Archive for the ‘Guest posts’ Category
Hum baabu naye niraale hain
Posted on: May 17, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5051 | Post No. : | 16964 |
A singing Hero is not a novelty for those who are old film lovers, because in the initial era of Talkie films, most actors sang their own songs in the films. Though the Playback singing was introduced in 1935 in Calcutta and in 1937 in Bombay, it took a few more years to become fully prevalent in all films.
When the Talkie films started in 1931, one of the conditions for the newcomers to join as an actor/actress for lead roles, was that he/she should be able to sing properly. Since most actresses came from singing families (read Tawaifs), just a reasonably good face and a figure was good enough as they knew how to sing. But not all males knew how to sing. So, almost all heroes sang their own songs and so you will find songs by actors like W.M.khan, Kashinath,Khaleel,Master Mohammad, Master Nissar, master Shiraz, Ashraf Khan, Govindrao Tembe, Saigal, panchotiya, Shahu Modak, Marutirao pehelwan etc etc in the films from 1931 to 1937. Many times if the Hero is not able to sing, roles for the Music directors were created and he would act and sing songs in the films for his roles. After this, genuine singers like Surendra, Motilal, Ashok kumar started acting and singing and by the end of the 30’s decade playback was firmly established in all films.
However few popular heroes never sang any songs-like Master Vithal, Jairaj, Prithviraj kapoor etc. Amongst these Non-Singer Heroes of the early era, the story of Jairaj is very interesting. Paidi Jairaj or P. Jairaj ( 28-9-1909 to 11-8-2000 ) was a very handsome and well built young man,when he joined films. After doing 11 silent films,he made his first Talkie,’ Shikari” in 1932. It was produced by a Hyderabad company-Eastern Films.He acted in 170 films and had received the Phalke award and Padma Bhushan in 1980.
In the early phase of Talkie films,there used to be,on average 15 to 20 songs in every film. It was compulsory for every Hero and Heroine to sing their own songs live( playback came in 1935 and became common in 38-39 only). To help the non-singer actors,studios used to keep trained classical experts. Otherwise also most MDs in those days were classical singers themselves.
Thus,Jairaj too was expected to sing songs. He did not like singing,because he was horrible at singing. The MD of film Patit pawan-33 was Prof.B.R.Deodhar,who was a classical singer himself.(Later on he settled with running a musical school). he was determined to make Jairaj sing a song. Finally a song was recorded and filmed-“prem magan sakhi”. Jairaj had sung it so bad,that the song was removed from the film from the second show itself. Jairaj is a Hero of those days who never sang in films. Even after playback was used regularly,in his 170 films,Jairaj has sung less than 20 songs on screen !
This was the case of all Genre of films except Stunt films For stunt films, heroes were required to have a Muscular body, ride Horses, fight criminals, Jump from heights, drive Car / Motorcycles, do fencing etc. C. Ramchandra, the famous Music Director , started his film career as an actor and in his first film itself he became the hero of film Naganand-1935. The film was a great flop in its First day First Show itself where only 6 people came to see the film ! He lost the job and started visiting studios to get a job. One day, he was called by JBH Wadia for an interview. CR was very lean. Though good looking, he did noit have good clothes, so he appeared for an interview in Shirt and Pyjama only.
Wadia saw him and asked,” Any experience ?”
CR gave him the Naganand film booklet and said proudly,” I have worked as a Hero”.
Wadia did not even touch the booklet and asked,” Can you ride a Horse ?’
” No”
” Can you fight with 10 goons ?”
” No”
” Can you jump from 20 feet ?”
” No”
” Then what sort of a Hero you were. Get out .” The interview ended. Wadia was famous for making Stunt films. Same CR became a popular composer and a successful singer later on !
I am telling all this to emphasize that actor-singers were first a necessity and later an utility, till playback took over. Today’s song is a song sung by Raj kapoor (14.12.1924 to 2.6.1988), when he was just 21 year old budding actor in his father’s Drama Company.
Prithvi Theatre was founded in 1942, by Prithviraj Kapoor, as a travelling troupe with 150 members, which staged productions across India. Its maiden performance was Kalidasa’s classic “Shakuntala”. In subsequent years the theatre staged more than 2,600 plays such as “Deewar” (Wall), “Pathan” (a community comprising Hindus and Muslims of North India), “Ghaddar” (Traitor), “Aahuthi” (Offering), “Kalaakar” (Artist), “Paisa” (Money) and “Kisaan” (Farmer). Prithviraj starred as the lead actor in every show. His work in the Indian film industry funded the activities of the company .
Prithviraj Kapoor’s dream was to have a permanent place for his theatre company. In 1962 he managed to lease a plot of land in Juhu on which to create a theatre space. Unfortunately his ill-health and subsequent death in 1972 delayed his dream turning into reality. The year he died the lease on the land expired and was offered on sale to his family. Shashi Kapoor and his wife Jennifer decided to make Prithviraj’s dream a reality by buying the land, and setting up the ‘Shri Prithviraj Kapoor Memorial Trust & Research Foundation’ in his memory with the intention of building a space to promote Hindi theatre and the performing arts.
Prithvi Theatre was inaugurated on 5 November 1978 in Mumbai. “Udhwastha Dharmashala”, written by G P Deshpande, staged by Naseeruddin Shah, Om Puri and Benjamin Gilani was Prithvi’s first play. This was followed by a play by the Indian People’s Theatre Association (IPTA), a political satire, “Bakri”, directed by actor-director M. S. Sathyu.
Music had a dominating influence on Raj Kapoor. As Prithviraj’ s son, he had an opportunity to come close to K L Saigal and the master composer Rai Chand Boral, when Prithviraj worked in New Theatres.. Even while in Bombay, Saigal was his neighbour at College Street in Matunga.
His ambition to be a filmmaker did not allow Raj Kapoor to pursue his passion for music, though he did learn its rudiments from Pt Jagannath Prasad who was closely associated with Khemchand Prakash and K L Saigal and also taught music to Premnath, Mukesh and the members of the Kapoor clan.While visualising a song situation Raj Kapoor showed remarkable judgement in selecting the right tunes. He never hesitated to adapt tunes (such as ‘Is libe dis, I love you’ and ‘Dost dost na raha’, both in ‘Sangam’) which had appealed to him, without worrying about the sources from where they came.
If Raj Kapoor had not been a filmmaker he would have been an excellent composer and a good singer as well. He proved his ability as a singer early in his career, when he sang ‘Hum babu naye nirale hain'(Music: Ram Ganguli/N 2666 1) in Prithvi Theaters’ stage-play ‘ ‘Deevar ‘. He displayed an admirable sense of rhythm and melody in the song. With a little more effort he could have been a successful singer.
He also sang in ‘Chitod Vijay’ (1947/S D Burman)’Jail Yatra’ (1947, Ninu Majumdar),’Dil Ki Rani'(1947/S D Burman),Neel Kamal'(1947/B Vasudeo) and ‘Gopinath'(1 948/Ninu Maiumdar/record not released).Eventually Raj preferred the sonorous voice of Mukesh from ‘Aag'(‘Zinda hoon is tarah ki ghame’/ 1948) to ‘ Mera Naam Joker’ (‘Jane kahan gaye woh din’/1970).
Raj Kapoor used to do all sorts of work in Prithvi Theatres. He acted in few dramas and even sang a song in the drama Deewar in 1945. The song became very popular and HMV took out a Gramophone record of the song. The song was written by Saraswati Kumar Deepak, who generally wrote all dialogues and songs of Prithvi dramas. For a long time this record was not available on YouTube. Last week, a kind soul, a generous Record Collector Syed Zafar Shah posted this song on RMIM and YT. When I complained to him that the song had too much disturbance, he very kindly sent me a cleaned and improved song on my personal Whatsapp account. He also uploaded it on YT. I sincerely thank Zafar Bhai for his generous posting of this and many other rare songs on YT for the music lovers. May God bless him. May his tribe increase !
Raj Kapoor understood music and was deeply involved in his film’s music. After Shankar-Jaikishan , Laxmikant Pyarelal pair came to him, but his interference was not acceptable to them and so they too parted. Raj Kapoor wanted not only a good composer but one who will listen to him and tolerate his interference in the music selection. With Ravindra Jain, it was accomplished. Anyway that is besides the point.
The song is very good and firmly establishes Raj Kapoor as one who understood music and as a good singer !
(I have used some information from Nalin Shah’s article on Raj Kapoor’s Music, in July 1988 issue of ” Playback and Fast Forward” issue, wiki, C Ramchandra’s Marathi autobiography and my notes)
Song- Hum baabu naye niraale hain (Raj Kapoor NFS)(1945) Singer- Raj Kapoor, Lyricist- Saraswati Kumar Deepak, MD- Ram Ganguly
Lyrics
hahahaahha
hahahahaa
wawawa
wawawa
wawawa
sun re
ae ae ae ae ae ae
hum baabu naye niraale hain
baabu naye niraale
hum baabu naye niraale hain
baabu naye niraale
ab rang naye
ab dhang naye
ab ye sansaar naya apna
aa aa aa
baabu naye niraale
hum baabu naye niraale hain
baabu naye niraale
sun re ae
ae ae ae ae ae ae
hum baabu naye niraale hain
baabu naye niraale
ghar ke saare rang jo badle
ghar ke saare rang jo badle
apne bheetar dhang jo badle
hey ae
ab mahal naya ab gali nayi
ab badal gayi poshaak(?) dekh lo
badal gayi poshaak
?? ke jagah ab pyaale hain
hum gitpit bolne waale hain
Darling
How sweet
hum gitpit bolne waale hain
hum gitpit bolne waale hain
hum baabu naye niraale hain
baabu naye niraale
hum baabu naye niraale hain
baabu naye niraale
sun re ae
ae ae ae ae ae ae ae ae
hum baabu naye niraale hain
baabu naye niraale
hum baabu naye niraale hain
baabu naye niraale
maalik badlaa aa aa aa
maalik badlaa
naukar badlaa
badal gaya gharbaar
maalik badlaa
nakar badlaa
badal gaya gharbaar
jo meri wo Lakshmi badle
to jaanoon sarkaar
ke ham bhi kismat waale hain
hey jo meri wo jorua badle
to jaanoon sarkaar
ke ham bhi kismat waale hain
hum baabu naye niraale hain
baabu naye niraale
hum baabu naye niraale hain
baabu naye niraale
sun re ae ae
Main albeli naar saj solah singaar
Posted on: May 16, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5050 | Post No. : | 16963 |
Today’s song is from the movie ‘Bholaa Shanker-1951’.
This movie was directed by Vishram Bedekar for ‘Famous Pictures, Bombay’.
‘Bholaa Shanker-1951’ was a mythological movie. It had Prem Adeeb, Vijaylakshami, Mahipal, Sheela Naik, Prakash Gupta, Sadhna Bose, Bhagwan, Kamal, Balaram, Ram Avtar, Jyoti, Samant, Raj Kishore, Radheyshyam and others.
This movie was passed by Censor Board on 24.01.1951.
This movie had eight songs that were written by Bharat Vyas and composed to music by Snehal Bhatkar.
Following is the list of songs in this :-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Dim dim dim dim dimak dimak… Chandra bhalnath bhole bhasm ang re | Snehal Bhatkar, Rajkumari, chorus | |
| 02 | Main hirni si ban ban phiroon mera hirna kho gaya re | Rajkumari | 11.12.2013 |
| 03 | Jai jai maata parvati… laaj tumhaare haath maat mere pranpati ko amar karo re | Snehal Bhatkar, Rajkumari, Sadashiv Gurjar | |
| 04 | Shankar kaanta lagey na kankar… hare hare rang mein sil batte ke sang mein | Snehal Bhatkar, Sadashiv Gurjar, chorus | |
| 05 | Chanda tujhko laaj na aaye, mere chhod piya ka saath akela | Lata Mangeshkar | 26.10.2020 |
| 06 | Main albeli naar, saj solah singaar aayi hoon… jogi bol re zaraa | Lata Mangeshkar | Being discussed today |
| 07 | Chham chhamaa chham chham, naacho gaao re, prem bhara mod bhara mangal | Various artists | |
| 08 | Ritu basant ki madbhari… chaloge kya sang mere, thhirak rahe ang mere | Rajkumari | 16.12.2013 |
As mentioned above three songs from this movie have been posted on the blog.
Today’s song sung by Lata Mangeshkar is the fourth song from this movie to be presented on the blog. I had come across this song long back, however this song has managed to stay undiscussed so far.
Let us listen to this song. Only audio of this songs is available
Bharat Vyas is the lyricist for this song and music is composed by Snehal Bhatkar.
Song-Main albeli naar saj solah singaar (Bhola Shankar)(1951) Singer-Lata, Lyrics-Bharat Vyas, MD-Snehal Bhatkar
Lyrics
Jogi ee ee
Jogi ee
Bol re ae ae
Bol re ae
Main albeli naar
Saj solah singaar
Aayi hoon tere dwaar
Jogi bol re ae
Jogi bol re
Jogi bol re ae
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Aa aa aa aa
Main albeli naar
Chandaa ki sheetal hoon
Main chaandni
Chandaa ki sheetal hoon
Main chaandni
Veena ki hoon main madhur raagini
Main madhur raagini
Mere nainon mein geet
Mere praanon mein preet
Mere man mein sangeet ras ghol re ae
Jogi bol re
Mere man mein sangeet ras ghol re ae
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Bijli ki saanche mein hoon main dhali
Baadal ke godi mein hoon main pali
Mera naache hai ang
Jaise jal ki tarang
Jaise hirni kare hai kilol re ae
Jogi bol re
Jaise hirni kare hai kilol re
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
h
Jogi ye jhoothi teri saadhna
Aao karen prem aaraadhanaa
Prem aaraadhanaa
Mere man ke o meet
Kar le humse tu preet
Ghadi jaaye naa beet anmol re
Jogi bol re
Ghadi jaaye naa beet anmol re
Jogi bol re
Zaraa ras ke bhare naina khol re
Ae
Zaraa ras ke bhare naina khol re
Jogi bol re
Main albeli naar
Aa aa aa aa
Main albeli naar
Main albeli naar
Main albeli naar
Thhukra ke jo nazron se
Posted on: May 15, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5049 | Post No. : | 16962 |
Today’s song is from an obscure film called Aisa Kyun-1947.
The film was made by Shri Raj Pictures, Calcutta. It was directed by A K Chatterjee and the music was by Anupam Ghatak. The cast of the film was Iftikhar, Radharani, Urmila, Pinky, Faiz, Tandon etc. Most people are not aware of the fact that besides New Theatres studio in Calcutta, there were many other film making studios in Calcutta. Hindi films were also made in Burma at that time by the indo-Burma productions.
Some of the studios based in Calcutta were East india film co., Madon Theatres, Aurora film corporation, Shree Bharat films, Laxmi pictures, Chitramandir, RBS Productions, Dev Datta films, Indra movietone, Kali films, Kamla Movietone, Moti mahal Theatres, Murli Pictures, New Popular Pictures, Quality Pictures, Radha film co., Sonoray Pictures, Star film co., Sunrise film co.and Tollywood studios. (source-Indian Cinematographers’ yearbook-1938) This is an old list of when many Hindi films were made in Calcutta. Of late, there must be a lot of changes now.
In olden days, there were 3 major film centres-Bombvay, Lahore and Calcutta. After 1947, all the Hindi film activity at Lahore shifted to Bombay. By mid 50’s even Calcutta almost stopped making Hindi films. Many Hindi speaking artistes in various disciplines of film making shifted to Bombay and finally Bombay became the only and the main Hindi film making Centre.
The year 1947 is a reminder not only for the Independence of India, but also for the upheaval that took place in the film industry that time. More than in any other industry in India, Muslims were plentiful, working in different sections and departments of the Hindi film industry. majority of them migrated to the newly formed Muslim Nation of Pakistan. This did create a lot of disturbance in the film industry. Right from the beginning of 1947, there were signs that soon the British would leave India – after dividing it into two Nations, India and Pakistan. When the month and date became known for the Partition, there was a great hurry among the filmmakers to complete their projects on hand and in process, compromising many factors like quality of the film, number of songs and such other things.
This resulted in the record number of films made in 1947 alone – 181 Hindi films and about 100 films in other languages in India. This was a record which remained unbroken till 1985, when 187 Hindi films were made. Thus from 1931 to 1985, this record remained unbroken for more than 50 years ! Obviously, this resulted in a big compromise on quality to achieve quantity with many films produced half heartedly. Most or rather many films made in 1947 remained obscure, unheard of and many flopped due to poor quality. Actually only few films were released in 1947, because many films were released in 1948 and 1949, with some films being released in Pakistan too.
Did you ever hear about films Amar Asha, Angoorbala, Attention, Barrister, But Tarash, Chalte Chalte, Chandrahas, Dagabaz Dost, Dehati,Ek kadam,Gaurav,Giribala, Heera, Intezar ke baad, Jhalak,Jurmana, Khaufnak aankhen, Lalaat, Mangalsutra, Moti, Sewa gram, Stage girl, Tohfa or Utho jago ? Of course not all films were below standards. Some of the landmark films were also made in 1947, like Shehnai, Mirza Sahiban, Jugnu, saajan, Naatak, Meera, Elan,Aap ki sewa mein, Dard, Do Bhai, Neel Kamal or Parwana etc. However by and large the picture was like this only.
I have not seen this film, so I have no idea about its story etc. For the film’s Heroine-RadhaRani Calcuttewali, this was her last Hindi film that she acted or sang in. She continued her work in Bangla films, I suppose. This Radha Rani was one of the “Same Name Confusion ” pair, as there was another Radha Rani-Bombaywali. The music director Anupam Ghatak also died in 1947 only.
The music Director Anupam Ghatak – the second-generation Bengali-Hindi composer (after Rai Chand Boral and Pankaj Mullick) was born on 4-12-1911 at Mymensingh(now in Bangladesh). He took music lessons from father Atul Ghatak and Keshav ganesh Dhekan. He became an excellent Flautist. After a short stint in AIR,as a singer in 1930, he joined as asst. to Bishen Chand Boral (brother of Raichand Boral) and later to R C Boral himself for Vidyapati-1937
First independent film score: Payer Dhulo. Later worked at Sagar Film in Bombay, composing Zia Sarhadi’s Bhole Bhale and a series of films for Badami, Luhar et al. (1939). Returned to Calcutta, notably for Barua’s Shapmukti; thereafter had assignments in both Calcutta and Lahore. Known for his wide range, from the sentimental Ekti paisa dao go babu in Shape Mukti to the experimental Gane mor kon indradhanu in Agni Pareeksha.
His Hindi film career started with ‘Tarzan ki Beti-38 and Bhole Bhale-39. He gave music to only 17 Hindi films, composing 153 songs.These included Ladies Only,Service Ltd.,Sadhana,Uski tamanna (all 1939), Civil marriage (1940), Sri Ramanuj-43 etc. In Lahore he did Champa -45,Badnami-46 and Shalimar -46 before Partition. His other films as MD were, Khush Naseeb-46, Aai bahar-46, faisla-47, Aisa Kyun-47 and Banjare-48 and Shamsheer-1953. He had also sung 4 songs in his first film Tarzan ki beti-1938. His last Hindi film was Shamsheer-53, which was released only in 1953,after he died on 5-2-1947 itself.
Today’s song is sung by Jaganmoy Mitra aka Jagmohan Sursagar. So much is already written about him on our Blog by me and others, therefore I will not repeat his Bio-data. However I reproduce here an article published in Bangla Paper ” Anandabazar Patrika,Calcutta ” after his death.
Jaganmoy Mitra passes away
(Translated from Anadabazar Patrika, September 5, 2003)
Jaganmoy Mitra, the legendary singer of “chithi” is very far from us now. (PDG: The opening lines of the song “chithi”(1952), MD: Sailesh Dattagupta, are “tumi aaj koto doore” which means “you are so far today”). He expired yesterday night after suffering a cardiac arrest in his house at Juhu, Mumbai. He was 85. He is survived by three sons and two daughters. Although he stayed away from Bengal for the greater part of his life, he admired Bengali music and culture till his last day.
“aami duranto baishaakhi jhad” (PDG: which means ‘I am a restless summer tempest, you are a fiery flame’, MD: Kamal Dasgupta, 1947) and “shaaon raate yadi” – romantic numbers like these have entertained numerous music lovers over more than five decades.
Besides Bengali, his popularity in Hindi music was also unsurpassable at one time. He was known to the rest of India as ‘Jagmohan’. Gandhiji was an admirer of his music. He has recorded over 400 songs in a career spanning over five decades. Besides Bengali romantic numbers he has also sung Rabindrasangeet,
Nazrulgeeti, and simultaneously in Hindi, Gujrati and Marathi.
His first record for HMV was the Nazrulgeeti “shaaon raate yadi” in 1938. This song propelled him to immediate popularity. He has recorded 100 plus Hindi songs. He scored music for the Hindi film “Sarhad”. (PDG: That should be Sardar(1955)).
He has received numerous awards and felicitations including Padmashri and Sursagar. But he always valued the admiration of his listeners above any awards. His music had taken him to the United States, Great Britain and East Africa. His autobiography is titled “shaaon raate yadi smarane aase more” ( which means ‘If you remember me on a rainy night’).
The song,which follows, is sung so beautifully that one is lost with the soft and melodious voice of Jagmohan. This was his speciality and for this style I simply adore him.
Song-Thhukra de jo nazron se (Aisa Kyun)(1947) Singer-Jagmohan Sursagar, Lyrics-Unknown, MD-Anupam Ghatak
Lyrics
Thhukra de jo nazron se
dil ka mere nazraana
apna na samajh usko
begaana hai begaana
Thhukra de jo nazron se
guzri huyi baaton ko o
o o o o o o o
dohraane se
kya aa aa haasil il
guzri huyi baaten to
afsaana hai afsaana
guzri huyi baaten to
afsaana hai afsaana
Thhukra de jo nazron se
main aen ae ae
thhak gaya samjha kar
apne dil e naadaan ko o o
deewaane ko kya kahiye
deewaana hai deewaana
deewaane ko kya kahiye
deewaana hai deewaana
Thhukra de jo nazron se
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5048 | Post No. : | 16961 |
Today’s song is from the ‘1952’ movie ‘Insaan’.
“Insaan-1952” was directed by Jagdish Sethi for ‘New Social Theatre Limited, Bombay’. It was produced by J.G. Mohla. This movie had Prithviraj Kapoor, Ragini, Kamal Kapoor, K.N. Singh, Kukku, Kanhaiyalal, Rajkumar, Ramesh Thakar, Chamanpuri, Baby Nazar, Roopmala, Urvashi, Naaz and others.
This movie was passed by Censor Board on 07.03.1952.
‘Insaan-1952’ had nine songs written by five lyricists as per details given below;
| S. No. | Song Title | Lyricist | Posted on |
|---|---|---|---|
| 01 | O dilwaalo kar lo pyaar, do nainaa chaar | Sahrai | |
| 02 | Sambhal sambhal kar chalna pagle | Sajan Bihari | 14.12.2020 |
| 03 | Mere sajan saanwre huye nain baawre | Balwant Kapoor | 23.11.2020 |
| 04 | So ja re dukhiyaari maa kea ankh ke taare | Sajan Bihari | |
| 05 | Meri choodi ka rang aasmaani | Sajan Bihari | |
| 06 | Mast jawaani haaye | Balwant Kapoor | 18.02.2017 |
| 07 | Do dil hote saajnaa to badaa mazaa thaa | D.N. Madhok | |
| 08 | Apni qismat ki shikaayat ya tera shikwaa karein | Saba Afghaani | |
| 09 | Neer bhare kyun nainon mein gori | Sahrai |
Music for all the songs was composed by B.N. Bali.
From the above table we can see that, so far, three songs from this movie have been posted on the blog.
Today’s song is the fourth song from this movie to be presented on the blog.
Today’s song is ‘lullaby’ sung by Geeta Dutt. Lyrics are by Sajan Bihari and music is composed by B.N. Bali.
We are all aware of the famous lullaby ‘nanhi kali sone chali’ sung by Geeta Dutt from the movie ‘Sujata-1959’. However, today’s ‘lullaby’ , unlike the ‘Sujaata”(1959) lullaby is a sad lullaby.
I don’t know how many of us take a look on the ‘Top Posts’ section on the blog. This song from the movie ‘Sujata’ maintained the ‘top slot’ in the ‘top posts’ for many years on the blog.
I remember when I was a newcomer on the blog I used to view this section and even now I used to view it regularly. I am sure ‘Nanhi kali sone chali’ must be the most viewed post on the blog so far.
Coming back to today’s song , Let us listen to and enjoy this less known lullaby sung by Geeta Dutt.
Only the audio of this song is available as of now.
Audio
Song-So jaa re dukhiyaari maa ki aankh ke taare (Insaan)(1952) Singer-Geeta Dutt, Lyrics-Sajan Bihari, MD-B N Bali
Lyrics
So ja re ae
So ja re ae
So ja re
dukhiyaari Maa ki aankh ke taare
So ja
Haaye so ja
So ja re ae
So ja re
So ja re
dukhiyaari
Maa ki aankh ke taare
So ja
Haaye so ja
So ja re ae
So ja re ae
Duniya meethhi neend mein soyee
Duniya meethhi neend mein soyee
Soye bhaag hamaare
Pi ki yaad dilaane waale
Pi ki yaad dilaane waale
Dil ke sahaare so ja
Haaye so ja
So ja re ae
So ja re
So ja re
dukhiyaari Maa ki aankh ke taare
So ja
Haaye so ja
So ja re ae
So ja re ae
Aaja o pardesi aaja
Aaja o pardesi aaja
Ro ro manwaa pukaare
Koi nahin iss dard ka saathi
Koi nahin iss dard ka saathi
O besahaare so ja
haaye so ja
So ja re ae
so ja re ae
So ja re
dukhiyaari Maa ki aankh ke taare
So ja
Haaye so ja
So ja re ae
So ja re ae
So ja re ae
Zindagi phoolon ki nahin
Posted on: May 13, 2022
- In: "Zindagi" song | Bhupinder Singh solo | Bhupinder Singh songs | Devnagri script lyrics by Avinash Scrapwala | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1979 | Yearwise breakup of songs
- 5 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5047 | Post No. : | 16960 |
Today 13th May’2022 is the seventy-sixth birthday of Shri Bishwanath Chatterjee compiler of Hindi Film Geet Kosh Vol-V (1971-1980). Those who have the copy of this Geet Kosh would have read about his brief introduction on the cover page no.2 of this Geet Kosh.
He has also been a co-compiler with Shri Hamraz ji for HGK Vol-I to Vol-IV etc. and a co-compiler with Shri Hamraz ji for the ‘List of Hindi Films (Talkie) – 1931-1987.
He has also been a co-author/co-editor with Vishwas Nerurkar for the books on Khayyam Saab, Kishore Kumar, Vasant Desai and Sudhir Phadke.
Here is a brief about him as mentioned in HFGK Vol-V (1971-1980) by Devi Shankar Kanojiya and other details which Shri Chatterjee shared with me. (Devi Shankar Kanojiya a family friend is younger to Bishwanath ji by five years and settled at Kanpur now. He was earlier working in Telecom department of Government of India.).
Bishwanath Chatterjee was born on 13th May’1946 at Nagpur. He is born and brought up at Nagpur only. After his studies he joined the Department of Audit & Accounts (Postal). (This department was later bifurcated in two i.e., Accounts and Audit being separate departments.)
His first posting was at Jaipur (for Jaipur circle) where he stayed for one year i.e. 1970-1971. His next posting was at Bhopal where he stayed till 14.05.1980 and was transferred to Nagpur w.e.f.15.05.1980.
He retired in May’2006 as Director of Accounts (Postal) and now settled in Nagpur. He has a daughter who is happily married and stays abroad with her family. She has a son.
It so happened that around 1966 Bishwanath ji got interested in Hindi Film Music, or rather the HFM attracted him so much that after two years i.e., around 1968 a thought to compile the details of all songs till date, then stems in his mind.
However, in absence of sufficient and required resources he had to suppress the idea temporarily but a strong urge to have such a compilation has already taken deep roots in his mind.
In ‘1975’ he got to know about Harmandir Singh Hamraaz ji through the weekly ‘Screen’ and came into contact with him. He came to know that Hamraz ji was also working on a similar project and in fact almost 50% work of compiling such information has been completed by Hamraz ji till then. So he decided to support full heartedly to Hamraaz ji. And he has been instrumental in preparing the ‘manuscript’ for the first four volumes of ‘Geet Kosh’ and after that he independently compiled the ‘Geet Kosh – Vol-V’.
He also accompanied Shri Hamraaz ji in extensive travels to places like Bombay, Poona, Indore, Baroda, Ahmedabad, Rajkot, and Calcutta, for gathering information and meeting various film personalities and film connoisseurs to get accurate information as possible.
In between, in the year of 1975 he founded ‘Saurabh Radio Shrota Sangh’ at Nagpur and also published ‘Saurabh-1977’ (as a co-editor). But due to economic constraints he had to discontinue this publication.
Shri Chatterjee has been a ‘passionate’ student of Hindi Film Music and has keen interests in Hindustani Classical Music. He has his own library consisting of lot of books about films and Geet & Ghazals.
I got a chance to meet him once during my stay at Nagpur in 2015-2017, where our regular reader Shri Avinash Shravane was also with us. It was a ‘film screening’ program by ‘Cine Montage, Nagpur’.
I left Nagpur on 09.03.2017 and since then I am in touch with him on phone-calls. As very rightly mentioned by Shri Kanojiya ji, Bishwanath ji is very humble, generous, enthusiastic and extremely sensible person.
Yesterday evening when I called him he was very happy and enthusiastic as ever. We discussed many topics and shared our thoughts too.
Once again I wish him a very happy birthday today, and a healthy and peaceful, yet’ full of music’al life ahead.
When I think about him I find the today’s song perfectly fit for this occasion as the ‘fragrance of his works and words – in the form of ‘Geet Kosh’ will be there forever –spreading the ‘spring’ of ‘nostalgia and memories’ for generations together.
‘Zindagi phoolon ki nahin
Phoolon ki tarah aa aa mehki rahe ae …’
Today’s song is from the ‘1979’ movie ‘Griha Pravesh’.
‘Griha Pravesh’ was directed by Basu Bhattacharya.
Basu Bhattacharya was also the writer and producer of this movie.
It had Sanjeev Kumar, Shamila Tagore, Sarika, Master Bittoo, Sudha Chopra, Manik Dutt, Vimal Joshi, Raj Verma, Nandlal Sharma, R.S. Chopra, Satay Bannerjee, Shashi Jain, Tarun Mujherjee, Nilesh, Khoka Mukherjee, Danny, Master Bharat, and Nitin Sethi.
Dinesh Thakur, Priya Darshini, Ranjan, Devendra and Gulzar made a friendly appearance in this movie.
Script of this movie was written by Gulzar and Basu Bhattacharya.
Editing of this movie was done by Om Prakash Makkar.
Dialogues of this movie were written by Gulzar, and he also wrote the lyrics for the songs in this movie.
Yesudas, Sulakshana Pandit, Chandrani Mukherjee, Pankaj Mitra, and Bhupendra had given their voices to the songs in this movie.
Music for this movie was composed by Kanu Roy.
Today’s song is sung by Bhupendra Singh and is a background song in the movie. It happens when the titles of this movie are rolling down.
Lyrics are by Gulzar and music is composed by Kanu Roy.
(I had noted this song more than five years back during my stay in Kenya and had earlier saved it for a special post.
Later on our dear Prakash ji had also sent the lyrics for this song with other remaining songs of this movie.).
Video
Song-Zindagi phoolon ki nahin (Grih Pravesh)(1979) Singer-Bhupinder Singh, Lyrics-Gulzar, MD-Kanu Roy
Lyrics(Provided by Prakashchandra)
Zindagi ee
phoolon ki nahin
Phoolon ki tarah aa aa
mehki rahe ae
Zindagi
phoolon ki nahin
Phoolon ki tarah aa aa mehki rahe ae
Zindagi ee
phoolon ki nahin
Phoolon ki tarah aa mehki rahe ae ae
Zindagi ee
Jab koi kahin gul khiltaa hai
Aawaaz nahin aati lekin
Jab koi kahin gul khiltaa hai
Aawaaz nahin aati lekin
Khushboo ki khabar aa jaati hai
Khushboo oo oo mehki rahe ae
Zindagi
phoolon ki nahin
Phoolon ki tarah aa aa
mehki rahe ae ae
Zindagi ee
Jab raah kahin koi mudti hai
Manzil ka pataa to hota nahin
Jab raah kahin koi mudti hai
Manzil ka pataa to hota nahin
Ik raah pe raah mil jaati hai
Raahen mudti rahen
Zindagi ee
phoolon ki nahin
Phoolon ki tarah aa mehki rahe ae ae
Zindagi
phoolon ki nahin
Phoolon ki tarah aa aa mehki rahe ae
Zindagi ee
Hmm hmm hmm hmm hmm
Hmm hmm hmm hmm
Laa la laa
Laa la la la laa
Ho ho ho ho o o o
O ho ho o o o
———————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————
ज़िन्दगी फूलों की नहीं
फूलों की तरह आ आ महकी रहे ए
ज़िन्दगी फूलों की नहीं
फूलों की तरह आ आ महकी रहे ए
ज़िन्दगी ई फूलों की नहीं
फूलों की तरह आ महकी रहे ए ए
ज़िन्दगी ई
जब कोई कहीं गुल खिलता है
आवाज़ नहीं आती लेकिन
जब कोई कहीं गुल खिलता है
आवाज़ नहीं आती लेकिन
खुशबू की खबर आ जाती है
खुशबू ऊ ऊ महकी रहे ए
ज़िन्दगी फूलों की नहीं
फूलों की तरह आ आ महकी रहे ए ए
ज़िन्दगी ई
जब राह कहीं कोई मुडती है
मंजिल का पता तो होता नहीं
जब राह कहीं कोई मुडती है
मंजिल का पता तो होता नहीं
इक राह पे राह मिल जाती है
राहें मुडती रहें
ज़िन्दगी ई फूलों की नहीं
फूलों की तरह आ आ महकी रहे ए ए
ज़िन्दगी फूलों की नहीं
फूलों की तरह आ आ महकी रहे ए
ज़िन्दगी ई
हं हं हं हं हं
हं हं हं हं
ला ल ला
ला ल ल ला
हो हो हो हो ओ ओ ओ
ओ हो हो ओ ओ ओ
Na ronaa na ronaa
Posted on: May 13, 2022
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5047 | Post No. : | 16959 |
Today’s song is from the film Door Chalen-1946.
Since the time Talkie films arrived in India in the form of Aalam Ara-1931, the enthusiastic film industry, with a pushover from the silent era to the Talkie era, was busy in discovering itself. It was improving in every field as the years passed by. In the first 5-6 years the industry was desperately trying to be free from the clutches of stage music, drama style acting and contents of the films made.
By 1937-38 all these 3 ghosts from the past had been thrown off. Music directors like Anil Biswas, R.C.Boral, Saraswati Devi, Shankar rao Vyas, K C Dey, Pankaj Mullick etc successfully brought a turnaround change in film music from stage -type boring singing to folk tunes and independent experiments with instruments, tuning and the singers. With actors like Motilal, Ashok kumar, Shahu Modak, Kumar etc. the acting became natural and free from drama-type overacting. New directors like Shantaram,Debki Bose, Mehboob etc. tried new themes in films. Prabhat and New Theatres made films on actual events or famous novels and dramas, thus making films vibrant and interesting.
By 1942 or so, many enterprising filmmakers and directors,hitherto tied up with the existing studios, broke free to start their own studios and film production companies. Shantaram, Mehboob,S. Mukherjee, Kardar, Homi Wadia and few more dynamic film makers began a new chapter in the film industry. With talented filmmakers, competing with each other to make better films, they were improving the quality of films in terms of content, music and the presentation substantially.
By 1946 to 1950 old towers shook hard to crumble. The studio system almost disappeared. Film industry could now boast of people highly educated, talented and hard working. Even artistes with International experience and success like Dewan Sharar, Shakuntala Paranjpye, actor Ranjan, Balraj Sahni etc contributed to Indian films. The old horse of Calcutta-New Theatres broke down and actors, directors and Music specialists from Bengal made a Bee-Line to Bombay, thus making it the strongest ever film centre.
1946 was also an year of consolidation, in a sense that due to the iminent Partition of India on the basis of Religion, agreed upon by Gandhi-Nehru combine, made Muslim artistes and film makers plan to pack their bage and move over to the new Utopia across the border. Their vacancies were to be filled up by the waiting second line of actors,directors and MDs. The3 film industry was to have a complete new look within 1-2 years and the beginning was from 1946. Thus the year was very important.
The year 1946 was an year which saw many changes in the film industry. The II world war had just ended. Rationing and control on many items had created Black marketing. This made many people Millionaires. The extra income started getting invested in Film making. The increased cost of Raw Films made filmmaking 7 to 8 times costlier. A film which was made in about 1 Lakh rupees in 1940, needed 8 Lakhs now. Studio system was waning and artiste rates increased in Lakhs instead of thousands.
In 1945, only74 films were made. This number increased to 153 films in 1946. Further, in 1947, the film industry produced a record number of films – 181, but of course that was due to Partition. The quality of films was sacrificed at the cost of the quantity of films made in 1946. However, some quality films were made in 1946, indicating the changing face of filmmaking.
Film Dharati ke Lal-46 was made by IPTA people and it became the first film to be exhibited in Russia. Neecha Nagar-46 won the Grand Prix award in French Film Festival. Film Dr. Kotnis ki amar kahani-46 was dubbed in English as ‘ The journey of Dr. Kotnis’. It was shown in the USA and then in Venice Film Festival. Two musical films- Anmol Ghadi and Shahjahan were made in 1946.
Year 1946 also saw the Debut of several stars and artistes. In fact one can call 1946 as the ” Debut year” of Hindi film industry. See this….
Nirupa Roy debuted in film Amar Raaj-46
Geeta Bali debuted with a dance in film Badnaami-46
Geeta Roy sang her first film song in film Bhakta Prahlad-46
Balraj Sahni debuted in film Insaaf-46. It was a small role,though.
K A Abbas-Director, Pt.Ravi Shankar-MD, Balraj Sahni as Hero and Damayanti Sahni as Heroine made their Debut in film Dharati Ke Lal-46
Meena kapoor sang her first Hindi film song in film Eight Days-46
Sudhir Phadke debuted as MD in film Gokul-46
P L Santoshi as Director, Dev Anand, Rehman, Rehana and Kamla Kotnis debuted as actors in film Hum Ek Hai-46
Chitragupta did his first film as MD in Lady Robin Hood-46
Ram Ganguly became MD with film Maharana Pratap-46
Abhi Bhattacharya debuted in Hindi film Milan-46
Chetan Anand as Director, Uma Anand and Kamini kaushal as actresses debuted in film Neecha Nagar-46
Hansraj Behl debuted as MD with film Pujari-46
Madhubala(as Baby Mumtaz) sang her first song in film Pujari-46
Majrooh Sultanpuri wrote his first Hindi film song in film Shahjahan-46
S D Burman as MD and Kishore Kumar as an actor debuted with film Shikari-46
So, you will find the year 1946 was truly an year of change. The winds of Partition were already blowing and the second line of supplementary artistes was ready to replace the Migrators, after the Partition.
Film Door Chalen-46 was made by Durga Pictures. Director was Phani Mujumdar, MD was K C Dey and all songs were written by Sajjan Purohit(the actor Sajjan). The cast was Naseem Jr., Kamal Kapoor, Balraj Sahni, Damayanti Sahni, Agha, David, K C Dey etc.HFGK sometimes blindly gave the data. The lead actress is written as just Naseem. Since in those days Naseem Bano (mother of Saira Bano) was famous, everybody thought that she was the heroine of this film. Her Filmography includes Door Chalen-46 and Jeewan Swapna-46. The reality is, there was another actress Naseem junior and she had acted in these films.
Naseem Jr. or Miss Naseem Jr. or Naseem Lodhi was the younger sister of actress Shameem. She was born in Lahore on 8-2-1930. Her father had a shop and he was a General merchant. She was educated in Islamia Girls school, Bombay where she was staying with her actress sister Shameem. After Matriculation, she too wanted to become an actress. While in school she did many dramas. At the age of 13, she did an uncredited small role in the film Salma-43.
Her first major film was Jwar Bhata-44- also the first film of Dilip kumar and Mrudula. Her second film was Manorama-44. She acted in few more films Sanyasi-45, Zeenat-45, Door Chalen-46, Amar Raj-46, Jeewan Sapna-46 and Mera Geet-46.
She had a hot temperament and could not get along with co-stars and the Directors. Soon the offers diminished. Not having any income, she stayed with her sister Shamim. However, she fell ill and soon died on 17-11-1946.
She did only a few films, but it was enough to cause confusion. Her films Jeewan Swapna-46 and Door chalen-46 are generally credited to Naseem Sr.’s filmography.
Similarly, only Kamal is written in the Cast in HFGK. One can not make out if this Kamal is a male or female. In reality he was Kamal Kapoor, making his Debut in the film line as a hero. His snake-like eyes and fair skin made him look more like a KGB or Nazi baddie. Prithviraj Kapoor’s cousin, Kamal Kapoor, acted in over 600 films, spanning across three languages. He started off as a hero but with little success. From the Sixties onwards, Kapoor switched to playing a minor villain. His notable work includes Don, Gora aur Kaala, and, of course, Mard, where he played the evil General Dyer.
Born on 22th February 1920 in Lahore, Kamal Kapoor completed his education in Lahore. He started his career in 1944, with Prithvi Raj Kapoor, working in his theatre. Kamal Kapoor’s debut film was the 1946 release, ‘Door Chalein’. This movie, produced under the banner of Durga Pictures was directed by Phani Majumdar and the music composer was K.C.Dey while Kamal Kapoor and Naseem were the leading pair. Kamal Kapoor played Raj Kapoor’s father in ‘Aag’ (1948) which was also Raj Kapoor’s debut film as producer-director. Later he got numerous offers to play similar roles which he flatly refused to do.
Kamal Kapoor’s career as a villain started with the film “Johar Mehmood In Goa” which was released in 1965. This movie proved to be a big hit thus putting an end to the bad times for Kamal Kapoor. Soon he was flooded with work and was offered to play different characters in films like “Johar In Bombay”, “Johar Mehmood In Hongkong”, “Jab Jab Phool Khile”, “Raja Aur Rank”, “Dastak”, “Pakeezah”, “Paapi”, “Chor Machaye Shor”, “Five Rifles”, “Do Jasoos”, “Deewar”, “Khel Khel Me”, “Mard” and “Toofan”.
He once again got a chance to play Raj Kapoor’s father in the 1967 release “Diwana”. In his career spanned over five decades he acted in over 200 films in Hindi, Punjabi and Gujarati languages. He played different kinds of roles from a gangster to the police officer. He played the role of Don’s right-hand man Narang in Don (1978). This blue-eyed actor always had a powerful presence on screen. He worked in 152 films – from Door Chalen-46 to Aakhri Sanghursh-97( last film).
Kamal Kapoor died on 2nd August, 2010.
Today’s song is a duet of Meena Kapoor and K C Dey. It is the 3rd song from this film on this Blog.
Song- Na rona na rona (Door Chalein)(1946) Singers-K C Dey, Meena Kapoor, Lyrics-Sajjan, MD-K C Dey
Lyrics
No rona
na rona
na rona meri raani
na rona
na dheeraj apna khona
na dheeraj apna khona
hai ek aankh phir kya kahiye
hai ek paaon phir kya kahiye
hai ek aankh phir kya kahiye
hai ek paaon phir kya kahiye
gar padha nahin to sonaa hai
pagli phir kaisa rona hai
gar padha nahin to sonaa hai
pagli phir kaisa rona hai
dulha mila salona
dulha mila salona
No rona
na rona
na rona meri raani
na rona
na dheeraj apna khona
na dheeraj apna khona
hamne dhoondha
hamne dhoondha le chiraag
ye laakhon mein hai laal
puny kiye thhe kisi janam mein
ho gayi aaj nihaal
phir kaisa rona-dhona
phir kaisa rona-dhona
No rona
na rona
na rona meri raani
na rona
na dheeraj apna khona
na dheeraj apna khona
na rona
gar kaala hai darr jaaungi
gar bahra hai mar jaaungi
gar kaala hai darr jaaungi
gar bahra hai mar jaaungi
gar padha nahin main doob gayi
gar padha nahin main doob gayi
gar baazi se main oob gayi
bas nahin chaahiye ??
bas nahin chaahiye ??
samjhona
samjhona
samjho na mujhe khilauna
No rona
na rona
na rona meri raani
na rona
na dheeraj apna khona
na dheeraj apna khona
na rona
Zindagaani ke sahaare laut aa
Posted on: May 12, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5046 | Post No. : | 16958 |
Today’s song is from the ‘1952’ movie ‘Saloni’.
If you are a music lover and have been collecting cassettes earlier, you will remember that when HMV brought out the compilations of songs ‘decade wise’ it mentioned this decade of 1956-1966 as the ‘Melodious Years’ of Hindi Cinema. (If I remember correctly, the earlier decades were titled as ‘The Sentimental Era (1936-1946?)” and ‘The Fabulous Years (1946-1956)”.
‘Saloni”(1952) had eight songs. Seven of them were composed by Basant Prakash and one by Vinod.
I do not remember to have listened to the songs of this movie earlier. However, I went through this movie’s details, and its songs because of our regular reader Shri Deepak Patwardhan ji, who sent me ‘farmaaish’ of the song under discussion.
‘Saloni-1952’ was directed by J.P. Advani for ‘Goodluck Pictures, Bombay’. It was produced by Ram H. Khilnani.
This movie had Ashok Kumar, Nalini Jaywant, Poornima, Gulab, Mohna, Shakeela, Rajani, Heera Sawant, Mona, Bela, Achala Sachdev, Shivraj, Radhakishan, Randhir and others.
This movie was passed by Censor Board on 14.04.1952.
(The addenda in HFGK Vol-III (1951-1960) mentions that this movie was earlier titled as ‘Chanchal’).
As mentioned above this movie had eights songs composed by two music directors. Four lyricists penned the lyrics of the songs. The breakup of their workload is given below
| Raja Mehndi Ali Khan | three songs |
| Arjun Dev Ashq | three songs |
| Aziz Kashmiri | one song |
| Hasrat Jaipuri | one song |
Here are the details of the songs of this movie :-
| SNo | Song Title | Lyricist | Singer | Posted On |
|---|---|---|---|---|
| 01 | Ek dil sharmaata hai, ek dil ghabraata hai | Raja Mehndi Ali Khan | Kishore Kumar, Rajkumari | _ |
| 02 | Meri veena ke sur saat | Arjun Dev ‘Ashq’ | Lata Mangeshkar | 13.01.2018 |
| 03 | Mere dil pe guzarti hai jo tum bin… zindagaani ke sahaare laut aa | Raja Mehndi Ali Khan | Lata Mangeshkar | Being presented today |
| 04 | Mujhe dard toone ye kya diya | Arjun Dev ‘Ashq’ | Lata Mangeshkar | 17.01.2016 |
| 05 | Muhabbat ne badal di haalatein kuchh is tarah dil ki | Arjun Dev ‘Ashq’ | Rajkumari | 21.05.2017 |
| 06 | Dil de diya hai seene se nikaal ke ise rakhnaa zaraa | Aziz Kashmiri | Shamshad Begum, Trilok Kapoor | 11.02.2014 |
| 07 | Roti huyi aankhon mein hain tasveer kisi ki | Raja Mehndi Ali Khan | Asha Bhonsle | _ |
| 08 | Ye aayi sadaa dil tadap kar jab tootaa | Hasrat Jaipuri | Lata Mangeshkar | _ |
We can see that four songs from this movie have been posted on the blog.
Today’s song is a melancholic song sung by Lata Mangeshkar. Lyrics are by Raja Mehndi Ali Khan and music is composed by Basant Prakash.
Let us listen to the song now …
Song- Zindagaani ke sahaare laut aa (Saloni)(1952) Singer-Lata Mangeshkar, Lyrics – Raja Mehndi Ali Khan, Music – Basant Prakash
Lyrics
o o o o
o o o o
o o o o
zindagaani ke sahaare laut aa aa
zindagaani ke sahaare laut aa
mera har aansoo pukaare
laut aa
laut aa
zindagaani ke sahaare laut aa aa
zindagaani ke sahaare laut aa
dhoondhti hai mujhko o
baaghon mein
bahaar aayi huyi ee
mere dil pe tere ae ae
gham ki hai ghataa
chhaayi ee huyi ee ee ee ee ee
dekh phoolon ke nazaare laut aa aa
dekh phoolon ke nazaare laut aa
mera har aansoo pukaare
laut aa
laut aa
zindagaani ke sahaare laut aa aa
zindagaani ke sahaare laut aa
kya khabar thhi ee ee ee ee ee
tere bin
ik pal naa kal paayenge ham .an .an .an
tum agar waapas na aaye
haaye ae
mar jaayenge ham
meri qismat ke sitaare laut aa aa
meri qismat ke sitaare laut aa
mera har aansoo pukaare
laut aa
laut aa
zindagaani ke sahaare laut aa
zindagaani ke sahaare laut aa
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5045 | Post No. : | 16956 |
Today’s song is from the film Bandish-1955.
What is the meaning of the word Bandish ? It is very funny that we use many Urdu words without understanding their real exact meanings. We have some vague idea about its meaning and we sincerely use it with that intended meaning. I have come across people frequently using wrong words, causing humour or pity. From the childhood, I always remembered what our English teacher had told us. He had said that when in doubt, immediately refer to the dictionary and get the right meaning. A habit from that time helped me always and I became careful in using the correct words. This helped me in my education as well as career. Same case is with pronunciation of certain words. English or Urdu is not our mother tongue, and hence the right pronunciation of words is as important as using the right words.
Again, how many of us know the real, exact meaning of the word Bandish ? Those of us who are Music oriented, we know that ‘ Bandish ‘ is a fixed, melodic composition in Vocal or Instrumental music. However, Bandish has some other usages or meanings like ‘ Binding Together ‘ or even ‘Restriction’. Dictionary gives these words, बंधन , रुकावट , शब्द योजना, रचना etc. Looking at the story of this film Bandish-55, the most appropriate meaning would be ‘Binding Together’.
This film was having a FIRST and a LAST about it. This film was the FIRST or the Debut film of the child artiste Daisy Irani. In this first film, she enacted a Boy’s role ! Daisy Irani was the sister of Menaka and Honey Irani and her brothers were Sarosh and Bunny. Her parents were Perin and Noshir Irani. Their grandfather ran an Irani restaurant ‘ B.Merwan’. Her father was looking after the cafe and their greedy mother Perin irani employed all 5 children to work as child artistes in Hindi and other language films. Thus their childhood was an abnormal one. Out of 5 children, Bunny acted in only 2 films,Sarosh in 5 films, Menaka even did few films as Heroine, but Daisy with 69 films and Honey with 22 films acted as child actors till they grew enough till not to look like children anymore. All got married and settled. Menaka married actor director Kamran (father of Farah Khan- Choreographer), Daisy married K.K.Shukla-a writer and Honey married Jawed Akhtar-writer, ex MP and a pseudo secularist.
This film was the LAST film as an assistant music Director for Ravi (who had been working as an assistant to Hemant Kumar). After this film, he debuted in film Vachan as an independent Music director He, however, continued relations with Hemant Kumar by offering him songs to sing in his films, for a long time.
Film Bandish-55 was made by Basu Chitra Mandir. It was directed by Satyen Bose and Music was by Hemant Kumar (assistant-Ravi Shankar Sharma). The cast of the film was Ashok Kumar, Meena Kumari, Daisy Irani-credited as Roop Kumar, Bipin Gupta, Sajjan, Nazir Hussain and many many more. Master Bhagwan was a Guest Artiste and sang a song ” Le lo Gubbare” in this film.
Director Satyen Bose was my favourite director. I had first heard the name Satyen Bose when I saw the film Jagriti for the first time in 1954. That time I realised that this director is too good to miss anytime. His successive films confirmed my opinion about him and I made it a point to see all his films, as far as possible.
SATYEN BOSE was born on 22-1-1916 at Goya Bazaar, Calcutta. (some sources claim that he was born in Purnia, Bihar). He graduated in commerce from Vidyasagar college,Calcutta in 1941.He did jobs in Railways and Bank. He set up National progressive Pictures and made 3 films in Bangla. His Film PORIBORTAN-1949 was a grand success. He also acted as Principal Shishir babu in it. He then shifted to Bombay. He first made Parichay and then made Jagriti-54,a remake of his own PORIBORTON-49. Abhi Bhattacharya played the role of the new Superintendent Shekhar Babu in this film. Film Jagriti became a landmark movie in Hindi and won many awards including Filmfare and a national award. He directed 34 films till Woh din aayega-86.
He also did a Malyali film, Jeevita Samaram-71. His film Dosti gave name and fame to the L-P duo. Rakhi Gulzar debuted in his Jeevan Mrityu and Nargis got her National Award for his Raat aur Din-68. He did many films for Rajashree Productions and had good relations with Tarachand Barjatya. He was very friendly with Mukesh Sharma, Director of Bombay Doordarshan, in those days.
Satyen Bose died on 9th June 1993 at Bombay. His last rites were done by Mukesh Sharma, as per the wishes of Satyen Bose. Only 2 people from the Film Industry-Tarachand Barjatya and Anup Kumar attended his funeral. A great film director who gave hits like Jagriti, Raat aur Din, Girl Friend, Jeevan mrityu, Chalti ka naam gaadi etc,died Unsung and Unwept by the same industry !
Here is the filmography of Satyen Bose- FILMOGRAPHY (* also act): 1949: Paribartan*; 1951: Barjatri*; 1953: Bhor Hoye Elo; 1954: Jagriti; Parichay; 1955: Rickshawala; Bandish; 1957: Bandi; 1958: Chalti Ka Naam Gaadi; Savera; Sitaron Se Aage; 1960: Masoom; Girl Friend; 1964: Daal Mein Kala; Dosti; 1966: Aasra; Mere Lal; 1967: Bhagya; Raat Aur Din; 1968: Jyot Jale; 1969: Wapas; Aansoo Ban Gaye Phool; 1970: Jeevan Mrityu; 1972: Sa Re Ga Ma Pa; Anokhi Pehchan; Mere Bhaiya; 1977: Mastan Dada; 1978: Anmol Tasveer; 1979: Saanch Ko Aanch Nahin; Bin Maa Ke Bachche; 1980: Payal Ki Jhankaar; 1982: Tumhare Bina; 1983: Kaya Palat; 1986: Woh Din Aayega.
In Hindi cinema 2 actresses were famous as ” Eternal Weepers”. In almost every film these actresses wept at least 10 times ! Seeing them smiling or laughing used to be a matter of challenge and the cine-goers used to bet on these moments in their films ! They were NIMMI AND MEENA KUMARI-who was called The Tragedy Queen. Do you know even among the male actors, there was one such actor who wept in the majority of his films ? He also had 3 pet dialogues to be used in all his films. It was jokingly said in the industry that he would not sign a film till he was assured of at least one weeping scene in the film. His name was NAZIR HUSSAIN.
Nazir Hussain, an educated, multifaceted character actor, producer, director, writer and a social worker. Nazir Hussain was born on 15-5-1922 at village Usia Dildarnagar, Kamsaar, dist. Ghazipur-U.P. His father Shahabzad was a Guard in Railways. Being a tall and healthy person, Nazir joined the British Army for some time, but soon he left and joined the Indian National Army of Netaji Subhash Chandra Bose. In 1950,Bimal Roy was planning his film on Netaji,”Pehla Aadmi”. He needed a person who could act and have the knowledge of Netaji’s army details. He approached Nazir Hussain and after some pressure, he conceded and acted in the film. (HFGK however does not show his name in the cast, maybe the list is incomplete or he must have been in the film credit list).
Thus started a career spanning a period of more than 3 decades. He was one actor who started with doing character roles and continued throughout his career. He worked in over 200 films. He was a permanent fixture in Bimal Roy films, next he worked in almost all films of Dev Anand and Dharmendra also. His typical style of acting and delivery of dialogues got him weeping roles mostly. It is generally believed that Nazir did only weepy roles of helpless, poor farmers, poor girl’s father, worker of low level, coolie etc etc, but it is not true. He is probably one of those actors who excelled in doing a variety of roles like Murderer(Baazi),Professor(Tapasya),Doctor(Khamoshi/Abhinetri), Police Commissioner( Jewel Thief), Advocate( Mohabbat zindagi hai),Police Inspector( Kala Pani), doting/smiling father (Sharmilee), Riksha Puller ( Do bigha zamin), Seth ji( Naya Daur) etc etc. However, because of his weepy roles in hit films, he was nicknamed “Aansuon ka canister” in the film industry. The equation was, “Nazir does not accept a role unless he is allowed to weep on screen”.
Besides being a major character actor, the service he has rendered to the Bhojpuri Film industry can not be forgotten. In one of the Film Award functions, Nazir was introduced to President Rajendra Prasad. On learning that Nazir came from Gazipur, the President asked him why he should not produce Bhojpuri films. Taking inspiration from this, Nazir wrote, produced and directed the first Bhojpuri film “Gnaga maiya tori piyari chadhai bo”-1962. Later he kept on making several hit Bhojpuri films.
He was often a subject of ridicule for his weepy roles. His favourite dialogue was,”Beti / Beta, aaj agar tumhari Maa zinda hoti toh….”. Yet another was,”Ab main duniya ko kya munh dikhaun “? One more was, ”Tumne mere saare armaan choor choor kar diye”. Nazir Hussain was an actor,producer,director and also a writer. He used to write and direct all his Bhojpuri films. He shot many of his Bhojpuri films in and around his village and helped develop that area for employment.
His last film as an actor was Vali E Azam-1987. He died on 25-1- 2014 at the age of 92 years, in Malad, Mumbai. ( Thanks to Mr. M N Sardana ji and wiki ji).
The story, dialogues and screenplay of the film Bandish was by Jyotirmoy Roy. BANDISH was a remake of a successful Bengali film Chhale Kaar-1954.
In the film, story happens with all the cast bearing Bengali names. Nasir Hussain is Mahender Babu who is bringing up an orphan ‘Tomato’ (Daisy Irani),since he was a small baby. Now that he is unable to rear him any further due to bad health, he leaves Tomato in a park, where Kamal Roy(Ashok Kumar) is sitting alone on a bench and he tells Tomato to call him his father hereafter. Kamal Roy brings Tomato home and keeps him as his son. Kamal Roy’s marriage is fixed with Usha Sen(Meena kumari). The entry of Tomato is resented by Kamal’s Mother(Protima Devi) and father(Bhanu Bannerjee) who advise him to get married immediately, as the neighbours and other people in their social circle are whispering about Tomato’s parentage-accusing silently Kamal himself. In this situation Usha supports Kamal fully.
The story further details how Tomato brings cheers and sorrow in their lives with the end being very happy.
Here is the 4th song from this film, sung by Asha Bhosle.
Song-Mohe apna bana lo saajan (Bandish)(1955) Singer- Asha Bhonsle, Lyricist- Prem Dhawan, MD- Hemant Kumar (asstt. Ravi)
Lyrics
mohe apna bana lo saajan
mohe apna bana lo
mohe apna bana lo saajan
mohe apna bana lo
mere nanhe se naazuk man ki dekho batiyaan na taalo
ho o o
mohe apna bana lo saajan
mohe apna bana lo
sambhle na aaj piya
jaane kyun mera jiya
ghir ghir main jaaun haaye
tumne kya jaadu kiya
sambhle na aaj piya
jaane kyun mera jiya
ghir ghir main jaaun haaye
tumne kya jaadu kiya ho o
zara aa ke sambhaalo saajan
zara aa ke sambhaalo
mohe apna bana lo saajan
mohe apna bana lo
baahon mein teri piya jhoola main jhooloon
tu mujhko bhoole na main tujhko bhooloon
baahon mein teri piya jhoola main jhooloon
tu mujhko bhoole na main tujhko bhooloon oon oon
ye kasam aaj kha lo sajan
ye kasam aaj kha lo
mohe apna bana lo saajan
mohe apna bana lo
mere nanhe se naazuk man ki dekho batiyaan na taalo
ho o o
mohe apna bana lo saajan
mohe apna bana lo
mohe apna bana lo saajan
mohe apna bana lo
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5044 | Post No. : | 16955 |
Today’s song is from the ‘1956’ movie ‘Sailaab’.
This movie is new to me except for its song Hai ye duniya kaun si ae dil mujhe kyaa ho gayaa , a song that I have listened to innumerable times from my ‘cassette collection years’. This song must be a well-known song from this movie and this was also posted on the blog long back on 21.10.2009.
“Sailaab-1956” was directed by Guru Dutt for ‘Emar Films, Bombay’. It was produced by Mukul Roy.
It had Geeta Bali, Abhi Bhattacharya, Bipin Gupta, Ram Singh, Smruti Biswas, Helen, Sulochana Devi, Moni Chatterjee, Rashid, Uma Devi, Agha Mirza, Nazeer Kashmiri, Krishnakant, and others.
Johny Walker had a guest appearance in this movie.
This movie was passed by Censor Board on 30.01.1956.
Our in-house encyclopedia Shri Arunkumar ji has given a brief account of this movie while presenting the next song from this movie on the blog on 30.01.2017. I am reproducing the text from his post below.
Gautam (Abhi Bhattacharya), a rich young man goes to Assam to visit his father’s tea plantation. The plane in which Gautam is travelling is forced to make an emergency landing due to bad weather. Gautam gets hurt and suffers from amnesia. He falls in love with a young woman Kanchan (Geeta Bali) who responds to him even though she is part of a religious community that doesn’t allow its members to marry. Gautam’s father takes him back to Calcutta. Gautam’s mother dies and the shock of her death brings back Gautam’s memory. But as his memory returns he forgets Kanchan. Kanchan comes to Calcutta in search of Gautam and sees that he fails to recognize her. She returns to her community deciding to renounce the world. In time Gautam is able to recollect his association with her and he goes after her to Assam. The lovers are reunited.
In the above post with the song ‘aa gayi aa gayi aa gayi re’, Shri Arunkumar ji also discussed the producer and music director of this movie . Mukul Roy who was singer Geeta Dutt’s elder brother. Arunkumar ji has also shared other valuable information about the sister of Geeta Dutt i.e. Laxmi Roy who had sung a song in this movie.
This movie had nine songs which were composed to music by Mukul Roy who was also the producer of this movie. The task of lyrics writing for these nine songs was shared by Majrooh Sultanpuri (four songs), Shailendra( two songs), Madhukar Rajasthani(one song) and Hasrat Jaipuri (two songs).
Here is the list of songs of this movie.
| SNo | Song Title | Lyricist | Singer/s | Posted On |
|---|---|---|---|---|
| 01 | Ye rut, ye raat jawaan, bekal dil ke armaan | Shailendra | Geeta Dutt | |
| 02 | Tan pe rang sakhi, man mein rang sakhi | Majrooh Sultanpuri | Geeta Dutt, chorus | |
| 03 | Baje dil ki taar, kare ye pukaar | Hasrat Jaipuri | Laxmi Roy | |
| 04 | Hai ye duniya kaun si ae dil mujhe kyaa ho gayaa | Majrooh Sultanpuri | Hemant Kumar | 21.10.2009 |
| 05 | Jiyaraa baat nahin mane kisi ki | Hasrat Jaipuri | Geeta Dutt | |
| 06 | Chaand ke aansoo shabnam ban ke … | Madhukar Rajasthani | Geeta Dutt | |
| 07 | Aa gayi, aa gayi, aa gayi re, raat rang bhar aa gayi | Shailendra | Geeta Dutt | 30.01.2017 |
| 08 | Om hari om… prabhu aayi pujarin tumhaare anganaa | Majrooh Sultanpuri | Geeta Dutt, chorus | |
| 09 | Hai ye duniya kaun si ae dil mujhe kyaa ho gayaa | Majrooh Sultanpuri | Geeta Dutt | 21.10.2009 |
(HFGK Vol-III (1951-1960) in its footnote of the above movie-page noted that except song number 1 and 7, all other songs of this movie were recorded in February and April 1954. Though, this movie was passed by the Censor Board in 1956.
Song number 9 seems to be added later to this movie.
As per director Ravindra Dave the direction of the first four reels of this movie was done by him.)
Today we are going to listen to the third song from this movie which is sung by Geeta Dutt. Only the audio of this song is available. I guess this song must be a club-dance song.
Let us now listen to today’s song.
Song-Ye rut ye raat jawaan bekal dil ke armaan (Sailaab)(1956) Singer-Geeta Dutt, Lyrics-Shailendra, MD-Mukul Roy
Lyrics
ye rut ye raat jawaan
bekal dil ke armaan
aise mein tu kahaan
mere dilbar aa
mere dil mein samaa
ye rut ye raat jawaan
bekal dil ke armaan
aise mein tu kahaan
mere dilbar aa
mere dil mein samaa
aa ke mastiyon mein doobaa
hai jahaan
haay ae
chhup chhupke milne
milaane ke din
chhup chhupke milne
milaane ke din
aankhon se nindiya
churaane ke din
ye ae
aankhon se nindiya
churaane ke din
ye gori gori ratiyaan
tujhe rahi bulaa
ho o gori gori ratiyaan
tujhe rahi bulaa
aa ke mastiyon mein doobaa
hai jahaan
haay ae
ye rut ye raat jawaan
bekal dil ke armaan
aise mein tu kahaan
mere dilbar…
jee ye chaahe ke ye
shamaa bujhaa do o
jee ye chaahe ke ye
shamaa bujhaa do
chaand aur taaron ko
parde mein chhupaa do
main chaand aur taaron ko
parde mein chhupaa doon
andhere mein tu
apni raah bhool ke naa jaa
ho o andhere mein tu
apni raah bhool ke naa jaa
aa ke mastiyon mein doobaa
hai jahaan
haay ae
ye rut ye raat jawaan
bekal dil ke armaan
aise mein tu kahaan
mere dilbar aa
mere dil mein samaa
aa ke mastiyon mein doobaa
hai jahaan
haay ae
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5043 | Post No. : | 16954 |
Today’s song is from the movie ‘Bundlebaaz-1976’.
“Bundlebaaz” or ‘Bandalbaaz-1976’ was directed by Shammi Kapoor for ‘Pushpa Pictures, Bombay’.
It was produced by H.A. Nadiadwala.
It had Shammi Kapoor, Rajesh Khanna, Sulakshana Pandit, Johny Walker, Asrani, Ranjit, Farida Jalal, Dev Kumar, Pinchoo Kapoor, Kamal Kapoor, Mukri, Lalita Pawar, Mushtaq, Tuntun, Abhimanyu Sharma, Hangama, Moolchand, Viju Khote, Jerry, Bihari, V. Gopal, Haroon, and others.
Story and screenplay of this movie was written by K.K. Shukla and dialogues were written by Kader Khan.
Editing of this movie was done by Pran Mehra.
This movie was passed by Censor Board on 04.12.1976.
This movie had four songs written by Majrooh Sultanpuri and composed to music by R.D. Burman.
Three of the four songs have already been posted on the blog earlier. (Details of songs are given below).
In the previous post I had mentioned a brief about the story of this movie (text taken from memsaabstory.com).
Today we go back to the starting of this movie here.
“Our story opens at college, where an impoverished student named Raja (Rajesh Khanna) dreams of making it big and winning his true love Nisha (Neetu Singh look-a-like Sulakshana Pandit).
His rival for her affections, Ranjit (Ranjeet) is the class bully and a cheat…”
We are in the college now where all students including our hero (Rajesh Khanna) and his rival (Ranjeet) are writing the exam papers. Ranjeet is doing cheating and writing his answer sheets.
Our hero sees this and enters a dream sequence of catching Ranjeet and beating him for doing cheating in the college with his friend Gopal (Asrani) and other students in the class also around them.
Here is where today’s song takes place…
This song is sung by Kishore Kumar in his style and gusto and Rajesh Khanna has performed it well with his famous jigs.
Lyrics are by Majrooh Sultanpuri, and the enchanting music is composed by R.D. Burman.
With today’s song all songs of this movie ‘Bundlebaaz-1976’ gets covered on the blog and the movie lands in ‘Yippeeee-Land’ 😊 today…
Here is the list of songs this movie with their Singer/s’ name and the date of posting for the songs already posted earlier.
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Ruk ruk ruk meri jaan, kidhar jaata hai naa jaa | Kishore Kumar | |
| 02 | Kya hua yaaron gareebi ke hum paale hain | Kishore Kumar, Asha Bhonsle | 4 May 2022 |
| 03 | Naghma hamaara gaayegaa ye zamaana | Lata Mangeshkar, Mohd Rafi | 18.09.2012 |
| 04 | Bemausam bahaar ke din kaise aaye | Lata Mangeshkar, Kishore Kumar | 18.07.2017 |
Let us now enjoy today’s song …
Video
Audio
Song-Ruk meri jaan kidhar jaata hai na jaa (Bundlebaaz)(1976) Singer-Kishore Kumar, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Chorus
Lyrics
hey aa
hey hey
oo oo
hey hey
rrrrrrrrrrrrrrrrrrrrrrrra
ruk ruk
ruk meri jaan
kidhar jaataa hai
naa jaa
mere choron ke raja aa
zaalimaa re ae ae ae ae
ruk meri jaan
kidhar jaataa hai naa jaa
mere choron ke raja aa
zaalimaa re ae ae ae ae ae
ruk meri jaan
kidhar jaataa hai naa jaa
mere choron ke raja aa
zaalimaa aa
ruk
ham bhi to hain
jaani teri chaahat ke maare huye
ghabraaye kyun
sharmaaye kyun
itnaa to na ban pyaare
haaye re
haaye re
ham bhi to hain
jaani teri chaahat ke maare huye
ghabraaye kyun
sharmaaye kyun
itnaa to na ban pyaare
zaraa dekh palat ke
jo doonga haath ulat ke
to khaa jaayega jhatke aa
zaalimaa re ae ae ae
ruk meri jaan
kidhar jaataa hai naa jaa
mere choron ke raja aa
zaalimaa re ae ae ae ae
ruk meri jaan
kidhar jaataa hai naa jaa
mere choron ke raja aa
zaalimaa aa
laa laa la la laa
la la la laa
laa laa la la laa
la la la laa
laa laa la la laa
aise akdegaa to zaalim
aisi ki taisi teri
naak todoonga
sar fodoonga
gat kar doonga aisi teri
haan re
haan re
aise akdegaa to zaalim
aisi ki taisi teri
naak todoonga
sar fodoonga
gat kar doonga aisi teri
bade din ka raaja
bajaa yaaron ka baaja
to sur se sur milaa jaa
zaalimaa re ae ae ae ae
ruk meri jaan
kidhar jaataa hai naa jaa
mere choron ke raja aa
zaalimaa re ae ae ae ae
ruk meri jaan
kidhar jaataa hai naa jaa
mere choron ke raja aa
zaalimaa re ae ae ae
hey ae
ruk
laa laa laa laa
hey ruk ruk ruk
laa laa laa laa
oye re
ahaa ahaa
oye uthh uthh uthh
oye oye oye
yaa aa
laa laa laa laa
oye uthh uthh uthh
laa laa laa laa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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