Archive for the ‘Vinod Rathod Song’ Category
Aazaadi hai khwaab hamaara
Posted on: September 28, 2021
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4820 | Post No. : | 16596 | Movie Count : |
4522 |
Today 28th September, we remember Sardar Bhagat Singh (28th September 1907 – 23rd March 1931), on his 114th birth anniversary.
We on the blog pay our tributes to him by posting a song from the movies made on his life.
I have mentioned in my earlier posts that the year 2002 was a special year from the point of view of ‘movies made on Bhagat Singh’. That year three movies were released on the life of Bhagat Singh.
23rd March 1931 Shaheed
The Legend of Bhagat Singh
Shaheed-E-Azam
We have already introduced the movies ‘23rd March 1931 Shaheed’ and ‘The Legend of Bhagat Singh’ on the blog.
“23rd March 1931 Shaheed” and “The Legend of Bhagat Singh” were released on the same date, and the third movie “Shaheed-E-Azam” was delayed and was released later in the same year i.e.,2002.
All the movies covered the story of Bhagat Singh from his birth to death, including important incidences of Bhagat Singh’s life. All these were presented by interweaving of songs which too were based on same incidences and theme.
The movie ‘23rd March 1931 Shaheed’ was almost frame to frame copy of ‘Shaheed-1965’ of Manoj Kumar.
I have been fortunate to present a few songs from the movies made on Bhagat Singh earlier on the blog, they are –
Shaheed – 1965 ( pagdi sambhaal jatta on 28.09.2013)
Shaheed E Azam Sardar Bhagat Singh – 1974 ( vekho loko on 23.03.2016)
The Legend of Bhagat Singh – 2002 ( desh mere desh mere meri jaan hai tu on 28.09.2018)
23rd March 1931 – Shaheed ( saans hain jab talak naa rukenge kadam on 23.03.2021)
Today I am going to present a song from the movie ‘Shaheed E Azam-2002’. It was directed by Sukumar Nair for ‘Surjit Movies’.
This movie was produced by Iqbal Gill. Gurmail Singh Dhami and Harjinder Dhami were the co-producers of this movie.
This movie had Sonu Sood in the role of Bhagat Singh. The other star cast included Raj Zutshi, Binnu Dhillon, Manav Vij, Dev Gill, Rajendra Gupta, Shama Sikander, Abhijeet Lahiri, Sadhana Singh, Ron Sladczyk and others.
Dialogues of this movie were written by Harinder Gill while its editing was done by Omkar Bhakri.
This movie was passed by Censor Board on 23.05.2002.
Lyrics for the songs in this movie were written by Khwaja Parvez and S.M. Sadiq. This movie also included poetry of Baba Bule Shah and Sardar Bhagat Singh.
Music of this movie was composed by Maqbool Khan, Sabar Ali (Pakistan) and Sardool Sikender.
Today’s song is sung by Roop Kumar Rathod and Udit Narayan. On screen it is performed by Sonu Sood, Manav Vij, and Binnu Dhillon (I guess). This song happens to be in the jail premises as its picturisation shows.
Let us listen to today’s song now and pay our tributes to Bhagat Singh on his birth anniversary today.
(I have not been able to note correct words in Punjabi language, I would request knowledgeable readers to correct me wherever it is required.)
Audio
Video
Song-Aazaadai hai khwaab hamaara (Shaheed e Azam)(2002) Singers-Roop Kumar Rathod, Udit Narayan, Lyrics-Khwaza Parvez, MD-Maqbool Khan, Sabar Ali (Pakistan), Sardool Sikender
Lyrics
ab to khaa chuke hain
aen aen
chittor ke gadh ki qasmein
aen aen aen aen
sarfaroshi ki adaa hoti hai
yoon hi een een een rasmein
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi ki khaatir denge
hans ke apni jaan
aazaadi hai ae ae
aazaadi hai khwaab hamaara
aazaadi imaan
inquilaab zindaabaad
inquilaab zindaabaad
inquilaab zindaabaad
zindaabaad
zindaabaad
zindaabaad
zindaabaad
inquilaab zindaabaad
marnaa to hai ek haqeeqat
marnaa to hai ek haqeeqat
is se kyun inkaar karen
haan haan
is se kyun inkaar karen
apni maut ki ungli pakadkar
apni maut ki ungli pakadkar
ham dushman par waar karein
haan haan
ham dushman par waar karein
marnaa to hai ek haqeeqat
is se kyun inkaar karen
apni maut ki ungli pakadkar
ham dushman par waar karein
desh ke khaatir mar jaana to
o o o o o o o o o o o o o o
oye desh ki khaatir mar jaana to
apnaa hai armaan
aazaadi hai ae
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi hai khwaab hamaara
aazaadi imaan
inquilaab zindaabaad
inquilaab zindaabaad
inquilaab zindaabaad
zindaabaad
zindaabaad
zindaabaad
zindaabaad
inquilaab zindaabaad
jinaa ishq namaazaan
padhiyaane
jinaa ishq namaazaan
padhiyaane
o thaan thaan sajde karde nahin
jede ek de hoke reh jaande
jede ek de hoke reh jaande
o mard jaan te marde nahin
jinaa ishq namaazaan
padhiyaane
jinaa ishq namaazaan
padhiyaa aa aa aa ne
ho jinaa ishq namaazaan
padhiyaan
jinaa ishq namaazaan
padhiyaan
jinaa ishq namaazaa
padhiyaan
thaan thaan nahin karde sajde
o mar bhi jaayen to mitraan nahin marde
nahin marde
o nahin marde ae ae ae
unke upar rang basanti
ee ee ee ee ee ee ee ee ee
hoye
unke upar rang basanti
aape chadh de jaan
aazaadi hai
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi ki khaatir denge
hans ke apni jaan
aazaadi hai
aazaadi hai khwaab hamaara
aazaadi imaan
inquilaab zindaabaad
inquilaab zindaabaad
inquilaab zindaabaad
zindaabaad
zindaabaad
zindaabaad
zindaabaad
inquilaab zindaabaad
khudgarzi ki oat mein baithhe
khudgarzi ki oat mein baithhe
bane nishaan ye ibhrat ka
haan haan haan
bane nishaan ye ibhrat ka
laalach ke andhon ne dekha
laalach ke andhon ne dekha
khoob tamaashaa gairat ka
haan haan
khoob tamaashaa gairat ka
baandh ke patti
besharmi ki ee ee
ee ee ee ee ee ee ee ee ee ee
aga baandh ke patti besharmi ki
ban baithhe pardhan
aazaadi hai
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi ki khaatir denge
hans ke apni jaan
aazaadi hai
aazaadi hai khwaab hamaara
aazaadi imaan
aazaadi hai khwaab hamaara
aazaadi imaan
inquilaab zindaabaad
inquilaab zindaabaad
inquilaab zindaabaad
vande maataram
vande maataram
vande maataram
vande
vande maataram
vande maataram
vande maataram
vande
inquilaab zindaabaad
inquilaab zindaabaad
inquilaab zindaabaad
vande maataram
vande maataram
vande maataram
vande
vande maataram
vande maataram
vande maataram
vande
inquilaab zindaabaad
Rabba tera main shukr manaaoon
Posted on: September 27, 2021
- In: expression of love | Feelings of heart | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Series of articles | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1999 | Udit Narayan Song | Vinod Rathod Song | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4819 | Post No. : | 16591 | Movie Count : |
4521 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LIII: Year 1999
———————————————————————————————————
In this episode, the 53rd episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1999.
In 1999, 90 Hindi movies containing 548 songs were released. Lata Mangeshkar got to sing in 7 of these movies and she sang 14 songs in these movies. So Lata Mangeshkar’s voice was heard in 8 % of the movies released in 1999. Her voice was heard in 2.5 % of the songs appearing in the movies of 1999.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1999 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Dulhan Banoon Main Teri | Ram Laxman | 0 | 1 | 0 | 0 | 0 | 1 | Dev Kohli |
| 2 | Godmother | Vishal Bhardwaj | 0 | 1 | 1 | 0 | 0 | 0 | Javed Akhtar |
| 3 | Hu Tu Tu | Vishal Bhardwaj | 2 | 4 | 2 | 2 | 0 | 0 | Gulzar |
| 4 | Hum Tum Pe Marte Hain | Uttam Singh | 0 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 5 | Jahaan Tum Le Chale | Vishal Bhardwaj | 0 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 6 | Kachche Dhaage | Nusrat Fateh Ali Khan | 0 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 7 | Manchala | Ram Laxman | 0 | 1 | 1 | 0 | 0 | 0 | Ravindar Rawal |
| Total | 7 movies | 4 MDs | 2 | 14 | 6 | 7 | 0 | 1 | 5 lyricists |
Lata Mangeshkar worked with 4 music directors and 5 lyricists in these 7 movies released in 1999. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 1999. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5200 songs that Lata Mangeshkar had sung in Hindi movies till end of 1999. Anand Bakshi with 724 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (406), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3244 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1999 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 140 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 3 movies | 2 | 14 | 6 | 7 | 0 | 1 | |
| Total upto 1999 | 1864 movies | 3741 | 5200 | 3371 | 1496 | 213 | 120 |
It can be seen from the table of 1999 that Lata Mangeshkar sang 14 songs in 7 movies released in 1999.
Two songs sung by Lata Mangeshkar in movies of 1999 have been covered in the blog. So 12 songs from 7 movies of 1999 sung by Lata Mangeshkar are yet to be covered in the blog.
Alphabetically “Dulhan Banoon Main Teri”(1999) is the first movie of 1999 that offers us a Lata Mangeshkar song to be covered in the blog.
“Dulhan Banoon Main Teri”(1999) was produced and directed by B Subhash. The movie had Faraz Khan (Late), Deepti Bhatnagar, Kashmira Shah, Johny Lever, Dilip Tahil, Pramod Moutho, Arun Bakshi, Vishwajit Pradhan, Anil Nagrath, Beena, Raj Kiran, Johny Whisky, Madhu Malti, Babban Lal, Sheetal, Dhirendra, Anand Jog, Madhu Acharya, Deep Dhillon, Subhash Rajpoot, Satyam Chauhan, Sheeba Bhakri, Vicky Borade, Geeta, Karan Verma(child artiste), Ajit Srivastava, Roop gagan Kang, Ajit Kumar, Vinny Kumar, Vivek Pande etc in it.
The movie had 9 songs in it. One song had the voice of Lata Mangeshkar in it.
Here is that one song from the movie.
This song is sung by Lata Mangeshkar, Udit Narayan, Vinod Rathod and chorus. Dev Kohli is the lyricist. Music is composed by Ram Laxman.
Only the audio of the song seems to available. A video (apparently fake) is in circulation, so that does not count.
The audio is more than ten minutes long. Prakashchandra, who sent the lyrics as well as other details, guesses that this song was picturised on Deepti Bhatnagar, Faraaz Khan(Late) and Vishwajeet Pradhan.
PS;THe video, whose link was pointed out by Mahesh Mamadapur, shows that the song is picturised on Deepti Bhatnagar and Faraaz Khan.
With this song, the movie makes it’s debut in the blog.
Audio
Video
Song-Rabba tera main shukr manaaoon (Dulhan Banoon Main Teri)(1999) Singers-Lata, Udit Narayan, Vinod Rathod, Lyrics-Dev Kohli, MD-Ram Laxman
All chorus
Female chorus
Male chorus
Lata Mangeshkar + Udit Narayan
Lata Mangeshkar + Vinod Rathod
Lyrics(Provided by Prakashchandra)
aaa aaa aaa aaaaa aaa aaa aaa
aaa aaa aaa aaaaa aaa aa aa aaa aa
o o o o o o o o o oo
ho o o o o o o o o oo
aa aa aa aa aaa
aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa
rabbaa tera main shukr manaaoon oon oon oon
ho o oo ho oo
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa aa
yaar mil gayaa aaa aaa aa
yaar mil gayaa aaa haayye ae ae
yaar mil gayaa aaa aa
yaar mil gayaa
usek qadmon ki dhool bann jaaoon
ke mujhe meraa yaar mil gayaa
rabbaa teraa main shukar manaaoon
ke mujhe mera yaar mil gayaaa
mera jaanam hai
jaan se pyaaraa
main hoon jism to woh hai meri jaan aan aan
dil kehtaa hai
yaar pe kar doon
main to apnaa sab kuchch qurbaan
saari umr main
yaari nibhaaoon oon oon oon
ho o o o
saari umr main yaari nibhaaoon
ke mujhe mera yaar mil gayaa
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa
yaar mil gayaa aaa aa aa aa
yaar mil gayaaa aa haayye ae
yaar mil gayaa aaa aa aa yaar mil gayaa
maula sadqe main tere ho jaaoon
ke mujhe dildaar mil gayaa
uske sajdey mein sar ko jhukaaoon
ke mujhe dildaar mil gayaa aa aaa aa
yaaraa yaaraa
o dildaaraa
oo ooo ooo ooo oo
ooo ooo oooo ooo ooo
oo ooo ooo ooo oo
ooo ooo oooo ooo ooo
oo oo oo oo oooo
yaaraa yaaraaa
o dildaaraa
oo ooo ooo ooo oo
ooo ooo oooo ooo ooo
oo ooo ooo ooo oo oo
ooo ooo oooo ooo ooo
yaar meraa hai
tera karishmaa aa aa
sohney yaar dee sohnee deed
jab dekhoon main chaand saa chehraa aa
tab ho jaati hai ae ae meri Eid
yaaraa roz main
Eid manaaoon oon oon oon oon
ho o o ho o o o o
yaaraa roz main
Eid manaaoon
ke mujhe dildaar mil gayaa
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa
ho o o ho oo oo yaar mil gayaa aa aa aaa
yaar mil gayaa haayye
yaar mil gayaa aa aa yaar mil gayaa
devaa jag mein main dhoom machhaaoon
ke mujhe mera pyaar mil gayaa
uske pyaar ke main geet main gaaoon
ke mujhe meraa pyaar mil gayaa aa aa aa
aa aa aa aa aa aa
aaa aaa aaa aaaaa aaa
aaa aaa aaa aaaa aaa
ho o o o o o o o o oo oo oo
ho o o o o o o o o oo oo o oo o oo
dil kartaa hai gagan pe likh doon oon
main to apni sajni kaa naa..aaam
mera saajan hai
aisaa salona aa
jaisey Raadhaa ka ho o ghanshyaam
main to pyaar ki dhoonee ramaaoon oon oon oon
ho o o ho o o
main to pyaar ki dhoonee ramaaoon
ke mujhe mera pyaar mil gayaa aa
rabbaa teraa main shukar manaaoon
ke mujhe mera yaar mil gayaa
yaar mil gayaa aaa aa
yaar mil gayaaa aa haayye ae ae
yaar mil gayaa aaa aa aa yaar mil gayaa
uske qadmon ki dhool bann jaaoon
ke mujhe meraa yaar mil gayaa
rabbaa teraa main shukar manaaoon
ke mujhe mera yaar mil gayaa
uske qadmon ki dhool bann jaaoon
ke mujhe meraa yaar mil gayaa aa aa aa
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4479 | Post No. : | 15988 | Movie Count : |
4379 |
Hullo Atuldom
Today we are remembering a celebrity who began his life as a Professor of Civil Engineering in a Mumbai engineering college. A huge fan of Dilip Kumar, he was spotted by comedian Agha when he was performing in a play “Taash ke Pattey”. The play was recommended to Dilip saab who saw it, and signed this Professor/ stage actor for “Sagina” and “Bairaag”. This was the start of a career that spanned from the ’70s to 2019 – Govinda starrer Rangeela Raja released in 2019.
This post is about Kadar Khan who was born in Kabul to Afghan parents. He was educated in Mumbai and graduated as a civil engineer. His career as a writer in Bollywood took off when he was offered to co-write the script of “Jawaani Diwaani” by Narinder Bedi. This was followed by dialogue, script writing for over 200 films in addition to acting in around 300.
I am unable to decide if he was a better actor or writer. I am unable to decide if he evoked more emotion in the public as a villain or comic character actor. I am in love with his pairing with Govinda in both serious and comic roles. There are many movies to choose from where they have showcased their comic timing but that does not mean that they couldn’t emote serious situations. They have played grandfather -grandson in “Jaisi Karni Waisi Bharni”, father-n-son in “Haseena Maan Jaayegi”, “Sindoor”; father-in law son-in-law in “Dulhe Raja”. I don’t know if David Dhawan brought out the best in them. But it is to Rajesh Khanna’s credit that Manmohan Desai paid Kadar Khan handsomely for writing the dialogues of “Roti” in 1974.
I loved him as the lovable old man in “Gharwali Baharwali”, “Saajan Chale Sasural”, “Mr & Mrs Khiladi”. He was cute as the outwardly-submissive husband of Bindu in “Biwi Ho To Aisi”. He played a similar character with Shashikala as his wife in “Ghar Ghar Ki Kahaani” (1988). He has played serious characters too as in “Yaarana”, “Adalat”, “Roti”, “Tohfa”- there is a whole list of such films.
He has had a few songs picturized on him in his long and illustrious career. Some have been philosophical and some have been funny. He has also tried to dance in some of these songs and it used to be rather cute to see.
In today’s song too, we see Kadar Khan play a slightly old character who is frustrated by the presence of a “Dhaaba” in the premises of his five star hotel. He has tried all possible tactics to evict the dhabbawala. The competition in the song is one such attempt.
This song is written by Sameer and Anand- Milind are the music composers. It is sung by Vinod Rathod and Sonu Nigam. The song has a lot of well-known couplets strung together rather imaginatively and that had made it appealing to the younger generation of that period. Besides being a song from my own ‘list of loved songs’ it also belonged to my dad’s list. He must have seen this movie every time it came on television and so have I. I am sure that the song was inspired by the song from “Padosan”- “ek chatur naar” going by the way the characters are emoting- all over the top.
The movie had Raveena Tandon as his daughter and Johnny Lever played Kadar Khan’s Man-Friday who is in cahoots with the dhabbawala -Govinda- who feels that he should be the “Dulhe Raja” of the hotel owner Singhania -played by Kadar Khan.
“Dulhe Raja” released on 10th July 1998. This was one of the 13 films that released in 1998 with Kadar Khan in the cast, he was definitely a busy 60-year old in that year.
Audio
Video
Song-Kahaan Raja bhoj kahaan gangu teli (Dulhe Raja)(1998) Singers-Sonu Nigam, Vinod Rathod, Lyrics-Sameer, MD-Anand Milind
Male chorus
Female chorus
Lyrics
Aaa aaa aaa aaaa
khushboo shabaab rang
rawaani uthha ke la
kehte hain umr rafta kabhi laut’ti nahin
jaa maikade se meri jawaani uthha ke lah
waah waah kya baat hai
waah ustaad
arre hey hey ae
guzara hua zamaana
kabhi laut’ta nahin
shaayad kabhi bhi isne dekha na aaina
sathhiya gaya hai isko
kuchh soojh’ta nahin
aaha ohho
aaha
chachhunder ke sar pe na bhaaye chameli
chachhundar ke sar pe hae ae
chachhundar ke sar pe na bhaaye chameli
kahaan raaja bhoj
kahaan gangu teli
kahaan raaja bhoj
kahaan gangu teli
kyun ustaad
thheek hai na
kya bola
cha chhundar
hoo
main shakkar ki bori
yeh hai gud ki bheli
main shakkar ki bori ee ee ee
main shakkar ki bori
yeh hai gud ki bheli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
kabar ke andar teri kamariya
aa aa aa kabar ke andar teri kamariya
kamariya
kamariya
(haan)
kabar ke andar teri kameriya
bus kuchh din hai baaki umariya
ni sa ni re re
ni sa ni dha dha dha dha
ni sa ni re re
ni sa ni dha dha dha dha
aaaa aa aaa aaa
ghar mera dekhe
jhaanke atariya
aaa aaa aaa ghar mera dekhe
jhaanke atariya
atariya, (haan)
atariya (haan)
ghar mera dekhe
jhaanke atariya
dhan pe hai mere
iss ki nazariya
arey boodhau
ye sher arz hai tere liye
log acchhe hon toh
daulat nahin dekhi jaati ee
seerat achchi ho o toh o o o
o o o
soorat nahin dekhi ee ee jaati
itna bata do
iss bekhabar saudaagar ko o o
maal achcha ho o toh o o o o o
keemat nahin dekhi eee eee jaati
kya sher maara hai
duboya mujhko hone ne
duboya tujhko hone ne
na main hota toh kya hota
na tu hota toh kya hota
na tu hota toh ye hotal nahi hota
na main hota toh ye dhaaba nahin hota
na yeh hotal hota,
na dhaba hota
na yeh ragda hota,
na jhagda hota
ee ee
bujha na mujhe jhoothi moothi paheli
bujha na mujhe ae ae ae ae ae ae
bujha na mujhe jhoothi moothi paheli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
ae gangu
ae pangu
arey gangu gangande
ae pangu langade
arre kuchh suna suna
toh sun
samajh samajh ke
samajh ko samajho
samajh samajhna
bhi ek samajh hai
aa aa aa aaa
samajh samajh ke
samajh ko samajho
samajh samajhna
bhi ek samajh hai
samajh samajh ke
jo na samajhe
meri samajh mein
woh naasamajh hai
ae naasamajh
na samajh naa samajh mujhe
are nasamjh
nasamajh naa samajh mujhe
meri samajh toh teri
samajh ki samajh se baahar hai
baahar hai
meri samajh toh teri
samajh ki samajh se bahar hai
maine dil diya unko
pyaar ki hadd thhi
maine jaan di unko
aitbaar ki hadd thi
marne ke baad bhi khuli rahi aankhen
ye mere intezaar ki hadd thi
ye mere intezaar ki hadd thi
ye mere intezaar ki hadd thhi
ye mere intezaar ki hadd thi
haan
main tujhe jhel gaya
jhelne ki hadd thhi
arre main tujhse khel gaya
khelne ki hadd thhi
tere saamne dhaaba khola aa aa
ye mere kholne ki hadd thhi
haan mere kholne ki hadd thhi
ye tere kholne ki hadd thhi
ye tere kholne ki hadd thhi
sa ri ga ma pa dha ni sa
sa ni dha pa ma ga ri sa
tere ghar mein paisa paisa
mere ghar mein paisa paisa
main idhar jaaun ke udhar jaaun
badi mushkil,
mushkil,
mushkil
mushkil mein hoon
mai kidhar jaaun
idhar jaaun
udhar jaaun
udhar jaaun
idhar jaaun
kidhar jaaun
kidhar jaaun
ooo ho
yeah
yeah
yeah
daulat se gaya
shohrat se gaya
bhari mehfil mein izzat se gaya
ha ha ha
bahut hawa mein thha
yaaron main baazi maar gaya
meri jeet hui
yeh haar gaya
meri jeet hui
yeh haar gaya
meri jeet hui
yeh haar gaya
meri ho gayi iss ki kothi haweli
meri ho gayi haan aan
meri ho gayi iss ki kothi haweli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
kahaan raja bhoj
kahaan gangu teli
hoy hoy hoy hoy
ahaa
De Taali, De De De De Taali
Posted on: June 20, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4355 | Post No. : | 15675 | Movie Count : |
4318 |
Hullo Atuldom
In one of his recent posts our Avinash ji has suggested that there should be a category of posts – ‘Post inspired by fellow Atulite’ or ‘Post inspired by Atulite WA group chat’. I would like to borrow a phrase from Sudhir ji ‘thank you for the nudge’ and direct it towards Avinash ji. If not for Avinash ji I would have written this post a month later. Don’t know how I mixed up dates. And there have been posts wherein Atul ji has credited me with being good at remembering dates. It is not so Atul ji, calendars also need reminders.
I am 100% sure that the followers of this blog and non-followers too will be aware of a movie that released in the 70s. 1975 to be exact. It went by the name ‘Sholay’. It was a multi-star-cast movie that ran for years in a single cinema hall in Mumbai. This blog has already covered each and every song possible from that movie with detailed posts accompanying them. I am sure, the readers are wondering, why I am revisiting the movie then? Well ‘Sholay’ is something like an ‘Amar Akbar Anthony’ (1977) or any other formula movie. ‘AAA’ had a lost-and-found formula which was repeated in many movies after it. ‘AAA’ itself was a copy of numerous movies preceding it with the lost-and-found theme. It can be safely said that Indian movies thrive as much on the stories of the Ramayan and Mahabharata as they do on the lost-and-found theme.
So, where does ‘Sholay’ fit, in the scheme of things? Well, the ‘Thakur-Dacoit-Hired help’ formula has been repeated in a few movies too. Personally I have seen three movies on that story-line, there may be more. Two of them had a female for Thakur. That is, someone out to avenge the injustice meted out to her assisted by guys – ladies were SUPPOSED to be naajuk, bebas, etc. and a widow to add masala to the story. I am sure a woman of the new millennium will protest at the description of bebas, naajuk – even I will protest. There were Basanti and Radha as love interests in ‘Sholay’ – all the remakes also had ladies to distract the Veeru and Jai of the remakes.
Yesterday I saw ‘Army’ which had released on 28th June 1996 i.e. exactly 8 days short of 24 years ago. It was directed by Raam Shetty, produced by Nitin Manmohan and Mukul Anand and had music by Anand Milind. This is one of the ‘Sholay’ remakes that I spoke of in the previous paragraph. It has Sridevi playing a pregnant widow out to avenge her husband’s death for which she takes the help of five prisoners who are on the death-row. I hope the ‘Sholay’-connect has been explained. Explaining further- there it is two prisoners, here it is five. There the prisoners escape hoodwinking the ‘Angrezon ke zaamane ka Jailor‘; here Sridevi helps the prisoners get out of prison using sleep-inducing sweets. In ‘Sholay’; the thakur’s house was on a hillock overlooking the village, even that was replicated in ‘Army’. The prisoner’s are holed up in a secluded house that overlooks the area adjoining the palace of Sridevi’s tormentor. This was then the background of the movie from which I am presenting a song to our today’s birthday boy.
Coming back to the thoughts expressed in the opening paragraph, I asked Avinash ji if he was aware of the favourites of our today’s birthday boy. Favourite actor, singer, music director etc. Both of us thought hard and found that we don’t know much about his favourites but he knows all of us fairly well. What I do know, he has a ‘more than’ good knowledge about cricket and movies. He loves his pets and they are the family that live with him as his wife is working in a different town and daughter is a student elsewhere. Of late I have discovered that he has a love for the progresses that the country has made in the various sectors post the ’98 Pokharan tests. He is proud to be employed in the biggest service provider of the nation.
In addition to all that he has a unique sense of humor, which surfaces often on the blog in his posts and is given the title “Atulism” by our very own Rajaji.
Its is the birthday of the brain behind this blog, our Ranchiwala Gaanewala (Sudhir ji’s title for him). Wish you a very Happy Birthday Atul ji from your Army of contributors. We wish you all the best with lots of fun and music.
Today’s song is a lively song where the prisoners are having a party-like song and dance before escaping from the prison. It is sung by Alka Yagnik, Abhijeet and Vinod rathod. The two male singers are playback for Ravi Kishan. Ronit Roy, Sudesh Berry, Mohnish Behl and Harish who feed the jailor Kiran Kumar a laddo during the song and the favour is returned by the jailor. So when the song ends the rest of Sridevi’s Army have to bodily carry him out of the prison. It was an entertaining movie but becomes too violent towards the end. Whatever gory violence was snipped out of ‘Sholay’ found itself here.
Once again wishing our leader Atul ji a very Happy Birthday
Song – De Taali, De De De De Taali (Army) (1996) Singer – Alka Yagnik, Abhijeet, Vinod Rathod, Lyrics – Sameer, MD – Anand Milind
Chorus
Lyrics
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
hae haa ho
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharabaa yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahan nahin
khoon kharaba yahan nahin
kehne wale jail kahein
par yahan badi khush haali
de taali de de de de taali
de taali de de de de taali
aaaa aaaa aaaa
hansi udaaye yaar hamaari
baat koi na maane
hum kaise andar aayein hain
koi bhi na jaane
baahar jeena hai to yaaro paisa chaahiye
khaana peena hai to yaaro paisa chaahiye
naukri maangoon to sarkaar paisa maange
khaali ghoomoon to dost yaar paisa maange
taxi chalaoon hawaldaar paisa maange
ghar jo jaoon to parivaar paisa maange
kisi bank mein mera koi khata nahin
koi fokat mein khaana khilaata nahin
apna to yeh kehna hai
humko andar rehna hai
apna toh yeh kehna hai
humko andar rehna hai
yahan toh apni zindagi hai tension se khaali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
bina degree ke kaam yahaan sab ko mile
kaam karte hi daam yahaan sab ko mile
yahaan time se roti sab ko mile
dal chaawal boti sab ko mile
bina bhaade ke kholi sab ko mile
arre yaar humjoli sab ko mile
haan haa haa haaa
hoo hoo oo
aaj ka din bhi achha din hai
sundar bada muhoorat hai
tum jaise logon ki pyaare
baahar bahut zaroorat hai
baahar jao
jaa ke duniya walon ko samjhao
subah shaam marne waalon ko tum jeena sikhlaao
jo bhi baahar jayega woh jeevan bhar pachhtayega
jo bhi baahar jaayega
woh jeevan bhar pachhtayega
baahar jaake milegi humko nafrat gurbat gaali
de taali de de de de taali
de taali de de de de taali
chaudi chaudi sadak nahin
koi tadak ya bhadak nahin
oonche oonche ghar nahin
lafda jhagda darr nahin
shor sharaba yahaan nahin
khoon kharaba yahaan nahin
kehne wale jail kahein
par yahaan badi khush haali
de taali de de de de taali
de taali de de de de taali
hae haa ho
hae haa ho
hae haa ho
hae haa ho
- In: "wooing" song | Babul Supriyo - Vinod Rathod Duet | Babul Supriyo Songs | Duet | expression of love | Feelings of heart | Guest posts | One song used in more than one movie | One song used in two movies | Party song | Post by Sudhir | Song used in more than one film | Songs of 2000s (2001 to 2010) | Songs of 2005 | Vinod Rathod Song | Yearwise breakup of songs
- 3 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4119 | Post No. : | 15272 | Movie Count : |
4199 |
Songs Repeated in Hindi Films – 12
– – – – – – – – – – – – – – – – – –
What we have today is a repeat song of a very familiar and a very wonderful hit of its time, and yes, an all time favorite that seems to carry a timeless appeal for people in love. And as is shown on screen, people in love – of all ages. This reuse has some very interesting circumstances, mostly well evident in the picturization itself.
The original song is from the hit film ‘Khel Khel Mein’ from 1975. The lead pair in that film is Rishi Kapoor and Neetu Singh, who were famously in love off the celluloid also. They were referred to as the ‘Love Birds’ of the Hindi cinema. Their affair culminated in their tying the proverbial matrimonial knot in 1980. ‘Khel Khel Mein’ was possibly their second film together, having worked together earlier for the first time together, in ‘Zehreela Insaan’ in 1974. The original song is performed on screen by this pair, playing roles of college students in love, and in search of fun and adventure through petty pranks. On screen, the scenario is that both are drunk, and have got it into their minds to announce their love for each other to the world through this song. The original song is written by Gulshan Baawra and the music is by RD Burman.
The repeat song is from the 2005 film – ‘Pyaar Mein Twist’. The lead roles in this film are played by Rishi Kapoor and Dimple Kapadia. Seeing this pair on screen brought back memories of many a story, all the way back from three decades ago.
Rewind back to 1973. Rishi and Dimple make their individual debuts as lead players in ‘Bobby’, a teen romance that straddles two diverse strata of the society as well as religious affiliations. The film was the big hit of 1973, that revived the fortunes of RK banner after the box office debacle of ‘Mera Naam Joker’ (1970). The release of this film was preceded, and accompanied by a ton of controversies that had the pulp press working overtime for months on end. An uncanny facial resemblance (at that point in time) between Dimple and Nargis of ‘Barsaat’ (1949), created a havoc laden rumor tornado – that Dimple is actually Raj Kapoor’s daughter from his alleged affair with Nargis when the two were a popular and fantastic pair on screen, and off it, in late 1940s to mid 1950s. Of course the rumor was really preposterous; given the dates and timelines of years. But the smut press was really having a great time. Then another storm of rumor was thrown into this mix – that of an off screen affair between Rishi and Dimple. This was even more flabbergasting – as evidenced by the fact that Rishi – fondly called Chintu Baba, would soon be entangled with Neetu Singh, in a relationship that has lasted a life time. The rumor simply refused to die for weeks on end, despite strong denial statements by all parties concerned.
And then, even before the film ‘Bobby’ was formally released, there came another thunderous event that really complicated the already horrendous mess. Totally out of the blue, the marriage of Rajesh Khanna and Dimple Kapadia was announced. Rajesh Khanna was riding a great popularity wave as the superstar of the decade. The decision raised many an eyebrow, all the way to the sky, given that Rajesh Khanna was already in an almost live-in relationship with the small time actress Anju Mahendru. Couple that with the immediate announcement of Dimple’s retirement from the film industry. Goodness, the amount of dirty gossip raised by all these eventualities, was really getting out of hand. To a right thinking person, all the gossip was incredulous and unbelievable, at that time. It would serve no purpose to regurgitate it. And then, in some months’ time, as the controversies appeared to have lived out their usefulness, the box office success of ‘Bobby’ created another gossip storm – that all the controversies and their public discourse associated with Dimple – all the rumor rot was just a marketing ploy to create a box office success for ‘Bobby’. It took almost a year for the storm to die down.
Fast forward now to 1982. The long brewing trouble in the Rajesh-Dimple marriage came to a head, with Dimple leaving the matrimonial home with her two daughters, never to return again. After a cooling period of a year or so, the news emerged about the much awaited return of Dimple to the films. One of the first films that she signed up for was ‘Saagar’ (1985), opposite to Rishi Kapoor once again. The film was delayed by almost a year – in normal course it would have hit the theatres in 1984. Other films starring Dimple got released earlier.
Over the years, this pair has appeared on screen together with an infrequent regularity – ‘Allah Rakha’ in 1986, then on to ‘Ajooba’ and ‘Ranbhoomi’ in 1991. Then in 2005, after another gap of 14 years, came ‘Pyaar Mein Twist’, the film under discussion today. The two actors have appeared together in two more films since then – ‘Luck By Chance’ in 2009 and then ‘Patiala House’ in 2011.
‘Pyaar Mein Twist’ is a romantic comedy underlining a serious subject of mature age romance between two single parents, Yash (role played by Rishi Kapoor) and Sheetal (role played by Dimple Kapadia), both having a flourishing household each of them is responsible for. And yet, Cupid does not spare them from romantic entanglement, leading to a major social upset in the two families. However, with the support of a benevolent aunt (Toshi Auntie – role played by Farida Jalaal) and a supporting future son-in-law (Sanju – role played by Sameer Dattani), all ends well for all parties concerned. The ending sequence shows Yash performing the kanyadaan ceremony at the wedding of Sheetal’s daughter, topped off with a happy smiling family group photo shoot.
The reused song is actually not the real original. It has been re-recorded in different voices for the purpose of this film. It is a duet – but now it is a male-male duet. The original is sung by Kishore Kumar and Asha Bhosle. The repeat version is sung by Babul Supriyo and Vinod Rathod. On screen, it is performed by Yash and his childhood friend Khanna (role played by Satish Shah). The scene is a marriage anniversary party of Khanna. Yash, after a few pegs down his belt, decides to make a public proclamation of his love for Sheetal – much to her visible surprise and suppressed delight.
One query for the more knowledgeable readers – please help to identify the lady in the red saaree standing next to Dimple in this song. She plays the role of Satish Shah’s wife in this film. I have seen her in a couple of other contemporaneous films, but cannot recall her name.
The song starts off with the opening lines of another iconic hit of Rishi Kapoor – the song “Meri Umar Ke Naujawaanon. . . – To Gaao Om Shanti Om”, in his own voice, and then it leads into the lines “Khullam Khulla. . .”. Of the original three stanza song, only two stanzas have been used in repeat version.
So check out this modern day avataar of an iconic song from the 1970s, which is performed on screen by the same actor – thirty years apart. This must be a record of sorts, after considering WM Khan’s performance of the primeval “De De Khuda Ke Naam Pe. . .” in the three versions of the film ‘Alam Ara’ – 1931, 1956 and 1973.
Listen and enjoy.
Video
Song – Khullam Khulla Pyaar Karenge Hum Dono (Pyaar Mein Twist) (2005) Singers – Babul Supriyo, Vinod Rathod, Lyrics – Gulshan Bawra, MD – RD Burman
Rishi Kapoor
Unidentified Male Voice
Babul Supriyo + Vinod Rathod
Chorus
Lyrics
hey..ey..ey
tum ne
kabhi kisi se
pyaar kiya
kiya. . .
kabhi kisi ko dil diya
diya. . .
maine bhi diya. . .
hey..ey..ey
jamaa de
hey y’all party people
listen now
. . . y’all listen now
. . . . . . y’all listen now
. . . . . . . . . y’all listen now
the same old love story
back again
yea
come on
now
say it
come on now
you party people
khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
arrey khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
pyaar hum karte hai chori nahi
mil gaye dil jora jori nahi
hum wo karenge jo dil kahe
hum ko zamaane se kya
that’s right
arrey khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
hey..ey..ey
same old love story
like ya sing it
come on now
feel it
hey
dekh wo
ishq chhup chhup ke farma rahe hain
arrey hai
kya mazaa
dil hi dil me to ghabra rahe hain
hey ey
dekh wo
ishq chhup chhup ke farma rahe hai
arrey hai
kya mazaa
dil hi dil me to ghabra rahe hain
lagta hai dono padosi hain wo
rishta hi aisa hai jaane bhi do
hum wo karenge dil jo kahe
hum ko zamaane se kya
jamaa de
khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
oye kitta
one one one one
one more time
hey
bolo na
pyaar ka hai ye dushman zamaana
arrey sun
haan bataa
sab ko milta nahin ye khazaana
hey
bolo na
pyaar ka hai ye dushman zamaana
ae hey hey sun
haan bataa
sabko milta nahi ye khazaana
arrey jinko aji ye khazaana miley
dekh dekh unko ye duniya jaley
hum wo karenge dil jo kahe
hum ko zamaane se kya
khullam khulla pyaar karenge hum dono
is duniya se nahin darenge hum dono
watch it watch it now
pyaar hum karte hai chori nahin
mil gaye dil jora jori nahin
hum wo karenge jo dil kahe
hum ko zamaane se kya
jamaa de
khullam khulla pyaar karenge hum dono
watch it watch it now
is duniya se nahin darenge hum dono
oye kitta
khullam khulla pyaar karenge hum dono
that’s right
is duniya se nahin darenge hum dono
jamaa de
khullam khulla pyaar karenge hum dono. . .
Bani tu meri mehbooba
Posted on: March 21, 2019
- In: Blog ten year challenge (2009-2019) | Duet | expression of love | Feelings of heart | Guest posts | Lata song | Lata Vinod Rathod duet | Post by Peevesie's mom | Songs of 1990s (1991 to 2000) | Songs of 1991 | Songs picturised at well known locations | Songs picturised in cities | Vinod Rathod Song | Yearwise breakup of songs
- Leave a Comment
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3898 | Post No. : | 14947 |
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Blog Ten Year Challenge (2009-2019): Song number 21
—————————————————–
Hullo Atuldom
Happy Holi!
Some movies have a lot of memories attached to them. Yash Chopra’s “Chaandni” is one such movie. The year was 1989 and I had been to Mumbai (maayka) for my delivery. So, I had a lot of free time when I could interact with all my friends and neighbours like never before (and never have I had a similar opportunity too) 😉 that made that visit to Mumbai special. For those Atulites who know me- I had shifted out of Mumbai post marriage and so the term “visit to Mumbai”.
Getting back to “Chaandni” – those were the days when there were VCRs in many home and people used to rent Video Cassettes of movies which they couldn’t see in the theatres. I have seen a few movies in that way in the company of my neighbour’s family and more importantly their son. Their son was a year or two older to me so he was a mentor, guide, friend, idol and so many other things for me. To start off (as was the norm in those times) he was my Rakhi bro but we had a different equation between the two of us. He being my idol – I started liking Rekha- his favourite and he, on his part, made an effort to like Amitabh because he doted on me. Whatever love I have for physics, all branches of mathematics, and history is because I followed his way of studying them.
Oh, I again went away from Chaandni- so “Parinda” and “Chaandni” were the two movies the two of us saw back-to-back. “Chaandni” was a typical triangular love story. To start of it is a simple love story where the girl- Chaandni (Sridevi)- is wooed not-so-easily by the guy- Rohit (Rishi Kapoor). But the guys’ family has an issue with the alliance but accept it because their ‘only’ son is adamant. They go ahead have an engagement etc. But unfortunately, Rohit meets with an accident and is bound to a wheel chair. His family decides that this is the best time to humiliate the girl and so Rohit is forced to break-off the engagement so that the girl doesn’t have to face his family’s behaviour.
Now what does the girl do? She leaves Delhi, comes to Mumbai and lands a job in Lalit’s (Vinod Khanna) office. He is already pining for his dead wife when he falls in love with her, she takes some time to reciprocate though she is always civil to him and his mother. The next twist in the story comes when Lalit meets Rohit in Switzerland, where he has gone for business and Rohit has come for treatment. They become friends and decide that on returning to India they will introduce their respective girl friends and also marry on the same day etc. Isn’t that enough to twist the story further and make it a triangle?
As for the songs posted on the blog this date in 2009 – here they are
|
Song Title |
Post No. |
Post Date |
| Main ban ki chidiya (Achhut Kanya)(1936) | 938 | 21-Mar-2009 |
| Baaba man ki aankhen khol (Dhoop Chhaaon)(1935) | 939 | 21-Mar-2009 |
| Zinda hoon is tarah (Aag)(1948) | 940 | 21-Mar-2009 |
| Dil ki nazar se (Anaadi)(1959) | 941 | 21-Mar-2009 |
| Yoon na hamen dekhiye (Jantar Mantar) | 942 | 21-Nar-2009 |
| tum saath ho jab apne (Kaalia)(1981) | 943 | 21-Nar-2009 |
| Lagi aaj saawan ki phir wo jhadi hai (Chaandni)(1989) | 944 | 21-Nar-2009 |
This will be the 7th song from “Chaandni” which had Shiv-Hari as music directors and Anand Bakshi as lyricist. I cannot keep myself from saying: Sridevi looks so pretty and baby-like in this song, actually she looks like a baby through the movie. This song is shot on the streets of Delhi or New Delhi. I would like it if the Dilliwale followers of the blog help in identifying the locations. It will be nice to know. 🙂
This song is also in memory of the aforementioned friend who loved to ape Rishi Kapoor and his sunglasses and sweaters. This friend was also a Dilliwala for a brief period of his life.
Audio
Video
Song-Bani tu meri mehbooba (Chaandni)(1989) Singers-Vinod Rathod, Lata, Lyrics-Anand Bakshi, MD-Shiv Hari
Lyrics
mehbooba
mehbooba
sheharon mein se shehar suna
bhai shehar suna thha dilli
dilli shehar mein chaandni naam ki ladki mujhse milli
uski jheel si aankhon mein haaye
dil mera dooba
bani woh meri
yahi woh meri
tu hai woh meri mehbooba
tu hai woh meri mehbooba
tu hai woh meri mehbooba
mehbooba
arre sheharon mein se shehar suna
bhai shehar suna thha dilli
dilli shehar mein chaandni naam ki ladki mujhse milli
uski jheel si aankhon mein haaye dil mera dooba
bani woh meri
yahi woh meri
tu hai woh meri mehbooba
tu hai woh meri mehbooba
tu hai woh meri mehbooba
mehbooba
maine tujhko dekha toh
pehli nazar mein jaan liya
hai mera mehboob tu hi
maine tujhe pehchaan liya
maine tujhko dekha toh
pehli nazar mein jaan liya
hai mera mehboob tu hi
maine tujhe pehchaan liya
khwabon aur khayaalon ki
galiyon mein jisko dhoondha
bana tu mera
haan bani tu meri
bani main teri mehbooba
bani main teri mehbooba
bani main teri mehbooba
mehbooba
mujhko yeh parvaah nahin
ab kya sabki marzi hai
sabki marzi ko chhodo
ye to rab ki marzi hai
mujhko ye parvaah nahin
ab kya sabki marzi hai
sabki marzi ko chhodo
ye to rab ki marzi hai
hum donon ke beech mein
ab na aaye koi dooja
bani tu meri
bani main teri
tu hi toh meri mehbooba
main hoon woh teri mehbooba
tu hi toh meri mehbooba
arre shehron mein se shehar suna
bhai shehar suna thha dilli
dilli shehar mein chaandni naam ki ladki mujhse milli
uski jheel si aankhon mein haaye
dil mera dooba
bani woh meri
yahi woh meri
tu hai woh meri mehbooba
main hoon wo teri mehbooba
tu hai woh meri mehbooba
main hoon wo teri mehbooba
tu hai woh meri mehbooba
main hoon wo teri mehbooba
- In: "Advice" song | Alka Yagnik - Vinod Rathod Duet | Alka Yagnik Song | Baag/Bagiya song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lyrics contributed by readers | Mamma - Bhaanji/Bhaanja Song | Post by Peevesie's mom | Songs of 1990s (1991 to 2000) | Songs of 1998 | Uncle - Niece/Nephew Song | Vinod Rathod Song | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3726 | Post No. : | 14665 | Movie Count : |
4008 |
Hullo to all in Atuldom
Todays’ song has Anand Bakshi and Anand Milind get together to give the movie goers Anand (joy!). it is from a movie which was directed by Hrishikesh Mukherjee for GP Sippy’s production – ‘Jhooth Bole Kauwa Kaate’ (1998). The movie stars Anil Kapoor, Juhi Chawla, Amrish Puri, Anupam Kher, Reema Lagoo and Sajid Khan.
The screenplay for thid movie is written by Hrishikesh Mukherjee and Sachin Bhowmick, based on a story by Bimal Kar. It has a lot of inspiration from many of Hrishida’s earlier successful movies. Remember “shifting pain” in ‘Anand’ (1970) – well the character of Shankar’s (Anil Kapoor) bhabhi has “shifting pain” in her knee. Remember “mooche mundawana” in ‘Golmaal’ (1979)? Here Shankar has to cut his hair “baal mundwana”. Remember the strict Jija ji who used to judge a person “soongh ke”; here we have a father (Amrish Puri) who has similar powers. Then we had David in ‘Chupke Chupke’ (1975) who was in tandem with the pranksters; here we had a mamma (Anupam Kher). And also, there is a passing reference to the joke about identical twins (Golmaal) and Amrish Puri (who is called Bhayankar behind his back) goes- “Steve Waugh, Mark Waugh Wah Wah!!” I know all this about the movie as I have seen it a few times on TV of course. And I thoroughly enjoyed it. There are many songs in the movie which are good.
There was a song in Hrishida’s “Naram Garam’ (1981) which had a girl ask her chacha (Shatrughan Sinha) to get ready for a wedding. Today’s song has a bhaanji (Juhi Chawla) asking her mamma why he was still a bachelor. The song is sung by Vinod Rathod and Alka Yagnik. This song is similar in thought with what I had presented a few days back- a bachelor loving his bachelorhood. 🙂
Any idea why this song and movie today? Well it was the last movie to be directed by the Hrishikesh Mukherjee. He returned to direction of films after a gap of 10 years.
Starting his life as teacher of mathematics and science before venturing into filmdom as a cameraman and then an assistant film editor in the late 40s, in Calcutta (now Kolkata) he went on to work with Bimal Roy as film editor and assistant director in movie like ‘Do Bigha Zameen’ and ‘Devdas’. He debuted as director with ‘Musafir’ in 1957 and followed it up with movies that are a class in themselves – ‘Anari’, ‘Anuradha’, ‘Chhaya’, ‘Asli Naqli’, and the list goes on to include a few movies that gave Dharmendra his first comedy – ‘Chupke Chupke’; Amitabh his big break in ‘Anand’; introduced Jaya Bhaduri to Bollywood – ‘Guddi’. I am not a critique of his work, I am a fan. I might have seen all the movies he made in the late 70s through to the 80s. so when ‘Jhooth Bole Kauwa Kaate’ released I saw that too but not in the cinema hall as the movie had a poor audience reception. But the songs of the movie keep replaying in my head.
Here is one to remember Hrishida on his birth anniversary.
Audio
Song – I Love You, Bhaanji Thank You (Jhooth Boley Kauwa Kaate) (1998) Singer – Alka Yagnik, Vinod Rathod, Lyrics – Anand Bakshi, MD – Anand Milind
Lyrics
pihu pihu bole papiha
koyal bole kuhu kuhu
[bird sounds]
pihu pihu bole papiha
koyal bole kuhu kuhu
mama I love you
bhaanji thank you
bhaanji I love you
mama thank you
mama kar lo shaadi
le aao meri maami
mujhe kisi ladki ki
karni nahi gulaami
mai bhi to ladki hoon
mat karo meri badnaami
ladki nahi tu meri bhaanji
meri jaan hai tu..uu
mama I love you
bhaanji thank you
bhaanji I love you
mama thank you
bolo mamma sa re ga ma
main kyon bolu sa re ga ma
topi kurta aur pyjama
maami ke bin kya hai mama
maami ke bin kya hai mama
chup kar mat kar meri bhaanji
beech sadak tu hungama
hat ched na mujhko tu..uu
mamma I love you
bhaanji thank you
bhaanji I love you
mama thank you
mama sabki jodiyaan
tu kaise akela rah gaya
bhaanji main aage nikal gaya
peeche wo mela rah gaya
pandrah bees baras wapas peeche tu mud ja
ho mama seeti baja
meri maami ko bula
ho seeti bajaana tujhe sikhaaya kisne ye batla
ho bhaanji seeti baja
mujhe us ladke se mila
koi kaam ka ladka hai ya
hai shehari babu
he mama I love you
bhaanji thank you
bhaanji I love you
mama thank you
mama I love you
bhaanji thank you
bhaanji I love you
mama thank you
———————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————————
पीहू पीहू बोले पपीहा
कोयल बे कुहु कुहु
[पक्षी के स्वर]
पीहू पीहू बोले पपीहा
कोयल बे कुहु कुहु
मामा आई लव यू
भांजी थैंक यू
भांजी आई लव यू
मामा थैंक यू
मामा कर लो शादी
ले आओ मेरी मामी
मुझे किसी लड़की की
करनी नहीं गुलामी
मैं भी तो लड़की हूँ
मत करो मेरी बदनामी
लड़की नहीं तू मेरी भांजी
मेरी जान हैं तू॰॰ऊ
मामा आई लव यू
भांजी थैंक यू
भांजी आई लव यू
मामा थैंक यू
बोलो मामा सा रे गा मा
मैं क्यों बोलूँ सा रे गा मा
टोपी कुर्ता और पाजामा
मामी के बिन क्या है मामा
मामी के बिन क्या है मामा
चुप कर मत कर मेरी भांजी
बीच सड़क तू हँगामा
हट छेड़ ना मुझको तू॰॰ऊ
मामा सबकी जोड़ियाँ
तू कैसे अकेला रह गया
भांजी मैं आगे निकाल गया
पीछे वो मेला रह गया
पंद्रह बीस बरस वापस पीछे तू मुड़ जा
हो मामा सीटी बजा
मेरी मामी को बुला
हो सीटी बजाना तुझे सिखाया किसने ये बतला
हो भांजी सीटी बजा
मुझे उस लड़के से मिला
कोई काम का लड़का है या
है शहरी बाबू
हे मामा आई लव यू
भांजी थैंक यू
भांजी आई लव यू
मामा थैंक यू
मामा आई लव यू
भांजी थैंक यू
भांजी आई लव यू
मामा थैंक यू
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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