Posts Tagged ‘Laxmikant Pyarelal’
Mannu bhai motor chali pam pam pam
Posted on: August 4, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 300th article written by Peevesie’s mom in the blog.
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Blog Day : |
4034 | Post No. : | 15157 | Movie Count : |
4162 |
Happy Friendship day to all in Atuldom
As I have said in my post last year, the first Sunday of August is celebrated in many parts of the world as Friendship day. All the proverbs or sayings connected with Friends and Friendship come rushing to the mind viz. “a friend in need is a friend indeed”; “a real friend is one who walks in when the rest of the world walks out”; “every gift from your friend is a wish for your happiness”; “a friends’ eye is like a good mirror”; etc.
At the same time I can recollect numerous songs from Bollywood connected with friendship and friends like “doston se pyaar kiya dushmanon se badle liya” (which subsequently Usha Uthup used to sing as “doston se pyaar kiya dushmano se bahut pyaar kiya” in all her concerts); “ae yaar sun yaari teri mujhe zindagi se bhi pyaari hai”; and the most popular of them all- “ye dosti hum nahin todenge”.
It is really fortunate to have friends on whom one can rely. It is an experience where in, one can just pick up the phone and begin talking as if there was no break in the one-to-one interaction, or any lapse of time in between one meeting or chat and another. And I must say I experienced it. So much so, that around the beginning of June a few friends of mine from my college days decided to meet up at the place of one amongst us and spend a few days together.
Much like the gangout that I had with my blog friends in April end. That gangout was decided at short notice, even the venue changed from Guruji’s place to Kamathji’s place as Guruji had to urgently rush out of Mumbai. It was a hangout that fell in place as Sudhirji intimated that he will be in Mumbai at that time with Bakshishji for company, for almost a week. And I didn’t want to miss the opportunity of meeting the two of them, and made it aware that I will have only a few hours at my disposal before catching my return bus to Bangalore. And the hangout happened with Bharatji, Sudhirji, Bakshishji and Nitinji.
We had a very gracious and efficient host in Kamathji and his family. I simply loved the attention they gave us. Nitinji and Bharatji had already arrived when I reached the venue and then the bell rang. We all expected it to be the Dilliwales but it turned to be our ever-smiling IN-HOUSE ENCYCLOPAEDIA. That was the best surprise that could have been sprung on the gang as we were without information about his location. And the sweet/ cute person that he is, he decided to meet us as soon as he landed in Mumbai – just that morning. Then the Dilliwales walked in and we had quorum so to speak. We managed to spend a joyful time where Sudhirji and Bakshishji spoke of their time well-spent over the last two days doing what we all enjoy- listening to music.
So, when birds of the same feather flock together there is a whole lot of Music, Masti And Magic. (this last 3 Ms is the slogan of one of the many music channels on satellite television). Like it happened when I met my gang of college friends in the heart of summer and the country reeling under temperatures of 40-49 degrees Celsius. But that didn’t stop us from getting out into the sun and seeing a part of the country which we had never visited. And when it got too hot, we just whiled away the time in the comfort of the air-conditioned room, talking of old times and catching up on 30 years of gossip, with platefuls of snacks and mugs full of tea/ coffee. Yes, I had met a particular friend after that many years but we never felt that it was that long back. There was no awkwardness. That is what friends and friendship is about I suppose.
We have numerous Hindi film songs where gangs of girl friends pick up their cycles and go about singing like Saira Banu did in Padosan or Nutan did in Anaari and Chhaliya. Heroes are no different and we have seen Rajendra Kumar in Aas Ka Panchchi; Rishi Kapoor and Rakesh Roshan with their group of friends in Aap Ke Deewane etc. But our movie stars also sing along with their friends in open topped cars and jeeps and we end up having songs like “chaahe koi khush ho chaahe gaaliyan hazaar de”; “Manubhai motor chale pom pom pom”.
Now there is a similarity in the two open topped car songs that I have mentioned. Though the two songs are 24 years apart, and they show the heroes frolicking about they are singing in the same voice. That of Kishore Kumar.
Kishore Kumar who would have been 90 today. Unbelievable!!! But then we are not fortunate to have him amongst us. We are fortunate that we have his songs- songs that tickle us into laughter, bring a smile to our lips, nudge us out of bad moods. And we are grateful to lord almighty for this singer, actor, producer, director and music composer who lived amongst us mortals. Whose friendship with Dev Anand, RD Burman, Rajesh Khanna etc is well known. His voice was instrumental in shaping the careers of many actors till Anil Kapoor, Sunjay Dutt, Kumar Gaurav etc.
Today’s song is from the 1978 Surinder Kapoor produced, Sikandar Khanna directed “Phool Khile Hain Gulshan Gulshan” which starred Rishi Kapoor and Moushumi Chatterjee in lead roles with Ashok Kumar, Amjad Khan, Asrani, Ranjeet, Helen, Paintal Mukri, Dr. Shreeram Lagoo etc. Mithun Chakravarthy played one of Rishi Kapoor’s many friends in the movie. The songs were written by Rajinder Krishan and Laxmikant- Pyarelal were the music composers.
I have seen this movie years ago but the story of the movie as given on IMDB.com is as follows (and is accurate I must say) —
Aware that his grandson has acquired all the bad habits of a rich and spoiled brat, including womanizing and alcohol, Lala Ganpat Rai, instructs his lawyers to make it conditional that he, Vishal, shall not receive any money or property from his estate unless he fulfills either of two conditions. One: That he marries a woman of Rai’s choice, Shalini, who shall inherit half of the property; and in order for Vishal to inherit all of the property he must re-locate to their farmhouse in a village, cultivate a piece of land, and grow some crops on it within one year. Needless to say, Vishal is enraged at this, and neither of the two conditions are acceptable to him. However, he reconsiders this, and he and half a dozen friends travel to the village, set a comfortable albeit accommodations, and attempt to cultivate the land. Things do not go as planned, as Vishal and his friends are accused of molesting and raping a village belle, which leads to her suicide. His friends, noticing the changed atmosphere, disappear, leaving Vishal alone to carry out the mammoth task of cultivating the land on his own, without help or support, and angry villagers who may expel him from their village. It looks like Vishal is on his way of losing everything he had ever hoped, prayed, and taken for granted.
From the above story it is evident that friends can make or break one’s life. There is a line in the other song that I have mentioned above
“chaahe koi khush ho chaahe gaaliyan hazaar de” which is how friendships should be
“baant kar jo khaaye us pe apne jaan-o-dil lutaa
jo bachaaye maal us ko jooti’on ka haar de”
Let your heart and your life be beholden
For a buddy who shares his food with you
But for him, who scrimps and keeps safe his things
Be sure to present him with a garland of shoes”
-this I have copy pasted from the post that Sudhirji had written for the song.
Happy Birthday to our Kishore Kumar
Song-Mannu bhai motor chali pam pam pam (Phool Khile Hain Gulshan Gulshan)(1978) Singer-Kishore Kumar, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal
Asrani
Chorus
Lyrics
ae mannu bhai motor chali pam pam pam
hey mannu bhai motor chali pam pam pam
hey mannu bhai motar chali pam pam pam
hey mannu bhai motor chali pam pam pam
chowpatty jaayenge na bhelpuri khaayenge
chowpatty jaayenge na bhelpuri khaayenge
achhi achhi sooraton se aankhen ladaayenge
halla machaayenge
gulla machaayenge
band baaja baajega dhum dhum dhum
hey mannu bhai motar chali pam pam pam
manu bhai motor chali pam pam pam
chowpatty jaayenge na bhel puri khaayenge
achhi achhi surto se aankhen ladaayenge
halla machaayenge
gulla machaayenge
band baaja baajega dhum dhum dhum
ae mannu bhai motor chali pam pam pam
hey manu bhai motar chali pam pam pam
yeh kal ki baat hai
la la la laa la la
aankh meri fadki
la la la laa la la
kal ki baat hai aankh meri fadki
jaldi se god mein phir aayi ek ladki
ladki
arre kaun thhi wo ladki
maine jab poochha
la la la laa la la
bol tera naam kya
la la la laa la la
toh hans ke woh boli
naam se hai kaam kya
aayi thhi woh dham se
aayi thhi wo dhum se gayi chham chham chham
ae manu bhai motor chale pam pam pam
hey mannu bhai motor chali pam pam pam
hey manu bhai motor chali pam pam pam
hey mannu bhai motor chali pam pam pam
ae eeee
saamne wo dekh re
ae eeee
ek truck aa raha
arre jhoothh mat bol
aa nahin jaa raha
dekho ankh maare laal laal signal
signal ko tod do
baat badi simple
dekho bell bottom gaalon pe dimple
halka sa gaalon pe hai ek pimple
mannu bhai pyaara
bada achcha bhaiyya
chokari ki ?? mein
karega ta tha thaiyya
ta ta trak trak dhun dhunn
ji bi ka ta tha thurain
dhun trak thun dhun
?? tirkit dhaam
dhaam
hey mannu bhai motor chali pam pam pam
hey mannu bhai motor chali pam pam pam
chowpatty jaayenge na bhel puri khaayenge
achchi achchi soorton se aankhen ladaayenge
halla machaayenge
gulla machaayenge
band baaja baajega dhum dhum dhum
ae mannu bhai motor chali pam pam pam
hey mannu bhai motor chali pam pam pam
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4030 | Post No. : | 15147 |
It is that day of the year again.
The 31st of July.
A date that doesn’t need any reminder for lovers of HFM.
Of all the days in the calendar, a few stand out – and the 31st of July is one of them.
For it is the death anniversary of one of the most loved and respected figures of the Hindi film industry, Mohammad Rafi, respectfully referred to as Rafisaab.
Today on his 39th death anniversary, we on this blog, remember him with great fondness and respect.
I’ve written about Rafisaab many times here on this blog. In fact, there’s no one I have written about more than about Rafisaab.
To be honest, there really isn’t anything more for me to say that I haven’t already said before.
How I, growing up in a Kishore-dominated era, fell in love with Rafisaab’s voice.
How I’ve done all-nighters listening to Rafisaab songs, completely losing track of time.
How much I respect Rafisaab for being such a good human being, inspite of having the power to abuse his position, if he had wanted.
I’ve written about all this – and more. And I don’t want to bore readers here by repeating stuff.
Not that I get bored of writing about Rafisaab. Never. When I don’t ever get bored of listening to his voice, how can I possibly get bored of writing about him? It is such a pleasure, and an honour, to write about Rafisaab.
So whether I have any new material or not, I will write about Rafisaab – even if it is only a few lines. That is the very least I can do for someone who has given me so much joy in life. And on his Remembrance Day, I just have to write a few lines for him – to thank him for everything.
Different people make a mark in this world for different reasons. Not all leave a legacy of course, but I doubt even those who do, have any idea of the magnitude of the legacy they would leave behind. And its endurability.
I doubt Rafisaab thought about all this when he was alive. He was a simple man, happy to earn his living through the one profession that he loved, and knew he was loved for – singing. Even for that, he was humble enough to always point upwards, to God, to suggest He was to thank for everything.
Rafisaab was very soft-spoken. For all his animation while singing, he was an extremely shy person in conversation and avoided interviews. Which is also why there are very few interviews of him available out there. It is our loss, but then that was the person he was. At least we have his songs, and anecdotes of those who knew him with us.
Rafisaab was devoted to his profession – he would do riyaaz for hours. He enjoyed spending time with his family. And enjoyed playing badminton. And good food. A man who always had a smile on his lips, who never thought ill for others – on the contrary, he went out of his way to help others.
A simple man – but what a legacy!
One that he would never have imagined during his lifetime.
Even today, 39 years after he is gone, there isn’t a day when his songs are not playing on radio. There isn’t a day when HFM lovers from around the world are not listening to his songs on whatever device they have. Today, thanks to technology, we have access to music on demand.
Yes, Rafisaab has enriched the lives of millions by his sheer voice. And that, for decades. And, I am sure, will continue for decades too. Such is the love people have for Rafisaab. It transcends generations.
This is another aspect that makes me really happy for him. It is great to see young generations today, even teenagers, listen to Rafisaab’s songs. Of course, their music interests are current too – and they should be. But from what I’ve seen, many of them are still happy to listen to old HFM songs – and Rafisaab, of course. Which is why I say Rafisaab’s voice transcends generations.
In my own case, I know my next generation is also very fond of Rafisaab. My niece’s husband invariably plays Rafisaab songs in his car. Not just for me, but for himself too. Not that my niece complains. She is herself very fond of Rafisaab. 🙂 They like current songs too, but Rafisaab is a fixture in their car. Especially 1960s songs like “dil ke jharoke mein”, “pukaarta chala hoon main” and “deewana hua baadal”. I swear, I did nothing to influence them – it all happened by itself. 🙂 Actually, my niece’s father-in-law is also a Rafisaab fan, so maybe that played a role too.
Now my niece has a kid – he is not even 3, but I have a feeling he will also soon be listening to Rafisaab. 🙂
I will not be surprised if this is the story in many other families too. I hope it is – then Rafisaab’s legacy is in safe hands.
Rafisaab deserves nothing less. A person with such a divine voice, a person who had such a good heart, who did good for so many, deserves every little bit of love and respect he gets.
I always have a warm feeling, and feel energized, when I discuss, or write about, Rafisaab. His songs immediately come to my mind, THAT voice, those intonations in the rendering. I get lost, happily so, thinking about his songs.
I can keep going on and on, but then I will be repeating what I’ve written in the past. And will be boring the readers. 🙂
So I’ll just move on to the song for today.
This is from Jaani Dushman (1979). A decade right up my sleeve, given that I’m a 1970s boy. Avinashji, himself a huge Rafisaab fan, sent me the lyrics and requested me to do a write-up.
By the late 70s, Rafisaab had regained his place in public mindspace. The first half of the decade had been totally dominated by Kishore Kumar (inspite of a few Rafisaab hits). But by the mid-70s, Rafisaab began coming back. I remember Laila Majnu (1976) songs being a success. A year later, he had chartbuster hit songs in Amar Akbar Anthony (1977), Hum Kisise Kam Nahin (1977) and Apnapan (1977), to mention just three films.
And so he continued, with hits in Abdullah (1980) and Karz (1980), right until his untimely death.
Jaani Dushman (1979) was during his revival phase.
The film has the popular, foot-tapping Rafisaab-Asha Bhosle duet “tere haathon mein pehna ke chudiyaan”, but also the song of today “chalo re doli utthao kahaar” (which comes multiple times in the film, if I remember right), was popular too.
The film itself is a multi-starrer in keeping with the trend of the time. Those were the days of multi-starrers – many commercial films had two or more lead heroes and heroines. JD went a step further, and must be considered a mother of multi-starrers – it had at least 5 “heroes” – Jeetendra, Sanjeev Kumar, Vinod Mehra, Shatrughan Sinha and Sunil Dutt. And Rekha, Reena Roy, Bindiya Goswami, Neetu Singh and Sarika amongst the “heroines”. Other movies of that era that were multi-multi-starrers that come to mind are Naagin (1976) and the Burning Train (1980).
I remember seeing the film at the time, but given my pathetic memory, I don’t remember too much of it. I do remember that it was meant to be a horror film of sorts, where a monster is supposed to murder every newly-wed bride. Something like that.
The songs of the film were quite popular, and the film too did well I think.
“Chalo re doli utthao kahaar” is a background song, picturised during the bidaai of a daughter as she leaves her parents’ home. It is a typical Rafisaab song – he was very good at emotional, background songs of this type. With their ebbs and flows.
Talking of emotional, background songs, am reminded of Ravi, the composer of songs of Waqt (1965) saying he had insisted with the Chopras on Rafisaab singing “waqt se din aur raat”, though Mahendra Kapoor, and not Rafisaab, was generally their preferred singer. He had said that this song would suit Rafisaab more than anyone else.
Similarly Kalyanji Anandji picked Rafisaab to sing a couple of lines as background song in that death scene in Muqaddar Ka Sikandar (1978) – “zindagi to bewafa hai, ek din thukraayegi”. Anandji said in an interview that he was a bit embarrassed to ask Rafisaab to sing those lines, because he had no other song in the film, and it was only a couple of lines. But he wanted them to be in Rafisaab’s voice. Without the slightest ego, Rafisaab rendered those lines with his usual high standards.
L-P, ever loyal to Rafisaab, even during Kishore Kumar’s peak, used him to render the emotional background song “nafrat ki duniya ko chhod ke” of Haathi Mere Saathi (1971) even though Kishore Kumar sings the songs picturised on Rajesh Khanna.
This song for today is also an L-P composition. I request you to please listen to this song – and remember Rafisaab today.
Rafisaab, you will always be in our hearts. The years roll by, but the love and respect does not diminish one bit. For what you’ve given the world, millions are ever grateful to you.
Personally, I can’t thank you enough, hence this post as a humble tribute.
(As mentioned above, lyrics for today’s song have been provided to me by Avinashji. I thank him for providing me these lyrics).
Video
Audio
Song-Chalo re doli uthhaao kahaar piya milan ki rut aayi (Jaani Dushman)(1979) Singer-Rafi, Lyrics-Verma Malik, MD-Laxmikant Pyarelal
Chorus
Lyrics (Provided by Avinash Scrapwala)-Based on audio link
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Ho o
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Ho o
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Pi ki nagri le jaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Hmm hmm hmm
Hmm hmm hmm hmm hmm
Jin nainon ki ee tu hai jyoti
Un nainon se ae barse moti
Daawaa nahin hai
koi Zor nahin hai
Beti sadaa hi paraayi hoti
Jaldi naihar se le jaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi ee
Chhaayi hai dekho hariyaali ee ee
Aayi hai rut khushiyon waali ee
Har aasha parwaan chadhi ee ee ee
Din hai Dashehra
Raat deewaali ee
Galey daal baahon ka haar
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Tan maike man teri nagariyaa
Ud jaaun main Ban ke badariyaa
Chaand nagar ko Chali chakori ee ee
Pyaasi hoon milan ki sanwariyaa
Mere sapne sajaao
Qahaar
Piya milan ki rut aayi ee
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Sooni padi ee
Bhaiyya ki ee haveli
Vyaakul behnaa aa
Rah gayi akeli ee
Jin sang naachi
Jin sang kheli ee
Chhoot gayi wo o
Sakhi Saheli ee
Ab naa deri lagaao
Qahaar
Piya milan ki rut aayi
Chalo re doli uthhaao qahaar
Piya milan ki rut aayi
Piya milan ki rut aayi
Piya milan ki rut aayi ee
—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
हं हं हं
हं हं हं हं ह
हं हं हं
हं हं हं
हं ह
हं हं हं
हो ओ
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
हं हं हं
हं हं हं हं ह
हो ओ
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
पि की नगरी ले जाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
हं हं हं
हं हं हं
हं हं ह
जिन नैनों की तू है ज्योति
उन नैनों से बरसे मोती
दावा नहीं है
कोई जोर नहीं है
बेटी सदा ही पराई होती
जल्दी नैहर से ले जाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई ई
छायी है देखो हरियाली ई ई
आई है रुत खुशियों वाली ई
हर आशा परवान चढ़ी ई ई ई
दिन है दशहरा
रात दिवाली ई
गले डाल बाहों का हार
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
तन मयके मन तेरी नगरिया
उड़ जाऊं मैं बन के बदरिया
चाँद नगर को चली चकोरी ई ई
प्यासी हूँ मिलन की सांवरिया
मेरे सपने सजाओ
कहार
पिया मिलन की रुत आई ई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
सूनी पड़ी ई
भैय्या की ई हवेली
व्याकुल बहना आ
रह गयी अकेली ई
जिन संग नाची
जिन संग खेली ई
छूट गयीं वो ओ
सखी सहेली ई
अब ना देरी लगाओ
कहार
पिया मिलन की रुत आई
चलो रे डोली उठाओ कहार
पिया मिलन की रुत आई
पिया मिलन की रुत आई
पिया मिलन की रुत आई ई
Dholak bajaao aao sakhi aao
Posted on: June 15, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3984 | Post No. : | 15073 |
“Jeet”(1972) was produced and directed by Adurthi Subba Rao for Babu Movies Combines Private Limited. This social movie had Randhir Kapoor, Babita, Jeevan, Rajendra Nath,Sunder, Roopesh Kumar,Dulari,Hina Kausar, Sulochana Latkar, Manorama, Nana Palsikar, Hari Shivdasani, Anwar Hussain, Sanjana, Dada Mirasi,Keshav Rana, Bhatt, Master Shahid, Jateen (new find), Bhanumati, Shanti, Prabha, Kalavathi, Baby Sudha etc in it.
The movie had six songs in it. Four songs have been covered in the past.
Here is the fifth song from the movie to appear in the blog. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised as a “sagaai” song where sahelis of bride (played by Babita) sing this song. The song is lip synced by Hina Kausar (in Lata voice) and others viz Shirlie, Sheila Ramchandra, Dulaari, Sundar etc are also visible. Randhir Kapoor (groom) is also visible in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
Song-Dholak bajaao aao sakhi aao (Jeet)(1972) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics (Provided by Prakashchandra)
dholak bajaao
aao sakhi aao
dholak bajaao
aao sakhi aao
gaao bajaao taaliyaan..aaan..aan
ke dulhan banti hai haayye
dulhan banti hai
haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai
naseebon waaliyaan
dulhan banti hai
naseebon waaliyaan..aaaan
dulhan banti hai haayye
naseebon waaliyaan..aaaa
ye din sabko mubaarak ho ree
mubaarak ho ree
ye chandaa woh chakori
ho bandh gaye
prem ki reshmi
dori mein aaj se
jhuk gayee laaj se
ankhiyaan
sunke prem ki
batiyaan
chal dee chhodke
sakhiyaan
likhna jaaye ke
patiyaan
ho mann mein phootey phuljhadiyaan
honthon pe gaaliyaan
dulhan banti hai
haayye
dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan……..aan
aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa aaa
ye rang roop
teraa haayye haayye
jiyaa dhadkaaye
mera jee ghabraaye
lag jaaye na nazar kahin bairan
duniyaa ki meri jaan ko
mukh pe daal do
aanchal
jaise chaand pe
baadal
daalo aankh mein
kaajal
baandho paanv mein
paayal
ho o o o
khanke kangan chamke mundri damke baaliyaan
dulhan banti hai
haayye
dulhan banti hai haayye
naseebon waaliyaan
dholak bajaao
aao sakhi aao
gaao bajaao taaliyaan..aaan…aaan
ke dulhan banti hai haayye
naseebon waaliyaan
dulhan banti hai haayye
naseebon waaliyaan
Tum chaahe hamko pasand na karo
Posted on: June 1, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3970 | Post No. : | 15054 |
Peevesie’s mom is one blog regular who keeps in touch with me on phone almost on a regular basis. Nearly one month ago, she phoned to enquire whether my daughter was at Mumbai seeing that summer vacations had started in Mumbai colleges. So I informed her that my daughter, and also my wife, were on their way to join me for their respective vacations.
So it came as no surprise to Peevesie’s mom when my posts during the last month were reduced to a trickle.
Day before yesterday, Peevesie’s mom phoned me informing me that she had sent a late article in the evening and whether I would be able to post it. I informed her that I was on the job. She enquired why I was not posting my articles in the blog. I was posting guest articles all right but she was interested about my “man ki baat”” kind of articles. I informed her that my wife was still around and I would be able to post by “well” researched article only after I am away from the watchful eyes of my wife, which would be from the afternoon of 1 june 2019. 🙂
Then the talk veered to the TV programme that I was watching. She asked whether I was watching the world cup cricket match or the swearing in ceremony of Indian ministers. I informed her that I was watching the later, viz the swearing in ceremony.
We agreed that Indians were busy for the last one month and a half in General elections and now they would get busy following cricket world cup for the next one month and a half. Peevesie’s mom is not aware that I would stay busy after the cricket world cup as well, seeing that Premier Kabaddi League would start immediately after cricket world cup.
My wife stayed with me for nearly one month and she is leaving in the afternoon. So the excuse of there being no time for blogging will no longer be there for me. 🙂
There are lots of topics that I would have loved to discuss but I could not find time. I can even hold forth on a subject like “JCK ki khudaai” if I can find time and I apply my mind to it. 🙂 Yesterday, I was actually invited to watch “JCB ki khudaai” inside my workplace. 🙂
Right now, I was trying to post one article a day. Hopefully I will be in a position to be able to post several articles a day which used to happen so regularly in the past. I could try to turn the clock back a decade, when there used to be six or seven songs a day everyday. 🙂
“Badalte Rishte”(1978) was directed by R Jhalani for Vijayshree pictures Bombay. The movie had Jeetendra, Rishi Kapoor, Reena Roy, Asrani, A K Hangal, Pinchoo Kapoor, Shubha Khote, Urmila Bhatt, Deena pathak, Master Raju, Omkar, Madan Joshi, Pardesi, Raja Duggal, Makhan Singh, Chandar Dhaani, Chandra Prabha, etc in it, with new discoveries Shashi Bala Saxena and Rachna Bhatt.
The movie had five songs in it. Two songs have been covered in the past.
This song, the third song from the movie, is sung by Kishore Kumar and Suman Kalyanpur. Anjaan is the lyricist. Music is composed by Laxmikant Pyarelal.
This “naa naa followed by haan haan” kind of “iqraar” song is picturised on Rishi Kapoor and Reena Roy.
This movie is from 1978, a year when I becan to watch movies with a vengeance. But I did not watch this movie and I was not aware of this song. So this song is a “new”song for me and I haerd this song for the first time today, more than four decades after this song was created.
Song-Tum chaahe hamko pasand na karo (Badalte Rishte)(1978) Singers-Kishore Kumar, Suman Kalyanpur, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Lyrics
tum chaahe humko pasand na karo
par tum humko pasand ho
pasand ho
par tum humko pasand ho
chhaliya jo sau sau roop badle ae ae
wo humen kaise pasand ho
pasand ho
wo humen kaise pasand ho
chhaanv jaise baadal ki
dhoop jaise saawan ki
waise na jaane kis pal tum badlo
baat jaise sapne ki
rang jaise mausam ka
waise na jaane kis pal
tum badlo
deewaane ko kyun tadpaana
tum jo humen dil se pasand kar lo
apni to kismat buland ho
buland ho
apni to kismat buland ho
chhaliya jo sau sau roop badle ae ae
wo humen kaise pasand ho
pasand ho
wo humen kaise pasand ho
bin soche dil kho ke
pyaar mein paagal hoke
tum in bahaaron mein kabhi ee khoyi nahin
ye bahaaren bolengi
bhed dil ke kholengi
dil mein tumhaare siva to koi nahin
laakh manaaya dil na maana
hum kaise tumko pasand na karen
jab tum dil ko pasand ho
pasand ho
haan tum dil ko pasand ho
haan tum humko pasand ho
pasand ho
haan tum humko pasand ho
Khinche hamse saanwre itne kyun ho
Posted on: May 21, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3959 | Post No. : | 15036 |
Today (21 may 2019) is the rememberance day of Subodh Mukherji (14 April 1921 – 21 May 2005). The name of Subodh Mukherji is synonymous with movies that many HFM lovers have either grown up with or have relived them as part of their discovery of Hindi movies. What movies he has produced and directed!
He directed Munim Ji(1955), Paying Guest(1957) and “Teesri Aankh”(1982). He produced and directed “Love Marriage”(1959),”Junglee” (1961), “April Fool”(1964), “Saaz Aur Aawaaz”(1966), “Abhinetri”(1970) and “Ulta Seedha(1985)”. He also produced “Shaagird”(1967) and “”Sharmeelee”(1971).
As a tribute to the renowned movie maker of the golden era, here is a song from “Abhinetri”(1970). This song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.
This melodious song is picturised on Hema Malini and Shashi Kapoor, with Hema Malini seen wooing Shashi Kapoor. So women empowerment could be seen in Hindi movies as far back as in 1970 itself. 🙂
Audio (Full)
Video (one less stanza)
Song-Khinche hamse saanwre itne kyun ho(Abhinetri)(1970) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
o ho ho ho ho ho
khinche hamse saanwre
itne kyun ho
khinche hamse saanwre
itne kyun ho
roko paagal man ko
ke jisne chaaha tum ko o o
meri baahon se pare
itne kyun ho
khinche hamse saanwre
itne kyun ho
rut ye doori ki nahin hai
ho o o o o
rut ye doori ki nahin hai
gori kahin hai
pi kahin hai
rukiye to
are re re re rukiye to
are are aisa kya
are re re re re
suniye to haan
roko chanchal man ko
ke jisne chaaha tumko o o
oho
ajee gusse mein bhare
itne kyun ho
khinche hamse saanwre
itne kyun ho
kabhi na poocha haal mera
ho o o o
kabhi na poocha haal mera
lage ujaala bhi andhera
gham ab to
arre re re re rukta hai
arre arre man mera
are re re re dukhta hai
haan
roko vyaakul man ko
ke jisne chaaha tumko o o
o ho
piya apnon se phire
itne kyun ho
khiche hamse saanwre
itne kyun ho
pyaar ki hoon main to pyaasi
ho o o o
pyaar ki hoon main to pyaasi
tum na samjhe ye udaasi
aage aao
na na na na kahna kya
ohoon ohooon
tumhre bin
na na na an rahna kya
haan
roko paagal man ko
ke jisne chaaha tum ko o o
o ho
chatur ho ke
baawre
itne kyun ho
khinche hamse saanwre
itne kyun ho
roko paagal man ko
ke jisne chaaha tum ko
o o
meri baahon se pare
itne kyun ho
khinche ham se saanwre
itne kyun ho
Mujhse poochhen mere meet
Posted on: May 16, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3954 | Post No. : | 15030 |
“Dil Aur Deewaar” (1978) was directed by K Bapaiyya for Vijaya and Suresh Combines, Madras. The movie had Jeetendra, Mausami Chatterji, Rakesh Roshan, Sarika, Ashok Kumar, Prem Chopra, Vijay Arora, Jagdeep, Roopesh Kumar, Madhu Malini, Nirupa Roy, Kamini Kaushal, Rajan Haksar, Pichoo Kapoor, Jagdish Raj etc in it.
The movie had six songs in it. One song from the movie has been covered in the past.
I remember having watched the trailer of this movie while watching another movie in a movie hall. The trailer played the theme song of the movie. That theme song has been covered in the past one year ago.
Here is the second song from “Dil Aur Deewaar” (1978) to appear in the song. The song is sung by Kishore Kumar. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
Only the audio of the song seems to be available. I request our knowledgeable readers to throw light on the picturisation of the song. It seems certain that the song was lip synced by Jeetendra.
Song-Mujhse poochhen mere meet (Dil Aur Deewaar)(1978) Singer-Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
mujhse poochhen mere meet
geet kaise bante hain
kya hai bhed
kya hai reet
geet kaise bante hain
mujhse poochhen mere meet
paagal hote hain kuchh log
jinko lagta hai ye rog
paagal hote hain kuchh log
baithhe aahe bharte hain
kaaghaz kaale karte hain
dil mein aati hai jo baat
likhte jaate hain din raat
uspe un deewaanon ko
kisi se ho jaati hai preet
geet aise bante hain
mujhse poochhen mere meet
mujhse poochhen mere meet
geeton ke hain roop anek
unmein se ye roop hai ek
geeton ke hain roop anek
unmein se ye roop hai ek
gori ke matvaare nain
le jaate hain man ka chain
gauri ki matvaari chaal
ban jaati hai sur aur taal
gori ke do meethhe bol
ban jaate hain man sangeet
geet aise bante hain
mujhse poochhen mere meet
geet kaise bante hain
kya hai bhed
kya hai reet
geet kaise bante hain
mujhse poochhen mere meet
Doli Ho Doli
Posted on: April 10, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3918 | Post No. : | 14981 |
“Raajput”(1982) was produced by Musheer Riaz and directed by Vijay Anand for M R Productions, Bombay. This “social” movie had Dharmendra,Hema Malini,Rajesh Khanna, Vinod Khanna, Ranjeeta Kaur, Tina Munim,Rehman, Ranjeet, Nazir Hussain, Om Shivpuri, Indrani Mukherjee, Iftekhar, Purnima, Murad, Mohan Sherry, Prem Sagar, Tej Sapru, Brahma Bhardwaj, Harbans Darshan M Arora etc in it.
The movie had six songs in it. Four songs (including one muliple version song) has been covered in the past.
Here is the fifth song from “Raajput”(1982) to appear in the blog. This song is sung by Rafi and female chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is a bacround song which is picturised as a bidaai song. The picturisation shows Hema Malini is a doli, with this song being played in the background. The picturisation shows Rajesh Khanna (the bridegroom), alongwith Tej Sapru (his father) and other members of Barat party. In a distance Dharmendra is seen astride a horse.
Lyrics of this song were sent to me by Prakashchandra. He points out that he audio of this song is longer than the video by one stanza and more. Lyrics are as per the full audio version.
Audio( Full)
video(Partial)
Song-Doli ho doli (Raajput)(1982) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Female Chorus
Lyrics(Provided by Prakashchandra)
doli ho doli ee
ho doli
doli ho doli ee
jab jab guzri tu iss dagar se
bichhdaa koyee humjoli ee
doli ho doli
ho doli
doli
ho doli ee
maayad ri laadli
baabaa sa ri pyaari
chhod peehar ye le chaali ee
maayad ri laadli
baabaa sa ri pyaari
chhod peehar ye le chaali ee
tu kyaa jaaney
kaun suhaagan
tu kyaa jaaney
kaun suhaagan
tu kyaa jaaney
kaun abhaagan
jo baithha bas uss ko uthhaayaa
apne raste ho li ee
doli
ho doli
ho doli
doli ho doli ee
ik aangan tu phulwaa baante
ik aangan bikhraaye kaante
tere aagey peechhe dukh sukh
kheley aankh michauli ee
doli ho doli
ho doli
doli ho doli ee
maayad ri laadli
baabaa sa ri pyaari
chhod peehar ye le chaali ee
jag mein aissaa kyun hota hai
ik hanstaa hai
ik rotaa hai
tujh se kitni baar ye poochhaa
tu ik baar na boli ee
doli ho doli
jab jab guzri
tu iss dagar se
bichhdaa koyee humjoli ee
doli ho doli
doli ho doli ee
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3915 | Post No. : | 14977 |
Today’s song is from the 1981 movie ‘Pyaasa Saawan’. And let us start from where I left in my last post with the song of the same movie here.
The movie starts with a phone ringing in a ‘central hall’ 🙂 of a ‘spacious’ bungalow, and as the phone bell is ringing, servants from all corners of the house run to pick it up. However, they are stopped by PA (Deven Verma),
‘thehro telephone ham uthhayenge. Ham bade maalik ke PA hain yane ke Personal Assistant’.
From the other side Bade Maalik (of course Jeetendra) calling at home from a Bussiness tour (I think) informs his PA about Chhote Maalik’s (double Jeetendra) birthday today and instructs him to arrange a ‘shaandaar party’ and call all ‘milnewaale’ to the party in evening. He also tells his PA that he will be reaching by the evening flight. I don’t know why his PA gets surprised and asked ‘Hawaai jahaz se?
‘kya kahaa ham nahin jaa sakte’, what do you mean? that is how Bade Maalik appears on screen, when he is informed by one of his assistants that flight tickets are not available in any of the services, so Bade Maalik tells him that
‘aaj hamaare bete ka janamdin hai, aur aaj ke din ham duniya ke kisi bhi kone mein ho, ghar zaroor pahunchte hain’,
‘I am sorry Sir, aaj ki flight mein ek bhi seat khaali nahin hai’
‘agar seat khaali nahin to ‘Charter a plane’ …
At home the PA is looking for Chhote Maalik as Bade Maalik has left by plane for home, but where is Chhote Maalik? all servants in the house report the PA that Chhote Maalik is nowhere neither in his room nor in the garden ??
And here we have Chhote Maalik Ravikant (Ravi Kapoor or Jeetendra for us 🙂 ) celebrating his birthday with singing and dancing with his girlfriend and others in a club …
While he performs and entertain us on his birthday with this song dance performance in this movie ‘Pyaasa Saawan-1981’, in real life, we also wish him a very happy birthday and peaceful and healthy life ahead.
***
Today 7th April 2019 is the seventy-seventh (born on 07.04.1942) birth anniversary of actor Jeetendra.
When I thought of presenting the song under discussion, I was doubtful whether I would be able to write with the same passion as I display for other actors like say Rajesh Khanna. But then I have written on actors other than Rajesh Khanna who are part of the ‘nostalgia’ for me
of my growing years’, when we watched movies without being fans of any specific actor/actress. There were several movies of Jeetendra that I had watched during my growing up years and I thank him for the entertainment, the beautiful memories and many lovely songs from his movies.
I remember I watched many of Jeetendra movies with my Parents and elder ones in the family like Uncles. Those were family drama movies and they were mostly from the producers of South. Here I would mention movies like ‘Farz-1967’, ‘Jeene Ki Raah-1969’, ‘Waaris-1969’, ‘Humjoli-1970’, ‘Ek Naari Ek Brahmachari-1971’, ‘Banphool-1971’ which I vaguely remember some of them. Then movies like ‘Badaltey Rishtey-1978’, ‘Swarg Narak-1978’, ‘Aap Ke Deewaane-1979’, ‘The Burning Train-1980’, ‘Pyaasa Saawan-1981’.
I watched many of his movies with brothers and cousins in summer vacations and these were mainly the multi-starrer movies of the seventies. And these were movies like ‘Nagin-1976’, ‘Dharam Veer-1977’, ‘Dildaar-1977’, ‘Nalayak-1978’, ‘Aatish-1979’,’Jaani Dushman-1979’ (this I watched alone), ‘Khoon Aur Paani-1981’, ‘Samrat-1982’, ‘Udhar Ka Sindoor-1976’, ‘Kinaara-1977’, ‘Priyatama-1977’, ‘Jal Mahal-1980’, ‘Nishaana-1980’ (which I must have watched during end seventies or early eighties)
This trend continued till ‘Himmatwala’. It was round this time that ‘Souten’ and ‘Avtaar’ were released and then it was mainly Rajesh Khanna for me.
Nebertheless I remember that my grandmother, aunts and others tenants in our building wanting to watch ‘Tohfaa-1984’ had asked me to do the advance booking for this movie and so I watched this movie too.
Around the same time, I watched his ‘Farz-1967’, ‘Khilona-1970’, ‘Ek Bechaara-1972’. I watched ‘Maqsad-1984’ because of Rajesh Khanna.
After that as I grew up and was already working, I watched his ‘Geet Gaya Pathhrone-1964’, ‘Gunaahon Ka Devta-1967’. The other reason watching for ‘Geet Gaya Pathhrone’ was it was V. Shantaram’s movie. Then I watched his ‘Caravan-1971’, and all this was during 1985-1988. I also watched ‘Pataal Bhairavi-1985’ for the fantasy factor in it.
I think I had watched ‘Swarg Se Sunder-1986’, ‘Locket-1986’, ‘Souten Ki Beti-1989’,
I think I watched ‘Parichay-1972’, ‘Aasha-1980’, ‘Karmyogi-1978’ either on TV or VCR much later than above.
I must have watched some of his other movies either in theatre or on TV, like ‘Mere Hamsafar’, ‘Dharti Kahe Pukaar Ke’ etc. but don’t remember them.
Also, I must have watched some of his earlier movies or part of them on TV but I don’t remember.
I don’t remember to have watched any Jeetendra movies after that all these years except when I watched ‘Dil Aur Deewaar-1977’ last year on an online facility and on my mobile phone. This was for post with a song from this movie and since I had nostalgia about this movie’s name but had not watched it in those years.
Watching movies then was always enjoyable and it would be interesting now to watch his movies by conscious selection which I have missed, movies like ‘Mere Huzoor-1968’ (which I don’t remember to have watched) or ‘Boond Jo Ban Gaye Moti-1967’, ‘Jigri Dost-1969’ (of which couple of songs are my favorites) and of course ‘Naya Rastaa-1970’ which has songs penned by Sahir Saab.
‘Deedaar-E-Yaar-1982’ is another movie which I think I should watch. And then ‘Apnapan-1977’, ‘Maang Bharo Sajna-1980’, ‘Arpan-1983’, ‘Nishaan-1983’ (for Kaka), and ‘Mehndi Rang Laayegi-1982’ …
Many more to the wish list … and it is my mistake if I have missed to add any of his ‘must-watch’ movies in the above list, like I remember my seniors liked ‘Meri Aawaaz Suno-1981’ very much then, which I am yet to watch.
Now we come back to today’s song which is sung by Kishore Kumar and lip-synced by Jeetendra. Reena Roy is accompanying him in this performance and we can see many others in the picturization of this song.
Lyrics are by Santosh Anand and music is composed by Laxmikant-Pyarelal.
The movie had six songs in it. Five songs have been covered in the past. Here is the list of these songs already covered in the blog:
| 1 | Tera saath hai to Multiple version song | 915 | 17-Mar-09 |
| 2 | O meri chammak challo | 970 | 25-Mar-09 |
| 3 | Megha re megha re | 6412 | 10-Aug-12 |
| 4 | In haseen waadiyon se | 14933 | 17-Mar-19 |
This is the final song from this movie ‘Pyaasa Saawan-1981’ and with this ‘Pyaasa Saawan-1981’ has all its songs covered on the blog. 🙂
This song is the 800th song of Laxmikant Pyarelal as music directors.
Once again wishing Jeetendra a very happy birthday today, let us now enjoy this song …
Video
Audio
Song-Main wahaan hoon jahaan hain mastiyaan (Pyaasa Saawan)(1981) Singer-Kishore Kumar, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Chorus
Lyrics
Zu oo
ho ho ho o
Raa raa raa
He he he
Hoye ae
Hoye ae
He ae
Main wahaan hoon
Jahaan hain
Main wahaan hoon
Jahaan hain
Mastiyaan
shokhiyaan
Bijliyaan aan
Titliyaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
shokhiyaan
Bijliyaan
Titliyaan aa
Lalalalaa
Laalalalaa
Laalaalalalaa
Tu ru tu ru tu ru tu ru
Lalalalalaa
Laalalalaa
Laalaalalalaa
Tu ru tu ru tu ru tu ru
Hoye
Kar lo pyaar jawaani mein
Kar lo pyaar
Ho ho ho
Kar lo pyaar
Ho ho o
Kar lo pyaar jawaani mein
Ye kaam zaroori hai
Warna zindagaani ki
Tasveer adhoori hai
Hey ae
Kar lo pyaar jawaani mein
Ye kaam zaroori hai
Warna zindagaani ki
Tasveer adhoori hai ae
Ye haseen mehfilein
Milengin phir kahaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan
Hoo hoo hoo
Titliyaan aa
Wai wai
Mazaa jawaani ka yaaron
Na liya jawaani mein
To socho aakhir hamne kya kiya
Jawaani mein
Hey ae
Mazaa jawaani ka yaaron
Na liya jawaani mein
To socho aakhir hamne kya kiya
Jawaani mein
Pyaar bina aa
Kis tarah
Beetenge din jawaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan
Hoo hoo hoo
Titliyaan
Ho ho
Main wahaan hoon
Jahaan hain
Mastiyaan
Hoo hoo hoo
Shokhiyaan
Hoo hoo hoo
Bijliyaan aa
Hoo hoo hoo
Titliyaan aa
Hoo
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