Posts Tagged ‘Anand Bakshi’
- In: Amitabh Bachchan songs | Amitabh Bachchan songs by Kishore Kumar | Asha Bhonsle songs | Devnagri script lyrics by nahm | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Lyrics contributed by readers | Post by nahm | Rafi songs | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1980 | Usha Mangeshkar songs | Yearwise breakup of songs
- 9 Comments
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4102 | Post No. : | 15251 |
Amitabh Bachhchan, the star of the Millennium, was born in the than Allahabad (which is the English name of city named Ilahbad in Urdu) on 11.10.1942. His given name is Inquilab Srivastava, as per Wikipedia. This is a surprise for me and surely for many people, as a never heard fact. Also has the distinction of acting as the hero in the film ‘Inquilab’ not named after him :-). His father did name him after the slogan of freedom movement “Inquilab Zindabad”. I have never heard of anyone named ‘inquilab’, but have a friend named ‘Kranti’ which is the same thing with change in language only.
So, on 11.10.2019, he is celebrating 77th birthday as the most celebrated star actor and film personality. The Government of India honoured him with the Padma Shree in 1984, the Padma Bhushan in 2001 and the Padma Vibhushan in 2015 The Government of France honoured him with its highest civilian honour, “Knight of the Legion of Honour”, in 2007 for his exceptional career in the world of cinema and beyond. As per Wikipedia page again, he has won 15 filmfare awards, the most nominated actor with 41 nominations so far and still counting.
His achievements include 4 national awards and Dada Saheb Phalke award for “Lifetime Achievement”.
Luckily, I had the lyrics of this song from the film “Shaan” (1980) ready to present as the birthday celebration post. I said in my reply to Peevecie’s Mom’s comments on this post that BEST buses is a topic of another post. I had this song in mind, most of which is picturized on a BEST double decker bus. “BEST” was formerly Bombay Electricity Supply and Transport, now it is renamed as ‘Brihan Mumbai Electricity Supply and Transport”. My father has been saying this to us right from the beginning that though BEST’s face are the buses which have been the more reliable lifeline of Bombay since almost a century now, its main business and source of income is the electricity supply to the city areas.
If I have to write about the BEST than the story has to start with my father. It is in family folklore that my father had after completing engineering had the option of coming to Mumbai (than Bombay) or to go to Lucknow to join the Railways. This was in the early 60’s, and Bombay was a known place of people in the family, who used to visit it for business purposes also. Also my mother’s ‘Maternal uncle’ had studied in Grant Medical College in the 40’s and everyone was familiar with the city. There was a job in hand in Lucknow, which is an unknown place, nobody in the family had ever been and far away from Belgaum. The family was in favour of Bombay as my father’s sister was already staying here at Kalyan. The decision was left to my father’s youngest sister, who voted in favour of Bambai. So he came to Bombay and joined BEST as a “foreman” trainee. There is a lot more I want to write about my father’s journey (most of it is related to BEST), but will save it for another post. Sometimes I do wonder, if he had gone to Lucknow instead of coming to Mumbai, how different the things would have turned out. I envy the people who have spent their formative years in Lucknow(met a few in my working life), their diction of Urdu language. Some of them, though convent educated did speak a fluent form of spoken khari boli which is closer in diction and grammar to the Urdu that our teachers taught us, compared to my own, the so called Urdu medium product, with our typical bambaiyya dialect. More of the royal ‘aap’ and ‘hum’ in the conversations of people of my generations who spent years in Lucknow, or thereabouts, even as far as some northern cities of Madhya Pradesh.
Will go back to Amitabh Bachchan for now. The first movie I am aware of watching in the theatre is “Do aur do Paanch”, with a similar star cast of Amitabh, Shashi Kapoor and Parween Babi, similar to ‘Shaan’ I mean. Incidently both these films were released in the same year. But we all saw “Do aur do paanch” at Belgaum during summer vacations, whereas “Shaan” was seen in Mumbai. Thereafter, Amitabh Bachchan movies were seen regularly, with the whole family. The movies of before 1980 are all seen on TV, but the movies after 1980, including “Silsila”, “Kaalia”, “Namak Halaal”, ‘Naseeb”,”KhudgarzKhuddaar”, “bemisaal”, ‘Laawaris” etc. I remember watching in theatre.
My personal favorite Amitabh films are not the comic or multistarrers, but his solo films like ‘Zanjeer’, ‘Bemisaal”, ‘Kaalia”, “Abhimaan” ‘Anand’ etc. Among the films of the new millennia, I have seen a few, but missed most of them. He is without doubt the longest running superstar of the hindi film industry.
So here in this song there are four singers, Kishore Kumar for Amitabh Bachchan, Mohammed Rafi for Shashi Kapoor, Asha Bhosle for Parveen Babi and Usha Mangeshkar for Bindiya Goswami. Anand Bakshi is the lyricist and is composed by R. D. Burman.
The film is ‘Shaan’(1980), also mentioned in para 4 above.
Song-Jaanu meri jaan main tere qurbaan (Shaan)(1980) Singers-Kishore Kumar, Mohammed Rafi, Asha Bhosle, Usha Mangeshkar, Lyrics-Anand Bakshi, MD-R D Burman
Asha Bhoonsle + Usha Mangeshkar
All
Lyrics
Jaanu meri jaan
main tere qurbaan
Jaanu meri jaan
main tere qurbaan
arrey main tera tu meri
jaanu saara hindustaan
main tera tu meri
jaane saaraa hindustaan
Jaanu meri jaan
main tere qurbaan
Jaanu meri jaan
main tere qurbaan
arrey main tera tu meri
jaane saara hindustaan
main tera tu meri
jaane saaraa hindustaan
nazron se na tol mujhe
dil se kaam le
tu jis ki wo tere bin
kyon kisi ka naam le
arre nazron se na tol mujhe
dil se kaam le
tu jis ki wo tere bin
kyun kisi ka naam le
Jaanu meri jaan
main tere qurbaan
O Jaanu meri jaan
main tere qurbaan
arrey main tera tu meri
jaane saara hindustaan
main tera tu meri
jaane saaraa hindustaan
ha aha ha haan haan ha
hey ae ae
ae ae aaaaa
ae ae ae
oo ooo oooooo
chhoti si ik baat bani
baat se daastaan
bhool ke sab baaten hans de
hai yahi pyaar ki shaan
chhoti si ik baat bani
baat se daastaan
bhool ke sab baaten hans de
hai yahi pyaar ki shaan
jaanu meri jaan
main tere qurbaan
o jaanu meri jaan
main tere qurbaan
tu mera main teri
jaane saaraa hindustaan
tu mera
main teri
jaane saaraa hindustaan
arrey Jaanu meri jaan
main tere qurbaan
Jaanu meri jaan
main tere qurbaan
Hoy main tera tu meri
jaane saara hindustaan
tu meraa main teri
jaane saaraa hindustaan
————————————-
Devnagri script lyrics (Provided by nahm)
————————————-
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
अरे मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
अरे मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
नज़रों से न तोल मुझे
दिल से काम ले
तू जिस की वो तेरे बिन
क्यूँ किसी का नाम ले
नज़रों से न तोल मुझे
दिल से काम ले
तू जिस की वो तेरे बिन
क्यूँ किसी का नाम ले
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
अरे मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
हा हा हा ह आहा हा
हे ए ए
हो हो हो हो
ओ ओ ओ ओ
छोटी सी इक बात बनी
बात से दास्तां
भूल के सब बाते हंस दे
है यही प्यार की शान
छोटी सी इक बात बनी
बात से दास्तां
भूल के सब बातें हंस दे
है यही प्यार की शान
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
तू मेरा मैं तेरी
जाने सारा हिंदुस्तान
तू मेरा
मैं तेरी
जाने सारा हिंदुस्तान
जानु मेरी जान
मैं तेरे क़ुरबान
जानु मेरी जान
मैं तेरे क़ुरबान
हो मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
मैं तेरा तू मेरी
जाने सारा हिंदुस्तान
- In: "Piano" song | Duet | Feelings of heart | Guest posts | Lata song | Motivational song | Nitin Mukesh songs | One singer singing for several actors | Post by nahm | Shabbir Kumar Songs | Song sung by three or more singers | Songs of 1980s (1981 to 1990) | Songs of 1985 | Theme song | Yearwise breakup of songs
- 6 Comments
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4095 | Post No. : | 15240 |
wo chaand hai to aks bhi paani mein aayegaa
kirdaar khud ubhar ke kahaani mein aayegaa
(Iqbal Sajid)
Aks – reflection
Kirdaar – character
“jis ke paas koyi saboot nahin hota, kya wo kabhi beqasoor nahi ho sakta.”
This is the dialogue spoken by Meenakshi Sheshadri to Anil Kapoor, a lawyer, when he has refused to take her sister’s Beena’s case. Meenakshi’s sister is a doctor and a patient dies in her private clinic, after she has administered a medicine to the patient. The medicine contains poison, and the bottle is already in the custody of the courts/police. There is no way anyone can prove that the patient did not die because of the medicine in that bottle. So all the lawyers are refusing the case and Meenakshi and the brother in law Parikshit Sahani, also a doctor, are running from pillar to post to find a lawyer who can defend Beena in the court.
The moment she says this dialogue, Anil Kapoor is transported to his childhood, when his mother Nutan had said the same words to the lawyer/ public prosecutor Amrish Puri, in defense of her husband Girish Karnad. This whole story is in flash back – the story of Anil Kapoor, his sister and parents.
In the present, Anil Kapoor decides to defend Beena in the courts, and in true heroic style, drinks the medicine from the very bottle to prove that the patient did not die because of the medicine. Within minutes, the case is over, judgment delivered, Beena is ‘ba-izzat bari’. Parikshit Sahani takes Anil Kapoor to the hospital immediately and treats him to save his life. What happens to the actual culprit who put poison into the medicine bottle, I don’t know.
The court language in this type of films had glossary like ‘mulzim’ which is the one accused of a crime, ‘mujrim’ is the one whose crime is proved. Crime is ‘jurm’ and ‘mere faazil dost’ means ‘my esteemed friend’ – this is how lawyers would refer to each other in front of a judge.
So with the case over, the doctors are grateful to Anil Kapoor and Meenakshi is in love with him. The doctors host a party to celebrate and Anil Kapoor on piano, again revives his child hood memory of the theme song at the party. This is Part-II of the song. After this party this dream sequence song, “Ae Mere Khwaabon Ke Shehzaade” comes up. This is a beach song, posted Peevicies’s mom and I have seen that song too just now. That song is one extravaganza on Madh island or Aksa beach and what is Meenakshi wearing in the last sequence? Looks as if she was trying to be a South Indian Cleopatra.
Now back to flashback: Girish Karnad is convicted of a crime he did not commit. Nutan has tried in vain to get someone to fight her husband’s case against the formidable Amrish Puri. Their happy family is ruined, even as she manages to obtain a stay on the conviction of ‘sazaa-e-maut’, but reached late on the location. Girish Karnad has been hanged. After this I think, she loses her mind and is taken to mental Asylum.
Meanwhile the young children Anil Kapoor and the sister are left to fend for themselves in the big bad world. That is when Anil Kapoor is remembers the song that his mother and father used to sing, with his father on the piano, “Jeet Jaayenge Hum. . .”. The song is highly motivational, though situational. It is songs like these which make Laxmikant-Pyarelal such kings of the proverbial situational songs. Theme song or not, the lyrics and composition is all more than apt for the mood and need of the script. And to think that the script by Javed Akhtar originally had no scope for songs.
The events of childhood have a profound effect on the young Anil Kapoor and the song motivates him to keep fighting and to always hope and strive to win against all odds. And win he does, grows up to become a lawyer himself, struggles with the system and grows to achieve his goals step by step. All this while he is always conscious of how his mother’s struggles with the system to save his father from being punished from the crime which he has not committed. He has raised his younger sister Khushoo and who is now studying in a college. Anil Kapoor manages to trace his mother also and brings her home. But she is still not well and does not remember her children. Which is a cause for more pain, prompting Anil Kapoor to recall the childhood song again. This is when the Part-III of the song is played when Anil Kapoor and Meenakshi sing this song at home, hoping to revive Nutan’s memory and restore her mental health.
I thought, this was a movie made by GP Sippy, but turns out it was eventually made by Subhash Ghai. Actually I found this song on YouTube a few days ago and saved the link to see it sometime. Today I got the time to see it and all the memory of the story, dialogue and songs etc. came rushing in the mind.
Jab itna kuchh likhne ke liye yaad aa gayaa to ek post to ban hi jaati hai. 🙂
The song is played multiple times throughout the film. This can’t be anyone other than Anand Bakshi’s doing, the lyrics I mean. Singers are Shabbir Kumar (in full Rafi mode) for Anil Kapoor, Nitin Mukesh for Girish Karnad and Lata Mangeshkar for Nutan, Meenakshi Sheshadri and Khushboo.
It shows that successful people have motivation for success, early in life and have to be ready for struggle. Come what may, we will not give up. Because life is always a struggle, even if one cannot foresee the difficulties to come. ‘Jung’ is not war here, but an avowal not to give up against adversities. In every way, it is struggle to succeed and defeat the bad. And this struggle starts with self to improve the self and its abilities and make them pure, truthful, honest and trustworthy. Because to do ‘jung’ with your lot is to do ‘jidd-o-jahad’ i.e. to struggle and strive.
I found a poem in the photos which I had taken in the hotel at Jaipur, during our vacation visit earlier this year. I am searching the net for the name of the poet but even Rekhta.com is not having the works of this poet. The title of the poem is ‘Kuchh Kehna Chaahta Hoon”.
tum kuchh lafz
musta’aar de do
main bolna chaahta hoonmere lafzon ke haathh
ab sar par aa chuke hain
jaise haarey huye sipaahiwo itna jhooth pee chuke hain
sach keh nahin sakteapaahij, beemar aur za’eefon ki tarah
un ko sirf taknaa aata haitum kuchh lafz
musta’aar de do
main kuchh kehnaa chaahta hoon.Musta’aar – lend, loan for a while.
Apaahij – handicap
Za’eef – aged, frail with age
Video (Part I)
Video (Part II)
Video (Part III)
Audio (Part III)
Song – Zindagi Har Qadam Ik Nayi Jung Hai (Meri Jung) (1985) Singer – Lata Mangeshkar, Nitin Mukesh, Shabbir Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lata Mangeshkar + Nitin Mukesh
Lata Mangeshkar + Shabbir Kumar
Lyrics
(Part I)
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
hmmm mmmmm
hmmm mmmmmm
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
aa aa aaaaa
oo oo ooooo
oo oo ooooo
aaa aaaaa aaaaa
hmmmmmm mmmmm
hmmmmmm mmmmm
jeet jaayenge hum
oo ooo ooooo
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
tu ne hi
sajaaye hain
mere honthon pe ye geet
tu ne hi
sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera roop rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi ee
har qadam
ik nayi
jung hai
hausla na chhod
kar saamna jahaan ka
hausla na chhod
kar saamna jahaan ka
wo badal rahaa hai
dekh rang aasmaan ka
rang aasmaan ka
ye shikast ka nahin
ye fateh ka rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
roz kahaan dhoondenge
sooraj chaand sitaaron ko
aag lagaa kar hum roshan
kar lenge andhiyaaron ko
gham nahin jab talak
dil mein ye umang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
(Part II)
ooo ooooo
hmmmm mmmm mmmmm
hmmm mmmm mmm
oooo ooooo
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ek nayi
jung hai
(Part III)
jeet jaayenge hum
jeet jaayenge hum
tu agar
sang hai ea ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
ik dooje se
ham donon ke
naam judey hain aise
ik dooje se
ham donon ke
naam judey hain aise
mast hawaaon mein ea
saaz judey hain aise
jaise main dor hoon
aur tu patang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
jung hai
aaaaa aaaaaaaa
oooo oooooo
aaaa aaaaaaa
ooooooo oooooooo
ooooooo
[Nutan speaks]
tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi
tu ne hi sajaaye hain
mere honthon pe ye geet
tu ne hi sajaaye hain
mere honthon pe ye geet
teri preet se mere
jeewan mein bikhra sangeet
teri preet se mere
jeewan mein bikhra sangeet
mera sab kuchh teri dain hai
mere mann ke meet
mera sab kuchh teri dain hai
mere mann ke meet
main hoon ek tasveer
tu mera aa
mera aa
mera aa
mera aa
[Anil Kapoor : gaao na maa]
main hoon ik tasveer
tu mera roop rang hai ea ea
zindagi
har qadam
ik nayi
jung hai
zindagi
zindagi
har qadam
har qadam
ik nayi
ik nayi
jung hai
zindagi
har qadam
ik nayi
jung hai
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
jeet jaayenge hum
tu agar
tu agar
sang hai ea ea ea
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
hmmmmm
zindagi
hmmmmm
har qadam
hmmmmm
ik nayi
hmmmmm
jung hai
Main To Tere Rang Raati
Posted on: September 2, 2019
- In: Bhajan | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Krishn Bhajan | Lata solo | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Meera Bhajan | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1970 | stage dance | Stage song | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
My affair with Sadhna started very tiny. The film was ‘Ek Phool Do Mali’ (1969) and the song was “Sainyaan Le Gayi Jeeya Teri Pehli Nazar”. That image of a beautiful Kashmiri village belle, with that charming and becoming smile captured my mind and my heart. She was being blackmailed by Sanjay to sing a song for him, using her recorded voice in a tape recorder, which he threatened to make public. So in a manner of speaking, the song was of the ‘Dance Under Duress’ category. 🙂 She is somewhat letting it on that her song and dance is a make believe effort. But then Hindi films are Hindi films. And a tiny pre-teen mind is quite inexperienced in these matters; and quite easily enamored by that charming smile, and the gestures of endearment, howsoever artificial they may have been.
In the same year (1969), I also got to see ‘Inteqaam’. The storyline therein is a make believe endeavor to deceive a rich man and his son, and so I was not impressed with her presence and her beauty as much. ‘Ek Phool Do Mali’ would be the compass bearing for me for some time, till I got into my next crush. 🙂
Remembering Sadhna on the anniversary of her birth today – 2nd September.
It would be much later that I would realize that I had actually seen her much earlier in ‘Parakh’ (1960), which I had watched on TV. Actually, it would be many years after that TV viewing that I correctly identified the leading lady as Sadhna. For many years at a stretch, I used to believe that Nutan was the heroine in ‘Parakh’. Many years later when this error was set right in my mind, I went back to see this film once again, to make sure that I had finally identified her correctly in that film.
Later on, the mind got to see her other earlier films on the rewind – ‘Hum Dono’ (1961), ‘Aarzoo’ (1965), ‘Love In Simla’ (1960), ‘Ek Musafir Ek Haseena’ and ‘Asli Naqli’ (1962), ‘Rajkumar’ (1964), and the quintessential ‘Mere Mehboob’ of 1963. This is the listing of films that I got to see earlier; of course the other films like ‘Prem Patra’ (1962), ‘Man Mauji’ (1962), ‘Wo Kaun THi’ (1964), ‘Waqt’ (1965), ‘Mera Saaya’ (1966), ‘Dulha Dulhan’ (1964) also followed, albeit later. The ‘Ek Phool Do Mali’ effect was repeated when I got to see ‘Mere Mehboob’. That scene of the first encounter between Husna (Sadhna) and Anwar (Rajendra Kumar) is one of the most unforgettable cinema moments in my mind. All the un-uttered emotions that were spoken just through the eyes, the only part of the face that is partially visible from within the burqa (veil covering the face), emphatically conveyed much more than any words.
Born this day in 1941, Sadhna would have been 78 today. She was born in Karachi, into a Sindhi family. When the partition happened in 1947, the Shivdasani family moved to Bombay. As she has stated in her interviews, she was interested in dramatics right from childhood, and used to participate in school plays. Her uncle (father’s real brother) Hari Shivdasani, was already an established actor in Bombay. Hari had started his career appearing in films, from 1934 – his first film being ‘Dharam Ki Devi’ (1935). So when Sadhna and her family moved to Bombay, she already had a mentor and a significant link into the film industry.
She was just fourteen, when this filmland connection, got her a bit appearance as one of the chorus dancing girls in the 1955 film ‘Shri 420’. Hari Shivdasani himself had a significant role in the film, as one of the coterie of crooked businessmen. The song is the iconinc “Mud Mud Ke Na Dekh. . .”. Sadhna is one of the chorus dancers, quite easily identifiable, at least in the first half of the song. Hari Shivdasani is himself present in the group of guests at this party. [Note: Another very notable presence in this song is that of Jaikishan, the music director.] There is anecdotal material which says that Raj Kapoor was somewhat offended with Sadhna, on issues relating to hair style and make up etc., and that Sadhna did not complete the shooting of this song.
During her first year at college, producer director TN Bihari approached her for a secondary role in a Sindhi film ‘Abaana’, released in 1958. Sadhna played the role of the younger sister of the heroine, role played by Sheila Ramani. Star struck as she was, the teenaged Sadhna requested Sheila for her autograph when they first met for shooting. Giving her the autograph, Sheila commented that one day will come when she (Sheila) would be taking autograph from Sadhna – a prophecy that realized itself shortly thereafter.
Things moved fast after this. Sadhna photo appeared in ‘Screen’. The photo came to the notice of Shashadhar Mukhrjee, who invited Sadhna to join the School of Acting that he had established in Filmalya, his production studio. Sadhna joined. ‘Dil Deke Dekho’ (1959) was launched, with Nasir Husain as the director. S Mukherjee gave him the option to select a new heroine opposite Shammi Kapoor, and Nasir Husain picked Asha Parekh, also one of the students at the same school. Sadhna had to wait another year for her formal break into films. S Mukherjee announced ‘Love In Simla’ (1960) as the launch vehicle for his son Joy Mukherjee. The director, RK Nayyar, was also making his directorial debut with this film. Given the option by S Mukherjee, RK Nayyar picked Sadhna as the leading lady for the film. Her film career had now formally started.
For about a decade, her career was a rising graph, and her work was very much appreciated. She appeared along with practically all the big names of that era – Dev Aanand, Raj Kapoor, Sunil Dutt, Shashi Kapoor, Shammi Kapoor, Manoj Kumar, Joy Mukherjee, Dharmendra, Biswajit, Sanjay, Kishore Kumar, Feroze Khan, Parikshit Sahni, and yes, Rajesh Khanna – one film they shared credits for – ‘Dil Daulat Duniya’ (1972). About 30 films, in a career span of about 15 years, is the sum total of Sadhna’s body of work.
By the end of the decade of 1960s, Sadhna developed some recurring health problems and her films started getting delayed. 1974 saw the release of ‘Geeta Mera Naam’ and ‘Chhote Sarkar’. In 1975 came ‘Vandana’ and a much delayed ‘Amaanat’. After that, there is radio silence in her career, as she chose to stay away from films. Even earlier than that, HS Rawail opted for Vijayantimala for the leading lady in ‘Sunghursh’ (1968), after first considering Sadhna, and so did Pacchi, when he replaced Sadhna with Rajshri for ‘Around The World’ (1967).
Although Sadhna was the heroine of choice for ‘Love In Simla’, the director RK Nayyar (also her future husband), was quite openly unhappy with her looks. In his opinion, Sadhna’s forehead was wide enough to “. . . land a helicopter”. It was suggested that her hair style be changed. And after some research, the choice came to Audrey Hepburn’s hair style in films like ‘Sabrina’ (1954) and ‘Funny Face’ (1957). Audrey Hepburn sported a few locks of hair that were not brushed back, but were thrown forward so as to partially cover her forehead. The hairstyle was adopted, and yes, it became very popular in India, by the name ‘Sadhna Cut’.
Sadhna passed away in 2015, on 25th December.
Today’s song is solo performance on screen by Sadhna. The film is ‘Ishq Par Zor Nahin’ from 1970. The film is produced under the banner of Twinkle Star, Bombay, and is directed by Ramesh Sehgal. The cast of actors is listed as Sadhana, Dharmendra, Biswajeet, Kamini Kaushal, Abhi Bhattacharya, Jagdeep, Nadira, Leela Mishra, Randhir, Jagdish Raj, Meena, Madhumati, and Uday Chandrika.
There are 8 songs listed for this film, all from the pen of Anand Bakshi. The music is from the mind of SD Burman. Singing voice is that of Lata Mangeshkar.
The story is about two childhood friends, who fall in love with the same lady, who in turns, loves only one of them. The other person is not aware of this reality, and actually tries to get help from his friend to woo the lady. Hmm. . . reminds one of many films – especially ‘Sangam’ (1964). The story progresses on very predictable lines, with sacrifice at the end of the film, by the one who is earlier unaware of his friend’s love, and later regrets after coming to know the truth. However, it is the songs and the music of this film which are something great to write home about. Together, SD Burman and Anand Bakshi have collaborated in about a dozen films and majority of them have wonderful songs that have been hits.
This song is sort of an on stage performance by Sadhna. We can seen Dharmendra, Biswajeet, Abhi Bhattacharya and Nadira in the audience. Biswajeet, the unaware friend, thinks that this song is meant for him, and is quite happy. Dharmendra, who is aware of the triangle, and has been coaxed by Biswajeet to attend this performance, is quite visibly ill at ease during the performance.
I picked this song for the poignant and effective performance by Sadhna, for a song that is somewhat of a somber expression of serious love. The lyrics of this song are adapted from a traditional bhajan originally written by Sant Meerabai.
Lovely song, lovely rendition by a lovely Sadhna. Things can’t get much better than this for the tiny crush in my heart that still sustains.
Song – Main To Tere Rang Raati (Ishq Par Zor Nahin) (1970) Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – SD Burman
Lyrics (Provided by Prakashchandra)
mitwaa. . aaa. . aaaaaa. .
mitwaa. . aa. . aaa. . aaaa. .
mere saathi
main to
tere rang raati
main tere rang raati
mere mitwaa. . aaa. . aaa. .
mitwaa. . aaa. . aaaaaa. .
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati
raana ki
naa banoon main raani
main to hoon kaanha
teri deewani
le ja chupke se meri doli
doli
aa ja chhupke o humjoli
mitwaa. .aaa. . re
le ja chupke se meri doli
aa ja chhupke o humjoli
sang aaye
na aaye
baraati
main tere rang raati
main tere rang raati
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati
main meera
tu mera man meet
haan poorab janam
se hai hamri preet
main meera
tu mera man meet
haan poorab janam
se hai hamri preet
kaise bichhde hamre naina
naina
jab tak hai jeevan raina
mitwaa. .aaa. . re
kaise bichhde hamre naina
jab tak hai jeevan raina
sang jaley
sang bujhey
diya baati
main tere rang raati
main tere rang raati
mere mitwaa. . aa. . aa. .
mitwa. . aaa. .
mere mitwaa
mere saathi
main tere rang raati
main tere rang raati
———————————-
Hindi script lyrics (Provided by Sudhir)
———————————–
मितवा॰ ॰ आss आsssss
मितवा॰ ॰ आs आss आsss
मेरे साथी
मैं तो
तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा॰ ॰ आss आss
मितवा॰ ॰ आss आsssss
मेरे मितवा
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति
राणा की
ना बनूँ मैं रानी
मैं तो हूँ कान्हा
तेरी दीवानी
ले जा चुपके से मेरी डोली
डोली
आ जा छुपके ओ हमजोली
मितवा॰ ॰ आss रे
ले जा चुपके से मेरी डोली
आ जा छुपके ओ हमजोली
संग आए
ना आए
बाराती
मैं तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति
मैं मीरा
तू मेरा मनमीत
हाँ पूरब जनम
से है हमरी प्रीत
मैं मीरा
तू मेरा मनमीत
हाँ पूरब जनम
से है हमरी प्रीत
कैसे बिछड़े हमरे नैना
नैना
जब तक है जीवन रैना
मितवा॰ ॰ आss रे
कैसे बिछड़े हमरे नैना
जब तक है जीवन रैना
संग जले
संग बुझे
दिया बाती
मैं तेरे रंग राति
मैं तेरे रंग राति
मेरे मितवा
मेरे मितवा॰ ॰ आss॰ ॰ आss॰ ॰
मितवा॰ ॰ आsss
मेरे साथी
मैं तेरे रंग राति
मैं तेरे रंग राति
- In: "wooing" song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | One song used in more than one movie | Post by Sudhir | Same song used in two or more movies | Seduction song | Sensuous song | Song used in more than one film | Songs of 1980s (1981 to 1990) | Songs of 1985 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4053 | Post No. : | 15184 |
Songs Repeated in Hindi Films – 9
– – – – – – – – – – – – – – – – – –
Ah ha, even this song. 🙂
The film is ‘Alag Alag’ from 1985. Repeating an iconic song from the 1969 film ‘Aradhna’. And surely, the important thing to note is that the repeat would have involved no negotiations etc. The director, Shakti Samant, and the song writer Anand Bakshi, are the same. The producer of ‘Aradhna’ is Shakti Samant, and the producer of ‘Alag Alag’ is Rajesh Khanna, who incidentally appears in both the films. The music director of ‘Aradhna’ is SD Burman, and the music director for ‘Alag Alag’ is his son, RD Burman. I would believe that getting permission to repeat this song would have been quite easy. 🙂
As I checked out the the earlier posted original song (on 13 Jan, 2013) I notice that this repeat song is already identified by Sadanand ji in a comment posted on 31st Oct last year. And so, this song found its entry on the blog via this series. Well, for one, it is not listed in the Geet Kosh. That is the interesting part. There are seven songs listed for this film, and the singers listed against each one. The name Kavita Krishnamurthy, the singing voice of this version of the song, does not appear against any of the listed songs. Then, in the footnote, there is compiled list of playback singers given, which includes Kavita’s name, indicating that she has sung something for this film. If one does not view the film, and is not aware of this repeat performance of this song, one will keep wondering why does Kavita Krishnmurthy’s name appears in the list of playback singers, when she has not lent her voice to any song.
The 1985 film ‘Alag Alag’ is produced by Rajesh Khanna and Kusum Narula, under the banner of Aashirwaad Films International, Bombay. With this film, Rajesh Khanna made his debut as a producer in the industry. A small anecdote is noted – that Kishore Kumar did not accept any payment for his singing assignments in this film. He said that he felt indebted to Rajesh Khanna and ‘Aradhna’ for catapulting his career to a new high, and this being Rajesh’s first film as a producer, he would sing for him without accepting any payments.
The star cast of this film is listed as Shashi Kapoor, Rajesh Khanna, Tina Munim, Deven Verma, Sushma Seth, Gita Siddhartha, Urmila Bhatt, Anjana, Raj Rani, Rajesh Puri, Subiraj, Asit Sen, Bharat Bhushan, Bhagwan, Satyen Kappu, Mohan Choti, Birbal, Vikas Anand, Manmauji, Manik Dutt, Sunil Dhawan, Kamal Kanchan, Anoop, Pratap, Surendra, Shyam, Mohit, S Chavan, Gurubachan, with special appearance by Bindu and friendly appearances by Om Prakash and On Shivpuri.
Briefly, the story of this film is,
Tina Munim is a village belle, whose only dream in life is to marry a rich man. She comes to Bombay, meets Rajesh Khanna, and mistakes him for a rich man. When he reveals that he is not a rich man, but is a struggling singer looking for work in the film industry, she dumps him. Later in the film, we find out that he is actually a rich man’s son, who is out on his own, because his parents do not appreciate his desire to be a singer. The next set of events brings Tina to the home of Shashi Kapoor, who is a doctor and is widowed. Pursuing her goal with the single minded devotion, she now attempts to become his wife, This song is placed in the film at this juncture, as she tries to woo him.
The rest of the story is quite intertwined. Shashi Kapoor actually treats Tina Munim as a daughter. Rajesh comes to the doctor to get a false disability certificate as a reference. Tina meets him, confronts him and exposes him. Rajesh leaves, then is involved in an accident in which he loses his voice. He rejoins his family. Shashi Kapoor passes away on account of some illness. Tina is back on the road. With the help of his mother, Rajesh tries to promote Tina as a singer, without letting her know. They meet again, but Rajesh leaves because of his disability. Tina mistakes this to be that Rajesh hates her. And on goes the storyline, inching towards a happily ever after and a miraculous restoration of voice etc. 🙂
We come to this repeat song with a difference. So far in this series, most of the songs that have been reused, are presented as the original recording – barring “Babul Mora. . .” and “I Am A Disco Dancer“, which have been re-recorded in different singing voices. Today’s song also belongs to this latter group – that it is also a re-recorded version and not the original. The original, of course is Kishore Da, and in this female re-rendered version, the singing voice is Kavita Krishnamurthy.
You will notice that Tina’s attire in this song is quite similar to Sharmila’s in the original. An interesting repeat this one is. Enjoy.
Song – Roop Tera Mastaana, Pyaar Mera Deewaana (Alag Alag) (1985) Singers – Kavita Krishnamurthy, Lyrics – Anand Bakshi, MD – RD Burman
Female Voice + Male Voice
Lyrics
roop tera mastaanaa
pyaar mera deewaana
roop tera mastaanaa
pyaar mera deewaana
bhool koi humse na ho jaaye
roop tera mastaanaa
pyaar mera deewaana
bhool koi humse na ho jaaye
raat nasheelee
mast samaa hai
aaj nashe mein
saara jahaan hai
raat nasheelee
mast sama hai
aaj nashe mein
saara jahaan hai
haay sharaabi mausam behkaaye
ae ae ae ae
roop tera mastaanaa
pyaar mera deewaana
bhool koi humse na ho jaaye
——————————–
Hindi script lyrics (Provided by Sudhir)
——————————–
रूप तेरा मस्ताना
प्यार मेरा दीवाना
रूप तेरा मस्ताना
प्यार मेरा दीवाना
भूल कोई हमसे न हो जाये
रूप तेरा मस्ताना
प्यार मेरा दीवाना
भूल कोई हमसे न हो जाये
रात नशीली
मस्त समां है
आज नशे में
सारा जहां है
रात नशीली
मस्त समां है
आज नशे में
सारा जहां है
हाय शराबी मौसम बहकाए ए ए ए ए
रूप तेरा मस्ताना
प्यार मेरा दीवाना
भूल कोई हमसे न हो जाये
Ho re ghunghroo kaa boley
Posted on: July 31, 2019
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4030 | Post No. : | 15149 |
Hullo to all in Atuldom
With today’s post/ song the concerned movie achieves “YYIIPPEEEEhood”- a word on the lines of adulthood; not found in any standard dictionary and a creation of this blog just like “atuldom” and “atulites”.
The movie debuted on the blog on 18th January, 2010 and has had a rather slow run on the blog. The movie itself was huge hit in its time with all its songs still on the minds and lips of HFM lovers. (I was a child and I am not sure if I have seen it in a movie hall but have seen it umpteen times on TV.) I am not going into the minute details about the movie and say that it was directed by Dev Anand for his home production. I will also not say that the songs were written by Anand Bakshi and R D Burman was the music director. But the minute the song is posted the reaction is going to be “yeh abhi baaki hai?!!!” This was the reaction to the previous post from this movie too. In fact, Guruji had wondered how that song had escaped from being posted all these years considering it was THE MOST POPULAR song from the movie. My answer to that query would be “so that we could have that wonderful post from you, Sirji.” And the bigger reaction will be “this movie is not yet YYIIPPEEEED!!!” That is why I say wonders don’t cease in this blog of ours.
We are revisiting “Hare Rama Hare Krishna” today. This movie had seven songs and six songs -one of them being a multi-version song- are already posted.
The details of the songs from the movie that have been covered earlier :-
| S N | Song | Song number in blog | Date of posting |
|---|---|---|---|
| 1 | Kaanchi re kaanchi re | 2268 | 18-Jan-10 |
| 2 | Phoolon ka taaron ka sabka kehna hai Multiple version song | 2838 | 24-Aug-10 |
| 3 | Dekho o deewaanon tum ye kaam na karo | 5098 | 4-Dec-11 |
| 4 | I love you kya khushi kya hai gham | 9241 | 4-Jan-14 |
| 5 | Dum maaro dum mit jaaye gham | 14829 | 7-Jan-19 |
The reason to revisit the movie today, is to wish the romantic leading lady -Mumtaz- on her 72nd birthday. She has had a journey in Bollywood that started as child star, extra, heroines’ friend etc in A- grade movies as a teenager and heroine of stunt films with Dara Singh etc. Her first adult role was that of the hero Rajendra Kumar’s sister in “Gehra Daag”. She had to wait a long time before bursting on the top heroine slot. By the time she reached the heroine slot she had played a dancer- vamp etc in “Mere Sanam”, “Khandaan”, “Kaajal’’ etc. Possibly the first time her comic side made itself felt was as ‘Meena’ in Mehmood’s “Pyar Kiye Jaa”. Her best times started with “Boond Jo Ban Gayi Moti” where she was heroine to Jeetendra after which she paired him in movies like “Jigri Dost” “Khilona” “Ek Naari Ek Brahmachari” and some more with a guest appearance in “Humjoli”. First time she paired with Rajesh Khanna was in “Do Raaste” followed by “Bandhan” “Roti” “Aap Ki Kasam” etc. She paired opposite the Khan brothers – Feroz and Sanjay- in “Aadmi aur insaan” “Apradh” “Mela” “Dhadakan” “Upasana” etc. So, what I want to highlight here is that many male actors who were lead stars in the movies during the 60s, when Mumtaz played a nimble-footed dancer or second lead-heroine sought her in the 70s to be their main romantic lead; she played heroine to Rajendra Kumar in “Tangewala”. In her career that lasted till 1977 – “Aaina” with Rajesh Khanna was her last as a heroine when she took retirement from movies in favour of family life- she had acted with actors ranging from Dara Singh, Sunil Dutt, Sanjeev Kumar, Dharmendra, Jeetendra, Rajesh Khanna, Shashi Kapoor, Feroz and Sanjay Khan. She even did a movie with Amitabh Bachchan as her hero.
Let us wish our “Kaanchi” a long and healthy life. Wish you a very happy birthday Mumu a.k.a Mumtaz.
Song-Ho re ghunghroo ka bole (Hare Rama Hare Krishna)(1971) Singer-Lata, Lyrics-Anand Bakshi, MD-R D Burman
Lyrics
ae kaancha
haay re daiya
haay re mera
saajan woh kehlaaye
dekhte sab rah jaayen woh mera
haath pakad lai jaaye
ho re ghunghroo kaa bole
aisa ho woh aisa ho
mera ghunghta jo khole
ho re ghunghroo ka bole
aisa ho woh aisa ho
mera ghunghta jo khole
arre kora kora gora gora
baanka chhora saiyyaan mora
ho re ghunghroo ka bole re
jidhar se bhi guzar jaaye mera chitchor
ha aa mera chitchor
haay daiyya mach jaaye galiyon mein shor
jhaanke jharokhon se goriyaan
jidhar se bhi guzar jaaye mera chitchor
ha aa mera chitchor
haay daiya mach jaaye galiyon mein shor
jhaanke jharokhon se goriyaan
jo dekhe ye bole,
haay mera mann dole
ho jo dekhe ye bole
haay mera mann dole
ho re ghunghroo ka bole
aisa ho woh aisa ho
mera ghunghta jo khole
arre kora kora gora gora
baanka chhora saiyyaan mora
ho re ghunghroo ka bole re
mele mein akele mohe sang lai jaaye
mohe sang lai jaaye
kaanch ki pachrangi choodiyan pehnaaye
jhumke bhi lai de bazaar se
mele mein akele mohe sang lai jaaye
mohe sang lai jaaye
kaanch ki pachrangi choodiyaan pehnaaye
jhumke bhi lai de bazaar se
jab bole haan bole
na munh se na bole
ho jab bole haan bole
na munh se na bole
ho ho re ghunghroo ka bole
aisa ho woh aisa ho
mera ghunghta jo khole
arre kora kora gora gora
baanka chhora saiyyaan mora
ho re ghunghroo ka bole re
tere jaisa
haan uuu hun
tere jaisa nahin
tere jaisa nahin re
haa aa aisa nahin re
haay raama koi mere jaisa nahi re
hai koi toh aaye saamne
mera dil dhadka de
lat uljhi suljha de
ho mera dil dhadka de
lat uljhi suljha de
ho ho re ghunghroo ka bole
aisa ho wo aisa ho
mera ghunghta jo khole
arre kora kora gora gora
baanka chhora saiyan mora
ho re ghungharoo ka bole re
Parwaane teri shamma jal uthhi
Posted on: July 26, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4025 | Post No. : | 15138 |
“Aawaara Baadal”(1964) was directed by Kedar Kapoor for Amarjyot, Bombay. This stunt movie had Ajit, Raagini, Jagdeesh Sethi, Dhumal, Helen, Indira Billi, Tiwari, Leela Mishra, Niranjan Sharma, Mridula, Ifthikhar, Keshav, Indira Bansal, Tuntun, Aasi, R Tiwari, Raj Kumar, Anand, Zarina, Asha, Pushpa, Prem, Sheroo, Pt Iqbal, Romani, Nepali Sinh, Ajay Kumar, Nagar Sharma, P H Joshi, Prakash Arora, Kripla, Bakshi, Master Sandeep, Master Farooque, Baby Shobha, Sujata etc in it.
The movie had six songs in it. One song had been covered in the past.
Here is the second song from the movie to appear in the blog. This song is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by Usha Khanna.
The song is picturised as a raj darbaar dance song on Raagini.
I request our knowledgeable readers to help identify the actors seen in the picturisation of the song.
Song-Parwaane teri shamma jal uthhi (Aawaara Baadal)(1964) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-Usha Khanna
Lyrics
aa aa
aaaa aa aa aa
aaa aaa aaa
parwaane ae ae
teri shamma jal uthhi
parwaane ae ae
teri shamma jal uthhi
raat hai kaatil
sun lo gaafil
aahkri hai ghadi
parwaane e
ae teri shamma jal uthhi
raahi o dilwaale
guzra hai matwaale
kyun meri raahon se
tujhko jalaaungi main
bijli giraaungi main
apni nigaahon se
raahi o dilwaale
guzra hai matwaale
kyun meri raahon se
tujhko jalaaungi main
bijli giraaungi main
apni nigaahon se
deewaane ae ae
teri saza hai yahi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi
samjha na dil tera
uljha hai dil tera
meri adaaon mein
dhokhe nigaahon ke hain
rang wafaaon ke hain
meri jafaaon mein
samjha na dil tera
uljha hai dil tera
meri adaaon mein
dhokhe nigaahon ke hain
rang wafaaon ke hain
meri jafaaon mein
pahchaane ae ae
to main wahi hoon wahi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi
shab ki syaahi bole
mai ki suraahi bole
apni khabar rakhna
jaadu sitaaron ka hai
mauka ishaaron ka hai
mujhpe nazar rakhna
shab ki syaahi bole
mai ki suraahi bole
apni khabar rakhna
jaadu sitaaron ka hai
mauka ishaaron ka hai
mujhpe nazar rakhna
afsaane ae ae
dil ke nazar kah gayi
raat hai kaatil
sun o gaafil
aakhri hai ghadi
parwaane ae ae
teri shamma jal uthhi
Raat din kis tarah ab gujaara karen
Posted on: July 7, 2019
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| Blog Day : | 4006 | Post No. : | 15110 |
“Labelaa”(1966) was directed by Bhagwan for Young India Entertainers, Bombay. The movie had Sujit Kumar and Kum Kum in lead roles. Others in the movie were Bhagwan, Om Prakash, Helen, Bela Bose, Ratanmala, Maruti, Anwar Husain etc in it.
The movie had six songs in it. Two songs from the movie have been covered in the blog.
Here is the third song from “Labelaa”(1966) to appear in the blog. This song is sung by C Ramchandra Asha Bhonsle and chorus. Anand Bakshi is the lyricist. Music is composed by C Ramchandra.
The song is picturised as a dance song on Bhagwan Dada and Bela Bose, with many others also present. I request our knowledgeable readers to help identfy the other actors visible in the picturisation. The video has several cuts so putting together entire lyrics is a tall order and there may be errors in the lyrics. I request our readers with keener ears to help correct the lyrics.
Song-Raat din kis tarah ab guzaara karen (Labelaa)(1966) Singers-C Ramchandra, Asha Bhonsle, Lyrics-Anand Bakshi, MD-C Ramchandra
Both
Chorus
Lyrics
yeah
waah
aah
arre waah
hahahaahaha
hahaha
raat din kis tarah ab guzaara karen
tu hamen ham tujhe na pukaara karen
lalalaaluralu
lalalaaluralu
hahaahauaha
lalaallalularalu
raat din kis tarah ab gujaara karen
tu hamen ham tujhe na pukaara karen
chup rahen
bas nazar se ishaara karen
ae dil mere dil
huaa ru
aa padi hai mushqil
huaa ru
dil ki baat
laahu
kaise kahen
laa hu
kaise kahen
kaise sun rahi hai mahfil
ae dil
har kisi baat ka ek fasaana bana
o deewaani sabhi ko diwaana bana
lalalalluralu
lalalaluraalu
hahahahuahua
lalalaluraaru
har kisi baat ka ek fasaana bana
o deewaani sabhi ko deewaana bana
aaj tu heer ko bhi nishaana bana
ae dil mere dil
huaaru
ha kar yaahu yaahu
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