Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Missing the loved ones’ Category


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3896 Post No. : 14939 Movie Count :

4080

#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # 82 # Remembering Navin Nischol#
—————————————————————————–

‘Ek Baar Kaho’ (1980) was directed by Lekh Tandon for ‘Rajshri Films, Bombay’. It had Navin Nischol, Shabana Azmi, Madan Puri, Rajendra Nath, Hari Shivdasani, Suresh Oberoi, Arvind Deshpande, Dilip Dhawan, Kiran Vairale, Anil Kapoor, Ravi Beri, Wasim Hasan, Madhumita, Sheela David, Savita Bajaj, Kamal Rai, Mala Jaggi, Shivraj, Rajan Kapoor, Nandlal Sharma, Taneja, Suhas Khandekar, Avtar Gil, Ratan Gaurang, Brijendra Mohan and Jagdeep.

This movie had six sound tracks including one two part song and one dialogue track. As many as four lyricist penned down lyrics for this movie – Mahendra Dehlvi, Dev Kohli, Kulwant Jani and Maya Govind. Music for this movie was composed by Bappi Lahiri. Aarti Mukherji, Bappi Lahiri, Jagjit Singh, Sulakshana Pandit and Yesudas had given their voices to the songs of this movie.

This movie was passed by Censor Board on 03.09.1980.

Today 19th March 2019 is the eighth Remembrance Day (11th April 1946 – 19th March 2011) of actor Navin Nischol. On this occasion remembering him here with a song from ‘Ek Baar Kaho’ sung by Yesudas. Lyrics for this song are by Maya Govind and as mentioned above it is composed by Bappi Lahiri.

The song though is a background song we can see Navin Nischol and others in picturisation of this song and we can enjoy his ‘elegance’ and ‘soft expressions’ in this song and for me (and I can say people like me) who like Navin Nischol’s performance this song is nice one to watch for him even though he is not lip-syncing the lyrics.

With today’s song the movie ‘Ek Baar Kaho’ make its debut on the blog.

Let us now enjoy the song …

Video

Audio

Song – Chaar Din Ki Zindagi Hai Jaa Rahe Hain Din (Ek Baar Kaho) (1980) Singer – Yesudas, Lyrics – Maya Govind, MD – Bappi Lahiri
Chorus

Lyrics

chaar din ki zindagi hai
jaa rahe hain din
do gaye tere milne se pehle
do gaye tere bin
priye kab milan hoga
priye kab milan hoga

tum kahin kho jaaogi
jaan main paata agar
ban ke hamraahi tera
sang hi karta safar
ye safar poora nahin hoga tumhaare bin
do gaye tere milne se pehle
do gaye tere bin
priye kab milan hoga
priye kab milan hoga..aa

aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa

yaad ke toote mahal
kab tera mandir banaa aa
deep jaltey reh gaye
chhup gayi moorat kahaan
ye diye vishwas ke
bujh jaayen naa ek din
do gaye ae tere milne se pehle
do gaye tere bin
priye kab milan hoga..aa
priye kab milan hoga

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

चार दिन की ज़िंदगी है
जा रहे हैं दिन
दो गए तेरे मिलने से पहले
दो गए तेरे बिन
प्रिय कब मिलन होगा
प्रिय कब मिलन होगा

तुम कहीं खो जाओगी
जान मैं पाता अगर
बन के हमराही तेरा
संग ही करता सफर
ये सफर पूरा नहीं होगा तुम्हारे बिन
दो गए तेरे मिलने से पहले
दो गए तेरे बिन
प्रिय कब मिलन होगा
प्रिय कब मिलन होगा

आ आ आ आ 
आ आ आ आ 
आ आ आ आ 
आ आ आ आ 

याद के टूटे महल
कब तेरा मंदिर बना
दीप जलते रह गए
छुप गई मूरत कहाँ
ये दिये विश्वास के
बुझ जाएँ ना एक दिन
दो गए तेरे मिलने से पहले
दो गए तेरे बिन
प्रिय कब मिलन होगा
प्रिय कब मिलन होगा

Advertisements

This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3882 Post No. : 14906

“Roomaal”(1949) was directed by Ramchandra Thakur for Varuna Films, Bombay. This “social”movie had Nargis, Rahman, Jeewan, Indu, Jairaj, Badri Prasad, Majnoo, Jillobai, Cuckkoo, Ramesh Thakur, Urwashi, Jankidas, Deepak, Pitu, Boy Ratan, Azim, Shamu, Mukesh, Sohanlal, Ahmad etc in it.

The movie had ten songs in it. Five songs have been covered in the past.

Here is the sixth song from “Roomaal”(1949) to appear in the blog. This song is sung by Meena Kapoor. Nazim Panipati is the lyricist. The movie had two music directors in it, viz Hansraj Bahl and Aziz Khan, but the distribution of songs among them is not known. There have been indirect ways to verify thouh that some songs were composed by Hansraj Bahl. Seeing that another Hansraj Bahl song (thus indirectly identified) had lyics by Nazim Panipati, my guess is that this song with lyrics by Nazm Panipati could be a Hansraj Bahl composition as well.

Only the audio of this rare song is available. I request our knowledeable readers to throw light on the picturiusation of this song.


Song-Wo ankhiyaan mila kar chale gaye (Roomaal)(1949) Singer-Meena Kapoor, Lyrics-Nazim Panipati, MD-Hansraj Bahl

Lyrics

wo ankhiyaan milaa kar
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re

kyun dukhiyaa dil ko tod gaye
hamen kiske sahaare chhod gaye
hamen kiske sahaare chhod gaye
kyun dukhiyaa dil ko tod gaye
hamen kiske sahaare chhod gaye
hamen kiske sahaare chhod gaye
wo aag lagaa kar
wo aag lagaa kar chale gaye
main rah gayi aag mein jalti re
main rah gayi aag mein jalti re
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re

wo chale gaye
wo chale gaye aur wahin hoon main
hoon aise jaisi nahin hoon main
hoon aise jaisi nahin hoon main
wo chale gaye aur wahin hun main
hoon aise jaisi nahin hoon main
wo paas bulaa kar
wo paas bulaa kar chale gaye
kyaa ho gayi mose galti re
kyaa ho gayi mose galti re
wo ankhiyaan milaa kar
wo ankhiyaan milaa kar chale gaye
main rah gayi ankhiyaan malti re
main rah gayi ankhiyaan malti re


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3874 Post No. : 14895

Mohammed Rafi : The Incomparable (II) – Song No. 07
—————————————————

I remember during the radio days, whenever a non filmy song programme would start, we would shut down the radio.  Now it was time to play or to do some study seriously or even watch TV.  The time for all of these things was limited.  Entertainment was available only on its time with fixed hours and no more, because even if we were free the friends will be called home and play time was over.  Time spend with friends in the colony playing or just doing gup-shup was precious.

One Doordarshan showed, programs in English, Marathi and Gujarati in variety of topics, kids shows, game & sports, filmy shows, quiz shows, songs etc.  There used to be a program even for farmers called ‘Aamchi Maati Aamchi Manasa” (Our Soil and Our People).  Childrens shows such as ‘Aao Maare Saathe’ and ‘Santa Kukdi’ are there in the memory.  Shows like Sabira Merchants ‘Whats the Good Word’ and Tabassum’s ‘Phool Khile Hain Gulshan Gulshan’ and some shows by Yaqub Saeed are also in the recesses of deep memory.

Now everything is available anytime anywhere, with no fixed hours.  Unlimited everything and I am back to the same theme of technology being good, but too much dependence on it is not so good.  Its advancement are there for the human use, but what is happening all around is the other way round.  The technology of internet /wi-fi is occupying the total collective human waking time and imagination.  In fact there is nothing left to imagination, all of it is on display, so to speak.

Now back to what I was saying in the first paragraph.  So sugam sangeet and anyhting non-filmy was a no-go zone as far as I can remember.  I think it was my older sister who found those geet/songs drama shows like ‘Hawal Mahal’ etc. boring.  So Vividh Bharati and All India Radio Urdu Service, both were only used to … listen to film songs. 🙂  Now I realise that this way I missed out on the non-film songs of various singers including those of Rafi Sb.  Even Radio Ceylon was only for Binaca Geet Mala, and nothing else.  So I had zero exposure of non film songs till those private videos started on television, for popularising the private music albums.  Since my association with the blog I have learnt to appreciate the non-film songs and geets a lot better.

This post is to revive a series on Rafi Sb which I had started in 2016. The last post (no. 6) appeared in the blog on 31.07.2016, which was song No. 06 – Hum To Chale Pardes Hum Pardesi Ho Gaye.

Now his song no. 07 is a non-film ghazal which is written by Mirza Ghalib and composed by Khayyaam Sb.  And rendition is by the one and only Rafi Sb.  This is taken from the LP ‘Ghalib – Portrait of a Genius’, which was released by HMV in 1968 on the occasion of the birth centenary celebrations of this poet genius.

This is a popular ghazal and there are many renditions by other singers too.  They seem to have been circumspect in selecting the ‘asha’ar’ to include in the rendition as have Khayyaam and Rafi Sb.  This ghazal was made popular also by Gulzar Sahab, when he used a sha’ir from this ghazal for the mukhda of the song ‘Dil Dhoondta Hai Phir Wohi‘ in ‘Mausam’ (1975).

About the rendition what can one say that has not been said before.  Words are inadequate as the listeners can listen and realise.


Song – Muddat Hui Hai Yaar Ko Mehmaan Kiye Huye (NFS) (1968) Singer – Mohammed Rafi, Lyrics – Mirza Ghalib, MD – Khayyaam

Lyrics

muddat hui hai yaar ko mehmaan kiye huye..ea
josh-e-qadah se bazm charaghaan kiye huye..ea
muddat hui hai yaar ko. . .

maange hai phir kisi ko lab-e-baam par hawas 
maange hai phir kisi ko lab-e-baam par hawas 
zulf-e-siyaah rukh pe pareshaan kiye huye..ea
zulf-e-siyaah rukh pe. . .

ik nau bahaar-e-naaz ko taake hai phir nigaah
chehra farogh-e-mai se gulistaan kiye huye..ea
chehra farogh-e-mai se. . .

ji dhoondhtaa hai phir wohi fursat ke raat din
ji dhoondhtaa hai phir wohi fursat ke raat din
baitthe rahe tasavvur-e-jaanan kiye huye..ea
baitthe rahe tasavvur-e. . .

‘Ghalib’ hamen na chhed ke phir josh-e-ashk se..ea
baitthe hain ham tahaiyya-e-toofan kiye huye..ea

muddat hui hai yaar ko mehmaan kiye huye..ea..ea

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

मुद्दत हुई है यार को मेहमां किए हुये॰॰ए
जोश ए क़दाह से बज़्म चरागां किए हुये॰॰ए
मुद्दत हुई है यार को॰ ॰ ॰

मांगे है फिर किसी को लब ए बाम पर हवस
मांगे है फिर किसी को लब ए बाम पर हवस
ज़ुल्फ ए सियाह रुख पे परेशान किए हुये॰॰ए
ज़ुल्फ ए सियाह रुख पे॰ ॰ ॰

इक नौबहार ए नाज़ को ताके है फिर निगाह
चेहरा फ़रोग़ ए मय से गुलिस्ताँ किए किए हुये॰॰ए
चेहरा फ़रोग़ ए मय से॰ ॰ ॰

जी ढूँढता है फिर वही फुर्सत के रात दिन
जी ढूँढता है फिर वही फुर्सत के रात दिन
बैठे रहे तसव्वुर ए जानां किए हुये॰॰ए
बैठे रहे तसव्वुर ए॰ ॰ ॰

ग़ालिब हमें ना छेड़ के फिर जोश ए अश्क से॰॰ए
बैठे हैं हम तहइय्या ए तूफाँ किए हुये॰॰ए

मुद्दत हुई है यार को मेहमां किए हुये॰॰ए॰॰ए


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3865 Post No. : 14882

“Mere Laal”(1966) was directed by Satyen Bose for S S Chitramandir, Bombay. This “social” movie had Dev Kumar, Indrani Mukherji, Jagdev, Shekhar Purohit, Lalit Kapoor, Prakash Mishra, Abhi Bhattacharya, Jamaal, Samson, Rajkumar, Siddiqui, Ghulam Sabir, Master Anwar, Master Satyajeet, Madhuraj, Juthika devi, Darshan, Moolchand, Meenakshi, Mahesh, Ratan etc in it.

The movie had eight songs in it. Four of these songs have been covered in the past.

Here is the fifth song from “Mere Laal”(1966) to appear in the blog. The song is sung by Lata. Majrooh Sultanpuri is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Indrani Mukherji.


Song-Baadal roya naina roye (Mere Laal)(1966) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-Laxmikant Pyarelal

Lyrics

hmm mm mm
hmm mm mm
hmm hm m hmm
hahaha

baadal roya naina roye
kaajal roya wo na mila haaye
baadal roya naina roye
kaajal roya wo na mila
tan ka ujaala rain laton ki
tan ka ujaala rain laton ki
sab kuchh khoya
wo na mila ha
baadal roya naina roye
kaajal roya wo na mila
haaye
baadal roya naina roye

dhoondhte usko o o
maine ganwaayi
kya jaane kitni hi nigaahen
uske nagar mein maine bichha di
raste raste pyaar ki baahen
saagar saagar roz kisi armaan ko duboya wo na mila aa
baadal roya naina roye
kaajal roya wo na mila
baadal roya naina roye

hmm hmm
honthon pe lekar r r
khoon ki laali
gaati rahi main dard ki maari
phool ke jaise ghaav badan par
leke phiri main ban phulwaari
des vides ka kaanta pag mein
maine chubhoyaa wo na mila
baadal roya naina roye
kaajal roye wo na mila
tan ka ujaala rain laton ki
sab kuchh khoya wo na mila
baadal roya naina roye
kaajal roya wo na mila aa
baadal roya naina roye


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3855 Post No. : 14867

———————————————
Blog ten year challenge (2009-2019)- Song number 3
———————————————

When I began Blog ten year challenge (2009-2019) on 2 february 2019, the challenge ran for two days before hitting a roadblock that lasted two days. The reason was, allthe movies that were covered on 4 and 5 february 2009 were already YIPPEED so none of their songs were left to be covered on the same date ten year later. Same fate befell all movies (bar one) that were covered on 6 february 2009 as well.

The only movie whose song was covered on 6 february 2009 and which still has a few songs left to be discussed ten years later is “Sitaaron Se Aage”(1958). This movie was produced by V L Narasu and directed by Satyen Bose for Narasu Studio, Madras. This “social” movie had Ashok Kumar, Vyjyanti Mala, Johny Walker, Jagdeesh Sethi, Raja Sulochana, Shammi, Manmohan Krishna, Ifthikar, Kundan, Sampson, Krishnkant, Leela Mishra, Rama Sukul, Rajendra, Tony Walker, Sagar, Ravikant, Prem Dhawan, Moolchand Kapoor, Radheshyam, Bishan Khanna, Vasantrao Pahalwan, Sailen Bose, B M Dixit, Patanjali etc in it.

The movie had ten songs in it. Eight of these songs are covered in the blog. Here are the details of the eight songs covered in the past:-

Song Title

Post No.

Post Date

Chanda ki chaandni ka jaadoo 691 6-Feb-2009
O zaraa ruk jaa 2455 8-May-2010
Sambhal ke ye duniya hai 6764 1-Oct-2012
Dil le gaya gham de gaya 9072 29-Nov-2013
Mehfil mein aaye wo aaj dheere se 11484 19-Oct-2015
Sainyya kaise dhaaroon dheer 11493 21-Oct-2015
Aaj kal parson mein phoole jab sarson 13299 2-Jun-2017
Aa khilte hai gul o mere bulbul 14666 1-Oct-2018

When I checked the remaining songs, I discovered that they are part one and two of the same song. This multiple version song is sung by Asha Bhonsle. Majrooh Sultanpuri is the lyricist. Music is composed by S D Burman. The song is picturised on Vyjyanti Mala.

With this song, all the songs of “Sitaaron Se Aage”(1958) are now showcased in the blog and the movie joins the list of movies that have all their songs covered in the blog.

Part I

Part II

Song-Roye jiya aan milo more piya (Sitaaron Se Aage)(1958) Singer-Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-S D Burman

Lyrics

roye jiya aa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
panchhi gaaye kahin pyaar se
pi kahaan pi kahaan
dekh liye dil tham ke reh gayi mai yahaan
panchhi gaye kahi pyar se
pi kaha pi kahaan
dekh liye dil thaam ke reh gayi mai yahaan
o sathiya
aan milo more piya
aa aa
roye jiya
aan milo more piya
aa aa

thhandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
thandi hawa chalne lagi
kya karoon kya karoon
mai akeli jalne lagi
kya karoon kya karoon
o beliya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo
ye sandesha mera ja kaho
baadlon baadlon
raah takoon piya aa milo aa milo aa milo
more piya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa

————————————
Part II
————————————
roye jiya aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

o o
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
unse kehna yehi dastaan aasmaan
aasmaan
aa nahin to phir saajna
main kahaan tu kahaan
o beliyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa

din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
din bhi chale hain bahaar ke
aa bhi ja
aa bhi jaa
reh na jaaye koi haar ke
aa bhi ja
aa bhi ja
o sathiyaa aa aa
aan milo more piya
aa aa
roye jiya aa aa
aan milo more piya
aa aa aa aa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3849 Post No. : 14861

“Jai Shree”(1956) was directed by Balchandra Shukla and Harsukh Bhatt for Rajshree Productions, Bombay. HFGK mentions that Rajshree Productiions had apparently bought the distribution rights of this movi and had released it under the banner of Ratndeep Pictures.

The movie had Nimmi, Pradeep Kumar, Lalita Pawar, Jeewan, Jayant, Radhakishan, Roopmala, Chaman Puri, Kesri, Gadadhar Sharma, Jagdeesh Kanwal, Baby Daisy Irani, Master Vijay Kumar etc in it.

This “social” movie had eight songs in it. One song has been covered in the past.

Here is the second song from “Jai Shree”(1956) to appear in the blog. This song is sung by Lata. Gopal Singh Nepali is the lyricist. Music is composed by Chitragupta.

Only the audio of the melancholic song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Tum nahin aaye waada kar ke sanwariya(Jai Shree)(1956) Singer-Lata, Lyrics-Gopal Singh Nepali, MD-Chitragupta

Lyrics

aa aa
aa aa aa
aaa aa aa
aa aa aa
aa aa aa

tum nahin aaye waada kar ke sanwariya
shaadi ki raat rahi sooni sejariya
tum nahin aaye
tum nahin aaye waada kar ke sanwariya
shaadi ki raat rahi sooni sejariya
tum nahin aaye

barson ki aas leke baji shehnaai
barson ki aas leke baji shehnaai
laakh intzaar kiya
doli na aayi haaye
doli na aayi
jee bhi na paati
nahin leenhi khabariya
shaadi ki raat rahi sooni sejariya
tum nahin aaye

kya kya armaan rahe tumse bedardi
kya kya armaan rahe tumse bedardi
dulhan ki jholi tumne aansu se bhar di
haaye aansu se bhar di
aana thha phir ke magar pheri najariya
shaadi ki raat rahi sooni sejariya
tum nahin aaye

meri majhdhaar ke thhe tum hi khewaiyya
meri majhdhaar ke thhe tum hi khewaiyya
chal diye kahaan laa ke jeevan ki naiya
haaye jeevan ki naiya
kis ke sahaare beete baari umariya
shaadi ki raat rahi sooni sejariya
tum nahin aaye


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3839 Post No. : 14850 Movie Count :

4061

Missing Films of 1960s – 92
– – – – – – – – – – – – – – –

For today’s episode of this series, I present this sensuous song from the 1970 film ‘Veer Abhimanyu’.  As the name suggests, this is a mythological film, which based on the historical narrative from the epic Mahabharat. It covers the part of history of Abhimanyu, the son of Arjun. I give a brief summary below.

Abhimanyu is the son of Arjun and Subhadra. As Subhadra is the younger sister of Krishna and Balram, that makes Krishna and Balram uncles (mamma) of Abhimanyu. Being the son and nephew of the three best stalwarts of this epic, Abhimanyu is groomed to become one of the bravest and best warriors amongst the entire Kuru clan (i.e. both the Kaurav and Pandav lineages).

There is a short episode in Mahabharat, where it is narrated how Abhimanyu learnt the art of piercing and entering the Chakravyuh formation on a battlefield. A Chakravyuh is a formidable and impenetrable discus shaped formation of soldiers. The main purpose of this formation is to keep safe the generals and the battle leaders from the enemy warriors. It is a complex structure of intertwined ring formations of soldiers, and is almost impossible to penetrate. When Subhadra was pregnant, carrying Abhimanyu in her womb, one night Arjun was describing the complex structure of this formation, the trick to penetrate and enter it, then how to destroy it from the inside and then exit from the ruins of this formation. It is stated that Abhimanyu learnt this warfare strategy, in his mother’s womb, while Arjun was describing it. As the narrative tells us, after listening to about half of this description, Subhadra drifted into sleep. And so, Abhimanyu could imbibe only the first half of this strategy, i.e. penetrating and entering this formation, but could not get the remaining description on how to exit from it. This partial learning had a very telling consequence on battlefield of Kurukshetra.

As the Mahabharat war started, Abhimanyu was one of the primary architects of the roster of daily victories for the Pandavs. He was just sixteen years old at that time. On the first day of warfare, Abhimanyu engaged Bhisma, his great grandfather, in one-on-one battle. By the end of the day, Bhishma is not able to overcome Abhmanyu, rather by end of the day, Abhimanyu breaks the bow in the hands of Bhishma. And the day ends. On the second day, Abhimanyu attacks Ashwathama, son of Dronacharya, the seer who has taught the Kauravs and Pandavs in the skills and art of waepons and warfare. On hearing that Abhimanyu has attacked Ashwathama, Drona immediately comes to his son’s assistance. Another day long duel happens, and Drona is finally at the mercy of Abhimanyu. And the day ends.

For the third day, Drona devises a deceptive strategy. A part of Kaurav army would engage and draw away Arjun, and Krishna along with him, to a far point from the main battlefield. Then another part of the Kaurav army would form the Chakravyuh, and engage the remaining warriors of the Pandav army, which would expectedly be led by Abhimanyu. To everyone’s knowledge, only two people know the stratagem of how to break the Chakravyuh formation – Arjun and Krishna. And both of them are lured away on a deceptive trail elsewhere. The purpose is to engage and defeat Abhimanyu, without exposing the main warriors of the Kaurav side. To everyone’s surprise, Abhmanyu, instead of being daunted in the face of the Chakravyuh takes on the challenge, breaks it and enters. The Kaurav battle leaders are frightened – that this boy knows the secrets of this strategy. But in fact, Abhimanyu knows only half the strategy, as described above. He nonetheless enters the Chakravyuh. There is a long list of names of warriors on Kaurav side given in the narrative – the ones who are defeated and killed by Abhimanyu on that day. But in the end, being unable to make progress outwards from the Chakravyuh, Abhimanyu is surrounded by the Kaurav warriors, who engage him one-to-many.

Abhimanyu fights till the end. The horses of his chariot are killed, Kripacharya kills his chariot drivers, his chariot is destroyed, his bow is broken by an arrow from behind him, fired by Karna. He takes to fight with sword and shield, then takes on a chariot wheel to stave off his opponents. When the chariot wheel also is broken, he is engaged in gada-yudh (fighting using the mace) by son of Dushaasan. In the end, he is killed by a blow of mace from the behind.

In this episode, the stalwarts of the Kaurav army broke so many rules of warfare engagements, that were conventionally agreed upon by the two armies. There would only be one-on-one battle between warriors; an injured warrior would not be attacked; a warrior not having any weapons or arms would not be attacked; the chariot horses and chariot drivers would not be attacked; no warrior would be attacked from behind. Such was the prowess and the fighting ability of this young warrior, and such was the fear he generated when he penetrated the Chakravyuh that the entire Kaurav army on that day, including Bhishma, Drona, Kripacharya, Karna, Duryodhan, Dushaasan, and many others, put together their strength, and broke umpteen rules of engagement, in their endeavor to take out Abhimanyu from the battle equation.

The amorous side of this narrative is the marriage of Abhimanyu with Uttara.

Abhimanyu’s wife is Uttara, the daughter of King Viraat. Their coming together is also an interesting narrative. When the Pandavs have been exiled, they are supposed to spend twelve years away from from Hastinapur, and after that they have to spend one year in agyaat-vaas – incognito anonymous exile. If by any chance, their whereabouts become known during this last one year, the term of their exile would be extended by another twelve years. During this period of agyaat-vaas, Pandavs take refuge in the kingdom of King Viraat, all being disguised into different roles concealing their real identities.

As part of this masquerade, Arjun takes on the role of Brihannala, an eunuch who teaches music and dance to the children of King Viraat. Later, when their identities are revealed at the end of this period, King Viraat is gratuitous and happy, and proposes to offer his daughter Uttara in marriage to Arjun. Arjun declines the proposal saying that since Uttara is his student, he cannot think of a matrimonial relationship with her. He, in turn proposes to accept her as his daughter-in-law, much to the delight of King Viraat and the entire Pandav family. The Pandav family is rejoicing because, unknown to Arjun, but known to Yudhishtar and Draupadi, Abhimanyu and Uttara have already met and are in love.

When the sad end comes for Abhimanyu in the battlefield, Uttara is carrying his child – Parikshit. Parikshit goes on to inherit the throne of Hasitnapur, as the sole surviving heir of the entire Kuru clan. After the demise of all other male members of the two families in the great war, and after the departure of Pandavas alongwith Draupdi to the Himalayas, Pariskshit becomes the King of this land. His reign also signals the advent of the Kali-yug on this earth.

The song that is presented today, depicts the yearning of Uttara for Abhimanyu. The two have already met, are in love, and the lady is pining for his company. On screen, the role of Uttara is played by Kanchana. The lady who accompanies her is Krishna Kumari, an actress from Tamil / Telugu films. [Thanks to Prakash ji for the identification.]
She is accompanied by another lady friend, who I am not able to identify. I request other knowledgeable readers to please help identify this actress.

The film is produced under the banner of Shri Rajlakshmi Pictures, Madras, and is directed by V Madhusudan Rao. Quite possibly, this is a Hindi remake of the original Tamil or Telugu version. The star cast is listed as NT Ramarao, Shobhan Babu, Pehalwan Kantarao, Padmanabhan, Kanchana, and G Varalakshmi. Six songs are listed for this film, all are written by Prem Dhawan, and the music is also composed by him.

We have had some recent discussion on sensuous and suggestive songs in the early decades, some of which were ordered to be cut from the film by the Censor Board. This song is quite high in that category of being sensuous and suggestive. And yet, in 1970, this song was allowed by the Censor Board. The social and moral norms change so much over the decades.

However, apart from the visuals, I liked this song for the quality of its verses, the music, and its rendition. A very well created song in my opinion.

Song – Kisne Chhoo Liya Naazuk Tan Haaye Ram  (Veer Abhimanyu) (1970) Singer – Asha Bhosle, Lyrics – Prem Dhawan, MD – Prem Dhawan

Lyrics

kis ne chhoo liya
mmmm mmm mmm mmm
ang ang doley
mmmm mmm mmm mmm

kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam

piya jo aaye waari jaaun waari jaaun
laaj sharam se bal-khaaun bal-khaaun
piya jo aaye waari jaaun waari jaaun
laaj sharam se bal-khaaun bal-khaaun
un se chori muskaaun muskaaun
un se chori muskaaun muskaaun
ghunghroo chhanke chhanke
paayal chhann chhann
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam

sapne ko apna kehte nahin
apne ho sainyyan ya ho sapna koi
sapne ko apna kehte nahin
apne ho sainyyan ya ho sapna koi
ek tak dekha hum kho gaye
jaane kyon hum to tumhaare ho gaye
jaane kyon hum to tumhaare ho gaye
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam

jiya kaahe machle kaahe tadpun
jaane kyon tan yun haale doley
jiya kaahe machle kaahe tadpun
jaane kyon tan yun haale doley
hai koi jaadu tu ne kiya
khaaye jo ye manwa hichkole
khaaye jo ye manwa hichkole
kis ne chhoo liya naazuk tan haaye ram
ang ang doley ka karoon laagey hai sharam

kis ne chhoo liya naazuk tan haaye ram. . .

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

किसने छू लिया
म्ममम म्मम म्मम म्मम
अंग अंग डोले
म्ममम म्मम म्मम म्मम

किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम

पिया जो आए वारी जाऊँ वारी जाऊँ
लाज शरम से बलखाऊँ बलखाऊँ
पिया जो आए वारी जाऊँ वारी जाऊँ
लाज शरम से बलखाऊँ बलखाऊँ
उन से चोरी चोरी मुसकाऊँ मुसकाऊँ
उन से चोरी चोरी मुसकाऊँ मुसकाऊँ
घुँघरू छनके छनके
पायल छन्न छन्न
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम

सपने को अपना कहते नहीं
अपने हो सैंय्याँ या हो सपना कोई
सपने को अपना कहते नहीं
अपने हो सैंय्याँ या हो सपना कोई
एकटक देखा हम खो गए
जाने क्यों हम तो तुम्हारे हो गए
जाने क्यों हम तो तुम्हारे हो गए
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम

जिया काहे मचले काहे तड़पूँ
जाने क्यों तन यूं हाले डोले
जिया काहे मचले काहे तड़पूँ
जाने क्यों तन यूं हाले डोले
हाए कोई जादू तूने किया
खाये जो ये मनवा हिचकोले
खाये जो ये मनवा हिचकोले
किसने छू लिया नाज़ुक तन हाए राम
अंग अंग डोले का करूँ लागे है शरम

किसने छू लिया नाज़ुक तन हाए राम॰ ॰ ॰


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3811 Post No. : 14808 Movie Count :

4050

Today 24th December 2018 is the ninety-fourth (24 December 1924 – 31 July 1980) birth anniversary of the ‘divine voice’ Mohammad Rafi Saab.
And today 24th December also happens to be the birth anniversary actor Mahipal (24 December 1919 – 15 May 2005).
I have very deep respect and great admiration for both of them in my heart and it will be until we are associated with Hindi Films and Hindi Film Music.

It was in 2017 that I came to know about the birth anniversary of Mahipal ji and its falling on 24th December (because of this article on BHD by our own Shishir ji) – the same date – we have birth anniversary of Rafi Saab. So, last year I presented a song from the movie ‘Maharaja Vikram-1966’ here.

This year too I wish to present a song and thus was looking a song sung by Rafi Saab and lip synced by Mahipal. I think most of the songs may be have already been covered and I was able to find a ‘duet’ sung by Rafi Saab and Sudha Malhotra and lip synced on screen by Mahipal and Anita Guha.

This song is from the 1957 movie ‘Pawanputra Hanuman’.

It was directed by Babubhai Mistry for ‘Basant Pictures’. It was presented by Homi Wadia for ‘Wadia Brothers Productions’.

It had S.N. Tripathi, Mahipal, Anita Guha, B.M. Vyas, Krishna Kumari, Ratnamala, Heera Sawant, Indira Bansal, Korega, Amirbai Karnataki, Praveen Paul, Mumtaz, Master Prithvi, Helen, Kanchanmala, Shiela Vaz, Samar Roy, Dalpat, Sudesh, Ramshastri, Bhujbal Singh Uma Dutt, S.K. Singh, Shri Bhagwan, Ajit Kumar, R.S. Dubey, Abdullah, Yadav, Julian and others.

This movie had as many as ten songs composed by Chitragupta and written by G.S. Nepali (Six songs) and Saraswati Kumar Deepak (four songs).

Asha Bhonsle, Geeta Dutt, Manna Dey, Mohmmad Rafi, Shamshad Begam, Sudha Malhotra and Usha Mangeshkar had given their voices to the songs in this movie.

Today’s song is written by Gopal Singh Nepali.

Actually, I came across this song as a song from the movie ‘Hanuman Chalisa – 1969’ on YouTube. As I was not aware of the details of this movie, I asked for the movie page from HFGK Vol IV from my daughter. Going through the details as mentioned in HFGK it is mentions that: –
“As per information from the production house ‘Basant Pictures, Bombay’ (1) this film was a collection of some parts of the previous movies produced by them, (2) also including songs from those movies, (3) and this movie ‘Hanuman Chalisa-1969’ was not a full-length feature film.
That made me more curious to know about its songs (if any) presented on the blog and if the today’s song was already there.
From the list I could not found any songs on the blog and keep repeatedly searching for titles with ‘Hanuman Chalisa’… until I find a link on YT which mentions the name of the movie as ‘Pawanputra Hanuman-1957/ Hanuman Chalisa-1969’ for this song ‘mere Raam kahaan ho tum …’

Three songs from this movie ‘Pawanputra Hanuman-1957’ have already been posted on the blog wherein our two respected Seniors Arun ji and Sadanand ji have shared two and one posts respectively sharing songs of this movie.

Let us now enjoy the today’s song sung by Rafi Saab and Sudha Malhotra and performed on screen by Mahipal and Anita Guha.

Video (Full)
(video)
Audio (Partial)

Song-Mere Raam kahaan ho tum (Pawanputra Hamnuman)(1957)/(Hanuman Chalisa)(1969) Singers-Rafi, Sudha Malhotra, Lyrics-Gopal singh Nepali, MD-Chitragupta

Lyrics

Seete ae
He ae Seete ae …

Raam
He ae Raam …

Mere Raam kahaan ho tum
Mere Raam kahaan ho tum
virah ka dukh naa sahaa jaaye ae
Mere Raam kahaan ho tum

meri praan kahaan ho tum
meri praan kahaan ho tum
ke tum bin ab na rahaa jaaye ae ae
meri praan kahaan ho tum

chaand tumhi meri dharti tal mein
chaand tumhi meri dharti tal mein
kali kamal ki preet ke jal mein
aaj chhupi kis baadal dal mein
aaj chhupi kis baadal dal mein
mukh na dikhlaaye ae
meri praan kahaan ho tum
ke tum bin ab na rahaa jaaye
meri praan kahaan ho tum

charan tumhaare mujh se chhoote ae
charan tumhaare mujh se chhoote
saans na tooti naate toote
tum bhi swaami itna roothhe ae
tum bhi swaami itna roothhe ae
dukh mein nahin aaye ae ae
Mere Raam kahaan ho tum
virah ka dukh naa sahaa jaaye ae ae
Mere Raam kahaan ho tum

chaand Siya se mujhko milaao o
chaand Siya se mujhko milaao
udte chakoraan raah dikhaao
raah mein ab na der lagaao
raah mein ab na der lagaao
deep bujhaa jaaye ae
Mere Raam kahaan ho tum

meri praan kahaan ho tum
ke tum bin ab na rahaa jaaye ae ae
meri praan kahaan ho tum
kahaan ho tum
kahaan ho tum
kahaan ho tum

——————————-
Lyrics in Devnagri Script (Provided by Avinash Scrapwala)
——————————-
सीते ए
हे ए सीते ए

राम
हे ए राम …

मेरे राम कहाँ हो तुम
मेरे राम कहाँ हो तुम
विरह का दुःख ना सहा जाए ए
मेरे राम कहाँ हो तुम

मेरी प्राण कहाँ हो तुम
मेरी प्राण कहाँ हो तुम
के तुम बिन अब ना रहा जाए ए ए
मेरी प्राण कहाँ हो तुम

चाँद तुम्ही मेरी धरती तल में
चाँद तुम्ही मेरी धरती तल में
कली कमल की प्रीत के जल में
आज छुपी किस बादल दल में
आज छुपी किस बादल दल में
मुख ना दिखलाए ए
मेरी प्राण कहाँ हो तुम
के तुम बिन अब ना रहा जाए ए ए
मेरी प्राण कहाँ हो तुम

चरण तुम्हारे मुझ से छूटे ए
चरण तुम्हारे मुझ से छूटे ए
सांस ना टूटी नाते टूटे
तुम भी स्वामी इतना रूठे ए
तुम भी स्वामी इतना रूठे
दुःख में नहीं आये ए ए
मेरे राम कहाँ हो तुम
विरह का दुःख ना सहा जाए ए ए
मेरे राम कहाँ हो तुम

चाँद सिया से मुझको मिलाओ ओ
चाँद सिया से मुझको मिलाओ
उडते चकोरा राह दिखाओ
राह में अब ना देर लगाओ
राह में अब ना देर लगाओ
दीप बुझा जाए ए
मेरे राम कहाँ हो तुम

मेरी प्राण कहाँ हो तुम
के तुम बिन अब ना रहा जाए ए ए
मेरी प्राण कहाँ हो तुम
कहाँ हो तुम
कहाँ हो तुम
कहाँ हो तुम


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3767 Post No. : 14740

“Aabshaar”(1953) was produced and directed by Hasrat Lucknowi for Globe Pictures, Bombay. The movie had Nimmi, Ashok Kumar, Rajkumar, Shyama, Nigar Sultana, Om Prakash, Lalita Pawar, Kuldip, Tiwari, Shyam Lal, Iftikhar, Neelam, Chandni, Leela Pandey etc in it.

The movie had eight songs in it which were penned by three lyricists and composed by three music directors, with five singers lending their voices in these songs.

Two songs from this movie have been covered in the past.

Here is the next song from the movie to appear in the blog. According to HFGK, this song is a multiple version song. One version is sung by Lata and another version by Rajkumari. Sarshar Sailaani is the lyricist. Music is composed by Bhola Shreshtha.

Only Lata version of the song is available and it is a lovely song to listen to. I am sure Rajkumari version would sound just as sweet when we can locate that.
[Editor Note: The Rajkumari version of this song is also now uploaded by Sudhir ji.]

Only the audio of the son is available. I request our knowledgeable readers to throw light on the picturisation of the song.

[Lata Version]

[Rajkumari Version]

Song-Mujhko hai tujhse pyaar kyun (Aabshaar)(1953)Singer-Lata/ Rajkumari, Lyrics-Sarshar Sailaani, MD-Bhola Shreshtha

Lyrics

Lata Version
o o o
o o o
mujhko hai tujhse pyaar kyun
pyaar kyun

mujhko hai tujhse pyaar kyun
mujhko hai tujhse pyaar kyun
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyun
pyaar kyun

itni kathor preet kyun
preet ki hai ye reet kyun
itni kathor preet kyun
teri hamesha jeet kyun oon oon oon
teri hamesha jeet kyun
meri hamesha haar kyun
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyun
pyaar kyun

mehki hui hawa bhi hai
behki hui ghata bhi hai ae
mehki hui hawa bhi hai
behki hui ghata bhi hai
aise mein haaye dil mera aa aa aa aa
aise mein haaye dil mera
dhadke hai baar baar kyun
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyun
pyaar kyun
pyaar kyun
pyaar kyun

Rajkumari Version

mujhko hai. . .
tujhse pya..aar kyon

mujhko hai tujhse pyaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon

dil mein khayaal e yaar hai
dil mein khayaal e yaar hai
dil hai khayaal e yaar mein
dil hai khayaal e yaar mein
itna khayaal e yaar kya
itna khayaal e yaar kya
itna khayaal e yaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon

aankhen karo na chaar tum
aankhen karo na chaar tum
rooth rahe hain ?? tum
rooth rahe hain ?? tum
aaoge ek baar tum
aaoge ek baar tum
dil ko hai ye aitbaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon
ye na bata sakoongi main
ye na bata sakoongi main
mujhko hai tujhse pyaar kyon
pyaar kyon. . .

———————————————————
Hindi Script Lyrics (Provided by Sudhir)
———————————————————

लता की आवाज़

ओ ओ ओ
ओ ओ ओ
मुझको है तुझसे प्यार क्यों
प्यार क्यों

मुझको है तुझसे प्यार क्यों
मुझको है तुझसे प्यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों

इतनी कठोर प्रीत क्यों
प्रीत की है ये रीत क्यों
इतनी कठोर प्रीत क्यों
तेरी हमेशा जीत क्यों॰ ॰ ॰
तेरी हमेशा जीत क्यों
मेरी हमेशा हार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों

महकी हुई हवा भी है
बहकी हुई घटा भी है
महकी हुई हवा भी है
बहकी हुई घटा भी है
ऐसे में हाए दिल मेरा॰ ॰ ॰
ऐसे में हाए दिल मेरा
धड़के है बार बार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों
प्यार क्यों
प्यार क्यों
प्यार क्यों

राजकुमारी की आवाज़

मुझको है॰ ॰ ॰
तुझसे प्या॰॰आर क्यों

मुझको है तुझसे प्यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों

दिल में ख्याल ए यार है
दिल में ख्याल ए यार है
दिल है ख्याल ए यार में
दिल है ख्याल ए यार में
इतना ख्याल ए यार क्या
इतना ख्याल ए यार क्या
इतना ख्याल ए यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों

आँखें करो ना चार तुम
आँखें करो ना चार तुम
रूठे रहे हैं ?? तुम
रूठे रहे हैं ?? तुम
आओगे एक बार तुम
आओगे एक बार तुम
दिल को है ये एतबार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
ये ना बता सकूँगी मैं
ये ना बता सकूँगी मैं
मुझको है तुझसे प्यार क्यों
प्यार क्यों॰ ॰ ॰


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3730 Post No. : 14673

The palat side of today’s song, was posted – goodness, four years ago.  And Sandhya ji is now completing 87 years today, and stepping into her 88th. Abundant greetings to Sandhya Mukherji – we wish for her good health and comfort, and that we may get many more such opportunities to greet her.

Four years back, I had posted the lovely, lively “O Re Jeene Waale, Hans Le Gaa Le Dhoom Mach Le” – one of her very few non film songs recorded in Hindi. From the same gramophone record (GE 24065 – Columbia), I present today, the song from the other side. A more poignant song, a sad song of separation – this song is no less iconic. As I tried to search for more, I drew a blank (so far).  It seems that this gramophone record and these two songs may well be the only two non-film Hindi songs that have been recorded by Sandhya ji.

For a brief bio sketch of this artist, I request readers to go back to the song referred above, and view that article.

She worked at New Theatres from 1948 to 1950, and sang under the music direction of RC Boral. She came to Bombay in 1950 – ‘Sazaa’ (1951) was her debut in the Bombay industry, after which she recorded songs for another eight films. And then, in 1956 she decided to return to Calcutta, after having recorded “Maine Jo Li Angdaai. . .” under the music direction of Salil Da, for the film ‘Jaagte Raho’ (1956). After that, she stayed only in Calcutta, and recorded a few songs for a handful of Hindi films.

Today’s song is penned by Prem Dhawan and is set to music by Kanu Ghosh. The melancholia of this song is such a surprising antipode of the song “O Re Jeene Waale. . .”. Listen and enjoy.

Once again, greetings to Sandya ji, and best wishes for a healthy and comfortable years ahead.


Song – Tum Gaye Lut Gaya Pyaar Ka Ye Jahaan (Sandhya Mukherji NFS)(1950) Singer – Sandhya Mukherji, Lyrics – Prem Dhawan, MD – Kanu Ghosh

Lyrics

tum gaye
lut gaya
pyaar ka
ye jahaan
na rahi
wo khushi
na rahe
armaan

tum gaye
lut gaya
pyaar ka
ye jahaan
na rahi
wo khushi
na rahe
armaan

meri aankhon ki tum
roshni le gaye
meri aankhon ki tum
roshni le gaye
mere hothon ki tum
sab hansi le gaye
ab meri zindagi
zindagi hai kahaan

wo bahaaren gayin
wo nazaare gaye
wo bahaaren gayin
wo nazaare gaye
meri raaton se wo
chaand taare gaye
na meri hai zameen
na mera aasmaan

tum gaye
lut gaya
pyaar ka
ye jahaan
na rahi
wo khushi
na rahe
armaan
——————————————–
Hindi script lyrics (Provided by Sudhir)
———————————————

तुम गए
लुट गया
प्यार का
ये जहां
ना रही
वो खुशी
ना रहे
अरमां

तुम गए
लुट गया
प्यार का
ये जहां
ना रही
वो खुशी
ना रहे
अरमां

मेरी आँखों की तुम
रोशनी ले गए
मेरी आँखों की तुम
रोशनी ले गए
मेरे होठों की तुम
सब हंसी ले गए
अब मेरी ज़िंदगी
ज़िंदगी है कहाँ

वो बहारें गईं
वो नज़ारे गए
वो बहारें गईं
वो नज़ारे गए
मेरी रातों से वो
चाँद तारे गए
ना मेरी है ज़मीं
ना मेरा आसमां

तुम गए
लुट गया
प्यार का
ये जहां
ना रही
वो खुशी
ना रहे
अरमां


Advertisements

Important Announcement

(© 2008 - 2019) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 14900 song posts by now.

This blog is active and online for over 3800 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14929

Number of movies covered in the blog

Movies with all their songs covered =1163
Total Number of movies covered =4076

Total visits so far

  • 11,457,624 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,692 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

Advertisements
%d bloggers like this: