Archive for the ‘Rajesh Khanna songs by Mahendra Kapoor’ Category
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- 6 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 5026 | Post No. : | 16935 | Movie Count : | 4597 |
Hello Atuldom
“Awaam” (1987) was produced by B.R. Chopra and Ravi Chopra. It was directed by B.R. Chopra and had dialogues by Dr. Rahi Masoom Reza.
It had Ashok Kumar, Shafi Inamdar, Iftikhar, Om Shivpuri and Shreeram Lagoo playing friends, and past freedom-fighters who are living on benefits that freedom-fighters used to get. Additionally, Shafi Inamdar, Om Shivpuri and Shreeram Lagoo are politicians in post-independence India and Shafi Inamdar’s character is shown to be hand-in-glove with anti-national (Gaddaar) elements and Om Shivpuri being happy reaping benefits of the Gaddaars.
Rajesh Khanna played the son of the straight-forward Iftikhar and is shown to worship Ashok Kumar. Then there are Deepak Parashar and Raj Babbar who are Rajesh Khanna’s friends. Poonam Dhillon & Smita Patil are the female characters who are slightly more than glamour dolls. There is Nana Patekar who plays an Army officer who has engaged Rajesh Khanna (an infantry man) to look into the activities of the corrupt people. Oh, I forgot to mention Maneesha kohli (character actor Dev Kumar’s daughter) played a negative character with some good dance numbers featuring her. Plus Vijay Arora, Chandrashekhar, Saeed Jaffery, Satish Shah, Rita Rani Kaul, Ashalata and Sushma Seth form the supporting cast. (As we can see it was a multi, multi-starrer).
So that is the story of the movie in short. But the movie itself was 2 & 1/2 hours long with a few people being eliminated every time the cover of the Gaddaars is blown. I know also this because my favourite D2H channel is having a festival of BR Chopra films this week- to remember the producer-director on his birth anniversary which is on 22nd April; he would have been 108. They have aired Ittefaq, Agni Pariksha, Karm, Awam and Afsana is scheduled for tomorrow. Some really ‘Hatke’ movies have been selected, and not the oft-repeated Naya Daur, Baghban, The Burning Train etc. And since it is a BR Chopra film festival I am sure that the channel must have been spoilt with a large library to choose from.
I discovered a few interesting tit-bits as I sat to write this post.
1) this was B R Chopra’s final film as director. Then he made Mahabharat the television series.
2) for about 36 years Ashok Kumar and B R Chopra worked together starting with Chopra’s first film Afsana in 1951.
3) Iftikhar was a permanent in Chopra’s films for 30 years and this was the last time they worked together.
4) Rajesh Khanna acted in a BR Chopra film after 10 years in ‘Awam’; Karm was in 1977.
5) from ‘Gumrah’ to ‘Awam’ Ravi gave music for BR Chopra films for 25 years. This was their last together.
6) This was Smita Patil’s last movie. She had completed shooting her scenes and dubbing was left. Rekha dubbed for Smita’s character.
Today’s song is sung by Mahendra Kapoor & Asha Bhonsle and Rajesh Khanna & Poonam lip-sync. Hasan Kamal was the lyricist.
With this post we can also wish the beautiful Poonam on turning 60 a few days back. April 18th was her birthday. It is hard to imagine that she is 60. All the best to her for great times ahead.
Audio (Full)
Video (Partial)
Song-Teri aankhon mein dhoondhh li maine (Awaam)(1987) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Hasan Kamal, MD-Ravi
Chorus
Both
Lyrics
aaaaa aaaaaaaa
aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
teri aankhon mein
dhoondh li maine
pyaar ki duniya
pyar ki manzil
teri baahon mein
aa gaye jab hum
thham gaye toofaan
mil gaya saahil il il il
teri aankhon mein
aaaa
dhoondh li maine
aaaaa
pyar ki duniya
aaaaa
pyaar ki manzil
aaaaa
aaaaa aaaaa
aaaaa aaaaa
bheegte lamhe
bheegta mausam
jaagti aankhen
khwaab ka aalam
hai yehi lamhe
umr ka haasil
pyaaar ki duniya
pyar ki manzil il il il
teri baahon mein
aaaa
aa gaye jab hum
aaaaaa
thham gaye toofaan
mil gaya saahil
yoon toh pehle bhi
dil dhadakta thha aa
aisa shola sa
kab bhadakta thha
aaj dhadkan bhi ee
pyaar mein shaamil
thham gaye toofaan
mil gaya saahil il il
teri aankhon mein
aaaaa
dhoondh li maine
aaaaaa
pyaar ki duniya
aaaaa
pyaar ki manzil
aaaaaa
aaaaaa aaaaa
tere honthon par
geet halke se
jaise takraaye
jaam chhalke se
roz aankhon mein
khwaab sajte thhe
kab se hum teri
raah takte thhe
hans pada mausam
mil gaye do dil
pyar ki duniya
pyar ki manzil il il il
teri aankhon mein
aaaaa
dhoondh li maine
aaaaa
pyaar ki duniya
aaaaa
pyaar ki manzil
aaaaa,/em>
aaaaaaaaa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
- In: "Nok-Jhonk" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | Guest posts | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Mahendra Kapoor songs | Post by Raja | Rajesh Khanna songs | Rajesh Khanna songs by Mahendra Kapoor | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
- 4 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 4017 | Post No. : | 15124 |
The years roll by – time stops for no one.
And, just like that, it is now 7 years since that day in 2012.
I still remember that day very well – I first got the news on Facebook.
One of my friends had posted “vaada tera vaada”, saying “RIP Rajesh Khanna”.
It shook me – I immediately checked Twitter for validation. (Now Twitter is known to post fake death news from time to time. Not so long ago, they had posted news of Mumtaz’s death – thankfully, fake.) But I wanted a second source.
Sadly, and I realized this very soon with a sinking feeling, the news on 18th July 2012 was not fake. Rajesh Khanna (or Kaka, as he was more affectionately known) HAD passed away. For the past year, he had been suffering from cancer – and the cancer had finally won.
I felt miserable that day. Not that I didn’t know he was suffering from cancer, but I never expected him to go when he did.
That day my Facebook status was
Kya samjhega ye aalam koi
Badaa bhaari hai dil ye mera
Ki le gaye ho saath safar pe tumhaare
Tukda jo kabhi tha dil ye mera
Rubbish poetry, I know – but hey, it did reflect my mood.
Those were the times when I’d seek refuge in my blog. I’d just dump my thoughts onto my blog, for my own sake. It was my way of releasing my feelings, not suppressing them within.
That day too I went to my blog, and wrote a piece for Rajesh Khanna. A personal piece – well, about as personal a piece that one can write about someone he has never met, someone whose many character flaws one acknowledges, and yet someone who was a big part of one’s childhood.
I’ve written about Kaka several times here, and I don’t want to bore readers by repeating stuff.
I’ll just say a few things, and then move on to the song.
Firstly, most times when I discuss Kaka with others (I don’t do much of this anymore), I get the following reactions.
Firstly, a criticism of his acting – mostly his set mannerisms, and his hamming.
Secondly, criticism about him as a person.
I’ve noticed that people who dislike Kaka, tend to dislike him rather intensely. 🙂 On one, or both, of the above counts.
And, I must admit, they would not be wrong.
The first point first.
Without doubt, Kaka’s acting lost its freshness after a few years – and was a big reason for his decline. His superstar success lasted only a few years. During this period, he acted in a whole lot of films. Both he, and his producers, wanted to cash in on his name. Just his name used to be enough to sell a film. Sure, the films were all successful – Kaka holds the record for maximum number of consecutive hits.
But over-exposure comes with its risks. Especially when you’re boxed into a method of acting, expected to conform to set mannerisms, and a set dialogue delivery style. Yes, they made you successful, but style wears out after a while. Kaka’s mannerisms did become an issue. That the storylines also were beginning to get thin, did not help.
Much later in his career, we got to see a different Rajesh Khanna. Not THE superstar anymore, he could afford to act differently, in different roles. Let’s not forget he got his break in films by winning an acting contest, so he couldn’t have been that bad an actor. 🙂
Now, to the second point.
Again, I have to agree. It’s no secret that Kaka allowed success to get to his head. His unprofessional, and possibly even mean, behaviour with colleagues and others, left a lot of people bitter. No doubt many would have been happy to see him go down. A point made even more stark when compared with the upcoming star, Amitabh Bachchan, who was the model professional actor, punctual and polite.
I will not defend Kaka on this front at all. Much later in life, he did realize this himself.
All I will say is, every one of us has failings. Maybe if Kaka’s success had been more gradual, he’d have been a different person. Failure teaches us much more than success – Amitabh had a string of failures before becoming a superstar.
One person’s life is often a lesson for another. Just as people can tell aspiring youngsters “Look at Amitabh – how he struggled early in his career, but his perseverance and professionalism made him a superstar”, they can also say “Look at Rajesh Khanna – how he let success get to his head at a young age, and destroyed his career and relationships”.
One can learn from both.
To me, while I accept these criticisms, I will always remember, and thank, Rajesh Khanna for giving me many wonderful memories in my childhood.
That tilt of the head, that smile, that kurta, that dialogue delivery – today people might mock all of this, but in those days, these are what millions swooned over. That “Pushpa, I hate tears” line is still one of the best-known lines in Hindi cinema.
His films of that era made me feel good when I saw them in the early 70s. Later, when I saw them again, I’d still smile at “rona kabhi nahin rona”, “yahaan wahaan saare”, “nainon mein nindiya hai”, “ye shaam mastaani” and a whole lot of other songs. They’d bring back memories of my childhood.
Like one of my best friends (in class I) would always sing “pyaar deewana hota hai” from Kati Patang. It was his favourite song. I liked it a lot too, but I’d counter him with “ye shaam mastaani”. I know it sounds silly, but these are not just songs for me – they have memories attached to them. Like the incident attached to “o mere dil ke chain” – I’ve discussed the incident here earlier.
And that’s the thing. Each person’s memories are different, and therefore connect with someone is different. And while I acknowledge all Kaka’s failings, I also want to give him back a little bit of that love that I got from watching his films during my childhood.
That’s also the reason for this post. I haven’t written for a while now, but Avinashji requested me to write a post for this occasion. I was hesitant, since I sincerely believe I’ve lost my writing ability. I even told Avinashji “I can’t write anything longer than a tweet now” :-). But he was kind enough to share with me a whole lot of Kaka songs not posted yet, so I could easily pick one.
Now to the song.
Initially I thought of posting a sad song, considering it is on Kaka’s death anniversary. But then I thought again.
What I’d like to remember most of Kaka is the joy I got from watching his films, from before his decline. I think, from up there, he’d also probably like most people to remember him for those films.
So today’s song is from one of his early films – Bandhan (1969). I remember seeing this film long ago, though I don’t remember the story now.
By the way, it is exactly 50 years since this film was released. 1969 was a milestone year for Kaka – this was the year he became a superstar with Aradhana. And Do Raaste was a huge hit too.
The song “jaana hai to jao” shows early glimpses of the superstar-to-be. One can see some of those mannerisms that would become his hallmark in the coming years. And it is always fun to see Kaka and Mumtaz together, even if this was a less-known film than their more famous films to come.
The song is in the voices of Mahendra Kapoor and Asha Bhosle. Not surprising that Mahendra Kapoor was used, considering music is by Kalyanji-Anandji. The MK-KA combo had a huge hit with Upkar (1967), so KA were happy to use MK again. And at that time, Rajesh Khanna was “just another hero”. Kishore Kumar had not yet become his voice. In fact, in this film, even Mukesh sings a happy song for Rajesh Khanna. 🙂
I hope you like the song.
Thanks for the memories, Kaka.
Whatever the world might say about you, remember, when it comes to romance in film,
“tere hi to sar pe mohabbat ka taaj hai”.
Audio
Video
Song-Arrey jaana hai to jaao manaayenge nahin (Bandhan)(1969) Singers-Mahendra Kapoor, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics(Provided by Avinash Scrapwala)
Arrey jaana hai to jaao
arrey jaana hai to jaao manaayenge nahin
jaana hai to jaao
manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
eh
aana hai to aao
bulaayenge nahin
aana hai to aao
bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
hmph
aana hai to aao
dekhi hai dekhi hai dekhi
arrey dekhi hai dekhi hai
tere jaisi kitni chhoriyaan
marti hain marti hain mujhper
saare gaaon ki goriyaan
arrey budhhu hai budhhu hai bilkul
tu kya dulhan laayega
Lagta hai tu kunwaara mar jaayega
Lagta hai tu kunwaara mar jaayega
hum kahen aur kya
tera bhaiyya khada
tujhe
nazron mein uski giraayenge nahin
ha ha ha
nazron me uski giraayenge nahin
arre samjhe
jaana hai to jaao manaayenge nahin
jaana hai to jaao manaayenge nahin
nakhre kisi ke uthhaayenge nahin
nakhre kisi ke uthhaayenge nahin
jaana hai to jaao
jab raaja mahaaraaja
koi mujhe byaahne aayega
jab raaja mahaaraaja
koi mujhe byaahne aayega
seene pe seene pe tere
saanp sa lahra jaayega
arrey tu hai bandariya
hmphh
chal chal
arrey tu hai bandariya
koi madaari hi tujhko le jaayega
kas ke maarega dande
nachaayega
kas ke maarega dande
nachaayega
haa haa
akl moti teri
O naak chhoti teri
mendhki ko to munh hum lagaayenge nahin
chhi chhi
mendhki ko munh hum lagaayenge nahin
eh
jaana hai to jaao
jaana hai to jaao bulaayenge nahin
jaana hai to jaao bulaayenge nahin
kadmon pe sar ko jhhukaayenge nahin
jaa
jaana hai to jaao
———————————————
Devnagri Script lyrics (Provided by Avinash Scrapwala)
———————————————
अरे जाना है तो जाओ
अरे जाना है तो जाओ
मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
ये
आना है तो आओ
बुलायेंगे नहीं
आना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
हं
आना है तो आओ
देखी है देखी है देखी
अरे
देखी है देखी है
तेरे जैसी कितनी छोरियां
मरती है मरती है मुझपे
सारे गाँव की गोरियाँ
अरे बुद्धू है बुद्धू है बिलकुल
तू क्या दुल्हन लाएगा
लगता है तू कुंवारा मर जाएगा
लगता है तू कुंवारा मर जाएगा
हम कहे और क्या
तेरा भैय्या खडा
तुझे
नज़रों में उसकी गिराएंगे नहीं
हं हं हं
नज़रों में उसकी गिराएंगे नहीं
अरे समझे
जाना है तो जाओ मनाएंगे नहीं
जाना है तो जाओ
मनाएंगे नहीं
नखरे किसी के उठायेंगे नहीं
नखरे किसी के उठायेंगे नहीं
जाना है तो जाओ
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
जब राजा महाराजा कोई
मुझे ब्याहने आएगा
सीने पे सीने पे तेरे
सांप सा लहरा जाएगा
अरे तू है बंदरिया
चल चल
अरे तू है बंदरिया
कोई मदारी ही तुझको ले जाएगा
कसके मारेगा डंडे
नचाएगा
कसके मारेगा डंडे
नचाएगा
हां हां
अक्ल मोटी तेरी
ओ नाक छोटी तेरी
मेढकी को तो मुंह हम लगायेंगे नहीं
छी छी
मेढकी को मुंह हम लगायेंगे नहीं
ये
जाना है तो आओ
जाना है तो आओ
बुलायेंगे नहीं
जाना है तो आओ
बुलायेंगे नहीं
क़दमों पे सर को झुकायेंगे नहीं
जा
जाना है तो जाओ
Radhe Krishna Bol Mukh Se
Posted on: January 9, 2019
- In: Bhajan | Bhajan cum western song | Devnagri script lyrics by Avinash Scrapwala | Devotional song | Guest posts | Krishn Bhajan | Lyrics contributed by readers | Mahendra Kapoor solo | Mahendra Kapoor songs | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Mahendra Kapoor | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
3827 | Post No. : | 14832 | Movie Count : |
4056 |
#the Decade of Seventies – 1971 – 1980 #
———————————————————–—
# Bhoole-Bisre Geet # 78 # Singer – Mahendra Kapoor #
—————————————————————————-
Today 9th January is the birth anniversary of Singer Mahendra Kapoor (9 January 1934 – 27 September 2008). Had he been alive today he would have been eighty-five years old.
On today’s occasion here is a song from the 1972 movie ‘Maalik’ sung by Mahendra Kapoor and composed by Kalyanji -Anandji. Lyrics are by Rajinder Krishan.
I have vague memories of watching this film on ‘Doordarshan’ and do not remember it now. In my childhood I had been hearing this song ‘Kanhaiyya Kanhaiyya Tujhe Aana Padega’ on loud speakers during the ‘Janmashtami’ festival. This song was very popular in those years. And after watching this movie ‘Maalik’ on ‘Doordarshan’ around 1983-1985, I came to know it was from this movie. However today on the occasion of birth anniversary of Singer Mahendra Kapoor, I am presenting herewith another Krishna song from the same film.
‘Maalik’ was directed by A Bhim Singh for Bharat Movies, Madras. It was produced by Vasu Menon. It had Sharmila Tagore, Rajesh Khanna, Deven Verma, Sonia Sahni, Bipin Gupta, Shivraj, Umesh Sharma, NS Bedi, Prem Kumar, Kabir Kumar, Baby Pinki and Ashok Kumar (in a special appearance). Story for this movie was written by Balamurugan. Dialogues of this movie were written by Rajinder Krishan (who also wrote the lyrics for all songs in this movie). Editing of this movie was done by A Paul Doraisingam. NS Bedi was also the dialogue director of this movie. This movie was passed by the Censor Board on 26.10.1972.
Rajesh Khanna played a different role in this movie from what was expected from him then and that too when he was on the peak of his career. May be because of that the movie didn’t fare well at the box-office, and may be because people might not have like to watch Rajesh Khanna in this type of role.
Our group of friends then who were the fans of Rajesh Khanna, did not like this movie much when we watched it on ‘Doordarshan’ then in 1983-85. And I remember next day we had discussed this movie and Kaka’s role in it at length. (But that is the matter for another article on Rajesh Khanna series. 🙂
The brief about this movie ‘Maalik-1972’ as given on IMDB is as below;
Rajesh and Savitri are in love, and soon they get married. They soon realize that they have a number of differences, the main one being that while Rajesh is a devout Hindu and worships Lord Krishna, Savitri does not believe in God. This leads to a number of arguments, yet both continue on with their married life. Soon a child is born to them. Unfortunately, the child is born without hands and legs. Both are anguished by this, and decide to placate God by visiting various places of worship all over India, little knowing that the truth lies elsewhere.
This movie has total thirteen songs as listed in HFGK Vol-V (1971-1980). Out of these thirteen songs, the singer’s name has not been mentioned for one song. Out of the remaining twelve songs we have one solo sung by Kishore Kumar, one solo by Lata Mangeshkar, three solo songs sung by Mahendra Kapoor and seven duets of Mahendra Kapoor with Lata Mangeshkar. That way, including the multiple version songs we have Mahendra Kapoor’s voice in as many as ten songs in this movie.
There was one movie made with the same title as ‘Maalik’ in ‘1958’. Five songs from this 1958 movie are already posted on our blog.
Today ‘Maalik’ of 1972 makes its debut on the blog. Here is this first song from this movie appearing here which is sung by Mahendra Kapoor and chorus.
Let us now listen to the today’s song in the voice of Mahendra Kapoor and chorus.
Radhe Krishna bol mukh se
tero kya laage re mol
Audio
Song – Radhe Krishna Bol Mukh Se (Maalik) (1972) Singer – Mahendra Kapoor, Lyrics – Rajendra Krishna, MD – Kalyanji Anandji
Lyrics
aaaa aa aa aa
radhe krishna bol mukh se ae
radhe krishna
bol mukh se
radhe krishna bol
tero
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol
ho ho o o o
radhe krishna bol mukh se
radhe krishna bol tero
kya laage re mol
tero
kya laage re mol
(western dance music)
pee le shyam naam ka pyaala
aa aa aa aa
pee le shyam naam ka pyaala
aur ho ja saancha matwaala
aur ho ja saancha matwaala
girdhar ke rang mein rang ja
re rang ja
tero
kya laage re mol
tero
kya laage re mol
tero
kya laage re mol
(western dance music)
natwar se preet lagaa le
ae ae ae ae
natwar se preet lagaa le
chhavi sundar man mein basaa le ae
chhavi sundar man mein basaa le
bansi ki dhun mein kho ja re kho ja
tero
kya laage re mol
tero
kya laage re mol
ho ho o o
radhe krishna bol mukh se
radhe krishna bol mukh se
radhe krishna bol
mukh se re
radhe krishna bol
(western dance music)
radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol
(western dance music)
radhe krishna bol
radhe krishna bol
(western dance music)
radhe krishna bol
radhe krishna bol
radhe krishna bol
radhe krishna bol
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
आ आ आ आ
राधे कृष्ण बोल मुख से ए
राधे कृष्ण
बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो ओ ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
(पाश्चात्य संगीत)
पी ले श्याम नाम का प्याला
आ आ आ आ
पी ले श्याम नाम का प्याला
और हो जा सांचा मतवाला
और हो जा सांचा मतवाला
गिरधर के रंग में रंग जा
रे रंग जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
(पाश्चात्य संगीत)
नटवर से प्रीत लगा ले
ए ए ए ए
नटवर से प्रीत लगा ले
छवि सुन्दर मन में बसा ले ए
छवि सुन्दर मन में बसा ले
बंसी कि धुन में खो जा रे खो जा
तेरो
क्या लागे रे मोल
तेरो
क्या लागे रे मोल
हो हो ओ ओ
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल मुख से
राधे कृष्ण बोल
मुख से रे
राधे कृष्ण बोल
(पाश्चात्य संगीत)
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
(पाश्चात्य संगीत)
राधे कृष्ण बोल
राधे कृष्ण बोल
(पाश्चात्य संगीत)
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
राधे कृष्ण बोल
Rajesh Khanna, who was born on 29th December 1942, made his mark as a superstar in Hindi movies sometime in the second half of 1969, when “Aradhana” (1969) was released. This movie gave him an identity and a persona which became his trademark.
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Aa jaao aa bhi jaao
Posted on: December 29, 2010
29th december is the birthday of Rajesh Khanna, who was the most influential actor of the era when I was growing up in late 1960s-early 1970s. On this occasion, I will discuss a few songs picturised on Rajesh Khanna that have not yet been discussed here.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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