Archive for the ‘Songs of 1967’ Category
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Blog Day : |
4595 | Post No. : | 16221 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXI: Year 1967
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1967.
In 1967, 83 Hindi movies containing 538 songs were released. Lata Mangeshkar got to sing in 44 of these movies and she sang 106 songs in these movies. So Lata Mangeshkar’s voice was heard in 53 % of the movies released in 1967. Her voice was heard in 19.7 % of the songs appearing in the movies of 1967.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1967 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aamne Saamne | Kalyanji Anandji | 1 | 1 | 0 | 1 | 0 | 0 | Anand Bakshi |
| 2 | Aman | Shankar Jaikishan | 2 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 3 | Anita | Laxmikant Pyarelal | 4 | 4 | 3 | 0 | 1 | 0 | Raja Mehdi Ali Khan (3) Anand Bakshi (1) |
| 4 | Arabian Nights | Lala Sattar | 0 | 1 | 0 | 0 | 1 | 0 | Ash Kanwal |
| 5 | Aurat | Ravi | 1 | 1 | 1 | 0 | 0 | 0 | Shakeel Badayuni |
| 6 | Bahaaron Ke Sapne | R D Burman | 4 | 4 | 2 | 1 | 1 | 0 | Majrooh Sultanpuri |
| 7 | Bahu Begam | Roshan | 2 | 2 | 1 | 0 | 1 | 0 | Sahir Ludhianvi |
| 8 | Chandan Ka Palna | R D Burman | 3 | 3 | 2 | 0 | 1 | 0 | Anand Bakshi |
| 9 | Chhaila Baabu | Laxmikant Pyarelal | 1 | 1 | 0 | 1 | 0 | 0 | Hasrat Jaipuri |
| 10 | Chhoti Si Mulaakaat | Shankar Jaikishan | 2 | 2 | 2 | 0 | 0 | 0 | Shailendra |
| 11 | Dil Ne Pukaara | Kalyanji Anandji | 2 | 2 | 1 | 1 | 0 | 0 | Indeewar (1) Prem Warbartani (1) |
| 12 | Duniya Naachegi | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 13 | Ek Raat | Usha Khanna | 1 | 1 | 1 | 0 | 0 | 0 | Jalal Malihabadi |
| 14 | Farz | Laxmikant Pyarelal | 2 | 2 | 1 | 1 | 0 | 0 | Anand Bakshi |
| 15 | Ghar Ka Chiraag | Madan Mohan | 2 | 2 | 2 | 0 | 0 | 0 | Kaifi Azmi |
| 16 | Gunaahon Ka Devtaa | Shankar Jaikishan | 1 | 1 | 1 | 0 | 0 | 0 | Hasrat Jaipuri |
| 17 | Jaal | Laxmikant Pyarelal | 4 | 4 | 3 | 1 | 0 | 0 | Raja Mehdi Ali Khan (3) Anand Bakshi (1) |
| 18 | Jab Yaad Kisi Ki Aati Hai | Madan Mohan | 5 | 5 | 3 | 2 | 0 | 0 | Raja Mehdi Ali Khan |
| 19 | Johar in Bombay | Usha Khanna | 1 | 1 | 0 | 0 | 1 | 0 | Unknown |
| 20 | Jewel Thief | S D Burman | 4 | 4 | 1 | 3 | 0 | 0 | Majrooh Sultanpuri |
| 21 | Laat Saheb | Shankar Jaikishan | 1 | 1 | 1 | 0 | 0 | 0 | Hasrat Jaipuri |
| 22 | Majhli Didi | Hemant Kumar | 2 | 2 | 1 | 0 | 0 | 1 | Neeraj |
| 23 | Meharbaan | Ravi | 0 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 24 | Mera Munna | Kalyanji Anandji | 1 | 3 | 3 | 0 | 0 | 0 | Indeewar (2) Qamar Jalalabadi (1) |
| 25 | Milan | Laxmikant Pyarelal | 6 | 6 | 2 | 4 | 0 | 0 | Anand Bakshi |
| 26 | Milan Ki Raat | Laxmikant Pyarelal | 0 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 27 | Nai Roshni | Ravi | 2 | 2 | 1 | 1 | 0 | 0 | Rajinder Krishan |
| 28 | Naunihaal | Madan Mohan | 2 | 2 | 1 | 0 | 1 | 0 | Kaifi Azmi |
| 29 | Night in London | Laxmikant Pyarelal | 4 | 4 | 1 | 3 | 0 | 0 | Anand Bakshi |
| 30 | Noorjehaan | Roshan | 1 | 1 | 1 | 0 | 0 | 0 | Shakeel Badayuni |
| 31 | Paalki | Naushad | 3 | 3 | 2 | 0 | 0 | 1 | Shakeel Badayuni |
| 32 | Parivaar | Kalyanji Anandji | 2 | 2 | 1 | 1 | 0 | 0 | Gulshan Bawra |
| 33 | Patthar Ke Sanam | Laxmikant Pyarelal | 3 | 3 | 2 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 34 | Raam aur Shyam | Naushad | 2 | 2 | 1 | 1 | 0 | 0 | Shakeel Badayuni |
| 35 | Raam Rajya | Vasant Desai | 2 | 5 | 3 | 2 | 0 | 0 | Bharat Vyas |
| 36 | Raat aur Din | Shankar Jaikishan | 6 | 6 | 5 | 1 | 0 | 0 | Shailendra (5) Hasrat Jaipuri (1) |
| 37 | Raaz | Kalyanji Anandji | 3 | 3 | 2 | 1 | 0 | 0 | Qamar Jalalabadi (1) Gulshan Bawra (1) Shamim Jaipuri (1) |
| 38 | Sangdil | G S Kohli | 1 | 1 | 0 | 0 | 1 | 0 | Naqsh Llayalpuri |
| 39 | Sardaar | Usha Khanna | 1 | 2 | 2 | 0 | 0 | 0 | Asad Bhopali |
| 40 | Shaagird | Laxmikant Pyarelal | 4 | 4 | 3 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 41 | Taqdeer | Laxmikant Pyarelal | 3 | 3 | 2 | 0 | 0 | 1 | Anand Bakshi |
| 42 | Trip To Moon | Usha Khanna | 0 | 2 | 2 | 0 | 0 | 0 | Unknown |
| 43 | Upkaar | Kalyanji Anandji | 1 | 1 | 1 | 0 | 0 | 0 | Gulshan Bawra |
| 44 | Woh Koi aur Hoga | Usha Khanna | 1 | 1 | 1 | 0 | 0 | 0 | Asad Bhopali |
| Total | 44 movies | 14 MDs | 92 | 106 | 67 | 28 | 8 | 3 | 20 lyricists |
Lata Mangeshkar worked with 14 music directors and 20 lyricists in these 44 movies released in 1967. Shankar Jaikishan with 369 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by C Ramchandra with 273 songs. Other top music directors for Lata Mangeshkar were Chitragupta (209), Madan Mohan (159), Roshan (143), Hemant Kumar (121),Anil Biswas (120), Naushad (118), S D Burman (116), Laxmikant Pyarelal (11), Kalyanji Anandji (111), Husnlal Bhagatram (108) and Vasant Desai (102). Together these thirteen music directors composed 2063 songs out of 3072 songs that Lata Mangeshkar had sung in Hindi movies till end of 1967. The top seven lyricists till end of 1967 for Lata Mangeshkar were Rajinder Krishan (459), Shailendra (357), Hasrat Jaipuri (249), Prem Dhawan (185), Majrooh Sultanpuri (183), Bharat Vyas (180), Shakeel Badayuni (179). These seven lyricists had penned 1794 songs sung by Lata Mangeshkar till that time.
Lata Mangeshkar tied up with music director Asar Sattar for the first time in movies released in 1967. She had worked with Lata Asar Sattar previously. She collaborated with lyricists Neeraj and Prem Warbatani for the first time in movies of 1967.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1967 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| Total upto 1967 | 865 movies | 2610 | 3072 | 2169 | 694 | 160 | 57 |
We notice that Lata Mangeshkar had crossed 3000 songs in Hindi movies during this year 1967. She became the first playback singer to achieve this feat in HFM. It took her two decades to reach this mark.
It can be seen from the table of 1967 that Lata Mangeshkar sang 106 songs in movies released in 1967. It was the second lowest figure in a year for her since 1948.
As many as 92 of these 106 songs have already been covered in the blog. Out of 44 movies of 1967 where Lata Mangeshkar sang, all Lata Mangeshkar songs of 35 movies are already covered. So we only have 14 Lata songs belonging to 9 movies of 1967 that are not yet covered in the blog.
Alphabetically the first such movie that offers us Lata Mangeshkar songs to discuss is “Arabian Nights”(1967). Unfortunately this song could not be located by me till now and it does not seem to be available on line.
The next movie that offers us Lata Mangeshkar songs to discuss is “Duniya Naachegi”(1967). This movie was directed by K Parvez for Gay Films, Bombay. This “social” movie had Kishore Kumar, Kumkum, Mukri, Bhagan, Ifthikar, Babu Raje, arun Irani etc in it.
HFGK lists five songs for this movie but does not mention any singers. Nevertheless, one song from this movie has been covered and that song turned out to be a Kishore Kumar solo.
It turns out that the movie has one Lata Mangeshkar solo in it as well.
Here is the Lata Mangeshkar solo song from “Duniya Naachegi”(1967). Music is composed by Laxmikant Pyarelal.
HFGK mentions two lyricists for the movie namely Raja Mehdi Ali Khan and Majrooh Sultanpuri. But the distribution of songs among them is not mentioned in HFGK. However, Lata Geetkosh vol VI (compiled by Mr Snehashish Chatterjee) mentions this song as penned by Majrooh Sultanpuri.
The song is lip synced by Kumkum. I request our knowledgeable readers to help identify the other actors seen in the picturisation.
This extremely hummable song has a tune that is Lata Mangeshkar’s favorite and it is inspired by a folk song of Lata Mangeshkar’s nanihaal (mother’s place). Lata Mangeshkar is so fond of this song that she got quite a few songs recorded in Hindi movies based on this tune. One such song is Tu na aaya aur hone lagi shaam re from “Asha”(1957). It as peneed by Rajinder Krishan and composed by C Ramchandra. Meri patli kamar lambe baal re from “Mere Laal”(1966) has the same tune. It is penned by Majrooh Sultanpuri and it is composed by Laxmikant Pyarelal.
So this “Duniya Naachegi”(1967) song is by the same musical team as “Mere Lal”(1966).
Unlike the above two songs, the influence of that folk song is more subtle, but it is unmistakably there.
So here is a Lata song from 1967. It is one of those few songs whose singer is not mentioned in HFGK. So when the song got located, it turned out to be a pleasant discovery that it was a Lata Mangeshkar song.
Song-Bhool gaye sainyya puraani mulaqaat (Duniya Naachegi)(1967) Lata Laxmikant Pyarelal
Lyrics
ek din aise hi baanh meri thhaami thhi
yaad hai humko wo taaro bhri raat haay haay haay
bhool gaye sainya puraani mulaakaat
bhool gaye sainya puraani mulaakaat
ek din aise hi banh meri thhaami thi
yaad hai humko wo taaron bhri raat haay haay haay
bhool gaye sainya purani mulaakaat
bhool gaye sainya purani mulaakaat
kaahe ko phir bane jaane tamnna
chup ho khade kuch kahna na sunna
ho jaane pahchane se bante ho anjaane se
tumko jaanen hum apna aur ho tum begaane se
pyaar yaahi hai to chhodo mera haath
pyaar yahi hai to chhodo mera haath haay haay haay
bhool gaye saiya puraani mulaakaat
bhool gaye saiya puraani mulaakaat
dekhe na tu par aankhon mein teri
thhodi si hai wohi tasweer meri
haath mein hai halka halka rang mere hi aanchal ka
ab tak mukhde par hai daag in nainon ke kaajal ka
yaad nahin tumko hai ye bhi koi baat
yaad nahin tumko hai ye bhi koi baat haay haay haay
bhool gaye sainya puraani mulaakaat
bhool gaye sainya puraani mulaakaat
tera chalan teri ghaaten bedardi
tu na kahe teri nainon ne kah di
aankh jo sab pe chaar kare
wo kaise ikraar kare
yaad rahe kya usko jo roz naya ek pyaar kare
kya kahoon kaisi hai mardon ki jaat
kya kahoon kaisi hai mardo ki jaat haay haay haay
bhul gaye sainya puraani mulaakaat
bhul gaye sainya puraani mulaakaat
ek din aise hi banh meri thami thi
yaad hai humko wo taaron bhari raat haay haay haay
bhool gaye sainya puraani mulaakaat
bhool gaye sainya puraani mulaakaat
Bambai raat ki baahon mein
Posted on: December 15, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4533 | Post No. : | 16099 |
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Blog 10-Year Challenge (2010-2020) – Song No. 99
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This day ten years ago (viz 15 December 2010) was a wednesday, viz middle of the week. I was based at Nagpur. After initial struggle early in the year for settling down, I began to post songs at an average of 5 songs a day from
July 2010 onwards. Then there was a temporary slowdown in November 2010. I picked up pace again in december 2010. I notice that I had covered as many as seven songs on 15 december 2010. This was one of the seven occasions in the month when I posted as many as seven articles in a day. The first post appeared at 7:13 AM and the seventh at 9:27 AM. That is the kind of productivity I was capable of ten years ago. ! 🙂
Here is the list of the songs covered that day:-
| Blog post number | Song | Movie | Year | Remarks |
|---|---|---|---|---|
| 3346 | Balam mohe chhedo naa | Daasi | 1944 | 6 songs covered out of 11 |
| 3347 | Gaaye jaa geet milan ke tu apni lagan ke | Melaa | 1948 | YIPPEED by now |
| 3348 | Dharak dharak tere bin mera jiyaraa | Singaar | 1949 | YIPPEED by now |
| 3349 | dil ki duniyaa ujad gayi | Shair | 1949 | YIPPEED by now |
| 3350 | Taaraa toote duniyaa dekhe | Malhaar | 1951 | YIPPEED by now |
| 3351 | O chaand jahaan wo jaayen | Shaarda | 1957 | YIPPEED by now |
| 3352 | Jalti huyi jawaaniyaan | Bambai Raat Ki Baahon Mein | 1967 | One song out of 5 covered |
One can notice that five out of 7 movies whose songs were covered ten years ago have since been YIPPEED.
“Bambai Raat Ki Baahon Mein”(1967) is one movie that made its debut ten years ago and that is the only song from that movie to appear in the blog so far. This movie was written,produced and directed by Khwaja Ahmad Abbas. The movie had Surekha (as Asha), Madhavi (as Rosy), David (as Barrister Rameshchar), Irshad Panjathan, Prakash,Yunus Parvez,Madhukar, Hangal,Samir Kumar, Kuljit Singh, Ravikant, Bhagwan Sinha, Qamar Amrohi, Pardesi, Bhola, Jagadish Kumar, Ghanshyam Rohera, Moti Bina, Sunil Kaushik, Surendra Kaushik, Nazir Kashmiri, Chandulal, Verinder Raj Anand,and Athar Siraj. The movie introduced Persis Khambata as Lily, Vimal Ahuja as Amar and Jalal Agha as Johnny.
The movie had five songs in it.
Here is the second song from “Bambai Raat Ki Baahon Mein”(1967) to appear in the blog. The song, the title song of the movie, is sung by Asha Bhonsle. Chorus and an unknown nmale voice is also there in the song. The song is picturised as a stage performance song on Persis Khambhata, Jalal Agha and others. Hasan Kamal is the lyricist. Music is composed by J P Kaushik.
Lyrics of this song were sent to me by Prakashchandra.
video link:
Audio link:
Song-Bambai raat ki baahon mein (Bambai Raat Ki Baahon Mein)(1967) Singer-Asha Bhonsle, Lyrics-Hasan Kamal, MD-J P Kaushik
Male chorus
Female chorus
All chorus
Unknown male voice
Lyrics(Provided by Prakashchandra)
hey aye aey ae aye aye ae ae ae
Bambai raat ki baahon mein
kahey nigaahon nigaahon mein
kyun khoyaa hai tu aahon mein
aa ja
aa jaa aa aa aa
aa ja pyar ki raahon mein
hey ae ae ae ae
aye ae aye ae aye ae
Bambai raat ki baahon mein aen
aaa aaa aaa aaa aaa aa
kahey nigaahon nigaaon mein aen
aaa aaa aaa aaa aaa
kyun khoyaa hai tu aahon mein
aa ja (aaa aaa aaa aaa)
aa jaa aa aa aa (aaa aaa aaa aaa)
aa ja pyar ki raahon mein (aaa aaa aaa aaa)
aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa
khaaa
pee
aur maze udaa
eat drink and be merry
khaaa
pee
aur maze udaa
kyun sabke fikron mein ghultaa hai ae ae ae
gaa
jhoom
mastiyaan lutaa
kyun gham ke sholon mein jalta hai
kal ki chinta kyon kartha hai
tu kyon dartha hai
naahaque marta hai
duniya ke dukh bhool ja
hey ae ae ae
hey ae ae ae ae ae
Bambai raat ki baahon mein
aaa aaa aaa aaa aaa
kahey nigaahon nigaahon mein
aaahaaa aaa aaa aaa aaa
kyun khoyaa hai tu aahon mein
aa ja (aaa aaa aaa aaa)
aa jaa aaa aaa aaa aaa (aa aa aaa aaa aaa aa)
aa jaa pyaar ki raahon mein (aaa aaa aaa aaa)
hey ae ae ae ae hey Bombay ae ae
hey hhey hey hey ae Bombay ae
hey hey hey ae Bombay ae (mm mm mm)
hey ae hey hey ae Bombay (mm mm mm)
aaa aa aaa aaa aaa aaa
aaa aaa aaa aaa
aaa aaa aaa aaa aaa
aaa aaa aaa aaa aaa aaa
hey ae hey ae ae Bombay ae
hey ae hey ae ae Bombay ae (hmm hmmmm)
hey ae ae ae hey Bombay (hmmm hmmmm)
hey ae ae ae Bombay ae (hmmm hmmmm)
raat muskuraati hai
what a sweet smile
raat muskuraati hai
jeene ka aa raaz bataati hai ae
jab chaahey to
thhoda jhuk ja
daam lagey to o o
khud bhi bik jaa
bik jaa bik jaa bik jaa aa
gairon se gar dil miltaa hai
gairon ko apnaa
apnon ko tu bhool jaa
hey ae ae ae
hey ae ae ae ae
Bambai raat ki baahon mein
aaa aaa aaa aaa aaa
kahey nigaahon nigaahon mein
aaahaaa aaa aaa aaa aaa
kyun khoyaa hai tu aahon mein
aa ja..aa (aaa aaa)
aa jaa aaa aaa aaa aaa aaa(aa aa aaa aaa aa aa)
aa jaa aaj ki raahon mein aen (aaa aaa aaa aaa)
aa jaa aaj ki raahon mein aen
aa jaa aaj ki raahon mein aen
Main marne chala hoon
Posted on: December 2, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4520 | Post No. : | 16077 |
“Gunaahon Ka Devta”(1967) was directed by Devi Sharma for Janta Chitra, Bombay. This “social” movie had Rajshree, Jeetendra, Mehmood, Leela Chitnis, Auna Irani, Randheer, Tuntun, Farida, Shahid, S K Prem, Sujata, Jeewan, Jankidas etc in it.
The movie had seven songs in it. Six songs (including one multiple version song) have been covered so far. Here are the details of the songs of this movie:-
| S.No. | Song Title | Posted on |
|---|---|---|
| 01 | Chaahaa thaa banoon pyaar ki raahon ka devata | 22.07.2010 |
| 02 | Raam kare kahin nainaa naa uljhen | 30.07.2010 |
| 03 | Teer aankhon ke jigar ke paar kar do yaar tum | 13.07.2012 |
| 04 | Ham ko to barbaad kiyaa hai aur kisey barbaad karoge (multiple version song) | 22.07.2020 |
| 05 | Mehfil mein shama chamki parwaane chale aaye | 08.10.2020 |
The seventh and final song from “Gunaahon Ka Devtaa”(1967) is a light hearted comic relief song sung by Rafi and picturised on Mehmood. Mehmood too utters a fe sentences in the song. Lyrics are by Hasrat Jaipuri. Music is by Shankar Jaikishan.
Music of the song is reminiscent of another Shankar Jaikishan composition namely “hum kaale hain to kya dilaale hain”.
Lyrics of this song were sent to me Avinash Scrapwala.
With this song, all the songs of “Gunaahon Ka Devtaa”(1967) are covered in the blog and the movie joins the list of movies that have been YIPPEED in the blog.
Video
Audio
Song-Main marne chala hoon (Gunaahon Ka Devtaa)(1967) Singer-Rafi, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Mehmood
Lyrics(Provided by Avinash Scrapala)
Hoshiyaar
Arey khabardar
Mere ko mat rokna
Main jaa rahaa hoon
arey todi naakh tablaa
ne phodi naakh peti
Main jaa rahaa hoon
Main marne chalaa hoon
Are ab rokne se kya faydaa
jab chidiyaa chug gayi khet
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Aye husn teri khaatir
Aye husn teri khaatir
O husn teri khaatir
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Ye maut bhi darwaazaa hai
milne ka meri jaan
Ye maut bhi darwaazaa hai
milne ka meri jaan
mar kar bhi jiyaa karta hai
hokar amar insaan
mar kar bhi jiyaa karta hai
hokar amar insaan
Majnu ki qasam
Raanjhe ki qasam
Meri jaan ki qasam
arey mere babaji qasam
Dadaji ki qasam
kakaji ki qasam
arey Padm ji ki qasam
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Aye husn teri khaatir
Main marne chalaa hoon
Main marne chalaa hoon
Atka huaa armaan dil e maasoom se nikle
Atka huaa armaan dil e maasoom se nikle
Aashiq ka janaazaa hai
badi dhoom se nikle ae
Aashiq ka janaazaa hai
badi dhoom se nikle ae
lailaa ki qasam
shirin ki qasam
ke sar ki qasam
arey meri maa ki qasam
meri dadi ki qasam
meri nani ki qasam
mar gayaa babaji ee
Main marne chalaa hoon
Main marne chalaa hoon
Aye husn teri khaatir
Main marne chalaa hoon
Main marne chalaa hoon
Logon mere marne pe tum
Aansoo naa bahaanaa
Logon mere marne pe tum
Aansoo naa bahaanaa
Aa jaaye meri yaad to phir
Naachnaa gaaanaa
Aa jaaye meri yaad to phir
Naachnaa gaaanaa
Baiju ki qasam
taani ki qasam
tansen ki qasam
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
Main marne chalaa hoon
arey main marne chalaa hoon oon oon …
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4465 | Post No. : | 15952 |
“Gunaahon Ka Devta”(1967) was directed by Devi Sharma for Janta Chitra, Bombay. This “social” movie had Rajshree, Jeetendra, Mehmood, Leela Chitnis, Auna Irani, Randheer, Tuntun, Farida, Shahid, S K Prem, Sujata, Jeewan, Jankidas etc in it.
The movie had seven songs in it. Five songs have been covered so far.
Here is the sixth song from “Gunaahon Ka Devta”(1967) to appear in the blog. The song is sung by Rafi and Manna Dey. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.
The song is as a “diversion” song on Mehmood and another person (whom I am unable to identify) who gate crash on Jeewan’s wedding reception in Hindi filmy style without being subjected to any checks on their credentials. They are accompanied by two female dancers whom I cannot identify.
I request our knowledgeable readers to help identify the actors seen in the picturisation.
Song-Mehfil mein shama chamki parwaane chale aaye (Gunaahon Ka Devta)(1967) Singers-Rafi, Manna Dey, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Both
Jeewan
Lyrics
aa aa aa aa
aaye hain badi door se
sarkaar ke liye
aa aa aa
kab se taras rahe thhe
tere deedaar ke ae liye
aa aa aa aa aa
kaun ho
kis liye aaye ho
naaraj na hoiye saarkar
hum to isliye aaye hain
mehfil mein shama chamki
mehfil mein shama chamki
parwaane chale aaye
mehfil mein shama chamki
parwaane chale aaye
ab to nazar jhuka lo
ab to nazar jhuka lo
deewaane chale aaye
mehfil mein shama chamki
parwaane chale aaye
mehfil mein shama chamki
rangeen zamaana hai
mehfil pe jawaani hai
rangeen zamaana hai
mehfil pe jawaani hai
jo tera fasaana hai
aa aa aa
aa aa aa aa aa
jo tera fasaana hai
wo meri kahaani hai
wo meri kahaani hai
aankhon se teri peene
mastaane chale aaye
aankhon se teri peene
mastaane chale aaye
mehfil mein shama chamki
jab dil mein mohabbat ho
hota hai asar dil par
jab dil mein mohabbat ho
hota hai asar dil par
bhatka hua aashiq bhi
aa aa aa aa aa aa
bhatka hua aashiq bhi
aa jaata hai manzil par
aa jaata hai manzil par
hum bhi to tere dil ko
behlaane chale aaye
hum bhi to tere dil ko
behlaane chale aaye
mehfil mein shama chamki
har ek ada meri
deti hai dua tumko
har ek ada meri ee ee
ada
ada meri
ada
meri
ada meri
har ek ada meri
deti hai dua tumko
har ek ada meri ee ee
adaa aa meri ee ee
ada aa aa aa aaa a aa meri
har ek ada meri
deti hai dua tumko
meri bhi umar de de
aa aa aa aa
aa aa aa aa
aa aa aa aa
meri bhi umar de de
ye mera khuda tumto
ye mera khuda tumto
hum bhi to tumhaare hain jatlaane chale aaye
hum bhi to tumhaare hain jatlaane chale aaye
ab to nazar jhuka lo
ab to nazar jhuka lo
deewaane chale aaye
mehfil mein shama chamki
parwaane chale aaye
mehfil mein shamma chamki
parwaane chale aaye
mehfil mein shamma chamki
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Duet | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1960s (1961 to 1970) | Songs of 1967 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- 1 Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4397 | Post No. : | 15774 |
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Blog 10-Year Challenge (2010-2020) – Song No. 47
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Today’s song is from the ‘1967’ movie ‘Naunihaal’ which is eligible for ‘Blog ten-years challenge’ of today, as its song was posted on this day on the blog ten years back.
There were six posts on that day on the blog and that was well going with the average posts per day on the blog then.
The songs represented on 01.08.2010 on the blog were as follows;
| Song | Movie title-Year | Remarks |
|---|---|---|
| Raat suhaani jaag rahi hai | Jigri Dost-1969 | All songs covered |
| Zulf bikhraati chali aayi ho | Ek Kali Muskaayi-1968 | All songs covered |
| Aasmaan se aaya farishtaa pyaar ka sabak sikhlaane | An Evening In Paris-1967 | All songs covered |
| Meri aawaaz suno | Naunihaal-1967 | 04 songs posted |
| Tere mere sapne ab ek rang hain | Guide-1965 | All songs covered |
| Dekhi zamaane ki yaari bichhde sabhi baari baari | Kaaghaz Ke Phool-1959 | All songs covered |
Out of the six movies represented then five movies viz. ‘Jigri Dost-1969’, ‘Ek Kali Muskaayi-1968’, ‘An Evening In Paris-1967’, ‘Guide-1965’ and ‘Kaaghaz Ke Phool-1959’ have already covered with all their songs posted on the blog and have attained ‘Yippeeeeee’ status on the blog.
‘Naunihaal-1967’ was directed by Raj Marbros for ‘Mercury Productions, Bombay’.
It had Balraj Sahni, Indrani Mukherji, Sanjeev Kumar, Master Babloo, Harendranath Chattopadhyay, Abhi Bhattacharya, Madhvi, Jagdeep, Asit Sen, Brahm Bharadwaj, Manmohan and others.
This movie had seven songs written by Kaifi Azmi and composed to music by Madan Mohan.
So far, the following four songs from this movie have been posted on the blog;
| Song | Posted On |
|---|---|
| Tumhaari zulf ke saaye mein | 06.05.2009 |
| Meri aawaaz suno | 01.08.2010 |
| Patthar ke bhagwaan pighal jaa | 10.05.2013 |
| Na re na re baabu | 14.07.2016 |
Today we are going to listen a song sung by Asha Bhonsle and Usha Mangeshkar. Lyrics are by Kaifi Azmi and music is composed by Madan Mohan.
This song is picturised on Laxmi Chhaya, Madhumati. Manmohan and many others are also seen in the picturization of this song.
Lyrics for the today’s song were sent by Prakashchandra.
Let us now enjoy today’s song …
Full audio
Video (Partial)
Song-Roop ke pujaariyo husn ke bhikaariyo (Naunihaal) (1967) Singers – Asha Bhonsle, Usha Mangeshkar, Lyrics – Kaifi Azmi, MD – Madan Mohan
Both
Lyrics (Provided by Prakashchandra)
roop ke pujaariyo
husn ke bhikhaariyo
(loud laughing sound)
roop ke pujaariyo
husn ke bhikhaariyo
aao aao aao gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
mujh se tumko pyaar hai
tumse mujhko pyaar
chhoti si ek baat par kaahe ki taqraar
kaahe ki taqraar
o jee kaahe ki taqraar
raat milan ki jo sajan beet jaayegi
phir ye jawaani naa kisi kaam aayegi
tumne tadpaa diya
haath phailaa diya
ye naa kehna kabhi ee
hamne thukraa diya
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ke bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
masti meri aankh mein laali honthon par
dekho maine roop kyaa paayaa hai dilbar
paayaa hai dilbar
o maine paayaa hai dilbar
dar se sawaali jo koyi laut jaayega
dard bhare dil ko kahaan chain aayega
jaam chhalkaa diyaa aa
rang barsaa diyaa
dekho pyaar mein
daan kya kya diyaa
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
(mob making loud screaming noise)
pariyon jaise baal hai hirni jaisi chaal
jaane kaisa aaj hai mere jee ka haal
mere jee ka haal
haaye mere jee ka haal
dil ki tadap dil ki sadaa jaan jaaungi
aaj kaho aaj kahaa maan jaaungi
roz taqraar kyaa
jeet kya haar kyaa
jo bujha de na pyaas
wo mera pyaar kyaa
le lo le lo le lo le lo le lo
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ke bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
roop ke pujariyo
husn ke bhikhaariyo
aao aao aao
gorey gaalon ki bheekh le lo
le lo le lo
kaaley baalon ki bheekh le lo
le lo le lo
gorey gaalon ki bheekh le lo
- In: Baag/Bagiya song | Devnagri script lyrics by Ashwini Scrapwala | expression of love | Feelings of heart | Guest posts | Love song | Lyrics by Prakashchandra | Lyrics contributed by readers | Multiple version song | Post by Avinash Scrapwala | Rafi solo | Rafi songs | Romantic song | Sharda solo song | Sharda songs | Song picturised in at well known locations | Songs of 1960s (1961 to 1970) | Songs of 1967 | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4387 | Post No. : | 15748 |
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Blog 10-Year Challenge (2010-2020) – Song No. 43
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Ten years back on this day 22nd July 2010 five songs were posted on the blog as per following.
|
Song |
Movie title-Year |
Remarks |
| Chaahaa thaa banoon pyaar ki raahon ka devata | Gunhaahon Kaa Devtaa-1967 | 3 of 7 songs posted |
| Dil milaa ke milo paas aake milo | Thakur Jarnail Singh-1966 | 3 of 6 songs posted |
| Ye khaamoshiyaan ye tanhaayiyaan | Ye Raaste Hai Pyaar Ke-1963 | All songs covered |
| Bheegi chaandni chhaayi bekhudi | Suhaagan-1964 | All songs covered |
| Ik baat bataa de jogi | Taj-1956 | All songs covered |
So, today, we have two movies eligible for posting a song under ‘Blog Ten-Year Challenge’ viz. ‘Gunaahon Ka Devta’ (1967) and ‘Thakur Jarnail Singh’ (1966). In this post, I am presenting a song from ‘Gunaahon Ka Devta’ wherein Prakash ji had sent the lyrics of this multiple versions song.
When I saw the mail and the song title, I was surprised to note that this song has not been posted yet on the blog. But when I checked the other remaining song from this movie, I was more surprised to note that there is one more song which I like very much because of the actor performing on it 😊 but this song too is yet to be posted on the blog. Well, I had watched this movie during my stay at Parli-Vaijnath from 1985-1988. And this movie did bring back memories of my stay there and the ‘peak movie watching period’ for me there, when I used to watch maximum movies of yesteryear coming to theatres. I remember I liked this movie and its songs too.
The film is produced and directed by Devi Sharma for ‘Janta Chitra’. It has Rajshri, Jeetendra, Mehmood, Leela Chitnis, Aruna Irani, Randhir, Tun Tun, Farida, Shahid, Rekha, SK Prem, Sujata, Jankidas and Jeevan. The story of this movie is also written by Devi Sharma, and its screenplay was written by Ravi Kapoor. Dialogues of this movie were written by Sarshar Sailani. Editing of this movie was done by Dharamvir. The movie was passed by Censor Board on 19.05.1967.
This movie has seven songs including one multiple version song. Lyrics were written by Hasrat Jaipuri and Shailendra (one song – the title song only). Music of this movie was composed by Shankar-Jaikishan. Mohd Rafi, Lata Mangeshkar, Mukesh, Manna Dey and Sharda had given their voices to for the songs in this movie.
So far, the following songs from ‘Gunaahon Ka Devta’ have been posted on the blog;
|
Song |
Posted On |
| Chaahaa thaa banoon pyaar ki raahon ka devata | 22.07.2010 |
| Raam kare kahin nainaa naa uljhen | 30.07.2010 |
| Teer aankhon ke jigar ke paar kar do yaar tum | 13.07.2012 |
Today’s song is the multiple version song where the male version is sung by Mohd Rafi and the female version has the voice of Sharda. Jeetendra is lip syncing in the voice of Rafi Saab in the male version whereas in the female version Rajshri is lip syncing in the voice of Sharda. Both of them are seen in the picturization of this song where we could see the lovers ‘complaining’ about each other for ‘trapping in love’ and simultaneously also reminding that one will not be able to forgot them easily.
As mentioned above lyrics of this song were sent by Prakashchandra.
Let us now enjoy this lovely song in both versions …
Male Version (Video)
Male Version (Audio)
Female Version (Video)
Female Version (Audio)
Song – Hum Ko To Barbaad Kiya Hai, Aur Kisey Barbaad Karoge (Gunaahon Ka Devta) (1967) Singer – Mohammed Rafi, Sharda, Lyrics – Hasrat Jaipuri, MD – Shankar Jaikishan
Lyrics (Provided by Prakashchandra)
haaye
kis ki jaan logi
kyaa iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hum ko yaad karoge
hum ko to barbaad kiya hai
tirchhi nazar ke teer chalaao
naaz-o-adaa ki bijlee giraao
tirchhi nazar ke teer chalaao
naaz-o-adaa ki bijlee giraao
uff na karenge
hum bhi to dekhein
kitne sitam iijaad karoge
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai
tum chaaho to jaan bhi le lo
kaafir ho imaan bhi le lo
tum chaaho to jaan bhi le lo
kaafir ho imaan bhi le lo
dil waalon se paala pada hai ae
tum bhi bhala kya yaad karoge
ha haa
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai
hum bhi tumhein bechain karenge
pyaar mein aisa rang bharenge ae
hum bhi tumhein bechain karenge
pyaar mein aisa rang bharenge
neend na hogi in aankhon mein
tadpoge fariyaad karoge ae
ha ha
kis ki jaan logi
kya iraada hai
hum ko to barbaad kiya hai
aur kise barbaad karoge
bhool na jaana aaj ke din ko
ek din hamko yaad karoge
hum ko to barbaad kiya hai
————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
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हाए
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए
तिरछी नज़र के तीर चलाओ
नाज़ ओ अदा कि बिजली गिराओ
तिरछी नज़र के तीर चलाओ
नाज़ ओ अदा कि बिजली गिराओ
उफ़ ना करेंगे
हम भी तो देखें
कितने सितम इजाद करोगे
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए
तुम चाहो तो जान भी ले लो
काफिर हो ईमान भी ले लो
तुम चाहो तो जान भी ले लो
काफिर हो ईमान भी ले लो
दिल वालों से पाला पड़ा है
तुम भी भला क्या याद करोगे
ह हा
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए
हम भी तुम्हें बेचैन करेंगे
प्यार में ऐसा रंग भरेंगे
हम भी तुम्हें बेचैन करेंगे
प्यार में ऐसा रंग भरेंगे
नींद न होगी इन् आँखों में
तड़पोगे फ़रियाद करोगे
ह ह
किस कि जान लोगी
क्या इरादा है
हमको तो बरबाद किया है
और किसे बरबाद करोगे
भूल ना जाना आज के दिन को
एक दिन हमको याद करोगे
हमको तो बरबाद किया है ए
Badi kaafir tumhaari nazar nikli
Posted on: January 15, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4198 | Post No. : | 15381 |
“Sangdil” (1967), unlike “Sangdil”(1952) is a less known movie. It was directed by Dharam Kumar for Alamdeep Productions, Bombay. This B grade movie had Manohar Deepak, Bhagwan, Johnny Walker, Surendra, Ameeta, Dara Singh, Anwar, Indira, Satish etc in it.
“Sangdil”(1967) had five songs in it that have been forgotten with time. But these songs are forgotten gems.
One song from “Sangdil”(1967) has been covered in the blog. Here is the second song from the movie to appear in the blog.
This song is sung by Lata and Usha Mangeshkar. Naqsh Llayalpuri is the lyricist. Music is composed by G S Kohli.
The song is picturised as a synchronised dance song on a stage, watched by a house full audience in a hall.
I am unable to identify the two dancers. I request our knowledgeable readers to help identify them.
Song-Badi kaafir tumhaari nazar nikli (Sangdil)(1967) Singers-Lata, Usha Mangeshkar, Lyrics-Naqsh Llayalpuri, MD-G S Kohli
Both
Lyrics
Badi kaafir tumhaari nazar nikli
o Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
mehfil mein tumhaare jalwon mein
o o o
kya mujhpe qayaamat dhhaayi hai
kya mujhpe qayaamat dhhaayi hai
sau baar to dhhalka hai aanchal
sau baar ye nazar sharmaayi hai
sau baar ye nazar sharmaayi hai
ye mulaaqaat jaadoo asar nikli
kyun Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
tum hosh mein rehna ae saaqi
o o o o o
mumkin hai rahe na hosh mujhe
mumkin hai rahe na hosh mujhe
ab mera sambhalna mushqil hai
behkoon to na dena dosh mujhe
behkoon to na dena dosh mujhe
saat rangeen pichhle pahar nikli
o Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
meri jaan le gayi
do jahaaan le gayi
ho ise shola kahoon ya kahoon main bijli
Badi kaafir tumhaari nazar nikli
Ghiri ghiri aayi kaari badariya
Posted on: December 23, 2019
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4175 | Post No. : | 15349 | Movie Count : |
4231 |
Hindi Songs in Bangla Films – 14
– – – – – – – – – – – – – – – – – –
‘Antony Firingee’ (1967) was a Bengali film which has attained a classic status among the Bengali films. The film was directed by Sunil Banerjee. The main cast included Uttam Kumar, Tanuja, Lolita Chatterjee, Bhanu Bandopadhyay, Asit Baran, Ruma Guha Thakurta, Chhaya Devi etc. The film was based on a real-life story of Hensman Antony, a Portuguese national, who visited Chandannagar (near Kolkata) with his father, a trader, sometime in the 19th century. However, in the film, the story has some deviation from the real story probably to give a better cinematic depiction of the characters. Let me set out first the real story which I have gathered from the on-line sources.
Hensman Antony (1786-1836) arrived in Chandannager with his father, a trader sometime in the 19th century. He got so obsessed with the Bengali folk music and language that he decided to settle down in Chandannagar. During his stay, he started learning Bengali language and also the folk music. His life took a fresh turn when he saved a brahmin widow, Saudamini from self-immolation and took her to his place. He married her much to the annoyance of orthodox Bengalis. A widow re-marrying and that too a Firingee (foreigner from Europe) was nothing less than an act of blasphemy. The conservatives regularly harassed Antony and Saudamini by various means.
The influence of Saudamini on Antony was such that he started worshipping Maa Kali and Maa Durga that made him a spiritually inclined person. He also started learning Kavigaan (Bengali folk performances by poets of two groups who sing and perform in front of the villagers as a competition). He was also good in singing hymns in praise of Goddesses. His literary Bengali was so good that he became one of the popular poets of Kavigaan. These things did not go well with the orthodox upper caste Bengalis who felt that a Firingee is entering their domain. One day, a few villagers burnt their cottage which resulted in Soudamini getting burnt to death. At that point of time, Antony was away giving his winning performance in a Kavigaan.
There is an old Kali temple located in Bowbazar area of Kolkata known as ‘Firingee Kalibari’ to which Antony Firingee was associated with its renovation and also as a devotee.
The film, ‘Antony Firingee’ (1967) is available on-line for viewing in 7 parts. However, there is no English sub-titles. After knowing the real story of Hensman Antony, it was not difficult for me to relate the scenes in the film and also the context. Since the early life of Hensman Antony in Bengal was not known, the director has taken the cinematic liberty by showing that Antony’s mother was a Bengali. He spends most of his time singing Bengali songs with the workers of a riverbank. Antony’s behaviour is completely in odd with his brother and Marina (Lolita Chatterjee) who loves him. They would prefer him to mingle with their own (white) people.
The director has fictionalized the romantic link between Antony (Uttam Kumar) and Soudamini (Tanuja. In the film, her role was named as Nirupama) by making her a courtesan after she became a widow. Her singing as a courtesan attracts Antony. She reveals him her sad story as to how she ran away from home after the death of her husband to escape death on her husband’s funeral pyre. She was forced to become a courtesan by changing her name to Shakilabai. Both are now becoming closer to each other as both share the same interest – singing. Antony rescues her from the kothi and marries her. There is a complete transformation of Shakilabai from a courtesan to Nirupama as a housewife. Despite the constant harassment from the conservative society surrounding them for their rebellions, they lead a contended married life. Rest of the story in the film has been mostly kept as per the real-life story.
The dramatization by way of the irony of the situations in the film has been well conceived. For instance, because of Antony’s foreign origin, Bhola Moira (Asit Baran), the most popular kabiyal (a bard, akin to ‘kirtankar’ in Maharashtra and Karnataka) at that time, refuses to teach him to become the kabiyal. But in the end, at a Kavigaan, he defeats Bhola Moira who not only accepts his defeat graciously, he removes the flower garland from his neck and place it on Antony as a mark of his respect for Antony. And another irony of situation is that while Antony has won the duel with Bhola Moira, fanatics are burning his cottage in which his wife is being burnt alive. The film ends with Antony carrying the dead body of Nirupama out of the burnt house and takes to the river ghat.
The film won Uttam Kumar the National Award for the best actor in 1968. About 50 years later, ‘Antony Firingee’ (1967) was the opening film at Kolkata International Film Festival, 2018.
The film had 10 songs and a Tarana sung by Malbika Kanan, the wife of Pandit A T Kanan. All the songs are said to have become very popular. I am presenting the only Hindi song in the film, ‘ghir ghir aayi kaari badariya’ sung by Sandhya Mukherjee based on a popular traditional kajri. But in the film, it is sung for a mujra singer (Tanuja in the role of Shakinabai)) which is set to music by Anil Bagchi.
In the video version of the song, it is interspersed with western dances Antony’s community is indulging where Antony is being taken to participate. But he so immersed in mujra song heard in the background that he closes the door of the dance floor to hear the song uninterrupted. The audio clip has the full rendition.
Video Clip (Partial):
Audio Clip:
Song-Ghiri ghiri aayi kaari badariya (Anthony Firangi)(Bangla)(1967) Singer-Sandhya Mukherjee, MD-Anil Bagchi
Lyrics(based on audio clip)
aaa aaa aaa
aaa aaa aaa
aaa aaaa aaa aaa
ghiri ghiri aayi kaari badariya
piya nahin aaye
main kaa karoon guinyaan
ghiri ghiri aayi kaari badariya
piya nahin aaye
main kaa karoon guinyaan
kaa karoon guinyaan
piyaa nahin aaa…ye
piya nahin aaye
haaa aa aa
piya nahin aaye
piya nahin aaye
main kaa karoon guinyaan
daadur morey
daadur morey papeeha gaa…..ye
daadur morey papeeha boley
mujh birhan kaa jiyara…..aa doley
mujh birhan kaa jiyara…..aa doley
nis din unki yaa……d sataaye
piya nahin aaye
main kaa karoon guinyaan
piya nahin aaye mora
kaa karoon guinyaan
piya nahin aaye mora
kaa karoon guinyaan
piya nahin aaye
main kaa karoon guinyaa….n
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws
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Hindi Songs in Bangla Films – 2
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The troika of Satyajit Ray, Ritwik Ghatak and Mrinal Sen had taken Indian cinema to a great height from the 1950s onward. They were regarded as the harbinger of the new wave cinema, also called the parallel cinema. They were all from Bengal and made the films mostly in Bengali. But they had not only had the pan India reach but also, they were globally famous through their films. They won many awards – both National and International.
Tapan Sinha was one more film-maker from Bengal who was a contemporary of Satyajit-Ghatak-Mrinal. He also made mostly Bengali films and had won National and International awards. But the general impression carried in the film circle was that he was not in league with the the troika. The reason was that he was regarded as ‘the middle of the road’ film maker whose films would have some mild doses of commercial ingredients. It is only after Tapan Sinha’s death in January 2009 that some film writers feel that he should have been a part of quartet, Satyajit-Ghatak-Mrinal-Tapan for the realism depicted in his films.
Tapan Sinha made his first film ‘Ankush’ (1954) in Bengali. Since then until 2000, he made 37 films which included some films in Hindi like ‘Zindagi Zindagi (1972), ‘Sagina’ (1974), ‘Ek Doctor Ki Maut’ (1991) etc. He also made some children’s films like ‘Safed Haathi’(1978), ‘Aaj Ka Robinhood’ (1987). Most of his films were based on the stories written by well-known Bengali writers like Gurudev Rabiindranath Tagore, Tarashankar Bandopadhyay, Ramapada Chowdhury, Samresh Basu etc.
Some of Tapan Sinha’s successful Bengali films were remade in Hindi. These include ‘Mere Apne’ (1971) by Gulzar adapted from ‘Apanjan’ (1968), ‘Baawarchi’ (1972) by Hrishikesh Mukherjee from ‘Gulpo Holeo Satti’ (1966), ’Zindagi Zindagi’ (1972) from ‘Khoniker Atithi’ (1959), ‘Sagina’ (1974) from ‘Sagina Mahato’ (1970) and ‘Ijaazat’ (1987) from ‘Jatugriha’ (1964).
‘Haate Baazare’ (Market Place, 1967) was one of the successful films in Bengali directed by Tapan Sinha. Ashok Kumar and Vyjayantimala were in the lead roles with Rudraprasad Sengupta, Ajitesh Bandopadhyay, Bhanu Bandopadhyay, Chinmoy Roy, Chhaya Devi, Samit Bhanja, Partho Mukherjee etc in the supporting roles. It was the first Bengali film for Vyjayantimala. Probably, it was also for the first time, Vyjayantimala sang for herself a Bengali song, cheye thaki cheye thaki along with Mrinal Chakraborty in this film. Vyjayantimala did not know Bengali. But Tapan Sinha did not dub her dialogues in the film with borrowed voice, Instead he made her to rehearse her dialogues after listening to the pre-recorded dialogues on the cassette.
The film was based on a novel of the same name by Banaphul (real name: Balai Chand Mukhopadhyay). The film is available for watching on video sharing platform but there are no English subtitles for those who do not understand Bengali. Still, one can get a feel of the story of the film.
Dr. Mukherjee (Ashok Kumar) is a doctor in a tribal town in Birbhum. He is well respected by the tribal folks as well as others which include Chhipli (Vyjayantimala), a young widow. In his jest to serve the people, Dr Mukherjee has no much time to attend to his wife’s illness of a chronic heart ailment. After the death of his wife, Dr Mukherjee leaves his job and starts a mobile clinic for the poor. Lachhman Lal (Ajitesh Bandopadhyay), the spoilt son of a local landlord is at a loggerhead with him as he protects Chhipli from his lustful eyes. This is resented by Lachhman Lal and as a vengeance, he spreads the rumour about Dr Mukherjee’s relationship with Chhipli who has been working with him as his assistant.
In a night of a tribal get-together where Chhipli also participates in songs and dances, Lachhman Lal hoodwinks Chhipli by sending a message through Nani (Chhaya Devi) that she has been called by Dr Mukherjee. On her way back, he tries to molest Chhipli. In the nick of time, Dr Mukherjee saves her but, in the fight, Dr Mukherjee strangulates Lachhman to death and in the process, he is also seriously injured. Dr Mukherjee dies the next day. But Chhipli continues to carry forward the work of the mobile clinic in the village with the help of a young doctor.
The film was not only a commercial success, it also won the National Film Award for the Best Feature Film.
By the way, there is a train named as ‘Haate Bazare Express’ which runs from Sealdah (Kolkatta) to Saharsa Junction/Purnia.
‘Haate Baazare’ (1967) had 3 songs, one of which I am presenting here because it is in Hindi. The song is ‘aage aage nanadi chale peechhe nanadaya’ sung by Chinmoy Roy, Mrinal Chakraborty and Aarati Mukherjee. The song is set to music by Tapan Sinha. The name of the lyricist for Hindi song is not mentioned. But the wordings of the song seem to indicate that it is a traditional song. Incidentally, Majrooh Sultanpuri also used some lines from this song in pyaare nanadaya sarota kahaan bhool aaye for Hindi film, ‘Zamaana’ (1985), strengthening my guess that it is based on a traditional folk song. Most importantly, this song has the quality of captivating the listeners and the folk song has that quality even with the meaningless lyrics.
In the song, while Chinmoy Roy sings for himself, Mrinal Chakraborty sings for an actor whom I guess to be Partho Mukherjee. He sings in a mix of Bengali and Hindi words, probably that is the dialect spoken in Birbhum, a border district with Bihar. Aarati Mukherjee sings for Vyjayantimala.
Enjoy this fun filled teasing song.
Video
Audio
Song-Aage aage nanadi chale peechhe nanadaiyya (Haatey Baazaarey)(Bangla)(1967) Singers-Chinmoy Roy, Mrinal Chakraborty, Aarti Mukherjee, MD-Tapan Sinha
Chorus
Lyrics(Based on Audio Clip)
aage aage nanadi chale peechhe nanadaiyya
aage aage nanadi chale peechhe nanadaiyya
aur uske peechhe main bechaari
mere peechhe sainyyaa
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanodi chole peechhe nanodini
aage aage nanodi chole peechhe nanodini
aur taar peechhone aami choli
aamaar peechhe shojni
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
nat mori nanadi khaayi peda nanadaiyya
nat mori nanadi khaayi peda nanadaiyya
main bechaari rabdi khaaye
main bechaari rabdi khaaye
joothha chaate sainyyaa
sarota kahaan bhool gaye
pyaare nanadaya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
nanadi mori thhaali dikhaaye chaate nanadaiyya
nanadi mori thhaali dikhaaye chaate nanadaiyya
main bechaari paan khaaun
main bechaari paan khaaun
choona chaate sainyyan
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanodi chole peechhe nanodini
aar taar peechhone aami chaale
aamaar peechhe sojni
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanadi chale peechhe nanadaiyya
aur uske peechhe main bechaari
mere peechhe sainyyaa
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
aage aage nanadi chale peechhe nanadaiyya
aage aage nanadi chale peechhe nanadaiyya
aur uske peechhe main bechaari
mere peechhe sainyyaa
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
pyaare nanadaiyya
sarota kahaan bhool gaye
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