Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anand Bakshi


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4164 Post No. : 15338 Movie Count :

4228

Hullo Atuldom
December is filled with birthdays of superstars and super actors. We began the month remembering Dev Anand, birthdays of Dharmendra, Shatrughan Sinha, & Dilip Kumar followed. Today is the 69th birthday of Rajnikanth, the darling of the masses in South India, he was also decently successful in Bollywood.

He is an actor who started out portraying negative characters and near-bit roles much like Shatrughan Sinha of Bollywood. He has worked his way up the ranks to superstardom and his best period began with “Billa” (1980) and he hasn’t left the hearts and minds of his fans- much like his inspiration- he has admitted many-a-times that he is a fan of Amitabh Bachchan. And after being cast in roles of antagonist from 1975-77 in Tamil and Telugu 1978 saw the release of “Shankar Salim Simon” which was a remake of Manmohan Desai’s “Amar Akbar Anthony”; this was followed by remakes of “Majboor”, “Trishul”, “Deewar”, “Namak Halal”, “Don” (Billa was its remake), “Lawaaris” etc and I seem to have seen most of these. I would love to hear the feelings he had when he got to act with his inspiration Big B in his debut Hindi movie- “Andha Kanoon” (incidentally this too was remade in Tamil but with Vijaykanth acting the role played by Rajni in the Hindi version). We had many Hindi movies in the 80s which were remakes of Rajni’s south Indian originals.
I
His super successful Tamil movie “Moondru Mugam” meaning three-faces was made as “John Jani Janardhan” in with Rati Agnihotri and Poonam Dhillon as female leads. It was the story of an honest police officer John Mendez (Rajnikanth as father) who lives a middle-class lifestyle with his wife, Cheryl (Poonam Dhillon), and a maidservant, Fatimabi (Dulari). John busts a gang that makes illicit liquor and holds them in a cell, bringing him into confrontation with their leader, Gajanand ‘Gajju’ (Kadar Khan), who goes to threaten John, but is himself arrested and sentenced. When he is acquitted, he decides to avenge his humiliation by entrapping John and killing him. Cheryl gives birth to twin sons and passes away. A rich childless couple, Brijmohan Gupta (Utpal Dutt) adopts one of the twins and names him Janardhan (Rajnikanth -son number 1), while the second is named Jani (Rajnikanth son number 2) and lives with Fatimabi. Twenty-five years later, Janardhan is an American-returned young man, in love with Madhu (Rati Agnihotri). On his birthday party he comes face to face with a man named Gopaldas (played by south actor Thyagarajan), and his entire personality changes as he is taken over by the vengeful spirit of John. Subsequently, Gopaldas is killed, and Janardhan is arrested and tried in Court. And then there is the usual climax when the brothers discover each other etc. (seen this movie a long time ago in Tamil not in Hindi)

Today on the occasion of Rajnikanth’s birthday a song from “John Jani Janardhan” which had Laxmi-Pyare’s music and Anand Bakshi’s lyrics. S P Balasubramaniam and S Janaki have given playback for this lively number which has Rati matching Rajnikanth’s colourful T-shirts with her lovely white dresses.

Rati who made her debut into Hindi movies with “Ek Duje Ke Liye” opposite Kamal Hasan in 1981 turned a year on 10th December. She was Rajnikanth’s co-star in many south Indian movies but I think this was the only time she acted with him in Hindi. Here is wishing her too a very (belated) Happy Birthday.


Song-Chat mangni aur pat shaadi (John Jani Janardan)(1984) Singers-S Janaki, S P Balasubramanyam, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

He ae
Aah haa

dum naka dum
dum naka dum
dum naka dum
dum naka dum
dum naka dum dum dum naaji
chat mangani aur pat shaadi
dum naka dum dum dum naaji
chat mangani aur pat shaadi
chat mangani aur pat shaadi
dum naka dum dum dum naaji
logon ki baat na karna
logon se ab kya darna
hamne ye yaar jawaani
bas tere naam lagaa di
dum naka dum dum dum naaji
aahaa
chat mangani aur pat shaadi
aahaa
dum naka dum dum dum naaji
chat mangani aur pat shaadi
logon ki baat na karna
logon se ab kya darna
humne ye jaan jawaani
bas tere naam lagaa di

dum naka dum dum dum naaji
chat mangani aur pat shaadi
arre dum naka dum dum dum naaji
chat mangani aur pat shaadi

main pyaar nahin karta hoon
main tum pe marta hoon
main ae ae pyaar nahin karta hoon
main tum pe marta hoon

jeene ki baat karo ji
jeewan mein rang bharo ji
main kaisa thha anjaana
main kaisa thha anjaana
main kitni der mein jaana
duniya kaanton ki basti
ulfat phoolon ki waadi

dum naka dum dum dum naaji
chat mangani aur pat shaadi
arre dum naka dum dum dum naji
chat mangani aur pat shaadi

yeh dil kuchh aise dhadka
jaise ik shola sa bhadka
yeh dil kuchh aise dhadka
jaise ik shola sa bhadka

kiss kaaran se yeh jogi
ban baitha dil ka rogi
kaaran kuchh aur nahin hai
kaaran kuchh aur nahin hai
iss dil pe zor nahin hai
na maana yeh deewaana
na maana yeh deewaana
toh humne aankh ladaa di

dum naka dum dum dum naaji
chat mangani aur phat shaadi
arre dum naka dum dum dum naaji
hey
chat mangani aur phat shaadi
logon ki baat na karna
logon se ab kya darna
hamne ye jaan jawaani
bas tere naam lagaa di

dum naka dum dum dum naaji
arre chat mangani aur pat shaadi
haan dum naka dum dum dum naaji

chat mangani aur pat shaadi
arre re re re re
chat mangani or pat shaadi
dum naka dum dum dum naaji


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4155 Post No. : 15323

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 89 #
—————————————–

Welcome all to this post where once again I take you all back to the songs of seventies.

I originally wanted to present this post during the ‘Diwali festival’ since this song brings back my memories of ‘Diwali vacation’ days of my childhood. L liked this song as well as the other songs from this movie.

The song is from the ‘1975 movie ‘Warrant’. I was around seven years old then when the movie was released in 1975.

‘Warrant-1975’ had Dev Anand in lead role. And today 3rd December 2019 is the eighth ‘remembrance anniversary’ (26.09.1923-03.12.2011) of actor, producer, director Dev Anand.
We pay our tributes to him and will always be grateful for some of the great roles he played in the Hindi movies and also for the memorable and everlasting music which was a part of most of his movie.

Many new Dev Anand movies were getting released in those years when I was growing, but we were not getting to watch them then. Here when I say new movies means movies like ‘Ishq Ishq Ishq’, ‘Ameer Ghareeb’, ‘Warrant’, ‘Jaaneman’, ‘Bullet’, ‘Kalaabaaz’, ‘Darling Darling’, ‘Sahib Bahadur’ etc.

Instead in our colony club’s weekly movie screening we were getting to watch many of his old ‘black and white’ movies, like ‘Sarhad’, ‘Bambai Ka Babu’, ‘Jab Pyaar Kisise Hota hai’, ‘Pocketmaar’, ‘Taxi Driver’, ‘Teen Deviyaan’ etc.
And some the movies like ‘Shareef Badmaash’ I watched in a ‘touring talkies’ may be in 1974-75, and I think I watched some of the movies like ‘Joshilaa’, ‘Des Pardes’ during end seventies or early eighties.

I was not a big fan of Dev Anand in my childhood. But my father was a very big fan of him and because of that I became aware of his old movies and songs from them.
And I vaguely remember to have watched ‘Hare Rama Hare Krishna’, ‘Ye Gulistaan Hamaara’, ‘Heera Panna’, and ‘Chhupa Rustam’ with my father when I was a child.

Later on, I watched many of Dev Anand movies between 1981-1988 and after that. However, for this post I am restricting myself and the discussion to the decade 1971-1980 only. In all the movies which I watched later including his ‘coloured’ and ‘black & white’ movies I always liked his acting, dialogues deliveries and his style.

However, I am still to watch many of his movies from the seventies which weren’t successful but their music was always very good.

Let us have a look at the Dev Anand movies released from 1971-1980:

Sno. Movie Title Year Passed by Censor Board Director Music Director Lyricist
1 Gambler 1971 16.02.1971 Amarjeet S.D. Burman Neeraj
2 Hare Rama Hare Krishna 1971 09.12.1971 Dev Anand R.D. Burman Anand Bakshi
3 Tere Mere Sapne 1971 13.05.1971 Vijay Anand S.D. Burman Neeraj
4 Yeh Gulistaan Hamaaraa 1972 30.12.1972 Atmaram S.D. Burman Anand Bakshi
5 Banarasi Baaboo 1973 20.03.1973 Shankar Mukherjee Kalyanji-Anandji Rajinder Krishan
6 Chhupaa Rustom 1973 07.05.1973 Vijay Anand S.D. Burman Neeraj, Vijay Anand
7 Heeaa Pannaa 1973 15.11.1973 Dev Anand R.D. Burman Anand Bakshi
8 Joshilaa 1973 26.09.1973 Yash Chopra R.D. Burman Sahir Ludhianvi
9 Shareef Badmaash 1973 31.03.1973 Raj Khosla R.D. Burman Anand Bakshi
10 Ameer Ghareeb 1974 26.07.1974 Mohan Kumar Laxmikant-Pyarelal Anand Bakshi
11 Ishq Ishq Ishq 1974 08.11.1974 Dev Anand R.D. Burman Anand Bakshi
12 Prem Shaastra 1974 08.07.1974 B.R. Ishara Laxmikant-Pyarelal Anand Bakshi
13 Warrant 1975 01.11.1975 Pramod Chakravarti R.D. Burman Anand Bakshi
14 Bullet 1976 28.12.1976 Vijay Anand R.D. Burman Anand Bakshi
15 Jaan-E-Man 1976 30.07.1976 Chetan Anand Laxmikant-Pyarelal Anand Bakshi
16 Darling Darling 1977 11.05.1977 Gogi Anand R.D. Burman Anand Bakshi
17 Kalaabaaz 1977 13.05.1977 Ashok Roy Kalyanji-Anandji Anand Bakshi
18 Sahib Bahaadur 1977 11.05.1977 Chetan Anand Madan Mohan Rajinder Krishan
19 Des Pardes 1978 24.04.1978 Dev Anand Rajesh Roshan Amit Khanna
20 Lootmaar 1980 27.09.1980 Dev Anand Rajesh Roshan Amit Khanna
21 Manpasand 1980 26.06.1980 Basu Chatterjee Rajesh Roshan Amit Khanna

The songs from this movie ‘Warrant-1975’ are nostalgic for me since my childhood days, and even though I had never watched this movie until I watched it online this year on ‘Diwali’ day.

I think we watched more movies in the summer vacations than the Diwali vacations, naturally because summer vacations would be longer than Diwali vacations.

I always had a very big nostalgia for the famous three movies and their songs which I remember to have watched during the Diwali festival which were released in the same year in 1974.
These are ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’. I have vague memories of watching these movies with elders in the family or may be all of them viz. my grandmother (my grandfather was still against watching of movies), aunts, uncles, parents and cousins.
I have mentioned about this in my ‘song nostalgia’ on the blog here.

Later I read somewhere that these three movies were released on the same day during Diwali of that year i.e.1974 (14.10.1974, knowledgeable readers can please correct me if I am wrong). Though, now equipped with the information in HFGK if we see the dates of their being given the Censor Certificates are;
Bidaai-09.10.1974, Roti-11.10.1974 and Roti, Kapadaa Aur Makaan-13.09.1974.

And those days ‘hit’ movies always used to run over fifteen weeks to twenty-five weeks. So, people like us staying in near by towns from the city would get to watch the movies on holidays or during the vacations when all family members would visit the city where my grand parents were staying.

‘Warrant-1975’ was passed by Censor Board on 01.11.1975 and I think it was around ‘Diwali’ of that year that this movie must have hit the theatres. And that is why I am reminded of its’ song during ‘Diwali festival’ every year. (The songs from this movie were frequently played either on loud speakers or on radio then and that is why they must have made their way to my impressionable mind then.
I also remember the songs of ‘Ameer Ghareeb’ which were played frequently and I didn’t like them then and they were very irritating to me).

Well, all the three movies that I mentioned above viz. ‘Bidaai’, ‘Roti’, and ‘Roti Kapda Aur Makaan’ were declared as hit or super hit movies of that time. However, in comparison to the above movies I was under impression that the today’s movie ‘Warrant-1975’, was not a successful one, but now sources mentioned that it was among the top ten grossers of that year.

‘Warrant-1975’ was directed by Pramod Chakravarty for N.P. International, Bombay.

It was produced by N.P. Singh.

Here is again one more movie which is dedicated to the ‘police forces’ in the country;

“Dedicated to those Officers and men of our police force who suffered and sacrificed their lives so that their countrymen can live in peace”

‘Warrant-1975’ had Dev Anand, Zeenat Aman, Pran, Dara Singh, Ajit, Satish Kaul, Sulochana, Madan Puri, Jankidas, V.Gopal, Bunty, Aparna Choudhary, Kuljeet, Seema Kapoor, Jagdish Raj, Narbada Shankar, Praveen Paul, Rajan Kapoor, Kirti, Viju Khote, Lambha, Raja Saigal, Rajan Kumar, Manjit, Paul Sharma, Habib, Ujagar, Rajnish, Dhanna, Pehlwan, Birbal, Kirti Kumar, Devdas, Hercules, and many others.

Lalita Pawar, Joginder and Sujit Kumar make friendly appearance in this movie.

Story and screenplay of this movie was written by Sachin Bhowmick. Dialogues were written by Vrajendra Gaur.
Editing of this movie was done by Narinder Arora.

The movie is an interesting movie to watch except few action scenes where Dev Anand is jumping over the buildings and like that are not easy to digest’😊. They could have been avoided and fight scene suitable to Dev Anand’s image would have been much better.
All the stars perform well to their character in the movie and the movie keeps one engaged till the end.
And most importantly music of this movie is very nice and all songs are very good.

The movie had four songs written by Anand Bakshi and composed to music by R.D. Burman.
Kishore Kumar and Lata Mangeshkar gave their voices to the songs in this movie where Kishore Kumar had two solos and one duet with Lata Mangeshkar, and other than the duet Lata Mangeshkar had sung one solo song in this movie.
(*HFGK also mentions the name of Asha Bhonsle in the singer’s list of this movie however movie title clearly mentions the name of Lata Mangeshkar and Kishore Kumar only).

Only one song from this movie featured in the ‘annual ‘Binaca geetmala’ of 1975’ ranking at number twenty-ninth, and it improved by featuring two songs from this movie in the annual ‘Binaca geetmala of 1976 i.e. Ruk jaana o jaana at number twenty-three and ‘main tumse mohabbat karti hoon’ at number thirty-one.

And so, very rightly these two songs have already been posted on the blog and in accordance of their popularity too. 🙂

Song Posted on
Ruk jaana o jaana hamse do baatein karke chali jaana 18.09.2008
Main tumse mohabbat karti hoon 19.11.2014

Today’s song happens when Mehra (Pran) – Chief of Police and his team (read Jagdish Raj and others) are looking for Jailor Arun (Dev Anand) who is on the run with a murder accused. Police is having the information that Arun would be attending the marriage function of Pyara Singh (Dara Singh)’s sister Guddo (Seema Kapoor).

Pran plays the father of Dev Anand and is a Chief of the Police. Dev Anand being a Jailor also and son of the Police Chief is wanted by Police and is on the run. Jailor Arun had helped and eloped with the accused Dinesh and is sheltering him. The reason being that during a revolt by the prisoners and an attempt of ‘jail-break’ Dinesh saves the life of the Jailor.
Jailor (Dev Anand) wants to know that why a ‘murderer’ saved his life and when he could have run to avoid his hanging which was going to take place soon.
So our Jailor wants to know the ‘truth’ and also look for the ‘asli gunahgaar or qaatil’ of a scientist (Madan Puri), after the accused Dinesh finally breaks the ‘secret’ of his being wrongly ‘trapped’ in the ‘murder-case’ and real ‘qaatil’ and ‘culprits’ are some other people and not him.

The plot is interesting and the presentation is having all the ingredients of the ‘seventies’ movies and one can enjoy the movie and the ‘thrill’ of watching it.

Let us now enjoy the song where Dev Anand and Zeenat Aman perform in disguise (for the police and not for us – the viewers) hiding their real identity in the movie.

Zeenat Aman plays Rita Verma who is the daughter of the deceased scientist Madan Puri and is looking for the killer of her father to take revenge of her father’s death. (But here there is a ‘twist’, and I am leaving that for those interested and want to watch this movie) 😊

As mentioned above the song is composed by R.D. Burman and lyrics are by Anand Bakshi.
Kishore Kumar and Lata Mangeshkar have given their voices for Dev Anand and Zeenat Aman respectively in this energetic bnagra style dance song.

I hope you will like this song and enjoy it …:)

Today also happens to the birthday of our own Khyati Ben. We wish her a very happy birthday.

Video

Audio

Song-Ladi najariya ladi chali re phuljhadi(Warrant)(1975) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-R D Burman
Both

Lyrics

ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
arri ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra
aa aa aa aa
aa aa aa

dekh rahe ho kyun saahib
aap hamaara yoon chehra
gori ka ghoonghat dekho
saajan ka dekho sehra

ek prem kahaani kehti hai
phoolon ki har ladi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman

arre hum jaise bhai jiske
khush-kismat hai woh dulhan
khade huye munh dekhte hain
pyaar mohabbat ke dushman

haay tauba kiske chehre pe
meri nazar jaa padi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghadi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi

hadippa ladi
hadippa ladi ee ee ee

achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina
aa aa aa
aa aa aa

achcha ab chup ho jaao
mushqil hai ab kuchh kehna
aisi ek khushi hai yeh
bheeg gaye jismein naina

nainon se saawan bhaado ki
lag gayi jaise jhadi
hadippa ladi
hadippa ladi
hadippa ladi ee ee ee
ladi najariya ladi
chali re phuljhadi
badi shubh ghadi

ari ladi najariya ladi
chali re phuljhadi
badi shubh ghadi
yeh ghaddi khadi hai
haathon mein
liye prem hathkadi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi
hadippa ladi

——————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————————–
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा
आ आ आ आ आ आ

देख रहे हो क्यों साहिब
आप हमारा यूं चेहरा
गोरी का घूँघट देखो
साजन का देखो सेहरा

एक प्रेम कहानी कहती है
फूलों की हर लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन

अरे हम जैसे भाई जिसके
खुश किस्मत है वो दुल्हन
खड़े हुए मुंह देखते हैं
प्यार मोहब्बत के दुश्मन

हाए तौबा किसके चेहरे पे
मेरी नज़र जा पड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई
लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी

हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना
आ आ आ आ आ आ

अच्छा अब चुप हो जाओ
मुश्किल है अब कुछ कहना
ऐसी एक ख़ुशी है ये
भीग गए जिसमें नैना

नैनों से सावन भादों की
लग गयी जैसे झड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई

लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी ई

अरे लड़ी नजरिया लड़ी
चली रे फूलझड़ी
बड़ी शुभ घडी
ये घडी खड़ी है
हाथों में लिए प्रेम हथकड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी
हडीप्पा लड़ी ई ई ई ई ई


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4154 Post No. : 15320

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 88 #
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Welcome all to this post which comes after a long gap. I call it a ‘Long gap’ because this post was conceived by me ‘long back’ like many other posts of mine which remained unfinished aften getting started due to various reasons.

My last post on the blog was on 20th November. It was posted when I going through some health-related issues. I had to visit a Hospital in Nairobi, which is around 125 kms from my base station. Since some tests were to be conducted, I had to stay in Nairobi for four days. I stayed with colleagues working there in the Head Office. That didn’t allow me to concentrate on posts though I continued listening to music and watching songs. I even kept reminding our authors about movies that were falling under the ‘blog-ten-year challenge’.

The visit to the Hospital and Doctor made me recall many Hindi movies that had stories woven around ‘medical profession or serious medical complications’ (or diseases, if it is the right word?).

This time I had to specially visit ‘Dil Ka Doctor’. Its English translation ‘cardiologist’ has entirely different connotations from the Hindi word. This offers me material for a separate post provided I came across a suitable song to go with that proposed article.
.
T was another Doctor in India (in ‘Atulites WhatsApp’ group) who was already aware about my ‘dil ka haal’, and was already providing me guidance on the symptoms so that ‘I can bounce back’ without thinking that ‘beemaari ho to aisi ho jiska naam kisi Viceroy se kam naa lage’:)😊

The tests were conducted and results were awaited after two days (due to weekend holidays), I had realized that the problem was not serious and everything was going to be ok. The worries were mainly ‘Beemari ka shaq’like Doctor Kulkarni’s ‘Main usi shaq ka ilaaj karta hoon’, and hence the ‘tests’:)

Finally, the results were ‘declared’ and everything was well in order except a minor ‘Blood Pressure’ on the higher side. I thanked both the Doctors!!!

***

The movie of today’s song has a storyline around ‘Doctors’ or medical profession. But today’s post has nothng to do with that. This covers an an entirely different story behind it.

People of different generations have different taste for music and naturally everybody’s musical nostalgia keeps growing according to the surroundings they grow in and/or even the circumstances they live in (I think so).

Music lovers have their musical nostalgia, which depends on factors like the generation/ backgrounds/ circumstances in which they grow up. This musical nostaligia gets triggered up whenever they are reminded of those days.

Sometimes, people of different generations/ background/ circumstances pass on their brand of musical nostalgia to another (viz younger generation) music lovers. This results in the curious situation when music lovers in their teenns or twenties start loving vintage era music created during the times of his forefathers.

People coming in contact with me are slowly coming to know about my love for Hindi songs and Hindi movies. Some of them who become close friends have also come to know about our blog and my activities for the blog.

Assuming that you are considered a music lover, sometimes people approach you with their music related query. A query , that can stump even music “experts” is when we are asked to tell the details of a song whose details are known only partially or vaguely.

Most of the times I am able to provide the details or answer mkost of the time, but sometimes the challenge is quite tough.

For instance, take the example of a song which someone has heard but he remembers very few details of the song. And hewants you to find that song for him, without providing the usual details about mukhda of the song, or its tune, the artists, or the movie. Only thing he can tell is that this song is picturised on a ‘lady wearing white-blue saree and singing with some ladies sitting around a sea-beach or kisi nadi ke kinaare?

With such sketchy details, you are asked to find the song, because you claim to be a music expert songs and movies? You are also challenged and mocked that if you cannot find this song then
you should not talk about songs of movies 🙂 , chhod do gaane sun’na aur filmon ki baatein karna 😊 .

Anybody in my place would feel like my honour is at stake, and would definitely give this challenge a serious try, so I did …

It happened on one such week-end get together on Saturday evening here in the camp (where we are staying in Kenya). We regularly have such get togethers. If the get together is big and the occasion so demands, then listening to songs and even dancing becomes customary. This calls for a separate detailed post in future. 😊

It was in one such get together that our friend a QC guy, fifteen years younger to me challenged me when we were enjoying listening to songs. This guy wanted me to find a song for him. He must have watched this song on TV somewhere. What he remembered of it was that it is sung by a lady in ‘blue-white saree’ with ‘some ladies sitting around a ‘river bank’ or ‘sea-beach’ (he was not sure).

This guy who was born in early 1980s had one favourite Hindi song.

Guess which?

‘Do ghoont mujhe bhi pilaa de o saaki dekh phir hota hai kya’

He had listened to this song somewhere while he was with his friend on a long drive and since then this song was the most liked Hindi song for him. He is from Andhra so he is not aware of that much of Hindi songs, except few like the above. And, whenever there is a party, he would ask us to play this song so that he can enjoy it 🙂

We are aware that this song is from the movie ‘Jheel Ke Us Paar’ and the year of the movie is 1973 🙂 (and surprisingly this song has not been posted yet on the blog 🙂 )

Now given the challenge, I had to find him this song lip synced by a lady with a blue or white saree, so I was looking for hints. 🙂

The first song that readily came to my mind was the title song from ‘Jheel Ke Us Paar’ and the second thing I made up in my mind was that the song he was looking for must be a ‘haunting song’ or somewhat sad song like ‘naa koi umang hai’ so I started searching on YouTube by entering terms like ‘woman singing a song near sea-beach, river’, woman in white saree singing a song, heroine singing along river bank, sea-beach etc etc

I was sure that the song this guy was looking for must be a ‘haunting song’ (and not his fault though) because I know ‘gham ke chhod ke manaao rang raili’ was not in a white saree, then I thought white saree means should be a widow singing a song or like that.

After browsing couple of songs like ‘naina barse’ I turned to the songs of ‘Mera Saaya’ and ‘Anita’. Now, searching in YouTube has an advantage of suggestions appearing according to your search. (And over the years I have also learnt entering ‘out of the box’ search terms to find a song, it had successfully worked many times 🙂 )

And there with the songs of Anita in the suggestions I found this song …

Can you guess this song my friend was looking for was ‘sun ri pawan, pawan purvaiyya’…

My friend bowed to me, but I told him my friend it is not a white saree song but a blue saree with white border song !!

But I must admit that while my friend was correct in mentioning the scenario. It was I who interpreted it wrong and I was searching with wrong terms and still landed on the right song …

Also, he never mentioned that the song he was looking for is where the heroine is making a ‘baalu ka ghar’ (sand home 🙂 or is it a ‘mud-home’?) on the sea-beach.

Incidentally both the songs that my friend likes are the songs where the heroine is blind.

And our team member Pam Harvey has on his blog covered some blind women songs from Hindi movies in his article here.

And finally, the song we were looking for was a ‘happy song’ instead of a ghost song or haunting song which I presumed it should be.

For today’s post I am presenting a song which I think fits with the theme which I imagined was the theme for song my friend was looking for. 🙂

This song is from the 1980 movie ‘Bandish’, and it is performed on screen by Hema Malini where she is trying to ‘trap’ Rajesh Khanna by posing as a ‘bhatakti aatma’.

I remember to have watched this movie in our colony club during regular weekly screening may be in 1982-1983, I think.

‘Bandish-1980’ was directed by K. Bappaiah for ‘Suresh Productions, Madras’. It was produced by D. Rama Naidu. It had Rajesh Khanna, Hema Malini, Danny, Om Prakash, Asrani, Jeevan, Om Shivpuri, Madan Puri, Mohan Choti, Pinchoo Kapoor, Jagdish Raj, Maruti, Yousuff, Ranveer, Umesh Khanna, Prem Kumar, Dharmesh, Vijay Kumar, Shashiraj, Ganesh Nagpal, Raj Baldev Raj, Vijay Kumar, Kiron, Bedi, Pradeep Jain, Bindiya Goswami, Nalini Jaywant, Manorama, Preeti Ganguly and Tanuja, Padmini Kapila, Vakkalanka Padma, Ashoo, Munni.

Story of this movie was written by V.C. Kuganathan. K.A. Marthand was the Chief Editor of this movie. This movie was passed by Censor Board on 07.10.1980.

The movie had five songs composed by Laxmikant-Pyarelal. Lyrics of all the songs were written by Anand Bakshi.

So far only one song from this movie – ‘Rang bhare mausam se rang churaa ke’ has been posted on the blog and that was on 04.08.2011.

Asha Bhonsle, Kishore Kumar and Lata Mangeshkar had given their voices to the songs in this movie.

Incidentally there was only one Lata song – solo song – in this movie and this song is the one being presented here today.

(PS: recently there was a comment by Peevesie’s Mom ji regarding this ‘song searching or finding a song type issue which I am forgetting where it was, though I had noted the point earlier for this post 😊 )

Video

Audio

Song-Main kaun hoon (Bandish)(1980) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

aa aa aa
aa aa aa
aa aa aa
aa aa aa aa
aa aa aa aa

main kaun hoon oon oon
main kaun hoon oon
ae chaand taaron
main kaun hoon oon oon
ae chaand taaron
mera naam le ke
koyi pukaaro o o
main kaun hoon oon
ae chaand taaron
main kaun hoon oon oon

Pyaasa mera man n n
Pyaase mere nainaa aa
Pyaasa mera man n n
Pyaase mere nainaa
Kya dhoondhte hain ae ae
Saari saari rainaa
Kuchh to kaho jaago
Neend ke maaro o
Main kaun hoon oon
Ae chaand taaron o
main kaun hoon oon
ae chaand taaron

haan ye wahi hai ae
phoolon ki galiyaan
haan ye wahi hai ae
phoolon ki galiyaan
main rakh gayee thhi ee
yahaan kuchh kaliyaan
unka huaa kya
bolo o bahaaron
Main kaun hoon oon
Ae chaand taaron o
main kaun hoon oon
ae chaand taaron

Dekhe hain kisne ae ae
Jhonke hawaa ke
Dekhe hain kisne ae ae
Jhonke hawaa ke
Dekho naa mujhko o o
Haath lagaa ke
Door se meri zulfen sanwaaro o
Main kaun hoon oon
Ae chaand taaron o
Mera naam le ae ke
Koyi pukaaro o
Main kaun hoon oon
Ae chaand taaron o
Main kaun hoon oon oon
Main kaun hoon oon
Main kaun hoon oon oon

—————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————–
आ आ आ
आ आ आ
आ आ आ
आ आ आ आ आ
आ आ आ आ आ

मैं कौन हूँ ऊँ ऊँ
मैं कौन हूँ ऊँ
अय चाँद तारों
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
मेरा नाम ले के
कोई पुकारो ओ ओ
मैं कौन हूँ ऊँ
अय चाँद तारों
मैं कौन हूँ ऊँ ऊँ

प्यासा मेरा मन अं अं
प्यासे मेरे नैना आ
प्यासा मेरा मन अं अं
प्यासे मेरे नैना
क्या ढूंढते हैं ए ए
सारी सारी रैना
कुछ तो कहो जागो
नींद के मारो ओ
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों

हां ये वही है ए
फूलों की गलियाँ
हां ये वही है ए
फूलों की गलियाँ
मैं रख गयी थी ई
यहाँ कुछ कलियाँ
उनका हुआ क्या
बोलो ओ बहारों
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों

देखें हैं कितने ए ए
झोंके हवा के
देखें हैं कितने ए ए
झोंके हवा के
देखो ना मुझको ओ ओ
हाथ लगा के
दूर से मेरी जुल्फें संवारो ओ
मैं कौन हूँ ऊँ ऊँ
अय चाँद तारों
मेरा नाम ले के
कोई पुकारो ओ
मैं कौन हूँ ऊँ
अय चाँद तारों ओ
मैं कौन हूँ ऊँ ऊँ
मैं कौन हूँ ऊँ
मैं कौन हूँ ऊँ ऊँ


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4143 Post No. : 15309 Movie Count :

4216

Hullo Atuldom

Na Chaahoon Sona Chaandi” was the first time I took note of this roly-poly cute- faced actor. He played Braganza, a head-fisherman and father to ‘Bobby’ in 1973. Subsequently I saw him as mama to the character played by Hema Malini in ‘Aap Beeti’ in 1976, a pathan who helps Manoj Kumar in ‘Shor’ (1972), a sardar who was a good Samaritan in ‘Roti Kapda aur Makaan’ (1974).

Then one day on chitrahaar or it could have been chaayageet on Doordarshan I saw a black and white song “Patli Kamar Hai” where this particular actor was super good-looking which was enough to sweep the lady he was wooing, off her feet. He came across as a dancer with a reasonable sense of rhythm. That is when I was informed by my dad that Premnath was a lead actor in many movies and rattled of names like ‘Aab-e-Hayaat’ (1955), ‘Baadal’ (1951), ‘Aag’ (1948) etc. and also sang a few of his songs from movies where he was the hero. Recently, not so long ago, I too saw a black-n-white movie, where Premnath played a ‘supposed’ poor boy who falls in love with a princess and helps the king regain his kingdom, the movie was an Arabian nights kind of story. Think it was ‘Saaqi’ (1952).

So I have loved movies where Premnath was Sir Juda (‘Karz’), Yamraaj (‘Lok Parlok’), IG Khanna (‘Kalicharan’), Bajrang Bahadur (‘Aap Beeti’), Shankar Dada (‘Dharam Karam’), father of a bevy of beauties (‘Ishk Ishk Ishk’, and the most memorable of them all – Rai Saab Bhupendra Singh in ‘Johnny Mera Naam’.  Thinking of him today on his birth anniversary he would have been 93.

There is another celeb of yesteryears who has her birthday today. And I wrote a post for her last month itself where I wrote this “I remembered that November 21st was the birthday of our dear Helen. She turned 81 yesterday (21 October 2019).’’ God only knows what I was thinking as I wrote that post and sent it hurriedly to Atul ji for posting. And the good man that he is, he posted it within an hour of my sending it. But the error was pointed out in the comments section by Partha Chanda ji and Prakashchandra ji. The next day Nahm ji, after reading the comments, messaged me to inquire if I was planning one more post for the actual birthdate and also to see if the song choices were clashing. I assured her that the choices don’t clash as we have a vast library to choose from.  I must say that we had an extra song and extra good wishes for our much-loved Helen.

As my practice has been over the years, I have managed to find a song which features both the birthday celebs. It is from the 1979 release ‘Magroor’’ which starred Shatrughan Sinha, Vidya Sinha, Premnath, Helen, Deven Verma, Nadira, Narendranath, Paintal, Dr. Shreeram Lagoo, Jagdish Raj etc. The film had music by Laxmikant Pyarelal and Anand Bakshi wrote the lyrics. Playback singers were Asha Bhonsle, Suman Kalyanpur, Anuradha Paudwal, Mohd. Rafi, Kishore Kumar, Manna Dey and Mahendra Kapoor. All the 5 songs were duets.

Todays’ song is a club song where we see Helen (Rukhsaana) being wooed by a bunch of suitors (extras) and Premnath joining in on the fun. He is bodily lifted out of the dance floor by the cops at the end of the song. Playback for this song is by Asha and Mannada.

 

Song – Rukhsaana Rukhsaana Main Tera Deewaana  (Magroor) (1979) Singer -Asha Bhosle, Manna Dey, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus

Lyrics 

aaaa aaaa aaahaa
aaahaa haaa aaahaa haaa
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan
he he
rukhsaana rukhasaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan

rukhsaana dil degi kisi daulat waale ko
rukhsaana dil degi kisi daulat waale ko
pyaar karegi apne jaise kisi matwaale ko

rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan
he he
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan

jis ko mujh se pyaar ho
o ho ho ho
jis ko mujh se pyaar ho
aaye imtihaan de
jis ko ye dil lena ho
pehle apni jaan de
ha ha ha
ha ha
ha ha ha
ha ha
ha ha ha
ha ha ho ho ooo
jal ke jo dikhaaye
dikhaaye
wo mera parwaana
hai
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaaani
bol o meri jaan
he he
rukhsaana rukhsaana
main tera deewaana
tu kis ki deewaani
bol o meri jaan

rukhsaana jaane jaana..aa
rukhsaana jaane jaana..aa
ishq mein tere
chhoda maine
saara zamaana
rukhsaana jaane jaana..aa
rukhsaana o meri jaane jaana
meri bulbul-e-baghdad
kahaan hai tu

chik bam bam
chik bam bam
bam chik bam bam
chik bam bam
chik bam bam
bam chik bam bam

tere deewaanon mein kaun hai mere jaisa
mere jaisa
arre haat
tere deewaanon mein kaun hai mere jaisa
mere jaisa
pyaar nahin milta
mil jaata hai paisa
mil jaata hai paisa
mera dil naa todo o
mera daaman chhodo
main aashiq tera
naam na lena mera
main de sakta hoon jaan bhi
marna hai aasaan bhi
phir mushkil kya kaam hai
paisa us ka naam hai
khaali dil kis kaam ka
sheeshe ka paimaana
he rukhsaana rukhsaana
main tera deewaana
tu kisi ki raani
poochho meri jaan
rukhsana dil degi kisi daulat waale ko
rukhsana dil degi kisi daulat waale ko
pyaar karegi apne jaise kisi matwaale ko

he rukhsana rukhsaana
main tera deewaana
tu kis ki deewaaani
bol o meri jaan
he he
rukhsaana rukhsaana (rukhsaana)
main tera deewaana (rukhsaana)
tu kis ki deewaaani (o meri bulbul)
bol o meri jaan (kahaan hai tu)
rukhsaana rukhsaana
main tera deewaana (rukhsaana)
tu kis ki deewaaani (rukhsaana)
bol o meri jaan
rukhsaana rukhsaana
main tera deewaana (rukhsaana)
tu kis ki deewaaani
bol o meri jaan


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 15300th song post in the blog

Blog Day : 4138 Post No. : 15300

———————————————–——————————-
Blog 10-Year Challenge (2009-19) – Song No. 50
——————————————————————————

Welcome all to this post under this series where I am presenting yet another song from the Seventies. The last post presented in this series was also presented by me that too was a song from the year 1973.

The song under discussion is also from a movie of 1973.

Ever since Atul ji started this series it has become my routine to regularly check for movies which are eligible to be discussed in the series in the forthcoming month. I try to find movies that triggers long dormant memories of those days, associated either with the movies or their songs.

I may not necessarily have watched all those movies. In some cases it is only the songs from these movies, frequently being played on the radio or loudspeakers may have left lasting memories in my mind.

The movie for today’s song is a case inn point. I have not watched this movie till now, but I remember its song ‘tere naam ka deewaana, tere dar ko dhoondhtaa hai’ which was arguably the most popular of all the songs of this movie, as it was frequently played on the radio then. I did not like this song those days. Nevertheless this was the song and not any other songs that I associate with its movie.

After many years I listened to ‘honi to hoke rahegi anhoni naa hoye’ and liked it very much.

One more song from this movie which was popular and was played on radio and loudspeakers is the song being presented today. It was only after I browsed the list for the pending songs from this movie that I get to know that this song was from this movie ‘Suraj Aur Chandaa’.

I was surprised when I find that this song has not been posted on the blog till now.

As mentioned above I had not watched this movie or its songs till now. It was during the preparation of this post that I watched the video of this song for the first time.

Despite their popularity, none of these songs made it to the annual list of ‘Binaca Geetmala’ of that year.

Before going into the song let us have a look on the movies represented on the blog ten years ago this day 16th November 2009;

Movies represented on the blog on 16.11.2009 (in descending order);

Song Movie title-Year Remarks
Gaaon mein peepal peepal ki chhainyya Suraj Aur Chandaa-1973 03 of 06 songs posted
Sajanwaa bairi ho gaye hamaar Teesri Kasam-1966 All Songs Covered in the blog

‘Sooraj Aur Chandaa-1973’ or ‘Suraj Aur Chandaa’ was directed by T. Madhava Rao for ‘Suraj Films, Madras’. (It was a costume drama movie as mentioned in HFGK Vol V). It was produced by A.V. Subramaniam. It had Sanjeev Kumar, Meeta (new discovery), Sujeet Kumar, Jagdeep, Lakshmi Chhaya, Shyama, Jairaj, Sajjan, Krishna Kant, Mukri, Ram Mohan, Herucles, Lalita Kumari, Sujata, Mona, Kamal, Bhimraj, Arun Kumar, Prem Kumar, Ravindra and others. Banda makes a special appearance in this movie.

Story of this movie was written by B. Vittalacharya, and dialogues were written by Raj Baldev Raj. Editing of this movie was done by G.G. Krishna Rao.

The movie was passed by Censor Board on 22.05.1973.

This movie had total six songs penned by Anand Bakshi and composed to music by Laxmikant-Pyarelal. Lata Mangeshkar, Mohd Rafi, Mukesh and Suman Kalyanpur had given their voices to the songs in this movie.

Three out of the six songs have been posted on the blog earlier.

Today’s song is the fourth songsfrom this movie to appear on the blog. The song is picturized on Bindu and Sanjeev Kumar where Bindu is lip syncing in Lata Mangeshkar’s voice. Also, there are snakes around in the picturisation of this song.

I would request knowledgeable readers to throw more light on the movie and its songs.

Editor’s note:-This song was quite a well known and hummable song of 1970s. It was a song which one heard without necessaily being aware of its details.

From the lyrics, one would guess that a lady is singing about her beloved who has come from far off.

When one watches the picturisation, all such assumptions get thrown out of the window. What one watches in the picturisation is something mind blowing, inadvertently so.

The song is a “naagin” song, in which a “naagin” is singing this love song to her beloved. “Naagin” is played by Bindu and Sanjeev Kumar is her beloved.

“Naagin”(1954) provided the template of all “Naagin” movies, but this movie “Suraj Aur Chanda” (1973) takes that template to a different plane altogether.

In all other “Naagin” movies, a snake charmer (Sapera) plays the been and the female snake (invariably ichhaadhaari naagin) would turn into a human female and would then perform a dance.In this song, it is different. Here it is the snakes who play the “been” (yes seriously, just watch the picturisation). The snakes do not just play the been, they play the whole orchestra including instruments like Dholak, Tabla, Sitar etc as well. 🙂 And the lead snake Bindu performs the dance.

Snakes playing the music ! It is something unprecedented in the annals of Hindi movies ! I am not aware of any such instance in any other movie.

What an idea ! In my younger days, I would laugh at such a picturisation, but now, I can only be amused at the weirdly imaginative brain of the person behind the picturisation of this song.

This song deserves special recognition, especially for its picturisation.

We in this blog hereby make this song the century song of the blog.

THIS song is the 15300th song post in the blog. This song, marking the 153th century post of the blog is a “special” song in its own way. Picturisation of this song can keep people amused for hours ! 🙂

It appears that Laxmikant Pyarelal had specialised in being music directors of “Naagin” movies of that era. They would compose music for such well known “Naagin” movies like “Nageena”(1986)and “Nigaahen”(1989)” as well. These movies had Sridevi as the ichchaadhaari naagin. Remember ‘balma tum balma ho mere khaali naam ke’ 🙂 ?

So, with this amusingly picturised song, the blog completes another century. An agonisingly slow century that took 72 days. Very much in line with the slowing economy. 🙂

But on a different note, as many as 35 movies made their debut and three movies got YIPPEED during this period.

Thanks are due to all the supporters, well wishers, contributors, regulars and visitors whose continues support ensures that this musical bandwagon keeps chugging along on and on.


Song-Poorab disha se pardesi aaya (Suraj Aur Chanda)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics (Provided by Prakashchandra)

Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Purab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Man ka wo meet ban ke ae
pritam ki preet ban ke
Preet ka geet ban ke
honthhon pe aaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya

Jab se wo aaya aa aa
neend naa aayi
Jab se wo aaya aa aa
neend naa aayi
neend jo aayi o Ram duhaayi
sapnon mein aa ke mujhe
neend se jagaaya aa aa
neend se jagaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya

Aa aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa aa aa aa

O o o o o o o
O o o o o o o

O o o o o o o o
O o o o o o o o

jhoom ke maine ae li angdaayi
jhoom ke maine ae li angdaayi
jab sapere ne been bajaayi
naagin pe jaane kaisa jaadu chalaaya aa
jaadu chalaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya

Poochho naa meri ee prem kahaani
Poochho naa meri ee prem kahaani
Ban gayi main to o aisi deewaani
Saara zamaana uski yaad mein bhulaaya aa
Yaad mein bhulaaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya
Man ka wo meet ban ke ae
preetam ki preet banke
Preet ka geet ban ke
honthhon pe aaya
Poorab dishaa se pardesi aaya
Nainon ke raste man mein samaaya

—————————————————
(Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————–
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
मन का वो मीत बनके ए
प्रीतम की प्रीत बनके
प्रीत का गीत बनके
होंठों पे आया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया

जब से वो आया आ आ
नींद ना आयी
जब से वो आया आ आ
नींद ना आयी
नींद जो आयी ओ राम दुहाई
सपनों में आ के मुझे
नींद से जगाया आ आ
नींद से जगाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया

आ आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ आ आ आ

ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ

ओ ओ ओ ओ ओ ओ ओ ओ
ओ ओ ओ ओ ओ ओ ओ ओ

झूम के मैंने ए ली अंगडाई
झूम के मैंने ए ली अंगडाई
जब सपेरे ने बीन बजाई
नागिन पे जाने कैसा जादू चलाया
जादू चलाया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया

पूछो ना मेरी ई प्रेम कहानी
पूछो ना मेरी ई प्रेम कहानी
बन गयी मैं तो ओ ऐसी दीवानी
सारा ज़माना उसकी याद में भुलाया
याद में भुलाया

पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया
मन का वो मीत बनके ए
प्रीतम की प्रीत बनके
प्रीत का गीत बनके
होंठों पे आया
पूरब दिशा से परदेसी आया
नैनों के रस्ते मन में समाया


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4128 Post No. : 15286

hullo Atuldom

B. R. Chopra’s romantic comedy “Pati Patni Aur Woh”, based on the “seven-year itch” of Hollywood starring Marilyn Monroe made its blog debut on 25th February 2009 with the most famous song of the movie thhande thhande paani se nahaana chaahiye. After three years na aaj thha na kal thha was posted on the occasion of Kishore Kumar’s Birthdate. After almost a full year Sudhirji gave us this article on a song which can be called as a “movie inside a movie” song.

All the posts with these songs give us a fair idea of what a fun movie “Pati, Patni Aur Woh” was. Hence, I am not writing any gist of the movie. The idea to revisit this movie came as there are promos of a modern version of this movie being shown on Television these days. I found that there are five songs in the movie and three have been posted on the blog. On going through YouTube, I could find only four songs from the movie. (resolution: shall sit through the movie one of these days to see if it has the missing song). I remember that “o duniya ke rakhwale” was used in the movie, actually only one line of the mukhda, when Sanjeev Kumar wants to reset his alarm clock. That was in the voice of Mahendra Kapoor.

I am trying desperately to refrain from writing what a fine actor Harihar Jethalal Jariwala -popular as Sanjeev Kumar- was, or about his comic timing or about his smart looks and smile. I am also not going to list out the wonderful movies that he has acted in or how much I love seeing him in emotional scenes. We have a brilliant post by Sudhirji mujhko to qaatil ki itni pehchaan hai which will give us a picture of the kind of actor Haribhai (as his friends in the industry addressed him).

Today on the occasion of the 34th remembrance day of Haribhai we can have the last available song from “Pati Patni Aur Woh”. It is sung by Asha Bhonsle and Mahendra Kapoor, written by Anand Bakshi and Ravindra Jain was the composer. This lively song is at the wedding of friends of the lead couple, who later go ahead and get married (in the movie 🙂 ). The song kind of follows the qawwali format. This was one of the movies where Sanjeev Kumar acted his age and was not an aged person meaning senior citizen.


Song-Ladki cycle waali (Pati Patni Aur Woh)(1978) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Ravindra Jain

Lyrics

ladki cyclewaali
o o ladki cyclewaali
de gayi raste mein
hoye ae de gayi raste mein
ek pyaar bhari gaali
hoye ladki cyclewaali ee ee

gaali pe chhod diya aa aa
gaali pe chhod diya
aise deewaane ka
tum jaise deewaane ka
sar kyun nahin tod diya
ho o o gaali pe chhod diya aa aa aa

ek chaand sa mukhda hai
hoye ek chaand sa mukhda hai
jiske dupatte ka
ye ae jiske dupatte ka
ek reshmi tukda hai
tukda hai ji
ek chaand sa mukhda hai ae ae
badnaam toh karte ho
o o badnam toh karte ho
naam nahin lete
kyun naam nahi lete
kya maar se darte ho
hoye badnaam toh karte ho o o

kothe te kaanv bole
o bole kothe te kaanv bole
us din ko dekhu
main us din ko dekhoon
jis din tu haan bole
hoye kothe te kaaan bole
mumkin ye mail nahin ee ee
mumkin ye mail nahin
BA pass hoon main
o o BA pass hoon main
koi daswin fail nahi
ja ja mumkin ye mail nahi ee ee

shaabba shabba kudiye shawa
o mundiye shaabba shabba

kya naam tumhaara hai
ho o kya naam tumhara hai
umr toh khaasi hai
ho oo umr toh khaasi hai
ab tak tu kunwaara hai
hoo kya naam tumhara hai ae ae

tu jaldi
haye ni je
tu jaldi jawaan hoti
haye je tu jaldi jawaan hoti
toh shaayad tu hi
hoye toh shaayad tuhi
mere bachchon ki maan hoti
hoye tu jo jaldi jawaan hoti ee ee


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4123 Post No. : 15276

“Tyaag”(1976) was Produced by N S Kabir and directed by Deendayaal Sharma for Films and Films Interbnational Production, Bombay. The movie had Sharmila Tagore,Rajesh Khanna,Bindu,Dheeraj Kumar, Master Tito, Sulochana Latkar, Prem Chopra, Mukri, Asit Sen,Murad,Amrit Patel, Tuntun, Kamal Kapoor, Chandrima Bhaduri, Mohan Jerry ,Mahendra Zaveri,Om prakash, Nayim, Billimoria, Anand, Lalita Kumari etc with uest appearances by Bindu, Master Satyajit, Dheeraj, Gurnam Singh, Sona, Raza Murad in it.

This movie was apparently produced by Sharmila Tagore seeing that the producer was her secretary. The movie had the same lead pair as that of the blockbuster “Aradhana”(1969).

“Tyaag”(1976) had five songs in it. One song has been covered in the blog. This movie was one of the last movies with music by S D Burman.

Today (31 october 2019) is the 44th remembrance day of S D Burman (1 October 1906 – 31 October 1975). On this occasion, here is a song from “Tyaag”(1976). This song is sung by Kishore Kumar and Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by S D Burman.

This song, containing the phrase “Kora kaaghaz”, which was there in a song of “Aradhana”(1969) as well, is picturised on Rajesh Khanna and Sharmila Tagore.

Lyrics of this song were sent to me by Prakashchandra.

Audio (Full)

Video (Partial)

Song-Kore kaaghaz pe likhwaa le (Tyaag)(1976) Singers-Kishore Kumar, Asha Bhosle, Lyrics-Anand Bakshi, MD-S D Burman
Both

Lyrics (Audio link)(Provided by Prakashchandra)

hmmm hmm hmm
hmm hmm
hmm hmmm
aaahaa haaa haaa
aa haa
aaa haaa

ohho ho o
hhaa haaa haa
ae hey hey ae ae he ae ae

kore kaaghaz pe likhwa le
kore kaaghaz pe likhwa le
jiya kiya tere hawaaley
ho ho o o
kore kaaghaz pe likhwa le ae ae
jiya kiyaa tere hawaaley

ho ho o o
kore kaaghaz pe likhwa le

kabhi sochta hoon mere sapnon ki raadhaa
kabhi sochta hoon mere sapnon ki raadhaa
kaanha se nain churaa ke
bhulaa de na waadaa
o Radhaa aa aa
bhula de na waadaa
bade be-imaan hain
bade be-imaan hain tere
naina matwaale
kore kaaghaz pe likhwa le
haan aaan jiya kiyaa tere hawaale
ho ho o
kore kagaz pe likhwa le

aa aa aa aa
aa aa aa aa
tera naam mera jeevan
teri preet pooja
tera naam mera jeevan
teri preet pooja
teri yaad bin iss mann mein
nahin koi doojaa rey mitwaa aaa
nahin koi dooja
mujhe bhool jaaye ae
mujhe bhool jaaye ab
ye duniya waale ae
kore kaaghaz pe likhwa le ae ae

jiya kiyaa tere hawaale
ho o o
kore kaaghaz pe

likhwa le
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
(hho ho oo o o o o ae hey hey ae )

badi hi niraali
dil ne likhi ye kahaani
ho o o badi hi niraali
dil ne likhi ye kahaani
galiyon ka raaja
main tu
mehlon ki raani deewaani
mehlon ki raani
ho o o
tere aagey mehlon waaley
tere aagey mehlon waaley
kyaa hain dilwaaley ae

kore kaaghaz pe likhwaa le
jiya kiya tere hawaale
ho o o
kore kaaghaz pe
likhwaa le


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4102 Post No. : 15251

Amitabh Bachhchan, the star of the Millennium, was born in the than Allahabad (which is the English name of city named Ilahbad in Urdu) on 11.10.1942. His given name is Inquilab Srivastava, as per Wikipedia. This is a surprise for me and surely for many people, as a never heard fact. Also has the distinction of acting as the hero in the film ‘Inquilab’ not named after him :-). His father did name him after the slogan of freedom movement “Inquilab Zindabad”. I have never heard of anyone named ‘inquilab’, but have a friend named ‘Kranti’ which is the same thing with change in language only.

So, on 11.10.2019, he is celebrating 77th birthday as the most celebrated star actor and film personality. The Government of India honoured him with the Padma Shree in 1984, the Padma Bhushan in 2001 and the Padma Vibhushan in 2015 The Government of France honoured him with its highest civilian honour, “Knight of the Legion of Honour”, in 2007 for his exceptional career in the world of cinema and beyond. As per Wikipedia page again, he has won 15 filmfare awards, the most nominated actor with 41 nominations so far and still counting.

His achievements include 4 national awards and Dada Saheb Phalke award for “Lifetime Achievement”.

Luckily, I had the lyrics of this song from the film “Shaan” (1980) ready to present as the birthday celebration post. I said in my reply to Peevecie’s Mom’s comments on this post that BEST buses is a topic of another post. I had this song in mind, most of which is picturized on a BEST double decker bus. “BEST” was formerly Bombay Electricity Supply and Transport, now it is renamed as ‘Brihan Mumbai Electricity Supply and Transport”. My father has been saying this to us right from the beginning that though BEST’s face are the buses which have been the more reliable lifeline of Bombay since almost a century now, its main business and source of income is the electricity supply to the city areas.

If I have to write about the BEST than the story has to start with my father. It is in family folklore that my father had after completing engineering had the option of coming to Mumbai (than Bombay) or to go to Lucknow to join the Railways. This was in the early 60’s, and Bombay was a known place of people in the family, who used to visit it for business purposes also. Also my mother’s ‘Maternal uncle’ had studied in Grant Medical College in the 40’s and everyone was familiar with the city. There was a job in hand in Lucknow, which is an unknown place, nobody in the family had ever been and far away from Belgaum. The family was in favour of Bombay as my father’s sister was already staying here at Kalyan. The decision was left to my father’s youngest sister, who voted in favour of Bambai. So he came to Bombay and joined BEST as a “foreman” trainee. There is a lot more I want to write about my father’s journey (most of it is related to BEST), but will save it for another post. Sometimes I do wonder, if he had gone to Lucknow instead of coming to Mumbai, how different the things would have turned out. I envy the people who have spent their formative years in Lucknow(met a few in my working life), their diction of Urdu language. Some of them, though convent educated did speak a fluent form of spoken khari boli which is closer in diction and grammar to the Urdu that our teachers taught us, compared to my own, the so called Urdu medium product, with our typical bambaiyya dialect. More of the royal ‘aap’ and ‘hum’ in the conversations of people of my generations who spent years in Lucknow, or thereabouts, even as far as some northern cities of Madhya Pradesh.

Will go back to Amitabh Bachchan for now. The first movie I am aware of watching in the theatre is “Do aur do Paanch”, with a similar star cast of Amitabh, Shashi Kapoor and Parween Babi, similar to ‘Shaan’ I mean. Incidently both these films were released in the same year. But we all saw “Do aur do paanch” at Belgaum during summer vacations, whereas “Shaan” was seen in Mumbai. Thereafter, Amitabh Bachchan movies were seen regularly, with the whole family. The movies of before 1980 are all seen on TV, but the movies after 1980, including “Silsila”, “Kaalia”, “Namak Halaal”, ‘Naseeb”,”KhudgarzKhuddaar”, “bemisaal”, ‘Laawaris” etc. I remember watching in theatre.

My personal favorite Amitabh films are not the comic or multistarrers, but his solo films like ‘Zanjeer’, ‘Bemisaal”, ‘Kaalia”, “Abhimaan” ‘Anand’ etc. Among the films of the new millennia, I have seen a few, but missed most of them. He is without doubt the longest running superstar of the hindi film industry.

So here in this song there are four singers, Kishore Kumar for Amitabh Bachchan, Mohammed Rafi for Shashi Kapoor, Asha Bhosle for Parveen Babi and Usha Mangeshkar for Bindiya Goswami. Anand Bakshi is the lyricist and is composed by R. D. Burman.

The film is ‘Shaan’(1980), also mentioned in para 4 above.


Song-Jaanu meri jaan main tere qurbaan (Shaan)(1980) Singers-Kishore Kumar, Mohammed Rafi, Asha Bhosle, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-R D Burman
Asha Bhoonsle + Usha Mangeshkar
All

Lyrics

Jaanu meri jaan
main tere qurbaan
Jaanu meri jaan
main tere qurbaan
arrey main tera tu meri
jaanu saara hindustaan
main tera tu meri
jaane saaraa hindustaan

Jaanu meri jaan
main tere qurbaan
Jaanu meri jaan
main tere qurbaan
arrey main tera tu meri
jaane saara hindustaan
main tera tu meri
jaane saaraa hindustaan

nazron se na tol mujhe
dil se kaam le
tu jis ki wo tere bin
kyon kisi ka naam le
arre nazron se na tol mujhe
dil se kaam le
tu jis ki wo tere bin
kyun kisi ka naam le
Jaanu meri jaan
main tere qurbaan
O Jaanu meri jaan
main tere qurbaan
arrey main tera tu meri
jaane saara hindustaan
main tera tu meri
jaane saaraa hindustaan

ha aha ha haan haan ha

hey ae ae
ae ae aaaaa
ae ae ae
oo ooo oooooo
chhoti si ik baat bani
baat se daastaan

bhool ke sab baaten hans de
hai yahi pyaar ki shaan
chhoti si ik baat bani
baat se daastaan

bhool ke sab baaten hans de
hai yahi pyaar ki shaan
jaanu meri jaan
main tere qurbaan
o jaanu meri jaan
main tere qurbaan
tu mera main teri
jaane saaraa hindustaan

tu mera
main teri
jaane saaraa hindustaan
arrey Jaanu meri jaan
main tere qurbaan
Jaanu meri jaan
main tere qurbaan
Hoy main tera tu meri
jaane saara hindustaan
tu meraa main teri
jaane saaraa hindustaan

————————————-
Devnagri script lyrics (Provided by nahm)
————————————-
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
अरे मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान

जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
अरे मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान

नज़रों से न तोल मुझे
दिल से काम ले
तू जिस की वो तेरे बिन
क्यूँ किसी का नाम ले
नज़रों से न तोल मुझे
दिल से काम ले
तू जिस की वो तेरे बिन
क्यूँ किसी का नाम ले
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
अरे मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान

हा हा हा ह आहा हा

हे ए ए
हो हो हो हो
ओ ओ ओ ओ

छोटी सी इक बात बनी
बात से दास्तां

भूल के सब बाते हंस दे
है यही प्यार की शान
छोटी सी इक बात बनी
बात से दास्तां

भूल के सब बातें हंस दे
है यही प्यार की शान
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
तू मेरा मैं तेरी
जाने सारा हिंदुस्तान

तू मेरा
मैं तेरी
जाने सारा हिंदुस्तान
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
हो मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4095 Post No. : 15240

wo chaand hai to aks bhi paani mein aayegaa
kirdaar khud ubhar ke kahaani mein aayegaa
(Iqbal Sajid)

Aks – reflection
Kirdaar – character

“jis ke paas koyi saboot nahin hota, kya wo kabhi beqasoor nahi ho sakta.”

This is the dialogue spoken by Meenakshi Sheshadri to Anil Kapoor, a lawyer, when he has refused to take her sister’s Beena’s case.  Meenakshi’s sister is a doctor and a patient dies in her private clinic, after she has administered a medicine to the patient. The medicine contains poison, and the bottle is already in the custody of the courts/police. There is no way anyone can prove that the patient did not die because of the medicine in that bottle. So all the lawyers are refusing the case and Meenakshi and the brother in law Parikshit Sahani, also a doctor, are running from pillar to post to find a lawyer who can defend Beena in the court.

The moment she says this dialogue, Anil Kapoor is transported to his childhood, when his mother Nutan had said the same words to the lawyer/ public prosecutor Amrish Puri, in defense of her husband Girish Karnad.  This whole story is in flash back – the story of Anil Kapoor, his sister and parents.

In the present, Anil Kapoor decides to defend Beena in the courts, and in true heroic style, drinks the medicine from the very bottle to prove that the patient did not die because of the medicine. Within minutes, the case is over, judgment delivered, Beena is ‘ba-izzat bari’.  Parikshit Sahani takes Anil Kapoor to the hospital immediately and treats him to save his life.  What happens to the actual culprit who put poison into the medicine bottle, I don’t know.

The court language in this type of films had glossary like ‘mulzim’ which is the one accused of a crime, ‘mujrim’ is the one whose crime is proved.  Crime is ‘jurm’ and ‘mere faazil dost’ means ‘my esteemed friend’ – this is how lawyers would refer to each other in front of a judge.

So with the case over, the doctors are grateful to Anil Kapoor and Meenakshi is in love with him. The doctors host a party to celebrate and Anil Kapoor on piano, again revives his child hood memory of the theme song at the party. This is Part-II of the song. After this party this dream sequence song, “Ae Mere Khwaabon Ke Shehzaade” comes up. This is a beach song, posted Peevicies’s mom and I have seen that song too just now. That song is one extravaganza on Madh island or Aksa beach and what is Meenakshi wearing in the last sequence? Looks as if she was trying to be a South Indian Cleopatra.

Now back to flashback:  Girish Karnad is convicted of a crime he did not commit. Nutan has tried in vain to get someone to fight her husband’s case against the formidable Amrish Puri. Their happy family is ruined, even as she manages to obtain a stay on the conviction of ‘sazaa-e-maut’, but reached late on the location. Girish Karnad has been hanged. After this I think, she loses her mind and is taken to mental Asylum.

Meanwhile the young children Anil Kapoor and the sister are left to fend for themselves in the big bad world. That is when Anil Kapoor is remembers the song that his mother and father used to sing, with his father on the piano, “Jeet Jaayenge Hum. . .”.  The song is highly motivational, though situational.  It is songs like these which make Laxmikant-Pyarelal such kings of the proverbial situational songs.  Theme song or not, the lyrics and composition is all more than apt for the mood and need of the script.  And to think that the script by Javed Akhtar originally had no scope for songs.

The events of childhood have a profound effect on the young Anil Kapoor and the song motivates him to keep fighting and to always hope and strive to win against all odds. And win he does, grows up to become a lawyer himself, struggles with the system and grows to achieve his goals step by step. All this while he is always conscious of how his mother’s struggles with the system to save his father from being punished from the crime which he has not committed. He has raised his younger sister Khushoo and who is now studying in a college. Anil Kapoor manages to trace his mother also and brings her home. But she is still not well and does not remember her children. Which is a cause for more pain, prompting Anil Kapoor to recall the childhood song again. This is when the Part-III of the song is played when Anil Kapoor and Meenakshi sing this song at home, hoping to revive Nutan’s memory and restore her mental health.

I thought, this was a movie made by GP Sippy, but turns out it was eventually made by Subhash Ghai.   Actually I found this song on YouTube a few days ago and saved the link to see it sometime. Today I got the time to see it and all the memory of the story, dialogue and songs etc. came rushing in the mind.

Jab itna kuchh likhne ke liye yaad aa gayaa to ek post to ban hi jaati hai. 🙂

The song is played multiple times throughout the film. This can’t be anyone other than Anand Bakshi’s doing, the lyrics I mean. Singers are Shabbir Kumar (in full Rafi mode) for Anil Kapoor, Nitin Mukesh for Girish Karnad and Lata Mangeshkar for Nutan, Meenakshi Sheshadri and Khushboo.

It shows that successful people have motivation for success, early in life and have to be ready for struggle. Come what may, we will not give up. Because life is always a struggle, even if one cannot foresee the difficulties to come. ‘Jung’ is not war here, but an avowal not to give up against adversities. In every way, it is struggle to succeed and defeat the bad. And this struggle starts with self to improve the self and its abilities and make them pure, truthful, honest and trustworthy. Because to do ‘jung’ with your lot is to do ‘jidd-o-jahad’ i.e. to struggle and strive.

I found a poem in the photos which I had taken in the hotel at Jaipur, during our vacation visit earlier this year.  I am searching the net for the name of the poet but even Rekhta.com is not having the works of this poet.  The title of the poem is ‘Kuchh Kehna Chaahta Hoon”.

tum kuchh lafz
musta’aar de do
main bolna chaahta hoon

mere lafzon ke haathh
ab sar par aa chuke hain
jaise haarey huye sipaahi

wo itna jhooth pee chuke hain
sach keh nahin sakte

apaahij, beemar aur za’eefon ki tarah
un ko sirf taknaa aata hai

tum kuchh lafz
musta’aar de do
main kuchh kehnaa chaahta hoon.

Musta’aar – lend, loan for a while.
Apaahij – handicap
Za’eef – aged, frail with age

Video (Part I)

Video (Part II)

Video (Part III)

Audio (Part III)

Song – Zindagi Har Qadam Ik Nayi Jung Hai (Meri Jung) (1985) Singer – Lata Mangeshkar, Nitin Mukesh, Shabbir Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lata Mangeshkar + Nitin Mukesh
Lata Mangeshkar + Shabbir Kumar

Lyrics

(Part I)
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
oo oo ooooo
oo oo ooooo
aaa aaaaa aaaaa
hmmmmmm mmmmm
hmmmmmm mmmmm

jeet jaayenge hum
oo ooo ooooo
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai

tu ne hi
sajaaye hain
mere honthon pe ye geet
tu ne hi
sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera roop rang hai ea ea
zindagi 
har qadam
ik nayi 
jung hai
zindagi 
zindagi ee
har qadam
ik nayi 
jung hai

hausla na chhod
kar saamna jahaan ka
hausla na chhod
kar saamna jahaan ka
wo badal rahaa hai
dekh rang aasmaan ka
rang aasmaan ka
ye shikast ka nahin
ye fateh ka rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai

roz kahaan dhoondenge
sooraj chaand sitaaron ko
aag lagaa kar hum roshan
kar lenge andhiyaaron ko
gham nahin jab talak
dil mein ye umang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai

(Part II)
ooo ooooo
hmmmm mmmm mmmmm
hmmm mmmm mmm
oooo ooooo
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ek nayi
jung hai

(Part III)
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai

ik dooje se
ham donon ke
naam judey hain aise
ik dooje se
ham donon ke
naam judey hain aise
mast hawaaon mein ea
saaz judey hain aise
jaise main dor hoon
aur tu patang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
jung hai

aaaaa aaaaaaaa
oooo oooooo
aaaa aaaaaaa
ooooooo oooooooo
ooooooo

[Nutan speaks]

tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi
tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera  aa
mera aa
mera aa
mera aa

[Anil Kapoor : gaao na maa]

main hoon ik tasveer
tu mera roop rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
tu agar
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4072 Post No. : 15209

“Amar Akbar Anthony”(1977) an archtypically Manmohan Desai directed movie, reminds me of an indulgent parent who, when he comes back home to his little ones brings them lots and lot of goodies that the kids were so eagerly looking forward to. The kids just would not have enough of the goodies.

The movie, a multistarrer, which was a new fashion in India, after the success of “Sholay”(1975), boasted a who is who of stars of those days- Amitabh Bachchan, Vinod Khanna, Rishi Kapoor, Parveen Babi, Shabana azmi, Neetu Singh were the three romantic pairs. Pran and Nirupa Roy play the parents. Villains are Jeewan, Ranjeet, Yusuf Khan. Other characters in the movie include Mukri, Nazeer Hussain, Kamal Kapoor, Pratima Devi etc. Even Helen makes a cameo appearance.

Most people who are into HFM have already watched this movie. That too multiple times. If you are an Indian, then this movie must have influences you in one way or the other. This movie has scenes, dialogues, coincidences etc that have become stuff of legends. They also are constant source of jokes, memes, amusing anecdotes etc.

This movie had seven songs. Six songs from this movie have been covered in the past.

Here are the details of the songs from the movie that have been discussed in the past :-

S N Song Song number in blog Date of posting
1 My name is Anthony Gonsalves 3040 28-Sep-10
2 Parda hai parda 9189 23-Dec-13
3 Hamko tumse ho gaya hai pyaar kya karen 11111 9-May-15
4 Anhoni ko honi kar de honi ko anhoni 11963 31-Mar-16
4 Khoon khoon hota hai paani nahin 14896 26-Feb-19
5 Shirdi waale Saibaba aaya hai tere dar pe sawaali 15199 4-Sep-19

The discussions of these songs in the movie were no less fun than the fun that we may have had while watching this movie.

This song made its debut in the blog with the song My name is Anthony Gonsalves . The date was 29 september 2010. It was a guest post by a guest poster who had discovered the blog just a few months ago. Santosh Ojha, the contributor, was a diehard Amitabh Bachchan fan and he had watched this movie in Nagpur during its first run just days before his class X examination, not once but thrice !

His observations on the movie scenes and story, alongwith his school day experiences, makes this writeup a great fun to read.
In fact, this song itself has an amusing beginning:

You see the whole country of this system
is juxtapositioned by the hemoglobin in the atmosphere ,
because you are a sophisticated rhetorician
intoxicated by the exuberance of your own verbosity

🙂

The next song was covered three years later in 2013. This too was a guest post, and it was by Peevesie’s mom, who may have watched this movie a few million times.

The third song writeup from this movie turned out to be a very very special occasion for the blog. This song was the only song in history that has the voices of Mukesh, Rafi, Kishore Kumar and Lata together. This song was the post number 11111 for the blog and it was written by our own Sudhir Jee. It was a century post for him as well as for all the abovementioned legendary singer. It was a century post for Laxmikant Pyarelal as well.

Four more songs have been covered after that. Writeup for these songs were by Peevesie’s mom. Four writeups out of six ! It just shown how much the songs of this movie mean to her !

What is the only song left to be covered ? It is yet another fun song viz “Tayyab Ali Pyaar ka dushman hay haay”. This song is sung by Rafi and chorus, with a few words by Mukri. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised as a song where Akbar (Rishi Kapoor) is seen heckling Tayyab Ali (Mukri), the father of Salma (Neetu Singh), for coming in the way of their love.

This song, like the other songs of this movie, is best enjoyed while watching the movie in a movie hall in 1970s. The response of the public, especially the coin throwing front staller junta (appropriately names chawanni chaap janta 🙂 ) is an experience that can no longer be savoured. This experience has become extinct with time.

Incidentally, unlike Santosh Ojha, I myself had not watched this movie during its first run. My movie watching spree began in 1978, and I watched this movie during its second run, which is not the same as watching it during its maiden run, of course.

With this song, all the seven songs of “Amar Akbar Anthony”(1977) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.

Audio

Video

Song-Tayyab Ali pyaar ka dushman haaye haaye (Amar Akbar Anthony)(1977) Singer-Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Mukri

Lyrics

Tayyab Ali pyaar ka dushman
haaye haaye
meri jaan ka dushman haaye haaye
haaye haaye
Tayyab Ali pyaar ka dushman
haaye haaye
meri jaan ka dushman haaye haaye
haaye haaye
ladka aur ladki raazi
phir bhi na maane qaazi
ladka aur ladki raazi
phir bhi na maane qaazi
ye zid na chhode
mere dil ko tode
ye banane na de meri salma ko meri dulhan
Tayyab Ali pyaar ka dushman haaye haaye
meri jaan ka dushman haaye haaye
haaye haaye
ladka aur ladki raazi
phir bhi na maane qaazi
ye zid na chhode
mere dil ko tode
ye banane na de meri salma ko meri dulhan
Tayyab Ali pyaar ka dushman haaye haaye
meri jaan ka dushman haay haay
haaye haaye

lakdi beche
aur na samjhe
haan lakdi beche
aur na samjhe
ladki ke armaanon ko
mota seth taraazu mein tole
taraazu mein tole
haan taraazu mein tole
chhote insaanon ko
ho jaaye buddha
kya ji
alla ko pyaara
waah ji
main kar lu shadi khaana aabaadi
sulajh jaaye pal mein meri barason ki ulajhan
Tayyab Ali pyaar ka dushman haaye haaye
meri jaan ka dushaman haay haay
haaye haaye

dayya re dayya
iski chaal to dekho
waah re rang lagaaya
iske baal to dekho
arre jhoothe moote
iske daant to dekho

saathh baras ki umar mein aise chehra kisika khilta hai
sathh baras ki umar mein aise
haan chehra kisika khilta hai
hamko hai maaloom
kisi se
kisi se
kisi se
chhupkar ye bhi milta hai
main naam bataaun
na na na na na ji
tasveer bataaun
na ji na ji na ji
dar gaya vo kaise
baazaar mein aise
shareefon ko hum rusva nahin karte miyaan jumman
Tayyab Ali pyaar ka dushman haaye haaye
meri jaan ka dushman haaye haaye
haaye haaye
ladka aur ladki raazi
phir bhi na maane qaazi
ye zid na chhode
mere dil ko tode
ye banane na de meri salma ko meri dulhan
Tayyab Ali pyaar ka dushman haaye haaye
Tayyab Ali pyaar ka dushman haaye haaye

haay haay
Tayyab Ali pyaar ka dushman haaye haaye
arre haay haay haay haay
Tayyab Ali pyaar ka dushman haaye haaye
Tayyab Ali pyaar ka dushman haaye haaye


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15300 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15339

Number of movies covered in the blog

Movies with all their songs covered =1180
Total Number of movies covered =4228

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Active for more than 4000 days.

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