये तु ने लगाई
आग ये तू ही बुझा
हुस्न में भी है नशा
जाम में भी है नशा

आज दिल बहके तो बहके
होश का मत नाम ले
आज दिल बहके तो बहके
होश का मत नाम ले
दो घड़ी मदहोश रह के
बेखुदी से काम ले
खुद भी पी आँखों से मेरी
और मुझको भी पिला
हुस्न में भी है नशा
जाम में भी है नशा

आज हर पर्दा उठा दे
तुझको चाहत की कसम
आज हर दूरी मिटा दे
तुझको तेरी ही कसम
मैं बना दूँ हुस्न तुझको
इश्क़ तू मुझको बना
हुस्न में भी है नशा
जाम में भी है नशा
पीने वाले देख पी के
फर्क है दोनों में क्या
हुस्न में भी है नशा
जाम में भी है नशा


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3622 Post No. : 14438

Mohammed Rafi – Duets – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 17
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –

‘थ’ – थोड़ी सी ज़िंदगानी राजा बीते ना जवानी ॰ ॰ ॰

– – – –

दिल तू भी गा, प्यार में मुस्कुरा ॰ ॰ ॰

Yes, we grew up with and learned all about the heart, and the smiles and love, listening to your songs. . . how we wish there were more. . .

– – – –

Scraped through with some difficulty for today’s episode – not many songs, and duet at that, beginning with this letter ‘थ’.

Today’s song is from a lesser known film from 1957 – ‘Laxmi Pooja’.  The film is produced and directed by Jayant Desai for Hemlata Pictures, Bombay. The list of actors of this film reads like – Nirupa Roy, Shahu Modak, Jeevan, Niranjan Sharma, Anant Kumar, Babu Raje, Praveen Pal, Indira, Manju, Shri Bhagwan, Sukumar, Rajrani, and Meenu Mumtaz etc.

The nine songs of this film are all written by Bharat Vyas, and the music is composed by Chitragupt. Quite a melodious song, this offering is. The singing voices are those of Shamshad Begum and Rafi Sb.

Apparently the lady’s beau has a stronger attachment to religious pursuits, much to the dismay of the lady. And she is trying to win him over with her winsome expressions about youth being wasted. And the gentleman replies – it is not just youth, but the entire life that is getting wasted, so let us sing the praises of the Good Lord. The lady is not giving up her rightful claim and she too presses on with her efforts to snare him with the promises of love. Our man, appears to be made of sterner stuff – and absolutely does not give up by the time 3rd antaraa starts to play (somewhat breaking the rule we have always found useful in such song situations).

There is another song of a similar theme – from the 1975 film ‘Sanyaasi’ – “Chal Sanyasi Mandir Mein“. It would be interesting to compare notes and lyrics. . . 🙂

Listen and enjoy.

 

Song – Thodi Si Zindgani Raja Beete Na Jawaani  (Lakshmi Pooja) (1957) Singer – Shamshad Begum, Mohammed Rafi, Lyrics – Bharat Vyas, MD – Chitragupt
Chorus

Lyrics

thodi si zindgani
raja beete na jawaani
kaahe masti bhare din gawaaye re
kyon na nainon se nainan milaaye re

teri thodi si zindgaani
pal pal beeti jaaye jawaani
kaahe heere se janam gawaaye re
kyon na govind ke gun gaaye re
kyon na govind ke gun gaaye re

rang rangeele raja aaja
o raja
rang rangeele raja aaja
kar le dil ki baat re
rang rangeele raja aaja
kar le dil ki baat re
baat baat mein jeevan beete..ey..ey..ey
baat baat mein jeevan beete
kyon na tu sharmaat re
kyon na tu sharmaat re
oo oo hoye
aai hai rut mastaani
rim jhim barse roop ka paani
dekho saawan ke badra chhaye re
kyon na nainon se nainan milaaye re
kaahe heere se janam gawaaye re
kyon na govind ke gun gaaye re
kyon na govind ke gun gaaye re

nain baan hain
palken dori
nain baan hain palken dori
chitwan chhode baan re
chitwan chhode baan re
roop jawaani behta paani..ee..ee
roop jawaani behta paani
kyon karta abhiman re
kyon karta abhiman re
teri preet badi deewaani
preet laga prabhu se agyaani
jahaan dhokha na koi khaaye re
kyon na govind ke gun gaaye re
kaahe masti bhare din gawaaye re
kyon na govind ke gun gaaye re
kaahe masti bhare din gawaaye re
kyon na govind ke gun gaaye re

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

थोड़ी सी ज़िंदगानी
राजा बीते ना जवानी
काहे मस्ती बहरे दिन गवाए रे
क्यों न नैनों से नैनां मिलाये रे

तेरी थोड़ी सी ज़िंदगानी
पल पल बीती जाये जवानी
काहे हीरे सा जनम गवाए रे
क्यों ना गोविंद के गुण गाये रे
क्यों ना गोविंद के गुण गाये रे

रंग रँगीले राजा आजा
ओ राजा
रंग रँगीले राजा आजा
कर ले दिल की बात रे
रंग रँगीले राजा आजा
कर ले दिल की बात रे
बात बात में जीवन बीते॰॰ए॰॰ए॰॰ए
बात बात में जीवन बीते
क्यों ना तू शरमात रे
क्यों ना तू शरमात रे
ओ ओ होए
आई है रुत मस्तानी
रिम झिम बरसे रूप का पानी
देखो सावन के बदरा छाए रे
क्यों न नैनों से नैनां मिलाये रे
काहे हीरे सा जनम गवाए रे
क्यों ना गोविंद के गुण गाये रे
क्यों ना गोविंद के गुण गाये रे

नैन बान हैं
पलकें डोरी
नैन बान हैं पलकें डोरी
चितवन छोड़े बान रे
चितवन छोड़े बान रे
रूप जवानी बहता पानी॰॰ई॰॰ई॰॰ई
रूप जवानी बहता पानी
क्यों करता अभिमान रे
क्यों करता अभिमान रे
तेरी प्रीत बड़ी दीवानी
प्रीत लगा प्रभु से अज्ञानी
जहां धोखा ना कोई खाये रे
क्यों ना गोविंद के गुण गाये रे
काहे मस्ती भरे दिल गवाए रे
क्यों ना गोविंद के गुण गाये रे
काहे मस्ती भरे दिल गवाए रे
क्यों ना गोविंद के गुण गाये रे


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3596 Post No. : 14353

Missing Films of 1960s – 72
– – – – – – – – – – – – – – –

Today’s film of the 1960s being introduced is ‘Badmaash’ from 1969.  A very obscure and unfamiliar film, that is known only by its presence in the Geet Kosh. But I was surprised when I checked out the cast. This film belongs to the Sheikh Mukhtar genre. His films may not be blockbusters, but still they are known only because they are Sheikh Mukhtar films. Even so, this film is lesser known in comparison.

It is well known that Sheikh Mukhtar would be churning out films very regularly, but he never established a production house that sustained. Practically all his films are produced under different banners. This film is from the banner of Saras Chitra, Bombay and is directed by BJ Patel. The star cast of this film reads like Sheikh Mukhtar, Helen, Chandrashekhar, Padma, NA Ansari, Vishwa Mehra, Dalda, Shashimala, Satyen Kappu, Jilani, Chandrakala, Surya Kumar, Bhagwan, Rachna, Jayshree, Satish Vyas, Nawab, Jaswant, Ajeet, Abdul Sattar, Nanak, Motu, and Nandini Desai. The regulars are all there – Chandrashekhar, Helen, NA Ansari. And then of course the lesser known regulars. A nearly new name for that era, which appears in this list is Satyen Kappu. We have known him from his character roles in films of 1970s and onward. On checking his filmography, we find that he makes his debut in this film, in all likelihood. I say it this way, because the available information for character artists is not very accurate. This is the earliest film in which his name is listed.

There are only four songs listed in the Geet Kosh, for this film. All the songs are from the pen of Anjaan. The music director is Avinash Vyas. A little surprising to read his name associated with this film. Not that he does not have other B/C grade films in his portfolio. But most of his films are either religious / mythological or fantasy / costume drama. ‘Badmaash’ seems to be his only stunt / crime drama film.

The singing voice is Krishna Kalle. As I have been reviewing the films of second half of 1960s, I find her name appear quite regularly in songs of B/C grade films of that era. This song seems to be a club/bar song, and the performer appears to be drunk herself. Given the cast of actors, it would seem that Helen is the female lead in this film, opposite to Chandrashekhar. It is possible that this song may be performed by her. Another possibility is Padma, a name that I think refers to Padma Khanna, who was also a leading dance item performer of that era. I request other knowledgeable friends and readers to please add more information about the film and its songs.

Rendering by Krishna Kalle is just too good. These types of songs were a monopoly of Asha Bhosle and Geeta Dutt – actually more of Asha Bhosle in that period of latter part of 1960s. With this song, one can see the potential that Krishna Kalle had to compete with Asha Bhosle.  But well, history is history. Listen and enjoy this definitive performance by her.

 

Song – Utha Palken Mila Nazren  (Badmaash) (1969) Singer – Krishna Kalle, Lyrics – Anjaan, MD – Avinash Vyas

Lyrics

utha palken
mila nazren
ye paimaane chhalakne de
utha palken
mila nazren
ye paimaane chhalakne de
behakta hai
agar ye dil
bura kya hai behakne de
utha palken
mila nazren

idhar to dekh
kaisi pyaas
machli hai nigaahon mein
idhar to dekh
kaisi pyaas
machli hai nigaahon mein
dhadakte dil ko le le
shokh baahon ki panaahon mein
mohabbat ki
nai khushboo
se ye saansen mehakne de
utha palken
ay
mila nazren

ye maana
saagar o meena ka
dilkash daur hota hai
ye maana
saagar o meena ka
dilkash daur hota hai
magar aankhon se peene ka
mazaa kuchh aur hota hai
haseen palkon
ke saaye mein
naye saagar khanakne de
utha palken
mila nazren
ye paimaane chhalakne de
behakta hai
agar ye dil
bura kya hai behakne de
utha palken
mila nazren
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
उठा पलकें
मिला नज़रें
ये पैमाने छलकने दे
उठा पलकें
मिला नज़रें
ये पैमाने छलकने दे
बहकता है
अगर ये दिल
बुरा क्या है बहकने दे
उठा पलकें
मिला नज़रें

इधर तो देख
कैसी प्यास
मचली है निगाहों में
इधर तो देख
कैसी प्यास
मचली है निगाहों में
धड़कते दिल को ले ले
शोख बाहों की पनाहों में
मोहब्बत की
नई खुशबू
से ये सांसें महकने दे
उठा पलकें

मिला नज़रें

ये माना
सागर ओ मीना का
दिलकश दौर होता है
ये माना
सागर ओ मीना का
दिलकश दौर होता है
मगर आँखों से पीने का
मज़ा कुछ और होता है
हसीन पलकों
के साये में
नए सागर खनकने दे
उठा पलकें
मिला नज़रें
ये पैमाने छलकने दे
बहकता है
अगर ये दिल
बुरा क्या है बहकने दे
उठा पलकें
मिला नज़रें


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3586 Post No. : 14338

Missing Films of 1960s – 69
– – – – – – – – – – – – – – –

This is a tried and tested mechanics. Whenever I have tried it, it has always worked like a charm. Maybe one should work on deriving some axiomatic theorem from this experience.

Dig out a film no one has heard about, even yourself. Try and locate some songs of this film. One or more artists associated with the song should be totally unfamiliar and less known. Check out the songs. You will find a song or songs which are so wonderfully attractive, that the mind is dumbfounded – where have these gems been buried, and that so for decades. Just does not settle into some sensible logic.

The year is 1967, not too far faded back in memory. The film is ‘Jungle Ki Hoor’ – an absolute unknown entity. I mean, now living in the age of Geet Kosh, we do see the listings, and know – OK, there is a film of that year with this name. But nothing more than that. And the situation does not change much, since no additional information can be sought out for films of such temper.

But then, you lay hands on some songs of this film. As I have been able to locate and acquire – a couple of songs of this film. Apparently just one record of this film has been traced so far in public domain. I know this film is listed in the homework list of missing films of 1960s. So I pull out the songs, listen to them, and am bowled over.

The song presented today is written by Sajan Bihari – a totally unfamiliar name. As I checked the Geet Kosh, I find this name appear only in one more film – ‘Bahut Door’ – an unreleased film from 1940s. Incidentally, the music director for both these films is BN Bali (aka Baldev Nath Bali). So sometimes in the 1940s, these two artists came together and created some songs. And then after almost two decades, they reunite for another film in 1967. As far as BN Bali is concerned, we encounter his name in some more listings, but Sajan Bihari – that’s it.

The film is a costume drama produced under the banner of NJ Productions, Bomby and is directed by SM Sheikh. The cast of actors includes Azaad, Indira, Khurshid, Tuntun, Habeeb, Maqbool, Nazeer Kashmiri, Fazal Khan, V Kishore, B Rupa, Noorjahan, Anand (Mamaji), Indian Charlie, Waliul Khan and Sheikh himself. Geet Kosh lists six songs for this film, with two songwriters identified – Madan and Sajan Bihari. Madan is not so much of an unknown entity now. Very active in the decade of 1960s and 1970s, he has almost a hundred songs to his credit listed in the Geet Kosh. And we have seven of his songs already showcased on our blog.

Sajan Bihari, on the other hand, is a mystery. Only three songs listed in the entire Geet Kosh, and the first one to find its place on our blog. I would request the more knowledgeable readers and friends to please add more information about this lyricist. And about this film also, if possible.

The singing voice is Krishna Kalle. A very beautifully rendered song, I am sure you will love it on first hear, as I did. Enjoy.

Song – Aaj Khushi Ka Jaam Le  (Jungle Ki Hoor) (1967) Singer – Krishna Kalle, Lyrics – Sajan Bihari, MD – BN Bali

Lyrics

laaaaaa
laa laa laa laa la la laa
laa laa laa laa la la laa
laa la la la
aaa haa haa haaaa haaa haaaaa

aaj khushi ka jaam le
pyaar ka daaman thaam le
teri nigaahen
dhokha naa khaayen
jazbaaye dil se kaam le

aaj khushi ka jaam le
pyaar ka daaman thaam le
teri nigaahen
dhokha naa khaayen
jazbaaye dil se kaam le
aaj khushi ka jaam le

husn ka jaadu
tauba-aashiqan hai
pyaase dilon ka
aaj milan hai
husn ka jaadu
tauba shikan hai
pyaase dilon ka
aaj milan hai
sab haseen
sab jawaan
sab haseen
sab jawaan
tub bhi kisi ka pyaam le
pyaar ka daaman thaam le
teri nigaahen
dhokha naa khaayen
jazbaaye dil se kaam le
aaj khushi ka jaam le

bikhre na meri
zulfon ka saagar
phaile na mere
nainon ka kaajal
bikhre na meri
zulfon ka saagar
phaile na mere
nainon ka kaajal
dekho sanam
behke kadam
dekho sanam
behke kadam
aa ke mujhe zara thaam le
pyaar ka daaman thaam le
teri nigaahen
dhokha naa khaayen
jazbaaye dil se kaam le
aaj khushi ka jaam le
pyaar ka daaman thaam le
teri nigaahen
dhokha naa khaayen
jazbaaye dil se kaam le
aaj khushi ka jaam le

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

ला॰॰आ॰॰॰
ला ला ला ला ल ल ला
ला ला ला ला ल ला
ला ल ल ल
आ हा हा हाss हाs हाsss

आज खुशी का जाम ले
प्यार का दामन थाम ले
तेरी निगाहें
धोखा ना खाएं
जज़्बए दिल से काम ले

आज खुशी का जाम ले
प्यार का दामन थाम ले
तेरी निगाहें
धोखा ना खाएं
जज़्बए दिल से काम ले
आज खुशी का जाम ले

हुस्न का जादू
तौबा-आशिक़न है
प्यासे दिलों का
आज मिलन है
हुस्न का जादू
तौबा-आशिक़न है
प्यासे दिलों का
आज मिलन है
सब हसीं
सब जवां
सब हसीं
सब जवां
तू भी किसी का पयाम ले
प्यार का दामन थाम ले
तेरी निगाहें
धोखा ना खाएं
जज़्बए दिल से काम ले
आज खुशी का जाम ले

बिखरे ना मेरी
ज़ुल्फों का जादू
फैले ना मेरे
नैनों का काजल
बिखरे ना मेरी
ज़ुल्फों का जादू
फैले ना मेरे
नैनों का काजल
देखो सनम
बहके कदम
देखो सनम
बहके कदम
आके ज़रा मुझे थाम ले
प्यार का दामन थाम ले
तेरी निगाहें
धोखा ना खाएं
जज़्बए दिल से काम ले
आज खुशी का जाम ले
प्यार का दामन थाम ले
तेरी निगाहें
धोखा ना खाएं
जज़्बए दिल से काम ले
आज खुशी का जाम ले


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3542 Post No. : 14220

1971 – the turn of a decade, that took away, and was destined to take away, many things that were loved and prized in the industry.

The 1960s ended; and with that, an era came to close. An era, when music and melody ruled supreme in Hindi films. Shades of things to come had already started to appear in this decade. And the transition would be sort of complete by the time the world turned into the 1970s.

Connecting this thought with the turn of that decade and some of the people connected with the film that we are bringing in to Yippeee land tonight.

1971 – it was the year when Jaikishan passed away. I remember that issue of Filmfare where this news was announced. I would be too young to know anything much about the music and the music makers of Hindi films, and Jaikishan was just another name to me at that time. All the details and their significance would fill in many years later. That day, that issue of Filmfare, the one thing that stuck to my mind was – there is so little color in this issue, so much black and white it is. Just 41 years – not an age to go. But then, as always, our arguments and desires stand nowhere in this arena.

1971 – and the closure of the young baby faced flamboyance of the Golden Boy of the Sixties. Yes, Shammi Kapoor. Having blasted through the decade with an average of almost 3 musical hits of his own peculiar genre every year, the baby face was getting puffy, as was the midriff. 1971 was the time that he bade farewell to the lead roles and after the release of ‘Andaaz’, ‘Jaane Anjaane’, ‘Preetam’ and ‘Jawaan Mohabbat’ that same year, the next that we see him is three years later – 1974, as Dhoopu, the boisterous owner of the ‘Dhoop Chhaon’ café, all stacked with a beard on his face and suspenders to hold up his pants. There was this one exception though – the film ‘Chhote Sarkar’ with him in the lead role opposite to Sadhna, was released in 1974. But that we know was a much delayed release of a film from mid 1960s, on account of Sadhna’s health problems.

1971 – the perky and the chirpy Sunita of ‘Teesri Manzil’ (1966), was still being readily cast opposite to the newer crop of heroes – Jeetendra and ‘Caravan’ (1971); Rajesh Khanna and ‘Aan Milo Sajna’ (1970); Navin Nischol and ‘Nadaan’ (1971); Vijay Arora and ‘Rakhi Aur Hathkadi’ (1972) et al. But these releases were also interspersed with other screenplays where Asha is one of the two pairs in the film, obviously the elder one – ‘Samadhi’ (1972), ‘Heera’ (1973), ‘Anjaan Raahen’ (1974), ‘Zakhmee’ (1975) et al; the transition successfully moving towards senior roles, undoubtedly.

Many a facet of an old order changed or were changing when 1971 turned on. Through the rest of the decade, we would see the passage of oh so dearly loved legendary singers – Mukesh, Rafi Sb. The color of Hindi film music would be changed. . . forever.

‘Jawaan Mohabbat’ – a film to be remembered, not just for the good music – some of its songs are so readily recall-able as listening favorites on the radio, but also as the phasing out of two very attractive leading artists who had ruled the industry top line for the entire decade of the 1960s. Asha had her debut opposite to Shammi Kapoor in the 1959 film ‘Dil Deke Dekho’. The two would be paired again as love birds three more times during the next twelve years – ‘Teesri Manzil’ in 1966, ‘Pagla Kahin Ka’ in 1970 and the Yippeee film of today – ‘Jawaan Mohabbat’ in 1972. ‘Jawaan Mohabbat’ – it was about young hearts in love. But in 1972, the future of these young hearts was all but moving to senior elevations in the screenplay.

The film is produced under the banner of Rupanjali Films, Bombay and is directed by Bhappi Soni. The cast of actors of this film is listed as Shammi Kapoor, Asha Parekh, Balraj Sahni, Rajendra Nath, Nirupa Roy, Pran, Shashikala, Dhumal, Raj Mehra, Madhavi, Krishan Dhawan, Kumud Tripathi, Baby Sarika, Mansaram, Ravikant, Sujata, Madhumati, Daisy Irani, Madan Kenny, and Vimal Chadha.

The seven songs of this film are shared amongst three writers, with Hasrat Jaipuri leading the honors with five songs and Rajendra Krishan and Shailendra doing one song each. S-J have composed the music in their own typical orchestral signatures. The earlier posted songs are listed here again for your review and recall.

Na Rootho Rootho Na Jawaan Mohabbat 1971 577 19-Jan-09
Zulmo Sitam Ko Bhi Jawaan Mohabbat 1971 744 14-Feb-09
Jab Muhabbat Jawaan Hoti Hai Jawaan Mohabbat 1971 1043 6-Apr-09
Mere Sapnon Ki Raani Tum Nahin Ho Jawaan Mohabbat 1971 6958 6-Nov-12
O Mil Gayi O Mil Gayi Mere Sapnon Ki Raani Mujhko Mil Gayi Jawaan Mohabbat 1971 6958 6-Nov-12
Jawaan Mohabbat Jahaan Jahaan Hai Jawaan Mohabbat 1971 7861 9-Apr-13
Nazar Mein Rang Aur Masti Bhara Toofaan Le Ke Jawaan Mohabbat 1971 14216 29-Mar-18

Today’s final song of this film to find its place on our blog, is a solo sung by Asha Bhosle. From the words and the style of singing, it appears to be a song of enticement. A song that would most likely be performed on screen by someone like Helen. However, not seeing her name in the list of actors, my guess is that this song is performed by Shashikala.

A wonderful recall of many thoughts and people, as we bring to close the list of songs of this film on our blog – ‘Jawaan Mohabbat’ of 1971 joins the Yippeee club, with all its songs now showcased here.

Song – In Nigaahon Mein Ghar Tumhaara Hai  (Jawaan Mohabbat) (1971) Singer – Asha Bhosle, Lyrics – Hasrat Jaipuri, MD – Shanker Jaikishan

Lyrics

in nigaahon mein
ghar tumhaara hai
tum jo aa jaao
to mazaa aaye
haaye
in nigaahon mein
ghar tumhaara hai
tum jo aa jaao
to mazaa aaye
haaye
in nigaahon mein

roop ki shehzaadi hoon
dil lubhaane aayi hoon
aao meri mehfil mein
aaj lene aayi hoon
roop ki shehzaadi hoon
dil lubhaane aayi hoon
aao meri mehfil mein
aaj lene aayi hoon
mast baahon mein
ek jannat hai
mere ban jaao
to mazaa aaye
haaye
in nigaahon mein
ghar tumhaara hai
tum jo aa jaao
to mazaa aaye
haaye
in nigaahon mein

baat meri maano tum
doob jaao aankhon mein
haaye kaisi hulchul hai
aag jaisi saanson mein
baat meri maano tum
doob jaao aankhon mein
haaye kaisi hulchul hai
aag jaisi saanson mein
in andheron mein
in ujaalon mein
tum jo takraao
to mazaa aaye
haaye
in nigaahon mein
ghar tumhaara hai
tum jo aa jaao
to mazaa aaye
haaye
in nigaahon mein

gair ko main jaanoon kya
tum hi mere qaatil ho
tum to mere jeevan mein
jaane kab se shaamil ho
gair ko main jaanoon kya
tum hi mere qaatil ho
tum to mere jeevan mein
jaane kab se shaamil ho
in ishaaron mein
dil ki baatein hain
tum samajh jaao to
to mazaa aaye
haaye
in nigaahon mein
ghar tumhaara hai
tum jo aa jaao
to mazaa aaye
haaye
in nigaahon mein

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
इन निगाहों में
घर तुम्हारा है
तुम जो आ जाओ
तो मज़ा आये
हाए
इन निगाहों में
घर तुम्हारा है
तुम जो आ जाओ
तो मज़ा आये
हाए
इन निगाहों में

रूप की शहजादी हूँ
दिल लुभाने आई हूँ
आओ मेरी महफिल में
आज लेने आई हूँ’
रूप की शहजादी हूँ
दिल लुभाने आई हूँ
आओ मेरी महफिल में
आज लेने आई हूँ’
मस्त बाहों में
एक जन्नत है
मेरे बन जाओ
तो मज़ा आये
हाए
इन निगाहों में
घर तुम्हारा है
तुम जो आ जाओ
तो मज़ा आये
हाए
इन निगाहों में

बात मेरी मानो तुम
डूब जाओ आँखों में
हाए कैसी हलचल है
आग जैसी साँसों में
बात मेरी मानो तुम
डूब जाओ आँखों में
हाए कैसी हलचल है
आग जैसी साँसों में
इन अँधेरों में
इन उजालों में
तुम जो टकराओ
तो मज़ा आये
हाए
इन निगाहों में
घर तुम्हारा है
तुम जो आ जाओ
तो मज़ा आये
हाए
इन निगाहों में

गैर को मैं जानूँ क्या
तुम ही मेरे क़ातिल हो
तुम तो मेरे जीवन में
जाने कब से शामिल हो
गैर को मैं जानूँ क्या
तुम ही मेरे क़ातिल हो
तुम तो मेरे जीवन में
जाने कब से शामिल हो
इन इशारों में
दिल की बातें हैं
तुम समझ जाओ
तो मज़ा आये
हाए
इन निगाहों में
घर तुम्हारा है
तुम जो आ जाओ
तो मज़ा आये
हाए
इन निगाहों में


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3530 Post No. : 14180

Hullo Atuldom

Today is the first birth date, after the death of a personality who passed away at the age of 79 in December 2017. He retired from in front of the camera in 1999 after nearly 58 years of active Bollywood life. Amitabh Bachchan held him in high esteem and was always grateful to him for co-starring in ‘Deewar’ (1975) in a kind of second-hero role inspite of being much more senior and popular actor at the time when that film was being made.

Yes, today Shashi Kapoor would have turned 80. It is really saddening to remember him today. Infact, this last six to twelve months have been bad to fans of Bollywood; having lost personalities/ celebrities like Om Puri, Vinod Khanna, Sridevi, Shashi Kapoor etc. expectedly and unexpectedly. Vinod Khanna and Shashi Kapoor were ill for sometime but Om Puri’s and Sridevi’s deaths were shocking. But we never know what god has in store for us.

But let us snap out of this mood and enjoy the song with this post. It is from the 1983 film ‘Bandhan Kachchey Dhaagon Ka’. It is a song in the voice of Usha Uthup, Asha Bhonsle and Suresh Wadkar. It has music by Hemant Bhonsle, and lyrics by Anjaan. The movie was produced by KC Sharma and written and directed by Anil Sharma. The movie explored the relation between a happily married couple when faced with a new unexpected entrant in their life. Actually the husband is unaware that he has a son from a previous girlfriend (I don’t remember exactly if it is a previous girlfriend or an encounter with a particularly beautiful business associate). The child’s mother, Zeenat Aman, is bringing up the child as a single parent when she discovers she is terminally ill. So she sends the child across to its father without telling the child that “this is your father”. But the situation, much like in ‘Masoom’ (also in 1983) is enough to topple the apple cart of the family which takes the couple up to the threshold of divorce.

This movie came when Shashi Kapoor was looking younger than his age. When he was living a much-loved life. It never showed in his acting or his countenance that he was worried about his sick wife Jennifer. But when she died of cancer Shashi Kapoor was so heart broken that he suddenly aged, gained weight for a movie-role and then didn’t bother to loose it. Suddenly he was seen in fatherly and grand-fatherly roles when he was only  in his 40s and then took complete retirement from movies in 1999 at the age of 60. And then he was seen regularly at Mumbai’s Prithvi Theatre which he had set up with his wife. The last Bollywood movie he was seen in was ‘Akela’.

Remembering him today with this song in which he seen enjoying himself with Kalpana Iyer, Zeenat Aman and a group of rain dance revellers. And please note he has different dancing style in this song. 🙂

Song – Hands Up Jaani Hands Up (Bandhan Kachche Dhaagon Ka) (1983) Singer – Usha Uthup, Suresh Wadkar, Asha Bhosle, Lyrics – Anjaan, MD – Hemant Bhosle
Chorus
Kalpana Iyer

Lyrics

hey ae ae ae hands up

hands up
jaani hands up
de de dil de
de de de de dil de
de dena
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
de dena
aa aaaa haaaa haaa
de de dil de

hands up
jaani hands up
de de dil de
de de de de dil de
de dena
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
de dena
aa aaaa haaaa haaa
de de dil de

mehbooba ho ya daroga
pistol dikha ke dil maangti ho

haan naya zamaana naya andaz
haa haa haa haa

dil mera mera nahin
kaise de doon tujhe
jiska tha dil
usey de diya
tu maaf kar de mujhe
dil mera mera nahin
la lalaa
kaise de doon tujhe
la lalaa
jiska tha dil
aahaa
usey de diya
aahaa
tu maaf kar de mujhe
na na na bahaana chhodo
chhodo jaane jaana de do dil
dil dil dil
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
hands up
jaani hands up
de de dil de
de de de de dil de
de dena
de dena
aa aaaa haaaa haaaa
de de dil de

arre itna bhi nahin jaanti
mehbooba loot’ti nahin lut jaati hai
achcha

maange se milta nahin
chheenega kya koi dil
kismat mein
milna nahin
phir kaise dil jaaye mil
maange se milta nahin
oh ho
chheenega kya koi dil
oh ho ho
kismat mein
oo
milna nahin
ho
phir kaise dil jaaye mil
na na na bahana chhodo
chhodo jaane jaana de do dil
dil dil dil
hands up
jaani hands up
de de dil de
de de de de  dil de
de dena
hands up
jaani hands up
de de dil de
de de de dil de
de dena
de dena
aa aaaa haaaa haaaa
de de dil de

[lots of words by Usha Uthup]



This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 30
– – – – – – – – – – – – – – – – – –

The inboxes on my email, mobile and YouTube account seems to be getting as many reminder messages these days, as messages for request. 🙂 This song apparently has not yet surfaced in public domain. And for those who have heard it, and remember it, this is a vintage Chitragupt melody – stuff that memory ticklers are made of. I got requests from more than one friend (Arvinder ji included, of course) to post this song. And our dear friend Manju ji (daughter of producer director K Amarnath) is also waiting for this song.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14789

Number of movies covered in the blog

Movies with all their songs covered =1153
Total Number of movies covered =4044

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