Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anand Bakshi


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4447 Post No. : 15899

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Blog ten year challenge (2010-2020)- Song Number 82
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This date ten year ago (viz date 20 september 2010) saw six songs getting discussed in the blog. The first song was published at 6:17 and the final song of the day appeared at 7:47. In 90 minutes all the six songs of the day were done and dusted:-
Here are the details of these songs:-

Blog post number Song Movie Year Remarks
2995 Nainon ke baan ki reet anokhi Khazaanchi 1941 Movie YIPPEED by now
2996 Kehdo hamen na bekaraar kare Sabak 1950 & songs covered out of 10
2997 Tasweer banaataa hoon teri khoon e jigar se Deewaana 1952 Movie YIPPEED by now
2998 Milke baithho jodo bandhan Panchaayat 1958 Movie YIPPEED by now
2999 Ae mere hamsafar Chhabili 1960 5 Songs covered out of 7
3000 Maa mujhe apne aanchal mein chhupaa le Chhotaa Bhai 1966 2 songs covered out of six

Out of six movies whose songs were covered that day, three movies have been YIPPEED by now. That leaves us with as many as three movies that are eligible for today’s Blog ten Year Challenge.

“Chhota Bhai”(1966) is one of the three eligible movie for BTYC. This movie had made its debut in the blog ten years ago. and that was no ordinary debut. The song of “Chhota Bhai”(1966) that was covered that day happened to be the 3000th song for the blog. Not just that, the song was Lata Mangeshkar’s 1000th song in the blog as a playback singer. She was the first artist to reach four figures in the blog on that day. Subsequently, she has been joined in this select list by three more singers and three lyricists.

“Chhota Bhai”(1966) was was directed by K P Atma for Olympic Pictures, Bombay. This “social” movie had Rehman, Nutan, Mahesh Kumar, Lalita Pawar, Nazeer Hussain, Jageerdaar, randheer, Sulochana Chatterjee etc in it.

The movie had six songs in it, Two songs have been covered in the past. Here are the details :-

Song Date of posting
Maa mujhe apne aanchal mein chhupaa le 20 september 2010
Raam tu sab ka rakhwaala 19 February 2019

As discussed above, “Chhota Bhai”(1966) made its debut in the blog ten years ago on this day. That article was written by Raja.

Today as part of “Blog Ten Year Cahllenge”, here is another song from “Chhota Bhai”(1966). The song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxnikant Pyarelal.

HFGK mentions this song as just one song. But the movie has this song in two versions-happy version and sad version. In both versions some unidentified voice can also be heard.
Both versions are lip synced by Nutan. Rehman, Mahesh Kumar and Lata Sinha can also be seen in both versions. Lalita Pawar is visible in the sad version.

Lyrics of the song and other details were sent by Prakashchandra.

Happy version

Sad version

Song-Bhagwaan ne apne jaisa har ik insaan banaayaa (Chhota Bhai)(1966) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Unknown voice
All

Lyrics

——————————–
Happy version
——————————–
Picturised on Nutan, Rehaman, Mahesh kumar,Lata Sinha
Singer:Lata Mangeshkar, Unidentified voice
(Lata +Unidentified voice=Together)
Lyrics of video link:(longer than the audio link)

bhagwaan ne apne jaisa
bhagwaan ne apne jaisa
har ik insaan banaayaa
ye jhoothh kidhar se aaye
ye paap kahaan se aaaa..aayaa
bhagwaan ne apne jaisaa
har ik insaan banaayaa
bhagwaan ne apne jaisa

woh kyaa hai ek kirann hai
jo door karey andhiyaarey
jo door karey andhiyaarey
baantein uss kaa ujiyaaa.aaara
ye sooraj chaand sitaare
uss ne har jot jagaayee..ee
uss ne har deep jalaayaa..aaa
bhagwaan ne apne jaisaa
har ik insaan banaayaa..aaa
bhagwaan ne apne jaisaa

jai jai raam jai jai raam jai jai raam
jai jai raam
jai jai raam jai jai raam jai jai raam

duniya mein janam khud lekar
jeevan ki reet banaa..aayi
jeevan ki reet banaayi
bann`ke khud meet sabhee..ee ka
eeshwar ne preet banaayi
jeevan dene waaley ne ae ae
jeenaa bhi hamein sikhlaa..aayaa
bhagwaan ne apne jaisaa
har ik insaan banaa..ayaa
ye jhoothh kidhar se aaye
ye paap kahaan se aa..aayaa
bhagwaan ne apne jaisaa
har ik insaan banaayaa..aaa
bhagwaan ne apne jaisa

jai jai raam jai jai raam jai jai raam
jai jai raam jai jai raam jai jai raam
jai jai raam jai jai raam jai jai raam

———————————
Sad version
———————————
(le jaa kaali)

aaa…aaaaa..aan….aaan
aaa…aaaaa…aaa..aaa…aa

bhagwan ne apne jaisa
bhagwaan ne apne jaisaa
har ik insaan banaa..ayaa
ye jhoothh kidhar se aaye
ye paap kahaan se aayaa..aa
bhagwaan ne apne jaisaa
har ik insaan banaayaa
bhagwaan ne apne jaisa

sansaar ke iss aangan mein
phailaate hain jo andhiyaaraa
phailaate hain jo andhiyaaraa
woh yaad rakhein poochhega
unn se ik din ujiyaaraa
maine to jot jagaayee..eee
tumne kyun deep bujhaa..aayaa
bhagwaan ne apne jaisaa
har ik insaan banaayaa aa aa
bhagwaan ne apne jaisa

jai jai raam jai jai raam jai jai raam
jai jai raam jai jai raam jai jai raam

jo pyaar kabhi na tootaa
woh pyaar thha raam lakhan mein
woh pyaar thha raam lakhan mein
mehlon mein saath rahein aen aen woh
aur saath rahein woh vann mein
kyun raam ne aaj na jaaney
kyun raam ne aaj na jaaney ae ae aen
kyun raam ne aaj na jaaney
kyu..ooon raam ne aaj na jaaney ae ae ae ae
kyon raam ne aaj na jaaney ae ae ae
Lachchman sey haath
chhudaa..aayaa
ye jhoothh kidhar se aaye
ye paap kahaan se aayaa..aaa
bhagwaan ne apne jaisaa
har ik
insaaa..an banaaa..aaayaa..aaaa…aaaa..aaa….aaa


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4445 Post No. : 15895

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This Week, That Year – 3
———————————–
13Sep – 19Sep, 2010
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Blog ten year challenge (2010-2020)- Song Number 81
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OK, so finally ‘Anmol Ghadi’ got yippeee’d this week, on the very first day of the week. And Atul ji, still waiting for you to clear the mystery behind this yippeee.

Once again, a very prolific week, the pace of post updates continues in full swing. Except that one day this week, we scored only a single. But for the rest of the week, it was all sixes with one extra run from an overthrow.

The blog scored 38 posts this week. Of these 38, we had only one guest post for the week – by Santosh Ojha ji. A total of 36 films made their appearance, with two films scoring two appearances each. We had 1 film that reached yippeee status. A whopping 15 films made their debut this week. That is close to almost half the films that got featured that week.  Since that week was done with, of the 36 films featured, 26 films have been formally and fully yippeee’d. Ten of them are still awaiting their numbers to be fully showcased. Given below is the detailed chart for the week. You will notice a new column and new notations today. I will explain them later in this write up.

Blog Ten Year Challenge (2010-2020) Series
Sl.No. Movie Name Year HFGK NoS ASAD NoS Possible LFe Deb/Yip Milestone Film Status Pending
13-Sep-10
1 Anmol Ghadi 1946 12 12 Y Yippeee’d
2 Ghoonghat 1960 10 6 Pending 4
3 Aashiq 1962 8 8 Yippeee’d
4 Around The World 1967 9 9 D Yippeee’d
5 Night In London 1967 7 7 Yippeee’d
6 Kismat 1968 5 5 Yippeee’d
14-Sep-10
1 Sagaai 1951 9 9 D Yippeee’d
15-Sep-10
1 Daastaan 1950 9 9 Yippeee’d
2 Lakeerein 1954 11 5 D Pending 6
3 Shama Parwaana 1954 11 11 Yippeee’d
4 Sarhad 1960 7 6 D Pending 1
5 Zabak 1961 8 8 Yippeee’d
6 Kal Aaj Aur Kal 1971 6 3 D Pending 3
7 Kaala Patthar 1979 6 6 D Yippeee’d
16-Sep-10
1 Daastaan 1950 9 9 Yippeee’d
2 Mukhda 1951 11 9 2 D Yc ? 2 LFe
3 Begunaah 1957 6 6 D Yippeee’d
4 Jaal 1967 6 6 Yippeee’d
5 Patthar Ke Sanam 1967 7 7 Yippeee’d
6 Khushboo 1975 4 4 Yippeee’d
17-Sep-10
1 Vidyapati 1937 13 13 Yippeee’d
2 Meena Baazaar 1950 12 12 D Yippeee’d
3 Darwaaza 1954 8 5 D Pending 3
4 Maai Baap 1957 6 6 D Yippeee’d
5 Zindagi Ya Toofaan 1958 10 9 Pending 1
6 Andaaz 1971 6 6 D Yippeee’d
18-Sep-10
1 Paraayi Aag 1948 8 8 D Yippeee’d
2 Poonam 1952 9 9 Yippeee’d
3 Maai Baap 1957 6 6 Yippeee’d
4 Hercules 1964 6 1 D Pending 5
5 Dil Ne Phir Yaad Kiya 1966 10 10 Yippeee’d
6 Ummeed 1971 7 7 D Yippeee’d
19-Sep-10
1 Shabnam 1949 10 10 Yippeee’d
2 Aan 1952 11 11 Yippeee’d
3 Milaap 1955 8 8 Yippeee’d
4 Chaand Mere Aaja 1960 7 6.5 Pending 1
5 Sahib Bibi aur Ghulaam 1962 8 7 1 Yc ? 1 LFe
6 Sharaarat 1972 6 7 Yippeee’d

You may notice that I used the phrase ‘formally and fully’ to qualify the yippeee status of the films. The reason I used this phrase is the following. As we are making progress towards our ideal of bringing on board all the Hindi film songs, we do find ourselves against certain difficult limitations. These have to do with – one, non availability of certain songs, and two, erroneous or missing information about some films and songs. I will highlight these situations as we progressively face them. For this week, here are the difficult situations that I came across.

The first one is the film ‘Mukhdaa’ from 1951. This film debuted on our blog on 16th Sep ten years back. The film has 11 songs, as per the Geet Kosh listings. We have located and posted 9 of them over the past decade. The remaining two are practically untraceable. Firstly, of the 11 songs listed, one was never put on a gramophone record, as the producers planned for and contracted with HMV for only 5 discs, which means 10 songs in all. The song at serial no. 6 – “Dekho Jee Pehli Baar, Kiya Hai Tumse Pyaar” was never released on a gramophone record. Then comes a footnote in the Geet Kosh which states that one record, N36900 was ordered, but then cancelled later on. It never got published, although the songs were recorded. This record was supposed to carry the two songs at serial no. 3 – “Mehlon Ke Rehne Waale Mehlon Mein Hans Rahe Hain” and serial no. 7 – “Poochhiye Na Haal Jee, Palle Nahin Maal Jee”. So that would mean that we should have 3 missing songs and not 2.

But wait, here is one more interesting twist in the story. It seems that after cancelling the publication of the record N36900, the producers went ahead and commissioned one more record, with number N50008. Looking at the huge gap in the series number of the records, it is clear that the latter record (N50008) was ordered much later than 1951. Strangely, this newly ordered record now carried the song at serial no. 7 – “Poochhiye Na Haal. . .” and the song at serial no. 10 – “Jaa Teri Meri, Meri Teri”. This latter song at serial no. 10 was already published and is available as one side of the record with number N36870, the flip side of which carries the song at serial no. 5 – “Neele Se Dupatte Pe Hain Peeli Peeli Dhaariyaan”. The net outcome of these, what I shall call – confusing decisions – is that the song at serial no. 10 – “Jaa Teri Meri. . .” is now available on two distinct published gramophone records for this film. And the song at serial no. 3 – “Mehlon Ke Rehne Waale. . .” has got lost, probably forever. The saving grace is that the song at serial no. 7 – “Poochhiye Na Haal Jee. . .” is now available. It might also have been lost forever, but for this confusing set of decisions, which saved this song for posterity. And so the songs at serial no. 6 (this one not planned at all for release on gramophone record) and the song at serial no. 3 (unpublished due to cancellation of one gramophone record), are likely never going to surface. They may still be existing on some original spool tapes from the original recordings, and/or they may be on the soundtrack of the film. However, since both these items are not yet available in public domain, and with very little likelhood that they will make an appearance in the future, we could label them as LFe (Lost Forever). That does leave us two songs short of ever declaring this film as yippeee’d.

Coming to the second similar instance, also from this week. The film is ‘Sahib Bibi Aur Ghulam’ from 1962. It had made its debut on our blog on 23rd Dec, 2008. The seventh song of this film was posted on 24th Sep, 2011. Geet Kosh lists 8 songs for this film. The missing song is the one at serial no. 5 – “Sahil Ki Taraf Kashti Le Chal, Toofaan Ke Thapede Sehna Kya”. As per the listing, this song was recorded in the voice of Hemant Kumar. This song never got published on a gramophone record. Now eight total songs will completely fit on 4 gramophone discs. But the producer seems to have taken a decision to completely omit this song. In fact, the song at serial no. 6 – “Bhanwra Bada Naadaan Haaye”, makes appearance on two gramophone discs nos. N54036 and N54038, while the above mentioned song in Hemant Kumar’s voice has been completely axed from any publication. It does not exist in the film. The film information booklet lists this song, and that is just about it. Here is one more case where a song qualifies to be labeled as LFe. And that also leaves the film ‘Sahib Bibi Aur Ghulam’ one song short of being declared as yippeee’d.

Based on the above discussed circumstances, these two films will never reach the Yippeee status. So I have a proposal here to address this situation. In the face of such stern circumstances, I propose that we introduce a Yippeee variant status – ‘Conditional Yippeee’ – to be indicated as ‘Yc’ in our charts and tables. In such cases, when we come to the conclusion that it is (almost) impossible that one or more songs of a certain film will ever be traced, we may declare that film to be Conditinally Yippeee’d, once all the possibly available songs are accounted for on our blog. The proposal is presented for consideration of the team, and I would request other members to please present their views and comments. In the table above of the week’s status ten years ago, I am provisionally marking these two films as ‘Yc’, pending agreement by the team,

This week we have one more case of a partial missing song in a multi part / multi version scenario. In the case of the film ‘Chaand Mere Aaja’ from 1957. The main theme song of the film – “Chaand Ko Dekho Ji” / “Chaand Mere Aa Ja Re” – has one additional part, identified as the sad version. Details of this part are provided by dear Prakash ji, including the additional lyrics. Just that we as editors have not yet gotten around to update the post itself. In fact, the HFGK listing shows 7 songs, which include this sad version of the song. This sad version of the song is not released on gramophone discs, and is available only from the film itself. My effort is to get this post updated within a day, and be able to change the pending status of this film from ‘0.5’ to ‘0’. And by the way, the Geet Kosh listing has one incomplete information relating to this song. It lists Lata Mangeshkar as the singer of this part. However, as we view the video, we find that this part is in the voices of both Rafi Sb and Lata ji.

Let me come to the song for today. This discussion on errors and limitations has become quite long. I also wanted to write about the film ‘Doctor’ of 1941 and the related info error in the Geet Kosh. I encountered this error the previous week. But I will write about it in the next episode of this series.

‘Hercules’ of 1964, has quite a dubious distinction to note. The first song, the debut of this film, came on board on 18th September, 2010. Today, I bring on board the second song of this film. Interesting that this film has been in hibernation for a full decade, despite the fact that there are some wonderful songs pending for this film. As is evidenced by the song in this post – a Helen dance song in a royal darbaar setting. The words come from the pen of Anand Bakshi, the music is from the mind of N Datta and the singing voice is Asha Bhosle. On screen we see Dara Singh, as Hercules, in chains, possibly being prepared for execution. Other actors we see in this not so clear a video clip, are Nishi, BM Vyas, Maruti Rao, Leela Misra, P Kailash and Indira Billi.

Helen’s performance is her usual self – so wonderfully elegant and graceful, even as she gives a sensuous performance. The ease with which she is coordinating the dance movements, the lip syncing, the facial expressions et al – she is a master class all by herself.

I request the readers to please do comment on the proposed ’Conditional Yippeee’ status and the associated notation introduced in this week’s chart. Thanks.

Video

Audio

Song – Na. . . Idhar Dekhna, Na. . . Udhar Dekhna  (Hercules) (1964) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – N Datta

Lyrics (Provided by Prakashchandra)

naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae

kaun jaane
ke kya hona hai
muskuraana
ke mujhe rona hai
aaj ki shab
soch le mehfil
jaagnaa hai
ke bas sona hai
aankh lag
jaaye naa
bekhabar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae

hum ne maana
ke sau pehre hain
ye andhere
bade gehre hain
saamne tez aftaabon ke
ye andhere
kabhi thehre hain
muskuraa
ke rahegi
seher dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae

aasmaan se
khabar aayi hai
ke qayaamat
idhar aayi hai
sab gunehgaar
kaanp utthe hain yoon
maut shaayad
nazar aayi hai
main jidhar
dekhoon saa..aare udhar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————–

ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए

कौन जाने
के क्या होना है
मुसकुराना
के मुझे रोना है
आज की शब
सोच ले महफिल
जागना है
के बस सोना है
आँख लग
जाये ना
बेखबर देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए

हमने माना
के सौ पहरे हैं
ये अंधेरे
बड़े गहरे हैं
सामना तेज़ आफ़ताबों के
ये अंधेरे
कभी ठहरे हैं
मुस्कुरा
के रहेगी
सहर देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए

आसमां से
खबर आई है
के क़यामत
इधर आई है
सब गुनहगार
काँप उठे हैं यूं
मौत शायद
नज़र आई है
मैं जिधर
देखूँ सा॰॰आरे उधर देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4431 Post No. : 15864

Remembrance day of Mukri :

Mukri also spelled as Muqri was an Indian film actor, who worked as a comedian in Hindi films. Born as Muhammad Umar Mukri in Alibagh, in Kokani Muslim Family, he started his film career with the film Pratima along with noted film actor Dilip Kumar in 1945. Born of 5th January 1922, he left for heavenly abode on 4th September’2000 at the age of 72 years.

Mukri was seen in many films in character roles and comic role. One movie which comes to mind in ‘Ram aur Shyam”. Here also he featured with Dilip Kumar as his friend.

Today is the 20th death anniversary, so as a tribute, I have found a wonderful comic song picturized on Mukri and Mehmood. The film is ‘Madhavi’(1969), with Laxmikant –Pyarelal and Anand Bakshi as music director and lyricist. The movie had very good songs, I hear. This is the only Rafi song picturized on Mukri which remained to be posted, going by the information is Rafi sahab’s excel sheet. I expect, Mukri may not be as prolific as Mehmood, Johhny Walker or Agha. So there are most likely fewer songs where he actually sings. In this song Manna De is giving playback for Mehmood and Rafi Sahab is singing for Mukri. Now, in the absence of song video, how can I be certain of this ? I have searched on youtube, though the movie “Madhavi” is available, video of only one song is there. All other songs, only audio is available, including the song being posted. Actually, on closer inspection, there are voices of both Mehmood and Mukri are there is the song along with the singers. This is a comic song in real terms, maybe a rip-off on “Padosan” songs.

It was my husband who confirmed the playback for Mehmood and Mukri. As I was noting the lyrics this evening, he asked from where I had found this song from ‘Madhavi”. This is not a known song for me, but may husband knows the songs of this film very well.

The name did ring a bell that I had contributed the lyrics of Lata solo of the two songs posted :

parda hata de mukhda dikha de
saanjh sawere adharon pe mere

My husband also helpfully given the story outline of this costume drama film of Kings, Princes and Princesses. Sanjay Khan is a prince and Deepa, in title role of Madhavi, is a princess. Mehmood and Mukri are all part of the Sanjay Khan’s entourage. This songs is performed on stage. Pran is the Senapati of Sanjay Khan, and he has this dialogue as his ‘takiya kalaam” :

“Shaadi karungaa to sirf madhavi se, warna maut se !”

Video

Audio

Song-Saamne mere paani bharte… na karoon band tere chhand tingu (Madhavi)(1969) Singers-Manna Dey, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Aa eeeeee
ae eeeeeee
aaaaaaaa aaaa
ae……
saamne mere paani bharte
baden baden kaviraaj
arey ik chhota sa machhar aayaa aaa
mujh se ladne aaj
hee hee hee heeee
hamm mmm
he he he he he
machhar boltaa hai
khatmal ke bachhe

(Laughter)
na karun band tere chhand
thingu
hey thingu
to mera naam nahin
na karoon
na karoon band tere chhand
thingu
hey thingu
to mera naam nahin

hey………
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin

yaad karaa dungaa main nani ee ee
nani ee
yaad karaa dungaa main nani
(coughing sound)
paani
jis ki bhains ussi ki laatthi
jis ka ghoda ussi ki kaatthi
naach na jaane
da da triga da
naach na jaane
aangan tedha

tu to hai Mathura ka peeda aa

gaaliyaan denaa
baat hai gandi ee

ye kavita hai
ya tuk bandi

hey ea ea ea
hey ea ea ea
hey ea ea ea
hey ea ea ea

na doon main
na doon main
tod tere jod tthingu
hey tthingu
to meraa naam nahin

kavita
kavita chhod re
chal daud lambu
hey lambu

yeh teraa kaam nahin

“>ek to dhelaa
uss pe khotaa
ek to chhotaa
uss pe motaa
main lekhak sansaar chalaaun un
chalaaun

meeaunw
main lekhak sansaar chalaaun
main sainik talwaar chalaaun
aa jaa
arey aa jaa
nahi
aa jaa
jaa jaa
arey aa jaa aa jaa
sainki lekhak se na ladnaa
wah wah wah wah
phir se padhnaa

sainik lekhak se na ladnaa
maaroongaa
aage na badhnaa
bol gagan pe kitne taare
aaj ginoongaa raat ko pyaare
yeh gori mujh pe hai marti
lekin mujh se pyaar hai karti
oye oye oye oye oye oye oye
oyo oyo oyo oyo oyo oyo
peyn peyn teyn teny peyn peyn
peyn peyn teyn teny peyn peyn
…… ………
……. ………

chup
tu maali
tere haathh mein khurpee
bol
bol bol
chup kyun ho gayaa
tu maali
ter haath mein khurpee

khurpee
mmmmm
mmm
tu teli
tu teli
tere sar pe kolhu

nai
nai
nai
nai
nai
nai
qaafiyaa nahi milaa

arey qafiyaa nahi milaa to kya huaa
wazan se to maregaa aa
(Laughter)


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4430 Post No. : 15859 Movie Count :

4364

Pyarelal Ramprasad Sharma, one halfof the music director Laxmikant-Pyarelal was born on 03/09/1940. So that makes this 80th Birthday of the one of the most proficient, successful and talented musicians of the golden era of hindi film music. It is a well-known fact that both Laxmikant and Pyarelaljistarted their career as players of music instruments in the song recordings. If I am not mistaken, Pyarelalji, was a violinist.

‘Most proficient’ in the film industry’s history is the correct tag for Laxmikant-Pyarelal as they are the composers with the highest no. of songs composed which stands at 2901, in the blog’s stats page.

Laxmikant Pyarelal started as music directors in 1963, they hit the jackpot with Dost (1964). What followed is history, with awards, accolades and they never looked back. They are on record as loyalists of Rafi Sahab till his lifetime, who also sang maximum no of songs for them.

The achievements and success are too many, for me to start listing them. But their association with Anand Bakshi is the longest one, and must be the biggest such combo. I would guess the total songs composed by Laxmikant Pyarelal may have around 2000 written by Anand Bakshi.

On this birthday occasion , I am presenting the song from the film Krodhi (1981), by this very same team/combo of Lakshmikant-Pyarelal with AnandBakshi. The singers are Lata Mangeshkar and Suresh Wadkar. The was a multi-starrer film by Subhash Ghai. The starcast was Dharmendra, Hema Malini, Maushmi Chatterjee, Zeenat Aman, Shashi Kapoor etc and of course the love birds in the song, Sachin and Ranjeeta. The four songs of the film, which I remember are all nice one’s. But the movie is making a debut here on the blog with this song.

I have seen the movie, so can give a little outline of the story. Dharmendra is a gangster or smuggler, Zeenat Aman works for him and has a lot of regard and respect for him, as he has helped her a lot with the responsibilities. Zeenat Aman meets Shashi Kapoor (Police Inpector ?) at her sister’s wedding. Zeenat Aman and Shashi Kapoor get married, but Shashi Kapoor is not aware of the connection between Zeenat Aman and Dharmendra. The police is looking to arrest Dharmendra but he escapes and takes shelter in a village, where people mistake him for a godman or sadhu. Dharmendra adopts the disguise to escape the police. Sachin and Ranjita are the two characters who don’t make much difference to the story.

In the song, which Sachin and Ranjita are singing in the garden ‘Chameli baagh”, Dharmendra is looking on, and I think later on he helps them in some way or they are both murdered, by the villains. Dharmendra is also reminded of his late wife Maushmi Chatterjee while watching the song. Lata Mangeshkar is play backing for both Ranjita and Maushmi in the song.

The sort of word play which was a signature of Laxmikant Pyarelal and Anand Bakshi songs, is visible in this song.


Song-Chal chameli baagh mein mewa khilaaungaa (Krodhi)(1981) Singers-Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal

chal chameli
chameli baagh mein
mewaa khilaaungaa
chal chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
mewe ki tehni toot gayi to o
chaadar bichhaaunga
chaadar ka pallu phat gayaa to
darzi bulwaaungaa
darzi ki suyee toot gayi to o
ghodaa daudaangaaaa
ghode ki taang toot gayi to to
to to to to

to tum ko uthhaaungaaaa
dil mein bithhaaungaa
chal chameli
chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa

itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
pehle se hi dil mein bithhaa lo
tum thhak jaaogey ae
tum thhak jaaogey ae
tum thhak jaaogey ae
chal chameli
chameli baagh mein
jhoolaa jhulaaungi ee ee
chal chameli baagh mein
jhoolaa jhulaaungi ee

jhoole ki rassi toot gayi to
aanchal bichhaaungi
aanchal ka pallu phhat gaya to
see kar dikhaaungi
suyee jo mujh ko chubh gayi
hans kar manaaungi
hans kar jo tum na maane to
ro kar dikhaaungi
tum ko manaaungi
tum maan jaaoge
main roothh jaaungi
tum maan jaaoge
main roothh jaaungi ee

chal chameli
chameli baagh mein
panchhi dikhaaungaa aa
chal chameli baagh mein
panchhi dikhaaungaa aa

panchhi daali se udd gaye to
seeti bajaaungaa
seeti se bhi na wo udey to
bansi bajaaungaa
bansi jo gir ke toot gayi to o
main geet gaaungaa
geeton mein tum ko pyaar ki
baaten sunaaungaa
baaten sunaaungaa
din raat phir tum ko main
yaad aaungaaaa
din raat phir tum ko main
hmmm mmm
yaad aaungaaaa
hmmm mmm

yaad na aana
warna mujh ko
neend na aayegi ee
aakhon hi aankhon mein saari
raat jaayegi ee

chal chameli baagh mein
chori se jaayenge
chal chameli baagh mein
chori se jaayenge
chori se maali ki sabhi
kaliyaan churaayenge
kaiyaan churaa ke teraa
gajra banaayenge
ye to socho o o
kya hogaa jo
pakde jaayenge
pakde jaayenge

pakde jaayenge
pakde jaane se pehle to ham
bhaag jaayenge
pakde jaane se pehle to ham
bhaag jaayenge ae
chal chameli baagh mein
ham mewaa khaayenge


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4430 Post No. : 15858

Hullo Atuldom

“Arpan” (1983) was produced and directed by J. Om Prakash who passed away exactly a year and month ago on 7th August 2019. His movies had titles mostly starting with an “A”, for example “Aap Ki Kasam”, Aakraman”, “Aaye Din Bahaar Ke”, “Aaya Saawan Jhoom Ke” etc. He was the presenter of two Rajesh Khanna starrers “Raja Rani” & “Aan Milo Sajna” both produced by Jagdish Kumar and director of the first-ever movie that his son-in-law Rakesh Roshan produced “Bhagwan Dada”. He was also the producer of “Aandhi”.

He began his career as a producer with “Aas Ka Panchhi” through his production house Filmyug in 1961 and followed it up with “Ayee MIlan Ki Bela” “Aaya Saawan Jhoom Ke” “Aankhon Aakhon Mein” etc turning director with “Aap Ki Kasam”. He was a clerk in a film distributors office in Lahore and ended up being a manager there before coming to Bombay post Partition of India.

He had a keen ear for good music that were lyrical and melodious. Of course his movies were mostly romantic and filled with family-emotions and values. At least that is what I remember from what I have seen in his films of the ’80s. He was associated with 23 movies from the ’60s to his last released in 2001- a Rahul Roy starrer called “Afsana Dilwalon Ka” post which he retired. Laxmikant-Pyarelal were the music directors of 12 of these movies .

The coming together of this triumvirate gave us ‘Suno Sajna Papihe ne’, ‘Saathiya Nahi Jaana’, ‘Achha toh hum chalte hain’, ‘Aadmi Musafir hain’, ‘Fauji gaya jab gaon mein’ etc etc. But if I am asked to choose songs that this association gave and make my playlist it will include ‘Palat meri jaan tere kurbaan’, ‘Yeh mausam aaya hain’, ‘Badra chhaye ke jhoolein pad gaye’, and some not-so-popular ones like ‘Somwaar ko hum mile’, ‘I am in love you are in love’, some soulful numbers like ‘Mere dushman tu meri dosti ko tarse’, ‘Yeh shama toh jali roshni ke liye’ and suddenly I will find enough songs to play for almost half a day and more. I notice that in mentioning songs that I like I haven’t touched a single movie of the ’80s like ‘Aas Paas’, ‘Arpan’, ‘Aasha’, ‘Apna Bana Lo’ etc.; these movies would feature as whole albums on my list.

So coming back to “Arpan”, I find that it is one-song away from Yyiippeeeehood. That is the reason to choose a song from that film to wish Pyarelal Ramprasad Sharma on his 80th birthday. Of late he has been making appearances on some television channels as guest-of-honour to judge music contests. And that gives us, his fans, opportunities to hear anecdotes of his long musical career that began when he was around 12 years old. He was the son of trumpeter Ramprasad Sharma who was his first guru. He began learning to play the violin from the age of 8 and was further coached by the Goan musician Anthony Gonsalves and it is believed that “My name is Anthony Gonsalves” from Manmohan Desai’s ‘Amar Akbar Anthony” was the music duo’s way of acknowledging the tutor.

Pyarelal’s brothers were also musicians and his brother Gorakh Sharma was an expert at string instruments like Bass Guitar, Mandolin, Rubaab, Electric Guitar and had the opportunity to play in the song ‘Chaudvin Ka Chaand’ under Ravi’s music direction. Pyarelal’s other brothers Ganesh, Anand and others were all into music and Ganesh was a music director for movies made in the late ’60s through the ’70s.

“Arpan” may have been a movie which many followers of this blog would have given a miss thinking that it was Produced in Madras as that was the period when Jeetendra was deep into acting in films made by production houses of Madras and Hyderabad. Also the general story-line of the movie gives us that impression.

The movie was essentially a tearjerker where Reena Roy played Jeetendra’s fiance, who is forced to marry her boss Raj Babbar as punishment for having slapped him in the office and not allowing him to molest her etc. To further his intention, he kidnaps Jeetendra’s sister’s (Preeti Sapru) boyfriend (Shashi Puri) and keeps him captive till Reena agrees and marries him. This makes her a ‘bad character’ in the eyes of Jeetu’s mom (Dina Pathak) but only Jeetu’s friend (Sujit Kumar), sister and jija know the real reason for Reena’s marriage to Raj Babbar. The movie moves forward with Jeetu meeting Parveen Babi, marrying her, getting her pregnant etc. Then he happens to stumble upon Reena’s reason of marrying Raj post which there is misunderstanding with his wife, Reena becoming a widow, Parveen Babi loosing her baby so on and so forth. That is why I said that this was a tearjerker. Essentially a movie full of calamities for the heroine and it comes to an end with Reena consuming poison, making her way to Jeetu’s home and handing over her baby to Parveen Babi. Ultimate qurbaani so that her ex-lover can live happily ever-after.

Today’s song is a duet by Lata Mangeshkar and Kishore Kumar, written by Anand Bakshi (who else) and on-screen couple are Preeti Sapru and Shashi Pur.

Wishing Pyarelalji(DoB 3 September 1940) a very Happy Birthday.

Video

Audio

Song-Teri meri shaadi hogi denge log mubaarakbaad(Arpan)(1983) Singers-Lata, Kishore Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Based on audio link)

nain mile ae
uske baad
phool khile ae
uske baad
chain gaya aa
uske baad
pyaar hua aa
uske baad
teri meri shaadi hogi
denge log mubaarakbaad
teri meri shaadi hogi
denge log mubarakbaad
nain mile ae
uske baad,
phool khile ae
uske baad
chain gaya aa
uske baad
pyaar hua
uske baad
teri meri shaadi hogi
denge log mubaarakbaad
teri meri shaadi hogi
denge log mubaarakbaad

uske baad
uske baad
aayegi woh raat

aaaaa
aayegi woh raat
sajan sajani ka ghoongat kholenge ae
do nainon ke prem taraazu mein preetam ko tolenge

dekhenge chup chaap tumhein hum
sharm se kuchh na bolenge
yeh chup rehne ka waada
bhool na jaana rakhna yaad

teri meri shaadi hogi
denge log mubarakbaad

aakhir yeh taqdeer humaari
kab tak humse roothhegi ee
aakhir yeh taqdeer humaari
kab tak humse roothhegi ee
oonchi oonchi duniya ki
deewaar giregi tootegi ee
chori chori milne se phir r
jaan humaari chhootegi
iss badnaami ke darr se ae
hum ho jaayenge aazaad
teri meri shaadi hogi
denge log mubaarakbaad

uske baad
maine poochha uske baad

kya shaadi ke baad bhi saajan
aise geet sunaayenge ae
kya shaadi ke baad bhi saajan
aise geet sunaayenge ae
ya chhup baithhe door se sajni
ke mann ko tadpaayenge ae
sajni saajan se phir hum
miyaan biwi ban jaayenge
teri god mein munna hoga
mere honthon pe fariyaad
teri meri shaadi hogi
denge log mubaarakbaad


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4427 Post No. : 15851

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 67
———————————————————————————–

Ten years ago on this day (viz on 31 August 2010), the blog saw six songs from six movies get represented in the day.
Here are the details:-

Song Movie title-Year Remarks
Ae jaane e jigar dil mein samaane aajaa Aaraam-1951 All songs covered
Ek main hoon ek meri beqasi ki shaam hai Taraanaa-1951 All songs covered
Khushiyon ko lootkar yahaan Shirin Farhad-1956 All songs covered
Beet gayi hai aadhi raat Naache Naagin Baaje Been-1960 05 songs posted
Husn e jaanaa idhar aa Saathi-1968 All songs covered
Koi aur duniyaa mein tumsaa haseen hai Pyaar Ki Kahaani-1971 02 songs posted

Four of these movies have already been represented. Two unYIPPEED movies have one thing in common. Both of them made their debuts ten years ago.

One of these movies, viz “Naache Naagin Baaje Been”(1960) has already been taken up under “Blog Ten Year Challenge”. Here is a song from the other movie viz “Pyaar Ki Kahaani”(1971).

Younger music lovers may not think much of this movie. In fact they may not even be aware of this movie. As an “oldtimer”, I had heard of this movie as part of a string of flop movies that Amitabh Bachchan has figured in. The movie, directed by Ravikant Nagaich, had Amitabh Bachchan, Farida Jalal, Anil Dhawan, Tanuja, Prem Chopra, Bipin Gupta, Madhu Chanda, Praveen Paul, Agha, Mukri, Mohan Choti, Paintal,m Gulshan Bawra, Rashid Khan, Birbal, Yunus Parwez etc in it.

The movie had five songs in it. Three songs have been covered till now. Here are the details of the songs that have been covered so far:-

Song Posted On
Koi aur duniyaa mein tumsaa haseen hai 31 August 2010
Ek patey ki baat bataaun 11 october 2013
Ek khabar aayi suno ek khabar aayi 4 April 2015

Here is the fourth song from “Pyaar Ki Kahaani”(1971). This song is sung by Lata, Usha Mangeshkar and chorus. The song is picturised as a Saheli teasing a lady genre of song. I can identify Tanuja. Other than that I cannot identify others. I request our knowledgeable readers to help identify them.

Anand Bakshi is the lyricist. Music is composed by R D Burman.

Lyrics of this song were sent to me by Avinash Scrapwala.

This post is the 79th post for the month of August 2020. It stands nowhere in comparison to 176 posts published during August 2010. Nevertheless, this is the highest figure for a month in well over two years since April 2018. Hopefully we will be able to surpass this figure in the next month.

Video

Audio

Song-Baby tu chhoti hai (Pyaar Ki Kahaani)(1971) Singers-Lata, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-R D Burman
Chorus

Lyrics(Provided by Avinash Scrapwala)

umr hai satrah saal
itni lambi chhoti hai ae
dekho meri aankh bhi
satranj ki goti hai
arey umr hai satrah saal
itni lambi chhoti hai
dekho meri ee aankh bhi
satranj ki goti hai
baby tu chhoti hai
baby tu chhoti hai ae
baby tu chhoti hai
baby tu chhoti hai

chori ee se tum sab
kya baaten karti ho
mujhko batlaao
kyun mujhse darti ho
haan
khud ko tum itnaa khilaadi na samjho
mujhko tum itnaa anaadi naa samjho
achchaa
ye bataa do pyaar kya
cheez hoti hai
arey baby tu chhoti hai
baby tu chhoti hai ae

baby tu chhoti hai
baby tu chhoti hai

arey umr hai satrah saal
itni lambi choti hai
dekho meri ee aankh bhi
satranj ki goti hai

kaliyon ko bhanwaraa
kyun choomaa kartaa hai
parbat pe baadal
kyun jhoomaa kartaa hai ae
bataao
kaise

hmm mm
main kyaa jaaanu
tujhpe bhi jis din jawaani aayegi
teri samajh mein ye kahaani aayegi
haan aa
jaagtaa hai dard kyun
jab duniyaa soti hai
arrey baby tu chhoti hai

baby tu chhoti hai ae
baby tu chhoti hai
baby tu chhoti hai
baby tu chhoti hai
baby tu chhoti hai

umr hai satrah saal
itni lambi choti hai ae
dekho meri aankh bhi
satranj ki goti hai

baby tu chhoti hai
baby tu chhoti hai ae
baby tu chhoti hai
baby tu chhoti hai


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4401 Post No. : 15784 Movie Count :

4348

It is 05th August, so its Kajol’s 46th birthday today. For this once I thought I will look for a outdoorsy song to post. Actually, this last week is turning out to be too much in a straight row, if this gets written and posted on time, 4 posts in a week for me.

I think, by now or by unlock – 5, wherever it’s on, people are quite fed up of being cooped up in the house. No going out just for the sake of it. Some of us are attending office on rotation and some are doing full time ‘work from home’. But we can’t be complaining, as there is a class of people who cannot work from home under any circumstances, among these a huge section is of those who need to work daily for livelihood and to survive. People working in health sector have had to be on the front-line as well as police personnel have had a tougher 4 -5 months. This crisis is not looking as if going away too soon. It’s the new normal for all intents and purposes. Now people have reconciled to this new normal also.

Initially people had disbelief, thought that this is not happening. Than it happened, people thought this is not going to last, it will go away soon. Now this is 7th month in to the crisis, which is a global tragedy of the proportion present generations have not seen. Only the war veterans might have some similar experience, but they have been centered in conflict areas or war zones. The plague of the last century also affected some places at a time. Now the globe has experienced a war like situation simultaneously. Some countries were able to cope better than others, which is the reality of this unequal world. There are humanitarian crisis’s happening and looming in different countries of the world. All are waiting with bated breath for the bubble to burst, hoping for the best and fearing the worst. Even the detailed messages and videos about the crisis and situation and the immunity, treatment, etc. also have dried up.

aaj yun mauj-dar-mauj ġham tham gayā is tarah ġham-zadoñ ko qarār aa gayā
jaise ḳhush-bū-e-zulf-e-bahār aa gayī jaise paiġhām-e-dīdār-e-yār aa gayā

Man is a social animal, we were taught in school. So the new normal for some years to come, is physical distancing. No interacting with strangers and those who do not matter to you personally. This could even be the nature’s own way of preserving the civilization, by correcting the behavioral norms. One can hope that this is so, and things will turn out for the better. For Allah (SWT) is the best of planners, and he knows what is best for us. This belief system is a necessary to cope with the changing circumstances and fear of the unknown. Psychological impact of this crisis is still unfathomable. The experts may still be experimenting with the different case scenarios.

Here is a Nazm by Muneer Niyazi, titled “Sa’ee”

Kisi sa’ee ka naqsh gehra nahi hai
Har ik saaya ek aankh hai
Jis mein ishrat-kadon na-rasaa khwahishon
An-kahi dil-nasheen daastaanon ka melaa lagaa hai
Magar aankh ka sehr palkon ki chilman ki halki si jumbish hai
Aur kuchh nahi hai
Kisi aankh ka sehr daa’yim nahi hai

Har ik saaya
chalti haw aka pur-asrar jhonka hai
Jo dur ki baat se
Dil ko bechain kar ke chala jaayegaa
Har koyi jaanta hai
Hawaaon ki baatien der tak rehne wali nahin hain
Kisi aankh ka sehr daa’yim nahi hai
Kisi sa’ee ka naqsh gehra nahi hai

The impact on the world economy is just not thinkable. Some micro plans will be on hold, but macro plans will go on as usual, this is my reading of the situation.

This time last year, I was at Hajj – 2019, by the grace of Almighty. This year it wouldn’t have been possible as only few locals were able to perform Hajj this year.

Micro plans on hold means; people like me will not be able to go on a holiday to enjoy the nature’s beauty, peace and quiet. I have had enough of peace and quiet to last for some time at least. The street outside my building is so quite during all hours, it is impossible to believe that it could be any more silent. But come nightfall, it is so silent that it is scary sometimes.

So let us to outdoors to the natural rivers running through mountains, lakeshore and the shikaara.

This song I am presenting on Kajol’s birthday is from the film “Dil Kya Kare” , which stars herself with her husband and Mahima chuadhary. Alka Yagnik sings this solo for Kajol, I think she is imagining. Anand Bakshi is the lyricist and composers are Jatil-Lalit. The composition, lyrics and singing are all very appealing. There are two stanza’s only, but a well written song. But there is something lacking in the recording. May be very few music instruments or the recording is separately for the vocal and music, mixed later.

Anyway, it is a nicely posturized song in the outdoor locations. So good to look at 🙂 .

Video :

Audio :

Song-Pyaar ke liye chaar pal kam nahin thhe (Dil Kya Kare)(1999) Singer-Alka Yagnik, Lyrics-Anand Bakshi, MD-Jatin Lalit

Lyrics

Pyaar ke liye chaar pal kam nahin thhe
Pyaar ke liye chaar pal kam nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Pyaar ke haseen kab ye mausam nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe

Yeh din barson ke baad aaya aa
Kuchh tumhen kuchh hamen yaad aayaa
Kasak phir ye dil mein uthhi hai
Honthon pe baat aa ke ruki hai
Kabhi itne majboor to ham nahin thhe
Kabhi itne majboor to ham nahin thhe
Pyaar ke liye chaar pal kam nahin thhe
Pyaar ke haseen kab ye mausam nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe

Aaa aaa aaa
Aa aa aa
Aa aa aa aa
Aa aa aa
Agar tum ye dil maang lete
Jaan-e-man
ham tumhen jaan dete
Tumhen kaise ham bhool jaate
Mar ke bhi tum hamen yaad aate
Tumhen hai pata
bewafaa ham nahin thhe
Tumhen hai pata
bewafaa ham nahin thhe
Pyaar ke liye chaar pal kam nahin thhe
Pyaaar ke liye chaar pal kam nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Pyaar ke haseen kab ye mausam nahin thhe
Kabhi tum nahin thhe kabhi ham nahin thhe
Kabhi tum nahin thhe, kabhi ham nahin thhe

Aaa aaa aaaa aaaaaa
Aaa aaa aaaa aaaaaa
Aaa aaa aaaa aaaaaa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4396 Post No. : 15768

Hullo Atuldom

“Lafange” (1975) was a movie produced and directed by Harmesh Malhotra. It had five songs from which the blog has one song covered. It was under Sudhirji’s series of “Rafi SB -in the seventies”.

But the more popular song of the movie was its title song “log kehte hain, ke hum lafange hain”. That is not the song we shall have today. We will be celebrating the birthday of the leading lady of this movie with a song sung by Lata Mangeshkar. It is written by Anand Bakshi and Laxmi-Pyare were the music composers.

“Lafange” was another run-of-the-mill masala movie. It was the story of “beautiful Sapna (Mumtaz) who lives with her wealthy father, Dhanraj (Sapru), and a younger brother in a palatial house. Her father comes across some valuable diamonds and conceals them in a secret place. While driving one day, Dhanraj is killed, but her brother escapes without any injuries, but loses control of his vocal chords unable to tell anyone how the accident occurred, and goes missing. After Sapna wins a beauty contest, she travels to Bombay and meets with a young wheel-chair bound soldier named Gopal, and both fall in love with each other. What Sapna does not know is that Gopal is a fraud, a con-man who is only after her money. Then her life is even more complicated after she finds out that her father was killed by a man named Diwan. Before she could think of taking any further action, Diwan and his men track her down – their goal to find the secret location of the diamonds hidden by Dhanraj – and kill anyone who dares to get in their way.” (Got this story from imdb.com, I have not seen the movie).

31st July is the 73rd birthday of Mumtaz, who was at the peak of her career when she gave it all up after marriage to businessman Mayur Madhwani in 1974. She did make an appearance in the David Dhawan directed “Aandhiyan” in 1990 opposite Shatrughan Sinha as mother to Prasenjit (son of her one time co-star Biswajit.

She was born Mumtaz Aksari to Abdul Sameed Aksari and Sardar Begum Habib Agha both of whom were of Afghani origin who were settled in Bombay. It is said that Sardar Begum Habiba Agha was also an actress (needs confirmation from the stalwarts of the blog). She had a sister Malika and two step-siblings. Roopesh Kumar was her cousin. She has two daughters one of whom is married to Fardeen Khan making her Feroz Khan’s daughter-in-law. Her journey in the film industry is well known: beginning as a child actor, growing up into a dancer, vamp, character actress and reaching the pinnacle as leading lady. We have a few of her songs yet to make an appearance on the blog, this is one of them.
Wishing you a very Happy Birthday dear Mumu.


Song-Ud chala panchhi ban ke man mera (Lafange)(1975) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics (Provided by Prakashchandra)

ud chala
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala panchhi ban ke
mann mera saagar ke paar
tu bhi aa sang mere
dekh nazaara
yeh ek baar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala

yeh zindagi bas ek baar
milti hai ae ae
milti hai
ye zindagi bas ek baar
milti hai ae ae
milti hai
murjha ke phir ye kali kab
khilti hai ae ae ae
bhar le apna daaman
in phoolon ka aa
kya aitbaar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala

aa aa aa
aa aa aa aa aa
leke tera naam maine
pukaara hai ae ae ae
pukaara hai
leke tera naam maine
pukaara hai ae ae ae
pukaara hai
samjhe toh kaafi yahi ek
ishaara hai ae ae ae
tera mera kya naata hai
tu saawan hai ae
main hoon bahaar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala panchhi ban ke
mann mera saagar ke paar
tu bhi aa sang mere
dekh nazaara
yeh ek baar
ud chala panchhi ban ke
mann mera saagar ke paar
ud chala


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4387 Post No. : 15746

Mukesh and his co-singers – 6
————————————————

Continuing with the series of the collaboration of Mukesh with his co-singers, I bring forth today his songs with Kishore Kumar. We started this series with Rafi saab and have covered only Talat saab as far as male co-singers are concerned. Kishore Kumar would have been an obvious next choice and in continuation I present this post.

Both singers began their career imitating the great KL Saigal. Mukesh sang the iconic song “Dil Jalta Hai To Jalne De” from ‘Pehli Nazar’ in 1945 but had begun his singing career in 1940 itself. Kishore Kumar began his singing career much later in 1948, with the song “Marne Ki Duayein Kyun Maangoon” under Kemchand Prakash .

While Mukesh with his failed forays in various departments, settled seriously for playback from 1958, Kishore Kumar tasted fair success in his many inroads of films other than playback. Mukesh and Kishore Kumar in spite of being contemporaries had quite different trajectories. As such it is difficult to write in tandem about the two singers.

They collaborated for a total of only 10 songs. That’s about one song in three years. For this reason, I was again under the impression that all songs of the duo must have been covered. However, two songs are yet to be posted and today I present one of them here.

I missed my table formation on Mukesh songs for these several months and am happy to reproduce below the collection of the songs wherein the two singers have sung together in duets, triads and chorus songs.

 

S.No Name of the Song Movie (Year of release) Other co-singers if any Music Director Lyricist
1 Lo mil gayi degree pyar ki Maalkin (1953) Ram Kamlani Roshan Rajendra Krishan
2 Zindagi hai kyaa Satyakaam (1969) Mahendra Kapoor Laxmikant Pyarelal Kaifi Azmi
3 Yeh kaisa aaya zamana Humjoli (1970) Mehmood Laxmikant Pyarelal Anand Bakshi
4 Tik tik tik tik Kal Aaj aur Kal (1971) Asha Bhonsle Shankar Jaikishan Neeraj
5 Haal chaal theek thaak Mere Apne (1971) Salil Chaudhary Gulzar
6 Tere hamsafar geet hain tere  Dharam Karam (1975) Asha Bhonsle RD Burman Majrooh Sultanpuri
7 Na ho bas mein tere kuch Dharam Karam (1975) Poornima RD Burman Majrooh Sultanpuri
8 Arre phenk do jam ko Kabeela (1976) Kalyanji Anandji Farooque Kaiser
9 Hum ko tumse ho gaya hai pyar Amar Akbar Anthony (1977) Rafi, Lata Laxmikant Pyarelal Anand Bakshi
10 Jaaneman jaane jaan Chor Mandali (1983) (UR) Dilraj Kaur Kalyanji Anandji GL Rawal

Going through the above list quickly,

  1. Literally a Kishore Kumar solo was off course hijacked by self to represent the last song of Roshan-Mukesh collaboration to be featured on the blog. It was an opportunity I would never have let go and will remain one of my favourite posts on the blog.
  2. Is what Atul ji rightly says in the post is a light-hearted yet philosophical song. Again, he is right in saying that it’s a rare occasion when the 3 renowned singers came together. Going though the list above, we can safely conclude that it is in fact the only occasion.
  3. Featured in this post will be elaborated below and is probably the only one of its kind in HFM.
  4. Was again represented by self to remember composer Jaikishan on his 44th death anniversary. Here Mukesh and Kishore Kumar are singing for an older and younger generation respectively. More on this later.
  5. Has as many as 30 comments in the post and I would like to reproduce a part of Sadananad ji’s interesting observation. I always felt that whenever Kishore Kumar had sung with one or more other male singers, it was his voice which predominated the song. This song is an exception. It is Mukesh who has dominated with his voice lock, stock and barrel.
  6. Has Atul ji writing a befitting post on the many contributions of Sudhir ji to the blog. Another important feature of the post is the introduction of his program telecast on DD on 27 August 2012 on the occasion of Mukesh’s 36th death anniversary. I request readers to read the post again and watch the telecast in which Sudhir ji was invited to share his views.
  7. Of course is the iconic “Ik Din Bik Jaayega Maati Ke Mol which people usually associate with the solo sung by Mukesh. However as rightly pointed out in the post by our Sadanand ji, there are no less than 4 versions of this song in the film and in this particular triad Mukesh is joined by Kishore Kumar and Poornima also known as Sushma Shrestha. This is the only film in which Mukesh and Kishore Kumar have come together for two songs.
  8. This one is yet to be showcased on the blog and will remain the last of the combo to be featured after this post.
  9. Needs no introduction and is a rare and only one of its kind in HFM but also a landmark song to be posted on the blog on the occasion of representation of 11, 111th song on the blog. Again, the efforts, tricks and circumstances that the bosses engaged to bring forth the celebrations is to be read again to be felt, understood, enjoyed and appreciated.
  10. Was presented by Arunkumar ji in his Lost and Found – Gems from unreleased films series. In this unreleased film which took inordinate time for filming, we have an elderly Raj Kapoor and Ashok Kumar cajoling Bindu in the picturization of the song. This was probably the last film that RK acted.

To write about today’s song – we have Mehmood singing/taking for himself in his own voice, we have Kishore Kumar singing for Mehmood and Mukesh again singing for Mehmood. Have I mixed up the actors? 🙂

No. Mehmood played a triple role in this film ‘Humjoli‘ (1970), playing the roles of three generations of a family. But I must correct myself. It is not three, but 4 – a quartet role, probably the only one of its kind in Hindi films. In the last scene of this film, a new born baby makes an appearance on screen, being the son of the third generation Mehmood. And the face of the baby, as shown in the scene – it is again Mehmood himself.

It will be interesting to know if there are any such songs in which different singers have sung for the same actor in the same song. I personally feel it’s quite a rarity.

This film had multi-lingual make, remake, dubbings etc. I suppose, our Dr. Pradeep will have a feast on the issue in the comments section. I leave the stage open for him.

It’s easy to notice in the featured song, Mehmood of the mid-generation enacting Raj Kapoor’s acting, dialogue delivery and even the looks. I suppose it’s from the film JDMGBH.

The other songs from this film are well known. However only 3 out of the 6 songs have been represented as on date and this post covers the fourth featuring the singers under discussion. In this song as well as song no 4 in the list above, Mukesh sings for a mid-generation whereas Kishore sings for the younger one. From these examples, it is sort of evident that film makers and composers preferred Kishore Kumar to sing for newcomers and younger actors. In many of the songs of the 70s, Mukesh was usually resigned to giving playback for boatman, title songs etc. Off course there were huge exceptions such as the film ‘Kabhie Kabhi’ (1976) and the songs sung for Manoj Kumar.

There are quite a few films in which both Mukesh and Kishore Kumar were playback singers though not necessarily singing a duet or a triad in the same song. One such film is off course ‘Kati Patang’ (1971) in which Kishore Kumar has 3 glorious solos. Surprisingly RD Burman roped in Mukesh for another solo playback on Rajesh Khanna. Mukesh very much stands his ground in this solo “Jis Gali Mein Tera Ghar Na Ho Baalmaa“. This song as we all are aware is filmed on the famous Nainital lake. I am discussing this particular song as I have always wondered under what category this song would feature.

I have seen the film and have some fair idea of the plot. However, in this particular song, the look on Asha Parekh is more blank so to say. Rajesh Khanna is more composed than in his other songs sung by Kishore Kumar. The lyrics are somewhat cryptic. And, then Mukesh singing in a rather unusual high pitch. All these aspects put together; I am sure there can be various interpretations as to which genre this song belongs.

Can we have inputs from more knowledgeable readers of more such films in which the two singers sang for the same actor under different circumstances.

Shri Harish Raghuwanshi ji of Surat has been kind enough to check the correctness and completeness of the songs in the table and I shall remain indebted to him for the invaluable help rendered.

So, to conclude the rare combination of Mukesh and Kishore Kumar has a total of 10 songs.

Audio

Video

Song – Ye Kaisa Aaya Zamaana Ye Kaisa  (Humjoli) (1970) Singer – Mukesh, Kishore Kumar, Mehmood, Lyrics – Anand Bakshi, MD – Lakshmikant Pyaarelal
Mehmood + Mukesh

Lyrics (Provided by Sudhir)

hari om

beti
ye bharat hai
ya rome

hari om

jis ghar mein aisa hota hai
aur prem ka naatak
ha ha
hota hai
us ghar ko bas ram bachaaye
ghar ka bhedi lanka dhaaye

hari om

o o o o

balra..aam

ye kaisa
ye kaisa aaya zamaana
ye kaisa
ye kaisa
ye kaisa aaya zamaana
ye kaisa aaya zamaana
ye kaisa

bete ne baap ki na maani
na maani
na maani
buddhe ki qadar naa jaani
haaye
na jaani
na jaani
bete ne baap ki na maani
buddhe ki qadar naa jaani
ye meri aap beeti hai
kisi film ki nahin kahaani
ye kaisa
prabhu
ye kaisa aaya zamaana
(mere bete ki muraaden poori kar do prabhu)
ye kaisa
(prabhu)
ye kaisa aaya zamaana
ye kaisa
(us ke bete ko akal do)
ye kaisa aaya zamaana
ye kaisa

kaisi hai ulti khopdi dekho
baap

jaise hi mili naukri dekho
daada ji
shaadi shuda

shaadi shuda ho ke besharam
ghar mein le aaya chhokri dekho
ye kaisa
ye kaisa aaya zamaana ye kaisa
ye kaisa

khaa..aamosh

arre main bechara ja raha tha
raste pe wo thi khadi
haa..een
arre main bechara ja raha tha
raste pe wo thi khadi
pita ji
na main raja
na wo rani
wo mere peechhe padi
you tell me what to do
i don’t know
you tell me what to do
main kya bolun ji
you tell me what to do
i don’t know
you tell me what to do
what to do
what to do

heh heh
heh heh
heh heh he he
heh heh
heh heh
heh heh he he

chaand pe duniya pahunchi hai
tum abhi tak ho neeche
subah savere jaag kar
pad gaye mere peeche
maaf karo
nahin
saaf karo
nahin ji
mushkil badi aa padi
arre na main raja
na wo rani
wo mere peechhe padi
you
i don’t know
you
main kya bolun ji
you tell me
i don’t know
you tell me
main kya kahun ji
o baap
allaah
o daada ji
pita ji
o meri baat to suno
shobha
allaah
bete
daada ji
bete meri baat to suno
shobha
o daada ji

balra..am
shaant
shaa..aant


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4386 Post No. : 15744 Movie Count :

4340

Today 21st July’2020 is the ninetieth birth anniversary of lyricist Anand Bakshi (born on 21 July 1930, he passed away on 30th March 2002). As a tribute to him here is a song written by him from the 1982 movie ‘Insaan’.

“Insaan-1982” was directed by Narinder Bedi for ‘Mukesh Movies Pvt Ltd’. Narinder Bedi also wrote the screenplay of this movie.

This movie was produced by Ved Khanna. It had Jeetendra, Vinod Khanna, Reena Roy and Amjad Khan. They were supported by Shyama, Late Karan Diwan, Narendra Nath, Sudhir, Kishore Jariwala, Asit Sen, Roopesh Kumar, Viju Khote, Pannu Balouch, Dev Kishan, Jayshree T., Meena Roy, Dulari, Birbal, Amrit Pal, G.S. Aassie, Dhanalal, Misrilal, Narbada Shankar, Sharma, Thakurdas T., Moolchand. Aruna Irani made a special appearance in this movie and the movie introduced Master Sameer.

Story of this movie was written by Veena Bedi. Dialogues of this movie were written by Rajinder Singh Bedi. Scenario writer of this movie was Satish Bhatnagar.

Editing of this movie was done by Waman Bhonsle and Gurudutt Shirali. Dev Kishan was the dialogue director of this movie. Robin Bhatt was the chief assistant director and Dilip Kotalgi was the chief assistant editor of this movie.

This movie had total six songs including one multiple version song (which is being presented today). All the songs were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.
Background music for this movie was given by Sapan-Jagmohan.

Mohd. Rafi, Kishore Kumar, Asha Bhonsle, Shailendra Singh and Amit Kumar had given their voices to the songs in this movie. This movie was passed by Censor Board on 15.05.1982.

Today’s song is sung Kishore Kumar and second version or rather the sad version is sung by Amit Kumar. I had not watched this movie so can’t say much about the movie and its box office performance. However, I became aware of this song in 1987-89 when I bought a audio cassette of Amit Kumar ‘hits’ by HMV. But only the sad version of this song was there in this cassette. Later when I started contributing lyrics to this blog in 2012-2013, I came across the Kishore Kumar version or a happy version of this song. I like this song very much as it comes from my favorite category of ‘motivational-philosophical songs’ 😊

The meaningful lyrics are by Anand Bakshi. The happy version is picturized on Jeetendra with Master Sameer also seen in the picturization of this song. I am not aware of the picturization of the sad version of this song.

With this song ‘Insaan-1982’ makes its debut on the blog. And that also serves the ‘mission’ of bringing ‘movies with same titles’ on the blog. So far, we have ‘Insaan-1944’ and ‘Insaan-1952’ already introduced on the blog.

Your sincerely also had a part in sharing the song from ‘Insaan-1952’ three years back on the blog. As per HFGK one more movie with same title was released in ‘2005’ too.

If we have look on the annual list of ‘Binaca Geetmala’ of the year 1982 we can see as many as five songs from Anand Bakshi and Laxmikant-Pyarelal making it to the annual list then. The movies were ‘Ek Hi Bhool-1981’, ‘Fifty-Fifty-1981’(2 songs), ‘Raaste Pyaar Ke-1982’(2 songs), ‘Desh Premee-1982’, ‘Apnaa Banaa Lo-1982’, however the top six songs were by other lyricist and on the ‘top of the list’ was Majrooh Sultanpuri’s ‘angrezi mein kehti hain ke’ from ‘Khuddaar-1982’.

Let us now enjoy the beautiful lyrics of Anand Bakshi and the composition of Laxmikant-Pyarelal.

Happy version
Audio

Video

Sad version
Audio

Song-Koi na jab tera saathi ho (Insaan)(1982) Singer-Kishore Kumar/Amit Kumar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

————————-
Happy version
————————-

aa aa aa …

koyi naa jab tera saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa
ho ho ho
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

apni dagar par chal jhoomkar r
kaahe ka gham hain
kaahe ka darr
apni dagar par
chal jhoomkar
kaahe ka gham hain
kaahe ka darr r
raahein badi albeli hain
raahi hain tu albelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

kya hain judaai ee
kya mel hain ae
kya hain judaai ee
kya mel hain ae
bas dhoop chhaaon ka aa khel hain
jeena usika jeena hain ae
jo zindagi se khelaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa aa

aa aa aa
aa
aa aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa
aa aa aa …

bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa aa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man tu akelaa
kya hain bharosaa kab tak rahegaa
ye zindagi ka melaa aa
koyi naa jab teraa saathi ho
toh chal mere man tu akelaa aa

———————————–
Sad version
———————————–

aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa aa aa aa
aa
aa aa
aa aa
aa aa
aa

bas saath le ke apne karam
jag se akele jaayenge ham
bas saath le ke apne karam
jag se akele jaayenge ham
jeewan hain kya
bas aaya gayaa
paani ka jaise relaa aa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa
kya hain bharosa kab tak rahegaa
ye zindagi ka aa melaa
koyi naa jab tera saathi ho
toh chal mere man to akelaa aa

aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa
aa aa aa
aa aa aa aa
aa aa aa
aa

——————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————-
भाग-१ (हर्ष)

आ आ आ …

कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला
हो हो हो
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
अपनी डगर पर चल झूमकर…र
काहे का ग़म है
काहे का डर
अपनी डगर पर
चल झूमकर
काहे का ग़म है
काहे का डर…र
राहें बड़ी अलबेली हैं
राही हैं तू अलबेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं जुदाई ई
क्या मेल हैं ए
क्या हैं जुदाई ई
क्या मेल हैं ए
बस धुप छाँव का आ खेल हैं
जीना उसीका जीना है ए
जो ज़िन्दगी से खेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

आ आ आ …

आ आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ
आ आ आ …

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का मेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

————————
भाग-२ (शोक)
————————
आ आ
आ आ
आ आ आ आ

आ आ
आ आ
आ आ
आ आ आ आ

आ आ
आ आ
आ आ
आ …

बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
बस साथ ले के अपने करम
जग से अकेले जायेंगे हम
जीवन हैं क्या
बस आया गया आ
पानी का जैसे रेला आ
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ
क्या हैं भरोसा कब तक रहेगा
ये ज़िन्दगी का आ मेला
कोई ना जब तेरा साथी हो
तो चल मेरे मन तू अकेला आ

आ आ आ
आ आ आ आ
आ आ आ

आ आ आ
आ आ आ आ
आ आ आ

आ आ आ
आ आ आ आ
आ आ आ
आ …


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TWELVE years. This blog has over 15900 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15902

Number of movies covered in the blog

Movies with all their songs covered =1218
Total Number of movies covered =4362

Total visits so far

  • 13,821,215 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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