Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“disguise” song’ Category


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Blog Day :

5137 Post No. : 17094

Today (11 August 2022) is Rakshabandhan. This is the 15th Rakshabandhan for this blog. The first Rakshabandhan for the blog fell on 16 August 2008. That day saw the iconic Rakshabandhan song namely Bhaiyya mere raakhi ke bandhan ko nibhaana (Chhoti Bahan)(1959) getting covered on the blog.

On those early days, only one song was discussed in a day. Subsequently multiple songs began to be covered daily. Festival days were no exception. So more than one Rakshabandhan songs were also discussed in the subsequent occasions.

Till now as many as 24 Rakshabandhan songs have been covered on the blog. Most of these songs (if not all) are sung in the female voice and lip synced by a female character playing the Rakhi tying sister.

The Rakshabandhan song under discussion today is different in quite a few respects. It is sung by a male singer. It is a “sales pitch” song where Rakhi is being sold. The song is sung by Amit Kumar (though HFGK is silent about the name of the singer). It is picturised on Vinod Khanna disguised as an old Rakhi seller. So this song is a “disguise” song as well. Rakesh Roshan and Pradeep Kumar are also seen in the picturisation.

This song is from ‘Hatyaara’ (1977). The movie was produced by Sunil Sharma and JR Shah and directed by Surendra Mohan for Sunil Arts, Bombay. The movie had Vinod Khanna, Moushumi Chatterjee, Rakesh Roshan, Priyadarshini, Nirupa Roy, Pran, Dev Kumar, Man Mohan, Kanahiyalal, Raj Mehra, Chand Usmani, Abhi Bhattacharya, Sunder, Gulshan Bawra, Sahu Modak, Johny Whisky, Sabeena, Shyam, Shefali, Rajkumar, Premji, Bihari, Moolchand, Hamid, Raj Malhotra, Rajkishore, Nazir Kashmiri, Omi, Harun Khan, CL Shah, Jugnu, Kedarnath Sehgal, Chandrima Bhaduri, Baby Prerna, Master Bittu, Master Raju, Master Rajesh Valecha etc. The movie also had guest appearances by Pradeep Kumar, Laxmi Chhaaya and Mehmood.

The movie had five songs in it. One song has been covered so far.

Here is this second song from ‘Hatyaara’ (1977). The movie had three lyricists in it but the lyricist of this song is no known. This song only appears in the movie. Its records were not made. Music direction was by Kalyanji Anandji.

I request our knowledgeable readers to throw light on the missing details of the song (viz lyricist).

Lyrics of this song were sent to me by Prakashchandra.

video link:


Song-Raakhi le lo jee le lo (Hatyaara)(1977) Singer-Amit Kumar, MD-Kalyanji Anandji

Lyrics (Provided by Prakashchandra)

hho o raakhi le lo jee le lo o
raakhi le lo jee le lo o
raakhi le lo jee le lo o
raakhi le lo jee le lo o

arrey hindi filmon ke staar
jaisey Lata Dilip Kumar
jaisey Jayaa aur Gulzaar
jin ko hai raakhi se pyaar
raakhi le lo jee le lo o
raakhi le lo jee le lo

tum bhee chhodo soch vichaar
raakhi le lo hawaaldaar
behnein karengee tumse pyaar
jaldi banogey thaanedaar
raakhi le lo jee le lo o
raakhi le lo jee le lo
hho ley lo o
le lo jee le lo o
raakhi le lo jee le lo o
ding danga ding dangaa ding danga dingi dingi
ding danga ding dangaa dingi dingaa
ding danga ding dangaa dingi dingaa

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

हो ओ राखी ले लो जी ले लो
राखी ले लो जी ले लो
राखी ले लो जी ले लो
राखी ले लो जी ले लो

अरे हिन्दी फिल्मों के सटार
जैसे लता दिलीप कुमार
जैसे जया और गुलज़ार
जिन को है राखी से प्यार
राखी ले लो जी ले लो
राखी ले लो जी ले लो

तुम भी छोड़ो सोच विचार
राखी ले लो हवलदार
बहनें करेंगी तुमसे प्यार
जल्दी बनोगे थानेदार
राखी ले लो जी ले लो
राखी ले लो जी ले लो
हो ले लो ओ
ले लो जी ले लो
राखी ले लो जी ले लो

डिंग डंगा डिंग डंगा डिंग डंगा डिंगी’ डिंगी
डिंग डंगा डिंग डंगा डिंगी’ डिंगा
डिंग डंगा डिंग डंगा डिंगी’ डिंगा


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (5 July 2022) is the 5100th day for the blog.

Blog Day :

5100 Post No. : 17034

Regulars may have noticed lack of activity in the blog on my part for the last ten odd days. From June 25 till June 28, 7 posts were published and all these articles were posted by Sudhir jee. I had specifically requested him on 24 June 2022 that “it will be difficult for me to find time for publishing new posts from 24 june till 27 June. So I request you to uphold the blog flag for these four days.”

Sudhir jee had promised to do the needful, viz ensuring that we had at least one post on each of these days. He ended up publishing four posts on 27 June 2022, prompted by an over-enthusiastic Avinash Scrapwala, who sent many RD Burman write ups on that day for publication. 🙂

I was extremely busy from the evening of 23 June till noon of 28 June. I was journeying throughout these days, crisscrossing various places, never staying in one place for more than one day. I was in mission mode to achieve mission critical tasks where Icould not afford to fail.

What exactly were there mission critical tasks ?

Convocation ceremony of 2016 batch of MBBS students of LTMMC was to take place on 24 June. As proud parents of our daughter who was among the one hundred plus MBBS students successfully completing their course and internship from LTMMC (Lokmanya Tilak Municipal Medical college), I and my wife obviously had to be present in Mumbai on this occasion. I took an evening flight from Gorakhpur to Mumbai on 23 june and arrived Mumbai at around 9 PM. My wife, who was at Bhopal, took an evening train (Punjab Mail) at Rani Kamlapati and arrived Mumbai on the morning of 24 June.

The convocation ceremony took place at the iconic Shanmukhananda auditorium of Mumbai, which is located close to LTMMC in Sion, Mumbai. I had read about this famous auditorium many times. Many well known cultural programs have taken place in this auditorium. Portraits of some legendary artists hang on the walls of the auditorium.

The convocation ceremony, which was supposed to start at 10 AM, started late, after 12 noon. The 2700 plus seat capacity auditorium was full of relatives of the students. While there were many from Mumbai and other parts of Maharashtra, several sets of parents and relatives had come from all over India, and some from abroad as well.

The 14 dignitaries (including six ladies) who were welcomed and seated on the dais were the “who is who” of medical fraternity in Mumbai.

The function was not a boring affair. These convocations held at Mumbai are very much like the film city functions, full of songs and dances. The students entered the hall dancing to some new popular Hindi movie songs, which I was obviously oblivious of. 🙂 They then took their seats in the front rows of the auditorium.

All the 14 dignitaries gave their speeches. That was followed by the function where individual students were called by name and handed over their certificates, medals etc. It was quite filmy ishtyle program. The name of the student and his/her details would be announced. Then a filmy song would play and the student would make a grand entry on the stage, dancing to that tune. Most of these tunes were new (unfamiliar to me), but I was happy to note that some of the students danced to the tunes of 1970s and 1980s Hindi movie songs as well. 🙂

The medals and certificate distribution went on till after 2 PM. then it was lunch break. After lunch break, four videos, prepared and shot by the students themselves, that showed their stay during these years in the college, were played. My daughter was co producer, director, (and actor too) in one of these videos. 🙂

It was evening when the gala function finally came to a close. The hectic and satisfying day had passed, but another hectic day awaited the two of us the next day. I and my wife had to catch an early morning flight to Gorakhpur the next day (25 June 2022).

We checked in to a hotel near the airport on the night of 24 June. We woke up at 4 AM in the morning and left for the airport. The flight was at 6 AM. We arrived Gorkhpur before time at 8 AM on 25 June which was a Saturday. After arriving at home, I (rather my wife), got busy in the task that was upon us. 90 % of the household items, including the car had already been sent to Bhopal in February 2022. The remaining items were now required to be packed and loaded on a truck to be dispatched to Bhopal. This work is normally done by professional packers, but my wife does it herself.

The truck was dispatched in the afternoon. Then we went to the gas agency and surrendered the gas connection.

The most important ‘item’ that we needed to shift was not luggage, but the two pets, namely Bhole and Izza. The cat had been shifted to Bhopal in February and that was less challenging because the cat went in our car along with wife and daughter. Taking the dogs by car for 1000 km was out of question because the car was no longer there in Gorakhpur. Moreover, the junior dog, Izza, is a very poor road traveller and she gets sick at the prospect of a road travel.

Fortuitously, there was one direct train from Gorakhpur towards Bhopal the very next morning (26 June 2022). It is the only train from Gorakhpur towards Bhopal that has an AC first coach in it. According to Railway rules, dogs can be taken either in dog box kept in Guard van (an unrealistic rule) or in AC first coach, if fellow passengers do not object. The best way to eliminate fellow passengers’ objection is to ensure that we book a two berth coupe (there are two such coupes in AC first coach). I had asked my staff to sound out the person who allots berths in the train including AC first that we should be allotted a two berth coupe.

But that is not all. Dogs are needed to be booked on the train. You need to have health certificate for them issued by a vet who certifies that they are fit to travel by train. That certificate is produced at the parcel office along with owners’ ticket and ID proof. Then a ticket is issued for the dogs allowing then to travel by train. Mostly, this booking of pets takes place one hour before the train has to start and the pets must be presented at the booking office. But that was a very challenging scenario. Gorakhpur Railway station is a very vast Railway station. The parcel booking office is in platform number one, whereas the train leaves from platform number nine. The two platforms are like two terminals of Mumbai Airport. So I sent my staff to convince the parcel officials to issue the pets documents earlier, if possible.

Next morning, my staff, who had reached the station at 5 AM, phoned me informing me that the tickets for the pets had been booked. Booked without taking the pets to the parcel office ! That was a big relief. So we directly reached at platform nine. There is a road running parallel to the platform. So we reached close to our coach and boarded the train along with the pets and luggage.The staff who had got the pets ticket booked handed me the document. I profusely thanked the staff, but failed to notice that the ticket price was Rs 400/-. However, I paid the money to the staff later.

After some initial discomfiture, both dogs, including Izza made themselves comfortable. Bhole, as is his wont being a down to earth dog, preferred to sit down on the floor. I made Izza sit on the lower berth and she soon made herself comfortable there, much to our relief.

Though we had sent most of our luggage earlier, but subsequently my wife discovered some more items that needed to be carried with us. So our luggage had become considerable. In Gorakhpur, the staff took care of carrying the luggage. I needed similar help at Bhopal. So I phoned the mechanical officer at Bhopal and requested for the help of his staff in carrying my luggage. The train arrived Bhopal before time at 8:40 PM (scheduled arrival time was 8:55 PM). The luggage and pets were deboarded.

Our daughter, after her convocation on 24 June had taken a morning flight to Bhopal on 25 June. She was to receive us at Bhopal. All the luggage and the two pets were somehow accommodated in the car. Izza, whom I was holding in the front passenger seat was putting up a stiff fight. Somehow I managed to restrain her while we arrived at the home. So our pets were successfully transported from Gorakhpur to Bhopal.

Next morning (27 June), the daughter had to go back to Mumbai. She drove the car herself to the airport. In the return direction, I drove the car back to the home. By the time we arrived home and had our breakfast etc, the daughter had already reached Mumbai. 🙂

I had my train back towards Gorakhpur in the afternoon. The train got delayed by about three hours. I boarded the train in the evening instead of afternoon, and arrived Gorakhpur at noon of 28 June, instead of morning.

If I was busy till morning on 28 June, the other engagements for the next three days were even more important. It is just that I did not have to travel on these days.

The residence items had all been sent. So I needed some other accommodation at Gorakhpur. I had already booked a transit accommodation room in a Railway Officers rest house. I went there. After getting ready, I went to office and sent the quarter vacation memo to the concerned officials. I asked my staff to find out all the clearances that are required to be taken and to take them promptly. It turned out that clearances from five different departments (electricity, telephone etc.) is needed. My staff got busy arranging for these clearances, while I got busy doing things that needed my presence.

Though we had submitted the gas cylinders and regulator two days earlier, but papers were not given on that day because the dealer was unavailable. I went to the gas agency and waited for an hour before the concerned person arrived and I could take the relevant document with me.

In the evening, there was one get together in the Railway Museum in my honor. Looking at my hectic schedule, the organizers of the function were wondering whether I would be able to attend this function. I managed to attend it. When I was asked to give a speech on the occasion, I gave a long speech, all extempore of course.

The next day, viz 29 June 2022 was rather sedate by comparison as there were no pressing engagements on that day. There was one function in the evening where my staff working directly under me honored me. There too I gave one extempore speech. My contents in this speech were different from my speech of 28 June 2022. 🙂

The next date, viz 30 June 2022 was the all important day. More than the day, I was interested in the next day, the pehli taareekh,viz 1 July 2022, when I had an early morning train to Bhopal. It was the same train in which we had transported our pets from Gorakhpur to Bhopal on 26 June 2022.

I spent the morning of 30 June 2022 packing my stuff. I was under strict instructions from my wife not to leave anything behind, not to misplace anything, and complete my packing well in advance etc. I was trying to do all that but as always, I had to leave my packing till last moment, even though my train was early morning on 1 July 2022.

In the office, I tried to clean up my stuff from almirahs, computers etc. In the computer I had logged in to my accounts of WordPress, Gmail, Office365 etc. I tried to log off from most of them but I ran out of time.

There was a function in the afternoon in HQ meeting hall headed by AGM (Additional General Manager). It was followed by a function in our own mechanical department.

Final program of the day was organised in Railway Officers club at night. Officers and their spouses were present in good number on the occasion. It was organised to honor four people including me. After cultural programs, it was time for speeches. When it was time for my speech, I gave another extempore speech. It was a lighthearted speech containing fun facts that was well received by the audience. I also mentioned the song blog towards the end of my speech. I mentioned that I had a Hindi movie songs related site called Atul Song A Day, ASAD in short. Till today, it was ASAD Gorakhpuri, from tomorrow it will be ASAD Bhopali. 🙂

The speeches were followed by dinner. Some of the guests complimented me for my witty speech, which I had thought up at the spur of the moment.

The club day was over at 10:30 PM. I went back to rest house, tried to complete the packing, but I could see that some packing could only be done at the last moment. I set alarm for 4 AM in my mobile and tried to go to sleep.

It was the alarm that woke me up. Then I realized that I had to get ready for the early morning train. I took bath, packed the remaining stuff, and checked to see that nothing was left behind. The car driver was supposed to arrive at 5 :30 AM. My luggage was all packed. All dues of all people (milkman, newsman, the person who booked my pets) were paid. My mobile which gets discharge very fast was plugged in for charging.

The car arrived. I got the stuff loaded in the car, handed over the key to the reception, and left for the station. Halfway towards the station, I pressed my left pant pocket and realized that my mobile was not there. I had forgotten the mobile back in the room. I asked the driver to turn back, the key was again taken from reception. The mobile, plugged in the power socket, was taken along with the charger. Heaving a big sigh of relief, I restarted for the station.

The train, unlike on 26 June 2022, started late. This train kept getting delayed because it went from a much longer diverted route and that took seven hours longer to reach Bhopal. The train, that was supposed to arrive Bhopal at 8:55 PM on 1 July arrived Bhopal at 4:20 AM on 2 July 2022. My luggage had become sizable and I needed to help of Railway staff this time too. The staff arrived to carry my luggage after I had already unloaded them from the train. Just as I was thinking that I may have to wait, I found my wife entering the platform. So, she had arrived to receive me, along with her sister this time. All the luggage was easily accommodated in her sister’s MUV and we left for the Bhopal home. We arrived there when it was early morning.

Why all these hectic activities ? “Blame” my birthday for this which took place on 20 June. That birthday, unlike the previous birthdays meant that it was finally time to say goodbye to Railway service. In other words, I was to retire on 30 June 2022. All the hectic engagements and functions were being held for that reason.

I am very happy and relieved that I managed to overcome all the logistical challenges successfully without any failure anywhere. It was quite a logistical challenge and it took some meticulous planning and co operation of many that led to successful executions of all the plans that were laid out.

To cut a long story short, with effect from 1 July 2022, I am a retired person settled in Bhopal. So this blog is now officially ASAD Bhopali. 😀

Today (5 July 2022) happens to be the 5100th day for the blog. It is an appropriate occasion for me to break this news to the readers of the blog. 🙂

On this occasion, I have chosen a song from ‘Sher e Watan’ (1971). It was directed by Harbans for New Sunrise Productions, Bombay. The movie had Prithviraj Kapoor, Dara Singh, Nishi, Rajan Haksar, Nadira, Bela Bose, Aruna Irani, Bhagwan, Roopali, Pal Sharma, Dhanraj, Saudagar Singh, Prakash, Trilok Singh, Uma Khosla, Bramhachari etc in it.

The movie had four songs in it. One song has already been covered in the blog. This song is sung by Mukesh and Asha Bhonsle. The song is picturised on two females where one plays the role of a male by attaching a thin mustache under her nose.

Usha Khanna is the music director. The main reason why I chose this song is that it is penned by Asad Bhopali. 😀

I request our knowledgeable readers to throw light on the picturisation of the song.

This rarely heard song is a song that grows on you as you get exposed to this song.

It is a nice feeling to be able to join the club of our seniors. Hopefully I will be able to have an active and fruitful second innings like them. 🙂


Song-Zara hamse milo hamse milo hamse milo jaan(Sher e Watan)(1971) Singers-Mukesh, Asha Bhonsle, Lyrics-Asad Bhopali, MD-Usha Khanna
Mukesh + Asha Bhonsle

Lyrics

zara humse milo
zara humse milo
humse milo humse milo jaan
zara humse milo
humse milo humse milo jaan
dekho to dil mein hain kya kya armaan
zara humse milo
zara humse milo
humse milo
humse milo jaan
zara humse milo
humse milo
humse milo jaan
dekhen to dil mein hain kya kya armaan
zara humse milo
humse milo
humse milo jaan

malika e husn
bahaaron ki haseen shehzaadi
chaand ka noor
sitaaron ki haseen shehzaadi
aao in champai honthon ko gulaabi kar den
aao in nargisi aankhon ko sharaabi kar den
in jhuki jhuki nazron pe dil kurbaan
ho jhuki jhuki nazron pe dil kurbaan
humse milo
humse milo
humse milo
humse milo jaan

honth kuchch aur bhi kaanpenge gulaabi hoke
aankh kuchch aur bhi behkengi sharaabi hoke
zulf ki chhaanv mein
is raat ko dhal jaane do
pyaar ki aag mein
do jismon ko jal jaane do
aaj nahin khwaabon mein dil e naadaan
aaj nahin khwaabon mein dil e naadaan
zara humse milo
hey zara humse milo
humse milo humse milo jaan

aag kuchch aur bhi bhadkegi
galey mil mil ke
ik mulaakaat mein niklenge na armaan dil ke
zindagi ab inhin baahon mein basar karna hai
pyaar hi pyaar hamen
shaam o sahar karna hai
tum bhi yahi waada karo
mere meharbaan
tum bhi yahi waada karo
mere meharbaan
zara humse milo
hey zara humse milo
humse milo
humse milo jaan
dekhen to dil mein hain kya kya armaan
zara humse milo

zara humse milo
humse milo
humse milo jaan
dekho to dil mein hain kya kya armaan
zara humse milo
humse milo
humse milo jaan


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4983 Post No. : 16867

Hullo Atuldom

“Five Rifles” (1974) was produced and directed by I.S. Johar. I think it was also written by I.S.Johar. Anyone who used to see the movies in the 70s will recall that the male actors – won’t call them protagonist or heroes- were look-alikes of Shashi Kapoor and Rajesh Khanna; credited in the movie’s titles as Shahi Kapoor and Rakesh Khanna. The others in the cast were Ambika Johar (in a double role), Veena, D.K. Sapru, Murad, Kamal Kapoor (in one of his many videshi, police commissioner acts), Anil Johar, Satyadeep etc. and I.S. Johar, of course. The songs of the movie were written by Rajinder Krishan and Indeevar. The movie had five songs and the blog has the following two of them:-

Song Date of post
Jhoom baraabar jhoom sharaabi 30 june 2009
Tera husn allah allah tera roop raam raam 6 June 2018

Avinashji has written a lot of details, about the film, in this post

I don’t recall if I had seen this movie at the time of its release (maybe I had) but saw the movie recently and felt that it spoke about too many things. I.S. Johar had ‘Nashabandi’ (prohibition on sale of liquor), ‘Nasbandi’ (family planning movement of the 70s), freedom-struggle, corrupt ‘Senapati’ of some unnamed kingdom who helps the foreign ruler dethrone the Maharaja etc. all in the story of this movie. Additionally, there was an extended climax which went from the plains to the snow-capped hills in North India with snowmobiles etc. Plus all the gorillas/apes that kept popping here-there-everywhere through the movie. And weird cars which split from the middle, suddenly become flying cars, and amphibians. Just too many things in one movie for the audience to digest; in addition to the two look-alikes and a non-acting heroine. God, I sat through it to see what the song-and-dance was all about. Oh I forgot, a song from “Johar Mehmood in Goa” (1965) was used in the scene where the Apes helping the freedom-fighters are being escorted to Jail.

Today we are having a song where we see Inder Sen Johar (read somewhere that he was Inderjeet Singh Johar, whichever is correct) disguised as a dancer out to hoodwink the ‘Daaroga’ and breaking into a mujra singing in Asha Bhonsle’s voice. There is another girl dancing in a black dress outwitting the hawaldars who have accompanied the Daaroga.

I.S. Johar, born on 16th february 1920, was an M.A. in Economics & Politics and before completing LLB. He was born in modern day Pakistan, got stuck in Patiala at the time of partition and could never return. He made his debut in Bollywood in 1949 and also appeared in a few international projects. He was seen in comic roles with tongue-in-cheek dialogues and did serious roles too with subtle ironic or frankly sarcastic jibes at Indian customs, mores, superstitions and institutions. It is 38 years since his passing and 10th March is his anniversary.


Song-Malmal mein badan mora chamke (Five Rifles)(1974) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji

Lyrics

aa aa aa aa aa aa aa
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
kaise chhupaoon gori baahein
ye tirchhi nigaahein
jawaani ki adaayein
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye

resham ki maine choli mangaai
resham ki maine choli mangaai
do pal tann par bhi tikne na paayi
ho toot gayi dori jo
li angdaayi
toot gayi dori jo
li angdaayi
huyi aisi halchal
huyi aisi halchal
mangani padi malmal
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye

hoke jawaan maine bada dukh paaya
hoke jawaan maine bada dukh paaya
dekhe buri aankh se apna paraaya
kaahe ye jawaani aayi
kaahe ye shabaab aaya
kaahe ye jawaani aayi
kaahe ye shabaab aaya
huyi aisi halchal
huyi aisi halchal
mangaani padi malmal haay
malmal mein
ho malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaaoon haaye haaye
kaise chupaoon gori baahein
ye tirchhi nigaahein
jawaani ki adaayein
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4914 Post No. : 16734

‘Chaalu Mera Naam’ (1977) was directed by Krishna Naidu for BC Deora Films, Bombay. This B grade movie had Vinod Mehra, Mahendra Sandhu, Vidhya Sinha, Helen, Madan Puri, Anwar Hussain, Deven Verma, Nazneen, Maruti, Jagdish Raj, Prakash Thapa, Radheshyam, Ramesh Deo, Chandrashekhar Vaidya, Sajjan, Sulochana Latkar, Anand Girdhar, Gurbachan Singh etc. in it.

The movie had four songs in it. One song has been covered so far.

Here is the second song from ‘Chaalu Mera Naam’ (1977) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Kalyanji Anandji.

The song is picturised as a celebration song (birthday celebration?) where Helen and Vinod Mehra (in disguise ?) perform this song and dance. Villains are in attendance in full strength , as we can notice in the picturisation.

I request our knowledgeable readers to tell us what is going on in this picturisation.

The song itself is quite wonderful to listen to. It reminds me of music of ‘Don’ (1978), composed by the same music director duo. Sadly, this movie, which predates ‘Don’ by one year could not take advantage of such a fantastic sounding song.

It is a nice song that has been forgotten with time, mainly because the movie failed at the box office.


Song-Tumse hi is mehfil mein aayi hai bahaar(Chaalu Mera Naam)(1977) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Both

Lyrics

is rangbhari mehfil se
ek cheez churaane aaye hain
kisi ke dil ki basti mein
hum aag lagaane aaye hain
hum kuchh galat no nahin keh gaye

nahin to
aapka matlab hai
khushiyon ke deep jalaane aaye hain
haan

arre tumse hi is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar

hamko bhi kheench laaya yahaan tera pyaar
hamko bhi kheench laaya yahaan tera pyaar
bhanwron se bachna hoga rehna hoshiyaar
haan haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar khabardaar
hoshiyaar khabardaar

ummeedon ke din hain
muraadon ki raaten
ummeedon ke din hain
muraadon ki raaten

hoti naseeb se hain aisi mulaakaaten
dil mein umang leke
aaj naya rang leke
dil mein umang leke
aaj naya rang leke
barson ke baad aaye karne deedaar
bhanwron se bachna hoga rehna hoshiyaar haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar hey khabardaar arre hoshiyaar arre khabardaar

palkon mein apni tujhko chhupaayen
palkon mein apni tujhko chhupaayen
jeewan ki baazi tujhpe lagaayen
maano hamaara kehna
duniya se bach ke rehna
maano hamaara kehna
arre duniya se bach ke rehna
duniya ke logon ka kya hai aitbaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
arre tumse hi /font>
is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar

hey
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar

arre
khabardaar
arre hoshiyaar
hey
khabardaar
:ff00ff;”> 


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4897 Post No. : 16697

Hullo Atuldom

“Gopichand Jaasoos”(1982) was written, produced and directed by Naresh Kumar for Dimple Films, Bombay. The movie had Raj Kapoor, Zeenat Aman, Prem Chopra, I.S.Johar, Viju Khote, Sujit Kumar, Rajan Haksar, Pinchoo Kapoor, Gurbachan Singh, Manmohan Krishna, Sunder, Raj Kishore, Jugnu, Brahm Bhardwaj, Rattan Gurang, Mama, Ram Murti, Ram Lal, Billa, with friendly appearances by Sanjana, Ram Mohan, Chandrashekhar, Meher Mittal and guest appearance by Vinod Mehra.

If I am not wrong Dimple Films was the banner under which Naresh Kumar (was he brother of Rajendra Kumar?) made films. He had made “Do Jasoos” in 1975 which had Rajendra Kumar and Raj Kapoor playing ‘bumbling detectives’ Dharamchand and Karamchand. This 1982 movie had Gopichand as the Jasoos, so do we call it a sequel? 🙂

The 6 songs of the movie were penned by Santosh Anand and Munsif and Usha Khanna was the music director. Kamlesh Awasthi gives playback for Raj Kapoor and I felt his voice was Nitin Mukesh-like. Lata Mangeshkar and Asha Bhonsle were the female playbacks. Two songs of the movie are present on the blog.

Song Date of post
Cheen nahin Japan nahin Gopichand Jasoos 5 June 2015
Chhoti si gilasiya mein bhang hamen dai de 19 November 2016

Chhoti si gilasiya mein bhang hamen dai de was on the occasion of the darling of moviegoers, of the 70s and 80s, Zeenie baby’s birthday. Today, 14th December, is the 97th birth anniversary of Ranbir Raj Kapoor- son of Prithviraj and Ramsarni Devi Kapoor, brother of Shamsher Raj Kapoor, Balbir Raj Kapoor and two sisters. Ranbir Raj Kapoor is father to Randhir (Dabboo), Rishi (Chintu), Rajeev (Chimpu) and Ritu and Rima. He has grandchildren who are into Bollywood too.

We are remembering Raj Kapoor, who was also called the Greatest Showman of Indian Cinema (in his time) or the Charlie Chaplin of Indian Cinema- this because he had adopted the Chaplin style of walking when he portrayed the common man, in Awara, Shree 420 etc., who was cheerful and honest inspite of adversities.

I may have seen his best works rather late in my life, after his passing in 1988 to be more exact, but I have definitely relished Shree 420, Awara, Anari, Jaagte Raho, Chori Chori etc. I loved all the songs of all his films be they of the 50s, 60s, or even the later ones- when he produced and directed movies and his sons played the lead. The songs of all his films have stood the test of the times and are popular internationally too. The 70s and early 80s also saw Raj Kapoor acting in films which were not from his ‘RK Films’- ‘Abdullah’, ‘Khan Dost’, ‘Do Jasoos, ‘Naukri’ etc. His last on-screen appearance was in ‘Vakil Babu’ (a full-fledged role) though he was seen in a Siddharth Kak made documentary that was based on the life and times of ‘Raj Kapoor – the Showman’ (in 1987).

He was working on the script of “Henna” after tasting success with “Ram Teri Ganga Mali” when his journey in this mortal world was cut short due to complications arising from his Asthama.
I could go on and on writing about Raj Kapoor and his songs many of which were philosophical like ‘sajan re jhooth mat bolo’; ‘kisiki muskuraahaton pe ho nisaar’; and the most popular of them all which was prophetic too “jeena yahan marna yahan” which had the poignant line “kal khel mein hum ho na ho gardish mein taarein rahenge sada, bhoologe tum, bhoolenge woh par hum tumhaare rahenge sada.” These words sealed his place in our hearts.

Today’s song is a baraat song where we have Raj Kapoor as a Sardar leading the proceedings in the voice of Kamlesh Awasthi with Zeenat Aman looking gorgeous as Punjaban (like I have said in my last post to the song from this movie, Zeenat Aman looked great in whatever she wore) singing in Lata Mangeshkars’ voice.

Video

Audio

Song-Main hoon Sher Punjab ka (Gopichand Jasoos)(1982) Singers-Kamlesh Awasthi, Lata, Lyrics-Munsif, MD-Usha Khanna
Male chorus
Female chorus

Lyrics

oye balle balle
main hoon sher punjab ka
hai shahar mera patiyala
ishq hi meri jaat hai
aur husn ka hoon matwaala
main jatti punjab ki
hai shahar mera ludhiyana
jab se solah saal ki ho gayi
aashiq hua zamaana

main aashiq hoon dildaar
o sun mere yaar
pyaar sikha doonga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
sun majnu ke ustaad
ye rakhna yaad
ishq bhula doongi
main numbardar ki chhori
qaid kara doongi

main numbardar ki chhori
qaid kara doongi

goriye zulf teri
goriye zulf teri lehraaye
gore mukhde pe
gore mukhde se takraaye
jaise naagin koi
jaise naagin koi bal khaaye
been baja doonga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga

zulf to naagin hai
zulf to naagin hai mastani
jisko das le re
jisko dase na maange paani
kyun tu chaahe re
kyun tu chaahe jaan ganwaani
rapat likha doongi
main numbardar ki chhori
qaid kara doongi

main numbardar ki chhori
qaid kara doongi

goriye nain tere
goriye nain tere maykhaane
patle honth tere
patle honth tere paymaane
sharaabi hum bhi hai
sharabi hum hain bade puraane
pee ke dikhaauga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga

husn ek aisa hai
husn ek aisa hai maykhana
bhara hai zahar se
re bhara hai zahar se har paymana
padega sab kuchh re
padega sab kuchh yahaan ganwaana
hosh ganwaa doongi
main numbardar ki chhori
qaid kara doongi

main numbardar ki chhori
qaid kara doongi

maia ranjha bankar tujhko heer bana doonga
main numbardar ki chhori
tujhko qaid kara doongi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4751 Post No. : 16488

Hullo Atuldom

I have been wanting to send this song for almost a week or ten days now. I had first thought of 12th July which was the death anniversary of Jubilee Kumar a.k.a Rajendra Kumar. But, I was unable to, due to various reasons.

Then, yesterday, 20th July the birth anniversary of Rajendra Kumar- missed that too. Why? I was too busy attending (online) birthday parties. And reading all the blog-birthday posts. That simple.

But today is another opportunity to present this song to the blog-followers. Anand Bakshi – the lyricist- has his birth anniversary today. Would have been 91.

The song from the 1972 release “Gora Aur Kala” is composed by Laxmi-Pyare and sung by Mohd Rafi. The movie had a cast of Rajendra Kumar, Prem Chopra, Jagdeep, Madan Puri, Sundar, Premnah, Rajan Haksar, and two very young beauties (my personal favourites) Hema Malini and Rekha with Sulochana playing the mother of the two Rajendra Kumars (yes he played a double role in the movie). This song is sung by the Karan Singh (the better looking and well-mannered twin) in a disguise in the court. I haven’t seen the movie but I am sure that it is an attempt to fool Madan Puri who is on the throne (I think he plays Hema’s father), along with Prem Chopra and others in the court. The power of the song is seen in the fact that the Princess Anuradha (Hema) starts dancing to the song.

On reviewing what I have written in the beginning of this post, a thought crossed my mind. If Atulji had given us such excuses this blog would not have completed 13 years – 4,749 days – 16,484 posts. (as on 19th July). A statement (in Sudhirji’s post of the 19th) “Do you know that the average daily rate of posting is upwards of three posts per day. Try doing that seven days a week, 365 days a year, and continuously at that rate for 13 years. Try writing a letter each to three friends every day, day on day, for 13 years. My, does that no yet boggle the mind.” also set me thinking.

Hatsoff to Atulji for relentlessly giving us more than one song-a-day.

Audio

Video

Song-Tere nain nashe de pyaale (Goraa Aur Kaala)(1972) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

tere nain
tere nain
tere nain nashe de pyaale ae
tere nain nashe de pyaale
inhen piyenge naseebon wa..aa..le ae ae
tere nain nashe de pyaale
inhen piyenge naseebon wa..aa..le ae
tere nain
tere nain

kya kaha tujhe qaatil agar na kaha aa aa aa
kya kaha tujhe qaatil agar na kaha aa
kya kahoon kuchh kehna hi mushkil hua
aa aa
tauba meri zulfein teri
jaise baadal kaale
tujhe ek nazar dekha toh
tujhe ek nazar dekha toh
mere honthon pe lag gaye taale ae ae
tere nain nashe de pyaale
inhen piyenge naseebon waale ae ae
tere nain
tere nain

aa gayi yaad mujhko jawaani meri ee ee ee
aa gayi yaad mujhko jawaani meri
lut gayi aaj phir zindgaani meri ee ee
rang gulaabi chaal sharaabi
kehte hain kehne wale
thukhra de woh iss duniya ko
thukhra de woh iss duniya ko
jise roop tera apna le ae
tere nain nashe de pyaale
inhen piyenge naseebon waale
tere nain
tere nain

kya hai tu khoobsoorat kahaani hai tu oo oo
kya hai tu khoobsurat kahaani hai tu
aasmaanon ki pariyon ki raani hai tu oo oo
tu jo aaye masti chhaaye jhoom uthhe dilwaale
bin aaj piye mehfil mein
bin aaj piye mehfil mein
sab log huye matwaale ae
tere nain nashe de pyaale
inhen piyenge naseebon waale ae
tere nain
tere nain
tere nain
tere nain


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4678 Post No. : 16355

# Superstar Child Artist – Junior Mehmood # 8
——————————————————–

Welcome all to this eighth post in this series where we are discussing songs performed by Junior Mehmood as a ‘superstar child artist’.

So far, the following seven songs in this series have been discussed on the blog earlier.

1) lagey koi lottery koi jackpot lagey

2) Na koi paisa na ilm banaao bambai mein film

3) Mera naam hai Mehmood

4) Birha ki rain sooni sooni sejariya

5) Aisa banoonga actor main yaaron

6) Ham hi jaanen ek torey manwa ki peer

7) Janamdin tujhko mubaraak ho

Today’s song is from the 1970 movie ‘Bachpan’.

As mentioned in the earlier posts under this series, ‘Naunihaal-1967’ was the first released movie of child artist Junior Mehmood.

He went on to act in many movies as a child artist then. He was the most loved child artist in those years of end-sixties to mid-seventies.

As a child artist Junior Mehmood achieved a ‘Superstar’ like status. He got to perform on many songs or rather many songs were picturised on him during those days.

We are going to enjoy one such song of Junior Mehmood as a child artist from the movie ‘Bachpan-1970’. The today’s wonderful entertaining song is performed by Junior Mehmood and other child artist including Sachin and Naeem (?) and many others.

This song is a different from his’ other songs as a child artist, because here he is not doing any mimicry of other actors or his guru, but in today’s song he is performing as a ‘girl’ or in a ‘female’ get-up.

In today’s song we see all the child artists (mentioned above) are singing and dancing in a police station where Sanjeev Kumar is in a lock-up. From the lyrics of this song we can guess that all these children have a plan to divert the attention of the on-duty police staff in their singing-dancing activities so that Sanjeev Kumar is able to escape from their custody.

The lyrics, music and singing of this song is very lively and entertaining to watch as Junior Mehmood, Sachin performs by lip syncing in Lata Mangeshkar’s voice and lead other children in the performance.

In an interview with Zarina Wahab (available here) Junior Mehmood had mentioned this song as his most favourite song among all the songs picturised on him.

‘Bachpan’ was directed by K.P. Atma for ‘Atma Arts Universal, Bombay’. K.P. Atma co-produced this movie with K.H. Rao. It had Sanjeev Kumar, Master Sachin, Junior Mehmood, Shahid, Anwar Hussain, Mukri, Sunder, Joginder, Baldev Mehta, Keshto Mukherji, Aruna Irani, Sulochana Chatterjee, Tabassum, Pratima Devi, Baby Gayatri, Baby Guddi, Master Alankar, Naeem and Tanuja.

Story of this movie was written by K.P. Atma. Screenplay and dialogues were written by Raj Baldev Raj. Editing of this movie was done by Shivaji Awdhut.

This movie was passed by Censor Board on 24.09.1970.

This movie had total six songs which were written by Anand Bakshi and composed to music by Laxmikant-Pyarelal.

Kishore Kumar, Lata Mangeshkar, Mohd Rafi, and P. Susheela were the playback singers for the songs in this movie.

Three songs from the movie ‘Bachpan-1970’ have been posted earlier on the blog. Today’s song is the fourth song from this movie to be posted on the blog.

Song Posted on
Aaya re khilaune waala 30.08.2010
Mother Mary maa ham tere dulaare hain 25.12.2016
Prem ka rog lagaa loon kaise jee ko main saanwariya 30.08.2020

I had not watched this movie ‘Bachpan-1970’. I would request knowledgeable readers to throw more light on the movie and its songs.

Let us now enjoy today’s rocking entertaining song in the voice of Lata Mangeshkar.

Video

Audio

Song-Parda uthhne waala hai (Bachpan)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ho mantar chalne waala hai
Jaadu hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Kaale baadal jaise udte hain
Barsaat mein
Kaale baadal jaise udte hain
Barsaat mein

Tu bhi ud jaa panchhi pinjraa
Le ke saath mein
Tu bhi ud jaa panchhi pinjraa
Le ke saath mein

Qismat jaagne waali hai
Qismat jaagne waali hai
Qismat jaagne waali hai
Shikaari sone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ham laaye hain sandesaa tere naam ye ae
Ham laaye hain sandeshaa tere naam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Naseeba dhoney waala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Sun o bhole bhaale raahi
Tujhko kya pataa aa
Sun o bhole bhaale raahi
Tujhko kya pataa

Jisne tujhko hai bhulaaya
Tera raasta aa
Jisne tujhko hai bhulaaya
Tera raasta

Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Wo khud hi khonewaala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai

Ho mantar chalne waala hai
O Jaadu honewaala hai
Koyi hansne waala hai
Koyi rone waala hai

——————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हो मंतर चलने वाला है
जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

काले बादल जैसे उड़ते है
बरसात में
काले बादल जैसे उड़ते है
बरसात में

तू भी उड़ जा पंछी पिंजरा
ले के साथ में
तू भी उड़ जा पंछी पिंजरा
ले के साथ में

किस्मत जागने वाली है
किस्मत जागने वाली है
किस्मत जागने वाली है
शिकारी सोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हम लाये हैं संदेशा तेरे नाम ये ए
हम लाये हैं संदेशा तेरे नाम ये ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे दामन के धब्बे
तेरे दामन के धब्बे
तेरे दामन के धब्बे
नसीबा धोने वाले है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

सुन ओ भोले भाले राही
तुझको क्या पता आ
सुन ओ भोले भाले राही
तुझको क्या पता

जिसने तुझको है भुलाया
तेरा रास्ता
जिसने तुझको है भुलाया
तेरा रास्ता

अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
वो खुद ही खोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है

हो मंतर चलने वाला है
ओ जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4662 Post No. : 16332

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 133 # Remembering Shamshad Begam#
——————————————-————————————————-—
Shamshad Begam sings for Mehmood 😊
——————————————

Today 23rd April’2021 is the eighth remembrance anniversary (14th April 1919 – 23rd April-2013) of yesteryears’ singer Shamshad Begam. One who Naushad always mentioned as ‘a perfect Hindustani voice’.

On this occasion here is a song from the 1971 movie ‘Johar Mehmood In Hong Kong’. I had watched this movie in my childhood with my Uncle and have mentioned it in my earlier post on the blog.

Few songs like ‘jalti hai duniya jalti rahe’, ‘aayo aayo nau-raatri tyohaar’ have always been in my memory since my childhood. Also, the today’s song is one special song which I have never forgotten because on screen it is performed by a ‘beautiful female artist’ (in disguise though 😊)
I often break up in humming this today’s song whenever I am in ‘ Mehmood – mood’ 😊.

It is surprising that today’s song has been missing from the ‘blog’ till now.

Let us have a brief about the movie, before we enjoy the today’s ‘entertaining song’ …

“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar and was presented by M.O. Bawazir for Mahesh Ashish. The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appear as Guest Artistes in this movie.

This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.

This movie was passed by Censor Board on 04.01.1971. And thus, this movie has already completed its FIFTY years since its release. I am sure many of us might have fond memories and nostalgia of watching this movie and might be remembering its songs too.

Music for this movie was composed by Kalyanji-Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.

There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).

Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie. As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).

So far three songs from this movie have been posted on the blog. Today’s song is the third song from this movie to appear on the blog.

Today’s song is the fourth song of this movie to appear on the blog.

SNo Song Title Singer/s Posted On
01 Tumhaare dil ko ulfat ka Laxmi Shankar, Usha Timothy, chorus 29.12.2012
02 Nathaniyaa haale to badaa mazaa hoye Shamshad Begam Being discussed today
03 Jalti hai duniyaa jalti rahe Mukesh, Usha Khanna, chorus 30.06.2012
04 Ham to tere hai deewaane Mohd Rafi, Manna Dey
05 Laagaa laagaa jhulaniyaa ka dhakka Asha Bhonsle, Usha Mangeshkar
06 Aayo aayo nau-raatri tyohaar Mohd Rafi, Mukesh, Chorus 10.10.2018

Let us now enjoy today’s song which is performed on screen by Mehmood and we can also see I.S. Johar in the picturisation of the song. Watching this song one can easily guess what Mehmood (in female role) is trying to and what ‘her’ objective i. 😊

Audio
(audio)

Video


Song-Nathhaniyaa haale to bada mazaa hoye (Johar Mehmood in Hongkong)(1971) Singer-Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji

Lyrics

aa aa aa aa aa
ye kaun aaj aaya
andhere andhere
udhar bhi lootere ae
idhar bhi hunh hunh lootere ae
aa aa aa pataa ye chalegaa aa
savere savere ae
khuley bhaag kiske
wari tere ke mere ae

nathhaniyaa haale to
badaa mazaa hoye
nathaniyaa
haaye nathaniyaa
wari nathaniyaa haale to
badaa mazaa hoye
nathaniyaa haale to
badaa mazaa hoye ae

lakhpati dulhe ki main
lakhpati dulhaniyaa
lakhpati dulhaniyaa
aur bhi sajaa lo wadi
gehnon se sajaniyaa
gehnon se sajaniyaa
baandhu kamriyaa pe
haaye
baandhu kamriyaa pe
heerey ki kardhaniyaa
kamariyaa aa
wadi suddenly
kamariyaa chaale to
badaa mazaa hoye
kamariyaa chaale to
badaa mazaa hoye ae

achchhaa huaa dafaa huaa
mora pehlaa sainyyaa
mora pehlaa sainyyaa
nahin to tu kaise letaa
gori ki balaiyyaan
gori ki balaiyyaan
dekh tujhe naachoon main to
haaye
dekh tujhe naachoon main to
chhummak chhummak sainyyaa
painjaniyaa aa
painjaniyaa haale to
badaa mazaa hoye
nathhaniyaa haale to badaa
mazaa hoye ae

maar diya haaye maine
aankhon ke salaam se
aankhon ke salaam se
aisaa diya jaam maine
gaye piyaa kaam se
gaye wadi kaam se
dagmagaaye ladkhadaaye
dagmagaaye ladkhadaaye
pehle hi jaam se
gardaniyaa aa ooh
gardaniyaa haale to badaa mazaa hoye
gardaniyaa haale to badaa mazaa hoye

kisiko na mili na aisi
naachti lugaai re
naachti lugaai re
dil mera saaf loota
toone o harjaayee re
toone o harjaayee re
tujhe bhi dikhaaye koyi
haaye
tujhe bhi dikhaaye koyi
haath ki safaayi re
daaku pe daakaa aa
daaku pe daakaa daale to
badaa mazaa hoye
daaku pe daakaa daale to
badaa mazaa hoye ae

Nathhaniya haale to
badaa mazaa hoye ae
nathhaniyaa haale to
badaa mazaa hoye ae



This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4594 Post No. : 16219

“Warrant”(1975) was directed by Pramod Chakraborty for N P International, Bombay. The movie had Dev Anand, Zeenat Aman, Dara Singh, Satish Kaul, Ajit, Pran, Jankidas, Sulochana, Aparna Chaudhary, Seema Kapoor, Jagdish Raj, V Gopal, Birbal, Habeeb, Pal Sharma, Rajan Kapoor, Kirti, Viju Khote, Ujagar Singh, Lamba, Ratan Gaurang, Praveen Pal, Bunty, Madan Puri, Joginder etc in it.

The movie is described as a “social” movie in HFGK, but it was an “action” movie, ie Dev Anand style action movie. 🙂

I have not seen the movie, but from what I can guage from the picturisation of the songs, Dev Anand plays a crook escaping from the law with Zeenat Aman as his accomplice. Zeenat Aman would play a similar role with Amitabh Bachchan in “Don”(1978) and that movie, unlike “Warrant” (1975) went on to become a super duper hit mainly thanks to Amitabh Bachchan’s superb performance.

I have noticed that the story line of Dev Anand movies of 1970s used to be great but Dev Saab’s insistence on playing the hero in these movies ensured that the movies failed to do justice to the story and they would get forgotten soon. Thankfully, Dev Saab would often reject some movies and his roles in those movies were then given to some other actor and that actor enacted the roles with aplomb. For instance, Dev saab had rejected the movie “Tumsa Nahin Dekha”(1957). That role was then offered to a strugling actor called Shammi Kapoor and we all know that the movie “Tumsa Nahin Dekha”(1957) launched the career of Shammi Kapoor. 16 years later, Dev saab refused another movie. This movie was then offered to another struggling actor. He played the role so well that the movie launched him as the next big star. That movie, which Dev saab rejected was “Zanjeer”(1973) which was offered to Amitabh Bachchan and the rest is history.

Had Dev saab not rejected “Tumsa Nahin Dekha”(1957) and “Zanjeer”(1973) then HF world may not have discovered Shammi “yahoo” Kapoor and Amitabh “angry young man” Bachchan. And these movies, with Dev Saab in lead roles would have done some moderate business and the movie would have ended up along the lines of say “Warrant”(1975).

I can say the same about other Dev Saab starrer movies like “Ye Gulistaan Hamaara”(1973), “Des Pardes”(1978) etc. They all had great story line, but they failed to do justice to the story line and ended up as normal movies instead of all time super hits.

Coming to “Warrant”(1975), the songs of this movie had caught the imagination of HFM lovers during its time. Its song Ruk jaana O jaana hamse do baatein karke chali jaana was a big rage, thanks to the unique “kuk kuk” sound contained in it. Other songs too were very popular.

The movie had four songs in it. Three songs have been covered in the blog so far.
Here are the details :-

Blog post number Song Date of posting Blog day
102 Ruk jaana O jaana hamse do baatein karke chali jaana 18 September 2008 62
10515 Main tumse mohabbat karti hoon 19 November 2014 2315
15323 Ladi najariya ladi chali re phuljhadi 3 December 2019 4155

One can see that the most popular song of the movid, Ruk jaana O jaana hamse do baatein karke chali jaana was covered in the blog within two months after the launch of the blog. But the second song from the movie was covered six years later. The third song was discussed after another five years.

So a movie with just four songs has not yet been YIPPEED in the blog in nearly 12 years !

Here is the fourth and final song from the movie. This song “suno bhai baaraati” was quite popular during its time.

I have not watched the movie. I watched the picturisation of the song just no. Song is great but the picturisation would not impress people who insist on trying to find logic in the proceedings. The picturisation shows Dev saab and Zeenat Aman being pursued by police. A Christian wedding is taking place in a nearby church. The hero and heroine go and get dressed as groom and bride and give police the slip. I never knew that one can get dressed in wedding dress so fast. where did they locate their dresses so fast ? And how come the people gathered to attend the wedding in the Church started celebrating the fake wedding of our hero and heroine with such gusto and theyeven sang chorus in Konkani in the song ?

Here is the song. It is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by R D Burman.

I am unable to mnote don the Konkani portion sung by the chorus. I request our knowledgeable readers familiar with Konkani to help fill in the Konkani lyrics.

ith this song, all the four songs of “Warrant”(1975) get covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.

Audio

Video

Song-Suno bhai baaraati (Warrant)(1975) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

(konkani words)

suno bhai baaraati
suno bhai baaraati
arre dulha dulhan ko akela zara chhodo
pyaar bhari baaten karen jeevan saathi
suno bhai baaraati
suno bhai baaraati

haan
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
saajan sajni ko akele zara chhodo
mil ke gale lahraayen deepak baati
suno bhai baaraati
suno bhai baaraati
haan

(konkani words)

haan
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
ladka ladki ko akela zara chhodo
raat milan ki hai ik baar aati
suno bhai baaraati
suno bhai baaraati

hey
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye ae
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye
arre gudda guddi ko akela zara chhodo
phir dekho preet kya hai rang laati
suno bhai baaraati
suno bhai baaraati

(konkani words)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4509 Post No. : 16053

Today’s song is a multi-singer song. It is from the 1976 released Madan Mohla produced and directed “Dus Numbri”. It had Hema Malini {who seemed to be favourite of all the heroes of the 50s & 60s and wanted a lease in their career ;-)} Manoj Kumar and a whole lot of Manoj Kumar-movie-regulars viz Premnath, Pran, Kamini Kaushal and Bindu. The movie was a musical with six songs.

I have very vague memories of what the movie was all about. Something to do with Manoj Kumar and Hema’s families being friends at the start of the movie. Then Premnath gets into a group that has interests in printing fake currency, which Om Shivpuri or Pinchoo Kapoor (Hema’s father) accidentally discovers and so is promptly bumped off, which drives her mother crazy due to shock (mother is also played by Hema, that is shown in Kamini Kaushal’s flashback). Some twist in the story leads Hema to a local Aunty’s adda (tavern) and Manoj Kumar becomes a “Dus Numbri” who is out to expose the evil doers of society. He has Pran (a constable) shadowing him for most of the movie and who is later revealed to be a SP or Commissioner. Then we have Bindu, a dancer, who has some clue to the gang of currency-fakers and that gives us a situation for a song where we have Premnath, Manoj Kumar and Pran (in disguise of course) trying to outwit Bindu into parting with the die of the currency printer. Simple 🙂 . It is later that we come to know that even Bindu is also a cop-in-disguise. Here I must add that only Manoj Kumar’s horrible getup doesn’t give him away but all the other two actors can easily be recognized.

Two songs from the movie is already present on the blog. One was contribution by Avinashji –Ye duniya ek numberi to main dus numberi and other by Maheshji- Na tum ho yaar aaloo na hum hain yaar gobhi.
.
Here is the third song with Asha Bhonsle, Manna Dey and Mukesh as playback singers. Let us enjoy it and wish Prem Nath Malhotra on his birthday today. He would have been 94 today.

He started his journey in Bollywood with “Ajit” in 1948 (of which we don’t have any songs on the blog). The same year we had Premnath in “Aag” his first association with Raj Kapoor and was RK’s debut as producer- director.

Incidentally Raj Kapoor’s wife Krishna was Premnath’s sister and his other sister Uma is Prem Chopra’s wife. Premnath’s brothers Narendranath and Rajendranath were also actors. He married Bina Rai, also an actress, in 1953 and his son’s Prem Kishen and Kailashnath (was called Monty in films) were actors. Prem Kishen’s daughter Akanksha is an actress and son Siddharth Malhotra is a director. (Even in these modern times there is a case of same-name confusion:- there is a Sidharth Malhotra who made his acting debut in Karan Johar’s “Student Of the Year” in 2012 who has no connection to the Premnath family).

We have many movies where Premnath has had his brothers-in-law as co-actors. We have seen him as father of Dimple Kapadia in “Bobby” which was his nephew Rishi Kapoor’s debut as an adult. That is also the first role of Premnath that I recollect. Can’t get enough of the head of a fishing community Braganza who had a peculiar way of speaking.

It was later when some black-n-white were telecast by doordarshan that I learnt that Premnath the actor first began as a hero to the likes of Madhubala, Bina Rai, Nimmi etc.I loved his acting in “Johny Mera Naam”. As also the lovable mama of Hema Malini in “Aap Beeti”, sardaar of “Roti Kapda aur Makaan”, etc. His was the central character of “Dharmatma”. He turned producer director after his marriage to Bina Rai. His last screen appearance was in 1985 in “Hum Dono” after which he reitred from acting. He passed away in 1992- 18 days before his 66th birthhday.

Remembering Premnath !

Audio

Video

Song-Dilruba Dilli waali (Dus Numberi)(1976) Singers-Asha Bhonsle, Manna Dey, Mukesh, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus

Lyrics

baadab
baamulahija
hoshiyaar
mehfil mein lutne waala hai pyaar
aa gayi zulfon waali
aankhon mein surma
honthon pe laali

dilruba dilli waali
dilruba dilli waali
dilwaalon mein
aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali

subhaan allah
subhaan allah
jaisa suna thha
waisa hi paaya
aapko dekha toh yaqeen aaya
agar firdaus bar roo-e zameen ast
Hameen ast-o hameen ast-o hameen ast

aap aaye
haan
aap aaye
mil gayi daulat
humein zamaane ki
ki aap hi se
haan aap hi se
aap hi se hai raunak gareebkhaane ki
gareebkhaane ki
aap kya aaye
ghar mein bahaar aa gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali

Baadab
baamulaahija
hoshiyaar
aa rahe hain aashiqon ke sardaar

tauba tauba
yeh aaj meri chashme aawaara
kya dekh rahi hai nazaara
ke mera rafeek tere kareeb
arre phoote naseeb

aapki tareef
ek aashiq gareeb
haan yeh gairon se ulfat
ye kadardaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko
naadaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko naadaani teri

banaa ke husn ko naata(?) naa yoon sitam todo
banaa ke husn ko naata(?) naa yoon sitam todo
bas apne dil hi ko samjhaao
mera gham chhodo
mera gham chhodo
ki main pee kar ye jaam
hosh mein aa gayi
dilruba dilli waali
dilruba dilli waali
ab hosh mein aa gayi

nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali

jo chheda maine taraana
suna aur samajh liya
samajh liya
samajh liya
sunaaya maine jo gaana
woh dil pe likh bhi liya
likh liya
like liya
aur mere dil ki baat
woh bhi yaad aa gayi
aa gayi
aa gayi
aa gayi
aa gayi
toh phir bujhaa kar chiraag
aa bhi ja
tu dil mein
dil mein
ke jalne waalon ka kya kaam mehfil mein

u u
u u u
u u
u
u u
u u u

dilruba dilli waali
dilruba dilli waali
dilwaalon mein aa gayi

nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17200 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17246

Number of movies covered in the blog

Movies with all their songs covered =1338
Total Number of movies covered=4642

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