Posts Tagged ‘Laxmikant Pyarelal’
Saamne mere paani bharte
Posted on: September 4, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4431 | Post No. : | 15864 |
Remembrance day of Mukri :
Mukri also spelled as Muqri was an Indian film actor, who worked as a comedian in Hindi films. Born as Muhammad Umar Mukri in Alibagh, in Kokani Muslim Family, he started his film career with the film Pratima along with noted film actor Dilip Kumar in 1945. Born of 5th January 1922, he left for heavenly abode on 4th September’2000 at the age of 72 years.
Mukri was seen in many films in character roles and comic role. One movie which comes to mind in ‘Ram aur Shyam”. Here also he featured with Dilip Kumar as his friend.
Today is the 20th death anniversary, so as a tribute, I have found a wonderful comic song picturized on Mukri and Mehmood. The film is ‘Madhavi’(1969), with Laxmikant –Pyarelal and Anand Bakshi as music director and lyricist. The movie had very good songs, I hear. This is the only Rafi song picturized on Mukri which remained to be posted, going by the information is Rafi sahab’s excel sheet. I expect, Mukri may not be as prolific as Mehmood, Johhny Walker or Agha. So there are most likely fewer songs where he actually sings. In this song Manna De is giving playback for Mehmood and Rafi Sahab is singing for Mukri. Now, in the absence of song video, how can I be certain of this ? I have searched on youtube, though the movie “Madhavi” is available, video of only one song is there. All other songs, only audio is available, including the song being posted. Actually, on closer inspection, there are voices of both Mehmood and Mukri are there is the song along with the singers. This is a comic song in real terms, maybe a rip-off on “Padosan” songs.
It was my husband who confirmed the playback for Mehmood and Mukri. As I was noting the lyrics this evening, he asked from where I had found this song from ‘Madhavi”. This is not a known song for me, but may husband knows the songs of this film very well.
The name did ring a bell that I had contributed the lyrics of Lata solo of the two songs posted :
parda hata de mukhda dikha de
saanjh sawere adharon pe mere
My husband also helpfully given the story outline of this costume drama film of Kings, Princes and Princesses. Sanjay Khan is a prince and Deepa, in title role of Madhavi, is a princess. Mehmood and Mukri are all part of the Sanjay Khan’s entourage. This songs is performed on stage. Pran is the Senapati of Sanjay Khan, and he has this dialogue as his ‘takiya kalaam” :
“Shaadi karungaa to sirf madhavi se, warna maut se !”
Video
Audio
Song-Saamne mere paani bharte… na karoon band tere chhand tingu (Madhavi)(1969) Singers-Manna Dey, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
Aa eeeeee
ae eeeeeee
aaaaaaaa aaaa
ae……
saamne mere paani bharte
baden baden kaviraaj
arey ik chhota sa machhar aayaa aaa
mujh se ladne aaj
hee hee hee heeee
hamm mmm
he he he he he
machhar boltaa hai
khatmal ke bachhe
(Laughter)
na karun band tere chhand
thingu
hey thingu
to mera naam nahin
na karoon
na karoon band tere chhand
thingu
hey thingu
to mera naam nahin
hey………
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
yaad karaa dungaa main nani ee ee
nani ee
yaad karaa dungaa main nani
(coughing sound)
paani
jis ki bhains ussi ki laatthi
jis ka ghoda ussi ki kaatthi
naach na jaane
da da triga da
naach na jaane
aangan tedha
tu to hai Mathura ka peeda aa
gaaliyaan denaa
baat hai gandi ee
ye kavita hai
ya tuk bandi
hey ea ea ea
hey ea ea ea
hey ea ea ea
hey ea ea ea
na doon main
na doon main
tod tere jod tthingu
hey tthingu
to meraa naam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
“>ek to dhelaa
uss pe khotaa
ek to chhotaa
uss pe motaa
main lekhak sansaar chalaaun un
chalaaun
meeaunw
main lekhak sansaar chalaaun
main sainik talwaar chalaaun
aa jaa
arey aa jaa
nahi
aa jaa
jaa jaa
arey aa jaa aa jaa
sainki lekhak se na ladnaa
wah wah wah wah
phir se padhnaa
sainik lekhak se na ladnaa
maaroongaa
aage na badhnaa
bol gagan pe kitne taare
aaj ginoongaa raat ko pyaare
yeh gori mujh pe hai marti
lekin mujh se pyaar hai karti
oye oye oye oye oye oye oye
oyo oyo oyo oyo oyo oyo
peyn peyn teyn teny peyn peyn
peyn peyn teyn teny peyn peyn
…… ………
……. ………
chup
tu maali
tere haathh mein khurpee
bol
bol bol
chup kyun ho gayaa
tu maali
ter haath mein khurpee
khurpee
mmmmm
mmm
tu teli
tu teli
tere sar pe kolhu
nai
nai
nai
nai
nai
nai
qaafiyaa nahi milaa
arey qafiyaa nahi milaa to kya huaa
wazan se to maregaa aa
(Laughter)
Gumsum si khoyi khoyi
Posted on: September 4, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4431 | Post No. : | 15861 |
Hullo Atuldom
This post is to say Yyiippeeee to one more movie of the ’70s.
“Badaltey Rishtey” (1978) produced by Sudesh Kumar and directed by R Jhalani, had story by Mahendra Saral.
This movie had a very funny story-line—
Rishi Kapoor and Reena Roy are in love but there is some astrologer who predicts that Reena roy is slated to loose her husband within a month of her marriage. So she decides to accept Jeetendra’s proposal of marriage so that she can save Rishi Kapoor and marry him later.
But like all Hindi movies the heroine has to fall in love with her husband. Then she takes it upon herself to save her husband from Rishi Kapoor’s plans to kill Jeetendra. But it turns out in the end that Jeetendra all along knew what who was upto and that Rishi Kapoor was only play acting in conjunction with Reena Roy’s brother to make her realize that “pati hi parmeshwar hota hai”
a very typical family drama movie.
This is what I had written in the comments to one of songs of the film. Recently I found out that A. K. Hangal was the astrologer who happens to be Reena Roy’s brother’s (Asrani) father-in-law who makes that weird prediction that leads to the twists and turns in the movie.
Four out of the five songs, in this film, were written by Anjaan and Anand Bakshi was the lyricist for meri-saanson-ko-jo-mahka-rahi-hai/ . Suman Kalyanpur, Lata Mangeshkar, Anuradha Paudwal, Kishore Kumar, Mohd. Rafi and Mahendra Kapoor were the playback singers.
The four songs, from this film, already present on the blog are
| Song | Date posted |
|---|---|
| Na jaane kaise pal me badal jaate hai | 19 November 2008 |
| Meri saanson ko jo mahkaa rahi hai | 20 November 2009 |
| Tum chaahe hamko pasand na karo | 1 June 2019 |
| Wo wo na rahe jinke liye ham thhey beqaraar | 20 November 2019 |
Here is the fifth and final song. I had mentioned this song, in the comments of this post.. It is a romantic genre song where we see Rishi Kapoor trying to get Reena out of her bad mood. They are talking about ‘kar toh daro mat yaar, daro toh karo mat pyaar’.
This seemed to be the mood for many of the songs featuring Chintu (Rishi Kapoor’s pet name) in the 70s. Remember “Khullam khulla pyar karenge hum dono”. Looks like he didn’t believe in hiding his feelings from the world. That was evident in those times too, when all other actors and actresses hid their personal love stories behind the “we are just good friends” refrain, we could see Chintu with Neetu being open about their relation. An older Chintu was known to voice his opinions on the various social media channels about things that he felt was not correct or were out-of-place. Infact, Chintu’s commissioned biography is also titled “Khullam Khulla- Rishi Kapoor Uncensored”. That book has many interesting tales from his life about how his father asked his mother’s permission before casting him in the role of the young Raj in “Mera Naam Joker” which went on to fetch Chintu his first award of Best Child Artist at the National film awards that year.
He goes on to describe how he sneaked away from the conversation at the dinner table between his parents and started preening before the mirror and practicing his signature so that he can be prepared to give Autographs. In the book, Chintu also mentions how he was chosen for Bobby and how there was no great introduction scene for his character even though he was the film-maker’s son. That means there was no NEPOTISM there or special privileges given to him by Raj Kapoor, infact for the song “main shaayar toh nahin” the dance director was giving steps to Aruna Irani and not Chintu (as mentioned in the book); that explains Chintu’s awkward movements in that song. But he had a sense of rhythm that saw him shake a leg as if he was an accomplished dancer.
4rd September is the first birthday of Chintu after he lost his battle with the dreaded C in April this year. He would have been 68. We have enough of his work to entertain us for years to come. Thanks to the various channel and other video sharing platforms we can relish his songs where he dances with a Sridevi, Jaya Prada, Madhuri Dixit, Meenakshi Sheshadri, Poonam Dhillon, and all the heroines that he had worked with from his debut (as an adult) opposite Dimple in Bobby (1973).
Here is the last song from Badaltey Rishtey in the voices of Anuradha Paudwal and Kishore Kumar.
Song-Gumsum si khoyi khoyi (Badalte Rishtey)(1978) Singers-Kishore Kumar, Anuradha Paudwal, Lyrics-Anjaan, MD-Laxmikant Pyarelal
Lyrics
gumsum si
khoyi khoyi
jaise ho but koi
arre gumsum si
khoyi khoyi
jaise ho but koi
bolo kya soch rahi ho oo
arre kya soch rahi ho o
gumsum si
khoyi khoyi
jaise ho but koi
samajh gaya
samajh gaya main soch rahi ho
bina pankh ude baadal kaise
nahin
toh phir
hmm
samajh gaya main soch rahi ho
barf kahaan se barse aise
nahin nahin
toh phir
jaan ke mat anjaan bano
tum meri uljhan kya samjho
har pal darta hai mera mann
socha karta hai mera mann
meri kismat mein hai ya nahin
ban’na kabhi tumhaari dulhan
socha bhi toh ye kya socha
mujh par nahin hai bharosa kya aa
socha bhi toh ye kya socha
mujh par nahin hai bharosa kya
us aasmaan se poochho
yeh dharti degi gawaahi
jeewan ke safar mein hum tum
hain ik manzil ke raahi
daro to karo mat pyaar
karo to daro mat yaar
socho mat muskuraao
mere saath aao
gao ek baar
arre gaao na
daro toh karo mat pyaar
karo toh daro mat yaar
daro toh karo mat pyaar
karo toh daro mat yaar
arre
ab kya soch rahi ho
gumsum si
khoyi khoyi
jaise ho but koi
bolo kya soch rahi ho o o
arre kya soch rahi ho o o
samjha
mmm
samajh gaya main soch rahi ho
honeymoon ko kahaan chalenge
haan haan honeymoon ko kahaan chalenge
jahaan kahogi wahan chalenge
des vides ki sair karenge
phir khayalo mein
mmmm
hmmm hmmm
samajh gaya mai soch rahi ho
honge apne kitne bachhe
haan honge apne kitne bachhe
hum dono ke do hi achhe
bas do hi
aur nahin toh kya sau
sau toh nahin par
par kya
kam se kam hon to do darjan
bhara bhara sa lage ghar aangan
arre baap re baap
kya soch rahi ho
mera nahin to kuch desh ka socho
bas darr gaye
dhat
daro toh karo mat pyaar
karo toh daro mat yaar
daro toh karo mat pyaar
karo toh daro mat yaar
pyaar me apne dam hai toh
kismat maanegi haar
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4430 | Post No. : | 15859 | Movie Count : |
4364 |
Pyarelal Ramprasad Sharma, one halfof the music director Laxmikant-Pyarelal was born on 03/09/1940. So that makes this 80th Birthday of the one of the most proficient, successful and talented musicians of the golden era of hindi film music. It is a well-known fact that both Laxmikant and Pyarelaljistarted their career as players of music instruments in the song recordings. If I am not mistaken, Pyarelalji, was a violinist.
‘Most proficient’ in the film industry’s history is the correct tag for Laxmikant-Pyarelal as they are the composers with the highest no. of songs composed which stands at 2901, in the blog’s stats page.
Laxmikant Pyarelal started as music directors in 1963, they hit the jackpot with Dost (1964). What followed is history, with awards, accolades and they never looked back. They are on record as loyalists of Rafi Sahab till his lifetime, who also sang maximum no of songs for them.
The achievements and success are too many, for me to start listing them. But their association with Anand Bakshi is the longest one, and must be the biggest such combo. I would guess the total songs composed by Laxmikant Pyarelal may have around 2000 written by Anand Bakshi.
On this birthday occasion , I am presenting the song from the film Krodhi (1981), by this very same team/combo of Lakshmikant-Pyarelal with AnandBakshi. The singers are Lata Mangeshkar and Suresh Wadkar. The was a multi-starrer film by Subhash Ghai. The starcast was Dharmendra, Hema Malini, Maushmi Chatterjee, Zeenat Aman, Shashi Kapoor etc and of course the love birds in the song, Sachin and Ranjeeta. The four songs of the film, which I remember are all nice one’s. But the movie is making a debut here on the blog with this song.
I have seen the movie, so can give a little outline of the story. Dharmendra is a gangster or smuggler, Zeenat Aman works for him and has a lot of regard and respect for him, as he has helped her a lot with the responsibilities. Zeenat Aman meets Shashi Kapoor (Police Inpector ?) at her sister’s wedding. Zeenat Aman and Shashi Kapoor get married, but Shashi Kapoor is not aware of the connection between Zeenat Aman and Dharmendra. The police is looking to arrest Dharmendra but he escapes and takes shelter in a village, where people mistake him for a godman or sadhu. Dharmendra adopts the disguise to escape the police. Sachin and Ranjita are the two characters who don’t make much difference to the story.
In the song, which Sachin and Ranjita are singing in the garden ‘Chameli baagh”, Dharmendra is looking on, and I think later on he helps them in some way or they are both murdered, by the villains. Dharmendra is also reminded of his late wife Maushmi Chatterjee while watching the song. Lata Mangeshkar is play backing for both Ranjita and Maushmi in the song.
The sort of word play which was a signature of Laxmikant Pyarelal and Anand Bakshi songs, is visible in this song.
Song-Chal chameli baagh mein mewa khilaaungaa (Krodhi)(1981) Singers-Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal chameli
chameli baagh mein
mewaa khilaaungaa
chal chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
mewe ki tehni toot gayi to o
chaadar bichhaaunga
chaadar ka pallu phat gayaa to
darzi bulwaaungaa
darzi ki suyee toot gayi to o
ghodaa daudaangaaaa
ghode ki taang toot gayi to to
to to to to
to tum ko uthhaaungaaaa
dil mein bithhaaungaa
chal chameli
chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
pehle se hi dil mein bithhaa lo
tum thhak jaaogey ae
tum thhak jaaogey ae
tum thhak jaaogey ae
chal chameli
chameli baagh mein
jhoolaa jhulaaungi ee ee
chal chameli baagh mein
jhoolaa jhulaaungi ee
jhoole ki rassi toot gayi to
aanchal bichhaaungi
aanchal ka pallu phhat gaya to
see kar dikhaaungi
suyee jo mujh ko chubh gayi
hans kar manaaungi
hans kar jo tum na maane to
ro kar dikhaaungi
tum ko manaaungi
tum maan jaaoge
main roothh jaaungi
tum maan jaaoge
main roothh jaaungi ee
chal chameli
chameli baagh mein
panchhi dikhaaungaa aa
chal chameli baagh mein
panchhi dikhaaungaa aa
panchhi daali se udd gaye to
seeti bajaaungaa
seeti se bhi na wo udey to
bansi bajaaungaa
bansi jo gir ke toot gayi to o
main geet gaaungaa
geeton mein tum ko pyaar ki
baaten sunaaungaa
baaten sunaaungaa
din raat phir tum ko main
yaad aaungaaaa
din raat phir tum ko main
hmmm mmm
yaad aaungaaaa
hmmm mmm
yaad na aana
warna mujh ko
neend na aayegi ee
aakhon hi aankhon mein saari
raat jaayegi ee
chal chameli baagh mein
chori se jaayenge
chal chameli baagh mein
chori se jaayenge
chori se maali ki sabhi
kaliyaan churaayenge
kaiyaan churaa ke teraa
gajra banaayenge
ye to socho o o
kya hogaa jo
pakde jaayenge
pakde jaayenge
pakde jaayenge
pakde jaane se pehle to ham
bhaag jaayenge
pakde jaane se pehle to ham
bhaag jaayenge ae
chal chameli baagh mein
ham mewaa khaayenge
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4430 | Post No. : | 15858 |
Hullo Atuldom
“Arpan” (1983) was produced and directed by J. Om Prakash who passed away exactly a year and month ago on 7th August 2019. His movies had titles mostly starting with an “A”, for example “Aap Ki Kasam”, Aakraman”, “Aaye Din Bahaar Ke”, “Aaya Saawan Jhoom Ke” etc. He was the presenter of two Rajesh Khanna starrers “Raja Rani” & “Aan Milo Sajna” both produced by Jagdish Kumar and director of the first-ever movie that his son-in-law Rakesh Roshan produced “Bhagwan Dada”. He was also the producer of “Aandhi”.
He began his career as a producer with “Aas Ka Panchhi” through his production house Filmyug in 1961 and followed it up with “Ayee MIlan Ki Bela” “Aaya Saawan Jhoom Ke” “Aankhon Aakhon Mein” etc turning director with “Aap Ki Kasam”. He was a clerk in a film distributors office in Lahore and ended up being a manager there before coming to Bombay post Partition of India.
He had a keen ear for good music that were lyrical and melodious. Of course his movies were mostly romantic and filled with family-emotions and values. At least that is what I remember from what I have seen in his films of the ’80s. He was associated with 23 movies from the ’60s to his last released in 2001- a Rahul Roy starrer called “Afsana Dilwalon Ka” post which he retired. Laxmikant-Pyarelal were the music directors of 12 of these movies .
The coming together of this triumvirate gave us ‘Suno Sajna Papihe ne’, ‘Saathiya Nahi Jaana’, ‘Achha toh hum chalte hain’, ‘Aadmi Musafir hain’, ‘Fauji gaya jab gaon mein’ etc etc. But if I am asked to choose songs that this association gave and make my playlist it will include ‘Palat meri jaan tere kurbaan’, ‘Yeh mausam aaya hain’, ‘Badra chhaye ke jhoolein pad gaye’, and some not-so-popular ones like ‘Somwaar ko hum mile’, ‘I am in love you are in love’, some soulful numbers like ‘Mere dushman tu meri dosti ko tarse’, ‘Yeh shama toh jali roshni ke liye’ and suddenly I will find enough songs to play for almost half a day and more. I notice that in mentioning songs that I like I haven’t touched a single movie of the ’80s like ‘Aas Paas’, ‘Arpan’, ‘Aasha’, ‘Apna Bana Lo’ etc.; these movies would feature as whole albums on my list.
So coming back to “Arpan”, I find that it is one-song away from Yyiippeeeehood. That is the reason to choose a song from that film to wish Pyarelal Ramprasad Sharma on his 80th birthday. Of late he has been making appearances on some television channels as guest-of-honour to judge music contests. And that gives us, his fans, opportunities to hear anecdotes of his long musical career that began when he was around 12 years old. He was the son of trumpeter Ramprasad Sharma who was his first guru. He began learning to play the violin from the age of 8 and was further coached by the Goan musician Anthony Gonsalves and it is believed that “My name is Anthony Gonsalves” from Manmohan Desai’s ‘Amar Akbar Anthony” was the music duo’s way of acknowledging the tutor.
Pyarelal’s brothers were also musicians and his brother Gorakh Sharma was an expert at string instruments like Bass Guitar, Mandolin, Rubaab, Electric Guitar and had the opportunity to play in the song ‘Chaudvin Ka Chaand’ under Ravi’s music direction. Pyarelal’s other brothers Ganesh, Anand and others were all into music and Ganesh was a music director for movies made in the late ’60s through the ’70s.
“Arpan” may have been a movie which many followers of this blog would have given a miss thinking that it was Produced in Madras as that was the period when Jeetendra was deep into acting in films made by production houses of Madras and Hyderabad. Also the general story-line of the movie gives us that impression.
The movie was essentially a tearjerker where Reena Roy played Jeetendra’s fiance, who is forced to marry her boss Raj Babbar as punishment for having slapped him in the office and not allowing him to molest her etc. To further his intention, he kidnaps Jeetendra’s sister’s (Preeti Sapru) boyfriend (Shashi Puri) and keeps him captive till Reena agrees and marries him. This makes her a ‘bad character’ in the eyes of Jeetu’s mom (Dina Pathak) but only Jeetu’s friend (Sujit Kumar), sister and jija know the real reason for Reena’s marriage to Raj Babbar. The movie moves forward with Jeetu meeting Parveen Babi, marrying her, getting her pregnant etc. Then he happens to stumble upon Reena’s reason of marrying Raj post which there is misunderstanding with his wife, Reena becoming a widow, Parveen Babi loosing her baby so on and so forth. That is why I said that this was a tearjerker. Essentially a movie full of calamities for the heroine and it comes to an end with Reena consuming poison, making her way to Jeetu’s home and handing over her baby to Parveen Babi. Ultimate qurbaani so that her ex-lover can live happily ever-after.
Today’s song is a duet by Lata Mangeshkar and Kishore Kumar, written by Anand Bakshi (who else) and on-screen couple are Preeti Sapru and Shashi Pur.
Wishing Pyarelalji(DoB 3 September 1940) a very Happy Birthday.
Video
Audio
Song-Teri meri shaadi hogi denge log mubaarakbaad(Arpan)(1983) Singers-Lata, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Based on audio link)
nain mile ae
uske baad
phool khile ae
uske baad
chain gaya aa
uske baad
pyaar hua aa
uske baad
teri meri shaadi hogi
denge log mubaarakbaad
teri meri shaadi hogi
denge log mubarakbaad
nain mile ae
uske baad,
phool khile ae
uske baad
chain gaya aa
uske baad
pyaar hua
uske baad
teri meri shaadi hogi
denge log mubaarakbaad
teri meri shaadi hogi
denge log mubaarakbaad
uske baad
uske baad
aayegi woh raat
aaaaa
aayegi woh raat
sajan sajani ka ghoongat kholenge ae
do nainon ke prem taraazu mein preetam ko tolenge
dekhenge chup chaap tumhein hum
sharm se kuchh na bolenge
yeh chup rehne ka waada
bhool na jaana rakhna yaad
teri meri shaadi hogi
denge log mubarakbaad
aakhir yeh taqdeer humaari
kab tak humse roothhegi ee
aakhir yeh taqdeer humaari
kab tak humse roothhegi ee
oonchi oonchi duniya ki
deewaar giregi tootegi ee
chori chori milne se phir r
jaan humaari chhootegi
iss badnaami ke darr se ae
hum ho jaayenge aazaad
teri meri shaadi hogi
denge log mubaarakbaad
uske baad
maine poochha uske baad
kya shaadi ke baad bhi saajan
aise geet sunaayenge ae
kya shaadi ke baad bhi saajan
aise geet sunaayenge ae
ya chhup baithhe door se sajni
ke mann ko tadpaayenge ae
sajni saajan se phir hum
miyaan biwi ban jaayenge
teri god mein munna hoga
mere honthon pe fariyaad
teri meri shaadi hogi
denge log mubaarakbaad
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4421 | Post No. : | 15833 |
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Blog 10-Year Challenge (2010-2020) – Song No.58
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25 August 2010 saw this musical wagon chugging along nicely, with its customary six songs in a day getting posted. The first post of the day appeared at 7:40 while the sixth and final post appeared at at 8:14 AM. Six posts within 34 minutes !
Here are the details of the six songs, that appeared in the blog on 25 August 2010:-
| Blog Post number | Song | Movie | Year | Remarks |
|---|---|---|---|---|
| 2840 | Aadhi tum khaa lo aadhi ham khaa len | Fifty Fifty | 1956 | 6 songs out of 8 covered |
| 2841 | Aaja ke intezaar mein | Halaaku | 1956 | YIPPEED (all 8 songs covered) |
| 2842 | Ye jo muhabbat hai ye unka hai kaam | Kati Patang | 1970 | YIPPEED (all 7 songs covered) |
| 2843 | Main jatt yamla paglaa deewaanaa (Pratigyaa) | Pratigyaa | 1975 | Movie made its debut. 2 songs out of 4 covered |
| 2844 | Ankhiyon mein chhote chhote sapne sajaay ke (Naukar) | Naukar | 1979 | Made its debutwith this . 2 songs out of 5 covered so far |
| 2845 | Meri qismat mein tu nahin shaayad | Prem Rog | 1982 | Movie made its debut 3 sons covered out of 6 |
Only two of these six movies have been YIPPEED. So, today four movies are eligible to be covered under Blog ten year challenge.
Three out of these four movies made their debuts in the blog on this day ten years ago.
“Prem Rog”(1982), which made its debut on 25 august 2010 saw two more songs from the movie getting covered later.
Here are the details of these three songs from “Prem Rog”(1982):-
| Song | Date posted | Remarks |
|---|---|---|
| Meri qismat mein tu nahin shaayad | 2 August 2010 | Debut of the movie in the blog |
| Ye pyaar thhaa ya kuchh aur thhaa | 2 June 2012 | |
| Muhabbat hai kyaa cheez hamko bataao | 20 May 2013 |
As blog ten year challenge today, I had some superb songs to chose from. I have gone with this Lata Mangeshkar solo. I have vaguely listened to this song, but when I went through the lyrics of the song, I realised what superb lyrics this song has. It must be one of the best lyrics that Santosh Anand has penned in his HFM career. Music is composed by Laxmikant Pyarelal.
The song is lip synced on screen by Padmini Kolhapure. One can also see Nanda, Sushma Seth, Kiran Vairale, Rishi Kapoor and Bindu in the picturisation.
Lyrics of this song were sent to me by Prakashchandra.
audio link:
video link:
Song-Ye galiyaan ye chaubaara yahaan aana na dobaara (Prem Rog)(1982) Singer-Lata, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Lyrics ( audio link) (Provided by Prakashchandra)
ye galiyaan ye chaubaaraa
yahaan aanaa na dobaara
ye galiyaan ye chaubaaraa
yahaan aanaa na dobaara
ab hum to bhaye ae pardesi
ke tera yahaan koi nahin..een
ke tera yahaan koi nahin
le ja rang birangi yaadein
hansne rone ki buniyaadein
ab hum to bhaye ae pardesi
ke tera yahaan koi nahin..een
ke tera yahaan
koyee..ee nahin
meri haathon mein bhari bhari choodiyaan..aaan
mujhe bhaa gayeen hari hari choodiyaan aan
dekh milti hain teri meri choodiyaaan..aaan
tere jaisi saheli meri choodiyaan
tooney peessee woh mehandi rang laayee
meri gori hatheli rachaa..aaayee
teri aankh kyun laadho bhar aayee
tere ghar bhi bajegi shehnaayi
saawan mein baadal se kehna
pardes mein hai meri behna
ab hum to bhaye pardesi
ke tera yahaan koi nahin..een
ke tera yahaan koi naheen
aa Maaye aen
mil lein galey ae
chaley hum
sasuraal chaley
tere aangan mein ae ae apnaa
bas bachpan chhod chale
kal bhi sooraj niklega
kal bhi panchhi gaayenge
sab tujhko dikhaayi denge
par hum na nazar aayenge
aanchal mein sanjo lena hamko
sapnon mein bulaa lena hamko
ab hum to bhaye ae pardesi
ke tera yahaan koi nahin..een
ke tera yahaan koi naheen
dekh tu na..aa hamein aen bhulaanaa
maanaa door hamein hai jaanaa
meri allhhad si athkheliyaan
sada palkon beech basaanaa
jab bajne lagey baajey gaajey
jag lagne lagey khaali khaali
uss dum tu itna samajhna
meri doli…ee
utthhi hai phoolon waali..eee..eee
thhodey din ke ye naate the
kabhi hanste the gaate the
ab hum to bhaye ae pardesi
ke tera yahaan koi naheen
ke tera yahaan
koi naheen
ye galiyaan ye chaubaaraa
yahaan aanaa na dobaara
ab hum to bhaye ae pardesi ..ee
ke tera yahaan koi naheen..een
ke tera yahaan ko..o oyi nahin
- In: "disguise" song | "Diversion" song | "Villain's" den song | Duet | Guest posts | Manna Dey songs | Manna Dey-Mukesh duet | Mukesh and his co singers | Mukesh songs | Post by Mahesh Mamadapur | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 9 Comments
This article is written by Mahesh Mamadapur, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4416 | Post No. : | 15823 |
Mukesh and his co-singers –7
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There is a school of thought amongst music lovers that the voice of Manna Dey suited better for Raj Kapoor than Mukesh. While technically, there could be substance to the concept, it remains a fact that the empathy evolving from the voice of Mukesh and the emotion and expressions of Raj Kapoor’s acting on screen fitted to a T. No wonder RK upon hearing Mukesh’s demise in far off Detroit city commented that he had lost his soul. I am of the firm opinion that the voice of Mukesh on Raj Kapoor suited most aptly than the actor singing himself.
As far as Manna Dey singing for Raj Kapoor is concerned, the songs from Chori Chori, Shree 420, Dil Hi Toh Hai, Mera Naam Joker etc. come to the mind instantly. Chori Chori and Shree 420, both released in 1956 were at a time when Mukesh was experimenting with many departments of films and had also signed a contract for the film Maashuqa as an actor-singer with heroine none other than Suraiya. The Contractalso had a clause that he would not be singing for anyone else till the completion of the film. The film unfortunately got delayed and so did the successful career of Mukesh.
It is for this reason that even though Mukesh has the iconic solo, a duet with Lata and a triad with Rafi saab and Lata, Manna Dey had his share of songs in the movie Shree 420 including the popular pyar hua ikraar hua hai.
It is said that Mukesh after singing 3 songs in the film conveyed to RK that he could no longer be part of the film because of the Contract that he had signed. So why didn’t Manna Dey establish himself as a permanent or a more frequent RK voice. Well, it was the year 1958, Mukesh free from the clutches of his Contract came back as a playback singer and boy what a return that was.
Madhumati, Parvarish, Phir Subah Hogi and Yahudi all under different composers and picturised on RK and Dilip Kumar were runway hits. Mukesh had found his mojo back. Raj Kapoor understood that with Mukesh giving him playback he need not look any further. The bond between them remained forever. Body and the soul’s bonding was noticed not only by Shankar Jaikishan but by other composers also. Thus, when Raj Kapoor forayed acting for other production houses, it was usually Mukesh who was summoned for playback.
Thus, we have Manna Dey singing only a few songs for Raj Kapoor in spite of the popularity of songs from Shree 420 and Chori Chori in 1956. However, all composers were also aware of the limitations of Mukesh and the versatility of Manna Day especially for the songs based on classical music. It is pertinent to mention the song from Dil Hi Toh Hai 1963. While most of the songs from this film were sung by Mukesh, Roshan the composer rightly found it prudent to have Manna Dey sing the popular Laagaa, chunri mein daag. With due respects to other stalwarts, I am of the firm opinion that no singer could have pulled off this song as elegantly as Manna Dey.
This post and the series as such is on Mukesh’s collaboration with other singers. And in this instance also, it’s not only about Mukesh and Manna Dey singing for RK camp but for all the songs that they rendered together in HFM. But then many songs sung by Manna Dey for Raj Kapoor have also become quite popular and hence I had to devote a majority of the post for their individual songs on Raj Kapoor.
Whilst we are on the discussing the singers in unison, I should highlight that Mukesh has sung a comic solo under Manna Dey’s composition for the film Chamkee (1952). I have always been curious to know why this song was offered to Mukesh as Manna Dey himself was quite apt at singing such songs. One possible reason could be due to the bad phase that Mukesh had entered during this period and this was could have been some kind of help extended.
Coming to today’s post, here is the list of all songs in which Mukesh and Manna Dey featured together. Not surprisingly, most of them are with multiple singers and chorus. Quite a few of them are rare and popular.
1 under Anilda is famous song from a popular film. It is interesting to note that it is sung by four singers whose names start with the letter “M”. Needless to say, it’s the only one of its kind in HFM where they have come together.
2 had many songs by Mukesh featured on Raj Kapoor and Mahendra Kapoor and Manna Dey join in for other actors in the song. Its again rare to find Geeta Dutt in SJ camp.
3 and 4 are under Hemant Kumar who himself was an accomplished singer and composer but got to many sing songs by other singers in his compositions. Mukesh has sung about half a dozen songs under him.
5 is quite a comic song on which our Arunkumar ji has written a detailed post.
| S.No | Name of the Song | Movie (Year of release) | Other co-singers if any | Music Director | Lyricist |
|---|---|---|---|---|---|
| 1 | Kadam kadam se dil de | Chaar Dil Chaar Raahen (1959) | Mahendra Kapoor, Meena Kapoor | Anil Biswas | Sahir Ludhianvi |
| 2 | Hai aag hamaare seene mein | Jis Desh Mein Ganga Behti Hai (1960) | Geeta Dutt, Mahendra Kapoor, Lata Mangeshkar | Shankar Jaikishan | Shailendra |
| 3 | Mujhko mohabbat ho gayi hai | Biwi Aur Makaan (1966) | Talat Mehmood, Hemant Kumar, Joginder, | Hemant Kumar | Gulzar |
| 4 | Aa tha jab janam liya tha | Biwi Aur Makaan (1966) | Hemant Kumar | Hemant Kumar | Gulzar |
| 5 | Ye kaun hain ye kaun hain jo besahaara hain | Main Sundar Hoon (1971) | Asha Bhonsle | Shankar Jaikishan | Anand Bakshi |
| 6 | Besharmi se sharam na kar | Teen Chor (1973) | Mohammed Rafi | Sonik Omi | Rajendra Krishan |
| 7 | Na tum ho yaar aloo | Dus Numbri (1976) | Laxmikant Pyarelal | Majrooh Sultanpuri | |
| 8 | Dilruba Dilliwali | Dus Numbri (1976) | Asha Bhonsle | Laxmikant Pyarelal | Majrooh Sultanpuri |
4, 6, 7 and 8 from the above list are yet to be featured on the blog and I take up song number 7 for representation in this post.
Shri Harish Raghuwanshi of Surat, the compiler of Mukesh Geetkosh has helped me with confirming the correctness of and completeness of the above table of songs. I express my sincere thanks to him for his continued support.
Dus Numbri (1976) in which Mukesh had 04 songs was in continuation with the many songs that he was singing for Manoj Kumar during late sixties and seventies. The title song of this movie remains famous. Strangely, this title song is the only song of this film to be featured on the blog so far. Mukesh and Manoj Kumar’s combination had become quite popular with some outstanding songs. I had read somewhere that they were planning to produce a film upon the return of Mukesh from his US tour in 1976. As we are aware, Mukesh never came back from that tour as he passed away on 27 August 1976 in Detroit. This date being around the corner, my next post will be on his remembrance day and probably starting with a new series.
Song-Na tum ho yaar aaloo na hum hain yaar gobhi (Dus Numberi)(1976) Singers-Mukesh, Manna Dey, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal
Both
Lyrics
na tum ho yaar aaloo
na hum hain yaar gobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobhi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobhi
na tum ho yaar aaloo
na hum hain yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
ik din ka haal suno
ae Hiralal
kya bataaun huye kya kya lafde
kya bataaun huye kya kya lafde
saaheb ka suit pahan
le kar ke apni dhoban
hum bioscope chala dekhte hai
laallaallaa oy hoy
hoy hoy
ho ho
shaamat ki maat mera
saaheb bhi yaar mila
raste mein aur laga dekhne
dekha jo suit
ho diya kas kar do boot
ho gaali de de ke pakdi gardaniya
gaali de de ke pakdi gardaniya
ho machi wo dhooma dhoom (?)
wo kahin ho gayi re gum
usi hullad mein meri dhobaniya
usi hullad mein meri dhobaniya
dhoban ko le uda re
kyaa jaane kaun lobhi
dhoban ko le uda re
kyaa jaane kaun lobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
o ho
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
apna bhi haal suno
ae Bansilal
coat maine bhi pehna kisi ka
coat maine bhi pehna kisi ka
arre kya thhi khabar
ke hai uske andar
ke photu hai mama inhi ka
hai aiyyo
ke photu hai mama inhi ka
dhoban ko sang liye
chehre pe rang liye
unhu
hotel pahunchaane bechaara
o oarkhaane ke baad
daala paackit mein haath
ke chukaa doon use daam saara
dena thha maal
diya photu nikaal
aisa dhokha hua mujh ko tagda
aisa dhokha hua mujh ko tagda
dhoban ne dekh
diye thhapad do ek
aur kar ke dhamaal
noch kar sar ke baal
kahin chal di wo kar ke jhagda
haay haay
kahin chal di wo kar ke jhagda
meri maal
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
ab haal mera sun kar
chup kyun ho
kuchh kaho jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hai yaar gobhi
suno majboori suno
tumse kya chori suno
suno majboori suno
tumse kya chori suno
hum bhi dil rakhhte to hain
pyaar kar sakte to hain
ho jee ek dhoban meri
haaye mehbooban meri
ek dam thi aazaadi
nayi nayi huyi thhi shaadi
par meri jaan e jahaan
wo gayi jaane kahaan
par meri jaan e jahaan
wo gayi jaane kahaan
aise lagti thhi
aise lagti thhi
gale haaye Raam
jaise istri chale haaye Raam
ho jabse wo gayi chali haaye Raam
main phiroon gali gali haaye Raam
arre chhod gayi dil mein kaanta
maar gyi dhobi paataa
milne ka yaar uske
koi jatan karo jee
milne ka yaar uske
koi jatan karo jee
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
tum bhi ho yaar dhobi
aur hum bhi yaar dhobi
na tum ho yaar aaloo
na hum hain yaar gobhi
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4396 | Post No. : | 15768 |
Hullo Atuldom
“Lafange” (1975) was a movie produced and directed by Harmesh Malhotra. It had five songs from which the blog has one song covered. It was under Sudhirji’s series of “Rafi SB -in the seventies”.
But the more popular song of the movie was its title song “log kehte hain, ke hum lafange hain”. That is not the song we shall have today. We will be celebrating the birthday of the leading lady of this movie with a song sung by Lata Mangeshkar. It is written by Anand Bakshi and Laxmi-Pyare were the music composers.
“Lafange” was another run-of-the-mill masala movie. It was the story of “beautiful Sapna (Mumtaz) who lives with her wealthy father, Dhanraj (Sapru), and a younger brother in a palatial house. Her father comes across some valuable diamonds and conceals them in a secret place. While driving one day, Dhanraj is killed, but her brother escapes without any injuries, but loses control of his vocal chords unable to tell anyone how the accident occurred, and goes missing. After Sapna wins a beauty contest, she travels to Bombay and meets with a young wheel-chair bound soldier named Gopal, and both fall in love with each other. What Sapna does not know is that Gopal is a fraud, a con-man who is only after her money. Then her life is even more complicated after she finds out that her father was killed by a man named Diwan. Before she could think of taking any further action, Diwan and his men track her down – their goal to find the secret location of the diamonds hidden by Dhanraj – and kill anyone who dares to get in their way.” (Got this story from imdb.com, I have not seen the movie).
31st July is the 73rd birthday of Mumtaz, who was at the peak of her career when she gave it all up after marriage to businessman Mayur Madhwani in 1974. She did make an appearance in the David Dhawan directed “Aandhiyan” in 1990 opposite Shatrughan Sinha as mother to Prasenjit (son of her one time co-star Biswajit.
She was born Mumtaz Aksari to Abdul Sameed Aksari and Sardar Begum Habib Agha both of whom were of Afghani origin who were settled in Bombay. It is said that Sardar Begum Habiba Agha was also an actress (needs confirmation from the stalwarts of the blog). She had a sister Malika and two step-siblings. Roopesh Kumar was her cousin. She has two daughters one of whom is married to Fardeen Khan making her Feroz Khan’s daughter-in-law. Her journey in the film industry is well known: beginning as a child actor, growing up into a dancer, vamp, character actress and reaching the pinnacle as leading lady. We have a few of her songs yet to make an appearance on the blog, this is one of them.
Wishing you a very Happy Birthday dear Mumu.
Song-Ud chala panchhi ban ke man mera (Lafange)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Provided by Prakashchandra)
ud chala
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala panchhi ban ke
mann mera saagar ke paar
tu bhi aa sang mere
dekh nazaara
yeh ek baar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala
yeh zindagi bas ek baar
milti hai ae ae
milti hai
ye zindagi bas ek baar
milti hai ae ae
milti hai
murjha ke phir ye kali kab
khilti hai ae ae ae
bhar le apna daaman
in phoolon ka aa
kya aitbaar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala
aa aa aa
aa aa aa aa aa
leke tera naam maine
pukaara hai ae ae ae
pukaara hai
leke tera naam maine
pukaara hai ae ae ae
pukaara hai
samjhe toh kaafi yahi ek
ishaara hai ae ae ae
tera mera kya naata hai
tu saawan hai ae
main hoon bahaar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala panchhi ban ke
mann mera saagar ke paar
tu bhi aa sang mere
dekh nazaara
yeh ek baar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala
Koi na jab tera saathi ho
Posted on: July 21, 2020
- In: Amit Kumar solo | Amit Kumar songs | Devnagri script lyrics by Avinash Scrapwala | Guest posts | Kishore Kumar solo | Kishore Kumar songs | Lyrics contributed by readers | Multiple version song | Post by Avinash Scrapwala | Songs of 1980s (1981 to 1990) | Songs of 1982 | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4386 | Post No. : | 15744 | Movie Count : |
4340 |
Today 21st July’2020 is the ninetieth birth anniversary of lyricist Anand Bakshi (born on 21 July 1930, he passed away on 30th March 2002). As a tribute to him here is a song written by him from the 1982 movie ‘Insaan’.
“Insaan-1982” was directed by Narinder Bedi for ‘Mukesh Movies Pvt Ltd’. Narinder Bedi also wrote the screenplay of this movie.
This movie was produced by Ved Khanna. It had Jeetendra, Vinod Khanna, Reena Roy and Amjad Khan. They were supported by Shyama, Late Karan Diwan, Narendra Nath, Sudhir, Kishore Jariwala, Asit Sen, Roopesh Kumar, Viju Khote, Pannu Balouch, Dev Kishan, Jayshree T., Meena Roy, Dulari, Birbal, Amrit Pal, G.S. Aassie, Dhanalal, Misrilal, Narbada Shankar, Sharma, Thakurdas T., Moolchand. Aruna Irani made a special appearance in this movie and the movie introduced Master Sameer.
Story of this movie was written by Veena Bedi. Dialogues of this movie were written by Rajinder Singh Bedi. Scenario writer of this movie was Satish Bhatnagar.
Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali. Dev Kishan was the dialogue director of this movie. Robin Bhatt was the chief assistant director and Dilip Kotalgi was the chief assistant editor of this movie.
This movie had total six songs including one multiple version song (which is being presented today). All the songs were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.
Background music for this movie was given by Sapan-Jagmohan.
Mohd. Rafi, Kishore Kumar, Asha Bhonsle, Shailendra Singh and Amit Kumar had given their voices to the songs in this movie. This movie was passed by Censor Board on 15.05.1982.
Today’s song is sung Kishore Kumar and second version or rather the sad version is sung by Amit Kumar. I had not watched this movie so can’t say much about the movie and its box office performance. However, I became aware of this song in 1987-89 when I bought a audio cassette of Amit Kumar ‘hits’ by HMV. But only the sad version of this song was there in this cassette. Later when I started contributing lyrics to this blog in 2012-2013, I came across the Kishore Kumar version or a happy version of this song. I like this song very much as it comes from my favorite category of ‘motivational-philosophical songs’ 😊
The meaningful lyrics are by Anand Bakshi. The happy version is picturized on Jeetendra with Master Sameer also seen in the picturization of this song. I am not aware of the picturization of the sad version of this song.
With this song ‘Insaan-1982’ makes its debut on the blog. And that also serves the ‘mission’ of bringing ‘movies with same titles’ on the blog. So far, we have ‘Insaan-1944’ and ‘Insaan-1952’ already introduced on the blog.
Your sincerely also had a part in sharing the song from ‘Insaan-1952’ three years back on the blog. As per HFGK one more movie with same title was released in ‘2005’ too.
If we have look on the annual list of ‘Binaca Geetmala’ of the year 1982 we can see as many as five songs from Anand Bakshi and Laxmikant-Pyarelal making it to the annual list then. The movies were ‘Ek Hi Bhool-1981’, ‘Fifty-Fifty-1981’(2 songs), ‘Raaste Pyaar Ke-1982’(2 songs), ‘Desh Premee-1982’, ‘Apnaa Banaa Lo-1982’, however the top six songs were by other lyricist and on the ‘top of the list’ was Majrooh Sultanpuri’s ‘angrezi mein kehti hain ke’ from ‘Khuddaar-1982’.
Let us now enjoy the beautiful lyrics of Anand Bakshi and the composition of Laxmikant-Pyarelal.
Happy version
Audio
Video
Sad version
Audio
Song-Koi na jab tera saathi ho (Insaan)(1982) Singer-Kishore Kumar/Amit Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lyrics
————————-
Happy version
————————-
aa aa aa …
koyi naa jab tera saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
apni dagar par chal jhoomkar r
kaahe ka gham hain
kaahe ka darr
apni dagar par
chal jhoomkar
kaahe ka gham hain
kaahe ka darr r
raahein badi albeli hain
raahi hain tu albelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
kya hain judaai ee
kya mel hain ae
kya hain judaai ee
kya mel hain ae
bas dhoop chhaaon ka aa khel hain
jeena usika jeena hain ae
jo zindagi se khelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
aa aa aa
aa
aa aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa …
bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa aa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa aa
———————————–
Sad version
———————————–
aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa
bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa
kya hain bharosa kab tak rahegaa
ye zindagi ka aa melaa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa
aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa
——————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————-
भाग-१ (हर्ष)
आ आ आ …
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
अपनी डगर पर चल झूमकर…र
काहे का ग़म है
काहे का डर
अपनी डगर पर
चल झूमकर
काहे का ग़म है
काहे का डर…र
राहें बड़ी अलबेली हैं
राही हैं तू अलबेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं जुदाई ई
क्या मेल हैं ए
क्या हैं जुदाई ई
क्या मेल हैं ए
बस धुप छाँव का आ खेल हैं
जीना उसीका जीना है ए
जो ज़िन्दगी से खेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
आ आ आ …
आ
आ आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ …
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
————————
भाग-२ (शोक)
————————
आ आ
आ आ
आ आ आ आ
आ
आ आ
आ आ
आ आ
आ आ आ आ
आ
आ आ
आ आ
आ आ
आ …
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का आ मेला
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
आ आ आ
आ आ आ आ
आ आ आ
आ
आ आ आ
आ आ आ आ
आ आ आ
आ
आ आ आ
आ आ आ आ
आ आ आ
आ …
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