Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Charlie Songs’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4521 Post No. : 16079 Movie Count :

4391

Today’s song is from a film which is 82 years old – Baazigar-38.

It was released just 2 years before I was born. The word Baazigar means a Juggler, Magician, an Illusionist – one who can create magic or one who has the capacity to do the unimaginable things. Perhaps, like a person who wins unexpectedly at the last minute after losing all the while, or one who turns the tables when no one expects him to do so. I have not seen this film, nor I know about its storyline, but my guess is, it must be a story of a person who was daring and changed the game in his favour when everyone thought that he would surely lose it.

There were 4 films called Baazi – made in 1951,1968,1984 and 1995 and then there were 4 films called Baazigar made in 1938, 1959, 1972 and 1993. There was even a film Baazigar-The Iron Man-2008, which was dubbed from a South Indian film.Today’s film Baazigar-38 was made by Ranjit Movietone. In the early era of the Talkie films, Ranjit was a respected big name. The spirit behind Ranjit Movietone was Chandulal Shah – who was a Baazigar himself in this film. An ordinary low level operator in the Cotton market built an empire in the film industry, like a true Baazigar, indeed !

Hindi film industry’s growth in the early years of 20s to 40s was contributed by 2 major communities. One of them was the Gujarati businessmen who immediately identified this business as the future gold mine. The other major community was the Local Marathi, who lent their brain and hard work to this industry. As the time went by, people from Punjab, U.P., Bengal and other states of India joined hands to help this industry to prosper. However, till the mid 50s it was the Gujarati Sethias who poured the finances. Financiers like Sampat Sheth, Gokuldas Pasta, Manik Sheth Patel, Chunilal Munim, Mangaldas Parekh, Abdulali Yusufali, Mohd. Ali Rangwala, Chimanlal Desai, Bhogilal Dave, Mayashanker Bhatt etc only supplied the money, but never dabbled in other departments nor did they learn anything about the film making, more than what was needed to get some profits.

One person, however, was different. CHANDULAL SHAH. He not only put crores of rupees in film making, but also learnt the technique and art of making films, direction, building organisations of producers, developing political connections and what not. He did everything that was needed to become a successful filmmaker and a leader in the industry. That is why Baburao Patel called him “Sardar”. Chandulal Shah made his company Ranjit Movietone, a force to reckon with.

Chandulal Shah belonged to Jamnagar-Gujrat. He was born on 13-4-1898. He was into the cotton trade and used to visit Bombay frequently. Later he started working in Bombay Stock Exchange. He used to visit the Laxmi films, nearby to watch shootings. On one occasion, the director of a silent film ” VIMLA “-1925 fell very sick and on the recommendation of a solicitor friend, Chandulal Shah got an opportunity to direct the balance film. Impressed by his work style he was offered 2 more films. He left the Stock Exchange job and took up the film line completely.

From Laxmi, he shifted to Kohinoor Film Company, where he met actress Gauhar Jan Mamajiwala, who became his mate for the next 50 years till he died. Gauhar used to feature in his films. With Gauhar, he did GUNSUNDARI in 1927 and in 1934 (silent and Talkie respectively).

This film was a tremendous hit and it helped them to establish their own film company, Ranjit Movies in 1929. In the next 3 year’s time they made 39 silent films. After the advent of Talkie, they changed the name of Ranjit to Ranjit Movietone. Chandulal liked to do things only kingsize. Thus he established Ranjit studios with 4 large sound stages. He also hired around 300 people in the beginning. They made ,on an average, 6 feature films every year. His studio was an assembly line production house. At a time at least 5 to 6 films were being made in his studios. He had a big army of famous Actors, Writers, technicians, directors, Music directors etc. on his payroll.

Actors like Gauhar jaan, Bilimoria, Nirupa Roy, Motilal, Madhuri, Khursheed, and K L Saigal, Music directors like Gyan Dutt, Bulo C Rani, Khemchand Prakash etc, Lyricists and writers like Kidar Sharma, Pradeep, Saadat Hasan Manto and many others were on his Payroll.

Chandulal was very proud of his empire and used to advertise ” There are more stars in Ranjit than in the sky “. At the peak time, there were about 700 people employed in Ranjit and the Government had opened a Ration shop in his studio premises for the workers’ benefit ! Khemchand Prakash did 20 films in Ranjit from 1940 to 1945, Gyan Dutt 25 films from 1937 to 1943 and Bulo C Rani did 20 films from 1943 to 1954 here.

From 1929 to 1963 Ranjit made Silent films-39, Tamil-1, Marathi-1 and Hindi Talkie films 120

Unfortunately due to a fire, except 7 talkie Hindi films, all other films were destroyed. Chandulal Shah was an active person. Besides filmmaking he took interest in many Cine Associations and also led delegations abroad. He was a keen Horse racer, better and a Gambler.

In 1944, in one day he lost ONE CRORE TWENTY FIVE LAKH rupees in cotton betting and that was the beginning of his downfall. He had to mortgage all his and Gauhar jaan’s properties, but it could not save Ranjit from ruins. He returned to Film Direction to make money and his First film after 14 years was PAAPI-1953. It had the hit pair of those times-Raj Kapoor and Nargis. For the First time Raj Kapoor did a double role, but the film flopped. Clearly the times were bad for Chandulal. All his kundali was topsy turvy !

He tried 3 more films, all failed. His last film was ‘Akeli mat jaiyo’-1963.A man who ruled an Empire started travelling in local trains and buses.

Chandulal Shah died on 25-11-1975.

The year 1938 was a year in which the film industry was trying to shed the “carried forward” load of the Silent era and make a new beginning towards a better future. Many new production houses, actors, directors and composers were in full steam and churned out films after films. major studios contributed heavily to the total films made that year. Ranjit made 5 films, New Theatres-4, Bombay Talkies-3, Mohan Pictures-6, Sagar Movietone-6, Minerva Movietone-4, Mohan Bhavnani-4, Prakash Pictures-4 etc.

In 1938, Master Bhagwan debuted as a Director with Bahadur kissan, Renuka Devi (Begum Khursheed Mirza) debuted as an actress with Bhabhi, Meenakshi Shirodkar debuted in film Bramhachari, Lalita Pawar produced a film Duniya kya hai. Surprisingly, all these 3 Heroines were married at the time of their Debut. There was a variety in film subjects – comedy, suspense, crime, social, mythological, social evils, stunts, adventure, historical, musical and various other Genres were tried in films. If one goes through the films made this year, it indicates the way the film industry was growing in its initial years.

Baazigar-38 a Costume Drama by Ranjit was directed by Manibhai Vyas- who started his career from the Silent era and became an independent Talkie director with Dukhiyari-1937. He directed 26 Talkie films. His last film was Bajrang Bali-1976. The cast of the film was Khatun, Trilok Kapoor, N M Charlie, Ila Devi, Anis, Suresh etc.etc. All the 13 songs of the film were written by P L Santoshi and Gyan Dutt provided the music.

Iladevi was a new name. Even after efforts, no information was available to me about her. From the question-answer column of the magazine Film India, I learnt that Ila Devi’s original film name was Miss Ilmas. I do not know in which religion or community, this name is used.After making her debut in Hindi films in ‘ Nishan -E- Jung ‘-1937, she changed her name to Ila Devi and acted in 6 more films. Four films in 1938 (Billi, Bazigar, Rikshawala and Gorakh Aaya) and two films in 1939 (Adhuri Kahani and Kahan hai teri manzil). After this her name is not found in any films, when I checked.

This change of name, after using one name in a film, is not unique, though,this seems to be the First such instance. I know, off hand, at least two more such instances in Film industry. Actress Ameeta (Tumsa nahi dekha fame) had used name Jaijaiwanti in her first film Thokar-1953 ( her second film kaafila -52 was released first as Ameeta,however), but she changed it to her name Ameeta from next film onwards. ( her real name was Qamar Sultana). The second example is actress Zeb Rehman who was known first as Preetibala, then she changed her name to Zeb Rehman.

There is another name ‘ Khatun ‘ in the cast. Miss Khatun Bano was born and brought up in a poor Muslim family of Lahore. As per the family tradition, she learnt dancing and singing. Once, when she was performing on stage in Lahore, the Talent hunter of Sagar movietone spotted her and she was offered a role in a Talkie film- which was a novelty in 1931. Her first film was Abul Hasan-31. Then came Subhadra haran-32, Meerabai-32, Maya Bazar-32 etc etc. In all, she acted in 59 films, till her last film Ibrat-60. She also sang 25 songs in 12 films.

Today’s song is sung by Rajkumari Dubey and Noor Mohd. Charlie, as per the uploader’s information on the You Tube. With this song film Baazigar-38 makes its Debut on this Blog.


Song-Hai koi dil lene waala (Baazigar)(1938) Singers- Rajkumari Dubey, Charlie, Lyricist-P L Santoshi, MD- Gyan Dutt

Lyrics

Haan aan aan aan aan
hai koi dil lene waala
le lo jee
lo lo dil mol
haan aan aan aan aan
hai koi dil lene waala
le lo jee
lo lo dil mol
haan aan aan aan
kya tum dil bechti ho
haan
mera dil hai itna bhola
chot lage sah jaaye
mera dil hai itna bhola
chot lage sah jaaye
mera dil hai itna komal
dhoop lage murjhaaye
mera dil hai itna komal
dhoop lage murjhaaye
le lo jee
le lo dil mol
le lo jee
le lo dil mol
haan aan aan aan aan
hai koi dil lene waala
le lo jee
lo lo dil moi
haan aan aan aan aan

aise bhole komal dil ko
dil mein band rakhoonga
aise bhole komal dil ko
dil mein band rakhoonga
chot na lagne doongaa sajni
dhoop na lagne doongaa aa
chot na lagne doongaa sajni
dhoop na lagne doongaa
kya keemat hai bol
kya keemat hai bol

dil ka sauda dil se baalam
dil de de
dil le le
dil ka sauda dil se baalam
dil de de
dil le le
dil hai ye anmol ol
dil hai ye anmol ol
haa aan aan aan aan
hai koi dil lene waala
le lo jee
lo lo dil moi
haan aan aan aan aan


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film ‘Chaand Taara’ (1945). This song is sung by Noor Mohammed ‘Charlie ‘ and chorus. Today (30th June) is the anniversary of Charlie’s passing away in 1983. This song is in his memory. This song also happen to be a parody song. No, no, I am not doing a series on parody songs. It is just a coincidence that I got hold of a second rare song which is also a parody song.
Read more on this topic…


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 16300 song posts by now.

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