Archive for the ‘“disguise” song’ Category
Suno bhai baaraati
Posted on: February 14, 2021
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4594 | Post No. : | 16219 |
“Warrant”(1975) was directed by Pramod Chakraborty for N P International, Bombay. The movie had Dev Anand, Zeenat Aman, Dara Singh, Satish Kaul, Ajit, Pran, Jankidas, Sulochana, Aparna Chaudhary, Seema Kapoor, Jagdish Raj, V Gopal, Birbal, Habeeb, Pal Sharma, Rajan Kapoor, Kirti, Viju Khote, Ujagar Singh, Lamba, Ratan Gaurang, Praveen Pal, Bunty, Madan Puri, Joginder etc in it.
The movie is described as a “social” movie in HFGK, but it was an “action” movie, ie Dev Anand style action movie. 🙂
I have not seen the movie, but from what I can guage from the picturisation of the songs, Dev Anand plays a crook escaping from the law with Zeenat Aman as his accomplice. Zeenat Aman would play a similar role with Amitabh Bachchan in “Don”(1978) and that movie, unlike “Warrant” (1975) went on to become a super duper hit mainly thanks to Amitabh Bachchan’s superb performance.
I have noticed that the story line of Dev Anand movies of 1970s used to be great but Dev Saab’s insistence on playing the hero in these movies ensured that the movies failed to do justice to the story and they would get forgotten soon. Thankfully, Dev Saab would often reject some movies and his roles in those movies were then given to some other actor and that actor enacted the roles with aplomb. For instance, Dev saab had rejected the movie “Tumsa Nahin Dekha”(1957). That role was then offered to a strugling actor called Shammi Kapoor and we all know that the movie “Tumsa Nahin Dekha”(1957) launched the career of Shammi Kapoor. 16 years later, Dev saab refused another movie. This movie was then offered to another struggling actor. He played the role so well that the movie launched him as the next big star. That movie, which Dev saab rejected was “Zanjeer”(1973) which was offered to Amitabh Bachchan and the rest is history.
Had Dev saab not rejected “Tumsa Nahin Dekha”(1957) and “Zanjeer”(1973) then HF world may not have discovered Shammi “yahoo” Kapoor and Amitabh “angry young man” Bachchan. And these movies, with Dev Saab in lead roles would have done some moderate business and the movie would have ended up along the lines of say “Warrant”(1975).
I can say the same about other Dev Saab starrer movies like “Ye Gulistaan Hamaara”(1973), “Des Pardes”(1978) etc. They all had great story line, but they failed to do justice to the story line and ended up as normal movies instead of all time super hits.
Coming to “Warrant”(1975), the songs of this movie had caught the imagination of HFM lovers during its time. Its song Ruk jaana O jaana hamse do baatein karke chali jaana was a big rage, thanks to the unique “kuk kuk” sound contained in it. Other songs too were very popular.
The movie had four songs in it. Three songs have been covered in the blog so far.
Here are the details :-
| Blog post number | Song | Date of posting | Blog day |
|---|---|---|---|
| 102 | Ruk jaana O jaana hamse do baatein karke chali jaana | 18 September 2008 | 62 |
| 10515 | Main tumse mohabbat karti hoon | 19 November 2014 | 2315 |
| 15323 | Ladi najariya ladi chali re phuljhadi | 3 December 2019 | 4155 |
One can see that the most popular song of the movid, Ruk jaana O jaana hamse do baatein karke chali jaana was covered in the blog within two months after the launch of the blog. But the second song from the movie was covered six years later. The third song was discussed after another five years.
So a movie with just four songs has not yet been YIPPEED in the blog in nearly 12 years !
Here is the fourth and final song from the movie. This song “suno bhai baaraati” was quite popular during its time.
I have not watched the movie. I watched the picturisation of the song just no. Song is great but the picturisation would not impress people who insist on trying to find logic in the proceedings. The picturisation shows Dev saab and Zeenat Aman being pursued by police. A Christian wedding is taking place in a nearby church. The hero and heroine go and get dressed as groom and bride and give police the slip. I never knew that one can get dressed in wedding dress so fast. where did they locate their dresses so fast ? And how come the people gathered to attend the wedding in the Church started celebrating the fake wedding of our hero and heroine with such gusto and theyeven sang chorus in Konkani in the song ?
Here is the song. It is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by R D Burman.
I am unable to mnote don the Konkani portion sung by the chorus. I request our knowledgeable readers familiar with Konkani to help fill in the Konkani lyrics.
ith this song, all the four songs of “Warrant”(1975) get covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.
Audio
Video
Song-Suno bhai baaraati (Warrant)(1975) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
(konkani words)
suno bhai baaraati
suno bhai baaraati
arre dulha dulhan ko akela zara chhodo
pyaar bhari baaten karen jeevan saathi
suno bhai baaraati
suno bhai baaraati
haan
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
badi mushkil se dil milte hain
armaanon ke gul khilte hain
jeevan mein bas ek baar
saajan sajni ko akele zara chhodo
mil ke gale lahraayen deepak baati
suno bhai baaraati
suno bhai baaraati
haan
(konkani words)
haan
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
upar se hum rangeele hain
andar se hum sharmeele hain
dekho na humen is tarah
ladka ladki ko akela zara chhodo
raat milan ki hai ik baar aati
suno bhai baaraati
suno bhai baaraati
hey
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye ae
kaam karo sab apna apna
dekh rahe hain hum ek sapna
premi hain khoye huye
arre gudda guddi ko akela zara chhodo
phir dekho preet kya hai rang laati
suno bhai baaraati
suno bhai baaraati
(konkani words)
Dilruba Dilli waali
Posted on: November 21, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4509 | Post No. : | 16053 |
Today’s song is a multi-singer song. It is from the 1976 released Madan Mohla produced and directed “Dus Numbri”. It had Hema Malini {who seemed to be favourite of all the heroes of the 50s & 60s and wanted a lease in their career ;-)} Manoj Kumar and a whole lot of Manoj Kumar-movie-regulars viz Premnath, Pran, Kamini Kaushal and Bindu. The movie was a musical with six songs.
I have very vague memories of what the movie was all about. Something to do with Manoj Kumar and Hema’s families being friends at the start of the movie. Then Premnath gets into a group that has interests in printing fake currency, which Om Shivpuri or Pinchoo Kapoor (Hema’s father) accidentally discovers and so is promptly bumped off, which drives her mother crazy due to shock (mother is also played by Hema, that is shown in Kamini Kaushal’s flashback). Some twist in the story leads Hema to a local Aunty’s adda (tavern) and Manoj Kumar becomes a “Dus Numbri” who is out to expose the evil doers of society. He has Pran (a constable) shadowing him for most of the movie and who is later revealed to be a SP or Commissioner. Then we have Bindu, a dancer, who has some clue to the gang of currency-fakers and that gives us a situation for a song where we have Premnath, Manoj Kumar and Pran (in disguise of course) trying to outwit Bindu into parting with the die of the currency printer. Simple 🙂 . It is later that we come to know that even Bindu is also a cop-in-disguise. Here I must add that only Manoj Kumar’s horrible getup doesn’t give him away but all the other two actors can easily be recognized.
Two songs from the movie is already present on the blog. One was contribution by Avinashji –Ye duniya ek numberi to main dus numberi and other by Maheshji- Na tum ho yaar aaloo na hum hain yaar gobhi.
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Here is the third song with Asha Bhonsle, Manna Dey and Mukesh as playback singers. Let us enjoy it and wish Prem Nath Malhotra on his birthday today. He would have been 94 today.
He started his journey in Bollywood with “Ajit” in 1948 (of which we don’t have any songs on the blog). The same year we had Premnath in “Aag” his first association with Raj Kapoor and was RK’s debut as producer- director.
Incidentally Raj Kapoor’s wife Krishna was Premnath’s sister and his other sister Uma is Prem Chopra’s wife. Premnath’s brothers Narendranath and Rajendranath were also actors. He married Bina Rai, also an actress, in 1953 and his son’s Prem Kishen and Kailashnath (was called Monty in films) were actors. Prem Kishen’s daughter Akanksha is an actress and son Siddharth Malhotra is a director. (Even in these modern times there is a case of same-name confusion:- there is a Sidharth Malhotra who made his acting debut in Karan Johar’s “Student Of the Year” in 2012 who has no connection to the Premnath family).
We have many movies where Premnath has had his brothers-in-law as co-actors. We have seen him as father of Dimple Kapadia in “Bobby” which was his nephew Rishi Kapoor’s debut as an adult. That is also the first role of Premnath that I recollect. Can’t get enough of the head of a fishing community Braganza who had a peculiar way of speaking.
It was later when some black-n-white were telecast by doordarshan that I learnt that Premnath the actor first began as a hero to the likes of Madhubala, Bina Rai, Nimmi etc.I loved his acting in “Johny Mera Naam”. As also the lovable mama of Hema Malini in “Aap Beeti”, sardaar of “Roti Kapda aur Makaan”, etc. His was the central character of “Dharmatma”. He turned producer director after his marriage to Bina Rai. His last screen appearance was in 1985 in “Hum Dono” after which he reitred from acting. He passed away in 1992- 18 days before his 66th birthhday.
Remembering Premnath !
Song-Dilruba Dilli waali (Dus Numberi)(1976) Singers-Asha Bhonsle, Manna Dey, Mukesh, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Chorus
Lyrics
baadab
baamulahija
hoshiyaar
mehfil mein lutne waala hai pyaar
aa gayi zulfon waali
aankhon mein surma
honthon pe laali
dilruba dilli waali
dilruba dilli waali
dilwaalon mein
aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
subhaan allah
subhaan allah
jaisa suna thha
waisa hi paaya
aapko dekha toh yaqeen aaya
agar firdaus bar roo-e zameen ast
Hameen ast-o hameen ast-o hameen ast
aap aaye
haan
aap aaye
mil gayi daulat
humein zamaane ki
ki aap hi se
haan aap hi se
aap hi se hai raunak gareebkhaane ki
gareebkhaane ki
aap kya aaye
ghar mein bahaar aa gayi
dilruba dilli waali
ha
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Baadab
baamulaahija
hoshiyaar
aa rahe hain aashiqon ke sardaar
tauba tauba
yeh aaj meri chashme aawaara
kya dekh rahi hai nazaara
ke mera rafeek tere kareeb
arre phoote naseeb
aapki tareef
ek aashiq gareeb
haan yeh gairon se ulfat
ye kadardaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko
naadaani teri
haan yeh gairon se ulfat
ye kadardaani teri
mujhko darr hai
le na doobe tujhko naadaani teri
banaa ke husn ko naata(?) naa yoon sitam todo
banaa ke husn ko naata(?) naa yoon sitam todo
bas apne dil hi ko samjhaao
mera gham chhodo
mera gham chhodo
ki main pee kar ye jaam
hosh mein aa gayi
dilruba dilli waali
dilruba dilli waali
ab hosh mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
jo chheda maine taraana
suna aur samajh liya
samajh liya
samajh liya
sunaaya maine jo gaana
woh dil pe likh bhi liya
likh liya
like liya
aur mere dil ki baat
woh bhi yaad aa gayi
aa gayi
aa gayi
aa gayi
aa gayi
toh phir bujhaa kar chiraag
aa bhi ja
tu dil mein
dil mein
ke jalne waalon ka kya kaam mehfil mein
u u
u u u
u u
u
u u
u u u
dilruba dilli waali
dilruba dilli waali
dilwaalon mein aa gayi
nasha ban kar uthhi
jhoom kar chha gayi
dilruba dilli waali
Toone maar ke pyaar ki bomb
Posted on: September 29, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4456 | Post No. : | 15933 |
Mohammed Rafi: The incomparable (II) – Song No. 19
29/09/2020 – 88th birth anniversary of Mehmood
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Mehmood Ali (29 September 1932 – 23 July 2004), popularly known simply as Mehmood, was an Indian actor, writer, singer, director and producer best known for playing comic roles in Hindi films. Today we are celebrating his 88th birth anniversary. Only other person I can think of with so many talents is Kishore Kumar. Even that I am not sure if, Kishore Kumar ever wrote any film stories though he is credited as a song writer, I think.
A veteran of 300 films, he can be called India’s national comedian, some may differ. But to differ is everyone’s not so basic right. The premise for calling him the national comedian are many, one of them could be this fact that he has 25 filmfare nominations. That amounts to at least one nomination every year from 1954 onwards. It is not so straight forward. As per information given on Wikipedia, the award for Best performance in a comic role started only in 1967. So Mehmood was nominated for Best supporting actor 6 times between 1954 and 1966. Rest of the nineteen nominations could be in continuation up to 1985. By late 70’s Mehmood significance as a comedien or a need for a comedien in films had diminished. From late 70’s the comic character as well as a Vamp/dancer character were diminishing, as the heroes and heroine’s usurped them. For a while there, a thought struck that, if they could they would have done away with playback singers too, if they could. Than playback singers also would have been out of the work force as well with the defunct comic actor and dancer/vamp starlets. Fanciful thoughts these.
If the ‘Best performance in a comic role’ is initiated as late as 1967, many like Agha, Bhagwan and Johnny Walker missed out on them. In the 90’s we did see, some heroes nominated for “Best performance in a Negative role”, “ Best performance in a comic role” etc.
Back to Mehmood who started his career as a child artist, in “Qismat” 1943. He produced a number of films, story of some of them like ‘Ek baap chhe bête”,’Bhoot Bangla” “Safed ghoda kaala sawaar” & “ Janta Hawaldar”. So this was a talented and multi-faceted personalty. Many memorable character and comedy with a twist of tragedy roles assessed by Mehmood are too many to list. The youngest brother of ‘Beti-Bete”, the international faqeer in ‘Aankhen”, the kabaadiwala son in law in ‘Neel Kamal”, to the madrasi music teacher in “Padosan”, to the recalcitrant son to Om Prakash who has a passion for filmmaking in “Pyaar kiye jaa”, and the kaala, dilwala in “Gumnaam”. The difference from other comic actors and Mehmood is the versatility of his talents, and he was usually accompanied by a love interest in the films. There was a parallel story going on with these comic actors, side by side with the main story. Even in the not so run of the mill films, this was a regular thing. And songs to sing is a foregone conclusion, romantic or comic.
After a few lack luster recent post, I have made some special efforts here in this posts, to make some observations of my own. It may be the 50’s Rafi song, which brings this out of me. I had begun to feel jaded and incinerated, with so many 80’s and 90’s , even 70’s songs I have written the posts for recently.
It feels good to go back to the 50’s. The song in question is from “Mr. Qartoon MA”(1958). Rafi Sahab is singing here for both Mehmood and Johnny Walker. Johny Walker and Mehmood are disguised as sadhu’s and singing this song on the street, in front of their love interest’s hostel or house. The song is special for being a comic song, roadside tamasha song, sadhu’s song, disguise song etc etc. The music director for this film O. P. Nayyar and surprisingly lyricist is Hasrat Jaipuri, on his rare picnic outside the Shankar-Jaikshan. Not that anyone is complaining, if it gives us songs like ‘Tere Ghar Ke saamne” when Hasrat Jaipuri ventured out of the foursome fold.
I have had the fortune of posting a few O. P. Nayyar songs in the distant past, but before this post cannot recall any songs written by Hasrat Jaipuri, for which I have written a post. Also the posts for Shankar-Jaikishan songs, are rare ones for me.
The audio and film version are slightly different in this song. Audio is shorter than the film version and a line in the mukhda which is repeated is changed as “ab hari om”.
These four songs from this film are already posted in the blog:
Chanda chaley jhoom ke baadarwa ko choom ke
Dil tera deewaana o mastaani bulbul
Main main main main cartoon Multiple part song
Mera dil ghabraaye meri aankh sharmaaye
This is song no. 19 in series of Mohammed Rafi: The incomparable (II), also a tribute for Mehmood. I don’t want to repeat my earlier requests for having a separate category tag for ‘Mehmood” song. I see that there is one such tag for Johny walker song. The is a need for ‘Agha song” also for that matter. Many all-time classic songs are sung onscreen by these comic actors.
Full video :
Shorter audio :
Song-Toone maar ke pyaar ka bomb (Mr Qartoon MA)(1958) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-O P Nayyar
Chorus
Lyrics
Aa
aaaaaaa
masjid dekhi
mandir dekhe
dekhe girjaa saare ea
pyar na mujh ko kahin milaa to
aaya tere dwaare
tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
kar karle om
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
o mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
aa
aa
aa
aa
ha ho
aa
arey dhan dhana dhan
kar de dil ka ? ?an
main aaya ban kar jogi
teri preet ka hoon main rogi
arey main aaya ban kar jogi
teri preet ka hoon main rogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
hain roop ki pyaasi ankhiyaan
bolo kab darshan dogi
o main ne chhod di apni qaum
arey sun kar pyaar ki bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
aa
ha
hee haa
??
aa
haa
main pheroon teri maalaa
tu ne aisa jaadoo daalaa
o main pheroon teri maalaa
tu ne aisa jaadoo daalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
kuchh aur na tujh se maangoon
le bhar de pyaar se pyaalaa
o tera sar hai meraa home
o zara sun le itni bomb
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
mere dil ko kar diya mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
aa
haa
aah
aah
aah
aah
main duniyaa taj kar aaya
par chain kahin na paaya
arey main duniyaa taj kar aaya
par chain kahin na paaya
teraa naam sunaa to devi
England se paidal aaya
O teraa naam sunaa to devi
England se paidal aaya
O main to ghoom ke aaya Rome
O tere pyaar ki sun kar dhoom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
tu ne maar ke pyaar ki bomb
o mere dil ko kar diyaa mom
chal karle hom
chal karle hom
chal karle hom
chal karle hom
uyi maa
bachaao
aa aa aa
o bhagwaan
sune na koi shaitaan
- In: "disguise" song | "Diversion" song | "Villain's" den song | Duet | Guest posts | Manna Dey songs | Manna Dey-Mukesh duet | Mukesh and his co singers | Mukesh songs | Post by Mahesh Mamadapur | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 10 Comments
This article is written by Mahesh Mamadapur, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4416 | Post No. : | 15823 |
Mukesh and his co-singers –7
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There is a school of thought amongst music lovers that the voice of Manna Dey suited better for Raj Kapoor than Mukesh. While technically, there could be substance to the concept, it remains a fact that the empathy evolving from the voice of Mukesh and the emotion and expressions of Raj Kapoor’s acting on screen fitted to a T. No wonder RK upon hearing Mukesh’s demise in far off Detroit city commented that he had lost his soul. I am of the firm opinion that the voice of Mukesh on Raj Kapoor suited most aptly than the actor singing himself.
As far as Manna Dey singing for Raj Kapoor is concerned, the songs from Chori Chori, Shree 420, Dil Hi Toh Hai, Mera Naam Joker etc. come to the mind instantly. Chori Chori and Shree 420, both released in 1956 were at a time when Mukesh was experimenting with many departments of films and had also signed a contract for the film Maashuqa as an actor-singer with heroine none other than Suraiya. The Contractalso had a clause that he would not be singing for anyone else till the completion of the film. The film unfortunately got delayed and so did the successful career of Mukesh.
It is for this reason that even though Mukesh has the iconic solo, a duet with Lata and a triad with Rafi saab and Lata, Manna Dey had his share of songs in the movie Shree 420 including the popular pyar hua ikraar hua hai.
It is said that Mukesh after singing 3 songs in the film conveyed to RK that he could no longer be part of the film because of the Contract that he had signed. So why didn’t Manna Dey establish himself as a permanent or a more frequent RK voice. Well, it was the year 1958, Mukesh free from the clutches of his Contract came back as a playback singer and boy what a return that was.
Madhumati, Parvarish, Phir Subah Hogi and Yahudi all under different composers and picturised on RK and Dilip Kumar were runway hits. Mukesh had found his mojo back. Raj Kapoor understood that with Mukesh giving him playback he need not look any further. The bond between them remained forever. Body and the soul’s bonding was noticed not only by Shankar Jaikishan but by other composers also. Thus, when Raj Kapoor forayed acting for other production houses, it was usually Mukesh who was summoned for playback.
Thus, we have Manna Dey singing only a few songs for Raj Kapoor in spite of the popularity of songs from Shree 420 and Chori Chori in 1956. However, all composers were also aware of the limitations of Mukesh and the versatility of Manna Day especially for the songs based on classical music. It is pertinent to mention the song from Dil Hi Toh Hai 1963. While most of the songs from this film were sung by Mukesh, Roshan the composer rightly found it prudent to have Manna Dey sing the popular Laagaa, chunri mein daag. With due respects to other stalwarts, I am of the firm opinion that no singer could have pulled off this song as elegantly as Manna Dey.
This post and the series as such is on Mukesh’s collaboration with other singers. And in this instance also, it’s not only about Mukesh and Manna Dey singing for RK camp but for all the songs that they rendered together in HFM. But then many songs sung by Manna Dey for Raj Kapoor have also become quite popular and hence I had to devote a majority of the post for their individual songs on Raj Kapoor.
Whilst we are on the discussing the singers in unison, I should highlight that Mukesh has sung a comic solo under Manna Dey’s composition for the film Chamkee (1952). I have always been curious to know why this song was offered to Mukesh as Manna Dey himself was quite apt at singing such songs. One possible reason could be due to the bad phase that Mukesh had entered during this period and this was could have been some kind of help extended.
Coming to today’s post, here is the list of all songs in which Mukesh and Manna Dey featured together. Not surprisingly, most of them are with multiple singers and chorus. Quite a few of them are rare and popular.
1 under Anilda is famous song from a popular film. It is interesting to note that it is sung by four singers whose names start with the letter “M”. Needless to say, it’s the only one of its kind in HFM where they have come together.
2 had many songs by Mukesh featured on Raj Kapoor and Mahendra Kapoor and Manna Dey join in for other actors in the song. Its again rare to find Geeta Dutt in SJ camp.
3 and 4 are under Hemant Kumar who himself was an accomplished singer and composer but got to many sing songs by other singers in his compositions. Mukesh has sung about half a dozen songs under him.
5 is quite a comic song on which our Arunkumar ji has written a detailed post.
| S.No | Name of the Song | Movie (Year of release) | Other co-singers if any | Music Director | Lyricist |
|---|---|---|---|---|---|
| 1 | Kadam kadam se dil de | Chaar Dil Chaar Raahen (1959) | Mahendra Kapoor, Meena Kapoor | Anil Biswas | Sahir Ludhianvi |
| 2 | Hai aag hamaare seene mein | Jis Desh Mein Ganga Behti Hai (1960) | Geeta Dutt, Mahendra Kapoor, Lata Mangeshkar | Shankar Jaikishan | Shailendra |
| 3 | Mujhko mohabbat ho gayi hai | Biwi Aur Makaan (1966) | Talat Mehmood, Hemant Kumar, Joginder, | Hemant Kumar | Gulzar |
| 4 | Aa tha jab janam liya tha | Biwi Aur Makaan (1966) | Hemant Kumar | Hemant Kumar | Gulzar |
| 5 | Ye kaun hain ye kaun hain jo besahaara hain | Main Sundar Hoon (1971) | Asha Bhonsle | Shankar Jaikishan | Anand Bakshi |
| 6 | Besharmi se sharam na kar | Teen Chor (1973) | Mohammed Rafi | Sonik Omi | Rajendra Krishan |
| 7 | Na tum ho yaar aloo | Dus Numbri (1976) | Laxmikant Pyarelal | Majrooh Sultanpuri | |
| 8 | Dilruba Dilliwali | Dus Numbri (1976) | Asha Bhonsle | Laxmikant Pyarelal | Majrooh Sultanpuri |
4, 6, 7 and 8 from the above list are yet to be featured on the blog and I take up song number 7 for representation in this post.
Shri Harish Raghuwanshi of Surat, the compiler of Mukesh Geetkosh has helped me with confirming the correctness of and completeness of the above table of songs. I express my sincere thanks to him for his continued support.
Dus Numbri (1976) in which Mukesh had 04 songs was in continuation with the many songs that he was singing for Manoj Kumar during late sixties and seventies. The title song of this movie remains famous. Strangely, this title song is the only song of this film to be featured on the blog so far. Mukesh and Manoj Kumar’s combination had become quite popular with some outstanding songs. I had read somewhere that they were planning to produce a film upon the return of Mukesh from his US tour in 1976. As we are aware, Mukesh never came back from that tour as he passed away on 27 August 1976 in Detroit. This date being around the corner, my next post will be on his remembrance day and probably starting with a new series.
Song-Na tum ho yaar aaloo na hum hain yaar gobhi (Dus Numberi)(1976) Singers-Mukesh, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Both
Lyrics
na tum ho yaar aaloo
na hum hain yaar gobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobhi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
ik din ka haal suno
ae Hiralal
kya bataaun huye kya kya lafde
kya bataaun huye kya kya lafde
saaheb ka suit pahan
le kar ke apni dhoban
hum bioscope chala dekhte hai
laallaallaa oy hoy
hoy hoy
ho ho
shaamat ki maat mera
saaheb bhi yaar mila
raste mein aur laga dekhne
dekha jo suit
ho diya kas kar do boot
ho gaali de de ke pakdi gardaniya
gaali de de ke pakdi gardaniya
ho machi wo dhooma dhoom (?)
wo kahin ho gayi re gum
usi hullad mein meri dhobaniya
usi hullad mein meri dhobaniya
dhoban ko le uda re
kyaa jaane kaun lobhi
dhoban ko le uda re
kyaa jaane kaun lobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
o ho
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
apna bhi haal suno
ae Bansilal
coat maine bhi pehna kisi ka
coat maine bhi pehna kisi ka
arre kya thhi khabar
ke hai uske andar
ke photu hai mama inhi ka
hai aiyyo
ke photu hai mama inhi ka
dhoban ko sang liye
chehre pe rang liye
unhu
hotel pahunchaane bechaara
o oarkhaane ke baad
daala paackit mein haath
ke chukaa doon use daam saara
dena thha maal
diya photu nikaal
aisa dhokha hua mujh ko tagda
aisa dhokha hua mujh ko tagda
dhoban ne dekh
diye thhapad do ek
aur kar ke dhamaal
noch kar sar ke baal
kahin chal di wo kar ke jhagda
haay haay
kahin chal di wo kar ke jhagda
meri maal
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hai yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
hum bhi dil rakhhte to hain
pyaar kar sakte to hain
ho jee ek dhoban meri
haaye mehbooban meri
ek dam thi aazaadi
nayi nayi huyi thhi shaadi
par meri jaan e jahaan
wo gayi jaane kahaan
par meri jaan e jahaan
wo gayi jaane kahaan
aise lagti thhi
aise lagti thhi
gale haaye Raam
jaise istri chale haaye Raam
ho jabse wo gayi chali haaye Raam
main phiroon gali gali haaye Raam
arre chhod gayi dil mein kaanta
maar gyi dhobi paataa
milne ka yaar uske
koi jatan karo jee
milne ka yaar uske
koi jatan karo jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
Bhajan binaa chain na aaye raam
Posted on: June 30, 2020
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4365 | Post No. : | 15694 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 94 # Kalyanji-Anandji – Year 1975
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Today 30th June 2020 is 92nd birth anniversary of Kalyanjibhai Virjibhai Shah (30 June 1928 – 24 August 2000) of the great music director duo Kalyanji-Anandji.
On this occasion as a tribute to him here is a song from the ‘1975’ movie ‘Rafoo Chakkar’. I vaguely remember to have watched this movie with my parents and brothers in my childhood. I was just around seven years old then (considering the date of release of this movie). However, the songs of this movie have always remained in my memory. I think they were very popular in those years and were frequently heard on loud speakers and radio. Particularly the songs ‘chhuk chhuk chhak chhak Bombay se Baroda tak’, ‘tumko mere dil ne’, ‘kisi pe dil agar aa jaaye to kya hota hai’, ‘dil lena buri balaa hai’, ‘ae zamaane tu kar le sitam pe sitam’…
Almost all songs from this movie were good and I have a big nostalgia of the songs of this movie. So, when I became a member of this blog I had shared a couple of songs, and one of them ‘tumko mere dil ne’ was posted on 21.01.2014 (much later according to me, because when I joined the blog I always thought all songs of the seventies must be already there . 🙂
‘Tum ko mere dil ne’ has always been my big favorite and so is ‘kisi pe dil agar’ but then there is one more song from this movie which brings back memories for me and I am going to present this song today.
And since this song was pending since 2013, I thought I should go with it instead of taking another song when I was thinking of a post on this occasion today. All these years this song has been in my dormant memory associated with the name of this movie ‘Rafoo Chakkar’. I have no recollection of having watched this movie again either in theatre or on TV channels. I have only watched a couple of its songs on TV. I may have watched parts of this movie when it was being aired on TV.
“Rafoo Chakkar-1975’ was a presentation from the ‘House of Nadiadwala’. It was produced by I.A. Nadiadwala for ‘M.I. Films Pvt Ltd’. This movie was directed by Narinder Bedi.
Ajay Kumar was the chief assistant director while assistant director was Kapil Kapoor. Raj Bedi was the dialogue director.
Story of this movie was written by Jayant Dharmadhikari, whereas the dialogues were written by Kadar Khan. K.K. Shukla had written the screenplay of this movie.
Editing of this movie was done by Babubhai Thakkar.
It had Rishi Kapoor, Neetu Singh, Rajindernath, Faryal, Asrani, Master Chikkoo with Paintal, Madan Puri, Anwar Hussain, Sulochana, Mumtaz Begum, Shetty, Viju Khote, Shamim, Surender Shetty, K.N. Singh, Sudhir, Bhagwan, MacMohan, Man Mohan, Habib, Jankidas, M. Rajan, Tiwari, Mohan Sherry, Hiralal, Rajan Haksar, Goga, Dalpat, Sapru and Kamran.
Lyrics were written by Gulshan Bawra and music was composed by Kalyanji-Anandji.
Asha Bhonsle, Usha Mangeshkar, Shailendra Singh, Kanchan, Mahesh Kumar and Aziz Nazan were the playback singers who had given their voices to the songs in this movie.
Jaikumar conducted the music while Frank Fernand was the arranger and Babla was the assistant in music of this movie.
This movie was passed by Censor Board on 02.01.1975.
In 1975 there were a ‘dozen’ of movies where Kalyanji-Anandji had composed the music for them. Here is the list;
| Sno. | Title | Year | Passed by Censor Board | Lyricist | Represented on the Blog</ |
|---|---|---|---|---|---|
| 1 | Anokhaa | 1975 | 02.04.1975 | Indeewar, Sawan Kumar | N |
| 2 | Apne Dushman | 1975 | 19.11.1975 | Verma Malik, Qamar Jalalabadi | N |
| 3 | Bhoolaa Bhatkaa | 1975 | 13.10.1975 | Anand Bakshi | |
| 4 | Chori Mera Kaam | 1975 | 30.04.1975 | Verma Malik | Yes/Yippeeee’ed |
| 5 | Dharmaatmaa | 1975 | 30.04.1975 | Indeewar | Y |
| 6 | Do Thug | 1975 | 05.12.1975 | Rajinder Krishan | N |
| 7 | Faraar | 1975 | 11.11.1975 | Rajinder Krishan | Y |
| 8 | Himaalaya Se Ooncha | 1975 | 15.04.1975 | Indeewar | Y |
| 9 | Monto | 1975 | 15.05.1975 | Verma Malik | |
| 10 | Rafoo Chakkar | 1975 | 02.01.1975 | Gulshan Bawra | Y |
| 11 | Uljhan | 1975 | 31.10.1975 | M.G. Hashmat | Y |
| 12 | Zoro | 1975 | 31.10.1975 | Verma Malik |
None of the songs of this movie “Rafoo Chakkar-1975” make it to the annual list of ‘Binaca Geetmala’ of that year. And only two compositions of Kalyanji-Anandji featured in that year’s list one from the previous years’ release ‘Haath Ki Safaai-1974’ i.e. ‘waadaa kar le sajnaa’ at number six and another from the movie ‘Dharmaatma-1975’ which was ‘tere chehre mein wo jaadu hai’ at number thirty-one.
The title song of ‘Uljhan-1975’ figured at number eleven in the annual list of ‘Binaca Geetmala-1976’.
Let us now enjoy the today’s song which is sung by Aziz Nazan and Kanchan. On screen Rishi Kapoor and Neetu Singh are lip syncing the voices of Aziz Nazan and Kanchan whereas we can see Rajindernath, Paintal, Sulochana, Mumtaz Begum and many others in the picturization of this song.
Rishi Kapoor, Neetu Singh, Rajindernath and Paintal are performing ‘hippies’ in disguise (not for viewers) to get release of the captivated Sulochana and Mumtaz Begum.
Video
Audio (Full)
Song-Bhajan binaa chain naa aaye Raam(Rafoo Chakkar)(1975) Singers-Aziz Naaazaan, Kanchan, Lyrics-Gulshan Baawra, MD-Kalyanji Anandji
chorus
Lyrics
dekh ke tu pinjare mein panchhi ee ee ee ee
kaahe ko muskaaye
hum sab hain is jag mein qaidi ee ee ee
tu ye samajh naa paaye ae
bhajan binaa aa aa
chain naa aaye raam
bhajan binaa aa aa
chain naa aaye raam
koi naa jaane kab ho jaaye ae
koi naa jaane kab ho jaaye
is jeewan ki shaam aam
is jeewan ki shaam
bhajan binaa chain naa aaye raam
moh maaya ki aas to pagle ae
moh maaya ki aas to pagle
hogi kabhi naa puri ee ee
hogi kabhi naa poori
poori ee
hogi kabhi naa poori
karte karte bhajan prabhu kaa
karte karte bhajan prabhu kaa
mit jaayeagi doori ee ee
mit jaayeagi doori
doori ee
mit jaayeagi doori
o o o o
hum bhakton ke ae ae ae ae
hum bhakton ke saath saath lo
sab hi prabhu ka naam
naam aam
bhajan binaa aa aa aa
chain naa aaye raam
bhajan binaa aa aa aa
chain naa aaye raam
bolo raam raam raam
raadhe shyaam shyaam shyaam
seeta raam raam raam
raadhe shyaam shyaam shyaam
bolo bolo bolo
bolo
hare raam raam raam
raadhe
raadhe shaam shaam shaam
seeta
seeta raam raam raam
raadhe
raadhe shaam shaam shaam
bhajan hai amrit ras kaa pyaala aa
bhajan hain amrit ras kaa pyaala
shaam savere peena aa aa
shaam savere peena
peena aa
shaam savere peena
isko peekar saara jeewan
isko peekar saara jeewan
masti mein tu jeena aa aa aa
masti mein tu jeena
jeena aa
masti mein tu jeena
o o o o o
bhakti kar to o o o o
bhakti kar to
ban jaayenge apne bigde kaam
kaam
bhajan binaa aa aa
chain naa aaye raam
koi naa jaane kab ho jaaye ae
is jeewan ki shaam
shaam m m m
is jeewan ki shaam
shaam
is jeewan ki shaam
bolo raam raam raam
raadhe shaam shaam shaam
seeta ram raam raam
raadhe shaam shaam shaam
hare raam raam raam
bolo bolo bolo
radhe shaam shaam shaam
seeta raam raam raam
radhe shaam shaam shaam
raadhe
hare raam raam raam
seeta
radhe shaam shaam shaam
radhe
bolo raam
sita raam raam raam
radhe shaam shaam shaam
bolo raam
hare raam raam raam
radhe shaam shaam shaam
bolo raam
sita raam raam raam
radhe shaam sham shaam
bolo raam
Main jis mehfil mein aata hoon
Posted on: May 25, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4329 | Post No. : | 15622 | Movie Count : |
4303 |
Hullo Atuldom
This is an attempt to remember two legends of Bollywood with one post.
On reviewing the “anniversaries page” of the blog I found an opportunity to introduce the qawwali song from a 1982 released (exact date being 27/05/1982 meaning the movie is 38 years old), Raj Kumar Kohli produced and directed, multi starrer “Badle Ki Aag” (Flames of Revenge).
The recent stay-at-home gave me the time to sit through this movie. It is a very typical, simple, regular story with a slight twist.
There is a family of father (Kadar Khan), mother (Nirupa Roy), two sons and a daughter. The father in his greed for wealth wipes out his partner’s family but the children of this family escape the mass-murder. Nirupa Roy gets separated from her sons in the course of walking out on her cruel greedy husband. She has her daughter with her. The sons grow up to be dacoits Shera (Dharmendra) and Lakhan (Sunil Dutt) and daughter (Sarika) an aspiring lawyer whose education is funded by Lakhan who has kept in touch with the mother and sister. Lakhan is a do-gooder daku where as Shera is ruthless.
Meanwhile the daughter (Reena Roy) of the affected family has been brought up in a kotha and nurses a desire to revenge her families misfortune. Her brother (Rajeev Anand who was seen in about 5 movies after which he turned producer) grows up to be a cop. There is one more important character in the whole setup- Inspector Amar Verma (Jeetendra) who is the son of Mohanlal Verma (Madan Puri) who is constantly tormented by Shera and Lakhan. Now here is the promised twist- at different times Geeta (Reena Roy) the dancer has had interaction with the three heroes and all of them have developed feelings for her. But she loves the Inspector who has seen her at different times with the other two and misunderstands her. Isn’t that a different kind of love-story. Here I should mention the existence of Bijli (Smita Patil) who loves Shera. Hope the readers have got confused about the very regular story that this movie had. The movie was a success at the Box-Office what with so many stars.
Today’s songs has the three heroes disguised as Qawwals at Janakidas’s son’s wedding. We have Smita Patil dancing around. Here I must admit that this post reminded me of this Qawwali sung by Kishore Kumar, Mahendra Kapoor and Suresh Wadkar. It had music by Laxmikant- Pyarelal and had lyrics by Verma Malik.
Small thoughts after seeing the song on repeat for writing this post- (1) Sunil Dutt and Jeetendra are jumping around and Dharmendra stays put on his mat. (2) Looks like this is the only time when Smita Patil has shared screen time with Jeetendra.
With this song we remember Sunil Dutt and Laxmikant Shantaram Kudalkar on their anniversaries.
Video
Audio
Song-Main jis mehfil mein aata hoon (Badle Ki Aag)(1982) singers-Kishore Kumar, Mahendra Kapoor, Suresh Wadkar, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
All
Lyrics
ho ho ho
ho o ho
ho ho ho ho
ho o ho
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
main jis mehfil mein aata hoon
aata hoon aata hoon aata hoon
jo chaahta hoon
le jaata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main woh bala hoon
main woh bala hoon
jis se khudaayi darr gayi
main woh bala hoon
jis se khudaayi darr gayi
maut se takkar huyi toh maut tauba kar gayi
tauba tauba tauba
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
duniya ka iss mutthi mein aaghaaz hai anjaam hai
duniya ka iss mutthi mein aaghaaz hai anjaam hai
aur khuda ke baad har ek
leta mera naam hai
naam hai naam hai
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main kya hoooon
main kya hoon
aur kaun hoon tum jaante nahin
main kya hoon aur kaun hoon
tum jaante nahin
donon ka malkul(?) maut hoon pehchaante nahin
main maut se bhi lad jaata hoon
main maut se bhi lad jata hoon
main maut se bhi lad jsata hoon
hoon hoon hoon hoon hoon
jo chaahta hoon le jaata hoon
jo chaahta hoon le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon
main woh azeem hasti hoon
jise waqt na mita sake
arre main woh azeem hasti hoon
jise waqt na mita sake
na aandhi hi uda sake
na shola hi jalaa sake
bandook se jo baat kare
main us nasal ka khoon hoon
jo dushmanon ko kuchal de
main aisa ek janoon hoon
zaalimon aur baaghiyon qaatil luteron ke liye ae
zaalimon aur baaghiyon qaatil luteron ke liye ae
main khud hi toh insaaf hoon
main khud hi ek kaanoon hoon
kanoon se main takraata hoon
kanoon se main takraata hoon
kanoon se main takrata hoon
hoon hoon hoon hoon hoon
jo chaahta hoon le jaata hoon
jo chaahta hoon le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon
zulm hoon aur andher hoon main haan
aur jangal ka sher hoon main haan
ser pe sawa ser hoon main haan haan
tujh mein itna josh nahin
arre tujh ko apna hosh nahin
main bhi toh khaamosh nahin
fitna aur fasaad hoon main
tere liye jallaad hoon main
donon ka ustaad hoon main
fitna aur fasaad hoon main
tere liye jallaad hoon main
donon ka ustaad hoon main
haan haan haan haan
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon
le jaata hoon
main jis mehfil mein aata hoon
jo chaahta hoon le jaata hoon
Tum Ne Dekha Kya Bhala. . .
Posted on: February 2, 2020
- In: "disguise" song | Bela Bose dance song | C Ramchandra Mahendra Kapoor duet | C Ramchandra songs as a singer | Club song | Dance song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1965 | stage dance | Stage song | Yearwise breakup of songs
- 4 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4216 | Post No. : | 15417 |
Fabulous Foot Tappers – 10
– – – – – – – – – – – – – – –
Ah, a post waiting for some time now to come on board. This post and this song is specially for dear Avinash ji. 🙂 🙂
As you listen to the song, and the words settle down in the mind, you can almost imagine – Avinash ji, on his flight back from Kenya to India, thinking about this song. And then the landing at Mumbai, then passing thru the immigration and baggage collect. He bumps into an old friend while waiting for the bags. The friend asks him where from he is returning. Avinash ji says, Kenya. The friend says – अरे यार, वो भी कोई जगह है देखने की, see, I am returning from Barcelona, now that is a place to visit. And instantly Avinash ji breaks into this song, telling his friend “Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika”. And there is a loud applause from the crowd waiting for their baggage.
And then, Avinash ji decides that this song must also be screened for the musical bandwagon on our blog. The Atulites must be made aware – they have missed something significant in life – “तुमने क्या देखा भला, जो ना देखा आफ्रिका”. 🙂
The song is performed as a club dance cum stage dance setting. A fiesty rock and roll number, which should have been heard more. But maybe then, the 1960s was overflowing with such rollicking dance numbers. The film itself, of course did not seem to have made any impact, and so this superb song seems to have dived below the radar of listeners.
The first one to make an entrance is Bela Bose, all made up as a native African belle. Next on the scene is Bhagwan Dada, also in an African attire and face wash. The first stanza goes by. And then, in the second stanza, we have Chandrashekhar make his appearance – a white man, suited and booted, riding in an open car. He declares that he was on way to America (jeez) but then the beauty of Africa and the African ‘माहजबीं’ made him change his mind. Quite a stretch of imagination here by Bakshi Sb (I mean Anand Bakshi 🙂 ), calling a dark and dusky damsel as ‘माहजबीं’ (literal meaning – moon faced).
And then we are on to the third stanza, in which Bhagwan Dada, feeling threatened by the invasion of the white male competitor, advises his heart throb that the fair color is not so fair, if the heart is not in the game.
In the interludes, we see the audience as well as a quartet of sinister looking ‘thugs’ who are apparently up to no good, and most likely are looking for somebody. Could be the scenario is that Bhagwan and Chandrashekhar are on the run followed by this quartet, and they both mingle in with this performance, trying to hide behind the disguises. Now isn’t that so original 🙂
The film is ‘Hum Deewaane’ from 1965. Produced under the banner of Young India Entertainer, Bombay, the film is directed by Bhagwan himself. The star cast is listed as Mumtaz, Chandrashekhar, Bhagwan, Helen, Iftikhar, Anwar, Agha, Maruti, Rajan Haksar, Kundan, Prem Sagar, Rajan Kapoor, Kanchanmala and Bela Bose.
The songs are written by Anand Bakshi, and the music is by C Ramchandra under the name of Anna Saheb. This song is an all male duet in the voices of C Ramchandra himself, as Chitalkar, accompanied by Mahendra Kapoor.
Goodness, almost one and a half years since the last post in this series. I need to pull up my socks. 🙂
Song – Tum Ne Dekha Kya Bhala, Gar Na Dekha Aafrika (Hum Deewaane) (1965) Singer – Chitalkar, Mahendra Kapoor, Lyrics – Anand Bakshi, MD – Anna Sahab (C Ramchandra)
Chitalkar + Mahendra Kapoor
Lyrics
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
muskura o dilruba
ho ja fida honay de fida
muskura o dilruba
ho ja fida honay de fida
jeene ka yahi hai
jeene ka yahi hai
tareeka
tareeka
tareeka
hoye tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
thi whaan wo mahjabeen
reh gaya main bhi wahin
thi whaan wo mahjabeen
reh gaya main bhi wahin
jaan tha mujhe
arey jaana tha mujhe
amreeka
amreeka
amreeka
haa haa
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
o sanam teri kasam
kaale hain par dilwaale hum
o sanam teri kasam
kaale hain par dilwaale hum
dil bina ye rang gora
dil bina ye rang gora
hai pheeka
hai pheeka
hai pheeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
tum ne dekha kya bhala
gar na dekha afrika
tum ne dekha kya bhala
gar na dekha afrika
tanga neeka
taaanga neeka
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
मुस्कुरा ओ दिलरुबा
हो जा फिदा होने दे फिदा
जीने का यही है
जीने का यही है
तरीका
तरीका
तरीका
होय तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
थी वहाँ वो माहजबीं
रह गया मैं भी वहीं
जाना था मुझे
अरे जाना था मुझे
अमरीका
अमरीका
अमरीका
हा हा
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
ओ सनम तेरी कसम
काले हैं पर दिलवाले हम
दिल बिना ये रंग गोरा
दिल बिना ये रंग गोरा
है फीका
है फीका
है फीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
तुमने देखा क्या भला
गर ना देखा आफ्रिका
टांगा नीका
टां॰॰गा नीका
Karishma ye kya meri jaan ho gaya
Posted on: June 10, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3979 | Post No. : | 15067 | Movie Count : |
4134 |
“Kahaani Ek Chor Ki”(1981) was produced by Balubhai Shah and directed by S Ramnathan for Deepak International, Bombay. This obscure “social” movie had Jeetendra, Vinod Mehra, Mausami Chatterji, Laxmi, Nirupa Roy, Aruna Irani, Asrani, Madan Puri, A K Hangal, Ranjan, Master Titu, Ranjeet, Bhagwan, Chaandrashekhar, Sundar, Jairaj, Shukla, Major Anand, Mukri, Viju Khote, Yusuf, Raju, Ratna, Madhumati Sharma, Uma Khosla, Manik Chaudhary, Master Laddoo, Chiku etc in it.
This movie, which I had never heard of, despite being in the midst of movie watching spree, had four songs in it.
Here is the first song from the movie to appear in the blog. The song is sung mainly by Kishore Kumar, with a few words by Hemlata. Hasrat Jaipuri is the lyricist. Music is composed by Ravindra Jain.
The song is ip synced by Vinod Mehra (disguised as a bearded old man) and Laxmi (I hope I have identified her correctly. This song , picturised in a public garden,is apparently a ruse meant to sow seeds of doubt in the mind of Asrani, who is also visible in the songs towards the end.
With this song, “Kahaani Ek Chor Ki”(1981) makes its debut in the blog.
Song-Karishma ye kya meri jaan ho gaya (Kahaani Ek Chor Ki)(1981) Singers-Kishore Kumar, Hemlata, Lyrics-Hasrat Jaipuri, MD-Ravindra Jain
Lyrics
karishma ye kya meri jaan ho gaya
karishma ye kya meri jaan ho gaya
tujhse nazren milin
main jawaan ho gaya
tujhse nazren milin
main jawaan ho gaya
ae buddhe chal hatt
karishma ye kya meri jaan ho gaya
karishma ye kya meri jaan ho gaya
haan
aisi bijli hai tu
kya
aisi bijli hai tu
jo bhi chhoo le jhatka khaaye
main bhi jhatka kha gaya
jaaneman
aisi titli hai tu
are aisi titli hai tu
tere peechhe main jo bhaaga
barson peechhe aa gaya
aaya thha kis kaam se
kar baitha kya kaam
raam naam ki umar mein
tera hua ghulaam
haaye haaye
budhaape mein bhi imtahaa ho gaya
arre arre arre arre
budhaape mein bhi imtahaa ho gaya
ho ho ho
ghar ka de de pata
ae jaani ghar ka de de pata
yoon raste mein chhed khaani karte
aaye hai sharam
meri jaan maaf karna khaata
maaf karna khata
dhandha khota sahi
lekin banda dil ka hai naram
main logon ki mushqilen
karta hoon aasaan
dhan ke haathon bik gaya
na bechoon imaan
dekho jabhi to khuda
meharbaan ho gaya
hahaaha
waah bade miyaan
dekho khuda meharban ho gaya
tujhse nazren milin
main jawaan ho gaya
tujhse nazren milin
main jawaan ho gaya
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