Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Anand Bakshi


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4273 Post No. : 15506

A rain drop falls on a smoldering matchstick. And extinguishes it. A poet sees this happening. And the poet’s mind creates the lines that go on to become an iconic song that lead the on screen performer by hand to the rising heights of super-stardom. You may have already guessed it. Ah yes, I am talking about ‘Amar Prem’ (1971) and Rajesh Khanna. The song – “Chingaari Koi Bhadke To Saawan Usey Bhujaaye”. And the poet behind this hit song – Anand Bakshi.

Remembering Anand Bakshi on his remembrance day today. He passed away this day in 2002.

A career that had quite a chequered start, lasted for more than 4 decades. And continued to produce hits after hits all the way till he passed away. Chequered in that he joined the army in 1947 as a switchboard operator in the Signals Core; left the army and came to Bombay (now Mumbai) in early 1950s; made no headway and in despair, returned to join the army; but could not get rid of the film-bug. He resigned from the army again in 1956 and came to Bombay once again. This time he stuck it out. Bhagwan Dada gave him a break in his 1958 film ‘Bhala Aadmi’. The young Anand, then 27 years old, penned six songs for that film. One song by him had already appeared in an obscure 1957 film ‘Silver King’. Sadly, maybe expectedly, no songs of ‘Silver King’ are available. His debut song is probably lost forever, barring some miracle discovery.

The stumbling start led to success, slowly but surely. Popular hits came in ones and twos, and Anand continued to push his career graph, always up and up. Seven films carried his songs in 1959. Not popular hits, but surely a few are a good listen. Attention came his way in 1960, with films like ‘Air Mail’ – “Shoon Shadap Nazron Ki Jhadap” and “Tumhin Ne Mera Dil Chheen Kar”; ‘Mehlon Ke Khwab’ – “Lo Ji Bujh Gayi Bijli Pyaar Ki”; ‘Zameen Ke Taare’ – “Tinke Pe Tinka, Chhutti Ke Din Ka”; Then in 1961 came the film ‘Razia Sultana’ with Nirupa Roy and Jairaj in lead roles. The duet written by Anand went on to become an all time favorite – “Dhalti Jaaye Raat, Keh Le Dil Ki Baat”.

Then came 1962, with the perennial favorite qawwaali – “Meri Taveer Le Ke Kya Karoge”. Plus the films ‘Mehndi Lagi Mere Haath’, ‘Baanke Saanwariya’ with a good repertoire of songs by Anand. And the year was topped by the one song he wrote for ‘Vallah Kya Baat Hai’ – “Ghame e Hasti Se Bas Begaana Hota”. He was 32 years of age.

1963 was adorned with another wonderful qawwali from his pen. The film – ‘Jab Se Tumhen Dekha Hai’, and the song – “Tumhen Husn De Ke Khuda Ne Sitamgar Banaaya Banaaya”. That year, we also have from him “Taaron Ki Chhaon Taley, Shamma Parwaane Miley” in the film ‘Zaraak Khan’, and the sterling Mukesh solo – “Chaand Aaahen Bharega” from the film ‘Phool Baney Angaare’, which was otherwise loaded with a set of charming hits.

Next was 1964 (of course 🙂 ) and the film for which Anand teamed up with Laxmi-Pyaare to produce a set of songs that have remained on the lips and in the mind of music lovers since then – ‘Mr X In Bombay’. And this was the year that this young poet made it to the Binaca Geet Mala listing (at no. 6) for the first time with the song – “Mere Mehboob Qayaamat Hogi”. What a song it is, and what a set of lilting songs this film carries. Anand’s foothold in the tinsel town was now firm and very steady.

1965 – and just the sampling of films should be enough – ‘Himalay Ki God Mein’, ‘Jab Jab Phool Khile’, ‘Lutera’, ‘Shriman Funtoosh’ and ‘Teesra Kaun’ – memorable songs that are too numerous to be listed individually. Notable mentions required though, for “Hamen Kya Jo Har Su Ujaale Huye Hain” from ‘Namaste Ji’ and “Ye Dard Bhara Afsaana” from ‘Shriman Funtoosh’. And yes – “Pyaar Ka Fasaana Bana Le Dil Deewaana” from ‘Teesra Kaun’.

Going from strength to strength, Anand rounded off the year 1966 with fabulous songs in films like ‘Aasra’, ‘Aaye Din Bahaar Ke’, ‘Devar’, ‘Pati Patni’, ‘Preet Na Jaane Reet’, ‘Professor X’,  and ‘Sunehre Qadam’.

In 1967, Anand completed 10 years of his career in the Bombay film industry with top hits in films like ‘Milan’, ‘Farz’, ‘Night In London’, ‘Aamne Saamne’, ‘Milan Ki Raat’, ‘Chandan Ka Palna’, and ‘Taqdeer’. What more to say.

The remaining years of the 1960s decade – even listing a sampler would be too much space to cover. Suffice to say that the super hit “Mere Sapnon Ki Raani. . .” that truly launched Rajesh Khanna on the way to super stardom, came from the pen of Anand Bakshi.

And he would go on writing for another three and a half decades – including perennial favorites like “Hum Ko Tumse Ho Gaya Hai Pyaar Kya Karen” (‘Amar Akbar Anthony’, 1977), “Tujhe Dekha To Ye Jaana Sanam” (‘Dilwaale Dulhaniya Le Jaayenge’, 1995), and thousands more – in fact a total of 3,500 songs spread out across more than 635 films. Such a career cannot be done justice in a single blog post. 🙂

Thanks Anand Bakshi ji, for so many wonderful memories to hum and enjoy.

Coming to the song for today. As I was seeking to get one of his earliest songs to present today, I came upon this wonderful Rafi solo that has been tuned by S Mohinder. The film is ‘Sun To Le Haseena’ which belongs to his debut year 1958.

Produced under the banner of Filmistan Limited, the film is directed by SP Bakshi. The star cast is listed as Shashikala, Ravindra Kapoor, Agha, P Kailash, Badri Prasad, Randhir, Gulab, Sabita Chatterjee, Kanu Rai, Manju, Manohar Geer, Majnu, Vitthal Das Panchotia, Madhu Apte, Ramlal, Leela, Bazid Khan, Rajeshwar Singh, Noor, Chandramohan, Pathak, Shantaram, Ravi Tandon, Sundar, and Pal.

The film has a total of seven songs written by four songwriters, with Anand’s contribution tally is three. (Other songwriters are Sarshaar Sailaani, Kaif Irfaani and Raahil Gorakhpuri). This is the second song of this film, written by him to be showcased here, and the third song from the film.

Rafi Sb has rendered this call-to-the-beloved song with gusto. A very interesting listen, I am sure you will agree.

Song – De Deedar, O Dildaar (Sun To Le Haseena) (1958) Singer – Mohammed Rafi, Lyrics – Anand Bakshi, MD – S Mohinder

Lyrics

de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

hota hai kahin kuchh khatka
lagta hai mujhe ik jhatka
hota hai kahin kuchh khatka
lagta hai mujhe ik jhatka
pal chhalak chhalak jaata hai
mere armaanon ka matka
mere armaanon ka matka. . .
har aahat pe chaunk ke jaani hota hoon taiyaar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

o nakhre takhre waali
ye raat hai kaali kaali..ee. . .
o nakhre takhre waali
ye raat hai kaali kaali
kar saamne chaand sa mukhda
chaahe chhup ja de kar gaali
chaahe chhup ja de kar gaali. . .
varna faand ke aa jaaunga ye oonchi deewaar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

main tujh pe ho ke lattu
tere naam ka ho gaya rattu..uu. . .
main tujh pe ho ke lattu
tere naam ka ho gaya rattu. . .
tere gham ka utha ke bojha
bana aadmi se main tattu
bana aadmi se main tattu. . .
ab tadpa tadpa ke zaalim yun na mujhko maar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .

——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————

दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰

होता है कहीं कुछ खटका
लगता है मुझे ईक झटका
होता है कहीं कुछ खटका
लगता है मुझे ईक झटका
पल छलक छलक जाता है
मेरे अरमानों का मटका
मेरे अरमानों का मटका॰ ॰ ॰
हर आहट पे चौंक के जानी होता हूँ तैयार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰

ओ नखरे टखरे वाली
ये रात है काली काली॰॰ई॰ ॰ ॰
ओ नखरे टखरे वाली
ये रात है काली काली
कर सामने चाँद सा मुखड़ा
चाहे छुप जा देकर गाली
चाहे छुप जा देकर गाली॰ ॰ ॰
वरना फांद के आ जाऊंगा ये ऊंची दीवार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰

मैं तुझपे हो के लट्टू
तेरे नाम का हो गया रट्टू॰॰उ॰ ॰ ॰
मैं तुझपे हो के लट्टू
तेरे नाम का हो गया रट्टू॰ ॰ ॰
तेरे ग़म का उठा के बोझा
बना आदमी से मैं टट्टू
बना आदमी से मैं टट्टू॰ ॰ ॰
अब तड़पा तड़पा कर ज़ालिम यूं ना मुझको मार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day: 4273 Post No.: 15505

Hullo Atuldom

Today’s is a “this happened to me” post. It was a “dream” more than a “dream come true”. A chance to see the Dream Girl in person on my last trip to Mumbai.

So this is what happened- we had just landed at Mumbai airport. I was very tired after a long day followed by a delayed-flight. I told my husband that today i am in no position to walk the distance to the baggage-claim and am planning to hop on to any buggy that ferries passengers and I did. There were two passengers already on that buggy and the lady who was sitting mentioned that the passenger who was in the buggy that overtook us was Hema Malini. And I was disappointed that I had missed having a glimpse of her.

When we reached the drop-off point, I saw that the Dream Girl had just got off and was being courteous with the airport staff and allowing selfies. Very hesitantly I waved out to her and she acknowledged. Then I hinted through action that I would like to come closer and also click pictures with her and she permitted. Then my husband clicked a picture and she said:- “you will not get a good pic from so far, come closer.” And we had one more click which I shared instantly with my children.

My son commented immediately “He has never seen me smile so brilliantly.” But my personal feeling was there can be no smile as Brilliant as that of the Dream Girl -Hema Malini. She still looks a dream, and carries herself so elegantly and majestically. She displayed no airs about being a star or MP i.e. Member of Parliament.

My husband mentioned to her that I was a huge fan of hers and occasionally write about her in the blog. To this she replied- “hope you don’t write anything uncomplimentary”, and I said “oh no, not at all. We write only about the songs and their related movies.” And she gave me her brilliant smile. But this is one encounter that will stay with me forever and I am yet to believe it happened to me.

Recently my husband asked me why I haven’t written about my experience and I said I was waiting for an occasion. Plus I was wondering which song of hers should go with the post, and on what occasion do I present it etc. Today seems to be a good enough occasion. The anniversary of the lyricist of the song.

It is the 18th anniversary of lyricist Anand Bakshi (21 July 1930 – 30 March 2002). He was born Bakshi Anand Prakash Vaid, in Rawalpindi, in modern day Pakistan. His family came to India in the aftermath of partition. Poetry writing was his hobby and when he joined the Indian Army he continued to write whenever time permitted.

All of this are well known facts about Anand Bakshi. We also know that simultaneously he tried marketing his songs to Mumbai film industry. He finally got discharged from the army in 1956 and tried to become a writer or singer but found his foothold as a lyrics writer and “Bhala Aadmi” in 1958 was his first released movie where he wrote four songs.

“Mehndi Lage Mere Haath” with music by Kalyanji Anandji was his first success. And then the songs which found a mark in the hearts and minds of cine-goers never stopped. His wish to sing in movies was fulfilled when he sand “Baaghon mein bahaar aayi” and another solo for “Mom Ki Gudiya” in 1972. he has sung few more songs but written close to 3500 and we have 1036 of them on the blog.

Coming back to today’s song. On my return from Mumbai, last weekend, I saw “Pratiggya”(1975) starring Hema Malini, Dharmendra and Ajit. I don’t remember seeing the movie at the time of its release. This was a movie produced by Dharmendra himself and had “main jat yamla pagla deewana” (the only song from the movie on the blog) which is still in the minds of the fans even after a lapse of 45 years.

Laxmikant- Pyarelal were the music directors with whom Anand Bakshi collaborated in 302 movies. As I was writing this I came across the list of movies released in 1975, fifteen of which had songs written by Anand Bakshi, would like to know if it is a record of some kind.

The song with this post comes immediately after the song “jatt yamla pagla deewana” comes to a close. At the end of the song a drunk Ajit Singh (Dharmendra) falls into the river and dreams that Radha (Hema) is Sahibaan and he is Mirza.

So here is this love song where Hema looks a dream in the dream sequence and let us say Thank You to Anand Bakshi for leaving us this gem.


Song-Uthh neend se mirziya jaag jaa (Pratigya)(1975) Singers-Lata, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

aa aa aa aa
aa aa aa
aa aa aa aa aa
aa aa aa
aa aa

hmm hmm hmm
hmm hmm hmm

uthh neend se mirziya jaag ja aa
teri sahibaan kare pukaar
tu ek akela bhaag jaa aa
tere peechhe ae ae ghudsawaar
vo aa gaye badla lene nu
haan aan aan
tere dushman mere veer
bedardi teer kamaan se ae ae
teri chhaati denge cheer
aisa lagta hai pyaar ke ae
nahin achche kuchh sanjog
humko mar ke bhi soniya aa aa aa
nahin milne denge log

sun sahibaan ?? yaqeen ke
rakh pyaar ki laaj jara
meri bakki(??) se daran farishte
te jatt se dare khuda
aane de unko saamne
hone de lahu-luhaan
chupchaap tamaasha dekh tu u u u u
tere sadke meri jaan
ye baat nahin wo jaante
mere dushman tere veer
jo maar sake mujhe soniye
ae ae ae ae
nahin bana abhi vo teer

o o o o o
o o
o o o o
o o o
haaye re


This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4257 Post No. : 15477

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 10
——————————————————————————

Welcome all to the today’s post where I am presenting a song from the movie ‘Saudaagar-1991’. This is one of the two movies falling under ‘Blog Ten-Year challenge’ today. Another movie is ‘Sunahri Naagin-1963’.

Only two songs (better strike rate than the current ‘one song per day’😊) were posted on the blog on this day ten years back i.e. on 14.03.2010;

Song Movie title-Year Remarks
Ilu Ilu Saudaagar-1991 02 of 06 songs posted
Tu hi tu hai main dekhaa karoon Sunahri Naagin-1963 05 of 08 songs posted

‘Saudaagar-1991’ is one of the many movies that I watched during my stay at Kota. I remember I watched this movie twice during its initial release. Later I have always enjoyed it in ‘parts’ whenever it was on TV channels. The main reason for watching the movie was that it was directed by Subhash Ghai (he was the producer as well) and secondly its ‘music’.
I am big fan of Subhash Ghai , not only for his direction but for the music of his movies as well.

Music has always been a ‘highlight’ of the movies directed by him and also the picturization of the song sequences in his movies which are choreographed in ‘style’.

I still remember watching ‘Ram Lakhan-1989’, ‘Saudaagar-1991’ and ‘Khalnayak-1993’ to packed houses in Kota and the audience breaking into cheers and dancing to the tunes of ‘My name is Lakhan’, ‘Ilu Ilu’, ‘Imli ka boota beri ka ped’, and other songs in ‘Ram Lakhan-1989’ and ‘Saudaagar-1991’.

Also, I cannot forget the ‘mesmerising silence’ watching the ‘artistically choreographed’ ‘Choli ke peechhe kya hai’ and the ‘picturesque beauty’ in the song ‘Paalki mein ho ke sawaar chali re’… from ‘Khalnaayak-1993’.

His collaboration with the music-duo Laxmikant-Pyarelal started with the ‘1979’ movie ‘Gautam Govinda’ and lasted till ‘Khalnayak-1993’.
Let us have a look on the list of movies where Laxmikant-Pyarelal scored the music for the movies directed by Subhash Ghai;

SNo Movie Title Year
01 Gautam Govinda 1979
02 Karz 1980
03 Krodhi 1981
04 Hero 1983
06 Meri Jung 1985
07 Karma 1986
08 Ram Lakhan 1989
09 Saudaagar 1991
10 Khalnaayak 1993

Today’s song from ‘1991’ movie ‘Saudaagar’ is picturized on the then debutant pair Manisha Koirala and Vivek Mushran. Also present in the picturization of the song is Anupam Kher who played a ‘pivotal’ role in the movie.

The song is sung by Kavita Krishnamurthy, Manhar Udhas and Sukhvinder Singh. Lyrics are by Anand Bakshi and music is composed by Laxmikant-Pyarelal.

Two songs from ‘Saudaagar-1991’ posted on the blog earlier are as follows;

Song Posted On
Ilu Ilu 14.03.2010
Imli ka boota beri ka ped 11.12.2013

Let us now enjoy today’s song …

Video
(video)
Audio

Song-Saudaagar saudaa kar (Saudaagar)(1991) Singers-Kavita Krishnamurthy, Manhar Udhas, Sukhvinder Singh, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Based on audio link)

tu panchhi
pardesi
tu jogi hai ki jaadugar

inme se koyi bhi nahin
main sapnon ka saudaagr

Saudaagar saudaa kar r r
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar
Saudaagar saudaa kar r r
Dil le le ae
Dil de kar
Saudaagar hmm hmm hmm
Saudaa kar hmm hmm hmm
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar

Haath kisi ka wo pakde
O o o o o o o
Haath kisi ka wo pakde
Jo chhode jag saara aa
Tu oonche mehlon waali
Main beghar banjaara
Ik dooje ke dil mein rahenge
Kya karna hai ghar
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
Dil le le ae
Dil de kar

Tere saath main kaise
Pyaar ka saudaa kar loon oon
Tere saath main kaise
Pyaar ka saudaa kar loon oon
Aisa koi waada kar
Main jispe bharosa kar loon
Jo chaahe likhwaa le mujhse
Kore kaagaz par
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
Dil le le ae
Dil de kar

Hmm hmm hmm
Hmm hmm hmm

Aa aa aa
Aa aa aa aa
Aa aa aa
Aa aa aa aa
Aa aa aa aa aa
Aa aa aa aa aa

Dil to hai ae
Par dil ke
Par dil ke
Armaan kahaan se laaun
Doli sehra kangan sab
Saamaan kahaan se laaun
Doli sehra kangan sab
Saamaan kahaan se laaun

Thhodaasa sindoor kahin se le aa
Bas jaa kar
Saudaagar hmm hmm hmm
Saudaa kar hmm hmm hmm
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar

Soch samajh le
Baad mein naa pachhtaana
Ye kah kar
Saudaagar saudaa kar
Dil le le ae
Le le ae
Dil de kar
De kar
Dil le le ae
Dil de kar
Dil le le ae
Dil de kar

Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
O dil le le ae
Dil de kar
Saudaagar saudaa kar r r
O dil le le ae
Dil de kar
O dil le le ae
Dil de kar

——————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————
तू पंछी
परदेसी
तू जोगी है कि जादूगर

इनमे से कोई भी नहीं
मैं सपनों का सौदागर

सौदागर सौदा कर र र
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर
सौदागर सौदा कर र र
दिल ले ले ए
दिल दे कर
सौदागर ह्म ह्म ह्म
सौदा कर ह्म ह्म ह्म
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर

हाथ किसी का वो पकडे
ओ ओ ओ ओ ओ ओ ओ
हाथ किसी का वो पकडे
जो छोड़े जग सारा आ
तू ऊंचे महलों वाली
मैं बेघर बंजारा
इक दूजे के दिल में रहेंगे
क्या करना है घर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर

तेरे साथ मैं कैसे
प्यार का सौदा कर लूं ऊँ
तेरे साथ मैं कैसे
प्यार का सौदा कर लूं ऊँ
ऐसा कोई वादा कर
मैं जिसपे भरोसा कर लूं
जो चाहे लिखवा ले मुझसे
कोरे कागज़ पर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर

ह्म ह्म ह्म
ह्म ह्म ह्म

आ आ आ
आ आ आ आ
आ आ आ
आ आ आ आ
आ आ आ आ आ
आ आ आ आ आ

दिल तो है ए
पर दिल के
पर दिल के
अरमान कहाँ से लाऊं
डोली सेहरा कंगन सब
सामान कहाँ से लाऊं
डोली सेहरा कंगन सब
सामान कहाँ से लाऊं

थोडासा सिन्दूर कहीं से ले आ
बस जा कर
सौदागर ह्म ह्म ह्म
सौदा कर ह्म ह्म ह्म
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर

सोच समझ ले
बाद में ना पछताना
ये कह कर
सौदागर सौदा कर
दिल ले ले ए
ले ले ए
दिल दे कर
दे कर
दिल ले ले ए
दिल दे कर
दिल ले ले ए
दिल दे कर

सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
ओ दिल ले ले ए
दिल दे कर
सौदागर सौदा कर र र
ओ दिल ले ले ए
दिल दे कर
ओ दिल ले ले ए
दिल दे कर


This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4249 Post No. : 15469 Movie Count :

4263

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Hindi Songs in Bangla Films – 21
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Ashapurna Devi (1909-1995) was a Bengali novelist who wrote more than 200 novels, over 2000 short stories and over 50 children’s books during her life time. It is to her credit that she could contribute so much to the Bengali literature despite being born in a very conservative Bengali joint family in which female members of the household were not allowed to attend school. For male members, private teachers were appointed who will teach them in their home. It is during this time, Ashapurna Devi learnt Bengali alphabets albeit clandestinely when her brothers were being taught in the house. She won many coveted literary awards including Jnanpith Award for her novel Prothom Protishruti (The First Promise) in 1976.

Many films have been made based on the novels and stories written by Ashapurna Devi. Some of them are ‘Agni Pariksha’ (Bangla, 1954), ‘Padikkathai Methai’ ( Tamil, 1960), ‘Chhaaya Surya’ (Bangla, 1963), ‘Mavana Magalu’ (Kannada, 1965), ‘Chhoti Si Mulaaqat’ (Hindi, 1967), ‘Baluchari’ (Bangla, 1968), ‘Prothom Protishruti’ (Bangla, 1971) ‘Anindita’ (Bangla, 1972), ‘Chaitali’ (Bangla, 1971 and Hindi, 1975), ‘Tapasya’ (Hindi, 1976), and ‘Ek Vivaah Aisa Bhi’ (2008). The list is not exhaustive.

‘Chaitali’ (1971, Bangla film) was one of the films based on a story of the same name by Ashapurna Devi. The film was directed by Sudhir Mukherjee. The main cast included Biswajeet, Tanjua, Basanta Chowdhury, Jahar Ray, Tarun Kumar, Biren Chatterjee, Manmohan etc.

Although a few of Ashapurna Devi’s novels and short stories have been translated in English and published, I could not locate the story of Chaitali on-line. Probably, this story may be a part of the collections of her stories in Bangla only which I cannot read. The film is available on a video sharing platform in three parts without English sub-titles. So, my understanding of the story of the film is based the visuals and some Hindi dialogues given to the characters of Lajjo (Tanuja), Nawab Sahab (Basanta Chowdhury) and Kumar Sahab (Manmohan) in it.

The film starts with Amitabh, (Biswajit), an engineer travelling from his home town on transfer to his new place of work to oversee the construction of new road (The outdoor shooting of the place with hills and the snow-capped mountains appears to be somewhere between Siliguri and Darjeeling). He is taken to the site office and thereafter to his quarters with a caretaker attached to it. On the very first day, Kumar Sahab (Manmohan) who is not only one of the contractors for the road work but also a notorious local bully, visits the quarter to meet Amitabh. He refuses to meet him by saying that he would prefer official meetings in the site office only. This create the first friction between Kumar Sahab and Amitabh.

Lajjo (Tanuja), an orphaned girl from Hindi heartland stays with her tyrannical aunt in the neighborhoods of Amitabh’s quarters. Because, she has no one else to share her feelings, she finds solace in spending time in the house of an old man, Nawab Sahab (Basanta Chowdhury) who is her neighbour. Nawab Sahab is an admirer of Gurudev Rabindra Tagore’s works. He has taken the task of translating some of Tagore’s works in Urdu and Persians. He is also into music.

Lajjo is a milkmaid who supplies milk to Amitabh’s quarters in the morning. There is always some friction between Lajjo and the caretaker over the late supplies of milk or the quality of milk. But Amitabh always take a sympathetic disposition towards Lajjo whenever his caretaker complains against her. Sometime, Lajjo also does household works in the quarters. Over a period of time, Amitabh develops soft corner for her. He starts teaching her Bangla alphabets and conversation in Bangla which she picks up fast. This is not liked by Nawab Sahab and he gives subtle hint to Amitabh. So, now on, he keeps a distance with Lajjo.

Simultaneously, Amitabh has problems with the quality of road work done by Kumar. So, he postpones the payments of his bills for work done until he personally inspects the road. He also orders his staff to bring out old files pertaining to Kumar’s work. This creates panic for Kumar. He engages his henchmen to intercept Amitabh while on an inspection trip in the forest. However, due to heavy rains and landslides, he is not able to visit the place. In the quarters, the caretaker is worried as he thinks that Amitabh is caught in the landslides. After hearing this news, Laajo who has also kept a distance from Amitabh due to Nawab Sahab insistence, runs to search for him. She finds Amitabh safe in a tent. The meeting ignites their love for each other. They return home after the rains have subsided.

Having failed in an attempt to immobilise Amitabh and also to make his old files missing, Kumar plans a conspiracy in which he pays money to Lajjo’s aunt to facilitate her kidnapping. While going to fetch waters from the river, Lajjo gets kidnapped by his henchmen and blames Amitabh for it since both have been last seen together while returning from his inspection duty and both are missing since then. The fact is that Amitabh has gone to his hometown to meet his brother.

When Amitabh returns from home town, police arrests him on charge of kidnapping Lajjo. He is taken to the police station. However, before he is being questioned, Lajjo’s aunt under pressure from Nawab Sahab confesses her role in Lajjo’s kidnapping. She is arrested. Lajjo runs away from the kidnappers and reaches the police station to tell her side of the story. Amitabh is released and Lajjo comes back and visit Nawab Sahab’s house only to find that Kumar and his henchmen have cornered Nawab Sahab. In the scuffle between him and Kumar, Nawab Sahab gets seriously injured from the bullet fired by Kumar. Before, he could recapture Lajjo, police forces get hold of him and he is arrested. Nawab Sahab dies and Lajjo becomes once again an orphan with her aunt in the jail and Nawab Sahab dead. The film ends with Amitabh and Lajjo meeting at the burial ground who would now take care of her.

Many internet sites refer the Hindi version, ‘Chaitali’ (1975) produced under the banner of Bimal Roy Productions, as a remake of the Bangla version of the film. But it is not so. There are subtle differences between the two versions of the film. In Bangla version, the character of the hero is that of an Engineer who is posted on the site office to oversee the road construction work. In the Hindi version, the hero is a professor in the college and stays in a joint family. Secondly, the character of Lajjo (Chaitali) in Bangla version is different than in Hindi version in which she has been shown as a kleptomaniac and she get reformed after working with a loving joint family.

Rinki Bhattacharya, the daughter of Bimal Roy in a very recent interview (February 2020) has revealed that her father had planned the film with a title ‘Sahara’ based on Ashapurna Devi’s short story ‘Chaitali’ and some shots were filmed in early 1966 with Dharmendra and Sharmila Tagore. But he fell ill on the set from which he never recovered. After a gap of 8 years, the film was started afresh under the direction of Hrishikesh Mukherjee with the ‘Chaitali’ as the title of the film replacing Sharmila Tagore with Saira Banu. The film did not fare well on the box office.

In keeping with the Hindi speaking role of Chaitali, the Bangla version of the film had 3 Hindi songs out of 8 songs. I am presenting one of the two Lata solos, ‘paayal baaj gayi aaj meri laaj gayi’ which is written by Anand Bakshi. All the songs (Hindi and Bangla) in the film were set to music by S D Burman. The tune of the song appears to be based on a Nepali folk song to me.

It is interesting to note that after ‘Samar’ (1950, Bangla film), S D Burman had not composed songs in any Bangla films until ‘Chaitali’ (1971) and this film became his last Bangla film as well.

Video Clip:

Audio Clip:

Song-Paayal baaj gayi aaj (Chaitaali)(Bangla)(1971) Singer-Lata, Lyrics-Anand Bakshi, MD-S D Burman

Lyrics (Based on Video Clip)

paayal
aa aa aa aa aa
aa aa aa aa aa
aa aa aaah
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal

ankhiyon ne to mera bhed chhupaaya aa
ankhiyon ne to mera bhed chhupaaya
honthon pe bhi tera naam na aaya
lekin ye anjaam beimaan
paayal
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal

aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aaa
laakh kaha ke tu ye kaam na karna aa
laakh kaha ke tu ye kaam na karna
dekh nigodi badnaam na karna
phir bhi ye anjaan beimaan
paayal
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal

pehle se bhi mere haal pe shaque thha
pehle se bhi mere haal pe shaque thha
badli huyi mere chaal pe shaque thha
uspe ye anjaan beimaan
paayal
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal baaj gayi aaj meri laaj gayi
main kaahe ko tere dwaar piya aaj gayi
paayal


This article is written by nahm, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4228 Post No. : 15437 Movie Count :

4253

As valentine day party songs go, this one is not really so big on the event. Except for the heart shaped balloons, there is no other indication of this being a valentine day song. Point to be noted is that, the blog seems to have ignored this occasion also, along with a host of other days that are specifically designated throughout the year. Whatsapp university does a quite adequate job of reminding us of all these days, be it mother’s day, father’s day, couple day, hug day, chocolate day to name a few. These are just the days which came readily to mind, because a few of them were during this past week.

I remembered this song today just out of the blue from the film “Dil to paagal hai”. I remember seeing this film in theatre, must be in 1997. My elder sister was very fond of Yash Chopra films and the star cast was, as it is very much ascending stars of the era. Nevertheless I remember at one point in the film, where I told my sister that I don’t want to see this film and we are leaving. Which point I don’t care to share here.

This song talking of ‘Chaand’ & ‘Raat’ is actually compliant with my posts series titled ‘Chaandni Raatien”. Composer is Uttam Singh and the lyrics are by Anand Bakshi. It is picturized on Shah Rukh Khan, Karishma Kapoor and Madhuri Dixit. Shah Rukh and Karishma are at a Valentine Day party, whereas Madhuri Dixit is at her home, dreaming and singing along. At this point I think Shah Rukh and Madhuri haven’t met each other, but are scheduled to meet and fall in love. This song is in anticipation of the things to come in the story, because you see they have read the script and the song was ready, so the situation had to be created for it. Udit Narayan sings for Shah Rukh and Lata Mangeshkar is singing for Madhuri and Karishma both. The song is very catchy too despite being a mood song.

The film is full of melodious hit songs which were a rage then. Film and the songs won quite a few awards too. This song is having the tunes of other songs from the same film, as interlude. Again as I said the characters are anticipating the songs to feature in the film later on. Good imagination all around.


Song-Chaand ne kuchh kaha raat ne kuchh suna(Dil To Paagal Hai)(1997) Singers-Udit Narayan, Lata, Lyrics-Anand Bakshi, MD-Uttam Singh
Chorus

Lyrics

Hey hey
oo ho ho ho ho
Hmmm mmmmm
La la la laa laaaa

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyar kar

Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Kya kahoon kya pataa
Baat kya ho gayee ee
Dillagi ye mere
Saathh kya ho gayee
Ik ishaara hai yeh
Dil pukaara hai ye
Ik ishaara hai yeh
Dil pukaara hai ye
Iss se churaa na nazar
Pyaar kar
Oh ho ho pyar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
Ah ha ha
aa haa

Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa
Ru ru ru ru ru ru uuuu
La la la la laa la laa

Ho oo ooo
Ooo ooooo
Hmmm mmmm
Mmmmmmm
La la la la la la
La la la laa la laa
Hai kaun kya khabar
Koyi to hai magar
Sapnon mein hai kahin
Aata nahin nazar
Main yehaan
wo wahaan
Aa rahi phir yehaan
Main yehaan wo wahaan
Aa rahi phir yehaan
Aawaaz kis ki magar

Pyaar kar
Oh ho ho pyaar kar
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
La la
laa laa laa laa laa

Aaa aaaa aaaaaa
Aaa aaaa aaaaaa

Jis pe ham mar mitey
Uss ko pataa bhi nahin

aa aa aa aa aa
O Jis pe ham mar mitey
Uss ko pataa bhi nahin
Kya gila ham Karen
Wo bewafaa bhi nahin
Ham ne jo sun liyaa
Uss ne kahaa bhi nahin
Ae dil zara soch kar
Pyaar kar
Oh ho ho pyar kar

Hey hey
Ah ha ha aa haaaa
La la laa laa laaa laaa
Chaand ne kuchch kahaa
Raat ne kuchh sunaa
Tu bhi sun bekhabar
Pyaar kar
Oh ho ho pyaar kar
Aayi hai chaandni
Mujh se kehne yahi
Aayi hai chaandni
Mujh se kehne yahi
Meri gali mere ghar
Pyaar kar
Oh ho ho pyaar kar

Hey hey
La la la la laa la laa
Oh ho ho
Hmm mmmm mmm hmm hmm
Pyaar kar
Oh ho ho pyaar kar
Pyaar kar
Oh ho ho pyaar kar


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4211 Post No. : 15412

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Blog 10-Year Challenge (2010-2020) – Song No. 6
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“Arpan”(1983) was produced and directed by J Om Prakash for Filmyug Private Limited, Bombay. The movie had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar, Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya etc in it.

The movie had five songs in it. Three songs have been covered in the past.

The movie made its debut in the blog on 21 january 2010 with the song Pardes jaake pardesiyaa bhool na jaana piyaa . The second song was discussed one week later on 28 january 2010 and it was Likhne waale ne likh daale .

For the next ten years, no other songs from this movie were covered. Then there was sudden activity exactyly ten years later and the third song from the movie was discussed on 21 january 2020, exactly one decade after this movie had debuted in the blog. This song was Mohabbat ab tijaarat ban gayi hai Avinash Scrapwala, who is very enthusiastic about the “blog ten year challenge”.

Seeing that the second song from the movie was covered on 28 january 2010, today presents us with another “blog ten year challenge” opportunity as far as this movie is concerened. So here is another song from the movie. This song is sung by Lata and chorus. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

This song is picturised as a stage dance song on Parveen Babi and others. Jeetendra is seen among the audience.

I find this song so reminiscent of “Asha”(1980) songs where too Jeetendra would be seen witnessing the stage dance performances. That movie had Reena Roy instead of Parveen Babi. This resemblence is not coincidence. Both these movies were by J OmPrakash. His stories used to be similar. Jeetendra used to be a fixture in his movies. and the titles of his movies would start from the letter A. He produced 23 movies in his career, styaring from “Aas Ka Panchhi”(1961) till “Afsaana Dilwaalon Ka” (2001). 22 of his titles started with A. Only exception being “Bhagwan Dada” (1986), after which he reverted back to his lucky letter A.

Music of his movies during that succeesful spell (Apnapan, Asha, Arpan) used to be by Laxmikant Pyarelal. That is the reason why the songs of these movies sound similar to me.

Here is this nice song from “Arpan”(1983). Incidentally, all the four songs that have been covered so far were quite popular and they have remained so till now.


Song-Tauba kaise hain naadaan ghunghroo paayal ke (Arpan)(1983) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus
Lata + Chorus

Lyrics

taubaa taubaa aa aa
taubaa taubaa aa aa
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
sharm ke maare laal pad gayaa rang meraa baadaami
chhanak chhanak ke gali gali mein karen meri badnaami
ghunghruu paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

kaise koi bhed chhupaaye ae ae
ghar kaa bhedi lankaa dhaaye
kaise koi bhed chhupaaye ae
ghar kaa bhedi lankaa dhaaye
dede ke main haari saari raam raheem ki kasmen
aisaa lagataa hai ye nigode nahin kisi ke bas mein
hindu hai na musalmaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

chhup ke gali se kaise guzroon
chhat se main neeche kaise utroon
chhup ke galii se kaise guzroon
chhat se main neeche kaise utroon
kabhi kabhi main sochoon inko phenkoon abhi utaaroon
tokne waali usi padosan ke munh par de maaroon
bharte hain logon ke kaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke

jab chham se ye baj uthhte hain
pag men kaanten chubhte hain haaye
jab chham se ye baj uthte hain
pag mein kaanten chubhte hain
meethhaa meethhaa dard nigodaa mere man se nikle
inhen nikaaloon pairon se to jaan badan se nikle
mere dil ke hain armaan ghunghruu paayal ke
ho mere dil ke hain armaan ghunghruu paayal ke

taubaa kaise hain naadaan ghunghru paayal ke
taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke
ho taubaa kaise hain naadaan ghunghru paayal ke
ik din lenge meri jaan ghunghru paayal ke


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4210 Post No. : 15407

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Blog 10-Year Challenge (2010-2020) – Song No. 5
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Welcome all to this post, where, under the ‘Blog ten-year challenge’, we have another movie which has completed a ‘decade’ on the blog with only one of its song posted on the blog.

This movie is ‘Prem Bandhan-1978’*. And the song ‘main tere pyaar mein paagal’ from this movie was posted on the blog exactly ten years back i.e. on 27.01.2010.

Two more songs were posted on that day and the three songs posted that day were as given below;

Song Movie title-Year Remarks
Door papeeha bola raat aadhi rah gayi Gajre-1948
Husn bhi hai udaas udaas Fareb-1953
Main tere pyaar mein paagal Prem Bandhan-1978

Browsing other songs from ‘Prem Bandhan-1978’ it is clear that only the above-mentioned song of this movie was the most popular song from this movie. It ranked at number 14 in the ‘annual list’ of ‘Binaca Geetmala’ of the year ‘1979’. Since the movie was passed by the Censor Board on 26.12.1978 it must have been released in theatres in around year end 1978 or around first week of January’1979 I guess.

The title song from ‘Ankhiyon Ke Jharokhon Se-1978’ topped the annual list of ‘Binaca Geetmala’ of that year followed by ‘aadmi musaafir hai’ from ‘Apnaapan-1977’.

The other movies released in 1978 and where music was composed by Laxmikant-Pyarelal are as given below;

SNo Movie Passed by Censor Board on
01 Aahuti 25.04.1978
02 Amar Shakti 16.09.1978
03 Badalte Rishtey 03.11.1978
04 Chakravyuha 22.07.1978
05 Daakoo Aur Jawaan 22.11.1978
06 Dil Aur Deewaar 08.09.1978
07 Kaalaa Aadmi 23.02.1978
08 Main Tulsi Tere Aangan Ki 14.07.1978
09 Phaansi 04.03.1978
10 Phool Khile Hain Gulshan Gulshan 04.09.1978
11 Prem Bandhan 26.12.1978
12 Saawan Ke Geet 16.02.1978
13 Satyam Shivam Sundaram 22.03.1978

Songs from ‘Satyam Shivam Sundaram’(two songs), ‘Phaansi’(one song), ‘Main Tulsi Tere Aangan Ki’(two songs) made it to the annual list of ‘Binaca Geetmala-1978’.

Coming back to today’s movie, ‘Prem Bandhan-1978’ was directed by Ramanand Sagar for ‘Gouri Films Pvt. Ltd, Bombay’. It was produced by R.R. Nanda. It had Rajesh Khanna, Rekha, Moushami Chatterjee, Vikram, Keshto Mukherjee, Prema Narayan, A.K. Hangal, Lalita Pawar, Helen with Sheetal, Janki Dass, Bhagwan, Gopi Krishna, Mumtaz Begam, Birbal, V. Suri, Brahm Bharadwaj, Satyadev Dubey, Bhakatani, Surinder Bhatia, Manmauji, Ramlal, Kanwar Sarhadi, Dr. Jayant Abhyankar, Narbada Shankar, Chandru Atma, Sunder Taneja, Ram Avtar, Javed Khan.

This movie introduced Rippy Singh, Arvind Trivedi and Madhu Shah. Story of this movie was written by Suhridkar.

The screenplay was written by Ramanand Sagar, Satish Bhatnagar, Suhridkar. Satish Bhatnagar also wrote the dialogues of this movie. Editing of this movie was done by Lachmandass while C.L. Kavish wrote the script of this movie.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

HFGK Vol-V (1971-1980) lists total six number of songs in this movie. The voices of Lata Mangeshkar, Kishore Kumar, Asha Bhosle, Mahendra Kapoor, Manna Dey and Chandru Atma were used for the songs in this movie).
(HFGK Vol V mentions the voice of Pankaj in today’s song however in the movie credits his name is not appearing among the list of Singers).

This movie was passed by Censor Board on 26.12.1978.

Only one song from this movie has been posted earlier and the today’s song is the second song from this movie to be posted on the blog.

Today’s song is sung by Pankaj, Asha Bhonsle, and Kishore Kumar. Rajesh Khanna and Rekha are lip syncing in the voices of Kishore Kumar and Asha Bhonsle respectively. Prema Narayan and many others are also seen in the picturization of this song.

The song is interesting and nice to listen to and watch. (I think if the video of the full song would have been available it would have been more enjoyable to watch. None the less we can still listen and enjoy this beautiful composition).

As mentioned above I could not locate the full video of this song. However, the audio of the full song is available and the lyrics are noted as per the audio link of this song. I guess that this song was also edited in the movie or maybe it is edited in the online version of this movie.

I have not watched this movie and I would request knowledgeable readers to throw more light on the movie and its songs …

This song is also a nice one and I am sure readers will also like this song like me.
Let us now enjoy the today’s song …

Audio (Full)

Video (Partial)

Song-Hoti hai kisi se jab preet (Prem Bandhan)(1978) Singers- Pankaj, Kishore Kumar, Asha Bhonsle, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Asha Bhonsle+Kishore Kumar
Chorus
Male chorus
Female Chorus

Lyrics

Hoti hai kisi se ae jab preet
Janam leta hai ae koi nayaa geet

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Didhim naatim didhim naatim
didhim naatim
Daiyya

(Haiyya haiyya
Haiyya ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Ho o o o o o naiyya ka maanjhi
Maanjhi ki naiyya

(Haiyya haiyya
Ho ho
Haiyya haiyya
)

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Haiyya haiyya
Haiyya ho
Haiyya haiyya

Hoti hai kisise jab preet
Janam leta hain koi nayaa geet
Jise gaate hai galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ghar mein gali mein ae ae ae ae ae ae
jee nahin lagtaa
Jee nahin lagtaa
Achchha buraa kuchh nahin lagtaa
Jee nahin lagtaa
Oye
Jee nahin lagtaa
Kuchh iska kaaran
Hota hai saajan
Kaahe lete hai
Kaahe lete hai jogi jog
Rama

Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Aa haa aa aa

Ho ho ho o
Ho ho ho ho o
Ho ho ho o
Ho ho ho ho o

Ho ho ho o o o o o

Aa

Ho ho ho o
Ho ho ho ho o

Aa
Aa

Ho ho ho o
Ho ho ho ho o

Aa haa

Ho ho ho o
Ho ho ho ho o

Aa haa

Jaane kahaan se chalti hai dhaaraa
Jaane kahaan se chalti hai dhaaraa
O ho o o
Jaane kahaan se chalti hai dhaaraa
Jaane kahaan milta hai kinaaraa
Kab kaise dekho do premiyon ko
O o o o

Milaa dete hain
Milaa dete hain ye sanjog
Ramaa
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Sach kehti hai duiyaa ye saari
Sach kehti hai duiyaa ye saari
Ye preet aisi ek chingaari
Ye preet aisi ek chingaari
Lagti nahin ye
Bujhti nahin ye
Jal jaate hai
Jal jaate hain isme log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog
Hoti hai kisise jab preet
Janam leta hai koi nayaa geet
Jise gaate hain galiyon mein log
Rama
Lagtaa hai ishq ka rog
Ho lagtaa hai ishq ka rog

Lagtaa hain ae ae ae ae
O lagtaa aa aa aa aa
Rog
Lagtaa hai ae ae
Ishq ka aa aa aa rog
Ho ishq ka rog
Rama aa haan aa
Ho o Rama
Ho o Rama


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4206 Post No. : 15399 Movie Count :

4244

Songs Repeated in Hindi Films – 16

– – – – – – – – – – – – – – – – – –

Aah yes, this one too. This iconic and popular song from the 1969 film ‘Jeene Ki Raah’, reappeared in a shorter version in the 1972 film ‘Baazigar’. Albeit the use of this song is somewhat casual, and does not seem to fulfill any purpose, symbolic or otherwise. Seems like a time filler, as one goes through the initial part of the film.

The original from the film ‘Jeene Ki Raah’ is a quite a well picturized song, with the reality of the situation moving into a surreal dream where the real village people performing the song are replaced by the hero and heroine, in heroine’s mind. All the songs of this film became very popular, and did contribute significantly to the rising graph of Jeetendra as a hero.

Fast forward three years later. The film ‘Baazigar’ in 1972, was a potential launch vehicle for Roopesh Kumar (cousin brother of actress Mumtaz), as a hero. He had made his debut in 1965, in supporting roles, both as a comic villain and in character riles. This was the first, and likely the only film in which he appears in the role of a hero.

Roopesh’s real name was Abbas Farashahi. He was born in Bombay on 16th Jan, 1946 (okay, just a week back was his birth anniversary, would have been 74). His father, Ali Asgar Farashahi had a very good restaurant and bakery business.  However, being involved in dramatics in school and college, he was more interested to make a career in films. With some support from his cousin sister Mumtaz, he started working in small supporting roles. His first appearance is in the film ‘Tarzan and King Kong’ in 1965.

He appeared in over 120 films from 1965 through 1995. The list of his films do make an impressive reading. Here is a partial list of his films from the period till 1980 – ‘Sapno Ka Saudagar’ (1968), ‘Aadmi aur Insaan’ (1969), ‘Jeene Ki Raah’ (1969), ‘Sharafat’ (1970), ‘Jeevan Mrityu’ (1970), ‘Kal Aaj Aur Kal’ (1971), ‘Andaaz’ (1971), ‘Raampur Ka Lakshman’ (1972), ‘Seeta Aur Geeta’ (1972), ‘Prabhat’ (1973), ‘Loafer’ (1973), ‘Insaaniyat’ (1974), ‘Zinda Dil’ (1975), ‘Nagin’ (1976), ‘Karm’ (1977), ‘Dildaar’ (1977), ‘Chacha Bhatija’ (1977), ‘Amar Deep’ (1979), ‘Jaani Dushman’ (1979), ‘The Great Gambler’ (1979), ‘Lok Parlok’ (1979), ‘Hum Paanch’ (1980) etc.

Hmm. . . interesting to note that he also appeared in ‘Jeene Ki Raah’, the original film for the song being presented today.

He also produced and directed two films – ‘Hai Meri Jaan’ (1991) and ‘Meri Aan’ (1993).

Roopesh Kumar passed away quite unexpectedly, at a young age of 49. He was attending the Filmfare awards program of 1995. He suffered a severe heart attack while at the program, and passed away on way to the hospital.

The song presented today is picturized as a game being played at a picnic. This is a picnic with a difference. The only participants are the leading lady, Vijaylalitha and her pet animals – a horse named Chetak and a dog named Tommy. These are the screen names of these pets. Their real names, as per the credits are Joker and Johny respectively. The song is being played on a gramophone, and the game – well you can view it in the accompanying video. The song seems to have been edited, as it appears to end abruptly after playing one full stanza and getting into the start of the second stanza.

Ah yes, this 1972 film makes its debut on our blog today.

Overall, a very casual re-use in my opinion.

Song – Aa Mere Humjoli Aa, Khelen Aankh Micholi Aa  (Baazigar) (1972) Singers – Lata Mangeshkar, Mohammed Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus

Lyrics

ho o o ho o
ho o o ho o

[dialogue]

ho o o ho o
ho o o ho o

aa mere hamjoli aa
khele aankh micholi aa
galiyon me chaubaaron me
baaghon me bahaaron me
ho
main dhoondhoo tu chup ja

main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa ja

peepal ke oopar jaa baitha
chup se mera saathi
dhak se lekin dhadak gaya dil
gir gayi haath se laathi
o pakdaa gaya

main aaun
na na
main aaun
na na na
aaun
na
main aaun
aa jaa

————————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————————

हो ओ ओ हो ओ
हो ओ ओ हो ओ

[संवाद]

हो ओ ओ हो ओ
हो ओ ओ हो ओ

आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा
आ मेरे हमजोली आ
खेलें आँख मिचोली आ
गलियों में चौबारों में
बागों में बहारों में
हो
ओ मैं ढूंढू तू छुप जा

मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा

पीपल के ऊपर जा बैठा
चुप से मेरा साथी
धक से लेकिन धड़क गया दिल
गिर गई हाथ से लाठी
ओ पकड़ा गया

मैं आऊँ
ना ना
मैं आऊँ
ना ना ना
आऊँ
ना
मैं आऊँ
आ जा

 


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4204 Post No. : 15392

———————————————–——————————-
Blog 10-Year Challenge (2010-2020) – Song No. 4
——————————————————————————

Ten years back on this day the following movies were represented on the blog;
(in ascending order of the posts on that day)

Song Movie title-Year Remarks
Kyun jhuki jhuki hain palkein Chhaila Babu-1967 All songs covered on the blog (4/4)
Pilaa de magar shart ye hogi saaqi Sab Ka Ustaad-1967 04 of 07 songs posted
Pardes jaake pardesiya bhool naa jaana piyaa Arpan-1983 02 of 05 songs posted

Today I am presenting a beautiful song from the movie ‘Arpan-1983’. The song is sung by Anwar and as I have mentioned in my post on Anwar I like this song very much.

‘Arpan-1983’ was one of the best musical scores of Laxmikant-Pyarelal. I like all songs of this movie and I remember it were very popular then. Though the top three songs in that year’s (1983) annual list of ‘Binaca Geetmala’ were from ‘Souten-1983’ – 01 song and ‘Nikaah-1983’-02 songs respectively at no.1,2 & 3.

However, some of the best music for that year came from Laxmikant-Pyarelal, while Bappi Lahiri and R.D. Burman also gave some of their best musical scores in the same year.

They composed music for as many as twelve movies released in 1983 and the songs from ‘Hero-1983’ released at the end of 1983 ruled the charts in next year i.e. in 1984 and its song ‘tu mera jaanu hai’ ranked at no.1 of the annual ‘Binaca Geetmala’ list of 1984.

SNo Movie Passed by Censor Board on
01 Andhaa Qaanoon 04.04.1983
02 Arpan 07.02.1983
03 Avtaar 27.01.1983
04 Beqaraar 01.08.1983
05 Coolie 14.11.1983
06 Hero 05.12.1983
07 Mujhe Insaaf Chaahiye 13.09.1983
08 Paakhandi 08.09.1983
09 Prem Tapasya 15.01.1983
10 Who Saat Din 23.06.1983
11 Yeh Ishq Nahin Aasaan 28.01.1983
12 Zaraa Si Zindagi 03.01.1983

‘Arpan -1983’ was directed by J. Om Prakash for his home production ‘Filmyug Pvt. Ltd.’ He was also the producer of this movie.

Jagdish Kumar and Vijay Kumar Soorma were Executive Producers of this movie.
Harish Khatri was the Chief Assistant Director, and Surinder Shorey and Jawahar Bhandari were its Associate Directors.

It had Jeetendra, Reena Roy, Parveen Babi, Raj Babbar. Also featuring in it were Preeti Sapru, Shashi Puri, Sujit Kumar, Sulochana Latkar, Dina Pathak supported by Sudhir Dalvi, Ranveer Raj, Tom Alter, Vikas Anand, Sunder Taneja, Harjeet, Feroz, Vishwanath Shetty, Shafiq Pathan, R.R. Somaiya.

Story of this movie was written by J. Om Prakash.

The screenplay and dialogues of this movie were written by Ramesh Pant. Editing was done by Nand Kumar and Prakash Dave was his associate.

Lyrics of this movie were written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

The movie had total five songs in it for which the voices used were of Lata Mangeshkar, Kishore Kumar and Suresh Wadkar.

This movie was passed by Censor Board on 07.02.1983.

Today’s song is sung by Anwar and lyrics are by Anand Bakshi. Music is composed by Laxmikant-Pyarelal as mentioned above.

Two songs from this movie have been posted on the blog earlier (and even if we consider the second song posted from this movie which was on 28.01.2010, this movie is completing ‘ten years’ run on the blog and still to be ‘Yippeeee’ed 😊

Song Posted on
pardes-jaake-pardesiya-bhool-naa-jaanaa-piyaa 21.01.2010
likhne-waale-ne-likh-daale 28.01.2010

Today’s song is the third song from this movie to appear on the blog.

While Jeetendra is lip-syncing in Anwar’s voice, Parveen Babi, Reena Roy, Raj Babbar and others are also present in the picturization of this song.

1982-83 was my ‘10th standard – educational year’ so I was not supposed to watch many movies in that year. But I remember after appearing the Board exams and exams of my younger brothers we get to watch many movies thereafter. In between, cricket was going on as usual and there was ‘World Cup 1983 win’ too 😊

But this movie ‘Arpan-1983’ still remains to be watched for me and as such I cannot say much about it, though I loved its songs very much. I would request knowledgeable readers to throw more light on the movie and its songs …

Let us now enjoy today’s song …

Video

Audio

Song-Mohabbat ab tijaarat ban gayi hai (Arpan)(1983) Singer-Anwar, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai

mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai ay ay
mohabbat ab tijaarat ban gayi hai ae
tijaarat ab mohabbat ban gayi hai

kisi se khelna phir chhod dena aa
kisi se khelna phir chhod dena aa aa
khilaunon ki tarah dil tod dena
haseenon o o o o
haseenon ki ye aadat
ban gayi hai ay ay
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai

kabhi thha naam iska
bewafaayee ee ee
kabhi thha naam iska
bewafaayee
magar ab aajkal ye behayaayee
shareefon ki sharaafat ban gayi hai
tijaarat ab mohabbat ban gayi hai
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai

kisi mandir ki moorat thhi kabhi ye
kisi mandir ki moorat thhi kabhi ye ae ae
badi hi khubsoorat thhi kabhi ye
magar kya aa aa aa
magar kya iski soorat ban gayi hai ae ae
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi hai ay ay
mohabbat ab tijaarat ban gayi hai
tijaarat ab mohabbat ban gayi …

 

(Tijaarat – trade, commerce)
(Behayaayi- shamelessness, immodesty)
——————————————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————————-
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है

मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है ए ए

मोहब्बत अब तिजारत बन गयी है ए
तिजारत अब मोहब्बत बन गयी है

किसी से खेलना फिर छोड़ देना आ
किसी से खेलना फिर छोड़ देना आ आ
खिलौनों की तरह दिल तोड़ देना
हसीनों ओ ओ ओ ओ
हसीनों की ये आदत
बन गयी है ए ए
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है

कभी था नाम इसका
बेवफाई ई ई
कभी था नाम इसका
बेवफाई
मगर अब आजकल ये बेहयाई
शरीफों की शराफत बन गयी है
तिजारत अब मोहब्बत बन गयी है
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है

किसी मंदिर की मूरत थी कभी ये
किसी मंदिर की मूरत थी कभी ये ए ए
बड़ी ही ख़ूबसूरत थी कभी ये
मगर क्या आ आ आ
मगर क्या इसकी सूरत बन गयी है ए ए
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी है ए ए
मोहब्बत अब तिजारत बन गयी है
तिजारत अब मोहब्बत बन गयी …


This article is meant to be posted in atulsongaday.me.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4204 Post No. : 15391

“Teen Bahuraaniyaan”(1968) was directed by S S Wasan and S S Balan for Gemini Combines, Madras. The movie had Dhumal, Prithviraj Kapoor, Rajendranath, Shashikala, Jankidas, Kanchana, Agha, Kanhaiyalal, Vaishali, Niranjan Sharma, Farida, Jayanthi, Lalita Pawar, Ramesh Deo, Jagdeep etc in it.

As can be expected, this was a Madrasi Chandamama kind of story where a combined family consisting of three songs, their daughters and children live together happily and peacefully alongwith the parents. 🙂 It was called a “social” movie. One may as well call it a fantasy fairytaled movie. 🙂

The movie had five songs in it. Two songs have been covered in the past.

Here is the third song from “Teen Bahuraaniyaan”(1968) to appear in the blog. The song is picturised on the three ladies playing the three daughter’s in law. The song is sung by three Mangeskhar sisdters, viz Lata, Asha Bhonsle and Usha Mangeshkar. This is one of those special cases when three sisters have figures in a song.

Anand Bakshi is the lyricist. Music is composed by Kalyanji Anandji. Lyrics for this song are provided by Nitin ji.

I request our knowledgeable readers to help identify the actors seen in the picturisation.

PS-Our knowledgeable reader Dr Subramanian S informs us that the three actresses seen in the picturisation are Sowkar Janaki, Kanchana and Jayanti.


Song-Hamre aangan bagiya (Teen Bahuraaniyaan)(1968) Singers-Lata, Asha Bhonsle, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-Kalyanji Anandji

Lyrics (Provided by Nitin Shah)

hamre aangan bagiya
bagiya mein do panchchi
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaaye dekhna
panchchi ud na jaaye
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaaye dekhna
panchchi ud na jaaye
hamre aangan bagiya

o o o
o o o
o o o
o o o
o o o
o o o
o o o
o o o
pehla panchchi pyaar hai
is pyaar se kariyo pyaar
is pyaar se kariyo pyaar
pehla panchchi pyaar hai
is pyaar se kariyo pyaar
is pyaar se kariyo pyaar
pyaar na ho to soona soona
pyaar na ho to soona soona
laage ye sansaar sakhi ri
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaye dekhns
panchchi ud na jsaye
hamre aangan bagiya

hamre man ki shaanti
dooje panchchi ka naam
dooje panchchi ka naam
hamre man ki shaanti
dooje panchchi ka naam
dooje panchchi ka naam
is bin ye ghar aise jaise
is bin ye ghar aise jaise
mandir bin ghanshyaam sakhi ri
hamre aangan bagiya
bagiya mein do panchchi
hoye panchchi ud na jaaye dekhna
panchchi ud na jaaye
hamre aangan bagiya


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over ELEVEN years. This blog has more than 15500 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2020) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

15505

Number of movies covered in the blog

Movies with all their songs covered =1195
Total Number of movies covered =4273

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