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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5419 | Post No. : | 17776 |
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Blog 10-Year Challenge (2013-2023)– Song No.119
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Ah.. Raj Kapoor – the Showman. Sometimes also referred to as the Greatest Showman of Indian Cinema. A lifetime affair with the camera – very prominently handled both ends, sometimes in front of it, and then also behind it. Starting with childhood appearances accompanying his illustrious father to studios. And on to be a performer himself. And very soon, a producer – to quench his thirst, rather his search, for the ultimate story of love.
Raj Kapoor – the eternal seeker, the eternal explorer – in quest for the meaning of love equation between a man and a woman. All his life he produced films. The subjects, the scenarios varied, but against all the scenarios the unwavering theme, the unchanging premise of emotions flowing from one heart to another.
What does it take to define this equation? He has explored this question incessantly through his films and the music of his films. It is said in the industry – he had a Midas touch for music. No matter which film one picks. There may be commentaries and reviews about the films, but always, the music. The music was always the winner. And it is through the songs and music of his films that he expressed this search, this quest – for the meaning of love – endlessly.
His films almost always bring together the lovers in disparate and trying situations. What does it mean to be in love when, by normal discourse, love may not, cannot happen. And yet it does. From his very first venture as a producer – film ‘Aag’ of 1948, he had Saraswati Kumar Deepak write for him
kahin ka deepak kahin ki baati
aaj baney hain jeevan saathi
These verses kind of set the journey in motion that lasted for almost for four decades till the Showman decided in 1988 to hang up his director’s cap. On and on, one film at time, one can trace this quest for the meaning of love throughout his journey. The words and verses never ever failed to chalk up the emotions that were the matter of his quest. ‘Barsaat’ came in 1949 and with it, it brought the timeless melodies of
o o o,
mujhe kisi se pyaar ho gaya
and
meri aankhon mein bas gaya koi re
mujhe neend na aaye main kya karoon
With ‘Awaara’ of 1951, the theme resounded with the melody of
ghar aaya mera pardesi
pyaas bujhi in nainan ki
In 1953, when ‘Aah’ came to the theater screens, audiences were not so enamored by the sad somber story of a love lost. But yet again, the music said it all, and forever.
sunte the naam hum, jinka bahaar se
dekha to bola jiya jhoom jhoom ke
The journey continued in 1955 with ‘Shri 420’, touching towering heights of emotional expressions with the simplest of words.
ramaiya vasta vaiya
maine dil tujh ko diya
To date, no verse writer worth his salt has expressed this emotion in words more simple than these.
The proverbial icing always has been the on screen presentation of these wonderful melodies. The visions of the song presentation are a heart warming journey of visuals stringed with the words played on arias of melodies that proved to be incomparable even to this day. There is no peer, no comparable expression that can, or that will replicate the emotional highs of
pyaar hua iraar hua hai
pyaar se phir kyon darta hai dil
And the voyage carries on with the search for that promised destination that may reveal that ultimate truth of this mystery of love. ‘Jis Desh Mein Ganga Behti Hai’ – 1961. A very brief verse in the middle of a song, seems to encompass the entire story of this quest.
itna sa dil tu de de agar
saara jag tera ho jaaye
saara jag tera ho jaaye
‘Sangam’ came in 1964. It came with a bevy of emotions that crossed through so many layers of the mind’s labyrinths encompassing compassion, sacrifice, friendship, betrayal – and yes, love of course. And the hearts would sing these lines forever
har dil jo pyaar karega
wo gaana gaayega
and
o mere sanam, o mere sanam
do jism magar ik jaan hain hum
ik dil ke do armaan hain hum
Then came the magnum opus in 1970. ‘Mera Naam Joker’ – a commercial disappointment initially which has later ended up becoming a cult film in its own right. A lifetime’s search for love, culminating in show at a circus. One after another, love appears in life of the Joker, but always leaves him alone at the end. And the heart of the Joker has these words to sing
bhoologe tum, bhoolenge wo
par hum tumhaare rahenge sada
Beyond that, now new generations were taking over. Romance and love donned new faces and new dresses in ‘Bobby’ (1973). The words got a different expression, the music changed, but the soul sound of love remained what it has for centuries – unchanged. A new voice was now strumming the drums and saying
. . . par pyaar bhara dil kabhi na todo
is dil mein dilbar rehta
And alongwith came the declaration that
deta hai dil de, badle mein dil ke
. . . . . . pyar mein sauda nahin
Then in 1978 came another significant milestone in this journey – ‘Satyam Shivam Sundaram’. With the thesis that the truth is always akin to God, and thus, it is always beautiful. The mind’s conflict between the truth of the beauty and the beauty of imagination is again a timeless discourse, dealt once again with the verses of tradition
bhor bhaye panghat par
and
sainyaan nikas gaye main naa ladi thi
‘Prem Rog’ appeared in 1982 and the Showman’s last venture – ‘Ram Teri Ganga Maili’ appeared in 1985.
‘Prem Rog’ was was a creation that came forth three and a half decades after his quest had debuted in ‘Aag’. And the wonder of the outcome thus far, thirty five years in the making, and the explorer still ended up with the question that started his quest way back in 1948. For in this film, he yet once again poses the question
ye din kyon nikalta hai
ye raat kyon hoti hai
ye peed kahaan se uthti hai
ye aankh kyon roti hi
….
mohabbat hai kya cheez, hum ko bataao
ye kis ne shuru ki, hamen bhi sunaao
The essence of a lifetime of search. At the end of his energies after years of exploring. And the explorer is yet asking the same question. Again. A lifetime spent in synthesis, after having sung so many beautiful verses in its praise, after equating it to God and saying – that which is true, it also is beautiful. And then negating all these achievements, discarding all the experiences of the landmarks of the journeys, the seeker once again picks up the question that had started his journey decades earlier.
And thus remains the enigma – as it is. The final offering of 1985 – ‘Ram Teri Ganga Maili’ brings a last message
sun saiba sun
pyaar ki dhun
Just listen to this aria of love. Do not search it with a question. Just savor the strumming emotions, and let this dhun immerse oneself, take one into the unknown unseen depths. Just relish and delight in this feeling of love – do not ask any questions of it. The wheel of life having come a full circle, and yet a definitive and culminating statement still could not be made. Such is it – the mystery of LOVE.
Ah yes, now for the song presented with this post. 1982 was the year when the young mind was still innocently concerned with the questions about this emotion. The film came along and I do remember I had seen it on the big screen. The analysis of how the realities of the society and the bitter truths of life, were still years ahead in time. The mind always was simply happy at witnessing a happy ending. Always assuming that all the hiccups and tribulations on the way are a conjuring of the story tellers mind, and that lovers are always destined to meet. Ah, the loveliness of that innocence, believing in the good always.
But that discussion in maybe another post, for another song of love.
‘Prem Rog’ is a story of unexpressed love, and maybe also love about which the lovers themselves are not aware. A young girl from a rich traditional family, a young lad – and orphan without any antecedents. And they are good friends, for the boy frequents the home of the girl to do sundry jobs for the household. The girl gets married, and widowed, in quick succession – in like a blink of the eye. Circumstances bring her back to her parent’s home. The contact is re-ignited. And the emotoions that were not expressed not understood till then, now come floating into the heart. There follows a long and grueling struggle, ultimately violent, with the social norms and traditions. However, a happy ending at the end.
I liked the film on two counts. One was a very stark, almost harsh portrayal of the tribulations of a young widow in a very conservative family. And second, it was a refreshing feeing to see Nanda and Tanuja both on screen after a gap. Of course, Shammi Kapoor was the added attraction.
A minor trivia. Padmini Kolhapure, at 17, became the youngest individual recipient of the Filmfare Best Actress Award for this film.
Songs of ‘Prem Rog’ are quite hummable and became very popular in their time. There are 6 songs in this film, five of which are already showcased on our blog. This is the sixth song to make it here, which brings us to declare ‘Prem Rog’ to be Yippeee’d on the blog.
The shooting of this song sequence is something special to mention. The film was shot in the studio and some scenes in and around a farm house on way to Poona. This particular song, no guesses, is shot in the tulip fields at Kukenhoff, close to Amsterdam in Holland. Yes, the same place where the ‘Silsila’ (1981) song “Dekha Ek Khwab To Ye SilSile Huye” was also shot.
It is interesting to note that the song opens with the lead pair on a bicycle. The bicycle looks very typically Indian. So one must assume that the artifact was carried by the shooting team from India to Holland.
The words of the song are very beautifully crafted. As the song opens, Devdhar (role played by Rishi Kapoor) blesses Manorama (role played by Padmini Kolhapure) with the years of his own life. In the first stanza, Manorama tells of the extremely difficult phase she is passing through, and tells Devdhar that she is a flower that has already been plucked from the branch. In the second stanza, Devdhar tells her about the temporary nature of happiness and sorrow in life, and that the days past are already past. In the third stanza there is an exchange. Manorama tells Devdhar that the sleep from her eyes is gone, and also cautions him that the flower he trying to pursue is not sweet any longer. And Devdhar responds that the flower is beautiful and innocent. As we watch the video clip of the song, one can see some realizations dawn on the face of Manorama.
The words are crafted by Pt Narendra Sharma, and give a very sophisticated and literary feel to the verses. Music is by Lakshmi-Pyaare. The singing voices are of Lata Mangeshkar and Suresh Wadkar. Suresh Wadkar had appeared on the film scene as a singer in 1976. This song likely was recorded in 1981.
The video clip has two stanzas, whereas the audio clip carries all the three stanzas. The lyrics given below are based on the audio clip.
Enough said, I believe, so let us get on to listen to this sonorous melody.
Video
Audio
Song – Bhanwre Ne Khilaaya Phool, Phool Ko Le Gaya Raaj Kunwar (Prem Rog) (1982) Singers – Suresh Wadkar, Lata Mangeshkar, Lyrics – Pt Narendra Sharma, MD – Lakshmikant Pyaarelal
Lyrics (by Prakashchandra)
hmmm hmmm hmmm
hmmm hmmm hmmm
hmmm hmmm hmmm
hmmm hmmm hmmm
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
hmmm hmmm hmmm
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
bhanwrey tu kehna na bhool
phool tujhe lag jaaye meri umar
bhanwrey ne khilaayaa phool
phool ko le gaya raaj kunwar
(lauging sound)
aaa…aaaa…aaaa…aaaa….
aaaaa…aaa…aaaaa….aaaaa….
aaaaaa…aaaaaaaaaaaaaaaaa
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
bhanwre tu kehna na bhool
phool tera ho gaya idhar udhar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
(aaa…aaaaa)
hmmm hmmm hmmm
(ooooooo..ooo)
wo din..n..n..
ab na..aa..aa rahey
kya kya vipda padi phool par
kaise phool kahey
wo din ab na rahey
honi thi ya wo anhonee
jaane isey vidhaata
chhoote sab singaar
giraa gal-haar toota har naata
shesh phool mil gaya dhool mein
kya kya dukh na sahey ae
wo din ab na..aa rahey
bhanwre tu kehna na bhool
phool daali se gaya utar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
(aaa…aaaaa)
hmmm hmmm hmmm
(ooooooo..ooo)
sukh dukh aaye jaaye
jaaye ae ae ae
sukh dukh aaye jaaye
sukh ki bhookh na dukh ki chinta
preet jisey apna..aa..aaye
sukh dukh aaye jaaye
meera ne piya vish ka pyaala
vish ko bhi amrit kar daala
prem ka dhaai akshar padhkar
mast kabeeraa gaaye
sukh dukh aaye jaaye
bhanwre tu kehna na bhool phool
guzre din gaye guzar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmmmadhur
hmmm hmmm hmmm
aaa..aaa..aaa..aaa..aaaa
aaa…aaaa…aaaa…
aaaa….aaaa
aaa..aaa…aaaa…aaa
o o oo o
oo oooo
na..aa..aa
na re na..aa
phaili phooli phulwaari mein
bhanwraa gunn gunn gunn gunn gunn gunn gunn gunn gaaye
kaahey sowat nindiya jagaaye ae ae
kaahey sowat nindiya jagaaye
laakhon mein kisi ek phool ne
laakhon phool khilaa..aaye
mand mand muskaaye
haaye kaahey sowat nindiya jagaaye
bhanwre tu kehna na bhool
phool tera madhur nahin madhukar
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
bhanwre tu kehna na bhool
phool mera sundar saral sughadh
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
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Hindi script lyrics (Provided by Sudhir)
————————————————
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल तुझे लग जाये मेरी उमर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
(हास्य ध्वनि)
आss आsss आsss आsss
आssss आss आssss आssss
आsssss आsssssssssssss
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल तेरा हो गया इधर उधर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
वो दिन॰॰न॰॰न
अब ना॰॰आ॰॰आ रहे
क्या क्या विपदा पड़ी फूल पर
कैसे फूल कहे
वो दिन अब ना रहे
होनी थी या वो अनहोनी
जाने इसे विधाता
छोटे सब सिंगार
गिरा गल-हार टूटा हर नाता
शेष फूल मिल गया धूल में
क्या क्या दुख ना सहे
वो दिन अब ना रहे
भँवरे तू कहना ना भूल
फूल डाली से गया उतर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
(आss आssss)
हम्मम हम्मम हम्मम
(ओsssssss ओssss)
सुख दुख आए जाये
जाये॰॰ए॰॰ए
सुख दुख आए जाये
सुख की भूख ना दुख की चिन्ता
प्रीत जिसे अपनाए॰॰ए॰॰ए
सुख दुख आए जाये
मीरा ने पिया विष का प्याला
विष को भी अमृत कर डाला
प्रेम का ढाई अक्षर पढ़ कर
मस्त कबीरा गाये
सुख दुख आए जाये
भँवरे तू कहना ना भूल फूल
गुजरे दिन गए गुज़र
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
आs आs आs आs आsss
आss आsss आsss
आsss आsss
आss आss आsss आss
ओ ओ ओs ओ
ओss ओsssssss
ना॰॰आ॰॰आ
ना रे ना॰॰आ
फैली फूली फुवारी में
भँवरा गुन गुन गुन गुन गुन गुन गुन गुन गाये
काहे सोवत नींदिया जगाए॰॰ए॰॰ए
काहे सोवत नींदिया जगाए
लाखों में किसी एक फूल ने
लाखों फूल खिलाये
मंद मंद मुसकाए
हाए काहे सोवत नींदिया जगाए
भँवरे तू कहना ना भूल
फूल तेरा मधुर नहीं मधुकर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल मेरा सुन्दर सरल सुघढ़
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
Kabhi Ajnabi Thhe Zameen Aasmaan Ye
Posted on: June 18, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5083 | Post No. : | 17007 |
Today’s song is from the movie ‘Kabhi Ajnabi Thhe’ (1984).
One song from this movie has been posted on the blog by our Respected Sadanand ji, – “Dil Ki Is Dehleez Tak Jo Mehmaan Ban Ke Aaye“. In his write up Sadanand ji has mentioned “Indian cricket and Bollywood both enjoy enormous popularity among Indians”. Yes! Very rightly said by him and this has the case been with most of our country-men and particularly people like me who have grown up in the ‘seventies’. We loved movies and cricket at the same level and they have been an integral part of our ‘life’s journey’.
Today I will add a little to the nostalgia about cricket, a song from a movie where a cricketer was the main lead and memories of the month of June. As I had mentioned earlier ‘June’ has been special month for me for many reasons. It has birth anniversaries and other anniversaries of closed ones and many other important things of my personal journey.
Other than the personal anniversaries we have anniversaries related to cricket 😊, anniversary of my passing out board exam in June 1983 😊, and anniversaries of many movies and memories of many movies released in 1983. We have birth anniversary and remembrance days of many artists etc.
1983 had been a special year for me and particularly the summer of 1983. Every summer brings back many memories of the 1983 summer to me. India won its first Cricket World Cup in June 1983. The movie ‘83’ which was released in December 2021 revived the thrill and nostalgia of the 1983 cricket world cup. I watched this movie twice on its First day (i.e. first Friday) and again on ‘second Friday’ in theater. Recently again I watched this movie on OTT as I was alone at home 😊.
In this article I am not going to discuss the ‘Summer of 1983’ or ‘June of 1983’ anymore. But I will be taking you back to the summer of 1982. Indian cricket team was on tour to England in that summer of 1982.
Yes, I still remember how I jumped out of my bed, when I was listening to the commentary of radio of the second test of India vs England Test match that was played from June 24 to 28 at Manchester during India’s tour of England in 1982. It was 27th of June (since 1994 this day become very special day of my life, and yes, we have Pancham’s birthday on the same day too 😊).
27th June, 1982 was the fourth day of this test and the time in India then must have been around 10 or 10:30 pm (I do not remember it exactly now). I was lying down on bed and listening to the commentary of this match on radio. And I jumped from my bed and sat on my toes in half standing position when the commentator was giving a ball by ball commentary of the over England’s bowler Bob Willis (who was also the captain of England). The batsman on strike was India’s Sandeep Patil. The first ball was hit for a four and then followed four after four…
This was the famous ‘six fours of Sandeep Patil in an over…
Sandeep Patil made his test debut in 1980 and played his last ODI in 1986. He was always in news for his ‘destructive batting’ and ‘other than cricket’ activities. From cricket I always remember his 174 against Australia, then the ‘world cup’, and when he was specially called for a test with Pakistan at Nagpur (Oct’1983) where he landed by a special ‘air-craft’ provided Maharashtra Government.
In between his cricket career he had also done a movie. Today we are going to listen to a song from this movie. Though this movie was not a success it was in news and especially the chemistry between Sandeep Patil and the heroine of the movie Debashree Roy was a talk among our senior friends at that time. I have not watched this movie.
‘Kabhi Ajnabi Thhe’ was directed by Vijay Singh for VS Productions, Bombay. Vijay Singh not only directed this movie, but he was also the producer of this movie and had written dialogues of this movie and had done the editing of this movie too. The star cast of the movie has Poonam Dhillon, Sandeep Patil, Debashree Roy, Ram Sethi, Iftekhar, Ramesh Deo, Seema Deo, Narendra Nath, Birbal, Jugnu, Raj Anand, Chunnu Mehra, Vinay Mandke, Indrajeet Ahluwalia, and others. Sayyad Kirmani, Barrister Sheshrao Wankhede, Prabhu Desai, Vishwas Raut, Ashok Mankad, and Pinki had made a friendly appearance in this movie. Shakti Kapoor had made a guest appearance in this movie.
This movie was passed by Censor Board on 25.09.1984.
The movie has seven songs written by two songwriters – Dev Kohli (five songs) and Ravindra Peepat (two songs). Music for this movie was composed by Vijay Singh himself. So, he had donned the ‘hats’ of Producer-Director-Editor-Dialogue writer and Music Director of this movie). Here is the list of songs of this movie.
| S.No. | Song title | Lyricist | Singer/s |
| 01 | Welcome To The Orkay Nite … Pehli Nazar Mein Pyaar Huaa | Dev Kohli | Suniti Devi, Vinay Mandke, Aenet, chorus |
| 02 | Kabhi Ajnabi Thhe Zameen Aasmaan Ye | Ravindra Peepat | Lata Mangeshkar, Suresh Wadkar |
| 03 | Aa Ja Mere Sanam, Baithhe Hain Raahon Mein Palken Bichha Ke | Ravindra Peepat | Lata Mangeshkar |
| 04 | Dil Ki Is Dehleez Tak Jo Mehmaan Ban Ke Aaye | Dev Kohli | Lata Mangeshkar |
| 05 | Geet Mere Honthhon Ko De Gaya Koi | Dev Kohli | Lata Mangeshkar |
| 06 | Is Dafaa Ham Na Ghataaon Ki Tarah Chhaayenge | Dev Kohli | Lata Mangeshkar |
| 07 | Dil Ki Is Dehleez Tak Jo Mehmaan Ban Ke Aaye | Dev Kohli | Ashok Khare |
HFGK mentions the following names in the singer’s list of this movie i.e. Lata Mangeshkar, Suresh Wadkar, Suniti Devi, Ashok Khare, Vinay Mandke, and Vijay Singh. Today’s song is duet song sung by Lata Mangeshkar and Suresh Wadkar and on screen it is lip synced by Poonam Dhillon and Sandeep Patil.
Lyrics for the today’s songs are by Ravindra Peepat and music is composed by Vijay Singh.
As Sadanandji has mentioned in his post “The only plus point in the movie, if I may say so, is its music”. This movie has nice songs and I like all the songs of this movie except the songs listed at serial no. 1 in the above table which I think I had not listened or I do not remember it. Incidentally the first song from this movie was also posted in the month of June on 18.06.2016 :).
Let us enjoy the today’s song now…
Video
Audio
Song – Kabhi Ajnabi Thhe Zameen Aasmaan Ye (Kabhi Ajnabi Thhe) (1984) Singer – Lata Mangeshkar, Suresh Wadkar, Lyrics – Ravindra Peepat, MD – Vijay Singh
Lata Mangeshkar + Suresh Wadkar
Lyrics
kabhi ajnabi thhe
zameen aasmaan ye
tera haath thamaa jo
huye meharbaan ye
kabhi ajnabi thhe
zameen aasmaan ye
tera haath thamaa jo
huye meharbaan ye
kabhi ajnabi thhe
barsaat ye
pyaar ki
na rukegi
ab to ghataa
aur neeche jhukegi
barsaat ye
pyaar ki
na rukegi
ab to ghataa
aur neeche jhukegi
barson ki pyaasi
ye dil ki zameen hai
chal bheeg jaayen
jannat yahin hai
kabhi ajnabi thhe
zameen aasmaan ye
tera haath thamaa jo
huye meharbaan ye
kabhi ajnabi thhe
takdeer ke
faisle kaise kaise ae
shuru ho gaye
silsile kaise kaise
takdeer ke
faisle kaise kaise ae
shuru ho gaye
silsile kaise kaise
aayee bahaarein
aane se tere
khile gul hazaaron
gulshan mein mere
kabhi ajnabi thhe
zameen aasmaan ye ae
tera haath thamaa jo
huye meharbaan ye
kabhi ajnabi thhe
aa ha ha ha ha
hoon hoon hoon
oh ho o o o o
o o o o o o o
o o o o o o o
aa aa aa aa aa aa
o o o o o o o
aa aa aa aa aa aa
saajan mere
haath thaame hi chalna
rasta nayaa
har kadam pe sambhalna
saajan mere
haath thaame hi chalna
rasta nayaa
har kadam pe sambhalna
thokar lage to bhi
kuch gham nahi hai
saath jo mere
tu hamnasheen hai
kabhi ajnabi thhe
aa aa aa aa aa aa
zameen aasmaan ye
aa aa aa aa aa aa
tera haath thaama jo
aa aa aa aa aa aa o o o
huye meharbaan ye
kabhi ajnabi thhe
kabhi ajnabi thhe
zameen aasmaan ye
tera haath thaama jo
hue meharbaan ye
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
hmm hmm hmm hmm
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4430 | Post No. : | 15859 | Movie Count : |
4364 |
Pyarelal Ramprasad Sharma, one halfof the music director Laxmikant-Pyarelal was born on 03/09/1940. So that makes this 80th Birthday of the one of the most proficient, successful and talented musicians of the golden era of hindi film music. It is a well-known fact that both Laxmikant and Pyarelaljistarted their career as players of music instruments in the song recordings. If I am not mistaken, Pyarelalji, was a violinist.
‘Most proficient’ in the film industry’s history is the correct tag for Laxmikant-Pyarelal as they are the composers with the highest no. of songs composed which stands at 2901, in the blog’s stats page.
Laxmikant Pyarelal started as music directors in 1963, they hit the jackpot with Dost (1964). What followed is history, with awards, accolades and they never looked back. They are on record as loyalists of Rafi Sahab till his lifetime, who also sang maximum no of songs for them.
The achievements and success are too many, for me to start listing them. But their association with Anand Bakshi is the longest one, and must be the biggest such combo. I would guess the total songs composed by Laxmikant Pyarelal may have around 2000 written by Anand Bakshi.
On this birthday occasion , I am presenting the song from the film Krodhi (1981), by this very same team/combo of Lakshmikant-Pyarelal with AnandBakshi. The singers are Lata Mangeshkar and Suresh Wadkar. The was a multi-starrer film by Subhash Ghai. The starcast was Dharmendra, Hema Malini, Maushmi Chatterjee, Zeenat Aman, Shashi Kapoor etc and of course the love birds in the song, Sachin and Ranjeeta. The four songs of the film, which I remember are all nice one’s. But the movie is making a debut here on the blog with this song.
I have seen the movie, so can give a little outline of the story. Dharmendra is a gangster or smuggler, Zeenat Aman works for him and has a lot of regard and respect for him, as he has helped her a lot with the responsibilities. Zeenat Aman meets Shashi Kapoor (Police Inpector ?) at her sister’s wedding. Zeenat Aman and Shashi Kapoor get married, but Shashi Kapoor is not aware of the connection between Zeenat Aman and Dharmendra. The police is looking to arrest Dharmendra but he escapes and takes shelter in a village, where people mistake him for a godman or sadhu. Dharmendra adopts the disguise to escape the police. Sachin and Ranjita are the two characters who don’t make much difference to the story.
In the song, which Sachin and Ranjita are singing in the garden ‘Chameli baagh”, Dharmendra is looking on, and I think later on he helps them in some way or they are both murdered, by the villains. Dharmendra is also reminded of his late wife Maushmi Chatterjee while watching the song. Lata Mangeshkar is play backing for both Ranjita and Maushmi in the song.
The sort of word play which was a signature of Laxmikant Pyarelal and Anand Bakshi songs, is visible in this song.
Audio
Video
Song-Chal chameli baagh mein mewa khilaaungaa (Krodhi)(1981) Singers-Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal
chal chameli
chameli baagh mein
mewaa khilaaungaa
chal chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
mewe ki tehni toot gayi to o
chaadar bichhaaunga
chaadar ka pallu phat gayaa to
darzi bulwaaungaa
darzi ki suyee toot gayi to o
ghodaa daudaangaaaa
ghode ki taang toot gayi to to
to to to to
to tum ko uthhaaungaaaa
dil mein bithhaaungaa
chal chameli
chameli baagh mein
mewaa khilaaungaa aa
chal chameli baagh mein
mewaa khilaaungaa aa
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
itnaa sab kuchh kar ke
phir dil mein bithhaaugey ae
pehle se hi dil mein bithhaa lo
tum thhak jaaogey ae
tum thhak jaaogey ae
tum thhak jaaogey ae
chal chameli
chameli baagh mein
jhoolaa jhulaaungi ee ee
chal chameli baagh mein
jhoolaa jhulaaungi ee
jhoole ki rassi toot gayi to
aanchal bichhaaungi
aanchal ka pallu phhat gaya to
see kar dikhaaungi
suyee jo mujh ko chubh gayi
hans kar manaaungi
hans kar jo tum na maane to
ro kar dikhaaungi
tum ko manaaungi
tum maan jaaoge
main roothh jaaungi
tum maan jaaoge
main roothh jaaungi ee
chal chameli
chameli baagh mein
panchhi dikhaaungaa aa
chal chameli baagh mein
panchhi dikhaaungaa aa
panchhi daali se udd gaye to
seeti bajaaungaa
seeti se bhi na wo udey to
bansi bajaaungaa
bansi jo gir ke toot gayi to o
main geet gaaungaa
geeton mein tum ko pyaar ki
baaten sunaaungaa
baaten sunaaungaa
din raat phir tum ko main
yaad aaungaaaa
din raat phir tum ko main
hmmm mmm
yaad aaungaaaa
hmmm mmm
yaad na aana
warna mujh ko
neend na aayegi ee
aakhon hi aankhon mein saari
raat jaayegi ee
chal chameli baagh mein
chori se jaayenge
chal chameli baagh mein
chori se jaayenge
chori se maali ki sabhi
kaliyaan churaayenge
kaiyaan churaa ke teraa
gajra banaayenge
ye to socho o o
kya hogaa jo
pakde jaayenge
pakde jaayenge
pakde jaayenge
pakde jaane se pehle to ham
bhaag jaayenge
pakde jaane se pehle to ham
bhaag jaayenge ae
chal chameli baagh mein
ham mewaa khaayenge
In Haseen Waadiyon Se
Posted on: March 17, 2019
- In: Blog ten year challenge (2009-2019) | Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Lata song | Lata-Suresh Wadkar duet | Lover's tête-à-tête | Lyrics contributed by readers | Post by Avinash Scrapwala | Snowy mountain song | Songs of 1980s (1981 to 1990) | Songs of 1981 | Suresh Wadkar songs | Yearwise breakup of songs
- 6 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3894 | Post No. : | 14933 |
———————————————–
Blog 10-Year Challenge (2009-19) – Song No. 18
————————————————
‘Pyaasa Saawan’ (1981) is one of the lovely reminders of those movie watching days, when we were (for me) watching movies either with elders in the family or with siblings and cousins or sometimes together with all. Those were the days when movie watching was the biggest attraction after ‘print media’, ‘radio’, and ‘cricket’ (for me).
To be a ‘fan’ of ‘Rajesh Khanna’ was still a year or two in the future to happen.
Another reminder of this movie are of course its songs. Particularly ‘Megha Re Megha Re’ and ‘Tera Saath Hai To’. Other songs of this movie were also good and they were frequently played on radio or loudspeakers.
The first song from this movie to be posted on the blog was ‘Tera Saath Hai To’. It was ten years ago, on 17.03.2009 and so far, no comment appears on this song on the blog. However, and that is another reason for this article of today, this song was covered only with one version and i.e. the female version sung by Lata Mangeshkar. Whereas, the song is a ‘multiple version’ song and the male version is sung by Kamlesh Awasthi. I am also sharing the lyrics for this male version of the song with a request to our ‘Editors’ to please update this in the ‘main post’. Also, the third stanza in the ‘female version’ was not included in the post of 17.03.2009, which I have included in full lyrics and would request Shri Atul ji and Shri Sudhir ji to kindly update in this song’s post.
Now coming back to the ‘ten-year challenge’ – 2009-2019 – the other movies represented on the blog that day i.e. on 17.03.2009 were;
- ‘Dost’ (1974) (all songs have already been covered and needs to painted ‘red’)
- ‘Deewaana’ (1992)
- ‘Manchali’ (1973)
- ‘Parwana’ (1971)
- ‘Baat Ek Raat Ki’ (1962)
All the above movies except ‘Deewaana’ and ‘Pyaasa Saawan’ have already been covered for their all songs on the blog and Yippeeee’ed 🙂
‘Pyaasa Saawan-1981’ was directed by Dasari Narayan Rao for Tirupati Pictures Combine, Bombay. It was produced by Prasan Kapoor (brother of actor Jeetendra) and as such it was Jeetendra’s home production. Dasari Narayan Rao had also written the story and screenplay of this movie. Dialogues of this movie were written by Raj Baldev Raj. Editing of this movie was done by GG Krishna Rao. This movie was passed by Censor Board on 20.08.1981.
The film has Jeetendra (in double role), Moushumi Chatterjee, Reena Roy, Deven Verma, Madan Puri, Asha Lata, Javed, Duggal, NS Bedi, Prem Kumar, Umesh Khanna, Ashok Saxena, Babloo, Babban, Raghvaiyya, Ashok Shivpuri, Heera, Billi, BA Subba Rao, Mahmood Khan, and Verma. Vinod Mehra and Aruna Irani make a special appearance in this movie, and Kumar Aditya makes a guest appearance.
This movie has six songs (including one multiple version song). All its songs are written by Santosh Anand and music is composed by Laxmikant-Pyarelal. Asha Bhonsle, Kishore Kumar, Lata Mangeshkar, Suresh Wadkar and Kamlesh Awasthi had given their voices to the songs in this movie.
Three songs of this movie have been posted on the blog earlier and third, other than the two mentioned above is ‘O Meri Chhamak Chhallo’. The song being posted today is the fifth song from this movie and that considering of the updating of the multiple version song.
All the songs from this movie were quite good songs and enjoyable songs – ‘Megha Re Megha Re’ and ‘Tera Saath Hai To’ are the ones which I liked most. Though I had watched this movie then I did not remember it completely and as I was preparing for this article I was recollecting its story and other songs. As Atul ji has mentioned in his post while presenting the first song from this movie on the blog, the movie reminds of the ‘Chadamama’ stories. Yes of course!!
Because here we see a Father becoming wealthier after lot of struggle and hard work and though neglecting his wife in the process of accumulating wealth and losing her up brings his only son with lot of love. And when once he has to attend the birthday celebration of this son, and he didn’t get a ticket in the flight (no advance booking may be 🙂 ) he orders his secretary to ‘charter a plane’ and finally reaching only to see that his son is not at home but enjoying in a club. . . (To be concluded 🙂 )
The son also finds himself in a similar situation like his father, when he takes over the family business and his marriage comes to a stage of ‘divorce’. But finally the Father saves it all and we have a ‘happy ending’ there 🙂
Let us now enjoy the today’s song sung by Lata Mangeshkar and Suresh Wadkar. Lyrics are by Santosh Anand and it is composed by Laxmikant-Pyarelal. On screen it is performed by Jeetendra and the beautiful Reena Roy!!
Audio
Video
Song – In Haseen Waadiyon Se (Pyaasa Saawan) (1981) Singer – Suresh Wadkar, Lata Mangeshkar, Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Suresh Wadkar + Lata Mangeshkar
Lyrics
in haseen waadiyon se
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
itnaa badaa gagan hai
do chaar sitaare
churaa len to chalen
churaa len to chalen
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
kahin koi jharna ghazal gaa raha hai
hmm
kahin koyi bulbul taraana sunaaye
hmm
yahaan haal ye hai
ke saanson ki lai par
khayaalon mein khoya badan gungunaaye
kahin koi jharnaa ghazal gaa rahaa hai
kahin koyi bulbul taraana sunaaye
yahaan haal ye hai
ke saanson ki lay par
khayaalon mein khoya badan gungunaaye
in lazeej jhurmuton se
do chaar sharaare churaa len to chalen
churaa len to chalen
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
hamaari kahaani shuru ho gayi hai
hamaari kahaani shuru ho gayi hai
samajh lo jawaani shuru ho gayi hai
kayi mod hum ne tay kar liye hain
nayi zindagaani shuru ho gayi hai
in madbhare manzaron se
do chaar sahaare
churaa len to chalen
churaa len to chalen
in haseen waadiyon se
do chaar nazaare
churaa len to chalen
itnaa badaa gagan hai
do chaar sitaare
churaa len to chalen
churaa len to chalen
in haseen
in haseen
waadiyon se
waadiyon se
do chaar nazaare
churaa len to chalen
churaa len to chalen
churaa len to chalen
churaa len to chalen
——————————-
Devnagri Script lyrics (Provided by Avinash Scrapwala)
——————————–
इन हसीन वादियों से
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें
चुरा लें तो चलें ए
इतना बड़ा गगन है
दो चार सितारे चुरा लें तो चलें
चुरा लें तो चलें
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें
चुरा लें ए तो चलें
कहीं कोई झरना ग़ज़ल गा रहा है
हम्म
कहीं कोई बुलबुल तराना सुनाये
हम्म
यहाँ हाल ये है
के साँसों कि लय पर
ख्यालों में खोया बदन गुनगुनाये
कहीं कोई झरना ग़ज़ल गा रहा है
कहीं कोई बुलबुल तराना सुनाये
यहाँ हाल ये है
के साँसों कि लय पर
ख्यालों में खोया बदन गुनगुनाये
इन लजीज झुरमुटों से
दो चार शरारे चुरा लें तो चलें
चुरा लें ए तो चलें
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें
चुरा लें ए तो चलें
हमारी कहानी शुरू हो गयी है
हमारी कहानी शुरू हो गयी है
समझ लो जवानी शुरू हो गयी है
कई मोड़ हमने तय कर लिए हैं
नयी जिंदगानी शुरू हो गयी है
इन मदभरे मंज़रों से
दो चार सहारे ए चुरा लें तो चलें
चुरा लें तो चलें
इन हसीन वादियों से
दो चार नज़ारे चुरा लें
तो चलें ए
चुरा लें तो चलें ए
इतना बड़ा गगन है
दो चार सितारे ए चुरा लें तो चलें
चुरा लें तो चलें
इन हसीन
इन हसीन
वादियों से
वादियों से
दो चार नज़ारे
चुरा लें तो चलें
चुरा लें तो चलें
चुरा लें तो चलें
चुरा लें तो चलें
Mohabbat ye mohabbat
Posted on: November 6, 2017
- In: "Dance under duress" song | "Villain's" den song | Devnagri script lyrics by Avinash Scrapwala | Duet | Lata song | Lata-Suresh Wadkar duet | Lyrics by Peevesie's mom | Lyrics contributed by readers | qawwali | Shammi Kapoor present (without lip syncing) | Shammi Kapoor songs | Songs of 1980s (1981 to 1990) | Songs of 1983 | Suresh Wadkar songs | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Hero’(1983) was produced and directed by Subhash Ghai for Mukta Arts Limited, Bombay. Introducing newcomer pairs in lead roles was the in thing those day. It had started with ‘Bobby’(1973), which was followed by ‘Love Story’(1980), ‘Rocky’(1981) and then ‘Betaab’(1983).
Read more on this topic…
Baadal pe chal ke aa
Posted on: October 12, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Vijay”(1988) was produced and directed by Yash Chopra. The movie had Anupam Kher, Rajesh Khanna, Hema Malini, Rishi Kapoor, Sonam(Introducing), Anil Kapoor, Meenakshi Sheshadri, Gulshan Grover, Parikshit Sahni, Raj Babbar, Moushumi Chatterjee, Parijatha, Arjun Sablok, Saeed Jaffrey, Manmohan Krishna, Vikas Anand, Neil Nitin Mukesh as a child artiste, Shakti Kapoor, Anju Mahendru, Anant Mahadevan,Anjana Mumtaz etc in it.
Read more on this topic…
Muhabbat hai kyaa cheez humko bataao
Posted on: May 20, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
= = = = = = = = = = == = = =
The Many Colors of Love #1
– – – – – – – – – – – – – —
“Mohabbat Hai Kyaa Cheez, Hamko Bataao”
Read more on this topic…
Main ka piyaa bulaave
Posted on: May 19, 2013
“Sur Sangam” (1985) was a Vijaya Madhavee Pictures production. It was produced by Vadde Ramesh and directed by K Vishwanath. The movie had Girish Karnad, Jayaprada, Sachin, Sadhana Singh, Paintal, Mohan Choti, Deven Varma, Bhushan Tiwari, Bharati Achrekar, Tabassum, Dina Pathak, Asha Singh, Urmila Matondkar, Sulabha Deshpande, S P Dubey, Jitmohan Mitra, O P Singh, Mohan, KrishnaMurthy, Bheemeshwara Rao, Akash Singh, Baby Mamata etc in it.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
One thing that we can depend upon for with Gulzar, is the most imaginative use of simple words that combine to make unusual arrangements, and still carry a very deep and pleasing meaning. A meaning that will always resonate in the mind, creating emotions of satisfaction, no matter whether the thread of feelings in the words is happy or sad. I have always been a great fan of Gulzar Sb’s poetry, the eminently simple verses that he creates to so lucidly express in such a few words, the emotions that one would be searching for words to make sense.
Read more on this topic…
Megha re megha re
Posted on: August 10, 2012
“Pyaasa Saawan” (1981) was a Tirupati Pictures Production. It was produced by Prasanna Kapoor (Jeetendra’s brother). Dasari Narayana Rao was the director. The movie had Jeetendra, Moushumi Chatterjee, Reena Roy, Aruna Irani, Vinod Mehra, Madan Puri, Deven Verma, Ashalata Wabgaonkar etc in it.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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