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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘One singer singing for several actors’ Category


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3652 Post No. : 14501

ASAD 10th Anniversary Celebrations – 9
———————————————————————

My last post on our blog has been sometime back. I have been meaning to write about this song which has a couple of rare occurrences in the Hindi Film and Music world and was waiting for an opportune moment.

Recently, I have been fighting my own battles on my health front, having been hospitalised for surgical and advanced interventional pain management procedures, more than a couple of times in the last one year. I have diabetes, which is under control, however it has caused neuropathy in both my feet causing severe pain with tingling and burning sensations. I would like to take this opportunity to create awareness amongst all the readers of this blog that diabetes can be very dangerous and draining and that one should take care of their feet. One’s feet bear the entire weight of one’s body but always fail to get the attention and good care, as with other parts of the body.

Well, coming back to today’s post. Late last month, we, the regular (and irregular) contributors of this blog were told by our beloved SudhirJi, that the blog was to celebrate the 10th anniversary of its creation and that song posts were expected from all the contributors. However, as hard as I tried, I couldn’t stick up to the deadline of sending in our contributions. However, Sudhir Ji would not relent and sent me another request to send in my post. This made me very embarrassed and I made a promise to myself that come what may, I will write my post and send it today, three days after my second extended deadline.

My association with this blog actually started around two years after I started my Facebook group – Rare Hindi Film Songs in 2010. In searching for old and rare songs to post, I would often visit the blog and later I came to know that even Atul Ji, the creator of this blog was a member and a regular visitor of my group. However, it took me almost 4 years to write my first post – for the song “Chup Chup Chup Kyon Baithe Ho” – and send it to Atul Ji for moderation and posting. Since then, I have been sending in my posts in bursts, start and stop.

Till date I have just posted about 20 odd songs, but I feel so much drawn to the Atulites group that I feel I have come to my home group amongst these various people across the world, who share similar passion and views. In particular, Avinash Ji and Sudhir Ji seem to like my kind of songs from movies of the 70s and early eighties, not that others are not encouraging.

My heartiest congratulations to Atul Ji, ASAD, Atulites and all the people who love HFM, on the 10th anniversary of this endeavour !!!

Now coming to today’s song. As I have mentioned above, this is a special song for me as it has a few rare characteristics associated with it, in the HFM world and also since it is quite a rare song. It is from the Pran, Navin Nischol and Rekha starrer ‘Dharma’ released in 1973. Two other songs from this movie have been posted earlier on the blog. For those who haven’t seen the movie or have forgotten it, the plot summary can be read here on IMDB.

Now, coming to this song with ‘Two Rare Occurrences’ for a Hindi movie!

It is an almost eight minute long song, starting with a straight cut and paste of the song “Aur Mera Naam Hai Jameela” sung by Lata Mangeshkar from the 1967 film ‘Night in London’ (composed by Laxmikant Pyarelal and penned by Anand Bakshi). In both the films, Helen is the dancer performing this song on screen. But of course, the choreography is different in the two films. In this clip from ‘Dharma’, only one stanza of the original song from ‘Night In London’ is included and it is about 2 minutes in duration. Well this is one rare thing.

The second and most important rare thing about this song is that after Helen’s initial lip syncing to this cut-paste song, the actual song, sung by Asha Bhosle, is lip synced by four of the best cabaret dancers of that era. Of course after the Numero Uno – Helen – who’s in the first part. The subsequent segments are performed by Faryal, Sonia Sahani, Jayashree T and Bindu.

The video opens with Helen beginning the dance with some male dancers. The music has already begun. We can also see Ramesh Deo with Asit Sen, who is watching the dance wide-eyed and lecherously. They go to another dance bar and Faryal starts her part followed by Sonia Sahni performing in the third bar. In the fourth bar, Jayashree T is performing bhangra. In the last bar, they do drugs with drinks while Bindu is performing. In this film, Madan Puri and Ramesh Deo are together shown to cheat rich men by taking them to clubs and tempting them with wine and women. The song shows Seth Garib Das (Asit Sen) is being trapped by them and this cabaret number is organized for him.

I hope all of you like the interesting facts of this song as well as the song. Please comment.


Song – Arey Saaqi Jo Kal Ki Hai Bachi Baaki (Dharma) (1973) Singer – Lata Mangeshkar, Asha Bhosle, Omi, Lyrics – Verma Malik, MD – Sonik-Omi

Lyrics

yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

har ek dil ko dhadakne ki aadat huyi
main jis gali se bhi guzri qayamat huyi
log nazren bichaane lage
log nazren bichaane lage
haal dil ka sunaane lage
yaar ki nigaahon me
pyaar ki mehfil me
saahib main rahti hoon
aashiqon ke dil me
aur mera naam hai jameela

arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
arey saaqi
jo kal ki hai
bachi baaki
usi ka daur chal jaaye
utha parda
dekh jalwa
ke sheeshe mein
jawani ab utar jaaye
arey saaqi

rani hoon main raat ki
tu hai galiyon ka raaja
aa
rani hoon main raat ki
tu hai galiyon ka raaja
soyi hui jawani ko
tu chhoo ke zara jaga ja
meri nigahein, aadayen ye baahein bulaayen
veeraa. . .
hahh veeraa. . .aah
la laa la laa la laa la laa

o ho
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
machal ke pee
sambhal ke pee
paimane mein maikhaana doob na jaaye
arey saaqi

dil le ja nishaani
badi meherbaani
haaye dil le jaa nishaani
badi meherbaani
teri jiyegi
teri jiyegi jug jug jawaani
o mere dil jaani
teri jiyegi jug jug jawaani
ho mere dil jaani
haaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajna
ve sun makhna
tu yaad rakhna
ke yaari toot na jaaye
ve sun sajana..aa..aa. . .

dum mein dum hai to dum laga
duniya kya hai nasha hi nasha
aasmaan ke baadal to
kuchh bhi nahin
mazaa to tab hai ke
zameen pe baadal bana
mere humdum
raat hai kam
ke baaton mein
ye saari
raat na jaaye
mere humdum. . .
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

हर एक दिल को धड़कने की आदत हुई
मैं जिस गली से भी गुज़री क़यामत हुई
लोग नज़रें बिछाने लगे
लोग नज़रें बिछाने लगे
हाल दिल का सुनाने लगे
यार की निगाहों में
प्यार की महफिल में
साहिब मैं रहती हूँ
आशिक़ों के दिल में
और मेरा नाम है जमीला

अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
अरे साक़ी
जो कल की है
बची बाकी
उसी का दौर चल जाये
उठा पर्दा
देख जलवा
के शीशे में
जवानी अब उतार जाये
अरे साक़ी

रानी हूँ मैं रात की
तू है गलियों का राजा

रानी हूँ मैं रात की
तू है गलियों का राजा
सोई हुई जवानी को
तू छू के ज़रा जगा जा
मेरी निगाहें अदाएं ये बाहें बुलाएँ
वीरा॰ ॰ ॰
हाहह वीरा॰ ॰ ॰ आहह
ल ला ल ला ल ला ल ला

ओ हो
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
मचल के पी
संभाल के पी
पैमाने में मैखाना डूब ना जाये
अरे साक़ी

दिल दे जा निशानी
बड़ी मेहरबानी
हाय दिल दे जा निशानी
बड़ी मेहरबानी
तेरी जिएगी
तेरी जिएगी जुग जुग जवानी
ओ मेरे दिल जानी
तेरी जिएगी जुग जुग जवानी
हो मेरे दिल जानी
हाए वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना
वे सुन मखना
तू याद रखना
के यारी तू ना जाये
वे सुन सजना॰॰आ॰॰आ॰॰आ

दम में दम है तो दम लगा
दुनिया क्या है नशा ही नशा
आसमां के बादल तो
कुछ भी नहीं
मज़ा तो तब है के
ज़मीं पे बादल बना
मेरे हमदम
रात है कम
के बातों में
ये सारी
रात ना जाये
मेरे हमदम॰ ॰ ॰

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3540 Post No. : 14212

Hullo Atuldom

Yesterday (27 march 2018) was World Theatre Day. I learnt about this in the morning yesterday, as I was listening to the Vividh Bharati. Apparently, this was initiated in the year 1961, by The International Theatre Institute. It is celebrated annually on 27thMarch.

We have a number of actors in Bollywood, both past and present, who started their acting career on stage. Many of them never miss an opportunity to go back to act in a play or theatre reading etc. “We cannot forget the immediate response that we get from the audiences” is the most heard sentiment from these actors who keep going back to do theatre. And then, we have had actors who have performed ‘in front of the camera’ as they would perform ‘in front of a live audience’ – remember Sohrab Modi and Prithviraj Kapoor (in some of his initial movies). But the later generation of actors adopted different styles for theatre and movies. Also improved sound systems in theatres must have helped in later years; when one didn’t have to speak in ‘loud booming voices’ so as to be heard in the last rows.

Today with this post I am thinking of Farooque Shaikh who also did a lot of theatre and who would have been 70 on 25th March, just two days back (he passed away in 2013). I also remember Om Puri who was a product of National School of Drama along with Naseeruddin Shah. And yes, how can one forget our dear Shashi Kapoor and his work in bringing theatre to the layman through his Prithvi Theatre also helping many theatre groups in the process by giving a platform to exhibit their art.

Yesterday’s Indian Express (online edition) has an article on how the Twitterati are celebrating the day- http://indianexpress.com/article/trending/trending-globally/what-is-world-theatre-day-twitter-reactions-5112818/. The article begins with Shakespeare’s famous quote from “As You Like It” –

“All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts.”

Strangely or coincidentally the song that I zeroed in for also says exactly the same thing. I had thought of it the moment I heard about the ‘World Theatre Day’. Then I sat through looking up articles on the internet and I referred Wikipedia for additional information and in the process landed on what Indian Express site had.

The song is written by a lyricist – Anand Bakshi – whose work I admire because he is one of the poets who puts the common man’s thoughts in poetry format (there are few more lyricists who do that but more on that later). The music is composed by Laxmi-Pyaare and playback is by Asha Bhonsle for Moushumi Chatterjee, whose presence is making Sulochana and Raj Mehra uncomfortable, while Vijay Arora and Nazeema are visibly squirming (would like to know why 😉). Then there is Jayshree T. dancing and Hari Shivdasani enjoying himself. There is also Snehlata (in white saree) who seems to be the happiest among the girls at the party. There are some more familiar faces in the party, which I am unable to name immediately. I request other readers to please help add more names to this video clip.

The film is directed by Sohanlal Kanwar and is one of the movies that has Subhash Ghai in its cast.

[Short Version – Party Song]

[Long Version – Stage Song]

Song – Zindagi Ek Naatak Hai (Naatak) (1975) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

(Short Version – Party Song)
mmmm mmmm

aaaaa aaa aaa
aa aaaaaaaaaa

aaa aaa aa
aaa aaa aa
aaa aaa aaaaaaaaa

zindagi ek naatak hai
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain

zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan
khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan..aa..aaaan
bhale bante hain
burey bante hain
apna naam badnaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

sach kya hai
ye humse na poochhiye
kyon ki hum log
hain bahrupiye
sach kya hai
ye humse na poochhiye
kyon ki hum log
hain bahrupiye..ey..eyy
koi jaane na
pehchaane na
aisa hum intezaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

(Long Version – Stage Song) (Lyrics Provided by Prakashchandra)

zindagi ek naatak hai
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain

zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan
khel mein kabhi
bajti hain taaliyaan
aur dete hain
log kabhi gaaliyaan..aa..aaaan
bhale bante hain
burey bante hain
apna naam badnaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

ek rangmanch
ye sansaar hai
chhota bada
har ek kalakaar hai
ek rangmanch
ye sansaar hai
chhota bada
har ek kalakaar hai..ae..ae..ae
zindgaani ka
is kahaani ka
tamasha subh o shaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

chehre pe ek
chehra laga liya
laila majnu
khud ko bana liya
chehre pe ek
chehra laga liya
laila majnu
khud ko bana liya..aa..aa..aa
jhootha sachcha kya
bura achhaa kya
jaisa naam waisa kaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain
parda uthte hi
parda girte hi
sabko salaam karte hain
hum naatak mein kaam karte hain
zindagi ek naatak hai
hum naatak mein kaam karte hain

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

(छोटा रूपांतर – पार्टी में)
म्ममम म्ममम
आssss आss आss
आss आssssssss

आs आs आ
आs आs आ
आss आss आssssssss

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां
खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां॰॰आं॰॰आं
भले बनते हैं
बुरे बनते हैं
अपना नाम बदनाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

सच क्या है
ये हमसे ना पूछिए
क्योंकि हम लोग
हैं बहरूपिये
सच क्या है
ये हमसे ना पूछिए
क्योंकि हम लोग
हैं बहरूपिये॰॰ए॰॰ए॰॰ए
कोई जाने ना
पहचाने ना
ऐसा हम इंतज़ाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

(लंबा  रूपांतर – स्टेज पर)

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं

ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां
खेल में कभी
बजती हैं तालियाँ
और देते हैं
लोग कभी गालियां॰॰आं॰॰आं
भले बनते हैं
बुरे बनते हैं
अपना नाम बदनाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

एक रंगमंच
ये संसार है
छोटा बड़ा
हर एक कलाकार है
एक रंगमंच
ये संसार है
छोटा बड़ा
हर एक कलाकार है॰॰ऐ॰॰ऐ॰॰ऐ
ज़िंदगानी का
इस कहानी का
तमाशा सुबह ओ शाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं

चेहरे पे एक
चेहरा लगा लिया
लैला मजनूँ
खुद को बना लिया
चेहरे पे एक
चेहरा लगा लिया
लैला मजनूँ
खुद को बना लिया॰॰आ॰॰आ॰॰आ
झूठा सच्चा क्या
बुरा अच्छा क्या
जैसा नाम वैसा काम करते हैं

हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं
पर्दा उठते ही
पर्दा गिरते ही
सबको सलाम करते हैं
हम नाटक में काम करते हैं
ज़िंदगी एक नाटक है
हम नाटक में काम करते हैं


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

ना जाने क्यों॰ ॰ ॰ होता है ये ज़िंदगी के साथ
अचानक ये मन
किसी के जाने के बाद
करे फिर उसकी याद॰ ॰ ॰

Aah, Shyama. . . the vivacious, bubbly, chirpy, charming Shyama. That is the image that the mind always carries, of this spirited young lady, so full of life on the screen. Some memories and some reflections are so firmly engraved in the mind that it simply does not register or acknowledge the passage of time and the passing of eras. That is the beauty of these memories – that their beauty simply never fades away.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 8
– – – – – – – – – – – – – –

“What a find. Such a rollicking song.”

This the comment by our own Ava Suri ji, that I find on the YouTube upload page of this song. Yes, ‘rollicking’ is just the right word to describe the tenor of this song. By the way, the YouTube channel on which this is posted is titled ‘The Edwina Channel’. And for those who are familiar, this channel is managed by Dan Thomas (aka Thomas Daniel). Dan has been actively collaborating with dear Greta Memsaab, for cleaning and sprucing up digital videos of old Hindi films, subtitling them and putting them up on the YT. Our dear Raja ji is also part of this effort.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

एक गाना सुना होगा – “बड़ा ही CID है वो नीली छतरी वाला, हर ताले की चाबी रखता हर चाबी का ताला”॰ अपने blog पर भी है॰ लगता है अब इस गाने को थोड़ा बदलना पड़ेगा, ऐसे – “बड़े ही CID हैं, ये अतुल गैंग के मेम्बर्स, गाना guess करने में हैं अव्वल नंबर”॰ काश, लेकिन नहीं, अभी ये गाना blog पर नहीं है॰  🙂

(You must have heard the song – “Badaa Hi CID Hai Wo Neeli Chhatri Waala”.  It is on our blog.  Seems as if this song needs to be modified.  Like This – “Bade Hi CID Hain, Ye Atul Gang Ke Members, Gaana Guess Karne Mein Hain Awwal Number”.  Sorry, this one is not yet on the blog).
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

So today (25 september 2013) is the 53rd birthday of Master Satyajeet (DOB 25 september 1960) who played the role of a young Dev Anand in “Hare Rama Hare Krishna”. He grew up and did a few movies as main lead mainly in Rajshri Films— Paheli (1977), Gopal Krishna (1979) etc and then probably he realized that he was getting nowhere as far as leading roles were concerned.
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“Dus Laakh” (1966) was a Goel Cine Corporation production. It was produced and directed by Devendra Goel. The movie had Sanjay Khan, Babita, Manorama, Seema Deo, Brahmachari, Helen, Pran, Ramesh Deo, Om Prakash, Hari Shivdasani etc in it.
Read more on this topic…


“Behroopiya” (1971) was a Madan Chitra Production movie. It was produced by Ram Kumar and directed by Rajesh Nanda. The movie had Dheeraj Kumar, Snehlata, Faryal, Madhumati,Junior Mehmood, Hira Lal, Honey Irani, Daisy Irani, Helen, Chitra, Ram Kumar, Sheikh etc in it.
Read more on this topic…


“Sanyasi”(1975) was a Filmnagar Production. It was produced and directed by Sohanlal Kanwar. The movie had Manoj Kumar, Hema Malini, Prem Nath, Prem Chopra, Brahma Bhardwaj, Dhumal, Aruna Irani, Sulochana Latkar, Pran, Kamini Kaushal, Indrani Mukherjee, Chandrashekhar, Shailesh Kumar, Raj Mehra, Helen, Arpana Chowdhary, Jayashree T, Hari Shivdasani, Murad, V Gopal, Rajpal, Kuljeet, Kamaldeep, Keshav Rana, Yunus Parvez, C.S.Dubey, Narbada Shankar, Tiger, Shera, Romeo, G.A.Sheikh, Dinesh Hingoo, Bihari, Darshan Arora, Sabina, Sheila, Madhup Sharma, Krishna Kumar, Pran, Kumari Naaz, Nazima etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Trying to think of all other songs on the Hindi screen that contain the names of the educational degrees and qualifications. How far back do you think this trend goes ? Well, all the way back to 1936, to the time of Saigal Saab. The film ‘Krorepati (The Millionaire)’ has a duet by Saigal Saab and Pahadi Sanyal –‘Jo Naukri Dilaa De, BA Dilaane Waale’ . Then the next one that I can locate is ‘Hum Se Nain Milaanaa BA Pass Kar Ke’ , a Madan Mohan / Raja Mehndi Ali Khan creation sung by Mukesh and Shamshad Begum in 1950. Then in 1954, the Kishore, Usha Kiran film ‘Adhikaar’ has a song ‘BA MA PhD’ created by Prem Dhawan and Avinash Vyas, and sung by Asha Bhosle. Then fast forward to 1971 and the path-breaking film by Gulzar, ‘Mere Apne’. And the song – ‘Haal Chaal Thheek Thhaak Hai’. The second line of the mukhdaa of this song goes like ‘BA Kiyaa Hai, MA Kiyaa; Lagtaa Hai Wo Bhi Aiwen Kiyaa Hai’.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14700 song posts by now.

This blog is active and online for over 3700 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14741

Number of movies covered in the blog

Movies with all their songs covered =1150
Total Number of movies covered =4028

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Active for more than 4000 days.

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