Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘G M Durrani song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5226 Post No. : 17220

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Blog 10-Year Challenge (2012-2022) – Song No. 126
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Ten years back on this date viz on 8 November 2012, six songs from six movies were covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6965 Tu jo likhe kismat aisi kaun tujhe bhagwan kahe Laadla(1954) 7 songs covered out of 10 by now
6966 Bahut din huye taaron ke desh mein Anuraadha (1960) Movie YIPPEED by now
6967 Pyaar ka maara hoon Julie Private Secretary (1962) 6 songs covered out of 7 by now
6968 Dulhan ban ke aayi Saaz Aur Aawaaz (1966) Movie YIPPEED by now
6969 Ho keh do keh do tum jo keh do Sachcha Jhootha (1970) Movie YIPPEED by now
6970 Pyaar mein jeena pyaar mein marna Do Ustaad (1982) One song covered out of 5 by now

We can see that three movies (out of six) whose songs were covered on this date ten years ago (8 november 2012) have since been YIPPEED. That leaves us with only two movies that are eligible for Blog Ten Year Challenge today (8 november 2022).

“Laadla”(1954) is one such movie. It was directed by Surya Kumar for Varma Films, Bombay. The movie had Shyama, Karan Dewan, Agha, Raj Mehra, Krishna Kumari, S.Nazir, Dar Kashmiri, Dev Kishan,Parvati, Maruti etc with Guest appearance by Sundar.

“Laadla”(1954) had ten songs in it. seven of these songs have been covered so far.

Here is the eighth song from “Laadla”(1954). It is sung by G M Durrani. Balkrishna Mauj is the lyricist. Music is composed by Vinod.

Only audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this ‘sales pitch” song.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio link:

song-Paisa sabki jaan hai (Laadla)(1954) Singer-G M Durrani, Lyrics-Balkrishna Mauj, MD-Vinod

Lyrics (Provided by Prakashchandra)

paisa sabki jaan hai ae
paisey mein bhagwaan hai
hho o paisa sabki jaan hai ae
paisey mein bhagwaan hai
paisaa hai to sab kuchch hai
paisaa hai to sab kuchch hai
jo naheen to phir shamshaan hai
hoyye paisaa sab ki jaan hai ae ae
paisey mein bhagwaan hai

gar chaaho to tum maal bachaanaa
seedhey iss store pe aanaa
gar chaaho tum maal bachaanaaa
seedhey iss store pe aanaa
haan aaa aan aaaa aaan
aath aaney mein wahee milega
duniyaa jiskaa le dus aanaaa aan
aath aaney mein wahee milegaa
duniyaa jiskaa le dus aanaaa aa
jamaa karo oo o
kuchch maal bachaao o
arrey kuchch jamaa karo
kuchch maal bachaao
gur kitnaa aasaan hai
hoyye paisaa sabki jaan hai ae
paisey mein bhagwaan hai

kapdaa ley lo
teri saun lattaa ley lo
kapdaa le lo
teri saun lattaa ley lo
duniyaa bhar se sastaa ley lo
duniyaa bhar se sastaa ley lo
bibi jee ki bindi ley lo
baabaa ji ka bastaa ley lo
bibi jee ki bindi ley lo
baabaa ji kaa bastaa ley lo
tere mere mere tere
tyere myere myere tyere
ghar kaa sab saamaan hai
ghar kaa sab saamaan hai
hoyye paisaa sabki jaan hai ae ae
paisey mein Bhagwaan hai ae

teri meri marzi bhi hai
hoyye teri meri meri teri
teri meri marzee bhi hai
aur phir dil ki pyaas hai
aur phir dil ki pyaas hai
Lailaa jee ki bhaawaj bhee hai
Lailaa jee ki bhaawaj bhee hai
Majnoo ji ki saas hai
tere mere mere tere
tere merey aey ae ae
ghar kaa sab saamaan hai ae
ghar kaa sab saamaan hai
hoyye paisaa sabki jaan hai aey
paisey mein bhagwaan hai
paisaa hai to sab kuchch hai
paisaa hai to sab kuchch hai
jo naheen to phir shamshaan hai
paisaa sabki jaan hai aey ae
paisey mein bhagwaan hai ae


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5202 Post No. : 17186

Today’s song is from the film Hip Hip Hurray-1948.

How many of us really know what ” Hip Hip Hurray ” means in reality ? I am sure all of us have used this slogan several times during our school and college days, whenever we were celebrating a victory of our team over the rivals or someone had earned a coveted Reward or an Honour from the authorities. I have used it many times myself, as a victory slogan etc. That was not an age when we cared for the dictionary meaning of popular words or phrases like this one. The colloquial meaning was sufficient for us.

Out of curiosity, I checked a few English dictionaries like the Oxford and the Concise Cambridge dictionary. I found that ” HHH ‘ is a cheer slogan called out to express congratulations towards someone or something. It also denoted appreciation and approval of a victory. ” So much for the meaning of this phrase !

I could not find the story of this film, despite my efforts. There was another film made in 1984 with the same title. That film was based on an Inter-Collegiate Football competition, with a background of a love story of Raj Kiran and Dipti Naval. Then there was also a TV serial, with the same title. It ran from 21-8-1998 to 25-5-2001, with 80 episodes, followed by its second season with 45 episodes , after 15 years.

Anyway, the film Hip Hip Hurray-1948 was produced by Navin Yagnik and Hari Kashmiri, for the banner ‘ Kashmir Films’. The film was directed by Arvind Sen. He had earlier acted in 2 films-Doctor-1940 and Devdasi-1945. Hip Hip Hurray -1948 was his Debut film as a director and he went on to direct another 10 films till Nasihat (1986). His 2 films Muqaddar-(1950) and Kafila-(1952) became successful. They had excellent music also.

The film’s Music Director was Pt. Hanuman Prasad. The name Hanuman Prasad paints a picture of a Pehelwan playing kushti in an akhaada. Guru Hanuman and his akhaada in North India were quite famous. In the late 50s and 60s,there were many Wrestling Championships played in India. Many Pehelwans from other countries also came here to participate. Through these bouts the name of Dara Singh became very famous and later he appeared in Hindi films. The name Hanuman rekindles memories of that era.

However, one would be reasonably surprised if I tell that Pt. Hanuman Prasad ( Sharma/Triloki) was a well known Hindi Film Music Director in the 40s and 50s. Hanuman Prasad was a complete musical package, in the sense that he composed, wrote lyrics ( Gaali, Jasoos, Saudagar and Rasilee) and sung a song also in film( Rasili)-as Sharma. He even directed the film Rasilee-46. Geeta Dutt fans will remember him as the one who discovered her and gave her the first break in Playback singing in Hindi films in 1946.

There were 2 lyricists for 9 songs (actually 11 songs). The 9th song had 3 parts on 2 different records. It was sung by different singers). However, HFGK failed to credit every song with its lyricist’s name. The cast of the film was Balwant Singh, Navin Yagnik, Nirupa Roy, Mangala, Prabhu Dayal, Kumkum, Gulab etc. and a battery of comedians like Dikshit, Bhudo Advani, Radha Kishen and Gope.

Balwant Singh was an actor and a singer. He had no song in this film and from the film ‘Apni chhaya’-1950, with Mohd. Rafi giving him the playback, his singing came to a close.

BALWANT SINGH was born in Pandoga village of Hoshiarpur on 9-12-1918 in a Jahagirdar’s family. He was quite rich. After a training from Pt. Bhishmadev in classical music, he came to Bombay and joined Bombay Talkies at the age of 18 years. He first gave Playback in Jeevan Prabhat-37.In Nirmala-38 he acted and also sang a song. Then came Durga-39 where also he acted and sang. V. Shantaram cast him in Padosi-41 and his songs in this film were hits.

He was Hero in Darpan (1941),Swapna (1942),Malan (1943),Naukar (1943),Paraya Dhan (1943), Ashirwaad (1943), Collegian (1944), Dr.Kumar (1944), Bhanwar (1947,Hip hip Hurray (1948) and Apni Chhaya-(1950) etc. As a hero he sang less songs. His songs with Shanta Hublikar (Malan) and Parul Ghosh and Khan Mastana (Bhanwar) were very popular. He also acted in Nirmala, Vachan and Kangan.

In all, he acted in 18 films, sang 20 songs in 10 films and also wrote 6 songs in the film Sumitra-1949.

He married a girl from the royal family of Palanpur, Gujarat. After leaving films, he worked in All India Radio for 4 years. Then he settled in Ahmedabad, directing Dramas and Teaching music. Finally, he shifted to Ludhiana where, after a long illness, he died on 4-12-1985.

When Balwant Singh worked for A.I.R., it was claimed that he was responsible for the making of the famous morning Signature Tune of the A.I.R., and despite all presentations to several authorities, he was not given the credit for this. His son also claimed this in his interview given to our friend Shishir Krishna Sharma, for his Blog ” Beete hue din”. When I read his interview on the Blog and the You Tube, I wrote to Sharma ji, pointing out to him that this tune was made by the German refugee in India- Walter Kaufmann and NOT Balwant Singh. My E Mail dated 21-4-2021, to him is given here….

Dear Sharma ji,

I visited YouTube and heard your presentation.
I have also read what is written in your post about Balwant Singh on your Blog.
I would like to bring to your notice that it seems this Signature Tune of A.I.R. was NOT made by Balwant Singh,
but by one Walter Kaufmann, when he worked for All India Radio from 1934 to 1946.
There is a book ” THE MUSIC THAT STILL RINGS AT DAWN, EVERY DAWN”
Walter Kauffmann in India, 1934 – 1946
Author – Amrit Gangar
Published by Goethe Institut, Max Mueller Bhavan, Mumbai. 2013

Chapter 3 in this book is THE ALL INDIA RADIO, on page 36.

In this chapter it has been given in detail, with proofs in terms of several letters etc about the signature tune made by him for A.I.R.
There is an interview of the son of Dinkar Amembel, station Director, Bombay AIR, who says that Dinkar had played the Tanpura and
Mehli Mehta played the Violin.

I have this book, gifted to me by the author.

When you come back to Mumbai, you can visit me and see the book entries yourself.
I am fully convinced that the tune was done by Walter Kaufmann only.
It is possible that that is the reason why Balwant Singh’s claim was not entertained ever !

However, for whatever reasons, the said point was neither removed from his Blog nor the YouTube presentation.

Today’s song is sung by 4 singers namely, Geeta Roy, Zohrabai Amabalawali, G.M. Durani and Shamshad Begum. It is a good song. Enjoy….


Song- Jawaani hum guzaaren tumhaare aasre (Hip Hip Hurray)(1948) Singers- G.M.Durrani, Geeta Roy, Zohrabai Ambalabai, Shamshad Begum, Lyricist- Not known, MD- Pt. Hanuman Prasad

Lyrics

hahahahahaha
hahaha
hmmhm hm hmm hmm hmm hmm hmm hmm
hmm hmm hm hmm hmm hmm
jawaani hum guzaaren
guzaaren
jawaani hum guzaare
tumhaare aasre
hum tumhare aasre
tumhaare aasre
hum tumhare aasre

jabse hua hai milan
mera man hai magan
mujhko chhod akeli
kahin jaao na sajan
o kahin jaao na sajan
main to teri nazar se
rahoon saath saath re
poori hogi aas re
aao jawaani hum guzaare guzaare
guzaare
tumhaare aasre
hum tumhare aasre
tumhaare aasre
hum tumhare aasre

?? sapnon ??
??
ise looto na raani
tum door se mere jiya mein chubh ??
aao ?? re
aaja paas paas re
poori hogi aas re
aao jawaani hum guzaaren
guzaaren
tumhaare aasre
hum tumhaare aasre
tumhaare aasre
hum tumhaare aasre

tum aayi to le aayi
ummeedon ka savera
hansi khushi ki har ek shaam
aur pyaar ka basera
tere rain basere mein
kaatenge ?? re
kaatenge ?? re
hum rachenge raas re
hum rachenge raas re
aao jawaani hum guzaaren
guzaaren
tumhaare aasre
hum tumhaare aasre
tumhaare aasre
hum tumhaare aasre

?? hai
muhabbat zindagi mein museebat ka ?? hai
pyaar karo to bahaar chhaye
ho jaaye ?? baat re
?? baat re
hum rachenge raas re
poori hogi aas re
aao jawaani hum guzaaren
guzaaren
tumhaare aasre
hum tumhaare aasre
tumhaare aasre
hum tumhaare aasre
jawaani hum guzaaren
guzaaren
jawaani hum guzaaren
tumhaare aasre
hum tumhaare aasre
tumhaare aasre
hum tumhaare aasre


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5191 Post No. : 17170

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Blog 10-Year Challenge (2012-2022) – Song No. 105
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Ten years back on this date viz on 4th October 2012, six songs from six different movies were covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6783 Ae zindagi ke raahi himmat na haar jaana Bahaar (1951) Movie YIPPEED by now
6784 Dil ki dhadkan pe gaa umr bhar muskuraa Lakeeren(1954) 6 songs covered out of 11 by now
6785 Maine jo lee angdaayee dheere se muskaayee Jaagte Raho(1956) Movie YIPPEED by now
6786 Aa ra ra ra ra ra main to giri re Post Box 999 Movie YIPPEED by now
6787 Dukh jo diye hain duniya ne Naach Ghar(1959) Movie YIPPEED by now
6788 Kayee din se mujhe koi sapnon mein aawaaz deta hai Ankhiyon Ke Jharokhon Se(1978) Movie YIPPEED by now

One can see that five movies (out of six) whose songs were covered on this date ten years ago (4 october 2012). That leaves us with just one movie which is eligible for Blog Ten Year Challenge today (4 october 2022).

The movie eligible for Blog Ten Year Challenge is “Lakeeren”(1954). The movie was produced and directed by Harbans for Susheel Pictures, Bombay. The movie had Nalini Jaywant, Ashok Kumar, Sulochana Chatterjee, Kamal, Pran, Tiwari, Durga Khote,Amir Banoo etc in it.

“Lakeeren”(1954) had 11 songs in it. Six of these songs have been covered so far.

Here is the seventh song from “Lakeeren”(1954) to appear in the blog. HFGK mentions this song as sung by Geeta Dutt and anya swar (another voice). This male voice that sings the first few lines is clearly G M Durrani’s voice.

Shewan Rizvi is the lyricist. Music is composed by Hafeez Khan.

Lyrics of the song and other details were sent to me by Prakashchandra.

Only audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

audio link:

Song-Aabaad jahaan barbaad kiyaa (Lakeeren)(1954) Singers-G M Durrani, Geeta Dutt, Lyrics-Shewan Rizvi, MD-Hafeez Khan

Lyrics(Provided by Prakashchandra)

aei maalik-e-duniyaa aa
ye teraa kaun saa dastoor hai
pyaar mein dekhaa aaa jisey
majboor hee majboor hai ae ae ae
aey ae ae ae ae

meree taqdeer ne (aey ae ae ae ae)
gham se ae ae ae badal dee
har khushee eee meree ee ee
ke aansoo dey ae ae ke mujhse
chheen lee hai ae ae ae ae
zindagi meri

aabaad jahaan barbaad kiyaa
armaan bharaa dil tod diyaa aaa aaa
tod diyaa
is pyaar ki dushman duniyaa ne
haayye mujhko tadpataa chhod diyaa aa aaa
chhod diyaa
is pyaar ki dushman duniyaa ne
haayye mujhko tadpataa chhod diyaa aa aa
chhod diyaa
aabaad jahaan barbaad kiyaa
armaan bharaa dil tod diyaa aa aa
tod diyaa

ummeed ka taaraa aa jab chamkaa
nazdeek kinaara jab aayaa
taqdeer ne badh kar rok liyaa
aur laa ke bhanwar mein chhod diyaa aaa aaa
chhod diyaa
aabaad jahaan barbaad kiyaa
armaan bharaa dil tod diyaa aa aa
tod diyaa

ae baag-e-jahaan ke ae maali bataa
is phooley phaley gulshan ke tere
kis phool ko maine todaa thhaa
jo tooney meraa dil tod diyaa aaa aa
tod diya
aabaad jahaan barbaad kiyaa
armaan bharaa dil tod diyaa aa aa
tod diyaa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5173 Post No. : 17144

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Blog 10-Year Challenge (2012-2022) – Song No. 92
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This date ten years ago (viz 16 September 2012) saw seven songs from seven different movies getting covered in the blog.

Here are the details:-

Blog post number Song Movie (Year) Remarks
6646 Kitaab e dard mein likha mere gham ka fasaana hai Sultaana(1934) 2 songs covered out of 13 by now
6647 Sapnon mein aane waale Ham Ek Hain (1946) Movie YIPPEED by now
6648 Duniya ne teri duniya waale Deedaar (1951) Movie YIPPEED by now
6649 Dil yoon yoon karta hai Heer Ranjha (1948) 5 songs covered out of 11 by now
6650 Kitni jawaan hai raat koi yaad aa gaya Aazaad (1955) Movie YIPPEED by now
6651 Saathi tere naam ek din jeewan kar jaayenge Ustaadi Ustaad Se(1981) One song covered out of 6
6652 Chaand sifaarish jo karta hamaari Fanaa(2006) 3 songs covered out of 5 by now

One can see that three movies (out of 7) whose songs were covered on this date ten years ago have since been YIPPEED. That leaves us with four movies that are eligible for Blog Ten Year CHallenge today (16 September 2022).

“Heer Ranjha”(1948) is an eligible movie for Blog Ten Year Challenge today.

“Heer Ranjha”(1948) was produced and directed by Wali Sahab for Punjab Film Corporation. The movie had Mumtaz Shanti, Ghulam Mohammad (actor), Gulab, Roop Kamal, Majnu, Ramlal, Gulnar, Malik Amin, Aziz, Minaayi, Neeladevi, Aziz Kashmiri, Nauratavi etc in it.

“Heer Ranjha”(1948) had 11 songs in it. Five songs have been covered by now.

Here is the sixth song from the movie to appear in the blog. The song is sung by Geeta Dutt and G M Durrani. Wali Sahab is the lyricist. Music is composed by Aziz Khan.

Lyrics of the song and other details were sent to me by Prakashchandra.

audio link:

Song-Qafas ki qaid mein (Heer Ranjha)(1948) Singers-Geeta Dutt, G M Durrani, Lyrics-Wali Khan, MD-Aziz Khan
Both

Lyrics(Provided by Prakashchandra)

Qafas ki qaid mein aen
qafas ki qaid mein
hamko o hai yaad-e-aashiyaan baaqi
hai yaad-e-aashiyaan baaqi
abhi hai aansuon mein
muskuraane ke nishaan baaqi
qafas ki qaid mein aen

tumhaara kaarwaan aan
manzil pe jaa pahunchaa
khudaa haafiz
manzil pe jaa pahunchaa khudaa haafiz
tumhara kaarwaan aan aan
manzil pe jaa pahunchaa
khudaa haafiz
jaa pahunchaa khudaa haafiz
tumhaarey bhi ee ee ee
tumhaarey bhi lipatney ko
hai gard-e-kaarwaan baaqi
hai gard-e-kaarwaan baaqi
qafas ki qaid mein aen

jinhein jalnaa hai woh o
jal jal ke bujhte
aur bhi jalte hain
to bujhney par bhi jalte hain
jinhein jalnaa hai woh o o
jal jalke bujhte
aur bhi jalthe hain
to bujhney par bhi jalte hain
ke shammaa bujh chuki hai
ke shammaa bujh chuki hai
aur hai uska dhuaan baaqi
aur hai uskaa dhuaan baaqi
qafas ki qaid mein aen

pahunchne ko pahunch
jaaoonga manzil par
magar us din
pahunch jaaoongaa par us din
ke manzil hogi manzil par r r r r r
ke manzil hogi manzil par
na manzil ka nishaan baaqi
na manzil ka nishaan baaqi

qafas ki qaid mein
hamko o hai yaad-e-aashiyaan baaqi
hai yaad-e-aashiyaan baaqi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5164 Post No. : 17129

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Blog 10-Year Challenge (2012-2022) – Song No. 88
————————————————————————————–

This date ten years ago (viz 7 September 2012) saw four songs from four different movies getting covered in the blog.

Here are the details:-

Blog post number Song Movie (Year) Remarks
6601 Prem nagar mein basne waalon Barsaat (1949) Movie YIPPEED by now
6602 Na ummeed hoke bhi duniya mein jiye jaate hain Sangeeta(1950) Movie YIPPEED by now
6603 Aao baitho baat suno Maang(1950) 5 songs covered out of 10 so far
6604 Ham rang rangeeli joban ban ki titliyaan Paighaam(1959) Movie YIPPEED by now

It can be seen that three movies (out of four) whose songs were covered on this date ten years ago, have since been YIPPEED. That leaves us with only one movie that is eligible for Blog Ten YEar Challenge today (7 September 2022).

That movie is “Maang”(1950).

“Maang”(1950) was directed by Saghir Usmani for New light Films, Bombay. The movie had Ramola, Wasti, Amar, Pritma ,Malhotra, Leela Pande,Zia, Basu, Shanti Madhok, Hemlata, Mubarak, Sharif, Syed Jan etc in it.

“Maang”(1950) had ten songs in it. Five songs have been covered in the blog so far.

Here is the sixth song from “Maang”(1950) to appear in the blog. The song is sung by G M Durrani. Sagar Badayuni is the lyricist. Music is composed by Ghulam Mohammad.

Only audio of this melancholic song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

Lyrics of the song were sent to me by Prakashchandra.

Audio link:

Song-Main kisko sunaaoon gham ki kahaani (Maang)(1950) Singer-G M Durrani, Lyrics-Sagar Badayuni, MD-Ghulam Mohammad

Lyrics(Provided by Prakashchandra)

main kisko sunaaoon
gham ki kahaani ee ee
main kisko sunaaoon
gham ki kahaanee ee ee ee
saarey sahaarey chhoot gaye ae
chhoot gaye
ab haayye muqaddar kaisaa sitam hai ae ae
ab haayye muqaddar kaisaa sitam hai aey ae aey ae
saathi hamaarey chhoot gaye aey ae
chhoot gaye
ab kisko sunaaoon gham ki kahaani

afsos ke gham ki duniyaa mein ae ae
aansoon bhi hamaarey ho na sakey aey ae
ho na sakey
taaron ki tarhaa palkon pe mere ae
taaron ki tarhaa palkon pe mere ae ae ae
chamkey kaanpey aur toot gaye aey ae ae
toot gaye
ab kis ko sunaaoon gham ki kahaani

ae dard-e-mohabbat
tu hi bataa aa aa aa
kis tarhaa chaley
ab manzil tak
manzil tak
hum jin ka sahaaraa le le kar
hum jinn ka sahaara ley le kar r r r
chalte thhe
wo chhaaley phoot gaye aey ae
phoot gaye
ab kis ko sunaaoon gham ki kahaani ee

kis tarhaa bahaarein raas aate
qismat ko hi jab manzoor na thaa
manzoor na tha
kuchch gham ki hawaa ke jhonkey chaley ae ae
kuchch gham ki hawaa ke jhonkey chaley aey ae aey ae ae
dil ki bahaarein loot gaye aey ae ae
loot gaye
ab kis ko sunaaoon gham ki kahaani


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4982 Post No. : 16865

Today’s song is from the film Gul E Bakawali-1956.

Wild and fertile imagination has been a tool of entertaining mankind from ancient times. Today, old people tell tales to youngsters like they were told by their grandparents and so on. This has been going on and in the process, many creative authors chipped in their ‘ Two Cents ” to those existing stories enriching them further. Thus the child in the Adult man has always been provided fodder for his satiation for Romance and Thrill.

Arabian Nights has been one such book. Generations after generations have enjoyed the exploits of Allauddin, Alibaba and Sindbabd. Gul E Bakavali or the Magic flower of the plant Bakavali is also one of these stories. Needless to say that the filmmakers from the Silent era to the Talkie era have used this story in their films.

Gul E Bakavali-1924 was the first silent film on this story. And the first story in Talkie films was made in 1932. Let us see the History of these films….

GUL-E-BAKAVALI or the magic flower of the Bakavali Tree is supposed to do many things which are unimaginable. Gul-e-Bakawali is a popular medieval romance in many versions. The seventeenth-century poet Nawazish Khan was perhaps the first to write a Bangla version of Gule Bakawali, a story in verse about the love of Prince Taj ul mulk for the fairy Bakawali. The Sprinter catalogue records an Urdu Gule Bakawali written in verse in 1625. In 1722, Sheikh Izzatullah, a Bengali, wrote a prose version, Taj ul mulk Gule Bakawali, in persian. It is not known on which version Nawazish Khan based his poem.

There were several variant versions of Gule Bakawali, such as the poetic versions by Muhammad Mukim (1760–70), Muhammad Ali, Munsi Ebadat Ali (1840), Umacharan Mitra (1834), and Abdus Shakur, and the prose version by Bijaynath Mukhopadhyaya (1904). Kedarnath Gangopadhyaya wrote a play based on the story in 1978. Ebadat Ali’s Gule Bakawali is a dobhasi puthi.

The story was also popular in Urdu. Thus, at the beginning of the nineteenth century, Munshi Nehalchand Lahori wrote a prose version titled Mazhabe Ishq (1803), and Dayashankar Nasim wrote a masnavi (poem) called Gulzare Nasim (1835).

* Gul-e-Bakavali was the first picture with the same subject as Silent film in 1924 directed by Kanjibhai Rathod and produced by Kohinoor flms. It starred Jamna, Khalil, Fatma Begum, Noor Mohamed, Sabita Devi, Sultana, Usha Rani and Zubeida.

* The story was made as Silent film again in 1930 (Starring Vishnu, Gulab .. Dir Mohanlal Shah)

* Gul-e-Bakavali was made into Hindi films five times in 1932 ( starring Ashraf Khan, Zaibunnisa.. Dir Anand Prasad Kapoor), 1947 ( Starring Feroz Dastur, Menaka, Rabab, Sanober..Dir Rustom Modi), 1956 ( starring MG Ramachandran,Varalaxmi, Rajkumari…Dir Ramanna TR), 1963( starring Jairaj, Nishi.. Dir Jugal Kishore) and 1982( starring Feroz Khan , Amjad Khan … Dir Ravi (Kant Nagaich )..

* The story was pictured earlier in Telugu in 1938 with title Gulebakavali directed by Kallakoori Sadasivaravu and starring B. Jayamma. and again pictured as Gulebakavali Katha in 1962 (starring NT Ramarao , Jamuna, Nagaratnam .. Dir Kamalakara Kameshwara Rao)

* There are two Tamil versions, one from mid 30’s by Soundararajan (Tamilnadu Talkies fame!) and another version in 1955 , directed and produced by T. R. Ramanna and starring M. G. Ramachandran, T.R. Rajakumari and G. Varalakshmi…

The earlier Punjabi version was released in 1938 (*Baby Noorjehan , Ajmal , M Isamil … Dir Barkat Mehra) …

In Pakistan the story was pictured in 1961 (Ilyas Kashmiri, Jamila Razzaq .. Dir Munshi Dil .. MD.. Safdar Hussain ).

Today’s film was a Tamil film dubbed in Hindi. The film was made by Madras Cine Corporation and was marketed by R.R. pictures, Madras. The director was Ramanna and the MD was Gyan Datt. The cast of the film was T R Rajkumari, M G Ramchandran, Tangavalan, Raja Sulochana, G Varalakshmi, Chandrababu and others. 8 Songs of the film were written by P L Santoshi (7) and Indivar (1).

M G Ramchandran, N T Rama Rao, Gemini Ganesan, Shivaji Ganesan and many well known Southern Heroes wanted to act in Hindi films, but their problem was Language. Thus most of their Films in Hindi are dubbed films, though Gemini Ganesan made some Hindi film appearances in person. The score for others in Hindi is MGR (11 films), NTR (23 films), Gemini Ganesan (24 films), and Shivaji Ganesan (19 films). (The famous Kannada Hero Dr. Rajkumar did not work at all in any Hindi film.) Same is the case with South Heroines. Let us see about T R Rajkumari.

T.R.Rajkumari was an addition to the already present Rajkumaris in Hindi films. Thank God she did not sing, only acted, that too only in films made in South or by south producers. The other Rajkumaris were Rajkumari Dubey Banaraswali, Rajkumari Calcuttewali and Rajkumari Shukla.

Thanjavur Radhakrishnan Rajayee (May 05, 1922 – September 20, 1999), popularly known by her screen name T. R. Rajakumari, was a film actress, Carnatic singer and dancer. She has been called the first “dream girl” of Tamil cinema. Later she turned as a producer along with her brother under the banner “R. R. Pictures”. She had an active career in the period between 1936 and 1963.

Rajkumari was born on 05 May 1922 in Thanjavur, Madras Presidency, now in Tamilnadu, in a family of carnatic musicians. Both her mother and her grandmother wanted her to become a singer and trained her in Carnatic music.

Rajkumari made her film debut in Kumara Kulothungan which was produced in 1938 – 39 but was released in 1941 after Kacha Devayani. In the initial ads her name appeared as T. R. Rajayee but later in the film she was credited as T. R. Rajkumari. In 1944, Rajakumari starred in the record-breaking film Haridas alongside M. K. Thyagaraja Bhagavathar and gained recognition for her glamorous portrayal.

She acted in few Hindi movies during 1948 to 1958. Her first Hindi film was Chandralekha with Ranjan.She worked in Chandralekha-48, Jeevan Tara-51, Manohar-54, Rajkumari-55, Gul e bakavali-56 ( produced by her company) and finally in Suhag-58.

Rajakumari died on September 20, 1999 after a prolonged illness.

Then there was Raja Sulochana in this film, who did 14 Hindi films. Chittajallu Rajeevalochana (15 August 1935 – 5 March 2013), better known as Rajasulochana, was a classical dancer and actress. She has acted in more than 300 Telugu, Tamil, Kannada, Malayalam and Hindi language films.
She was born on 15 August 1935 in Bezawada (now Vijayawada), in Andhra Pradesh. Her father, Pilliarchetty Bhakthavatsalam Naidu worked in Indian Railways and was transferred to Madras as PA to the General Manager of M&SM Railway. At school, her name was recorded in error as Rajasulochana.
She learned Indian classical dance from Lalithamma, K. N. Dhandayuthapani Pillai, Acharyulu and Vempati Chinna Satyam, Krishnakumar, Vishnu Vysarkar, and Kalamandalam Madhavan.

The Kannada stage and screen maestro H. L. N. Simha gave her an acting opportunity in Gunasagari (Kannada, 1953), produced by Gubbi Veeranna. Subsequently, she acted in about 274 films in all South Indian languages. She acted with all the leading stars of South Indian cinema such as M. G. Ramachandran, Sivaji Ganesan, N. T. Rama Rao, Akkineni Nageswara Rao, Rajkumar, S. S. Rajendran, Prem Nazir, A. P. Nagarajan and M. N. Nambiar.

Rajasulochana was a special friend of the boss A.V.Meiyappan and he was trying to push her in Hindi films.It was rumoured that due to this only,a song and dance item was thrust in Chori Chori,even if it did look like a patch,having no connection to the picture story in any manner !(tum arabon ka herfer karnewale…)

Rajasulochana was a good dancer/actress and acted in some 80 odd Telugu,Kannada and Tamil movies. She acted/danced in few Hindi movies like, Aayi phirse Bahar, Alladin ka chirag, Naya aadami, Sitaron Se aage etc.

She founded the dance school “Pushpanjali Nritya Kala Kendram” in 1961 in Chennai. It has trained many students in Indian classical dance forms and celebrated its Silver Jubilee in 1986. She gave many dance performances in India and abroad and got critical acclaim for the dance dramas.

She had a son out of her first marriage and after it ended in a divorce, she married actor-director C. S. Rao and had twin daughters. One daughter lives in Chennai. The other twin daughter and son live in Chicago, Illinois.

Rajasulochana died in Chennai on 5 March 2013 at the age of 77. Condoling her death, Tamil Nadu Chief Minister Jayalalithaa said the actress had left an imprint for herself in the film industry. She was engaged in creating artistes in her dance school “Pushpanjali Nrithya Kala Kendram” here, Jayalalithaa said.

Today’s song is a duet of P.Susheela and G M Durrani.


Song- Bade tum veer sahi baat badi mat karna (Gul e Bakaawli)(1956) Singers-P Susheela, G M Durrani, Lyrics-P L Santoshi, MD-Gyan Dutt

Lyrics

Bade tum veer sahi
baat badi mat karna
Bade tum veer sahi
baat badi mat karna
nahin jeet mujhe paayega
teer kitne hi koi chalaaye
nahin jeet mujhe paayega
teer kitne hi koi chalaaye ae
Bade tum veer sahi
baat badi mat karna

o abhimaanin naari
kaisi kismat lalkaari
o abhimaanin naari
kaisi kismat lalkaari
is jag mein yoon maharaj
?? mera dam bharte hain
is jag main yoon maharaj
?? mera dam bharte hain
jo ho tumhaare
use ?? karte hain
jo ho tumhaare
use ?? karte hain

achcha jee ye kahiye
ab ?? kya chaahiye
achcha jee ye kahiye
ab ?? kya chaahiye
mujhe to pau baarah padte hi
jay paaun
mujhe to pau baarah padte hi
jay paaun

ye lo jee pau baarah
?? kaise pade
ye lo jee pau baarah
?? kaise pade

man pe hogi jeet
man pe hogi haar
yoon na bekaar mere sarkaar
man ko kariye beqaraar
man pe hogi jeet
man pe hogi haar
yoon na bekaar mere sarkaar
man ko kariye beqaraar

man se lubhaake
kya ??
adhikaar man pe paay gaya
dil ko waar ke
dil mein kisi ke
kariye pahle ye akhtiyaar
man se lubhaake
kya ??
adhikaar man pe paay gaya
dil ko waar ke
dil mein kisi ke
kariye pahle ye akhtiyaar
bekaar mere sarkaar
man ko kariye beqaraar


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4848 Post No. : 16637 Movie Count :

4531

Today’s song is from an absolutely obscure film called Vijay Laxmi-1943. The film’s song are not available on social media like YT etc, but I had 4 songs of this film and I found that this film is yet to make a Debut on our Blog.

If 100 films are made in one year, only about 10% of films are Hits or popular. About 10 to 20 % of films do an average business on Box office, but the rest number of films either flop or disappear from the theatres quickly. That means the majority of the films are not worth remembering. Why does this happen when so much money is poured into the films ? No one wants to waste his money on making a film.

Filmmaking is like playing on a Race Course. 100 people buy tickets and put their money on different horses. Only a few win. The rest lose their money, but then everybody can’t win. It is a matter of Luck, because there is no fixed formula for success. When a producer puts his money into making a film, he has all the hopes to earn profit by making the film a Hit. However, not every film can become a Hit. In Spite of this uncertainty in races, films and other such matters, people take chances again and again by changing their strategies.

Let us now take a look at what the Film scenario was in the year 1943….

1943 was a year in which the II world war was in full swing. Both sides were almost equal. The effects of the war on India were… it faced the infamous Bengal Famine, caused by the war profiteering. Controls on film production were tightened by the Government. I.P.T.A. became operative with its first staged p0lay ‘ Nibanna’. Film Kismet became one of the biggests Hits ever. V.Shantaram’s Rajkamal Kalamandir debuted with Shakuntala, as did Mehboob with his film Najma. Government made showing of Newsreel before any film mandatory. Film Raj Nartaki’s english version The Court Dancer was exhibited in the USA, first time for an Indian film.

1943 produced 105 Hindi films, the highest number during the war years, 1939 to 1945. Many landmark and musical films appeared in this year giving a respite to the war torn audience of Indian Cinema. Let us take a look at some of these films.

Film Bhaichara had music by the only other ” Sursagar” musician – Himangshu Dutt ( the more well known being the singer Jagmohan Sursagar).

C.Ramchandra had his first musical hit with the film Bhakta Raj, made by Jayant Desai productions.

Film Gauri from Ranjit became Monica Desai’s first Hindi film in Bombay. It was a very successful film with songs by Khemchand Prakash, based on Bangla Folk tunes.

Kanan Devi gave some sweet songs in the film Hospital, under Kamal Dasgupta’s baton.

Bombay Talkies film Hamari Baat was the last film in which Devika Rani acted. Anil Biswas was the composer.

Music Director Khurshid Anwar brought Gauhar Sultana from Lucknow to sing some songs in the film Ishara. Naushad'[s musical film Kanoon had some good Suraiya and Shyam duets.

Film Kashinath was Nitin Bose’s last film in New Theatres, after he developed differences with B.N.Sircar.

Anil Biswas gave his career best musical Hit film ” Kismet”- the longest running film from Bombay Talkies.

Nurjehan’s musical film Nadaan was popular with songs from composer K.Datta. Director Mehboob made his first film Najma, under his own banner Mehboob productions.

Yet one more musical from Naushad- film Namaste.

At last a musical hit for composer S.N.Tripathi- Panghat from prakash Pictures. Rajkumari Shukla sang her only Hindi song in this film;. (the film was remade as Chitchor-1976).

Film Paraya Dhan had music by Bengal’s famous musician Gyan Prakash Ghosh. Deena Pathak sang her only 2 songs in this film as Deena Sanghavi.

Ghulam Haider makes merry again with Shamshad hit songs in the film Poonji from Pancholi, Lahore.

One more superhit film – Ram Rajya from Prakash Pictures had very good songs from composer Shankar Rao Vyas. Saraswati Rane gave 2 melodious songs. Yashwant joshi and Yashwant Nikam sang the famous song ” Bharat ki ek Sannari ki katha”. Ram Rajya had also a distinction as the only Hindi film that was seen by Mahatma Gandhi, on 2-6-1944.
( before this Gandhi had seen ” Mission to Moscow-43′ an English film, in Wardha, according to The Hindu (Kathmandu Ed.) dt.8-2-2010). The film had early songs by Manna Dey also.

Naushad in full swing with his 3rd Musical Sanjog, where Suraiya gave playback to Mehtab, the Heroine.

Vasant Desai gave excellent songs in the hit film Shakuntala by V.Shantaram.

Hospital- excellent songs by kanan Devi.

Kanoon- another hit from Naushad.

Mera Khwab- MD Ghulam Mohammed’s Debut film

Najma- Mehboob khan’s first film, on Muslim society.

Nurse- Gyan Dutt gave an excellent song of Rajkumari-‘ Vo gaye nahin’

Prithvi Vallabh- A big budget costume drama made by Minerva, based on story of K.M.Munshi. It had songs by Minakshi Shirodkar.

Tansen- Saigal’s first film in Bombay. Khurshid matches him song by song.

Taqdeer- Nargis aka Baby Fatima debuted as an adult. However her name comes third in the credits, after Motilal and Chandramohan.

Besides these films, the following films were also made but their names are not even known to most people. These films just came and went into oblivion !
Andhera, Angoothi, Ashirwad, Bhalai, Chhed Chhad, Daawat, Duniya Deewani, Jangi jawan, Kurbani,Mohabbat, mauj, Pati pooja, prem sangeet, Rekha, Sahara, Salma, Sawaal, Tasweer, Vijay laxmi and Zameen etc etc. These are only sample names. I have not counted C grade and stunt or costume films, which were plenty in numbers.

Today’s film Vijay Laxmi was made by Indian Art Pictures and was directed by one G.S.Kashyap. I find that his name appears as a Director only for this film in the HFGK. Possibly he was a one film director like many in the war period ( who would provide finance also for the film to become a director ). The music was composed by G.M.Durrani, who was basically a singer but had a strong desire to also be a composer. While he sang 305 songs in 168 films, he also composed music in 8 films and acted in 16 films. He even wrote 1 song in film Nazare-1949.

The cast of the film was Shobhana Samarth, Motilal, Yashodhara katju, Gope, David, Meher Bano (actress Purnima, in adult life),Bhudo Advani, Leela Mishra and many others. In this film even Leela Mishra’s husband Ram Prasad Mishra had also done a small role and his name appears in the credits too.

Leela Mishra (1 January 1908 – 17 January 1988) was a Hindi film actress. She worked as a character actor in over 300 Hindi films for five decades, and is best remembered for playing stock characters such as aunts (Chachi or Mausi). She is best known for her role of “mausi” in the blockbuster Sholay (1975), Dil Se Mile Dil (1978), Baton Baton Mein (1979), Rajesh Khanna films such as Palkon Ki Chhaon Mein, Aanchal, Mehbooba, Amar Prem and Rajshri Productions hits such as Geet Gaata Chal (1975), Nadiya Ke Paar (1982) and Abodh (1984). Her career’s best performance was in Naani Maa in 1981, for which she received the Best Actress award at the age of 73.

Leela Mishra was married to Ram Prasad Mishra, who was a character artist, then working in silent films. She got married at the very young age of 12. By the time she was 17, she had two daughters. She hailed from Jais, Raebareli, and she and her husband were from zamindar (landowners) families.

Leela Mishra was discovered by a man called Mama Shinde, who was working for Dadasaheb Phalke’s Nasik Cinetone. He persuaded her husband to make her work in films. During those days there was a severe scarcity of women actors in films; this was evident in the paychecks that the Mishras received when they went to Nasik for the shooting. While Ram Prasad Mishra was hired on a salary of Rs. 150 per month, Leela Mishra was offered Rs. 500 per month. However, as they fared poorly in front of the camera, their contracts were cancelled.

The next opportunity that came their way was an offer to work in the movie Bhikarin, which was being produced by a company owned by the Maharaja of Kolhapur. However, Leela Mishra lost out on this opportunity too, as the role required her to put her arms round the actor (who was not her husband) while delivering a dialogue, which she point-blank refused to do.

Their next film was Gangavataran-37, directed by Dadasaheb Phalke. This was his only and the last Talkie film. In this film Leela did the role of Parvati. This became her first film.

She faced a similar problem while working in another film titled Honhaar. She was cast opposite Shahu Modak as a heroine, and was supposed to hug and embrace him, which she again refused steadfastly. Since the company was legally in a weak position, they couldn’t turn her out of the film, which proved to be a blessing in disguise for her. She was offered Modak’s mother’s role in the film and it clicked instantly. This opened the doors for her to play mother roles at the young age of 18.

Early on in her career she acted in notable films such as the musical hit Anmol Ghadi (1946), Raj Kapoor’s Awaara (1951) and Nargis-Balraj Sahni starrer Lajwanti (1958), which was nominated for the Palme d’Or for Best Film at 1959 Cannes Film Festival.

She acted in the first Bhojpuri film, Ganga Maiya Tohe Piyari Chadhaibo (1962), which also starred Kumkum, Helen and Nasir Hussain.

Her roles varied from mothers, benign or evil aunts, to comic roles.

She acted in 344 films. Her last released film was Aatank-96. 8 films were released after her death. ( Thanks to wiki, Ateet ke sitare, muVyz, HFGK and my notes).

I have no idea about the film’s story or other details. The song was given to me by friend Abhay Jain (USA) and was uploaded by our Sadanand Kamath ji. Thanks to both.

Editor’s note:_Readers are request to suggest correction to the lyrics wherever applicable.


Song- Bano sudeshi bano Sudeshi (Vijay Laxmi)(1943) Singers- G M Durrani, Lyricist- Not known, MD- G M Durrani

Lyrics

Bano sudeshi
Bano sudeshi
Bano sudeshi
Bano sudeshi
?? bhayo ??
?? bhayo ??
?? bhayo ??

tan sudeshi man sudeshi
maal ?? deshwaalon
kyun nahin lete sudeshi
desh hai kangaal
desh hai kangaal

?? bhayo ??
?? bhayo ??
?? bhayo ??
??
bano sudeshi
bano sudeshi
bano sudeshi
bano sudeshi

laakhon hamaare bhai
zinda hi mar rahe hain
roti ka nahin tukda
faakon se mar rahe hain
aanten hain unki bhookhi
aanten hain unki bhookhin
bachche hain unke bhookhe
maayen hain unki bhookhi

kapdon ko mohtaaj
dhaanp nahin saktin
maa behnen
apne tan ki laaj
apne tan ki laaj
unki roti aatma ka
unse hai sawaal
unse hai sawaal
unki roti aatma ka
unse hai sawaal
unse hai sawaal
?? bhayo ??
?? bhayo ??
bano sudeshi
bano sudeshi
bano sudeshi
bano sudeshi

jo desh pe urbaan
achche wahi insaan
desh laakhon mit gaye
zinda hai Hindustan
zinda hai Hindustan

Desh apna bemisaal
uska tum se hai sawaal
Desh apna bemisaal
uska tum se hai sawaal
?? bhayo ??
?? bhayo ??
marte dam Bhagwaan
de yahi vardaan
har har janam humko miley
ye pyaara Hindustaan
har har janam humko miley
ye pyaara Hindustaan
pyaara Hindustaan
pyaara Hindustaan
pyaara Hindustaaaan


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4699 Post No. : 16391 Movie Count :

4454

Today’s song is from an unknown film – Daawat aka invitation-1943.This film falls under the II category of ” Road Closed” movies – which means, except for the information given in HFGK, no other information about the film is available anywhere, as on today. What do we do then ? Nothing. Just try to know more about whatever is available.

The film was made by Eastern Pictures, Bombay. It was directed by M.Nazir, who apparently directed only this film. However, he acted in 15 films, from Zingaro-35 to Mala-41. I found one more name, Nazir Ajmeri (5 films) as a director. Obviously he must be a different person. There were 8 songs in the film, written by lyricist Tanvir Naqvi. He was one of those people who first migrated to Pakistan after partition and then came back to India to get some work and then went back again to Pakistan for good.

Tanvir Naqvi ( real name- Syed Khursheed Ali ) was born on 16th February 1919, at Lahore. His father was a Jahagirdar and elder brother was ADC to a Nawab. Tanvir went to Persia, along with father, where he was educated in Urdu and Persian. From the age of 14 years, he started writing poetry and participated in various Mushairas. He published a book ” Suhane Sapne ‘ of his poetry. By chance, A R Kardar read it and called Tanvir to Bombay to write for his film ‘ Swami’-41 made by CIRCO.

In his next film, Nai Duniya-42, Suraiya sang his song as her First song. His films Anmol Ghadi-46 and Jugnu-47 became hits and all his songs were appreciated much. He had earned a good name. However, after the film Parda-49, he migrated to Pakistan. In 1954, K.Asif invited him to India to write songs for his film ‘Mughal E Azam’, but by that time, Naushad had built his own team and he declined to take Tanvir Naqvi. From 1954 to 1959, Tanvir did many films. He also joined S.Mohinder and wrote songs for his 7 films.

In 1959, Tanvir Naqvi shifted again to Pakistan, but this time for good. There also he wrote for many films,like Koel, Jhoomar, Salma, Gulfam,Elaan etc etc. He also wrote for Punjabi films. He had married Idaan- elder sister of actress singer Nurjehan. However,since he had no children from her, he married again and had 2 children. He died in Lahore on 1-11-1972. In India, he wrote 224 songs for 48 films. Some of his songs are popular even today.

The Music Director of this obscure film was equally obscure – Vasant Kumar Naidu. There were a number of people who came to Bombay to try their luck in films. They had hopes, skill and a will to do hard work. Such people came to Bombay from all over India. Naidu came all the way from Burma-via Madras. All could not succeed. Those with strong Luck got some God Fathers and some could get opportunities which they turned into solid performance, but some could not get any of these and remained unknown. There are strange cases where Luck just came near but eluded them leaving them empty handed.

Vasant Naidu was not only one such person, who could not become a big name, but he was also one about whom hardly any information was available anywhere. In the case of music director Vasant Kumar Naidu, no information is available in any book or on the internet. Only Pankaj Raag wrote about his films and songs in his book ‘Dhunon Ki Yatra’. This too is based on HFGK only. Luckily Ms. Sai Lakshmi and Mr. Krishna Kumar Naidu, niece and nephew of Vasant Kumar Naidu visited this Blog and left some comments on an article . I picked up this slender lead and wrote to both of them. It is to their credit that both responded promptly . They tried to provide song and film information from different sites, which I already knew. After exchanging a few mails, they sent me a newspaper cutting, announcing the passing away of Vasant Kumar Naidu, along with his photo and a copy of his death certificate. Krishna Kumar ji also gave me some information about his family. I can understand their limitations. Naidu ji died in 1951. At that time these two were very young and now there may not be any other elder who may provide information about this artist.

Anyway, earlier I had zero information, now at least I have some information about him, plus his filmography as per the HFGK. I sincerely thank Ms. Sai Lakshmi ji and Shri Krishna Kumar Naidu ji for their help.

Vasant Kumar was born on 5-6-1915. His family had settled in Burma like thousands of other South Indian families. When Burma was struggling for independence, in the 1930s, most Indians left Burma and came to India. Many went to Calcutta and many went to South India. Many families walked for around 6 months from Burma to India. Mr.Vasant Kumar’s family was one amongst them. They walked from Rangoon to Madras. The family settled in Madras for some years.

Vasant Kumar had come alone to Bombay earlier in search of a career in music. He was an instrumentalist and could play any string instruments and also harmonium. He was also very much interested in reading different languages. There were many books that he read. He was also very keen on dressing up and had several suits in those days. He joined the industry and started growing as a Music Director. He then called his mother and other siblings to live with him in Mumbai along with his eldest brother’s widow and her son. He had 4 brothers. His eldest brother expired in Madras itself. Vasant Kumar was the second eldest. He had two younger brothers as well. They all lived on Peddar Road initially. Later, he left his Peddar Road flat and moved to Parel.

Vasant Kumar thereafter lived in Parel until his passing away on 16-10-1951.

Vasant Kumar got married in Madras. This marriage was arranged by his mother. Eventually his other brothers also got married. All three brothers and their wives stayed under the same roof in Parel in a joint family which was headed and supported monetarily by Vasant Kumar ji. His younger brother, the late Mr. Pandurang Naidu was also working towards a career in music. He became a musician (played banjo and mandolin). Vasant Kumar ji taught several string instruments to his brother, Pandurang ji. His youngest brother, the late Mr. Sreenivasn Naidu, became a composer at a later stage of his life for the Indian Railways Music Academy (Central Railway Cultural Academy).

Vasant Kumar is survived by his only daughter, Mrs. Pramila Naidu, who is now a widow. She lives in Pune with her grown up children. Pramila ji was around 5 years old when her father passed away. She has vague memories of her father. It is sad to see her struggling now financially. She continues to give tuition at the age of 70 to make her living. She lawfully owns 3 flats in Parel, Mumbai but the 3rd generation of the family has occupied these flats and are not willing to vacate. This property is now worth in crores. The cousins of Pramila ji have gotten together and have filed a lawsuit against these 3rd generation greedy family members. The lawsuit has been going on now for the past 3 years.

When luck is not in your favour, any amount of hard work, efforts or support from influential persons does not work. This is amply proved by what happened in Naidu’s case. Naidu, before starting as an independent composer and even later, for some time, was an assistant to Anil Biswas. To help Naidu establish, Anilda sometimes used to put a word to known people for him as M.D.

Anilda knew Harishchandra Rao kadam very well. When he decided to become a Producer and make a film “Sukhi Jeevan”, Anilda met him and took a promise from him to make Naidu the MD for that film.

Harishchandra Rao wanted Master Bhagwan as the film’s Director. Bhagwan agreed but put a condition that C.Ramchandra be made the MD for this film. Rao told him about Anilda and the promise given for Naidu. Bhagwan refused his film if C.Ramchandra was not made MD. To solve this problem, Anilda was called and after discussing with all, he withdrew his demand for Naidu. Thus Naidu lost and C.Ramchandra got his first Hindi film ” Sukhi Jeevan”-42 , to start his career ! ( from the book ” Ek Albela” by Isak Mujawar).

Vasant Kumar started his career in 1939 by giving music to films ‘Thunder’ and ‘Pakke Badmash’. Till 1947, he composed music for 22 films, as per the HFGK. He sang 1 song as a duet with Khan Mastana for the film ‘Mere Sajan’ (1941). He has composed 160 songs in these 22 films. His filmography, as per the Geet Kosh, is ‘Thunder’ (1939), ‘Pakke Badmash’ (1939), ‘Rangeela Jawaan’ (1940), ‘Jung-e-Azadi’ (1940), ‘Desh Bhakt’ (1940), ‘Suhaana Geet’ (1941), ‘Meri Khwaish’ (1941), ‘Mere Saajan’ (1941), ‘Lehri Jawaan’ (1941), ‘Lala ji’ (1942), ‘Call Of Youth’ (1942), ‘Maata’ (1942), ‘Watan Ki Pukaar’ (1943), ‘Nai Zindagi’ (1943), ‘Mohabbat Ki Jeet (1943), ‘Daawat’ (1943), ‘Circus Girl’ (1943), ‘Bhaagta Bhoot’ (1943), ‘Beda Paar’ (1944), ‘Shaahi Khazaana’ (1946), ‘Chamkati Bijli’ (1946) and ‘Toote Dil’ (1947).

Unfortunately, Vasant Kumar got mostly B and C stunt and action films for composing the music. Big banners like National Studios gave him an opportunity with the film ‘Lala ji’ (1942), in which he got many songs sung by Anil Biswas, Kusum Mantri, and Vatsala Kumthekar. However such films came to him only as an exception, therefore his exposure to audiences was limited and his name did not gain any fame. Actually, many big, well known and popular singers have sung for him.

However, without a mentor, God Father or the support of a big banner, it became impossible for Vasant Kumar to grow further. During the transition period of 1947-48, when many composers migrated to Pakistan, the existing big composers made their positions solid. Thus smaller composers never got any opportunity to benefit from the void created by the exit of composers. This was the case of many small-time composers like him.

Today’s song is a duet by Rajkumari and G M Durrani. This rare song comes from Shri Abhay Jain ji (US) and was uploaded by Sadanand Kamath ji for me. Thanks to both. With this song, film Daawat-43 makes its Debut on this Blog.


Song- Nain se nain milaaye aao (Daawat)(1943) Singers- G M durrani, Rajkumari, Lyricist- Tanveer Naqvi, MD- Vasant Kumar Naidu
Both

Lyrics

Nain se nain milaaye aao
Nain se nain milaaye aao
Man ko man se taulen aen aen
Man ko man se taulen

nindiya ban kar do nainon mein
sapnon ke pat kholen aen aen
nindiya ban kar do nainon mein
sapnon ke pat kholen

nain se nain milaaye aao
Man ko man se taulen aen aen
Man ko man se taulen

main raat gaye ka sapna
main raat gaye ka sapna
main saanjh bhaye ki dhool
saanjh bhaye ki dhool
main pawan ki sheetal ??
main pawan ki sheetal ??

main bhor bhaye ka roop
main bhor bhaye ka roop
ye bhed kabhi na kholen aen
bhed kabhi na kholen
Man ko man se taulen aen aen
Man ko man se taulen

main kali banoon bagiyaa mein chatkoon
kunj kunj mehkaaun
main kali banoon bagiyaa mein chatkoon
kunj kunj mehkaaun

main bhannwra ban kar it ut doolon
door door ho aaun
door door ho aaun
aur munh se kuchh na bolen
aur munh se kuchh na bolen
Man ko man se taulen aen aen
Man ko man se taulen


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4492 Post No. : 16018

Today’s song is from film Bade Nawab Saheb-44. It was a Muslim social film, produced by Silver films – a joint venture of actors Kumar and Chandra Mohan. The film was directed by Vedi, a name about which I could not get any information except that he was a director from the Silent era. In the Talkie era, he has 4 films to his credit as director. First film is Bade nawab saheb-44, then Naseeb-45, Room Number-9 – 46, and For Ladies only-51. This is all I know about Vedi. Unfortunately, we do come across few such names from the early era films. This is because we have very poor documentation. Information on big actors etc is available. That is why the task of Hindi film History students (like me, for example) is tough in securing and recording information for the posterity.

The music director was Bashir Dehalvi. Here too, we only know that he gave music to films like Jhankar-42, Kalakar-42, Ujala-42, Koshish-43 and hawai Khatola-46, in addition to today’s film. The 10 songs of the film were written by Lyricist Shams Lucknowi. He seems to be a story and dialogue writer too. Story of film Andaz-49 was by him. He wrote the dialogues of films like Idd ka chand-33 and Kimiyagar-36. He also acted in film Parchhain-52. He wrote 104 songs in 15 films from Lal Haveli-44 to Dahej-50. May be , then he migrated to Pakistan or what, we do not know.

Most of the so called Historical (my friend calls them Distortical), Costume dramas, Arabian Night stories films etc have a Muslim background. But ” Muslim Social” films is a separate category. Initially it was considered to be a very sensitive issue to depict the social life of Muslim families in India and so film producers were wary of making such films. When film makers with modern thinking came to the industry – like K Asif, Mehboob or Fazli brothers- there was a cautious but slow beginning of Muslim social films. My two friends, shri Kamlakar Pasupuleti ji (originally from Hyderabad and settled later in US) wrote an informative book, ” Forgotten movies on Muslim Culture 1933 to 1947 and shri Isak Mujawar ji wrote (in Marathi) ” Muslim Cinema”. Both these books give good information on this category of films.

Like many other myths in Hindi film industry, one myth is that Mehboob Khan was the pioneer in making Muslim social films in India. This probably originated because the first film of Mehboob’s own company Mehboob Productions was ” Najma”-43, a Muslim social film starring Ashok kumar, Veena, Stara, Kumar, Yaqub etc. But the fact is different.

The first Muslim social film was ” Rashida”-35, made by Madon Theatres, Calcutta, featuring Kajjan, Effendi and others. It was directed by a Jew-Izra Mir. The name of the film indicated that it was about a Muslim girl. Somehow, I find a lot of Muslim social films made had titles of girl’s names, Like Zeenat, Ameena, Najma, Shama, Heena, Zubeida, Salma, Ismat etc etc.

The beginning of serious Muslim social films was done by Fazli Brothers- Hasnain and Sibtain Fazli. They first made a Muslim social film Qaidi-1940, featuring Ramola,Mehtab, B.Nandrekar, Wasti etc. This was a period of struggle for Indian Independence. The fundamentalists in Muslims were active and due to the fear of their reaction, film makers were wary of producing such films.Even Fazli brothers were also afraid that there would be obstruction from these people to their film, so they decided to make the film in Calcutta. Their first Muslim Social film Qaidi-40 was very successful. Encouraged, they made 2 more such films (Masoom-41 and Chauranghee-42) in Calcutta. For film Chauranghee-42, the Fazli Brothers roped in famous Bangla poet (who later on became the National Poet of Bangladesh) Kazi Nazrul Islam- the creator of Nazrul geeti, as a Lyricist and MD for the film.

After 1942, Fazli Brothers shifted their activities to Bombay and made many Muslim social films like Fashion-43,Ismat-44, Dil-46 and Mehendi 47. So, in true sense, it is the Fazli Brothers who were the pioneers of Muslim Social films in India.

From the 40s to the 47, there was a line of Muslim social films lined with pride and confidence. Notable amongst them were Paak Daaman-40 by Rustom Modi, Masoom-41 by Fazli brothers, Muslim ka lal-41 by Mohan Pictures, Fashion -43 by Fazli Brothers, Najma-43 by Mehboob, Salma-43 by Nazir Ahmed, Ismat-44 by Fazli Brothers, Bade Nawab saab-44 by actor Kumar and Pramila, Bhaijaan-45 by United Films, Phool-45 by K.Asif, and Director Mazhar Khan’s Muslim social film ” Pehli Nazar’ in 1945. Amongst these, film ‘ Elan ‘-47 was a milestone film, produced by Mehboob. It dwelt upon the needs of improvements for Muslim community.

After 1947, India lost a very big market for its Muslim social films, when Pakistan-East and West- was formed. It does not mean that Muslim social films were not made after 1947 in India. Films like Kaneez-49, Nisbat-49, Parda-49, Hyderabad ki Nazneen0-52,Darwaza-54, Chandni Chowk-54, Maalik-58, Maa ke aansoo-59, Pahli Raat-59 etc were all Muslim socials. They, however, were not successful, for whatever reasons. But the fun is films of Muslim backgrounds but non social films like Anarkali,Mirza Ghalib,Hatimtai,Alibaba and forty thieves etc were good grossers and ran well. The first Hindi film to win the President’s Gold Medal (the first was Marathi film-Shyam chi aai ), was Mirza Ghalib-54. This indicated that there was no audience for Muslim social films now. Later on, the conditions changed and Muslim social films like Chaudhavi ka chaand, Barsaat ki raat, Chhote Nawab, Bahu Begum, Mere huzur, Pakeeza etc became quite successful. However, some opine that these films succeeded due to other reasons like Music, songs etc. One funny thing was that most Muslim social films-from the beginning- showed Lucknow as the background of the story ! (Film names being mentioned are only indicative and not exhaustive, so many names will be missing here.)

The cast of film Bade Nawab Saheb-44 was Chandra Mohan, Pahadi Sanyal, Kumar, Pramila, Bibbo, Sushil Kumar, Leela Mishra, Kamala, Agha Jaan etc. etc. Chandra Mohan was one of the most handsome actors of Hindi cinema. Some other handsome actors were B. Nandrekar, Vijay Kumar, Al Nasir etc. Chandra Mohan was also a versatile actor. Incensed by losing a role in the Marathi version of film Amrit Manthan-1934, just because he could not speak Marathi fluently, he learnt Marathi in no time and later worked as Hero in 3 Marathi versions of Hindi films !

Born on 24-7-1906 in Narsinghpur in Madhya Pradesh, Chandra Mohan was known for his large grey eyes, voice modulation and dialog delivery. His eyes form the opening sequence in V. Shantaram’s 1934 film Amrit Manthan, which was also his film debut. It was the first film made in the new established Prabhat Films studio, and made both in Hindi and Marathi. Mohan received acclaim for his role as role Rajguru and went on to establish himself as noted villains of times.

In film Geeta-40, Chandramohan was the Hero and had done the Father and Son double role. This was a Bilingual film in Hindi and Marathi, and in both versions, Chandramohan was the Hero. Earlier, V. Shantaram had given a break to Chandramohan in his film ” Amrit Manthan”-34, which also was a Bilingual film in Hindi and Marathi. Chandramohan being a Kashmiri and not knowing Marathi, in the Marathi version, his role of Rajguru was done by keshavrao Datey.

However. soon Chandramohan picked up fluent Marathi and acted in the Bilingual films of Hindi and Marathi like, Jwala-38, Geeta-40 and Apna Ghar-42 He became the first Hindi actor to do roles in Marathi films.

Chandra Mohan later appeared as Emperor Jehangir in Sohrab Modi’s Pukar, as Randhir Singh in Mehboob Khan’s Humayun and as Seth Dharamdas in Mehboob Khan’s Roti.

Actor Kumar did many films in Ranjit, but in 1942, he was removed from Ranjit. At the same time his friend Chandra Mohan also left Minerva Movietone ( reason – inspite of Pukar-39 being a Blockbuster, his salary was not increased, though Modi had promised him so.) They both decided to launch their own company and on 16-3-1942, SILVER FILM COMPANY was launched. Its first film was Jhankaar-42. They produced Bhalai-43, Bade Nawab Saab-44, Naseeb-45, Devar-46, Dhun-53 and Bahana-60. Kumar had acted in these films. He also directed Dhun and Bahana.

One of his last appearances was in Ramesh Saigal’s film Shaheed-48. As Rai Bahadur Dwarka Nath, he played father to Ram, who was portrayed by Dilip Kumar. His character in this film, initially supports the British Government, but later favours the Freedom struggle. Chandra Mohan’s last major film was Raambaan-1949, in which he played the role of demon emperor Ravan. Chandra Mohan had acted in 31 films in all from Amrit Manthan-1934 to film Chocolate-50, which was released after his death.

Chandra Mohan despite being a Kashmiri himself was against Kashmiri girls working in films. He is said to have intimidated actress Shyama Zutshi from working in Hindi films and she left the films. However, later when Yashodhara Katju came into the films, she did not care for his opposition and continued successfully in films. He was very friendly with actor Motilal and treated him as his son.

He was the original choice to play the lead role in K. Asif’s Mughal-e-Azam, but due to his untimely death the film had to be reshot after ten reels were shot with him as lead. The film was eventually released in 1960.

Chandra Mohan took to heavy gambling and drinking and died penniless on 2nd April 1949 at the age of 44 at his residence, Bilkha House, in Bombay.

The story of Bade Nawab Saheb-44 was …….

Nawab Kokub Mirza had 2 wives, but he loved the younger one so much that he even tolerated her younger brother Mushir, a trouble maker. Sikandar was Mirza’s younger brother and they had an old loyal servant Baksho. Sikandar marries an orphan girl-Anwar from an orphanage. On this count, the younger wife and Mushir are able to throw Sikandar and Baksho out of the house.

Sikandar goes out of Lucknow to look for a job. His wife, unaware of the relations, starts working as Maid in Nawab saheb’s house. Mushir tries to misbehave with the modesty of Anwar and is thrown out of the house. Now the nawab is closer to Badi Begum, who convinces him to recall Sikandar. Nawab calls Sikandar and also pardons Mushir.

Now Mushir wants to poison Nawab saheb. He adds poison to his Kheer. Unfortunately, the Kheer is eaten by his sister, the young Begum. She dies and Police arrest Mushir. Now the 2 couples live happily !

Today’s song is a duet by Hamida and Durrani. This is the second song of this film to feature on this Blog. (Thanks to information from books mentioned in the post, which is used herein)


Song-Jaag gayi Jaag gayi Hamaari kismat (Bade Nawab Sahab)(1944) Singers- Hamida Bano, G M Durrani, Lyrics-Shams Lakhnavi, MD- Bashir Dehalvi
Both

Lyrics

Jaag gayi
Jaag gayi
Hamaari
kismat
Hamaari kismat
jaag gayi
Jaag gayi
Hamaari kismat

prem nadi mein josh jo ??
bhai ne bhai ko bulaaya
prem nadi mein josh jo ??
bhai ne bhai ko bulaaya
chhant gaye
zulf ke baadal saare

samjho chaand sitaare
chhant gaye
zulf ke baadal saare

samjho chaand sitaare
chaand sitaare
sachchi
ulfat
sachchi
ulfat
jaag gayi
jaag gayi
hamaari
kismat
hamaari
kismat
jaag gayi
jaag gayi
hamaari kismat

toote huye phir dil milenge
toote huye phir phool khilenge
toote huye phir dil milenge
toote huye phir phool khilenge
kaun
khilenge
sachchi
ulfat
sachchi
ulfat
jaag gayi
jaag gayi
hamaari
kismat
hamaari
kismat
jaag gayi
jaag gayi
hamaari kismat


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4488 Post No. : 16010

Tanvir Naqvi – 48th Death Anniversary on 01/11/2020
——————————————————————

Geet
————
Kahaan tak sunoge kahan tak sunaaun
Hazaaron hi shikwe hain kya kya sunaaun

Huzoor aap par ek jahaan ki nazar hai
Nigaah-e-karam se bhi mujh ko ye dar hai
Jahaan ki nazar mein kahin aa na jaaun
Kahaan tak sunoge kahaan tak sunaaun

Zamaana huaa hai muhe muskuraaye
Muhobbat mein kya kya hain sadme utthaaye
Kise yaad rakkhoon kise bhool jaaun
Kahaan tak sunoge kahaan tak sunaaun

Duaa hai yahi kuchh zabaan tak na aaye
Muhobbat ka shikwa bayaan tak na aaye
Jalen zakhm dil ke magar muskuraaun
Kahaan tak sunoge kahaan tak sunaaun
Kahaan tak sunoge kahaan tak sunaaun
Hazaaron hi shikwe hain kya kya sunaaun

Tanvir Naqvi
Courtesy: rekhta.org

This is the profile reproduced from Rekhta.org :

Tanveer Naqvi’s lineage traces back to a family of poets who originally came from Iran. With a family immersed in poetry, literature and arts, Naqvi came to be influenced by the poetry of dissent against the British Empire.

Naqvi started as a lyricist in the Hindi film industry in the 1940s, starting his career with Swami (1941). He wrote the lyrics for close to 200 films before moving to Pakistan. He was married to renowned singer and actress Noor Jahan’s sister, Eidan Bai. The big hits of his career include Mehboob Khan’s musical hit Anmol Ghadi (1946) and Jugnu (1947) which were each the highest grossing Indian films of the respective years. Anmol Ghadi (1946) has some of the most memorable melodies in Hindi Cinema. Few people know that Mohammad Rafi was introduced to the Hindi film industry by Naqvi. He was much sought after as a songwriter. After partition, Tanvir Naqvi migrated to Pakistan and for over 15 years remained one of the leading lyricists of Urdu and Punjabi films. His patriotic number sung by Noor Jahan during the 1965 war “Rang Laayega Shaheedon ka Lahoo” became extremely popular.
A collection of his poetry has been published under the title ‘Sunahre Sapne.’
He died on November 1, 1972 in Lahore.

If Tanvir Naqvi wrote songs for 200 films in India before migrating to Pakistan , at a guess his songs tally should be around 400, again guessing at an average of 2 songs per film. 85 songs are so far posted in the blog. So here is one more person who we need to thank for introducing Mohammad Rafi to the hindi film industry.

Shri. Shalin Bhatt Sir has commented on the youtube link of this song that there are 3 singers in this song, Khan Mastana, G. M. Durrani and Mohammed Rafi with Chorus. I agree with this, because I thought there are two different voices singing the second and third portion of the song. Rafi sahab has only two lines to sing independently and in another line in mukhda, he is accompanied by G. M. Durrani(?).

At the time of writing this post in 2018, I was hard at work trying to confirm the details of credits. That when I remembered that one of my cousin who has been in UAE for 3 decades now, once mentioned that Tanvir Naqvi’s son was his colleague, once upon a time, but it has been years since he shifted back to Pakistan. I asked my cousin at the time, if he could get in touch with the son, perhaps to confirm about the song. But it seems, the contact is lost, with no common friends/colleagues links.

This is the third song from Laila Majnu (1945) to be posted in the blog. All songs of this film are written by Tanvir Naqvi and music composer in Govind Ram. So this is one more of the many songs from 1940’s by Rafi sahab which are yet to be posted, as a tribute post for Tanvir Naqvi on his remembrance day.


Song-Sakhi ki khair maayi babaa ki khair teraa Allah nigehbaan ho (Laila Majnu)(1945) Singers-Mohammed Rafi, Khan Mastana, G. M. Durrani, Lyrics-Tanveer Naqvi, Music Director- Pt Govind Ram

Lyrics

Sakhi ki khair
maayii babaa ki khair
teraa Allah nigehbaan ho
sakhi ki khair
maayi babaa ki khair
teraa Allah nigehbaan
ho o o
Allah nigehban ho
sakhi teraa maula nigehbaan ho
ho oo
Allah nigehban ho
sakhi teraa maula nigehbaan ho
Allah nigehban ho
sakhi teraa maula nigehbaan ho
sakhi ki khair
maayii babaa ki khair
teraa Allah nigehbaan ho oo

chaar dinon ki hai yeh duniyaa
aakhir ko mar jaanaa hai
chaar dinon ki hai yeh duniyaa
aakhir ko mar jaanaa hai
samajh samajh kar chalna bande
duniya musaafirkhaana hai
ye duniyaa musaafirkhaana hai
ye duniyaa musaafirkhaana hai
sakhi ki khair
maayi babaa ki khair
teraa Allah nigehbaan ho oo

haan aa
de de maula naam (? ?)
teraa Allah nigehbaan ho oo
haan aa
de de maula naam (? ?)
teraa Allah nigehbaan ho oo
Allah nigehbaan ho
sakhi teraa maula nigehbaan ho
Allah nigehbaan ho
sakhi teraa maula nigehbaan ho
de de maula naam (? ?)
teraa Allah nigehbaan ho oo
de de maula naam (? ?)
teraa Allah nigehbaan ho oo

dar par tere aaya sawaali
khairaat de de naa aa
khairaat de de naa aa
dar par tere aaya sawaali
khairaat de de naa aa
khairaat de de naa aa
bhar de pyaala apne karam se
meri duaa lenaa aa aa
bhar de pyaala apne karam se
meri duaa lenaa
sakhi ki khair
maayi babaa ki khair
teraa Allah nigehbaan ho oo
sakhi ki khair
maayi babaa ki khair
teraa Allah nigehbaan ho oo
haan de de maula naam (? ?)
teraa Allah nigehbaan ho oo
haan de de maula naam (? ?)
teraa Allah nigehbaan ho oo
Allah nigehbaan ho
sakhi teraa maula nigehbaan ho


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17200 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Movies with all their songs covered =1338
Total Number of movies covered=4642

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