Posts Tagged ‘Anand Bakshi’
Ham mil gaye dil khil gaye
Posted on: May 8, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day: |
4312 | Post No. : | 15590 |
“Yahi Hai Zindagi”(1977) was directed by K S Sethumadhavan for Vijaya Productions, Madras. The movie had Sanjeev Kumar, Utpal Dutt, Vikram Gokhale, Seema, Neeta Mehta, Tamanna, Komila Virk, David, Romesh Sharma, Ramesh Deo, Adil Aman, Lucky, Umesh Sharma, Vijaylaxmi, Roopa, Raj Baldev, Pt Puranik, Prakash, Madhukar, Kiran, Hanumantachaari, T Arunkumar etc, in it with guest appearances by Rakesh Pandey and Swaraj Kumar.
The movie had four songs in it. Three of these songs have been covered in the past.
Details of the three songs covered in the blog are :-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Pyaar ka badla mujhe dekho kaisa milaa | 6633 | 13-Sep-2012 |
| 2 | Dilruba aa meri baahon mein aa | 6677 | 19-Sep-2012 |
| 3 | Kaali kaali kaise kate | 13942 | 19-Jan-2018 |
Here is the fourth and final song from “Yahi Hai Zindagi”(1977). This song is sung by Rafi and Lata. Anand Bakshi is the lyricist. Music is composed by Rajesh Roshan.
Only the audio of the song is available online as of now. I request our knowledgeable readers to throw light on the picturisation of this song.
With this song, all the songs of the movie are covered and “Yahi Hai Zindagi”(1977) thus joins the list of movies that have been YIPPEED in the blog.
Song-Hum mil gaye dil khil gaye(Yahi Hai Zindagi)(1977) Singers-Rafi, Lata, Lyrics-Anand Bakshi, MD-Rajesh Roshan
Lyrics
hum mil gaye
dil khil gaye
aa aa aa
main teri baahon mein itni khush hoon
ke dar lagta hai
hum mil gaye
dil khil gaye
aa aa aa
main teri baahon mein itni khush hoon
ke dar lagta hai
saamne ae khade thhe ae ae
jo raahon pe ae ae pade thhe
wo sabhi parvat
apni jagah se hil gaye re ae
hum mil gaye
dil khil gaye
aa aa aa
main teri baahon mein itni khush hoon
ke dar lagta hai
aa aa aa aa
laalaalaa aa aa aa
phoolon ki ee ee sej pe
chal ke hum m m aa gaye
kya hua kaanton se
paanv agar chhil gaye re ae
hum mil gaye
dil khil gaye
aa aa aa
main teri baahon mein itni khush hoon
ke dar lagta hai
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4301 | Post No. : | 15564 |
“Jheel Ke Us Paar”(1973) was produced and directed by Bhappie Sonie forBhappie Sonie Productions, Bombay. This movie was based on a Gulshan Nanda novel of the same name. It had Dharmendra, Mumtaz, Prem Chopra, Junior Mehmood, Ranjeet, Fariyaal, Veena, Anwar Hussain, Ifthikar, Urmila Bhatt, Sujata, Polson, Baby Cheeku, Madan Kenny, Rajan Kapoor, Altamash Ghaznavi, Yogita Bali with guest appearance by Jagdish Raj and special appearance by Pran.
The movie had Six songs in it. Three songs have been covered in the past.
Here is the fourth song from “Jheel Ke Us Paar”(1973) to appear in the blog. This song is sung by Lata. Anand Bakshi is the lyricist. Music is composed by R D Burman.
The song is picturised on Mumtaz and Anwar Hussain. I have not watched the movie so I cannot say for sue if Mumtaz plays a blind girl or he pretends to be one in this song. I request our knowledgeable readers to help throw light on the picturisation of this song.
Song-Do ghoont mujhe bhi pilaa de sharaabi (Jheel Ke Us Paar)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
baalama re ae ae ae
zaalimaa aa
arrey arrey arrey arrey
aag paani mein lagaa de zara si
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
gaaungi re
naachungi re
tere liye aaj se main
aaye sharam
lekin balam
mar jaaungi laaj se main aen
gaaungi re
naachungi re
tere liye aaj se main
aaye sharam
lekin balam
mar jaungi laaj se main
baalama re ae ae
zaalimaa
arrey arrey arrey arrey
laaj ka ye ghoonghat uthhaa de sharaabi
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
kis kaam kaa ye jaam hai
ismein mazaa wo nahin hai
bhar ke bhi ye khaali sa hai
ismein nashaa wo nahin hai ae
kis kaam kaa ye jaam hai
ismein mazaa wo nahin hai
bhar ke bhi ye khaali sa hai
ismein nashaa wo nahin hai
saakiyaa re a
e ae saathhiyaa,
arrey arrey, arrey arrey
pyaar thhoda is mein milaa de sharaabi
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
is khel kaa
is mel ka
aaye mazaa khaak aise
tadpe jiyaa
aise mera
bulbul koyee qaid jaise qe
is khel kaa, is mel ka
aaye mazaa khaak aise
tadpe jiyaa
aise mera
bulbul koyee qaid jaise
soniya ve ae ae
raanjhiya
are are are are
ek baar, ek baar, pahra hata de sharaabi
dekh phir hota hai kya
ho
do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
baalama re ae ae
zaalimaa
arrey arrey arrey arrey
aag paani mein lagaa de zara si
dekh phir hota hai kya
ho, do ghoont mujhe bhi pila de sharaabi
dekh phir hota hai kya
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm
Tod de tu is bandhan ko
Posted on: April 26, 2020
- In: "Advice" song | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Lata -Asha Bhonsle duet | Lata song | Lyrics contributed by readers | One actor lip syncing in multiple voices | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1978 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4300 | Post No. : | 15563 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 91 # “Dil Aur Deewaar-1978’
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In Hindi ‘Dil’appears in a large number of titles. I am not listing them here because it will be a ‘long list’.
There are a few movies having ‘Deewaar’ in their titles (viz. ‘Sheeshe Ki Deewaar-1954’, ‘Chaandi Ki Deewaar-1964’, ‘Deewaar-1975’, ‘Waqt Ki Deewaar-1981’, and if we extend a little bit (or ‘cordon’ it? 😊) then ‘Chaar Deewaari’ in ‘1961’.
(I have included only those movies that have been launched on the blog. While preparing this post I found something new which needs to be checked with HFGK and we are always ready to wait for some interesting information in HFM, so we have to wait 🙂 ).
If I am not mistaken there is only one movie that contains both ‘Dil’ and ‘Deewaar’ in its title.
The movie is ‘Dil Aur Deewaar’ in 1978!!!
‘Dil Aur Deewaar – 1978’ was directed by K. Bappaiah for ‘Vijaya and Suresh Combines, Madras’. It was produced by D. Rama Naidu. It had Ashok Kumar, Jeetendra, Rakesh Roshan, Vijay Arora, Moushmi Chatterjee, Nirupa Roy, Prem Chopra, Jagdeep, Tarun Ghosh, Jagdish Raj, Pinchoo Kapoor, Sarika, Manorama, Shyamli, Shanti, Tuntun, Baby Shalu and others. Kamini Kaushal, Roopesh Kumar and K. Jaggaiah make a guest appearance in this movie.
Story of this movie was by Y. Sulochana Rani and its screenplay was written by Tarun Ghosh and Charandas ‘Shokh’. Charandas ‘Shokh’ also wrote the dialogues of this movie. K.A. Marthand was the Chief Editor.
This movie had six songs written by Anand Bakshi and composed by Laxmikant-Pyarelal. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar and Mohd Rafi had given their voices to the songs in this movie.
It was passed by Censor Board on 08.09.1978.
(As mentioned on ‘Wikipedia’ ‘Dil Aur Deewaar-1978 Hindi movie was based on a Telugu movie “Jeevana Tarangalu-1973’ directed by T. Rama Rao.)
I had not watched this movie in those years when I was growing up, but its name somehow was lying dormant in my memory and I don’t know why but I thought that there was something in the posters of this movie (may be a heart shape in place of the ‘ee’ ki maatra’ in its titles in Devnagri Script).
I watched this movie some two years back on my mobile phone (it became the second movie after ‘Aaj aur Kal-1966’ that I watched on my mobile which is the ‘most uncomfortable’ way of watching movies for me. I always prefer and like to watch movies on ‘big screen’ 🙂 )
‘Dil Aur Deewaar-1978’ is an interesting movie to watch and it keeps you engaged till the end of the movie. Few of its songs are also good. While watching the movie, I remembered being familiar with couple of songs from my radio listening days.
The song that I am presenting today appeared most familiar to me. My vaguely memory suggest that I have heard it frequently on radio in those days.
None of the songs of this movie featured in the annual ‘Binaca geetmala’ of that year the movie was released in.
I will not mention about the story of this movie and spoil it for those who wish to watch it. But I would like to write a review of this movie becausee I liked it. The performances of Moushmi Chatterjee, Jeetendra, Rakesh Roshan, Vijay Arora, Sarika and Ashok Kumar are also good given the story line and the regular ‘masaala’ in our movies of that time.
Today 26th April is seventy-second birthday (born on 26th April 1948) of Moushumi Chatterjee and on this occasion I present a song sung by Lata Mangeshkar and Asha Bhonsle, and both of them are singing for Moushumi Chatterjee only. 🙂
The lyrics are by Anand Bakshi and music is composed by Laxmikant-Pyarelal.
Going through the filmography of Moushumi Chatterjee, as I look back at the movies of her that I have watched, I can say I have not watched many of her movies. But I have vague recollections of having watched “Anuraag-1972”, “Ghulam Begam Baadshaah-1973”, “Raftaar-1975”, “Do Jhhoothh-1975” with elders in the family. I surely remember watching “Roti Kapada Aur Makaan-1974”, “Be-naam-1974”, “Jai Bajrangbali-1976”, “Swarg-Narak-1978”, “Manzil-1979”, “Swayamwar-1980”, “Pyaasa Saawan-1981”, watching with family members and cousins.
Also I think I watched “Angoor-1982”, “Ghar Ek Mandir-1984”, “Aag Hi Aag-1987” with cousins in ‘summer vacations’ if I remember clearly.
The latest movie of her I watched was “Piku-2015” and in between there was “Ghaayal-1990”.
I think I watched “Sabse Badaa Rupaiyya-1976” on TV.
Today’s movie “Dil Aur Deewaar-1978” becomes the latest movie of Moushumi Chatterjee that I watched. I like her role in this movie very much and it’s a strong central character in this movie where I think she has performed very well.
Let us now wish Moushumi Chatterjee a very happy birthday today and a healthy and peaceful life ahead. Let us enjoy this song.
Audio
Video
Song-Tod de tu is bandhan ko (Dil aur Deewaar)(1978) Singers-Asha Bhonsle, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics (Based on audio link)
tod de ae
tod de ae
tod de tu is bandhan ko
tod de tu is bandhan ko
ye farz nahin
dastoor nahin
tod de tu is bandhan ko
ye farz nahin
dastoor nahin
teri maang mein lagaa hai jo
ik daagh hai wo
sindoor nahin
tod de tu is bandhan ko
baandh le
baandh le ae
baandh le man ko is bandhan mein
baandh le man ko is bandhan mein
farz hai ye dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
tod de ae
tod de ae
baandh le man ko is bandhan mein
jaisa bhi hai jhhoothh se ae
ye sach achchhaa hai
jaisa bhi hai jhhoothh se ae
ye sach achchhaa hai
mangalsutra nahin ye
dhaaga sachchaa hai
kachche dhaage se bandh jaaye
tu itni majboor nahin
tod de tu is bandhan ko
tod de ae
tod de ae
is dhaage mein bandhi
hazaaron qasmein hain ae ae ae
is dhaage mein bandhi
hazaaron qasmein hain
toot nahin sakti ye
jag ki rasmein hain
tujhpar log hanse
taane den
kya tujhko manzoor hai ye
baandh le man ko is bandhan mein
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
tod de ae
tod de ae
byaah nahin ye dhokha hai
par ab kya ho saktaa hai
mujhko kuchh bhi yaad nahin
phir bhi tu aazaad nahin
ye sab kisne dekhaa hai
saakshi bhaagya ki rekha hai
ye rekha mit sakti hai
kisme itni shakti hai
kaun hai tu
kaun hai tu
kya tera hai
teraa jeevan mera hai
main teri na maanoongi
tujhe main bujhdil jaanoongi
hunh
ha ha ha ha ha
is dukh se dil choor hai ye
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
farz hai ye
dastoor hai ye
kaun mitaa saktaa hai isko
rang nahin sindoor hai ye
baandh le man ko is bandhan mein
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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तोड़ दे ए
तोड़ दे ए
तोड़ दे तू इस बंधन को
तोड़ दे तू इस बंधन को
ये फ़र्ज़ नहीं
दस्तूर नहीं
तोड़ दे तू इस बंधन को
ये फ़र्ज़ नहीं
दस्तूर नहीं
तेरी मांग में लगा है जो
इक दाग़ है वो
सिन्दूर नहीं
तोड़ दे तू इस बंधन को
बाँध ले
बाँध ले ए
बाँध ले मन को इस बंधन में
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
तोड़ दे ए
तोड़ दे ए
बाँध ले मन को इस बंधन में
जैसा भी है झूठ से ए
ये सच अच्छा है
जैसा भी है झूठ से ए
ये सच अच्छा है
मंगलसूत्र नहीं ये
धागा कच्चा है
कच्चे धागे से बंध जाए
तू इतनी मजबूर नहीं
तोड़ दे तू इस बंधन को
तोड़ दे ए
तोड़ दे ए
इस धागे में बंधी
हज़ारों कसमें है ए ए ए
इस धागे में बंधी
हज़ारों कसमें है
टूट नहीं सकती ये
जग की रस्में है
तुझपर लोग हँसे
ताने दे
क्या तुझको मंज़ूर है ये
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
तोड़ दे ए
तोड़ दे ए
ब्याह नहीं ये धोखा है
पर अब क्या हो सकता है
मुझको कुछ भी याद नहीं
फिर भी तू आज़ाद नहीं
ये सब किसने देखा है
साक्षी भाग्य की रेखा है
ये रेखा मिट सकती है
किसमे इतनी शक्ति है
कौन है तू
कौन है तू
क्या तेरा है
तेरा जीवन मेरा है
मैं तेरी ना मानूंगी
तुझे मैं बुझदिल जानूंगी
हुंह
हा हा हा हा हा
इस दुःख से दिल चूर है ये
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
फ़र्ज़ है ये
दस्तूर है ये
कौन मिटा सकता है इसको
रंग नहीं सिन्दूर है ये
बाँध ले मन को इस बंधन में
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4298 | Post No. : | 15556 |
“Jeet”(1972) was produced and directed by Adurthi Subba Rao for Babu Movies Combines Private Limited. This social movie had Randhir Kapoor, Babita, Jeevan, Rajendra Nath, Sunder, Roopesh Kumar, Dulari, Hina Kausar, Sulochana Latkar, Manorama, Nana Palsikar, Hari Shivdasani, Anwar Hussain, Sanjana, Dada Mirasi, Keshav Rana, Bhatt, Master Shahid, Jateen (new find), Bhanumati, Shanti, Prabha, Kalavathi, Baby Sudha etc in it.
The movie had six songs in it. Five songs have been covered in the past.
Here are the details of these songs:-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Sheeshi bhari ghulaab ki patthar pe tod doon | 1857 | 2-Sep-2009 |
| 2 | Chal Premnagar jaayegaa batlaao taangewaale | 2181 | 23-Nov-2009 |
| 3 | Babloo miyaan jaao tum bade wo ho | 2209 | 1-Dec-2009 |
| 4 | Khush kar diya tu ne mere raama | 14351 | 22-May-2018 |
| 5 | Dholak bajaao aao sakhi aao | 16073 | 15-June-2019 |
Here is the sixth and final song from the movie to appear in the blog. This song is sung by Lata and Rafi. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.picturised on
This expression of love song cum proposal song is picturised on Randheer Kapoor and Babita, who actually ended up tying the knot in real life as well. A few years later, his younger brother Rishi Kapoor would follow suit and end up marrying Neetu Singh.
With this song, all the songs of “Jeet” (1972) are covered. The movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Kisi akeli ladki ko bolo o bolo phir sataaoge(Jeet)(1972) Singers-Lata, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics (Provided by Prakashchandra)
kisi akeli ladki ko
bolo o bolo phir sataoge
tauba meri tauba
tauba meri tauba
kisi paraayi naari se bolo
o bolo aankh ladaaoge
tauba meri tauba
tauba meri tauba
ho sainyaan
thham lo bainyan
kisne hai roka
phir na milega kabhi aisa mauka
aao prem karoge
nahin nahin nahin
aahen bharoge
nahin nahin nahin
hum pe maroge
nahin nahin nahin
panihaariyon ke panghat pe
bolo o bolo
kya phir aoge
tauba meri tauba
tauba meri tauba
o dekho hum tum donon aaj akele
baagon mein laage phoolon ke mele
bolo kya marzi hai
nahin nahin nahin
sun lo arzi hai
nahin nahin nahin
sardi lagti hai
haan haan haan
hey
meri gali aake meethhi meethhi seeti tum bajaaoge
tauba meri tauba
tauba meri tauba
kisi akele ladke ko
bolo o bolo phir sataaogi
tauba meri tauba
tauba meri tauba
ho tere naam ki maala phera karenge
roz tujhe hum chheda karenge
inkaar karegi
nahin nahin nahin
takraar karegi
nahin nahin nahin
o yaani pyaar karegi
haan haan haan haan haan
jo hum kalaayi pakden to bolo
ho bolo shor machaaogi
tauba meri tauba
tauba meri tauba
tauba tauba tauba
tauba meri tauba
tauba meri tauba
tauba meri tauba
tauba tauba tauba
tauba meri tauba
Bhaag mere Raamu jaag mere Shaamu
Posted on: April 9, 2020
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4283 | Post No. : | 15529 |
Hello Atuldom
I am back again with one more birthday post. I was aware of this date- 9th April. For additional reminder Avinashji played my alarm this time. Every year I make mental notes to wish this Bengali Beauty but on the run-up to the date I end up forgetting to write and send a song.
When I shared my experience of seeing the dream girl at Mumbai airport with my friends from school we had a major down-memory-lane session. We remembered who was whose fan at that young age of ours. And my friends were talking of how I was a die-hard Rekha fan and she herself was a Jaya Bhadhuri fan. Actually we were three of us and between us we had Rekha, Jaya and Hema as favourites and the other heroines of those time were also-rans in our opinion. Oh! to be that age again!!! Hope the song with post is liked by my girl-gang.
Jaya Bhaduri (later known as Jaya Bachchan) is an actress who had a naturalistic style of acting in both commercial and middle of the road movies. She debuted at the age of 15 in a Satyajit Ray film in Bengali, joined FTII graduated and made her Hindi debut in the title role of “Guddi” in 1971. This was followed by similar girl-next-door roles in “Mili”, “Chupke Chupke”, “Bawarchi”, “Piya Ka Ghar” etc. She tried to play slightly urban characters in “Jawani Deewani”, “Dil Deewana”, “Naya Din Nayi Raat”, “Parichay”; these characters were independent and had a mind of their own and could make decisions for themselves. Whether girl-next-door or modern, her footing was on-par with the male lead. Her “raat-ki-rani” in “Shor” or “knife sharpener” Mala of “Zanjeer” and Sushma of “Naya Din Nayi Raat” are still remembered fondly. She had the distinction of playing girl-friend, wife, daughter and bhabhi to Sanjeev Kumar. She has played daughter to Dharmendra twice -“Phagun” and “Samadhi”. She had acted in about nine movies with Amitabh as co-star before she took a sabbatical to look after her family.
During her days as lead actress there was one movie with an unusual casting- Gaai aur Gori. I have not seen the movie but from what I have read on IMDB and in the post (Gori o gori prem kar le)by Avinashji for the only song to be posted; the movie was the story of a village belle (something that Jaya Bhaduri had never played) who has a pet cow and her journey through life. “Gaai aur Gori” was a movie were she paired with Shatrughan Sinha (this movie also joins my list of movies to be seen).
Now today’s song has Jaya in the riding a bullock cart through the village singing in the voice of Lata Mangeshkar a song written by Anand Bakshi and composed by Laxmikant Pyarelal. From the video it looks like she has a tomboyish character in the movie. This song reminded me of the “sawaan ka mahina” song from “Milan” in the sense that Lata says the word ‘Shamu’ as ‘Saamu’.
Here is wishing our Guddi a very Happy Birthday
Audio
Video
Song-Bhaag mere Raamu jaag mere Shaamu (Gaai Aur Gori)(1973) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics(Based on Audio link)
oh Ramu bhaiyya,
saamu bhaiyya
ghar ko chalo
baarish aane waali hai
champa chameli
kaahe saheli
hum nikli akeli
rutt aise jaise koi paheli
paanv mein paayal honthon pe raag
bhaag bhaag bhaag bhaag bhaag bhaag
bhaag mere raamu
jaag mere saamu
bhaag mere raamu
jaag mere saamu
chal jaldi se chal
lambi dagar
chhoti umar
anmol har ek pal
chal chal chal
bhaag mere raamu
jaag mere saamu
chal jaldi se chal
lambi dagar
chhoti umar
anmol har ek pal
chal chal
bhaag mere raamu
jaag mere saamu
aise na chal hauley hauley
lamba safar dil doley doley
aise na chal hauley hauley
lamba safar dil doley
ghoonghat na kholey
gori sharmaaye
haaye
raste mein kisi se nazar na lad jaaye
ho amber pe baadal dharti pe aag
bhaag bhaag bhaag bhaag bhaag
bhaag mere raamu
jaag mere saamu
chal jaldi se chal
lambi dagar
chhoti umar
anmol har ek pal
chal chal chal
bhaag mere raamu
jaag mere saamu
peechhe shahar gaanv aage
daiyya re daiyya darr laage laage
peechhe shahar gaanv aage
daiyya re daiyya dar laage
roop ke choron ki hai ye nagariya
mele se main laayi malmal ki chunariya
ho mukhde pe jhoome zulfon ke naag
bhaag bhaag bhaag bhaag bhaag
bhaag mere raamu
jaag mere shaamu
chal jaldi se chal
lambi dager
chhoti umar
anmol har ek pal
chal chal
bhaag mere raamu
jaag mere saamu
Saamne aa dekhe zamaana saara
Posted on: April 7, 2020
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4281 | Post No. : | 15525 | Movie Count : |
4280 |
Hullo Atuldom
April 7th, 2020. Day 14 of the holidays that whole of India is experiencing. I don’t know about others but I am having my husband’s company, reading every single WhatsApp message and their accompanying videos and seeing many movies- some of which for the “nth” time; language no-bar.
Seeing repeats of movies has its advantage. We see things that make up the background, notice the expressions of chorus dancers, look at the supports that the actors have when they do activities that they aren’t comfortable with. For example, I was seeing Amitabh starrer “Yaarana” a few days back. There is a scene where Amitabh and Amjad Khan are shown to be indulging in Hang-gliding. Now I have been seeing this movie since 1979 and have lost count of the number of times I have seen it. This time I saw that in the hang-gliding scene there is some kind of metal support that is inserted into the outfits of the actors. Now I would like to know that is that kind of safety measure available for all aficionados of hang-gliding or that was something special for the shoot.
Another habit I have acquired of late is seeing movies in all the languages it is made in -Hindi, Tamil, Malayalam or Telugu. And there is no paucity of such movies. I had seen a 1979 Tamil movie “Nallathoru Kudumbam” (roughly translating to “Wonderful Family”) with Shivaji Ganesan and Vanisri in the lead. They played a couple whose married life is rocked by the wife suspecting her husband’s loyalty due to his colourful past. It was a remake of the 1977 Telugu film “Aalu Magalu” (Wife and Husband) which had Vanisri with Nageshwara Rao. When I saw the Tamil movie on Satellite TV a few years back I had mentally thought that the songs from its Hindi version should be here on the blog.
Here is the opportunity for “Judaai” (1980) to make its entrance into the blog. Jeetendra is turning a year older- 78 to be exact. He has had a long innings in the movies starting with playing the heroine Sandhya’s body double in Shantaram’s ‘Sehra’ in 1963.
To my knowledge he was last seen in Farha Khan’s ‘Om Shanti Om’ in 2007. He has had Mumtaz, Rajashree, Leena Chandavarkar, Hema Malini, Moushumi Chatterjee, Rekha, Reena Roy as his heroines in the late 60s and 70s. 80s saw him successfully pairing up with Sridevi and Jaya Prada. Along the way he has occasionally paired with Sharmila Tagore, Mala SInha, Zeenat Aman, Parveen Babi, Shabana Azmi, and Bindiya Goswami too.
Jeetendra and Rekha acted in 31 films and were romantically paired in 26 of which 15 were hits beginning with ‘EK Bechara” in 1972. “Judaai” was also a Rekha- Jeetendra movie. Sachin and Arun Govil played their sons with Shoma Anand and Tamanna playing the daughters-in-law.
Today’s is a party song where we have a middle-aged Dr. Shashikant (Jeetu) out-dancing Lily (Aruna Irani) after she has defeated the youngsters Sachin and Arun Govil. This was a guest appearance of Aruna Irani who was seen with Jeetu in ‘Farz’ and ‘Caravan’. The song is sung by Asha Bhonsle and Kishore Kumar with Anand Bakshi as the writer and Laxmikant Pyarelal as the music directors. This song was inspired from either The Beatles, Boney M or ABBA
Video (Longer but poor quality)
Video (shorter but good quality)
Audio
Song-Saamne aa dekhe zamaana saara (Judaai)(1980) Singers-Asha Bhonsle, Kishore Kumar, Lyrics- Anand Bakshi, MD-Laxmikant Pyarelal
Lyrics
—————————-
Dialogues
—————————–
Hey
come on
how about you
young man
hahahahahaha
ho ho ho ho ho
hai koi
jo mere muqaabil aaye
dekh kya rahe ho
jawaab do
haan
Yes
I am here
o o
tum naachoge
ye umar
aur ye jigar
puraane chaawalon ka dam tumne abhi dekha nahin
yeah yeah come on
buck up
—————————-
Song begins
—————————
saamne aa
dekhe zamaana saara
saamne aa
dekhe zamaana saara
saamne aa
maine pukaara tujhe
maine lalkaara tujhe ae
saamne aa
dekhe zamaana saara
saamne aa
hey
saamne aa
dekhe zamaana saara
saamne aa
maine pukaara tujhe
maine lalkaara tujhe
zara sambhal tu
hey hey
sambhal ke chal tu
hey hey
zara sambhal tu
hey hey
sambhal ke chal tu
whoo le woo
puraani yaad aa gayi
hey
jawaani yaad aa gayi
hey
puraani yaad aa gayi
hey
jawaani yaad aa gayi
hey
saamne aa
dekhe zamaana saara
saamne aa
kitne haseenon ka garoor
toda hai
haan haan toda hai
kitne haseenon ka garoor
toda hai maine jawaani mein
woh din gaye
woh mausam gaye
haan woh din gaye
woh mausam gaye
rakkha hai kya iss kahaani mein
ye baat hai
haan haan ye baat hai
ye baat hai
haan haan ye baat hai
toh zara sambhal tu
hey sambhal ke chal tu
zara sambhal tu
sambhal ke chal tu
whoo le woo
u u u u u u
puraani yaad aa gayi
jawaani yaad aa gayi
puraani yaad aa gayi
jawaani yaad aa gayi
saamne aa
dekhe zamaana saara
saamne aa
Chhote Miyan toh chhote Miyaan
arre bade Miyaan kya kehna aa aa
Chhote Miyaan toh chhote Miyaan
ho bade Miyaan kya kehna
Ab bhi kisi se main kam nahin
isi dhokhe mein tu mat rehna
Yeh baat hai
Haan haan yeh baat hai
Yeh baat hai
Haan ji yeh baat hai
Zara sambhal tu
Sambhal ke chal tu
Zara sambhal tu
Sambhal ke chal tu
Whoo le wooo
puraani yaad aa gayi
jawaani yaad aa gayi
puraani yaad aa gayi
jawaani yaad aa gayi
saamne aa
dekhe zamaana saara
saamne aa
dekha meri lay toot gayi gayi gayi
dekha meri lay toot gayi gayi gayi
toone mujhe kyun chheda hai
aata nahin jin ko naachnaa
aata nahin jin ko naachnaa
kehte hain aangan tedha hai
aata nahin jin ko naachnaa
kehte hain aangan tedha hai
whoo le wooo
whoo le wooo
whoo le wooo
hahaha
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lover's tête-à-tête | Lyrics contributed by readers | playful song | Post by Peevesie's mom | Snowy mountain song | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
- 1 Comment
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4278 | Post No. : | 15516 |
Hullo Atuldom
The song with this post was very popular in the 70s. We can hear it occasionally even now on the AIR’s Vividh Bharati. It is sung by Lata Mangeshkar and Kishore Kumar. Anand Bakshi is the lyricist with RD Burman as the music director.
‘Bhanwar’ (1976) was directed by Bhappie Sonie and had a cast headed by Ashok Kumar, Randhir Kapoor, Parveen Babi, Aruna Irani, Asrani, Ranjeet, Kamini Kaushal, Nadira, Madan Puri etc. Two songs from this movie are already posted on this blog.
We are having the third song today to remember Parveen Babi – today on her 71st birthday. This beautiful lady was born in Junagadh and had her schooling in Ahmedabad. She made her debut opposite Salim Durrani (‘Charitra’, 1973) but her first success was opposite Amitabh Bachchan in ‘Majboor’ (1974). She had a good run at the box office and co-starred with all the heroes of her time. Her career spanned around 15/16 years from 1973 to 1988 with one movie releasing rather late in 1991. She led a lonely life after she stopped acting and withdrew from public eye. She passed away on 20th Jan, 2005.
Thinking of the beautiful Parveen Babi today with this song
Song – Aankhen Milaayenge Baaten Sunaayenge (Bhanwar) (1976) Singer – Lata Mangeshkar, Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman
Lata + Kishore
Lyrics
aankhen milaayenge
baaten sunaayenge
aankhen milaayenge
baaten sunaayenge
palken bichhaayenge
zulfen bikhraayenge
phir kisi din
aaj kya karenge
ho aaj sirf gaana gaayenge
aankhen milaayenge
baaten sunaayenge
palken bichhaayenge
zulfen bikhraayenge
phir kisi din
bhai aaj kya karenge
ho aas sirf gaana gaayenge
gaane ke liye yahaan aana kya zaroori tha
jaane ke liye ye bahana kya zaroori tha
gaane ke liye yahaan aana kya zaroori tha
jaane ke liye ye bahana kya zaroori tha
achha maan jaate hain
nahi tadpaate hain
ye baat huyi na
la la laa laa laa laa laa laa
mil ke leheraayenge
kabhi paas aayenge
kabhi door jaayenge
roothenge manaayenge
phir kisi din
oho aaj kya karenge,
ho aaj sirf gaana gayenge
pyar mein gile shiqwe ka mauka deti ho
ghar se bula ke raste me dhokha deti ho
pyar mein gile shiqwe ka mauka deti ho
ghar se bula ke raste mein dhokha deti ho
achha chalo theek hai
kuchh bhi ho preet hai
wada raha naa
haan wada
la la laa laa laa laa laa laa
preet ye nibhaayenge
aankhon mein basaayenge
tumko naa rulaayenge
hasenge hasaayenge,
phir kisi din
bhai aaj kya karenge,
ho aaj sirf gaana gaayenge
aankhen milaayenge
baatein sunaayenge
palke bichhaayenge
zulfen bikharaayenge
phir kisi din
to aaj kya karenge
aaj sirf gaana gaayenge
aaj sirf gaana gaayenge
lal laa la la la laa
lal laa la la la la laa
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
आँखें मिलाएंगे
बातें सुनाएँगे
आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे
आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
भई आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे
गाने के लिए यहाँ आना क्या ज़रूरी था
जाने के लिए ये बहाना क्या ज़रूरी था
गाने के लिए यहाँ आना क्या ज़रूरी था
जाने के लिए ये बहाना क्या ज़रूरी था
अच्छा मान जाते हैं
नहीं तड़पाते हैं
ये बात हुई ना
ल ल ला ला ला ला ला ला
मिल के लहराएंगे
कभी पास आएंगे
कभी दूर जाएँगे
रूठेंगे मनाएंगे
फिर किसी दिन
ओ हो आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे
प्यार में गिले शिकवे के मौका देती हो
घर से बुला के रस्ते में धोखा देती हो
प्यार में गिले शिकवे के मौका देती हो
घर से बुला के रस्ते में धोखा देती हो
अच्छा चलो ठीक है
कुछ भी हो प्रीत है
वादा रहा ना
हाँ वादा
ल ल ला ला ला ला ला ला
प्रीत ये निभाएंगे
आँखों में बसाएँगे
तुमको ना रुलाएंगे
हंसेंगे हंसाएंगे
फिर किसी दिन
भई आज क्या करेंगे
हो आज सिर्फ गाना गाएँगे
आँखें मिलाएंगे
बातें सुनाएँगे
पलकें बिछाएंगे
ज़ुल्फें बिखराएंगे
फिर किसी दिन
तो आज क्या करेंगे
आज सिर्फ गाना गाएँगे
आज सिर्फ गाना गाएँगे
ला ला ल ल ल ल ला
ला ला ल ल ल ल ला
Tu Ne Mujhe Bulaaya Sheraanwaaliye
Posted on: March 31, 2020
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4274 | Post No. : | 15509 | Movie Count : |
4275 |
Songs Repeated in Hindi Films – 18
– – – – – – – – – – – – – – – – – –
So this suggestion and reminder from Anekant ji, dropped into my mail box yesterday. And I take this opportunity to present this repeat song that is so appropriate for the continuing celebrations of Navratri.
The original song – “Tu Ne Mujhe Bulaaya Sheraanwaaliye“, is from the film ‘Aasha’ (1980) and on screen it is performed by Jeetendra and others. Reena Roy is present in the picturization. Fast forward eight years to 1988 and the song has been repeated in the film ‘Do Waqt Ki Roti’ (1988), as is. Meaning, it is not a re-recording. The song has been replayed as original. The only difference is that a full antaraa is deleted. The original song has two antaraas, and this reuse song has only one.
‘Do Waqt Ki Roti’ is produced by MP Aggarwal and is directed by Satpaal. The primary cast of actors is listed as Feroz Khan, Sanjeev Kumar, Reena Roy, Sulakshana Pandit, Nirupa Roy, Amjad Khan, Shakti Kapoor, Satyendra Kappu, Ranjeet, and Jagdeep. The film has five songs, other that this reuse song.
The interesting similarity that the music directors of these two films are the same. So maybe that is why the reuse may not have been a problem. However, as usual, this reuse song is not listed in the list of songs of this film.
Today is the sixth day of Navratri celebrations. The incarnation of the Goddess Mother that is worshipped today is Maa Kaalratri or Maa Mahakaali. I would like to discuss this appearance of the Mother in a little more detail. It is quite possible that the readers may be quite familiar with this description.
The description is as per the Devi Bhagwat. As it their wont – the Devatas have been defeated by two powerful aruras (demons) – Shumbh and Nishumbh, and had lost the occupation of the Kingdom of Heavens. The commander of the asura armies was another demon named Raktbeej. Raktbeej had a boon that he had received from Brahma ji. As is usual the asuras, after long periods of penance and austerities, would always end up asking for the blessing of longevity – that they could never be destroyed. This boon has been asked for by the asuras in many different forms. Raktbeej asked for this boon in the form that in case he is in a battle, and he is wounded, then when his blood touches the ground in form of drops, every drop will immediately form a replica of the Raktbeej himself. So even if he is wounded, just by the result of this blessing, an army of Rakbeej clones will be created. By this way, Raktbeej may never be vanquished, and he would only get stronger with additional forces of clones of himself to support him.
The Devatas were in despair, and they prayed to the Mother Goddess. She appeared and asked them what were they seeking from Her. They explained the predicament in their battle against Shumbh and Nishumbh – that they, the Devatas will never be able to defeat the asuras, as long as their commander Raktbeej is leading them. The Mother Goddess assured them of help, and sent them away to wage another war on the asuras. The battle started. Devatas started to target Raktbeej, but his blessing still obstructed the Devatas to make any headway in the fight. In fact, when Devatas would inflict any blow Raktbeej, the drops of blood from his body, as they touched the ground, would sprout into another Raktbeej, thus strengthening the army of asuras.
The Mother Goddess then took on the form of Maa Kaali and joined the battle. The appearance and demeanor of the Mother in the Kaali form was frightening. Completely black in appearance from head to toe, wearing black, long black hair loose open and waving, a garland made of skulls in the neck, and wearing a skirt made from the limbs of the dead, with a khadag (a sword like weapon, curved in a different way) in one hand, and bowl made from the outer layer of a coconut, in the other hand. The fearful appearance was further enhanced with a long red tongue that perpetually remained outside the mouth, waving like a blood red serpent.
She reached close to Raktbeej and hit him with the khadag. An injured Raktbeej started to bleed from his wounds. Maa Kaali reached out with her waving tongue and started to lap up every drop of his blood that oozed out of his wounds. Working feverishly with her long tongue, she picked up very drop of blood from Raktbeej’s body, and continued to strike him. Losing blood, he started to become weak, as he continued to lose blood and his strength. And the boon was going waste because Maa Kali did not allow the drops of his blood to reach the ground. Finally, Maa Kaali cut off the head of Raktbeej with a blow from her khadag. To catch the falling blood from the dethatched neck, Maa Kali held the coconut bowl under it, once again not allowing even a drop of blood to fall on the ground. As the cup would overflow, Maa Kaali would drink from it, to make room to hold more blood.
The appearance and sight of the Mother was really frightful. She seemed to not be under Her own control. Waving the khadag in anger, she started to destroy anything and anybody that crossed her path. The army of asuras was thus decimated, but the Mother could not be stopped. The Devatas then prayed to Lord Shiv and requested him to rescue them from the wrath of Maa Kaali. Lord Shiv appeared to face Maa Kaali, but he too could not dissuade her and calm her down. She continued in her stride, destroying everything in her path. Then Lord Shiv lay down on the ground, in the path where she was headed. Maa Kaali continued in her stride and finally set a foot on Lord Shiv himself. Realizing suddenly that she had stepped on to her own consort, she came to a halt. Her anger dissipated, she stepped back and became calm.
There is a reason that describe this episode today. Today is the day of the worship of Maa Kaalratri, or Maa Kaali, and so it is appropriate to recount her legend. I remember hearing this narrative recounted to me by elders, or reading it in books, and I always used to wonder at the bizarre description of this event. Years passed and as I came to high school, I would finally get a reasonable explanation of this narrative. In the biology class, as we read about viruses and infections and deadly diseases, it suddenly came together in my mind that this description of Maa Kaali is so analogous to weeding out a deadly disease. Raktbeej is the infection that multiplies incessantly. The more you try to root it out, the more it spreads. Like the drops of blood falling on ground, it is the viruses that attack healthy cells, they multiply, and then attack more healthy cells. Maa Kaali is likened to the antidote to the infection, that attempts to cut down the avenues for the infection to spread, not allowing it to reach more healthy cells thus depriving it of its resources to multiply.
That is quite much the situation that is faced by the world in present times. An unbridled and unknown new infection is running rampant through the human population, incurring a very high toll of fatalities. The mechanism of isolation and social distancing is analogous to not allowing the drops of blood of Raktbeej to fall on the ground, and not find newer option to breed and grow. The ideas that had formed in my mind during my high school studies of biology, are kind of getting reflected in the events of this worldwide spread of the deadly virus infection. The containment solution is in being isolated and not allowing propagation. Countries that are practicing this measure, are being somewhat successful in minimizing the fatal damage to the population. And the nations that, for whatever reason of culture or politics are failing to exercise this discipline, are on the way to incur heavy losses in terms of human life. A scenario that is described in our ancient texts is playing out in the real world with a very eerie congruence.
So, the day to pray to Maa Kaali today, is the day also to understand this mechanism of disallowing Raktbeej to replicate itself and to curtail the damage that can be done by an uncontrolled spread of this contagion.
May the Mother Goddess Maa Kaali appear once again on this earth, and destroy this Raktbeej like malady, cleanse this earth and rescue her children.
Ameen.
Song – Tu Ne Mujhe Bulaaya Sheraanwaaliye (Do Waqt Ki Roti) (1988) Singer – Narendra Chanchal, Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Chorus
Lyrics
saanchi jyoto waali maata. . .
maata. . .
teri jai jaikaar
jai jaikaar. . .
jai jaikaar. . .
jai jaikaar. . .
tu ne mujhe bulaaya sheraanwaaliye. . .
main aaya main aaya sheraanwaaliye
tu ne mujhe bulaaya sheraanwaaliye. . .
main aaya main aaya sheraanvaaliye
o jyotaan vaaliye
pahaadaan vaaliye
o mehraan vaaliye. . .
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye
o o o
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye
kaun hai raaja
kaun bhikhaari
kaun hai raaja
kaun bhikhaari
ek baraabar tere saare pujaari
tu ne sab ko darshan de ke
tu ne sab ko darshan de ke
apne gale lagaaya sheraanvaaliye
tu ne mujhe bulaaya sheraanvaaliye
o jyotaan vaaliye
pahaadaan vaaliye
o mehraan vaaliye. . .
tu ne mujhe bulaaya sheraanvaaliye. . .
main aaya main aaya sheraanvaaliye
o prem se bolo
jai maata di
o saare bolo
jai maata di
o aate bolo
jai maata di
o jaate bolo
jai maata di
o kasht nivaare
jai maata di
o paar utaare
jai maata di
devi maan bholi
jai maata di
bhar de jholi
jai maata di
o jode darpan
jai maata di
maa de ke darshan
jai maata di
o jai maata di
jai maata di
jai. . . maata di..ee..ee
jai maata di
jai maata di
jai maata di
sheraanwaali ki jai
jai maata di
jai maata di
pahaadaan vaali ki jai,
jai maata di
jai maata di
vaishno raani ki jai
jai maata di
jai maata di
ambe raani ki jai
jai maata di
jai maata di
pahadaan waali ki jai
De Deedar, O Dildaar
Posted on: March 30, 2020
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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A rain drop falls on a smoldering matchstick. And extinguishes it. A poet sees this happening. And the poet’s mind creates the lines that go on to become an iconic song that lead the on screen performer by hand to the rising heights of super-stardom. You may have already guessed it. Ah yes, I am talking about ‘Amar Prem’ (1971) and Rajesh Khanna. The song – “Chingaari Koi Bhadke To Saawan Usey Bhujaaye”. And the poet behind this hit song – Anand Bakshi.
Remembering Anand Bakshi on his remembrance day today. He passed away this day in 2002.
A career that had quite a chequered start, lasted for more than 4 decades. And continued to produce hits after hits all the way till he passed away. Chequered in that he joined the army in 1947 as a switchboard operator in the Signals Core; left the army and came to Bombay (now Mumbai) in early 1950s; made no headway and in despair, returned to join the army; but could not get rid of the film-bug. He resigned from the army again in 1956 and came to Bombay once again. This time he stuck it out. Bhagwan Dada gave him a break in his 1958 film ‘Bhala Aadmi’. The young Anand, then 27 years old, penned six songs for that film. One song by him had already appeared in an obscure 1957 film ‘Silver King’. Sadly, maybe expectedly, no songs of ‘Silver King’ are available. His debut song is probably lost forever, barring some miracle discovery.
The stumbling start led to success, slowly but surely. Popular hits came in ones and twos, and Anand continued to push his career graph, always up and up. Seven films carried his songs in 1959. Not popular hits, but surely a few are a good listen. Attention came his way in 1960, with films like ‘Air Mail’ – “Shoon Shadap Nazron Ki Jhadap” and “Tumhin Ne Mera Dil Chheen Kar”; ‘Mehlon Ke Khwab’ – “Lo Ji Bujh Gayi Bijli Pyaar Ki”; ‘Zameen Ke Taare’ – “Tinke Pe Tinka, Chhutti Ke Din Ka”; Then in 1961 came the film ‘Razia Sultana’ with Nirupa Roy and Jairaj in lead roles. The duet written by Anand went on to become an all time favorite – “Dhalti Jaaye Raat, Keh Le Dil Ki Baat”.
Then came 1962, with the perennial favorite qawwaali – “Meri Taveer Le Ke Kya Karoge”. Plus the films ‘Mehndi Lagi Mere Haath’, ‘Baanke Saanwariya’ with a good repertoire of songs by Anand. And the year was topped by the one song he wrote for ‘Vallah Kya Baat Hai’ – “Ghame e Hasti Se Bas Begaana Hota”. He was 32 years of age.
1963 was adorned with another wonderful qawwali from his pen. The film – ‘Jab Se Tumhen Dekha Hai’, and the song – “Tumhen Husn De Ke Khuda Ne Sitamgar Banaaya Banaaya”. That year, we also have from him “Taaron Ki Chhaon Taley, Shamma Parwaane Miley” in the film ‘Zaraak Khan’, and the sterling Mukesh solo – “Chaand Aaahen Bharega” from the film ‘Phool Baney Angaare’, which was otherwise loaded with a set of charming hits.
Next was 1964 (of course 🙂 ) and the film for which Anand teamed up with Laxmi-Pyaare to produce a set of songs that have remained on the lips and in the mind of music lovers since then – ‘Mr X In Bombay’. And this was the year that this young poet made it to the Binaca Geet Mala listing (at no. 6) for the first time with the song – “Mere Mehboob Qayaamat Hogi”. What a song it is, and what a set of lilting songs this film carries. Anand’s foothold in the tinsel town was now firm and very steady.
1965 – and just the sampling of films should be enough – ‘Himalay Ki God Mein’, ‘Jab Jab Phool Khile’, ‘Lutera’, ‘Shriman Funtoosh’ and ‘Teesra Kaun’ – memorable songs that are too numerous to be listed individually. Notable mentions required though, for “Hamen Kya Jo Har Su Ujaale Huye Hain” from ‘Namaste Ji’ and “Ye Dard Bhara Afsaana” from ‘Shriman Funtoosh’. And yes – “Pyaar Ka Fasaana Bana Le Dil Deewaana” from ‘Teesra Kaun’.
Going from strength to strength, Anand rounded off the year 1966 with fabulous songs in films like ‘Aasra’, ‘Aaye Din Bahaar Ke’, ‘Devar’, ‘Pati Patni’, ‘Preet Na Jaane Reet’, ‘Professor X’, and ‘Sunehre Qadam’.
In 1967, Anand completed 10 years of his career in the Bombay film industry with top hits in films like ‘Milan’, ‘Farz’, ‘Night In London’, ‘Aamne Saamne’, ‘Milan Ki Raat’, ‘Chandan Ka Palna’, and ‘Taqdeer’. What more to say.
The remaining years of the 1960s decade – even listing a sampler would be too much space to cover. Suffice to say that the super hit “Mere Sapnon Ki Raani. . .” that truly launched Rajesh Khanna on the way to super stardom, came from the pen of Anand Bakshi.
And he would go on writing for another three and a half decades – including perennial favorites like “Hum Ko Tumse Ho Gaya Hai Pyaar Kya Karen” (‘Amar Akbar Anthony’, 1977), “Tujhe Dekha To Ye Jaana Sanam” (‘Dilwaale Dulhaniya Le Jaayenge’, 1995), and thousands more – in fact a total of 3,500 songs spread out across more than 635 films. Such a career cannot be done justice in a single blog post. 🙂
Thanks Anand Bakshi ji, for so many wonderful memories to hum and enjoy.
Coming to the song for today. As I was seeking to get one of his earliest songs to present today, I came upon this wonderful Rafi solo that has been tuned by S Mohinder. The film is ‘Sun To Le Haseena’ which belongs to his debut year 1958.
Produced under the banner of Filmistan Limited, the film is directed by SP Bakshi. The star cast is listed as Shashikala, Ravindra Kapoor, Agha, P Kailash, Badri Prasad, Randhir, Gulab, Sabita Chatterjee, Kanu Rai, Manju, Manohar Geer, Majnu, Vitthal Das Panchotia, Madhu Apte, Ramlal, Leela, Bazid Khan, Rajeshwar Singh, Noor, Chandramohan, Pathak, Shantaram, Ravi Tandon, Sundar, and Pal.
The film has a total of seven songs written by four songwriters, with Anand’s contribution tally is three. (Other songwriters are Sarshaar Sailaani, Kaif Irfaani and Raahil Gorakhpuri). This is the second song of this film, written by him to be showcased here, and the third song from the film.
Rafi Sb has rendered this call-to-the-beloved song with gusto. A very interesting listen, I am sure you will agree.
Song – De Deedar, O Dildaar (Sun To Le Haseena) (1958) Singer – Mohammed Rafi, Lyrics – Anand Bakshi, MD – S Mohinder
Lyrics
de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .
hota hai kahin kuchh khatka
lagta hai mujhe ik jhatka
hota hai kahin kuchh khatka
lagta hai mujhe ik jhatka
pal chhalak chhalak jaata hai
mere armaanon ka matka
mere armaanon ka matka. . .
har aahat pe chaunk ke jaani hota hoon taiyaar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .
o nakhre takhre waali
ye raat hai kaali kaali..ee. . .
o nakhre takhre waali
ye raat hai kaali kaali
kar saamne chaand sa mukhda
chaahe chhup ja de kar gaali
chaahe chhup ja de kar gaali. . .
varna faand ke aa jaaunga ye oonchi deewaar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .
main tujh pe ho ke lattu
tere naam ka ho gaya rattu..uu. . .
main tujh pe ho ke lattu
tere naam ka ho gaya rattu. . .
tere gham ka utha ke bojha
bana aadmi se main tattu
bana aadmi se main tattu. . .
ab tadpa tadpa ke zaalim yun na mujhko maar
ke de deedar. . .
o dildaar. . .
haaye jhaank jharokhe se ik baar
aashiq tere dar pe aa ke ban gaya chowkidaar
ke de deedar. . .
o dildaar. . .
——————————————
Hindi script lyrics (Provided by Sudhir)
——————————————
दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
होता है कहीं कुछ खटका
लगता है मुझे ईक झटका
होता है कहीं कुछ खटका
लगता है मुझे ईक झटका
पल छलक छलक जाता है
मेरे अरमानों का मटका
मेरे अरमानों का मटका॰ ॰ ॰
हर आहट पे चौंक के जानी होता हूँ तैयार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
ओ नखरे टखरे वाली
ये रात है काली काली॰॰ई॰ ॰ ॰
ओ नखरे टखरे वाली
ये रात है काली काली
कर सामने चाँद सा मुखड़ा
चाहे छुप जा देकर गाली
चाहे छुप जा देकर गाली॰ ॰ ॰
वरना फांद के आ जाऊंगा ये ऊंची दीवार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰
मैं तुझपे हो के लट्टू
तेरे नाम का हो गया रट्टू॰॰उ॰ ॰ ॰
मैं तुझपे हो के लट्टू
तेरे नाम का हो गया रट्टू॰ ॰ ॰
तेरे ग़म का उठा के बोझा
बना आदमी से मैं टट्टू
बना आदमी से मैं टट्टू॰ ॰ ॰
अब तड़पा तड़पा कर ज़ालिम यूं ना मुझको मार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰ ॰
हाए झांक झरोखे से इक बार
आशिक तेरे दर पे आके बन गया चौकीदार
के दे दीदार॰ ॰ ॰
ओ दिलदार॰ ॰
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