Archive for the ‘Guest posts’ Category
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5430 | Post No. : | 17812 |
#the Decade of Fifties –1951 – 1960 #
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Regulars on the blog are aware that, besides being music-lovers and Hindi movie buff, many of the blog members also love ‘cricket’ and ‘rail/train’, or if I am not wrong especially the ‘Indian Railways’.
Travelling by train is something which is always interesting. Most of us enjoy and love it. It brings back many memories from our childhood days too.
From 2017 to 2019 when I was in Kenya for a project, I badly missed train travel. The place where I stayed for almost nine months in Nairobi had a rail track passing behind my residential place that reminded me of our Indian trains every time a train passed by.
When I returned back to India after finishing the project I was supposed to visit close relatives residing in Maharashtra. I needed to visit other places too. I reached back in India in Dec’2019 end and before I could make plans for any visits, ‘pandemic’ arrived. The best plans of everyone came to a halt.
I had an an pportuniy to visit Mumbai in Feb’2020 when I had also booked a ticket, but due to some minor operation I had to ‘cancel’ it.
ye duniya ki rail musaafir
ye duniya ki rail musaafir
chhak chhak chalti jaaye re
pal pal aage badhhti jaaye ae
aage badhhti jaaye ae
Life moves on. The wheels of time keep ‘moving ahead’ as well.
As the effects of pandemic waned and the restrictions were lifted we had our elder daughter’s marriage in March’2022 at Vadodara. Most of our close relatives visited us and thus the long awaited get-together with relatives finally took place.
However, I keep longing to travel. Travelling became possible in April’2022 when I and my wife travelled to Nagpur to attend a marriage. I was working then and had got only two days leave so we had to return back immediately.
But this train travel after a long gap was still enjoyable though the railways had not started providing the ‘linens’ in the AC coaches till then.
saanson ki patri par bhaage
raah chale naa aadi
ismen lagey kismat ke pahiye
chal jaaye to gaadi baba
Finally I got this long vacation this year since 01st January’2023. My last contract with the employer ended on 31st Dec’2022, so I was a ‘free bird’ again.
We were already planning to travel to Nagpur and Parli Vaijnath in Maharashtra to meet in-laws, my mother at Parli, and other relatives. But in an unfortunate development my father in law had to be admitted to a Hospital in Nagpur and we had to rush there. That is how we travelled to Nagpur in Feb’2023 end. After alighting at Ajani Station (one station before Nagpur junction), we directly visited the Hospital where my father in law was admitted. After visiting him we went to their place which was our base station for the next 8/10 days.
My father in law got discharged from the hospital the next day so he was back at home and everybody was happy. My wife was happy and she took care of her father for his medicines, diet etc. till we were there.
Meanwhile I travelled to Amravati by road-with a friend from Nagpur- to meet our common friend who was with us in Kenya. This long awaited meeting was also happening after a long gap of more than three years.
Thereafter, I and my wife travelled to Chandrapur by bus to meet my maternal relatives and then back to Nagpur. This meeting also happened after a long gap of almost seven years (last we visited them when we were staying at Nagpur).
We visited some more relatives (including my cousins) staying in Nagpur and around (Koradi), and left for Parli-Vaijnath by a private travel bus. At Parli-Vaijnath we meet my mother, my younger brother and his family and stayed there for two days. From there we left by train for Shegaon via Akola.
We had to wait around half an hour at Akola station to board the next train for Shegaon. We stayed at Shegaon after visiting the holy place there and next morning started for Vadodara by train again.
So, after a fifteen days tour we arrived back at Vadodara. Meanwhile our younger daughter also travelled to Pune with her friends and she also reached arrived back at Vadodara the same day. We received her at the railway station as her train from Pune was supposed to arrive forty-five minutes after the arrival of our train.
All of us arrived back home after enjoyable journeys.
After a gap of two weeks we again travelled to Rajkot for my younger daughter’s project there and also to visit our elder daughter. After staying a Rajkot for a day we come back to Vadodara by train. Earlier we used to travel by our car to and fro, but this time we took a Volvo bus by state transport to go to Rajkot and we travelled by train in the return direction.
A trip to Kachchh was already overdue for me since 2019-20 for transfer of house to other owner there. (During this period my younger brother staying had visited us thrice including his visit for my daughter’s marriage).
This time I travelled alone by train to Gandhidham and took the ST bus for Mundra. That revived my memories of up/down travels when I was working near Adipur. This visit too was just for one day. I returned back the same day by means of a private transport service.
A pre-planned trip towards the North was already due as per schedule on April 11th.
Meanwhile, 24th March marked the third anniversary of ‘lock down in India’. Even a movie narrating the ‘lock down experiences/stories’ was released on that day, but it disappeared soon like it was never released. May be people were not interested to revisit those ‘horrifying sad stories and the struggle during the pandemic or lock down period’. This movie was also released on 24th March’2023.
While we were preparing for our next tour the news of ‘corona cases surfacing again’ had started doing the rounds.
We started our journey on 11th April for Pathankot by SVDK Exp. This was the first time that we had ‘planned’ a ‘vacation trip’ other than the visits we often took during summer vacations to visit our relatives in Maharashtra.
In this visit we were accompanied by the family of one of my friends. Examinations of their children had finished and so they wanted to travel. So they had requested us to accompany them.
This friend of mine had passed away due to cancer in 2012. He was one of my best friends whom I befriended in Kachchh. I named these three friends as my ‘3 idiots’. So this one ‘idiot’ left us too early at an young age. We were missing him a lot.
We were supposed to reach our destination i.e. Pathankot on 12th afternoon. But on the morning of 12th as we were still travelling there was a call from my brother-in-law from Nagpur that my father in law had left for his heavenly abode early morning. My wife was inconsolable and somehow we managed to calm her saying that we shall take a decision after reaching Pathankot or Dalhousie, where we had to stay. We were in a fix as we could not leave the other members i.e. my friend’s family alone.
After reaching Banikhet near Dalhousie from Pathankot we were informed that the funeral of my father in law had to be done the same day and it was not possible for us in any case to reach Nagpur to attend it. So finally we decided to go to Nagpur later for other rituals. The only consolation for us was that the we had met him in Feb-end and early March and our stay with him for a week at Nagpur, so the regret of not meeting him in recent past was not there..
We finished our trip to Dalhousie-Dharamshala-Amritsar and returned to Ahmedabad via Chandigarh on 17th.
As our tour was on many things were still happening around.
seth mahajan chor uchakke
is gaadi mein saath chaley
raat ko soye dhan loot jaaye
aur sawere haath maley
koyi bajaaye chain ki bansi
koyi neer bahaaye re
pal pal aage badhhti jaaye ae
aage badhhti jaaye ae
But the journey was on …
Ye duniyaa ki rail musaafir …
And, it always reminded us
is gaadi mein dekh naa pyaare
jaat paat ke phande ae
ek jagah par mil kar baithhe
sab bhagwaan ke bande baba
do din ka ye safar hai baba
mil jul kar kat jaaye re
***
My elder daughter arrived from Rajkot the next day and we all left for Nagpur on 19th April afternoon (by air this time). After attending all rituals there I and my wife stayed back at Nagpur while our daughters returned to Vadodara early on 22nd of April.
I with my wife travelled back by train again on 27th from Nagpur to Vadodara.
Meanwhile my younger daughter was detected with Covid-19 and she had to be self-quarantined. Now the elder daughter had to stay with her till we arrived back. The day we reach Vadodara, our elder daughter left for Rajkot.
Now there was a family function due at Rajkot on 2nd May. Only I could attend it, as my wife had to stay back with my younger daughter at home.
I travelled on 2nd morning by Volvo bus, attended the function in the afternoon, and arrived back on the same evening by train …
My younger daughter recovered fully from Covid after ten days and got fully fit.
5th May’2023 (News headline)…
“The head of the UN World Health Organization (WHO) has declared “with great hope” an end to COVID-19 as a public health emergency, stressing that it does not mean the disease is no longer a global threat.”
A cycle completed …
The song being covered in this post is from the movie “Sitaaraa-1955”. (this song was pending since ‘2018’).
It was directed by S.K. Ojha for ‘All India Pictures, Bombay’. P. N. Arora was the producer of this movie. It had Vaijayantimala, Pradeep Kumar, Shashikala, Om Prakash, Gope, Jayant, Beghampara, Pam Avtaar, Shyam Kumar, Amar, Helen, Mirza Musharraf, Protima Devi, Badri Prasad, Parasram, Munshi Munakka, Indira Bansal, T.N. Charlie and others.
This movie was passed by Censor Board on 25.05.1955.
“Sitaaraa-1955” has eight songs. They were written by Shakeel Badayuni and music was composed by Ghulam Mohammad.
Five songs have already been posted earlier on the blog. Today I present the sixth song from this movie which is sung by Mohd Rafi.
Lyrics are by Shakeel Badayuni and music is composed by Ghulam Mohammad.
Only audio of this song is available.
Audio
Song-Ye duniya ki rail musaafir aage badhhti jaaye (Sitaara)(1955) Singer-Rafi, Lyrics-Shakeel Badayuni, MD-Ghulam Mohammad
Chorus
Lyrics
Ye duniya ki rail musaafir
Ye duniya ki rail musaafir
Chhak chhak chalti jaaye re
Pal pal aage badhhti jaaye ae
Aage badhhti jaaye ae
Saanson ki patri par bhaage
Raah chale naa aadi
Ismen lagey kismat ke pahiye
Chal jaaye to gaadi baba
Chal jaaye to gaadi ee
Nagar nagar mein thheharti rukti
Nagar nagar mein thheharti rukti
Manzil tak pahunchaaye re
Pal pal aage badhti jaaye ae
Aage badhhti jaaye ae
Aage badhhti jaaye
Is gaadi mein dekh naa pyaare
Jaat paat ke phande ae
Jaat paat ke phande ae
Ek jagah par mil kar baithe
Sab bhagwan ke bande baba
Sab bhagwan ke bande ae
Do din ka ye safar hai baba
Do din ka ye safar hai baba
Mil jul kar kat jaaye re
Pal pal aage badhti jaaye ae
Aage badhhti jaaye ae
Aage badhhti jaaye
Seth mahajan chor uchakke
Is gaadi mein saath chalen
Raat ko soye dhan loot jaaye
Aur sawere haath malen
Aur sawere haath malen
Koyi bajaaye chain ki bansi
Koyi bajaaye chain ki bansi
Koyi neer bahaaye re
Pal pal aage badhti jaaye ae
Aage badhhti jaaye ae
Aage badhhti jaaye
Ye duniya ki rail musaafir
Ye duniya ki rail musaafir
Chhak chhak chalti jaaye re
Pal pal aage badhti jaaye ae
Aage badhhti jaaye ae
Aage badhhti jaaye
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Devnagri Script lyrics (Provided by Avinash Scrapwala)
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ये दुनिया की रेल मुसाफिर
ये दुनिया की रेल मुसाफिर
छक छक चलती जाए रे
पल पल आगे बढती जाए ए
आगे बढती जाए ए
साँसों की पटरी पर भागे
राह चले ना आडी
इसमें लगे किस्मत के पहिये
चल जाए तो गाडी बाबा
चल जाए तो गाडी ई
नगर नगर में ठहरती रूकती
नगर नगर में ठहरती रूकती
मंजिल तक पहुंचाए रे
पल पल आगे बढती जाए ए
आगे बढती जाए ए
आगे बढती जाए
इस गाडी में देख ना प्यारे
जात पात के फंदे ए
जात पात के फंदे ए
एक जगह पर मिल कर बैठे
सब भगवान के बन्दे बाबा
सब भगवान के बन्दे ए
दो दिन का ये सफ़र है बाबा
दो दिन का ये सफ़र है बाबा
मिल जुल कर कट जाए रे
पल पल आगे बढती जाए ए
आगे बढती जाए ए
आगे बढती जाए
सेठ महाजन चोर उचक्के
इस गाडी में साथ चले
रात को सोये धन लूट जाए
और सवेरे हाथ मले
और सवेरे हाथ मले
कोई बजाये चैन की बंसी
कोई बजाये चैन की बंसी
कोई नीर बहाए रे
पल पल आगे बढती जाए ए
आगे बढती जाए ए
आगे बढती जाए
ये दुनिया की रेल मुसाफिर
ये दुनिया की रेल मुसाफिर
छक छक चलती जाए रे
पल पल आगे बढती जाए ए
आगे बढती जाए ए
आगे बढती जाए
Pyaar kar le kar le pyaar goree
Posted on: May 30, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5429 | Post No. : | 17811 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Darindaa-1977)
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“Darindaa-1977” was directed by Kaushal Bharati for ‘Bunty Enterprises, Bombay’. It was produced by M.S. Gulati. It had Sunil Dutt, Feroz Khan, Parveen Babi, Madan Puri, Bharat Bhushan, Raj Mehra, Shivraj, Mridula, Birbal, Sajjan and others. Premnath, Preeti Sapru, Komila Virk, Lily Chakravarti and Janaki Dass had special appearances in this movie.
Kaushal Bharati who had directed this movie was also the writer of this movie. Editing of this film was done by B.S. Glaad.
“Darindaa-1977”was passed by Censor Board on 24.11.1977.
This movie has five songs written by Indeevar and music was composed by Kalyanji-Anandji. Kishore Kumar, Asha Bhonsle, Yesudas, Kanchan, Mukesh and Mohd Rafi had given their voices to the songs in this movie.
Here is the list of songs in this movie. (HFGK mentions total seven sound tracks for this movie which were released on its records. Out of these there were five songs, one music track and one dialogues’ track).
| SNo. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Aap ke gumsum rehne se har shai pe udaasi chhaayi hai | Kishore Kumar | |
| 02 | Ladki kaahe ko bani | Kishore Kumar, Asha Bhonsle, chorus | |
| 03 | Ho o …pyaar kar le, kar le pyaar gori | Yesudas, Kanchan | |
| 04 | Chaahe aaj mujhe naa pasand karo | Mukesh | 22.07.2017 |
| 05 | Tu jo nahin koyi mera, mera koyi nahin | Mohd Rafi | |
| 06 | Music track | ||
| 07 | Dialogues track |
I do not remember to have watched this movie and also I do not remember to have listened to the songs of this movie except the one that has been posted on the blog.
The song ‘chaahe aaj mujhe naa pasand karo’ sung by Mukesh has been presented on the blog by our Shri Raja Saab and it was posted on 22.07.2017.
Raja Saab had also watched this movie again (as he mentioned, for the above post) and had briefly mentioned about the story of this movie in his post which I am reproducing below.
Briefly, the story is how Sunil Dutt, separated as a poor young boy from his rich childhood friend, Parveen Babi, grows up as a yogi, supposedly to do good deeds.
But he has just one goal in mind – to find Parveen, and win her over. He searches everywhere for her – becoming a monster (Darinda) in the process, even killing women in his pursuit.
And when he finally does find her, she is engaged to be married to Feroze Khan. How he then reacts, what is Parveen’s reaction, what happens to Feroze?
– See the film if you want to find out. (There’s a bit of hint in this song too)
Today I present the second song from this movie which is sung by Yesudas and Kanchan. The song is lip-synced by Feroz Khan and Parveen Babi on screen. This is a romantic song between the two ‘lovers’ or ‘engaged couple’ 🙂 and shot on beautiful outdoor locations and a ‘sea-beach’. The pair of Feroz Khan and Parveen Babi looked beautiful in this song.
I had not heard this song earlier, but it is a nice hummable song and it grows upon us if we listen to it twice or thrice.
I guess that this movie must be a watchable movie given the ‘social drama’ and also I guess it must be having some powerful dialogues of Sunil Dutt.
We will ‘travel’ into this movie more in future… 🙂
Till then let us enjoy this duet in the special voices of Yesudas and Kanchan…
(Note- The video print of this song (and even the movie available on internet) is not much clear).
Lyrics are by Indeevar and music is composed by Kalyanji-Anandji.
Audio
Video
Song-Pyaar kar le kar le pyaar goree (Darinda)(1977) Singers-Yesudas, Kanchan , Lyrics-Indeewar, MD-Kalyanji Anandji
Both
Lyrics
aa aa aa aa aa aa
o o o o o o
hmm hmm mmm hmm
hmm hmm hmm hmm hmm
pyaar kar le
kar le pyaar gori ee
ye goraa rang kachchaa hai
utar jaayegaa
ye goraa rang kachchaa hai
utar jaayegaa aa
mere roop kaa rang kachchaa hai
par pyaar kaa rang sachchaa hai ae ae
sachchaa rang kaise utar jaayegaa
ye sachchaa rang kaise utar jaayegaa aa
pyaar kar le
kar le pyaar gori ee
ye goraa rang kachchaa hai
utar jaayegaa aa
husn hai ae
wo paani ki dhaaraa aa
husn hai ae
wo paani ki dhaaraa aa
rok paayaa naa jisko kinaaraa aa
kya haseen dilon ka bharosaa
aise chanchal ke jaise wo paaraa
naam jiskaa pyaar
wo hotaa hai ek baar
aaye to naa jaaye dil se
pyaar ki bahaaaar
mausam nahin jo guzar jaayegaa
ye mausam nahin jo guzar jaayegaa
pyaar kar le
kar le pyaar gori ee
ye goraa rang kachchaa hai
utar jaayegaa
ye goraa rang kachchaa hai
utar jaayegaa aa
main nazar hoon
tum roshni ho o
main nazar hoon
tum roshni ho o
mere pyaar ki tum zindagi ho o
zindagi pe chhaa jaane waale ae
tum hi pehle
tum hi aakhiri ho o
koyee chhail chhabeelaa jaane
kab tujh par chhaa jaaye
aaj is par aa jaaye dil
to kal us par aa jaaye ae ae
banjaaraa jaane kidhar jaayegaa
man banjaaraa jaane kidhar jaayegaa
pyaar kar le
kar le pyaar gori ee
ye goraa rang kachchaa hai
utar jaayegaa
ye goraa rang kachchaa hai
utar jaayegaa aa
mere roop kaa rang kachchaa hai
par pyaar kaa rang
sachchaa hai ae ae
sachchaa rang kaise utar jaayegaa
ye sachchaa rang kaise utar jaayegaa aa
hmm hmm hmm hmm hmm hmh hmm
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm hmh hmm
hmm hmm hmm hmm hmm
Tu kaisi been bajaaye re
Posted on: May 30, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5429 | Post No. : | 17810 |
#the Decade of Sixties – 1961 – 1970 #
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I was not aware of this movie “Pyaar-1969”. I do not remember to have read about it or listened to its’ songs earlier. It is only now that through this blog and the Geet Kosh I become aware of this movie.
“Pyaar-1969” was directed by Pralhad Sharma for ‘Film Makers, Calcutta’. It had Soma Salkar, Sooraj, Sangeeta, Prem, Kavita, Shekhar, Alka, Jahar Rai, Baby Samli Rai, Pandit Natwar and others.
It seems that this must be an obscure movie of its time.
“Pyaar-1969” has six songs which were written by Pralhad Sharma who was also the director of this movie.
Music for this movie was composed by V. Balsara.
Here is the list of songs in this movie:-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Akad ke kahaan chale meri jaan | Mohd Rafi | 13.03.2019 |
| 02 | Yah thhandi hawaa yah rangeen samaa Chandrani Mukherjee, Mohd Rafi | ||
| 03 | Tu kaisi bin bajaaye re | Aarti Mukherjee | |
| 04 | Meri jaan na akad ya husn tera | Aarti Mukherjee, Manna Dey | |
| 05 | Aadhi raah saath mera chhodaa | Mohd Rafi | |
| 06 | Taa taa taa taa chubh gayaa kaantaa | Aarti Mukherjee |
“Pyaar-1969” made its debut on the blog on 13.03.2019 wherein a song from this movie was presented by our Shri Sudhir ji, and so far that remains the only song from this movie presented on the blog.
Today I present the second song from this movie which is sung by Aarti Mukherjee.
Let us listen to this song which is a ‘naagin’ and ‘sapera’ song. This song seems to be of lesser heard or never heard category of song. (I was listening to it for the first time).
Only audio of this song is available.
I would request knowledgeable readers to add more information about this movie and its songs.
Audio
Song-Tu kaisi been bajaaye re (Pyaar)(1969) Singer-Aarti Mukherjee, Lyrics-Prahlad Sharma, MD-V Balsara
Lyrics
tu kaisi
tu kaisi
been bajaaye re
tori naganiyaa
bal khaaye re ae ae
o naadaan sapere
jiyaraa machal machal
reh jaaye re ae
tu kaisi …
tu kaisi
been bajaaye re
tori naganiyaa
bal khaaye re ae ae ae
o naadaan sapere
jiyaraa machal machal
reh jaaye re ae
tu kaisi
sun kar teri taan sapere ae
aaj nahin dil bas mein morey ae
sun kar teri taan sapere ae
aaj nahin dil bas mein morey ae
bani baawri ee
run jhun naachoon
bani baawri ee
run jhun naachoon
ang ang lehraaye re ae
tu kaisi …
tu kaisi
been bajaaye re
tori naganiyaa bal khaaye re ae ae
o naadaan sapere
jiyaraa machal machal
reh jaaye re ae
tu kaisi
tu shehari chhalne ko aayaa aa
phans gayi naagin jaal bichhaayaa aa
tu shehari chhalne ko aayaa aa
phans gayin naagin jaal bichhaayaa aa
ab to jiyaraa
tore bas mein ae
ab to jiyaraa
tore bas mein
chaahe jahaan le jaaye re ae
tu kaisi …
tu kaisi
been bajaaye re
tori naaganiyaa
bal khaaye re ae ae
o naadaan sapere
jiyaraa machal machal
reh jaaye re ae
tu kaisi …
Mere baalon mein saawan ki ghataa
Posted on: May 30, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5429 | Post No. : | 17809 |
#the Decade of Fifties –1951 – 1960 #
——————————————————————
“Shuk Rambhaa-1953” was directed by Dhirubhai Desai for ‘Chandrakala Pictures, Bombay’. Dhirubhai Desai was also the producer of this movie.
This movie was passed by Censor Board on 05.05.1953. “Shuk Rambhaa-1953” was a ‘mythological genre’ movie and partly shot in colour as per information given in HFGK Vol-III (1951-1960).
It had Anjali Devi, Bharat Bhushan, Lalita Pawar, Niranjan Sharma, Rajkumar, Ishwar Lal, Nirupa Roy, Suryakant, Jagdish Kamal, C. J. Pandey, Krishnakumari, Roopa, Kusum Thakur, and Lalit Kapoor, Chaubey ji, Dilip, Tiwari, Pandya, Lajendra, Zareena, Lathani and others.
“Shuk Rambhaa-1953” has nine songs in it which were penned by two lyricist viz. Bharat Vyas(eight songs) and Saraswati Kumar ‘Deepak’(one song).
Three songs from this movie have been posted on the blog as per details given below.
| S.No | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | Hey shivshankar hey pralayankar | Saraswati Kumar Deepak | Asha Bhonsle, Unknown Male Voice | 15.02.2015 |
| 02 | O meri maayi de de bidaayi | Bharat Vyas | Master Gopal, Asha Bhonsle | 02.01.2017 |
| 03 | Jogi re yogi jaag re | Bharat Vyas | Asha Bhonsle,Manna Dey | 14.08.2017 |
Today’s song is the fourth song from this movie “Shuk Rambhaa-1953” being presented on the blog.
It is sung by Geeta Dutt. This is the only Geeta Dutt song in this movie (as per details mentioned in Geet Kosh).
Lyrics are by Bharat Vyas and music is composed by Manna Dey.
Video of this song is available. It shows a female (Rambha ?) dancing in early morning in the bedroom of a King (Shuk ?) who is sleeping. She goes away when the King wakes up.
Ed note: It is informed by Prakashchandra that the actors seen in the picturisation are Anjali devi and Raajkumar (different from the Jaani fame Raj Kumar).
Let us now enjoy the song …
Audio
Video
Song-Mere baalon mein saawan ki ghata (Shuk Rambha)(1953) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Manna Dey
Lyrics
hmm mm mm
hmm hmm hmm
mm mm mm mm
aa aa aa
aha haa haa
aa ha ha
aha haa haa
mere baalon mein
saawan ki ghataa
aa haa aa
aa haa aa
mere baalon mein
saawan ki ghataa
mere gaalon par
yauwan ki chhataa
yauwan ki chhataa
main ae ae
main nav-vasant ki paagal
angdaayi hoon oon oon
main roomjhoom kar
dwaaar tere aayi hoon
oon
dwaaar tere aayi hoon
aa aa aa aa aa aa
aa aa aa aa aa aa
main ithhlaate madhuban ki
bal khaati ek kali hoon
main lehraate saagar ke
lehron ke beech pali hoon oon
bijlee ki chamak
taaron ki damak
bijlee ki chamak
taaron ki damak
phoolon ke mehak se pyaari hoon
main ae ae
main nav prabhaat ki ujjwal
arunaayee hoon oon
main roomjhoom kar
dwaaar tere aayi hoon
oon
dwaaar tere aayi hoon
Pyaar ka dukh se bhara sansaar
Posted on: May 29, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5428 | Post No. : | 17807 |
#the Decade of Sixties – 1961 – 1970 #
———————————————————————
“Surya Devta-1969” was directed by Sharad Desai for ‘Alice Pictures, Bombay’. It had Nirupa Roy, Ashish Kumar, Manimala, Sapru, Jeevan, Shekhar, Amrut Patel, Sarita Khatau, P. Kailash, Sarita Devi, Shukla, Dalpat, Bhoj Kumar, Kapoor and others.
This movie has six songs composed by Avinash Vyas. The movie had two lyricsts viz. Bharat Vyas and Madan.
HFGK Vol-IV (1961-1969) mentions lyricist’s name for four individual songs which are all written by Madan. Singer’s name is also mentioned for these four songs only. Lyricist’s name and singer’s name are not mentioned for the remaining two songs .
Here is the list of songs in this movie:-
| SNo | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | O bedardi jaane de | Madan | Suman Kalyanpur | 29.03.2019 |
| 02 | Saj ke singaar sundar dulhaniya | Not known | Not known | |
| 03 | Maiyya meri jyot na bujhne paaye | Madan | Suman Kalyanpur | |
| 04 | O chanda re chhup jaanaa | Not known | Not known | |
| 05 | Pyaar ka dukh se bharaa sansaar | Madan | Mahendra Kapoor | |
| 06 | Dheere bol bairan paayaliyaa | Madan | Suman Kalyanpur |
“Surya Devta-1969” made its debut on the blog on 29.03.2019, wherein its’ song ‘o bedardi jaane de’ was presented by Shri Sudhir ji. I guess that the songs of this movie were not available those days. The song that was covered was also uploaded by Shri Sudhir ji. However, now, I could locate four songs of this movie on internet including the one already posted on the blog. That leaves us with two songs where the lyricist (I guess it should be Bharat Vyas) and singer is not known, that are unavailable even now.
Today I present the second song from this movie which is a ‘male-melancholic’ song sung by Mahendra Kapoor. From the lyrics we can guess that this guy has either been betrayed in love or lost his love to other person’. 🙂
Lyrics are by Madan and music is composed by Avinash Vyas.
Only audio of the song is available.
Let us listen to this song now…
Audio
Song-Pyaar ka dukh se bhara sansaar (Surya Devta)(1969) Singer-Mahendra Kapoor, Lyrics-Madan Mohan (lyricist), MD-Avinash Vyas
Lyrics
pyaar kaa dukh se bharaa sansaar
naa karnaa kabhi kisise pyaar
pyaar ik dhokhaa hai ae ae
pyaar ik dhokhaa hai
pyaar ik dhokhaa hai ae
pyaar kaa dukh se bharaa sansaar
naa karnaa kabhi kisise pyaar
pyaar ik dhokhaa hai ae ae
pyaar ik dhokhaa hai
pyaar ik dhokhaa hai ae
pyaar pe mat karnaa vishwas
pyaar har ghadi rulaataa hai
pyaar pe mat karnaa vishwas
pyaar har ghadi rulaataa hai
phool ki sejon ke badle
pyaar kaanton pe sulaataa hai
pyaar hai aansoo ka uphaar
bajaataa toote dil ke taar
pyaar ik dhokhaa hai ae ae
pyaar ik dhokhaa hai
pyaar ik dhokhaa hai ae
pyaar jab kartaa hai anyaay
samajh mein kuchh nahin aata hai
pyaar jab kartaa hai anyaay
samajh mein kuchh nahin aata hai
satya kaa galaa dabaa ke pyaar
jhoothh ko galey lagaataa hai
pyaar pe mat karnaa aitbaar
dubotaa kitnon ko manjhdhaar
pyaar ik dhokhaa hai ae
pyaar ik dhokhaa hai
pyaar ik dhokhaa hai ae
Deepak ke sang jalta patang
Posted on: May 29, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5428 | Post No. : | 17806 |
#the Decade of Fifties –1951 – 1960 #
——————————————————————
In this post I once again present a Geeta Dutt song, this time from the movie “Shri Ganesh Janma-1951”. I do not remember to have listened to this song earlier. Regulars on the blog are aware that I am a big Geeta Dutt fan. Whenever I get an opportunity to present a song sung by her I grab the opportunity with both hands and share that song here on the blog.
“Shri Ganesh Janma-1951” was a mythological movie directed by Jayant Desai. This movie was passed by Censor Board on 23.04.1951.
The cast of this movie included Nirupa Roy, Trilok Kapoor, Jeevan, Ulhas, Vasantrao Pahalwan, A. Shah, Shalini, Praveen Kumar, Master Dhuliya, Revashankar, Jugnu, Neerja, Neeru, Indira Mumtaz, Tiwari, Devchand More, Chhagan, Heera Singh, Nagotkar and others.
This movie has twelve songs all written by Bharat Vyas. Music for this movie was composed jointly by Khemchand Prakash and Manna Dey as mentioned in HFGK Vol-III (1951-1960).
Here is a brief about the songs of this movie that our respected Shri Arunkumar ji had mentioned in one of his posts while discussing earlier songs from this movie on the blog.
The film’s music was composed by Khemchand Prakash and Manna Dey together. There were 12 songs, but HFGK does not give individual credits for each song. Out of these 12 songs, not even a single song was sung by Lata Mangeshkar. In those days Lata usually avoided singing in Mythological films of B and C grades. Reason was, probably because the Producers of such films could not afford her price or maybe she was too busy with her assignments with more famous composers and bigger Banners. Such films were left for the second line singers like Asha, Geeta, Sulochana kadam, Sudha Malhotra and others of their ilk. A point to be noted, however, is that though a major singer of those times, Shamshad Begum never had qualms about singing in such films!
Following is the details of the two songs of this movie posted earlier on the blog.
| S.No | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Shiv Shankar Daya Karo | Geeta Dutt | 14.02.2015 |
| 02 | Naiyya paar lagaane waale | Geeta Dutt, Manna Dey | 21.08.2017 |
Today’s song is only the third song from this movie to be presented on the blog.
As mentioned above today’s song is sung by Geeta Dutt and lyrics are by Bharat Vyas.
Music is composed by Khemchand Prakash-Manna Dey.
(However, on the blog the credit for the music composer of the both the earlier songs posted is given to Manna Dey only, which I am not aware why?).
Today’s song is a nice song to listen to and is a ‘missing the beloved’ or ‘falling in love’ category songs.
Only the audio of this song is available.
Let us now enjoy the song …
Audio
Song-Deepak ke sang jaltaa patang (Shri Ganesh Janm)(1951) Singer-Geeta Dutt, Lyrics-Bharat Vyas, MD-Khemchand Prakash-Manna Dey
Lyrics
o o o
o o o
ho ho ho
o o o o o o o o o
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
tere liye ae
ban ban phiroon
tu hai kahaan aan
tu hai kahaan
saathi teri
pyaasi khadi
saathi teri ee
pyaasi khadi
aajaa aajaa bujhaa
mere man ki umang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
dheere dheere
din dhhaltaa hai re ae
tere binaa jee
jaltaa hai re
chhup chhup ke tu
tadpaa na yoon
chhup chhup ke tu
tadpaa na yoon
haaye kaise anokhe
tere ye dhhang re ae
deepak ke sang
jaltaa patang
tere binaa aa
tere binaa piyaa moraa
jaley ang ang re ae
deepak ke sang
jaltaa patang
tere binaa piyaa moraa
jaley ang ang
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5426 | Post No. : | 17798 |
Today’s song is from a dubbed film Jeevan Nauka-1952.
A cursory look at the Film Index book tells us that that the word JEEVAN is a favourite with film makers.As many as 36 Talkie films were made till 2012 with the word Jeevan at the Title’s beginning. Surprisingly I did not find a single Silent movie title with this word. This of course is not an indication in any way, because silent films used to have several titles in different states for the same film. (Just for the records, the word most used in the Hindi film titles happens to be ” Ek”, which is used in 206 film titles from 1931 to 2012 ! ).
Today’s film Jeevan Nauka-1952 is a dubbed Malayalam film. The original film name was Jeevithan Nauka-1951. This film is hailed as the first ever mega Hit Malayalam film. This film was made in Tamil and Telugu at the same time, with the original. The Hindi dubbed version came after one year, in 1952.
The First Talkie film in
| The first talkie film in the language | Movie | Year |
|---|---|---|
| Hindi | Alam Ara | 1931 |
| Tamil | Kalidas | 1931 |
| Bangla | Jamai Sashti | 1931 |
| Marathi | Ayodhyecha Raja | 1932 |
| Telugu | Bhakta Prahlada | 1932 |
| Gujarati | Narsi Mehta | 1932 |
| Indian English | Karma | 1933 |
| Kannada | Bhakta Dhruv/Sati Sulochana | 1934 |
| Oriya | Seeta Vivah | 1934 |
| Punjabi | Sheila | 1935 |
| Assamese | Joymoti | 1935 |
| Malayalam | Balan | 1938 |
You can see that while Hindi, Tamil and Bangla Talkie films came in 1931, Telugu in 1932, Kannada in 1934, the Malayalam film came only in 1938. Compared to Tamil and Telugu, the Kannada and Malayalam film industries were slow in development.
Just to compare, there were 15 Kannada films made in the 1930’s decade, 21 films in the 40’s and 70 films in the 50’s decade. This was the decade when Dr. Rajkumar appeared in Kannada films and its picture changed.
Malayalam films – only 2 silent films in the 30’s. The first silent film Vigath kumaran started shooting in 1928 but was finally released on 23-10-1930. The other silent film was Marthanda Varma-1933. Till 1947, there were only 3 Malayalm Talkie films. In the 50’s decade-6 films, in 60’s-30 films, in 70’s-40 and in the 80’s decade 127 talkie films. This was the decade when malayalam films became ‘Grown up’ and prospered. In the next 10 years Malayalam films won many national awards too !
Initially, like other South Indian films, Malayalam films depended on Hindi songs to copy into their films. The first mega hit film of Malayalam- Jeevithan Nouka-1951 had 14 songs and ALL were copies of popular Hindi songs. For example , it had a song copied from “Suhani raat dhal chuki” from the film Dulari-1949. Another song was copied from “Hawa mein udta jaaye” from the film Barsaat-1949.
However, when the Hindi version was dubbed, 2 MDs from Hindi were appointed. They were Shankar rao Vyas and Pt. Gobind Ram. They ensured that all the 13 songs of this film had new tunes. Both the MDs were on their waning side of careers, but all songs were good. The singers were Manna Dey, Rafi, Asha and Shamshad. Today’s song is the 4th song to appear here.
Since the film was dubbed, all the cast and the director was Malayalam, about whom we know not anything. Only MDs, Lyricists and the singers were from the Hindi industry. Today’s song is composed by Pt. Gobind Ram.
Pandit Gobindram was a trained musician from Lahore, and was equally popular in both Hindi and Punjabi films. Unlike other music directors of the Punjabi school, music composed by him did not typically reflect native Punjabi trends, but instead lay firmly in the category of mainstream 1940s’ music. We could very well say that he played a crucial part in shaping the music of the 1940s. His music is truly melodious and varied, with a unique combination of highly expressive tunes, yet very fun and foot tapping and rhythmically catchy. He is one of the music directors who used a very large number of singers, by my count, only second toGyan Dutt one of his worthy contemporaries. He excelled equally in composing happy, sad, romantic, serious, comical, classical, just any kind of songs. It is a pity that he has never received the attention that he deserved.
Among his landmarks are the introduction of an enormous contribution to making Shamshad Begum and Zohrabai the top singers in Hindi films. He recorded the maximum number of Hindi film songs with Shamshad Begum – 86 songs in 19 films. He was also one of the foremost music directors to encourage and bring forward great veteran Rafi Ji, and also introduced great singer Zeenat Begum to films. He has about 30 films to his credit and each one had equally superb music. Most popular singers of that period have graced his songs. His use of light music, Ghazals, Thumris and various popular music forms in films, provide a ready insight into the uniqueness of 1940s music, and with a slightly unique flavour of both his compositions as well as a tiny tinge of Punjabi style.
Pandit Gobindram started his career with Jeevan Jyoti (1937), which starred Shakuntala Bai, R. L. Monge and Urmila Devi. The film unfortunately went unnoticed. This was followed by another unsuccessful film, Khooni Jadoogar (1939). The 1940s was the true decade for Gobindram Ji. His Punjabi filmography is not properly available, but his first Hindi film in the 1940s was Himmat (1941). Today, it is remembered for being the second ever Hindi film of veteran singer Shamshad Begum , where she beautifully sang the traditional Dadra ‘Inhin Logon Ne Le Leena Dupatta Mora’ with Aziz , in her young, sweet but powerful voice. The famous song with the same lyrics in Pakeezah (1972) is largely a copy of this song. This was the first song composed by Gobindram that helped him gain recognition. Other songs from this film included ‘Is Jag Ke Sundar Natak Ka’,the first solo film song of Zohrabai from 1941 to 1950, and a beautiful duet by Ghulam Haider and Umraozia Begum , ‘Main Hoon Rani Ek Sunehri Nagri Ki’.
But it was his next film, Mangti (1942) in Punjabi, which made him one of the most sought after music directors of the 1940s. This was the debut film for top Lahori singer Zeenat Begum , apart from being the first film for famous heroine Mumtaz Shanti , and took both of them as well as Gobindram to the top notch. This film, which went on to become the first silver jubilee Punjabi film, played an important role in popularising Punjabi folk tunes and the use of a mix of original Hindi film music and Punjabi folk music in films. ‘Aawe Chan We’, ‘Mainoon Suttiyan Neend Na Aayi’, ‘Sapne Wich Mahi Aaya, ‘Tere Daras Di Pyasi’ and ‘Ud Ja Bholeya Panchiya’ (with Nandlal Nurpuri ) were some memorably melodious songs in which Zeenat shone under Gobindram . It is also worth remembering for being the first ever South Asian film to have a female Qawwali, ‘Baanke Nainanwaleya, Nainan Milanda’ by Zeenat and Rehmat Bai , a very enjoyable one. This legacy was continued only 3 years later in Hindi films, with the famous Qawwali of Zeenat (1945), ‘Aahein Na Bhareen’ (Noor Jehan , Zohrabai , Kalyanibai ). Other songs in this film were by the talented Shamshad Begum and Rehmat Bai .
Gobindram Ji worked with more than 30 lyricists during his career. With 56 songs in 8 films, his collaboration was the highest with Ishwar Chandra Kapoor . The films where the two worked together were Bholi, Chor, Doosri Shadi, Ghar Ki Izzat, Maa Ka Pyaar, Naseeb, Ratnavali and Sassi Punnu. Some of the other prominent lyricists he worked with include Bharat Vyas (Chor, Jalpari, Jeevan Nauka, Raj Mukut), Ram Murti Chaturvedi (Chor, Naseeb, Parinde, Ratnavali), Ramesh Gupta (Hamara Sansar, Jeevan Nauka), and Qamar Jalalabadi (Pagli, Sahara, Sarkar).
The story of the film was…..
Soman (Thikkurissi) is brought up by his elder brother Raju (Sebastian Kunjukunju Bhagavthar) and his shrewish wife Janu (Pankajavalli). Soman is in love with Lakshmi (B. S. Saroja), the daughter of a poor village performer Kaniyan (Adhimoolam) who belongs to a lower caste. Raju, employed by the zamindar (Nanukuttan) and Janu resent the inter-caste marriage between Soman and Lakshmi.
Lakshmi gives birth to a son and in the meanwhile Soman goes to the city in search of a job. Lakshmi who is left behind in the village faces harassment at the hands of the villagers. In the city, Soman is hit by a car driven by a rich young woman who takes him home and also employs him as the manager of her estate. Janu starts receiving Soman’s letters and remittances which start arriving. Janu does this by impersonating Lakshmi with the connivance of her brother Shanku (S.P.Pillai).
Meanwhile Lakshmi leaves the village in search of Soman. During her wanderings Lakshmi sees her husband with a woman and suspects him of being disloyal. The young woman is none other than his employer. Lakshmi tries to kill her child and commit suicide but what saves her is the instinct of motherhood. Lakshmi gets together a band of beggars and organises a home for them. She uses her talent as an actress and collects funds for the home by staging plays. Back in the village life turns its tables on Raju and Janu, while her brother Shanku is killed. The real culprits, the zamindar’s advocate and his group of people mislead the police implicating Soman in the murder. During one of her plays, Lakshmi recognises her husband who is about to be arrested on the trumped up charge. Explanations follow and Soman is absolved of the false charge and the couple are reunited. Raju is helped out by Soman. Janu who has now become a beggar is recognised by Lakshmi. Regardless of what has happened in the past, Lakshmi takes Janu home. And all ends well.
Today’s song is a duet sung by Rafi and Shamshad.
(Some information for this post came from wiki,bombaymann2, Vidur Suri, The Hindu and my notes, with thanks.)
Song- Ye Phoolon ka mausam ye thhandi hawaayen (Jeewan Nauka)(1952) Singers- Shamshad Begam, Mohd. Rafi , Lyricist- Bharat Vyas, MD-Pt Govindram
Both
Lyrics
Ye phoolon ka mausam
ye thhandi hawaayen
ho o mere dil mein kaisi ye halchal machaayen
ye phoolon ka mausam
ye thhandi hawaayen
ho o mere dil mein kaisi ye halchal machaayen
ye saawan ke baadal
ye kaali ghataayen
ho o mere dil mein kaisi ye halchal machaayen
ye saawan ke baadal
ye kaali ghataayen
ho o mere dil mein kaisi ye halchal machaayen
main chanchal hirni hoon saajan
tum ho ban ke mor
main chanchal hirni hoon saajan
tum ho ban ke mor
main tumhre sapnon ki raani
tu mere chitchor
tu mere chitchor
ye rut hai suhaani
ye mast fizaayen
ho o mere dil mein kaisi ye halchal machaayen
ye phoolon ka mausam
ye thhandi hawaayen
ho mere dil mein kaisi ye halchal machaayen
is duniya se door sajaniyaa
in kheton ke paar
is duniya se door sajaniyaa
in kheton ke paar
ham tum mil kar aao basaayen
ek naya sansaar
ek naya sansaar
ye tirchhi nigaahen
ye baanki adaayen
ho o mere dil mein kaisi ye halchal machaayen
ye phoolon ka mausam
ye thhandi hawaayen
ho o mere dil mein kaisi ye halchal machaayen
Mere hamdam aaj kee raat jaanaa naa
Posted on: May 26, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5425 | Post No. : | 17796 |
#the Decade of Sixties – 1961 – 1970 #
———————————————————————
The song being presented in this post is from an obscure movie “Mohabbat Aur Jung-1967”.
Very less information is available in HFGK Vol-IV (1961-1970) about this movie.
There is no information available about the director, cast etc. However the name of the production banner is mentioned as ‘Uppal Productions, Bombay’.
The song list for this movie contains two songs only which are written by Taj Bhopali. Iqbal Qureshi is the music composer for this movie.
Following is the details of the two songs mentioned for this movie in HFGK.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Mere hamdam | Suman Kalyanpur | |
| 02 | Samaa khoobsoorat hai | Krishna Kalle | 01.02.2018 |
HFGK leaves space for the possibility of this movie having more songs.
It can be seen from the above table one song from this movie has been posted on the blog on 01.02.2018.
Today we listen to the second song of this movie which is in the voice of Suman Kalyanpur.
Lyrics are by Taj Bhopali and music is composed by Iqbal Qureshi.
Let us now listen to the song which is a nice song to listen to…
(I guess this is a club-dance song and also a female drunkard song 🙂 )
Audio
Song-Mere hamdam aaj ki raat jaanaa naa (Mohabbat Aur Jung)(1967) Singer-Suman Kalyanpur, Lyrics-Taj Bhopali, MD-Iqbal Qureshi
Lyrics
mere hamdam m m
aaaaj ki raat
jaanaa naa
aao milaa lein aen
paimaane se paimaanaa aa
mere hamdam m
aaaaj ki raat
jaanaa naa aa
aao milaa lein
paimaane se paimaanaa
mere hamdam m m
rang e shabaab
aa aa
aa aa aa aa
duniyaa hai khwaab
aa aa aa aa aa aa
pee ke naa kyun
behke ham mmm mm
mere hamdam
aaaaj ki raat
jaanaa naa aa
aao milaa lein
paimaane se
paimaanaa aa
zulfen khuli ee
aa aa aa
aa aa aa aa
baahen ghuli ee
aa aa aa aa aa
thhaamo sanam
girtey hain ham mmm
mere hamdam m
aaj ki raat
jaanaa naa
aao milaa lein
paimaane se paimaanaa aa
mere hamdam m
aaj ki raat
jaanaa naa
aao milaa lein
paimaane se paimaanaa
mere hamdam m
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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