Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Stage song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5264 Post No. : 17270

Today’s song is an interesting Trio from an old film Ghayal-1951.

The cast of the film was Sulochana Chaterjee, Shaikh Mukhtar, Geeta Bali, Jawahar Kaul, Ramsingh, p.Kailash, pesi Patel, Honey O’Brien, Yeshwant Dave, Rewa Shankar Marwadi and many more. There were 7 Lyricists for 11 songs of the film (one of them is a 2 part song). Likewise there were 6 singers. The M.D. was Gyan Dutt. All the singers were well known, except the singer ‘ Bhola’.

Many people think that Bhola was Bhola Shreshtha, the M.D., but it’s not true. This Bhola was Bulo C Rani,M.D. He joined the industry to be a singer. Khemchand Prakash gave him an opportunity to sing in the film Mehmaan-1942. Later, the same year,Gyan Dutt also gave him songs.Bulo C Rani sang 34 songs in 19 films – initial in his own name, and from 1944 onwards as ‘Bhola’, as he had become a Music Director himself by then, from film Moorti-1944.

Bulo C Rani was a Science graduate. In those days of early cinema, most people who joined the film line were less educated and mostly from lower middle class or poor families. Not ALL of course. There were few highly educated actors, directors, MDs etc but their number was much less. Actresses like Renuka Devi, Vanmala, Nalini Tarkhad etc. were graduates. Actors like Ashok kumar and Ranjan were graduates. Artistes like Dewan Sharar, Devika rani and Shakuntala Paranjpye had International experience, they wrote books also. Director Nanubhai Vakil and actor Surendra were BA,LL.B.

Ramchandra Thakur, Producer and Director of film Ghayal-51, was also from Elite and highly educated class. He also wrote articles in magazines – before and after his film career. Ramchandra Thakur was one such scholarly person who was a Postgraduate and a prolific writer on films in English, Hindi and Gujarati, before joining films. Ramchandra Thakur was born in Suver of Sabarkantha district in Gujarat, on 17-12-1908. He moved to Bombay when he was just 9 year old. He pursued his higher education in Bombay and emerged as a scholar of Pali language. When he gave his M.A. final exam, he wanted to become a teacher in a college, if he got First class. If not, he would join the film industry as a director. During his college years he had written many articles on films. He had translated Sound Recordist Minu Katrak’s English works in Hindi and Gujarati.

When he did not get First class, he joined Sagar Movietone, in its Marketing department. After a few months, Baburao Patel took over from him and he became an assistant director to Chimanlal Luhar for the film Dynamite-38. Next, along with Virendra Desai ( Nalini Jaywant’s first husband), he became a co-director of the film The Gramophone Singer-38. His first film, as an independent Director was the Debut film of Snehprabha Pradhan – Civil marriage-40. Then he joined Ranjit Movietone. He directed mythological, Social and Comedy films. Art Director Kanu Desai’s film Geet Govind was directed by him. Thakur directed 20 films. He also wrote the script for the popular film Baiju Bawra-52. He produced 5 films. He directed 2 Gujarati films and wrote stories and screenplays for several Gujarati films.

He was an accomplished writer. He wrote 4 novels – Amrapali, Budhidhan Birbal, Prem Diwani and Urmila. He wrote several satirical commentaries too. He wrote a detailed article on Sagar Movietone and Chimanlal Desai in Gujarati magazine ” Jee”. His last Hindi film as a director was Nawab Sirajuddaula-67, which he had produced also. He died on 31-10-1992.

I do not know about the storyline of the film Ghayal-51. One of my favourite actors – Jawahar Kaul – acted in this film. He was a very handsome fellow and had an unique style of acting. It was his bad luck that he could not prosper or become “A” grade actor, as in his period the competition was severe and there were many better actors operating then.

Jawahar Kaul was born in a Nehru family on the 27th of September in the year 1927 in the place revered as the heaven of India – Srinagar, Kashmir. When Jawahar was six days old, his grandfather’s sister adopted him, and his surname was subsequently changed to Kaul. Kaul did his Intermediate from the Punjab University and then went to the town of Rawalpindi. After spending some time there, he decided to go to Mumbai. His parents were not in favour of it and hence he convinced them that he would complete his graduation from the Pune University. He had a deep attraction for films from an early age and hence wanted to try his luck in the industry. In the 1940s, Dadar had three studios – Ranjit, Shri Sound and Supreme and hence was the epicenter of Indian cinema. Jawahar made Dadar his address.

He was always short on money as his family wasn’t aware of his venture into cinema. He often slept at the studio of Prabha Pictures. Due to his Kashmiri background – his looks, complexion, height were impressive, and he started getting work soon. Jawahar started his career doing minor roles. He used to portray supporting characters in big films. He made his debut while playing actor Kishor Sahu’s younger brother in the 1945’s ‘Veer Kunal’. In this year, he was seen in the role of ‘Humayun Mahawat’ in ‘Ek Din Ka Sultan’ which was made by Sohrab Modi. His first main lead role was in the flick ‘Khidki’ which was made in 1948. He was paired with Rehana for the same.

In Dadar, he became good friends with Radhakishan Mehra. Mehra used to live in the Lallubhai Mansion where Dada Bhagwan and Prabha Shankar Yagnik, ( brother of stunt film actor Navin Yagnik), the production managers of films used to stay too. It wasn’t long when Prabha Shankar and Kaul became good friends and started sharing their apartment. Their trio and friendship became popular in the film circle. Pyarelal Satoshi was friends with Radhakrishnan, and when he became a producer, he cast Kaul in his first movie. Kaul’s debut did average business, but the songs were a hit. Soon Kaul was seen in films like Azadi Ki Raah Par, Apni Chhaya, Kathputli, Pehli Jhalak, Laal Batti, Sahib Biwi Aur Ghulam, etc. He was a legend of the Black and White Cinema. He was a superstar in the films made in the 1960s. Throughout his career, he worked only in a few selected flicks, but he was able to efficiently enrapture the audience’s attention.

Jawahar was never happy about his career- the way it went. He had wanted it to be more successful. Anyway after his last film Zalim-1980, he left acting and joined as a Production Manager with Jwala Pictures of Sandeep Sethi. After two years he became his Secretary for the next 17 years. Meanwhile he produced a film-” Agniputra “, with Mithun Chakravarti. It took a long time to finally release in 2000. Not only was it a flop, it also gave a heavy financial burden on him. However, his only son and producer daughter Shabanam Kapoor repaid everything. He died peacefully in Andheri,Mumbai, on 15-4-2019. Till the end, he looked after his school and college ‘ Children’s welfare Centre’, nearby.

Jawahr Kaul acted in 31 films starting from a small role inGeet Govind-1947. I remember his role in my favourite film Dekh kabira Roya-1957.(Thanks to Beete Hue din Blog).

Like most artistes, the music Directors of the early cinema had a tough time in their later life. Music of their era and style was no longer saleable due to the changing tastes of the people. Newer and younger MDs had a tough competition themselves. Thus these oldies were helpless. Damodar Sharma became assistant to Laxmikant Pyarelal, Madholal Master started his business of making Puppets (His Joker’s puppet was used by Raj kapoor in his film ” Mera Naam Joker”), Vithaldas Panchotiya, Krishnarao Chonkar, Badri prasad, Rewa shankar Marwadi etc. started doing small roles in films to sustain life. B.R.Deodhar opened a Music school.

Rewashankar Marwadi had acted in today’s film Ghayal-1951. I tried very hard to get some information about Rewa Shankar Marwadi, who was an actor, lyricist, singer and also music director in the 1930s and 1940s. However I could not get anything concrete. Anyway I found a note on this multi talented artist of the early era, written by Shri Dhananjay Naniwadekar aka Nani, on the old RMIM forum, some 15 years ago and adapted by me for this article.

Some of Ranjit Movietone’s earliest talkie films had music by Ustad Jhande Khan. Next came the trio of Banne Khan, Ganga Prasad Pathak and Rewa Shankar Marwari. None of that music was ever released on 78 rpm records. From 1938-39, the great duo of Gyan Dutt and Khemchand Prakash took over the charge of Ranjit’s music, later to be joined by Bulo C Rani. It was only around 1938 that Ranjit started releasing its film music on 78-rpm records.

Rewa Shankar Marwari’s association with Ranjit Films and films produced or directed by ex-Ranjit hand Jayant Desai continued in the
1940s. While it is a pleasant surprise that imdb.com has a page for an obscure name like ‘Rewashankar Marwadi’ at all, it is not surprising
that his filmography has been put together for the site by people who are far from competent at that sort of thing. He acted in 27 films, till 1955, sang 12 songs in 9 films and gave music to 21 films from ‘Veer Babruwahan’ (1934) to ‘Matrubhoomi’ (1949). After 1949 only, he started acting in films.

Rewashankar Marwadi and Gangaprasad Pathak gave music together for Gunsundari- 1934 as well as the film Raat ki Raani-35. Rewashankar Marwadi then made a pucca pair with composer Banne Khan and this pair gave music to 12 films, as a pair. ( Barrister’s wife-35, College girl-35, Qeemati aansoo-35, Noor-e-watan-35, Chalaak chor-36, Raj Ramani-36, Dil ka daaku-36, Sipahi ki sajani-36, Matlabi Duniya-36, Lehri lala-36, Ghazi Diler-36 and Mitti ka putla-37 ). In my opinion, they should be considered the first pair of MDs as well as Trend setters and NOT Husnlal-Bhagatram. Of course the number of films the H-B team did was more ( 52), but that is because after 1935, the speed of making films increased. More films were made in the 40s and the 50s than in the 30s. Moreover many composers left for Pakistan in the late 40s, so more films for less composers were available. Numbers aside, but lack of enough knowledge about the early films and artistes has led to much injustice to the Pioneers, for sure !

Today’s song is a Trio, sung by G M Durrani, Geeta Roy and Meena Kapoor along with Chorus. The song is in 2 parts recorded on one single record-on both sides. HFGK mentions it as 2 separate songs, but today’s song is the combined version running for more than 6 minutes. Durrani’s voice was suitable for soulful songs- like Talat. However personally I feel he was better than Talat, though Talat got more popular songs than him. Durrani acted in 16 films, wrote songs for 1 film (Nazare-49), gave music to 8 films composing 48 songs and sang 305 songs in 168 films.


Song- O Rani Mainavati sun mera sandesh (Ghaayal)(1951) Singer-G.M.Durrani, Geeta Roy, Meena Kapoor, Lyricist- Saraswati Kumar Deepak, MD- Gyan Dutt

Lyrics

madan janak mrug manimay
hararararara daude
manjul vachan vilohit
?? kaaya
ahahahaha
latan tatan mrug manimay
?? sunil ??
??
?? sunil ??
??
?? sunil ??
??

O Rani Mainawati
sun mera sandesh
O raja pyaar kiya
bisra do ye des

Dil ko tod ke chalo jee
mukhda mod ke chalo jee
duniya milne na degi
milne na degi
o duniya milne na degi
milne na degi
dil ko tod ke chalo jee
mukhda mod ke chalo jee
duniya milne na degi
milne na degi

chalo doon khanjar barchha teer
mitaa doon duniya ki tasweer
chalo doon khanjar barchha
chalo doon khanjar barchha teer
mitaa doon duniya ki tasweer
jo apna rasta rokegi
jo apna rasta rokegi
milne na degi
Dil ko tod ke chalo jee
mukhda mod ke chalo jee
duniya milne na degi
milne na degi

dil dhadak dhadak dhadkaiyya leta
lahar lahar lahraiyyaan
dil dhadak dhadak dhadkaiyya leta
lahar lahar lahraiyyaan
sainyya padoon tumhaare painyyaan
sainyya padoon tumhaare painyyaan
padoon tumhaare painyyaan
sainyya padoon tumhaare painyyaan
hamaari chalne na degi
hamaari chalne na degi
milne na degi
Dil ko tod ke chalo jee
mukhda mod ke chalo jee
duniya milne na degi
milne na degi

bhes badal kar naar naweli
chali yaar ke sang
naak kataa kar kahaan jaayegi
?? karoon ??
daiyya o daiyya
o daiyya daiyya daiyya

jaane ki taiyyaariyaan
jaane ki taiyyaariyaan
jaane ki taiyyaariyaan
jaane ki taiyyaariyaan

aao aao kaafilon
aa jaao ??
jaane ki taiyyaariyaan
jaane ki taiyyaariyaan
aao aao kaafilon
aa jaao ??
jaane ki taiyyaariyaan

laal ?? mein chali chhabeeli
Thakur chala ??
laal ?? mein chali chhabeeli
Thakur chala ??

yaar ke tukde kar de chaar
uthha le ?? sardaar
teri ?? hai makkaar
dekh raha kya soorat bhola
?? tera pyaar
?? tera pyaar
dekh raha kya soorat bhola
?? tera pyaar
?? tera pyaar
Dil ko tod ke chalo jee
mukhda mod ke chalo jee
duniya milne na degi
milne na degi

o o paaji raajkumaar
aa aa aa aa aa aa
arre o paaji raajkumaar
meri dulhan ka ??
arre o paaji raajkumaar
meri dulhan ka ??
saamne aa le kar talwaar
saamne aa le kar talwaar
teri gardan doon abhi utaar
teri gardan doon abhi utaar

Thakur chhod de ae
pardesi ko kar le mera haath
Thakur chhod de ae ae
pardesi ko kar le mera haath
duniya hansne na degi
duniya rone na degi
duniya hansne na degi
duniya rone na degi
chain se marne na degi
kisi ko milne na degi
chain se marne na degi
kisi ko milne na degi
Thakur chhod de ae ae
pardesi ko kar le mera haath
Thakur chhod de

o raani
main na ??
aa gaya main aaj
sachcha tera yaar hai
tera Rajkumaar

dekh do tukde hai talwaar
malaniya kar inka singaar
dekh do tukde hai talwaar
malaniya kar inka singaar
mera ghoda sar se taiyyar
basaa lo tum apna sansaar
mera ghoda sar se hai taiyyar
basa lo tum apna sansaar
dekh do tukde hai talwaar
malaniya kar inka singaar

is ghode par baithh ke
jaao donon door
Raja Rani ek hain
?? ??
Siyawar Ramchandra ki jai
Siyawar Ramchandra ki jai
Siyawar Ramchandra ki jai


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5220 Post No. : 17211 Movie Count :

4631

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet #
—————————————–
(#Music Composer-Singer-Bappi Lahiri#8 – The magic of Bappi Da & Kishore Kumar)

Regulars on the blog must be remembering that I had presented some Bappi Lahiri songs on the blog.

As I said earlier I am not a big Bappi Da fan but I do like many of his compositions. There was a time which I would like to mention as ‘Justice Chaudhary-Mawaali times’ when I was irritated of the songs composed by Bappi Lahiri and didn’t like them. Even today I didn’t like many of his compositions of those years.

But then there are some Bappi Lahiri songs which I liked and was aware of them since before, and some of the songs are those which I like and I was listening to them since years, but I was not aware that they were composed by Bappi Lahiri.

Today’s song is one such song which I recently get to listen on Radio (Vividh Bharati). And I was not aware that this was composed by Bappi Lahiri.

I like this song and thought that it must have been posted on the blog earlier. But that is not the case. This song is yet to be covered on the blog. I remember olistening to this song before and I think it was quite liked by the public too. May be the movie, the song is from, didn’t do well so this song was also forgotten easily.

This song is sung by Kishore Kumar and that makes it more special and enjoyable and that is another reason that I like this song very much.

The song is from the movie ‘Tai Chor -1980’.

‘Taxi Chor-1980’ was directed by Sushil Vyas for ‘L.D. Enterprises, Bombay’.

It was produced by Lachhman H. Tulsiani, Prakash Bathija and Dilip J. Pariyani.

It had Zarina Wahab, Mithoon Chakravarty, Madan Puri, Abhi Bhattachaya, Bharat Bhushan, Chandrashekhar, Sajjan, Sulochana, Poornima, Indira Bansal, Bhagwan, Rajendra Nath, Dhoomal, Polson, Prem Sagar, Raj Mehra, Murad, Shaikh, Mohammad Ali, Jagdeep, Keshto Mukherjee, Jayshree T., Padma Khanna, Mukri ( in special appearance) and others.

The movie also had the new discovery Anita Sarin and Brajesh.

It also had child artists Baby Lata Malik, Kiran Seth, Sagar Brothers, and Naseer.

Story of this movie ‘Taxi Chor-1980’ was written by Dilip J. Pariyani.
Screenplay and dialogues of this movie were written by Vishwanath Pande. Editing of this movie was done by Baburao Barodekar.

This movie was passed by Censor Board on 18.08.1980.

Anjaan was the lyricist for this movie who had written all the four songs in this movie.
Asha Bhonsle, Kishore Kumar, Usha Mangeshkar, Shailendra Singh, Suresh Wadkar and Anwar had given their voices to the songs in this movie.

As mentioned above music for this film was composed by Bappi Lahiri.

Today’s song is sung by Kishore Kumar and on screen it is lip-synced by Mithoon Chakaravarty. From the picturisation of this song it is clear the song happens in a stage show. We can also see Zarina Wahab, Jagdeep and many other female artists in the picturisation. I could not identify the other female artist in this song. (we can also see another Mithoon Chakravarty coming to watch this show 🙂 which means this movie could be having a double role of Mithoon Chakravarty. I have yet to watch this movie).

Let us now enjoy today’s song …

Video

Audio

Song-Vaada hai kyaa kyaa hai qasam (Taxi Chor)(1980) Singer-Kishore Kumar, Lyrics-Anjaan, MD-Bappi Lahiri

Lyrics

roo roo roo roo
ha ha ha ha aa
ru ru ru ru ru oo
o ho ho ho o
ru ru ru ru ru oo
hmm hmm hmm hmmhmm
ru ru ru
haa aa
ru ru ru oo
he ae

waada hai kya
kya hai qasam
kya hai qasam
jaane na ham
waada hai kya
kya hai qasam
kya hai qasam
jaane na ham
ham to sanam
jaanen ye baat
jeena hamen aen hain
tere saath
waada hai kya
kya hai qasam
kya hai qasam
jaanen na ham

ru ru ru ru ru oo
ru ru ru ru ru oo
ru ru ru ru ru oo

ye pyaar to
hai bezubaan
kya chaahe dil
wo jaan e jaan
jaane ye jahaan
kaise dil ki baat
waada hai kya
kya hai qasam
kya hai qasam
jaanen na ham

ye kya lagan
dil mein jagi ee ee ee
de di tujhe
kyun zindagi ee
paagal man ki kya
jaane pyaasi raat
waada hai kya
kya hai qasam
kya hai qasam
jaanen na ham

waada to hai
dhokha yahaan aan
toote qasam
jaane kahaan
chhoote naa kabhi
thhaame ham jo haath
waada hai kya
kya hai qasam
kya hai qasam
jaanen na ham
ham to sanam
jaanen ye baat
jeena hamen hai
tere saath
waada hai kya
kya hai qasam
kya hai qasam
jaanen na ham

ru ru ru ru ru oo
ru ru ru ru ru oo
ru ru ru ru ru oo


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5199 Post No. : 17181

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 111
————————————————————————————–

Ten years back on this date viz on 12th October 2012, six songs from six different movies were covered on the blog. Here are the details:-

Blog post number Song Movie (Year) Remarks
6841 Ab maine jaana hai Amar Jyoti (1936) 8 songs covered out of 11 by now
6842 Pyaar ka maaraa pyaar karey yaa doob marey Deewaali Ki Raat(1956) 7 songs covered out of 10 by now
6843 Tere bina o sajna Majboor (1964) Movie YIPPEED by now
6844 Tauba ye nazaare ye qaatil ishaare Dillagi (1966) 5 songs covered out of 8 by now
6845 Tere liye palkon ki jhaalar bunoon Harjaayee (1981) 4 songs covered out of 7 by now
6846 Hosh waalon ko khabar kyaa bekhudi kya cheez hai Sarfarosh(1999) One song covered out of 6 by now

We can observe that one movie (out of six) whose songs were covered on this date ten years ago (on 12 october 2012) has since been YIPPEED. That leaves us with five movies that are eligible for Blog Ten Year Challenge today on 12 October 2022.

“Dillagi”(1966) is one such movie.

“Dillagi”(1966) was produced by Tony Walker and directed by S Banneerjee for Golden Films, Bombay. The movie had Mala Sinha, Sanjay ,Nazima, Vijay Kumar and Johny walker in lead roles. Others in the cast were Jagirdar,  Amar, Keshav Rana, Khurshid, Hammad,Tun tun, Moolchand, Parvin Paul, Tony Walker and Bela Bose. They were supported by Zeb Sultana, Shabana, Roop Kumari, Ravikant, Ratan Gaurang, Tulsi, Aziz, Maqsood, Manjeet, Abdul Jabbar, Suresh, N Misra, Samarlal Damani, Ajay Kumar, Abdul Kader, Sherfu and Baxi.

“Dillagi”(1966) had eight songs in it. Five songs have been covered so far.

Here is the sixth song from the movie. The song is sung by Lata Mangeshkar. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a stage song on Mala Sinha who lip syncs this song is an archtypically housefull auditorium. Sanjay Khan and Vijay Kumar are present in the audience.

Lyrics of the song and other details were sent to me by Prakashchandra.

Audio link:

video link:

Song-Mere dil pe chal rahe hain abhi jis nazar ke saaye (Dillagi)(1966) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

Mere dil pe chal rahey hain
abhi jis nazar ke saaye ae ae ae
yehee dil mein rehtey rehhey ae
kaheen dard ban na jaaye ae
kaheen dard ban na jaaye
mere dil pe chal rahey hain
abhi jis nazar ke saaye ae ae
yehee dil mein rehtey rehte
kaheen dard ban na jaaye ae
kaheen dard ban na jaaye ae

woh jo mast-o-bekhabar hai
abhi apney baankpan mein aen
woh jo mast-o-bekhabar hai
abhi apney baankpan mein
woh adaay e khaas jaisey
mere dil ki anjuman mein
kabhi ek diyaa jalaaye
kabhi ek diyaa bujhaaye ae ae
yehee dil mein rehtey rehte
kaheen dard ban na jaaye ae ae
kaheen dard ban na jaaye

jo huyee sahar to jaagaa
wohee ek khayaal unkaa
jo huyee sahar to jaagaa
wohee ek khayaal unkaa
meri ainey mein aayaa
woh rukh-e-jamaal unkaa
kabhi aap hee khafaa ho
kabhi aap muskuraaye ae ae
yehee dil mein rehtey rehte ae
kaheen dard ban na jaaye ae ae
kaheen dard ban na jaaye ae

ye naye ae naye se armaan
na to khwaab hai na sapney
ye naye ae naye ae sey armaan
na to khwaab hai na sapney
koyi maaney yaa na maaney
mujhe lag rahey hain apne
wohee ajnabi sey ban kar
jo khadey hain sar jhukaaye ae ae
yehee dil mein rehtey rehte
kaheen dard ban na jaaye ae ae
kaheen dard ban na jaaye ae

mere dil pe chal rahey hain
abhi jis nazar ke saaye aey ae ae
yehee dil mein rehtey rehte ae
kaheen dard ban na jaaye ae ae
kaheen dard ban na jaaye ae ae


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5183 Post No. : 17161

Hullo Atuldom

A very Happy Navaratri to all. The date corresponds to the first day after Amavasya in the month of Ashwin of the sixth month (as per the Solar Bengali calendar) and seventh month (as per the Indian National lunar calendar of the Deccan Plateau) overlapping the months of September and October of the Gregorian calendar. It is the Sharath Navaratri. The period when we worship the Mother Goddess in the form of Durga Lakshmi and Saraswati. Additionally, this is also the time when we have Ram Leela celebrations across the country.

That is why I have chosen a song featuring Ram Leela. We can see Dev Anand, Janakidas, Premnath, Paintal, on stage enacting the Lanka dahan part of the Ramayan. It begins with Seeta maiyya crying under a tree in Ashok Vatika and  Hanuman seeing her from atop a tree. Sita maiyya (who is the actress?) sees Hanuman when he falls from the tree (I don’t know if all Ram Leelas have such comic elements. Remember there was a similar comic Ram Leela in Hrishikesh Mukherjee’s ‘Naram Garam’). Ravan’s son Meghnad is played by Sharat Saxena. Did anyone recognize the Kumbhkaran? It is the actor who has a Guinness book entry for playing a police inspector maximum number of times. Yes, Jagdish Raj. Then we have two Hema Malini in the audience.

I could only recognize Manna Dey’s voice as the male playback, there is one more male singer. The female voice belongs to Anuradha Paudwal. The song is written by Anand Bakshi and Laxmikant Pyaarelal are the music directors. Also we can hear Dev Anand’s voice in all the dialogues in between.  All-in-all an entertaining song from the 1976 released Chetan Anand directed ‘Jaaneman’.

The storyline of the film had Dev Anand playing a taxi driver and Hema Malini in the double role of sisters -Santo & Banto. Plus there were Premnath, Ajit, Paintal, Janakidas Sharat Saxena Jagdish Raaj etc. in the cast.

I have read somewhere that it was a movie in the 25th year of Navketan Films. The movie has 6 songs and the blog has 4 of them (one is a three part song).  The last song from this movie was posted in 2016. Today’s song is sort of in the same category as the iconic song from ‘Munim ji’ (1955) – “O Shivji Bihaane Chale Paalki Sajaaye Ke

Born on 26 September, 1923, today is also the 99th birth anniversary of Dev Anand. With this song, we remember him and celebrate his birth anniversary.blog

Editor’s note:-This song is the 200th song picturised on Dev Anand in the blog.

 

Song – Siyavar Ramchandra Ki Jai (Jaaneman) (1976) Singer – C Anand Kumar, Manna Dey, Anuradha Paudwal, Vinod Sharma, Lyrics – Anand Bskshi, MD – Laxmikant Pyaarelal
Dev Anand
Chorus

Lyrics (Provided by Sudhir)

siyavar ramchandra ki
jai
janak nandini siya maiyya ki
jai
laadle lakhan lal ki
jai
pavan sut hanuman ki
jai

seeta ji ka haran kiya
ravan ne badal ke bhes
ram bhaye vyaakul lachhman ke
mann ko laagi tthes
pavan putr hanuman chala
udd kar laane sandes
baavan kot chhappan darwaazon waale lanka dhaam
aur phir

[parda kholo]
[laughter]
[ae bhai]
[? Kholo]

lanka pahunch kar hanuman ne dekha

kya dekha

ke ashok vatika mein
seeta maiyya
ik vriksh ke neeche
apni akhiyaan meeche
ram ke. . .
dhyaan mein
khoi huyi hai

tum bin naahi chain
din raean. . .
tum bin naahi chain
rim jhim barsat nain
din raean. . .

[laughter]
[kamjor ped kaahe laaye]
[tum kaun ho]
[bolo, bolo kyon maun ho]

pavan putr main ram bharose

[ram bharose aap apne ghar honge]
[yahaan hanuman ho, hanuman]

pavan putr shri ram ka pyaara
mere mann mein ram rehte hain
mujhe hanuman kehte hain
mujhe hanuman kehte hain
pavan putr shri ram ka pyaara
mere mann mein ram rehte hain
mujhe hanuman kehte hain
mujhe hanuman kehte hain

seeta ji ko hamri batiyaan
kahin laage na jhoothi
is kaaran raghunath ne bheji
hamre haath angoothi

[hanuman, ram kaise hain]
[kuchh wahan ka haal sunaao]

ram sukhi hain

[arey seeta ke bina ram sukhi kaise ho sakte hain]
[kaho ram dukhi hain]

ram dukhi hain
aapki aankhon se aansoo behte hain
mujhe hanuman kehte hain
mujhe hanuman kehte hain

[seeta maiyya, yadi aapki aagya ho to]
[main kuchh kha loon]
[apni bhookh mita loon]

[khaa lo]
[mita lo]

bees bhuja das sees ka ravan
gyaani aur balwaan
kaisi nadaani kar baitha
dekho wo nadaan
us ko sabak sikhaane aaya
ram bhakt hanuman

[hmmm. . .]
[meghnaad, ye tum kya laaye]

pujya pita ye hai ik bandar
is be baag ke sab phal khaaye
isi liye isey baandh ke laaye

[bol tu hai kiska doot]

main
main hoon teri maut ka bhoot

[ha ha ha]
[tu aur mujhko maarega]

arey marte samay
hee hee hee hee
marte samay tu ram ka naam pukaarega

bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram
bolo jai siya ram

[raavan tum kyon gaate ho jai siya ram]

[band karo ye ram ram ram ram ram]

ram
ram

[khubhkaran]
[bolo isey dand kya doon]

[snoring]

[ye sota hai]
[isey sone do]
[meghnaad tum to jaagte ho]
[tum hi kaho isey kya dand den]

[iski poonchh mein aag laga do]

[satya vachan]
[main teri poonchh mein aag laga doonga]

[laga do, laga do]
[main apni poonchh se teri lanka jala doonga]

[jala do jala do]
[aieeen, ye kya kaha vaanar]

[laughter]

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5098 Post No. : 17030

———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 60
————————————————————————————–

Welcome all to this post under ‘blog ten year challenge 2012-2022’.

Ten years back on this day i.e. 03rd July’2012, as many as seven songs from seven different movies were covered on the blog.

The details of these songs are as given below:-

Song Title Name of the movie (Year) Remarks
Aise machal ke nain badal ke Do Gunde(1959) Movie Yippeeee’ed by now
Phoolon se dosti hai Duniya Jhukti Hai(1960) 2 of 8 songs posted
Chadhe chanda to tum bhi chale aana Aplam Chaplam(1961) 3 of 7 songs posted
Dhaley din aise Laal Kothi(1978) 1 of 4 songs posted
Kaa jaanoon main sajaniyaa Hum Paanch(1980) 3 of 6 songs posted
Jaan e jaan dhoondhta phir rahaa Jawaani Deewaani(1972) Movie Yippeeee’ed by now
Dil ki baat kahin lab pe na aa jaaye Teri Qasam(1982) 1 of 6 songs posted

From the above table we can see that only two movies out of seven movies represented on the blog on that day have since been ‘Yippeeee’ed on the blog.

This means that five movies are eligible for blog ten year challenge today (3 July 2022).

I am presenting a song from the ‘1982’ movie ‘Teri Qasam’.

Today 3rd July’2022 is also the seventieth birthday of Singer Amit Kumar (born on 3rd July’1952). On this occasion I am presenting a song from ‘Teri Qasam’ which is sung by Amit Kumar.

‘Teri Qasam-1982’ was directed by A.C. Trilokchander for ‘Navjeevan Productions, Bombay’. It was produced by Titu.

It had Kumar Gaurav, Poonam Dhillon, Girish Karnad, Ranjeeta, Nirupa Roy, Monty, Paintal, Jyoti Bakshi, Neelu Arora, Najma, Rakesh Bedi, Mushtaq Merchant, Kanti, Manmouji, Birbal, S.P. Chaturvedi, Dinkar Chaudhary, Meghdoot, Bhola, Shivraj, Babli, Gauri Verma, Raj Bachchan and others.

This movie introduced Shiv Kapoor.

Padmini Kapila, Mukul Agrawal made special appearances in this movie while music director Laxmikant had a guest appearance in this movie.

This movie was passed by Censor Board on 25.05.1982.

This movie had six songs thatwere written by Anand Bakshi R.D. Burman was the music director.

Here is the list of songs of “Teri Kasam”(1982):-.

Sr.No. Song Title Singer/s
01 Ham jis raste pe chale us raste pe thhi preet khadi Lata Mangeshkar, Amit Kumar
02 Ye zameen gaa rahi hai aasmaan gaa rahaa hai Amit Kumar
03 Gee two hai haan jee haan, gee two hai Amit Kumar
04 Kya huaa ek baat par barson ka yaraana gaya Amit Kumar
05 Mere geeton mein meri kahaaniyaan hai Amit Kumar
06 Dil ki baat kahin lab pe na aa jaaye Amit Kumar

Only one song from this movie has been posted on the blog and that was ten years ago on 03.07.2012. It means that this movie has completed its ten years run on the blog with only one of its songs posted.

While presenting the first song from this movie on the blog, Atul ji has given his opinion why Kumar Gaurav turned to be a failure after his debutant ‘big-hit’ movie ‘Love Story’.
Though Atul ji has mentioned that the music of this movie was composed by R.D. Burman but ‘he did not enjoy the songs of this movie’ may be because he didn’t like this movie.
But I would like to mention here that I liked all the songs of this movie very much. I had watched this movie, and I have no recollections whether I had liked at that time. But Pancham Da has given a very nice musical score ino this movie. All the songs from this movie are very good. However, only one song from this movie made it to the annual list of ‘Binaca Geetmala’ of that year 1982. This song ‘ye zameen gaa rahi hai’ stood at 22nd position.

We will be enjoying the others songs from this movie in the future.

Today we are going to listen to the second song from this movie.

This song sung by Amit Kumar is a nice song from this movie which is lip synced by Kumar Gaurav. From the picturisation of this song the song seems to be a stage show song wherein we can also see Poonam Dhillon and many other artists seated among the audience.

Let us now listen to today’s song which seems to happen after the two lovers (Kumar Gaurav and Poonam Dhillon) get estranged over some misunderstanding 🙂

Wishing Amit Kumar a very happy birthday today and a healthy and peaceful life ahead …

Video

Audio

Song-Kya hua ek baat par barson ka yaaraana gaya (Teri Kasam)(1982) Singer-Amit Kumar, Lyrics-Anand Bakshi, MD-R D Burman

Lyrics

kya huaa ek baat par
barson ka yaaraana gaya
is bahaane doston ka
pyaar pehchaana gaya
kya huaa aa
kya huaa aa aa
kya huaa ek baat par
barson ka yaaraana gaya aa

kya sunaayen ham kisi ko
pyaar ki ye daastaan
kya sunaayen ham kisi ko
pyaar ki ye daastaan
pyaar ki ye daastaan
jaan jaane ko hai baaqi
dil to deewaanaa gaya
kya huaa ek baat par
barson ka yaaraana gaya aa

unka unke gham ka ae dil
ab karen afsos kya aa
unka unke gham ka ae dil
ab karen afsos kya aa
ab karen afsos kya
jisko aana thha wo aaya
jisko thha jaanaa gaya
kya huaa ek baat par
barson ka yaaraana gaya aa

unse milne ki ijaazat
ek bas hamko nahin
ho unse milne ki ee ijaazat
ek bas hamko nahin
ek bas hamko nahin
unse milne unke ghar
har apnaa begaanaa gaya
ho kya huaa ek baat par
barson ka yaaraana gaya aa
is bahaane doston ka
pyaar pehchaana gaya
kya huaa aa
kya huaa aa aa
kya huaa ek baat par
barson ka yaaraana gaya aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4961 Post No. : 16831 Movie Count :

4580

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 168 # Missing Films of 1972 – 14#
——————————————

Today’s song is from the movie ‘Rut Rangeeli Aayee’ of the year 1972. This movie is one those still missing movie for the year 1972 on the blog. Today it makes its debut here.

‘Rut Rangeelee Aayee’ was directed by SM Pushkarna for Roshan Films, Bombay. It had Kanan Kaushal, Vijay Sharma, Jayshree T, Bharat Bhushan, Shyama, Brahmachari, Rehman, Nana Palsikar, Ramesh Deo, Madan Puri, Jagdish Malhotra, Bahri, Master Ratan and others. This movie was passed by Censor Board on 07.10.1972.

The film has four songs written by Hasrat Jaipuri and Tajdar Taj – two songs each. Music of this film was composed by Ratnadeep-Hemraj. The list of songs in this movie is as given below (as provided in HFGK).

 

Sl. No. Song Title Singer/s Lyricist
01 Husha Hayya, Sha Shaiyya…Shola Hoon Jawaan Asha Bhonsle, Chorus Hasrat Jaipuri
02 Koyi Chal Diya, Koyi Rah Gayaa Akela Mohd Rafi, Chorus Hasrat Jaipuri
03 Ek Zaraa Sa Kaam Karo, Bolo Bolo, Aaj Yahaan… Kishore Kumar, Asha Bhonsle Tajdar Taj
04 Leke Main To Champaa Chameli Baabu, Mohd Rafi, Asha Bhonsle Tajdar Taj

Today’s song is sung by Mohd Rafi and Asha Bhonsle and on screen it is lip synced by Brahmachari and Jayshree T. The song happens to be a stage drama song. However, since the movie is not available it is difficult to say in what context this song happens in the movie.

‘Rut Rangeelee Aayee’ is an obscure movie of its time. Though video of couple of its song are available. But the movie seems to be unavailable, or I could not find it.

Let us have a look on the list of movies of 1972 alphabetically after adding the today’s movie. For brevity the list given below includes the list of movies missing on the blog and list of all movies from the last post “Aaj To Mera Ho Ja Tu“, from movie ‘Ratna Daaku’ to today’s movie song-post.

 

 

Sl. No. Movie Title Director Music Director Passed by Censor Board No of Songs on the Blog No of Songs as per HFGK
1 Aakraant Girish Vaidya Jagat Singh 07.12.1972 0 No Information
17 Bachche Mere Saathi TN Babu MS Vishwanathan 17.11.1972 Songs Not Available 6
24 Bharat Darshan Khwaja Ahmed Abbas Jaidev 04.11.1972 0 No Information
45 Fighter Sheela Vijay Not Mentioned 07.10.1972 0 No Information
50 Gunfighter Johny KSR Das Aadi Narayan Rao 25.03.1972 Songs Not Available 5
53 Hunterwaali KS Reddi Satyam 02.09.1972 Songs Not Available 5
54 Jaadoo Nagari Vednatham Roghaviya Aadi Narayan Rao 05.06.1972 0 No Information
65 Kavi Sammelan Kedar Sharma 18.02.1972 We have to wait 😊 17
68 Lady James Bond KSR Das Satyam 11.07.1972 Songs Not Available 5
73 Maayaa Darpan Kumar T Shahni Bhaskar Chandavarkar 12.12.1972 0 No Information
81 Miss Chaalbaaz (Tingoo Agent 000) Ravi Rajan-Nagendra 27.11.1972 Songs Not Available 4
95 Raajdhaani Express BJ Patel L Chakravarty 04.03.1972 Songs Not Available 5
100 Ratnaa Daakoo KSR Das Satyam 29.12.1972 1 5
101 Return Of Johnny N Ramesh N Dutta 06.09.1972 1 6
102 Rivaaj T Prakash Rao Shankar Jaikishan 19.08.1972 5 8
103 Roop Teraa Mastaanaa Khalid Akhtar Lakshmikant Pyarelal 04.11.1927 7 7
104 Rut Rangeelee Aayee MM Pushkarna Ratnadeep-Hemraj 07.10.1972 Making its debut on the blog today 4

*Notes:

  1. Songs for ‘Bachche Mere Saathi’, ‘Gunfighter Johnny’, ‘Hunterwaali’, ‘Lady James Bond’ and ‘Miss Chaalbaaz’ (Tingoo Agent 000) seem to be unavailable as of now.
  2. There is no information about the songs in HFGK Vol-V (1971-1980) for the movies – ‘Aakraant’, ‘Bharat Darshan’, ‘Fighter Sheela’, ‘Jaadu Nagari’ and ‘Maaya Darpan’ as mentioned above.

With the today’s song this movie ‘Rut Rangeelee Aayee’ makes its debut on the blog.

Let us now listen to today’s melodious song and welcome ‘Rut Rangeelee Aayee’ on the blog. 😊

Video

Audio

Song – Le Ke Main To Champa Chameli Babu (Rut Rangeeli Aayi) (1972) Singer – Asha Bhosle, Mohammed Rafi, Lyrics – Tajdar Taj, MD – Ratandeep Hemraj

Lyrics

champaa chameli motiya leke aayi phoolonwaali
phool le lo o

leke main to champa chameli baabu
leke main to champa chameli baabu
raste mein khadi hoon akeli baabu
laga de in kaliyon ke daam
o mere dilbar chhaliya
laga de in kaliyon ke daam
o mere dilbar chhaliya

haaye ae
champa ya chameli na man bhaaye
champa ya chameli na man bhaaye
gori tera komal badan bhaaye
jawaani kar de mere naam
o meri chhammak chhallo o
jawaani kar de mere naam
o meri chhammak chhallo o o

gajrey
kharido gajrey
in bheeni
pyaari kaliyon le
arey chakkar
lagaaye barson
maine sajani
teri galiyon ke
meri galiyon ke na phere karna
rapat likhwa doongi teri warna
leke main to champa
aa ha
aa ha
aa ha
ho leke main to champa chameli baabu
raste mein khadi hoon akeli baabu
laga de in kaliyon ke daam
o mere dilbar chhaliya
laga de in kaliyon ke daam
o mere dilbar chhaliya

haaye
dil pe
nahin hain kaabu
kaisaa jaadu
tu ne kar daalaa

arey doongi
thhapede kas ke
aayaa majnu
hunh
bada dilwaala
tere sab nakhre hain
thhode din ke
ho loonga saare badle
main gin gin ke
aa ha champa ya chameli
ho o o oye oye oye
champa ya chameli na man bhaaye
gori tera komal badan bhaaye
jawaani kar de mere naam
o meri chhammak chhallo o
jawaani kar de mere naam
o meri chhammak chhallo o o

rang hai
nasheela jinka aa aa
laayi chunke aise gul boote
haaye haaye
tujh sa
nahin hai koyi
tere aage
saare rang jhhoothhe
tu hai bada pakkaa shikaari rasiya
ke aaj tere aage main haari rasiya
leke main to
aa ha
leke main to champa chameli baabu
raste mein khadi hoon akeli baabu
laga de in kaliyon ke daam
o mere dilbar chhaliya
laga de in kaliyon ke daam
o mere dilbar chhaliya

haan aa
champaa ya chameli na man bhaaye
champaa ya chameli na man bhaaye
gori tera komal badan bhaaye
jawaani kar de mere naam
o meri chhammak chhallo o
jawaani kar de mere naam
o meri chhammak chhallo o

o chhammo
o chhallo
o chhammo
ji chhallo
arey meri chhammak chhallo
zara aa
ahaa ahaa ahaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4923 Post No. : 16755

Today’s song is from the 1969 movie ‘Sambandh’. I was aware of this ‘title’ since my childhood and I mainly associated this movie with its song ‘Chal Akelaa Chal Akelaa Chal Akelaa, Tera Mela Peechhe Chhoota Raahi Chal Akelaa’. I have a big nostalgia of this song, and whenever I listen to it the song takes me to a different world altogether. This song brings back many memories of childhood for me.

Somehow, I didn’t get to watch this movie for many years, and later on when I started my music collection (1986-1988), I got to listen to another song from this movie i.e., ‘Andhere Mein Jo Baithhe Hain, Nazar Un Par Bhi Kuchh Daalo’ which I got in a compilation ‘Hits of Mahendra Kapoor’.

Then I came across one more song from this movie, this time sung by Hemant Kumar – ‘Apni Maata Ke Dulaare Bachche’ I like them all. And since the songs were penned by Kavi Pradeep my attraction towards this movie only increased further.

Secondly the music for this movie was composed by OP Nayyar Saab. And none of the songs composed by him for this movie sound like his characteristic music. That created a mystical ‘aura’ about this movie around me and that is still there (even I watched it once now I want to watch it more).

Then I became aware of one more song from this movie which was sung by Asha Bhonsle ‘Akeli Hoon Main Piya Aa’…

Years passed, and I carried the memory of the above songs. When I become associated with this blog, I was still interested to know about this movie and its songs. But it was only recently when for the ‘blog ten-year challenge’ our dear Prakash ji sent all the remaining songs from this movie that were still to be posted.

He sent us remaining four songs. Before that one more song ‘Tum Ko To Karodon Saal Huye Batlaao Gagan Gambhir’ got posted on the blog. Around the same time, I was browsing the HFGK Vol-IV (1961-1970) for the movies of 1969. Obviously, this movie ‘Sambandh’ features in that list too.

Finally I decided to watch this movie online. I liked the movie very much, but the print available online is not of a good quality both for the picture and the sound. Also, some parts and songs seemed to be edited from the available version of this movie.

Coming to today’s song from this movie, I can write something about it now as I have watched this movie. The song happens when Deb Mukherjee has lost his mother Sulochana. Deb had to perform his mother’s last rites without his father. He is aware that Pradeep Kumar is his father. But Pradeep Kumar is not aware that Deb Mukherji is his own son. Grief stricken Deb Mukherjee sings this song on the stage where Pradeep Kumar is also present. As Deb Mukherjee could not control his emotions while performing this song and stops singing, Pradeep Kumar who was listening in the spectator’s gallery come to the stage and sings a song consoling Deb Mukherjee. This second song is the song ‘Apni Maata Ke Dulaare Bachche’, or ‘Ab To Is Desh Ki Maati Hi Teri Maata Hai’.

The first song (or the first part) is the song we are going to listen to today. It is sung by Mahendra Kapoor.

Today also happens to be the eighty-eighth birth anniversary of Mahendra Kapoor (09.01.1934 – 27.09.2008), so this song also serves as a tribute to him.

Also seen in the picturisation of this song are Abhi Bhattacharya, Achala Sachdev, Nana Palsikar, Anjana Mumtaz, Vijaya Choudhury, Milon Mukerji, Sulochana Latkar, Ulhas and others.

Lyrics for today’s song were sent by Prakashchandra.

Let’s take a look on the list of songs of this movie and their status on the blog, as given below. We will further discuss about the movie in the concluding posts for the songs of this movie. For now I am skipping those details.

SNo Song Title Singer/s Posted On
01 Chal akelaa, chal akelaa, chal akelaa aa, tera mela peechhe chhoota raahi Mukesh 20.07.2009
02 Andhere mein jo baithhe hain Mahendra Kapoor 11.03.2011
03 Akeli hoon main piyaa aa Asha Bhonsle 23.07.2011
04 Apni maa ki qismat par mere bete tu mat ro Asha Bhonsle
05 Yah khushi leke main kya karoon Mahendra Kapoor
06 Dard ke gaaon se niklo Asha Bhonsle
07 Jo diya thha tumne ek din, mujhe phir wo pyaar de do/a> Mahendra Kapoor, Hemant Kumar 01.10.2011
08 Hey jagat pitaa parmaatmaa Asha Bhonsle, Hemant Kumar (19.07.2019
(
09 Tum ko to karodon saal huye batlaao gagan gambhir Asha Bhonsle (19.07.2019/td>
10 Main to kaanton mein rah loongi Asha Bhonsle
11 Ab to shamshaan ki maati hi meri maata hai Mahendra Kapoor
12 Ab to is desh ki maati hi teri maata hai Hemant Kumar 19.07.2009

Let us listen to today’s song now…

Video

Audio

Song-Ab to shamshaan ki maati hi meri maata hai (Sambandh)(1969) Singer-Mahendra Kapoor, Lyrcs-Kavi Pradeep, MD-O P Nayyar

Lyrics (Provided by Prakashchandra)

mere paas hai aur naa kuchh logon
bas aankh mein aansoo laayaa hoon
main pitaa ke binaa apni maataa ki
chitaa jalaa kar aayaa hoon
jwaalaa se ghiri ee
jab meri maa
bhagwaan ke ghar ko o o jaati thhi
tab tadap tadap aatmaa uski
betaa betaa chillaati thhi
beta aa beta aa aa chillaati thhi

kisi se ab mera rishtaa na koyi naataa hai ae ae aen ae
kisi se ab mera rishtaa na koyi naataa hai
ab to shamshaan ki maati hi meri maataa hai
kisi se ab mera rishtaa na koyi naataa hai
ab to shamshaan ki maati hi meri maataa hai/em>

sun`ne waalon suno kahaani meri
ho gayee khatm zindgaani meri
dhool marghat ki leke haathon mein
ab to baithaa hoon main anaathon mein

dhool marghat ki leke haathon mein aen
ab to baithhaa hoon main anaathon mein
haaye maataa ko main bachaa na sakaa
apne baapoo se main milaa na sakaa
haaye maataa ko main bachaa na sakaa
apne baapoo se main milaa na sakaa
uski arthhi bhi woh uthhaa na sakey ae
uski arthhi bhi woh uthhaa na sakey ae
chaar aansoon bhi woh bahaa na sakey
samay ne kyaa ye din dikhaayaa mujhe
kaisi manzil pe waqt laayaa mujhe
ek taraf hain mere anjaan pitaa aa
ek taraf jal gayi maataa ki chitaa

ek taraf hain mere anjaan pitaa aa
ek taraf jal gayi maataa ki chitaa
achcha hotaa jo main bhi mar jaataa
is dukhi zindagi se tar jaataa
achchhaa hotaa jo main bhi mar jaataa
is dukhi zindagi se tar jaataa
meri maa chal dee
aur main zindaa hoon oon
meri maa chal dee
aur main zindaa hoon oon
main isi baat pe sharmindaa hoon
ae meri maut bulaa ley mujhko
aaj baahon mein uthhaa ley mujhko
aei meri maut bulaa ley mujhko
aaj baahon mein uthhaa ley mujhko

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4825 Post No. : 16604

Today’s song is from the ‘1973’ movie ‘Samjhauta’. This movie had five songs already p0sted on the blog and it has been waiting for its final song since 17.07.2021, when the last song of this movie was posted.

The remaining song of this movie was already sent by our dear Prakash ji. I was about to send it with regular details to Atul ji so that we can ‘Yippeeee’ this movie.

However, when I listened to the song, its lyrics triggered some thoughts and what follows below are some real-life situations that I came across and the thoughts that came to my mind.

***
#Flashback-1, Year 2010#

Let me tell you one incidence. One fine day I was coming back, after finishing my work at the Bank at its Mundra (Kachchh) Port Branch. I was driving and on the way to my home in Mundra.

On the way there was a young lad waiving for lift. I give him lift and drive to Mundra. On reaching his destination he got off from the car and said thanks. I just enquired about him and came to know that he had finished his diploma in Mech Engineering just few months back and he was looking for a job.

He came from MP to his relatives at Mundra for job prospectus in their organisation, but that organisation did not oblige relatives of employees for job, so he was looking for other prospects.

The organisation where I was working were looking for candidates for my department i.e., Stores. So, I asked this guy to send his CV so that I can call him for an interview with the recruitment committee members.

However, there were some changes in the recruitment plans at our organisation, so it was all cancelled for then.

This guy later left Mundra to his hometown in MP and later I came to know that he got a job in a company having their works at Nagpur.

I was happy to know this.

During this period this guy was always in touch with me, as we share the same interests i.e., reading and writing.

***

I had in one of my post have mentioned how I started my professional journey and how people and my seniors helped me to become what I am today.
I will always be grateful to them for giving me the opportunity to learn and grow.

Yes, some people like me are lucky enough to get ‘right push’ whereas many like me may be deprived of opportunities or that just one chance to prove themselves, and they might have been lost permanently in oblivion. After all it is a game of luck first and your hard work later, but combination of both always.

Inheriting the generousness from my parents and other generous people who helped me, it was very natural for me to help people as and when possible, given the resources I had.

The exposure I got at the workplace was also in favour as I got to be in ‘decision-making’ positions in all my professional life except the earlier few years. After that most of the time I was as an in-charge of something or other or Head of the Department for my function (in middle management layer).
Simultaneously with working I had joined learning through distance education mode. I was also attending many behavioural and functional trainings on my own. Sometimes these would be sponsored by my employer too. This all helped a lot in the growth of me professionally, personally, and functionally.

As usual for the position of a departmental head people always keep approaching for employment either for their near and dear ones, or distant relatives or friends and their relatives. Given my nature I always tried to help and give opportunity to people coming to me irrespective of their caste, creed, religion, and region.

I always tried to select people on the merit basis and those who are ready to work hard.
Since I had myself already gone through a tough route, I expect others to put that much of effort to gain the knowledge of the subject at work. Also, I wanted to ensure that no injustice is done to anybody.

Secondly, I was very much interested in training the new recruits, explaining them the processes and the needs of complying with the standards, by arranging various training programs for them.
I always enjoyed the joy of training somebody and imparting the training on functional as well as behavioural and the management standards. I was always ready to share whatever I know about anything.

I also wanted the boys to give their 100% percent and enjoy the work. Keep trying, learn new things and share all that I give to them. And so that simultaneously they can grow in their personal and professional life. (I must mention here that all of them who worked under me keep in touch with me even after my leaving the organisation and they fondly remember me. )

Sometimes I may have been more possessive for something, but whatever I had done was to achieve excellence in the function and to reduce the response time by giving prompt service to our customers – either internal or external.

During this process I was also exploring my ‘purpose’ of life. I want to realise what my true potential was. I meet my motivational guru Late Shri. Rooshikumar Pandya around this time in 2010.

My morale was very high during those days and I had also joined a new organisation as a ‘Manager’. I had also taken membership and later become a life member of AMA & QCFI in the quest of learning more. I was all enjoying this with my work.

It was then when I had got published my daughter’s poem when she was studying in VIIth standard only.
So overall I was just moving upward in all spheres of life.

***

#Flashback -2, Year 2015 …

I was at Nagpur and working with an engineering construction company. Before that in December’2014 I had left my job and was looking for job opportunities. I had contacted some of my close contacts – my ex-bosses – and that is how I finally landed in Nagpur.

Here I had the responsibility of maintaining supply of materials to the various sites running in different parts of the country. (It was during this period that I attended the Atulites’ gang-outs too).

Along with the responsibility at corporate office I was given an independent charge to look after our site works at Mundi (near Khandwa). We were also hiring peoples for different sites.

This guy, whom I mentioned above, who had met me at Mundra, was looking for a job. He had left the job at Nagpur, after working one year there he later joined studies for graduation in engineering. Now he had completed his studies and was looking for job opportunity.

He contacted me with a request to help him. I recommended him to my immediate senior to give him a chance.
What I was asked by my senior was how I knew this person and how he knew me?
I told the above incidence of giving lift to this person and what followed next.
(Some of my colleagues also crack jokes on me what I was doing).

How do I trust a guy whom I had meet only once and that too on the road? was the next question.

Chairman of this company was the same person who had given me a chance to work when he was my Site In charge at Parli – Vaijnath (in 1985) when I was working in construction line as a ‘storekeeper’ and had just started my journey of industrial working.

I told my senior (vice president) that we should give an opportunity to this person so that he can start earning something and shape his career further, in the same way how I was given an opportunity in the past. If I had not been given an opportunity to work in my earlier days, I would never have reached where I am today.

This person was included in the team, and he served there for almost two years. In between he was always discussing with me about his interests and each time I guided him to follow what his heart dctated. I also encouraged him as and when required.
(My guru had given us a ‘mantra’ ‘do whatever you want, but excel in whatever you do’.
This person then started uploading his ‘poetry recitation videos’ on YouTube.

Later he left the company to ‘realise his true potential’ and soon found his ‘purpose of life’. He keeps uploading his videos of ‘poem recitation’ on ‘YouTube’. Slowly his followers keep increasing on ‘YT’ and ‘Instagram’.

Meanwhile I left for Kenya for a job opportunity (where one of my ex-bosses was a director and there was a suitable opportunity suiting my profile).

***

I came back from Kenya after completing a project and I was there for almost three years.
The guy in my story is now famous as a ‘motivational speaker’, and famous for his ‘motivational poems’ and other ‘poems’ recitation’. His videos are watched and seen by many on YouTube and on Instagram.

He had also published a book of his writings.

Even today whenever we discuss he fondly remembers that day and always tells me ‘Sir, that day has changed my life forever, it is because of you whatever I have achieved today’.

***

“I quote a few lines from today’s song below

kitney hi taansen gumnaam rah gaye ae
ek mauka naa milaa to
naakaam ho gaye
tulsidas kayee hain
kayee tagore bhi yahaan
ek aap hi na samjhen
hain ghaalib aur bhi yahaan
hain laakhon kalaakaar
paarkhi ki kami hai
heerey to hain hazaar
jauhari ki kami hai

That reminded me of the following ‘sanskrit shloka’ which my guru used to quote in his training programs.

“Aamantram aksharon naasti
Naasti mulamanaushdham
Ayogya puroshoh naasti
Yojaksya tatra durlabh”

‘There is not a single letter of an alphabet out of which you cannot make a ‘mantra’,
There is not a single root of a tree out of which you cannot make a ‘medicine’,
There is not a single person who is unfit or incapable,
The one who brings out mantra from a letter of an alphabet, medicine from the root of a tree, and the best of people, those people are rare’

***

Today’s song is sung by Kishore Kumar. It is lip synced by Anil Dhawan on screen. We can also see Pradeep Kumar, Ajitesh Bannerjee, Junior artiste Maqsood, and dancer Chinoo Rajput and many others in the picturisation of this song.

“Samjhautaa-1973” was directed by Ajoy Biswas for ‘Jwala Pictures Pvt. Ltd, Bombay’.
It was produced by Sundeep Sethi.

It had Yogita Bali, Anil Dhawan, Shatrughan Sinha, Ajitesh, Pradeep Kumar, Naaz, Sulochana, Asit Sen, Sajjan, Randhir, Tarun Bose, Jankidas, Manik Dutt, Jagdish Raj, Polsan, Dilip Dutt, Madhu Apte, Samar Roy, Gautam Mukherji, Bachan Singh, Sajan, Prem Master Bunty.

This movie introduced Ajitesh Bannerjee, and Keshto Mukherjee and Bipin Gupta had a special appearance in this movie.

Story of this movie was written by Sukhen Das, whereas the screenplay and dialogues of this movie was written by Inder Raj Anand.

Editing of this movie was done by Tarun Dutta.

This movie was passed by Censor Board on 31.05.1973.

This movie had six songs including one multiple version song. Lyrics for the five out of six songs were written by Indeevar (including one multiple version song) and for one song lyrics were written by Verma Malik.

Music for this movie was composed by Kalyanji-Anandji.

Here are the details of the songs of this movie.

Sno Song Title Singer Lyricist Posted On
1 Tanak tuk tandaa… aise logon ka dhandha Kishore Kumar Verma Malik 17 July 2021
2 Badi door se aaye hain pyaar ka tohfa laaye hain Mohd Rafi Indeevar 03 December 2008
3 Koi nahin hai mera Mohd Rafi Indeevar 21 November 2008
4 & 6 Samjhauta ghamon se kar lo Multiple version song Lata Mangeshkar/ Kishore Kumar Indeevar 24 July 2010
5 Saikado Kishore yahaan…na roop dekhiye na naam dekhiye Kishore Kumar Indeevar Being covered today

Let us now enjoy today’s song.

Lyrics for this song were sent by Prakash ji.

With today’s song all songs of this movie ‘Samjhauta-1973’ gets covered on the blog and this movie joins the ‘Yippeeee-club’ 😊

Audio

Video


Song-Na roop dekhiye na naam dekhiye (Samjhauta)(1973) Singer-Kishore Kumar, Lyrics-Indeewar MD-Kalyanji Anandji

Lyrics(Provided by Prakashchandra)

saikdon kishore yahaan
arrey sainkdon lata aa
bin suney chalega tumhen
kis tarah pataa aa
dil naa badhaao na sahi ee
dil to naa todo o
bekason pe zulm ke yoon
teer naa chhodo

naa roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
naa roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye

ye puraane log
ye puraane raaste ae
ye puraane log
ye puraane raaste
maut hai puraanaapan
kalaa ke waaste
maukaa naye khoon ko
diya hi naa jaayegaa
maukaa naye khoon ko gar diya hi naa jaayegaa
kalaa mein phir nayaapan
kahaan se aa paayegaa
jo aaj hain mash’hoor oo oo oor
jo aaj hain mash’hoor
kal wo bhi thhe naye
aage kisi ne unko badhaaya to badh gaye
aage kisi ne unko
badhaaya to badh gaye
na roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye

kitney hi taansen gumnaam rah gaye ae
kitney hi taansen gumnaam rah gaye ae
ik mauka naa milaa to
naakaam rah gaye
tulsidas kayee hain
kayee tagore bhi yahaan
tulsidas kayee hain
kayee tagore bhi yahaan
ek hi aap na samjhen
hain ghaalib aur bhi yahaan
hain laakhon kalaakaar aa aa aa rr
hain laakhon kalaakaar
paarkhi ki kami hai
heerey to hain hazaar
jauhari ki kami hai
heerey to hain hazaar
jauhari ki kami hai
na roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
na roop dekhiye
naa naam dekhiye
jo dekhiye to aadmi ka kaam dekhiye
jo dekhiye to aadmi ka kaam dekhiye

——————————————-
Smaller version
——————————————–
apnaa ke mujhe aapne yoon zindagi de di
khoya thha andheron mein mujhe raushni de di
yoon de ke pyaar aapne mera dil badhhaa diyaa
chhotey se ik chiraag ko sooraj banaa diyaa
hum jaise aur bhi naye aayenge kalaakaar
ummeed hai unn sabko aap denge yoon hi pyaar
ummeed hai unn sabko aap denge yoon hi pyaar

(Clapping sound)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4798 Post No. : 16562

Hullo Atuldom

The song with this post is one that I have been wanting to present on the blog for years. I have kept looking for its link on YouTube and finally found that someone has uploaded it in May 2019. Then I looked for the movie’s songs on our blog and found one song was posted with lyrics contributed by Avinashji.

In the comments to that song Prakshchandraji has written this about the movie:-

“Shubh Kaamna is a remake of famous Telugu hit movie “Shubh Lekha(1982) (directed by the same famous director K.Vishwanath) starring famous Telugu Hero (now turned into politician) Chiranjeevi and Sumalata. The film dealt with the Dowry system and Utpal Dutt`s acting in Shubh kaamna is very good. And the music of Pancham is also very good. Kiran Vairale acted very well. But I think, somehow the southern flavour of the movie was not accepted by northern audience. But I enjoyed the movie very much.”

Prakashji had also mentioned that the videos related to the movie are not easily available.

The movie had a cast of Rati Agnihotri, Kiran Vairale, Ashalata, Rakesh Roshan, Vinod Mehra (think it was a special appearance), Sujit Kumar, Utpal Dutt, Asrani, Omprakash, Satyen Kappu, and South actor Sudhakar played Utpal Dutt’s younger son and Kiran Vairale’s love interest. The songs were written by Majrooh Sultanpuri. I had seen this movie with family at the time of its theatrical release; and loved the concept of the movie. There was something to do with Allwyn watch company in the movie and some portion of the movie was shot in the factory, if my memory is correct. Also the beaches of Andhra Pradesh served as location for much of the movie.

Today’s song is a stage song which has Rakesh Roshan singing at a cultural program at the college where Rati Agnihotri is a lecturer and Kiran Vairale (her sister) is a student. The song is in a few dialects(editor’s- it is in Bangla).

Today happens to be Rakesh Roshan’s birthdate. He started his career at 21 or 22 after the untimely death of his father -the music director Roshan. He began as assistant to director Mohan Kumar in films like ‘Anjaana’. He was recommended by Rajendra Kumar to Soodesh Kumar and he got a supporting role in ‘Ghar Ghar Ki Kahani’ All through his acting career he has acted in many heroine-centric movies like ‘Paraya Dhan’, ‘Khoobsurat’, ‘Aankhon Aankhon Mein’, ‘Bahurani’, ‘Humari Bahu Alka’ etc. He played a few grey characters too as in ‘Jhootha Kahin Ka’, ‘Dil Aur Deewar’, ‘Daasi’, ‘Aakhir Kyon?’ etc. When he started his own production house his first movie was ‘Aap Ke Deewane’ which starred Tina Munim opposite two heroes- Rishi Kapoor and Rakesh Roshan. His next was ‘Kaamchor’ which had Jaya Prada as the central character. this was followed by ‘Jaag Utha Insaan’ and ‘Bhagwan Dada’ both of which had Sridevi in important roles. He turned a full-fledged filmmaker i.e. a producer director with ‘Khoon Bhari Maang’ which was on Rekha’s character. ‘Bahurani’ (1989) and ‘Aurat Aurat Aurat’ (1996) where the last movies where he had a substantial part to play. He has since been seen in guest appearances in ‘Koi Mil Gaya’, ‘Krrish’ and ‘Om Shanti Om’. He has been in the enterainment industry for 50 years now.

Here is wishing Rakesh Roshan lots of health and happiness as he turns 72.


Song-Paathhshaala te indur elo (Shubhkaamna)(1983) Singer-S P Balasubrahmaniam, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

aaaaa aaaaa
haa haaa haaaaa
haa haaaa
haa aa aa
la la la la
la la la la
beautiful
pa ma ga pa
ma ga ma ga

paathshaala te indur elo
sheekhte bole lekha podha
shono shono golpo shono
shono shono golpo shono
paathshaala te indur elo
sheekhte bole lekha padha
shono shono golpo shono
shono shono golpo shono

(guru bollen
lekha podha seekhte
tomar guru
gonesher kaacha jaao
aekhaane keno
hmm
)

na na koro na aadesh
goneshaar nai je gonesh
haan haan na na koro na aadesh
goneshaar nai je gonesh

{main jo kehna cha raha hoon,
aap log samajh rahe hain?
ek chhooha, likhaayi padhaayi seekhne ke liye school aaya
toh guruji ne kaha , tum toh Ganeshji ke vahaan ho,
aur Ganeshji toh vidya ke devta hain, unse jaa kar seekho.
Toh chhoohe ne kaha, ke aaj kal Ganeshji bhi paisa maangte hain.
}

na na koro na aadesh
goneshaar nai je gonesh
takaay chhaada guru gonesh debe na
aamayi kono shikha
aamayi kono shikha
paathshaala te indur elo
sheekhbe bole lekha paadha
shono shono golpo shono
shono shono golpo shono

rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno

{guru ne kaha
sangeet vidya
seekhne ke liye yahan kyun aayi ho
sangeet toh tumhaare mata pita ki sampatti hai
wahan jaao naa
}

na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
haan haan na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
maata pita bhi paisa liye bina
dete nahin shikshaa
haan haan
dete nahin shikshaa
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno

guruji ke pass seekhan ko naach
morni aayi
morni aayi
suno suno katha suno
suno suno katha suno

{guru ne kahaa
arre morni
tumhare premi mor se accha kaun naachta hai
wahaan jaao na
}

haar gayi usko manai ke
taal de bahaana banai ke
hoye hoye
haar gayi usko manai ke
taal de bahaana banai ke
haar gayi usko manai ke
taal de bahaana banai ke
ek din bola mufat naache de ne
pehle deyi de paisa
pehle deyi de paisa
ho o
ha a
hmm mm
guruji ke pass sikhan ko naach
morni aayi morni aayi
suno suno katha suno
suno suno katha suno


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4761 Post No. : 16508 Movie Count :

4486

———————————–————––—
Rafi Sahab’s Legendary Associations – 6
———————————–————––—

Remembering Mohammed Rafi Sahab on his 41st remembrance day :

Writing a post of a song by Mohammed Rafi Sahab is almost a second nature thing for me. I have not counted but nearly 50 % on my post must be of his songs, the exalted one, who was especially blessed by the Almighty with a life, spend smiling and spreading smiles as far as I know. Some people do want to remember him by the sad songs which he sang with equal spirit, giving them his all, that the song, situation and composition demanded, the same as he did for other songs. I found this photo, and see who has the widest smile of them all: <a href=”https://in.pinterest.com/pin/46724914867514223/&#8221; this and this this .

There are platitudes and eulogies and tributes paid in honour of celebrities, when they pass away, nowadays it is usually on social media. And then there is the sea of humanity, that erupted on a rainy friday of Ramadhan 1980 on the streets of Bandra and Juhu. It was 1980, not the time when the dwellers of this city could afford a new umbrella every monsoon. So it was black umbrellas galore on the tv screen, and many people who were without umbrella, having come out to brave the weather or travelled overnight from other parts of the country. They all had one aim, to accompany their beloved Rafi Sahab to the final destination. To walk two steps alongwith the ‘janaza’ of a ‘nek banda’, with the prayers for the departed soul’s maghfirah on every lip and in the heart.

I realized the real pain of losing someone close and dear 9 years ago, when my elder sister expired. A few days after that, my father said that he didn’t know what to ask from the Almighty in du’aa, as most of my du’aa was for her health and long life. In my turn I told him that though we all are grieving and crying on her passing away, but the tears and sadness is all for us actually. The thought of living on without that dear one, makes us feel lonely and bereft.

A year before she died, I had visited her in Bangalore. She was over the top to have me visit her, and we went to a lot of places. One day we both were going somewhere and we passed a ‘qabrastaan’ where her mother-in-law was buried. She said a prayer and told me we should always recite the prayer whenever we pass a qabrastan. The prayer roughly translates as “today you are resting here, we shall follow you tomorrow, for sure”.

Some similar thoughts on passing away of Rafi sahab are expressed in this song written by Anand Bakshi. This is a unique song in the film ‘Kroadh’ where Amitabh Bachchan is called on stage to pay tribute of Rafi Sahab on his 9th death anniversary programme. Amitabh Bachchan says a few sentences and starts singing the song:

na fankaar tujhsa tere baad aaya…
Mohammed Rafi tu bahot yaad aayaa….

The singer here is Mohammed Aziz who himself has passed away a few months ago. He has sung this song in memory of his idol very feelingly and there are tears in the eyes of Amitabh as he sings on stage and also the audience who are watching it. The scenes of ‘janaaza’ that Amitabh Bachchan is seen as recalling, were truly witnessed by him as well as Anand Bakshi and Laxmikant Pyarelal(possibly). I am sure about Amitabh Bachchan having witnessed it funeral as I have seen a photographs of him with Amjad Khan, Vinod Khanna and Rajesh Khanna. Here is the article where he Amitabh remembers the same.
This article has some rare photos of the fateful day.

The song is so appropriate for this occasion, that I am neglecting to post a song by Rafi Sahab himself. But this song expresses the feelings of Mohammed Aziz, Anand Bakshi and Laxmikant-Pyarelal. Anand Bakshi, as the record holder for having written highest no. of film songs must be the lyricist with the highest no. of songs written for Rafi Sahab too. Laxmikant-Pyarelal are also having similar record with Rafi Sahab. Right from ‘Dosti’ and ‘Parasmani’, they were the one’s who justified the ‘Dosti’ and stood with Rafi Sahab through his thick and thin.

These artists composed and performed the song 9 years after Rafi Sahab’s passing away, and gave words and expression to the feelings of millions of his fans throughout the world.

teraa naam koyi nahi bhool paaya
Mohammed Rafi tu bahot yaad aayaa

Video:

Song-Na fankaar tujh sa tere baad aayaa (Kroadh)(1990) Singer-Mohammed Aziz, Lyrics-Anand Bakshi, MD-Laxmikant-Pyarelal

Lyrics

Na fankaar tujh sa
tere baad aayaa

na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa
na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

tera gham agarche
bahot hai puraana
tera gham agarche
bahot hai puraanaa
tujhe ham se bichhde
huaa ek zamaana
huaa ek zamaana
teraa naam koyi
nahi bhool paaya
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

chale jaayenge ham
musaafir hain saare
musaafir hain saare
magar ek shikwa hai
lab pe hamaare
tujhe kitni jaldi
khudaa ne bulaayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa

mere dil ko phir aaj
tadpa gaya hai
wo manzar mere
saamne aa gayaa hai
wo manzar mere
saamne aa gayaa hai
mere dil ko phir aaj
tadpa gaya hai
wo manzar mere
saamne aa gayaa hai
ke logon ne teraa
janaaza utthaaya
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa
na fankaar tujh sa
tere baad aayaa
Mohammed Rafi tu
bahot yaad aayaa
Mohammed Rafi tu
bahot yaad aayaa


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17400 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2023) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17401

Number of movies covered in the blog

Movies with all their songs covered =1341
Total Number of movies covered=4685

Total visits so far

  • 15,635,150 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 5000 days.

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