Advertisements

Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi solo’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3628 Post No. : 14451

“Baanoo”(1949) was directed by C M Amla for Marina Pictures, Bombay. This obscure “social” movie had Maya devi, Amar, Sheriff, Leela Kumari, Basu, Vaskar, Gulzar, Gulzar (junior), Anil, Suren Kumar, Mirza Sheriff, Agha, Shanti Madhok etc in it.

The movie had ten songs in it. One song has been covered in the past.

Here is the second song from “Baanoo”(1949) to appear in the blog. Singers of this movie are not mentioned in HFGK. But listening to this song leaves no doubt in mind that this song is sung by Rafi.

There were two lyricists in the movie viz Kamil Rashid and Nizami but distribution of songs among the two is not known.

Music is composed by Pram Prasad, aka Ram Prasah Sharma, who was the father of music directors Pyarelal and Ganesh.

I may have erred at a few places in noting down the lyrics. I request our readers with keener ears to help fill in the blanks/ suggest corrections as applicable.


Song-Lo rukh badal raha hai..purdard ye nazaara (Baanoo)(1949) Singer-Rafi, MD-Ram Prasad

Lyrics

lo rukh badal raha hai ae
phir zindagi ka dhaara
lo kar chali hai bewa aa
allaah ka sahaara
purdard ye nazaara

ae do jahaan ke waali ee
de de zara sahaara
haule haule jhuk jhuk
tere saamne pukaara
dikhla de ab kinaara aa aa aa
purdard ye nazaara

barbaad raaste par r
phir zindagi gawaah hain
hansti hai naamuraadi,
ghar hai na aasra hai
gardish mein hai sitaara
purdard ye nazaara

manzil hain door phir bhi ee ee
ummeed chal rahi hai
majboor hai jawaani ee ee
kaanton mein pal rahi hai
aahon pe hai guzaara
purdard ye nazaara

kya dekhti hain aankhen aen
ghar hai na ab wo dar hai ae
khela jahaan ladakpan
ab wo jagah khandhar hai
dekhe koi khudaara aa aa aa aa
purdard ye nazaara

kab tak yoon hi phiregi ee
taqdeer ki sataayi
bewa ki kul kamaayi ee
le de ke ek bhaai
dil ka wahi sahaara aa aa aa
purdard ye nazaara

Advertisements

This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3608 Post No. : 14392

This is one of the subjects that I longed to share. And since the subject is totally different from normal Hindi movie story topics viz. love stories, lost and found, family drama etc. I had to find relevant songs which would be either directly relevant to the subject or at least those which can easily convey the message that I intend to put in my write up/s. Though the first song that I selected came easily and that too during a real life experience when I was thinking of this topic. However the first song in this series is not that one but another song which I came across later when I was still working on the write up.

It has been almost more than three and half years now when I thought about writing on this subject i.e. ‘road-traffic’ in our country. Or putting it differently, ‘how we Indians actually are when we are on road. . .’ or more precisely it’s about our ‘civic sense on the roads’.

Over the years in this journey of my life, I have got this opportunity to travel to many places in India because of my job postings and have got to observe and learn a lot about how we, the people of India are actually when we are on the road and how we are when we are travelling in various modes of road transport.

When I start writing on the subject and gather all that I wish to write, the final article became too long, so I decided to split it in smaller articles (as rightly guided by one of our beloved seniors) and thus present the subject under a mini-series. But that will also require relevant songs from Hindi movies and though at that time I had only one or two in mind, over this period I marked one more which will fit with this subject.

I am herewith taking on this new mini series and presenting this first post on our blog – ‘Beta Sambhal Ke Chalnaa’.

Before moving on to the main article let me mention here that personally I believe there always is space for improvement in every sphere of life, and while we should move positively on every aspect, we should also assess our shortcomings time to time and these ‘shortcomings’ should not be treated as a ‘negativity’. Instead they should be taken as subjects of introspection and they should be our future plans to improve in positive direction with innovations and targeting an overall development and improvement in ‘standard of living’ and ‘quality of life’.

This post is actually about my thoughts which I was going through when the discussions for ‘smart cities’ were in the news then. I refer to an experience from around November-December 2014. At that time I was in Kachchh (Gujarat). My daily commute to work was 2×60 kms on public transport (ST bus) mainly. As it took almost an hour and half to reach my stations both ends I was getting enough time to read something, or take a nap sometime in addition to the music being played in the bus.

Travelling through the roads I was always thinking of how the roads in the developed countries must be like and what road conditions and road transport and ‘traffic discipline’ they must be maintaining and following there. What is the situation in cities of other countries? Or how the other smart cities in the world are like?

As an optimist I began to imagine how our country would be after the initiative of the ‘smart cities’. How it would be affecting our daily routine life and our public transport, specifically would it change our ‘Roads’ (the word ‘Road’ here has many connotations)? What will actually change when the cities go smart? And most importantly will it be helpful to save the precious lives lost on the ‘Indian Roads’ every year due to accidents? Will it be helpful to prevent ‘human potential’ losses of the nation or will it save the lives of young promising and aspiring youths who lose their precious lives only because of the sheer negligence and carelessness, their own, as well as of others?

In and around the town I was living there, road-accidents were a regular occurrence; there was not a single day when the newspaper was without the reporting of an accident. Many aspiring youngsters, senior citizens, children lost their life in fatal road accidents. The industrialization there was followed by increase in cargo movements and so heavy trailers and containers were a regular part of traffic.

And so, sometimes the tipping over of huge containers on turnings was also a daily feature. I wondered how the licenses were given to young inexperienced drivers, who drove the big containers? Was there any assessment of the ‘maturity content’ of a person issuing licenses?  Certainly a young guy of an age of 18-20 would not have the expertise and experience of a driver of an older age.

During that period, I used to regularly tweet about the accidents there and precious lives lost on the road. In my case while I would criticize the bad practices, I do also always appreciate whenever there is an improvement or efforts initiated in positive directions, may be at a smaller scale. There is always a space for improvement, we have to find it. . .

So among this ‘criticism’ of the ‘system’ by me, there was one incident that had an indication of ‘good sense prevailing’ and a sign of ‘improvement’ happening, which I think I must note here.

One evening as I was on my return journey from office, there happened to be an accident on the road and it took place just a few minutes before when I was passing by from that place. A trailer carrying a container had toppled over and its driver was injured. Fortunately no other vehicle or person was around it and coming from either side so there was no major mishap or fatality.  But still the driver had broken his leg and trapped inside the cabin. People rushed to rescue the driver.

While I and my friend rushed towards the injured to help, somebody guided me to make a call to the emergency services on 108. A little hesitant at first, I made call on this number and soon I started receiving calls from SHQ & DHQ asking about the exact location of the accident and as they keep tracking with me, exactly at the 13th minute from the call was made, an ambulance was standing at the accident site, ready to provide medical aid to the injured.

I can never forget this. Though the town was not far away from the accident site, still the action taken by the authorities was commendable and I was very happy.

On the other day when I was travelling back to home, it was already around nine in the evening by then, and I was dreaming about the ‘Smart City’ and the roads this city would have. As the bus entered the town, on the main road of the town there were cattle on the road sitting and relaxing, without bothering about this world. The driver of our bus was working hard to find the way and blowing the horn continuously and driving the bus in a zigzag fashion and songs were already playing on the music system in the bus. . .  That song we shall enjoy in next post of this series 🙂

At work places, to ensure ‘safety’ we do have safety and cautionary slogans prominently displayed in the area to educate and disciplined the work force. The song that I present today, does have this ‘cautionary message’ but going further its other lines are like a ‘threat’. 🙂

I present this ‘soft and mild warning’ song which says ‘beta sambhal ke chalna’. . ., to start with a ‘smart message’. 🙂

It seems that the video of this song is not available, so I would request knowledgeable readers to throw more light on this song and this movie ‘Mr John -1959’

‘Mr John’ (1959) was directed by Inder for NK Productions, Bombay. It was produced by Nigam. It had Shyama, Johny Walker, Helen, Lalita Pawar, Iftikhar, Krishnakumari, Mumtaz, Tuntun, Mohan Choti, Kamal Mohan, Sampson, Uma Dutt, Ravi, Champak Lala, Rashid, Daraz, Wahid, Genius, Tiwari, Ramlal, Anil, Singh, Jani, Gaus, Tarun Kumar, Ajay Kumar, Ajit, B Fazal Kareem, Mukhtar, and Pt Baijnath.

The film has seven songs penned by Jan Nisar Akhtar and composed by N.Datta. Two songs of this film are already posted on the blog. Today’s song is sung by Mohd Rafi.

 


Song – Beta Sambhal Ke Chalna (Mr John) (1959) Singer – Mohammed Rafi, Lyrics – Jaan Nisar Akhtar, MD – N Dutta

Lyrics

beta sambhal ke chalna
beta sambhal ke chalna
zyaada nahin uchhalna
rasta bahot hain chikna
dhire se bach nikalna
beta sambhal ke chalna

paidal jo phirnaa hai
kismat mein bhaiyaa
seene pe chalta hai
motor ka pahiyaa
paidal jo phirnaa hai
kismat mein bhaiyaa
seene pe chalta hai
motor ka pahiyaa
dil ko pade kuchalna
beta sambhal ke chalna
aha aa
beta sambhal ke chalna
zyaada nahin uchhalna
rasta bahot hain chikna
dhire se bach nikalna
beta sambhal ke chalna aa

naqli ye chehre hain
inpe na jaanaa
powder hi powder hai
dhokha na khaana
haan
samjhe bhaai
naqli ye chehre hain
inpe na jaanaa
powder hi powder hai
dhokha na khaana
in pe na dil badalna
beta sambhal ke chalna
o beta sambhal ke chalna
zyaada nahin uchhalna
rasta bahot hain chikna
dhire se bach nikalna
beta sambhal ke chalna aa

chaandi ke taaron mein
jakde na jaana
paise ki laalach mein
pakde na jaana aa aa
chaandi ke taaron mein
jakde na jaana
paise ki laalach mein
pakde na jaana
reh jaayega machalna
beta sambhal ke chalna
o beta sambhal ke chalna
zyaada nahin uchhalna
rasta bahot hain chikna
dhire se bach nikalna
beta sambhal ke chalna
haan
beta sambhal ke chalna

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

बेटा संभल के चलना
बेटा संभल के चलना
ज्यादा नहीं उछलना
रस्ता बहोत है चिकना
धीरे से बच निकलना
बेटा संभल के चलना

पैदल जो फिरना है
किस्मत में भैय्या
सीने पे चलता है
मोटर का पहिया
पैदल जो फिरना है
किस्मत में भैय्या
सीने पे चलता है
मोटर का पहिया
दिल को पड़े कुचलना
बेटा संभल के चलना
अहा आ
बेटा संभल के चलना
बेटा संभल के चलना
ज्यादा नहीं उछलना
रस्ता बहोत है चिकना
धीरे से बच निकलना
बेटा संभल के चलना आ
नकली ये चेहरे हैं
इनपे न जाना
पौडर ही पौडर हैं
धोखा न खाना
हाँ
समझे भाई
नकली ये चेहरे हैं
इनपे न जाना
पौडर ही पौडर हैं
धोखा न खाना
इनपे न दिल बदलना
बेटा संभल के चलना
ओ बेटा संभल के चलना
ज्यादा नहीं उछलना
रस्ता बहोत है चिकना
धीरे से बच निकलना
बेटा संभल के चलना आ

चांदी के तारों में
जकड़े न जाना
पैसे की लालच में
पकडे न जाना आ आ
चांदी के तारों में
जकड़े न जाना
पैसे की लालच में
पकडे न जाना
रह जाएगा मचलना
बेटा संभल के चलना
ओ बेटा संभल के चलना
ज्यादा नहीं उछलना
रस्ता बहोत है चिकना
धीरे से बच निकलना
हाँ
बेटा संभल के चलना


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3582 Post No. : 14334

“Mall Road”(1962) was directed by Viren Dablish for Indira Films, Bombay. The movie had Chandrashekhar, Sangeeta, Amrit Rana, Kammo Tripathi, Surya Kumar, Bela Bose, Radheyshyam, Ratna, Saroj, Alok Verma, SR Sharma, Bagla, Srikant Sharma, Nepali, Roshan, Dalda, Munshi ji etc in it.

This obscure movie had seven songs in it. Two of these songs have been covered in the past.

Here is the third song from “Mall Road”(1962) to appear in the blog. The song is sung by Rafi. Veren Dablish is the lyricist. Music is composed by Sudarshan.

Only the audio of the song is available. The lyrics clearly show that the song is a drunkard song. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.


Song-Jaam chalne ko hai…saaqiyaa aisi pilaa de (Mall Road)(1962) Singer-Rafi, Lyrics-Viren Dablish, MD-Sudarshan

Lyrics

jaam chalne ko hai
sab ahle nazar baithe hain
aankhen churaana na saaqi
hum bhi idhar baithe hain
hic

saaqiyaa aisi pila de
hum ko divaana bana de
hum nashe mein choor ho kar
apne saare gham bhula den
hum nashe mein choor ho kar
apne saare gham bhula den
saaqiyaa aisi pila de

main sharaabi hoon to kya hai
saari duniya ko nasha hai
aankhon par parde pade hain
aankhon par parde pade hain
ismein kya meri khata hai
kyun mujhi se hai khafa tu
hic
khafa tu
kyun mujhi se hai khafa tu
bas mujhe itna bata de
saaqiyaa aisi pila de
hahahaha

mujhko begaana samajh kar
ek deevaana samajh kar
kyun mujhe be-aabru karte ho
parvaana samajh kar
kyun mujhe be-aabru karte ho
parvaana samajh kar
dard hai mere bhi dil mein
haay haay haay haay
dard hai mere bhi dil mein
kuchh to iski bhi dava de
saaqiyaa aisi pila de


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3569 Post No. : 14304

Missing Films of 1960s – 67
– – – – – – – – – – – – – – –

roaming in rome. . .

The pun reminds me of a friend in college – he was the class jokester, always ready with something startling to put the group into fits of laughter. One day he solemnly announced that after good amount of research he has concluded that Ram (Lord Ram) was a native of Rome. So we asked him how he arrived at this dignified conclusion. He replied – because लिखने वाला लिख गया है – हे रोम रोम में बसने वाले राम. Needless to say, it was the prime joke of that day.

And for this post today, Anand Bakshi has surely started this song on a very punning note :).

With that we come to the next episode of this series. The film ‘Spy In Rome’ from 1968 comes from the banner of Adarshlok, Bombay, and is directed by Adarsh (I am sure nobody could have guessed that 🙂 ). The list of actors includes Dev Kumar, Jaimala, Rajendra Nath, KN Singh, Madhumati, Lata Sinha, Meenakshi, Brahm Bhardwaj, Caroline King, Khurshid, Shanti, Arya, Hercules, Fazal, and Bhatia etc.

The film carries four songs. All songs are penned by Anand Bakshi and the melody creator for this film is the duo of Laxmikant Pyaarelal.

The song is picturized in the beautiful and historic city of Rome. We can see Dev Kumar and Jaimala strolling through the streets of Rome, introducing the audience to the many architectural splendors of this culturally rich city. Back then in 1968, this would have been a real treat for the moviegoers.

Although the video is fairly good, I am not able to get a clear decision whether Dev Kumar is lip syncing this song, or that this song is playing in the background, as the two ‘spies’ are making their way through the city. I request other readers to help make this determination.

With this song, the film ‘Spy In Rome’ makes its debut here on our blog. Lets see how fast we get this film to Yippeee status.

Song – Rome Ki Waadiyon Se Do Dil Guzar Rahe Hain  (Spy In Rome) (1968) Singer – Mohammed Rafi, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal

Lyrics

ro.. .. ..me
roaming in rome

ro.. .. ..me
roaming in rome

ro.. .. ..me
roaming in rome
ro.. .. ..me
roaming in rome
rome ki waadiyon se
do dil guzar rahe hain
rome ki waadiyon se
do dil guzar rahe hain
dekhe idhar na koi
hum pyaar kar rahe hain
rome ki waadiyon se
do dil guzar rahe hain

aisa lagta hai is zameen pe
aaj utrey huye hain sitaare
husn chehre se parda hata ke
ishq ko kar raha hai ishaare
dil hum se
oo oo oo
dil hum se darr raha hai
hum dil se darr rahe hain
rome ki waadiyon se
do dil guzar rahe hain
rome ki waadiyon se
do dil guzar rahe hain
ro.. .. ..me
roaming in rome
ro.. .. ..me
roaming in rome

kya bataatyen ye kaisi hain raahen
kya bataayen ye kaisa safar hai
hamen ye bhi kahaan pata hai
hamen ye bhi kahaan ab khabar hai
aaye hain hum
oo oo oo
aaye hian hum kahaan se
aur ja kidhar rahe hain
rome ki waadiyon se
do dil guzar rahe hain
dekhe idhar na koi
hum pyaar kar rahe hain
rome ki waadiyon se
do dil guzar rahe hain
ro.. .. ..me
roaming in rome
ro.. .. ..me
roaming in rome

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम

रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम

रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम
रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम
रोम की वादियों से
दो दिल गुज़र रहे हैं
रोम की वादियों से
दो दिल गुज़र रहे हैं
देखे इधर ना कोई
हम प्यार कर रहे हैं
रोम की वादियों से
दो दिल गुज़र रहे हैं

ऐसा लगता है इस ज़मीन पे
आज उतरे हुये हैं सितारे
हुस्न चेहरे से पर्दा हटा के
इश्क़ को कर रहा हैं इशारे
दिल हम से
ओ ओ ओ
दिल हम से डर रहा है
हम दिल से डर रहे हैं
रोम की वादियों से
दो दिल गुज़र रहे हैं
रोम की वादियों से
दो दिल गुज़र रहे हैं
रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम
रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम

क्या बताएं ये कैसी हैं राहें
क्या बताएं ये कैसा सफर है
हमें ये भी कहाँ पता है
हमें ये भी कहाँ खबर है
आए हैं हम
ओ ओ ओ
आए हैं हम कहाँ से
और जा किधर रहे हैं
रोम की वादियों से
दो दिल गुज़र रहे हैं
देखे इधर ना कोई
हम प्यार कर रहे हैं
रोम की वादियों से
दो दिल गुज़र रहे हैं
रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम
रो॰॰ ॰॰ ॰॰म
रोमिंग इन रोम


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 200th writeup of Raja in the blog.

Blog Day : 3569 Post No. : 14303

It’s been exactly five weeks since my last post here – but somehow it feels much longer. I’m reminded of that famous dialogue from Aandhi (1975) – “waise to ammavas pandrah din ki hoti hai, lekin is baar bahut lambi thi.” 🙂 These five weeks felt like five months.

One possible reason for this is that this happens to be my 200th post on this blog. So I’ve been on 199 for 5 weeks. Even Mudassar Nazar would be proud of my achievement. 🙂 Since this is IPL season, it’s also safe to say that franchisees wouldn’t exactly be falling over each other, outbidding each other to try to buy me at an IPL auction. 🙂

Not that I haven’t been nudged or reminded about this.

When I sent in my previous post, Atul told me it was my 199th and nudged me to get the 200th soon.

Peevisie’s Mom called me a while ago and reminded me of this.

One of Atul’s recent posts also nudged me (hint, hint!) to run that quick single.

And our Atulite whatsapp group also decided that it was high time.

And so I too decided today – yes, it is high time. This is unacceptable, even by Mudassar standards.

So here is the post – with due apology to everyone for this 5-week delay. And thanks to all who nudged me along the way. I needed it.

Actually, I had planned this 200th much earlier. Since I usually pick anniversaries for my posts, my first idea was Farooque Sheikh’s anniversary. That didn’t happen. Then, I’d planned for Jeetendra’s birthday. On both occasions I’d finalized the song – but, for a variety of reasons that I will not get into right now, I never got around to writing the post. No excuses though – if Atul can write up and post songs every single day, I just cannot have an excuse for taking five weeks for one post. 🙂

I see that these songs aren’t posted yet, so I can still write them up – no need for a specific occasion. In fact, the Jeetu song would be quite suitable for this post too – but I’m going with this particular one because it happens to have Moushumi Chatterjee in it too – and it is Moushumi’s birthday today. The Jeetu song can wait.

The song I’ve picked for today is an iconic song for a particular occasion – the baaraat in a wedding.

When I was very young, the song “meri pyari beheniya banegi dulhaniya” became very popular. Thanks to my name, I used to be constantly teased “bhaiya raja bajaayega baaja”.

This was in addition to another “baaraat” song for which I used to be teased – the famous “raja ki aayegi baaraat” from Aah (1953).

These were both regulars at any baaraat.

And then there was “ghodi pe hoke savaar”, today’s song.

It also became a very popular song for baaraat occasions – especially if the bridegroom was on a horse. The words suit the occasion perfectly, so it was only natural this song would play on the occasion.

“Ghodi pe hoke savaar” was not only popular then – I suspect, it’s still popular. Which is why I was very surprised to discover that it had not yet been posted on this blog. I know Atul has a category along the lines of “how come this song is not yet posted yet”. This song is the mother of all songs in that category, considering it’s almost ten years for this blog now. 🙂

In fact, this film “Ghulam Begum Baadshah” (1973) has not made an entry yet on the blog. So this is a debut for this film here. There’s a 1956 film by the same name which has songs here but, for this film, this is the first.

For me, another category that this song slips into – but is not a recognized category here – is “this song is in THIS film?”.

I’d heard this song umpteen times in my life – but never really got to know the name of the film it was from.

And then, a few years ago, I saw a film “Ghulam Begum Baadshah” (1973) prompted to me on youtube. It piqued my interest – I’d never heard of this film before, it was a 1970s film, it had Moushumi in it (I quite like Moushumi) – so I decided to give it a go.

When the prelude to the song started, I thought it sounded very familiar. And then when the song started, I was totally in this “ye gaana IS film ka hai?” mode. It was a very pleasant surprise.

It wasn’t the only one.

I remember that even the film turned out to be a pleasant surprise. Ok, I had zero expectations from it (that’s usually how I avoid disappointment :-)), but even so, it held my interest to the very end.

I remember there were scenes of patriarchy that annoyed me but what I liked most about the film was Moushumi and her role. From what I remember of her role, it had a lot of spunk.

As we know, in many movies, especially in earlier eras, the women are shown as weaker than the men. They need to be protected, they are subservient, they often don’t even have a mind of their own. They’re subdued, they’re shy. They’re not often shown as smart, thinking women.

In this film, from what I remember of it (I don’t remember the details well), Moushumi is shown as anything but weak. She gives as good as she gets, refusing to cower down to bullying. And when she is in a difficult situation, she finds her own way to get out of it, instead of depending on the male characters to solve her problems for her.

This is what I liked most about the film. And there’s a nice twist at the end too.

The film has Kumud Chugani too – always nice to see her in a film as well.

So if you haven’t watched this film – and want to watch a 1970s film – you could give it a shot. But don’t shoot me if you don’t like it – apni apni pasand. And I don’t claim to have high standards. 🙂

The song itself is by Rafisaab – and considering it’s an early 70s song, it was during his “lean” period. But even during this period, he had popular songs like this one – and “teri galiyon mein na rakhenge kadam” and “aaj mausam bada be-imaan hai”.

I think he does full justice to the song – singing it with gusto, as you’d expect on the occasion of a baaraat. The way midway in the song he pronounces “ghodi” is deliberately upbeat.

The lyrics are by Rajinder Krishan, music by Kalyanji-Anandji.

I hope you enjoy listening to this song as much as I do.

Once again, a very happy birthday to Moushumi Chatterjee. I think I’ve written a full post on her earlier – she was one of my favourite heroines in the 70s.

Whew! Got that 200th out of the way. Relief! 🙂 And thanks for tolerating me for these 200 posts.


Song-Ghodi pe hoke sawaar (Ghulaam Begam Baadshah)(1973) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Kalyanji Anandji
Chorus

Lyrics (Provided by Prakashchandra)

ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa

kal tak bechaara humsaa kunwaara
phirta thha gali gali maara maara
kal tak bechaara humsaa kunwaara
phirta thha gali gali maara maara
dekhi ik chhokri
phoolon ki tokri
bolaa dil thhaam ke main haara haara
bolaa dil thaam ke main haara haara
yaar ko mubaarak ho
mohabbat ki baazi
o yaar ko mubaarak ho
mohabbat ki baazi
miya biwi raazi
to kya karegaa kaazi
sadaa phoole phale donon ka pyaar
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa

dulhan ki dhun hai
kaisa magan hai
hoga milan dekho abhi abhi
haan
dulhan ki dhun hai
kaisa magan hai
hoga milan dekho abhi abhi
shaadi ki masti
lagti hai sasti
padti hai mehengi bhi kabhi kabhi
haan haan padti hai mehengi bhi kabhi kabhi
ye baat mat bhoolna pyaar ki bahaarein
ye baat mat bhoolna pyaar ki bahaarein
nanhe munne bachchon ki lagaa dengi kataarein
tab utarega jaake khumaar
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa
ghodi pe hoke savaar
chala hai dulha yaar
kamariyaa mein baandhe talwaar
akadta hai chhaila
mili hai aisi laila
ki jodi hai nehle pe dehlaa


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3566 Post No. : 14296

“Baalak”(1969) was directed by Adarsh for Kala Mandal, Bombay. This “social” movie had Master Suraj (Sarika), Jaimala, Dev Dutt, Jayshree T, Manmohan Krishna, Shyama, Jeewan, Jagdeep, Junior Mehmood, Abhi Bhttacharya, Chand Usmani, Bipin Gupta, Hiralal, Dhumal etc in it.

The movie had four songs in it. Two songs from the movie have been covered in the past.

Here is the third song from “Baalak”(1969) to appear in the blog. The song is sung by Rafi. Bharat Vyas is the lyricist. Music is composed by Dattaram.

The movie was a tear jerker. If anyone does not believe me, then the picturisation of this song will turn him into a believer 🙂 The picturisation shows the parents of a new born kid dying and the hapless kid is brought up by her elder sister. The elder sister too gets married and goes away while the kid (Baby Suraj aka Sarika) finds herself being treated as a child labourer. This song gets played in the background all this while.

I request our knowledgeable readers to help identify the other actors visible in the picturisation.


Song-Bhagwaan ki dekho bhool (Baalak)(1969) Singer-Rafi, Lyrics-Bharat Vyas, MD-Dattaram

Lyrics

ye kaisi aandhi chali
ye kaisa toofaan
khilte hi murjha gaye
maat pita se praan

bhagwan ki dekho bhool
bichhad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool

ye kismat ki baat
hai kaali raat aur kaanton se ghira hai gulaab
vidhi ne na jaane kin ghadiyon mein likhi hai ye kitaab
likhi hai ye kitaab
ab samaaj ke atyaachaaron ka
jab chakr chalega
dar lagta hai toofaanon mein
kaise diya jalega
kaise diya jalega
diya jis maalik ne praan
usi ki hogi ab pehchaan
jo paalak sab ka kahaata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
bichhad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool

ye kisne chhedi shahnaayi
kiski chali hai doli
kis bhaai se bichhad chali hai ye behna anboli
ye behna anboli
ik pyaar thha wo bhi roothh chala
ik taar thha wo bhi toot chala
do nanhi nanhi aankhon se aansu ka jharna phoot chala
aansu ka jharna phoot chala
hui door ye sar se chaanv
behen bhi chali hai apne gaanv
kaun ab dheer bandhaata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
bichad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata

ghar ghar mein kitne bachchon par
yoon zulm dhaaye jaate hain
hadd hai ghulaab ki patti se
patthar katwaaye jaate hain
patthar katwaaye jaate hain
bhagwaan ka roop ye baalak hain
jis par barse nit chingaari
naari bachche par zulm kare
wo naari sachmuch hatyaari
wo naari sachmuch hatyaari
hai nanhi si ye jaan
ke jis par laakhon hain toofaan
chhupa hai kahaan vidhaata
aasman ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool
bichhad gaya daali se ek phool
raha ab kis’se naata
aasmaan ab pita hai iska
aur dharti hai maata
bhagwaan ki dekho bhool


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3560 Post No. : 14275

“Maaya Baazaar”(1958) was directed by Babubhai Mistri for Basant Pictures Bombay. The movie had Anita Guha, Rajkumar Pandey, Ulhas, B M Vyas, Ram singh, Ramesh Sinha, Mahipal, Vasant Rao Pahalwan, Babu Raje, Dalpat, shree Bhagwan, Samar roy, Ratnamala, Krishn Kumari, Sulochana, Kanchanmala, Pal Sharma, Uma Dutt, Master Prithvi, Premlat, Geeta < Ratan, Rajni, Neelophar, Manda, Bhumiya, Ajit Kumar, R S Dubey, T N Sinha, Korega etc in it.

It appears the the movie was the story of Ghatotkach, the Raakshas son of Bhim from his Rakshasi wife Hidimba.

The movie had eight songs in it. Five of these songs have been covered in the past.

Here is the sixth song from the movie to appear in the blog. This song is sung by Rafi. Indeewar is the lyricist. Music is composed by Chitragupta.

I have not seen the movie. But a comment in YT suggests that Ghatotkach's great strength and maayaawi powers make him arrogant. the picturisation is about Lord Krishn (in disguise of an old man) singing this song in his bid to bring the arrogant Ghatotkach back to his senses.

I request our knowledgeable readers to help identify the actors seen in the picturisation.


Song-Kuchh bhi nahin hai tera mol (Maaya Baazaar)(1958) Singer-Rafi, Lyrics-Indeewar, MD-Chitragupta

Lyrics

apni baanhon par hai tujhko kyun itna abhimaan
tere jaise laakhon dekhe
bade bade balvaan
kuchh bhi nahin hai teraa mol
boli na badi bol
khilauna tu maati ka
kuchh bhi nahin hai teraa mol
boli na badi bol
khilauna tu maati ka
kuchh bhi nahin hai teraa mol

garaj raha hai
baras raha hai
zidd toone kis baat pe baandhi(?)
garaj raha hai
baras raha hai
zidd toone kis baat pe baandhi(?)
kyun hai paagal moorakh baadal
tujhko udaa le jaayegi aandhi
kyun hai paagal moorakh baadal
tujhko udaa le jaayegi aandhi
ser ko milte sava ser
lage na yahaan der
khilauna tu maati ka
kuchh bhi nahin hai teraa mol
boli na badi bol
khilauna tu maati ka
kuchh bhi nahin hai teraa mol

itna kyun tu itraata hai
hansati hai jab bhaagya ki rekha
itna kyun tu itraata hai
hansati hai jab bhaagya ki rekha
tu chhota sa deepak hai re
toone kabhi sooraj bhi dekha
tu chhota sa deepak hai re
toone kabhi sooraj bhi dekha
jhoothhe nashe mein tu hai choor
tootega ye guroor
khilauna tu maati ka
kuchh bhi nahin hai teraa mol
boli na badi bol
khilauna tu maati ka
kuchh bhi nahin hai teraa mol


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3559 Post No. : 14272

“Gunaah Aur Kaanoon” (1970) was produced by K L Baria and Johny Whisky and directed by B R Ishara for Varsha Films, Bombay. This “social”movie had Prithviraj Kapoor, Sanjeev Kumar, Jairaj, Asit Sen, Sailesh Kumar, Johny Whiskey, Tarun Bose, Mohan Choti, Kumkum etc in it.

This obscure movie had six obscure songs in it.

Here is the first song from “Gunaah Aur Kaanoon” (1970) to appear in the blog. This song is sung by Rafi. Naqsh Llayalpuri is the lyricist. Music is composed by Sapan Jagmohan.

The song picturisation shows the hero (I guess he is Sailesh Kumar) lip syncing this teasing song to Kumkum. I request our knowledgeable readers to help identify the lip syncer.

With this song, “Gunaah Aur Kaanoon” (1970) makes its debut in the blog.


Song-Hans do to muhabbat ho tum (Gunaah Aur Kaanoon)(1970) Singer-Rafi, Lyrics-Naqsh Llayalpuri, MD-Sapan Jagmohan

Lyrics

hans do to mohabbat ho tum
o roothho to qayaamat ho tum
ba-khuda
khoob ho tum
ba-khuda
khoob ho tum
hans do to mohabbat ho tum
o roothho to qayaamat ho tum
ba-khuda
khoob ho tum
ba-khuda
khoob ho tum

jaane gulistaan tum ho hoye
husn e bahaara tum ho
lab ye khile to guncha guncha muskuraaye
har phool mehke
har tamanna jhoom jaaye
ba-khuda
khoob ho tum
ba-khuda
khoob ho tum

pyaar ki tum shabnam ho haaye
gaati huyi rimjhim ho o
khili chaandni ka
bheega bheega noor ho tum
khwaab e sahar se jaagi jaagi
hoor ho tum
ba-khuda
khoob ho tum
ba-khuda
khoob ho tum

shaam si udti zulfen ho hoy
jaam si jhukti palken
aankhon mein jaise chhalki chhalki
hai gulaabi
thhodi si peeke
ho gaya hoon main sharaabi
ba-khuda
khoob ho tum
ba-khuda
khoob ho tum
hans do to mohabbat ho tum
o roothho to qayaamat ho tum
ba-khuda
khoob ho tum
ba-khuda
khoob ho tum


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3554 Post No. : 14259

“Raat Ke Raahi”(1959) was directed by Naseem for Pushpaanjali Pictures, Bombay. This “social” movie had Shammi Kapoor, Jabeen Jalil, Anwar, Achla sachdev, Nazeer Hussain, Ifthikhar, Radhika, Hammad, Manohar, Prem Sagar, Nirmal, Poonam, Heera, Shashibalka, Shujaat, Pyare, Sooraj etc in it.

The movie had six songs in it that were composed by two music directors. Two songs were composed by Jaidev whereas the remaining four songs were composed by Bipin Baabul. Three songs from the movie, including the two Jaidev compositions have been covered in the past.

Here is the fourth song from “Raat Ke Raahi”(1959) to appear in the blog. The song is sung by Rafi. Vishwamitra Adil is the lyricist. Music is composed by Bipin Baabul.

The song is picturised on Shammi Kapoor, playing a drunkard aashiq, while Jabeen Jaleel looks on nervously.


Song-Maine pee hai pee hai pee hai par main to nashe mein nahin (Raat Ke Raahi)(1959) Singer-Rafi, Lyrics-Vishwamitra Adil, MD-Bipin Baabul

Lyrics

hic
hic
maine pi hai
pi hai pi hai
par main to nashe mein nahin
ke tu hai haseen
tu hai haseen
maine pi hai
pi hai pi hai
par main to nashe mein nahin
ke tu hai haseen
tu hai haseen
maine pi hai
pi hai pi hai

teri zulfon ko chheden nigaahen meri
yoon na hoga
teri baahon se lipten ye baahen meri
yoon na hoga
teri zulfon ko chheden nigaahen meri
yoon na hoga
teri baahon se lipte ye baahen meri
yoon na hoga
yoon na hoga ke ye hai apne dil pe yaqeen
dil pe yaqeen
maine pi hai pi hai pi hai
par main to nashe mein nahin
ke tu hai haseen
tu hai haseen
maine pi hai
pi hai pi hai
hic

ye mohabbat hai dilbar nahin dillagi
tujhko dar kya
hosh mein hai abhi tak wafaayen meri
tujhko dar kya
ye mohabbat hai dilbar nahin dillagi
tujhko dar kya
hosh mein hai abhi tak wafaayen meri
tujhko dar kya
tujhko dar kya ke jhukne ko hai ye zameen
hai ye zameen
maine pi hai
pi hai pi hai
par main to nashe mein nahin
ke tu hai haseen
tu hai haseen
maine pi hai
pi hai pi hai

dekhi jaati nahin ab ye sahmi nazar
chal diya main
ye to jaane ka mausam nahin hain
magar chal diya main
dekhi jaati nahi ab ye sahmi nazar chal diya main
ye to jaane ka mausam nahin hai magar chal diya main
chal diya main
chal diya main
chal diya ye chala ye chala main kahaan
maine pi hai
pi hai pi hai
par main to nashe me nahin
ke tu hai haseen
tu hai haseen
maine pi hai
pi hai pi hai
par main to nashe mein nahin
tu hai haseen
tu hai haseen
maine pi hai
pi hai pi hai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3536 Post No. : 14201

“Prem Ki Ganga”(1971) was produced and directed by Prahlad Sharma for Prahlad Sharma Productions Calcutta. This “social” movie had Soma Salkar, Manish, Kalyani, Sarvendra, Kamal Mishra, Subhadra, Sumati Roy, Master Sethi, Raju Biwa, Veena Ajay Kumar, Himani (new discovery), Avinash (new discovery), Piku (child artist new discovery) etc in it.

The movie itself stayed undiscovered by movie goers. Records of the song were made and some of these records still survive and that is the only trace of this movie.

The movie had eight songs in it.

Here is the first song from “Prem Ki Ganga”(1971) to appear in the blog. This song is sung by Rafi. Prahlad Sharma is the lyricist. Music is composed by Chitragupta.

Only the audio of the song is available. Someone has commented in YT that this song was picturised on Manish. I have no idea if that person actually watched this movie or he has just made a guess based on the cast of the movie. Nevertheless, i request our knowledgeable readers to throw light on the movie as well as on the picturisation of this song.

With this song, “Prem Ki Ganga”(1971) makes its debut in the blog.


Song-Kaun pari neel gagan ki chali aayi re(Prem Ki Ganga)(1971) Singer-Rafi, Lyrics-Prahlad Sharma, MD-Chitragupta

Lyrics

kaun pari neel gagan ki
chali aayi re
paayaliya jhankaaye
kaun pari neel gagan ki
chali aayi re
paayaliya jhankaaye
dekh jise saanwri ghata lahraayi re
rim jhim ras barsaaye

laung lata si komal kaaya
naina do kajraare
laung lata si komal kaaya
naina do kajraare
honth kamal ki paankhudiyon se
gaal arun rasnaare(?)
khil khil kaliyon si muskaati
man bhawra lalchaaye haaye
kaun pari neel gagan ki
chali aayi re
paayaliya jhankaaye

roothh ke mat ja o mrignayni
yug yug ke hum saathi
roothh ke mat ja o mrignayni
yug yug ke hum saathi
jal na sakega deep akela
ban ja tu meri baati
pyaar karen hum donon aisa
swarg yahin bas jaaye
haaye
kaun pari neel gagan ki
chali aayi re
paayaliya jhankaaye
kaun pari neel gagan ki
chali aayi re
paayaliya jhankaaye


Advertisements

Important Announcement

(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14400 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14449

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3938

Total visits so far

  • 10,469,814 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,611 other followers

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Archives

Stumble

visitors whereabouts

blogcatalog

Music Blogs - BlogCatalog Blog Directory

blogadda

Historical dates

Blog Start date: 19 july 2008

Active for more than 3500 days.

Advertisements
%d bloggers like this: