Archive for the ‘“disguise” song’ Category
Malmal mein badan mora chamke
Posted on: March 10, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4983 | Post No. : | 16867 |
Hullo Atuldom
“Five Rifles” (1974) was produced and directed by I.S. Johar. I think it was also written by I.S.Johar. Anyone who used to see the movies in the 70s will recall that the male actors – won’t call them protagonist or heroes- were look-alikes of Shashi Kapoor and Rajesh Khanna; credited in the movie’s titles as Shahi Kapoor and Rakesh Khanna. The others in the cast were Ambika Johar (in a double role), Veena, D.K. Sapru, Murad, Kamal Kapoor (in one of his many videshi, police commissioner acts), Anil Johar, Satyadeep etc. and I.S. Johar, of course. The songs of the movie were written by Rajinder Krishan and Indeevar. The movie had five songs and the blog has the following two of them:-
| Song | Date of post |
|---|---|
| Jhoom baraabar jhoom sharaabi | 30 june 2009 |
| Tera husn allah allah tera roop raam raam | 6 June 2018 |
Avinashji has written a lot of details, about the film, in this post
I don’t recall if I had seen this movie at the time of its release (maybe I had) but saw the movie recently and felt that it spoke about too many things. I.S. Johar had ‘Nashabandi’ (prohibition on sale of liquor), ‘Nasbandi’ (family planning movement of the 70s), freedom-struggle, corrupt ‘Senapati’ of some unnamed kingdom who helps the foreign ruler dethrone the Maharaja etc. all in the story of this movie. Additionally, there was an extended climax which went from the plains to the snow-capped hills in North India with snowmobiles etc. Plus all the gorillas/apes that kept popping here-there-everywhere through the movie. And weird cars which split from the middle, suddenly become flying cars, and amphibians. Just too many things in one movie for the audience to digest; in addition to the two look-alikes and a non-acting heroine. God, I sat through it to see what the song-and-dance was all about. Oh I forgot, a song from “Johar Mehmood in Goa” (1965) was used in the scene where the Apes helping the freedom-fighters are being escorted to Jail.
Today we are having a song where we see Inder Sen Johar (read somewhere that he was Inderjeet Singh Johar, whichever is correct) disguised as a dancer out to hoodwink the ‘Daaroga’ and breaking into a mujra singing in Asha Bhonsle’s voice. There is another girl dancing in a black dress outwitting the hawaldars who have accompanied the Daaroga.
I.S. Johar, born on 16th february 1920, was an M.A. in Economics & Politics and before completing LLB. He was born in modern day Pakistan, got stuck in Patiala at the time of partition and could never return. He made his debut in Bollywood in 1949 and also appeared in a few international projects. He was seen in comic roles with tongue-in-cheek dialogues and did serious roles too with subtle ironic or frankly sarcastic jibes at Indian customs, mores, superstitions and institutions. It is 38 years since his passing and 10th March is his anniversary.
Song-Malmal mein badan mora chamke (Five Rifles)(1974) Singer-Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Lyrics
aa aa aa aa aa aa aa
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
kaise chhupaoon gori baahein
ye tirchhi nigaahein
jawaani ki adaayein
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
resham ki maine choli mangaai
resham ki maine choli mangaai
do pal tann par bhi tikne na paayi
ho toot gayi dori jo
li angdaayi
toot gayi dori jo
li angdaayi
huyi aisi halchal
huyi aisi halchal
mangani padi malmal
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
hoke jawaan maine bada dukh paaya
hoke jawaan maine bada dukh paaya
dekhe buri aankh se apna paraaya
kaahe ye jawaani aayi
kaahe ye shabaab aaya
kaahe ye jawaani aayi
kaahe ye shabaab aaya
huyi aisi halchal
huyi aisi halchal
mangaani padi malmal haay
malmal mein
ho malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaaoon haaye haaye
kaise chupaoon gori baahein
ye tirchhi nigaahein
jawaani ki adaayein
malmal mein
malmal mein badan mora chamke
jobanwa damke
sajanwa kaise chhupaoon haaye haaye
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4914 | Post No. : | 16734 |
‘Chaalu Mera Naam’ (1977) was directed by Krishna Naidu for BC Deora Films, Bombay. This B grade movie had Vinod Mehra, Mahendra Sandhu, Vidhya Sinha, Helen, Madan Puri, Anwar Hussain, Deven Verma, Nazneen, Maruti, Jagdish Raj, Prakash Thapa, Radheshyam, Ramesh Deo, Chandrashekhar Vaidya, Sajjan, Sulochana Latkar, Anand Girdhar, Gurbachan Singh etc. in it.
The movie had four songs in it. One song has been covered so far.
Here is the second song from ‘Chaalu Mera Naam’ (1977) to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Verma Malik is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised as a celebration song (birthday celebration?) where Helen and Vinod Mehra (in disguise ?) perform this song and dance. Villains are in attendance in full strength , as we can notice in the picturisation.
I request our knowledgeable readers to tell us what is going on in this picturisation.
The song itself is quite wonderful to listen to. It reminds me of music of ‘Don’ (1978), composed by the same music director duo. Sadly, this movie, which predates ‘Don’ by one year could not take advantage of such a fantastic sounding song.
It is a nice song that has been forgotten with time, mainly because the movie failed at the box office.
Song-Tumse hi is mehfil mein aayi hai bahaar(Chaalu Mera Naam)(1977) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Verma Malik, MD-Kalyanji Anandji
Both
Lyrics
is rangbhari mehfil se
ek cheez churaane aaye hain
kisi ke dil ki basti mein
hum aag lagaane aaye hain
hum kuchh galat no nahin keh gaye
nahin to
aapka matlab hai
khushiyon ke deep jalaane aaye hain
haan
arre tumse hi is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hamko bhi kheench laaya yahaan tera pyaar
hamko bhi kheench laaya yahaan tera pyaar
bhanwron se bachna hoga rehna hoshiyaar
haan haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar khabardaar
hoshiyaar khabardaar
ummeedon ke din hain
muraadon ki raaten
ummeedon ke din hain
muraadon ki raaten
hoti naseeb se hain aisi mulaakaaten
dil mein umang leke
aaj naya rang leke
dil mein umang leke
aaj naya rang leke
barson ke baad aaye karne deedaar
bhanwron se bachna hoga rehna hoshiyaar haan
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar hey khabardaar arre hoshiyaar arre khabardaar
palkon mein apni tujhko chhupaayen
palkon mein apni tujhko chhupaayen
jeewan ki baazi tujhpe lagaayen
maano hamaara kehna
duniya se bach ke rehna
maano hamaara kehna
arre duniya se bach ke rehna
duniya ke logon ka kya hai aitbaar
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
arre tumse hi /font>
is mehfil mein aayi hai bahaar
tumse hi is mehfil mein aayi hai bahaar
hey
bhanwron se bachna hoga rehna hoshiyaar
bhanwron se bachna hoga rehna hoshiyaar
hoshiyaar
arre
khabardaar
arre hoshiyaar
hey
khabardaar:ff00ff;”>
Main hoon sher Punjab ka
Posted on: December 14, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4897 | Post No. : | 16697 |
Hullo Atuldom
“Gopichand Jaasoos”(1982) was written, produced and directed by Naresh Kumar for Dimple Films, Bombay. The movie had Raj Kapoor, Zeenat Aman, Prem Chopra, I.S.Johar, Viju Khote, Sujit Kumar, Rajan Haksar, Pinchoo Kapoor, Gurbachan Singh, Manmohan Krishna, Sunder, Raj Kishore, Jugnu, Brahm Bhardwaj, Rattan Gurang, Mama, Ram Murti, Ram Lal, Billa, with friendly appearances by Sanjana, Ram Mohan, Chandrashekhar, Meher Mittal and guest appearance by Vinod Mehra.
If I am not wrong Dimple Films was the banner under which Naresh Kumar (was he brother of Rajendra Kumar?) made films. He had made “Do Jasoos” in 1975 which had Rajendra Kumar and Raj Kapoor playing ‘bumbling detectives’ Dharamchand and Karamchand. This 1982 movie had Gopichand as the Jasoos, so do we call it a sequel? 🙂
The 6 songs of the movie were penned by Santosh Anand and Munsif and Usha Khanna was the music director. Kamlesh Awasthi gives playback for Raj Kapoor and I felt his voice was Nitin Mukesh-like. Lata Mangeshkar and Asha Bhonsle were the female playbacks. Two songs of the movie are present on the blog.
| Song | Date of post |
|---|---|
| Cheen nahin Japan nahin Gopichand Jasoos | 5 June 2015 |
| Chhoti si gilasiya mein bhang hamen dai de | 19 November 2016 |
Chhoti si gilasiya mein bhang hamen dai de was on the occasion of the darling of moviegoers, of the 70s and 80s, Zeenie baby’s birthday. Today, 14th December, is the 97th birth anniversary of Ranbir Raj Kapoor- son of Prithviraj and Ramsarni Devi Kapoor, brother of Shamsher Raj Kapoor, Balbir Raj Kapoor and two sisters. Ranbir Raj Kapoor is father to Randhir (Dabboo), Rishi (Chintu), Rajeev (Chimpu) and Ritu and Rima. He has grandchildren who are into Bollywood too.
We are remembering Raj Kapoor, who was also called the Greatest Showman of Indian Cinema (in his time) or the Charlie Chaplin of Indian Cinema- this because he had adopted the Chaplin style of walking when he portrayed the common man, in Awara, Shree 420 etc., who was cheerful and honest inspite of adversities.
I may have seen his best works rather late in my life, after his passing in 1988 to be more exact, but I have definitely relished Shree 420, Awara, Anari, Jaagte Raho, Chori Chori etc. I loved all the songs of all his films be they of the 50s, 60s, or even the later ones- when he produced and directed movies and his sons played the lead. The songs of all his films have stood the test of the times and are popular internationally too. The 70s and early 80s also saw Raj Kapoor acting in films which were not from his ‘RK Films’- ‘Abdullah’, ‘Khan Dost’, ‘Do Jasoos, ‘Naukri’ etc. His last on-screen appearance was in ‘Vakil Babu’ (a full-fledged role) though he was seen in a Siddharth Kak made documentary that was based on the life and times of ‘Raj Kapoor – the Showman’ (in 1987).
He was working on the script of “Henna” after tasting success with “Ram Teri Ganga Mali” when his journey in this mortal world was cut short due to complications arising from his Asthama.
I could go on and on writing about Raj Kapoor and his songs many of which were philosophical like ‘sajan re jhooth mat bolo’; ‘kisiki muskuraahaton pe ho nisaar’; and the most popular of them all which was prophetic too “jeena yahan marna yahan” which had the poignant line “kal khel mein hum ho na ho gardish mein taarein rahenge sada, bhoologe tum, bhoolenge woh par hum tumhaare rahenge sada.” These words sealed his place in our hearts.
Today’s song is a baraat song where we have Raj Kapoor as a Sardar leading the proceedings in the voice of Kamlesh Awasthi with Zeenat Aman looking gorgeous as Punjaban (like I have said in my last post to the song from this movie, Zeenat Aman looked great in whatever she wore) singing in Lata Mangeshkars’ voice.
Video
Audio
Song-Main hoon Sher Punjab ka (Gopichand Jasoos)(1982) Singers-Kamlesh Awasthi, Lata, Lyrics-Munsif, MD-Usha Khanna
Male chorus
Female chorus
Lyrics
oye balle balle
main hoon sher punjab ka
hai shahar mera patiyala
ishq hi meri jaat hai
aur husn ka hoon matwaala
main jatti punjab ki
hai shahar mera ludhiyana
jab se solah saal ki ho gayi
aashiq hua zamaana
main aashiq hoon dildaar
o sun mere yaar
pyaar sikha doonga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
sun majnu ke ustaad
ye rakhna yaad
ishq bhula doongi
main numbardar ki chhori
qaid kara doongi
main numbardar ki chhori
qaid kara doongi
goriye zulf teri
goriye zulf teri lehraaye
gore mukhde pe
gore mukhde se takraaye
jaise naagin koi
jaise naagin koi bal khaaye
been baja doonga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
zulf to naagin hai
zulf to naagin hai mastani
jisko das le re
jisko dase na maange paani
kyun tu chaahe re
kyun tu chaahe jaan ganwaani
rapat likha doongi
main numbardar ki chhori
qaid kara doongi
main numbardar ki chhori
qaid kara doongi
goriye nain tere
goriye nain tere maykhaane
patle honth tere
patle honth tere paymaane
sharaabi hum bhi hai
sharabi hum hain bade puraane
pee ke dikhaauga
ranjha bankar tujhko heer bana doonga
main ranjha bankar tujhko heer bana doonga
husn ek aisa hai
husn ek aisa hai maykhana
bhara hai zahar se
re bhara hai zahar se har paymana
padega sab kuchh re
padega sab kuchh yahaan ganwaana
hosh ganwaa doongi
main numbardar ki chhori
qaid kara doongi
main numbardar ki chhori
qaid kara doongi
maia ranjha bankar tujhko heer bana doonga
main numbardar ki chhori
tujhko qaid kara doongi
Tere nain nashe de pyaale
Posted on: July 21, 2021
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4751 | Post No. : | 16488 |
Hullo Atuldom
I have been wanting to send this song for almost a week or ten days now. I had first thought of 12th July which was the death anniversary of Jubilee Kumar a.k.a Rajendra Kumar. But, I was unable to, due to various reasons.
Then, yesterday, 20th July the birth anniversary of Rajendra Kumar- missed that too. Why? I was too busy attending (online) birthday parties. And reading all the blog-birthday posts. That simple.
But today is another opportunity to present this song to the blog-followers. Anand Bakshi – the lyricist- has his birth anniversary today. Would have been 91.
The song from the 1972 release “Gora Aur Kala” is composed by Laxmi-Pyare and sung by Mohd Rafi. The movie had a cast of Rajendra Kumar, Prem Chopra, Jagdeep, Madan Puri, Sundar, Premnah, Rajan Haksar, and two very young beauties (my personal favourites) Hema Malini and Rekha with Sulochana playing the mother of the two Rajendra Kumars (yes he played a double role in the movie). This song is sung by the Karan Singh (the better looking and well-mannered twin) in a disguise in the court. I haven’t seen the movie but I am sure that it is an attempt to fool Madan Puri who is on the throne (I think he plays Hema’s father), along with Prem Chopra and others in the court. The power of the song is seen in the fact that the Princess Anuradha (Hema) starts dancing to the song.
On reviewing what I have written in the beginning of this post, a thought crossed my mind. If Atulji had given us such excuses this blog would not have completed 13 years – 4,749 days – 16,484 posts. (as on 19th July). A statement (in Sudhirji’s post of the 19th) “Do you know that the average daily rate of posting is upwards of three posts per day. Try doing that seven days a week, 365 days a year, and continuously at that rate for 13 years. Try writing a letter each to three friends every day, day on day, for 13 years. My, does that no yet boggle the mind.” also set me thinking.
Hatsoff to Atulji for relentlessly giving us more than one song-a-day.
Audio
Video
Song-Tere nain nashe de pyaale (Goraa Aur Kaala)(1972) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
tere nain
tere nain
tere nain nashe de pyaale ae
tere nain nashe de pyaale
inhen piyenge naseebon wa..aa..le ae ae
tere nain nashe de pyaale
inhen piyenge naseebon wa..aa..le ae
tere nain
tere nain
kya kaha tujhe qaatil agar na kaha aa aa aa
kya kaha tujhe qaatil agar na kaha aa
kya kahoon kuchh kehna hi mushkil hua
aa aa
tauba meri zulfein teri
jaise baadal kaale
tujhe ek nazar dekha toh
tujhe ek nazar dekha toh
mere honthon pe lag gaye taale ae ae
tere nain nashe de pyaale
inhen piyenge naseebon waale ae ae
tere nain
tere nain
aa gayi yaad mujhko jawaani meri ee ee ee
aa gayi yaad mujhko jawaani meri
lut gayi aaj phir zindgaani meri ee ee
rang gulaabi chaal sharaabi
kehte hain kehne wale
thukhra de woh iss duniya ko
thukhra de woh iss duniya ko
jise roop tera apna le ae
tere nain nashe de pyaale
inhen piyenge naseebon waale
tere nain
tere nain
kya hai tu khoobsoorat kahaani hai tu oo oo
kya hai tu khoobsurat kahaani hai tu
aasmaanon ki pariyon ki raani hai tu oo oo
tu jo aaye masti chhaaye jhoom uthhe dilwaale
bin aaj piye mehfil mein
bin aaj piye mehfil mein
sab log huye matwaale ae
tere nain nashe de pyaale
inhen piyenge naseebon waale ae
tere nain
tere nain
tere nain
tere nain
- In: "cross dressing" song | "disguise" song | "Diversion" song | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | One singer singing for two actors | Post by Avinash Scrapwala | Songs of 1960s (1961 to 1970) | Songs of 1970 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4678 | Post No. : | 16355 |
# Superstar Child Artist – Junior Mehmood # 8
——————————————————–
Welcome all to this eighth post in this series where we are discussing songs performed by Junior Mehmood as a ‘superstar child artist’.
So far, the following seven songs in this series have been discussed on the blog earlier.
1) lagey koi lottery koi jackpot lagey
2) Na koi paisa na ilm banaao bambai mein film
4) Birha ki rain sooni sooni sejariya
5) Aisa banoonga actor main yaaron
6) Ham hi jaanen ek torey manwa ki peer
7) Janamdin tujhko mubaraak ho
Today’s song is from the 1970 movie ‘Bachpan’.
As mentioned in the earlier posts under this series, ‘Naunihaal-1967’ was the first released movie of child artist Junior Mehmood.
He went on to act in many movies as a child artist then. He was the most loved child artist in those years of end-sixties to mid-seventies.
As a child artist Junior Mehmood achieved a ‘Superstar’ like status. He got to perform on many songs or rather many songs were picturised on him during those days.
We are going to enjoy one such song of Junior Mehmood as a child artist from the movie ‘Bachpan-1970’. The today’s wonderful entertaining song is performed by Junior Mehmood and other child artist including Sachin and Naeem (?) and many others.
This song is a different from his’ other songs as a child artist, because here he is not doing any mimicry of other actors or his guru, but in today’s song he is performing as a ‘girl’ or in a ‘female’ get-up.
In today’s song we see all the child artists (mentioned above) are singing and dancing in a police station where Sanjeev Kumar is in a lock-up. From the lyrics of this song we can guess that all these children have a plan to divert the attention of the on-duty police staff in their singing-dancing activities so that Sanjeev Kumar is able to escape from their custody.
The lyrics, music and singing of this song is very lively and entertaining to watch as Junior Mehmood, Sachin performs by lip syncing in Lata Mangeshkar’s voice and lead other children in the performance.
In an interview with Zarina Wahab (available here) Junior Mehmood had mentioned this song as his most favourite song among all the songs picturised on him.
‘Bachpan’ was directed by K.P. Atma for ‘Atma Arts Universal, Bombay’. K.P. Atma co-produced this movie with K.H. Rao. It had Sanjeev Kumar, Master Sachin, Junior Mehmood, Shahid, Anwar Hussain, Mukri, Sunder, Joginder, Baldev Mehta, Keshto Mukherji, Aruna Irani, Sulochana Chatterjee, Tabassum, Pratima Devi, Baby Gayatri, Baby Guddi, Master Alankar, Naeem and Tanuja.
Story of this movie was written by K.P. Atma. Screenplay and dialogues were written by Raj Baldev Raj. Editing of this movie was done by Shivaji Awdhut.
This movie was passed by Censor Board on 24.09.1970.
This movie had total six songs which were written by Anand Bakshi and composed to music by Laxmikant-Pyarelal.
Kishore Kumar, Lata Mangeshkar, Mohd Rafi, and P. Susheela were the playback singers for the songs in this movie.
Three songs from the movie ‘Bachpan-1970’ have been posted earlier on the blog. Today’s song is the fourth song from this movie to be posted on the blog.
| Song | Posted on |
|---|---|
| Aaya re khilaune waala | 30.08.2010 |
| Mother Mary maa ham tere dulaare hain | 25.12.2016 |
| Prem ka rog lagaa loon kaise jee ko main saanwariya | 30.08.2020 |
I had not watched this movie ‘Bachpan-1970’. I would request knowledgeable readers to throw more light on the movie and its songs.
Let us now enjoy today’s rocking entertaining song in the voice of Lata Mangeshkar.
Video
Audio
Song-Parda uthhne waala hai (Bachpan)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Ho mantar chalne waala hai
Jaadu hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Kaale baadal jaise udte hain
Barsaat mein
Kaale baadal jaise udte hain
Barsaat mein
Tu bhi ud jaa panchhi pinjraa
Le ke saath mein
Tu bhi ud jaa panchhi pinjraa
Le ke saath mein
Qismat jaagne waali hai
Qismat jaagne waali hai
Qismat jaagne waali hai
Shikaari sone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Ham laaye hain sandesaa tere naam ye ae
Ham laaye hain sandeshaa tere naam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere sar pe to hai jhoothha ilzaam ye
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Tere daaman ke dhabbe
Naseeba dhoney waala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Sun o bhole bhaale raahi
Tujhko kya pataa aa
Sun o bhole bhaale raahi
Tujhko kya pataa
Jisne tujhko hai bhulaaya
Tera raasta aa
Jisne tujhko hai bhulaaya
Tera raasta
Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Apni bhool bhulaiyya mein
Wo khud hi khonewaala hai
Koyi hansne waala hai
Koyi rone waala hai ae
Pardaa uthhne waala hai
Tamaasha hone waala hai
Koyi hansne waala hai
Koyi rone waala hai
Ho mantar chalne waala hai
O Jaadu honewaala hai
Koyi hansne waala hai
Koyi rone waala hai
——————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
हो मंतर चलने वाला है
जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
काले बादल जैसे उड़ते है
बरसात में
काले बादल जैसे उड़ते है
बरसात में
तू भी उड़ जा पंछी पिंजरा
ले के साथ में
तू भी उड़ जा पंछी पिंजरा
ले के साथ में
किस्मत जागने वाली है
किस्मत जागने वाली है
किस्मत जागने वाली है
शिकारी सोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
हम लाये हैं संदेशा तेरे नाम ये ए
हम लाये हैं संदेशा तेरे नाम ये ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे सर पे तो है झूठा इलज़ाम ए
तेरे दामन के धब्बे
तेरे दामन के धब्बे
तेरे दामन के धब्बे
नसीबा धोने वाले है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
सुन ओ भोले भाले राही
तुझको क्या पता आ
सुन ओ भोले भाले राही
तुझको क्या पता
जिसने तुझको है भुलाया
तेरा रास्ता
जिसने तुझको है भुलाया
तेरा रास्ता
अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
अपनी भूल भुलैय्या में
वो खुद ही खोने वाला है
कोई हंसने वाला है
कोई रोने वाला है
पर्दा उठने वाला है
तमाशा होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
हो मंतर चलने वाला है
ओ जादू होने वाला है
कोई हंसने वाला है
कोई रोने वाला है
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4662 | Post No. : | 16332 |
#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 133 # Remembering Shamshad Begam#
——————————————-————————————————-—
Shamshad Begam sings for Mehmood 😊
——————————————
Today 23rd April’2021 is the eighth remembrance anniversary (14th April 1919 – 23rd April-2013) of yesteryears’ singer Shamshad Begam. One who Naushad always mentioned as ‘a perfect Hindustani voice’.
On this occasion here is a song from the 1971 movie ‘Johar Mehmood In Hong Kong’. I had watched this movie in my childhood with my Uncle and have mentioned it in my earlier post on the blog.
Few songs like ‘jalti hai duniya jalti rahe’, ‘aayo aayo nau-raatri tyohaar’ have always been in my memory since my childhood. Also, the today’s song is one special song which I have never forgotten because on screen it is performed by a ‘beautiful female artist’ (in disguise though 😊)
I often break up in humming this today’s song whenever I am in ‘ Mehmood – mood’ 😊.
It is surprising that today’s song has been missing from the ‘blog’ till now.
Let us have a brief about the movie, before we enjoy the today’s ‘entertaining song’ …
“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar and was presented by M.O. Bawazir for Mahesh Ashish. The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appear as Guest Artistes in this movie.
This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.
This movie was passed by Censor Board on 04.01.1971. And thus, this movie has already completed its FIFTY years since its release. I am sure many of us might have fond memories and nostalgia of watching this movie and might be remembering its songs too.
Music for this movie was composed by Kalyanji-Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.
There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).
Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie. As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).
So far three songs from this movie have been posted on the blog. Today’s song is the third song from this movie to appear on the blog.
Today’s song is the fourth song of this movie to appear on the blog.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Tumhaare dil ko ulfat ka | Laxmi Shankar, Usha Timothy, chorus | 29.12.2012 |
| 02 | Nathaniyaa haale to badaa mazaa hoye | Shamshad Begam | Being discussed today |
| 03 | Jalti hai duniyaa jalti rahe | Mukesh, Usha Khanna, chorus | 30.06.2012 |
| 04 | Ham to tere hai deewaane | Mohd Rafi, Manna Dey | |
| 05 | Laagaa laagaa jhulaniyaa ka dhakka | Asha Bhonsle, Usha Mangeshkar | |
| 06 | Aayo aayo nau-raatri tyohaar | Mohd Rafi, Mukesh, Chorus | 10.10.2018 |
Let us now enjoy today’s song which is performed on screen by Mehmood and we can also see I.S. Johar in the picturisation of the song. Watching this song one can easily guess what Mehmood (in female role) is trying to and what ‘her’ objective i. 😊
Audio
(audio)
Video
Song-Nathhaniyaa haale to bada mazaa hoye (Johar Mehmood in Hongkong)(1971) Singer-Shamshad Begam, Lyrics-Qamar Jalalabadi, MD-Kalyanji Anandji
Lyrics
aa aa aa aa aa
ye kaun aaj aaya
andhere andhere
udhar bhi lootere ae
idhar bhi hunh hunh lootere ae
aa aa aa pataa ye chalegaa aa
savere savere ae
khuley bhaag kiske
wari tere ke mere ae
nathhaniyaa haale to
badaa mazaa hoye
nathaniyaa
haaye nathaniyaa
wari nathaniyaa haale to
badaa mazaa hoye
nathaniyaa haale to
badaa mazaa hoye ae
lakhpati dulhe ki main
lakhpati dulhaniyaa
lakhpati dulhaniyaa
aur bhi sajaa lo wadi
gehnon se sajaniyaa
gehnon se sajaniyaa
baandhu kamriyaa pe
haaye
baandhu kamriyaa pe
heerey ki kardhaniyaa
kamariyaa aa
wadi suddenly
kamariyaa chaale to
badaa mazaa hoye
kamariyaa chaale to
badaa mazaa hoye ae
achchhaa huaa dafaa huaa
mora pehlaa sainyyaa
mora pehlaa sainyyaa
nahin to tu kaise letaa
gori ki balaiyyaan
gori ki balaiyyaan
dekh tujhe naachoon main to
haaye
dekh tujhe naachoon main to
chhummak chhummak sainyyaa
painjaniyaa aa
painjaniyaa haale to
badaa mazaa hoye
nathhaniyaa haale to badaa
mazaa hoye ae
maar diya haaye maine
aankhon ke salaam se
aankhon ke salaam se
aisaa diya jaam maine
gaye piyaa kaam se
gaye wadi kaam se
dagmagaaye ladkhadaaye
dagmagaaye ladkhadaaye
pehle hi jaam se
gardaniyaa aa ooh
gardaniyaa haale to badaa mazaa hoye
gardaniyaa haale to badaa mazaa hoye
kisiko na mili na aisi
naachti lugaai re
naachti lugaai re
dil mera saaf loota
toone o harjaayee re
toone o harjaayee re
tujhe bhi dikhaaye koyi
haaye
tujhe bhi dikhaaye koyi
haath ki safaayi re
daaku pe daakaa aa
daaku pe daakaa daale to
badaa mazaa hoye
daaku pe daakaa daale to
badaa mazaa hoye ae
Nathhaniya haale to
badaa mazaa hoye ae
nathhaniyaa haale to
badaa mazaa hoye ae
Suno bhai baaraati
Posted on: February 14, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4594 | Post No. : | 16219 |
“Warrant”(1975) was directed by Pramod Chakraborty for N P International, Bombay. The movie had Dev Anand, Zeenat Aman, Dara Singh, Satish Kaul, Ajit, Pran, Jankidas, Sulochana, Aparna Chaudhary, Seema Kapoor, Jagdish Raj, V Gopal, Birbal, Habeeb, Pal Sharma, Rajan Kapoor, Kirti, Viju Khote, Ujagar Singh, Lamba, Ratan Gaurang, Praveen Pal, Bunty, Madan Puri, Joginder etc in it.
The movie is described as a “social” movie in HFGK, but it was an “action” movie, ie Dev Anand style action movie. 🙂
I have not seen the movie, but from what I can guage from the picturisation of the songs, Dev Anand plays a crook escaping from the law with Zeenat Aman as his accomplice. Zeenat Aman would play a similar role with Amitabh Bachchan in “Don”(1978) and that movie, unlike “Warrant” (1975) went on to become a super duper hit mainly thanks to Amitabh Bachchan’s superb performance.
I have noticed that the story line of Dev Anand movies of 1970s used to be great but Dev Saab’s insistence on playing the hero in these movies ensured that the movies failed to do justice to the story and they would get forgotten soon. Thankfully, Dev Saab would often reject some movies and his roles in those movies were then given to some other actor and that actor enacted the roles with aplomb. For instance, Dev saab had rejected the movie “Tumsa Nahin Dekha”(1957). That role was then offered to a strugling actor called Shammi Kapoor and we all know that the movie “Tumsa Nahin Dekha”(1957) launched the career of Shammi Kapoor. 16 years later, Dev saab refused another movie. This movie was then offered to another struggling actor. He played the role so well that the movie launched him as the next big star. That movie, which Dev saab rejected was “Zanjeer”(1973) which was offered to Amitabh Bachchan and the rest is history.
Had Dev saab not rejected “Tumsa Nahin Dekha”(1957) and “Zanjeer”(1973) then HF world may not have discovered Shammi “yahoo” Kapoor and Amitabh “angry young man” Bachchan. And these movies, with Dev Saab in lead roles would have done some moderate business and the movie would have ended up along the lines of say “Warrant”(1975).
I can say the same about other Dev Saab starrer movies like “Ye Gulistaan Hamaara”(1973), “Des Pardes”(1978) etc. They all had great story line, but they failed to do justice to the story line and ended up as normal movies instead of all time super hits.
Coming to “Warrant”(1975), the songs of this movie had caught the imagination of HFM lovers during its time. Its song Ruk jaana O jaana hamse do baatein karke chali jaana was a big rage, thanks to the unique “kuk kuk” sound contained in it. Other songs too were very popular.
The movie had four songs in it. Three songs have been covered in the blog so far.
Here are the details :-
| Blog post number | Song | Date of posting | Blog day |
|---|---|---|---|
| 102 | Ruk jaana O jaana hamse do baatein karke chali jaana | 18 September 2008 | 62 |
| 10515 | Main tumse mohabbat karti hoon | 19 November 2014 | 2315 |
| 15323 | Ladi najariya ladi chali re phuljhadi | 3 December 2019 | 4155 |
One can see that the most popular song of the movid, Ruk jaana O jaana hamse do baatein karke chali jaana was covered in the blog within two months after the launch of the blog. But the second song from the movie was covered six years later. The third song was discussed after another five years.
So a movie with just four songs has not yet been YIPPEED in the blog in nearly 12 years !
Here is the fourth and final song from the movie. This song “suno bhai baaraati” was quite popular during its time.
I have not watched the movie. I watched the picturisation of the song just no. Song is great but the picturisation would not impress people who insist on trying to find logic in the proceedings. The picturisation shows Dev saab and Zeenat Aman being pursued by police. A Christian wedding is taking place in a nearby church. The hero and heroine go and get dressed as groom and bride and give police the slip. I never knew that one can get dressed in wedding dress so fast. where did they locate their dresses so fast ? And how come the people gathered to attend the wedding in the Church started celebrating the fake wedding of our hero and heroine with such gusto and theyeven sang chorus in Konkani in the song ?
Here is the song. It is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by R D Burman.
I am unable to mnote don the Konkani portion sung by the chorus. I request our knowledgeable readers familiar with Konkani to help fill in the Konkani lyrics.
ith this song, all the four songs of “Warrant”(1975) get covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.
Audio
Video
Song-Suno bhai baaraati (Warrant)(1975) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
(konkani words)
suno bhai baaraati
suno bhai baaraati
arre dulha dulhan ko akela zara chhodo
pyaar bhari baaten karen jeevan saathi
suno bhai baaraati
suno bhai baaraati
haan
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
saajan sajni ko akele zara chhodo
mil ke gale lahraayen deepak baati
suno bhai baaraati
suno bhai baaraati
haan
(konkani words)
haan
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
ladka ladki ko akela zara chhodo
raat milan ki hai ik baar aati
suno bhai baaraati
suno bhai baaraati
hey
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye ae
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye
arre gudda guddi ko akela zara chhodo
phir dekho preet kya hai rang laati
suno bhai baaraati
suno bhai baaraati
(konkani words)
Dilruba Dilli waali
Posted on: November 21, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4509 | Post No. : | 16053 |
Today’s song is a multi-singer song. It is from the 1976 released Madan Mohla produced and directed “Dus Numbri”. It had Hema Malini {who seemed to be favourite of all the heroes of the 50s & 60s and wanted a lease in their career ;-)} Manoj Kumar and a whole lot of Manoj Kumar-movie-regulars viz Premnath, Pran, Kamini Kaushal and Bindu. The movie was a musical with six songs.
I have very vague memories of what the movie was all about. Something to do with Manoj Kumar and Hema’s families being friends at the start of the movie. Then Premnath gets into a group that has interests in printing fake currency, which Om Shivpuri or Pinchoo Kapoor (Hema’s father) accidentally discovers and so is promptly bumped off, which drives her mother crazy due to shock (mother is also played by Hema, that is shown in Kamini Kaushal’s flashback). Some twist in the story leads Hema to a local Aunty’s adda (tavern) and Manoj Kumar becomes a “Dus Numbri” who is out to expose the evil doers of society. He has Pran (a constable) shadowing him for most of the movie and who is later revealed to be a SP or Commissioner. Then we have Bindu, a dancer, who has some clue to the gang of currency-fakers and that gives us a situation for a song where we have Premnath, Manoj Kumar and Pran (in disguise of course) trying to outwit Bindu into parting with the die of the currency printer. Simple 🙂 . It is later that we come to know that even Bindu is also a cop-in-disguise. Here I must add that only Manoj Kumar’s horrible getup doesn’t give him away but all the other two actors can easily be recognized.
Two songs from the movie is already present on the blog. One was contribution by Avinashji –Ye duniya ek numberi to main dus numberi and other by Maheshji- Na tum ho yaar aaloo na hum hain yaar gobhi.
.
Here is the third song with Asha Bhonsle, Manna Dey and Mukesh as playback singers. Let us enjoy it and wish Prem Nath Malhotra on his birthday today. He would have been 94 today.
He started his journey in Bollywood with “Ajit” in 1948 (of which we don’t have any songs on the blog). The same year we had Premnath in “Aag” his first association with Raj Kapoor and was RK’s debut as producer- director.
Incidentally Raj Kapoor’s wife Krishna was Premnath’s sister and his other sister Uma is Prem Chopra’s wife. Premnath’s brothers Narendranath and Rajendranath were also actors. He married Bina Rai, also an actress, in 1953 and his son’s Prem Kishen and Kailashnath (was called Monty in films) were actors. Prem Kishen’s daughter Akanksha is an actress and son Siddharth Malhotra is a director. (Even in these modern times there is a case of same-name confusion:- there is a Sidharth Malhotra who made his acting debut in Karan Johar’s “Student Of the Year” in 2012 who has no connection to the Premnath family).
We have many movies where Premnath has had his brothers-in-law as co-actors. We have seen him as father of Dimple Kapadia in “Bobby” which was his nephew Rishi Kapoor’s debut as an adult. That is also the first role of Premnath that I recollect. Can’t get enough of the head of a fishing community Braganza who had a peculiar way of speaking.
It was later when some black-n-white were telecast by doordarshan that I learnt that Premnath the actor first began as a hero to the likes of Madhubala, Bina Rai, Nimmi etc.I loved his acting in “Johny Mera Naam”. As also the lovable mama of Hema Malini in “Aap Beeti”, sardaar of “Roti Kapda aur Makaan”, etc. His was the central character of “Dharmatma”. He turned producer director after his marriage to Bina Rai. His last screen appearance was in 1985 in “Hum Dono” after which he reitred from acting. He passed away in 1992- 18 days before his 66th birthhday.
Remembering Premnath !
Audio
Video
Song-Dilruba Dilli waali (Dus Numberi)(1976) Singers-Asha Bhonsle, Manna Dey, Mukesh, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
baadab
baamulahija
hoshiyaar
mehfil mein lutne waala hai pyaar
aa gayi zulfon waali
aankhon mein surma
honthon pe laali
dilruba dilli waali
dilruba dilli waali
dilwaalon mein
aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
subhaan allah
subhaan allah
jaisa suna thha
waisa hi paaya
aapko dekha toh yaqeen aaya
agar firdaus bar roo-e zameen ast
Hameen ast-o hameen ast-o hameen ast
aap aaye
haan
aap aaye
mil gayi daulat
humein zamaane ki
ki aap hi se
haan aap hi se
aap hi se hai raunak gareebkhaane ki
gareebkhaane ki
aap kya aaye
ghar mein bahaar aa gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Baadab
baamulaahija
hoshiyaar
aa rahe hain aashiqon ke sardaar
tauba tauba
yeh aaj meri chashme aawaara
kya dekh rahi hai nazaara
ke mera rafeek tere kareeb
arre phoote naseeb
aapki tareef
ek aashiq gareeb
haan yeh gairon se ulfat
ye kadardaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko
naadaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko naadaani teri
banaa ke husn ko naata(?) naa yoon sitam todo
banaa ke husn ko naata(?) naa yoon sitam todo
bas apne dil hi ko samjhaao
mera gham chhodo
mera gham chhodo
ki main pee kar ye jaam
hosh mein aa gayi
dilruba dilli waali
dilruba dilli waali
ab hosh mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
jo chheda maine taraana
suna aur samajh liya
samajh liya
samajh liya
sunaaya maine jo gaana
woh dil pe likh bhi liya
likh liya
like liya
aur mere dil ki baat
woh bhi yaad aa gayi
aa gayi
aa gayi
aa gayi
aa gayi
toh phir bujhaa kar chiraag
aa bhi ja
tu dil mein
dil mein
ke jalne waalon ka kya kaam mehfil mein
u u
u u u
u u
u
u u
u u u
dilruba dilli waali
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Toone maar ke pyaar ki bomb
Posted on: September 29, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4456 | Post No. : | 15933 |
Mohammed Rafi: The incomparable (II) – Song No. 19
29/09/2020 – 88th birth anniversary of Mehmood
—————————————————————
Mehmood Ali (29 September 1932 – 23 July 2004), popularly known simply as Mehmood, was an Indian actor, writer, singer, director and producer best known for playing comic roles in Hindi films. Today we are celebrating his 88th birth anniversary. Only other person I can think of with so many talents is Kishore Kumar. Even that I am not sure if, Kishore Kumar ever wrote any film stories though he is credited as a song writer, I think.
A veteran of 300 films, he can be called India’s national comedian, some may differ. But to differ is everyone’s not so basic right. The premise for calling him the national comedian are many, one of them could be this fact that he has 25 filmfare nominations. That amounts to at least one nomination every year from 1954 onwards. It is not so straight forward. As per information given on Wikipedia, the award for Best performance in a comic role started only in 1967. So Mehmood was nominated for Best supporting actor 6 times between 1954 and 1966. Rest of the nineteen nominations could be in continuation up to 1985. By late 70’s Mehmood significance as a comedien or a need for a comedien in films had diminished. From late 70’s the comic character as well as a Vamp/dancer character were diminishing, as the heroes and heroine’s usurped them. For a while there, a thought struck that, if they could they would have done away with playback singers too, if they could. Than playback singers also would have been out of the work force as well with the defunct comic actor and dancer/vamp starlets. Fanciful thoughts these.
If the ‘Best performance in a comic role’ is initiated as late as 1967, many like Agha, Bhagwan and Johnny Walker missed out on them. In the 90’s we did see, some heroes nominated for “Best performance in a Negative role”, “ Best performance in a comic role” etc.
Back to Mehmood who started his career as a child artist, in “Qismat” 1943. He produced a number of films, story of some of them like ‘Ek baap chhe bête”,’Bhoot Bangla” “Safed ghoda kaala sawaar” & “ Janta Hawaldar”. So this was a talented and multi-faceted personalty. Many memorable character and comedy with a twist of tragedy roles assessed by Mehmood are too many to list. The youngest brother of ‘Beti-Bete”, the international faqeer in ‘Aankhen”, the kabaadiwala son in law in ‘Neel Kamal”, to the madrasi music teacher in “Padosan”, to the recalcitrant son to Om Prakash who has a passion for filmmaking in “Pyaar kiye jaa”, and the kaala, dilwala in “Gumnaam”. The difference from other comic actors and Mehmood is the versatility of his talents, and he was usually accompanied by a love interest in the films. There was a parallel story going on with these comic actors, side by side with the main story. Even in the not so run of the mill films, this was a regular thing. And songs to sing is a foregone conclusion, romantic or comic.
After a few lack luster recent post, I have made some special efforts here in this posts, to make some observations of my own. It may be the 50’s Rafi song, which brings this out of me. I had begun to feel jaded and incinerated, with so many 80’s and 90’s , even 70’s songs I have written the posts for recently.
It feels good to go back to the 50’s. The song in question is from “Mr. Qartoon MA”(1958). Rafi Sahab is singing here for both Mehmood and Johnny Walker. Johny Walker and Mehmood are disguised as sadhu’s and singing this song on the street, in front of their love interest’s hostel or house. The song is special for being a comic song, roadside tamasha song, sadhu’s song, disguise song etc etc. The music director for this film O. P. Nayyar and surprisingly lyricist is Hasrat Jaipuri, on his rare picnic outside the Shankar-Jaikshan. Not that anyone is complaining, if it gives us songs like ‘Tere Ghar Ke saamne” when Hasrat Jaipuri ventured out of the foursome fold.
I have had the fortune of posting a few O. P. Nayyar songs in the distant past, but before this post cannot recall any songs written by Hasrat Jaipuri, for which I have written a post. Also the posts for Shankar-Jaikishan songs, are rare ones for me.
The audio and film version are slightly different in this song. Audio is shorter than the film version and a line in the mukhda which is repeated is changed as “ab hari om”.
These four songs from this film are already posted in the blog:
Chanda chaley jhoom ke baadarwa ko choom ke
Dil tera deewaana o mastaani bulbul
Main main main main cartoon Multiple part song
Mera dil ghabraaye meri aankh sharmaaye
This is song no. 19 in series of Mohammed Rafi: The incomparable (II), also a tribute for Mehmood. I don’t want to repeat my earlier requests for having a separate category tag for ‘Mehmood” song. I see that there is one such tag for Johny walker song. The is a need for ‘Agha song” also for that matter. Many all-time classic songs are sung onscreen by these comic actors.
Full video :
Shorter audio :
Song-Toone maar ke pyaar ka bomb (Mr Qartoon MA)(1958) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-O P Nayyar
Chorus
Lyrics
Aa
aaaaaaa
masjid dekhi
mandir dekhe
dekhe girjaa saare ea
pyar na mujh ko kahin milaa to
aaya tere dwaare
tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
kar karle om
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
aa
aa
aa
aa
ha ho
aa
arey dhan dhana dhan
kar de dil ka ? ?an
main aaya ban kar jogi
teri preet ka hoon main rogi
arey main aaya ban kar jogi
teri preet ka hoon main rogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
o main ne chhod di apni qaum
arey sun kar pyaar ki bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
aa
ha
hee haa
??
aa
haa
main pheroon teri maalaa
tu ne aisa jaadoo daalaa
o main pheroon teri maalaa
tu ne aisa jaadoo daalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
o tera sar hai meraa home
o zara sun le itni bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
aa
haa
aah
aah
aah
aah
main duniyaa taj kar aaya
par chain kahin na paaya
arey main duniyaa taj kar aaya
par chain kahin na paaya
teraa naam sunaa to devi
England se paidal aaya
O teraa naam sunaa to devi
England se paidal aaya
O main to ghoom ke aaya Rome
O tere pyaar ki sun kar dhoom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
o mere dil ko kar diyaa mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
uyi maa
bachaao
aa aa aa
o bhagwaan
sune na koi shaitaan
- In: "disguise" song | "Diversion" song | "Villain's" den song | Duet | Guest posts | Manna Dey songs | Manna Dey-Mukesh duet | Mukesh and his co singers | Mukesh songs | Post by Mahesh Mamadapur | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 10 Comments
This article is written by Mahesh Mamadapur, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4416 | Post No. : | 15823 |
Mukesh and his co-singers –7
———————————————–
There is a school of thought amongst music lovers that the voice of Manna Dey suited better for Raj Kapoor than Mukesh. While technically, there could be substance to the concept, it remains a fact that the empathy evolving from the voice of Mukesh and the emotion and expressions of Raj Kapoor’s acting on screen fitted to a T. No wonder RK upon hearing Mukesh’s demise in far off Detroit city commented that he had lost his soul. I am of the firm opinion that the voice of Mukesh on Raj Kapoor suited most aptly than the actor singing himself.
As far as Manna Dey singing for Raj Kapoor is concerned, the songs from Chori Chori, Shree 420, Dil Hi Toh Hai, Mera Naam Joker etc. come to the mind instantly. Chori Chori and Shree 420, both released in 1956 were at a time when Mukesh was experimenting with many departments of films and had also signed a contract for the film Maashuqa as an actor-singer with heroine none other than Suraiya. The Contractalso had a clause that he would not be singing for anyone else till the completion of the film. The film unfortunately got delayed and so did the successful career of Mukesh.
It is for this reason that even though Mukesh has the iconic solo, a duet with Lata and a triad with Rafi saab and Lata, Manna Dey had his share of songs in the movie Shree 420 including the popular pyar hua ikraar hua hai.
It is said that Mukesh after singing 3 songs in the film conveyed to RK that he could no longer be part of the film because of the Contract that he had signed. So why didn’t Manna Dey establish himself as a permanent or a more frequent RK voice. Well, it was the year 1958, Mukesh free from the clutches of his Contract came back as a playback singer and boy what a return that was.
Madhumati, Parvarish, Phir Subah Hogi and Yahudi all under different composers and picturised on RK and Dilip Kumar were runway hits. Mukesh had found his mojo back. Raj Kapoor understood that with Mukesh giving him playback he need not look any further. The bond between them remained forever. Body and the soul’s bonding was noticed not only by Shankar Jaikishan but by other composers also. Thus, when Raj Kapoor forayed acting for other production houses, it was usually Mukesh who was summoned for playback.
Thus, we have Manna Dey singing only a few songs for Raj Kapoor in spite of the popularity of songs from Shree 420 and Chori Chori in 1956. However, all composers were also aware of the limitations of Mukesh and the versatility of Manna Day especially for the songs based on classical music. It is pertinent to mention the song from Dil Hi Toh Hai 1963. While most of the songs from this film were sung by Mukesh, Roshan the composer rightly found it prudent to have Manna Dey sing the popular Laagaa, chunri mein daag. With due respects to other stalwarts, I am of the firm opinion that no singer could have pulled off this song as elegantly as Manna Dey.
This post and the series as such is on Mukesh’s collaboration with other singers. And in this instance also, it’s not only about Mukesh and Manna Dey singing for RK camp but for all the songs that they rendered together in HFM. But then many songs sung by Manna Dey for Raj Kapoor have also become quite popular and hence I had to devote a majority of the post for their individual songs on Raj Kapoor.
Whilst we are on the discussing the singers in unison, I should highlight that Mukesh has sung a comic solo under Manna Dey’s composition for the film Chamkee (1952). I have always been curious to know why this song was offered to Mukesh as Manna Dey himself was quite apt at singing such songs. One possible reason could be due to the bad phase that Mukesh had entered during this period and this was could have been some kind of help extended.
Coming to today’s post, here is the list of all songs in which Mukesh and Manna Dey featured together. Not surprisingly, most of them are with multiple singers and chorus. Quite a few of them are rare and popular.
1 under Anilda is famous song from a popular film. It is interesting to note that it is sung by four singers whose names start with the letter “M”. Needless to say, it’s the only one of its kind in HFM where they have come together.
2 had many songs by Mukesh featured on Raj Kapoor and Mahendra Kapoor and Manna Dey join in for other actors in the song. Its again rare to find Geeta Dutt in SJ camp.
3 and 4 are under Hemant Kumar who himself was an accomplished singer and composer but got to many sing songs by other singers in his compositions. Mukesh has sung about half a dozen songs under him.
5 is quite a comic song on which our Arunkumar ji has written a detailed post.
| S.No | Name of the Song | Movie (Year of release) | Other co-singers if any | Music Director | Lyricist |
|---|---|---|---|---|---|
| 1 | Kadam kadam se dil de | Chaar Dil Chaar Raahen (1959) | Mahendra Kapoor, Meena Kapoor | Anil Biswas | Sahir Ludhianvi |
| 2 | Hai aag hamaare seene mein | Jis Desh Mein Ganga Behti Hai (1960) | Geeta Dutt, Mahendra Kapoor, Lata Mangeshkar | Shankar Jaikishan | Shailendra |
| 3 | Mujhko mohabbat ho gayi hai | Biwi Aur Makaan (1966) | Talat Mehmood, Hemant Kumar, Joginder, | Hemant Kumar | Gulzar |
| 4 | Aa tha jab janam liya tha | Biwi Aur Makaan (1966) | Hemant Kumar | Hemant Kumar | Gulzar |
| 5 | Ye kaun hain ye kaun hain jo besahaara hain | Main Sundar Hoon (1971) | Asha Bhonsle | Shankar Jaikishan | Anand Bakshi |
| 6 | Besharmi se sharam na kar | Teen Chor (1973) | Mohammed Rafi | Sonik Omi | Rajendra Krishan |
| 7 | Na tum ho yaar aloo | Dus Numbri (1976) | Laxmikant Pyarelal | Majrooh Sultanpuri | |
| 8 | Dilruba Dilliwali | Dus Numbri (1976) | Asha Bhonsle | Laxmikant Pyarelal | Majrooh Sultanpuri |
4, 6, 7 and 8 from the above list are yet to be featured on the blog and I take up song number 7 for representation in this post.
Shri Harish Raghuwanshi of Surat, the compiler of Mukesh Geetkosh has helped me with confirming the correctness of and completeness of the above table of songs. I express my sincere thanks to him for his continued support.
Dus Numbri (1976) in which Mukesh had 04 songs was in continuation with the many songs that he was singing for Manoj Kumar during late sixties and seventies. The title song of this movie remains famous. Strangely, this title song is the only song of this film to be featured on the blog so far. Mukesh and Manoj Kumar’s combination had become quite popular with some outstanding songs. I had read somewhere that they were planning to produce a film upon the return of Mukesh from his US tour in 1976. As we are aware, Mukesh never came back from that tour as he passed away on 27 August 1976 in Detroit. This date being around the corner, my next post will be on his remembrance day and probably starting with a new series.
Audio
Video
Song-Na tum ho yaar aaloo na hum hain yaar gobhi (Dus Numberi)(1976) Singers-Mukesh, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Both
Lyrics
na tum ho yaar aaloo
na hum hain yaar gobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobhi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
ik din ka haal suno
ae Hiralal
kya bataaun huye kya kya lafde
kya bataaun huye kya kya lafde
saaheb ka suit pahan
le kar ke apni dhoban
hum bioscope chala dekhte hai
laallaallaa oy hoy
hoy hoy
ho ho
shaamat ki maat mera
saaheb bhi yaar mila
raste mein aur laga dekhne
dekha jo suit
ho diya kas kar do boot
ho gaali de de ke pakdi gardaniya
gaali de de ke pakdi gardaniya
ho machi wo dhooma dhoom (?)
wo kahin ho gayi re gum
usi hullad mein meri dhobaniya
usi hullad mein meri dhobaniya
dhoban ko le uda re
kyaa jaane kaun lobhi
dhoban ko le uda re
kyaa jaane kaun lobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
o ho
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
apna bhi haal suno
ae Bansilal
coat maine bhi pehna kisi ka
coat maine bhi pehna kisi ka
arre kya thhi khabar
ke hai uske andar
ke photu hai mama inhi ka
hai aiyyo
ke photu hai mama inhi ka
dhoban ko sang liye
chehre pe rang liye
unhu
hotel pahunchaane bechaara
o oarkhaane ke baad
daala paackit mein haath
ke chukaa doon use daam saara
dena thha maal
diya photu nikaal
aisa dhokha hua mujh ko tagda
aisa dhokha hua mujh ko tagda
dhoban ne dekh
diye thhapad do ek
aur kar ke dhamaal
noch kar sar ke baal
kahin chal di wo kar ke jhagda
haay haay
kahin chal di wo kar ke jhagda
meri maal
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hai yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
hum bhi dil rakhhte to hain
pyaar kar sakte to hain
ho jee ek dhoban meri
haaye mehbooban meri
ek dam thi aazaadi
nayi nayi huyi thhi shaadi
par meri jaan e jahaan
wo gayi jaane kahaan
par meri jaan e jahaan
wo gayi jaane kahaan
aise lagti thhi
aise lagti thhi
gale haaye Raam
jaise istri chale haaye Raam
ho jabse wo gayi chali haaye Raam
main phiroon gali gali haaye Raam
arre chhod gayi dil mein kaanta
maar gyi dhobi paataa
milne ka yaar uske
koi jatan karo jee
milne ka yaar uske
koi jatan karo jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments