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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Missing the loved ones’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3575 Post No. : 14321

“Chunariya” (1948) was produced by Kuldeep Sahgal and directed by Ravindra Dave for Kuldeep Pictures Ltd, Bombay. The movie had Wasti, Manorama, Pran, Randhir, Cuckoo, Narbada Shanker etc in it.

The movie had ten songs in it. Seven of these songs have been covered in the past.

Here is the eighth song from “Chunariya” (1948) to appear in the blog. The song is sung by Geeta Dutt. Mulkraj Bhakri is the lyricist. Music is composed by Hansraj Bahl.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.

This song is the 2900th song from the decade of 1940s to appear in the blog. An “artificial” yet significant century in the blog. 🙂


Singer-Tere milne ko jee dhadke (Chunariya)(1948) Singer-Geeta Dutt, Lyrics-Mulkraj Bhakri, MD-Hansraj Bahl

Lyrics

tere milne ko ji dhadke
haaye
tere milne ko ji dhadke
kahaan gaye patthar ka dil karke
kahaan gaye patthar ka dil karke
tere milne ko ji dhadke
kahaan gaye patthar ka dil karke
kahaan gaye patthar ka dil karke

din tadap tadap kar beete
main mar gayi jeete jeete
din tadap tadap kar beete
main mar gayi jeete jeete
haaye main mar gayi jeete jeete
kabhi chale aao mere paas
sajan milne ka bahaana karke
sajan milne ka bahaana karke

sab jhooth thhe tere waade
ik baar tu aake kah de
sab jhooth thhe tere wade
ik baar tu aake kah de
haaye ik baar tu aake kahde
kyun haath pakad ke chhod diya
mera dil deewaana karke
haaye mera dil deewaana kar ke

sun o saajan bedardi
kyun jaan dukhon se bhar di
sun o saajan bedardi
kyun jaan dukho se bhar di
haaye kyun jaan dukhon se bhar di
tune to basa li duniya
mera andher zamaana kar ke
mera andher zamana kar ke
tere milne ko jee dhadke
haaye tere milne ko ji dhadke
kahaan gaye patthar ka dil kar ke
kahaan gaye patthar ka dil kar ke

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3573 Post No. : 14315

“Toofaan”(1954) was directed by Ram Prakash for Starlight Pictures. The movie had Pratima Devi, Munawwar Sultana, Sajjan, Vijayalaxmi, Amarnath, Niranjan Sharma, Pran, Tiwari etc in it.

There were nine songs in the movie. Three of these songs have been covered in the past.

Here is the fourth song from “Toofaan”(1954) to appear in the blog. This song is sung by Lata. Kaif Irfani is the lyricist. Music is composed by S D Batish.

Only the audio of this song is available. I request our knowledgeable readers to throw light on the picturisation of this song.


Song-Bahut din beet gaye baalma (Toofaan)(1954) Singer-Lata, Lyrics-Kaif Irfani, MD-S D Batish

Lyrics

o o o
o o o
o o o haay
aa aa aa
aa aa aa

bahut din beet gaye baalma
na mukh dikhlaaya
na khat kabhi aaya
sandeswa na laaya
kaaga bol bol ke
bahut din beet gaye baalma

ye chaman ye kaliyaan
ye phoolon ka sama
ye chaman ye kaliyaan
ye phoolon ka sama
o koyaliya bata de
mora piya hai kahaan
ye chaman ye kaliyaan
ye phoolon ka sama
jiya bas me nahi bairi bas me nahin
haaye bas me nahi
ho baadal ghir aaya
khayal tera aaya
sandeshwa na laaya
kaaga bol bol ke
bahut din beet gaye baalma

o o o
o o o
haay
aa aa aa
aa aa aa
mora aanchal hawa mein ajab rang laaye
mora aanchal hawa mein ajab rang laaye
jaise jiya ki dhadkan mohe ye bataaye
jaise jiya ki dhadkan mohe ye bataaye
saajan ne hai aana
piya ne hai aana
baalam ne hai aana
ho baadal ghir aaya
khayal tera aaya
sandeswa na laaya
kaaga bol bol ke
bahut din beet gaye baalma

koi jaa ke balam se ye kahde batiyaan
koi jaa ke balam se ye kahde batiyaan
teri raahen taken meri do ankhiyaan
koi jaa ke balam se ye kahde batiya
dil yaad kare fariyaad kare
haaye yaad kare
ho baadal ghir aaya
khayaal tera aaya
sandeswa na laaya
kaaga bol bol ke
bahut din beet gaye baalma
o o o
o o o
haay
aa aa aa aa
aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3569 Post No. : 14306

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 66# Singer – Mukesh
———————————————–——————–

Just few days back I came across this song that I am presenting today. After listening to it I was feeling like maybe I had heard it on ‘radio’ many many years back. When I listened to it once I just kept listening to it again and again and with every new day this song is growing on me, on and on. The song is from the 1978 movie ‘Pal Do Pal Ka Saath’ and it is sung by Mukesh ji.

‘Pal Do Pal Ka Saath’ was directed by BR Ishara for Kaveri Films, Bombay. The cast of actors includes Shekhar Kapoor, Rama Vij, Shamli (New Discovery), Asit Sen, Paintal, Johny Whisky, Aarti, Tiger, Mishri Lal, Mohammad Ali, Amal Sen, Narayan Gwalani, Hameed, Sitaram, Jasbir, Prakash Joshi, Vijay Nangia, Bhaiyalal Sharma, Kashi Prasad Chaurasia and others.

This movie has four songs penned by Naqsh Lyallpuri, Yogesh, Balkavi Bairagi and Dev Kohli. Music for this movie is composed by Shyam Saagar. One song from this movie had been posted on the blog earlier in 2014 i.e. four years back and it was introduced by Sudhir ji – ‘Chupke Se Peechhe Se Aa Ke’ sung by Rafi Saab and lyrics of this song are by Dev Kohli.

As mentioned by Sudhir ji in his post this movie seems to be an ‘obscure movie’ though it contains ‘gems of songs’ (‘veritable gems’ as Sudhir ji has mentioned in his post) as we can say for the earlier song and the today’s song after listening to them. I don’t remember to have heard about this movie earlier and not gone through its information before. It was only after listening to the today’s song that I searched for its details in HFGK Vol V and also read the earlier post on the blog. This movie was passed by censor board on 07.04.1978.

Almost forty years have passed since the movie and its music had been created, however listening to its songs revives the memories of the music of those years and Mukesh ji’s singing of the many other songs for Yogesh ji. Yes, today’s song is penned by Yogesh.

Since the movie was an obscure movie I think its songs were also forgotten easily. I am not able to locate online, the other two songs of this film. As per Geet Kosh, these are solo songs in the voices of Asha Bhosle and Manna Dey. We have to search for them and need to bring them here for our listening pleasure. Till then let us listen to this wonderful composition of Shyam Saagar and savour the magic Yogesh ji’s words and Mukesh ji’s singing…

Only the audio of this song is available as of now. I would request knowledgeable readers to throw more light on this movie and its songs please.

Song – Anuraagi Mann Sab Kuchh Seh Le (Pal Do Pal Ka Saath) (1978) Singer – Mukesh, Lyrics – Yogesh, MD – Shyam Saagar

Lyrics

anuraagi mann sab kuchh sah le
anuraagi mann sab kuchh sah le
har uljhan mein
hans ke tu rah le
anuraagi mann sab kuchh sah le

ik sang tera
parichay gehra
janam janam ka ye naata re
ik sudh kho kar
besudh ho kar
geet tumhaare hi gaata re
do chehron ka tu ik darpan
anuraagi mann sab kuchh sah le

mita’ti nahin hai prem ki rekha
toofaanon ke bhi aane se
tripti adhoori
rah jaati hai
saagar ko bhi
paa jaane se
ho na ho poora tera samarpan
anuraagi mann . . .
har uljhan mein
hans ke tu rah le
anuraagi mann sab kuchh sah le

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अनुरागी मन सब कुछ सह ले
अनुरागी मन सब कुछ सह ले
हर उलझन में
हंस के तू रह ले
अनुरागी मन सब कुछ सह ल

इक संग तेरा
परिचय गहरा
जनम जनम का ये नाता रे
इक सुध खो कर
बेसुध हो कर
गीत तुम्हारे ही गाता रे
दो चेहरों का तू इक दर्पण
अनुरागी मन सब कुछ सह ले

मिटती नहीं है प्रेम कि रेखा आ
तूफानों के भी आने से
तृप्ति अधूरी
रह जाती है
सागर को भी
पा जाने से
हो न हो पूरा तेरा समर्पण
अनुरागी मन. . .
हर उलझन में
हंस के तू रह ले
अनुरागी मन सब कुछ सह ले


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3566 Post No. : 14295

Missing Films of 1960s – 66
– – – – – – – – – – – – – – –

Nightingale of the South – Janakiamma turns 80 today – a grand and a fabulous milestone in of itself. Hearty greetings and best wishes for a very Happy Birthday to her.

Within those eighty years, there lies a sustained joyful journey of musical accomplishments that has lasted for six decades. Last year (2017), she announced her retirement from active singing career – hanging up the microphone after having sung a phenomenal number of songs ( ~ 48,000 by some estimates) in almost 20 different languages.

Sistla Shreerammoorthy Janaki was born this day in 1938 in the village of Pallapatla in Guntur district in what used be part of the Madras Presidency during the British rule. Now, her birthplace lies in the state of Andhra Pradesh. Her musical journey starts very early – at the young age of three, when she started her training under Sree Paidiswamy. A knowledgeable teacher, Sree Paidiswamy strengthened her musical talents and nurtured her interests over the childhood years. When she was in her late teens, her uncle and mentor, Dr. Chandrashekar, advised her to move to Madras (now Chennai) and facilitated her association with the AVM Studios. In 1957, AVM’s music director T. Chalapati Rao, offered Janaki her first break to sing in a Tamil film ‘Vidhiyin Vilayattu’. The Telugu film ‘MLA’ was her second assignment, in which she also acted.

From this first stepping stone, the story of her career is a rising graph, being very soon acknowledged as one of the top playback singers in the film industries of the South. Over the decades, she has worked with almost all the mainstream music directors and has long working relationships with the likes of Illyaraja, GK Venkatesh, MS Vishwanathan, KV Mahadevan, V Kumar, Rajan Nagendra and Shankar Ganesh, amongst many others.

Through the decades of 1960s, 70s and onwards, the list of her popular songs, and the list of awards and honors, is too copious to be covered in a single post. She has won the top National Award for the best female playback singer four times. She was honored with the Filmfare Lifetime Achievement Award in 1997. And as stated, the list of other regional honors and awards is simply too long.

As I checked through the Geet Kosh, I find that from 1960 to 1980, her name is listed against 38 songs in Hindi films. Of course she continued to sing for Hindi films after 1980 also, just that I am not able to present those numbers.

For today’s celebratory honors, I present this wonderful melody from the 1964 film ‘Jhanda Ooncha Rahe Hamaara’. Not much information is available about the film. The production company is Movie Mandir of Bombay. Names of producer, director and cast of actors, are not available. Geet Kosh has listing of four songs, with the indication that there might be more. The name of the lyricist is indicated as Shrivas, and the music directors are Gandharva-Ghantashala.

Regarding the lyrics, one may find that the words are occasionally set somewhat awkwardly, almost as if forcing them together in a pattern. With some hind sight about songs from Hindi films that were remakes of, or dubbed from South Indian films, I can say that I have seen this pattern recur in some other Hindi films also. The thing is that the producers would try to retain the music of the songs, because they were popular in their original settings. So, in the Hindi remakes or dubbed versions, they would get the lyrics re-written in Hindi, force fitting them to the tune of the original regional language song. Another sampler is the songs of film ‘Baghdad’ of 1961.

On our blog, we have five songs sung by Janakiamma. Four of these are from the decade of 1980s and one is from a film from 1960. Just underscoring what I stated earlier, that she has been active in the Hindi film industry in the later decades also.

With this song, the film ‘Jhanda Ooncha Rahe Hamaara’ makes its debut on our blog today.

And once again, Happy Birthday greetings to Janakiamma, with lots of best wishes for good health and comfort, and wishing many happy returns of this celebration in her life.

Song – Waadi Ka Samaa  (Jhanda Ooncha Rahe Hamaara) (1964) Singer – S Janaki, Lyrics – Shrivas, MD – Gandharva-Ghantasaala

Lyrics

waadi ka samaa
waadi ka samaa
baalam tori yaad dilaata
pyaara wo samaa
pyaar ka wo naghma

raahon ke ye dilkash manzar
yun hi rahen
phir baadon mein jo megh sada
bas jaari rahe
raahon ke ye dilkash manzar
yun hi rahen
phir baadon mein jo megh sada
bas jaari rahe
haaye re dil ki ik wo boli
teri hi rahe
haaye
dekho hum tum beshak har ju paas rahe
aaa aaa aaaaa
oo oo oooo
aaa aaa aaa aaa aaaa
aaaaa aaaa aaaaaaaa
waadi ka samaa
waadi ka samaa
baalam tori yaad dilaata
pyaara wo samaa
pyaar ka wo naghma

raja tera raaz e mohabbat khul hi gaya
har dafa itna dekh chuke ho
door hat sainyaan
sataaye dil ko hawa nigodi reh reh ke ui maa
hoye
hansaaye itna ye ban jaaye fitrat ka samaa
sataaye dil ko hawa nigodi reh reh ke ui maa
hoye
hansaaye itna ye ban jaaye fitrat ka samaa

aaa aaa aaaaa
oo oo oooo
aaa aaa aaa aaa aaaa
aaaaa aaaa aaaaaaaa
waadi ka samaa
waadi ka samaa
baalam tori yaad dilaata
pyaara wo samaa
pyaar ka wo naghma

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

वादी का समां
वादी का समां
बालम तोरी याद दिलाता
प्यारा वो समां
प्यार का वो नग़मा

राहों के ये दिलकश मंज़र
यूं ही रहें
फिर बादों में जो मेघ सदा
बस जारी रहें
राहों के ये दिलकश मंज़र
यूं ही रहें
फिर बादों में जो मेघ सदा
बस जारी रहें
हाए रे दिल की इक वो बोली
तेरी ही रहे
हाए
देखो हम तुम बेशक हर जु पास रहें
हाए रे दिल की इक वो बोली
तेरी ही रहे
हाए
देखो हम तुम बेशक हर जु पास रहें
आs आs आss
ओ ओ ओss
आss आss आss आss आssss
आssss आsss आssssssss
वादी का समां
वादी का समां
बालम तोरी याद दिलाता
प्यारा वो समां
प्यार का वो नग़मा

राजा तेरा राज़ ए मोहब्बत खुल ही गया
हर दफा इतना देख चुके हो
दूर हट सैंयां
सताये दिल को हवा निगोड़ी रह रह के ऊई मां
होए
हँसाए इतना ये बन जाये फितरत का समां
सताये दिल को हवा निगोड़ी रह रह के ऊई मां
होए
हँसाए इतना ये बन जाये फितरत का समां

आs आs आss
ओ ओ ओss
आss आss आss आss आssss
आssss आsss आssssssss
वादी का समां
वादी का समां
बालम तोरी याद दिलाता
प्यारा वो समां
प्यार का वो नग़मा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3562 Post No. : 14284

“Maaya Baazaar”(1958) was directed by Babubhai Mistri for Basant Pictures Bombay. The movie had Anita Guha, Rajkumar Pandey, Ulhas, B M Vyas, Ram singh, Ramesh Sinha, Mahipal, Vasant Rao Pahalwan, Babu Raje, Dalpat, shree Bhagwan, Samar roy, Ratnamala, Krishn Kumari, Sulochana, Kanchanmala, Pal Sharma, Uma Dutt, Master Prithvi, Premlat, Geeta < Ratan, Rajni, Neelophar, Manda, Bhumiya, Ajit Kumar, R S Dubey, T N Sinha, Korega etc in it.

The movie was about Ghatotkach, the “raakshas” son of Bhim from the mythological tale of Mahabharat.

The movie had eight songs in it. Seven songs have been covered in the blog. Details of the seven songs already covered are given below :-

Song Title

Post No.

Post Date

Har phool mein masti hai rangeen hai mausam 6714 25-Sep-12
Gora ho chaahe kaala 8842 16-Oct-13
Ankhiyon mein samaate ho dil na chura lena 10489 14-Nov-14
Kaise chaloongi main akeli 10598 20-Dec-14
Gore gore gulaabi gaal re 12686 13-Dec-16
Kuchh bhi nahin hai tera mol 14275 17-Apr-18
Jaa jaa re chhaliyaa 14280 18-Apr-18

Here is the eighth and final song from “Maaya Baazaar” (1958) to appear in the blog. The song is sung by Asha Bhonsle. Indeewar is the lyricist. Music is composed by Chitragupta.

The song is picturised as a missing the beloved genre of song on Anita Guha.

With this song, “Maaya Baazaar”(1958) joins the list of movies that have all their songs covered in the blog.


Song-Hanste ho taaron tum (Maaya Baazaar)(1958) Singer-Asha Bhonsle, Lyrics-Indeewar, MD-Chitragupta

Lyrics

aaja re saajna
meri preet pukaare
aaja re ae ae

hanste ho taaron tum
hanste ho taaron tum
kisi ka pyaar rota hai
mera sansaar rota hai
hanste ho taaron tum
kisi ka pyaar rota hai
mera sansaar rota hai

tumse bichhadna hai to phir kaise jiyenge hum
tumse bichhadna hai to phir kaise jiyenge hum
aansu zehar se kam nahin
kaise piyenge hum
haaye kaise piyenge hum
dukhta hai dil jiska
wo sau sau baar rota hai
mera sansaar rota hai
hanste ho taaron tum
kisi ka pyaar rota hai
mera sansaar rota hai

chanda pe daali raat ne taaron ki varmaala
chanda pe daali raat ne taaron ki varmaala
kismat ne meri maang ko kaanton se bhar daala
haaye kaanton se bhar daala
muska raha chanda
mera singaar rota hai
mera sansaar rota hai
hanste ho taaron tum
kisi ka pyaar rota hai
mera sansaar rota hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3547 Post No. : 14234

“Dillagi” (1978) was directed by Basu Chatterji for Vikramjeet Films, Bombay. It was a romantic comedy which had Dharmendra, Hema Malini, Mithu Mukherji, Deven Verma, Asrani, Urmila Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali, Manjeeta, Poornima Jairam, Dulaari, Lalita Kumari, Rajan Kapoor, Shobhana Shah, Geetanjali, Manik Chaudhary, Goofy Patel, Qamar Khan, Bina Bawa etc, with special appearnce by Shatrughan Sinha and friendly appearances by Keshto Mukherji and Brahmchaari in it.

The movie had four songs in it. Two songs have been covered in the past.

Here is the third song from “Dillagi” (1978) to appear in the blog. The song is sung by Lata. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised on Hema Malini as a “missing the beloved” genre of song that plays in the background.

Lyrics of this song were sent to me by Prakashchandra.


Song-Baadal to aaye lahra ke chhaaye (Dillagi)(1978) Singer-Lata, Lyrics-Yogesh, MD-Rajesh Roshan

Lyrics(Provided by Prakashchandra)

baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye

tum zindagi mein kyun meri aakar
gum ho gaye ho aise mujh ko bhulaa kar
main pyaar tera dil mein sajaa kar
baithhi hoon kab se aas laga kar
dukh mere dil se honthon pe aaye
o aane waale par tum to na aaye

aawaaz meri aa jaao sun ke
todo na sapne haaye mere nayan ke
is baar tumse kisi bhi jatan se
main raaz apne saare kah doongi man ke

khaamosh rah ke ye dard paaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
tum to na aaye


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3493 Post No. : 14036

Noted film director and story / screenplay writer OP Dutta, passed away this day five years ago. He was 90 years when he passed away in 2012.

OP Dutta was born in the town of Gujranwaala in Punjab (now in Pakistan), in 1922. No information is available online about his early years and his education. In 1948, when he was just 26 years old, he directed the film ‘Pyar Ki Jeet’. This film was a major success, and it established Suraiya, the singer-actress as a super star.

He continued to direct films till the end of 1950s. The Hindi films directed by him are – ‘Hamaari Manzil’ (1949), ‘Surajmukhi’ (1950), ‘Ek Nazar’ (1951), ‘Parbat’ (1952), ‘Maalkin’ (1953), ‘Lagan’ (1955), and ‘Aangan’ (1959).

In the early 1950s he travelled to Pakistan and helped to set up a studio in Karachi. Till then, Lahore was the only center of film production in Pakistan. As a part of this effort, he also produced and directed the film ‘Anokhi’ from the studios in Karachi. Regulars may be familiar with this film, that has recently been discovered and is available in public domain. The heroine of this film is Sheela Ramani, and the music director is Timir Baran. This film was probably the earliest and maybe the only significant effort of collaboration between he film industries of India and Pakistan.

From 1960s onward, OP Dutta gave up direction and started writing for films – stories, screenplays, dialogues etc. Notable films from this phase of his career are ‘Chiraagh’ (1969), ‘Do Raaste’ (1969), ‘Mastaana’ (1970), ‘Jeet’ (1972), etc. Later on, he wrote stories and screenplays for some of the big hits  – ‘Kshatriya’ (1993), ‘Border’ (1997), ‘Refugee’ (2000), ‘LOC Kargil’ (2003), and ‘Umrao Jaan’ (2006).

Today’s song is from the 1955 film ‘Lagan’. From the first phase of his career, this film is the only one that OP Dutta had produced and directed (as opposed to the other films which he only directed for other production banners). The film was produced under the banner of OP Films, Bombay. The star cast of this film includes Nalini Jaywant, Sajjan, Shammi, Randhir, Om Prakash, David, Raj Mehra, Ram Avtar, Baij Sharma, Pandit Iqbal, Baby Naaz, Pappu, Shaam Lal, Uma Dutt, Shivraj, Parshuram, and Kanwar Kesho amongst others. The songs of this film are penned by Rajendra Krishan and the music is by Hemant Kumar. Interesting to note that Ravi is the assistant music director with Hemant Da.

One song of this film has already been showcased on our blog. Today’s song is a song of sadness and separation sung so wonderfully by Lata Mangeshkar. Listen and enjoy.

 

Song – Mujhe Nazar Se Utaar Kar Bhi (Lagan) (1955) Singer – Lata Mangeshkar, Lyrics – Rajendra Krishan, MD – Hemant Kumar

 

Lyrics

mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge

chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
magar jo bhoole se mere khwaabon ne
aa jagaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge

tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
jo baaton baaton mein naam mera
zubaan pe aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे

चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
मगर जो भूले से मेरे ख्वाबों ने
आ जगाया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे

तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
जो बातों बातों में नाम मेरा
ज़ुबां पे आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3492 Post No. : 14033

“Jawaahar”(1960) was a “social” movie which was made by Kuldeep Productions, Bombay. Names of producer, director and actors of the movie are not available on HFGK. THankfully, details of the songs of the movie are avaialable.

The movie had five songs in it, and they were as rare as the movie. May be less rare than the movie in the sense that these songs are at least available.

Three songs from the movie have been covered in the past.

Here is the fourth song from “Jawaahar”(1960) to appear in the blog. This song is sung by Lata. Prem Dhawan is the lyricist. Music is composed by Salil Chaudhary.

Only the audio of the song is available. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.


Song-Jaane kahaan khoya mera laal (Jawahar)(1960) Singer-Lata, PLyrics-rem Dhawan, MD-Salil Chaudhary

Lyrics

jaane kahaan khoya mera laal
khoya mera laal
teri khoj mein rote rote
yoon hi beet gaye kayi saal
teri khoj mein rote rote
yoon hi beet gaye kayi saal
jaane kahaan khoya mera laal aal
khoya mera laal

galiyon ki dhool bani ee ee ee
meri zindagaani
koi to bataao
mere laal ki nishaani ee ee
haay re
na jaane kyun chup hai ye dharti
chup hai gagan vishaal
na jaane kyun chup hai ye dharti
chup hai gagan vishaal
jaane kahaan khoya mera laal aal
khoya mera laal

kahaan kahaan dhhoondhe tohe
mamta ki maari
kahaan jag saara
kahaan main dukhiyaari
kabhi kahoon aaj mera aa aa aa
laal hai yahaan
kabhi kahoon aise mere
bhaag kahaan aa aa aa
haay re
isi aasha aur niraasha mein
hain beet gaye kayi saal
isi aasha aur niraasha mein
hain beet gaye kayi saal
jaane kahaan khoya mera laal aal
khoya mera laal
teri khoj mein rote rote
yoon hi beet gaye kayi saal
teri khoj mein rote rote
yoon hi beet gaye kayi saal


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is the 200th song of N Datta as a music director in the blog.

Blog Day : 3481 Post No. : 13985

Missing Films of 1960s – 53
– – – – – – – – – – – – – – –

Lal Lal Gaal. . .

I know I do not need to say more. Everyone is so familiar this song. And the special thing about this song? In my humble opinion, this probably is the fastest melody that any music director has got Rafi Sb to sing. The year is 1957 and the film – ‘Mr X’.

And then, this same music director, ten years later, has got the booming voice Mahendra Kapoor to sing the softest of the melodies – “Chaand Bhi Koi Deewaana Hai. . .”. The year is 1968 and the film – ‘Apna Ghar Apni Kahaani’.

Remembering N Datta – well quite late for his anniversary (both of which fell in December). And so this post has also been in the making, for well about a month.

Searching for information about him, not much details are available about his early years. So much so that multiple different web sites repeat mostly the same few sentences. They all write that he was born 1927 in Aroba, a small village in Goa. And that he ran away from home at the age of 12, and came to Bombay to learn music. Incidentally, I also came across one article online, which is based on an interview with Roop Naik, son of N Datta. The information provided by him is different from what is available everywhere else.

According to Roop Naik, his father N Datta (full name Dattaram Baburao Naik) was actually born in Bombay. He was not even two years old when his father passed away. After this tumultuous event in life, he and his mother move back to their native village, where the child Dattaram was brought up by his maternal uncle. Close to their village home, there was a temple, where weekly sittings of bhajan singing used to take place. He was quite enamoured by the ‘Abhang’ singing of these Bhajans, and never used to miss a session. During this period, he learnt to play harmonium, and would sometimes accompany the singers in the temple.

Another high point for him used to be when the travelling performing groups would visit the village. Music was very much within him, and so he was attracted by these public performances. And so, at home, he once expressed his wish to learn music. The dressing down that he received from his uncle, convinced him that his passion to learn music, and his family’s environment simply did not go together. So, at the age of 12, this young pre-teen kid, ran away from home and came to Bombay.

This period of his life, before he started getting recognition in the industry, is an unknown. No documented information is available. Lata Mangeshkar had mentioned once that she did meet him in 1946 (he would be 19 years old then), and that he was working as an assistant to a music director whose name she recalls as Kedar Shinde. The Ed. Note with this sentence observes that she probably was talking about Ramakrisna Shinde, a music director of Marathi films, who later also gave music under the pseudo name of ‘Hemant Kedar’.

The young aspirant worked as an assistant to Ghulam Haider Sb. He would also continue to participate in temple programs. He would be part of the ‘prabhat feris’, a very early morning bhjan kirtan session, that is taken out in a procession format, passing through the streets and by-lanes of a certain neighbourhood. It is said that at one of these ‘prabhat feries’, Burman Dada (SD Burman) witnessed his singing, and called upon him to know more about him and his capabilities. That started a long and fruitful collaborative partnerships, and the young Dattaram worked as an assistant in films like ‘Baazi’, ‘Bahar’, ‘Sazaa’ and ‘Ek Nazar’ (1951), ‘Jaal’ (1952), ‘Jeevan Jyoti’ (1953) and ‘Angarey’ (1954).

During the making of ‘Baazi’, Dattaram was introduced to future stalwarts like Sahir Ludhianvi and Raj Khosla, and struck lifelong friendships. When Raj Khosla got his first break as an independent director (film ‘Milaap’, 1955), he got N Datta the first assignment as an independent music director. And from that juncture onward, one sees his career got from strength to strength – ‘Marine Drive’ (1955), ‘Chandra Kanta’ (1956), ‘Hum Panchhi Ek Daal Ke’ (1957), ‘Light House (1958), ‘Sadhna’ (1958), ‘Black Cat’ (1959), ‘Dhool Ka Phool’ (1959), ‘Dharam Putra’ (1961), and more.

I have just listed a sampler. The total films listed for him are 55. Of these, about 22 films came in or before 1961. Two important points to be noted here. 1959 seems to be his most prolific year – seven films released this year, with music by him. Secondly, his friendship with Sahir Ludhianvi, got him his first assignment with the banner of BR Films. His first film with BR Chopra is ‘Sadhna’ (1958). Next, we him again with the BR banner in ‘Dhool Ka Phool’ (1959) and ‘Dharamputra’ (1961). Just the names of these films are enough indication as to how wonderfully this relationship was developing, and the team of Sahir Sb and N Datta was producing phenomenal music together.

But then, fate intervened, and quite cruelly too. Just in his mid thirties, N Datta suffered a heart attack. The episode left him out of circulation for some months. He recovered. However, besides the health issues now in life, N Datta started another battle – a fear for his own life. It made him somewhat of an introvert person. He would be very afraid for his life, because of any episode of ill health. And his work suffered too. By the time he came out this medical emergency, BR banner had moved on. Ravi had been engaged as the music director. The first outcome was ‘Gumraah’. The commercial success of this film kind of excluded N Datta from the BR brand, for all times in the future.

The quality of his work also suffered. He continued to compose, and continue to create some fabulous and memorable songs. But his work would now be confined to B/C grade films. He continued to work till 1980 – his last film released is ‘Chehre Pe Chehra’. After that, no work probably came his way. He passed away in 1987. His later years were a struggle to keep afloat.

With today’s song, I introduce this film ‘Albela Mastaana’ from 1967. The film is produced under the banner of Pragya Pictures, Bombay and is directed by BJ Patel. The star cast includes Kishore Kumar, Bhagwan, Kaveri, Kundan, Aruna Irani, Nayna, Rajan Haksar, and Asha Nadkarni amongst others. Five songs are listed for this film, all being written by Prem Dhawan.

This song is a wonderful melancholy that is sung by Asha Bhosle. The video of this film is now available. In the visual, we see Asha Nadkarni lip syncing this song on screen. A song that in as of itself, needs to placed together with such Asha Bhosle songs like “Baithe Hain Rehguzar Par. . .” and “Tujh Se Bichhde Tere Deewaane To Mar Jaayenge”. Lovely rendition, pulling at the strands of the heart.

Song – Phir Dil Mein Dard Jaaga  (Albela Mastaana) (1967) Singer – Asha Bhosle, Lyrics – Prem Dhawan, MD – N Dutta

Lyrics

phir dil mein dard jaaga

phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga

badhne laga andhera
jaane ho kab savera
palkon se aansuon ki
hum ne shama jalaai
hum ne shama jalaai
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga

khamosh hai zamaana
kis se kahen fasaana
khamosh hai zamaana
kis se kahen fasaana
apni sadaa bhi ab to
deti nahin sunaai
deti nahin sunaai
phir dil mein dard jaaga
phir yaad teri aayi
aaja sahi na jaaye
hum se teri judaai
phir dil mein dard jaaga

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

फिर दिल में दर्द जागा

फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा

बढ़ने लगा अंधेरा
जाने हो कब सवेरा
बढ़ने लगा अंधेरा
जाने हो कब सवेरा
पलकों से आंसुओं की
हमने शमा जलाई
हमने शमा जलाई
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा

खामोश है ज़माना
किस को कहें फसाना
खामोश है ज़माना
किस को कहें फसाना
अपनी सदा भी अब तो
देती नहीं सुनाई
देती नहीं सुनाई
फिर दिल में दर्द जागा
फिर याद तेरी आई
आजा सही ना जाये
हमसे तेरी जुदाई
फिर दिल में दर्द जागा


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3473 Post No. : 13944

“Putli”(1950) was produced and directed by Wali Sahab for Punjab Film Corporation, Bombay. The movie had Mumtaz Shanti ,Pran, Yaqoob, Husn Banu, Srinath, Majnu, Prem Dhawan, Ramesh Thakur , Sheela Naik etc in it.

The movie had eleven songs in it. Two songs from the movie have been covered in the past.

Here is the third song from the movie. The picturisation of the song shows Mumtaz Shanti missing Yaakoob, her beloved. Yes, Yaakoob is the hero of this movie.

Meena Kapoor is the singer. Wali Sahab is the lyricist. Music is composed by Aziz Hindi.

Sound quality is the video is average. The sound quality of the video version is very good and takes the listening pleasure of the song to a different level.

Audio

Video

Song-Tere bina jiya mora laage na (Putli)(1950) Singer-Meena Kapoor, Lyrics-Wali Sahab, MD-Aziz Hindi

Lyrics

tere bina jiya mora laage na aa aa
mere pardesi saajanva aa
tere bina jiya mora laage na aa aa
mere pardesi saajanva

aaj kisi ke ho gaye rasiya
aaj kisi ke ho gaye rasiya
jaage bhaag more so gaye rasiya
jaage bhaag more so gaye rasiya
o o o
soye bhaag more jaage na aa aa
mere pardesi saajanva aa
tere bina jiya mora lage na aa aa
mere pardesi saajanva

saajan ki nagri jab aaye
saajan ki nagri jab aaye
hook uthhe dil baithha jaaye
hook uthhe dil baithha jaaye
o o o
paanv uthhe more aage na
mere pardesi saajanva
tere bina jiya mora laage na aa aa
mere pardesi saajanva

roothh gayi hain khushiyaan man se
roothh gayi hain khushiyaan man se
jab se nain laage saajan se
jab se nain laage saajan se
o o o
tab se nain more laage na aa aa
mere pardesi saajanva aa
tere bina jiya mora laage na aa aa
mere pardesi saajanva


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14300 song posts by now.

This blog is active and online for over 3500 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14344

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3914

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